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Speaker 1: You can watch the original episode we'll be discussing in

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Speaker 1: every other episode of HBO's Curby Your Enthusiasm, including the

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Speaker 1: new and final season, on Max. You can also watch

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Speaker 1: the video version of the history of Curby Your Enthusiasm

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Speaker 1: podcast on Max and YouTube as well.

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Speaker 2: Links available in the episode description. Okay, so we're here, Jeff, Yes,

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Speaker 2: you and me? Baby. I am Susie Esmond.

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Speaker 3: Yes, I've got Jackie Robinson and Robert Mitcham behind me.

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Speaker 3: They support me.

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Speaker 2: You know what I have behind me?

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Speaker 3: Look, by the way, I gotta give you credit. I'm

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Speaker 3: Jeff Carlin. By the way, everybody you always do like

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Speaker 3: the season poster behind you? How did you get all those?

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Speaker 2: I don't know which season is. I only have three

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Speaker 2: season posters.

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Speaker 3: Okay, I don't know.

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Speaker 2: Just by the way, switch them a rout.

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Speaker 3: Yeah, I just know, I know, you know. Yes, this

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Speaker 3: might be one of my favorites. This cover behind you.

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Speaker 2: Yeah, that's the great with the shrink and the shrink

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Speaker 2: hung themselves.

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Speaker 3: Or it could be a woman with very masculine legs.

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Speaker 4: Is it me?

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Speaker 3: Yeah?

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Speaker 1: So we are now on season five, episode three, the

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Speaker 1: christ Nail and what I you know, I don't know

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Speaker 1: if this is one of my favorite episodes or if

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Speaker 1: I remember shooting these scenes and enjoying doing them so much.

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Speaker 2: So I don't know which one it is.

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Speaker 3: I don't have There's a couple of things in there

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Speaker 3: that I there's one where you kick Larry out with

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Speaker 3: the anyhow, we'll get to it.

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Speaker 2: We'll get to it.

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Speaker 3: But that scene I love. The hallway scene with the

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Speaker 3: three of us a great scene. And by the way,

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Speaker 3: as we mentioned, I think one of the scenes we

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Speaker 3: have the most fun and is one of the funniest

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Speaker 3: scenes we've ever done, is coming up in a later episode.

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Speaker 5: Yeah.

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Speaker 2: I think it's in two weeks. I think, okay, two

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Speaker 2: or three weeks.

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Speaker 3: Okay, But the point is that's fun to look forward to,

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Speaker 3: and we'll tell you when we get to it. But

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Speaker 3: it's easily for me it could be number one, but

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Speaker 3: top three for sure.

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Speaker 1: But one of my favorite scenes that I have did

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Speaker 1: was actually in this episode because it well, we'll get

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Speaker 1: to it.

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Speaker 2: No, no, when Cheryl, I'm okay, yes, yes.

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Speaker 3: Yes, okay.

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Speaker 2: So here we are the Christ Now.

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Speaker 3: This is season five, episode three, correct.

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Speaker 1: Okay, And we start with Larry at the podiatrist and

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Speaker 1: he's got these new orthotics in and they're very loud.

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Speaker 2: They're squeaking. Okay, they squeak.

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Speaker 3: So one of the ways to fix that is to

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Speaker 3: put baby powder and that I wear orthotics on the

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Speaker 3: top and the bottom only helps you for about an

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Speaker 3: hour then it goes right back. But the noise, the

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Speaker 3: noise we used is clearly post and I don't know

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Speaker 3: if it's a post house that have that recorded or

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Speaker 3: they someone did it and they recorded it, which I'm

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Speaker 3: thinking of modern romance with Albert Brooks. Anyhow, point being

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Speaker 3: is that was so accurate, accurate I never had Oh no,

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Speaker 3: there is no exaggeration, and there it is. I don't

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Speaker 3: know if it's loud enough to wake people up, but

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Speaker 3: it's loud. It's annoying. If you're with somebody, they will say,

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Speaker 3: would you please fix that?

