1 00:00:00,600 --> 00:00:01,640 Speaker 1: Lovely book Club. 2 00:00:09,960 --> 00:00:10,200 Speaker 2: Foo. 3 00:00:10,520 --> 00:00:12,960 Speaker 1: Sure this is a Miss Piggy. 4 00:00:13,080 --> 00:00:13,880 Speaker 3: You just see this. 5 00:00:14,000 --> 00:00:19,239 Speaker 1: CEO of High Hurt Bob. I'm sure he's expecting me. 6 00:00:19,680 --> 00:00:21,000 Speaker 3: I'm his three o'clock. 7 00:00:21,800 --> 00:00:23,760 Speaker 4: Let me just call in right now if you can 8 00:00:23,840 --> 00:00:26,760 Speaker 4: have a seat right there on the couch there, missus peg, 9 00:00:27,640 --> 00:00:28,400 Speaker 4: that's a Piggy. 10 00:00:28,480 --> 00:00:31,480 Speaker 1: Okay, I would take your Lotte. 11 00:00:32,080 --> 00:00:34,960 Speaker 4: There is a there's some instant coffee in the cupboard. 12 00:00:35,880 --> 00:00:38,080 Speaker 5: What is this trouf was born? 13 00:00:42,120 --> 00:00:45,240 Speaker 4: Hey, Bob, Yeah, I've got Piggy here. Say here for 14 00:00:45,280 --> 00:00:49,120 Speaker 4: a meeting. Okay, yeah, you can go right on in, 15 00:00:49,159 --> 00:00:49,919 Speaker 4: Miss pig. 16 00:00:50,520 --> 00:00:53,159 Speaker 1: Mercy and the Lotte please. 17 00:00:56,360 --> 00:00:59,480 Speaker 4: Miss Piggy, Bob Pittman, Bob, it's. 18 00:00:59,280 --> 00:01:02,520 Speaker 3: Such a poo leisure to meet you. 19 00:01:01,920 --> 00:01:02,120 Speaker 5: You know. 20 00:01:02,240 --> 00:01:04,760 Speaker 4: As CEO of iHeart, I think I can safely say 21 00:01:04,840 --> 00:01:07,560 Speaker 4: you are the first pig that I've ever had in 22 00:01:07,560 --> 00:01:08,640 Speaker 4: my office. 23 00:01:08,640 --> 00:01:10,000 Speaker 1: As it should be. 24 00:01:10,200 --> 00:01:11,479 Speaker 4: And I've met Harvey Weinstein. 25 00:01:13,280 --> 00:01:17,320 Speaker 3: You know, I heard through the great Vine of Hollywood 26 00:01:17,800 --> 00:01:18,920 Speaker 3: that you were. 27 00:01:18,840 --> 00:01:20,959 Speaker 5: Dying for me to have a show. 28 00:01:21,400 --> 00:01:24,360 Speaker 4: Well, you know, Miss Piggy, podcasts are so hot right now. 29 00:01:24,440 --> 00:01:27,480 Speaker 4: They are the future. You know, iHeart reaches over one 30 00:01:27,840 --> 00:01:30,920 Speaker 4: and twenty percent of Americans every single week and from 31 00:01:30,959 --> 00:01:32,360 Speaker 4: their living rooms to their cars. 32 00:01:32,480 --> 00:01:35,679 Speaker 3: Now, I was thinking to show basically it's a lot 33 00:01:35,720 --> 00:01:39,640 Speaker 3: about me and my shopping habits, and I interviewed designers 34 00:01:40,000 --> 00:01:45,280 Speaker 3: like Vivy and Westwood, and maybe I have started just 35 00:01:45,319 --> 00:01:50,200 Speaker 3: a Parker on But then it's mostly about me interviewing 36 00:01:50,200 --> 00:01:55,840 Speaker 3: eligible frogs and talking to other amazing, successful sexy men 37 00:01:56,440 --> 00:01:58,320 Speaker 3: like yourself. 38 00:01:58,720 --> 00:02:01,640 Speaker 4: Miss Piggy. I think that's sounds super fun. Now, I 39 00:02:01,760 --> 00:02:03,560 Speaker 4: just want to stop you right there for a second. 40 00:02:03,760 --> 00:02:05,840 Speaker 4: We hear at iHeart. We really try to appeal to 41 00:02:05,960 --> 00:02:09,239 Speaker 4: as universal of an audience as possible, so I wonder 42 00:02:09,280 --> 00:02:12,400 Speaker 4: if that idea might be a little bit niche maybe 43 00:02:12,560 --> 00:02:14,520 Speaker 4: something a little more universal. 44 00:02:14,760 --> 00:02:16,359 Speaker 1: Everyone loves Piggy, of. 45 00:02:16,400 --> 00:02:19,640 Speaker 4: Course, everyone does love Piggy. But I do think that 46 00:02:19,720 --> 00:02:23,000 Speaker 4: maybe the frog angle and the pig angle might be 47 00:02:23,040 --> 00:02:26,360 Speaker 4: a little hard because so many of our listeners are human. 48 00:02:27,320 --> 00:02:30,560 Speaker 3: What you're saying, the human man is not attracted to 49 00:02:30,639 --> 00:02:33,320 Speaker 3: Miss Piggy. I'll let you know I've been with the 50 00:02:33,320 --> 00:02:36,800 Speaker 3: best of them, George Clooney, Brad. 51 00:02:36,560 --> 00:02:38,679 Speaker 6: Pitch to me, shut on me. 52 00:02:39,400 --> 00:02:40,560 Speaker 1: They've already said yes. 53 00:02:40,680 --> 00:02:42,160 Speaker 6: In fact, they're in my DMS. 54 00:02:42,280 --> 00:02:44,320 Speaker 5: They're begging me, begging me. 55 00:02:44,560 --> 00:02:47,120 Speaker 4: No, those would be great guests to have on your show. 56 00:02:47,440 --> 00:02:51,280 Speaker 3: I've already made a contract myself for me, typed it up. 57 00:02:52,919 --> 00:02:53,840 Speaker 1: What do you think of this? 58 00:02:54,000 --> 00:02:54,880 Speaker 5: And this number? 59 00:02:57,720 --> 00:03:00,399 Speaker 4: Okay, ten thousand dollars a year? Wow? 60 00:03:00,480 --> 00:03:04,880 Speaker 3: Okay, well, Bob, I would hate to do this, but 61 00:03:05,040 --> 00:03:09,720 Speaker 3: I saw you leaving Mammo Fuku having the bo Sam 62 00:03:09,840 --> 00:03:13,560 Speaker 3: with Gonzo, and I will go to pick Weekly. 63 00:03:14,160 --> 00:03:16,200 Speaker 5: You sign my country. 64 00:03:16,400 --> 00:03:19,359 Speaker 4: I was supposed to be a secret Mondev. Nobody's supposed 65 00:03:19,360 --> 00:03:21,799 Speaker 4: to know about me and Gonzo's dinners. 66 00:03:22,200 --> 00:03:24,320 Speaker 3: I would even want to know what you were discussing 67 00:03:24,760 --> 00:03:25,959 Speaker 3: Gonzo's dang to me. 68 00:03:26,320 --> 00:03:28,239 Speaker 4: You know what, miss Piggy, you know, I think, actually 69 00:03:28,240 --> 00:03:30,880 Speaker 4: that sounds like a great idea. Frogs then the whole thing. Yeah, 70 00:03:30,919 --> 00:03:32,400 Speaker 4: that's a great, great, great podcast. 71 00:03:33,360 --> 00:03:35,200 Speaker 5: I've shut it and we can make a deal. 72 00:03:35,440 --> 00:03:35,960 Speaker 1: Kistaff. 73 00:03:38,440 --> 00:03:41,240 Speaker 4: Who's that knocking at the door. It's all your friends. 74 00:03:41,240 --> 00:03:44,240 Speaker 4: You've filthy whrse, your husband's gone, and we've got books 75 00:03:44,240 --> 00:03:45,720 Speaker 4: and a bottle of wine to kill. 76 00:03:46,080 --> 00:03:48,840 Speaker 5: It's Hollywood, it's books, it's gossip. 77 00:03:49,120 --> 00:03:56,960 Speaker 4: I'm sure it's memoirs. Martini, CLEVELYO Club read it while 78 00:03:57,000 --> 00:03:59,760 Speaker 4: it's hot. Clevely Club I'll. 79 00:03:59,640 --> 00:04:00,680 Speaker 5: Tell your secrets. 80 00:04:00,680 --> 00:04:05,760 Speaker 4: We won't talk celebrity books. No boys are a loud. 81 00:04:07,960 --> 00:04:09,760 Speaker 5: Say it loud and pounds. 82 00:04:09,800 --> 00:04:12,360 Speaker 1: Celet book Club buzz me in. 83 00:04:12,480 --> 00:04:13,480 Speaker 5: I brought the queer. 84 00:04:13,360 --> 00:04:17,599 Speaker 4: Foe best friend that kills me every time. 85 00:04:18,360 --> 00:04:21,560 Speaker 5: It will be hard not to do. The voices, the voice. 86 00:04:21,680 --> 00:04:25,080 Speaker 5: What we're calling the voice, this entire arms, the voice 87 00:04:25,120 --> 00:04:29,560 Speaker 5: just a few minutes. Far want to check in, Hey. 88 00:04:29,520 --> 00:04:32,000 Speaker 4: Best friend, Hey, one of my best friends in the 89 00:04:32,000 --> 00:04:33,920 Speaker 4: whole world. Have you been this past week? It's been 90 00:04:33,920 --> 00:04:36,760 Speaker 4: a crazy It's been a crazy week. Fashion Week New 91 00:04:36,839 --> 00:04:40,000 Speaker 4: York is alive. It's electric going on. So what shows 92 00:04:40,040 --> 00:04:40,480 Speaker 4: have you been to? 93 00:04:41,120 --> 00:04:44,640 Speaker 5: So a ton triple mail XL. I went to the 94 00:04:44,680 --> 00:04:47,960 Speaker 5: Dockers Show. I walked on the Dockers Show. 95 00:04:48,560 --> 00:04:51,440 Speaker 4: I saw you at a men's warehouse closing actually. 96 00:04:51,920 --> 00:04:55,080 Speaker 5: The closing show. It was a dinner. Men's warehouse had 97 00:04:55,120 --> 00:04:59,800 Speaker 5: a super intimate dinner catered by Applebee's ex lover boy, 98 00:05:00,800 --> 00:05:02,360 Speaker 5: and I just, yeah, I have. 99 00:05:02,360 --> 00:05:04,880 Speaker 4: Any na shrubs for this soberful? 100 00:05:05,160 --> 00:05:08,720 Speaker 5: Yeah, it was imitation Scotch with shrubs. 101 00:05:10,200 --> 00:05:11,040 Speaker 4: Anything grosser? 102 00:05:12,120 --> 00:05:13,360 Speaker 5: Yeah? What shows have you watched? 103 00:05:13,400 --> 00:05:16,279 Speaker 4: It? Well? So I went to the Gauntlet Cheng show. 104 00:05:16,640 --> 00:05:18,960 Speaker 5: I went to that show once two years ago. 105 00:05:19,160 --> 00:05:20,640 Speaker 4: Yeah. It's one of those things where I just I'm 106 00:05:20,640 --> 00:05:22,400 Speaker 4: on the list at this point and they're kind of 107 00:05:22,480 --> 00:05:25,840 Speaker 4: like your grandfather, I'm grandfathered in and they need bodies. Yeah, 108 00:05:25,880 --> 00:05:28,359 Speaker 4: And it was like this thing where it was like 109 00:05:28,440 --> 00:05:32,880 Speaker 4: obviously I always like standing, and then like there was like 110 00:05:32,920 --> 00:05:36,039 Speaker 4: iPad girls in this space like check in with to 111 00:05:36,080 --> 00:05:38,920 Speaker 4: be like get your seat, and then like I saw 112 00:05:39,320 --> 00:05:42,280 Speaker 4: like this girl like ask to be like, oh, do 113 00:05:42,279 --> 00:05:43,640 Speaker 4: you have a seat, like and then she's like, no, 114 00:05:43,640 --> 00:05:45,360 Speaker 4: you're standing. It's kind of like probably gonna be standing 115 00:05:45,360 --> 00:05:46,640 Speaker 4: to but you know, I'll just check to make sure. 116 00:05:46,680 --> 00:05:48,479 Speaker 4: And then I'm like, so, yeah, the last name. And 117 00:05:48,520 --> 00:05:53,000 Speaker 4: then she's like Beatbebepepe, so you're gonna be standing, And 118 00:05:53,040 --> 00:05:55,600 Speaker 4: I was like, oh, totally absolutely, I love. I love 119 00:05:55,720 --> 00:05:58,080 Speaker 4: to stand. You can see so much more when you stand. 120 00:05:58,200 --> 00:06:01,120 Speaker 5: Sitting is so over it being kills no. 121 00:06:01,200 --> 00:06:03,000 Speaker 4: I mean, first of all, city is literally bad for 122 00:06:03,040 --> 00:06:05,880 Speaker 4: your health. It's the new smoking. And when you're sitting, 123 00:06:06,240 --> 00:06:08,440 Speaker 4: you're not seeing like the full outfit as much. You're 124 00:06:08,440 --> 00:06:10,320 Speaker 4: getting like the crotch pov. 125 00:06:10,560 --> 00:06:11,880 Speaker 5: Oh, it's almost it's perverted. 126 00:06:11,960 --> 00:06:14,560 Speaker 4: And also when you're standing you can turn around, so 127 00:06:14,680 --> 00:06:16,960 Speaker 4: I was actually kind of in the middle. There was 128 00:06:17,000 --> 00:06:18,800 Speaker 4: like several aisles and I was in between two miles, 129 00:06:18,920 --> 00:06:21,040 Speaker 4: so I could literally do a three hundred and sixty 130 00:06:21,040 --> 00:06:24,000 Speaker 4: degree turn. I'm getting way more views than the sitters, 131 00:06:24,560 --> 00:06:27,080 Speaker 4: So actually huge hack if you're going to go to 132 00:06:27,120 --> 00:06:28,839 Speaker 4: a fashion show stand. 133 00:06:28,960 --> 00:06:29,239 Speaker 5: Yeah. 134 00:06:29,360 --> 00:06:32,320 Speaker 4: Anyway, the clothes were amazing two or to four. I'm 135 00:06:32,360 --> 00:06:34,279 Speaker 4: so proud of the designers and all the work they 136 00:06:34,360 --> 00:06:37,760 Speaker 4: put in over the years. Beautiful Yeah, dresses. 137 00:06:37,440 --> 00:06:39,719 Speaker 5: Okay, So anything going on your mood board? 138 00:06:40,080 --> 00:06:44,400 Speaker 4: Yeah, I mean I don't think so. It's very like I. 139 00:06:44,360 --> 00:06:47,400 Speaker 5: Mean the garment chain show. I remember going to Gauzy, 140 00:06:47,680 --> 00:06:50,560 Speaker 5: very gaussy of the boots. 