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Speaker 1: You can watch the original episode we'll be discussing in

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Speaker 1: every other episode of HBO's Curby Your Enthusiasm, including the

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Speaker 1: new and final season, on Max. You can also watch

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Speaker 1: the video version of the History of Curby Enthusiasm podcast

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Speaker 1: on Max and YouTube, as well. Links available in the

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Speaker 1: episode description. Okay We're here, Season three, Episode eight, Crazy

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Speaker 1: Eyes Killer, I'm Susiasm.

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Speaker 2: When you are who?

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Speaker 3: Who are you?

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Speaker 4: Jeff Garland one of America's top.

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Speaker 2: Teens, and who do we have with us?

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Speaker 4: Williams?

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Speaker 1: Chris Williams himself is a guest with us in the studio,

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Speaker 1: and we're thrilled to have you. One of the I

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Speaker 1: would say this is people's one of their favorite episodes.

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Speaker 1: It's a top five episode, and one of our top

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Speaker 1: guest stars ever would be Chris Williams.

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Speaker 4: By the way that I would say easily top three,

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Speaker 4: if not number one. Now, I want to tell an anecdote.

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Speaker 4: Antidot anidot, but by the way, people could be dours

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Speaker 4: saying I need a new story and they're getting it now,

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Speaker 4: so it could be the antidote to their depression. Anyhow So,

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Speaker 4: when we were casting the part, we brought in all rappers, famous.

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Speaker 5: Rappers really all killer, ghost face, killer, sticky fingers.

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Speaker 4: Yeah, like Mike Epps came in for it. Yeah yeah,

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Speaker 4: well Mike Apps was the only actor besides you, and

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Speaker 4: by the way, the only person who impressed us besides you.

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Speaker 4: And then what was the dude's name from New Orleans? Uh,

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Speaker 4: master p? Master p came in all right, So all

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Speaker 4: these rappers came in, all right. So Chris comes in

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Speaker 4: full character, crazy eyes. He walks in his crazy.

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Speaker 5: Eyes because if I walked in like this, there's no way.

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Speaker 5: But by the way, I left my house that way.

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Speaker 5: I left my house literally looking.

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Speaker 2: Like okay, showing up.

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Speaker 5: He Yeah, I had brown because I have blue eyes.

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Speaker 5: I put brown contacts in and had these teeth from

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Speaker 5: Hype this show I did with mar Marla and I

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Speaker 5: had things, and I had to leave my house that

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Speaker 5: way just to get a visceral reaction the way. You're

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Speaker 5: not going to buy me bring Hey.

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Speaker 4: So I obviously knew because you got in the room

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Speaker 4: because of Marlin.

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Speaker 2: Yes, okay, Now let's explain. Marla is your ex.

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Speaker 4: Wife, but she wasn't officially she had cast the pilot,

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Speaker 4: but back.

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Speaker 2: Then, right, but she had something.

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Speaker 4: She had done the show with Chris. Yes, but you know,

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Speaker 4: we'd be stuck, or I'd say do you have I'd

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Speaker 4: go through the list and say these are my ideas,

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Speaker 4: what are your ideas? And do you like my ideas?

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Speaker 4: We did this for every episode, and so you know,

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Speaker 4: I've mentioned all these Chicago people and every one of

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Speaker 4: them was through that Marla Jeff festival. And then Chris

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Speaker 4: came in because of Marla because I didn't really know you,

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Speaker 4: you know, I mean, I think I met you at

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Speaker 4: that point, but I don't think I knew you. And

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Speaker 4: so he comes in as the full character. He leaves

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Speaker 4: by far the best audition. See, Mike came in as himself,

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Speaker 4: so that didn't do him any favors because Mike Keeps

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Speaker 4: is a funny motherfucker. Okay, so Chris comes in like that,

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Speaker 4: he leaves. Larry says, is he popular? People like his music?

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Speaker 6: Oh?

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Speaker 2: He thought you were a rapper.

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Speaker 4: And then I said, Larry, you think he's cool? Oh

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Speaker 4: he was great. He was great a rapper being that

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Speaker 4: great to go, Larry, he's an actor.

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Speaker 5: And then he was like so happy in a tattoo

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Speaker 5: that said I call myself the wolf Man. You know,

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Speaker 5: the dumb rapper names, so a W L F F

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Speaker 5: and I had a tattoo that said wolf. I mean

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Speaker 5: that's the you know, weird things that a rapper would.

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Speaker 2: Right, you just made that up.

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Speaker 4: By the way, you came up with the name crazy

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Speaker 4: ass killer Ryes.

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Speaker 5: You know why why because they said, well, what's the

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Speaker 5: name of the character after I got it, and I

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Speaker 5: was like, I don't like wearing contacts because I don't

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Speaker 5: wear contexts, right, So I said, but I can't be

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Speaker 5: blue eyes, like like.

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Speaker 4: I'm not Harden. By the way, his eyes were crazy

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Speaker 4: in the.

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Speaker 5: Episode one eye, right, I said, at least have to

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Speaker 5: were one, So let me just take one out and

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Speaker 5: then I'll call myself like crazy eyes and then I'll

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Speaker 5: just put a killer on the end with all k's. Yeah,

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Speaker 5: so that's that's exactly because I didn't want to wear

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Speaker 5: the contact.

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Speaker 4: Yeah, but it looked great because when you take off

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Speaker 4: your glasses, it's like, what the fuck is wrong with

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Speaker 4: his eyes? And by the way, little sidebar, I'm at

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Speaker 4: the Clippers game and I usually walked out for the

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Speaker 4: halftime show and on the board they say glasses Malone

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Speaker 4: and there's a picture of him wearing glasses and I'm

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Speaker 4: not kidding. He came out without glasses, and I turned

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Speaker 4: around to all the glasses people, He's not wearing glasses,

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Speaker 4: and they a'll go, we're thinking the same thing. That's

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Speaker 4: just wrong, because everybody was like, were the glasses where

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Speaker 4: they went without him? Wow? Right, there's a little sidebars.

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Speaker 4: Actually that's a bit in my stand up, but not

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Speaker 4: that short and not that stick.

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Speaker 1: Okay, all right, so let's start. We're going to start

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Speaker 1: the episode. So here we are with Chris and we

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Speaker 1: just found out how he got the part. And we

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Speaker 1: started out at a party at crazy Eyes house, mostly

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Speaker 1: black folk but there, but also I.

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Speaker 4: Saw a white couple eating, you know, that was it.

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Speaker 1: And Wanda is showing off her ring to Cheryl her

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Speaker 1: engagement rings, so clearly and crazy Eyes comes.

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Speaker 4: Over and the guy who played her father, I do

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Speaker 4: not remember his name. He's a character actor for many years.

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Speaker 4: And he had one line, if he keeps on buying

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Speaker 4: stuff like this for my whatever it is.

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Speaker 1: That's parents don't mind their daughter marrying a rap store

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Speaker 1: if he keeps on buying stuff like that.

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Speaker 4: Yes, And so he's an actor, he's not an improviser.

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Speaker 4: So every take he did that line and I found

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Speaker 4: that terribly amusing. I didn't mock him, but in video

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Speaker 4: Village I just would laugh every time because he did it.

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Speaker 4: Verbade him the same way, because he's an actor, you know.

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Speaker 1: Okay, so Wanda's parents are there, they don't mind. And

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Speaker 1: then we cut to Larry's stomping on bubble wrap.

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Speaker 6: Excuse me, Larry, Larry, Larry, what are you doing?

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Speaker 2: Stuffing on some I know?

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Speaker 4: But why why are you doing that?

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Speaker 7: Because it makes a fun kind of popping noise.

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Speaker 4: It's fun, which, by the way, maybe the best opening

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Speaker 4: that we've ever had.

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Speaker 7: Yeah.

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Speaker 1: I mean, he's clearly not involved in the party. He's

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Speaker 1: clearly in his own head somewhere child enjoying that.

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Speaker 4: Like standing on bubble wrap, I love it. Always nothing.

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Speaker 4: As a matter of fact, they used to sell a

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Speaker 4: product for kids that was essentially bubble wrap, real little bubbles,

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Speaker 4: and kids would go on and snap them. But but

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Speaker 4: they were they were it was over for like so

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Speaker 4: it seemed like you rented a ride but took it

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Speaker 4: to a ride that was over, and they had three

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Speaker 4: sheets in like a tube, and then you popped them

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Speaker 4: and it was over. You had to buy more.

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Speaker 1: I don't remember that but that's fine for kids, and

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Speaker 1: it's fine for Larry.

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Speaker 2: But in the middle of a party, I would have

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Speaker 2: done it and not thought twice about tone deaf.

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Speaker 1: And Cheryl feels the same way, because she comes over,

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Speaker 1: what are you doing, Larry? It's making a fun popping noise,

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Speaker 1: and she's why aren't you mingling?

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Speaker 4: When he came up from doing the thing when she

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Speaker 4: talked to him, he couldn't keep a straight face. He

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Speaker 4: laughed every time, because hee, Larry loves laughing at other

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Speaker 4: people's performances and what he wrote being executed. And if

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Speaker 4: it's absurd, like him doing the bubble wrap, he comes

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Speaker 4: out of that, he cannot function, right, Yeah, I go ahead.

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Speaker 1: So Larry says he's got to leave. He's got to

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Speaker 1: go to Jeff's house to pick up a script. And

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Speaker 1: then we get the information that Jeff and Susie bought

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Speaker 1: a new house have just moved in. It's right in

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Speaker 1: the neighborhood. She asked, what about the dog. You're taking

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Speaker 1: your allergy medications, so the dog is okay?

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Speaker 2: And then wait, wait, wait, wait.

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Speaker 4: Wait wait wait, she says to him, ten more minutes,

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Speaker 4: can you just do ten minutes? And when she walks away.

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Speaker 4: The look on his face is the look I would

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Speaker 4: have on my face of like this is going to

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Speaker 4: be the longest ten minutes.

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Speaker 1: He's not enjoying himself. But then Crazy Eyes comes over

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Speaker 1: at the house at.

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Speaker 5: Your house tour. Yeah, I still say to the day

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Speaker 5: I'm turned off. All Right, we'll get to that.

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Speaker 2: We'll get to that.

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Speaker 1: Crazy Eyes comes over and Crazy Eyes has some lyrics.

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Speaker 2: You're asking Larry if he could help you out.

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Speaker 4: He's a writer, and you want you want any.

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Speaker 1: Thoughts he has right now? What now in those lyrics

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Speaker 1: he prepared?

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Speaker 4: He wrote that, I'm just saying he wrote that.

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Speaker 2: I'm asking him, what tell me about writing those lies?

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Speaker 5: Coming into the thing, I knew I had to have

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Speaker 5: something that was prepared that, you know, not off the dome,

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Speaker 5: so to speak. Yeah, and even just being Chris and

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Speaker 5: playing Crazy Eyes trying to give Larry a visceral reaction

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Speaker 5: to I didn't even let him know that I was.

