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Speaker 1: Okay, so this is kind of a weird question, but

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Speaker 1: have you guys ever been watching a movie or a

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Speaker 1: TV show and been shocked to discover that you basically

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Speaker 1: are a character or that a character is you? And

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Speaker 1: I'll tell you the context for me. I recently rewatched Ladybird.

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Speaker 1: Have you guys seen Ladybird? M Okay, I have seen it? Yes,

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Speaker 1: incredible film credit growick, I love I Actually Francis Hall

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Speaker 1: is like one of my favorite movies of all time. Anyway,

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Speaker 1: So I was rewatching Ladybird, and I had forgotten Timothy

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Speaker 1: Shallow's character in this movie. It is unbelievable. Like, I

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Speaker 1: don't know Timothy Shalloway's work that well, but he is

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Speaker 1: so good in this. Her friend play no so he

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Speaker 1: plays the second love interest, so she's basically she's got.

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Speaker 1: She falls in love with Lucas Hedges. He's an incredible actor. God,

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Speaker 1: he's so good. She falls in love with him and

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Speaker 1: and they actually have like a relationship, but then she

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Speaker 1: catches him kissing a guy in the bathroom, so it's

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Speaker 1: revealed that she's you know, he's gay. So she then

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Speaker 1: pursues the like cool kid who's Timothy Shalomer okay, and

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Speaker 1: I have the first time, it was all this movement

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Speaker 1: didn't occur to me. Watching this the second time, I

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Speaker 1: was like, oh god, that's sixteen year old Rider, he like,

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Speaker 1: and I just felt so aware of how do she

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Speaker 1: I was at sixteen, like, you guys have to watch

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Speaker 1: it now because you will know you will be like,

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Speaker 1: oh yeah, I can see what Rider saw of himself.

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Speaker 1: It was just like the most I was so embarrassed

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Speaker 1: for myself watching this movie by myself at night point,

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Speaker 1: like how did I not see that Timothy Shaloman is

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Speaker 1: basically Ride Strong in nineteen ninety six, and it is

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Speaker 1: so embarrassing for you know, good and bad, Like he's

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Speaker 1: very confident, he's very cool and like, very self assured

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Speaker 1: and very like I would say, he's you know, thinking

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Speaker 1: ahead of his time in certain regards. But it's so

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Speaker 1: doche and it's played so well that she loves him

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Speaker 1: because you're just like, come on, Kat, you see this

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Speaker 1: guy for how horribly is which I couldn't at the

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Speaker 1: time either. You know, I was beating that guy anyway

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Speaker 1: that you're never horrible, no, never a bad person, but

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Speaker 1: oh man, you gotta watch this, say I gave anybody

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Speaker 1: to know what a rider strong back, you know, And

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Speaker 1: this is this is for a very limited time. This

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Speaker 1: is that window between like sixteen and seventeen when I

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Speaker 1: could drive and I was trying to be at a

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Speaker 1: grown up and I wasn't quite there yet, but I,

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Speaker 1: you know, read a lot of books and had a

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Speaker 1: lot of big ideas about politics and was just showing

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Speaker 1: off like, Oh, it's so bad, you'll love it, You'll

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Speaker 1: love it. Oh that's so funny. Well, who do you

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Speaker 1: have one like that? I don't really, I can't none that.

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Speaker 1: I none that popped to mind anyway. I mean, I've

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Speaker 1: certainly based my humor on certain characters from television or

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Speaker 1: films when I grew up, but I've yet to kind

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Speaker 1: of see one and go like, oh, that's me, right,

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Speaker 1: because it's um, yeah, I don't. And I have to

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Speaker 1: disagree a little bit with you, writer. I don't know.

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Speaker 1: I don't think you were ever douchey. I just think

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Speaker 1: you were. I didn't even know you. You know you

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Speaker 1: you you were it didn't maybe didn't feel like it

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Speaker 1: at the time. Maybe you were slightly douchy too, but no,

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Speaker 1: I'm sure different reason you have to watch this movie

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Speaker 1: because you there will be a there's a shot. He

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Speaker 1: even has like similar hair, and it's just so. And

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Speaker 1: he's like outside of a coffee shop rolling his own

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Speaker 1: cigarettes and talking about philosophy or whatever. And I was

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Speaker 1: just like, oh my god, Like it was just so.

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Speaker 1: I don't know, it was it was a healthy recognition.

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Speaker 1: It was not like, you know, did he ever like

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Speaker 1: study or practice Capeta? Yes, exactly, exactly see, And I

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Speaker 1: was probably the guy was talking about how cool Capuetta

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Speaker 1: was and how the martial arts not as aggressive. Probably

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Speaker 1: a whole thing. You can't defend yourself and you need

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Speaker 1: a lot of room to do it. It's great, it's

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Speaker 1: hard brands self defense. Oh how about you, Danielle. Have

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Speaker 1: you seen a character where it's like that's me? Oh?

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Speaker 1: I think that requires a level of enjoying art that

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Speaker 1: I just don't have. I feel like, doesn't everybody watch

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Speaker 1: Friends and go like, oh, I'm so Monica. I'm sold.

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Speaker 1: It is something I wish I were better at. And

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Speaker 1: maybe I'll add it to the list of many things

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Speaker 1: I haven't great intentions of doing when my current excuse

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Speaker 1: is having small children. But maybe I've just always had

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Speaker 1: some excuse for why I'm I'm too busy or whatever.

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Speaker 1: But um, watching TV and watching TV and movies are

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Speaker 1: just not things I do. I I don't if I

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Speaker 1: have if I have free time to do something that

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Speaker 1: I really want to do. I am reading, I am

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Speaker 1: not watching something. I'm not watching a movie, I'm not

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Speaker 1: watching television. And yet as a director, I should probably

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Speaker 1: be consuming much more media than I am, but I

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Speaker 1: just don't. So at least you're reading. Man, that's so

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Speaker 1: great reading. Yeah, I love it. Dropped off so much

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Speaker 1: every day well, and I wish I was reading more.

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Speaker 1: But the truth is I have such limited free and downtime,

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Speaker 1: which is one of the reasons I do enjoy traveling

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Speaker 1: so much, because I will make it a priority in

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Speaker 1: my day when I travel, or nothing better to do

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Speaker 1: on a plane than read content. So we have to

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Speaker 1: talk about that a little bit, Danielle, because we're we're

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Speaker 1: gonna be s We're gonna be sitting next to each other,

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Speaker 1: you and I on the flying back this weekend. Are

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Speaker 1: you expecting to talk? I'm just I'm just curious. I

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Speaker 1: got to put that in my head. In no, no,

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Speaker 1: we you don't even have enough about each other at

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Speaker 1: this point. To where we can take a good six

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Speaker 1: hour break. Don't you think I actually should I sit

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Speaker 1: behind him, just because I didn't want you to think

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Speaker 1: that there was any possibility I was going to want

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Speaker 1: to talk, and I thought, and I don't think Will's

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Speaker 1: gonna want to talk, but I don't want him to

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Speaker 1: think I'm sitting next to him because I'm gonna talk.

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Speaker 1: And I'm glad you're not sitting behind me. So and

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Speaker 1: be like, oo, hi, the person behind me keeps kicking

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Speaker 1: my chair, my little legs. That don't the whole time

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Speaker 1: of God's kind of a letter on the plane. Okay, no,

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Speaker 1: don't even look at me. Well, don't even look. I

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Speaker 1: might give me a thumbs up occasionally something like that,

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Speaker 1: just to let you know we're all good. But I'm

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Speaker 1: gonna have to probably be like, excuse me, I got

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Speaker 1: go potty. Yeah, that'll be. You prefer the window or

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Speaker 1: the aisle, because I know you like the aisle because

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Speaker 1: I'm taking the window and I prefer the window. So

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Speaker 1: perfect worked out? Well, um, well, welcome to pod Meet's world.

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Speaker 1: I'm Daniel Fishel, I'm right or strong, and I'm Wilfrid

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Speaker 1: Well special. Thank you to all of our dear listeners.

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Speaker 1: We have to announce that our live show at the

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Speaker 1: iHeart Theater in la is now sold out, but that

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Speaker 1: does not mean that you cannot join us. No matter

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Speaker 1: where you live, you can stream the show on May

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Speaker 1: first at five PMPT and experience an amazing night of

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Speaker 1: boy meets World memories. Right along with us, writer Will

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Speaker 1: and I will be hanging out telling more of our

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Speaker 1: stories and now with special guests Betsy Randall, also known

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Speaker 1: as Everyone's favorite Mom, Amy Matthews and Anthony Tyler Quinn

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Speaker 1: aka mister Turner. What tie will he wear? I wonder?

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Speaker 1: Also just announced the main event, the Bully reunion. You

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Speaker 1: guys have been asking for it, I have been dying

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Speaker 1: for it. On stage, you will be seeing Blake, Ethan

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Speaker 1: and Danny see each other for the first time in

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Speaker 1: almost three decades. That's right, Danny McNulty, Blake Senate and

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Speaker 1: Ethan supply will bring the gang back together on stage.

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Speaker 1: So you better hide your lunch money. This is going

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Speaker 1: to be special. And as if that wasn't action packed enough,

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Speaker 1: Lisa Loebe will be performing. Yes, that Lisa Lobe So

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Speaker 1: make sure you stream this from the comfort of your

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Speaker 1: own home. Which is my favorite way to do anything.

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Speaker 1: And the part you have a full week to watch

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Speaker 1: it once you buy it. No rush from May first.

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Speaker 1: Just go to moment dot coo, slash pod meets World

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Speaker 1: Now and sign up. If I was thirteen and interviewing

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Speaker 1: writers strong right now, I would say this show sounds

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Speaker 1: very cool. Welcome to this episode. We are recapping season two,

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Speaker 1: episode fifteen, Breaking Up is Really Really Hard to Do

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Speaker 1: It originally aired January twenty seventh, nineteen ninety five, and

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Speaker 1: I thought this synopsis is one of my favorites that

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Speaker 1: we've ever read on the show, just because I think

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Speaker 1: it does a good job of explaining how kind of

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Speaker 1: quirky this episode is. Corey asks Wendy out on a

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Speaker 1: date for a couple's night, and now she won't leave

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Speaker 1: him alone. Eric is banned from dating until his grades

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Speaker 1: pick up, while Phoene and Turner play racquetball. Okay, pretty

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Speaker 1: much summed it up though, Okay, yeah, I'm gonna make

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Speaker 1: a bold statement. Oh, this is one of my favorite

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Speaker 1: episodes of the series so far. Great. This is one

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Speaker 1: of my favorite episodes of this series. I laughed out

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Speaker 1: loud several times. I rewound things we were all starting

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Speaker 1: to hit our groove. It was absurd. It was wonderful,

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Speaker 1: one of my favorite episodes so far. I mean, that's good,

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Speaker 1: cool man. I enjoyed it, but I definitely did not

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Speaker 1: think it was one of our best step I thought

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Speaker 1: it was great, loved it. Yeah, yeah, I also enjoyed it.

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Speaker 1: Um I wouldn't say it's in I think it's one

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Speaker 1: of the best episodes, but I definitely enjoyed it. And

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Speaker 1: obviously the one it's finally we're here they want you

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Speaker 1: to take the roles is here. Yeah. I could have

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Speaker 1: watched an entire episode of those characters in that makeup

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Speaker 1: like that. I could that easily could have been a

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Speaker 1: spin off episode. Yep. So funny and so great. I

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Speaker 1: understand why people love it so much. Um So, this

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Speaker 1: episode was directed by je McCracken, which this is the

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Speaker 1: first jun David Trainer episode. This is the first McCracken episode.

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Speaker 1: I thought, so too. Yeah, okay, good, that's so interesting

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Speaker 1: because I actually felt aware of something being different and yeah,

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Speaker 1: that's especially in the kitchen scene with with with U

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Speaker 1: Ben and that's so funny. Okay, yes, so our first

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Speaker 1: non David Trainer episode. It was written by Mark Blutman

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Speaker 1: and Howard Buskang, and It guest starred Jason Marsden as

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Speaker 1: Jason Mark Jensen, Jessica Wesson, who we saw in Pairing

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Speaker 1: Off earlier in the season. She comes back as Wendy

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Speaker 1: Jansen slash Old Wendy, Katie Barnhill as Lorie, Katie Johnston

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Speaker 1: as Bonnie, and Musetta Vander as Dominique. She played a

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Speaker 1: siren in Oh Brother, Where Art thou? By the way? Okay, yeah,

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Speaker 1: So to jump into our recap, we are at Chubby's.

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Speaker 1: Corey is reading a dinner party invitation that says couples only,

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Speaker 1: and he says it's discrimination against people like Sean and him,

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Speaker 1: people who are living the single life. And then the

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Speaker 1: camera pans over to show Sean, who is making out

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Speaker 1: with a girl. Writer's first right on kiss screens. Now,

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Speaker 1: the only thing that might throw out. I was on

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Speaker 1: a show called Davis Rules, Remember that, Yeah, And I

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Speaker 1: played a character named Timmy the Lip, and I was

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Speaker 1: I was in trouble for kissing girls. I know that

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Speaker 1: that's the story, but I don't think I actually kissed

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Speaker 1: a girl on the show. So this is probably this moment,

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Speaker 1: and this is why I think I've often I've I've

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Speaker 1: said during Q and a's and stuff, how awkward it

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Speaker 1: is when you meet an extra right and you had

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Speaker 1: making out with them. And I think that's why that's

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Speaker 1: ingrained as like the because that's what happened here. She

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Speaker 1: doesn't have any line, right, she's not. Yeah, she was

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Speaker 1: actually wouldn't have been there all week, so it would

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Speaker 1: have been like me pretending to make out with somebody

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Speaker 1: all week and then literally moments before they filmed up

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Speaker 1: being like this is so and so right, you know,

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Speaker 1: meet and now you're going to be making out. So

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Speaker 1: I remember, I remember that moment. I remember being paralyzed

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Speaker 1: and terrified, and now to realize it was also my

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Speaker 1: first on screen kiss, not just ye need somebody and

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Speaker 1: kiss them, but yeah, I thought that same thing. I

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Speaker 1: was like, there, he is, there, he's doing he's kissing

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Speaker 1: a girl. He's kissing a girl. Yeah, yep, and within

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Speaker 1: a great vest. You're back to multiple layers vest again.

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Speaker 1: Pretty great. Yeah, that's multiple layers. Go ahead, no, no,

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Speaker 1: by all means, please let you say it. Well, no,

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Speaker 1: there's an erection reference. Thank you for saying it so

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Speaker 1: that I don't have to. Yeah, you're joke about is

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Speaker 1: about an erection. Remember in health class and we learned

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Speaker 1: about blood moving through the body. I understand that now,

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Speaker 1: I understand that. Now that's how I just took that

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Speaker 1: as like my heart was racing. I do that's as

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Speaker 1: an erection reference. Absolutely, I'm watching it was like, ye, sure,

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Speaker 1: did weird? Yep? Exactly exactly. Sean says Corey can ask

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Speaker 1: a girl and then they can all go No big deal.