141 00:06:50,839 --> 00:06:52,320 Speaker 4: You were like wow, but you were like, I don't 142 00:06:52,320 --> 00:06:54,080 Speaker 4: know if I could roll it off. 143 00:06:54,200 --> 00:06:56,520 Speaker 5: I think it's like people would be probably too turned on. 144 00:06:56,839 --> 00:06:58,200 Speaker 4: Oh absolutely, it was scary. 145 00:06:58,440 --> 00:07:01,839 Speaker 5: Anyway, fashion Week is amazing and it's so funny, like 146 00:07:01,920 --> 00:07:05,599 Speaker 5: see people like really all fashioned out, like going to 147 00:07:05,680 --> 00:07:08,000 Speaker 5: their one event. Yeah, And it was like I saw 148 00:07:08,000 --> 00:07:10,240 Speaker 5: this couple get off at Midtown, which made me think 149 00:07:10,280 --> 00:07:13,320 Speaker 5: they're going to my favorite store, Nord Storm, And the 150 00:07:13,400 --> 00:07:16,280 Speaker 5: guy was in like a wool trench and the girl 151 00:07:16,520 --> 00:07:19,720 Speaker 5: was in Mary Jane's and leather and skirts and they 152 00:07:19,760 --> 00:07:22,040 Speaker 5: got out and the guy started applying cologne. 153 00:07:22,240 --> 00:07:26,400 Speaker 4: Oh god, that's so sad. Yeah, it's like reminds me 154 00:07:26,480 --> 00:07:28,960 Speaker 4: of my friend Lily, who actually didn't get into a 155 00:07:29,000 --> 00:07:31,800 Speaker 4: party this week and then I got into. It's actually 156 00:07:31,920 --> 00:07:32,600 Speaker 4: so sad. 157 00:07:33,240 --> 00:07:35,800 Speaker 5: That's a ghost story. Maybe save that for the vik 158 00:07:36,560 --> 00:07:36,840 Speaker 5: for the VI. 159 00:07:38,920 --> 00:07:42,280 Speaker 1: Scary chose Halloween naboo. 160 00:07:42,720 --> 00:07:45,320 Speaker 5: Okay, we should talk about the biggest fashion icon in 161 00:07:45,360 --> 00:07:46,360 Speaker 5: the entire world. 162 00:07:46,880 --> 00:07:51,760 Speaker 4: She truly is a ground breaking. 163 00:07:51,400 --> 00:08:00,520 Speaker 5: Groundbreakings, ageless singer, entrepreneur, feminist, eternal fiance say. 164 00:08:00,480 --> 00:08:05,440 Speaker 4: Yeah, although now is single right since twenty fifteen allegedly. 165 00:08:05,080 --> 00:08:11,760 Speaker 5: But girl, she invented Carrie. She invented like all women. 166 00:08:11,960 --> 00:08:16,000 Speaker 4: Honestly, she literally invented all women. She invented like ironic 167 00:08:16,080 --> 00:08:20,320 Speaker 4: self beware, like satirization of commininity, of like. 168 00:08:20,320 --> 00:08:23,440 Speaker 5: Being like I'm ridiculous and I need diamonds and chanel. 169 00:08:23,880 --> 00:08:28,280 Speaker 4: Yeah, she invented like those Jonathan Nadler pill pillows. 170 00:08:28,680 --> 00:08:32,040 Speaker 5: Oh that's like, can I get valume please? 171 00:08:33,720 --> 00:08:36,600 Speaker 4: She is our first non human subject. 172 00:08:36,840 --> 00:08:39,920 Speaker 5: Yeah, this is going to be an interspecies pod. She 173 00:08:40,120 --> 00:08:43,560 Speaker 5: is our first puppet. Yeah, this is huge. She's our 174 00:08:43,600 --> 00:08:44,360 Speaker 5: first pig. 175 00:08:47,120 --> 00:08:52,880 Speaker 4: She's all foam and no bullshit, ladies and gentlemen, misss Piggy. 176 00:08:53,280 --> 00:08:55,960 Speaker 1: And her book The Diva Code. 177 00:08:56,320 --> 00:08:59,320 Speaker 5: Miss Peggy on Life, Love and tend. 178 00:08:58,880 --> 00:09:02,400 Speaker 4: Theatic Things Men crossed out Frogs too. 179 00:09:03,640 --> 00:09:06,760 Speaker 5: This is also, you know, one of her many books. 180 00:09:07,120 --> 00:09:09,600 Speaker 4: Yeah, she's got several in the stable. How do we 181 00:09:09,640 --> 00:09:11,080 Speaker 4: pick this one? Not to pray? 182 00:09:11,320 --> 00:09:13,960 Speaker 5: I think, you know, I bought this for my mom 183 00:09:14,080 --> 00:09:14,560 Speaker 5: in high. 184 00:09:14,440 --> 00:09:16,520 Speaker 4: School, okay, and then you had it lying around and 185 00:09:16,520 --> 00:09:18,000 Speaker 4: you were like, you need money, and you got it 186 00:09:18,040 --> 00:09:18,280 Speaker 4: for me. 187 00:09:19,080 --> 00:09:21,559 Speaker 5: I actually didn't have it lying around that I reordered. 188 00:09:21,720 --> 00:09:24,079 Speaker 5: I think my mom has her own copy, okay. 189 00:09:24,520 --> 00:09:26,000 Speaker 4: Her well trodden copy. 190 00:09:26,400 --> 00:09:28,600 Speaker 5: Yeah, I think I was familiar with it, and I 191 00:09:28,600 --> 00:09:31,800 Speaker 5: think some it seemed the most like classic Piggy. It's 192 00:09:31,840 --> 00:09:33,640 Speaker 5: also early two thousands, Piggy. 193 00:09:33,920 --> 00:09:36,599 Speaker 4: It's two thousand and nine, which you really start to 194 00:09:36,640 --> 00:09:38,680 Speaker 4: see in some of the references in the book when 195 00:09:38,720 --> 00:09:40,080 Speaker 4: she talks about iPods and. 196 00:09:40,200 --> 00:09:44,360 Speaker 5: BCBG and you know, so it's like she has a 197 00:09:44,360 --> 00:09:46,440 Speaker 5: cookbook if that's more from the nineties, and that's like 198 00:09:46,640 --> 00:09:49,720 Speaker 5: going for like on eBay, I think like ninety. 199 00:09:50,920 --> 00:09:54,120 Speaker 4: Felt books, right, because this was giving seven thirty two 200 00:09:54,640 --> 00:09:58,600 Speaker 4: books so the cover is that. 201 00:09:58,520 --> 00:10:00,840 Speaker 5: She has her strained hair and she has been it's. 202 00:10:00,679 --> 00:10:03,600 Speaker 4: Bangs with this like two thousands bang straightened hair. It's 203 00:10:03,600 --> 00:10:05,720 Speaker 4: feathering a little. It's almost like it could if you 204 00:10:05,800 --> 00:10:07,280 Speaker 4: kept going, you could get to a wolf cut in 205 00:10:07,280 --> 00:10:08,400 Speaker 4: a few years, do you know what I mean? And 206 00:10:08,440 --> 00:10:10,080 Speaker 4: you could also face framing. 207 00:10:10,520 --> 00:10:13,920 Speaker 5: It's not a Rachel because she is bangs, but like Rachel, 208 00:10:13,960 --> 00:10:17,080 Speaker 5: it's getting into the waves of like kind of you know, 209 00:10:17,200 --> 00:10:20,120 Speaker 5: the Courtney Coxes and the classic celebrity waves. 210 00:10:20,200 --> 00:10:23,920 Speaker 4: I watched that insane video that's like huge, like YouTube 211 00:10:23,920 --> 00:10:24,840 Speaker 4: Nerd that you sent. 212 00:10:24,720 --> 00:10:28,079 Speaker 1: Me, was like welcome to Dan's. 213 00:10:30,120 --> 00:10:32,360 Speaker 4: Annie, and he's like surrounded by like so many Boba 214 00:10:32,360 --> 00:10:34,680 Speaker 4: fat heads in the background and he is doing this 215 00:10:34,880 --> 00:10:37,560 Speaker 4: full history of him speaking, which was really interesting. But 216 00:10:37,640 --> 00:10:39,800 Speaker 4: basically she kind of got this razor bob in like 217 00:10:39,880 --> 00:10:42,719 Speaker 4: nineteen eighty nine that like lengthened over the course of 218 00:10:42,760 --> 00:10:45,960 Speaker 4: the nineties, but it's still like straightened. It's straight bangs 219 00:10:46,360 --> 00:10:48,480 Speaker 4: because she was doing way more. She was almost like 220 00:10:48,520 --> 00:10:50,360 Speaker 4: feathered and then doing like you know, big kind of 221 00:10:50,360 --> 00:10:52,040 Speaker 4: glamorous old Hollywood curls. 222 00:10:52,200 --> 00:10:54,040 Speaker 5: Yeah, like, well was first time with the cover and 223 00:10:54,040 --> 00:10:56,800 Speaker 5: then we'll go back. So she's in pearls because she's classic. 224 00:10:57,280 --> 00:11:01,319 Speaker 4: She's in like an angora pink like fluffy vest. 225 00:11:01,520 --> 00:11:05,640 Speaker 5: It's also like this material it's almost Shaneil esque. 226 00:11:05,840 --> 00:11:10,160 Speaker 4: It's Shaneely, but maybe not as shiny as Shaneil. Huge flower, 227 00:11:10,360 --> 00:11:12,559 Speaker 4: which is very Carrage. This outfit. 228 00:11:13,320 --> 00:11:16,040 Speaker 5: She is very carry and we are because. 229 00:11:16,120 --> 00:11:20,079 Speaker 4: She's this voluminous feminine like fifty skirt. Right, it's like. 230 00:11:20,080 --> 00:11:23,200 Speaker 5: Going tight and big and pearls and saying, yes, this 231 00:11:23,320 --> 00:11:26,400 Speaker 5: is glamour. Then it's like opera gloves. 232 00:11:26,520 --> 00:11:28,920 Speaker 4: The over accestrization is very carry. And then she's wearing 233 00:11:28,960 --> 00:11:30,120 Speaker 4: a ring over the glove. 234 00:11:30,360 --> 00:11:32,640 Speaker 5: And I'll tell you this, it's an engagement ring. 235 00:11:32,920 --> 00:11:33,400 Speaker 4: M hmm. 236 00:11:33,720 --> 00:11:38,960 Speaker 5: Remember no wedding ring. It's really just crazy to me. 237 00:11:39,600 --> 00:11:41,680 Speaker 4: Kermit never like sealed the deal. 238 00:11:41,920 --> 00:11:43,240 Speaker 5: They've never gotten married. 239 00:11:43,520 --> 00:11:46,120 Speaker 4: Yeah, I mean the thing about Puppets. 240 00:11:45,840 --> 00:11:48,120 Speaker 5: It's also the Raws and Rachel. It's like, once they 241 00:11:48,160 --> 00:11:49,840 Speaker 5: get married, where's the story? 242 00:11:50,040 --> 00:11:53,280 Speaker 4: Right? And I think that's why, like Disney broke them 243 00:11:53,360 --> 00:11:55,120 Speaker 4: up in twenty fifteen when they were doing like a 244 00:11:55,160 --> 00:11:57,120 Speaker 4: Muppets relaunch for Disney Plus or something. 245 00:11:57,320 --> 00:11:57,839 Speaker 3: Yeah, and I. 246 00:11:57,800 --> 00:11:59,840 Speaker 5: Watched the movies like with like Tina fe and Brenda 247 00:12:00,120 --> 00:12:01,120 Speaker 5: was reading some article and. 248 00:12:01,120 --> 00:12:03,040 Speaker 4: They were just like, you know, one thing Jim Henson 249 00:12:03,080 --> 00:12:06,320 Speaker 4: always said was get out of the character's way. And 250 00:12:06,360 --> 00:12:08,120 Speaker 4: it's a little bit just like you know what, like 251 00:12:08,240 --> 00:12:10,360 Speaker 4: they are muppets and you probably could have figured out 252 00:12:10,360 --> 00:12:13,400 Speaker 4: ways to just like have them still be in their mode. 253 00:12:13,840 --> 00:12:16,360 Speaker 5: I think they're a way where we could have given 254 00:12:16,600 --> 00:12:19,520 Speaker 5: Piggy a marriage and that it could have been like 255 00:12:19,760 --> 00:12:21,760 Speaker 5: hean knows it for some reason, Like it's just. 256 00:12:21,800 --> 00:12:24,040 Speaker 4: Like a little lazy. It's like The Simpsons is still 257 00:12:24,040 --> 00:12:25,679 Speaker 4: in the air. They're not being like and now they 258 00:12:25,679 --> 00:12:27,920 Speaker 4: have to get divorced because we've run out of ideas. 259 00:12:27,960 --> 00:12:30,160 Speaker 4: It's a little bit like there are some like a 260 00:12:30,160 --> 00:12:33,320 Speaker 4: suspension of disbelief with like characters like this, because I 261 00:12:33,320 --> 00:12:35,480 Speaker 4: will say Miss Piggy is an invention. 262 00:12:35,720 --> 00:12:41,000 Speaker 5: She literally transcends I think like cartoon yep bits. 263 00:12:40,760 --> 00:12:42,880 Speaker 4: But like cartoons, it's kind of just like, yeah, you're 264 00:12:42,880 --> 00:12:44,600 Speaker 4: supposed to believe that she's the same age every year, 265 00:12:44,760 --> 00:12:47,360 Speaker 4: like she's not getting older. So what's with the fiction 266 00:12:47,480 --> 00:12:48,480 Speaker 4: of them getting divorced? 267 00:12:48,960 --> 00:12:52,160 Speaker 5: Because I watched this like interview with her and it 268 00:12:52,240 --> 00:12:54,160 Speaker 5: was about how like Miss pig was fifty and Miss 269 00:12:54,240 --> 00:12:55,000 Speaker 5: Piggy's like. 270 00:12:55,080 --> 00:12:56,000 Speaker 1: I'm twenty five. 271 00:12:56,200 --> 00:13:02,319 Speaker 4: Yeah, She's like, what do you mean, misspeaking. 