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Speaker 1: Drinks Mother Podcast. He's a legendary Queen's rapper. He's agree

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Speaker 1: that your boy. He's a Miami hip hop and pioneer

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Speaker 1: of his dj E f N. Together they drink it

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Speaker 1: up with some of the biggest players in the most

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Speaker 1: professional unprofessional podcast and yet number one source for drunk back.

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Speaker 1: New Year's time for Drink Champs. Drink Up, Motherfuck Drink

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Speaker 1: Champs Army What Up? Due to Hurricane Irma and the

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Speaker 1: effect it had on our home base of Miami, Florida,

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Speaker 1: we're hitting you this week with part one of the

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Speaker 1: best of Season two, and we want to send a

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Speaker 1: shout out to every every single one of y'all Drink

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Speaker 1: Champs Army people out there that checked up on us

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Speaker 1: during the hurricane, checked on us before the hurricane and

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Speaker 1: after the hurricane, And we also want to shut out

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Speaker 1: and send our thoughts and prayers to everybody affected by

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Speaker 1: Hurricane Irma and those still feeling Hurricane Harvey out there

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Speaker 1: in Texas. You know, make sure you you you do

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Speaker 1: what you can if you want to donate to to

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Speaker 1: the right organizations and relief efforts. Please let's support each

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Speaker 1: other and support our community and shout out to everybody

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Speaker 1: doing things out there. Also, make sure you check out

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Speaker 1: Nori's new single featuring Farrell. It's amazing Uno Mass hashtag

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Speaker 1: at hashtag Uno Mass. Whenever you do write anything on Twitter,

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Speaker 1: I G. Facebook, make sure you hashtag crazy Man, hashtag

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Speaker 1: Uno Mass, hashtag Drink Champs, and also hashtag on the

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Speaker 1: run eating the new show from Nori coming real soon,

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Speaker 1: but you know on behalf of the entire Drink Champs again.

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Speaker 1: We really appreciate you guys checking up on us, and

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Speaker 1: and we're gonna come back with a regular scheduled programming

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Speaker 1: this Thursday on Revolt TV, followed by the full audio

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Speaker 1: and full video the next week. So check out this

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Speaker 1: best of Drink Champ Season two Part one. Let's go

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Speaker 1: that was it, that was and and and then but Cannabis.

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Speaker 1: I just felt like no, because you know what, don't mean.

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Speaker 1: I noticed my nephew relaxed, relax, Why are you having me?

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Speaker 1: I want to good as already fighting song with Jamie

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Speaker 1: Fox like that any given Sunday, I've seen that, I've

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Speaker 1: seen that movie yesterday. I don't know why. This is

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Speaker 1: why God is good. I'm like I can't sleep because

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Speaker 1: you know why. I still listen, Petty Pills. Just keep

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Speaker 1: you up, Petty, I can't sleep. Let me tell you,

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Speaker 1: let me tell you. Listen. When whenever I interview an artist,

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Speaker 1: I want to give them the most respect ever, because

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Speaker 1: because hip hop should be a celebration. I sat down

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Speaker 1: with Leo Colins the other day and he said, the

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Speaker 1: reason why you're winning here doing celebration, this is going

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Speaker 1: to be you are actually celebrating it. It's don't look

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Speaker 1: at I'm looking right. And then again in Sunday it's

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Speaker 1: on my TV. So I look at it and in

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Speaker 1: mind you, I forgot I had that like two or

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Speaker 1: three songs for it, and so I'm like, oh, my

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Speaker 1: visions business. Then I'm looking and I'm like damn. And

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Speaker 1: then when you and um Jamie Fox actually interacted and

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Speaker 1: me hearing the room was I'm actually looking at it

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Speaker 1: like this is great cinema. This is a really great cinema.

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Speaker 1: This is actually now I'll tell you what happened, tell

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Speaker 1: us what happened. We don't know what really happened. You

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Speaker 1: know the real story is that I am you know,

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Speaker 1: when we were doing the scene. You know, I think

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Speaker 1: you know Jamie, although he was experienced to someone he

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Speaker 1: was still a little green. I wasn't quite as green,

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Speaker 1: but I was green too, and you know, you know,

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Speaker 1: I mean and experience, you know what I'm saying. So, um,

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Speaker 1: we were doing the scene. I was being aggressive one.

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Speaker 1: I was like, yo, you gotta, but this is character

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Speaker 1: to character. I'm like, yo, you gotta, you know, and

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Speaker 1: I'm seeing that we're talking about or he did something

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Speaker 1: like that. I didn't huddle after, and I'm like, yo,

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Speaker 1: you gotta. And I'm slapping the shoulders and this and

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Speaker 1: that and you know, yeah, okay, but he's got equipment on.

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Speaker 1: It's not like, you know, like he's got a quick

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Speaker 1: it on, you know, yo, yo yo. So he got

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Speaker 1: upset and he's like, yo, you know, stop me so

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Speaker 1: rough with me. So I was like, you know, that

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Speaker 1: didn't compute. So I don't know, tell me. Did another

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Speaker 1: take and I was rough with him again, and then

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Speaker 1: you know, I don't know why, but you know, he

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Speaker 1: thought it was a good idea to punch me in

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Speaker 1: my face. Not in the script. No, it wasn't the script. No,

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Speaker 1: this wasn't scripting. No. No, I'm keeping hunting with you.

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Speaker 1: You want me to keep it on it, keep it.

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Speaker 1: I'm gonna punched me. He punched me in my face.

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Speaker 1: So I looked at him. After he punched me on face,

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Speaker 1: I said, why did you do that? You looked that up. Yeah,

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Speaker 1: pushed me in the face. And I looked at him

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Speaker 1: and said, I would describe this scene. So I said,

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Speaker 1: I feel like I was like that. I feel like

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Speaker 1: that not quite looked. I was a little tight. I

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Speaker 1: was tight, you know, I was giving him tight. I

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Speaker 1: was tight. I was getting him. I'm like, looked at him.

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Speaker 1: I said, what do you do that? He said, um,

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Speaker 1: look and he like was turned to the side, his

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Speaker 1: helmet on. He had his helmet on. He was turned

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Speaker 1: to the side. He said, I told you before, don't

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Speaker 1: put your hands on me. Period. So yo. When he

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Speaker 1: said that, my left hand grabbed the face mask and

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Speaker 1: as I was pulling his helmet off, my right hand

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Speaker 1: was punching his ship, you know, like you know what, queen.

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Speaker 1: And then you know, he was saying there and I

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Speaker 1: was like, I thought he's faithing because he was sleep.

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Speaker 1: That's then the whole team jumped on me, right, so

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Speaker 1: they wrestle me down. You know, the whole team are

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Speaker 1: so so so I'm under the huddle and I'm like yeah, yeah,

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Speaker 1: and then somebody tries to reach it and like, give

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Speaker 1: me a little eye. Gal, somebody did that, right, so

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Speaker 1: oh yeah that was but not a the idea because

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Speaker 1: I turned my head to the side and he went

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Speaker 1: he taught us caught his hand and he's like, I

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Speaker 1: just don't give me the whole m m a thing.

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Speaker 1: Do speak a year. You're gonna give me the leg lock.

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Speaker 1: I'm whiting your sicking this like all that leg locks.

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Speaker 1: I'm gonna white the throat off me. Like, you know,

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Speaker 1: we got to get it in like this, don't rule

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Speaker 1: this out, you know, to the side, and he pulled

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Speaker 1: his hand off the thing, and then he finally broke

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Speaker 1: it up. And then and then but but since then,

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Speaker 1: me and Jamie got cool and we haven't laughed about it.

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Speaker 1: We have laughed about it. We made songs together like cool.

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Speaker 1: So I don't mind telling the story now. But you

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Speaker 1: know what it is, it's just you know, but you know,

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Speaker 1: Oliver is crazy. Oliver Stone. He had Yeah, he was

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Speaker 1: the rest actually the guy that's actually the sports announcer

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Speaker 1: in any given someding. He's actually, yes, that's in there,

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Speaker 1: and I'm living wrote He's like he's who wrote Scarf

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Speaker 1: faxa so tune. You know, he's amazing. So you know,

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Speaker 1: it was just a funny time, you know what I'm saying.

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Speaker 1: But you know that was the thing. You know, it's

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Speaker 1: just you know, Jamie, you know, he just got off,

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Speaker 1: you know, he was he was on this Willie Beamon

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Speaker 1: and I couldn't take it and all that. But like,

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Speaker 1: you know, you know, did you you know, you know,

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Speaker 1: and under the right circumstances, you might let a punch slide.

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Speaker 1: You might. I mean, you know, it's not impossible. Not

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Speaker 1: everybody's not a straight murderer all the time. Dude hits you.

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Speaker 1: Under the right circumstances, you'd be like if he would

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Speaker 1: have said to me, like you know, you know I

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Speaker 1: just said, I would have been like, you know, I

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Speaker 1: don't even know if I could have took it. Then

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Speaker 1: I take that back, Yeah I could have took it.

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Speaker 1: I couldn't. I couldn't hand because you didn't handle it,

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Speaker 1: you know, drove me insane. I would have been waking

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Speaker 1: up in the middle of the night just like he

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Speaker 1: played me like, I just couldn't take it. Yeah, yeah, yeah, yeah,

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Speaker 1: So because you even beat niggas up who broke in

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Speaker 1: your house. The niggas that broke in your house, you're

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Speaker 1: pounding them out. Yeah, I don't want to. That's that's

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Speaker 1: a rough one. Note see, because the difference with that

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Speaker 1: is that that wasn't funny because I was terrified. Oh

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Speaker 1: wor we half course? I mean you listen, man, this

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Speaker 1: one in the morning, you know, and you come down

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Speaker 1: from Mrs Callie. Why, I gotta tell you your segways

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Speaker 1: on the questions. You're very smooth and it's very effective.

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Speaker 1: You're very smooth and subtle. It's a nice thing you're

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Speaker 1: doing because you hook a scene, you get it nice,

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Speaker 1: your baby, you set it out, you tee it up,

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Speaker 1: and the next thing you know, people are talking this

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Speaker 1: money killing. That's good. That's good. That's good. Good attorney,

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Speaker 1: that's good. That's good. That's good. That is good for me.

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Speaker 1: That's im Sorry, it's very smooth. I'm so sorry. It

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Speaker 1: was amazing, like it was like it was wonderful to

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Speaker 1: watch you knowing I was saying at me too, like

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Speaker 1: but not when the dude broke in my house. The

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Speaker 1: difference is that, you know, I had fights growing up,

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Speaker 1: and we've all all of us, I'm sure everybody in

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Speaker 1: this room had fights in the hood and different things

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Speaker 1: you scraped or whatever. But but how many of us

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Speaker 1: have really four or fire lives. Maybe dudes in jail.

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Speaker 1: You might get that feeling, you know, you did a

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Speaker 1: big you feel like you're fighting for your life, fighting

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Speaker 1: for your life. Doesn't It's not the same funny feeling

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Speaker 1: like fighting, like in the whole of just you know,

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Speaker 1: let's get let's get it, you know. I'm like, you know,

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Speaker 1: I'm like like, I'm really this is for keeps, you know,

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Speaker 1: I'm gonna get it in like whatever. Only read it

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Speaker 1: on TMZ. I was. And so it was one in

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Speaker 1: the morning, and uh, you know, the the alarm pad

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Speaker 1: went off, but it's you know how you have an

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Speaker 1: alarm and like for those of who are have an alarmed,

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Speaker 1: it will give you a minute to put your colde

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Speaker 1: in it'll go. You have to turn your long off

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Speaker 1: with mine just went. And so I went to the keypad,

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Speaker 1: small sleep and I'm looking at the key pad. I'm like, um,

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Speaker 1: family room And she said family What wasn't it? And

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Speaker 1: so I'm thinking, what do you mean when when it

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Speaker 1: walks with the default is the default? I think that's

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Speaker 1: the word, so, you know, and you know, I'm in

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Speaker 1: my drawers this one in the morning. So I just said,

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Speaker 1: you know what, I'm thinking, it's like my daughter sneaking

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Speaker 1: and you know what, man, I don't know she's coming out.