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Speaker 5: He knew I was an actor, but I was trying

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Speaker 5: to still keep that tension between that that I'm a rapper.

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Speaker 5: So I had to write something that was kind of outlandish.

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Speaker 5: But I think the reason why I got the part

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Speaker 5: is because you know, obviously Curve is about improven this

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Speaker 5: on the other but you have to know what the

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Speaker 5: show is about the sensibility of the show, and so

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Speaker 5: many people.

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Speaker 4: Would come in not knowing that. And one famous actor

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Speaker 4: in all our seasons I knew, never watched the show,

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Speaker 4: but he was famous and we needed him, and he

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Speaker 4: had never watched the show, and his performance was so

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Speaker 4: tone deaf to what we do that we had to,

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Speaker 4: you know, explain, and it was very frustrating.

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Speaker 5: So feeding into the show what the show was about

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Speaker 5: was about the house tour. So I needed to I

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Speaker 5: think I needed to come up with something that's going

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Speaker 5: to fit into the narrative of the show and make

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Speaker 5: it like I'm coming to get you, like give him

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Speaker 5: something to work with of like if you betray me,

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Speaker 5: because I know it's.

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Speaker 4: Going to be a betrayal. That's the role of improv.

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Speaker 4: Real improv is I take care of you, you take

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Speaker 4: care of me, Make you rise up, you make me

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Speaker 4: rise up. That's proper, yes, And that's what happened in

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Speaker 4: that scene.

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Speaker 1: Snap off your neck with a crackle and pop and Larry,

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Speaker 1: I love Larry is one tiny comment he had to

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Speaker 1: change the motherfucker a bitch, you know, just that one little.

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Speaker 4: But your reaction is perfect.

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Speaker 5: Yeah, yeah, yeah, right, And he had no idea that

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Speaker 5: I was even coming out with the paper, so he

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Speaker 5: was so for the first time. I when I first

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Speaker 5: time I read it, he was like, so it was.

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Speaker 2: A true improv moment.

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Speaker 1: He didn't know what you were going to say, and

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Speaker 1: so he responded, that's one of the.

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Speaker 4: Ones where we yell cut and then Larry laughs afterwards. Yeah.

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Speaker 2: So and then you say to him, I'm not allowed

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Speaker 2: to say it?

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Speaker 4: Why?

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Speaker 5: Oh I said it? Because are you my n word?

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Speaker 5: Are you?

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Speaker 4: I have to eat? Now?

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Speaker 1: Let me ask you a question, Chris, do you think

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Speaker 1: this is in two thousand and three?

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Speaker 2: Do you think we could do this episode now?

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Speaker 4: No? See, I didn't bother it's a different thing. Well

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Speaker 4: I didn't think. You know, times you look back on

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Speaker 4: stuff like that and it's tone deaf. You're the one

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Speaker 4: opening the door to him saying what it is, which

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Speaker 4: is appropriate. But I don't think there's any I mean,

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Speaker 4: I could.

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Speaker 2: Be asking what you think, I'm asking what the world thinks.

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Speaker 4: No. No, but but by the way, the world doesn't

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Speaker 4: have a sense of humor.

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Speaker 5: In the audition. That's when I did it in the audition.

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Speaker 5: I think that's what sealed the audition for me is

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Speaker 5: because to me as the character, as the character rapper,

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Speaker 5: that's nothing to me saying you know, that's exactly And

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Speaker 5: that's what was the funny part about it. It's like

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Speaker 5: Larry's always in control, but if you can knock him off,

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Speaker 5: and even Larry doesn't know what how to.

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Speaker 4: Rewant do it, well, his reaction was yeah, I'll take it, yes, yes, okay, yeah,

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Speaker 4: I am, you know, because he's nervous, he doesn't know

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Speaker 4: what to say.

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Speaker 2: So and that was that was you And.

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Speaker 4: Well, by the way, that was the beauty of Chris.

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Speaker 4: Except for coming up with the lyrics. All that shit

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Speaker 4: was improvised.

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Speaker 1: I mean, although I would imagine you, like eating pussy

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Speaker 1: was in the outline, that wasn't the out Yes, because

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Speaker 1: that's a story point. Yes, yes, yeah, that's what it is.

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Speaker 1: It's a story point. If it's going to come back later,

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Speaker 1: then it's there.

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Speaker 4: And if I was.

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Speaker 5: Worried about being too jokey even in the audition because

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Speaker 5: the Asian pussy, I was like, oh, let me be

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Speaker 5: something I can eat. Thirty minutes afterwards, I'll still be hungry. Yeah,

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Speaker 5: that was a joke against.

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Speaker 4: We don't do shit like that on the show. There's

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Speaker 4: nothing you recognize as a written joke. And also we

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Speaker 4: laugh freely, as opposed to most comedies. Someone makes a

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Speaker 4: quip and no one reacts, which is so false.

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Speaker 1: So Chris asked you you like eating pussy, and Larry

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Speaker 1: says I like it, but he's too lazy and it

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Speaker 1: hurts his neck.

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Speaker 4: Hurts his neck.

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Speaker 1: And then Crazy I says, you know, instead of that joke,

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Speaker 1: you had a great line, which is you have to

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Speaker 1: have all different flavors. Best is Asian pussy because you

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Speaker 1: have to have all the different Well that's what.

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Speaker 4: A person would say, not a person that I hang

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Speaker 4: out with, but crazy ass Killer, it made sense for

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Speaker 4: you to say.

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Speaker 1: That, right, right, And then there's a whole discussion and

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Speaker 1: about his Wanda going to find out.

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Speaker 5: Yes, also him hitting me like you know, playful hitting me.

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Speaker 5: At one point he says, they don't hit me, which

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Speaker 5: gives him a oh, am I your friend? Or am

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Speaker 5: I not your friend? Or am I you know?

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Speaker 4: How?

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Speaker 5: What what is the status of our relationship? And that's

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Speaker 5: what I kept trying to push against, Like I like you,

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Speaker 5: but I might kill you, but I like you what

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Speaker 5: I might killing but.

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Speaker 2: You still he was still in fear of you.

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Speaker 1: Yes, yeah, there's this whole thing about Wan going to

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Speaker 1: find out one is that going to find out? And

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Speaker 1: that's where you kind of, you know, put the fear

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Speaker 1: into him.

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Speaker 5: And because I said, because you're my friend, right and

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Speaker 5: if you and he's like yeah, because I said you're

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Speaker 5: my nigga and he's like yeah, I am.

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Speaker 4: So there's a bonding there, but he's not sure.

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Speaker 2: If they're not sure, he doesn't know what it means.

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Speaker 4: Keeping him off balances. My goal was the episode.

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Speaker 1: And then we cut to Larry coming to our new

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Speaker 1: house and he rings the bell, comes in, You give

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Speaker 1: him a script, and then I come down.

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Speaker 4: So happy, so happy. Look at this. By the way,

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Speaker 4: that was a switch scene. What I mean by that

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Speaker 4: is on a dog, yes, no, but a lot of

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Speaker 4: times you build and then that's a switch scene where

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Speaker 4: it's literally a light switch.

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Speaker 2: Right, literally switch to one hundred.

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Speaker 1: And I asked Larry Susie as Larry, so come on,

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Speaker 1: I'll give you the tour.

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Speaker 3: You know what that's okay, I get it.

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Speaker 6: What do you mean?

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Speaker 3: Well, you know it's bed gym's bathrooms.

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Speaker 4: I get it. I say it.

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Speaker 2: It's beautiful, it's great.

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Speaker 3: You don't want a tour, you don't need to walk around.

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Speaker 2: I get the fuck out of my house.

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Speaker 1: Okay, Larry, just get the fuck.

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Speaker 2: Out right now. I didn't really ask him. I just say,

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Speaker 2: come on, I'll give you a tour.

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Speaker 1: That's it, right, and then I immediately get the fuck out.

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Speaker 2: Of the house. I'm turned to I'm turned off. I

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Speaker 2: am turned Larry says that all the time.

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Speaker 4: But also, it's like a house tour is what you're

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Speaker 4: both building to. Larry says, house tour. Now here's the

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Speaker 4: thing that I want to tell you. Respect the wood

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Speaker 4: and are you my blankety blank and take the house tour.

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Speaker 4: Are all things people come up to me and say

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Speaker 4: all the time. The house tour. You walk into somebody's house.

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Speaker 2: They come to your house.

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Speaker 4: Oh my god, I imagine you can't have anybody over

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Speaker 4: without the man.

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Speaker 1: By the way, I was at somebody's house recently, maybe

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Speaker 1: a year or so ago, and he said to me,

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Speaker 1: you want to see the new one that he goes.

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Speaker 4: You like your show?

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Speaker 2: You're exactly like I don't want to see it. I

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Speaker 2: don't give it.

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Speaker 4: By the way, the joke is for you. And I

340
00:15:31,480 --> 00:15:35,040
Speaker 4: may be more like on screen Larry than on screen

341
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Speaker 4: Larry is yeah, yeah, you know he's he's much more

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Speaker 4: polite off screen. We are not not that you're surprised

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Speaker 4: by Susie, but I am not. And when I'm not

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Speaker 4: that way, people get very confused. They think because on

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00:15:48,480 --> 00:15:53,560
Speaker 4: the show no, no, But on the show, whatever Larry says,

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Speaker 4: and people make fun of me. And for this, in

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Speaker 4: my performance, I'll repeat it and then add to it.

348
00:15:59,040 --> 00:16:01,920
Speaker 4: And then he says something, I repeat it and add

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Speaker 4: to it. It's like raising building the scene. So that's

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Speaker 4: what people are used to seeing me do. But when

351
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Speaker 4: I'm extremely honest offscreen, holy shit, I've gotten some very

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Speaker 4: negative responses. I'm not trying to be mean.

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Speaker 2: We'll be right back.

354
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Speaker 3: Stay tuned, and we're back.

355
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Speaker 1: So now we cut to Cheryl and Larry's house, and

356
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Speaker 1: Cheryl's like, party was fun?

357
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Speaker 2: Did you get to talk to crazy Eyes?

358
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Speaker 1: I mean, he loves the ladies, and Larry's starting to

359
00:16:38,120 --> 00:16:41,600
Speaker 1: get a little suspicious because she's it's awkward because he's, oh,

360
00:16:41,680 --> 00:16:44,480
Speaker 1: everybody knows he loves the ladies, and Larry's what do

361
00:16:44,560 --> 00:16:47,000
Speaker 1: you mean? And you know, it gets a little weird

362
00:16:47,080 --> 00:16:49,280
Speaker 1: and she's just talking about you being a flirt. And

363
00:16:49,320 --> 00:16:52,160
Speaker 1: then Cheryl picks up on Larry's weirdness and says, is

364
00:16:52,160 --> 00:16:55,360
Speaker 1: he fooling around on Wanda? And then Larry tells her

365
00:16:55,560 --> 00:16:57,280
Speaker 1: and then she's gonna call Wanda right away.

