WEBVTT - #159 - Brooks & Dunn

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<v Speaker 1>Welcome to episode one fifty nine of the Bobby Cast.

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<v Speaker 1>Brooks and Done stop by our show and we talked

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<v Speaker 1>to them, actually a lot more than was on the

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<v Speaker 1>radio show because we recorded a bunch stuff with the

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<v Speaker 1>countdown we've recorded during the commercials, and so I was

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<v Speaker 1>actually like over a twenty minute interview. So I wanted

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<v Speaker 1>you guys to hear the full Brooks and Done of

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<v Speaker 1>you because I love these guys, and I geeked out

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<v Speaker 1>a little bit, but it was still cool to learn

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<v Speaker 1>a lot of this stuff. So yeah, Brooks and Done episode.

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<v Speaker 1>Check out our other podcasts. Four Things with Amy Brown.

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<v Speaker 1>Her husband should be on this week's episode if you're

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<v Speaker 1>hearing it this week, or go back and check out

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<v Speaker 1>the episode there if you're into sports, The Sore Losers

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<v Speaker 1>with Lunchbox Eddie in Ray talking about sports every day,

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<v Speaker 1>and The Velvet's Edge with Kelly Henderson. It's a lifestyle

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<v Speaker 1>podcast for women talking about fashion and beauty. So check

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<v Speaker 1>all those out of You can subscribe if you hear

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<v Speaker 1>this right now, go and write a good note over

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<v Speaker 1>on the on the page where you can write notes,

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<v Speaker 1>because that's people don't write good notes. That's not very nice.

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<v Speaker 1>Here It is the full conversation with Brooks and Dunne

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<v Speaker 1>and its entirety unedited enjoy episode, the Friday Morning Conversation

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<v Speaker 1>with Brooks and Done. They're not even in here yet.

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<v Speaker 1>That's kind of cool to hear that Brooks and Dinner

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<v Speaker 1>about to be in the studio. I remember the last

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<v Speaker 1>time I hung out with um kick Brooks, and I

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<v Speaker 1>told you that embarrassing story. I save it, though I

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<v Speaker 1>don't remember. I don't want to talk about what you

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<v Speaker 1>say to dinner. Stop there, that's not them. It's like

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<v Speaker 1>a surprise party. It's night. Yeah, they are kicks foods.

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<v Speaker 1>Come on you people will climb in anything. We definitely will.

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<v Speaker 1>But come on, you gotta have a seat. Come on,

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<v Speaker 1>friends going you work every day, but there's many people around. Yeah,

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<v Speaker 1>he's nervous. We need a big staff. Nervous. We're not

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<v Speaker 1>very good. I'm not very get alone, so I gotta

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<v Speaker 1>have all that. It made me better. Look, this is

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<v Speaker 1>it cool for me? Listen. I know that we've met.

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<v Speaker 1>I know that when we see each other last at

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<v Speaker 1>the center near our nation's capital and so, but this

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<v Speaker 1>is you days have never been on my show. And

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<v Speaker 1>that sounds pretty cool for me. If I'm being honest,

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<v Speaker 1>it's pretty cool for Brooks and Donner here kicks. You

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<v Speaker 1>and I met. I don't know if you remember, but

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<v Speaker 1>the first and second time I played the opera, you

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<v Speaker 1>were playing and I went into your room and you're

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<v Speaker 1>very nice to me. That was you, that was me.

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<v Speaker 1>I think The first time we met actually was was

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<v Speaker 1>at when the Norman Oklahoma. Oh that's right. The yeah,

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<v Speaker 1>we both did have benefit together out there, and that's right.

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<v Speaker 1>I had to get over there quick and your manager

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<v Speaker 1>with nice enough to go, hey, get on the plane,

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<v Speaker 1>and then you and I flew back together. But I

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<v Speaker 1>want to say that because I don't know if you

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<v Speaker 1>want to know how rich you are? Shut up? My

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<v Speaker 1>plan this plane was that anyway? I just I just

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<v Speaker 1>got on and nobody said anything. So me too. Luckily

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<v Speaker 1>it was going back to Nashviore important to that just

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<v Speaker 1>could turn into a Payota trial. Yeah, that's true, that's true.

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<v Speaker 1>And Ronnie done, come on, Ronnie, come on, are you

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<v Speaker 1>kidding me? I shut up? Have you seen you? I

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<v Speaker 1>must say nothing And we've all been just like I

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<v Speaker 1>used to get on the radio and beg you has

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<v Speaker 1>to come in and you guys didn't kicks. I wanna

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<v Speaker 1>call your radio station and be like, hey, can Kicks

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<v Speaker 1>come over? And they'll be like no. And I was like,

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<v Speaker 1>I don't care if somebody else anything, what's up with

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<v Speaker 1>this project? Because I know about it. It's out there.

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<v Speaker 1>A couple of songs out today. How do you feel

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<v Speaker 1>when someone does like a celebratory project towards you, Ronnie,

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<v Speaker 1>like they made these songs the Two the Route today,

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<v Speaker 1>Luke Combs a brand new man. Caine Brown does believe, like,

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<v Speaker 1>how does that feel when someone celebrate you and makes

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<v Speaker 1>your music? Well, it just kind of makes you feel

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<v Speaker 1>kind of old, you know, and then that's mind your oasis.

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<v Speaker 1>And then I get over that and go, dang, how

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<v Speaker 1>cool because it's it's super cool, you know, and started

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<v Speaker 1>to get in the studio with these guys, you know,

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<v Speaker 1>and get to do it in real time, you know.

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<v Speaker 1>In today's you know, digital age, everybody's like, guitars are

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<v Speaker 1>going on across town this, drummers are over here, singers

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<v Speaker 1>are over here, ones over here. We all got in

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<v Speaker 1>the same room and did it. I'm gonna hear this.