272 00:13:02,040 --> 00:13:04,840 Speaker 5: The only impression I can do that I've I think 273 00:13:05,080 --> 00:13:10,000 Speaker 5: really I've been prostracting it for a while. So just 274 00:13:10,080 --> 00:13:13,120 Speaker 5: to start from we're gonna jump into the divco but 275 00:13:13,160 --> 00:13:16,240 Speaker 5: a little bit of history here and like go through her. 276 00:13:16,280 --> 00:13:16,480 Speaker 4: Look. 277 00:13:16,600 --> 00:13:19,760 Speaker 5: So Jim Henson when he was creating the Muppets, it 278 00:13:19,800 --> 00:13:22,880 Speaker 5: was actually only picked up by the UK because it 279 00:13:22,960 --> 00:13:24,560 Speaker 5: was so fucking weird. 280 00:13:24,800 --> 00:13:27,520 Speaker 4: That's so UK because this is the thing. You know. 281 00:13:27,559 --> 00:13:29,520 Speaker 4: I was actually talking about this with Michelle Collins the 282 00:13:29,520 --> 00:13:33,240 Speaker 4: other day on her pod. But it's like America doesn't 283 00:13:33,360 --> 00:13:37,200 Speaker 4: let non like super conventional attracted people be on TV, 284 00:13:37,760 --> 00:13:39,960 Speaker 4: and so like Muppets especially, they're just like freaked out 285 00:13:40,000 --> 00:13:42,760 Speaker 4: by it. And like that's why British reality shows are 286 00:13:42,800 --> 00:13:46,079 Speaker 4: like better because like they have like crazy people on them. 287 00:13:45,920 --> 00:13:49,760 Speaker 5: Or that hilarious sitcom with that huge woman Miranda. 288 00:13:49,559 --> 00:13:52,520 Speaker 4: Yeah we love her. Yeah, they just like you have 289 00:13:52,600 --> 00:13:54,559 Speaker 4: to just like be so fucking. 290 00:13:54,480 --> 00:13:57,840 Speaker 5: Fake, so fucking fake and pluck. 291 00:13:57,559 --> 00:13:59,920 Speaker 4: And plastic surgery eyes and veneered. 292 00:14:00,600 --> 00:14:04,240 Speaker 5: Pounds and it's like Miss Piggy is like before you know, 293 00:14:04,360 --> 00:14:05,160 Speaker 5: the Lizzo's. 294 00:14:09,720 --> 00:14:15,440 Speaker 4: She actually paved the way for women of sie literally run. 295 00:14:16,760 --> 00:14:20,080 Speaker 5: It's like she is the first proud. 296 00:14:20,360 --> 00:14:24,400 Speaker 4: Curvy curvy Yeah, who was not being like curvy as 297 00:14:24,440 --> 00:14:27,160 Speaker 4: a joke because like who else was even? I mean, 298 00:14:27,200 --> 00:14:29,040 Speaker 4: because like everyone who is famous in like fifties and 299 00:14:29,080 --> 00:14:31,080 Speaker 4: sixties was a fucking stick I know. I mean, I 300 00:14:31,080 --> 00:14:33,800 Speaker 4: guess like may West was curvy in some ways. May 301 00:14:33,840 --> 00:14:35,360 Speaker 4: West paved the way for Piggy. 302 00:14:35,520 --> 00:14:35,840 Speaker 5: Yeah. 303 00:14:35,920 --> 00:14:37,520 Speaker 4: But is it that thing where I feel like we've 304 00:14:37,520 --> 00:14:39,960 Speaker 4: talked about this, but people are always like Marilyn Monroe 305 00:14:40,000 --> 00:14:42,360 Speaker 4: was like actually a size zero, but in today's size zero, 306 00:14:42,480 --> 00:14:44,360 Speaker 4: that's twelve. 307 00:14:44,120 --> 00:14:47,840 Speaker 5: And today's in nineteen fifty six, ized twelve is actually 308 00:14:47,880 --> 00:14:48,560 Speaker 5: a size. 309 00:14:48,360 --> 00:14:52,440 Speaker 4: And you're like, wait, so I'm lost. I'm actually lost now. 310 00:14:52,760 --> 00:14:55,120 Speaker 5: And I think Miss Piggy I didn't know this. So 311 00:14:55,160 --> 00:14:57,160 Speaker 5: her creator is this woman Bonnie Erickson, who was like 312 00:14:57,200 --> 00:14:59,880 Speaker 5: working for Jim Henson and he said, I want you 313 00:14:59,920 --> 00:15:03,840 Speaker 5: to make me three pigs and she made like a 314 00:15:03,840 --> 00:15:07,520 Speaker 5: male pig and then she made Miss Piggy. But the 315 00:15:07,720 --> 00:15:09,840 Speaker 5: Piggy she made then, I mean, it's not the Piggy 316 00:15:09,880 --> 00:15:10,360 Speaker 5: of today. 317 00:15:10,640 --> 00:15:12,360 Speaker 4: No, And what did she name it? 318 00:15:12,680 --> 00:15:13,160 Speaker 5: Piggy? 319 00:15:13,280 --> 00:15:16,120 Speaker 4: Lee because she was a huge fan of Peggy Lee. 320 00:15:16,160 --> 00:15:20,520 Speaker 4: And then Peggy Lee actually threaten to sue the threatened 321 00:15:20,560 --> 00:15:22,880 Speaker 4: to Jim Henson because she was just like, I'm not 322 00:15:22,920 --> 00:15:23,360 Speaker 4: a pig. 323 00:15:23,560 --> 00:15:25,840 Speaker 5: I'm not a pig. And it's like crazy. I mean, 324 00:15:25,840 --> 00:15:29,200 Speaker 5: that's so like fifties singer to be like offended that 325 00:15:29,240 --> 00:15:31,560 Speaker 5: there's like a puppet of you. She's like, I'm a 326 00:15:31,600 --> 00:15:32,880 Speaker 5: world class sing a doll. 327 00:15:33,080 --> 00:15:34,960 Speaker 4: But you know, obviously it worked out in Miss Piggy's 328 00:15:34,960 --> 00:15:37,239 Speaker 4: favorite because if she was named Piggy Lee. 329 00:15:37,200 --> 00:15:38,880 Speaker 5: It would have kept her in the fifties. And again 330 00:15:38,920 --> 00:15:39,840 Speaker 5: she's twenty. 331 00:15:39,560 --> 00:15:42,360 Speaker 4: Five, yes, and she's a contemporary figure who evolves like 332 00:15:42,480 --> 00:15:43,800 Speaker 4: with America. 333 00:15:43,440 --> 00:15:46,040 Speaker 5: And in this book is talking about blackberries and BC 334 00:15:46,200 --> 00:15:48,840 Speaker 5: beg right, Like if she was Piggy Lee, it would 335 00:15:48,880 --> 00:15:51,760 Speaker 5: be this like an owl for a fat out, like. 336 00:15:52,400 --> 00:15:54,560 Speaker 4: She would have ever gotten to be the huge star 337 00:15:54,640 --> 00:15:56,480 Speaker 4: she was because she would have been too tight. 338 00:15:56,880 --> 00:16:00,680 Speaker 5: God intervenes, you know, everything happens for a reason. Yeah, 339 00:16:00,760 --> 00:16:03,360 Speaker 5: I love me some Peggy Ly and she is so piggy, 340 00:16:03,480 --> 00:16:06,120 Speaker 5: She's so like sultry, loud. 341 00:16:06,280 --> 00:16:09,720 Speaker 4: Well, funny thing about Miss Piggy is she like wants 342 00:16:09,800 --> 00:16:12,760 Speaker 4: to be Peggy Lee. And she wants to be this 343 00:16:12,880 --> 00:16:15,800 Speaker 4: singer and this cabaret artist. But of course, like she's 344 00:16:15,920 --> 00:16:19,000 Speaker 4: always like too much of a natural comedian and she's 345 00:16:19,080 --> 00:16:21,920 Speaker 4: just like she falls into the comedy of it is this. 346 00:16:21,800 --> 00:16:24,120 Speaker 5: Thought of her. It's like her character is someone that's 347 00:16:24,240 --> 00:16:28,640 Speaker 5: usually portrayed as like a kooky side character, like maybe 348 00:16:28,720 --> 00:16:34,240 Speaker 5: a Samantha or fran Fine, like someone who's like funny, ridiculous, 349 00:16:34,320 --> 00:16:38,320 Speaker 5: wants diamonds, but it's still the love interest of the nanny. 350 00:16:38,640 --> 00:16:41,200 Speaker 4: Oh sorry, yes, of course, yes, yeah. 351 00:16:40,960 --> 00:16:44,320 Speaker 5: But it's rare that like a piggy like character who's 352 00:16:44,360 --> 00:16:47,720 Speaker 5: like silly and loves chocolate and diamonds is still the 353 00:16:47,760 --> 00:16:48,720 Speaker 5: main love interest. 354 00:16:49,160 --> 00:16:51,080 Speaker 4: Well in the movie, I was kind of thinking of 355 00:16:51,120 --> 00:16:53,520 Speaker 4: it in this way. It's like she's kind of like 356 00:16:53,640 --> 00:16:58,760 Speaker 4: a drag queen in this way, she's fabulous. She's doing 357 00:16:58,800 --> 00:17:03,320 Speaker 4: this like satire femininity and like consumerism and commercialism and 358 00:17:03,360 --> 00:17:05,960 Speaker 4: like you know, the fame horneman, the like the desperation 359 00:17:06,080 --> 00:17:09,280 Speaker 4: for celebrity, but like she's making herself the butt of 360 00:17:09,320 --> 00:17:11,520 Speaker 4: a joke in the way that like you do in 361 00:17:11,640 --> 00:17:14,399 Speaker 4: drag as well, where it's like she's always going for 362 00:17:14,440 --> 00:17:18,120 Speaker 4: the laugh, you know. Carol King you know what I mean. 363 00:17:19,440 --> 00:17:26,280 Speaker 4: I guess that Carol Amore, Philis Diller, And this is 364 00:17:26,320 --> 00:17:30,760 Speaker 4: the thing, it's like, you can't really be super hot 365 00:17:30,920 --> 00:17:33,800 Speaker 4: and super funny. No, sorry, Sarah Silverman. 366 00:17:34,160 --> 00:17:37,920 Speaker 5: Who's like the hottest, funniest actor. Cameron Diaz. 367 00:17:38,160 --> 00:17:40,760 Speaker 4: Cameron Diaz, Actually you're right now, Cameron isn't. Jenny McCarthy 368 00:17:40,800 --> 00:17:41,240 Speaker 4: changed all that. 369 00:17:41,640 --> 00:17:42,720 Speaker 5: But the mold. 370 00:17:43,040 --> 00:17:45,639 Speaker 4: They did break the mold in this way, but not 371 00:17:45,960 --> 00:17:48,800 Speaker 4: in the like they're not live acts. I guess it's 372 00:17:48,840 --> 00:17:51,800 Speaker 4: different for them, yes, to be like the full because 373 00:17:51,840 --> 00:17:54,560 Speaker 4: it's like I'm thinking, just back in seventies Land Share 374 00:17:54,840 --> 00:17:59,960 Speaker 4: for example, like so glamorous, they work together so sexy, hey, 375 00:18:00,240 --> 00:18:03,640 Speaker 4: and like Share is funny, but Cher's not really willing 376 00:18:03,920 --> 00:18:07,360 Speaker 4: to go all the way. She's not gonna be Chris Sarley, 377 00:18:07,560 --> 00:18:10,000 Speaker 4: Like she's not gonna make herself the butt of the joke. 378 00:18:11,320 --> 00:18:14,679 Speaker 5: Canonically, the straight man was sonny sunny and Share like 379 00:18:14,720 --> 00:18:17,800 Speaker 5: he was silly, and she was I roll girlfriend, right, 380 00:18:18,000 --> 00:18:21,520 Speaker 5: which is funny because it's like Piggy Eye rolls in 381 00:18:21,560 --> 00:18:24,240 Speaker 5: this whole book, if I'll read some she ie rolls 382 00:18:24,320 --> 00:18:28,680 Speaker 5: at Kermit, but like Kermit is actually kind of I 383 00:18:28,720 --> 00:18:33,040 Speaker 5: don't know, the Woody Allen. He's like the nerdy, nerdy 384 00:18:33,200 --> 00:18:36,680 Speaker 5: indie guy who's so like women are crazy and I'm 385 00:18:36,680 --> 00:18:39,199 Speaker 5: actually a genius, but like you should trust me, Like 386 00:18:39,280 --> 00:18:40,320 Speaker 5: she's the crazy one. 387 00:18:40,480 --> 00:18:40,720 Speaker 4: Yeah. 388 00:18:40,840 --> 00:18:42,880 Speaker 5: No, he's always gaslighting Piggy. 389 00:18:43,200 --> 00:18:45,800 Speaker 4: Yeah, he's like this like manipulative indie cook. 390 00:18:46,119 --> 00:18:52,320 Speaker 5: So here's sorrys in Richwood. It's like I could really 391 00:18:52,320 --> 00:18:55,359 Speaker 5: go the fuck off about Kermit, Like and obviously there 392 00:18:55,520 --> 00:18:59,280 Speaker 5: be no Piggy without Kermit, but you know I was 393 00:18:59,280 --> 00:19:02,840 Speaker 5: watching him up It's Take Manhattan, and you know he's. 394 00:19:04,000 --> 00:19:07,800 Speaker 4: Our jobs are fucking crazy with the amount of research 395 00:19:08,160 --> 00:19:11,640 Speaker 4: for this show. Wait, did you see this scene where 396 00:19:11,720 --> 00:19:14,120 Speaker 4: she gets robbed, she. 397 00:19:14,000 --> 00:19:16,200 Speaker 5: Gets mugged, and she's chasing him in the park. 398 00:19:17,280 --> 00:19:19,520 Speaker 4: In the roller skates and then it's like she's life 399 00:19:19,520 --> 00:19:21,600 Speaker 4: size and she's and that was like. 400 00:19:21,600 --> 00:19:26,480 Speaker 5: She's borring Gregory Hines roller skates and it's actually so 401 00:19:27,200 --> 00:19:31,600 Speaker 5: Zoey Dashanel and Indy. Basically like Kermit thinks Piggy leaves 402 00:19:31,640 --> 00:19:34,679 Speaker 5: to go home and he gets a job at this 403 00:19:34,840 --> 00:19:37,720 Speaker 5: diner and like starts like flirting with the daughter who's 404 00:19:37,720 --> 00:19:40,800 Speaker 5: so bangs and an aspiring fashion designer, and they're like 405 00:19:40,840 --> 00:19:44,440 Speaker 5: walking through Central Park, just like talking about like life 406 00:19:44,480 --> 00:19:47,000 Speaker 5: and stuff, and Piggy is like spying and being so 407 00:19:49,000 --> 00:19:51,080 Speaker 5: and then it's like she gets robbed and then she 408 00:19:51,200 --> 00:19:54,080 Speaker 5: steals this guy's roller skates still like starts skating off 409 00:19:54,119 --> 00:19:57,000 Speaker 5: of them, and he's being so like, well, Piggy, she's 410 00:19:57,119 --> 00:20:01,440 Speaker 5: just a friend, like bangs girl and Hug and it's 411 00:20:01,480 --> 00:20:03,040 Speaker 5: like fuck off. 412 00:20:03,440 --> 00:20:05,760 Speaker 4: I guess I do think in this context though, that 413 00:20:05,960 --> 00:20:08,639 Speaker 4: Kermie is gaslighting the other girl who probably thinks it's 414 00:20:08,680 --> 00:20:11,800 Speaker 4: gonna be more absolutely, but in his own way, he 415 00:20:11,960 --> 00:20:14,520 Speaker 4: is just being like a dumbstricker who's just like whatever. 