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Speaker 1: He points out Wendy and tells Corey to go ask

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Speaker 1: her out and do what he does with girls, not

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Speaker 1: think at all. Corey walks up to Wendy and invites

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Speaker 1: her to the party, but she says it's for couples

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Speaker 1: only and that Corey looks like he's just looking for

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Speaker 1: a date, not a relationship. Corey says, no, if that's

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Speaker 1: not the case. So Wendy says, there are a couple now,

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Speaker 1: and she's going to go tell all of her friends.

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Speaker 1: He says he'll do the same thing, and he goes

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Speaker 1: to tell Sean and he says, look, I love this

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Speaker 1: scene because it's just you see all the problems coming right.

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Speaker 1: It's just like the slow train wreck watching Corey. But

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Speaker 1: it's also completely understandable that Corey would be like, I

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Speaker 1: want to be a couple, sure, Like, please, you'll go

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Speaker 1: with me to this thing. I just love I love

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Speaker 1: the writing. I love that we've know Corey so well

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Speaker 1: at this point that he's like gonna be stoked and

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Speaker 1: agree to all of this and then yeah, and that

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Speaker 1: Sean sets him up for all of the problems without

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Speaker 1: realizing what a catastrophe it's going to be. Later. He also,

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Speaker 1: it's very real because when you're in seventh or eighth,

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Speaker 1: your relationship always lasts a week. For sure, it's a week,

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Speaker 1: it's ten days. Oh my god, they've been together a month.

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Speaker 1: That's crazy. So the idea that she then instantly wants

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Speaker 1: me together forever, it made just something that's totally normal

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Speaker 1: into a legitimate problem. It was, Yeah, Well, then we're

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Speaker 1: in the Matthews living room and this scene starts with

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Speaker 1: Eric saying, look at me, I'm alone, which is just

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Speaker 1: related to what Corey said in the scene right before

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Speaker 1: look at me, I'm a couple. But it doesn't really

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Speaker 1: tie into your storyline at all at all. And that

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Speaker 1: was one thing I noticed about it. Yeah, yeah, on

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Speaker 1: running thing for this entire episode that I did find

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Speaker 1: out the scenes just abruptly end, right. There's a number

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Speaker 1: of different scenes where it's like, oh that, Oh I

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Speaker 1: guess that's over. Oh okay there, Yeah, it's just we're

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Speaker 1: on a different scene. It was really weird. Yeah I

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Speaker 1: didn't notice that, but maybe that's a directing thing too,

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Speaker 1: But you mean more in the terms of the writing,

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Speaker 1: like the way it actually jokes. Yeah, it did. It

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Speaker 1: did definitely have the feel of like optical flip, but

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Speaker 1: the connection between the two optical flips was just someone saying,

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Speaker 1: look at me and the next person, I'm a couple,

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Speaker 1: look at me, I'm alone. I'm alone. Yeah. It was

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Speaker 1: very and it was like, well, and I guess it

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Speaker 1: does tie into your storyline of no dating, right, but

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Speaker 1: like we haven't gotten there yet. We're we're literally being

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Speaker 1: thrown into the scene about your grades and they're about

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Speaker 1: ready to tell you that you're not allowed to that

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Speaker 1: you're going to have to be alone. So it's a

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Speaker 1: little bit of a yeah it was a cheat that

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Speaker 1: didn't Yeah, it's a little bit of a cheat. Um um.

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Speaker 1: But I remember this so I remember my storyline in

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Speaker 1: this because this, to me, this episode I can point

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Speaker 1: to as kind of the genesis of Eric getting bigger.

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Speaker 1: I was wondering if this was this is the one

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Speaker 1: I remember the whole thing and I was getting big

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Speaker 1: last during the run through with the giggling and stuff

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Speaker 1: at the end with it with doing the hair, and

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Speaker 1: this is the one where it was like, oh, I

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Speaker 1: can take it up a notch. This is because I mean,

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Speaker 1: am I thinking? What I was thinking about it was like,

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Speaker 1: I really don't like your storyline. I think it's pretty

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Speaker 1: stupid and on the nose and vious, but you're so

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Speaker 1: good in it and that it's fine, do you know

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Speaker 1: what I mean? Like, but if you took the written

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Speaker 1: the scene as written, where like you're saying the things

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Speaker 1: that you're saying to is it Dominique? Is that her? Yes,

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Speaker 1: the things that you're saying to her while you're getting

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Speaker 1: into are just like oh God, but of course you

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Speaker 1: deliver it. You know what It's like? Okay? And I

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Speaker 1: guarantee you that the writers were like, oh, he could

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Speaker 1: do anything, like we could. I guess that's why we can.

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Speaker 1: One of my favorite episodes and it's because that good. Yeah,

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Speaker 1: this started, This started the genesis of Eric being alone nuts. Yeah,

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Speaker 1: I just you know, in general, like I've just because

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Speaker 1: I didn't. I don't you like the girl craziness is

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Speaker 1: funny when it's sophisticated or what it's but like you

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Speaker 1: just being like my girls and crime, like it just

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Speaker 1: reminds me of like me with the cheerleaders. It's just

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Speaker 1: like this one note sort of take that. Yeah, I

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Speaker 1: guess it's just like, oh, we have to get behind

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Speaker 1: this character sexual frustration. That's what's funny. And I'm just

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Speaker 1: always kind of like, isn't that just because they still

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Speaker 1: didn't know where Eric was at this point? And that's

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Speaker 1: why I can look at this episode and be like,

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Speaker 1: all right, now he's just going to be absurd, right

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Speaker 1: to start something? Yeah? You know. Yeah. And by the way,

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Speaker 1: I mean, it's like David Kendall said when we talked

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Speaker 1: to Kendall, we have a Jim carry on our hands.

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Speaker 1: This was the moment when that may have been really realized, Like, oh,

325
00:17:22,680 --> 00:17:26,760
Speaker 1: he can literally do anything. He can do vocal humor,

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Speaker 1: he can do, physical comedy, he can do like, let's

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Speaker 1: just see where else what else we can do, give

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Speaker 1: him something else, Let's let's see what's happening. Like you

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Speaker 1: really had a big freedom that I think really started

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Speaker 1: here too. Yeah, this is an important episode for me

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Speaker 1: just as an actor, because it was like, oh, I

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Speaker 1: can just kind of say, yeah, this was an absurd

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Speaker 1: episode all the way around, and I like and I

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Speaker 1: liked the absurdity of it was I was a fan

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00:17:49,920 --> 00:17:53,159
Speaker 1: of that. Yeah, so yeah, I remember this week. Alan

336
00:17:53,200 --> 00:17:55,399
Speaker 1: and Amy tell Eric he can't go out until he

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Speaker 1: gets his grades up to letters closer to the top

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Speaker 1: of the alphabet. Amy asks Alan, and how can you

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Speaker 1: be so cruel to my little baby? And Alan reveals

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00:18:03,560 --> 00:18:07,080
Speaker 1: it was actually her idea, which is funny. Alan says

341
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Speaker 1: Eric can't rely on his looks, and Eric says all

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Speaker 1: he wants to be is a weatherman, which started It's

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00:18:13,280 --> 00:18:17,560
Speaker 1: also where it started yet the weatherman. Eric says, I

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Speaker 1: feel like this this storyline is actually pivotal in the

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Speaker 1: sort of Eric developed right, and that you're taking the

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Speaker 1: girl crazy factor, which is all we've established about his character,

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Speaker 1: and we're pinting it up against his grades, like it's

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Speaker 1: you're not you're not going to be so smart if

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Speaker 1: you keep focusing on the you know, it's like these

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Speaker 1: two impulses, and I think the fact that the character

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Speaker 1: is not going to be that smart is going to

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Speaker 1: become the fun Yeah, so yeah, it's interesting. Eric says

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Speaker 1: to consider his counter argument, and then he just cries,

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Speaker 1: don't take away my girls. Strange. And then we're in

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Speaker 1: the school hallway. Wendy is waiting for Corey outside of

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Speaker 1: his classroom and she tells him that spending this week

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Speaker 1: with him has been the best week of her life.

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Speaker 1: Corey agrees, he tries to leave, and then she asks

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Speaker 1: him what he's doing this summer. Wendy says she's looking

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Speaker 1: forward to spending the summer together, and Corey responds that

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00:19:08,080 --> 00:19:11,679
Speaker 1: they should wait to see how the spring goes. First,

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00:19:13,400 --> 00:19:15,199
Speaker 1: the bell rings and Corey is heading off to his

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Speaker 1: next class. Wendy knows he's off to chemistry, which shocks him.

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Speaker 1: She knows his entire schedule. As he leaves, she asks

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Speaker 1: if he's forgetting anything, and Corey checks his zipper, which

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Speaker 1: gets a big laugh from the audience and Wendy was

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Speaker 1: alluding to a kiss. They peck and he walks away.

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Speaker 1: Well now also before that before oh, I know, I

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Speaker 1: bet you're going to say the same thing. Yes, yes,

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Speaker 1: that is a very bizarre moment to have come back yep, okay,

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Speaker 1: do we think I have a couple theories. One is

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Speaker 1: it a conscious reference to straight in to call? Two

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Speaker 1: is it a completely unconscious beat where like our writers

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Speaker 1: just have this idea of like a woman straight into

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Speaker 1: this callar that's cute, it'll be people in relationships do

376
00:20:01,240 --> 00:20:03,879
Speaker 1: and it just happened. Or is it this like interesting

377
00:20:04,080 --> 00:20:09,040
Speaker 1: like echo. Maybe both can be true, right like, because

378
00:20:09,040 --> 00:20:11,280
Speaker 1: to me I immediately was like whoa that was like

379
00:20:11,280 --> 00:20:13,520
Speaker 1: a that was the end or there was the end

380
00:20:13,520 --> 00:20:17,360
Speaker 1: of boy Boy Meets Girl episode, like a whole episode

381
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Speaker 1: about like how he feels about Topanga with her straightening

382
00:20:20,600 --> 00:20:22,680
Speaker 1: his caller. I don't know. It seems like it needed

383
00:20:22,720 --> 00:20:26,080
Speaker 1: to be referenced or acknowledged. I kind of think it

384
00:20:26,119 --> 00:20:28,000
Speaker 1: was done on purpose, but I could be wrong. I

385
00:20:28,040 --> 00:20:29,919
Speaker 1: mean I wrote it down like that's a that's a

386
00:20:29,920 --> 00:20:32,880
Speaker 1: Topanga thing right there, and I'm wondering if they did

387
00:20:32,880 --> 00:20:34,919
Speaker 1: that on purpose. I don't know. I think it's a

388
00:20:34,920 --> 00:20:37,320
Speaker 1: little bit of both. I think writer, it is exactly

389
00:20:37,359 --> 00:20:38,920
Speaker 1: what you said where it's a little bit of both.

390
00:20:39,000 --> 00:20:43,640
Speaker 1: I think it is an slightly outdated idea our writers

391
00:20:43,720 --> 00:20:49,080
Speaker 1: had about um female affection coming out as a maternal

392
00:20:49,640 --> 00:20:53,639
Speaker 1: like in a maternal sense, where when a woman likes you,

393
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Speaker 1: she wants she takes care of you in that way

394
00:20:56,800 --> 00:21:00,680
Speaker 1: and in a maternal way makes you more presentable rum

395
00:21:01,000 --> 00:21:04,159
Speaker 1: And in with that, I think it is a callback

396
00:21:04,320 --> 00:21:07,320
Speaker 1: to the last time we saw a girl take care

397
00:21:07,320 --> 00:21:10,040
Speaker 1: of him in this way, which was Topanga. So I

398
00:21:10,080 --> 00:21:14,680
Speaker 1: think it's I think it was both interesting. I think

399
00:21:14,680 --> 00:21:19,800
Speaker 1: it speaks to something I I was flabbergasted by this

400
00:21:19,800 --> 00:21:25,439
Speaker 1: whole episode about, which is that this this episode is

401
00:21:25,480 --> 00:21:29,760
Speaker 1: clearly played for a joke, right, like she's nuts, she's crazy,

402
00:21:30,480 --> 00:21:33,920
Speaker 1: But actually what happens or what she's crazy about is

403
00:21:33,960 --> 00:21:37,159
Speaker 1: the Corey Topanga storyline. I said that at the end

404
00:21:37,160 --> 00:21:39,919
Speaker 1: of the episode, I said, my number one confusion is

405
00:21:40,240 --> 00:21:45,200
Speaker 1: why did that? Why did Corey become Wendy? Yes, exactly exactly.

406
00:21:45,400 --> 00:21:47,320
Speaker 1: And that's what I think is so interesting that in

407
00:21:47,760 --> 00:21:51,080
Speaker 1: some ways it's like you had to have this storyline

408
00:21:51,119 --> 00:21:54,120
Speaker 1: and order for Corey and Topanga to be okay? Does

409
00:21:54,119 --> 00:21:56,800
Speaker 1: that make sense? Like like once we had made fun

410
00:21:56,880 --> 00:21:59,600
Speaker 1: of the idea that you how ridiculous it would it

411
00:21:59,640 --> 00:22:02,560
Speaker 1: be if the person you met in whatever grade right

412
00:22:02,720 --> 00:22:05,280
Speaker 1: becomes your you know, your love of your life and

413
00:22:05,280 --> 00:22:09,320
Speaker 1: you end up having kids together. But like that seriousness,

414
00:22:09,359 --> 00:22:12,959
Speaker 1: almost psychotic level of seriousness that Corey has later on

415
00:22:13,000 --> 00:22:15,040
Speaker 1: in the show, and I believe to Panga has two

416
00:22:15,359 --> 00:22:18,240
Speaker 1: to a certain degree, is what is being made fun

417
00:22:18,280 --> 00:22:20,840
Speaker 1: of in this episode, right, And so in a lot

418
00:22:20,880 --> 00:22:24,560
Speaker 1: of ways, it's sort of like a release vow for it, like, well,

419
00:22:24,680 --> 00:22:28,040
Speaker 1: she's crazy, And then then we know that Corey's actually

420
00:22:28,040 --> 00:22:30,520
Speaker 1: serious about it, and that that he's not just crazy,

421
00:22:30,560 --> 00:22:33,920
Speaker 1: he really does understand love because he didn't. He didn't.

422
00:22:33,960 --> 00:22:36,720
Speaker 1: He wasn't Wendy, right, He wasn't like just as as

423
00:22:36,720 --> 00:22:40,240
Speaker 1: baddy as she was. He really knows that he into Panga.