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<v Speaker 1>There's some headphones that if you want to, but I'm

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<v Speaker 1>gonna play a little bit of Brand New Man from

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<v Speaker 1>Luke coms. You can check this out right here. So

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<v Speaker 1>you guys are in the room whenever that's happening, Like

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<v Speaker 1>you guys are making that with him. Yeah, school in

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<v Speaker 1>the room with like next to one another, face to face.

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<v Speaker 1>That is old school. And you know, Luke actually had

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<v Speaker 1>posted him and a couple of his band guys acoustically

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<v Speaker 1>playing Brand New Man, and and it got sent around

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<v Speaker 1>to us, and you know, we just said, dude, that's cool.

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<v Speaker 1>You know, it's great, and it's kind of how this

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<v Speaker 1>guy going. It really wasn't our idea. A couple of

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<v Speaker 1>different Casey Musgraves was doing Neon Moon in her show

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<v Speaker 1>and whatever, and our manager said, and these these acts

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<v Speaker 1>seem to dig y'all's music, and there may be a

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<v Speaker 1>project here, you know, So we're like, what. And I

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<v Speaker 1>guess he came back about a month later and said, hey,

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<v Speaker 1>I got a big list and everybody seems to be in.

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<v Speaker 1>So we said, we'll shoot, let's sing him again. Here's

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<v Speaker 1>Kane Brown. Don't believe there was anybody deserved a ticket

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<v Speaker 1>to the other side. And sweet on man, look me,

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<v Speaker 1>that's so good. Come on, isn't it? Crazy because that's

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<v Speaker 1>a legendary song for you. Like, I'm a massive fan

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<v Speaker 1>of you guys, and I'm okay setting in front of

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<v Speaker 1>you telling you that I'll geek out a little bit.

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<v Speaker 1>I think I have every time I met you have

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<v Speaker 1>geeked out and that will always happened. But like, that

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<v Speaker 1>song didn't even go number one back in the day.

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<v Speaker 1>And when I hear that's that's quintessential Brooks and Dunne, right,

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<v Speaker 1>that song didn't even go number one and everybody knows

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<v Speaker 1>every word to it. That's crazy to me. I mean,

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<v Speaker 1>so many career songs that come along for you as

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<v Speaker 1>an act that's like that. They they don't necessarily hit

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<v Speaker 1>number one. You know that was that song was long?

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<v Speaker 1>You know. I remember Keith Herban doing it with us

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<v Speaker 1>in the Country Fest concert and turned around the middle

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<v Speaker 1>of the show and he got part of the rehearsal

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<v Speaker 1>and he goes, uh, there is no there's just no

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<v Speaker 1>like two minute boy band. So so yeah, it's uh

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<v Speaker 1>just Kane was a great surprise. He stepped up and

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<v Speaker 1>his records are one thing, but when you plug somebody

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<v Speaker 1>into a song like that, and that's that's Ronnie Ston.

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<v Speaker 1>I can't take any credit for it, but I think

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<v Speaker 1>we both just kind of looked at each other when

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<v Speaker 1>he started singing in it, Wow, this is gonna be good.

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<v Speaker 1>When he like really started singing and just looked like

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<v Speaker 1>like beared down. All right, man, It's like, dude, all

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<v Speaker 1>the stuff you need in your voice is there? Love it?

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<v Speaker 1>Then the whole new album. By the way, there are

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<v Speaker 1>two songs out today, but the whole album comes to

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<v Speaker 1>April five and reboot, And so who else is on it?

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<v Speaker 1>Casey's on it, Kanan Luke obviously on Luke Coombs, who

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<v Speaker 1>else Thomas Shrett, Brett, Young Blanco, Lanco. I mean I

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<v Speaker 1>have the list if you want to read it. Yeah. Yeah,

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<v Speaker 1>you know, I act like I don't know today. I

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<v Speaker 1>know everything I started like Ashley McBride, John Party, brought

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<v Speaker 1>Young Lanco, Midland, Cody Johnson and Tyler Booth, all those guys.

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<v Speaker 1>You can make comments about all of them. Yeah. Let

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<v Speaker 1>me ask you a couple of questions. I always want

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<v Speaker 1>to know in my heart it's okay, can we do it?

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<v Speaker 1>Can I have like some Bobby Hard questions? All right?

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<v Speaker 1>Because when I've spent time I don't want to geek out.

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<v Speaker 1>But now you're in my world. I could do whatever

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<v Speaker 1>I want. It's like, well, going to Bobby's house. Um, okay,

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<v Speaker 1>So you guys got together, like, h thirty one years ago.

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<v Speaker 1>I looked it up like exactly thirty one years ago.

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<v Speaker 1>So you get put together, right, Like suggested that you

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<v Speaker 1>guys should meet each other, right, So who makes that

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<v Speaker 1>suggestion and what's the first impression you guys have each

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<v Speaker 1>other when you meet. Well, Jim Dubois called us both up.