416 00:20:14,760 --> 00:20:16,960 Speaker 5: Well yeah, and he also thought Piggy move so. 417 00:20:19,800 --> 00:20:21,879 Speaker 4: But that's why she likes him, is like because he 418 00:20:22,000 --> 00:20:24,920 Speaker 4: is kind of a simpleton sometimes and she can manipulate 419 00:20:24,960 --> 00:20:25,959 Speaker 4: him and order him around. 420 00:20:26,280 --> 00:20:28,119 Speaker 5: That's why it is all about where she's like I 421 00:20:28,160 --> 00:20:31,719 Speaker 5: love Chanell and Diamonds and is like I want Brad Pitt, 422 00:20:32,080 --> 00:20:34,640 Speaker 5: but like she just flirts with like let's say, what 423 00:20:34,720 --> 00:20:37,280 Speaker 5: era is it. Maybe it's Johnny Cash, maybe it's best Pit, 424 00:20:37,600 --> 00:20:41,000 Speaker 5: but like she does want her just a kind of indie. 425 00:20:41,000 --> 00:20:44,879 Speaker 4: Yes, Hug, She's she's doing that character right, I mean, 426 00:20:44,880 --> 00:20:46,280 Speaker 4: as I was saying, she reminds me a friend of 427 00:20:46,320 --> 00:20:48,840 Speaker 4: the podcast Cohen a little bit, yes, who is a 428 00:20:48,920 --> 00:20:51,000 Speaker 4: very contemporary figure, and she sat her as a millennial 429 00:20:51,080 --> 00:20:55,560 Speaker 4: culture like on stage in this like fabulous like musical persona. 430 00:20:56,119 --> 00:20:58,400 Speaker 4: She's like making yourself the butt of the joke, being like, oh, 431 00:20:58,560 --> 00:21:01,760 Speaker 4: like you know, isn't the desire for attention that is 432 00:21:01,760 --> 00:21:04,000 Speaker 4: so emblematic of her era? Like it's not funny and 433 00:21:04,040 --> 00:21:05,440 Speaker 4: I'm this like embodiment of that. 434 00:21:05,680 --> 00:21:08,800 Speaker 5: Of like millennial stuff, right, But she's actually kind of 435 00:21:08,920 --> 00:21:09,840 Speaker 5: satirizing that. 436 00:21:09,960 --> 00:21:12,520 Speaker 4: She's satirizing that, and like cat loves her boyfriend, That's 437 00:21:12,520 --> 00:21:15,040 Speaker 4: what I'm saying. 438 00:21:14,560 --> 00:21:17,520 Speaker 5: Just like like at the end of the day, like 439 00:21:17,880 --> 00:21:31,399 Speaker 5: their love is so strong Cleo Club. This is also 440 00:21:31,840 --> 00:21:34,800 Speaker 5: you know in this era, it's like the eighties nineties, 441 00:21:34,880 --> 00:21:37,080 Speaker 5: desire was like really trendy to be like how can 442 00:21:37,119 --> 00:21:39,160 Speaker 5: I change a man? You know, like give the man 443 00:21:39,200 --> 00:21:41,639 Speaker 5: a makeover, Like let's put him in an HERMANI suit. 444 00:21:42,160 --> 00:21:44,520 Speaker 5: And you know this is such an example, and you 445 00:21:44,520 --> 00:21:49,440 Speaker 5: know she's basically listing all these situations that frogs do 446 00:21:49,560 --> 00:21:51,000 Speaker 5: and how you can fix it. 447 00:21:51,160 --> 00:21:55,320 Speaker 3: Forty he's fashion changed one word green. It's all he 448 00:21:55,400 --> 00:21:59,760 Speaker 3: wears formal and former casual casual chic urban cheek suburban 449 00:21:59,800 --> 00:22:04,320 Speaker 3: she informal casual sub Saharan chic. No matter the occasion, 450 00:22:04,480 --> 00:22:06,159 Speaker 3: it's always the same green outfit. 451 00:22:06,480 --> 00:22:07,800 Speaker 1: What voo need to do? 452 00:22:08,240 --> 00:22:09,160 Speaker 5: Look on the bright side. 453 00:22:09,200 --> 00:22:12,760 Speaker 3: If he's naturally green, this essentially means he's not wearing anything. 454 00:22:13,240 --> 00:22:14,879 Speaker 5: So you know, it's like she's mad that he has 455 00:22:14,920 --> 00:22:15,520 Speaker 5: bad style. 456 00:22:15,680 --> 00:22:18,080 Speaker 4: But then she's being like, isn't it hot that he's naked? Literally, 457 00:22:19,240 --> 00:22:22,080 Speaker 4: which is so this is very nineties of like because 458 00:22:22,080 --> 00:22:24,320 Speaker 4: like when did that kind of birthday card culture come 459 00:22:24,320 --> 00:22:27,760 Speaker 4: out of just being like women in sert shoes here, 460 00:22:28,080 --> 00:22:31,240 Speaker 4: like men they're good for nothing. My body's a temple, 461 00:22:31,280 --> 00:22:33,639 Speaker 4: and like services are not open today, but all I 462 00:22:33,720 --> 00:22:36,520 Speaker 4: want is a hot man with like a chainsaw. 463 00:22:36,280 --> 00:22:40,000 Speaker 5: And like just being so like hmm yeah, chocolate, need 464 00:22:40,000 --> 00:22:43,320 Speaker 5: it now, like and then all man cards are so 465 00:22:43,440 --> 00:22:46,600 Speaker 5: which she talks about here is very like, uh, sorry, 466 00:22:46,640 --> 00:22:50,520 Speaker 5: I'm always a husband glued to my remote. Yeah, I'll 467 00:22:50,560 --> 00:22:54,000 Speaker 5: take you out to dinner, like men hate restaurants and 468 00:22:54,080 --> 00:22:56,760 Speaker 5: like all they do is love watching TV, and now 469 00:22:56,840 --> 00:22:59,080 Speaker 5: like men are addicted to restaurants. 470 00:22:58,960 --> 00:23:03,119 Speaker 4: Exactly, and now women actually are so into gadgets and 471 00:23:03,160 --> 00:23:07,040 Speaker 4: they're fit bit. Okay wait, the part where she's like 472 00:23:07,440 --> 00:23:11,080 Speaker 4: he's two into gadgets is so yes, I'm gonna try 473 00:23:11,080 --> 00:23:14,480 Speaker 4: and do a pick impression. It's not Gonnass, he's gauds. 474 00:23:14,920 --> 00:23:16,680 Speaker 4: I can't do it. Mine's too Yoda. 475 00:23:17,160 --> 00:23:19,280 Speaker 5: Let's do the exercise that they did, which. 476 00:23:19,119 --> 00:23:22,159 Speaker 4: Is ironic because Frank Oz does miss Piggy and Yoda. Yeah, 477 00:23:22,200 --> 00:23:24,639 Speaker 4: he's such a genius because it's like, how does he 478 00:23:24,720 --> 00:23:27,639 Speaker 4: do both? They're so different. They are like similar, but 479 00:23:27,680 --> 00:23:28,679 Speaker 4: they are so different, and. 480 00:23:28,720 --> 00:23:31,080 Speaker 5: Yet he's also directed Father of the Bride. Yeah, just 481 00:23:31,119 --> 00:23:32,120 Speaker 5: like what a talented man. 482 00:23:32,200 --> 00:23:32,920 Speaker 4: You know, are still alive? 483 00:23:33,160 --> 00:23:33,400 Speaker 5: Yeah? 484 00:23:33,400 --> 00:23:35,800 Speaker 4: Wait, okay, wait, sidebar. Do you know how Jim Hanson died? 485 00:23:36,240 --> 00:23:40,400 Speaker 4: Really dark, it's really random and scary. He literally got 486 00:23:40,400 --> 00:23:43,960 Speaker 4: strep throat what Yeah, and he was like fifty two, 487 00:23:44,560 --> 00:23:47,520 Speaker 4: like he was completely fine, in totally good health, and 488 00:23:47,520 --> 00:23:49,520 Speaker 4: then like he was like, I have a sore throat, 489 00:23:49,560 --> 00:23:51,399 Speaker 4: but I think I'm fine. And he was like negotiena 490 00:23:51,440 --> 00:23:53,639 Speaker 4: deal with Disney at the time, like she didn't have 491 00:23:54,280 --> 00:23:57,320 Speaker 4: a lot of people said they thought he had aids Lily, 492 00:23:57,600 --> 00:24:00,640 Speaker 4: and it was the rumor that his whole goal had 493 00:24:00,680 --> 00:24:04,240 Speaker 4: to dispel at the time because people like you Italian 494 00:24:04,320 --> 00:24:06,520 Speaker 4: Americans were being so big at it. 495 00:24:08,320 --> 00:24:12,000 Speaker 5: I don't know, he likes puppet and talking and voices. 496 00:24:12,320 --> 00:24:13,720 Speaker 3: Sorry, I'm a married. 497 00:24:13,520 --> 00:24:14,920 Speaker 5: Man and I don't play with puppets. 498 00:24:14,960 --> 00:24:17,760 Speaker 4: Okay, No, it was not. It's it was randomly strapped 499 00:24:17,760 --> 00:24:20,760 Speaker 4: and then like it turned to pneumonia, like really quickly, 500 00:24:21,160 --> 00:24:22,600 Speaker 4: and he was just like thought he was fine. Them 501 00:24:22,600 --> 00:24:24,600 Speaker 4: like two days later he was coughing up blood. Goes 502 00:24:24,640 --> 00:24:27,119 Speaker 4: to like Cedars Sinai or whatever, and they like gave 503 00:24:27,200 --> 00:24:29,520 Speaker 4: him antibiotics. They killed the infection, but it was like 504 00:24:29,560 --> 00:24:31,520 Speaker 4: too late. There were so many abscesses and he just 505 00:24:31,560 --> 00:24:32,760 Speaker 4: like so. 506 00:24:33,560 --> 00:24:37,680 Speaker 5: Stop And it's not funny. I'm just saying. The homophobia 507 00:24:37,720 --> 00:24:38,640 Speaker 5: at the time. 508 00:24:39,080 --> 00:24:41,720 Speaker 4: Was also I think he was straight. 509 00:24:41,760 --> 00:24:43,400 Speaker 5: He had a wife, he was straight. 510 00:24:43,280 --> 00:24:45,320 Speaker 4: Okay, and who knows what he did in his free time. 511 00:24:45,680 --> 00:24:47,159 Speaker 4: And it's actually not my business. 512 00:24:47,240 --> 00:24:48,480 Speaker 5: It's none of my business. 513 00:24:48,520 --> 00:24:51,960 Speaker 4: I'm saying. According to Wikipedia, it was strapped throat, so 514 00:24:52,040 --> 00:24:54,920 Speaker 4: like if your throat is sore, basically you're gonna die 515 00:24:54,960 --> 00:24:59,400 Speaker 4: and go to the hospital immediately. Okay. Anyways, yes, Francas 516 00:24:59,400 --> 00:25:00,639 Speaker 4: is amazing, but. 517 00:25:00,240 --> 00:25:02,600 Speaker 5: But I was skidding before you the guy, let's do 518 00:25:02,680 --> 00:25:04,640 Speaker 5: this exercise before you read this, just for the guy 519 00:25:04,680 --> 00:25:07,760 Speaker 5: who took over for Frank Auz was like Emma Brett. 520 00:25:08,600 --> 00:25:12,120 Speaker 5: He opens up his voice, biggering, just kind of. 521 00:25:12,040 --> 00:25:19,399 Speaker 4: Like kind of the cadence of it. He scrolls a 522 00:25:19,480 --> 00:25:20,000 Speaker 4: tip stirs. 523 00:25:20,840 --> 00:25:24,960 Speaker 3: If he dos a screen a Britteryxnors and here's the 524 00:25:25,080 --> 00:25:28,600 Speaker 3: absolute ladies and electronics, he will just have to run 525 00:25:28,600 --> 00:25:31,760 Speaker 3: out and get one. And if he really doesn't particularly 526 00:25:31,840 --> 00:25:35,520 Speaker 3: want it, need it or what it does, what you 527 00:25:35,840 --> 00:25:39,920 Speaker 3: need to do. Let him have his toys, but match 528 00:25:39,960 --> 00:25:44,919 Speaker 3: him tour for tour. If he gets another PDA or GPS, 529 00:25:45,320 --> 00:25:48,760 Speaker 3: make sure you nap another d k n Y a 530 00:25:48,840 --> 00:25:53,199 Speaker 3: couple of pcpgs with the field c ks thrown in 531 00:25:53,320 --> 00:25:54,240 Speaker 3: for good measure. 532 00:25:56,240 --> 00:26:00,560 Speaker 5: That was amazing. You got the to and it's also 533 00:26:00,600 --> 00:26:04,040 Speaker 5: going between the soft one where she's been there, yeah 534 00:26:04,400 --> 00:26:05,680 Speaker 5: me and then you. 535 00:26:05,520 --> 00:26:07,920 Speaker 4: Go I was like pushing it a little too, it's 536 00:26:07,920 --> 00:26:08,840 Speaker 4: the softer one. 537 00:26:08,960 --> 00:26:12,840 Speaker 5: But then she goes in gives me the roles being 538 00:26:12,840 --> 00:26:15,800 Speaker 5: like also just like men are so obsessed with their GPS, 539 00:26:15,920 --> 00:26:17,719 Speaker 5: which at first I was like, haha, who is, but 540 00:26:17,720 --> 00:26:20,520 Speaker 5: then I was remembering my dad like being so proud 541 00:26:20,560 --> 00:26:23,840 Speaker 5: to buy like the thickest thickest ips. 542 00:26:23,880 --> 00:26:27,119 Speaker 4: I remember it was like Christmas Day, like two thousand 543 00:26:27,160 --> 00:26:31,920 Speaker 4: and two, my dad getting this huge garment, this brick garment. 