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Speaker 1: I'm like, yeah, he going out of here, and see

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Speaker 1: what's happening. So I'm just walking downstairs my drawers. I

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Speaker 1: turned the lawnmolf walks downstairs, come down. And when I

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Speaker 1: was going towards the kitchen, he's coming out of the

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Speaker 1: kitchen and then we face the face and he's got

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Speaker 1: all black on. He's got a big bag, he's got

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Speaker 1: the man the lawn manson bid boots, you know, and

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Speaker 1: he's looking at black. No, he's white. He's a white dude.

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Speaker 1: Are you pounding him out at me? Oh god, oh god,

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Speaker 1: let's let's go there. Oh god. I mean, you know,

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Speaker 1: like it was freaky. It was freaky. I think, you know,

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Speaker 1: stupid mother, stupid mother, stupid mother, mother, stupid mother, mother,

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Speaker 1: stupid mother, that you're stupid mother, stupid everything you get,

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Speaker 1: every stupid mother you get, stop but everywhere. And I

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Speaker 1: was like, you know, and then I you know, I

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Speaker 1: got him down, and then it took the police wait

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Speaker 1: about you skipped how you got him down? And now

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Speaker 1: I don't want to but how we rock for a

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Speaker 1: minute and you know, hit him with that cross and

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Speaker 1: when you got your drawers on, that's some real like,

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Speaker 1: that's some real gorilla like I feel like you like

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Speaker 1: for the old school dudes. I feel like pent tech.

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Speaker 1: You have my drawers all the ship, you know, no socks.

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Speaker 1: It's like I'm swinging and ring. It's like it's made

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Speaker 1: some mind. You walking downstairs. You don't you don't know

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Speaker 1: you everybody you think yo yo, you and your draws everything,

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Speaker 1: I don't care. You and your drawers in your house

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Speaker 1: is going to get some juice drinking out of juice

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Speaker 1: mother that nobody knows you drink out of every the

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Speaker 1: same one you give to you guess, you know, you know.

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Speaker 1: And I just went down in their homes, came out

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Speaker 1: of nowhere and it was just like, you know, it

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Speaker 1: was turning. He was like, I was like, and it

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Speaker 1: just you know, we just had the rock like and

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Speaker 1: then you know, and I'll tell you the deepest thing though,

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Speaker 1: you know, this is the part that's not fun even,

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Speaker 1: is that there was a point when I had to

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Speaker 1: decide whether or not he should stay alive and him know,

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Speaker 1: when I had him subdued, because I didn't know if

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Speaker 1: he had anyone else with some dude. When I had him,

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Speaker 1: when I had control of the situation, when I had

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Speaker 1: him on the ground on his back, no, on his stomach,

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Speaker 1: finished and you know, laying there, I had to make

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Speaker 1: that decision because I didn't know if he had someone upstairs.

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Speaker 1: You know, I didn't know if people were coming from

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Speaker 1: so I had to think. I didn't have rope available,

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Speaker 1: like I'm not planning like you know, you know, L L. Madson,

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Speaker 1: Like I don't have rope rope around the house and

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Speaker 1: just in case after tire somebody, you know. So I'm

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Speaker 1: like looking at the do and I had to make

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Speaker 1: a decision, you know, you know, and I credit I

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Speaker 1: credit someone because she's like just just just wait. The

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Speaker 1: guy she's calling the cops. She got on the nine

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Speaker 1: one one. You know. I saw my daughter come down

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Speaker 1: the steps and she's like like what the drawers are

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Speaker 1: I'm like, this is freaky. And my youngest daughter slept

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Speaker 1: through the whole thing. She had a playmate, she had

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Speaker 1: a playmate or a play date, and she had you know,

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Speaker 1: somebody over the house. They slept through the whole thing,

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Speaker 1: and then her parents was the interesting thing. Her parents

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Speaker 1: called the next like that morning when we woke up,

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Speaker 1: there was like, oh you know, yeah, yeah, she can stay.

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Speaker 1: You know, it's no problem. Like if that was my

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Speaker 1: daughter like to stay, she said, she's fine. I'm like, yo,

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Speaker 1: they must be having a really good time, but I

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Speaker 1: didn't feel man BT doing a lot of things as

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Speaker 1: a matter of fact. Wednesday September at ten pm, nine

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Speaker 1: pm Central on BT, executive producer Wanda Sykes invites you

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Speaker 1: to put your judgments to good use. Face Value is

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Speaker 1: the only game show where profiling pays. Contestants are asked

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Speaker 1: hilarious questions about people purely based on their looks. When

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Speaker 1: they get them right, they get cash. It's easy. Just

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Speaker 1: when you think someone has done in particular scandalous thing

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Speaker 1: because of what's on the surface, the truth flips the

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Speaker 1: scripts on your assumptions. Prepared to laugh NonStop with the

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Speaker 1: host Di en Cole and Tiffany Hattish see just how

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Speaker 1: much we all have in common, and watch the money

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Speaker 1: stack as the stereotypes fall on your. Face Value new

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Speaker 1: series premiers Wednesday, September ten, nine Central followed by Hip

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Speaker 1: Hop Mogul and Clapback King, fifty Sketch variety series fifty Central.

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Speaker 1: Don't miss fifty Central only on BT for extras and

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Speaker 1: exclude visit BT dot Com Forward slash Face Value. BT

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Speaker 1: is bringing lyrics and laughter this fall with one of

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Speaker 1: our favorite guests, fifty Cent Wednesday September that ten thirty

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Speaker 1: pm Central on BT, hip Hop Mogul and Clapback King

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Speaker 1: Curtis fifty Cent Jackson delivers a hot remix of sketch

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Speaker 1: comedy as You Know It to BET. Fifty leads a

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Speaker 1: cast of comic upstarts every week for jaw dropping sketches

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Speaker 1: and hilarious pranks sprinkled with the same irreverence and spark

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Speaker 1: that fifty Cent brings to hip hop. His variety series,

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Speaker 1: fifty Central pushes play on games, music, hitting camera stunts,

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Speaker 1: dance battles, and celebrity cameos. For the ultimate late night party,

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Speaker 1: Make fifty Central You're late Night Comedy Destination Wednesday September

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Speaker 1: at ten thirty pm Central, right after Face Value, the

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Speaker 1: game show where Profiling pays only on BT for extras

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Speaker 1: an exclusive visit ET dot com Forward Slash fifty Central

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Speaker 1: I just me just say I didn't even want that together.

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Speaker 1: You know, it's crazy. People thought it was real. It

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00:17:10,920 --> 00:17:14,040
Speaker 1: wasn't real. People thought I was joking. So how did

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Speaker 1: this happen? I'll start beefending you see his chicken. I

290
00:17:16,640 --> 00:17:22,160
Speaker 1: never told this story, but I'm gonna tell shot. Listen, listen.

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00:17:22,200 --> 00:17:23,880
Speaker 1: Because me and partly were cool, we could we put

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Speaker 1: every that's that's going. But I gotta tell the story

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Speaker 1: to tell the story. So my nigger, I'm like, I'm

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Speaker 1: a youngster. I'm a youngster, two time world champion at

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Speaker 1: the time. I'm jumping up from thirty five, I'm jumping

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Speaker 1: up two way classes. I'm skipping one forty, I'm fighting

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Speaker 1: one forty seven and just fighting one of the champions

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Speaker 1: poly at the time. So in his hometown. So it's

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Speaker 1: the week of the fight. My little brother Robertson do

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Speaker 1: who world champion? Now my fighter as well? Um, he said,

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Speaker 1: he said it was it was. I think it was

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Speaker 1: like Sunday after we get done working out, he said,

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Speaker 1: big bro. You know, I got like his chick number

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00:18:08,840 --> 00:18:13,199
Speaker 1: off Twitter. I'm like, He's like, yeah, man, we'd be texting.

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Speaker 1: I say, give me your number right now, right then,

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Speaker 1: I hit her up. Boom boom boom. I'm I'm really

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Speaker 1: not believing it. And then she's like, yeah, I see

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Speaker 1: the pictures. I'm I'm like, oh, ship, this crazy. You

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Speaker 1: went on her Graham, You've seen the pictures. I just

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Speaker 1: went on Twitter, and Twitter told it all. So I'm like, boom.

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Speaker 1: So that. So I didn't even try the first day.

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Speaker 1: So the next day after training, this is the week

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Speaker 1: of the fight, promised to God, I'm like, bro, I'm

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Speaker 1: about to call this pitch over. Bro, she came over.

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Speaker 1: I'm like what they had to be going through summer

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Speaker 1: something many. I'm like, oh, man, she really came over.

317
00:19:05,240 --> 00:19:08,000
Speaker 1: So when she come over, buddies in the room, he

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Speaker 1: was like, I really want to see it. Did just

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Speaker 1: come over because he's been talking to her for like

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Speaker 1: a long time now, because this little bro talking about

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Speaker 1: he's been texting her for a long time now. But

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Speaker 1: he but he'd been told me, I just never paid

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Speaker 1: attention to it till then. So she come over. She

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Speaker 1: tells me how they all in love and all this

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Speaker 1: one ship. I'm like, man, that rubbed my feet, bro,

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Speaker 1: Yeah she got I'm training, yeah, getting shower, Yeah, by

327
00:19:33,600 --> 00:19:36,399
Speaker 1: my feet in the shower. No, I got out there,

328
00:19:36,840 --> 00:19:39,840
Speaker 1: I got in the shower, I got out, turned on

329
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Speaker 1: and see it. I went hip to the Netflix. So

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00:19:41,920 --> 00:19:46,639
Speaker 1: I just like when you. No, I just I just

331
00:19:46,680 --> 00:19:51,080
Speaker 1: turned on the movie. Listen when you when you went

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00:19:51,080 --> 00:19:53,199
Speaker 1: the hotel, you just hit select and then all the

333
00:19:53,240 --> 00:19:56,520
Speaker 1: movies popping. So I took it to a movie. Sherot

334
00:19:56,600 --> 00:20:00,800
Speaker 1: my feet and all this. So I'm like, man, listen, stop,

335
00:20:02,720 --> 00:20:04,560
Speaker 1: you gotta take all your clothes off back. You've been

336
00:20:04,560 --> 00:20:11,359
Speaker 1: outside like them closes, dirty, like tripping, you know, so

337
00:20:11,560 --> 00:20:18,280
Speaker 1: what's your coat? Nor even outside dirty? Class. That's a

338
00:20:18,280 --> 00:20:25,119
Speaker 1: good one. No, I'm serious. It works every time you've been,

339
00:20:26,560 --> 00:20:31,720
Speaker 1: You've been it works, so so so did she It

340
00:20:31,800 --> 00:20:35,960
Speaker 1: happened boom, So I'll wake up to the next day, buddy,

341
00:20:36,080 --> 00:20:39,280
Speaker 1: just laughing, laughing, laughing. So the next day we had

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00:20:39,320 --> 00:20:46,840
Speaker 1: the press conference because this was this was cold blood

343
00:20:47,160 --> 00:20:50,880
Speaker 1: I've seen this is so what he said that made

344
00:20:50,920 --> 00:20:52,840
Speaker 1: you want to reveal that because you could have held that,

345
00:20:53,680 --> 00:20:55,560
Speaker 1: but he he must have said something to tick you

346
00:20:55,640 --> 00:20:58,840
Speaker 1: off or didn't. You were just petty that day. See

347
00:20:58,880 --> 00:21:02,120
Speaker 1: that was I think that was the first press conference.

