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Speaker 1: Welcome to episode one fifty nine of the Bobby Cast.

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Speaker 1: Brooks and Done stop by our show and we talked

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Speaker 1: to them, actually a lot more than was on the

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Speaker 1: radio show because we recorded a bunch stuff with the

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Speaker 1: countdown we've recorded during the commercials, and so I was

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Speaker 1: actually like over a twenty minute interview. So I wanted

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Speaker 1: you guys to hear the full Brooks and Done of

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Speaker 1: you because I love these guys, and I geeked out

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Speaker 1: a little bit, but it was still cool to learn

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Speaker 1: a lot of this stuff. So yeah, Brooks and Done episode.

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Speaker 1: Check out our other podcasts. Four Things with Amy Brown.

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Speaker 1: Her husband should be on this week's episode if you're

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Speaker 1: hearing it this week, or go back and check out

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Speaker 1: the episode there if you're into sports, The Sore Losers

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Speaker 1: with Lunchbox Eddie in Ray talking about sports every day,

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Speaker 1: and The Velvet's Edge with Kelly Henderson. It's a lifestyle

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Speaker 1: podcast for women talking about fashion and beauty. So check

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Speaker 1: all those out of You can subscribe if you hear

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Speaker 1: this right now, go and write a good note over

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Speaker 1: on the on the page where you can write notes,

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Speaker 1: because that's people don't write good notes. That's not very nice.

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Speaker 1: Here It is the full conversation with Brooks and Dunne

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Speaker 1: and its entirety unedited enjoy episode, the Friday Morning Conversation

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Speaker 1: with Brooks and Done. They're not even in here yet.

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Speaker 1: That's kind of cool to hear that Brooks and Dinner

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Speaker 1: about to be in the studio. I remember the last

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Speaker 1: time I hung out with um kick Brooks, and I

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Speaker 1: told you that embarrassing story. I save it, though I

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Speaker 1: don't remember. I don't want to talk about what you

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Speaker 1: say to dinner. Stop there, that's not them. It's like

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Speaker 1: a surprise party. It's night. Yeah, they are kicks foods.

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Speaker 1: Come on you people will climb in anything. We definitely will.

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Speaker 1: But come on, you gotta have a seat. Come on,

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Speaker 1: friends going you work every day, but there's many people around. Yeah,

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Speaker 1: he's nervous. We need a big staff. Nervous. We're not

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Speaker 1: very good. I'm not very get alone, so I gotta

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Speaker 1: have all that. It made me better. Look, this is

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Speaker 1: it cool for me? Listen. I know that we've met.

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Speaker 1: I know that when we see each other last at

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Speaker 1: the center near our nation's capital and so, but this

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Speaker 1: is you days have never been on my show. And

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Speaker 1: that sounds pretty cool for me. If I'm being honest,

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Speaker 1: it's pretty cool for Brooks and Donner here kicks. You

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Speaker 1: and I met. I don't know if you remember, but

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Speaker 1: the first and second time I played the opera, you

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Speaker 1: were playing and I went into your room and you're

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Speaker 1: very nice to me. That was you, that was me.

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Speaker 1: I think The first time we met actually was was

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Speaker 1: at when the Norman Oklahoma. Oh that's right. The yeah,

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Speaker 1: we both did have benefit together out there, and that's right.

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Speaker 1: I had to get over there quick and your manager

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Speaker 1: with nice enough to go, hey, get on the plane,

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Speaker 1: and then you and I flew back together. But I

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Speaker 1: want to say that because I don't know if you

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Speaker 1: want to know how rich you are? Shut up? My

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Speaker 1: plan this plane was that anyway? I just I just

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Speaker 1: got on and nobody said anything. So me too. Luckily

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Speaker 1: it was going back to Nashviore important to that just

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Speaker 1: could turn into a Payota trial. Yeah, that's true, that's true.

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Speaker 1: And Ronnie done, come on, Ronnie, come on, are you

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Speaker 1: kidding me? I shut up? Have you seen you? I

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Speaker 1: must say nothing And we've all been just like I

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Speaker 1: used to get on the radio and beg you has

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Speaker 1: to come in and you guys didn't kicks. I wanna

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Speaker 1: call your radio station and be like, hey, can Kicks

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Speaker 1: come over? And they'll be like no. And I was like,

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Speaker 1: I don't care if somebody else anything, what's up with

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Speaker 1: this project? Because I know about it. It's out there.

