1 00:00:00,520 --> 00:00:06,080 Speaker 1: I wonder what the next angle will be on Travis 2 00:00:06,080 --> 00:00:09,080 Speaker 1: and Taylor. I mean, you know, every time I pick 3 00:00:09,160 --> 00:00:10,920 Speaker 1: up my phone, there's a new angle on those two. 4 00:00:11,440 --> 00:00:13,440 Speaker 1: He got, he picked her up in a Rolls Royce. 5 00:00:13,520 --> 00:00:16,239 Speaker 1: He got a house with a mini golf course. You know, 6 00:00:16,320 --> 00:00:18,840 Speaker 1: whatever it is. She she posed for pictures in a 7 00:00:18,920 --> 00:00:20,880 Speaker 1: suite over the weekend, right with a bunch of people. 8 00:00:21,640 --> 00:00:27,200 Speaker 1: Bracelet exactly, so constantly new angles. But the good doctor, 9 00:00:27,240 --> 00:00:31,000 Speaker 1: doctor Lillian Glass, has been She's a body language expert. 10 00:00:31,080 --> 00:00:32,839 Speaker 1: Normally her task is to come on and tell us 11 00:00:33,200 --> 00:00:36,479 Speaker 1: which Bachelor contestants are vibing based on body language or not. 12 00:00:36,600 --> 00:00:40,040 Speaker 1: But today she's got I think a more global assignment, 13 00:00:40,080 --> 00:00:43,239 Speaker 1: and that is what does the body language say? What 14 00:00:43,320 --> 00:00:46,520 Speaker 1: do you see when you look at some specific things 15 00:00:46,560 --> 00:00:50,880 Speaker 1: between Taylor Swift and Travis Kelsey? Doctor Glass, good morning. 16 00:00:51,360 --> 00:00:55,440 Speaker 2: Good so glad to be on your show. 17 00:00:55,800 --> 00:00:58,000 Speaker 1: Well, thank you for coming on. What have you looked at? 18 00:00:58,040 --> 00:00:59,880 Speaker 1: Can you give us some ideas of like what you act? 19 00:01:00,480 --> 00:01:01,040 Speaker 2: Is it video? 20 00:01:01,200 --> 00:01:02,000 Speaker 1: What did you see? 21 00:01:02,720 --> 00:01:05,119 Speaker 2: I looked at everything. I looked at video, I looked 22 00:01:05,120 --> 00:01:09,800 Speaker 2: at photographs, and I came up with some interesting conclusions here. Okay, 23 00:01:09,840 --> 00:01:13,560 Speaker 2: first of all, when you look at Taylor Swift without 24 00:01:13,600 --> 00:01:17,520 Speaker 2: anybody near her, when she's just walking straight in a crowd. 25 00:01:17,959 --> 00:01:23,560 Speaker 2: She has incredible posture. She's erect in her posture. Her 26 00:01:23,600 --> 00:01:27,560 Speaker 2: shoulders are back, her head is up. It looks right, Oh, 27 00:01:27,640 --> 00:01:31,720 Speaker 2: yes it is. It's a certainly something we can all model. 28 00:01:31,920 --> 00:01:35,080 Speaker 2: And she looks straight ahead. She's very engaging with the press. 29 00:01:35,120 --> 00:01:39,080 Speaker 2: When the press starts talking to her, yells to her name, 30 00:01:39,319 --> 00:01:42,480 Speaker 2: she looks in their direction, she smiles, she has some 31 00:01:42,600 --> 00:01:46,040 Speaker 2: banter with them. So she's really a whole different person. 32 00:01:46,120 --> 00:01:50,440 Speaker 2: When she's with Travis, it's completely different. Her head is down, 33 00:01:50,840 --> 00:01:54,800 Speaker 2: she's looking down, her shoulders are round. It it's a 34 00:01:54,920 --> 00:01:59,800 Speaker 2: completely different Taylor Swift than we've ever seen before. But 35 00:02:00,120 --> 00:02:03,760 Speaker 2: he's very attentive to her. He opens the door for her, 36 00:02:03,840 --> 00:02:06,800 Speaker 2: he waits for her. She's also in back of him 37 00:02:06,800 --> 00:02:09,960 Speaker 2: a lot, like he's kind of pulling her along. She's 