348
00:21:03,119 --> 00:21:04,600
Speaker 1: That was the first person. I thought it was the

349
00:21:04,640 --> 00:21:06,760
Speaker 1: second presence. It was the first. Okay, that was the

350
00:21:06,760 --> 00:21:09,000
Speaker 1: first presson. When I put on I told you Bunny

351
00:21:09,040 --> 00:21:14,919
Speaker 1: been talking to this ship and boom. That was the

352
00:21:14,920 --> 00:21:17,720
Speaker 1: first press conference. I think they revealed to the second

353
00:21:17,720 --> 00:21:20,800
Speaker 1: press conference. You reveiled to that right at the second

354
00:21:20,840 --> 00:21:23,359
Speaker 1: press conference. I didn't come in unless she came in

355
00:21:23,480 --> 00:21:29,280
Speaker 1: with me. Oh my god. So so Golden Boy, They're

356
00:21:29,280 --> 00:21:31,439
Speaker 1: going crazy. They're like everybody out there waiting on you.

357
00:21:32,119 --> 00:21:35,080
Speaker 1: So A customized that man, man, man, listen, I'm gonna

358
00:21:35,200 --> 00:21:39,240
Speaker 1: we're gonna fight anyway. So I walked away. Two minutes

359
00:21:39,280 --> 00:21:41,760
Speaker 1: later they said let her in because Paully was crying.

360
00:21:41,800 --> 00:21:47,720
Speaker 1: He was like so we walked through there, Oh my god,

361
00:21:47,800 --> 00:21:50,760
Speaker 1: and it just went crazy and everybody knew that that's

362
00:21:50,760 --> 00:22:03,919
Speaker 1: his bitch. Yes went so so like like I was

363
00:22:04,000 --> 00:22:08,000
Speaker 1: just like God was on my side, Like God because

364
00:22:08,000 --> 00:22:16,600
Speaker 1: I had to because listen, because you gotta understand, like

365
00:22:16,600 --> 00:22:20,880
Speaker 1: like like like I'm twenty three. That night we after

366
00:22:20,960 --> 00:22:23,320
Speaker 1: the gym, I'm like, I can't sleep because when I

367
00:22:23,440 --> 00:22:26,479
Speaker 1: when I get closer to the I don't sleep. So

368
00:22:26,520 --> 00:22:28,720
Speaker 1: I'm like, man, we've got to go to the club.

369
00:22:30,359 --> 00:22:33,119
Speaker 1: This is the week of the fight. It's like Wednesday,

370
00:22:33,280 --> 00:22:37,639
Speaker 1: we went to Perfections bro meek Mill there, Rick Rawls,

371
00:22:40,160 --> 00:22:42,680
Speaker 1: Danny Garcia is in there. I took her in there

372
00:22:42,720 --> 00:22:45,960
Speaker 1: with me too. We we we're partying, our party all

373
00:22:46,040 --> 00:22:55,320
Speaker 1: way up to the way. Is she fun? Yeah? Let

374
00:22:55,440 --> 00:22:58,520
Speaker 1: me wants to take somebody she's not fun? Yeah, just

375
00:22:58,560 --> 00:23:01,120
Speaker 1: do it out of malice. She she whatever? You nice,

376
00:23:02,440 --> 00:23:09,159
Speaker 1: a little extra, but she's funny. Yeah. So so you

377
00:23:09,200 --> 00:23:11,960
Speaker 1: know that fight was just crazy. Then after the winn,

378
00:23:12,119 --> 00:23:15,320
Speaker 1: you know, I just cut everything off. I never spoke

379
00:23:15,359 --> 00:23:17,760
Speaker 1: to her again. That was a good man. And know

380
00:23:17,760 --> 00:23:20,600
Speaker 1: what I'm saying. Good many So you ever thought you

381
00:23:20,600 --> 00:23:23,560
Speaker 1: you went too far, like in a press conference or

382
00:23:23,640 --> 00:23:26,040
Speaker 1: like in hyping the fight, like you know, going at somebody.

383
00:23:26,320 --> 00:23:29,040
Speaker 1: You can't say that. It's just it's just I'm just

384
00:23:29,160 --> 00:23:31,239
Speaker 1: I'm just a little I'm just a little nigger from

385
00:23:31,240 --> 00:23:34,320
Speaker 1: the West side of Cincinnati. I remember Shawn Porter, you

386
00:23:34,400 --> 00:23:36,120
Speaker 1: kind of went with his father. That was kind of ill.

387
00:23:36,640 --> 00:23:38,960
Speaker 1: I really didn't, for real, No, you kind of did.

388
00:23:41,440 --> 00:23:46,280
Speaker 1: I did not. I'm just stating. Fat man just told

389
00:23:46,359 --> 00:23:51,160
Speaker 1: you his girl looked better, he dresses better, he drive

390
00:23:51,200 --> 00:23:53,159
Speaker 1: a better car. What is you talking about? Like you

391
00:23:53,800 --> 00:23:57,000
Speaker 1: you're not fighting these rounds. You're not getting split open

392
00:23:57,000 --> 00:24:02,560
Speaker 1: bro tripping as they're giving you my checks going on,

393
00:24:03,520 --> 00:24:10,080
Speaker 1: I posted pay you, pops, you pay me. Has anybody

394
00:24:10,080 --> 00:24:12,000
Speaker 1: ever went too far with you where you was like,

395
00:24:12,040 --> 00:24:14,600
Speaker 1: I'm I forget who you did? You whipped them because

396
00:24:14,640 --> 00:24:17,320
Speaker 1: they said something I forgot. I don't know. Just the

397
00:24:17,320 --> 00:24:19,400
Speaker 1: first time you grew to bed and you had cut

398
00:24:19,440 --> 00:24:22,919
Speaker 1: it off before camp and you whipped them. I'm probably

399
00:24:23,359 --> 00:24:27,840
Speaker 1: get who it was. Damn probably Uh that was that.

400
00:24:27,840 --> 00:24:30,680
Speaker 1: That was when I was going through that may Weather thing. Huh,

401
00:24:31,119 --> 00:24:34,119
Speaker 1: and you for for him on the card. No. I

402
00:24:34,240 --> 00:24:37,159
Speaker 1: remember if somebody said something and you went in there

403
00:24:37,200 --> 00:24:40,439
Speaker 1: and you told a motherfucking asked. I think that was Perez,

404
00:24:40,480 --> 00:24:42,359
Speaker 1: But I didn't have a beard. Then I think, oh no,

405
00:24:42,440 --> 00:24:44,080
Speaker 1: I thought I didn't training camp, you had the bid

406
00:24:44,080 --> 00:24:46,280
Speaker 1: and cut it off. But all right, cool. So what's

407
00:24:46,359 --> 00:24:49,000
Speaker 1: one of your favorite boxing moments that I don't have

408
00:24:49,080 --> 00:24:51,200
Speaker 1: to be with you? Which one is just boxing period?

409
00:24:51,280 --> 00:24:54,159
Speaker 1: When it comes up? The boxing period period? Yeah? Uh,

410
00:24:58,119 --> 00:24:59,960
Speaker 1: when I think about it, I get the same feeling

411
00:25:00,040 --> 00:25:03,160
Speaker 1: bring tears when I won my first world title. Yeah,

412
00:25:03,960 --> 00:25:06,200
Speaker 1: that was just like I mean, don't get me wrong,

413
00:25:06,240 --> 00:25:10,040
Speaker 1: I feel the same every time I win one. Every

414
00:25:10,040 --> 00:25:13,719
Speaker 1: time I won one, it's like I really did it,

415
00:25:13,920 --> 00:25:16,800
Speaker 1: know what I'm saying. But my first one, it was

416
00:25:16,840 --> 00:25:20,920
Speaker 1: just like six years everything just flashed like damn from

417
00:25:21,040 --> 00:25:24,040
Speaker 1: six years old. What I'm saying, I really followed my

418
00:25:24,160 --> 00:25:26,320
Speaker 1: dream and going through it being you said, you said

419
00:25:26,320 --> 00:25:36,280
Speaker 1: fifty seven years being offered that world. But but but

420
00:25:36,320 --> 00:25:39,320
Speaker 1: that was just one right when I got When I

421
00:25:39,359 --> 00:25:42,360
Speaker 1: beat that, it was more after that. But but all

422
00:25:42,359 --> 00:25:43,560
Speaker 1: this ship is gonna be in my movie. I can't

423
00:25:43,560 --> 00:25:48,159
Speaker 1: give it to but but yeah, though, and then like

424
00:25:48,240 --> 00:25:52,359
Speaker 1: at that time, what what what happened was my mom

425
00:25:52,480 --> 00:25:56,920
Speaker 1: dropped a bomb on me. Man, she she saved a picture.

426
00:25:57,680 --> 00:25:59,560
Speaker 1: It was like a project I did. I was ten

427
00:25:59,640 --> 00:26:06,120
Speaker 1: years for my school and the last question of it

428
00:26:06,200 --> 00:26:10,960
Speaker 1: was like, uh, in ten years, um, where do you

429
00:26:11,000 --> 00:26:14,000
Speaker 1: see yourself? And I said, I'll be a world champion.

430
00:26:14,040 --> 00:26:18,359
Speaker 1: And I was a world champions. It's crazy. So yeah,

431
00:26:18,359 --> 00:26:21,000
Speaker 1: it was. Well, I'm gonna tell you as a fan

432
00:26:21,119 --> 00:26:26,640
Speaker 1: this is as a straight fan, I could see like

433
00:26:26,720 --> 00:26:30,120
Speaker 1: when when you're in that ring in the minute, this

434
00:26:30,160 --> 00:26:32,240
Speaker 1: is just how I know when you're dominating right when

435
00:26:32,240 --> 00:26:38,520
Speaker 1: you go you make them sound effects. I want like

436
00:26:38,840 --> 00:26:42,160
Speaker 1: at some point when a fight, you didn't make those sounds.

437
00:26:42,720 --> 00:26:45,399
Speaker 1: As much as I'm Haitian. No one can't tell me

438
00:26:45,440 --> 00:26:47,520
Speaker 1: I ain't not No one can't tell me I ain't African,

439
00:26:47,760 --> 00:26:49,600
Speaker 1: because you know, if I if I started to play

440
00:26:49,640 --> 00:26:52,119
Speaker 1: SUSA or Caribbean, if you close your eyes and I

441
00:26:52,119 --> 00:26:54,440
Speaker 1: start to play piano, so you'll be thinking of from Cuba.

442
00:26:54,600 --> 00:26:56,840
Speaker 1: Because for me, no one could, Okay, dope me, Like

443
00:26:56,920 --> 00:26:58,960
Speaker 1: at the end of the day, we want people, they

444
00:26:59,040 --> 00:27:01,679
Speaker 1: separate us whatever. But for me, it's like, I know,

445
00:27:01,720 --> 00:27:04,080
Speaker 1: I got family from Cuba, from Jamaica, whatever, you know

446
00:27:04,119 --> 00:27:07,760
Speaker 1: what I mean, we all exactly we're connected by them, drum.

447
00:27:07,840 --> 00:27:09,879
Speaker 1: So that's that's how it went happened. Man, So let

448
00:27:09,920 --> 00:27:13,720
Speaker 1: me ask you something. You the Shakira call now that

449
00:27:13,760 --> 00:27:20,280
Speaker 1: you're just cool, but like that I still got call.

450
00:27:21,040 --> 00:27:24,280
Speaker 1: But so you're saying you got the call on Santana

451
00:27:24,400 --> 00:27:27,880
Speaker 1: call prior that that that record came prior For some reason,

452
00:27:27,920 --> 00:27:29,840
Speaker 1: I thought she Kara came first. Yeah, no, you know

453
00:27:29,840 --> 00:27:32,200
Speaker 1: at the Santana. Remember I did Santana and I did

454
00:27:32,200 --> 00:27:37,560
Speaker 1: Whitney Houston. God you did what yeah I did. I'm

455
00:27:37,600 --> 00:27:42,920
Speaker 1: doing that rope. My love is your love. Your love

456
00:27:42,520 --> 00:27:51,399
Speaker 1: I don't forget it would take Yeah, I hope never

457
00:27:50,840 --> 00:28:00,920
Speaker 1: did you. So it's super now now, now here's the

458
00:28:00,960 --> 00:28:04,400
Speaker 1: reason why Carlo Santana for artists like us, right, it's

459
00:28:04,480 --> 00:28:08,920
Speaker 1: super like special because Carlos doesn't sing. All he does

460
00:28:08,960 --> 00:28:12,720
Speaker 1: this is me. I'm sorry, I mad come on, that's me.