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Speaker 1: A couple of songs out today. How do you feel

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Speaker 1: when someone does like a celebratory project towards you, Ronnie,

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Speaker 1: like they made these songs the Two the Route today,

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Speaker 1: Luke Combs a brand new man. Caine Brown does believe, like,

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Speaker 1: how does that feel when someone celebrate you and makes

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Speaker 1: your music? Well, it just kind of makes you feel

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Speaker 1: kind of old, you know, and then that's mind your oasis.

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Speaker 1: And then I get over that and go, dang, how

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Speaker 1: cool because it's it's super cool, you know, and started

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Speaker 1: to get in the studio with these guys, you know,

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Speaker 1: and get to do it in real time, you know.

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Speaker 1: In today's you know, digital age, everybody's like, guitars are

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Speaker 1: going on across town this, drummers are over here, singers

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Speaker 1: are over here, ones over here. We all got in

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Speaker 1: the same room and did it. I'm gonna hear this.

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Speaker 1: There's some headphones that if you want to, but I'm

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Speaker 1: gonna play a little bit of Brand New Man from

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Speaker 1: Luke coms. You can check this out right here. So

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Speaker 1: you guys are in the room whenever that's happening, Like

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Speaker 1: you guys are making that with him. Yeah, school in

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Speaker 1: the room with like next to one another, face to face.

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Speaker 1: That is old school. And you know, Luke actually had

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Speaker 1: posted him and a couple of his band guys acoustically

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Speaker 1: playing Brand New Man, and and it got sent around

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Speaker 1: to us, and you know, we just said, dude, that's cool.

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Speaker 1: You know, it's great, and it's kind of how this

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Speaker 1: guy going. It really wasn't our idea. A couple of

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Speaker 1: different Casey Musgraves was doing Neon Moon in her show

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Speaker 1: and whatever, and our manager said, and these these acts

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Speaker 1: seem to dig y'all's music, and there may be a

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Speaker 1: project here, you know, So we're like, what. And I

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Speaker 1: guess he came back about a month later and said, hey,

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Speaker 1: I got a big list and everybody seems to be in.

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Speaker 1: So we said, we'll shoot, let's sing him again. Here's

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Speaker 1: Kane Brown. Don't believe there was anybody deserved a ticket

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Speaker 1: to the other side. And sweet on man, look me,

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Speaker 1: that's so good. Come on, isn't it? Crazy because that's

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Speaker 1: a legendary song for you. Like, I'm a massive fan

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Speaker 1: of you guys, and I'm okay setting in front of

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Speaker 1: you telling you that I'll geek out a little bit.

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Speaker 1: I think I have every time I met you have

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Speaker 1: geeked out and that will always happened. But like, that

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Speaker 1: song didn't even go number one back in the day.

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Speaker 1: And when I hear that's that's quintessential Brooks and Dunne, right,

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Speaker 1: that song didn't even go number one and everybody knows

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Speaker 1: every word to it. That's crazy to me. I mean,

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Speaker 1: so many career songs that come along for you as

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Speaker 1: an act that's like that. They they don't necessarily hit

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Speaker 1: number one. You know that was that song was long?

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Speaker 1: You know. I remember Keith Herban doing it with us

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Speaker 1: in the Country Fest concert and turned around the middle

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Speaker 1: of the show and he got part of the rehearsal

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Speaker 1: and he goes, uh, there is no there's just no

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Speaker 1: like two minute boy band. So so yeah, it's uh

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Speaker 1: just Kane was a great surprise. He stepped up and

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Speaker 1: his records are one thing, but when you plug somebody

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Speaker 1: into a song like that, and that's that's Ronnie Ston.

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Speaker 1: I can't take any credit for it, but I think

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Speaker 1: we both just kind of looked at each other when

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Speaker 1: he started singing in it, Wow, this is gonna be good.

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Speaker 1: When he like really started singing and just looked like

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Speaker 1: like beared down. All right, man, It's like, dude, all

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Speaker 1: the stuff you need in your voice is there? Love it?

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Speaker 1: Then the whole new album. By the way, there are

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Speaker 1: two songs out today, but the whole album comes to

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Speaker 1: April five and reboot, And so who else is on it?

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Speaker 1: Casey's on it, Kanan Luke obviously on Luke Coombs, who

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Speaker 1: else Thomas Shrett, Brett, Young Blanco, Lanco. I mean I

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Speaker 1: have the list if you want to read it. Yeah. Yeah,

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Speaker 1: you know, I act like I don't know today. I

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Speaker 1: know everything I started like Ashley McBride, John Party, brought

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Speaker 1: Young Lanco, Midland, Cody Johnson and Tyler Booth, all those guys.