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<v Speaker 1>Um he was he was starred uh the label Arista

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<v Speaker 1>at the time, Nashville with Clide Davis. He'd already signed

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<v Speaker 1>Allen Jackson, so he didn't want another boys singer. He

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<v Speaker 1>was trying to get one of everything, and he'd signed

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<v Speaker 1>Diamond Rio, he'd signed Pam Tillis was his girl and

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<v Speaker 1>the judge were breaking up, so he was determined to

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<v Speaker 1>get ad He needed a new due exactly. And so

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<v Speaker 1>you know he just said, we literally met at lunch

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<v Speaker 1>over a bad enchilada, and he pretty more or less

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<v Speaker 1>offered us a record deal if you know, if it

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<v Speaker 1>worked out, if we could work together. He didn't really

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<v Speaker 1>say that. He said, go away and write some songs,

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<v Speaker 1>and we did that same week. We wrote a brand

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<v Speaker 1>new Man in Next Broken Heart. That was Tuesday. We

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<v Speaker 1>wrote those songs on Thursday and Friday demoded them and

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<v Speaker 1>took him back and he jumped up and down, and

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<v Speaker 1>then he offered us a record deal. But okay, you're right,

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<v Speaker 1>brand new man? Do you go? Oh we had this

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<v Speaker 1>is something like we didn't even know each other, you know,

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<v Speaker 1>three days ago. But we don't brand new man. This

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<v Speaker 1>is something we didn't know. You know, we never know.

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<v Speaker 1>You never know when you wrote him and until they

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<v Speaker 1>there become hits. I guess I thought it was pretty good. Yeah,

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<v Speaker 1>I really did, because you know, and Ronnie had that

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<v Speaker 1>idea I'm a changed man, and and uh, it's my

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<v Speaker 1>near miss on what if we changed that? But he

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<v Speaker 1>already had the I saw the light and I was

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<v Speaker 1>baptized by that. You know. And Ronnie came from Oklahoma.

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<v Speaker 1>He hadn't been hanging out in Nashville for ten years

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<v Speaker 1>like me, so he had a lot of fresh ideas

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<v Speaker 1>that I think we get bogged down and formula writing

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<v Speaker 1>sometimes when you're doing that for a living. So it

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<v Speaker 1>was for me as a writer, it was really a

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<v Speaker 1>breath of fresh air. Honestly to have some new ideas

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<v Speaker 1>that you weren't just sitting in a room and everybody

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<v Speaker 1>passed around twenty times already, and it was kind of

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<v Speaker 1>it was fun. We wrote a lot of stuff earlier

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<v Speaker 1>that I thought he had some good energy to it.

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<v Speaker 1>Whenever boots Scooting Boogie happens and the dance blows up

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<v Speaker 1>and everybody, that's you know what, I actually learned to

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<v Speaker 1>two steps to boot scoot booge, Like a big part

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<v Speaker 1>of my life was being in Arkansas and this girl

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<v Speaker 1>named Carrie Carter had the biggest crush. ALM was like,

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<v Speaker 1>I'm gonna teach had a two stap and electric slide

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<v Speaker 1>by the way, both of them. I learned boot Scooting

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<v Speaker 1>booget the same song. And so when the boots Scooting

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<v Speaker 1>boogie starts to be a thing, did you guys come

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<v Speaker 1>up with that dance? Did you guys know it's gonna

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<v Speaker 1>be a thing? Like? How does that whole thing happen?

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<v Speaker 1>I wrote it in Oklahoma and we were playing a

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<v Speaker 1>big club they're called Tulsa City Limits, and uh, we

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<v Speaker 1>we had to do cover songs. And you play club,

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<v Speaker 1>you know bars and stuff or they don't they're one

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<v Speaker 1>of original stuff, And uh, these people kept coming up

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<v Speaker 1>and asking us to play it again, so I kind

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<v Speaker 1>of thought, well, maybe there's something there, so we'd sneak

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<v Speaker 1>into the set late at night. But they were doing

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<v Speaker 1>those dances, and you know that the dance, all the

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<v Speaker 1>line dancing and all that stuff was already up and going,

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<v Speaker 1>you know, strong in Oklahoma, Texas, but down there, if

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<v Speaker 1>you if you play a song or do or play

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<v Speaker 1>in any of the clubs and they're don't dance, then

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<v Speaker 1>you're you know, you're out. So we had to had

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<v Speaker 1>to write songs that kept people moving in turn sold beer.

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<v Speaker 1>Now ye right, So I've never been close to a

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<v Speaker 1>line dance. I can two step a little. I would

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<v Speaker 1>kill myself. I'm the clumsiest person in the world. I'd

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<v Speaker 1>kill myself trying to line dance. Well, you're just down

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<v Speaker 1>from the stage and it looks dangerous. The boot scooting

0:11:12.080 --> 0:11:14.079
<v Speaker 1>Bookie was such a big part of the song though,

0:11:14.360 --> 0:11:16.559
<v Speaker 1>Like I mean, for two guys that don't dance like

0:11:16.600 --> 0:11:19.000
<v Speaker 1>that was such a massive part of this song. Was

0:11:19.040 --> 0:11:21.320
<v Speaker 1>that was the music video. Man, I don't watched the CMT.

0:11:21.880 --> 0:11:24.319
<v Speaker 1>That's crazy. That's awesome. Can I just stand here and

0:11:24.320 --> 0:11:26.040
<v Speaker 1>tell you how awesome you are for like fifteen minutes.

0:11:26.960 --> 0:11:29.000
<v Speaker 1>This is the best thing? Am I getting out? Too

0:11:29.000 --> 0:11:31.719
<v Speaker 1>hard to keep it going? Oh my goodness? Okay, so

0:11:32.040 --> 0:11:33.800
<v Speaker 1>how about these Las Vegas shows you guys are doing

0:11:33.840 --> 0:11:35.839
<v Speaker 1>like you come back together? Right? I mean I bet

0:11:35.880 --> 0:11:38.760
<v Speaker 1>that paste so much? Right? Those Vegas shows? Holy crap

0:11:39.200 --> 0:11:42.120
<v Speaker 1>A little all this and money too, I mean right,

0:11:42.240 --> 0:11:44.800
<v Speaker 1>Like you get to play all the hits and that

0:11:45.080 --> 0:11:47.240
<v Speaker 1>do you stay in Vegas for like three or four days?