461
00:28:12,840 --> 00:28:19,120
Speaker 1: That's me. So um so called Santana traditionally doesn't actually

462
00:28:19,280 --> 00:28:22,040
Speaker 1: sing on the record. He actually tried to compose. So

463
00:28:22,080 --> 00:28:25,440
Speaker 1: when Carlos called you, what was your very first thought?

464
00:28:25,440 --> 00:28:27,960
Speaker 1: First though? Did you think it was Carlos Santana or

465
00:28:28,000 --> 00:28:30,200
Speaker 1: you knew because you was that big? You know. The

466
00:28:30,640 --> 00:28:34,040
Speaker 1: way that they happened, it happened through Clive Davis. So

467
00:28:34,160 --> 00:28:41,680
Speaker 1: Clive is like, just then from flat like, you'll stop clapping.

468
00:28:41,720 --> 00:28:46,000
Speaker 1: You can't be around here if I clap your clap

469
00:28:50,120 --> 00:28:56,440
Speaker 1: step in the building ahead. So Cloud from Flatbush calls here. Yeah,

470
00:28:56,440 --> 00:28:59,280
Speaker 1: so Cloud from flat bushit me. You know, he gave

471
00:28:59,320 --> 00:29:02,320
Speaker 1: you the big godfather talk, you know, and the talk

472
00:29:02,480 --> 00:29:08,120
Speaker 1: is like, yo, white cleft. I know, by the way,

473
00:29:08,200 --> 00:29:13,880
Speaker 1: I don't study jazz. And I've been thinking, what do

474
00:29:13,920 --> 00:29:17,360
Speaker 1: you think about the fusion with Carlo Sun Turner, And

475
00:29:17,400 --> 00:29:19,560
Speaker 1: I was like, yo, I love Carlo Santana he's on

476
00:29:19,600 --> 00:29:22,200
Speaker 1: Arista at the time, and then you know, and then

477
00:29:22,240 --> 00:29:25,200
Speaker 1: Clive then he gonna hit you with that pressure. He's like, okay,

478
00:29:25,280 --> 00:29:29,479
Speaker 1: you have twenty four hours. So basically, so when I

479
00:29:29,520 --> 00:29:32,600
Speaker 1: do these records, though, it's like all of my records

480
00:29:32,640 --> 00:29:35,600
Speaker 1: got schemes in the man, like, you know what I mean,

481
00:29:35,640 --> 00:29:38,520
Speaker 1: I break down the fundamentals, you know, saying hip hop

482
00:29:38,600 --> 00:29:41,400
Speaker 1: is one of my schemes. But growing up in the hood,

483
00:29:41,440 --> 00:29:43,560
Speaker 1: I used to escape, and I used to scape and

484
00:29:43,600 --> 00:29:45,680
Speaker 1: watch movies. One movie I used to watch his West

485
00:29:45,720 --> 00:29:49,160
Speaker 1: Side Story, And West Side Story is a deep story. Man,

486
00:29:49,680 --> 00:29:52,000
Speaker 1: It's about like gun culture, you know what I mean,

487
00:29:52,080 --> 00:29:55,560
Speaker 1: gang culture, clash culture and um. And then remember West

488
00:29:55,560 --> 00:30:04,640
Speaker 1: Side Story. The girl name was Maria. Maria, Maria says story.

489
00:30:29,960 --> 00:30:33,240
Speaker 1: What happened to product him be? Man, that's a good question.

490
00:30:33,400 --> 00:30:37,400
Speaker 1: So the guys that yeah, don't gonna be finished. Yeah,

491
00:30:37,440 --> 00:30:43,760
Speaker 1: but don't finish it. We never knew who they was

492
00:30:43,800 --> 00:30:48,080
Speaker 1: from the beginning. No, no, you know what. So so

493
00:30:48,200 --> 00:30:51,800
Speaker 1: one thing that you said, which is um, is how

494
00:30:51,880 --> 00:30:56,280
Speaker 1: the records are put together. Right, So from a composer aspect, right,

495
00:30:56,560 --> 00:30:58,640
Speaker 1: the first thing I'm gonna do is I'm going to say,

496
00:30:59,400 --> 00:31:03,040
Speaker 1: who can sing this? Right? So I was obsessed with

497
00:31:03,120 --> 00:31:09,480
Speaker 1: David Ruffins. So product GMB from from from from Long Island,

498
00:31:10,040 --> 00:31:14,800
Speaker 1: respect kids, money harm had that vocal where it was like, yo,

499
00:31:14,880 --> 00:31:17,040
Speaker 1: he just had because I needed somebody. Like you said,

500
00:31:17,240 --> 00:31:22,840
Speaker 1: Santana ain't a singer. He's an instrumental cologne like Willie

501
00:31:22,880 --> 00:31:33,600
Speaker 1: Cologne in Puerto Rico. Willie Cologne only plays instruments, correct, Yeah,

502
00:31:27,520 --> 00:31:37,840
Speaker 1: and was a singer. But so that's what called So

503
00:31:37,880 --> 00:31:45,360
Speaker 1: I had to put the whole Yeah, no, that's dope

504
00:31:45,360 --> 00:31:48,760
Speaker 1: what you said. So to your point, So as a composer,

505
00:31:48,840 --> 00:31:52,560
Speaker 1: this this is where you know, reality has to always

506
00:31:52,960 --> 00:31:55,160
Speaker 1: How I'm able to do this over and over again,

507
00:31:55,520 --> 00:31:59,120
Speaker 1: it's because my background is like I'm a hip hop up,

508
00:31:59,120 --> 00:32:01,960
Speaker 1: but I'm a jazz need you like I love jazz,

509
00:32:02,000 --> 00:32:04,920
Speaker 1: So jazz is based on the composition. So I got

510
00:32:04,920 --> 00:32:07,080
Speaker 1: to set the scheme up. So there's a few schemes

511
00:32:07,120 --> 00:32:10,160
Speaker 1: on that record. The other scheme is I'm a big

512
00:32:10,200 --> 00:32:16,640
Speaker 1: fan of Wu Tang clan angle and that whole record.

513
00:32:17,400 --> 00:32:19,880
Speaker 1: Did y'all hear the part that was that sounded like

514
00:32:19,920 --> 00:32:25,280
Speaker 1: Wu Tang No? Okay, So I'm gonna grab my guitar.

515
00:32:26,320 --> 00:32:30,080
Speaker 1: This is a different type of We got niggas with

516
00:32:30,120 --> 00:32:39,719
Speaker 1: guitars and Hardship's a Haiti day, say your day. I'm

517
00:32:39,760 --> 00:32:48,040
Speaker 1: not gonna Yeah, everybody be quiet, everybody be quiet, please

518
00:32:48,080 --> 00:32:51,520
Speaker 1: walk continue. Yeah, so this is what we're going to

519
00:32:51,720 --> 00:32:54,000
Speaker 1: producing one on one vibe. We don't going to play

520
00:32:54,040 --> 00:33:01,440
Speaker 1: this or nothing right now. It reaching music Claret man,

521
00:33:01,480 --> 00:33:08,440
Speaker 1: I hone it. Yeah, we go right, so check it out.

522
00:33:08,480 --> 00:33:11,800
Speaker 1: So so when I'm composing, right, So the first part

523
00:33:11,840 --> 00:33:25,400
Speaker 1: we composed was work right. So that was the first

524
00:33:25,480 --> 00:33:30,560
Speaker 1: zone and they all feel so. So then when we

525
00:33:30,600 --> 00:33:33,280
Speaker 1: said Wu tang clan, ain't nothing the funk with so

526
00:33:33,320 --> 00:33:36,240
Speaker 1: one of the things I thought the public would identify

527
00:33:36,360 --> 00:33:40,000
Speaker 1: with Santana as an instrumentalists, right this where the Haitian

528
00:33:40,080 --> 00:33:43,440
Speaker 1: comes out, somebody who plays the instruments. I was like,

529
00:33:43,480 --> 00:33:46,360
Speaker 1: what if I could take this this rise a scheme,

530
00:33:49,400 --> 00:34:04,800
Speaker 1: So what if ain't ain't giving them my hip car

531
00:34:05,080 --> 00:34:12,239
Speaker 1: hip hop car for one day? So when we said, um,

532
00:34:12,360 --> 00:34:19,960
Speaker 1: we said I'm playing by car Lott, Santana did up

533
00:34:20,000 --> 00:34:22,719
Speaker 1: in the record. Yeah yeah, So my whole vibes being

534
00:34:22,719 --> 00:34:25,080
Speaker 1: about the matchups. As a hip hop student, you know

535
00:34:25,120 --> 00:34:27,879
Speaker 1: what I mean, I consider myself a hip hop guitarist first,

536
00:34:28,320 --> 00:34:30,920
Speaker 1: so so I think a lot of the records, like

537
00:34:31,000 --> 00:34:35,000
Speaker 1: I always pay tribute too. So that fusion came out

538
00:34:35,080 --> 00:34:37,239
Speaker 1: like that because of you know what I mean, like

539
00:34:37,280 --> 00:34:40,680
Speaker 1: when when and so that scale sounds like woutang, but

540
00:34:40,719 --> 00:34:44,200
Speaker 1: it's originally a gypsy scale. So Santana is the king

541
00:34:44,239 --> 00:34:46,520
Speaker 1: of that gypsy scale. So at the end of the day,

542
00:34:46,560 --> 00:34:49,279
Speaker 1: even though Rizzle would bring it back in a different form.

543
00:34:49,360 --> 00:34:51,440
Speaker 1: So for me, that it all boils down to the

544
00:34:51,440 --> 00:34:55,719
Speaker 1: basic science. You're there. Yeah, so l wait, but did

545
00:34:55,719 --> 00:34:58,600
Speaker 1: that science translate to the to the new Cali record?

546
00:34:59,280 --> 00:35:04,400
Speaker 1: So so so, so go back to that question. We

547
00:35:04,440 --> 00:35:06,800
Speaker 1: can stay in the record. You're right, yeah, um wild

548
00:35:06,840 --> 00:35:11,360
Speaker 1: thoughts Rihanna, Yeah, DoD they clear that record with you, Yeah, definitely,

549
00:35:11,480 --> 00:35:17,120
Speaker 1: So so Cold who I've known, Man, we're all good. Yeah,

550
00:35:17,160 --> 00:35:19,399
Speaker 1: so we we you know, I go back with Color,

551
00:35:19,560 --> 00:35:23,080
Speaker 1: that's like brother to brother together. Well yeah, that's how

552
00:35:23,120 --> 00:35:29,040
Speaker 1: far back with yeah. Yeah, and then like people don't

553
00:35:29,040 --> 00:35:32,840
Speaker 1: even know like I used to like clash like dub plates,

554
00:35:32,840 --> 00:35:34,640
Speaker 1: so I used to this is there's a part of

555
00:35:34,640 --> 00:35:38,680
Speaker 1: me like in Miami in the early days with Cold. Yeah.

556
00:35:38,760 --> 00:35:41,319
Speaker 1: So dudes don't even know, like I could show up

557
00:35:41,360 --> 00:35:45,120
Speaker 1: with a crate and murder the place. So so for me. Um,

558
00:35:45,160 --> 00:35:47,280
Speaker 1: So I get the call from from my brother Cold

559
00:35:47,719 --> 00:35:51,319
Speaker 1: and he's like, yo, this this one seemed like it's

560
00:35:51,440 --> 00:35:53,960
Speaker 1: this this cleft. You don't understand. This is gonna be

561
00:35:54,000 --> 00:35:57,319
Speaker 1: the biggest one and boom boom boom boom. Um. So

562
00:35:57,360 --> 00:35:59,840
Speaker 1: we need to get Santana to you know, to clear it.