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Speaker 1: You can make comments about all of them. Yeah. Let

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Speaker 1: me ask you a couple of questions. I always want

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Speaker 1: to know in my heart it's okay, can we do it?

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Speaker 1: Can I have like some Bobby Hard questions? All right?

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Speaker 1: Because when I've spent time I don't want to geek out.

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Speaker 1: But now you're in my world. I could do whatever

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Speaker 1: I want. It's like, well, going to Bobby's house. Um, okay,

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Speaker 1: So you guys got together, like, h thirty one years ago.

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Speaker 1: I looked it up like exactly thirty one years ago.

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Speaker 1: So you get put together, right, Like suggested that you

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Speaker 1: guys should meet each other, right, So who makes that

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Speaker 1: suggestion and what's the first impression you guys have each

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Speaker 1: other when you meet. Well, Jim Dubois called us both up.

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Speaker 1: Um he was he was starred uh the label Arista

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Speaker 1: at the time, Nashville with Clide Davis. He'd already signed

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Speaker 1: Allen Jackson, so he didn't want another boys singer. He

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Speaker 1: was trying to get one of everything, and he'd signed

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Speaker 1: Diamond Rio, he'd signed Pam Tillis was his girl and

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Speaker 1: the judge were breaking up, so he was determined to

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Speaker 1: get ad He needed a new due exactly. And so

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Speaker 1: you know he just said, we literally met at lunch

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Speaker 1: over a bad enchilada, and he pretty more or less

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Speaker 1: offered us a record deal if you know, if it

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Speaker 1: worked out, if we could work together. He didn't really

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Speaker 1: say that. He said, go away and write some songs,

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Speaker 1: and we did that same week. We wrote a brand

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Speaker 1: new Man in Next Broken Heart. That was Tuesday. We

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Speaker 1: wrote those songs on Thursday and Friday demoded them and

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Speaker 1: took him back and he jumped up and down, and

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Speaker 1: then he offered us a record deal. But okay, you're right,

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Speaker 1: brand new man? Do you go? Oh we had this

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Speaker 1: is something like we didn't even know each other, you know,

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Speaker 1: three days ago. But we don't brand new man. This

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Speaker 1: is something we didn't know. You know, we never know.

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Speaker 1: You never know when you wrote him and until they

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Speaker 1: there become hits. I guess I thought it was pretty good. Yeah,

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Speaker 1: I really did, because you know, and Ronnie had that

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Speaker 1: idea I'm a changed man, and and uh, it's my

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Speaker 1: near miss on what if we changed that? But he

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Speaker 1: already had the I saw the light and I was

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Speaker 1: baptized by that. You know. And Ronnie came from Oklahoma.

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Speaker 1: He hadn't been hanging out in Nashville for ten years

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Speaker 1: like me, so he had a lot of fresh ideas

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Speaker 1: that I think we get bogged down and formula writing

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Speaker 1: sometimes when you're doing that for a living. So it

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Speaker 1: was for me as a writer, it was really a

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Speaker 1: breath of fresh air. Honestly to have some new ideas

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Speaker 1: that you weren't just sitting in a room and everybody

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Speaker 1: passed around twenty times already, and it was kind of

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Speaker 1: it was fun. We wrote a lot of stuff earlier

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Speaker 1: that I thought he had some good energy to it.

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Speaker 1: Whenever boots Scooting Boogie happens and the dance blows up

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Speaker 1: and everybody, that's you know what, I actually learned to

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Speaker 1: two steps to boot scoot booge, Like a big part

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Speaker 1: of my life was being in Arkansas and this girl

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Speaker 1: named Carrie Carter had the biggest crush. ALM was like,

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Speaker 1: I'm gonna teach had a two stap and electric slide

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Speaker 1: by the way, both of them. I learned boot Scooting

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Speaker 1: booget the same song. And so when the boots Scooting

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Speaker 1: boogie starts to be a thing, did you guys come

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Speaker 1: up with that dance? Did you guys know it's gonna

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Speaker 1: be a thing? Like? How does that whole thing happen?

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Speaker 1: I wrote it in Oklahoma and we were playing a

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Speaker 1: big club they're called Tulsa City Limits, and uh, we

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Speaker 1: we had to do cover songs. And you play club,

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Speaker 1: you know bars and stuff or they don't they're one

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Speaker 1: of original stuff, And uh, these people kept coming up

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Speaker 1: and asking us to play it again, so I kind

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Speaker 1: of thought, well, maybe there's something there, so we'd sneak

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Speaker 1: into the set late at night. But they were doing

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Speaker 1: those dances, and you know that the dance, all the

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Speaker 1: line dancing and all that stuff was already up and going,

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Speaker 1: you know, strong in Oklahoma, Texas, but down there, if

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Speaker 1: you if you play a song or do or play

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Speaker 1: in any of the clubs and they're don't dance, then

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Speaker 1: you're you know, you're out. So we had to had

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Speaker 1: to write songs that kept people moving in turn sold beer.