0:11:47.240 --> 0:11:50.200
<v Speaker 1>They put you up? How does that work? They they

0:11:50.240 --> 0:11:53.520
<v Speaker 1>give us all the sweet and uh have you seen

0:11:53.559 --> 0:11:58.600
<v Speaker 1>the under years yet? It's they're that big. Come on

0:12:00.920 --> 0:12:02.840
<v Speaker 1>a couple of butthers. So if you want something to anytime,

0:12:02.880 --> 0:12:05.160
<v Speaker 1>you get that. But other than that, you get a

0:12:05.160 --> 0:12:07.800
<v Speaker 1>good view. Yah. We're two weeks at a time, four

0:12:07.840 --> 0:12:10.200
<v Speaker 1>times a year, so you're out there. You do three

0:12:10.200 --> 0:12:13.520
<v Speaker 1>shows a week and you know, get some golfin and

0:12:13.520 --> 0:12:16.760
<v Speaker 1>and it's just fun to stumble down from your hotel

0:12:16.880 --> 0:12:19.000
<v Speaker 1>room on to a stage where all your guitars are

0:12:19.000 --> 0:12:20.719
<v Speaker 1>in tune and it sounds the same as it did

0:12:20.840 --> 0:12:24.640
<v Speaker 1>last night, and just to sing and play. It's about

0:12:24.720 --> 0:12:28.080
<v Speaker 1>as great a situation as as you could ever hope for.

0:12:28.240 --> 0:12:30.079
<v Speaker 1>And it's fun. To sing those songs again. I think

0:12:30.120 --> 0:12:31.680
<v Speaker 1>it was good for us to get away from it

0:12:31.720 --> 0:12:34.439
<v Speaker 1>for a few years. And and Reba, you know kinda

0:12:34.960 --> 0:12:37.320
<v Speaker 1>we got a great referee out there, so you know,

0:12:37.400 --> 0:12:40.360
<v Speaker 1>it's it's we've been having a good time, honestly, we

0:12:40.360 --> 0:12:42.720
<v Speaker 1>we both we mentioned earlier with the Kennedy Center on Earth.

0:12:42.800 --> 0:12:45.120
<v Speaker 1>And you guys have a longer relationship with Reba than

0:12:45.160 --> 0:12:47.040
<v Speaker 1>I do. I'm again a huge ream of fan and

0:12:47.080 --> 0:12:49.480
<v Speaker 1>she's been great to me. But how did you guys

0:12:49.520 --> 0:12:54.720
<v Speaker 1>become friends of Reba? Gosh, she hardness and not three.

0:12:54.760 --> 0:12:57.800
<v Speaker 1>I guess she was the first tour that we actually

0:12:57.800 --> 0:13:00.600
<v Speaker 1>got hooked up with and hardest. I think back then

0:13:00.640 --> 0:13:03.800
<v Speaker 1>they were like four or five major tours straight Alabama.

0:13:04.320 --> 0:13:07.800
<v Speaker 1>Who else dance? I think yeah. And then so that

0:13:07.920 --> 0:13:09.600
<v Speaker 1>she had a spot and gave us the opening spot,

0:13:09.760 --> 0:13:11.680
<v Speaker 1>gave us ten feet of stage in ten minutes and

0:13:11.720 --> 0:13:16.920
<v Speaker 1>a hundred dollars or nine we took hundred bucks. But

0:13:17.000 --> 0:13:20.080
<v Speaker 1>a few years later we both kind of kind of

0:13:20.120 --> 0:13:23.320
<v Speaker 1>got a good, good wave going and and hooked up.

0:13:23.320 --> 0:13:26.600
<v Speaker 1>I think in ninety six and maybe ninety seven, we uh,

0:13:27.080 --> 0:13:30.280
<v Speaker 1>we did some co headlining together. We had twenty one

0:13:30.360 --> 0:13:33.760
<v Speaker 1>trucks and nineteen buses out on that tour. So for

0:13:33.760 --> 0:13:40.480
<v Speaker 1>for wow, what song is it? What gets the biggest

0:13:40.520 --> 0:13:42.240
<v Speaker 1>reaction when you play it? Like? What song? Because you

0:13:42.280 --> 0:13:44.760
<v Speaker 1>have so many hits, people probably definitely every where you go.

0:13:45.160 --> 0:13:47.079
<v Speaker 1>But what's the one where you get people go boom,

0:13:47.120 --> 0:13:49.640
<v Speaker 1>first lick they got it. I'd probably say, Mom, Marie,

0:13:50.440 --> 0:13:55.520
<v Speaker 1>come on, that's a dance team. Gotta be kidding me.

0:13:55.960 --> 0:13:58.040
<v Speaker 1>For me, sleep is so important when I do this show.

0:13:58.200 --> 0:14:01.720
<v Speaker 1>I'm sure whatever you're doing to day, sleep is so important.

0:14:01.720 --> 0:14:04.160
<v Speaker 1>But you feel like maybe you can't get quality sleep

0:14:04.160 --> 0:14:07.200
<v Speaker 1>because you're so busy. We're all busy. We need to

0:14:07.200 --> 0:14:09.560
<v Speaker 1>have the perfect conditions to get that good rest. And

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0:14:56.920 --> 0:14:59.440
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0:14:59.480 --> 0:15:01.280
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0:15:02.120 --> 0:15:04.920
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0:15:52.200 --> 0:15:54.200
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0:15:54.360 --> 0:15:56.920
<v Speaker 1>Life flock dot com. I mean, we have freaking Brooks

0:15:56.960 --> 0:15:58.400
<v Speaker 1>and down in here and that's crazy and then you

0:15:58.400 --> 0:16:00.040
<v Speaker 1>want to ask him and hogging this whole interview. I

0:16:00.040 --> 0:16:03.920
<v Speaker 1>have like ten pages I made last night. Here's page one,

0:16:03.960 --> 0:16:11.480
<v Speaker 1>tell them they're awesome. Checks going by yeah, page to

0:16:11.480 --> 0:16:15.480
<v Speaker 1>remind them how awesome they are. Page three, good luck

0:16:15.480 --> 0:16:19.800
<v Speaker 1>in the future. Brand new Man was the first one,

0:16:19.800 --> 0:16:21.560
<v Speaker 1>the first number one. What's the number one? Party? Like

0:16:21.560 --> 0:16:24.480
<v Speaker 1>back then? First time you get a number one, back

0:16:24.520 --> 0:16:26.000
<v Speaker 1>in the day, you hit number one, What do you do?