563
00:35:59,840 --> 00:36:02,319
Speaker 1: On his part. Um, I know you in Santana did

564
00:36:02,320 --> 00:36:06,480
Speaker 1: the record. So I called up Madeline Nelson, my CEO. Um,

565
00:36:06,719 --> 00:36:11,000
Speaker 1: she got Santana and Santana's like my godfather. So Santana

566
00:36:11,040 --> 00:36:13,440
Speaker 1: cleared it. Now, this is what I love most about that.

567
00:36:13,800 --> 00:36:17,080
Speaker 1: I remember when I was doing killing me softly with

568
00:36:17,120 --> 00:36:22,520
Speaker 1: the Fuji's killing one time two times, and then her

569
00:36:22,560 --> 00:36:26,640
Speaker 1: reality struck me after I did that record, because the

570
00:36:26,680 --> 00:36:29,960
Speaker 1: record blew up like crazy. And after the record blew up,

571
00:36:30,360 --> 00:36:35,000
Speaker 1: I was like, damn, we just made somebody a gazillion

572
00:36:35,120 --> 00:36:38,720
Speaker 1: dollars of publishing because I didn't know how that worked

573
00:36:38,760 --> 00:36:42,359
Speaker 1: because you clear it. But at the end of the day,

574
00:36:42,440 --> 00:36:46,360
Speaker 1: so it just it's a beautiful thing to be in

575
00:36:46,440 --> 00:36:50,799
Speaker 1: two thousand and seventeen to hear the new generation sampling

576
00:36:51,040 --> 00:36:54,279
Speaker 1: either the Fuji's or music by why Cleft is incredible man.

577
00:36:54,360 --> 00:36:59,960
Speaker 1: So he directly sampled, you know. That's that's the way

578
00:37:00,719 --> 00:37:04,799
Speaker 1: I just want to But yeah, and the just was

579
00:37:04,840 --> 00:37:12,520
Speaker 1: at the guitar. That's a guitar was so basically when

580
00:37:12,520 --> 00:37:15,160
Speaker 1: you hear this, so so the whole group is this

581
00:37:23,719 --> 00:37:32,000
Speaker 1: for some reason. But it's a foundation. So a lot

582
00:37:32,040 --> 00:37:34,120
Speaker 1: of the foundations. That's how we create them, you know

583
00:37:34,160 --> 00:37:37,720
Speaker 1: what I mean. But that's how that want to happen.

584
00:37:37,960 --> 00:37:41,440
Speaker 1: So from there, like I said, so um, Clive Davis

585
00:37:41,520 --> 00:37:43,320
Speaker 1: knew I had the Latin pulse with me, you know

586
00:37:43,320 --> 00:37:46,080
Speaker 1: what I mean? And I go back so far. This

587
00:37:46,120 --> 00:37:50,799
Speaker 1: is why I be crediting like you pun like you

588
00:37:50,840 --> 00:37:53,520
Speaker 1: don't know, Like I go back back with the music

589
00:37:53,560 --> 00:37:56,680
Speaker 1: as a as a student. I go so far back, right,

590
00:37:57,040 --> 00:38:01,920
Speaker 1: I go back to Evie Queen. So one of my reporter,

591
00:38:01,960 --> 00:38:09,040
Speaker 1: we can somebody's walk up. That's what through out there

592
00:38:09,239 --> 00:38:11,879
Speaker 1: we had sting raised, sting raised on hunting thirty second

593
00:38:11,920 --> 00:38:15,680
Speaker 1: and what fifth have no sting raised. In case you

594
00:38:15,719 --> 00:38:17,920
Speaker 1: guys don't know, they've got to rock coolatta they got

595
00:38:17,920 --> 00:38:20,040
Speaker 1: the del Leon is the best to killing in the world.

596
00:38:20,280 --> 00:38:22,479
Speaker 1: And you know they got wack left and the drink

597
00:38:22,560 --> 00:38:27,040
Speaker 1: champions in an event and everybody here. That's why you

598
00:38:27,080 --> 00:38:29,239
Speaker 1: know what I'm saying, don't forget Sting Raised come see us.

599
00:38:29,600 --> 00:38:32,680
Speaker 1: The owner got a cowboy hat on. We got we

600
00:38:32,760 --> 00:38:37,480
Speaker 1: gott he will kick you with his boo. Guess what

601
00:38:38,080 --> 00:38:41,640
Speaker 1: and guess what he's We are also leasing a horse

602
00:38:42,000 --> 00:38:45,040
Speaker 1: very soon. Bring your kids. You have a dunkey in

603
00:38:45,080 --> 00:38:48,720
Speaker 1: the front and back. Let's do it. Sting Rays hunting

604
00:38:48,719 --> 00:38:57,000
Speaker 1: for the second up town. Yeah, now what was at

605
00:38:57,200 --> 00:38:59,840
Speaker 1: we we we we we Sam. I was ready to

606
00:38:59,840 --> 00:39:04,279
Speaker 1: go somewhere else just to remind us coming back. We

607
00:39:04,400 --> 00:39:07,480
Speaker 1: come back to that. Okay, listen, you gotta relax. This

608
00:39:07,520 --> 00:39:10,600
Speaker 1: is where I want to go. L L and Cannabis

609
00:39:10,640 --> 00:39:20,120
Speaker 1: has a problem. Yeah, you big Cannabis respected your decision,

610
00:39:21,080 --> 00:39:28,520
Speaker 1: but I knew you wasn't gonna win. Because what was

611
00:39:28,560 --> 00:39:31,040
Speaker 1: that moment when you realized, because you know, we all

612
00:39:31,080 --> 00:39:33,719
Speaker 1: have to go through it. We all thought everybody like

613
00:39:33,760 --> 00:39:35,880
Speaker 1: the rappers is who we think they are, who they

614
00:39:35,920 --> 00:39:42,839
Speaker 1: told about that moment when you was like this is oh,

615
00:39:42,920 --> 00:39:47,759
Speaker 1: it was very okay. Whatever you want to see, you

616
00:39:47,960 --> 00:39:51,719
Speaker 1: you got mad. Imagine just to be like realistically, I

617
00:39:51,760 --> 00:39:53,920
Speaker 1: came into this industry like thinking like a dude, Like

618
00:39:53,960 --> 00:39:55,880
Speaker 1: I came around the guys. It's trick daddy that is

619
00:39:56,000 --> 00:39:59,720
Speaker 1: CEO and money Mark and I told my boy Rossau.

620
00:39:59,800 --> 00:40:02,280
Speaker 1: So it's like I got like all guys. So imagine

621
00:40:02,280 --> 00:40:06,359
Speaker 1: I'm the only girl. These guys are mad, annoying, they

622
00:40:06,360 --> 00:40:08,160
Speaker 1: are mad, and I'm just like the sister and I'm

623
00:40:08,200 --> 00:40:17,560
Speaker 1: just thinking like as a girl, and I'm thinking, imagine me,

624
00:40:17,640 --> 00:40:19,920
Speaker 1: I'm thinking from the girl and the guy in and

625
00:40:20,440 --> 00:40:23,200
Speaker 1: as a girl. Type of chicks? Are these that stoop

626
00:40:23,360 --> 00:40:25,360
Speaker 1: so low to be jumping around from one to the

627
00:40:25,440 --> 00:40:33,879
Speaker 1: nick from the Caribbean. Of course you want papers. I'm

628
00:40:33,920 --> 00:40:36,440
Speaker 1: so sorry. I wasn't a gentleman at all. I was.

629
00:40:37,840 --> 00:40:40,719
Speaker 1: I'm sorry. Look at that check it right. I'm listening.

630
00:40:40,960 --> 00:40:43,439
Speaker 1: So now here we go. These are the guys because

631
00:40:43,480 --> 00:40:53,880
Speaker 1: the women we celebrate your So now from the guy's perspective,

632
00:40:53,880 --> 00:40:56,040
Speaker 1: these are my guys. But these are the guys that's

633
00:40:56,040 --> 00:40:58,400
Speaker 1: taking advice from me. All these girls are here these

634
00:40:58,400 --> 00:40:59,960
Speaker 1: hotels to see you guys because of me. They think

635
00:41:00,000 --> 00:41:02,120
Speaker 1: I'm gonna be here. So I'm debate, I'm the reason

636
00:41:02,120 --> 00:41:03,880
Speaker 1: you guys came. We're gonna see treating you are, We're

637
00:41:03,880 --> 00:41:06,600
Speaker 1: gonna come. But now when Trina is not here, it's

638
00:41:06,640 --> 00:41:08,960
Speaker 1: just the guys. What do you guy? What are you

639
00:41:09,040 --> 00:41:11,120
Speaker 1: girls like? What are you guys like? What's going on?

640
00:41:11,200 --> 00:41:14,000
Speaker 1: Like I des me, my girls would never be there.

641
00:41:14,360 --> 00:41:16,640
Speaker 1: We don't roll like that. Because you said something on

642
00:41:16,680 --> 00:41:24,080
Speaker 1: their and all the girls was on you said, I

643
00:41:24,120 --> 00:41:25,919
Speaker 1: come from a bunch of girls. My friends started dancing

644
00:41:26,080 --> 00:41:27,800
Speaker 1: all over the place. I come from the streets with

645
00:41:27,920 --> 00:41:30,399
Speaker 1: as real girls. I saw so much stuff growing up

646
00:41:31,880 --> 00:41:34,799
Speaker 1: right next to me, so many girls, so grounded and

647
00:41:34,880 --> 00:41:38,680
Speaker 1: humble to where I like my bitches, attack team whoever

648
00:41:38,840 --> 00:41:40,600
Speaker 1: and run surface around. These dudes grabbed the bag and

649
00:41:40,640 --> 00:41:43,480
Speaker 1: keep it moving. So this is real facts. So when

650
00:41:43,520 --> 00:41:45,880
Speaker 1: it comes to this industry, these dudes are like lane

651
00:41:46,400 --> 00:41:48,720
Speaker 1: because like, if I see these girls on y'all, it's over.

652
00:41:49,280 --> 00:41:52,480
Speaker 1: So I'm just a humble piece of fine because I'm

653
00:41:52,520 --> 00:41:54,560
Speaker 1: already coming from a good place, a good family. More

654
00:41:54,680 --> 00:41:56,879
Speaker 1: like I'm not. I didn't come into this like it's

655
00:41:56,880 --> 00:41:58,920
Speaker 1: a real thing. People come in to this and make money.

656
00:41:58,920 --> 00:42:02,520
Speaker 1: Of course, it's the life change, Like you turned from

657
00:42:02,680 --> 00:42:05,960
Speaker 1: one life to like a different life. But my purpose

658
00:42:06,040 --> 00:42:08,280
Speaker 1: wasn't like pushing CDs, are coming in to get money.

659
00:42:08,400 --> 00:42:09,880
Speaker 1: I'm doing a faith for Trick now I'm coming. I

660
00:42:10,480 --> 00:42:12,680
Speaker 1: was really struck because of the fame, because girls was

661
00:42:12,719 --> 00:42:14,680
Speaker 1: like going crazy loved me. They were saying every word

662
00:42:14,680 --> 00:42:16,600
Speaker 1: of everything that I say. And these are my homegirls

663
00:42:16,600 --> 00:42:18,440
Speaker 1: that are wild and bustled, wide open and their loose

664
00:42:18,480 --> 00:42:19,960
Speaker 1: and this is their life and out right here and

665
00:42:20,000 --> 00:42:22,239
Speaker 1: saying And I'm just confused that every word I'm saying,

666
00:42:22,239 --> 00:42:25,000
Speaker 1: you girls are saying it like even I'm not saying nothing.