544 00:26:32,480 --> 00:26:34,960 Speaker 4: He was like, well, this is pretty neat, and it 545 00:26:35,080 --> 00:26:38,240 Speaker 4: like had like such a like calculator screen that could 546 00:26:38,320 --> 00:26:40,359 Speaker 4: just like show you and they're just like showing you 547 00:26:40,400 --> 00:26:44,200 Speaker 4: nothing basically, and it's like cool. It's like doesn't even 548 00:26:44,240 --> 00:26:46,480 Speaker 4: have Google Maps on it, but they did, like it 549 00:26:46,600 --> 00:26:48,600 Speaker 4: was showing you, like your coordinance. It would just be 550 00:26:48,680 --> 00:26:50,720 Speaker 4: like okay, I'm at like thirty four and like. 551 00:26:50,680 --> 00:26:53,159 Speaker 5: To put in the directions. It was so like beep, 552 00:26:53,320 --> 00:26:54,159 Speaker 5: hard beep. 553 00:26:54,400 --> 00:26:57,320 Speaker 4: Like well. There was also the car one, Yeah, I'm 554 00:26:57,320 --> 00:26:59,239 Speaker 4: thinking of the car. My dad had this not just 555 00:26:59,240 --> 00:27:01,679 Speaker 4: like a co wor in it, like like literally was 556 00:27:01,720 --> 00:27:04,200 Speaker 4: it for the car? Was he just like this thing 557 00:27:04,240 --> 00:27:06,200 Speaker 4: you carried around with you to like know where you. 558 00:27:06,280 --> 00:27:08,160 Speaker 5: Were a massive ass compass? 559 00:27:08,240 --> 00:27:10,720 Speaker 4: Yeah, well he does love to hake no for sure, 560 00:27:10,760 --> 00:27:11,880 Speaker 4: and that is useful for him. 561 00:27:12,200 --> 00:27:14,560 Speaker 5: Yeah. Do you remember he carried around with him was 562 00:27:14,800 --> 00:27:18,120 Speaker 5: like yeah, we actually at thirty two degrees north. 563 00:27:18,400 --> 00:27:20,199 Speaker 4: Yeah, and he would be like, well look at the 564 00:27:20,240 --> 00:27:22,280 Speaker 4: actual you'll see the trail that we've taken. We kind 565 00:27:22,280 --> 00:27:26,280 Speaker 4: of veered north here, so he got some joy out 566 00:27:26,320 --> 00:27:27,359 Speaker 4: of that garment. 567 00:27:27,520 --> 00:27:29,320 Speaker 5: But he didn't. I bet your mom picked up a 568 00:27:29,320 --> 00:27:30,320 Speaker 5: few BCBG. 569 00:27:30,760 --> 00:27:33,040 Speaker 4: Oh she did. She was Santa that year. 570 00:27:33,280 --> 00:27:35,600 Speaker 5: Yeah, she was shopping for herself. 571 00:27:35,840 --> 00:27:39,040 Speaker 4: Okay. Piggy makes this like acronym joke multiple times in 572 00:27:39,080 --> 00:27:42,320 Speaker 4: the book about DK and Y and BCBG and c 573 00:27:42,560 --> 00:27:44,920 Speaker 4: K wait read it because she's going if he gets 574 00:27:44,920 --> 00:27:48,159 Speaker 4: another PDA or GPS, make sure you nab another DK 575 00:27:48,240 --> 00:27:53,440 Speaker 4: and why get it? Letter letters because she's a punster 576 00:27:53,560 --> 00:27:54,400 Speaker 4: at the end of the day. 577 00:27:54,680 --> 00:27:56,719 Speaker 5: And again she's a comedian and a punster. And I 578 00:27:56,840 --> 00:27:59,800 Speaker 5: was like eighties Piggy, I feel like it was so 579 00:28:00,080 --> 00:28:03,680 Speaker 5: Chanel the dk't mind BCPEG. I was like, that's what's 580 00:28:03,720 --> 00:28:05,920 Speaker 5: so this two nine. 581 00:28:06,600 --> 00:28:10,000 Speaker 4: I'm more like American sportswear acceptable. 582 00:28:09,920 --> 00:28:13,800 Speaker 5: Like the dec whyk I mean the shirt I'm wearing 583 00:28:13,840 --> 00:28:17,280 Speaker 5: today is like a Calvin Klein Kermey spoof. 584 00:28:17,119 --> 00:28:18,600 Speaker 4: Where he's in sexy underwear. 585 00:28:18,720 --> 00:28:19,960 Speaker 5: Yeah, like Calvin's. 586 00:28:20,160 --> 00:28:21,640 Speaker 4: He looks like a hot indie guy. 587 00:28:23,640 --> 00:28:25,560 Speaker 5: N get it, and like, I get it, not Piggy. 588 00:28:25,880 --> 00:28:29,760 Speaker 5: It's also you could compare another comparison Lena Dunham and 589 00:28:29,920 --> 00:28:35,240 Speaker 5: Adam O Adam Driver yeah, girls, she's like depressed. 590 00:28:34,720 --> 00:28:37,159 Speaker 4: And he's got like a big mouth. Kermit's got a 591 00:28:37,240 --> 00:28:39,960 Speaker 4: big mouth, like a man with a big mouth, and like. 592 00:28:40,360 --> 00:28:43,240 Speaker 5: You know, she's Piggy's whole things. She's needy even though she. 593 00:28:44,920 --> 00:28:45,840 Speaker 4: Him to Miss Piggy. 594 00:28:46,040 --> 00:28:51,440 Speaker 5: You compared her dear friend, Miss Piggy. She's literally a 595 00:28:51,600 --> 00:28:55,200 Speaker 5: fabulous pig. Also, Piggy is actually I'll say it, yes 596 00:28:55,240 --> 00:28:58,800 Speaker 5: she is a pig, but she's never like the biggest 597 00:28:59,120 --> 00:29:01,600 Speaker 5: I think she is in the eighties and she has 598 00:29:01,640 --> 00:29:04,120 Speaker 5: a wider face and a perm. 599 00:29:04,120 --> 00:29:06,320 Speaker 4: Yeah, well this is getting back into this insane video. 600 00:29:06,320 --> 00:29:09,520 Speaker 4: We watched about the evolution of her like foam core undercarriage, 601 00:29:09,880 --> 00:29:13,520 Speaker 4: and like the foam she was made with like evolved 602 00:29:13,560 --> 00:29:15,720 Speaker 4: and like got more high tech, and like her skin 603 00:29:15,760 --> 00:29:17,920 Speaker 4: got more beautiful. Like at first she was like actually 604 00:29:17,960 --> 00:29:20,400 Speaker 4: creepy exacting so that it's. 605 00:29:20,240 --> 00:29:22,920 Speaker 5: Like British people are creepy, and like even the nerdy 606 00:29:22,960 --> 00:29:25,080 Speaker 5: guy was like, it's actually hard to like watch her 607 00:29:25,160 --> 00:29:27,400 Speaker 5: move because the skin is like terrifying. 608 00:29:28,280 --> 00:29:31,320 Speaker 4: Yeah, and it's like super creppy and drapy and like 609 00:29:31,400 --> 00:29:34,400 Speaker 4: falling apart. But then it's like, I don't know, maybe 610 00:29:34,440 --> 00:29:37,120 Speaker 4: that's more realistic and it's like, is she actually like 611 00:29:37,240 --> 00:29:40,080 Speaker 4: pushing unrealistic beauty standards for pigs. 612 00:29:40,160 --> 00:29:45,760 Speaker 5: Well, she definitely gets a snout job. Like you'll see 613 00:29:45,800 --> 00:29:47,360 Speaker 5: the snout becomes smaller. 614 00:29:47,840 --> 00:29:50,760 Speaker 4: It also becomes like longer and more expressive, right, which 615 00:29:50,800 --> 00:29:53,960 Speaker 4: is like partly for you know, acting purposes, so like 616 00:29:54,040 --> 00:29:56,840 Speaker 4: Frank can make her more excitable and like do more 617 00:29:56,880 --> 00:29:57,600 Speaker 4: comedy with her. 618 00:29:57,760 --> 00:29:59,800 Speaker 5: And I feel like her ears were sharper and hear 619 00:29:59,880 --> 00:30:01,120 Speaker 5: the like a little more. 620 00:30:01,280 --> 00:30:05,720 Speaker 4: Like I wonder if you like affected like state fair piggery, 621 00:30:06,320 --> 00:30:09,160 Speaker 4: Like if like the pigs that the like Wisconsin State 622 00:30:09,160 --> 00:30:13,040 Speaker 4: Fair in the seventies were actually kind of like less sassy, 623 00:30:13,680 --> 00:30:17,280 Speaker 4: less sassy, less makeup, like less smooth skin, and now 624 00:30:17,280 --> 00:30:19,080 Speaker 4: they're like trying to buff them and make them like 625 00:30:19,160 --> 00:30:20,280 Speaker 4: so much more miss piggy. 626 00:30:20,560 --> 00:30:23,000 Speaker 5: I mean there are those like little pig runs that 627 00:30:23,040 --> 00:30:26,120 Speaker 5: I've seen at state fairs where they name all the 628 00:30:26,200 --> 00:30:27,120 Speaker 5: pigs and it's like. 629 00:30:27,160 --> 00:30:28,760 Speaker 4: Oh wait, we did see that. Yeah, that was like 630 00:30:28,800 --> 00:30:29,520 Speaker 4: the best thing of every seen. 631 00:30:29,680 --> 00:30:33,680 Speaker 5: Right, it's being so like Beyonce like pig or whatever, 632 00:30:34,360 --> 00:30:36,520 Speaker 5: and that feels does feel affected. 633 00:30:36,120 --> 00:30:39,600 Speaker 4: By, right, And that comes back to the joy of femininization, 634 00:30:40,160 --> 00:30:44,000 Speaker 4: And that's where I'm like, there's so much drag overlap here, 635 00:30:44,120 --> 00:30:44,360 Speaker 4: and I. 636 00:30:44,280 --> 00:30:46,000 Speaker 5: Think what they real is because when she was first 637 00:30:46,040 --> 00:30:49,440 Speaker 5: on her bower Boat show, who's like easy listening, but 638 00:30:49,920 --> 00:30:53,880 Speaker 5: she was more say with me, demure, and then she 639 00:30:54,240 --> 00:30:59,080 Speaker 5: slowly got more sassy yes, and then her final form 640 00:30:59,120 --> 00:31:03,560 Speaker 5: of more like the and now and just like right, 641 00:31:03,600 --> 00:31:06,480 Speaker 5: it's like always being so diamonds diva. But I think 642 00:31:06,520 --> 00:31:09,120 Speaker 5: at first it was like, yes, she was like glamorous, 643 00:31:09,160 --> 00:31:10,760 Speaker 5: but she was a little bit like, yeah, I'm a 644 00:31:10,800 --> 00:31:14,640 Speaker 5: guy's girl. I'll follow Kermit somewhere like okay Kurmi and 645 00:31:14,760 --> 00:31:17,760 Speaker 5: is like more like her whole thing became like being violent, 646 00:31:17,840 --> 00:31:20,800 Speaker 5: which is I'm obsessed with, like her karate chop. 647 00:31:21,000 --> 00:31:24,560 Speaker 4: Yeah, hi yi, I know. I was just watching an 648 00:31:24,560 --> 00:31:28,040 Speaker 4: episode of The Muppet Shirt with Liberachi as the special guest, 649 00:31:28,160 --> 00:31:31,479 Speaker 4: and that's completely insane. And she's doing this like Greek 650 00:31:31,560 --> 00:31:34,640 Speaker 4: restaurant dance number, and there's all these other pigs at 651 00:31:34,680 --> 00:31:38,480 Speaker 4: the Greek restaurant and they're all just going Mika nos hoummos, 652 00:31:41,680 --> 00:31:43,880 Speaker 4: and she's wearing this kind of just like almost like 653 00:31:43,920 --> 00:31:47,239 Speaker 4: a Venice like Venetian gondola outfit, and she's just like 654 00:31:47,280 --> 00:31:50,680 Speaker 4: pushing random waiters like downstairs and just being like. 655 00:31:50,800 --> 00:31:51,680 Speaker 1: I'm no Greek buddy. 656 00:31:52,000 --> 00:31:55,160 Speaker 3: Kiss me on Tuesday, kiss me onstair. 657 00:31:56,240 --> 00:31:58,200 Speaker 4: Where it's like she wants everyone to love her, but 658 00:31:58,240 --> 00:32:03,080 Speaker 4: she also wants to just like hurt. She does right. 659 00:32:03,000 --> 00:32:06,200 Speaker 5: And it's actually so like pushing men and kicking them 660 00:32:06,240 --> 00:32:09,760 Speaker 5: and like being like you're disgusting, And it's like she 661 00:32:10,040 --> 00:32:12,880 Speaker 5: is this girl that like is so like diamonds and 662 00:32:12,920 --> 00:32:14,680 Speaker 5: fabulous because at the end of the day, like her 663 00:32:14,720 --> 00:32:18,720 Speaker 5: probably biggest female friend and foe is like Janis, who 664 00:32:18,800 --> 00:32:20,560 Speaker 5: is like the Stoner and the Muppets. 665 00:32:20,880 --> 00:32:22,040 Speaker 4: She is a guy's girl. 666 00:32:22,160 --> 00:32:24,640 Speaker 5: She is a guys girl, which I think why she 667 00:32:24,880 --> 00:32:26,040 Speaker 5: is so like high Off. 668 00:32:26,160 --> 00:32:29,480 Speaker 4: Well this question where she says what to say when 669 00:32:29,520 --> 00:32:32,400 Speaker 4: you feel like fighting, and it's like things you can 670 00:32:32,440 --> 00:32:34,680 Speaker 4: do to start a fight, ask for it? 671 00:32:34,880 --> 00:32:37,960 Speaker 5: What does when you feel like fighting? Does this dress 672 00:32:38,000 --> 00:32:40,840 Speaker 5: make me look fat? Should I bar these shoes? 