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Speaker 1: Now ye right, So I've never been close to a

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Speaker 1: line dance. I can two step a little. I would

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Speaker 1: kill myself. I'm the clumsiest person in the world. I'd

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Speaker 1: kill myself trying to line dance. Well, you're just down

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Speaker 1: from the stage and it looks dangerous. The boot scooting

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Speaker 1: Bookie was such a big part of the song though,

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Speaker 1: Like I mean, for two guys that don't dance like

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Speaker 1: that was such a massive part of this song. Was

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Speaker 1: that was the music video. Man, I don't watched the CMT.

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Speaker 1: That's crazy. That's awesome. Can I just stand here and

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Speaker 1: tell you how awesome you are for like fifteen minutes.

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Speaker 1: This is the best thing? Am I getting out? Too

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Speaker 1: hard to keep it going? Oh my goodness? Okay, so

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Speaker 1: how about these Las Vegas shows you guys are doing

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Speaker 1: like you come back together? Right? I mean I bet

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Speaker 1: that paste so much? Right? Those Vegas shows? Holy crap

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Speaker 1: A little all this and money too, I mean right,

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Speaker 1: Like you get to play all the hits and that

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Speaker 1: do you stay in Vegas for like three or four days?

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Speaker 1: They put you up? How does that work? They they

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Speaker 1: give us all the sweet and uh have you seen

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Speaker 1: the under years yet? It's they're that big. Come on

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Speaker 1: a couple of butthers. So if you want something to anytime,

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Speaker 1: you get that. But other than that, you get a

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Speaker 1: good view. Yah. We're two weeks at a time, four

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Speaker 1: times a year, so you're out there. You do three

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Speaker 1: shows a week and you know, get some golfin and

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Speaker 1: and it's just fun to stumble down from your hotel

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Speaker 1: room on to a stage where all your guitars are

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Speaker 1: in tune and it sounds the same as it did

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Speaker 1: last night, and just to sing and play. It's about

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Speaker 1: as great a situation as as you could ever hope for.

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Speaker 1: And it's fun. To sing those songs again. I think

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Speaker 1: it was good for us to get away from it

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Speaker 1: for a few years. And and Reba, you know kinda

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Speaker 1: we got a great referee out there, so you know,

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Speaker 1: it's it's we've been having a good time, honestly, we

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Speaker 1: we both we mentioned earlier with the Kennedy Center on Earth.

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Speaker 1: And you guys have a longer relationship with Reba than

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Speaker 1: I do. I'm again a huge ream of fan and

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Speaker 1: she's been great to me. But how did you guys

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Speaker 1: become friends of Reba? Gosh, she hardness and not three.

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Speaker 1: I guess she was the first tour that we actually

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Speaker 1: got hooked up with and hardest. I think back then

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Speaker 1: they were like four or five major tours straight Alabama.

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Speaker 1: Who else dance? I think yeah. And then so that

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Speaker 1: she had a spot and gave us the opening spot,

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Speaker 1: gave us ten feet of stage in ten minutes and

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Speaker 1: a hundred dollars or nine we took hundred bucks. But

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Speaker 1: a few years later we both kind of kind of

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Speaker 1: got a good, good wave going and and hooked up.

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Speaker 1: I think in ninety six and maybe ninety seven, we uh,

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Speaker 1: we did some co headlining together. We had twenty one

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Speaker 1: trucks and nineteen buses out on that tour. So for

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Speaker 1: for wow, what song is it? What gets the biggest

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Speaker 1: reaction when you play it? Like? What song? Because you

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Speaker 1: have so many hits, people probably definitely every where you go.

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Speaker 1: But what's the one where you get people go boom,

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Speaker 1: first lick they got it. I'd probably say, Mom, Marie,

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Speaker 1: come on, that's a dance team. Gotta be kidding me.

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Speaker 1: For me, sleep is so important when I do this show.

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Speaker 1: I'm sure whatever you're doing to day, sleep is so important.