667
00:42:25,040 --> 00:42:27,840
Speaker 1: It's a beautiful. And I'm watching some of these girls

668
00:42:27,920 --> 00:42:30,200
Speaker 1: like react in a way in the lyrics. But to

669
00:42:30,280 --> 00:42:32,319
Speaker 1: these guys like Trick Ross these money, I'm a girl.

670
00:42:32,320 --> 00:42:34,319
Speaker 1: I wouldn't even I wouldn't even y'all could never even

671
00:42:34,360 --> 00:42:36,439
Speaker 1: convince me to come to the hostel with child. That's

672
00:42:36,440 --> 00:42:38,239
Speaker 1: just how That's how far I am. So I'm looking

673
00:42:38,280 --> 00:42:40,320
Speaker 1: at it in different ways. I'm from the guy's perspative

674
00:42:40,320 --> 00:42:43,000
Speaker 1: and a girl's perspective. But I'm putting game on these guys.

675
00:42:43,040 --> 00:42:45,000
Speaker 1: I'm look at these girls like I'm still doing these

676
00:42:45,000 --> 00:42:46,879
Speaker 1: records now I gotta put I gotta do my album

677
00:42:46,920 --> 00:42:49,200
Speaker 1: to put you all on game, Like how to do

678
00:42:49,280 --> 00:42:52,960
Speaker 1: get what's game like, don't get played, don't sell yourself short,

679
00:42:53,040 --> 00:43:00,160
Speaker 1: don't sell them for anything that watching that and I

680
00:43:00,280 --> 00:43:02,799
Speaker 1: not watching this. I'm saying when I'm now, I'm on

681
00:43:02,880 --> 00:43:05,120
Speaker 1: the roll with Trick, but I gotta prepare my album,

682
00:43:05,680 --> 00:43:07,719
Speaker 1: and now in my album, when I'm in my room

683
00:43:07,719 --> 00:43:09,920
Speaker 1: and I'm in my zone, I'm gonna put girls on

684
00:43:09,920 --> 00:43:12,920
Speaker 1: a game because what I'm saying happening. I don't roll

685
00:43:13,040 --> 00:43:14,719
Speaker 1: like that. My girls be from Miami, from the three

686
00:43:14,800 --> 00:43:17,279
Speaker 1: or five, We're gonna play them kind of games like

687
00:43:17,400 --> 00:43:19,239
Speaker 1: we we looked dead in the We don't play them

688
00:43:19,320 --> 00:43:21,239
Speaker 1: kind of games like you you already lost when you

689
00:43:21,320 --> 00:43:23,040
Speaker 1: hit the dough. They don't even play with you. Once

690
00:43:23,080 --> 00:43:25,040
Speaker 1: you and they sit in, they in the phase, they

691
00:43:25,080 --> 00:43:27,279
Speaker 1: already won. So I'm trying to figure out what all

692
00:43:27,320 --> 00:43:29,640
Speaker 1: out of country these girls are like Lane, like I

693
00:43:29,640 --> 00:43:32,160
Speaker 1: could run the whole school of girls and like to

694
00:43:32,360 --> 00:43:34,799
Speaker 1: run over the industry everything the sports worlder like get

695
00:43:34,840 --> 00:43:37,840
Speaker 1: the bags and go to me. I'm just saying so

696
00:43:38,960 --> 00:43:46,000
Speaker 1: like I just was trying to understand, like because I

697
00:43:46,040 --> 00:43:49,480
Speaker 1: come up from a family, like I'm like a little protected,

698
00:43:49,560 --> 00:43:51,279
Speaker 1: Like my dad is like a boss. He's a dude.

699
00:43:51,280 --> 00:43:53,359
Speaker 1: In the streets getting the bag. So even the street

700
00:43:53,400 --> 00:43:55,399
Speaker 1: dude that's getting money, they can't touching. They scared because

701
00:43:55,400 --> 00:43:58,640
Speaker 1: they're scared of my dad, my stepdad. So I'm untouchable.

702
00:43:59,400 --> 00:44:02,680
Speaker 1: So now I'm already I'm in a household for the bosses.

703
00:44:03,080 --> 00:44:06,239
Speaker 1: Now when I see street dudes, yeah, y'all can't tell

704
00:44:06,239 --> 00:44:09,160
Speaker 1: me that. I'm running circles around in this already. So

705
00:44:09,200 --> 00:44:11,560
Speaker 1: now what are you gonna come like? It gotta you

706
00:44:11,560 --> 00:44:13,279
Speaker 1: feel me. So I'm already thinking like a dude, because

707
00:44:13,280 --> 00:44:15,839
Speaker 1: I come from this. I'm around now these dudes. Trick

708
00:44:15,960 --> 00:44:18,719
Speaker 1: is a loose cannon on the row. Ross is just

709
00:44:18,840 --> 00:44:20,640
Speaker 1: a boss. He's a fat boy, but he's on He's

710
00:44:20,640 --> 00:44:22,879
Speaker 1: so swaggy, and he got to talk so he could

711
00:44:22,920 --> 00:44:25,319
Speaker 1: get he could say whatever they're gonna CEO and money.

712
00:44:25,320 --> 00:44:27,080
Speaker 1: Mark is a cute dude, So the girl's gonna just

713
00:44:27,360 --> 00:44:30,040
Speaker 1: I'm looking at these girls like bro, like on the

714
00:44:30,160 --> 00:44:33,880
Speaker 1: whole pimp school, I can get you all. Now, I

715
00:44:33,920 --> 00:44:36,840
Speaker 1: was trying to see why was girls really like excited

716
00:44:36,920 --> 00:44:39,799
Speaker 1: to like jump out of our concert and go back

717
00:44:39,840 --> 00:44:42,120
Speaker 1: with Trick Ross and the group of Yeah, like I

718
00:44:42,120 --> 00:44:43,759
Speaker 1: didn't get that because that's not not how me and

719
00:44:43,800 --> 00:44:46,480
Speaker 1: my girl's back from Miami. Role we're not on that.

720
00:44:46,719 --> 00:44:50,000
Speaker 1: So I'm trying to figure like like that part up,

721
00:44:50,080 --> 00:44:57,640
Speaker 1: let's let's let that continue to happen. But imagine stop

722
00:44:59,800 --> 00:45:02,239
Speaker 1: like that though. So I'm a girl, so I'm thinking

723
00:45:02,239 --> 00:45:03,640
Speaker 1: like these dude, I'm looking at some of these girls

724
00:45:03,680 --> 00:45:06,160
Speaker 1: like yore you pretty, you so fly, like you should

725
00:45:06,200 --> 00:45:11,280
Speaker 1: come to Miami, like wave you up like your boys,

726
00:45:14,239 --> 00:45:19,040
Speaker 1: like come on. I was just trying to put a

727
00:45:19,080 --> 00:45:21,560
Speaker 1: game on from the beginning. So that's why when I

728
00:45:21,560 --> 00:45:23,359
Speaker 1: did my album, it was more like putting women up

729
00:45:23,360 --> 00:45:24,839
Speaker 1: on game. I try to get the bag. How did

730
00:45:24,920 --> 00:45:26,920
Speaker 1: your money save up? Get your you know, get your

731
00:45:26,920 --> 00:45:29,080
Speaker 1: weight up, like don't depend on nothing. That's how I

732
00:45:29,280 --> 00:45:31,200
Speaker 1: because I peeped it from my dude, like these my brothers.

733
00:45:31,239 --> 00:45:33,160
Speaker 1: I'm watching you guys. You guys like even much fly,

734
00:45:33,280 --> 00:45:36,399
Speaker 1: like y'all don't even have motion on y'all, y'all look

735
00:45:36,400 --> 00:45:38,839
Speaker 1: a little as to the chicks like come on, like

736
00:45:39,239 --> 00:45:40,880
Speaker 1: you see me, I'm a check. So I'm trying to

737
00:45:40,920 --> 00:45:43,600
Speaker 1: like I'm trying to figure what's really good. So I'm

738
00:45:43,640 --> 00:45:45,360
Speaker 1: just you know, I was in the middle of both,

739
00:45:45,480 --> 00:45:47,880
Speaker 1: like you know, I was trying to almost me, but

740
00:45:47,920 --> 00:45:50,799
Speaker 1: I was protected from them. Dudes couldn't get next to me.

741
00:45:51,200 --> 00:45:53,920
Speaker 1: And I'm just like, dude, lame, like I even want you.

742
00:45:54,320 --> 00:45:56,160
Speaker 1: And these other dudes trying to get through y'all to me,

743
00:45:56,320 --> 00:45:58,560
Speaker 1: they definitely ain't gonna get through. And I'm looking at

744
00:45:58,560 --> 00:46:01,440
Speaker 1: all y'all, these girls far y'all really like I need

745
00:46:01,440 --> 00:46:03,560
Speaker 1: to teach a whole roll of school of like how

746
00:46:03,600 --> 00:46:08,360
Speaker 1: to get it. That's what I was thinking, you know,

747
00:46:09,480 --> 00:46:13,319
Speaker 1: So now I have to act. Now it's not it's

748
00:46:13,360 --> 00:46:16,680
Speaker 1: training a single or training is happy and love and

749
00:46:16,760 --> 00:46:20,080
Speaker 1: like just living her life to the fullest, like and

750
00:46:20,160 --> 00:46:22,440
Speaker 1: on the islands, you know, like you know, just shooting,

751
00:46:22,640 --> 00:46:24,480
Speaker 1: you know, that's what I like to do. I'm a

752
00:46:24,560 --> 00:46:27,320
Speaker 1: love lover. I love love. I believe in love. I

753
00:46:27,320 --> 00:46:29,359
Speaker 1: believe people should be loved. I think there's a lot

754
00:46:29,480 --> 00:46:32,000
Speaker 1: less love. And I think the reason my generation is

755
00:46:32,000 --> 00:46:34,000
Speaker 1: so jacked up because there's so much game playing and

756
00:46:34,040 --> 00:46:35,759
Speaker 1: not enough love. Everybody's playing the game, you know, the

757
00:46:35,800 --> 00:46:37,960
Speaker 1: game is you tell me something, I tell her, she

758
00:46:38,040 --> 00:46:40,239
Speaker 1: tell him. Everybody pillow talking a bunch of bullshit, and

759
00:46:40,400 --> 00:46:42,839
Speaker 1: everybody's living the game. That's not the way I didn't

760
00:46:42,840 --> 00:46:45,399
Speaker 1: grow up into that everybody started being real, then it'll

761
00:46:45,440 --> 00:46:47,080
Speaker 1: be a lot less a bunch of that, you know,

762
00:46:47,719 --> 00:47:03,360
Speaker 1: fun boys will disappear. You feel me, just keeping you

763
00:47:03,440 --> 00:47:10,919
Speaker 1: came here, your listen. You know, I'm so impressed because

764
00:47:11,000 --> 00:47:13,839
Speaker 1: you know what's the real ship is? This is real,

765
00:47:14,040 --> 00:47:16,319
Speaker 1: this is this is this is why I'm trying to

766
00:47:16,760 --> 00:47:18,680
Speaker 1: We're trying to do that because we want to promote

767
00:47:18,760 --> 00:47:21,600
Speaker 1: real ship and this is just it's just a real moment.

768
00:47:21,960 --> 00:47:25,080
Speaker 1: And this is like, ladies got to come here and

769
00:47:25,160 --> 00:47:31,600
Speaker 1: realize because get ladies. You know why you come like you,

770
00:47:33,160 --> 00:47:35,879
Speaker 1: but you know why because most of these shows, it's

771
00:47:35,920 --> 00:47:39,759
Speaker 1: the blogs. We ain't blog but but but but it

772
00:47:39,880 --> 00:47:43,560
Speaker 1: falls on that category of blogging of talking of talking

773
00:47:43,600 --> 00:47:47,040
Speaker 1: ship and and gossiping about people. I'm not a gossiper.