673 00:32:41,440 --> 00:32:41,680 Speaker 4: Marked? 674 00:32:41,680 --> 00:32:43,680 Speaker 5: If we watch the figures cuting competition? 675 00:32:44,560 --> 00:32:44,800 Speaker 4: Marred? 676 00:32:44,840 --> 00:32:50,280 Speaker 5: If I drive the remote? I threw that out again, remote. 677 00:32:49,920 --> 00:32:53,680 Speaker 4: Stuff, remote jokes because men always want the click girl. 678 00:32:53,720 --> 00:32:56,160 Speaker 5: I always love to click click click. 679 00:32:57,040 --> 00:32:59,120 Speaker 4: I do feel like I do do this though, and 680 00:32:59,200 --> 00:32:59,600 Speaker 4: I want. 681 00:32:59,480 --> 00:33:01,960 Speaker 5: To start I mean It's classic do I look fat? 682 00:33:02,000 --> 00:33:03,600 Speaker 4: If I want to just like be mad at my boyfriend, 683 00:33:03,640 --> 00:33:05,440 Speaker 4: I'll just be like, oh so you think you look fat? 684 00:33:05,440 --> 00:33:07,080 Speaker 4: And he's like, I literally didn't even say anything. 685 00:33:07,160 --> 00:33:10,040 Speaker 5: I said nothing, and you're it's not don't impress me much. 686 00:33:11,320 --> 00:33:13,880 Speaker 4: And I'm just like, Okay, well you didn't say anything, 687 00:33:13,880 --> 00:33:14,680 Speaker 4: which means you do think. 688 00:33:14,680 --> 00:33:17,280 Speaker 5: I like, yeah, that is like, oh so you don't 689 00:33:17,320 --> 00:33:21,920 Speaker 5: want it. You're embarrassed to be with me. Career tip 690 00:33:22,000 --> 00:33:22,440 Speaker 5: number one. 691 00:33:22,520 --> 00:33:25,959 Speaker 3: Ambition. Ambition is what drives us marrying wealthy is what 692 00:33:26,080 --> 00:33:29,480 Speaker 3: provides the driver. People who work to live have a job. 693 00:33:29,760 --> 00:33:32,120 Speaker 3: People who lived to work have a career. People who 694 00:33:32,120 --> 00:33:34,280 Speaker 3: have people do have the work for them, haven't made 695 00:33:34,640 --> 00:33:35,760 Speaker 3: if she's not married. 696 00:33:36,040 --> 00:33:39,320 Speaker 4: Yeah, it's interesting. I mean again, it's the character. It's 697 00:33:39,320 --> 00:33:41,440 Speaker 4: almost like this Paris Hilton book and there are Confessions 698 00:33:41,440 --> 00:33:43,360 Speaker 4: of an Heiress, which is so just like How to 699 00:33:43,360 --> 00:33:46,720 Speaker 4: Be Read book. Yeah. I also wanted to talk about 700 00:33:47,600 --> 00:33:50,520 Speaker 4: identity for a second here, please, Yeah, because in this 701 00:33:50,560 --> 00:33:54,320 Speaker 4: book she refers to herself mostly as a woman and 702 00:33:54,360 --> 00:33:57,560 Speaker 4: not as a pig. Occasionally as a pig, but it's 703 00:33:57,600 --> 00:33:59,239 Speaker 4: mostly a woman and there's a lot of just like 704 00:34:00,200 --> 00:34:02,280 Speaker 4: this men do this or let me do this, but 705 00:34:02,320 --> 00:34:05,280 Speaker 4: frogs do this. She talks about frogs more than she 706 00:34:05,320 --> 00:34:09,040 Speaker 4: talks about pigs. Yes, and so she's like often othering 707 00:34:09,200 --> 00:34:12,160 Speaker 4: Kermy as a frog, but in her own mind she 708 00:34:12,320 --> 00:34:14,719 Speaker 4: is standing for all women and she is this like 709 00:34:15,080 --> 00:34:17,640 Speaker 4: icon of femininity. There's only a couple of points where 710 00:34:17,680 --> 00:34:19,600 Speaker 4: she breaks, like when she talks about the oscars and 711 00:34:19,640 --> 00:34:22,799 Speaker 4: she's like, they've only given oscars to humans, which is 712 00:34:22,840 --> 00:34:26,520 Speaker 4: possibly speciesism, which is almost like a proto woke joke. 713 00:34:26,719 --> 00:34:29,000 Speaker 5: No, and she makes another thing in the interest soudly 714 00:34:29,000 --> 00:34:31,279 Speaker 5: about this stuff where she talks about how like her 715 00:34:31,360 --> 00:34:33,880 Speaker 5: and Kurmy are like the only interspecies couple. 716 00:34:34,000 --> 00:34:36,200 Speaker 4: Yes, that was another joke where she kind of broke 717 00:34:36,239 --> 00:34:37,959 Speaker 4: it and she was like, I get it, I'm a pig. 718 00:34:38,239 --> 00:34:41,319 Speaker 5: But and she says also in the intro to your part, 719 00:34:41,480 --> 00:34:44,480 Speaker 5: she says I will use men and frogs interchangeably, but 720 00:34:44,520 --> 00:34:45,480 Speaker 5: she doesn't say. 721 00:34:45,320 --> 00:34:48,200 Speaker 4: I will use women in pigs inter Yeah. 722 00:34:47,960 --> 00:34:49,560 Speaker 5: Because she also doesn't want to call women. 723 00:34:49,800 --> 00:34:50,879 Speaker 4: She doesn't want to call a woman. 724 00:34:51,400 --> 00:34:52,400 Speaker 5: She's the only pig. 725 00:34:52,480 --> 00:34:55,680 Speaker 4: She's not really a pig's rights activism. No, it's not 726 00:34:55,760 --> 00:34:58,920 Speaker 4: animal rights activism. Yeah, she's basically saying, like, I know 727 00:34:59,000 --> 00:35:00,880 Speaker 4: that a pig is a problem thing for him to be, 728 00:35:00,960 --> 00:35:04,640 Speaker 4: but I also think that like, by doing this joke 729 00:35:04,680 --> 00:35:08,000 Speaker 4: about womanhood, I'm also celebrating womanhood and kind of like 730 00:35:08,640 --> 00:35:12,279 Speaker 4: criticizing and insulting everyone who thinks that like women are 731 00:35:12,280 --> 00:35:17,719 Speaker 4: are superficial you know, man haters, man killers, whatever. Because 732 00:35:17,760 --> 00:35:19,640 Speaker 4: she's doing this like goat. 733 00:35:20,239 --> 00:35:21,880 Speaker 5: Which also brings back to being her be kind of 734 00:35:21,880 --> 00:35:24,960 Speaker 5: a retro drag queen. Yes, it's a little of this 735 00:35:25,040 --> 00:35:30,000 Speaker 5: kind of self hate still being like like born this way. Yeah, 736 00:35:30,040 --> 00:35:32,840 Speaker 5: like I was born a pig, but I meant for stardom. Yes, 737 00:35:34,160 --> 00:35:36,239 Speaker 5: it also is kind of riology. 738 00:35:36,360 --> 00:35:36,920 Speaker 4: Be damned. 739 00:35:37,000 --> 00:35:40,000 Speaker 5: I wrote this down, you know, like in the famous 740 00:35:40,080 --> 00:35:44,239 Speaker 5: queer text stone Butcher Blues Yes by Leslie Feinberg, And 741 00:35:44,239 --> 00:35:46,640 Speaker 5: it's about how just like you know, you would automatically 742 00:35:46,760 --> 00:35:49,719 Speaker 5: just he a butch lesbian back in the day, in 743 00:35:49,760 --> 00:35:54,040 Speaker 5: the sixties, just like it was more conversation like you're 744 00:35:54,080 --> 00:35:54,439 Speaker 5: a heat. 745 00:35:54,520 --> 00:35:59,320 Speaker 4: It was more like stud culture in the South today, exactly. 746 00:35:58,840 --> 00:36:01,520 Speaker 5: What's your stud name? And it's like, what's your pig name? 747 00:36:01,560 --> 00:36:04,320 Speaker 5: And I think she's being like, yeah, it's fun men frog, 748 00:36:04,480 --> 00:36:05,040 Speaker 5: same thing. 749 00:36:05,280 --> 00:36:09,520 Speaker 4: Yes, he might peg. She she's not being like, my 750 00:36:09,640 --> 00:36:11,319 Speaker 4: pronouns are pig her. 751 00:36:11,520 --> 00:36:13,040 Speaker 5: She's just being like, I'm a pig. 752 00:36:13,120 --> 00:36:15,960 Speaker 4: Obviously obviously I'm a pig, but like, for the purpose 753 00:36:16,040 --> 00:36:19,480 Speaker 4: of this conversation, I'm a woman, yes, and like womanhood 754 00:36:20,160 --> 00:36:22,719 Speaker 4: is fluid and beautiful and it's a big. 755 00:36:22,520 --> 00:36:26,839 Speaker 5: Tent stone pig blues. That's the theory book we're going 756 00:36:26,880 --> 00:36:30,120 Speaker 5: to write about Piggy. 757 00:36:29,440 --> 00:36:34,239 Speaker 4: And her as like a transhumanist like allegory collapsing the 758 00:36:34,239 --> 00:36:35,560 Speaker 4: boundaries of identity. 759 00:36:35,880 --> 00:36:37,920 Speaker 5: Oh I also this dad, I was like, they're also 760 00:36:38,040 --> 00:36:40,160 Speaker 5: kind of a prototype for just like a Chip and 761 00:36:40,239 --> 00:36:44,160 Speaker 5: Joanna or just like any couple Reno show where it's 762 00:36:43,920 --> 00:36:47,320 Speaker 5: like she's so iroll, she's so eyroll and making all these. 763 00:36:47,520 --> 00:36:51,400 Speaker 4: Design decisions, and he's being like so doing the like 764 00:36:51,480 --> 00:36:52,440 Speaker 4: construction work. 765 00:36:52,440 --> 00:36:54,799 Speaker 5: Right, but he's it's a little more sitting. 766 00:36:55,280 --> 00:36:57,600 Speaker 4: Because he's actually. 767 00:36:58,840 --> 00:37:00,960 Speaker 5: Kermi type to this book. 768 00:37:01,239 --> 00:37:03,960 Speaker 4: Oh I love that reveal in the middle. 769 00:37:03,719 --> 00:37:05,799 Speaker 5: Of the book. Yeah, get the page, so you know 770 00:37:05,960 --> 00:37:08,480 Speaker 5: she begins it and she's being still like, oh if 771 00:37:08,520 --> 00:37:12,040 Speaker 5: my publisher found a typist for me, because obviously she's 772 00:37:12,040 --> 00:37:12,720 Speaker 5: not gonna type. 773 00:37:12,760 --> 00:37:15,680 Speaker 4: So it's supposed to be like ten thousand things that 774 00:37:15,920 --> 00:37:18,839 Speaker 4: idiotic frogs do, and then it stops at forty two. 775 00:37:19,640 --> 00:37:22,399 Speaker 4: Number forty two. He's a frog who doesn't realize how 776 00:37:22,440 --> 00:37:24,680 Speaker 4: fortunate he is to have a mow and ought. 777 00:37:24,480 --> 00:37:24,959 Speaker 1: To be glad. 778 00:37:25,040 --> 00:37:27,000 Speaker 4: I put up with this dot dot dot, and then 779 00:37:27,000 --> 00:37:29,840 Speaker 4: it goes up to dot. Hold on, I'm not typing 780 00:37:29,920 --> 00:37:32,759 Speaker 4: any more of this. I quit, and then it's like 781 00:37:32,920 --> 00:37:39,200 Speaker 4: signed K the F, I love K the F. And 782 00:37:39,239 --> 00:37:41,839 Speaker 4: then the whole book shifts and it becomes basically more 783 00:37:42,040 --> 00:37:43,960 Speaker 4: just like fridge magnet aphorisms. 784 00:37:44,239 --> 00:37:45,879 Speaker 5: Yeah, and it's being a little more like. 785 00:37:46,000 --> 00:37:49,000 Speaker 4: If your man does this, yeah, whatevery diva needs to know? 786 00:37:49,200 --> 00:37:51,680 Speaker 4: Too much is never enough. I do love the one 787 00:37:52,040 --> 00:37:54,520 Speaker 4: that's a you could lead a horse to water, but 788 00:37:54,560 --> 00:37:56,759 Speaker 4: why would you want to wait? 789 00:37:56,800 --> 00:38:00,239 Speaker 5: That's what she gets really. Bethany also, who's another kind 790 00:38:00,280 --> 00:38:00,760 Speaker 5: of Peggy. 791 00:38:00,880 --> 00:38:03,960 Speaker 4: Bethany is one hundred percent of Miss Peggy for sure. 792 00:38:04,120 --> 00:38:08,760 Speaker 5: Main character, but hilarious, but a business woman like always 793 00:38:08,800 --> 00:38:10,240 Speaker 5: engaged for Mary. 794 00:38:10,480 --> 00:38:13,080 Speaker 4: I guess I'll say about Bethany is that I don't 795 00:38:13,120 --> 00:38:17,680 Speaker 4: not necessarily gonna put her on that like faillis satirical 796 00:38:17,760 --> 00:38:20,279 Speaker 4: level that maybe like Elena dunnams on that I don't. 797 00:38:20,800 --> 00:38:25,000 Speaker 4: Bethany is deeply unaware of whatever you could accuse her 798 00:38:25,000 --> 00:38:26,120 Speaker 4: of satirizing. 799 00:38:26,400 --> 00:38:28,840 Speaker 5: And if she thinks she's aware, like doing her like 800 00:38:28,960 --> 00:38:30,680 Speaker 5: food things, she's still like not. 801 00:38:31,000 --> 00:38:33,240 Speaker 4: Yeah, She's ultimately completely insane. 802 00:38:33,600 --> 00:38:35,080 Speaker 5: He's status obsessed. 803 00:38:35,160 --> 00:38:37,680 Speaker 3: It's all about the label, the fancy car, the platinum 804 00:38:37,760 --> 00:38:42,480 Speaker 3: encrusted watch, the vacation place instead, the showy perks. 