0:16:26.200 --> 0:16:30.720
<v Speaker 1>I know, Donna Hilly throw a party. I just remember

0:16:30.760 --> 0:16:35.240
<v Speaker 1>we were big into you know, our logos. This this

0:16:35.240 --> 0:16:39.600
<v Speaker 1>this Longhorn steer on steroids and Donna didn't know the difference,

0:16:39.640 --> 0:16:41.480
<v Speaker 1>but bless her heart, we turned the corner on our

0:16:41.520 --> 0:16:43.480
<v Speaker 1>party and she's got a cow out there. You know

0:16:43.680 --> 0:16:47.920
<v Speaker 1>these little horns. I remember going, Okay, that's good effort,

0:16:48.000 --> 0:16:54.720
<v Speaker 1>you know, but did it ever get too big for you? Guys?

0:16:54.880 --> 0:16:58.640
<v Speaker 1>Where you go you look around and you go, holy crap,

0:16:59.000 --> 0:17:01.880
<v Speaker 1>like this is this is lots like a lot of trucks,

0:17:01.880 --> 0:17:03.800
<v Speaker 1>a lot of stage. You ever go this is this

0:17:03.840 --> 0:17:07.840
<v Speaker 1>is a show. You know, it's just a matter of

0:17:08.240 --> 0:17:13.840
<v Speaker 1>personal I guess subjective viewpoint. But there's time with when

0:17:13.880 --> 0:17:16.360
<v Speaker 1>it was growing to the point to where you get

0:17:16.400 --> 0:17:18.320
<v Speaker 1>on the bus and the door would open and shut

0:17:18.400 --> 0:17:20.840
<v Speaker 1>like every fifteen minutes. Somebody going, hey man, we need

0:17:20.840 --> 0:17:22.560
<v Speaker 1>more lights. We need to add the lights. Where do

0:17:22.560 --> 0:17:25.679
<v Speaker 1>you think about adding you know, more more monitors and

0:17:25.720 --> 0:17:28.800
<v Speaker 1>that kind of stuff. That was that's the most strenuous part,

0:17:28.880 --> 0:17:30.720
<v Speaker 1>I think, just dealing with the day to day and

0:17:30.840 --> 0:17:32.399
<v Speaker 1>got going, I hope you're not gonna step out there

0:17:32.440 --> 0:17:35.679
<v Speaker 1>and you know, not have enough equipment. Uh, And it

0:17:35.760 --> 0:17:37.840
<v Speaker 1>was that was kind of out of our our wheelhouse.

0:17:37.920 --> 0:17:39.199
<v Speaker 1>You know. It's like I just want to sing and

0:17:39.200 --> 0:17:42.000
<v Speaker 1>write songs. It's like more to it than that. Obviously,

0:17:42.119 --> 0:17:43.560
<v Speaker 1>do you ever do the thing where yelled the wrong city?

0:17:43.800 --> 0:17:46.720
<v Speaker 1>Like what up to below? We were talking the other

0:17:46.920 --> 0:17:52.840
<v Speaker 1>times those weekends when you're in Rapid City and Cedar

0:17:52.960 --> 0:17:57.000
<v Speaker 1>Rapids and you know some other something city, you know

0:17:57.240 --> 0:17:59.840
<v Speaker 1>that where you really have to remind yourself. I think

0:17:59.840 --> 0:18:02.480
<v Speaker 1>the worst mistake I ever made that way was we

0:18:02.600 --> 0:18:07.080
<v Speaker 1>played the basketball Coliseum at Michigan State and and I

0:18:07.119 --> 0:18:10.840
<v Speaker 1>was really disoriented walking to the stage, and I'm going,

0:18:11.240 --> 0:18:13.800
<v Speaker 1>where what town is this? Though I don't know I

0:18:13.840 --> 0:18:16.800
<v Speaker 1>know where at Michigan State, But anyway, I just I

0:18:16.840 --> 0:18:19.240
<v Speaker 1>see their logo going to the stage, and I'm like, okay,

0:18:19.280 --> 0:18:21.680
<v Speaker 1>I got this. So while you want to scream something

0:18:21.760 --> 0:18:23.560
<v Speaker 1>when you go out there, you know, I walked down there,

0:18:23.560 --> 0:18:28.679
<v Speaker 1>and how about you trow jazz. It's just like I know,

0:18:28.800 --> 0:18:30.800
<v Speaker 1>I saw it was on the wall. You know, I went,

0:18:31.320 --> 0:18:35.840
<v Speaker 1>I'm spartaned, you know, like you know, no, you're not

0:18:35.880 --> 0:18:38.800
<v Speaker 1>coming back, dude. It's like halfway through this show they

0:18:38.880 --> 0:18:43.920
<v Speaker 1>start to kind of that's funny, come on, so we

0:18:43.960 --> 0:18:47.679
<v Speaker 1>started right right there. You wrote the city on the ground, right.