424
00:22:40,280 --> 00:22:41,879
Speaker 1: But that's kind of a cheat, that's kind of a

425
00:22:41,920 --> 00:22:45,639
Speaker 1: weird distinction with that. I also didn't think she was

426
00:22:45,880 --> 00:22:48,760
Speaker 1: all that crazy, Like I think they could have ramped

427
00:22:48,840 --> 00:22:51,000
Speaker 1: up the crazy a little bit. No, I mean certain things.

428
00:22:51,080 --> 00:22:53,120
Speaker 1: You get a girl who's in the seventh grade, who's

429
00:22:53,200 --> 00:22:55,960
Speaker 1: with the first relationships. He's in the idea of thinking

430
00:22:56,000 --> 00:22:58,080
Speaker 1: about we might get married or we might do this. Oh,

431
00:22:58,119 --> 00:23:01,080
Speaker 1: don't get me wrong, I doodled always names all over

432
00:23:01,240 --> 00:23:03,520
Speaker 1: my journey, but I just knew not to say it

433
00:23:03,520 --> 00:23:05,840
Speaker 1: out loud. I know, But that doesn't It wasn't like

434
00:23:05,920 --> 00:23:07,199
Speaker 1: I mean, I thought if they were going to go

435
00:23:07,359 --> 00:23:10,439
Speaker 1: absurd crazy, they could have really done some like they

436
00:23:10,440 --> 00:23:13,439
Speaker 1: could have gone absurd crazy as opposed to just like,

437
00:23:13,480 --> 00:23:15,080
Speaker 1: what are you doing this summer because we're gonna have

438
00:23:15,080 --> 00:23:16,880
Speaker 1: fun and our kids are you know, It's like that's

439
00:23:16,960 --> 00:23:19,760
Speaker 1: kind of like normal crazy. Yeah, I'm okay with it,

440
00:23:19,760 --> 00:23:22,439
Speaker 1: I guess. I guess I liked all of that, especially

441
00:23:22,440 --> 00:23:24,359
Speaker 1: I like when Betsy was fine with it. Yeah, but

442
00:23:24,440 --> 00:23:26,000
Speaker 1: when Betsy turns at the end of that scene it

443
00:23:26,000 --> 00:23:30,159
Speaker 1: goes beep beep beep. I was like, really now, first assessment,

444
00:23:30,160 --> 00:23:32,840
Speaker 1: which was like, she's playing house. This is huge, right.

445
00:23:33,320 --> 00:23:35,639
Speaker 1: That's why that's why the crazy didn't make sense to me,

446
00:23:35,680 --> 00:23:37,720
Speaker 1: because it's like, I mean, I think crazy should have

447
00:23:37,720 --> 00:23:40,560
Speaker 1: been more immediate, you know, the same way that TK

448
00:23:40,760 --> 00:23:44,439
Speaker 1: is crazy was immediate. TK gets him all the roses

449
00:23:44,440 --> 00:23:46,600
Speaker 1: and does all these things in the immediate that are like, whoa,

450
00:23:46,680 --> 00:23:49,160
Speaker 1: that's actually crossing the line, you know you buy stakes,

451
00:23:49,840 --> 00:23:53,199
Speaker 1: But in this case, she's just fantasizing that's agree. And

452
00:23:53,240 --> 00:23:54,840
Speaker 1: that's what I mean. That's why I didn't think it

453
00:23:54,880 --> 00:23:56,840
Speaker 1: was all that all that nuts. But I also one

454
00:23:56,880 --> 00:23:59,520
Speaker 1: of the things I loved about the episode was the

455
00:23:59,640 --> 00:24:04,639
Speaker 1: fact it seemed it seemed like our show. It seemed

456
00:24:04,640 --> 00:24:06,760
Speaker 1: like we all were in our bodies, we all had

457
00:24:06,800 --> 00:24:09,160
Speaker 1: our characters down, we all knew what we were doing,

458
00:24:09,240 --> 00:24:12,520
Speaker 1: and it kind of seemed like an episode of Boy

459
00:24:12,520 --> 00:24:14,879
Speaker 1: Means All. To me. It just I had that moment

460
00:24:14,920 --> 00:24:19,320
Speaker 1: of Sean Sean and Corey's Corey and the parents are

461
00:24:19,359 --> 00:24:22,760
Speaker 1: the parents, Eric's Eric, Like, it seems like we don't

462
00:24:22,800 --> 00:24:26,320
Speaker 1: even Phoenie, the Phoene storyline of that kind of you know,

463
00:24:26,600 --> 00:24:30,119
Speaker 1: uh underhanded feene a little bit. It all just felt

464
00:24:30,240 --> 00:24:34,280
Speaker 1: right to me, funny, that's great. Yeah, yeah, I think

465
00:24:34,280 --> 00:24:36,480
Speaker 1: you're probably feeling it even more because it was probably

466
00:24:36,680 --> 00:24:39,400
Speaker 1: in some part of your brain where you also really

467
00:24:39,440 --> 00:24:42,399
Speaker 1: clicked in. I totally hear what you're saying. Yeah, I

468
00:24:42,400 --> 00:24:45,960
Speaker 1: can see that. Yeah, that's cool. I also think going back,

469
00:24:46,000 --> 00:24:47,760
Speaker 1: just really briefly, I don't I don't want to do

470
00:24:47,880 --> 00:24:49,560
Speaker 1: on this too long, but going back really briefly to

471
00:24:49,600 --> 00:24:52,280
Speaker 1: the differences between like what Corey and Tapanga became and

472
00:24:52,720 --> 00:24:55,199
Speaker 1: Wendy and Corey in the scene or in the show. Um,

473
00:24:55,760 --> 00:24:59,160
Speaker 1: I guess the argument on the opposite side would be, well,

474
00:24:59,560 --> 00:25:02,240
Speaker 1: Corey ought to know to Panga or Corey got knows

475
00:25:02,280 --> 00:25:04,800
Speaker 1: to Panga over the course of many years, so that

476
00:25:04,840 --> 00:25:07,320
Speaker 1: by the time he is like, this is going to

477
00:25:07,400 --> 00:25:10,400
Speaker 1: be my person. We're spending our entire lives together. It's

478
00:25:10,640 --> 00:25:13,800
Speaker 1: it's like he really knows her, as opposed to Wendy

479
00:25:14,000 --> 00:25:17,159
Speaker 1: does not truly know Corey. This is just the first

480
00:25:17,200 --> 00:25:20,280
Speaker 1: person she's been in a relationship with, and she's already

481
00:25:20,320 --> 00:25:23,240
Speaker 1: decided and she's taking it to this extreme. What if

482
00:25:23,280 --> 00:25:25,639
Speaker 1: he is not actually what if you guys don't have

483
00:25:25,720 --> 00:25:28,520
Speaker 1: enough shared interests, what if you don't actually like him?

484
00:25:28,560 --> 00:25:31,119
Speaker 1: Like that's what you're supposed to discover upon dating, is

485
00:25:31,160 --> 00:25:34,240
Speaker 1: like do I like this person? Really? And you don't

486
00:25:34,240 --> 00:25:37,199
Speaker 1: really get to know someone that quickly. You think you do,

487
00:25:37,280 --> 00:25:41,040
Speaker 1: but you don't, and so but then the other My

488
00:25:41,160 --> 00:25:43,439
Speaker 1: other thing about Corey and t Penga is like a

489
00:25:43,440 --> 00:25:46,160
Speaker 1: lot of the arguments for why we thought we should

490
00:25:46,160 --> 00:25:48,399
Speaker 1: have stayed together was just because well we had so

491
00:25:48,480 --> 00:25:51,119
Speaker 1: much time under our belts with shared history, like so,

492
00:25:51,280 --> 00:25:54,080
Speaker 1: well we've already been together for seven years, and truthfully,

493
00:25:54,400 --> 00:25:56,280
Speaker 1: that can be a terrible reason to stay in a

494
00:25:56,320 --> 00:25:59,000
Speaker 1: relationship with someone. Like also, isn't there a lot of

495
00:25:59,040 --> 00:26:02,200
Speaker 1: we're meant to be together conversation like you're the one

496
00:26:02,400 --> 00:26:05,440
Speaker 1: for me, yeah, which is kind of on both ends.

497
00:26:05,800 --> 00:26:08,399
Speaker 1: It's just both a dead end argument, right, that's just

498
00:26:08,480 --> 00:26:12,960
Speaker 1: like oh that we were supposed to be together there, Okay,

499
00:26:13,000 --> 00:26:15,399
Speaker 1: we can't we can't finish it, like we can't debate that,

500
00:26:15,520 --> 00:26:18,680
Speaker 1: Like it's just we meant to be together, destiny. It's

501
00:26:18,960 --> 00:26:22,000
Speaker 1: also in the episodes later on with Linda where with

502
00:26:22,080 --> 00:26:25,879
Speaker 1: Linda Cardelini where we break up, he says, you know,

503
00:26:26,440 --> 00:26:29,000
Speaker 1: other people may have had doubts, but I've never had

504
00:26:29,040 --> 00:26:31,080
Speaker 1: doubts or something like that, or one of us says

505
00:26:31,119 --> 00:26:34,639
Speaker 1: we've never had doubts, and I'm like, really yeah, and

506
00:26:34,760 --> 00:26:37,280
Speaker 1: it's way more Wendy than Wendy to me, like that

507
00:26:37,320 --> 00:26:39,600
Speaker 1: kind of stuff later that later stuff where that's where

508
00:26:39,760 --> 00:26:42,879
Speaker 1: those are like red flag stuff where it's like, no,

509
00:26:43,160 --> 00:26:46,520
Speaker 1: that's not good, yeah to Panga not going to Yale

510
00:26:46,520 --> 00:26:49,359
Speaker 1: with it. I mean, like it gets really have a

511
00:26:49,400 --> 00:26:52,240
Speaker 1: different perspective on it. I know, I got I got

512
00:26:52,320 --> 00:26:54,960
Speaker 1: hate online when I was online because I flat out

513
00:26:54,960 --> 00:26:57,720
Speaker 1: said somebody tweeted something was Lisa Simpson. It was a

514
00:26:57,760 --> 00:27:01,399
Speaker 1: meme of Lisa Simpson lying in bed wide awake in

515
00:27:01,400 --> 00:27:04,000
Speaker 1: the middle of the night and it said lying awake

516
00:27:04,200 --> 00:27:08,480
Speaker 1: at night, not like unable to believe that Topanga chose

517
00:27:09,000 --> 00:27:12,320
Speaker 1: Yale or chose Corey over Yale. And I wrote, I

518
00:27:12,400 --> 00:27:14,760
Speaker 1: like retweeted in and wrote, yeah, she chose wrong or

519
00:27:14,800 --> 00:27:17,000
Speaker 1: something like that, and it was like, are you kidding me?

520
00:27:17,240 --> 00:27:19,359
Speaker 1: And even Michael came in and he did the whole

521
00:27:19,480 --> 00:27:22,800
Speaker 1: lyrics from that, U don't know nothing about history, don't

522
00:27:22,800 --> 00:27:26,000
Speaker 1: know nothing about biology, you know, but I do know

523
00:27:26,040 --> 00:27:28,560
Speaker 1: that I love you kind of thing. And it was like, okay,

524
00:27:28,560 --> 00:27:31,639
Speaker 1: but she could have gone to Yale. So it's yeah,

525
00:27:31,720 --> 00:27:47,800
Speaker 1: it's well for sixteen years from now. Six So a

526
00:27:47,880 --> 00:27:50,840
Speaker 1: nearby mister Phoene reminds mister Turner that mid term grades

527
00:27:50,880 --> 00:27:53,000
Speaker 1: are due next Friday, and Turner says he's thinking of

528
00:27:53,000 --> 00:27:56,520
Speaker 1: giving giving everyone a's it's just easier. Phoene notices mister

529
00:27:56,600 --> 00:27:59,120
Speaker 1: Turner's athletic bag and says he was a great squash

530
00:27:59,160 --> 00:28:01,560
Speaker 1: player back in the day. Mister Turner asks what that

531
00:28:01,640 --> 00:28:04,960
Speaker 1: has to do with racquetball. Mister Turner says squash and

532
00:28:05,040 --> 00:28:07,719
Speaker 1: raccketball are almost the same and asks mister Feeney if

533
00:28:07,720 --> 00:28:10,120
Speaker 1: he wants to play tomorrow, that'll give him enough time

534
00:28:10,160 --> 00:28:13,119
Speaker 1: to get a doctor's note. Turner tie in this I

535
00:28:13,240 --> 00:28:16,440
Speaker 1: noticed was is that all you noticed was the turner tie.

536
00:28:16,440 --> 00:28:19,679
Speaker 1: Did you not also notice the rodeo sized belt he

537
00:28:19,800 --> 00:28:22,440
Speaker 1: was wearing. No, I did not look like he had

538
00:28:22,560 --> 00:28:25,479
Speaker 1: one some sort of a contest and he had this

539
00:28:25,560 --> 00:28:27,919
Speaker 1: giant belt buckle thing on. Yeah, it was very funny.

540
00:28:27,640 --> 00:28:31,320
Speaker 1: But I notice your wardrobe later kind of starting to

541
00:28:31,400 --> 00:28:35,320
Speaker 1: look like Tony's. You had the tight in with the belt. Yes, okay.

542
00:28:35,359 --> 00:28:38,280
Speaker 1: I was like, uh, will probably friends with Tony in

543
00:28:38,320 --> 00:28:40,080
Speaker 1: real life? Probably, And I bet you they were giving

544
00:28:40,120 --> 00:28:42,040
Speaker 1: you wardrobe and you were tucking it in and put

545
00:28:42,040 --> 00:28:44,239
Speaker 1: your belt front and center. I always dressed the way

546
00:28:44,240 --> 00:28:46,000
Speaker 1: they told me to, like they would write on my

547
00:28:46,080 --> 00:28:50,080
Speaker 1: thing green shirt, tuck in right, So I never picked out.

548
00:28:50,200 --> 00:28:55,320
Speaker 1: I just noticed how unbelievably skinny you are. I'm so thin,

549
00:28:55,400 --> 00:28:58,200
Speaker 1: and I think still getting thinner. I know you really

550
00:28:58,200 --> 00:29:00,480
Speaker 1: do you? Well, there was you're crossing as the hallway

551
00:29:00,520 --> 00:29:03,360
Speaker 1: and I was like, this boy turned sideways and he disappears. Yeah,

552
00:29:03,400 --> 00:29:05,800
Speaker 1: if you're that thin on camera, then you're really thin

553
00:29:05,920 --> 00:29:09,120
Speaker 1: in person. Yeah, because like that camera, adding ten pounds

554
00:29:09,160 --> 00:29:12,200
Speaker 1: is no joke. Um Phoenie agrees. The game is on.