805 00:38:42,080 --> 00:38:43,239 Speaker 1: What voon need to do? 806 00:38:43,560 --> 00:38:44,880 Speaker 5: Give MOI his number? 807 00:38:45,760 --> 00:38:47,600 Speaker 4: So you know, it's like she's being like, yes, I 808 00:38:47,600 --> 00:38:48,640 Speaker 4: want a rich man. 809 00:38:49,040 --> 00:38:51,239 Speaker 5: So it's like the frog is typing, so he is 810 00:38:51,280 --> 00:38:53,440 Speaker 5: her cock and she is this whole time, going back 811 00:38:53,480 --> 00:38:55,839 Speaker 5: and forth to being like I will leave you. 812 00:38:55,960 --> 00:38:59,200 Speaker 4: But he understands that it's a performance. He totally gets that. 813 00:38:59,520 --> 00:39:01,840 Speaker 4: Also very nineties about this Pokemon comment twent thousand and 814 00:39:01,920 --> 00:39:04,600 Speaker 4: nine is like the jokes about exercise equipment. 815 00:39:05,040 --> 00:39:10,120 Speaker 5: She's anti exercise, but she's also very like sweat band, StairMaster. 816 00:39:10,680 --> 00:39:12,920 Speaker 4: She gets buying at home fitness machine for your bedroom. 817 00:39:13,000 --> 00:39:15,360 Speaker 4: After about two weeks, get a major workout looking for 818 00:39:15,400 --> 00:39:18,360 Speaker 4: it under all those dirty clothes, I mean iconic. 819 00:39:18,600 --> 00:39:22,719 Speaker 5: Did your mom have Like we had a huge exercise bike. 820 00:39:23,160 --> 00:39:26,040 Speaker 5: It was massive on like the first floor, and you 821 00:39:26,040 --> 00:39:26,920 Speaker 5: remember it. 822 00:39:26,920 --> 00:39:29,200 Speaker 4: It was like white the bottom floor. 823 00:39:29,520 --> 00:39:31,919 Speaker 5: Yeah, and it kind of created like a wind fan 824 00:39:32,080 --> 00:39:32,720 Speaker 5: like it had. 825 00:39:32,880 --> 00:39:33,440 Speaker 4: It was a swim. 826 00:39:33,640 --> 00:39:37,320 Speaker 5: Yeah, it was a swine. And my mom would listen 827 00:39:37,400 --> 00:39:40,719 Speaker 5: to her yellow Discman and she bought the LaBouche CD. 828 00:39:40,920 --> 00:39:41,880 Speaker 5: Actually at HMV. 829 00:39:42,320 --> 00:39:45,400 Speaker 4: That's a workout way too cool for any mom to 830 00:39:45,440 --> 00:39:45,799 Speaker 4: ever do. 831 00:39:46,040 --> 00:39:48,000 Speaker 5: I know, literally my mom buying. 832 00:39:50,280 --> 00:39:52,359 Speaker 4: That's crazy, and so she used it. 833 00:39:52,560 --> 00:39:55,360 Speaker 5: Yeah, I feel like for a while and then it became. 834 00:39:55,400 --> 00:39:58,200 Speaker 4: I remember Dusty. There was a treadmill that I never 835 00:39:58,280 --> 00:40:00,640 Speaker 4: even saw out. It was only a against the wall 836 00:40:01,239 --> 00:40:03,359 Speaker 4: and then there was pushed down. There was this like 837 00:40:03,520 --> 00:40:06,399 Speaker 4: abs seeked and it's like, you know, those things are 838 00:40:06,400 --> 00:40:08,239 Speaker 4: like the worst machine of the gym. Like anytime I 839 00:40:08,239 --> 00:40:10,200 Speaker 4: see someone using the like thing where you sit in 840 00:40:10,239 --> 00:40:13,359 Speaker 4: and move down, it's like they don't have abs. It's 841 00:40:13,480 --> 00:40:15,640 Speaker 4: just like that's not how you got them. It was 842 00:40:15,680 --> 00:40:17,920 Speaker 4: like this seat with like a bar that you press, you. 843 00:40:18,040 --> 00:40:20,160 Speaker 5: Push down that you're just supposed to engauge the core. 844 00:40:20,239 --> 00:40:22,799 Speaker 4: Yeah, you gauge the core. And I only ever saw 845 00:40:22,840 --> 00:40:25,160 Speaker 4: a pile of clothes on it, like it was absolutely 846 00:40:25,160 --> 00:40:29,800 Speaker 4: never finding hang defining like nineties and buying, especially the 847 00:40:29,800 --> 00:40:30,880 Speaker 4: TV and I think there are. 848 00:40:30,760 --> 00:40:34,839 Speaker 5: Something iconic photos of Piggy like being eighties being like leotard, 849 00:40:35,040 --> 00:40:39,280 Speaker 5: let's get physical now. It's like she is a past 850 00:40:39,360 --> 00:40:42,640 Speaker 5: generation of like you can be fabulous but anti exercise, 851 00:40:43,080 --> 00:40:47,040 Speaker 5: Like the coolest thing for a star is to be fit, 852 00:40:47,120 --> 00:40:50,880 Speaker 5: bit and spin. It's about being like naturally Fabuliz go. 853 00:40:51,000 --> 00:40:53,000 Speaker 4: To a gym that Paris Hilton to bring it back 854 00:40:53,000 --> 00:40:56,640 Speaker 4: to Confessions of an Era their sister to this book. 855 00:40:56,840 --> 00:40:59,160 Speaker 4: I remember at one point she says, if you do 856 00:40:59,280 --> 00:41:01,799 Speaker 4: work out, don't tell anyone. I love that, right, Like 857 00:41:01,800 --> 00:41:04,680 Speaker 4: you're supposed to experience of effortlessness. You're supposed to be 858 00:41:04,760 --> 00:41:08,480 Speaker 4: rich and genetics and like, yeah, being naturally thin. 859 00:41:08,680 --> 00:41:11,120 Speaker 5: It's not about working for it and being Lulu Lemon 860 00:41:11,200 --> 00:41:12,480 Speaker 5: and constant Stanley. 861 00:41:12,600 --> 00:41:17,360 Speaker 4: You know, it's completely shift now it's a status symbol 862 00:41:17,440 --> 00:41:19,200 Speaker 4: to be working out constantly. 863 00:41:18,880 --> 00:41:21,680 Speaker 5: Only being workout close and maybe think of the amazing 864 00:41:21,719 --> 00:41:25,040 Speaker 5: scene Alton First Wives Club when Goldie Han is on 865 00:41:25,120 --> 00:41:28,880 Speaker 5: the StairMaster. She says, I get my best ideas on 866 00:41:28,880 --> 00:41:32,279 Speaker 5: the StairMaster. She's also kind of a Piggy like character. 867 00:41:32,560 --> 00:41:34,759 Speaker 4: Oh for sure, you know, yeah, I mean we can 868 00:41:34,840 --> 00:41:36,720 Speaker 4: just make a list of all the piggies. 869 00:41:36,520 --> 00:41:39,400 Speaker 5: Goldie Hon Cameron DIA's. 870 00:41:39,080 --> 00:41:41,120 Speaker 4: I'm kind of saying Goldiehan's more piggy to. 871 00:41:41,160 --> 00:41:43,480 Speaker 5: Me, I think because it's about being like silly in 872 00:41:43,520 --> 00:41:46,120 Speaker 5: this different, like coookier way. 873 00:41:46,040 --> 00:41:48,600 Speaker 4: But it's also about being like diamonds in New York 874 00:41:48,640 --> 00:41:51,440 Speaker 4: and knowing that you're being in over the top, like 875 00:41:51,640 --> 00:41:55,799 Speaker 4: you know, kind of like materialist diva who's also like 876 00:41:55,920 --> 00:41:58,040 Speaker 4: an intellectual and wants to be the star, and you're 877 00:41:58,080 --> 00:42:00,920 Speaker 4: playing with that idea of desperation and a need for attention, 878 00:42:01,239 --> 00:42:02,839 Speaker 4: like Cameron dia is, this is not part of her 879 00:42:03,000 --> 00:42:06,760 Speaker 4: persona is the guy's girl who wants to play football 880 00:42:06,760 --> 00:42:08,640 Speaker 4: and do not show. It's like she just have this 881 00:42:08,680 --> 00:42:12,040 Speaker 4: like slightly self satirizing, Like isn't it ridiculous? How like 882 00:42:12,280 --> 00:42:13,319 Speaker 4: thirsty I am, like. 883 00:42:13,560 --> 00:42:16,680 Speaker 5: Right, and like I love men and chocolate. Yeah, Samantha 884 00:42:16,800 --> 00:42:18,680 Speaker 5: is actually not a Piggy. 885 00:42:19,719 --> 00:42:23,120 Speaker 4: It's hard she I mean, she is the most out 886 00:42:23,160 --> 00:42:24,160 Speaker 4: of the four of them. 887 00:42:24,280 --> 00:42:26,960 Speaker 5: But in a way, Piggy is also a little Charlotte Ye. 888 00:42:28,280 --> 00:42:30,839 Speaker 5: Piggy isn't giving it up and just wants this one 889 00:42:30,840 --> 00:42:33,360 Speaker 5: guy who has the money in the Park Avenue apartment 890 00:42:33,840 --> 00:42:34,960 Speaker 5: and Chanel right. 891 00:42:34,880 --> 00:42:37,480 Speaker 4: Just kind of Charlotte. Yes, yes, yes, no, I mean 892 00:42:37,520 --> 00:42:40,240 Speaker 4: and Charlotte's so rules, She's so dificule. 893 00:42:40,080 --> 00:42:42,200 Speaker 5: Even though but I would say love life. She's most 894 00:42:42,280 --> 00:42:47,360 Speaker 5: like Carrie because Big is Kermit never giving her the marriage. 895 00:42:47,400 --> 00:42:49,440 Speaker 4: Big is not like a thin indie guy who lives 896 00:42:49,480 --> 00:42:49,799 Speaker 4: in Ridge. 897 00:42:50,160 --> 00:42:52,799 Speaker 5: No, but relationship wise he. 898 00:42:52,840 --> 00:42:55,080 Speaker 4: Is a little more Steve to me though. 899 00:42:55,000 --> 00:42:57,480 Speaker 5: Personality wise you just saying, though, how Big. It's like 900 00:42:57,520 --> 00:42:58,279 Speaker 5: there's always this. 901 00:42:58,200 --> 00:43:00,279 Speaker 4: Guy, Like I think it'd be funnier if intead of 902 00:43:00,280 --> 00:43:03,120 Speaker 4: making them divorce, there was more Miranda and Steve. Like 903 00:43:03,520 --> 00:43:06,880 Speaker 4: she becomes a lesbian, she becomes she gets pig becomes 904 00:43:06,920 --> 00:43:12,120 Speaker 4: a lessian, gets with Gena, Lions and Chrome has just 905 00:43:12,120 --> 00:43:15,160 Speaker 4: been like I'm happy to just watch Netflix or whatever. 906 00:43:25,480 --> 00:43:28,959 Speaker 1: The fabulous segment coat, What does she eat? 907 00:43:30,120 --> 00:43:31,920 Speaker 5: What does she wear chanel? 908 00:43:32,040 --> 00:43:32,680 Speaker 4: Of course? 909 00:43:33,440 --> 00:43:35,880 Speaker 1: How does she live? Per caven your apartment? 910 00:43:37,320 --> 00:43:38,840 Speaker 3: What does she eat for grass? 911 00:43:39,480 --> 00:43:43,680 Speaker 4: Oysters? Champagne? Do you think bacon? 912 00:43:44,360 --> 00:43:46,560 Speaker 5: I feel like it's so piggy to like. 913 00:43:47,080 --> 00:43:51,320 Speaker 3: Go to like like a fabulous restaurant like Laban and 914 00:43:51,400 --> 00:43:54,319 Speaker 3: Den and they serve her and she doesn't realize it 915 00:43:54,360 --> 00:43:56,839 Speaker 3: and then she gets mad at the hip and they're 916 00:43:56,920 --> 00:44:01,200 Speaker 3: like Peggy, this is our favorite, and they serve. 917 00:44:01,040 --> 00:44:04,799 Speaker 5: Her like some pork thing. She starts to eat it 918 00:44:04,840 --> 00:44:05,239 Speaker 5: and then. 919 00:44:05,320 --> 00:44:07,279 Speaker 4: Is like and then she gets like offended, and she 920 00:44:07,320 --> 00:44:09,279 Speaker 4: demands the meal for free, but then finishes the meal 921 00:44:09,280 --> 00:44:10,040 Speaker 4: also and. 922 00:44:10,080 --> 00:44:13,719 Speaker 5: Eats it all, and then it's like, Jaminda another dinner here. 923 00:44:15,440 --> 00:44:17,560 Speaker 4: Oh no, she's throwing a fit. She's getting comps left 924 00:44:17,560 --> 00:44:18,040 Speaker 4: and right. 925 00:44:18,239 --> 00:44:20,880 Speaker 5: Left and right. I think that's the thing about Piggy 926 00:44:21,000 --> 00:44:22,480 Speaker 5: is like she's always. 927 00:44:22,200 --> 00:44:24,879 Speaker 3: Been like friend a man to buy you something, but. 928 00:44:25,280 --> 00:44:28,759 Speaker 5: You never see kerme swiping. I think she gets most 929 00:44:28,760 --> 00:44:29,479 Speaker 5: stuff for free. 930 00:44:29,560 --> 00:44:31,520 Speaker 4: You know where she's definitely going frog club. 931 00:44:35,080 --> 00:44:38,040 Speaker 5: But yeah, she's getting the pigs and blankets a frog club. 932 00:44:38,400 --> 00:44:43,480 Speaker 5: And then it's like I'm never going there again. So 933 00:44:43,560 --> 00:44:44,520 Speaker 5: she eats a frog club. 934 00:44:47,040 --> 00:44:50,480 Speaker 4: But what does she wear? Designer? Is she like a 935 00:44:50,520 --> 00:44:52,399 Speaker 4: little bit like rent the Runway And I think that's 936 00:44:52,400 --> 00:44:53,680 Speaker 4: like out of business now, but like. 937 00:44:53,719 --> 00:44:56,200 Speaker 5: I think she is really run the one runway because 938 00:44:56,320 --> 00:44:59,080 Speaker 5: she is so like being dressed. And I watched this 939 00:44:59,080 --> 00:45:02,080 Speaker 5: clip of her and when he Williams and she was like, I'm. 940 00:45:01,960 --> 00:45:06,120 Speaker 3: At a press tour like footcam my Christian Lubitans, and 941 00:45:06,160 --> 00:45:08,719 Speaker 3: I didn't pay for them the studio did. 942 00:45:08,760 --> 00:45:11,040 Speaker 4: No because she loves labels and she wants new stuff. 