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Speaker 2: But the podiatrist says, it just takes a while to

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Speaker 2: break in. Is that true? Do they break in? They

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Speaker 2: never break in?

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Speaker 4: No?

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Speaker 3: Yes, certainly they're more comfortable and they break in. But

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Speaker 3: I have some for dress shoes and regular shoes. But

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Speaker 3: I gotta tell you it depends on the shoe. It

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Speaker 3: really does. Certain shoes squeak, other ones don't.

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Speaker 1: Because Jimmy, my husband has them, and I never noticed

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Speaker 1: a squeaking walks delicately.

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Speaker 3: No, he floats. Did you ever notice that your husband floats.

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Speaker 3: It's one of the things I love best about him.

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Speaker 3: He's a floater.

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Speaker 2: He's a floater.

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Speaker 3: Yeah, Okay, keep.

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Speaker 1: Going, so Larry, Larry, you know it says they feel great.

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Speaker 2: He loves the orthotics.

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Speaker 1: And then he goes home and his handyman, hay sus

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Speaker 1: is they're fixing something. And hay sus is what we

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Speaker 1: call in Yiddish a fabysson upon him.

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Speaker 3: He's a very and by the way he was on

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Speaker 3: played a tough guy and better call Saul, by the way,

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Speaker 3: the nice his name.

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Speaker 1: Is Lobo uh Sebastian I think, or something like that.

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Speaker 3: Any point being is as tough as he looked. That

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Speaker 3: guy was a sweet, gentle guy, you know. I mean,

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Speaker 3: he walks down the street, you're gonna go fuck me,

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Speaker 3: and then you have a conversation where you go You

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Speaker 3: are just the best guy.

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Speaker 2: It was one of the most was he also in

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Speaker 2: Breaking Bed.

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Speaker 3: I don't I remember him, Better call Saul whenever I

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Speaker 3: see you. And I saw him in another movie that

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Speaker 3: I think the scene took place on some dirt road.

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Speaker 3: But anyhow, point being is, whenever I see him working,

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Speaker 3: Whenever anyone who does curb that's a character actor and

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Speaker 3: I see them in something else, I get crazy happy.

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Speaker 3: Whenever I see him, I'm like, look at you.

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Speaker 1: You know, of course, And Lobo, who plays Jesus, he's

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Speaker 1: by the way for.

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Speaker 3: The rest of the episode, would you refer to me

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Speaker 3: as Lobo? Lobo? The second.

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Speaker 1: He seems a little down and Larry asks him a

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Speaker 1: small favor.

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Speaker 6: See this thing, it's a got that and I need

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Speaker 6: you to put it over the door here.

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Speaker 3: This is like a Jewish thing, you know.

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Speaker 6: We put it over the door so every anti Semite

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Speaker 6: the neighborhood will know that we live here in case

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Speaker 6: they want to burn down the house.

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Speaker 1: And he wants him to put a mesuza up on

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Speaker 1: the door, or as my husband would say, a manusa

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Speaker 1: up on the door because his father's coming. Nat his

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Speaker 1: father is coming in. He'll get upset if he doesn't

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Speaker 1: see the.

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Speaker 3: Question, do you have a messuza up at your house? No?

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Speaker 3: I don't either. And I've had Jewish friends who are

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Speaker 3: They're not Orthodox, they're more conservative than reform. They're conservative Jews,

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Speaker 3: and they get really upset with me. Why isn't it up?

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Speaker 3: By and by the way, the things Larry says about

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Speaker 3: the missuzza is what's in the back of my head,

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Speaker 3: especially this day in time when he talks about so

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Speaker 3: the anti semi can.

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Speaker 1: Yeah, yeah, Well there was an you know, you're not

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Speaker 1: supposed to take a messuza off once it's on. And

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Speaker 1: one of my apartments, not the one I have right now,

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Speaker 1: had a It was like this big I swear. It

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Speaker 1: was like Jews live here, Jews live heer Jew's lavie.

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Speaker 1: It was so big and offensive because you're all on

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Speaker 1: the roof, on on the loop of the speaker.