0:18:48.080 --> 0:18:50.520
<v Speaker 1>I swore I'd never have to do that, But Red

0:18:50.600 --> 0:18:53.280
<v Speaker 1>Dear Road you both wrote that right. I heard kicks

0:18:53.320 --> 0:18:55.800
<v Speaker 1>did the heavy lifting? Does that mean you coming on?

0:18:55.880 --> 0:18:59.800
<v Speaker 1>Most of the article the bus were not after a show,

0:19:00.400 --> 0:19:02.359
<v Speaker 1>and he said and he said let's I've got this

0:19:02.440 --> 0:19:05.280
<v Speaker 1>idea and you had the title or whatever, and we

0:19:05.280 --> 0:19:07.000
<v Speaker 1>started talking about it. I said, well, I grew up

0:19:07.040 --> 0:19:10.439
<v Speaker 1>like in a rural Route three and Eldred, Arkansas kind of,

0:19:10.520 --> 0:19:13.840
<v Speaker 1>you know. And uh, we we talked about a lot

0:19:13.840 --> 0:19:15.199
<v Speaker 1>of that stuff. And I'm not sure we didn't have

0:19:15.240 --> 0:19:18.760
<v Speaker 1>the course, you know, well on its way. So funny

0:19:18.800 --> 0:19:24.280
<v Speaker 1>how we remember this stuff. Yeah, everybody, right, we have

0:19:24.280 --> 0:19:26.239
<v Speaker 1>a different story. I'll tell you what really happened when

0:19:26.440 --> 0:19:31.480
<v Speaker 1>after So this is my life and I'm sticking to it. Uh.

0:19:31.560 --> 0:19:33.800
<v Speaker 1>And then I remember us having to like take off

0:19:33.800 --> 0:19:35.879
<v Speaker 1>and go, and we were it was a long long drive,

0:19:36.000 --> 0:19:38.800
<v Speaker 1>like from somewhere like somewhere to Oregon. We landed in

0:19:38.800 --> 0:19:41.439
<v Speaker 1>San Francisco and we had a show in Sacramento at

0:19:41.560 --> 0:19:43.440
<v Speaker 1>ar So I'm in Oregon. You're on the other coast.

0:19:44.560 --> 0:19:46.760
<v Speaker 1>You're on the right coast. Okay, they're both over there,

0:19:46.800 --> 0:19:52.320
<v Speaker 1>all right. So anyway, here I am in Beijing. The

0:19:52.359 --> 0:19:55.119
<v Speaker 1>buses take off. We got the next morning, kicks his

0:19:55.160 --> 0:19:56.640
<v Speaker 1>buses parked out in front of us, and I see

0:19:56.680 --> 0:19:59.359
<v Speaker 1>him get out and his hairs like it looks like

0:19:59.359 --> 0:20:03.040
<v Speaker 1>he's been through freaking World War three or something. Stumbles

0:20:03.119 --> 0:20:05.560
<v Speaker 1>up on the bus with a guitar and he plays

0:20:05.680 --> 0:20:08.760
<v Speaker 1>plays the song the verses. I was like, good god man,

0:20:09.400 --> 0:20:14.119
<v Speaker 1>Bank you hit it. You can tell done. So what

0:20:14.240 --> 0:20:19.439
<v Speaker 1>really happened? Ronnie wrote down the primarily those great lines

0:20:19.760 --> 0:20:22.880
<v Speaker 1>from the chorus. On the airplane flying to San Francisco.

0:20:23.240 --> 0:20:25.600
<v Speaker 1>You had Terry McBride with you, and he hands it

0:20:25.640 --> 0:20:27.040
<v Speaker 1>to him and goes, what do you think of this?

0:20:27.720 --> 0:20:30.679
<v Speaker 1>I'm like, that is great. And we had had this

0:20:30.760 --> 0:20:33.320
<v Speaker 1>discussion about where we grew up in the red dirt roads,

0:20:33.480 --> 0:20:35.399
<v Speaker 1>and we decided to name our album that. But we

0:20:35.560 --> 0:20:37.960
<v Speaker 1>said we got to write a song that goes with it.

0:20:38.400 --> 0:20:40.679
<v Speaker 1>So I jumped on my bus, he jumps on his,

0:20:40.840 --> 0:20:44.000
<v Speaker 1>and we head for Sacramento and I just grabbed my guitar,

0:20:44.320 --> 0:20:47.439
<v Speaker 1>went to work. We get there, him and Terry go

0:20:47.800 --> 0:20:50.479
<v Speaker 1>knock on my door and go let's go get a steak.

0:20:51.040 --> 0:20:53.800
<v Speaker 1>And I said, cool, but you gotta hear this first.

0:20:54.840 --> 0:20:58.120
<v Speaker 1>Mad him listen and where Ronnie done for him? He went,

0:20:58.760 --> 0:21:01.040
<v Speaker 1>I love it. That's freak right. I went, what's wrong

0:21:01.080 --> 0:21:05.280
<v Speaker 1>with you? Let's go, let's see to stay, drink a beer,

0:21:05.320 --> 0:21:08.080
<v Speaker 1>all that kind of stuff. What was the one hit

0:21:08.160 --> 0:21:10.800
<v Speaker 1>that you guys had with over twenty three number I

0:21:10.800 --> 0:21:14.520
<v Speaker 1>think number ones looked earlier. What's the one where you

0:21:14.560 --> 0:21:16.280
<v Speaker 1>wrote and you went, that's the one, like you could

0:21:16.280 --> 0:21:18.159
<v Speaker 1>tell immediately because I'm asking the flip side of this

0:21:18.200 --> 0:21:19.640
<v Speaker 1>in a second, what's the one where you went, that's

0:21:19.720 --> 0:21:23.000
<v Speaker 1>hit red dirt. Red Dirt was pretty close, I mean,

0:21:23.040 --> 0:21:24.480
<v Speaker 1>and I think that was a moment where we were

0:21:24.520 --> 0:21:26.960
<v Speaker 1>all sitting around and he played it for the first

0:21:27.000 --> 0:21:29.679
<v Speaker 1>time and went, oh, I think I think we've got it.