555
00:29:12,640 --> 00:29:14,959
Speaker 1: Laurie comes up behind Eric at his locker and he

556
00:29:15,000 --> 00:29:18,200
Speaker 1: tries to avoid her. Why just because he can't go

557
00:29:18,200 --> 00:29:20,680
Speaker 1: out on dates? Is that's not allowed apparently to even

558
00:29:20,720 --> 00:29:23,680
Speaker 1: look or speak to a person. I know he can

559
00:29:23,720 --> 00:29:28,080
Speaker 1: still talk to her. It's so think talk about too.

560
00:29:28,200 --> 00:29:33,200
Speaker 1: I mean she like also she has somebody on back end.

561
00:29:33,320 --> 00:29:36,600
Speaker 1: She has a plan beat immediately, fine, I'll ask whatever

562
00:29:36,640 --> 00:29:39,160
Speaker 1: his name was to come in the hot time. It's like, geez,

563
00:29:39,280 --> 00:29:42,880
Speaker 1: that's yikes. Is high school like that even back in

564
00:29:42,920 --> 00:29:46,320
Speaker 1: the day? Was it that? Like? No, it's ridiculous this

565
00:29:46,360 --> 00:29:49,600
Speaker 1: storyline because it's so like it's so like, let's set

566
00:29:49,680 --> 00:29:51,920
Speaker 1: up a joke where Eric can't have girls. Okay, well

567
00:29:52,080 --> 00:29:55,280
Speaker 1: how do we make that funny? Oh? The girls are

568
00:29:55,280 --> 00:29:57,920
Speaker 1: throwing themselves at him, and it's just dumb. It's just

569
00:29:57,920 --> 00:30:01,680
Speaker 1: like I didn't think it was done. I thought it was.

570
00:30:01,920 --> 00:30:03,800
Speaker 1: It's like he can't have It's like you're taking away

571
00:30:03,760 --> 00:30:06,160
Speaker 1: as his toy, Eric's toy, which all they set up

572
00:30:06,160 --> 00:30:08,320
Speaker 1: for him was girls. Right, so we're gonna take it

573
00:30:08,360 --> 00:30:12,560
Speaker 1: away from right of course, But again, that's what they've made.

574
00:30:12,560 --> 00:30:15,320
Speaker 1: That's that's Eric's thing. It's all they have. They've given

575
00:30:15,360 --> 00:30:19,080
Speaker 1: him one note up until this point. That's one thing girls,

576
00:30:19,360 --> 00:30:22,120
Speaker 1: that's it. So it's like, all right, now we've we've

577
00:30:22,280 --> 00:30:24,760
Speaker 1: established that. Now let's take it away for comedy. It's

578
00:30:24,840 --> 00:30:26,960
Speaker 1: that's all they've got at this point, I know. So

579
00:30:26,960 --> 00:30:30,440
Speaker 1: it's yeah, that's where I think it's it's two. It's like, well,

580
00:30:30,480 --> 00:30:32,719
Speaker 1: that's why it's growing, thankfully. That's why that's why I

581
00:30:32,760 --> 00:30:34,200
Speaker 1: liked this episode so much, because I was like, this

582
00:30:34,280 --> 00:30:36,080
Speaker 1: is where it starts. This is where all of a sudden,

583
00:30:36,080 --> 00:30:39,560
Speaker 1: it's going to start getting more Eric, which is what Yeah,

584
00:30:39,560 --> 00:30:41,040
Speaker 1: so we always said we've been from the beginning of

585
00:30:41,080 --> 00:30:42,560
Speaker 1: the podcast. We're like, I wonder where we're gonna be

586
00:30:42,560 --> 00:30:44,720
Speaker 1: able to point to the like this is where it starts,

587
00:30:44,960 --> 00:30:47,640
Speaker 1: it's this, this is where it started. So I'm happy

588
00:30:47,680 --> 00:30:51,000
Speaker 1: about that. Yeah, hopefully the notes will be different from

589
00:30:51,000 --> 00:30:52,800
Speaker 1: this point on. But yeah, no, I agree, it's he's

590
00:30:52,800 --> 00:30:55,480
Speaker 1: totally one note. It's all he's got. No, I'm not

591
00:30:55,480 --> 00:30:57,200
Speaker 1: talking about you, I'm talking no, no no, no, no, I'm

592
00:30:57,200 --> 00:30:59,760
Speaker 1: talking about the character. No, I'm talking about the character too. Though.

593
00:30:59,800 --> 00:31:02,680
Speaker 1: There they always write to something with girls, that's all

594
00:31:02,760 --> 00:31:06,240
Speaker 1: it is. Every phone call, every conversation, right, but you

595
00:31:06,240 --> 00:31:08,560
Speaker 1: can write to that interestingly and I don't. I don't

596
00:31:08,560 --> 00:31:11,560
Speaker 1: necessarily mind that that's like a major component. This is

597
00:31:11,640 --> 00:31:15,880
Speaker 1: just one one note storytelling. This is literally like we're

598
00:31:15,920 --> 00:31:18,240
Speaker 1: going to take away girls and then how do we

599
00:31:18,280 --> 00:31:20,600
Speaker 1: make that hard or interesting or funny or whatever? And

600
00:31:20,800 --> 00:31:24,040
Speaker 1: the story it's the it's the b story of let's

601
00:31:24,160 --> 00:31:27,480
Speaker 1: you know, how do we have some laughs? For five pages?

602
00:31:28,160 --> 00:31:30,480
Speaker 1: We're having something to do with girls with Eric will

603
00:31:30,480 --> 00:31:32,440
Speaker 1: make it absurd. He ends up getting his hair done

604
00:31:32,480 --> 00:31:34,720
Speaker 1: by a pretty girl. It's it is, it's ridiculous, but

605
00:31:34,760 --> 00:31:39,200
Speaker 1: it's that's what you hatition hair and girls. This is

606
00:31:39,280 --> 00:31:42,479
Speaker 1: clearly it is. Our writers were sitting back, what do

607
00:31:42,520 --> 00:31:45,680
Speaker 1: we like? We like getting our hair done? Yes, I know.

608
00:31:45,720 --> 00:31:48,120
Speaker 1: I felt like this episode told me a lot about

609
00:31:48,160 --> 00:31:53,080
Speaker 1: how the male writer's thought about getting haircuts. Yep, there's

610
00:31:53,080 --> 00:31:55,720
Speaker 1: never anything central about I mean, it feels nice, especially

611
00:31:55,760 --> 00:31:59,640
Speaker 1: when you're getting your hair shampooed. But no, it's not sensual.

612
00:31:59,680 --> 00:32:02,240
Speaker 1: It's just like a scout massage. Well tell that to

613
00:32:02,280 --> 00:32:04,440
Speaker 1: the writing staff. I think it's very essential for some people,

614
00:32:05,080 --> 00:32:09,000
Speaker 1: is it really? Oh? Yeah, yeah, yeah, I get a

615
00:32:09,080 --> 00:32:14,240
Speaker 1: name before we leave them Laurie's been doing my hair

616
00:32:14,280 --> 00:32:16,800
Speaker 1: since I was seventeen. There's nothing sential. She just does

617
00:32:16,840 --> 00:32:19,400
Speaker 1: my hair. So I don't want to I don't want

618
00:32:19,400 --> 00:32:21,400
Speaker 1: to call out any days, but I definitely I have

619
00:32:21,520 --> 00:32:27,600
Speaker 1: a very clear story of a certain person who achieved

620
00:32:27,640 --> 00:32:30,720
Speaker 1: their first orgasm getting ahead massage and and and it

621
00:32:30,800 --> 00:32:34,000
Speaker 1: became like a thing like they were there. Then they

622
00:32:34,040 --> 00:32:37,960
Speaker 1: started basically cheating on their HUD because they would go

623
00:32:38,200 --> 00:32:40,680
Speaker 1: pay for a head massage and that was how they

624
00:32:40,680 --> 00:32:45,479
Speaker 1: could someone we know. No, no, okay, okay, too personal.

625
00:32:46,000 --> 00:32:48,560
Speaker 1: No no, no, okay, that's oh this is like somebody

626
00:32:48,560 --> 00:32:51,880
Speaker 1: we knew. No, No, this was a this was a

627
00:32:51,960 --> 00:32:59,560
Speaker 1: woman later in life discovered this thing wow about herself. Okay, interesting, Yeah, Well,

628
00:33:01,440 --> 00:33:03,720
Speaker 1: Laurie tells him her parents are out of town, and

629
00:33:03,840 --> 00:33:06,520
Speaker 1: Will squeals and asks if he wants to come over

630
00:33:06,600 --> 00:33:10,000
Speaker 1: to adjust the temperature of the hot tub. Will squeals again.

631
00:33:10,920 --> 00:33:13,200
Speaker 1: Eric says if she has any feelings for him, then

632
00:33:13,200 --> 00:33:15,320
Speaker 1: she should go home and get ugly, and then he

633
00:33:15,360 --> 00:33:19,160
Speaker 1: bangs his head against his locker. Laurie walks away, and

634
00:33:19,200 --> 00:33:22,480
Speaker 1: Jason arrives and jokingly tells Eric he heard Eric's signal

635
00:33:22,560 --> 00:33:25,840
Speaker 1: and came as quickly as he could. Eric says he's

636
00:33:25,840 --> 00:33:27,840
Speaker 1: going nuts and he can't study because he's just thinking

637
00:33:27,880 --> 00:33:30,480
Speaker 1: about girls, and he can't go out unless he gets

638
00:33:30,480 --> 00:33:33,600
Speaker 1: his grades up. As an example of his girl craziness,

639
00:33:33,600 --> 00:33:36,120
Speaker 1: he thumbs through his book and calls Leonardo da Vinci,

640
00:33:36,160 --> 00:33:40,040
Speaker 1: a raven haired beauty. Jason says he knows of a

641
00:33:40,120 --> 00:33:43,480
Speaker 1: dating substitute. Eric tries to ignore it, but then screams,

642
00:33:43,600 --> 00:33:48,080
Speaker 1: tell me, and then they end up at the hair salon.

643
00:33:48,880 --> 00:33:53,680
Speaker 1: Jason says his girl dating substitute is a haircut. Eric

644
00:33:53,720 --> 00:33:57,200
Speaker 1: doesn't understand why until he sees Dominique, the beautiful hairdresser.

645
00:33:57,840 --> 00:34:01,320
Speaker 1: Eric starts slurring in his name and his overall giggly.

646
00:34:02,160 --> 00:34:05,040
Speaker 1: Jason says Eric needs a scalp treatment, and Dominique starts

647
00:34:05,080 --> 00:34:08,359
Speaker 1: to rub his head and Eric is in weirdo heaven. Yeah,

648
00:34:08,480 --> 00:34:12,680
Speaker 1: I'll say, do you remember this guest actress? I do,

649
00:34:12,760 --> 00:34:15,840
Speaker 1: I mean vaguely. I remember that she was very funny

650
00:34:15,880 --> 00:34:17,400
Speaker 1: and that we would sit there and talk a little bit.

651
00:34:17,440 --> 00:34:19,439
Speaker 1: I mean, not much about her, but she was play

652
00:34:19,480 --> 00:34:21,879
Speaker 1: off each other so well. Yeah, especially the next scene

653
00:34:21,960 --> 00:34:24,000
Speaker 1: and the tea. She was very nice. But I just

654
00:34:24,040 --> 00:34:27,920
Speaker 1: remember this whole scene was kind of like the bigger

655
00:34:28,000 --> 00:34:30,759
Speaker 1: I went, I was starting to correlate the idea that

656
00:34:30,760 --> 00:34:33,279
Speaker 1: the bigger I went, the bigger the laugh was. And

657
00:34:33,400 --> 00:34:36,399
Speaker 1: it was it. That's I was just kind of making

658
00:34:36,400 --> 00:34:40,360
Speaker 1: these realizations like the jumping over the wall and the

659
00:34:40,440 --> 00:34:42,319
Speaker 1: last scene and going to tell me, I mean that

660
00:34:42,360 --> 00:34:43,960
Speaker 1: was all stuff. I think that was like second and

661
00:34:44,000 --> 00:34:46,000
Speaker 1: third take stuff where I just went bigger with it

662
00:34:46,040 --> 00:34:48,239
Speaker 1: and bigger with it right, and it was like, oh,

663
00:34:48,239 --> 00:34:50,520
Speaker 1: this is working, and if I do this, I'm getting

664
00:34:50,520 --> 00:34:52,719
Speaker 1: bigger laughs and I'm reading it's it's it's when you

665
00:34:52,760 --> 00:34:55,880
Speaker 1: start to realize that you're in a symbiotic relationship with

666
00:34:55,880 --> 00:34:58,600
Speaker 1: the audience, or or during during the week at least

667
00:34:58,600 --> 00:35:02,120
Speaker 1: with the producers and the director, were you know, Oh,

668
00:35:02,160 --> 00:35:05,760
Speaker 1: if I'm reading them right and then adjusting my performance

669
00:35:05,800 --> 00:35:08,520
Speaker 1: to what I'm reading, then all of a sudden, we're

670
00:35:08,520 --> 00:35:10,719
Speaker 1: both getting more out of this than we were if

671
00:35:10,719 --> 00:35:12,279
Speaker 1: we were just if I'm just in my head as

672
00:35:12,320 --> 00:35:15,520
Speaker 1: an actor. So it was that this was the episode

673
00:35:15,520 --> 00:35:18,240
Speaker 1: where I started to listen to the audience, read the audience,

674
00:35:18,280 --> 00:35:20,279
Speaker 1: what did they like, what is it? What's working? And

675
00:35:20,320 --> 00:35:23,600
Speaker 1: I just distinctly remember everything kind of being different from

676
00:35:23,640 --> 00:35:26,960
Speaker 1: me after this episode, So maybe that you're right, You're

677
00:35:26,960 --> 00:35:29,920
Speaker 1: probably right. It's probably I'm I'm ignoring the negatives and

678
00:35:30,040 --> 00:35:33,279
Speaker 1: just kind of looking at from a selfish standpoint. Well

679
00:35:33,280 --> 00:35:36,960
Speaker 1: that and frankly the scenes later are just wasting further. Man,

680
00:35:37,000 --> 00:35:39,400
Speaker 1: I think the negative is why you came out this

681
00:35:39,440 --> 00:35:41,800
Speaker 1: way because I think they didn't make you enough. I

682
00:35:41,840 --> 00:35:43,839
Speaker 1: don't think they wrote a very funny scene, and I

683
00:35:43,840 --> 00:35:46,600
Speaker 1: think you made it funny and I made you were

684
00:35:46,640 --> 00:35:49,399
Speaker 1: given the line, you know, Eric walks away then turns

685
00:35:49,440 --> 00:35:53,960
Speaker 1: around and says tell me or whatever, and you cranked

686
00:35:54,000 --> 00:35:57,320
Speaker 1: it up to eleven, made it what is a very

687
00:35:57,360 --> 00:36:01,120
Speaker 1: simplistic turnaround into a very original any moment you're over

688
00:36:01,160 --> 00:36:02,839
Speaker 1: a ledge, you know. So I think that like maybe

689
00:36:02,880 --> 00:36:06,240
Speaker 1: I don't remember they wrote sophomorically and you made it funny,

690
00:36:06,280 --> 00:36:08,239
Speaker 1: and I think that you know, that sealed your fate,

691
00:36:08,719 --> 00:36:10,880
Speaker 1: which was like, oh we can write, we can rely

692
00:36:10,960 --> 00:36:13,319
Speaker 1: on this person as an actor, and we can just

693
00:36:13,360 --> 00:36:16,600
Speaker 1: set up funny situations and Will's going to make them funny.