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Speaker 2: Get off. I took it off. I replaced it with

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Speaker 2: the smaller one so I wouldn't get in trouble.

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Speaker 3: Well, that had a big one. I've seen the big ones,

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Speaker 3: but I don't. I mean, you got to have a

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Speaker 3: really big house with big doors, you have to.

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Speaker 1: So this one, actually, this apartment was my old apartment,

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Speaker 1: had a misuzan not only on the outside door, not

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Speaker 1: the outside door, but in the building, you know, the

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Speaker 1: apartment door, but on every door within the apartment.

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Speaker 3: Are they orthodox?

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Speaker 1: I don't know what they were. I took them down.

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Speaker 1: I couldn't have them on every door when.

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Speaker 3: You moved in.

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Speaker 2: Yeah yeah, oh yeah.

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Speaker 3: Yeah, because you don't want to be reminded every door.

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Speaker 2: Mean, you know, but but I don't need to be reminded.

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Speaker 3: My gut feeling is Orthodox. I can't see anyone doing

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Speaker 3: that unless they're a super Jew.

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Speaker 2: I don't know.

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Speaker 1: I do out someone down, and I put a different

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Speaker 1: one up that that my friend Larry Amrose had given

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Speaker 1: me as a household.

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Speaker 3: Larry Amrose so funny, Okay, good question the view of

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Speaker 3: what he says about the anti Semites. Did you write

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Speaker 3: that down?

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Speaker 2: I might, I don't remember.

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Speaker 3: It's so funny. The way he did it is just hilarious.

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Speaker 3: I don't know that I have a person who doesn't

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Speaker 3: have a messasa up. Might just not be into it

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Speaker 3: or whatever. But a lot of Jews don't put it

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Speaker 3: up for exactly what Larry says. It announces when they

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Speaker 3: come hunting for us. And by the way, the death

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Speaker 3: of your children, like it's like every Jewish thing. You know. Well,

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Speaker 3: I'm a proud Jew.

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Speaker 1: I don't have one up, Jeff, not that I for

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Speaker 1: that reason. I don't have one up because it just

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Speaker 1: would never occur to me. I'm not religious.

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Speaker 2: However, are any apartment hold on are apart of a house?

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Speaker 1: Okay, many apartment that I've moved into that has one up,

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Speaker 1: I leave it there.

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Speaker 3: Yeah, why would that's weird to take it down?

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Speaker 2: And by the way, I would.

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Speaker 3: I said that I'm a Jew culturally, and I know

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Speaker 3: Jews hate hearing that. What I mean is, I believe

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Speaker 3: in my God. I love everything about being Jewish. Going

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Speaker 3: to temple. What turned me off too much standing and

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Speaker 3: sitting too much. I like a good sit and maybe

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Speaker 3: an occasional stand. And by the way, Neil, neil, Oh

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Speaker 3: my God. And by the way I dig the kneeling.

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Speaker 3: I think that's cool to be because if you think

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Speaker 3: there's something more important than you, that's beautiful. Whatever it is,

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Speaker 3: my God might be here. Your God could be the

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Speaker 3: Messius that we're hanging in the apartment on every door

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Speaker 3: and you made a shrine. I'm just saying, everyone's God

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Speaker 3: is their god to me, Hi, everybody wear existential and

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Speaker 3: I'm Jeff Allen. Okay.

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Speaker 1: Larry tells Hasus that when his father comes, he has

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Speaker 1: to talk loud because he's hard of hearing, and then

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Speaker 1: Hasus tells. He says, what's wrong, and Hasus tells him

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Speaker 1: that his feet hurt, and Larry tells him about the

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Speaker 1: orthotics and gives him his extra pair of orthotics, which

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Speaker 1: was very kind of him.

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Speaker 3: No, it's not kind because orthotics are built to individuals.

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Speaker 2: They have to be fit.

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Speaker 3: Okay, you can go to the drug store.

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Speaker 2: And get our doctor Schole's thing.

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Speaker 3: No, no, even beyond that, they'll sell you a company's

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Speaker 3: make orthotics, which, by the way, helpful. It didn't bother me.