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Speaker 1: But you feel like maybe you can't get quality sleep

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Speaker 1: and down in here and that's crazy and then you

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00:15:58,400 --> 00:16:00,040
Speaker 1: want to ask him and hogging this whole interview. I

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Speaker 1: have like ten pages I made last night. Here's page one,

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Speaker 1: tell them they're awesome. Checks going by yeah, page to

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00:16:11,480 --> 00:16:15,480
Speaker 1: remind them how awesome they are. Page three, good luck

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Speaker 1: in the future. Brand new Man was the first one,

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Speaker 1: the first number one. What's the number one? Party? Like

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Speaker 1: back then? First time you get a number one, back

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Speaker 1: in the day, you hit number one, What do you do?

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Speaker 1: I know, Donna Hilly throw a party. I just remember

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Speaker 1: we were big into you know, our logos. This this

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Speaker 1: this Longhorn steer on steroids and Donna didn't know the difference,

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Speaker 1: but bless her heart, we turned the corner on our

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Speaker 1: party and she's got a cow out there. You know

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Speaker 1: these little horns. I remember going, Okay, that's good effort,

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Speaker 1: you know, but did it ever get too big for you? Guys?

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Speaker 1: Where you go you look around and you go, holy crap,

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Speaker 1: like this is this is lots like a lot of trucks,

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Speaker 1: a lot of stage. You ever go this is this

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Speaker 1: is a show. You know, it's just a matter of

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Speaker 1: personal I guess subjective viewpoint. But there's time with when

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00:17:13,880 --> 00:17:16,360
Speaker 1: it was growing to the point to where you get

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Speaker 1: on the bus and the door would open and shut

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Speaker 1: like every fifteen minutes. Somebody going, hey man, we need

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Speaker 1: more lights. We need to add the lights. Where do

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Speaker 1: you think about adding you know, more more monitors and

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Speaker 1: that kind of stuff. That was that's the most strenuous part,

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Speaker 1: I think, just dealing with the day to day and

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Speaker 1: got going, I hope you're not gonna step out there

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Speaker 1: and you know, not have enough equipment. Uh, And it

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Speaker 1: was that was kind of out of our our wheelhouse.

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Speaker 1: You know. It's like I just want to sing and

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Speaker 1: write songs. It's like more to it than that. Obviously,

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Speaker 1: do you ever do the thing where yelled the wrong city?

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Speaker 1: Like what up to below? We were talking the other

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Speaker 1: times those weekends when you're in Rapid City and Cedar

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Speaker 1: Rapids and you know some other something city, you know

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Speaker 1: that where you really have to remind yourself. I think

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Speaker 1: the worst mistake I ever made that way was we

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Speaker 1: played the basketball Coliseum at Michigan State and and I

359
00:18:07,119 --> 00:18:10,840
Speaker 1: was really disoriented walking to the stage, and I'm going,

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Speaker 1: where what town is this? Though I don't know I

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Speaker 1: know where at Michigan State, But anyway, I just I

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Speaker 1: see their logo going to the stage, and I'm like, okay,

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Speaker 1: I got this. So while you want to scream something

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Speaker 1: when you go out there, you know, I walked down there,

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Speaker 1: and how about you trow jazz. It's just like I know,

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Speaker 1: I saw it was on the wall. You know, I went,

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Speaker 1: I'm spartaned, you know, like you know, no, you're not

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Speaker 1: coming back, dude. It's like halfway through this show they

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Speaker 1: start to kind of that's funny, come on, so we

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Speaker 1: started right right there. You wrote the city on the ground, right.

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Speaker 1: I swore I'd never have to do that, But Red

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Speaker 1: Dear Road you both wrote that right. I heard kicks

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Speaker 1: did the heavy lifting? Does that mean you coming on?

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Speaker 1: Most of the article the bus were not after a show,

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Speaker 1: and he said and he said let's I've got this

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Speaker 1: idea and you had the title or whatever, and we

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Speaker 1: started talking about it. I said, well, I grew up

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Speaker 1: like in a rural Route three and Eldred, Arkansas kind of,

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Speaker 1: you know. And uh, we we talked about a lot

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Speaker 1: of that stuff. And I'm not sure we didn't have

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Speaker 1: the course, you know, well on its way. So funny

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Speaker 1: how we remember this stuff. Yeah, everybody, right, we have

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Speaker 1: a different story. I'll tell you what really happened when

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Speaker 1: after So this is my life and I'm sticking to it. Uh.

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Speaker 1: And then I remember us having to like take off

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Speaker 1: and go, and we were it was a long long drive,

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Speaker 1: like from somewhere like somewhere to Oregon. We landed in

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Speaker 1: San Francisco and we had a show in Sacramento at

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Speaker 1: ar So I'm in Oregon. You're on the other coast.