694
00:36:16,760 --> 00:36:18,279
Speaker 1: We don't need to, you know, And I think that

695
00:36:18,280 --> 00:36:21,200
Speaker 1: that's great, Like, but but I think it's because the writing.

696
00:36:22,640 --> 00:36:24,200
Speaker 1: But there was some note. I mean, I I just

697
00:36:24,280 --> 00:36:25,839
Speaker 1: think they remember, and we'll get to that at the end.

698
00:36:25,880 --> 00:36:27,480
Speaker 1: There were there were some things they threw in so

699
00:36:27,560 --> 00:36:29,600
Speaker 1: and I don't want to take credit for something that

700
00:36:29,640 --> 00:36:32,000
Speaker 1: I didn't do, So I don't know how much of

701
00:36:32,040 --> 00:36:35,240
Speaker 1: it was directed, um, and how much of it was notes,

702
00:36:35,920 --> 00:36:37,239
Speaker 1: and how much of it was me just kind of

703
00:36:37,239 --> 00:36:39,480
Speaker 1: doing well. That's also another point where worth mentioning he's

704
00:36:39,600 --> 00:36:41,600
Speaker 1: Jeff McCracken is directing for a friend who went on

705
00:36:41,680 --> 00:36:44,080
Speaker 1: to direct a lot and become one of our closest friends.

706
00:36:44,120 --> 00:36:46,759
Speaker 1: So just a change in director for the first time

707
00:36:47,160 --> 00:36:49,160
Speaker 1: for you ever. I mean, we had the John Tracy

708
00:36:49,239 --> 00:36:51,239
Speaker 1: and the pilot, but for you, that might have changed

709
00:36:51,239 --> 00:36:53,320
Speaker 1: your comfort level, you know, whatever reason. He might have

710
00:36:53,360 --> 00:36:55,480
Speaker 1: had a different rapport with Jeff or a different he

711
00:36:55,600 --> 00:36:57,840
Speaker 1: might have opened up something or said something that was

712
00:36:57,880 --> 00:37:03,120
Speaker 1: a suggestion. It's great, absolutely, yeah, that's absolutely possible. Yeah

713
00:37:03,280 --> 00:37:05,560
Speaker 1: it was. It was interesting though. So then we're in

714
00:37:05,640 --> 00:37:09,520
Speaker 1: the school cafeteria. New girl alert Bunny asks Corey to

715
00:37:09,640 --> 00:37:12,040
Speaker 1: help her with English homework and he says he's busy.

716
00:37:12,480 --> 00:37:15,520
Speaker 1: Corey tells Sean, who is in You're finally in the

717
00:37:15,760 --> 00:37:20,520
Speaker 1: incredibly iconic Atlas, holding a heart shirt yeah, so what

718
00:37:20,600 --> 00:37:24,319
Speaker 1: I decided to call it. Yes, you the shirt all

719
00:37:24,360 --> 00:37:26,560
Speaker 1: the time. I think you wore it more than like

720
00:37:26,680 --> 00:37:29,000
Speaker 1: any other shirt on the show. And I think maybe

721
00:37:29,040 --> 00:37:32,879
Speaker 1: you also borrowed it for personal life maybe or maybe

722
00:37:32,920 --> 00:37:35,360
Speaker 1: you know, got another one. No, it's just it just

723
00:37:35,440 --> 00:37:37,080
Speaker 1: became the show. I don't know. I mean, I do

724
00:37:37,280 --> 00:37:40,640
Speaker 1: like the shirt, but it's very christian Ish looking too,

725
00:37:40,719 --> 00:37:42,879
Speaker 1: and I think that's part of you think that. Okay,

726
00:37:42,880 --> 00:37:45,040
Speaker 1: I didn't realize that. I literally thought I described it

727
00:37:45,160 --> 00:37:46,440
Speaker 1: when I said it out loud. I was like, Oh,

728
00:37:46,480 --> 00:37:49,880
Speaker 1: there's the shirt, and you know, producer Jensen Cart, husband

729
00:37:49,920 --> 00:37:51,400
Speaker 1: of this podcast, was like, oh, what do we want

730
00:37:51,440 --> 00:37:53,120
Speaker 1: to call the shirt? And I was like, it's it's Atlas,

731
00:37:53,239 --> 00:37:55,160
Speaker 1: but instead of the world on his shoulders, he's got

732
00:37:55,200 --> 00:37:57,320
Speaker 1: a heart on his shoulders. So I didn't associate it

733
00:37:57,400 --> 00:38:00,400
Speaker 1: with Christianity or a cross or anything. I don't think

734
00:38:00,400 --> 00:38:02,920
Speaker 1: it actually is Christian, but from in my mind, like

735
00:38:02,960 --> 00:38:04,759
Speaker 1: when whenever I think about him, like it has kind

736
00:38:04,760 --> 00:38:06,920
Speaker 1: of a vague league well, because his arms are up,

737
00:38:06,960 --> 00:38:08,799
Speaker 1: it does kind of look like Jesus on a cross,

738
00:38:08,880 --> 00:38:11,680
Speaker 1: but I actually legs crossed the way that Jesus like

739
00:38:13,320 --> 00:38:16,560
Speaker 1: the same way too. Maybe I feel like it's the

740
00:38:16,880 --> 00:38:19,520
Speaker 1: weight of the world, way of this heart, the wheat

741
00:38:19,800 --> 00:38:22,359
Speaker 1: exactly the weight of the bleeding heart, which is actually

742
00:38:22,520 --> 00:38:28,600
Speaker 1: very appropriate for Sean. That's why I think it. Yeah. So,

743
00:38:28,760 --> 00:38:31,399
Speaker 1: Corey tells Sean, who is in his iconic Atlas shirt,

744
00:38:31,520 --> 00:38:33,520
Speaker 1: that the fifth girl from their class to ask him

745
00:38:33,560 --> 00:38:36,000
Speaker 1: for help, and Sean asks Corey if he's clueless. They

746
00:38:36,040 --> 00:38:39,439
Speaker 1: don't want help with homework. They want Corey, Sean says,

747
00:38:39,480 --> 00:38:42,960
Speaker 1: because he's off the market, girls want him more. Corey

748
00:38:43,000 --> 00:38:45,359
Speaker 1: says he's been with Wendy for a week, and Shawan says,

749
00:38:45,440 --> 00:38:47,919
Speaker 1: to break up a week is too long. Suddenly she'll

750
00:38:47,960 --> 00:38:50,480
Speaker 1: start waiting outside his class. She'll know his schedule, and

751
00:38:50,520 --> 00:38:56,000
Speaker 1: eventually she'll even ask what he's doing this summer break up?

752
00:38:58,480 --> 00:39:01,840
Speaker 1: Break up and me with the soda can get Coca

753
00:39:01,920 --> 00:39:05,920
Speaker 1: Cola for the first time. Yeah, my friend soda can

754
00:39:06,000 --> 00:39:14,800
Speaker 1: acting sa Corey nervously responds, what a loser, uh? And

755
00:39:14,960 --> 00:39:17,959
Speaker 1: then we are into mister Turner's classroom. Sean asks Cory

756
00:39:18,000 --> 00:39:20,680
Speaker 1: if he's had the breakup. And then we're into mister

757
00:39:20,760 --> 00:39:23,760
Speaker 1: Turner's classroom. Sean asks Corey if he has the breakup

758
00:39:23,840 --> 00:39:26,160
Speaker 1: note and Corey says he does. He just wants to

759
00:39:26,239 --> 00:39:28,920
Speaker 1: wait for the perfect time. Sean says she knows the

760
00:39:28,960 --> 00:39:32,080
Speaker 1: breakup is coming. She h, she probably wants it even

761
00:39:32,160 --> 00:39:35,080
Speaker 1: more than he does. But then Wendy walks in and

762
00:39:35,320 --> 00:39:41,719
Speaker 1: gives Corey the gift of sucks. Mister Turner reads some

763
00:39:41,840 --> 00:39:44,920
Speaker 1: poems the students turned in and starts with Shawn's poem

764
00:39:45,000 --> 00:39:50,760
Speaker 1: called Welfare, Shawn's first poem. Yes, I know, I'm guessing

765
00:39:50,800 --> 00:39:54,400
Speaker 1: you didn't write this one at this point. This one

766
00:39:54,480 --> 00:39:56,799
Speaker 1: wasn't yours. But I just didn't realize that we had

767
00:39:56,800 --> 00:40:00,640
Speaker 1: already done. I think this is our second poetry. Yeah,

768
00:40:00,719 --> 00:40:02,680
Speaker 1: you know, because we did the whole poetry reading and

769
00:40:02,840 --> 00:40:06,680
Speaker 1: now uh And I was like, well, Keith's character is

770
00:40:06,719 --> 00:40:08,960
Speaker 1: into poetry. We've mentioned that before, so it's not you know,

771
00:40:09,040 --> 00:40:10,719
Speaker 1: we have had the poetry reading, and then we have

772
00:40:10,760 --> 00:40:13,480
Speaker 1: another character who's into poetry. And now this is Sean's

773
00:40:13,520 --> 00:40:17,080
Speaker 1: first poem. We hear, um, it is all about things

774
00:40:17,160 --> 00:40:20,799
Speaker 1: Sean's family buys with their welfare checks. And that's when

775
00:40:20,880 --> 00:40:25,000
Speaker 1: Corey hands Wendy the breakup. Noel, I should I read

776
00:40:25,000 --> 00:40:30,399
Speaker 1: the poem of your counsel? I thought, and I thought,

777
00:40:30,480 --> 00:40:33,320
Speaker 1: Ben I thought Ben was was really good in the

778
00:40:33,360 --> 00:40:35,160
Speaker 1: scene too, which just like they you need the Nope,

779
00:40:35,280 --> 00:40:36,800
Speaker 1: I can't I get the nope? Can I get the

780
00:40:36,840 --> 00:40:41,680
Speaker 1: note back? I know? Very good. Uh So, when Corey

781
00:40:41,840 --> 00:40:44,760
Speaker 1: hands Wendy the breakup note, mister Turner pulls out Wendy's

782
00:40:44,800 --> 00:40:46,960
Speaker 1: poem from the pile and it is called leave me

783
00:40:47,200 --> 00:40:51,720
Speaker 1: and I'll die Die. Corey starts the panic and asks

784
00:40:51,760 --> 00:40:53,520
Speaker 1: her for the note back, but Wendy reads the note

785
00:40:53,520 --> 00:40:56,120
Speaker 1: instead of handing it back, and then she storms out crying.

786
00:40:56,760 --> 00:40:59,319
Speaker 1: Mister Turner asks what happened, and Corey says they drank

787
00:40:59,360 --> 00:41:02,160
Speaker 1: a lot of tea during lunch, and Corey runs out

788
00:41:02,200 --> 00:41:05,759
Speaker 1: after her in an enormous button down. This is the

789
00:41:05,840 --> 00:41:09,640
Speaker 1: biggest shirt it's so ever seen. Yeah, it's on a

790
00:41:09,760 --> 00:41:12,959
Speaker 1: person in my life. It makes him look like he's

791
00:41:13,080 --> 00:41:17,520
Speaker 1: this tall because it goes down to his knees, basically huge.

792
00:41:17,800 --> 00:41:21,080
Speaker 1: It is enormous. Yes, he looks like a kindergartener in

793
00:41:21,120 --> 00:41:25,000
Speaker 1: a smock. Yes he does. It's crazy. I was like,

794
00:41:25,600 --> 00:41:28,120
Speaker 1: I don't know why, but like it made Corey feel

795
00:41:28,120 --> 00:41:30,719
Speaker 1: like a little little boy. Yeah, yeah, yeah, of course

796
00:41:31,000 --> 00:41:35,600
Speaker 1: he looked very small and its yeah because otherwise that

797
00:41:35,719 --> 00:41:37,880
Speaker 1: it does in the next scene is pretty awful, Like

798
00:41:38,000 --> 00:41:41,200
Speaker 1: he basically just lies to her and gaslights her. Obviously

799
00:41:41,200 --> 00:41:43,239
Speaker 1: we're watching that going like but if I take it

800
00:41:43,360 --> 00:41:45,279
Speaker 1: from like, oh, he's a sweet little boy just trying

801
00:41:45,280 --> 00:41:47,560
Speaker 1: to get out of being in trouble, it's cute. I

802
00:41:47,800 --> 00:41:50,040
Speaker 1: also though one of the things I thought was like,

803
00:41:50,480 --> 00:41:54,719
Speaker 1: he does actually exhibit signs of liking Wendy, even though

804
00:41:54,800 --> 00:41:56,640
Speaker 1: there are some of the things that are shocking about

805
00:41:56,680 --> 00:41:58,640
Speaker 1: her asking about the summer and him saying, well, let's

806
00:41:58,640 --> 00:42:02,000
Speaker 1: just see how spring goes it. Truly is peer pressure

807
00:42:02,160 --> 00:42:04,239
Speaker 1: from Sean that makes him want to break up, and

808
00:42:04,360 --> 00:42:06,040
Speaker 1: that's what I wish he said. That's why can't you

809
00:42:06,040 --> 00:42:07,960
Speaker 1: just say that? He's like, I'm so sorry, I do

810
00:42:08,080 --> 00:42:09,440
Speaker 1: want to be in a couple with you. I just

811
00:42:09,520 --> 00:42:11,839
Speaker 1: did it because of Sean. End of scene. But it's

812
00:42:12,280 --> 00:42:15,240
Speaker 1: lies to her and says, should not let me change

813
00:42:15,239 --> 00:42:17,000
Speaker 1: the note in front of you. I just wrote it,

814
00:42:17,080 --> 00:42:19,840
Speaker 1: which is a complete lie and a bad argument. And

815
00:42:19,880 --> 00:42:21,960
Speaker 1: then we're supposed to buy that she buys that, like

816
00:42:22,520 --> 00:42:26,640
Speaker 1: it was like she wants to buy it, wants it

817
00:42:26,640 --> 00:42:28,719
Speaker 1: could have been so much easier, Like I'm sorry, I

818
00:42:28,800 --> 00:42:31,160
Speaker 1: actually just was listening to Sean, and she would have

819
00:42:31,239 --> 00:42:33,120
Speaker 1: rolled her eyes and been like, Okay, I still want

820
00:42:33,120 --> 00:42:35,400
Speaker 1: to be with you too, Right, we still have the storyline.