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Speaker 3: But it's not true.

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Speaker 1: Okay, you can, but it works for the episode, all right,

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Speaker 1: But okay, So then Maria, who is the housekeeper and

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Speaker 1: she's either Hasus's wife or girlfriend, we don't know. She

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Speaker 1: comes in and says tells to try them on. Haysus

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Speaker 1: gives in and he puts on the orthotics, and next

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Speaker 1: we see Cheryl is there with her parents and Larry

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Speaker 1: squeaks in. The squeaking is constant, and.

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Speaker 2: They're all like, what what is that? And he's like,

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Speaker 2: I gotta break him in.

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Speaker 1: And Paul is on the couch, Paul Dooley, who plays

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Speaker 1: Cheryl's father, and he's snacking on some chips and Larry asked, Paul,

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Speaker 1: what do.

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Speaker 2: You do the whole cross thing before a meal and

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Speaker 2: not snacks? I think it's a good question.

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Speaker 3: No, not a good question, A funny question. Yeah, that's

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Speaker 3: an odd the fact his brain thought of that. I

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Speaker 3: just by the way those things will pop to me.

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Speaker 3: But I ain't no comedic genius. I have moments moments

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Speaker 3: of comedic genius. Larry begeen. Larry and I in terms

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Speaker 3: of comedy, because our sense of humor is almost identical,

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Speaker 3: like when I say silly stuff, he's the one who

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Speaker 3: laughs hardest. Used there, But anyhow, I forgot what I

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Speaker 3: was saying.

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Speaker 1: Keep going about the crossing snacks, Oh, a crossing with snacks.

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Speaker 3: So, Larry, when I watch these episodes and we've done

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Speaker 3: what one hundred and twenty one of them or something

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Speaker 3: something something like that, where I just go, where do

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Speaker 3: the fuck? How did he do this?

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Speaker 2: I feel like that when I read the outlines I

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Speaker 2: read in the beginning.

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Speaker 3: No, I do too. But it's almost like a comedic magician.

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Speaker 3: But the difference between us is that Larry didn't really

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Speaker 3: discover his humor until his late twenties. He's like, oh,

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Speaker 3: they can do it, because early on he was never

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Speaker 3: the class clown, never anything.

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Speaker 1: Well, he says that he didn't know that he was

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Speaker 1: funny as a kid at all, never him.

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Speaker 3: I actually it occurred to me, And you're going to

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Speaker 3: think I'm crazy saying this, but a violinist, who a

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Speaker 3: little kid who hasn't seven years old? Can we I

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Speaker 3: was the funniest?

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Speaker 2: What do they do whatever?

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Speaker 3: I'm not a good violin impression. But the point is,

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Speaker 3: I actually believe now it didn't lead to me being

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Speaker 3: you know, richer prior. But the point is, I believe

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Speaker 3: that I'm a comedic prodigy, and most prodigies burn out.

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Speaker 3: So I think I'm lucky that I actually had a

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Speaker 3: career because when you get to it, my skill level

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Speaker 3: of knowing I'm funny was there when I was a baby.

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Speaker 3: I'd make my parents laugh when I took a bath,

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Speaker 3: and then I repeat it and repeat it, and they

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Speaker 3: kept keep laughing. So it's like, yeah, and it just

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Speaker 3: occurred to me. What do you think, prodigy?

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Speaker 2: Do you think they did you a favor when they

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Speaker 2: kept laughing?

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Speaker 3: Ah? Most definitely. Look look at the life I leand

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Speaker 3: I got a Robert Mitcham Yule Brenner. By the way,

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Speaker 3: took that photo. It's from the Yule Brenner collection. I'm

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Speaker 3: not even kidding you. That was on the set of

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Speaker 3: a movie they did, and it's rocking. Boy. Wait, I

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Speaker 3: had one more thing to say. The only thing that's

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Speaker 3: kept me going is I haven't lost being funny, because

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Speaker 3: a lot of times what you're great at as a child,

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Speaker 3: you either don't like you know, you lose out like

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Speaker 3: you know, let's say you play golf your whole childhood

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Speaker 3: and your practice like usually these prodigies, even violin. I

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Speaker 3: know a woman, a Russian violin player, burnt out by

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Speaker 3: the time she was twenty.