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Speaker 1: You're on the right coast. Okay, they're both over there,

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Speaker 1: all right. So anyway, here I am in Beijing. The

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Speaker 1: buses take off. We got the next morning, kicks his

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Speaker 1: buses parked out in front of us, and I see

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Speaker 1: him get out and his hairs like it looks like

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Speaker 1: he's been through freaking World War three or something. Stumbles

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Speaker 1: up on the bus with a guitar and he plays

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Speaker 1: plays the song the verses. I was like, good god man,

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Speaker 1: Bank you hit it. You can tell done. So what

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Speaker 1: really happened? Ronnie wrote down the primarily those great lines

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Speaker 1: from the chorus. On the airplane flying to San Francisco.

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00:20:23,240 --> 00:20:25,600
Speaker 1: You had Terry McBride with you, and he hands it

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Speaker 1: to him and goes, what do you think of this?

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Speaker 1: I'm like, that is great. And we had had this

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Speaker 1: discussion about where we grew up in the red dirt roads,

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Speaker 1: and we decided to name our album that. But we

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Speaker 1: said we got to write a song that goes with it.

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Speaker 1: So I jumped on my bus, he jumps on his,

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Speaker 1: and we head for Sacramento and I just grabbed my guitar,

409
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Speaker 1: went to work. We get there, him and Terry go

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Speaker 1: knock on my door and go let's go get a steak.

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Speaker 1: And I said, cool, but you gotta hear this first.

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Speaker 1: Mad him listen and where Ronnie done for him? He went,

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Speaker 1: I love it. That's freak right. I went, what's wrong

414
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Speaker 1: with you? Let's go, let's see to stay, drink a beer,

415
00:21:05,320 --> 00:21:08,080
Speaker 1: all that kind of stuff. What was the one hit

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Speaker 1: that you guys had with over twenty three number I

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Speaker 1: think number ones looked earlier. What's the one where you

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Speaker 1: wrote and you went, that's the one, like you could

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Speaker 1: tell immediately because I'm asking the flip side of this

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Speaker 1: in a second, what's the one where you went, that's

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Speaker 1: hit red dirt. Red Dirt was pretty close, I mean,

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Speaker 1: and I think that was a moment where we were

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Speaker 1: all sitting around and he played it for the first

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Speaker 1: time and went, oh, I think I think we've got it.

425
00:21:30,080 --> 00:21:31,679
Speaker 1: They went in the studio and then you know, if

426
00:21:31,720 --> 00:21:35,159
Speaker 1: here comes that lick dot dot dot down, then it

427
00:21:35,280 --> 00:21:38,040
Speaker 1: just turned into it like boom. I couldn't wait to

428
00:21:38,040 --> 00:21:40,040
Speaker 1: get home and play that for Mark, right because we

429
00:21:40,080 --> 00:21:42,400
Speaker 1: had we had started gathering up some songs, but we

430
00:21:42,440 --> 00:21:45,840
Speaker 1: needed that anchor and to go with the title, you know,

431
00:21:45,960 --> 00:21:48,120
Speaker 1: and that's it's just that mom where you go, oh,

432
00:21:48,200 --> 00:21:50,720
Speaker 1: we did it. So many variables, you know, contribute to

433
00:21:50,760 --> 00:21:53,399
Speaker 1: that aha moment, and a lot of times it's just

434
00:21:53,480 --> 00:21:55,200
Speaker 1: when you sit down in the studio not knowing where

435
00:21:55,200 --> 00:21:59,120
Speaker 1: it's going to go, and the guitar player. Usually it's

436
00:21:59,119 --> 00:22:01,400
Speaker 1: the guitar player sit down and hit hit that lick,

437
00:22:01,680 --> 00:22:05,159
Speaker 1: and he hit that intro lick Bam bamp bump on.

438
00:22:05,520 --> 00:22:07,520
Speaker 1: They're just turned into like a kind of an anthem,

439
00:22:07,560 --> 00:22:10,280
Speaker 1: the kind of thing away. We went on the other

440
00:22:10,320 --> 00:22:12,119
Speaker 1: side of that, What major song, what big hit you

441
00:22:12,119 --> 00:22:14,520
Speaker 1: guys had that took forever? And you're like, let's think

442
00:22:14,560 --> 00:22:16,640
Speaker 1: took forever to write, took We didn't get it right

443
00:22:16,720 --> 00:22:18,600
Speaker 1: and producing it the first couple of times we didn't

444
00:22:18,600 --> 00:22:22,640
Speaker 1: put it in, like what's the struggle song? They're all struggle.