821
00:42:35,400 --> 00:42:37,520
Speaker 1: It would have been great but right, and it would

822
00:42:37,520 --> 00:42:41,360
Speaker 1: actually be a real wonderful lesson in how to be

823
00:42:41,440 --> 00:42:45,279
Speaker 1: honest and difficult circumstances for a kid like Yes, but

824
00:42:45,920 --> 00:42:47,799
Speaker 1: this episode ends up going in anyway, which is right,

825
00:42:48,120 --> 00:42:50,239
Speaker 1: you know, like, yeah, I know, I do wish he

826
00:42:50,360 --> 00:42:52,920
Speaker 1: just said I'm really sorry. I actually really like you.

827
00:42:53,040 --> 00:42:55,359
Speaker 1: I think you're moving a little fast, but I felt

828
00:42:55,400 --> 00:42:57,160
Speaker 1: peer pressure to break up with you. I'm not right.

829
00:42:57,200 --> 00:42:58,719
Speaker 1: I don't want to do that either, you know, get

830
00:42:58,840 --> 00:43:01,880
Speaker 1: right here. Especially that just makes Corey too self aware

831
00:43:02,000 --> 00:43:04,399
Speaker 1: too quickly. Yeah, so it's got to be the idea

832
00:43:04,480 --> 00:43:09,440
Speaker 1: that you instantly go to, no girl crying with you,

833
00:43:09,680 --> 00:43:11,360
Speaker 1: you know that kind of thing where if he's already

834
00:43:11,480 --> 00:43:13,600
Speaker 1: knows that, it's like, well I was because of peer pressure,

835
00:43:13,600 --> 00:43:15,080
Speaker 1: and I really want to be with it. It's just

836
00:43:15,280 --> 00:43:17,440
Speaker 1: he's not Corey, you know. It's like he's got to

837
00:43:17,480 --> 00:43:21,319
Speaker 1: do something stupid and then find Yeah, yeah, that makes sense.

838
00:43:31,239 --> 00:43:33,080
Speaker 1: So then we're in the school hallway, Corey says he's

839
00:43:33,080 --> 00:43:35,000
Speaker 1: sorry to Wendy, he didn't mean what he wrote. Wendy

840
00:43:35,120 --> 00:43:37,160
Speaker 1: questions that and reads the note that just says I

841
00:43:37,280 --> 00:43:40,080
Speaker 1: think we should break up, and Corey writes should not

842
00:43:40,239 --> 00:43:42,959
Speaker 1: on the paper and says they should stay together. They hug,

843
00:43:43,040 --> 00:43:45,319
Speaker 1: and Wendy says, I hope our kids turn out as

844
00:43:45,400 --> 00:43:49,799
Speaker 1: sensitive as you, and Corey says, are what? And then

845
00:43:49,880 --> 00:43:52,439
Speaker 1: we're in the Matthews living room. Corey, entering with Shawn,

846
00:43:52,560 --> 00:43:54,480
Speaker 1: says he didn't break up with Wendy, but he's going

847
00:43:54,560 --> 00:43:56,040
Speaker 1: to call her and do it. He just needs a

848
00:43:56,080 --> 00:43:58,719
Speaker 1: couple of days to think things over, and he makes

849
00:43:58,800 --> 00:44:01,719
Speaker 1: his way into the math use kitchen, where we see

850
00:44:02,120 --> 00:44:07,080
Speaker 1: Wendy cook. Yes, and we get another great gasp from

851
00:44:07,120 --> 00:44:11,520
Speaker 1: you guys, and you're in the jacket. Yeah, I've reclaimed

852
00:44:11,880 --> 00:44:18,279
Speaker 1: ye initially yours. I mean, it's so funny to see

853
00:44:18,320 --> 00:44:22,279
Speaker 1: how something like this gasp functions, right, because when you

854
00:44:22,480 --> 00:44:24,799
Speaker 1: have a beat like this, you could put it into

855
00:44:25,160 --> 00:44:27,759
Speaker 1: every context, like, because every sitcom is going to have

856
00:44:27,840 --> 00:44:30,040
Speaker 1: a moment where you see something you didn't expect and

857
00:44:30,160 --> 00:44:32,680
Speaker 1: you freak out about it. So the second you find

858
00:44:32,760 --> 00:44:34,719
Speaker 1: one of these that work, like, I'm so curious how

859
00:44:34,800 --> 00:44:37,400
Speaker 1: long this is gonna last? Because it's obviously became a

860
00:44:37,480 --> 00:44:39,799
Speaker 1: thing for at least two. There is our second time,

861
00:44:39,880 --> 00:44:42,600
Speaker 1: and then I know we did it at least Oh,

862
00:44:42,680 --> 00:44:44,279
Speaker 1: I think doesn't this go all the way through the

863
00:44:44,480 --> 00:44:48,440
Speaker 1: I think Guylate World we did on Girl Meates World. Yeah,

864
00:44:48,600 --> 00:44:50,160
Speaker 1: this is yeah, I think this goes. I think this

865
00:44:51,719 --> 00:44:54,520
Speaker 1: is here to stay. Yeah wow, yeah, such a such

866
00:44:54,520 --> 00:44:58,040
Speaker 1: a simple and valuable beat. Right, it's just laugh because

867
00:44:58,400 --> 00:45:00,759
Speaker 1: you're always setting up something like that, like one the

868
00:45:00,880 --> 00:45:05,719
Speaker 1: world could possibly be behind that door. Yeah that's great. Yeah. Well,

869
00:45:05,800 --> 00:45:09,319
Speaker 1: Wendy is making the Matthews dinner tonight, and we stay

870
00:45:09,400 --> 00:45:14,040
Speaker 1: in the Matthew's kitchen, the family with Lily. Lily's there,

871
00:45:15,280 --> 00:45:18,399
Speaker 1: she's now. They're all having dinner, and Alan compliments Amy

872
00:45:18,480 --> 00:45:21,160
Speaker 1: on the scalllet potatoes, which she says Wendy whipped up

873
00:45:21,200 --> 00:45:23,800
Speaker 1: from scratch when she found out they were Corey's favorite.

874
00:45:24,280 --> 00:45:26,279
Speaker 1: Corey says they should invite Wendy to move in and

875
00:45:26,400 --> 00:45:28,680
Speaker 1: be one. They could all be one big, happy potato

876
00:45:28,800 --> 00:45:32,200
Speaker 1: eating family. Wendy says she doesn't just make potatoes, she

877
00:45:32,320 --> 00:45:35,840
Speaker 1: can also make Belgian waffles. Corey is suddenly impressed and

878
00:45:35,960 --> 00:45:39,640
Speaker 1: asks with whipped cream and strawberries. Wendy says her grandmother

879
00:45:39,719 --> 00:45:41,880
Speaker 1: makes them for her grandfather and they've been together for

880
00:45:42,120 --> 00:45:46,440
Speaker 1: sixty six years, which Corey, who is now creeped out again, responds,

881
00:45:46,760 --> 00:45:51,360
Speaker 1: I'm on an emotional roller coaster. I loved Ben in

882
00:45:51,400 --> 00:45:54,080
Speaker 1: the scene. Yeah, I loved Ben in this I remember

883
00:45:54,200 --> 00:45:56,759
Speaker 1: this scene. Do you guys remember it? Like I remembering

884
00:45:56,840 --> 00:45:58,960
Speaker 1: run through? I remember them discovering all of them? Am

885
00:45:58,960 --> 00:46:00,840
Speaker 1: I not in this episode? Not in the side in

886
00:46:00,880 --> 00:46:03,560
Speaker 1: this episode? Yeah. The second I saw this scene, I

887
00:46:03,800 --> 00:46:07,160
Speaker 1: was like, oh my god, Like I remember this scene

888
00:46:07,200 --> 00:46:11,000
Speaker 1: coming to life and Rusty and Ben, you know, Rusty

889
00:46:11,080 --> 00:46:14,080
Speaker 1: deciding to keep the food on his four floor went outside. Yeah,

890
00:46:14,200 --> 00:46:17,120
Speaker 1: all of that was discovered during the week of rehearsal,

891
00:46:17,239 --> 00:46:19,279
Speaker 1: and it was just glorious. It was like, yeah, this

892
00:46:19,440 --> 00:46:22,280
Speaker 1: is it's such a funny scene and all the dynamics

893
00:46:22,320 --> 00:46:24,960
Speaker 1: and Ben, you know, the flip flopping and it was

894
00:46:25,040 --> 00:46:27,279
Speaker 1: just so good. Like I never remember I remember what

895
00:46:27,400 --> 00:46:29,280
Speaker 1: the second I saw it was like, yeah, I remember

896
00:46:29,320 --> 00:46:32,719
Speaker 1: sitting there watching the scene develop and loving it. You know. Yeah.

897
00:46:32,719 --> 00:46:34,520
Speaker 1: I thought Ben was great. I thought Rusty was great.

898
00:46:34,560 --> 00:46:37,640
Speaker 1: It was yeah, really really good. Yeah. Eric walks in

899
00:46:37,719 --> 00:46:40,520
Speaker 1: with Jason and asks Jason if Dominique has an opening

900
00:46:40,560 --> 00:46:43,600
Speaker 1: for tomorrow. Alan asks where they've been, and Eric blurts out,

901
00:46:43,640 --> 00:46:47,880
Speaker 1: I can get as many haircuts as I want. Amy

902
00:46:47,960 --> 00:46:50,120
Speaker 1: starts to tell Wendy who Eric and Jason are, but

903
00:46:50,239 --> 00:46:52,719
Speaker 1: she interrupts and says Corey has told her all about them.

904
00:46:53,040 --> 00:46:55,520
Speaker 1: She then tells Amy she hopes her and Corey's three

905
00:46:55,640 --> 00:46:59,919
Speaker 1: kids turn out just as wonderful as Amy's. Alan question,

906
00:47:00,000 --> 00:47:03,200
Speaker 1: and Wendy, so you've decided to have three kids? She

907
00:47:03,280 --> 00:47:05,520
Speaker 1: says she wants to keep the tradition alive because both

908
00:47:05,600 --> 00:47:08,479
Speaker 1: her and Corey are one of three. Corey turns quickly

909
00:47:08,520 --> 00:47:11,360
Speaker 1: to Alan and sarcastically says, what do you think of that? Gramps?

910
00:47:13,280 --> 00:47:15,560
Speaker 1: Little asides here were just so good? I know I

911
00:47:15,680 --> 00:47:17,480
Speaker 1: loved it. I loved it. It's got like his hand

912
00:47:17,480 --> 00:47:19,000
Speaker 1: in his hair? So what do you think of that? Group? Like?

913
00:47:19,480 --> 00:47:22,960
Speaker 1: That was so good? So Alan pulls Corey into the

914
00:47:23,000 --> 00:47:26,440
Speaker 1: backyard and just says nutcase. Corey says, you think, and

915
00:47:26,520 --> 00:47:30,000
Speaker 1: then they head back inside the kitchen. Alan asks Wendy

916
00:47:30,040 --> 00:47:32,120
Speaker 1: if she thinks they can have three kids on Corey's

917
00:47:32,160 --> 00:47:35,359
Speaker 1: five dollars a week allowance, but Wendy says no, not yet.

918
00:47:35,560 --> 00:47:37,400
Speaker 1: They still have a lot of growing up to do.

919
00:47:38,280 --> 00:47:40,880
Speaker 1: Morgan asks if Wendy will be her sister someday when

920
00:47:40,880 --> 00:47:43,640
Speaker 1: they get married, and Wendy says, you betcha, and then

921
00:47:43,960 --> 00:47:48,160
Speaker 1: Amy says that's so sweet. Alan realizes that Wendy has

922
00:47:48,239 --> 00:47:51,160
Speaker 1: all the women on her side. Morgan and Wendy then

923
00:47:51,200 --> 00:47:53,400
Speaker 1: go upstairs to play, and Alan asks what the heck

924
00:47:53,480 --> 00:47:55,800
Speaker 1: Corey brought home, But then Corey points to Amy and

925
00:47:55,880 --> 00:47:59,319
Speaker 1: says she lets she let her in. Amy says she's

926
00:47:59,320 --> 00:48:01,200
Speaker 1: just a little girl playing house and if there was

927
00:48:01,239 --> 00:48:03,439
Speaker 1: anything to be concerned about, she would be the first

928
00:48:03,480 --> 00:48:06,279
Speaker 1: one to sound the alarm. Wendy walks back downstairs with

929
00:48:06,360 --> 00:48:08,359
Speaker 1: a picture of Amy and her wedding dress and says

930
00:48:08,719 --> 00:48:10,920
Speaker 1: she hopes she'll get to try it on one day.

931
00:48:11,480 --> 00:48:14,239
Speaker 1: Amy then looks at Alan and makes the beeping alarm sound.

932
00:48:14,760 --> 00:48:16,359
Speaker 1: But see, this is why I think that we could

933
00:48:16,400 --> 00:48:19,040
Speaker 1: have been a better question that yeah, that Wendy asked,

934
00:48:19,040 --> 00:48:21,920
Speaker 1: because I agree. I think the implication is like, oh,

935
00:48:21,960 --> 00:48:24,840
Speaker 1: because now she's asking about her wedding dress, it's over steppy,

936
00:48:24,880 --> 00:48:28,520
Speaker 1: but that's still a little girl playing They wanted to

937
00:48:28,760 --> 00:48:32,839
Speaker 1: make it really absurd. Yeah, she literally should have come

938
00:48:32,920 --> 00:48:35,480
Speaker 1: to the top of the stairs in Amy's wedding bigs.