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Speaker 2: Do you know what Freud says?

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Speaker 1: Freud said that the only truly people as adults are

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Speaker 1: the people who have lived out their childhood fantasies. Now, unfortunately,

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Speaker 1: most little boys, you know, have a fantasy of being

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Speaker 1: a baseball player or whatever, and it's not going to happen.

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Speaker 3: And it used to be because we were in such

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Speaker 3: a space era. Astronaut was really bad.

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Speaker 1: But if you're my fireman, my fantasy. The only fantasy

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Speaker 1: I had as a child was to be an actress.

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Speaker 1: So I have lived out my childhood fantasy.

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Speaker 3: Okay, I didn't know, being funny was a job until

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Speaker 3: I went to see Jimmy Duranty with my parents and

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Speaker 3: I was in awe of the whole thing. On the

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Speaker 3: way home, I asked my parents, is that a job?

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Speaker 3: I mate, is that a job? And my prayers go, yeah,

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Speaker 3: that's a job. I go, well, that's the job that

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Speaker 3: I want, and they chuckled. Right, you know, but I

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Speaker 3: live my dream. I'm so damn lucky, blessed whatever you

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Speaker 3: were saying are no, But it's like, yo, yeah, I'm

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Speaker 3: happy with my success, but my success as a comedian

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Speaker 3: and the dreams I had of a child. But by

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Speaker 3: the way, I didn't reach my goals.

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Speaker 1: My goal was to be like John Belushi with better health,

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Speaker 1: and I was just going to say that would not

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Speaker 1: be a goal because you know.

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Speaker 3: I'm just saying he just inspired me deeply. Other people

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Speaker 3: did too. You know. Anyhow, let's move on because this

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Speaker 3: shouldn't be all about me. But we need to learn

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Speaker 3: what's Jeff about? What does he care about?

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Speaker 2: You want to know who I wanted to be like

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Speaker 2: when I was a kid?

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Speaker 3: All right, all right, hold on, I think that you

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Speaker 3: wanted to be like what's the woman who played the

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Speaker 3: mother on The Brady Bunch.

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Speaker 2: Florence Henderson.

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Speaker 3: Florence Henderson, you wanted to be Florida, and you reminded

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Speaker 3: me as a kid when I met you. We met

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Speaker 3: each other when we were eight, and I said, you're

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Speaker 3: a young Florence Henderson.

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Speaker 2: Now I wanted to be Carol Burnette.

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Speaker 3: Oh okay, what if I told you you could have

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Speaker 3: done that? You still could, But unfortunately, because I wanted

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Speaker 3: to be Jackie Gleeson. Yeah, that's I mean. Yeah.

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Speaker 1: But when I say I wanted to be I don't

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Speaker 1: I don't mean I wanted to be her. I meant

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Speaker 1: that I saw what she was doing and I thought

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Speaker 1: I want to do that.

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Speaker 2: Yeah, and I kind of did.

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Speaker 3: Okay, yes, but we both would have loved, just like

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Speaker 3: Lison and Carol Burnette, a variety show with singers. We

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Speaker 3: liked different stars and different characters. No, but do you

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Speaker 3: know what killed? It killed the variety show and that

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Speaker 3: was my dream? No? Nah, cable TV. Oh yeah, because

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Speaker 3: you can create your own variety show by changing the channels.

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Speaker 1: Right.

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Speaker 3: Oh, I want to see this. I want to see that.

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Speaker 3: So no one cared anymore. All right, Hi, Carol Burnette.

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Speaker 2: Hi, we'll be right back, Stay tuned.

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Speaker 1: Okay, we're back, So go through the whole thing about

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Speaker 1: Larry says, if you'd be crossing all day long, if

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Speaker 1: you have to cross before every snack, And then Maria

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Speaker 1: comes in and walks by and we see Cheryl and

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Speaker 1: Cheryl's mother kind of give her a dirty look, kind.