445
00:22:24,119 --> 00:22:27,080
Speaker 1: It's like having to go do your homework. It's fun

446
00:22:27,160 --> 00:22:29,359
Speaker 1: to saying fund to fun to play. But I think

447
00:22:29,600 --> 00:22:35,040
Speaker 1: um He'll Billy Deluxe was one that was a totally

448
00:22:35,040 --> 00:22:37,800
Speaker 1: different song than Believe, But it was a song that

449
00:22:37,880 --> 00:22:40,639
Speaker 1: never you know, barely got in the top ten. It

450
00:22:40,720 --> 00:22:43,040
Speaker 1: might have made it, it might not even made top ten.

451
00:22:43,320 --> 00:22:46,680
Speaker 1: But I watched our sales double and and it's some

452
00:22:46,720 --> 00:22:49,760
Speaker 1: of those songs, just like Believe, people to this day

453
00:22:49,840 --> 00:22:53,240
Speaker 1: go that song changed my life. Those songs that have

454
00:22:53,400 --> 00:22:55,800
Speaker 1: the impact and that really make a difference in whatever.

455
00:22:55,840 --> 00:22:59,119
Speaker 1: They're not always those ditties that slam up to number

456
00:22:59,160 --> 00:23:01,800
Speaker 1: one on radio or something like that, but you feel

457
00:23:01,800 --> 00:23:05,040
Speaker 1: a connection to your fans and and to your career

458
00:23:05,160 --> 00:23:08,240
Speaker 1: that you're like, man, that's that one. That one got

459
00:23:08,240 --> 00:23:10,560
Speaker 1: down there, that one did some good. You know the

460
00:23:10,600 --> 00:23:13,080
Speaker 1: song that and I've often referenced on the show, we

461
00:23:13,080 --> 00:23:16,879
Speaker 1: talk about songs that actually make you like physically cry

462
00:23:16,960 --> 00:23:20,000
Speaker 1: or feel something like cowgirls don't cry? Are you kidding me?

463
00:23:20,400 --> 00:23:23,199
Speaker 1: Are you still if that thing comes? And heard that

464
00:23:23,240 --> 00:23:27,680
Speaker 1: man look out the owner to a big cowboy and

465
00:23:27,840 --> 00:23:31,840
Speaker 1: just like, oh man, that song is still getting I've

466
00:23:31,880 --> 00:23:33,399
Speaker 1: heard a song ten thousand times and I hear it

467
00:23:33,400 --> 00:23:36,919
Speaker 1: again and I don't I don't know if it's Reba

468
00:23:36,960 --> 00:23:38,800
Speaker 1: being in a two that pushes me over the edge,

469
00:23:39,440 --> 00:23:41,920
Speaker 1: but are you kidding me? Then she sings it backed

470
00:23:41,960 --> 00:23:46,080
Speaker 1: after her dad dies, like are you getting There were

471
00:23:46,080 --> 00:23:48,040
Speaker 1: a lot of Redheads that had had a part in that.

472
00:23:48,600 --> 00:23:51,480
Speaker 1: Terry McBride has has a redhead daughter. I have two

473
00:23:51,760 --> 00:23:54,399
Speaker 1: daughters in the red Heads, and then the Reba factor

474
00:23:54,520 --> 00:23:59,320
Speaker 1: in there as well, and they're all into horses that song. Guys,

475
00:23:59,359 --> 00:24:01,200
Speaker 1: I'm telling you, I don't know if I've said this yet.

476
00:24:01,480 --> 00:24:03,000
Speaker 1: You guys are awesome? Have I told you guys that

477
00:24:03,080 --> 00:24:07,200
Speaker 1: so far? Just making sure page seven tell them they're

478
00:24:07,200 --> 00:24:10,240
Speaker 1: a listen. April five, the reboot record comes out there

479
00:24:10,280 --> 00:24:12,480
Speaker 1: are two songs out today, Luke Combs with brand new

480
00:24:12,480 --> 00:24:14,919
Speaker 1: man Caane Brown would believe Brooks and Done here let

481
00:24:14,920 --> 00:24:16,040
Speaker 1: me say this too, because we have a lot of

482
00:24:16,040 --> 00:24:19,280
Speaker 1: listeners on our Vegas station, Reba Brooks and Done together

483
00:24:19,320 --> 00:24:21,840
Speaker 1: in the Vegas Colisseum at Caesar's Palace. And so the

484
00:24:22,560 --> 00:24:26,960
Speaker 1: dates on sale now are June twenty ninth and July three, fifth,

485
00:24:27,040 --> 00:24:29,000
Speaker 1: and sixth. So I hope people go check it out.