366
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Speaker 2: You can't do that. If you betray me, I'll die.

367
00:17:00,440 --> 00:17:00,640
Speaker 7: You know.

368
00:17:00,920 --> 00:17:03,240
Speaker 4: I put a nut in your eye in this episode.

369
00:17:03,240 --> 00:17:07,080
Speaker 4: There are numerous times where you're watching and your natural

370
00:17:07,119 --> 00:17:10,720
Speaker 4: inclination towards Larry's let it go, let it go.

371
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Speaker 2: He can't, He.

372
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Speaker 4: Can't, you know.

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Speaker 1: And Chelse says, that's a song and this is real life.

374
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Speaker 1: And he says, so you say one word, I'll be

375
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Speaker 1: in Antarctica.

376
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Speaker 6: You're that scared of crazy eyes that you flee the country.

377
00:17:23,200 --> 00:17:26,440
Speaker 4: Yeah, I am, Yes, I am. I want to live.

378
00:17:27,119 --> 00:17:29,360
Speaker 4: I want to have both legs. I want to have

379
00:17:29,400 --> 00:17:32,560
Speaker 4: my penis all right and my testicles intact.

380
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Speaker 6: This is her life, Okay, she's starting a whole new life.

381
00:17:36,600 --> 00:17:38,680
Speaker 7: Oh my gosh, this is my life, and I'd like

382
00:17:38,760 --> 00:17:41,240
Speaker 7: to live it by not going into handicap parking.

383
00:17:41,000 --> 00:17:44,000
Speaker 1: Which we know he loves handicap parking, and that's that.

384
00:17:44,040 --> 00:17:46,960
Speaker 1: Then we cut to lunch with Jeff and there's a

385
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Speaker 1: discussion about the reshoot for the Scorsese movie, which is

386
00:17:49,920 --> 00:17:52,440
Speaker 1: in an earlier episode that we actually haven't done yet,

387
00:17:52,440 --> 00:17:55,320
Speaker 1: but we're going out of order. And you say to him,

388
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Speaker 1: it wouldn't have killed you to take it right, which

389
00:17:58,760 --> 00:17:59,120
Speaker 1: is just.

390
00:17:59,160 --> 00:18:01,560
Speaker 4: Like take it, say oh it's lovely and get the fun.

391
00:18:01,800 --> 00:18:04,200
Speaker 4: And the key thing I said to him was, did

392
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Speaker 4: you have to go somewhere?

393
00:18:05,080 --> 00:18:05,119
Speaker 6: No?

394
00:18:07,600 --> 00:18:13,240
Speaker 4: Look at that closet house.

395
00:18:13,280 --> 00:18:14,640
Speaker 2: What's the name of that architect?

396
00:18:16,240 --> 00:18:18,200
Speaker 4: Were you in a rush? Did you have somewhere to go?

397
00:18:18,640 --> 00:18:21,399
Speaker 1: And he goes no, But but he says, what am

398
00:18:21,400 --> 00:18:21,960
Speaker 1: I going to say?

399
00:18:21,960 --> 00:18:22,120
Speaker 4: Oh?

400
00:18:22,160 --> 00:18:23,000
Speaker 2: This is a nice room.

401
00:18:23,000 --> 00:18:25,119
Speaker 7: I like the beam, the beams, Yeah, I like the

402
00:18:25,160 --> 00:18:28,679
Speaker 7: beams because he thinks his character thinks that if he

403
00:18:28,800 --> 00:18:31,679
Speaker 7: does something like that, he has to be an asshole

404
00:18:31,880 --> 00:18:34,560
Speaker 7: when he does it, like the beans, whatever, and know

405
00:18:34,680 --> 00:18:36,679
Speaker 7: all you got to do even in life, it's just

406
00:18:36,920 --> 00:18:38,600
Speaker 7: someone wants a house to you don't want a house

407
00:18:38,600 --> 00:18:42,560
Speaker 7: to sure and all this is beautiful, this is nice.

408
00:18:42,640 --> 00:18:44,640
Speaker 4: Oh I like the wallpaper, do you know what I mean?

409
00:18:44,960 --> 00:18:47,080
Speaker 1: And get the fuck up take pride in their home.

410
00:18:47,200 --> 00:18:49,920
Speaker 1: You know, people are very proud of their and there's

411
00:18:49,960 --> 00:18:50,480
Speaker 1: nothing wrong.

412
00:18:50,520 --> 00:18:52,359
Speaker 2: I mean, I do you know, I'm a deating.

413
00:18:52,720 --> 00:18:54,840
Speaker 4: That's the house. It was also in the palisages. All

414
00:18:54,880 --> 00:18:58,719
Speaker 4: our houses have been that house. We weren't in very long.

415
00:19:00,040 --> 00:19:02,400
Speaker 4: The only memory I have in the house is the

416
00:19:02,440 --> 00:19:05,480
Speaker 4: eenie meenie miney. Most scene with Bobin was in that house.

417
00:19:05,560 --> 00:19:06,280
Speaker 4: I was in that house.

418
00:19:07,359 --> 00:19:10,159
Speaker 1: I didn't remember that. That's also one of the favorite

419
00:19:10,160 --> 00:19:12,879
Speaker 1: scenes of all time. But we'll get to that. Yeah, okay,

420
00:19:12,920 --> 00:19:15,119
Speaker 1: So back a thousand and there's bubble wrap on the

421
00:19:15,160 --> 00:19:17,560
Speaker 1: floor and there's a whole thing. He's looking for the

422
00:19:17,560 --> 00:19:20,040
Speaker 1: cream colored jacket with the black stitching that he had

423
00:19:20,080 --> 00:19:23,040
Speaker 1: worn in the Scorsese movie and the show's like it

424
00:19:23,080 --> 00:19:24,920
Speaker 1: had a hole in it, and he's like, yeah, where

425
00:19:24,920 --> 00:19:27,160
Speaker 1: I got shot and he needs it for a reshoot,

426
00:19:27,280 --> 00:19:29,720
Speaker 1: and she has thrown it out. There's a lot of

427
00:19:29,760 --> 00:19:30,320
Speaker 1: nerve of her.

428
00:19:30,400 --> 00:19:31,040
Speaker 2: I think.

429
00:19:32,560 --> 00:19:35,480
Speaker 4: Yes and no. I think you're too rock and cool

430
00:19:35,560 --> 00:19:37,920
Speaker 4: to do this. You would ask Jimmy, But I think

431
00:19:38,000 --> 00:19:41,720
Speaker 4: most women, especially on the Jewish side, because I've had

432
00:19:41,760 --> 00:19:43,840
Speaker 4: it happen to me. No, we had to get rid

433
00:19:43,840 --> 00:19:45,840
Speaker 4: of it. And by the way, my wife and my

434
00:19:45,880 --> 00:19:47,120
Speaker 4: girlfriend both.

435
00:19:47,119 --> 00:19:48,919
Speaker 2: I won't, but if it was from a shoot, it

436
00:19:49,000 --> 00:19:49,560
Speaker 2: might have sent.

437
00:19:51,400 --> 00:19:52,040
Speaker 4: From the shoot.

438
00:19:52,680 --> 00:19:55,600
Speaker 1: Okay, So he got it at Mitchell's on Melrose and

439
00:19:55,720 --> 00:19:56,440
Speaker 1: he's going to have.

440
00:19:56,400 --> 00:20:02,240
Speaker 4: To when did he have the fantasy of out later later? Okay?

441
00:20:02,240 --> 00:20:03,120
Speaker 2: Good, Okay.

442
00:20:03,280 --> 00:20:05,639
Speaker 1: So he goes to Mitchell's on Melrose and it's one

443
00:20:05,640 --> 00:20:07,320
Speaker 1: of the Sclar brothers. I don't know which, one of

444
00:20:07,359 --> 00:20:09,359
Speaker 1: the twins. I think it's Jason, Jason.

445
00:20:10,800 --> 00:20:11,040
Speaker 2: Yeah.

446
00:20:11,200 --> 00:20:13,440
Speaker 4: Sklar Brothers are a comedy.

447
00:20:13,040 --> 00:20:15,520
Speaker 2: Duo who are identical gentlemen.

448
00:20:15,400 --> 00:20:17,240
Speaker 4: Identical twins, and they're funny, fun and.

449
00:20:17,240 --> 00:20:20,520
Speaker 1: They come on later a later episode. They're in curb

450
00:20:20,720 --> 00:20:23,159
Speaker 1: and i't remember, I think, so maybe I'm thinking of

451
00:20:23,240 --> 00:20:25,040
Speaker 1: a different show I did. We'll look it up.

452
00:20:25,119 --> 00:20:27,919
Speaker 4: Okay, And you've done a lot of shows, you know, Sissy,

453
00:20:27,960 --> 00:20:31,680
Speaker 4: you're very successful, and you know who loves you, young people.

454
00:20:32,240 --> 00:20:33,520
Speaker 2: I hope. So.

455
00:20:33,520 --> 00:20:37,120
Speaker 1: So they have one jacket left, one jacket left, and

456
00:20:37,160 --> 00:20:39,639
Speaker 1: then he's so happy there's one jacket, and then he

457
00:20:39,680 --> 00:20:41,960
Speaker 1: picks up a sweater that he likes and it's the

458
00:20:42,000 --> 00:20:46,199
Speaker 1: wrong size and he goes to fold it, but the owner,

459
00:20:46,440 --> 00:20:48,920
Speaker 1: Jason Sklark, we have a specific way of folding here.

460
00:20:48,960 --> 00:20:51,159
Speaker 1: I have to fold it and become Okay.

461
00:20:50,680 --> 00:20:55,440
Speaker 4: It's not that complicated gigantic let it go moment exactly.

462
00:20:55,520 --> 00:20:58,160
Speaker 2: You're folding, you're stretching it out.

463
00:20:58,400 --> 00:21:00,880
Speaker 4: Yeah, just let the guy the guy called don't buy

464
00:21:00,920 --> 00:21:02,520
Speaker 4: your jacket and get the fuck out.

465
00:21:02,560 --> 00:21:04,560
Speaker 1: But again, this is Larry's whole thing. He's trying to

466
00:21:04,600 --> 00:21:07,240
Speaker 1: help him. He thinks he's helping him, he thinks he's

467
00:21:07,280 --> 00:21:12,040
Speaker 1: doing And then and then Jason's glover will not sell

468
00:21:12,119 --> 00:21:13,200
Speaker 1: him the jacket.

469
00:21:13,040 --> 00:21:14,480
Speaker 2: Or anyone or anyone who.

470
00:21:15,880 --> 00:21:18,320
Speaker 4: The jacket's not for sale when he needs it.