0:21:30.080 --> 0:21:31.679
<v Speaker 1>They went in the studio and then you know, if

0:21:31.720 --> 0:21:35.159
<v Speaker 1>here comes that lick dot dot dot down, then it

0:21:35.280 --> 0:21:38.040
<v Speaker 1>just turned into it like boom. I couldn't wait to

0:21:38.040 --> 0:21:40.040
<v Speaker 1>get home and play that for Mark, right because we

0:21:40.080 --> 0:21:42.400
<v Speaker 1>had we had started gathering up some songs, but we

0:21:42.440 --> 0:21:45.840
<v Speaker 1>needed that anchor and to go with the title, you know,

0:21:45.960 --> 0:21:48.120
<v Speaker 1>and that's it's just that mom where you go, oh,

0:21:48.200 --> 0:21:50.720
<v Speaker 1>we did it. So many variables, you know, contribute to

0:21:50.760 --> 0:21:53.399
<v Speaker 1>that aha moment, and a lot of times it's just

0:21:53.480 --> 0:21:55.200
<v Speaker 1>when you sit down in the studio not knowing where

0:21:55.200 --> 0:21:59.120
<v Speaker 1>it's going to go, and the guitar player. Usually it's

0:21:59.119 --> 0:22:01.400
<v Speaker 1>the guitar player sit down and hit hit that lick,

0:22:01.680 --> 0:22:05.159
<v Speaker 1>and he hit that intro lick Bam bamp bump on.

0:22:05.520 --> 0:22:07.520
<v Speaker 1>They're just turned into like a kind of an anthem,

0:22:07.560 --> 0:22:10.280
<v Speaker 1>the kind of thing away. We went on the other

0:22:10.320 --> 0:22:12.119
<v Speaker 1>side of that, What major song, what big hit you

0:22:12.119 --> 0:22:14.520
<v Speaker 1>guys had that took forever? And you're like, let's think

0:22:14.560 --> 0:22:16.640
<v Speaker 1>took forever to write, took We didn't get it right

0:22:16.720 --> 0:22:18.600
<v Speaker 1>and producing it the first couple of times we didn't

0:22:18.600 --> 0:22:22.640
<v Speaker 1>put it in, like what's the struggle song? They're all struggle.

0:22:24.119 --> 0:22:27.080
<v Speaker 1>It's like having to go do your homework. It's fun

0:22:27.160 --> 0:22:29.359
<v Speaker 1>to saying fund to fun to play. But I think

0:22:29.600 --> 0:22:35.040
<v Speaker 1>um He'll Billy Deluxe was one that was a totally

0:22:35.040 --> 0:22:37.800
<v Speaker 1>different song than Believe, But it was a song that

0:22:37.880 --> 0:22:40.639
<v Speaker 1>never you know, barely got in the top ten. It

0:22:40.720 --> 0:22:43.040
<v Speaker 1>might have made it, it might not even made top ten.

0:22:43.320 --> 0:22:46.680
<v Speaker 1>But I watched our sales double and and it's some

0:22:46.720 --> 0:22:49.760
<v Speaker 1>of those songs, just like Believe, people to this day

0:22:49.840 --> 0:22:53.240
<v Speaker 1>go that song changed my life. Those songs that have

0:22:53.400 --> 0:22:55.800
<v Speaker 1>the impact and that really make a difference in whatever.

0:22:55.840 --> 0:22:59.119
<v Speaker 1>They're not always those ditties that slam up to number

0:22:59.160 --> 0:23:01.800
<v Speaker 1>one on radio or something like that, but you feel

0:23:01.800 --> 0:23:05.040
<v Speaker 1>a connection to your fans and and to your career

0:23:05.160 --> 0:23:08.240
<v Speaker 1>that you're like, man, that's that one. That one got

0:23:08.240 --> 0:23:10.560
<v Speaker 1>down there, that one did some good. You know the

0:23:10.600 --> 0:23:13.080
<v Speaker 1>song that and I've often referenced on the show, we

0:23:13.080 --> 0:23:16.879
<v Speaker 1>talk about songs that actually make you like physically cry

0:23:16.960 --> 0:23:20.000
<v Speaker 1>or feel something like cowgirls don't cry? Are you kidding me?

0:23:20.400 --> 0:23:23.199
<v Speaker 1>Are you still if that thing comes? And heard that

0:23:23.240 --> 0:23:27.680
<v Speaker 1>man look out the owner to a big cowboy and

0:23:27.840 --> 0:23:31.840
<v Speaker 1>just like, oh man, that song is still getting I've

0:23:31.880 --> 0:23:33.399
<v Speaker 1>heard a song ten thousand times and I hear it

0:23:33.400 --> 0:23:36.919
<v Speaker 1>again and I don't I don't know if it's Reba

0:23:36.960 --> 0:23:38.800
<v Speaker 1>being in a two that pushes me over the edge,

0:23:39.440 --> 0:23:41.920
<v Speaker 1>but are you kidding me? Then she sings it backed

0:23:41.960 --> 0:23:46.080
<v Speaker 1>after her dad dies, like are you getting There were

0:23:46.080 --> 0:23:48.040
<v Speaker 1>a lot of Redheads that had had a part in that.