38 00:02:10,040 --> 00:02:14,040 Speaker 2: kind of, I guess, showing a more demure side that 39 00:02:14,080 --> 00:02:17,000 Speaker 2: we really haven't seen. We definitely didn't see it in 40 00:02:17,040 --> 00:02:20,920 Speaker 2: her concerts. We've never really seen her like this, even 41 00:02:20,960 --> 00:02:25,160 Speaker 2: with other boyfriends. This is a very different situation and 42 00:02:25,200 --> 00:02:28,160 Speaker 2: she absolutely adores him. There's one photograph of her where 43 00:02:28,160 --> 00:02:30,760 Speaker 2: she's kissing him on the cheek and you know, it's 44 00:02:30,840 --> 00:02:35,040 Speaker 2: just it's so real. She absolutely adores him and it's 45 00:02:35,120 --> 00:02:36,640 Speaker 2: mutual and it's the real deal. 46 00:02:37,440 --> 00:02:39,640 Speaker 1: So if you just tune in, that's doctor lilling Glass. 47 00:02:39,720 --> 00:02:42,120 Speaker 1: She's never met them, but she studies their body language 48 00:02:42,120 --> 00:02:44,000 Speaker 1: and that's what she's talking about. And so when you 49 00:02:44,440 --> 00:02:47,120 Speaker 1: when you see you know, a little less posture and 50 00:02:47,160 --> 00:02:50,320 Speaker 1: you see this relaxed vibe that shows you that there 51 00:02:50,400 --> 00:02:53,680 Speaker 1: is a real, a genuine comfort, right, is that. 52 00:02:53,639 --> 00:02:57,760 Speaker 2: What you saying? Absolutely? Absolutely, there's so much comfort between them, 53 00:02:58,040 --> 00:03:01,720 Speaker 2: and you know she's showing her a real feminine side 54 00:03:01,800 --> 00:03:05,200 Speaker 2: where she's you know, not taking charge and she's not 55 00:03:05,720 --> 00:03:08,360 Speaker 2: the large and in charge Taylor Swift that we know. 56 00:03:08,600 --> 00:03:12,240 Speaker 2: So well, this is kind of a softer version. I'm 57 00:03:12,280 --> 00:03:17,080 Speaker 2: more laid back, relaxed, like you know, hey, I'm in 58 00:03:17,120 --> 00:03:20,400 Speaker 2: a relationship here and you're the man and I'm the woman. 59 00:03:20,720 --> 00:03:24,919 Speaker 1: Well, Douai, let me ask you. You watched the Donna 60 00:03:25,040 --> 00:03:27,280 Speaker 1: Kelsey's interview on the Today Show, right, well, what does 61 00:03:27,320 --> 00:03:29,120 Speaker 1: she think of her son's new girlfriend? 62 00:03:30,240 --> 00:03:35,280 Speaker 2: Not a whole lot. She's not committal, you know, she's noncommittal. 63 00:03:35,360 --> 00:03:38,280 Speaker 2: It's like what do you think of Taylor Swift? Like 64 00:03:38,560 --> 00:03:42,600 Speaker 2: most mothers would go great, fantastic, it's okay, what do 65 00:03:42,640 --> 00:03:45,640 Speaker 2: you mean okay? How can you be okay with Taylor Swift? 66 00:03:47,360 --> 00:03:50,880 Speaker 2: And Taylor's so animated and it's so full of life, 67 00:03:50,920 --> 00:03:54,200 Speaker 2: and the mother's kind of a down a little bit 68 00:03:54,240 --> 00:03:57,000 Speaker 2: in terms of her energy level, so you know, they're 69 00:03:57,120 --> 00:04:01,080 Speaker 2: very different energy levels. The fact that she's saying, well, 70 00:04:01,120 --> 00:04:03,760 Speaker 2: you know, it's a new relationship. I mean, most people 71 00:04:03,760 --> 00:04:06,200 Speaker 2: would say it's a new relationship, but you know, we'll 72 00:04:06,240 --> 00:04:08,240 Speaker 2: wait and see what happens. And you're saying a more 73 00:04:08,600 --> 00:04:12,480 Speaker 2: enthusiastic voice, this is a very monotone voice, like yeah so, 74 00:04:12,880 --> 00:04:15,400 Speaker 2: And you know, you can understand the mother was kind 75 00:04:15,440 --> 00:04:19,280 Speaker 2: of the central figure in her son's life, and you know, 76 00:04:19,400 --> 00:04:23,719 Speaker 2: she was like the one uh that was looked at 77 00:04:23,800 --> 00:04:29,159 Speaker 2: and people, you know, were admiring her. The mother of Trump. 