471
00:21:18,520 --> 00:21:20,280
Speaker 1: He needs it for the reshot And I don't like

472
00:21:20,320 --> 00:21:21,720
Speaker 1: to be insulted in my own store.

473
00:21:21,800 --> 00:21:24,240
Speaker 4: By the way, he was fantastic.

474
00:21:24,720 --> 00:21:27,640
Speaker 2: Yeah, I was trying to help you. Blah blah. Okay.

475
00:21:27,920 --> 00:21:30,879
Speaker 2: Then he goes home and there's a note from Cheryl

476
00:21:30,960 --> 00:21:33,920
Speaker 2: on the fridge or wherever went out for drinks with Wanda.

477
00:21:34,160 --> 00:21:39,200
Speaker 1: This is where he has the fantasy.

478
00:21:40,640 --> 00:21:42,240
Speaker 6: There's something I have to tell you.

479
00:21:42,880 --> 00:21:44,560
Speaker 3: Crazy Eyes is cheating on you.

480
00:21:45,400 --> 00:21:50,359
Speaker 6: What How do you know Larry told me that she

481
00:21:50,840 --> 00:21:55,000
Speaker 6: s Are you gonna tell you that Larry told him?

482
00:21:55,480 --> 00:22:01,320
Speaker 7: God damn right on him.

483
00:22:01,359 --> 00:22:04,600
Speaker 4: Okay, can I say something here? We have had dream

484
00:22:04,680 --> 00:22:07,280
Speaker 4: sequences if I'm not believing. Yes, I think this might

485
00:22:07,320 --> 00:22:10,720
Speaker 4: be the only because it's very off tone for the show,

486
00:22:11,240 --> 00:22:14,320
Speaker 4: going to this land in the bar where she blatantly

487
00:22:14,359 --> 00:22:17,359
Speaker 4: tells him, Wanda tells him and she's definitely going to

488
00:22:17,400 --> 00:22:18,800
Speaker 4: say that Larry is.

489
00:22:18,760 --> 00:22:20,280
Speaker 2: From Larry from Larry Larry.

490
00:22:20,960 --> 00:22:24,400
Speaker 4: I don't think we've This is like really off. It's

491
00:22:24,440 --> 00:22:27,200
Speaker 4: like an imagination moment. No, but it's also we don't

492
00:22:27,240 --> 00:22:28,080
Speaker 4: do those all.

493
00:22:28,040 --> 00:22:31,040
Speaker 1: Right, Well, we've had a couple of flashback things with

494
00:22:31,240 --> 00:22:33,960
Speaker 1: Larry Cheryl's.

495
00:22:32,880 --> 00:22:35,680
Speaker 4: That's not than a fantasy.

496
00:22:35,840 --> 00:22:38,800
Speaker 1: So Larry has a fantasy that Cheryl's telling Wanda that

497
00:22:38,880 --> 00:22:42,120
Speaker 1: Crazy Eyes is cheating on her and it's Larry who

498
00:22:42,119 --> 00:22:45,320
Speaker 1: told me. And then Larry's immediately has to find Crazy

499
00:22:45,359 --> 00:22:48,080
Speaker 1: Eyes and he's on the calling information.

500
00:22:49,920 --> 00:22:52,200
Speaker 4: Line. It was brilliant. What about an H at the

501
00:22:52,280 --> 00:22:54,159
Speaker 4: end of Killer? Did you try that? K I L

502
00:22:54,280 --> 00:22:58,040
Speaker 4: L A H? What about this Z eyes E y

503
00:22:58,119 --> 00:23:00,600
Speaker 4: E Z? Is that is that possible? No? No, that's

504
00:23:00,600 --> 00:23:05,200
Speaker 4: an optometry place. Okay, all right, thank you.

505
00:23:06,160 --> 00:23:09,720
Speaker 5: He's like crazy and he's like, no, that's an autometristogist crazy.

506
00:23:10,160 --> 00:23:11,159
Speaker 4: That's the last line.

507
00:23:12,080 --> 00:23:13,720
Speaker 1: He doesn't know how to spell crazy Eyes Killer is

508
00:23:14,160 --> 00:23:15,640
Speaker 1: with a k is it with the seas?

509
00:23:15,680 --> 00:23:18,840
Speaker 4: It never occurs to him that he would have a

510
00:23:18,960 --> 00:23:23,520
Speaker 4: real name privately. And then also, why the fuck would

511
00:23:23,560 --> 00:23:26,800
Speaker 4: a guy like that list his phone? And these are

512
00:23:26,840 --> 00:23:28,880
Speaker 4: things I believe think about.

513
00:23:28,960 --> 00:23:31,160
Speaker 1: Crazy Eyes does have a real name. That's not his name,

514
00:23:31,200 --> 00:23:33,960
Speaker 1: that's a made up name. His mother didn't name him crazy.

515
00:23:35,760 --> 00:23:36,679
Speaker 4: I like to think it is.

516
00:23:36,920 --> 00:23:40,080
Speaker 1: One time I was in I was at Serious Radio

517
00:23:40,160 --> 00:23:42,520
Speaker 1: doing a bunch of interviews and I was in the

518
00:23:42,560 --> 00:23:45,280
Speaker 1: waiting room, the little green room there, and these two

519
00:23:45,359 --> 00:23:47,159
Speaker 1: rappers come in and I don't know they were famous.

520
00:23:47,160 --> 00:23:48,920
Speaker 1: I don't know who they were, and they knew who

521
00:23:48,960 --> 00:23:50,879
Speaker 1: I was, and they introduced themselves and they were like,

522
00:23:50,920 --> 00:23:53,280
Speaker 1: my name is Daryl, but my hip hop name is

523
00:23:53,320 --> 00:23:54,880
Speaker 1: blah blah like crazy as killer.

524
00:23:55,080 --> 00:23:56,720
Speaker 2: And I said, what would my hip hop name be?

525
00:23:56,800 --> 00:24:01,919
Speaker 1: And without skipping a beat, he went, short fuse, that

526
00:24:02,040 --> 00:24:03,200
Speaker 1: is hilarious.

527
00:24:02,720 --> 00:24:07,720
Speaker 4: And that would be here. I love that.

528
00:24:07,880 --> 00:24:11,080
Speaker 1: Yeah, that's skipping a beat right there, short views. Okay,

529
00:24:11,119 --> 00:24:14,040
Speaker 1: so he's trying to get your phone number everything he can't.

530
00:24:14,080 --> 00:24:17,119
Speaker 1: That's a very funny sequence him trying to get and

531
00:24:17,160 --> 00:24:18,800
Speaker 1: then he drives to your house.

532
00:24:18,680 --> 00:24:21,040
Speaker 4: And now I want to say something about the house

533
00:24:21,400 --> 00:24:23,600
Speaker 4: that was a weird ass house in Silver like it

534
00:24:23,680 --> 00:24:26,200
Speaker 4: was a nunnery. It used to be a nunnery and

535
00:24:26,520 --> 00:24:30,399
Speaker 4: it just was creepy as ship and I remember Video Village.

536
00:24:30,960 --> 00:24:32,120
Speaker 2: What was creepy about it?

537
00:24:32,119 --> 00:24:34,760
Speaker 4: It just was if you were there the pool, everything

538
00:24:34,800 --> 00:24:37,199
Speaker 4: about this house seemed like, especially if it was in

539
00:24:37,240 --> 00:24:41,080
Speaker 4: the dark, is scary. I talked to Chris about it.

540
00:24:41,119 --> 00:24:44,040
Speaker 4: Then it was fun. It was it was fucking weird.

541
00:24:44,880 --> 00:24:48,560
Speaker 5: It was not renovated, it was being sold, but it

542
00:24:48,680 --> 00:24:49,640
Speaker 5: was still kind.

543
00:24:49,440 --> 00:24:54,040
Speaker 4: Of had the old nunnery.

544
00:24:54,640 --> 00:24:56,560
Speaker 1: Let me just take this opportunity because I don't think

545
00:24:56,560 --> 00:24:59,960
Speaker 1: we've mentioned this before on the podcast that we shoot

546
00:25:00,119 --> 00:25:03,280
Speaker 1: everything on location, So all the houses that people see

547
00:25:03,480 --> 00:25:08,000
Speaker 1: of ours are are real houses that we use the

548
00:25:08,040 --> 00:25:09,760
Speaker 1: only time we don't use the studio.

549
00:25:10,280 --> 00:25:12,960
Speaker 4: We did use the studio numerous times.

550
00:25:12,680 --> 00:25:14,760
Speaker 2: For courtroom scenes courtroom seems.

551
00:25:14,720 --> 00:25:18,359
Speaker 4: And then we ultimately use the studio later on for

552
00:25:18,560 --> 00:25:21,280
Speaker 4: the young Larry stuff that was obviously and for.

553
00:25:21,240 --> 00:25:22,840
Speaker 2: The Seinfeldt stuff in that.

554
00:25:24,880 --> 00:25:27,480
Speaker 4: But those are practical, then, yes, they are practical.

555
00:25:28,000 --> 00:25:31,280
Speaker 1: Generally everything we do is on location. So Jeff's house,

556
00:25:31,359 --> 00:25:33,600
Speaker 1: my house, Larry's house, they're all real houses.

557
00:25:33,960 --> 00:25:36,320
Speaker 4: Do you know what my all have. My home base

558
00:25:36,400 --> 00:25:40,240
Speaker 4: is where we shoot from my chair, wherever my chair is.

559
00:25:40,640 --> 00:25:44,159
Speaker 1: That's the house that was Crazy Eyes was a real house.

560
00:25:44,240 --> 00:25:47,119
Speaker 4: And scary as stupid. And by the way, they were

561
00:25:47,160 --> 00:25:49,240
Speaker 4: a great job with the set design.

562
00:25:49,800 --> 00:25:51,879
Speaker 2: So Crazy Eyes answers the door.

563
00:25:54,480 --> 00:26:01,359
Speaker 4: Don't you in here?

564
00:26:01,840 --> 00:26:02,280
Speaker 2: All right?

565
00:26:02,680 --> 00:26:06,640
Speaker 1: Larry fucking David, goddamn you came to see my motherfucking shit.

566
00:26:07,280 --> 00:26:09,320
Speaker 5: And you know what was cut out? I had a

567
00:26:09,400 --> 00:26:13,240
Speaker 5: six foot five bodyguard. Oh, I had a guy who

568
00:26:13,440 --> 00:26:17,440
Speaker 5: whose name was Delicious. Oh okay, and he answers the door,

569
00:26:18,080 --> 00:26:21,679
Speaker 5: and Larry standing there looking this giant, ginormous man, and

570
00:26:21,720 --> 00:26:23,560
Speaker 5: he's like, I'm here for Crazy Eyes. And he looks

571
00:26:23,560 --> 00:26:25,280
Speaker 5: at him and goes hold on and he closed the

572
00:26:25,320 --> 00:26:27,520
Speaker 5: door and then I come out again. So that part

573
00:26:27,600 --> 00:26:30,840
Speaker 5: was cut out. That that's why I fed into I

574
00:26:30,880 --> 00:26:31,760
Speaker 5: remember that even you.