774
00:47:47,239 --> 00:47:49,160
Speaker 1: I'm not a he say, She's say. If you want

775
00:47:49,160 --> 00:47:50,799
Speaker 1: to know something, train to say it. Guess what called

776
00:47:50,840 --> 00:47:54,520
Speaker 1: Trina don't actual training, Home World training, assist in training,

777
00:47:54,560 --> 00:47:57,280
Speaker 1: Security training is gonna tell you what Trina said because

778
00:47:57,360 --> 00:47:59,440
Speaker 1: that's how I told Nori, and Norri told you and

779
00:47:59,440 --> 00:48:02,440
Speaker 1: you told man Ceo and they got off twisted. I

780
00:48:02,440 --> 00:48:06,120
Speaker 1: don't rock with that exactly, you feel me, So it's

781
00:48:06,160 --> 00:48:07,920
Speaker 1: one of the kind of things like it's the same thing,

782
00:48:08,000 --> 00:48:09,600
Speaker 1: Like these people get up every single day to be

783
00:48:09,640 --> 00:48:11,200
Speaker 1: negative and they try to tell you like down they

784
00:48:11,200 --> 00:48:12,920
Speaker 1: talk a bunch of ship and they just do a

785
00:48:12,920 --> 00:48:15,799
Speaker 1: bunch of weird on this is not cool. Just don't

786
00:48:15,840 --> 00:48:17,600
Speaker 1: want to be embarrassed or just to be put on

787
00:48:17,640 --> 00:48:19,800
Speaker 1: the forefront of some ship that they don't feel like

788
00:48:19,880 --> 00:48:22,000
Speaker 1: talking about me. I'm just I'm loose like with it.

789
00:48:22,600 --> 00:48:24,719
Speaker 1: That's the thing about our show. I don't know if

790
00:48:24,719 --> 00:48:27,520
Speaker 1: you ever see. It's something called Inside the NBA where

791
00:48:27,560 --> 00:48:31,399
Speaker 1: it's actually Charles Barkley and Charles Barkley and What's What's

792
00:48:31,400 --> 00:48:33,440
Speaker 1: the What's my man? Kenney Smith is from Left Rack

793
00:48:33,800 --> 00:48:36,719
Speaker 1: and Shock and these are all ex basketball players and

794
00:48:36,719 --> 00:48:39,760
Speaker 1: they like the show. They talked too much. They interview

795
00:48:39,800 --> 00:48:41,919
Speaker 1: the other basketball players and what I mean is they're

796
00:48:41,920 --> 00:48:43,879
Speaker 1: the inside of the NBA. And this is what this

797
00:48:44,040 --> 00:48:46,480
Speaker 1: is is because I'm in hip hop, like, I ain't

798
00:48:46,520 --> 00:48:48,239
Speaker 1: gonna go I ain't gonna put no artists where they

799
00:48:48,280 --> 00:48:51,040
Speaker 1: want to feel, you know, insecure, out of place, or

800
00:48:51,080 --> 00:48:56,880
Speaker 1: ask them some crazy I asked crazy, like it's crazy,

801
00:48:57,880 --> 00:49:02,400
Speaker 1: you know your case, I gotta ask how many wrappers

802
00:49:02,400 --> 00:49:05,239
Speaker 1: asked your ass. Let's just strow that out there. No,

803
00:49:05,360 --> 00:49:07,440
Speaker 1: come on your case, Come on you, you know enough

804
00:49:07,560 --> 00:49:12,279
Speaker 1: isn't counting we in the thousands we were. I'm just saying,

805
00:49:12,320 --> 00:49:14,759
Speaker 1: but what's the purpose though, I because after you I

806
00:49:14,880 --> 00:49:16,279
Speaker 1: call you, I'm not a curve? You are that? So

807
00:49:16,360 --> 00:49:18,040
Speaker 1: what what what you're really trying to get out there?

808
00:49:18,480 --> 00:49:22,160
Speaker 1: The greatest ass eater? I'm going to that's really good.

809
00:49:22,280 --> 00:49:37,040
Speaker 1: Let's be very great as eat. Oh my god, saying

810
00:49:37,040 --> 00:49:38,839
Speaker 1: you gotta have some selfis and stuff that we do.

811
00:49:39,160 --> 00:49:43,080
Speaker 1: Stuff all happens all the time, everybody. Let me just

812
00:49:43,120 --> 00:49:46,000
Speaker 1: drob a moment right now, right now, I still don't

813
00:49:46,000 --> 00:49:50,320
Speaker 1: know what you see that right? How does the single

814
00:49:50,400 --> 00:49:54,680
Speaker 1: let's go? How does the man approach treat that like weirdest?

815
00:49:54,680 --> 00:49:58,280
Speaker 1: Ship is always annoying. So let me tell you somebody

816
00:49:58,320 --> 00:49:59,960
Speaker 1: for one, let's go. Let's be first. I don't go

817
00:50:00,040 --> 00:50:01,920
Speaker 1: on days. I'm not a dat I don't want to

818
00:50:01,960 --> 00:50:03,719
Speaker 1: go to know we're ass dinners. I don't want you

819
00:50:03,760 --> 00:50:06,200
Speaker 1: sitting up staring under the lights all damn asking a

820
00:50:06,280 --> 00:50:13,239
Speaker 1: thousand million questions. That's like weirdo, you very intimidating. I'm

821
00:50:13,280 --> 00:50:15,880
Speaker 1: so cool people, but that's because you're like people get

822
00:50:15,920 --> 00:50:18,320
Speaker 1: they're so stuck on, like this whole baddest bitch persona

823
00:50:18,600 --> 00:50:20,520
Speaker 1: so realistic. I'm not a person. My friends they're here,

824
00:50:20,520 --> 00:50:22,759
Speaker 1: they testify. You come to my house, your friends, all

825
00:50:22,800 --> 00:50:24,600
Speaker 1: my friends. I'm cooking the ship. You see the meals

826
00:50:24,640 --> 00:50:27,759
Speaker 1: I cook, lobster like all kinds of good ship. Like

827
00:50:28,000 --> 00:50:30,720
Speaker 1: I'm like a Caribbean ship. I treat my friends like royalty.

828
00:50:30,760 --> 00:50:33,080
Speaker 1: I make sure they're good when you come as a man,

829
00:50:33,160 --> 00:50:34,360
Speaker 1: if you're trying to talk to me, it's like the

830
00:50:34,400 --> 00:50:36,520
Speaker 1: baddest bitch, like quickly like you don't want to. You

831
00:50:36,560 --> 00:50:38,719
Speaker 1: don't see me in the kitchen cooking. You're ready to think.

832
00:50:38,719 --> 00:50:41,120
Speaker 1: I'm on the balcony probably like with my linger on

833
00:50:41,600 --> 00:50:44,200
Speaker 1: the champagne, and your visions be so fucked up to

834
00:50:44,239 --> 00:50:47,080
Speaker 1: you doin the whole moment, I tell you, let me

835
00:50:47,080 --> 00:50:48,680
Speaker 1: tell you what happened to other day. I'm not gonna

836
00:50:48,719 --> 00:50:53,160
Speaker 1: sit on there. But one of my friends, he meets

837
00:50:53,160 --> 00:50:59,680
Speaker 1: a girl right and there because the check be quiet.

838
00:51:03,120 --> 00:51:06,560
Speaker 1: The first thing he does he goes to Instagram. He goes,

839
00:51:06,920 --> 00:51:09,200
Speaker 1: I can't funk with this bitch, and I'm like, what

840
00:51:10,200 --> 00:51:14,640
Speaker 1: she's on yachts just like, hold on, man, I can't

841
00:51:14,640 --> 00:51:19,400
Speaker 1: show her nothing. Okay, So that intimidation so what you

842
00:51:19,440 --> 00:51:21,160
Speaker 1: wanted to be to be like in a grocery store.

843
00:51:21,360 --> 00:51:27,880
Speaker 1: We don't at the park. But I'm just saying, like

844
00:51:27,960 --> 00:51:29,759
Speaker 1: you're real listening because it don't get me wrong, some

845
00:51:29,800 --> 00:51:31,879
Speaker 1: of these people, these girls on y'all. I mean, don't

846
00:51:31,880 --> 00:51:32,920
Speaker 1: get me wrong. I'm not a hate to do you

847
00:51:33,000 --> 00:51:34,839
Speaker 1: what you gotta do, y'all. Don't feel what you did,

848
00:51:34,880 --> 00:51:37,919
Speaker 1: how you got on there, that's your business, restaurants and ship.

849
00:51:38,680 --> 00:51:41,799
Speaker 1: He gave up. But that's a weak man, that's being

850
00:51:41,800 --> 00:51:44,759
Speaker 1: a week ago. That's being weak. You weak because that man,

851
00:51:44,760 --> 00:51:46,279
Speaker 1: you ain't stepping up to the plate. That mean your

852
00:51:46,280 --> 00:51:48,680
Speaker 1: intimidation game is so low you can't even hand the

853
00:51:48,719 --> 00:51:52,040
Speaker 1: short from the game. Keep it. So let's just be

854
00:51:52,239 --> 00:52:04,280
Speaker 1: very why we're trying to figure out what she's sailing

855
00:52:04,800 --> 00:52:06,920
Speaker 1: you trying to figure out what's really good. Don't get

856
00:52:06,960 --> 00:52:09,080
Speaker 1: intimidatey don't get weak by that. But I mean it

857
00:52:09,280 --> 00:52:11,279
Speaker 1: is what it isn't like the perception that like just

858
00:52:11,440 --> 00:52:14,480
Speaker 1: the perspective of what he may think. How you on this, y'all?

859
00:52:14,680 --> 00:52:16,080
Speaker 1: Who are you on this? Y'ab with? I don't see

860
00:52:16,120 --> 00:52:18,080
Speaker 1: about in the background. You know, you're yalling the settling

861
00:52:18,080 --> 00:52:20,399
Speaker 1: it traveling around the road of things. You know. Yeah,

862
00:52:20,680 --> 00:52:23,480
Speaker 1: it's intimidated. Though I had to agree with him a

863
00:52:23,520 --> 00:52:26,040
Speaker 1: little bit. I was like, where you can't why maybe

864
00:52:26,080 --> 00:52:30,879
Speaker 1: she's think maybe she's pampering herself. It's not a good friend.

865
00:52:30,920 --> 00:52:32,320
Speaker 1: I was like, yeah, you can't do nothing for a

866
00:52:34,080 --> 00:52:46,719
Speaker 1: why But it's just that she's every day for like

867
00:52:46,880 --> 00:52:55,279
Speaker 1: four months working. I don't know what restaurants it was.

868
00:52:55,320 --> 00:52:57,799
Speaker 1: I ain't gonna lie. I was intimidated. But that's intimidation,

869
00:52:58,320 --> 00:53:00,759
Speaker 1: that word. But why I need to maybe to check

870
00:53:00,800 --> 00:53:02,080
Speaker 1: this in the bus stop waiting for the bus to

871
00:53:02,080 --> 00:53:04,840
Speaker 1: pick her off. I think men always want to like

872
00:53:05,080 --> 00:53:10,120
Speaker 1: feel needed a little bit. But just because the game

873
00:53:10,239 --> 00:53:14,360
Speaker 1: vide like, yeah, you may you make rite of helicopter.