939
00:48:35,600 --> 00:48:39,480
Speaker 1: You're right, that would have been amazing. I found this, Yeah,

940
00:48:41,040 --> 00:48:43,120
Speaker 1: like I found this in your closet, Like okay, you're

941
00:48:43,120 --> 00:48:45,399
Speaker 1: going through my closet, like right, But like the fact

942
00:48:45,440 --> 00:48:47,360
Speaker 1: that she saw her in her wedding dressing was you know,

943
00:48:47,440 --> 00:48:51,160
Speaker 1: still playing house. It could have been bigger. Yeah, yeah,

944
00:48:51,600 --> 00:48:54,239
Speaker 1: her coming, her revealing the like, that would have been

945
00:48:54,280 --> 00:48:57,319
Speaker 1: amazing somehow having the actual wedding dress I really would

946
00:48:57,320 --> 00:49:00,080
Speaker 1: have taken it to a great, a great spot. But

947
00:49:00,840 --> 00:49:02,440
Speaker 1: she also then may have needed to be gone for

948
00:49:02,440 --> 00:49:05,160
Speaker 1: a little longer than that. The scene girl drags on forever,

949
00:49:05,280 --> 00:49:07,359
Speaker 1: But man, it really would be so funny. See. Yeah,

950
00:49:07,400 --> 00:49:09,200
Speaker 1: I think there's a better question too, like a more

951
00:49:09,280 --> 00:49:11,880
Speaker 1: psychotic question that would make Amy go, okay, this is

952
00:49:12,160 --> 00:49:13,960
Speaker 1: this is more than just a girl playing dress right,

953
00:49:14,040 --> 00:49:15,760
Speaker 1: but like wanting to wear the dress for the wedding

954
00:49:15,920 --> 00:49:20,279
Speaker 1: is exactly a little girl I know, play dress up. Yeah, agreed, Well,

955
00:49:20,320 --> 00:49:22,600
Speaker 1: then we're back in the school hallway. Mister Turner puts

956
00:49:22,680 --> 00:49:25,279
Speaker 1: down his athletic bag, tired and says he didn't think

957
00:49:25,320 --> 00:49:27,640
Speaker 1: mister Feenie would be so good at racketball, he was

958
00:49:27,680 --> 00:49:30,520
Speaker 1: a hustler. Mister Feenie is proud of himself and takes

959
00:49:30,560 --> 00:49:33,200
Speaker 1: money from mister Turner on the bet he won. Mister

960
00:49:33,280 --> 00:49:36,080
Speaker 1: Feenie leaves and jokingly says he doesn't shoot pool either,

961
00:49:36,239 --> 00:49:39,200
Speaker 1: which I thought Bill was so great readings of all time.

962
00:49:40,239 --> 00:49:45,480
Speaker 1: It's also Bill's real laugh, like, yeah, that little like

963
00:49:45,760 --> 00:49:47,640
Speaker 1: I'm trying not to laugh, but I'm laughing. I can't

964
00:49:47,680 --> 00:49:49,600
Speaker 1: controcte he does that in life, and it was so

965
00:49:49,960 --> 00:49:53,600
Speaker 1: fun to see him sort of breaking as Fioenie into

966
00:49:53,719 --> 00:49:57,640
Speaker 1: his real laugh. And absolutely this moment stood out to

967
00:49:57,760 --> 00:50:01,560
Speaker 1: me as like Bill Daniel's Yeah, but those are the

968
00:50:01,600 --> 00:50:04,359
Speaker 1: moments we would occasionally get with Bill. Yes, like you'd

969
00:50:04,400 --> 00:50:05,800
Speaker 1: every once in a while be like that was just

970
00:50:06,120 --> 00:50:08,600
Speaker 1: pure Bill, and that was I have to say this,

971
00:50:08,840 --> 00:50:11,680
Speaker 1: and I I'm upset with myself that I have to

972
00:50:11,719 --> 00:50:15,359
Speaker 1: say this, because I love all of our background actors.

973
00:50:15,400 --> 00:50:20,080
Speaker 1: They're phenomenal. But I'm now seeing the same seven people

974
00:50:20,320 --> 00:50:24,600
Speaker 1: in every hallway, in every Chubbies everywhere I know. But

975
00:50:24,640 --> 00:50:26,759
Speaker 1: it's a high school. There's supposed to be thousands of

976
00:50:26,880 --> 00:50:30,280
Speaker 1: people there, and it's now like every scene they're featuring

977
00:50:30,360 --> 00:50:32,840
Speaker 1: the same three people behind. Yeah, because they're good. No

978
00:50:32,960 --> 00:50:36,120
Speaker 1: one's question, ain't it eight? But it's like no one

979
00:50:36,239 --> 00:50:39,240
Speaker 1: watching at home was ever like I'm so sick of see.

980
00:50:40,280 --> 00:50:46,160
Speaker 1: But it definitely right after another, and we know that

981
00:50:46,480 --> 00:50:50,200
Speaker 1: we're like, there's Jessica, there's Yours is just constantly scanning

982
00:50:50,239 --> 00:50:53,480
Speaker 1: and recording everything. I love. Yes, you know it's that

983
00:50:53,680 --> 00:50:57,920
Speaker 1: terminator vision that you have. Yeah, exactly, Will's Will, Will's

984
00:50:57,960 --> 00:51:02,600
Speaker 1: glass eye perception. Boy is just on target, telling you so.

985
00:51:03,040 --> 00:51:05,360
Speaker 1: Corey tells Sean what happened at his house with Wendy

986
00:51:05,440 --> 00:51:06,960
Speaker 1: and that he tried to break up with her when

987
00:51:07,000 --> 00:51:09,080
Speaker 1: he walked her home, but then she invited him in

988
00:51:09,120 --> 00:51:11,759
Speaker 1: for cookies and Grandma Jansen played the organ and we

989
00:51:11,880 --> 00:51:17,520
Speaker 1: all sang big Rock Candy Mountain. Corey says she has

990
00:51:17,600 --> 00:51:20,200
Speaker 1: four generations in her house and the men don't say much.

991
00:51:20,680 --> 00:51:23,200
Speaker 1: Sean says he'll come back and get Corey after class,

992
00:51:23,280 --> 00:51:26,359
Speaker 1: and as he walks away, a frozen Corey says, yes, dear,

993
00:51:26,520 --> 00:51:30,920
Speaker 1: I'm very happy. I thought this was a very well

994
00:51:31,040 --> 00:51:34,880
Speaker 1: done transition into all of this, all of this from

995
00:51:34,960 --> 00:51:37,720
Speaker 1: here on out. I just love also that Corey doesn't

996
00:51:38,160 --> 00:51:41,040
Speaker 1: like his succumbing to it. Is the problem like that

997
00:51:41,200 --> 00:51:44,560
Speaker 1: he just okay, Yeah, I'm just this is it. This

998
00:51:44,719 --> 00:51:47,480
Speaker 1: is my life now forever. It's a great choice and

999
00:51:47,640 --> 00:51:50,160
Speaker 1: very unusual right to have a character sort of get

1000
00:51:50,239 --> 00:51:53,520
Speaker 1: out of his situation by not He doesn't dig himself

1001
00:51:53,560 --> 00:51:56,960
Speaker 1: deeper by doing more. He doesn't digs himself deeper by

1002
00:51:57,040 --> 00:52:02,440
Speaker 1: just okay. And yet that's the thing that turns her eventually,

1003
00:52:02,600 --> 00:52:04,359
Speaker 1: you know, when he's finally like, no, I'm just gonna

1004
00:52:04,360 --> 00:52:06,319
Speaker 1: be honest with you about why what I thought now

1005
00:52:06,400 --> 00:52:08,959
Speaker 1: that we're together forever? I thought it was super clever.

1006
00:52:09,280 --> 00:52:13,200
Speaker 1: Yeah it is. So then we enter a Corey dream sequence.

1007
00:52:13,360 --> 00:52:16,480
Speaker 1: Corey and Wendy are old together sitting at Chubbies now

1008
00:52:16,640 --> 00:52:24,640
Speaker 1: called Minnel's, and they did the most bare minimum to

1009
00:52:24,880 --> 00:52:27,920
Speaker 1: try and make you think it was anything other than Chubbies.

1010
00:52:28,040 --> 00:52:31,600
Speaker 1: Just minimum. But I also kind of like, if it's

1011
00:52:31,680 --> 00:52:35,080
Speaker 1: his fantasy, the only restaurant he can think of is Chubbies.

1012
00:52:35,440 --> 00:52:37,759
Speaker 1: I know, That's what I'm saying. It's like he can

1013
00:52:37,800 --> 00:52:39,759
Speaker 1: picture and they so they just literally like call it

1014
00:52:39,920 --> 00:52:42,920
Speaker 1: something else and sprinkle some few a few things. So

1015
00:52:43,400 --> 00:52:48,160
Speaker 1: Corey is stealing the dinner rolls, and we get they

1016
00:52:48,320 --> 00:52:53,600
Speaker 1: want the first time he comes back. Yes, Oh my god,

1017
00:52:53,760 --> 00:52:58,600
Speaker 1: this scene is just iconic. Corey wearing a wedding ring

1018
00:52:58,840 --> 00:53:00,520
Speaker 1: I was looking to see if they put one on

1019
00:53:00,680 --> 00:53:04,000
Speaker 1: him is cranky. So Wendy goes and gets prunes for

1020
00:53:04,160 --> 00:53:08,839
Speaker 1: him again. I love that. That's she knows him so well.

1021
00:53:08,960 --> 00:53:13,080
Speaker 1: She knows he's constipated. She knows his schedule every time.

1022
00:53:13,600 --> 00:53:16,279
Speaker 1: Did they do the makeup like? They also gave her

1023
00:53:16,560 --> 00:53:20,480
Speaker 1: a body? I know, like they completely modified her. Hips

1024
00:53:20,480 --> 00:53:24,040
Speaker 1: are all sticky. Yeah, the makeup was really good. The

1025
00:53:24,200 --> 00:53:27,480
Speaker 1: makeup was really good. I don't love the makeup on her,

1026
00:53:27,600 --> 00:53:32,319
Speaker 1: but yeah, her it looked a little like but then

1027
00:53:32,400 --> 00:53:35,319
Speaker 1: in me the makeup is hysterical. Oh yeah, they did

1028
00:53:35,360 --> 00:53:37,440
Speaker 1: a really good job about her. Her body suit. It's

1029
00:53:37,480 --> 00:53:42,879
Speaker 1: just oh my god. So then old Sean comes down

1030
00:53:43,000 --> 00:53:46,879
Speaker 1: and yees, Corey, is that you? Corey says. Sean knows

1031
00:53:46,960 --> 00:53:49,200
Speaker 1: he goes there every day at four thirty for the

1032
00:53:49,280 --> 00:53:52,200
Speaker 1: Early Bird Special, and he always asks if it's him.

1033
00:53:52,719 --> 00:53:55,720
Speaker 1: Corey says he has always envied Sean because he's dated

1034
00:53:55,800 --> 00:53:58,080
Speaker 1: a bunch of women and he's been married to Wendy

1035
00:53:58,200 --> 00:54:01,400
Speaker 1: for ninety years. They can barely hear each other, and

1036
00:54:01,520 --> 00:54:13,640
Speaker 1: eventually coreyells they watched The Iron three times? Writer, you

1037
00:54:13,760 --> 00:54:19,960
Speaker 1: and I crying with how's the fish nice? It was

1038
00:54:20,440 --> 00:54:24,520
Speaker 1: we we were howling at your reading. It was so

1039
00:54:24,760 --> 00:54:26,640
Speaker 1: we had fun, so much fun with the scene. I

1040
00:54:26,719 --> 00:54:31,560
Speaker 1: just remember loving this was just like this is just

1041
00:54:31,800 --> 00:54:35,560
Speaker 1: kid acting gold because every kid loves to be an

1042
00:54:35,600 --> 00:54:38,360
Speaker 1: old person, every kid loves to imitate old people, and

1043
00:54:38,480 --> 00:54:40,719
Speaker 1: so we just did like we thought this was hysterical,

1044
00:54:40,800 --> 00:54:43,200
Speaker 1: and I remember Ben and I just having so much

1045
00:54:43,280 --> 00:54:46,200
Speaker 1: fun and like I have nothing and then to realize

1046
00:54:46,239 --> 00:54:49,080
Speaker 1: that it was also Jeff McCracken's first episode is great

1047
00:54:49,120 --> 00:54:52,040
Speaker 1: because I know that that also infused a new energy

1048
00:54:52,280 --> 00:54:54,560
Speaker 1: and you gave us more freedom in new ways, you know,

1049
00:54:54,680 --> 00:54:58,080
Speaker 1: just a different person. It wasn't we love, but was

1050
00:54:58,200 --> 00:55:00,160
Speaker 1: just different. But no, it was like I think, you know,

1051
00:55:00,200 --> 00:55:02,120
Speaker 1: when you have a new director and they're saying I

1052
00:55:02,200 --> 00:55:04,080
Speaker 1: want you to try something different, you know, or just

1053
00:55:04,400 --> 00:55:07,920
Speaker 1: have a different flavor, you suddenly adjust your game and

1054
00:55:08,000 --> 00:55:10,840
Speaker 1: to a certain degree. And I feel like Ben and

1055
00:55:10,920 --> 00:55:13,759
Speaker 1: I just had so much fun like this, it's the

1056
00:55:13,880 --> 00:55:15,600
Speaker 1: funniest thing we had ever done, and we were having

1057
00:55:15,640 --> 00:55:17,640
Speaker 1: so much fun doing it, and dare I say it

1058
00:55:17,800 --> 00:55:19,560
Speaker 1: might be the funniest thing you guys have done to

1059
00:55:19,680 --> 00:55:23,080
Speaker 1: this point. I mean, it really is. It's just so funny.

1060
00:55:23,280 --> 00:55:26,600
Speaker 1: It's really funny. It's really funny, and it's it's still

1061
00:55:27,000 --> 00:55:29,520
Speaker 1: right in line with the Korey and Seawan relationship. It's

1062
00:55:29,560 --> 00:55:32,640
Speaker 1: exactly how I would envision old Korey and old Shan

1063
00:55:32,760 --> 00:55:35,160
Speaker 1: to be. It's it really is very well done and

1064
00:55:35,239 --> 00:55:37,960
Speaker 1: it's so funny. I also love how they've been together.

1065
00:55:38,280 --> 00:55:41,040
Speaker 1: Did he say married or together for ninety years? I

1066
00:55:41,080 --> 00:55:43,040
Speaker 1: think he says married for an idear okay, so then

1067
00:55:43,600 --> 00:55:45,560
Speaker 1: ly so essentially he's supposed to be like a hundred

1068
00:55:45,600 --> 00:55:54,000
Speaker 1: and twenty years old. So Sean says that he is

1069
00:55:54,040 --> 00:55:57,200
Speaker 1: jealous of corey situation. But then Sean sees a young

1070
00:55:57,320 --> 00:56:02,920
Speaker 1: woman and he leaves Lue. Yeah. Wendy returns with bruns

1071
00:56:03,120 --> 00:56:05,520
Speaker 1: and asks Corey if he missed her, and he says

1072
00:56:05,719 --> 00:56:07,719
Speaker 1: she hasn't been out of his sight for ninety years.

1073
00:56:08,120 --> 00:56:10,759
Speaker 1: She asks if it's been that bad. Corey says no

1074
00:56:11,000 --> 00:56:13,440
Speaker 1: and thanks Wendy for giving him a beautiful life and

1075
00:56:13,640 --> 00:56:16,520
Speaker 1: nice socks. He reveals the socks from mister Turner's class

1076
00:56:16,560 --> 00:56:19,360
Speaker 1: that she gave him earlier ninety years ago. Apparently, and

1077
00:56:19,719 --> 00:56:22,799
Speaker 1: he says he's never taken them off. Mister Finnie walks

1078
00:56:22,840 --> 00:56:25,200
Speaker 1: over as the waiter and tells Corey to empty his

1079
00:56:25,320 --> 00:56:28,080
Speaker 1: pockets of the dinner rolls and everything else he's stealing.