575
00:26:31,760 --> 00:26:36,560
Speaker 4: Were a specific note which was you can't say delicious enough.

576
00:26:37,280 --> 00:26:42,240
Speaker 4: You cannot, because I loved every Delicious moment and the

577
00:26:42,359 --> 00:26:45,040
Speaker 4: idea that a guy named Delicious is going to come

578
00:26:45,080 --> 00:26:47,640
Speaker 4: in and pick up a rapper literally a rapper from

579
00:26:47,640 --> 00:26:49,200
Speaker 4: a candy or something on the floor.

580
00:26:50,240 --> 00:26:53,919
Speaker 1: But I assumed, having not been there that day, that

581
00:26:54,000 --> 00:26:58,080
Speaker 1: Delicious was a woman. Yeah, exactly, But if you don't,

582
00:26:58,160 --> 00:27:00,200
Speaker 1: if you didn't see Delicious.

583
00:26:59,680 --> 00:27:02,320
Speaker 4: But it was a giant man because I met him,

584
00:27:02,760 --> 00:27:06,000
Speaker 4: you know, And so I found you yelling that you

585
00:27:06,040 --> 00:27:07,880
Speaker 4: couldn't say it enough. As a matter of fact, three

586
00:27:07,960 --> 00:27:11,120
Speaker 4: quarters of them got cut out of Delicious. Delicious because

587
00:27:11,119 --> 00:27:13,800
Speaker 4: I had him going berserk. I go say it every

588
00:27:13,920 --> 00:27:16,840
Speaker 4: nook and cranny you can fit Delicious, and because I

589
00:27:16,920 --> 00:27:19,440
Speaker 4: knew if you do that, at least two or three

590
00:27:19,480 --> 00:27:21,840
Speaker 4: will make it right. I had a problem.

591
00:27:22,160 --> 00:27:25,440
Speaker 5: My big thing, as crazy as being that is, am

592
00:27:25,480 --> 00:27:26,200
Speaker 5: I hard enough?

593
00:27:26,440 --> 00:27:26,679
Speaker 4: Am I?

594
00:27:26,720 --> 00:27:29,040
Speaker 5: Am I coming across? Because I'm not a rapper. I

595
00:27:29,080 --> 00:27:31,600
Speaker 5: did my research. I was watching U, MTV raps. I

596
00:27:31,640 --> 00:27:33,800
Speaker 5: was watching all these things, and and I asked you,

597
00:27:33,840 --> 00:27:35,320
Speaker 5: I said to the sid because I don't want to

598
00:27:35,320 --> 00:27:36,879
Speaker 5: ask Latry, I said, how am I doing? You?

599
00:27:36,960 --> 00:27:37,000
Speaker 7: Like?

600
00:27:37,200 --> 00:27:37,680
Speaker 4: Keep going?

601
00:27:38,080 --> 00:27:41,359
Speaker 2: Keep going?

602
00:27:38,680 --> 00:27:46,040
Speaker 4: Because you played it tone wise believable, like you weren't

603
00:27:46,119 --> 00:27:50,840
Speaker 4: going hardcore except for your lyrics that one time, but

604
00:27:51,040 --> 00:27:55,560
Speaker 4: you were believable as this dude. And I find that

605
00:27:56,080 --> 00:27:58,399
Speaker 4: it doesn't matter what profession. A lot of and I

606
00:27:58,520 --> 00:28:01,760
Speaker 4: want to name names, but a lot of actors, a

607
00:28:01,800 --> 00:28:04,920
Speaker 4: lot of rappers they sort of see that their public

608
00:28:05,119 --> 00:28:09,840
Speaker 4: persona melts into their personal persona and you don't know

609
00:28:09,880 --> 00:28:12,720
Speaker 4: who you're talking to. Yeah, I see that all the time.

610
00:28:12,760 --> 00:28:15,120
Speaker 4: But you I was so nervous that I wasn't hard enough.

611
00:28:15,280 --> 00:28:21,239
Speaker 1: No, I think I think everything keep going all right,

612
00:28:21,400 --> 00:28:24,160
Speaker 1: you dance. Come to the door and Larry says he's

613
00:28:24,160 --> 00:28:25,920
Speaker 1: supposed to meet Cheryl and Wanda. Do you know where

614
00:28:25,920 --> 00:28:28,119
Speaker 1: they went? And you say they went to tea bags

615
00:28:28,119 --> 00:28:29,560
Speaker 1: And then you say to him, hey, you want to

616
00:28:29,560 --> 00:28:30,200
Speaker 1: tour the house?

617
00:28:30,480 --> 00:28:33,200
Speaker 2: And after the incident with me, he has to say yes.

618
00:28:33,280 --> 00:28:34,960
Speaker 2: And also he has to say yes to you.

619
00:28:34,880 --> 00:28:37,119
Speaker 1: Because he's scared shit of you. He's scared shit of

620
00:28:37,160 --> 00:28:38,800
Speaker 1: me too, but in a different way. I'm not going

621
00:28:38,800 --> 00:28:39,640
Speaker 1: to kick his ass.

622
00:28:40,240 --> 00:28:41,960
Speaker 4: By the way, there's always the potential.

623
00:28:42,040 --> 00:28:43,040
Speaker 2: There's always the potential.

624
00:28:43,280 --> 00:28:45,840
Speaker 1: But and the tours is a dining room, there's a

625
00:28:45,920 --> 00:28:51,800
Speaker 1: chair and ship, and there's some steps, and there's.

626
00:28:50,040 --> 00:28:51,720
Speaker 2: That's right, there's a door here, there's a door.

627
00:28:52,720 --> 00:28:55,000
Speaker 4: He said, that's the floor. You know what I mean,

628
00:28:55,320 --> 00:28:58,760
Speaker 4: it's made at of you know, some floor of ship.

629
00:28:58,840 --> 00:29:05,479
Speaker 4: You know what I'm saying, Yes, made a flourished but

630
00:29:05,560 --> 00:29:08,560
Speaker 4: that every bit of that was improvised. It's not one

631
00:29:08,600 --> 00:29:09,440
Speaker 4: thing in the script.

632
00:29:09,720 --> 00:29:11,800
Speaker 5: And Larry actually took right when we were in that

633
00:29:11,880 --> 00:29:13,720
Speaker 5: dining room, Marry and on a break, he took me

634
00:29:13,720 --> 00:29:15,640
Speaker 5: aside and goes, hey, I just want to let you

635
00:29:15,680 --> 00:29:17,640
Speaker 5: know that I really appreciate all the stuff you're doing.

636
00:29:17,840 --> 00:29:19,200
Speaker 5: I was like, oh, you know, I was like, thank you.

637
00:29:19,200 --> 00:29:22,080
Speaker 5: Somebody's like I could have written it, Like, I'm sure

638
00:29:22,120 --> 00:29:23,960
Speaker 5: you couldn't, like, but I'm glad.

639
00:29:23,760 --> 00:29:24,920
Speaker 2: You couldn't have written your poem.

640
00:29:25,280 --> 00:29:29,920
Speaker 4: No way, you couldn't have. Larry is so far from

641
00:29:30,040 --> 00:29:33,640
Speaker 4: what a hip hop guy is. He could, by the way,

642
00:29:33,680 --> 00:29:36,160
Speaker 4: that's a lie. And I wish I was standing there

643
00:29:36,280 --> 00:29:38,000
Speaker 4: because I would have looked at him went you're full

644
00:29:38,040 --> 00:29:40,400
Speaker 4: of shit. You could not. He would write fun of

645
00:29:40,440 --> 00:29:42,320
Speaker 4: ship between you, but there'd be no nuance.

646
00:29:43,560 --> 00:29:56,760
Speaker 3: We'll be right back, Stay tuned. Okay, we're back.

647
00:29:57,400 --> 00:29:59,400
Speaker 1: So then you get to the bedroom. You want a

648
00:29:59,440 --> 00:30:01,480
Speaker 1: bigger bed so you can have three or four motherfuckers

649
00:30:01,480 --> 00:30:01,800
Speaker 1: in there.

650
00:30:01,880 --> 00:30:03,840
Speaker 5: And another scene that was cut out is we go

651
00:30:03,880 --> 00:30:06,920
Speaker 5: into this music room and I have you know, there's

652
00:30:06,960 --> 00:30:09,000
Speaker 5: people in the room, delicious, and some people say you

653
00:30:09,040 --> 00:30:10,959
Speaker 5: gotta have you know, three or four you know, bitches

654
00:30:11,000 --> 00:30:13,760
Speaker 5: you got to spread the bitches out a room here, bitch,

655
00:30:13,800 --> 00:30:15,560
Speaker 5: And he's like, I like your theory of spreading the

656
00:30:15,600 --> 00:30:16,120
Speaker 5: bitches out.

657
00:30:16,200 --> 00:30:17,400
Speaker 2: It's because you.

658
00:30:17,400 --> 00:30:18,960
Speaker 4: Gotta have a bitch here. I've been saying to open

659
00:30:18,960 --> 00:30:19,680
Speaker 4: the door all bitch.

660
00:30:20,040 --> 00:30:20,120
Speaker 5: Like.

661
00:30:20,200 --> 00:30:22,320
Speaker 4: Yeah, well, by the way, that's really funny and I

662
00:30:22,360 --> 00:30:25,600
Speaker 4: remember that. But if I've had scenes on the show

663
00:30:25,960 --> 00:30:29,040
Speaker 4: that I am so proud of that I think are hilarious,

664
00:30:29,520 --> 00:30:32,480
Speaker 4: one quiet one with Larry outside of Graveyard the special

665
00:30:32,560 --> 00:30:35,160
Speaker 4: sections in this season, right, yes, it is okay that

666
00:30:35,360 --> 00:30:38,120
Speaker 4: episode in particular, I had two scenes that I love,

667
00:30:38,280 --> 00:30:40,760
Speaker 4: but neither one of them served the show. Right.

668
00:30:41,360 --> 00:30:44,080
Speaker 5: It's like just sto a black pearl on a white necklace. Yes,

669
00:30:44,160 --> 00:30:46,080
Speaker 5: it'd be great on its own, Yeah, but if it

670
00:30:46,120 --> 00:30:48,920
Speaker 5: doesn't work now. It was, and it was also very sile.

671
00:30:49,040 --> 00:30:51,280
Speaker 5: I'll talk more about it when we record that episode.