0:23:48.600 --> 0:23:51.480
<v Speaker 1>Terry McBride has has a redhead daughter. I have two

0:23:51.760 --> 0:23:54.399
<v Speaker 1>daughters in the red Heads, and then the Reba factor

0:23:54.520 --> 0:23:59.320
<v Speaker 1>in there as well, and they're all into horses that song. Guys,

0:23:59.359 --> 0:24:01.200
<v Speaker 1>I'm telling you, I don't know if I've said this yet.

0:24:01.480 --> 0:24:03.000
<v Speaker 1>You guys are awesome? Have I told you guys that

0:24:03.080 --> 0:24:07.200
<v Speaker 1>so far? Just making sure page seven tell them they're

0:24:07.200 --> 0:24:10.240
<v Speaker 1>a listen. April five, the reboot record comes out there

0:24:10.280 --> 0:24:12.480
<v Speaker 1>are two songs out today, Luke Combs with brand new

0:24:12.480 --> 0:24:14.919
<v Speaker 1>man Caane Brown would believe Brooks and Done here let

0:24:14.920 --> 0:24:16.040
<v Speaker 1>me say this too, because we have a lot of

0:24:16.040 --> 0:24:19.280
<v Speaker 1>listeners on our Vegas station, Reba Brooks and Done together

0:24:19.320 --> 0:24:21.840
<v Speaker 1>in the Vegas Colisseum at Caesar's Palace. And so the

0:24:22.560 --> 0:24:26.960
<v Speaker 1>dates on sale now are June twenty ninth and July three, fifth,

0:24:27.040 --> 0:24:29.000
<v Speaker 1>and sixth. So I hope people go check it out.

0:24:29.040 --> 0:24:30.520
<v Speaker 1>I'm gonna go, you know what. I don't ever go

0:24:30.560 --> 0:24:33.280
<v Speaker 1>to anything right because I'm I'm busy. I'm way cool

0:24:33.359 --> 0:24:36.520
<v Speaker 1>right everywhere, Well, I'm not that cool, but I am

0:24:36.520 --> 0:24:39.040
<v Speaker 1>everyone I'm trying to be. I'm working, Ronne, I'm working,

0:24:39.080 --> 0:24:45.560
<v Speaker 1>hard working man. I was talking Ronny about dancing. I

0:24:45.640 --> 0:24:47.119
<v Speaker 1>was like, dude, I just got off that show and

0:24:47.200 --> 0:24:48.600
<v Speaker 1>I saw you guys, and I was like, I'm tired.

0:24:49.600 --> 0:24:53.680
<v Speaker 1>Like everybody says like I'm hard, I was tired. I'm

0:24:53.680 --> 0:24:55.840
<v Speaker 1>gonna come on, I want to watch one of these shows. Well,

0:24:55.880 --> 0:24:59.800
<v Speaker 1>come on, can you give me some tickets? We had

0:24:59.840 --> 0:25:01.600
<v Speaker 1>some people don't. This is when I hit him out

0:25:01.640 --> 0:25:07.480
<v Speaker 1>on the all right, Brooks and Done and uh yeah,

0:25:07.560 --> 0:25:09.440
<v Speaker 1>check out that. I'm excited about the record. I'm excited

0:25:09.480 --> 0:25:12.080
<v Speaker 1>to see you guys. I appreciative both of you guys,

0:25:12.119 --> 0:25:14.760
<v Speaker 1>like individually because until d C, I haven't seen you

0:25:14.760 --> 0:25:17.040
<v Speaker 1>guys together ever. But I appreciate you guys being cool

0:25:17.080 --> 0:25:22.480
<v Speaker 1>to me and uh yeah, thanks guys. Cool man. Oh,

0:25:22.520 --> 0:25:23.879
<v Speaker 1>you guys are awesome. I just want you guys to

0:25:23.920 --> 0:25:25.800
<v Speaker 1>know you're a big part of my growing up and

0:25:25.840 --> 0:25:27.520
<v Speaker 1>love and country music in a small town in Arkansas,

0:25:28.160 --> 0:25:34.480
<v Speaker 1>get small, I'm telling you. For me, man, I can't

0:25:34.480 --> 0:25:37.760
<v Speaker 1>retire now I've done. It was like this, there's only

0:25:37.800 --> 0:25:39.439
<v Speaker 1>a few people he geeks out on and it was

0:25:39.480 --> 0:25:45.440
<v Speaker 1>probably garths. And because you guys are what I literally

0:25:45.560 --> 0:25:48.960
<v Speaker 1>grew up with, Like like, this is my childhood right here.

0:25:49.200 --> 0:25:52.640
<v Speaker 1>That does well. I grew up in town called Mountain Pine,

0:25:52.640 --> 0:25:55.440
<v Speaker 1>which is seven people outside of Hot Springs. But you know,

0:25:55.560 --> 0:25:57.240
<v Speaker 1>as I do. You grow up in a small town

0:25:57.240 --> 0:26:01.000
<v Speaker 1>in Arkansas, Oklahoma, you go everywhere. So you know you

0:26:01.000 --> 0:26:03.960
<v Speaker 1>mentioned Elderado, I know it well, always play ball down there.

0:26:04.400 --> 0:26:06.760
<v Speaker 1>So all right, I'm gonna let you guys go. You've

0:26:06.760 --> 0:26:08.720
<v Speaker 1>been You've been here a long time. I'd like to

0:26:08.720 --> 0:26:10.440
<v Speaker 1>do a couple more hours, but we can't. Ronie trying

0:26:10.440 --> 0:26:12.040
<v Speaker 1>to walk out the door right now, all right, I'm

0:26:12.080 --> 0:26:13.240
<v Speaker 1>going to get out of your way. I feel like

0:26:14.920 --> 0:26:16.480
<v Speaker 1>Brooks and good to see you guys. Thank you guys.

0:26:16.520 --> 0:26:19.080
<v Speaker 1>Than Bobby Show