1080
00:56:28,520 --> 00:56:32,919
Speaker 1: He tried to steal the sweet and lows again, seeing

1081
00:56:33,000 --> 00:56:35,360
Speaker 1: Bill who I loved that in the before I realized

1082
00:56:35,400 --> 00:56:39,719
Speaker 1: what was happening. Hasn't aged at all, exactly the same.

1083
00:56:40,120 --> 00:56:43,400
Speaker 1: He's exactly the same. I love that. And then we

1084
00:56:43,520 --> 00:56:46,520
Speaker 1: are snapped back to reality. In the school hallway, mister

1085
00:56:46,600 --> 00:56:48,440
Speaker 1: Finnie is yelling at Corey to wake up from his

1086
00:56:48,560 --> 00:56:51,080
Speaker 1: dream and get to class. Corey says he's late. His

1087
00:56:51,200 --> 00:56:53,600
Speaker 1: wife is going to be so upset and takes off,

1088
00:56:54,840 --> 00:56:56,879
Speaker 1: and then we go back. One of my favorites has

1089
00:56:56,920 --> 00:56:58,880
Speaker 1: been throwing all the Sweeten Mows on the table and

1090
00:56:59,040 --> 00:57:05,520
Speaker 1: saying I thought things well. First he tries to say

1091
00:57:05,560 --> 00:57:08,080
Speaker 1: he wasn't taking the Sweeten Low, No, I don't, and

1092
00:57:08,239 --> 00:57:09,759
Speaker 1: then he's like, yes, he do. When he pulls them

1093
00:57:09,760 --> 00:57:13,800
Speaker 1: all out, he literally stick it out of his sweater.

1094
00:57:14,000 --> 00:57:20,080
Speaker 1: Liked everything good. It is so funny. So then we're

1095
00:57:20,160 --> 00:57:23,520
Speaker 1: at Chubby's. Corey gets himself and Wendy burgers without cheese

1096
00:57:23,560 --> 00:57:25,560
Speaker 1: and no red meat, just the way she told him

1097
00:57:25,640 --> 00:57:29,360
Speaker 1: is healthy for him. It's just rolls. Corey, who seems

1098
00:57:29,360 --> 00:57:31,680
Speaker 1: pretty happy now, says when he first asked Wendy out,

1099
00:57:31,720 --> 00:57:33,440
Speaker 1: it was just a date for the party, not a

1100
00:57:33,520 --> 00:57:37,760
Speaker 1: long lasting relationship. But he's pleasantly into this. And then

1101
00:57:38,000 --> 00:57:40,840
Speaker 1: Wendy looks hurt and says it's over because she doesn't

1102
00:57:40,840 --> 00:57:42,800
Speaker 1: want their relationship to be based on a lie and

1103
00:57:42,920 --> 00:57:45,160
Speaker 1: it's not something she wants to be a part of.

1104
00:57:46,040 --> 00:57:48,320
Speaker 1: Corey asks about their three kids, and she says it's

1105
00:57:48,360 --> 00:57:52,600
Speaker 1: not important if it's not something they both want. Sean

1106
00:57:52,760 --> 00:57:55,200
Speaker 1: walks up just as Wendy leaves and finds out Corey

1107
00:57:55,320 --> 00:57:56,960
Speaker 1: is now a free man again and they should go

1108
00:57:57,040 --> 00:58:03,040
Speaker 1: out with some twins like you. But Corey says he's

1109
00:58:03,080 --> 00:58:08,560
Speaker 1: not going to go because he misses Wendy. Dramatic music. Yeah,

1110
00:58:09,200 --> 00:58:14,160
Speaker 1: I like ending on this, bizarrely said yes, because it's

1111
00:58:14,240 --> 00:58:19,000
Speaker 1: like Corey has invested his imagination and his commitment in this,

1112
00:58:19,840 --> 00:58:21,920
Speaker 1: in this girl, and it's like he's going to miss her,

1113
00:58:21,960 --> 00:58:24,720
Speaker 1: like he's going to know no matter what. He put

1114
00:58:24,880 --> 00:58:27,080
Speaker 1: some time into it, some thought, and that's what said.

1115
00:58:27,200 --> 00:58:29,840
Speaker 1: I thought that was great, So the loud room for that. Yeah,

1116
00:58:30,080 --> 00:58:32,400
Speaker 1: I liked it. I liked it too. I thought it

1117
00:58:32,480 --> 00:58:34,400
Speaker 1: was very it was very sweet and the fact that

1118
00:58:34,680 --> 00:58:37,440
Speaker 1: you know, he was wearing the socks and I don't know,

1119
00:58:37,600 --> 00:58:39,960
Speaker 1: it's it's I loved it. And I also, like, you know,

1120
00:58:40,200 --> 00:58:43,120
Speaker 1: things don't always end on a happy note, and it's

1121
00:58:43,200 --> 00:58:45,080
Speaker 1: nice to acknowledge that. But it's just also, like, you know,

1122
00:58:45,240 --> 00:58:47,200
Speaker 1: it would have been so easy to keep the nutcase

1123
00:58:47,880 --> 00:58:50,160
Speaker 1: line going, to keep making son of Wendy or that

1124
00:58:50,440 --> 00:58:55,840
Speaker 1: she's the problem or she's the weirdo, like, yeah, she's

1125
00:58:55,920 --> 00:58:58,880
Speaker 1: not that bad. She's just again a little girl kind

1126
00:58:58,920 --> 00:59:01,840
Speaker 1: of you know. And then and he got something out

1127
00:59:01,880 --> 00:59:05,600
Speaker 1: of it too, like he learned and maybe missus her. Yeah, yeah,

1128
00:59:05,640 --> 00:59:07,640
Speaker 1: I thought that was sweet. And then we're in the

1129
00:59:07,720 --> 00:59:10,520
Speaker 1: tag in the hair salon. Eric tells Dominique it's over,

1130
00:59:10,800 --> 00:59:13,320
Speaker 1: but she said he can't. He's in the book for today.

1131
00:59:13,840 --> 00:59:15,960
Speaker 1: Eric starts to argue and says what they did was

1132
00:59:16,000 --> 00:59:18,000
Speaker 1: wrong and he has to leave with his head dry.

1133
00:59:18,320 --> 00:59:20,760
Speaker 1: Dominique says no one has to know, but then she

1134
00:59:20,880 --> 00:59:23,600
Speaker 1: says she's angry and has to be very rough with him.

1135
00:59:23,720 --> 00:59:26,560
Speaker 1: Then he caves and gets another scout massage. I do

1136
00:59:26,720 --> 00:59:29,880
Speaker 1: not understand what's happening, and I don't either. What is

1137
00:59:29,960 --> 00:59:32,040
Speaker 1: going on? Why do you have to break up with her?

1138
00:59:32,360 --> 00:59:34,800
Speaker 1: I'm breaking up with her goal because breaking up with

1139
00:59:34,880 --> 00:59:37,160
Speaker 1: her because it's I'm I imagine in my head it

1140
00:59:37,320 --> 00:59:42,480
Speaker 1: was like I'm essentially seeing prostitute. Yes, because I'm paying

1141
00:59:42,600 --> 00:59:45,600
Speaker 1: money every week? Right, But so are your grades back up?

1142
00:59:45,640 --> 00:59:47,920
Speaker 1: And now you want to start dating other women? And

1143
00:59:48,040 --> 00:59:49,600
Speaker 1: so you feel like you have to leave her because

1144
00:59:49,640 --> 00:59:51,920
Speaker 1: why would you not just keep this going? I think

1145
00:59:51,960 --> 00:59:55,160
Speaker 1: it's a money Yeah, okay, you remember he needed five

1146
00:59:55,280 --> 00:59:57,440
Speaker 1: dollars that one week, So my guess is a good

1147
00:59:57,480 --> 01:00:00,680
Speaker 1: haircut in Philly at that time, we're talking sixty seventy bucks.

1148
01:00:00,760 --> 01:00:04,240
Speaker 1: You can't come on, I can't. I think it's hysterical dynamic.

1149
01:00:04,440 --> 01:00:06,200
Speaker 1: I think it's weird, right, yeah, I love it it.

1150
01:00:07,600 --> 01:00:09,160
Speaker 1: But it's the two of you in this scene that

1151
01:00:09,280 --> 01:00:11,720
Speaker 1: really makes it work. Like it's just the performances. Keep

1152
01:00:11,800 --> 01:00:14,080
Speaker 1: you know that she's you know, it's always fun to

1153
01:00:14,200 --> 01:00:17,200
Speaker 1: watch somebody try and get somebody else to do or

1154
01:00:17,280 --> 01:00:19,640
Speaker 1: stop doing something. You know, that's just the essence such

1155
01:00:19,640 --> 01:00:22,480
Speaker 1: a conflict. I think the absurdity that you guys are

1156
01:00:22,560 --> 01:00:25,400
Speaker 1: that you were taking this so seriously and that she's

1157
01:00:25,400 --> 01:00:27,440
Speaker 1: going to manipulate you and say whatever it takes to

1158
01:00:27,480 --> 01:00:30,480
Speaker 1: get that haircut. It's just it's fun. I agree. Fun.

1159
01:00:30,960 --> 01:00:32,600
Speaker 1: I mean, I'm not saying it wasn't a funny scene.

1160
01:00:32,640 --> 01:00:35,040
Speaker 1: I just am like there was no mention of like,

1161
01:00:35,480 --> 01:00:37,920
Speaker 1: I can't do this, it's cost it's I'm so invested,

1162
01:00:37,960 --> 01:00:40,280
Speaker 1: I can't it's expensive, Like there's no there's I'm just

1163
01:00:40,480 --> 01:00:43,120
Speaker 1: I kept waiting for there to be. I guarantee you

1164
01:00:43,200 --> 01:00:45,400
Speaker 1: in an early draft there was, and they just threw

1165
01:00:45,480 --> 01:00:49,000
Speaker 1: it out because funny girl together and it was funny.

1166
01:00:49,200 --> 01:00:53,800
Speaker 1: And yeah, yeah, because where does Jason go? You know, like, yeah,

1167
01:00:54,120 --> 01:00:58,480
Speaker 1: he could have no need to have Jason in this

1168
01:00:58,960 --> 01:01:01,360
Speaker 1: episode at all. It was like, well he introduces the

1169
01:01:01,400 --> 01:01:03,480
Speaker 1: idea of getting a hair somebody else could have done

1170
01:01:03,520 --> 01:01:05,040
Speaker 1: that though, I mean there's easier ways to do it,

1171
01:01:05,080 --> 01:01:07,240
Speaker 1: where it's like Jason was just kind of wasted. But

1172
01:01:07,480 --> 01:01:11,640
Speaker 1: it was fun and ridiculous, and yeah, he's always gonna

1173
01:01:11,680 --> 01:01:13,160
Speaker 1: I mean, he's your sidekick when it comes to the

1174
01:01:13,200 --> 01:01:15,880
Speaker 1: girls storylines. So yeah, that seems to be maybe maybe

1175
01:01:15,920 --> 01:01:18,040
Speaker 1: that's the thing is when they stopped with the Girls,

1176
01:01:18,120 --> 01:01:21,000
Speaker 1: storylines is when they stopped with Jason, because yeah, it's

1177
01:01:21,040 --> 01:01:24,240
Speaker 1: like now Eric just becomes absurd, so you didn't really

1178
01:01:24,320 --> 01:01:27,240
Speaker 1: need that anymore. Well, and I do think that some

1179
01:01:27,400 --> 01:01:29,320
Speaker 1: of that is also like what we've talked about before,

1180
01:01:29,360 --> 01:01:32,760
Speaker 1: where it's like a likability for even families to be like, well,

1181
01:01:32,880 --> 01:01:34,840
Speaker 1: Eric has to be a good boy. He wouldn't know

1182
01:01:34,920 --> 01:01:38,280
Speaker 1: about this hairdresser who was the bad influence who brings

1183
01:01:38,320 --> 01:01:40,400
Speaker 1: in the hairdresser for him. Yeah, they tried to bring

1184
01:01:40,440 --> 01:01:45,800
Speaker 1: in the Eddie Haskell kind of character. So yeah. Interesting. Well,

1185
01:01:45,880 --> 01:01:47,680
Speaker 1: thank you guys for joining us for this episode of

1186
01:01:47,720 --> 01:01:50,000
Speaker 1: Pod Meats World. As always, you can follow us on

1187
01:01:50,080 --> 01:01:52,520
Speaker 1: Instagram pod meets World Show. You can send us your

1188
01:01:52,560 --> 01:01:55,880
Speaker 1: emails Podmeats World Show at gmail dot com, and we

1189
01:01:56,040 --> 01:01:59,640
Speaker 1: have merch Webster's Dictionary defines merchandise its products for sale

1190
01:02:02,560 --> 01:02:06,440
Speaker 1: podmeets Worldshow dot com. Our next recap episode will be

1191
01:02:06,560 --> 01:02:11,320
Speaker 1: season two, episode sixteen, Danger Boy, and Tony Wynn will

1192
01:02:11,400 --> 01:02:16,240
Speaker 1: be joining us for that episode. It originally aired February third,

1193
01:02:16,520 --> 01:02:19,840
Speaker 1: nineteen ninety five, so make sure you stick around for

1194
01:02:19,920 --> 01:02:23,920
Speaker 1: that one next week. We love you all, pod dismissed.

1195
01:02:25,680 --> 01:02:28,720
Speaker 1: Pod Meets World is an iHeart Podcast, produced and hosted

1196
01:02:28,720 --> 01:02:33,120
Speaker 1: by Danielle Fischel, Wilfredell and Writer Strong Executive producers Jensencarp

1197
01:02:33,160 --> 01:02:36,560
Speaker 1: and Amy Sugarman. Executive in charge of production, Danielle Romo,

1198
01:02:36,760 --> 01:02:41,360
Speaker 1: producer and editor, Tara Sudbacks, producer, Jackie Rodriguez, engineer and

1199
01:02:41,480 --> 01:02:44,520
Speaker 1: Boy Meets World super fan Easton Allen. Our theme song

1200
01:02:44,680 --> 01:02:47,320
Speaker 1: is by Kyle Morton of Typhoon. You can follow us

1201
01:02:47,360 --> 01:02:50,160
Speaker 1: on Instagram at Pod Meets World Show or email us

1202
01:02:50,200 --> 01:02:52,320
Speaker 1: at Pod Meets World Show at gmail dot com.