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Speaker 2: Of a dirty one they give her.

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Speaker 1: She doesn't notice, and we're not really clear on why

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Speaker 1: they're giving her a dirty look at that point. And

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Speaker 1: then Larry asked Paul what's around his neck? And he

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Speaker 1: has a raw hide thing with a nail and he

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Speaker 1: tells him it's a nail from the Passion of Christ

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Speaker 1: and he got it on the internet and he says

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Speaker 1: to him, have you've seen it? And Larry says to

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Speaker 1: j Nuts about this Jesus guy, aren't you he also.

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Speaker 3: Did a passion of the Christ that he you know,

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Speaker 3: he did like the hesitation that it wouldn't work, and

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Speaker 3: he kind of gave him a good for you and

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Speaker 3: not me you And Paul tells it, well, I have

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Speaker 3: a personal relationship with Christ. Really.

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Speaker 6: Yeah, see, I can see worship Jesus. If you were

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Speaker 6: a girl like I God had a daughter Jane, I'll

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Speaker 6: worship of Jane. But you know, to worship a guy

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Speaker 6: like a little ton of you know, it's a little gay, isn't.

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Speaker 3: It the Son of God? With you?

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Speaker 6: I'm saying, well, I would worship Jane if he had

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Speaker 6: a daughter, Jane, I could have a real relationship with

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Speaker 6: an have a daughter. It's a shame it wasn't a girl.

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Speaker 6: That's all I have to say. Good looking woman, zoft dick,

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Speaker 6: but sense humor, that's fine. If he had a d everybody,

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Speaker 6: everybody would worship change.

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Speaker 3: That's all I'm saying.

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Speaker 1: Cheryl does her okay, okay, It's like that should be

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Speaker 1: a drinking game.

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Speaker 2: How many times Cheryl says okay?

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Speaker 3: But was fascinating. Not the gays a bad word specifically,

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Speaker 3: but the things that Larry er I say that are inappropriate.

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Speaker 3: There's generally somebody there to say something. And by the way,

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Speaker 3: I added a scene later on when we played softball

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Speaker 3: in New York with Ye Yeah season and and Robert

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Speaker 3: Smigel was the coach. He was the guy that gave

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Speaker 3: you an orgasm. He's the coach and he goes, let's

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Speaker 3: beat them blah blah blah blah, and then he says,

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Speaker 3: let's kick them in the cunts.

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Speaker 1: No, let's fuck them in the cunts. I think he

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Speaker 1: said whatever, all right, whatever, but us.

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Speaker 3: No point being is we were gonna Larry and I

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Speaker 3: walk away like Larry. We gotta that's what I call him.

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Speaker 3: We have to when we walk away, I have to

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Speaker 3: say to you kick him in the cunts. Who says

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Speaker 3: that and he goes? I know, because without that it's.

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Speaker 1: Just well, yeah, in the room comment, right, But it

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Speaker 1: was quite funny when he said it.

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Speaker 3: I know, But it was also people without a sense

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Speaker 3: of humor would be really they probably were. Then again,

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Speaker 3: people who don't have a sense of humor don't We

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Speaker 3: don't want them.

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Speaker 2: We don't want them watching the show. If they don't

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Speaker 2: have a sense, don't.

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Speaker 1: I know.

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Speaker 3: I've met people male and female who just can't watch.

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Speaker 3: It makes them uncomfortable. But they also to me, if

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Speaker 3: you don't watch Curb and it doesn't make you incredibly

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Speaker 3: happy and make you laugh, please yeah, don't watch.

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Speaker 2: But they're not, don't you know. We have a very

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Speaker 2: loyal No.

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Speaker 3: For sure, thank you any of you for listening.

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Speaker 1: And he says, Larry says, I mean if he had

401
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Speaker 1: a daughter and she was kind of zoft, Dick and

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Speaker 1: her name was Jane. That run, I absolutely run.

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Speaker 3: There's a lot of good runs in this episode.

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Speaker 2: There is.