672
00:30:52,000 --> 00:30:53,960
Speaker 1: And then Larry has a piece of paper to throw away,

673
00:30:54,320 --> 00:30:56,520
Speaker 1: and you just like toss the motherfucker and then you know,

674
00:30:56,600 --> 00:30:58,920
Speaker 1: you're delicious, tell Matilda to come in here and clean

675
00:30:58,960 --> 00:31:01,880
Speaker 1: this shit up, and then you for an alleys, which

676
00:31:01,920 --> 00:31:05,280
Speaker 1: I love that touch, that's like that that's brilliant, that

677
00:31:05,400 --> 00:31:08,480
Speaker 1: ellis touch, you know, that was not in the script

678
00:31:08,560 --> 00:31:08,880
Speaker 1: at all.

679
00:31:09,120 --> 00:31:09,520
Speaker 2: None of that.

680
00:31:09,920 --> 00:31:13,080
Speaker 5: And if you look at the episode when he that

681
00:31:13,200 --> 00:31:15,600
Speaker 5: was one of my true improv moments. And he goes,

682
00:31:15,600 --> 00:31:17,440
Speaker 5: what do I do with this box? And I'm like

683
00:31:17,840 --> 00:31:20,120
Speaker 5: computing in my head what would a rapper create? I

684
00:31:20,160 --> 00:31:23,600
Speaker 5: would want to show how rich I am to clean

685
00:31:23,800 --> 00:31:25,560
Speaker 5: Just throw it and he's like, I just just told

686
00:31:25,560 --> 00:31:26,840
Speaker 5: the motherfucker and he throws.

687
00:31:26,920 --> 00:31:29,240
Speaker 4: I'm like, watch this now, you just throw that shit anyway,

688
00:31:29,280 --> 00:31:32,800
Speaker 4: I got some clean up after Okay, thought toss it. Okay,

689
00:31:33,560 --> 00:31:37,080
Speaker 4: toss the motherfucker. See there you go.

690
00:31:37,200 --> 00:31:41,719
Speaker 5: Watch this delicious delica, Yes, tell me, tell to come

691
00:31:41,760 --> 00:31:44,040
Speaker 5: in here, cleanish it up, bring me an out of

692
00:31:44,520 --> 00:31:48,440
Speaker 5: you want just just to give to feed into the

693
00:31:48,480 --> 00:31:50,720
Speaker 5: wrap like, I'm so successful, I have someone to clean

694
00:31:50,760 --> 00:31:51,040
Speaker 5: this up.

695
00:31:51,080 --> 00:31:56,760
Speaker 4: And that's when I guessed this episode it would be delicious, delicious, delicious.

696
00:31:56,880 --> 00:31:59,960
Speaker 1: And then he's and then Larry spots that exact Jack

697
00:32:00,120 --> 00:32:03,640
Speaker 1: get that he needs in your closet, tries it on,

698
00:32:04,120 --> 00:32:05,600
Speaker 1: and then you say you want to put a plasma

699
00:32:05,640 --> 00:32:08,480
Speaker 1: screen on the ceiling and have Scarface twenty four to seven.

700
00:32:09,880 --> 00:32:13,480
Speaker 5: Scarface twenty four Because on MTV wraps, when they think

701
00:32:13,520 --> 00:32:16,600
Speaker 5: WU Tang had a tour. They all had like TVs

702
00:32:16,640 --> 00:32:18,400
Speaker 5: on the ceiling and a hot tub in the middle.

703
00:32:18,680 --> 00:32:21,280
Speaker 5: And there's an art piece also in the thing that

704
00:32:21,400 --> 00:32:23,840
Speaker 5: we got cut out too that I wanted because master

705
00:32:23,880 --> 00:32:26,560
Speaker 5: P at that time was worth fifty million dollars of

706
00:32:26,760 --> 00:32:29,400
Speaker 5: just as a businessman, and people think that all these

707
00:32:29,440 --> 00:32:32,840
Speaker 5: rappers are just dumb. Look at Jay Z's a billionaire. Yeah,

708
00:32:32,920 --> 00:32:34,959
Speaker 5: so I wanted to make sure like we're looking at

709
00:32:34,960 --> 00:32:39,240
Speaker 5: the artwork and I was like, yeah, I want to, right,

710
00:32:39,360 --> 00:32:41,280
Speaker 5: But I was like, I'm a French impression this motherfucker,

711
00:32:41,480 --> 00:32:43,000
Speaker 5: and I want to pu On Tormo or you know,

712
00:32:43,200 --> 00:32:47,360
Speaker 5: Matisa Manet and Larry was like that that doesn't make it,

713
00:32:47,520 --> 00:32:49,840
Speaker 5: like doesn't make sense, Like I would never never think that.

714
00:32:50,000 --> 00:32:53,000
Speaker 5: But his ghost Face Killer in his tour had like

715
00:32:53,200 --> 00:32:56,440
Speaker 5: French provincial furniture and flowers, and I was like, that

716
00:32:56,560 --> 00:33:01,160
Speaker 5: is the oddest thing. And Silk the Shaker had a giant,

717
00:33:01,360 --> 00:33:04,600
Speaker 5: you know, velvet painting of himself like this, you know,

718
00:33:04,640 --> 00:33:06,800
Speaker 5: and I was like, this is some So I wanted

719
00:33:06,800 --> 00:33:10,880
Speaker 5: to incorporate some of that.

720
00:33:08,240 --> 00:33:13,800
Speaker 2: Yeah, that you were a full blown Chris.

721
00:33:13,800 --> 00:33:17,440
Speaker 4: Hip hop guys R and B singers like Rihanna has

722
00:33:17,480 --> 00:33:20,000
Speaker 4: made more in clothes and perfumes.

723
00:33:19,680 --> 00:33:21,120
Speaker 2: And she has makeup.

724
00:33:21,200 --> 00:33:24,360
Speaker 4: Oh yeah, but I'm saying more than her music career, and.

725
00:33:24,320 --> 00:33:28,800
Speaker 5: Nobody than Rihanna one in four billions she's worth.

726
00:33:28,960 --> 00:33:30,960
Speaker 4: Yeah, it was a billionaire. Yeah.

727
00:33:31,240 --> 00:33:34,640
Speaker 1: And then you give Larry the jacket. And that's when

728
00:33:34,640 --> 00:33:36,240
Speaker 1: he says are you my Caucasian?

729
00:33:36,480 --> 00:33:36,720
Speaker 4: Yes?

730
00:33:36,760 --> 00:33:38,360
Speaker 2: Which was a good and if you look.

731
00:33:38,280 --> 00:33:40,040
Speaker 5: At my you look at my face when he says that,

732
00:33:40,080 --> 00:33:42,320
Speaker 5: I was like, oh, that's really good. And as you

733
00:33:42,360 --> 00:33:45,560
Speaker 5: said the yes, and I'm like, yes, yes, that was

734
00:33:45,640 --> 00:33:47,680
Speaker 5: That was a brilliant, brilliant that.

735
00:33:47,840 --> 00:33:50,560
Speaker 1: It was a brilliant moment. That was a completely improvised moment.

736
00:33:50,640 --> 00:33:53,920
Speaker 1: That was just fantastic, fantastic.

737
00:33:54,000 --> 00:33:57,320
Speaker 4: Are you my Caca? I'm your man? Are you Michaela?

738
00:33:57,480 --> 00:33:58,560
Speaker 4: Are you Caucasia?

739
00:33:58,640 --> 00:33:59,080
Speaker 6: All right?

740
00:34:00,200 --> 00:34:00,720
Speaker 1: Right, all right?

741
00:34:00,760 --> 00:34:02,040
Speaker 4: You know what was to god?

742
00:34:02,600 --> 00:34:04,720
Speaker 2: I love the crib right, it's fantastic.

743
00:34:05,000 --> 00:34:07,040
Speaker 7: Yeah, you know what, I'm gonna get my my wife's

744
00:34:07,040 --> 00:34:07,720
Speaker 7: gonna kick my ass.

745
00:34:07,720 --> 00:34:08,400
Speaker 4: I gotta get out of here.

746
00:34:08,520 --> 00:34:11,440
Speaker 1: Can this t shirts out that say are you my Caucasian?

747
00:34:11,600 --> 00:34:12,480
Speaker 1: Made by HBO?

748
00:34:12,840 --> 00:34:15,560
Speaker 2: And then Larry says you do you?

749
00:34:15,760 --> 00:34:18,120
Speaker 4: Oh wow? Did you have those marriage you buy people.

750
00:34:18,200 --> 00:34:20,680
Speaker 5: I mean there's been T shirts. No, a friend, my

751
00:34:20,800 --> 00:34:22,400
Speaker 5: friend of mine found them and gave them some of

752
00:34:22,560 --> 00:34:24,759
Speaker 5: the T shirts and of crazy Eyes, and I've been

753
00:34:24,760 --> 00:34:25,839
Speaker 5: recognized all over the world.

754
00:34:26,200 --> 00:34:30,240
Speaker 1: Really yeah, people, that's what's a very popular episode.

755
00:34:30,360 --> 00:34:33,200
Speaker 4: But easy. We've done one hundred and ten episodes and

756
00:34:33,200 --> 00:34:36,000
Speaker 4: that's easy. Top five could be number one, but I

757
00:34:36,080 --> 00:34:39,000
Speaker 4: think Palestinian Chicken is the one that people most talk about.

758
00:34:39,360 --> 00:34:40,680
Speaker 4: But that's easy, top.

759
00:34:40,640 --> 00:34:41,319
Speaker 2: That's top five.

760
00:34:41,600 --> 00:34:44,120
Speaker 1: And then Larry says I love the crib, which coming

761
00:34:44,160 --> 00:34:46,560
Speaker 1: out of his mouth, you know, him using the word

762
00:34:46,600 --> 00:34:48,520
Speaker 1: crib just crack me up. But I gotta go with

763
00:34:48,640 --> 00:34:51,360
Speaker 1: my wife's gonna kick my ass, Like suddenly he's talking

764
00:34:51,400 --> 00:34:54,840
Speaker 1: your language. So then Larry Edge is a very noisy

765
00:34:54,920 --> 00:34:58,320
Speaker 1: restaurant and way back he sees a table with Wanda

766
00:34:58,480 --> 00:35:02,040
Speaker 1: Ryl and Barbara is also so there, the widow Barbara,

767
00:35:02,320 --> 00:35:03,560
Speaker 1: and they're like, what are you doing here?

768
00:35:03,560 --> 00:35:05,160
Speaker 2: How do you know? I was here? And Cheryl is

769
00:35:05,200 --> 00:35:07,359
Speaker 2: clearly lit. She's a little drunk by the.