874
00:53:14,480 --> 00:53:19,799
Speaker 1: I don't know you can write something, but hey, I'm

875
00:53:19,840 --> 00:53:21,759
Speaker 1: trying to kill out what we're going with it. She

876
00:53:21,880 --> 00:53:32,959
Speaker 1: said told you that's like, I mean you think women

877
00:53:33,040 --> 00:53:35,239
Speaker 1: are because Amber Rose didn't Ember Rolls sit here and

878
00:53:35,280 --> 00:53:38,239
Speaker 1: say the same thing. She looked at us and say, listen,

879
00:53:39,280 --> 00:53:41,239
Speaker 1: she hasn't been on a date for a whole year,

880
00:53:41,280 --> 00:53:43,439
Speaker 1: and we're like, what, No women are like dates because

881
00:53:43,440 --> 00:53:45,399
Speaker 1: it's like a corny thing, honestly, So if you died,

882
00:53:47,280 --> 00:53:49,840
Speaker 1: don't if you're Miami, let's cut the prime one twilve

883
00:53:49,880 --> 00:53:51,759
Speaker 1: thing out. That's just like very thought ish. It's very

884
00:53:51,800 --> 00:53:53,200
Speaker 1: like you're gonna go to date. It's very much like

885
00:53:53,840 --> 00:53:56,399
Speaker 1: very sexual date. What you do? What is the first sting?

886
00:53:56,600 --> 00:53:58,439
Speaker 1: And I gonna be honest, I don't really know because

887
00:53:58,480 --> 00:54:00,239
Speaker 1: I'm not a data so I don't know. I don't

888
00:54:00,239 --> 00:54:02,600
Speaker 1: want to give that advice because if you I haven't

889
00:54:02,680 --> 00:54:05,520
Speaker 1: met a person like a new person and so long

890
00:54:05,680 --> 00:54:08,800
Speaker 1: to where you start asking these questions, and the questions

891
00:54:08,880 --> 00:54:11,480
Speaker 1: are the past and your life and did you date?

892
00:54:11,520 --> 00:54:15,000
Speaker 1: This is justice and it's one of those things that's

893
00:54:15,200 --> 00:54:18,360
Speaker 1: very it's and you're at dinner though, don't be at dinner.

894
00:54:18,400 --> 00:54:19,799
Speaker 1: You're eating, you're trying to make sure you're a girl,

895
00:54:19,840 --> 00:54:21,960
Speaker 1: even nothing's in your tea. You're just doing a much

896
00:54:21,960 --> 00:54:23,520
Speaker 1: of weirdo shape. This is not a cool thing. And

897
00:54:23,600 --> 00:54:27,040
Speaker 1: for me, the questions, like the staring in the eyes

898
00:54:27,120 --> 00:54:28,960
Speaker 1: and trying to get this you're looking at the baddest

899
00:54:28,960 --> 00:54:32,719
Speaker 1: bitch first. I just not on that, like I'm just

900
00:54:32,960 --> 00:54:35,279
Speaker 1: I'm trying to figure it out. Like I don't know.

901
00:54:35,400 --> 00:54:39,879
Speaker 1: I've always kind of skipped it with just no, I'm

902
00:54:39,920 --> 00:54:42,960
Speaker 1: straight to like I've shaped it like private, get to

903
00:54:43,000 --> 00:54:54,920
Speaker 1: the next like no, no sense, I'm just okay. So

904
00:54:55,000 --> 00:54:57,480
Speaker 1: now you I'm just saying I'm really just not like

905
00:54:57,640 --> 00:55:00,320
Speaker 1: the beginning dating stage. You don't like the weird question friends.

906
00:55:00,680 --> 00:55:02,680
Speaker 1: I don't like all I'm just meet but some of

907
00:55:02,760 --> 00:55:08,040
Speaker 1: my friends. One of my friends, she is she my friends,

908
00:55:08,160 --> 00:55:10,040
Speaker 1: she is the data of the central. She was going

909
00:55:10,080 --> 00:55:12,560
Speaker 1: to dinner day every day, like she don't care who

910
00:55:12,760 --> 00:55:14,279
Speaker 1: do you take her to dinner? She let me just

911
00:55:14,400 --> 00:55:18,200
Speaker 1: describe this moment. You mean she's beautiful. I send you

912
00:55:18,280 --> 00:55:21,120
Speaker 1: my friend at the dinner because she's gonna talk. She know,

913
00:55:21,520 --> 00:55:27,719
Speaker 1: she's very social. One. I don't want this guy saying

914
00:55:28,000 --> 00:55:30,200
Speaker 1: I don't want to start talking about man and start

915
00:55:30,480 --> 00:55:32,800
Speaker 1: tracking back in the day and oh yeah, did you

916
00:55:32,840 --> 00:55:34,279
Speaker 1: really think when I don't want to get it to

917
00:55:34,400 --> 00:55:36,880
Speaker 1: the questions, I just while you're on the plane, right,

918
00:55:37,640 --> 00:55:40,319
Speaker 1: I don't care, but smith Lynsky, I just don't want

919
00:55:40,320 --> 00:55:42,000
Speaker 1: to deal with it. I just kind of so I

920
00:55:42,040 --> 00:55:44,280
Speaker 1: don't really date. I don't know how to even meet nobody,

921
00:55:44,400 --> 00:55:48,279
Speaker 1: because you can do that work at Costcos. She only

922
00:55:48,360 --> 00:55:51,080
Speaker 1: dates pilots, wanted me space about Cosco Costo. I don't

923
00:55:51,080 --> 00:55:53,200
Speaker 1: even dat pilots and maybe around too much. I'm real,

924
00:55:53,600 --> 00:56:01,600
Speaker 1: I'll just really too much. But Costcos, let's let's say that.

925
00:56:01,680 --> 00:56:03,960
Speaker 1: The thing about a person that works at Costcos, they

926
00:56:04,840 --> 00:56:08,640
Speaker 1: don't get wrong. It's nothing wrong with that. You're independent,

927
00:56:08,680 --> 00:56:10,759
Speaker 1: you have a job, and I'm a person that loves

928
00:56:10,800 --> 00:56:14,600
Speaker 1: some discount don't get it twisted. But a Costcos guy

929
00:56:14,880 --> 00:56:17,000
Speaker 1: would not be able to deal with the pressure of

930
00:56:17,120 --> 00:56:19,640
Speaker 1: my life. You can't deal with the woman that's traveling

931
00:56:19,719 --> 00:56:22,920
Speaker 1: around the world four days out of a week, like

932
00:56:23,480 --> 00:56:25,759
Speaker 1: it's too much of an intimidation. You can't deal with

933
00:56:25,880 --> 00:56:28,959
Speaker 1: the pressure of where you're working at Costcos from six

934
00:56:29,080 --> 00:56:32,120
Speaker 1: to twelve midnight stocking and bagging the ship or whatever.

935
00:56:32,600 --> 00:56:35,160
Speaker 1: And then I'm somewhere like in London and Europe and

936
00:56:35,200 --> 00:56:38,920
Speaker 1: then like Denmark at Christania and just wilding out Christiania.

937
00:56:38,960 --> 00:56:46,080
Speaker 1: That's where you can smoke weed through the park. But

938
00:56:46,320 --> 00:56:49,480
Speaker 1: for you, you don't understand that life. That's a pressure

939
00:56:49,480 --> 00:56:52,160
Speaker 1: of you. Because we're on different time zones, we're on

940
00:56:52,280 --> 00:56:58,839
Speaker 1: different and I'm just saying none of that, But that's

941
00:56:58,880 --> 00:57:01,000
Speaker 1: what a pressure would be for a regular guy, because

942
00:57:01,200 --> 00:57:02,600
Speaker 1: when you get up work, I want to talk to you,

943
00:57:02,640 --> 00:57:03,799
Speaker 1: I want to see you. Maybe I don't have if

944
00:57:03,800 --> 00:57:06,359
Speaker 1: its FaceTime wherever I'm performing, you sleep, you at work,

945
00:57:06,440 --> 00:57:08,920
Speaker 1: you at work, I'm traveling. It's just a it's just

946
00:57:09,040 --> 00:57:11,279
Speaker 1: one of those things that really don't always connect. And

947
00:57:11,400 --> 00:57:14,040
Speaker 1: then it could be pressure. You you intimidated because I'm

948
00:57:14,080 --> 00:57:16,640
Speaker 1: around other celebrity people that you really think I'm paying

949
00:57:16,680 --> 00:57:19,880
Speaker 1: attention to that really I'm not even paying no attention paid.

950
00:57:20,400 --> 00:57:22,520
Speaker 1: I'm paying attention to these people. Believe it or not.

951
00:57:22,840 --> 00:57:24,600
Speaker 1: If you was in my shoes, you and paying attention

952
00:57:24,680 --> 00:57:27,600
Speaker 1: on medough they're not that special. Just don't understand, don't

953
00:57:27,600 --> 00:57:30,840
Speaker 1: get it twisted. A lot of these celebrities, these guys, girls, whoever,

954
00:57:31,000 --> 00:57:33,920
Speaker 1: they're not that special. It's some regular people that I know,

955
00:57:34,000 --> 00:57:36,320
Speaker 1: I chilled on a regular basis, are way more special

956
00:57:36,400 --> 00:57:39,120
Speaker 1: than these people that are very cocky with these egos

957
00:57:39,320 --> 00:57:44,600
Speaker 1: and really just nasty, unhumanized people that really ain't worth ship, honestly,

958
00:57:44,720 --> 00:57:46,120
Speaker 1: you know what I mean. And that's just that's why

959
00:57:46,160 --> 00:57:48,440
Speaker 1: I stay so ground, because I'm around regular people that

960
00:57:48,640 --> 00:57:51,720
Speaker 1: that's real life, and it's a real life thing. It's

961
00:57:51,800 --> 00:57:54,840
Speaker 1: loyalties longet these years after years after years after years

962
00:57:54,920 --> 00:57:56,880
Speaker 1: now the person I met two weeks ago because I

963
00:57:56,960 --> 00:57:58,600
Speaker 1: was hot on the chop number one something and he

964
00:57:58,720 --> 00:58:04,040
Speaker 1: was writing my dick. Not Before we get out of here,

965
00:58:04,080 --> 00:58:05,920
Speaker 1: we just want to remind you that you can buy

966
00:58:06,000 --> 00:58:09,240
Speaker 1: drink Champs gear at your local DTLR store, so look

967
00:58:09,320 --> 00:58:11,400
Speaker 1: up the store nearest to you. You can also buy

968
00:58:11,480 --> 00:58:14,600
Speaker 1: drink Champs gear and other merch at drink Champs dot

969
00:58:14,680 --> 00:58:17,160
Speaker 1: com or eight and nine dot com. Check us on

970
00:58:17,280 --> 00:58:20,880
Speaker 1: Revolt TV every Thursday night at ten pm, then unedited

971
00:58:20,880 --> 00:58:24,840
Speaker 1: audio drops Monday nights going into Tuesday at midnight. Then

972
00:58:24,920 --> 00:58:27,720
Speaker 1: check for the United video Wednesdays on Revolt dot Tv,

973
00:58:28,240 --> 00:58:31,080
Speaker 1: drink Champs dot com, or you can go directly to YouTube.

974
00:58:31,440 --> 00:58:34,320
Speaker 1: Look out for Nori's new food show coming soon, as

975
00:58:34,360 --> 00:58:37,160
Speaker 1: well as new project featuring the upcoming single Uno mass

976
00:58:37,480 --> 00:58:41,360
Speaker 1: produced and featuring Farrell Check from my Coming Home documentaries

977
00:58:41,520 --> 00:58:44,760
Speaker 1: Coming Home Vietnam documentary right now currently airing on Revolt

978
00:58:44,840 --> 00:58:49,120
Speaker 1: TV and coming soon Coming Home Columbia. Follow us at

979
00:58:49,200 --> 00:58:52,680
Speaker 1: drink Champs on i G, Twitter, and Facebook, and Nori

980
00:58:52,880 --> 00:58:56,200
Speaker 1: at the Real Noriega on Instagram at Noriega on Twitter,

981
00:58:56,480 --> 00:58:59,040
Speaker 1: and me e f N at Who's Crazy on I

982
00:58:59,200 --> 00:59:01,240
Speaker 1: G and at d j e f n on Twitter,

983
00:59:01,520 --> 00:59:03,480
Speaker 1: and until next week we had to hear peace