486
00:24:29,040 --> 00:24:30,520
Speaker 1: I'm gonna go, you know what. I don't ever go

487
00:24:30,560 --> 00:24:33,280
Speaker 1: to anything right because I'm I'm busy. I'm way cool

488
00:24:33,359 --> 00:24:36,520
Speaker 1: right everywhere, Well, I'm not that cool, but I am

489
00:24:36,520 --> 00:24:39,040
Speaker 1: everyone I'm trying to be. I'm working, Ronne, I'm working,

490
00:24:39,080 --> 00:24:45,560
Speaker 1: hard working man. I was talking Ronny about dancing. I

491
00:24:45,640 --> 00:24:47,119
Speaker 1: was like, dude, I just got off that show and

492
00:24:47,200 --> 00:24:48,600
Speaker 1: I saw you guys, and I was like, I'm tired.

493
00:24:49,600 --> 00:24:53,680
Speaker 1: Like everybody says like I'm hard, I was tired. I'm

494
00:24:53,680 --> 00:24:55,840
Speaker 1: gonna come on, I want to watch one of these shows. Well,

495
00:24:55,880 --> 00:24:59,800
Speaker 1: come on, can you give me some tickets? We had

496
00:24:59,840 --> 00:25:01,600
Speaker 1: some people don't. This is when I hit him out

497
00:25:01,640 --> 00:25:07,480
Speaker 1: on the all right, Brooks and Done and uh yeah,

498
00:25:07,560 --> 00:25:09,440
Speaker 1: check out that. I'm excited about the record. I'm excited

499
00:25:09,480 --> 00:25:12,080
Speaker 1: to see you guys. I appreciative both of you guys,

500
00:25:12,119 --> 00:25:14,760
Speaker 1: like individually because until d C, I haven't seen you

501
00:25:14,760 --> 00:25:17,040
Speaker 1: guys together ever. But I appreciate you guys being cool

502
00:25:17,080 --> 00:25:22,480
Speaker 1: to me and uh yeah, thanks guys. Cool man. Oh,

503
00:25:22,520 --> 00:25:23,879
Speaker 1: you guys are awesome. I just want you guys to

504
00:25:23,920 --> 00:25:25,800
Speaker 1: know you're a big part of my growing up and

505
00:25:25,840 --> 00:25:27,520
Speaker 1: love and country music in a small town in Arkansas,

506
00:25:28,160 --> 00:25:34,480
Speaker 1: get small, I'm telling you. For me, man, I can't

507
00:25:34,480 --> 00:25:37,760
Speaker 1: retire now I've done. It was like this, there's only

508
00:25:37,800 --> 00:25:39,439
Speaker 1: a few people he geeks out on and it was

509
00:25:39,480 --> 00:25:45,440
Speaker 1: probably garths. And because you guys are what I literally

510
00:25:45,560 --> 00:25:48,960
Speaker 1: grew up with, Like like, this is my childhood right here.

511
00:25:49,200 --> 00:25:52,640
Speaker 1: That does well. I grew up in town called Mountain Pine,

512
00:25:52,640 --> 00:25:55,440
Speaker 1: which is seven people outside of Hot Springs. But you know,

513
00:25:55,560 --> 00:25:57,240
Speaker 1: as I do. You grow up in a small town

514
00:25:57,240 --> 00:26:01,000
Speaker 1: in Arkansas, Oklahoma, you go everywhere. So you know you

515
00:26:01,000 --> 00:26:03,960
Speaker 1: mentioned Elderado, I know it well, always play ball down there.

516
00:26:04,400 --> 00:26:06,760
Speaker 1: So all right, I'm gonna let you guys go. You've

517
00:26:06,760 --> 00:26:08,720
Speaker 1: been You've been here a long time. I'd like to

518
00:26:08,720 --> 00:26:10,440
Speaker 1: do a couple more hours, but we can't. Ronie trying

519
00:26:10,440 --> 00:26:12,040
Speaker 1: to walk out the door right now, all right, I'm

520
00:26:12,080 --> 00:26:13,240
Speaker 1: going to get out of your way. I feel like

521
00:26:14,920 --> 00:26:16,480
Speaker 1: Brooks and good to see you guys. Thank you guys.

522
00:26:16,520 --> 00:26:19,080
Speaker 1: Than Bobby Show