770
00:35:07,280 --> 00:35:10,880
Speaker 4: Way she plays that great he did. I believed everything,

771
00:35:11,400 --> 00:35:15,319
Speaker 4: and I was like, wow, because that's a tone of

772
00:35:15,680 --> 00:35:18,040
Speaker 4: you know. I had to audition once for a part

773
00:35:18,120 --> 00:35:22,160
Speaker 4: in a Alec Baldwin Demi Moore movie and Bob Odenkirk

774
00:35:22,239 --> 00:35:26,759
Speaker 4: directed me in his backyard to be drunk and I

775
00:35:26,800 --> 00:35:29,600
Speaker 4: couldn't do it, and he did it for me, he like,

776
00:35:29,920 --> 00:35:32,160
Speaker 4: he got me there and we turned it in and

777
00:35:32,200 --> 00:35:34,600
Speaker 4: I was second runner up. What did you mean another guy?

778
00:35:34,719 --> 00:35:37,359
Speaker 4: The other guy was way better, but I still got

779
00:35:37,400 --> 00:35:40,320
Speaker 4: that far because of Odenkirk. But playing drunk, My point

780
00:35:40,520 --> 00:35:41,680
Speaker 4: is it's hard.

781
00:35:41,800 --> 00:35:46,239
Speaker 2: Yeah, it is, and not to seem like stereotypical. Right, No, Cheryl,

782
00:35:46,239 --> 00:35:46,799
Speaker 2: did they go right?

783
00:35:46,880 --> 00:35:48,040
Speaker 4: No, that's what most people do.

784
00:35:50,480 --> 00:35:53,040
Speaker 1: So Larry tells him he went to Crazy Eyes, that's

785
00:35:53,040 --> 00:35:55,680
Speaker 1: who he knew he was there and Wanda immediately we

786
00:35:55,719 --> 00:35:58,840
Speaker 1: find out Wanta knows he's cheating on her because you

787
00:35:58,880 --> 00:36:00,800
Speaker 1: went to that Sound of a Bitches house. He's cheating

788
00:36:00,840 --> 00:36:03,640
Speaker 1: on me, and she wants to go tell him, you know,

789
00:36:03,680 --> 00:36:05,200
Speaker 1: and Lars, who are you going to tell him? Told

790
00:36:05,239 --> 00:36:07,120
Speaker 1: you heard it from? And is it back and forth there?

791
00:36:07,239 --> 00:36:10,760
Speaker 4: But but by the way, leave well enough alone. Cheryl

792
00:36:11,239 --> 00:36:15,000
Speaker 4: signaled him that she didn't do it, that she actually did.

793
00:36:15,040 --> 00:36:17,480
Speaker 2: Hear alone, there's no show.

794
00:36:18,560 --> 00:36:20,879
Speaker 4: Well, by the way, yes, of course, remember I said

795
00:36:20,920 --> 00:36:24,480
Speaker 4: how the costume designer said, why can't every to Larry

796
00:36:24,520 --> 00:36:28,040
Speaker 4: and I why can't everybody get along? And Larry started

797
00:36:28,080 --> 00:36:31,399
Speaker 4: telling you upset about teaching her conflict and she didn't

798
00:36:31,480 --> 00:36:34,320
Speaker 4: quite get it how important it is. And yeah, that's

799
00:36:34,320 --> 00:36:36,839
Speaker 4: a scene, by the way, that's the number one leave

800
00:36:36,840 --> 00:36:39,839
Speaker 4: well enough alone scene in the show. That's where he

801
00:36:39,920 --> 00:36:40,960
Speaker 4: really buries himself.

802
00:36:41,000 --> 00:36:43,160
Speaker 1: Well he's he could think it's the wrong person, told

803
00:36:43,200 --> 00:36:45,760
Speaker 1: you the wrong person, on and on and on, and.

804
00:36:45,640 --> 00:36:48,920
Speaker 2: Then Cheryl let it go, and.

805
00:36:48,960 --> 00:36:51,600
Speaker 1: Then and then Cheryl's like, maybe we should dance, And

806
00:36:52,080 --> 00:36:55,920
Speaker 1: Wanda goes to call Crazy Eyes and Larr's, I tell

807
00:36:56,000 --> 00:36:56,640
Speaker 1: him who told you?

808
00:36:56,640 --> 00:36:57,880
Speaker 2: You know, he's obsessed with it.

809
00:36:58,120 --> 00:37:01,800
Speaker 1: Yeah, like what am I?

810
00:37:02,040 --> 00:37:02,320
Speaker 7: Wait?

811
00:37:02,400 --> 00:37:04,440
Speaker 1: Wait, Larry walked one out to a car.

812
00:37:05,920 --> 00:37:10,719
Speaker 4: To turn What am I going to do? But by

813
00:37:10,760 --> 00:37:14,640
Speaker 4: the way, I love what the widow says, because everyone's

814
00:37:14,680 --> 00:37:18,320
Speaker 4: saying how they went fuck around? You know, she says,

815
00:37:18,360 --> 00:37:22,120
Speaker 4: my husband is dead and I wouldn't funk around, which

816
00:37:22,160 --> 00:37:23,239
Speaker 4: I love that one.

817
00:37:23,400 --> 00:37:25,480
Speaker 1: Then they're home and Cheryl's like, why wouldn't you dance

818
00:37:25,480 --> 00:37:27,400
Speaker 1: with me? She's still drunk, and.

819
00:37:27,000 --> 00:37:29,800
Speaker 4: And Larry that drunk when she plays drunk, and that scenes.

820
00:37:29,880 --> 00:37:33,200
Speaker 2: Even better, even better, it's quieter, you know, the other

821
00:37:33,280 --> 00:37:33,760
Speaker 2: was the noisy.

822
00:37:34,440 --> 00:37:40,080
Speaker 4: Cheryl's drunkenness reminds me of many people that I've seen drunk. No,

823
00:37:40,160 --> 00:37:42,160
Speaker 4: she was she got it, Yeah, she totally.

824
00:37:42,520 --> 00:37:45,120
Speaker 1: She's been drunk once in her life. And and Larry

825
00:37:45,160 --> 00:37:47,920
Speaker 1: didn't want to once. And Larry didn't want to upset

826
00:37:47,960 --> 00:37:50,640
Speaker 1: the widow. And Larry, you ever see the look on

827
00:37:50,680 --> 00:37:53,160
Speaker 1: widows faces when couples are dancing, you know, it's like

828
00:37:53,880 --> 00:37:55,600
Speaker 1: he's so he's so sensitive.

829
00:37:57,400 --> 00:37:59,480
Speaker 4: And by the way, she says she went to Minded

830
00:37:59,560 --> 00:38:01,080
Speaker 4: one day.

831
00:38:00,600 --> 00:38:03,800
Speaker 1: And then Larry makes her promise that she didn't tell Wanda,

832
00:38:03,840 --> 00:38:06,160
Speaker 1: that it was him who told her. And then Cheryl says,

833
00:38:06,200 --> 00:38:09,360
Speaker 1: what did you tell Crazy Eyes about oral sex? So

834
00:38:09,480 --> 00:38:12,640
Speaker 1: clearly Crazy Eyes told Wanda, and Wanda told and what

835
00:38:12,680 --> 00:38:13,480
Speaker 1: I wanted to tell you.

836
00:38:13,800 --> 00:38:15,239
Speaker 2: It hurts my neck sometimes.

837
00:38:15,600 --> 00:38:18,080
Speaker 1: And then Cheryl feels that's an inappropriate thing to talk

838
00:38:18,120 --> 00:38:20,120
Speaker 1: to somebody you hardly know at a party. And then

839
00:38:20,160 --> 00:38:22,399
Speaker 1: there's a knock on the door, and who is it.

840
00:38:22,719 --> 00:38:24,640
Speaker 1: It's Crazy it's Crazy Eyes Killer.

841
00:38:25,640 --> 00:38:29,200
Speaker 5: I just called myself killer too, killer.

842
00:38:29,239 --> 00:38:31,799
Speaker 1: And Larry starts running away. Oh, we didn't say that.

843
00:38:31,840 --> 00:38:34,000
Speaker 1: There was some bubble wrap on the floor earlier, or

844
00:38:34,000 --> 00:38:34,399
Speaker 1: maybe we.

845
00:38:34,960 --> 00:38:37,160
Speaker 4: Was upstairsstairs and.

846
00:38:39,160 --> 00:38:41,359
Speaker 1: In their house, and so Larry's running away, but he's

847
00:38:41,360 --> 00:38:43,920
Speaker 1: stepping on the bubble wrap, which is making noise, and

848
00:38:43,960 --> 00:38:46,279
Speaker 1: then Killer is like, get your ass down here, motherfucker.

849
00:38:46,280 --> 00:38:56,400
Speaker 2: What the fuck? Cet?

850
00:38:56,600 --> 00:39:01,000
Speaker 5: I thought we were COODI la d e l A

851
00:39:01,360 --> 00:39:02,560
Speaker 5: with an apostrophe over.

852
00:39:02,400 --> 00:39:05,200
Speaker 2: The now, what does that mean?

853
00:39:05,680 --> 00:39:08,160
Speaker 5: Me and my boys were in Martha's vineyard one summer

854
00:39:08,360 --> 00:39:09,960
Speaker 5: and we said, let's make up a word to see

855
00:39:09,960 --> 00:39:11,960
Speaker 5: if people will start saying it. So that's an homage

856
00:39:12,000 --> 00:39:12,840
Speaker 5: to my boys.

857
00:39:13,480 --> 00:39:16,200
Speaker 4: No one said it. Have you were Virginia Virginia Beach? Sure?

858
00:39:16,280 --> 00:39:17,680
Speaker 5: I think it was at the vineyard and it was

859
00:39:17,719 --> 00:39:21,160
Speaker 5: just like are you? And no one has any idea

860
00:39:21,239 --> 00:39:26,360
Speaker 5: what it means or anything. But that's why I'm glad, because.

861
00:39:26,080 --> 00:39:29,279
Speaker 4: I have you ever heard of people using it?

862
00:39:29,360 --> 00:39:29,480
Speaker 6: Oh?

863
00:39:29,560 --> 00:39:32,359
Speaker 4: Yeah, there's a podcast called Coon de La. They call

864
00:39:32,400 --> 00:39:34,799
Speaker 4: it cool. They think it's cool day la. But I

865
00:39:34,880 --> 00:39:37,480
Speaker 4: keep I always so it means nothing. It means absolutely not.

866
00:39:37,600 --> 00:39:41,359
Speaker 2: I thought we were meaning. I thought we were each other.

867
00:39:41,760 --> 00:39:45,759
Speaker 4: The Caribbean fans they described themselves as good. I'm making

868
00:39:45,800 --> 00:39:49,560
Speaker 4: it up. Christ You're looking at me like really, no,

869
00:39:49,640 --> 00:39:51,840
Speaker 4: Pirates of the Caribbean fans use Coon.

870
00:39:51,640 --> 00:39:53,839
Speaker 1: Delah and then then I like when when you turned

871
00:39:53,840 --> 00:39:55,080
Speaker 1: to show and you say you're fine.

872
00:39:55,760 --> 00:39:58,319
Speaker 4: Yeah, And by the way, I love that she has

873
00:39:58,320 --> 00:39:58,840
Speaker 4: no reaction.