78 00:04:30,160 --> 00:04:34,320 Speaker 1: I feel like, maybe, like I know, in situations, it's 79 00:04:34,480 --> 00:04:38,280 Speaker 1: my own mom. Like she doesn't want to get involved. 80 00:04:38,440 --> 00:04:40,520 Speaker 1: So if anybody asked her at the beginning of relationship, 81 00:04:40,560 --> 00:04:43,960 Speaker 1: how's it going, She's like, I'm not even gonna give 82 00:04:44,040 --> 00:04:47,480 Speaker 1: you any response because it's you know, she doesn't she 83 00:04:47,480 --> 00:04:49,000 Speaker 1: doesn't want to get involved. 84 00:04:48,680 --> 00:04:52,040 Speaker 2: Right, right, But it's a different situation here with not 85 00:04:52,120 --> 00:04:55,960 Speaker 2: wanting to get involved. It was very very monotone, very 86 00:04:56,000 --> 00:04:58,080 Speaker 2: low key. It's kind of like, you know, let's just 87 00:04:58,120 --> 00:05:01,440 Speaker 2: wait and see. But you know she could have said, 88 00:05:01,480 --> 00:05:03,560 Speaker 2: you know, I really don't get involved in my stun's life, 89 00:05:03,560 --> 00:05:06,520 Speaker 2: which which she did. She has in credit to her, 90 00:05:06,640 --> 00:05:10,400 Speaker 2: but you know she's she's waiting to see what's what's 91 00:05:10,440 --> 00:05:12,680 Speaker 2: going to happen. And you know you can't blame. 92 00:05:12,400 --> 00:05:15,039 Speaker 1: Her patient, Yeah, you can't blame her patient. Well, doctor Langlass, 93 00:05:15,080 --> 00:05:17,280 Speaker 1: this is always fascinating. I love that you've studied body 94 00:05:17,360 --> 00:05:19,400 Speaker 1: language and you can, you know, come back to us 95 00:05:19,400 --> 00:05:21,920 Speaker 1: with these things. Thanks for coming on. You take good care. 96 00:05:22,000 --> 00:05:23,719 Speaker 1: We'll talk to you soon about the next stats. 97 00:05:23,760 --> 00:05:24,120 Speaker 2: Thank you. 98 00:05:24,160 --> 00:05:28,200 Speaker 1: Okay, you got it. That's a fascinating skill to study 99 00:05:28,279 --> 00:05:30,640 Speaker 1: body language. Imagine if you were like in your real life, 100 00:05:31,120 --> 00:05:33,080 Speaker 1: you just know what people are thinking all the time. 101 00:05:33,680 --> 00:05:36,000 Speaker 1: I'd be like a good skill set in a relationship. 102 00:05:36,000 --> 00:05:38,520 Speaker 1: I think they would take over your life too much. 103 00:05:38,680 --> 00:05:40,640 Speaker 1: I wouldn't be able to turn it off. But you know, 104 00:05:40,680 --> 00:05:43,520 Speaker 1: when asked how are you fine, you'd read. 105 00:05:43,400 --> 00:05:45,880 Speaker 2: Right into that, right or how someone sits on a 106 00:05:45,920 --> 00:05:48,919 Speaker 2: first date, whether their arms are crossed or their own. 107 00:05:48,839 --> 00:05:52,200 Speaker 1: Arms crossed is always closed, like arms cross is closed 108 00:05:52,400 --> 00:05:56,520 Speaker 1: unless you're yeah, but if you're on a first date outside, 109 00:05:56,640 --> 00:05:58,720 Speaker 1: go in. I always think about the arms cross thing. 110 00:05:58,880 --> 00:06:01,440 Speaker 1: I crossed my arms all the time. I'm cold, but 111 00:06:01,520 --> 00:06:03,760 Speaker 1: I don't know what to do with my hands,