943 00:45:11,080 --> 00:45:13,200 Speaker 4: But she is always being a little bit like Hermie, 944 00:45:13,280 --> 00:45:14,719 Speaker 4: where's the money And. 945 00:45:14,880 --> 00:45:17,600 Speaker 5: She's like, well, Piggy, I had to pay for our 946 00:45:17,719 --> 00:45:19,080 Speaker 5: movie that we just made. 947 00:45:19,239 --> 00:45:21,720 Speaker 3: Yeah, And she was like, fine, I'll get the movie 948 00:45:21,840 --> 00:45:23,200 Speaker 3: producer to pay for it. 949 00:45:23,440 --> 00:45:25,560 Speaker 4: Yeah. She's like renting chandelier arians. I'm at the room 950 00:45:25,560 --> 00:45:26,480 Speaker 4: way all the time. 951 00:45:26,400 --> 00:45:29,120 Speaker 5: And that is like maybe returning them. How does she 952 00:45:29,280 --> 00:45:32,680 Speaker 5: live like fabulous Park Avenue apartment, But again, like she's 953 00:45:32,719 --> 00:45:36,120 Speaker 5: not owning it. The studio again is putting her up. 954 00:45:36,480 --> 00:45:38,880 Speaker 5: And I feel like she's very I mean like Joan Rivers, 955 00:45:38,920 --> 00:45:46,320 Speaker 5: she ran, she's a Renter's an miss renter, Piggy like again, 956 00:45:46,440 --> 00:45:49,160 Speaker 5: parents like maybe if she's in a mansion Beverly Hills, 957 00:45:49,239 --> 00:45:54,080 Speaker 5: it's still a little twenty thousand a month rentals. 958 00:45:53,000 --> 00:45:56,080 Speaker 4: So low hand, that's crazy. I feel like she's more 959 00:45:56,120 --> 00:45:59,520 Speaker 4: like Janice Dickinson and she's like, Okay, well the seconds 960 00:45:59,520 --> 00:46:02,239 Speaker 4: is probably paying like fourteen hundred a month right now. 961 00:46:03,239 --> 00:46:06,080 Speaker 4: I would say she's doing a fifty six hundred a 962 00:46:06,160 --> 00:46:07,640 Speaker 4: month rental in the hills. 963 00:46:07,760 --> 00:46:08,520 Speaker 5: Okay, in the Hills. 964 00:46:08,880 --> 00:46:09,239 Speaker 4: Is that fair? 965 00:46:09,440 --> 00:46:12,440 Speaker 5: She should go on selling sunset. That would be great, 966 00:46:12,600 --> 00:46:16,480 Speaker 5: would be so funny, like a Manza showing her house. 967 00:46:18,000 --> 00:46:21,200 Speaker 4: And then she steals g flip from Krishelle. Yeah. Well 968 00:46:21,239 --> 00:46:21,640 Speaker 4: and this is. 969 00:46:23,239 --> 00:46:26,319 Speaker 5: Well right because she's so high camp, like it's kind 970 00:46:26,360 --> 00:46:28,680 Speaker 5: of like class like she wasn't with Kermie. It would 971 00:46:28,719 --> 00:46:33,000 Speaker 5: have to be like a butcher in this way, because 972 00:46:33,000 --> 00:46:34,880 Speaker 5: it's kind of like she is too much for like 973 00:46:34,960 --> 00:46:40,080 Speaker 5: another street guy, like it is more like kai femme 974 00:46:40,239 --> 00:46:45,000 Speaker 5: camp lipstick. Yeah, oh, because their original tall fem short butch. 975 00:46:45,320 --> 00:46:47,040 Speaker 4: I wonder if she could be with like a real 976 00:46:47,280 --> 00:46:49,880 Speaker 4: like a movie star. She could be with a closet 977 00:46:49,960 --> 00:46:52,799 Speaker 4: movie star like George Clooney, And she mentions that put 978 00:46:52,880 --> 00:46:53,719 Speaker 4: George Cey in this book. 979 00:46:53,840 --> 00:46:56,520 Speaker 3: She's always like, oh, go to a charity dinner because 980 00:46:56,560 --> 00:46:58,480 Speaker 3: you'll be seated next to George Clooney. 981 00:47:00,800 --> 00:47:02,320 Speaker 1: I love going to Lake Como. 982 00:47:02,760 --> 00:47:05,440 Speaker 5: Yeah, she's squatting at his like Como house, and it's 983 00:47:05,480 --> 00:47:07,400 Speaker 5: like he's like, Piggy, where are you And she's like 984 00:47:07,480 --> 00:47:09,319 Speaker 5: hiding in a closet and like stays there. 985 00:47:09,440 --> 00:47:11,880 Speaker 4: He's got like a train of Italian twinks in her 986 00:47:11,920 --> 00:47:13,920 Speaker 4: space and she's just in the other room. 987 00:47:13,840 --> 00:47:25,600 Speaker 5: Like having figs. Yeah, who are you? I mean, I 988 00:47:25,680 --> 00:47:31,040 Speaker 5: think we're both biggy like Decan why diamonds chocolate. 989 00:47:31,080 --> 00:47:35,440 Speaker 4: We're both fabulous. Steva's in the grand queer tradition of 990 00:47:35,560 --> 00:47:38,759 Speaker 4: eminine celebration and satire. 991 00:47:41,800 --> 00:47:42,279 Speaker 5: Pig Her. 992 00:47:45,640 --> 00:47:48,200 Speaker 4: Yeah, I mean, there's not a lot of other people 993 00:47:48,200 --> 00:47:48,959 Speaker 4: in the book. Really. 994 00:47:49,520 --> 00:47:52,560 Speaker 5: I guess there's a kermit. She mentions Gonzo. 995 00:47:53,000 --> 00:47:55,360 Speaker 4: We're also kind of if you want to lose our friends, 996 00:47:55,360 --> 00:47:57,320 Speaker 4: if you want to like expand to the whole like 997 00:47:57,520 --> 00:47:59,640 Speaker 4: network of muppets. We are the two old men in the. 998 00:47:59,600 --> 00:48:04,400 Speaker 5: Balcony who were like talking at the movies, who were talking. 999 00:48:04,239 --> 00:48:05,640 Speaker 4: At the movie here and getting shushed and are like 1000 00:48:05,719 --> 00:48:06,720 Speaker 4: so pissed about everything. 1001 00:48:06,920 --> 00:48:08,680 Speaker 5: Wait, I just saw which is so too old men 1002 00:48:08,719 --> 00:48:11,560 Speaker 5: that Anna Wintour told Jenna Bush and Hoda to be 1003 00:48:11,680 --> 00:48:12,719 Speaker 5: quiet at the US Open. 1004 00:48:17,719 --> 00:48:24,680 Speaker 4: Wow, we are absolutely getting shushed, but anyway, and Jenna 1005 00:48:24,719 --> 00:48:27,480 Speaker 4: Bush is just like screaming, like trying to. 1006 00:48:27,480 --> 00:48:30,080 Speaker 5: Take a photo of Tailer Swift and on her phone. 1007 00:48:30,120 --> 00:48:33,960 Speaker 5: Anna Wintour is just like, please be quiet, toy, this 1008 00:48:34,160 --> 00:48:36,160 Speaker 5: is Dennis get out to be silent. 1009 00:48:36,880 --> 00:48:42,720 Speaker 3: Well, okay, club kid, it's been a wonderful episode. Sorry, 1010 00:48:42,719 --> 00:48:44,439 Speaker 3: I have a reservation at front Club. 1011 00:48:44,480 --> 00:48:45,759 Speaker 5: I was trying to rush out of you. 1012 00:48:46,600 --> 00:48:50,080 Speaker 3: Well, of course I give him mos book a five 1013 00:48:50,239 --> 00:48:57,320 Speaker 3: out of five, five differy engagement rings out of five. 1014 00:48:58,280 --> 00:49:01,879 Speaker 4: Yeah, I'm afraid to give this book anything less than 1015 00:49:02,280 --> 00:49:04,480 Speaker 4: Chanel number five, Chanel number fives. 1016 00:49:04,840 --> 00:49:07,680 Speaker 5: I mean, I would love a longer form. 1017 00:49:08,480 --> 00:49:12,279 Speaker 4: It'd be hilarious. A memoir. Yeah, I'd love for someone. 1018 00:49:12,120 --> 00:49:16,040 Speaker 5: To like do the child and like meeting Kermit. 1019 00:49:16,440 --> 00:49:18,480 Speaker 4: Yeah, but I had such a fun time going back 1020 00:49:18,600 --> 00:49:21,360 Speaker 4: watching the Muppet Show. That show was hilarious. I was 1021 00:49:21,480 --> 00:49:24,480 Speaker 4: laughing like a child, literally giggling. 1022 00:49:25,160 --> 00:49:27,279 Speaker 5: And also, yeah, it wasn't really made for kids. 1023 00:49:27,520 --> 00:49:30,239 Speaker 4: It's like literally not for adults. Wait did I tell 1024 00:49:30,239 --> 00:49:32,360 Speaker 4: you that? I was watching like History of the World, 1025 00:49:32,719 --> 00:49:35,359 Speaker 4: like mel Brooks the movie the other day. Oh fun. 1026 00:49:35,640 --> 00:49:37,120 Speaker 4: I was like, I've never seen it, and it's like 1027 00:49:37,280 --> 00:49:37,760 Speaker 4: so funny. 1028 00:49:38,200 --> 00:49:39,720 Speaker 5: I don't think I've seen History. 1029 00:49:39,800 --> 00:49:43,120 Speaker 4: It's actually like super ridiculous and rye and it's like 1030 00:49:43,120 --> 00:49:47,240 Speaker 4: a ride take on history. We love and like because 1031 00:49:47,280 --> 00:49:49,919 Speaker 4: you know, like we're so like history, and I love 1032 00:49:50,120 --> 00:49:52,239 Speaker 4: just like kind of like ironic modern takes on like 1033 00:49:52,400 --> 00:49:55,560 Speaker 4: stuff from the cost and it's very that have you ever. 1034 00:49:55,480 --> 00:49:57,280 Speaker 5: Seen this musical the producers. 1035 00:49:59,239 --> 00:50:02,080 Speaker 4: Anyway, just get into stuff from the seventies because people 1036 00:50:02,120 --> 00:50:02,839 Speaker 4: were having a great time. 1037 00:50:02,880 --> 00:50:04,920 Speaker 5: But they were having so much fun. And like, honestly, 1038 00:50:04,960 --> 00:50:07,920 Speaker 5: if you type in like any like YouTube search, like 1039 00:50:08,160 --> 00:50:11,400 Speaker 5: most random celebrities have like done a thing with Miss Piggy. 1040 00:50:11,640 --> 00:50:15,040 Speaker 5: Like I was like Miss Piggy, Johnny Cash, Miss Piggy, 1041 00:50:15,160 --> 00:50:16,800 Speaker 5: Joan Rivers that is a hole. 1042 00:50:17,000 --> 00:50:20,200 Speaker 4: Oh yeah, Miss Piggy ethel Merman. She was like a 1043 00:50:20,280 --> 00:50:21,480 Speaker 4: do at with like everybody. 1044 00:50:21,719 --> 00:50:23,880 Speaker 5: But then you go modern and she's doing a spoof 1045 00:50:23,960 --> 00:50:25,840 Speaker 5: on Adele's Hello music video. 1046 00:50:26,120 --> 00:50:27,880 Speaker 4: So get into Miss Piggy, get. 1047 00:50:27,719 --> 00:50:43,400 Speaker 2: Into explore the truth. Okay, Piggy does a little to 1048 00:50:43,440 --> 00:50:44,520 Speaker 2: be such a defan. 1049 00:50:45,000 --> 00:50:46,920 Speaker 6: So we have to tell you about my staff. 1050 00:50:47,480 --> 00:50:53,799 Speaker 1: They're wonderful, my producers, starby Masters. Wouldn't she learn how 1051 00:50:53,880 --> 00:50:56,080 Speaker 1: to dress like a. 1052 00:50:56,200 --> 00:51:01,160 Speaker 3: Booza fars Kurmit's dear friend, did you just professing producer? 1053 00:51:01,280 --> 00:51:04,560 Speaker 3: And he helps me with my BlackBerry learning how to 1054 00:51:04,760 --> 00:51:10,880 Speaker 3: charge introduce my new MacBook and my executive producers Christine Everett. 1055 00:51:11,440 --> 00:51:15,279 Speaker 6: I let her, of course a differently introduced helping me 1056 00:51:15,440 --> 00:51:18,440 Speaker 6: for Corn Diamonds, Stephen Fillip. 1057 00:51:18,320 --> 00:51:21,320 Speaker 3: Torch to the music and theme song of course, and 1058 00:51:21,760 --> 00:51:26,680 Speaker 3: music while I walk, and so he creates the mixes. 1059 00:51:26,280 --> 00:51:28,480 Speaker 4: For me to trot for the city. 1060 00:51:29,560 --> 00:51:32,319 Speaker 3: I love art and I loved galleries, and of course 1061 00:51:32,360 --> 00:51:35,440 Speaker 3: I'm a painter and I'm a big collector because you 1062 00:51:35,520 --> 00:51:35,759 Speaker 3: have to. 1063 00:51:35,760 --> 00:51:40,719 Speaker 6: Have multiple investments. So Teddy blanks to the artwork and 1064 00:51:40,880 --> 00:51:46,120 Speaker 6: I have many of his pieces in my mansion in Recaos. 1065 00:51:47,920 --> 00:51:52,400 Speaker 3: Where before Kermit I was with a man on prola projects. 1066 00:51:53,000 --> 00:52:00,359 Speaker 3: He couldn't well, let's just say reported ways. Of course, 1067 00:52:00,440 --> 00:52:04,520 Speaker 3: it's t's incredibly sexy and we made a few films 1068 00:52:04,560 --> 00:52:06,920 Speaker 3: in the seventies, just not for children. 1069 00:52:07,040 --> 00:52:10,919 Speaker 1: I'll tell you that. Follow us and Patreon, Feed the Pig, 1070 00:52:11,640 --> 00:52:13,080 Speaker 1: Feed the Pig. I need to buy. 1071 00:52:13,200 --> 00:52:16,840 Speaker 3: Thanks Patreon dot com, slash CVC the pod please 1072 00:52:18,440 --> 00:52:18,480 Speaker 5: For