874
00:39:59,000 --> 00:40:01,240
Speaker 2: Now, what could you well in that scene?

875
00:40:01,239 --> 00:40:03,960
Speaker 5: Also, I said I needed to come in as hard

876
00:40:04,000 --> 00:40:07,279
Speaker 5: as I could possible. And when she was you know,

877
00:40:07,360 --> 00:40:10,160
Speaker 5: she's chirping in my my drunk, going like you didn't

878
00:40:10,200 --> 00:40:11,919
Speaker 5: love her, and I turned her and I go, shut

879
00:40:11,920 --> 00:40:15,080
Speaker 5: the fuck up, bitch, which is what crazy eyes would do.

880
00:40:15,520 --> 00:40:17,919
Speaker 5: And you guys were like, just maybe tone that down,

881
00:40:18,080 --> 00:40:20,640
Speaker 5: like we need to go there, Yeah, because.

882
00:40:20,480 --> 00:40:24,640
Speaker 4: There you would do for a gangster film, right, not

883
00:40:24,640 --> 00:40:28,040
Speaker 4: not a comedy. We're not afraid to use word, right,

884
00:40:28,040 --> 00:40:28,640
Speaker 4: but that was.

885
00:40:28,680 --> 00:40:30,600
Speaker 2: Really we've already in this episode.

886
00:40:30,719 --> 00:40:33,040
Speaker 4: Yes, so many in this episode.

887
00:40:33,239 --> 00:40:35,440
Speaker 1: Okay, so then you want the jacket back. He throws

888
00:40:35,480 --> 00:40:39,440
Speaker 1: the jacket. You leave with the jacket, and then Larry

889
00:40:39,480 --> 00:40:41,320
Speaker 1: says that my neck is feeling pretty good because he

890
00:40:41,440 --> 00:40:43,080
Speaker 1: like wrenched it when he threw the jacket.

891
00:40:43,200 --> 00:40:45,640
Speaker 2: So we get a look from Cheryl and we know.

892
00:40:45,600 --> 00:40:48,400
Speaker 5: What's going to happen next, right, and the callback at

893
00:40:48,400 --> 00:40:50,400
Speaker 5: the end of that thing, the callback of you're not

894
00:40:50,440 --> 00:40:52,120
Speaker 5: my nigga anymore, and he's like, I want to be

895
00:40:52,160 --> 00:40:54,440
Speaker 5: your nigga, you know, I want to be I want

896
00:40:54,480 --> 00:40:56,400
Speaker 5: to be that to you. I'm like, no, you're not anymore.

897
00:40:56,560 --> 00:40:59,960
Speaker 5: Like that's the final straw. We're not friends anymore. It's like,

898
00:41:00,080 --> 00:41:01,440
Speaker 5: but I want to be friends with you.

899
00:41:02,160 --> 00:41:05,960
Speaker 4: That moment, his character really does want to be friends.

900
00:41:06,440 --> 00:41:10,640
Speaker 4: Exactly does he actually at this point values being friends

901
00:41:10,640 --> 00:41:10,880
Speaker 4: with you?

902
00:41:11,520 --> 00:41:16,279
Speaker 1: Then we cut to post coital look and Larry. You know,

903
00:41:16,400 --> 00:41:19,000
Speaker 1: Larry is gagging because he's got a Puba care stuck

904
00:41:19,000 --> 00:41:20,560
Speaker 1: in his throat, which remains stuck in his.

905
00:41:20,520 --> 00:41:22,280
Speaker 2: Throat for several episodes I recall.

906
00:41:23,000 --> 00:41:26,440
Speaker 1: And next we're on the stage with Scorsese where they're

907
00:41:26,480 --> 00:41:27,240
Speaker 1: doing the reshoot.

908
00:41:27,520 --> 00:41:31,120
Speaker 4: Scorsese, by the way, fantastic, wonderful. He is so funny

909
00:41:31,160 --> 00:41:32,480
Speaker 4: playing himself.

910
00:41:32,640 --> 00:41:35,680
Speaker 1: And Larry's telling them he doesn't have the jacket, etcetera, etcetera,

911
00:41:35,880 --> 00:41:38,200
Speaker 1: But the wardrobe person has a backup jacket. So he

912
00:41:38,280 --> 00:41:40,040
Speaker 1: went through all of this for nothing because there was

913
00:41:40,080 --> 00:41:40,880
Speaker 1: a backup jacket.

914
00:41:41,080 --> 00:41:41,840
Speaker 2: But he didn't know.

915
00:41:42,480 --> 00:41:46,480
Speaker 4: The wardrobe person was Wendy Morgan aeron O'Malley's wife.

916
00:41:46,680 --> 00:41:47,279
Speaker 2: Oh was that.

917
00:41:47,360 --> 00:41:48,120
Speaker 3: I didn't realize that?

918
00:41:48,440 --> 00:41:51,239
Speaker 4: So The next episode is Bob Whitey's Wife, which he

919
00:41:51,280 --> 00:41:54,839
Speaker 4: directed that episode. And then yeah, that's Aeron O'Malley, who

920
00:41:54,960 --> 00:41:58,360
Speaker 4: was an executive producer on the show and director and

921
00:41:58,440 --> 00:41:59,800
Speaker 4: one of my best friend. I was at their wedding.

922
00:42:00,080 --> 00:42:03,400
Speaker 4: Who doesn't love young people falling in love and getting married.

923
00:42:04,320 --> 00:42:05,360
Speaker 2: Then we cut to Scorsese.

924
00:42:05,400 --> 00:42:07,920
Speaker 1: He's saying, he's gonna kill me this guy, you know,

925
00:42:07,960 --> 00:42:10,000
Speaker 1: because clearly Larry is a huge pain in the ass.

926
00:42:10,400 --> 00:42:12,520
Speaker 1: And then we cut to something that I love, which

927
00:42:12,560 --> 00:42:13,439
Speaker 1: is Larry in a wig.

928
00:42:13,680 --> 00:42:15,879
Speaker 4: You should have seen that to a faceful I took

929
00:42:15,880 --> 00:42:20,800
Speaker 4: out that night. He set the pin. He said, you

930
00:42:20,800 --> 00:42:21,640
Speaker 4: don't got no call.

931
00:42:22,840 --> 00:42:25,040
Speaker 6: How do you know you don't got no call?

932
00:42:26,239 --> 00:42:30,760
Speaker 2: I said, I got called yesterday, I got called today,

933
00:42:31,440 --> 00:42:32,880
Speaker 2: and I'll have called tomorrow.

934
00:42:35,520 --> 00:42:52,400
Speaker 4: Oh ah, got it. Got And in a future episode

935
00:42:52,440 --> 00:42:55,040
Speaker 4: there's that rooftop scene within the mustache and the wig,

936
00:42:55,600 --> 00:42:56,640
Speaker 4: the Scorsese thing.

937
00:42:57,200 --> 00:42:59,960
Speaker 2: Yes, in the prior episode.

938
00:42:59,680 --> 00:43:03,720
Speaker 4: Larry doing a character with a mustache and a wig,

939
00:43:03,880 --> 00:43:06,719
Speaker 4: which would never happen except for a sketch show right

940
00:43:06,880 --> 00:43:09,560
Speaker 4: right or our show. And he plays it straight, by

941
00:43:09,600 --> 00:43:10,880
Speaker 4: the way, which there's.

942
00:43:10,719 --> 00:43:14,040
Speaker 1: Actually been several times he's been in a wig. Well, yeah,

943
00:43:14,920 --> 00:43:19,759
Speaker 1: what was There were several flashback scenes to a young

944
00:43:19,840 --> 00:43:21,840
Speaker 1: Larry and Cheryl where he was in a wig and

945
00:43:21,880 --> 00:43:24,360
Speaker 1: she had big, big care. Those are in later episodes.

946
00:43:24,520 --> 00:43:26,279
Speaker 1: So Larry is in a wig and he's playing a

947
00:43:26,280 --> 00:43:31,120
Speaker 1: gangster and then he starts gagging because the puba Care

948
00:43:31,200 --> 00:43:32,680
Speaker 1: is still stuck in his throat.

949
00:43:32,719 --> 00:43:35,520
Speaker 4: And by the way, the look on Scorsese's face because

950
00:43:35,600 --> 00:43:39,160
Speaker 4: everything is going swimmingly, it's all good. And you can

951
00:43:39,200 --> 00:43:42,920
Speaker 4: see Scorsese at that point saying, cut print it. You

952
00:43:42,920 --> 00:43:45,440
Speaker 4: know what I mean. It's beautiful Scorsese. You can see

953
00:43:45,520 --> 00:43:48,080
Speaker 4: him nodding and smiling. And then the puba Care.

954
00:43:48,400 --> 00:43:51,839
Speaker 1: Oh, dear guy owns everything, and you just know that

955
00:43:52,360 --> 00:43:55,319
Speaker 1: it's going to be for every take, every take. And

956
00:43:55,360 --> 00:43:58,319
Speaker 1: that's the episode. And we thank Chris Williams for being

957
00:43:58,320 --> 00:43:58,880
Speaker 1: here with us.

958
00:44:00,000 --> 00:44:02,400
Speaker 4: I haven't seen you for a while. It's fantastic, very happiness.

959
00:44:02,560 --> 00:44:05,680
Speaker 2: That was truly a performance of a lifetime. I thank you.

960
00:44:05,760 --> 00:44:08,840
Speaker 5: I appreciate that. It's gotten me a lot of recognition

961
00:44:08,960 --> 00:44:11,880
Speaker 5: and work. Yeah, it's got me worried. I got dodgswall

962
00:44:11,920 --> 00:44:12,320
Speaker 5: because of it.

963
00:44:12,600 --> 00:44:14,160
Speaker 2: Wow, that's great, that's great.

964
00:44:14,200 --> 00:44:15,759
Speaker 4: You're hilarious and thank you so much.

965
00:44:15,880 --> 00:44:17,640
Speaker 2: Yeah, thank you for being here.

966
00:44:17,520 --> 00:44:19,239
Speaker 4: All right. Enjoy your good looks for the rest of

967
00:44:19,280 --> 00:44:22,200
Speaker 4: the day. I will try, all right. I appreciate motherfucker.

968
00:44:22,600 --> 00:44:24,880
Speaker 4: Yeah bye, everybody.

969
00:44:32,400 --> 00:44:35,000
Speaker 2: The History of Carver Enthusiasm is a production.

970
00:44:34,760 --> 00:44:35,720
Speaker 3: Of iHeart Radio.

971
00:44:35,800 --> 00:44:37,160
Speaker 2: For more podcasts from

972
00:44:37,239 --> 00:44:41,600
Speaker 1: iHeart Radio, visit the iHeart Radio podcast or wherever you

973
00:44:41,719 --> 00:44:42,920
Speaker 1: listen to your favorite shows.