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Speaker 1: And then it's nighttime and and Larry is going into

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Speaker 1: his bathroom and he sees Cheryl's brazier hanging on the

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Speaker 1: bathroom hook, and he goes to look at the size

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Speaker 1: and he's disappointed.

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Speaker 2: He is a disappointed look on his face. So Cheryl

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00:19:26,080 --> 00:19:28,919
Speaker 2: asked what he's doing, What are you doing? What are

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Speaker 2: you doing?

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Speaker 3: Nothing?

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Speaker 6: I was your bra was kind of was about to

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Speaker 6: fall off, and let's bring it back on, all right?

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Speaker 6: And I felt like you were looking at my size?

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Speaker 6: Oh well, I didn't deliberately set out to look at

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Speaker 6: the size, but iways had the bra in my hand.

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Speaker 6: And it's kind of like, you know, if you have

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Speaker 6: a driver's license, you check out the date of birth.

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Speaker 3: That's all, okay, check it out.

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Speaker 2: You think h And She's like, were you looking at

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Speaker 2: my size?

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Speaker 1: He's caught and uh, you know, he looks disappointed and Cheryl, no, no, no, no.

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Speaker 3: He said it had fallen down. He was putting it,

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Speaker 3: putting in the bar.

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Speaker 2: But she knows he's lying. She could tell.

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Speaker 1: And Cheryl tells him that he's gonna have to let

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Speaker 1: they're gonna have to let Maria go because she's walking

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Speaker 1: around without a bra and that it's unseemly.

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Speaker 2: And Larry says, well, why don't you tell her to

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Speaker 2: get a bra? And she's like, oh, I'm not going

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Speaker 2: to tell her to get a bra.

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Speaker 1: Larry says, I'm going to tell her because she makes

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Speaker 1: the best chicken salad. I just cannot lose this woman.

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00:20:36,920 --> 00:20:42,320
Speaker 1: She makes the best chicken cha. Again, this is another example,

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Speaker 1: jeff of I was going to say something that Cheryl

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Speaker 1: Hines would never in a million years be behaving that way, but.

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Speaker 3: The character Cheryl would for sure.

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Speaker 2: I don't know. I thought this was a little stretched

440
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Speaker 2: on this.

441
00:20:57,880 --> 00:21:01,600
Speaker 3: It's like, no one watching would go I bet the

442
00:21:01,680 --> 00:21:04,639
Speaker 3: chicken salad has something to do with the story, you know.

443
00:21:04,960 --> 00:21:07,280
Speaker 3: It's just I like her chicken salad and you have

444
00:21:07,359 --> 00:21:10,399
Speaker 3: no idea what the callback is.

445
00:21:10,480 --> 00:21:13,080
Speaker 2: The of course, when I was watching this, I didn't

446
00:21:13,080 --> 00:21:13,840
Speaker 2: even remember that.

447
00:21:14,000 --> 00:21:16,640
Speaker 3: No, I didn't remember it either, and I'm in the scene. Yeah,

448
00:21:16,680 --> 00:21:18,160
Speaker 3: I did not remember it at all.

449
00:21:18,200 --> 00:21:19,240
Speaker 2: This was a long time ago.

450
00:21:19,760 --> 00:21:22,119
Speaker 1: So then we Larry is in the kitchen with Maria

451
00:21:22,359 --> 00:21:24,960
Speaker 1: and we hear the squeaking, and she thought it was

452
00:21:24,960 --> 00:21:27,920
Speaker 1: Haesus because now Hayesus has the same orthotics and it

453
00:21:28,000 --> 00:21:31,040
Speaker 1: is also squeaking, and they talk about Larry says he

454
00:21:31,080 --> 00:21:34,560
Speaker 1: could be quite a downer and Larry brings up the brazier.

455
00:21:34,840 --> 00:21:38,240
Speaker 6: You know we couldn't help, but notice that you don't

456
00:21:38,240 --> 00:21:42,400
Speaker 6: worry a.

457
00:21:40,760 --> 00:21:44,040
Speaker 2: Oh no, I don't like them, not for me, not

458
00:21:44,160 --> 00:21:44,600
Speaker 2: for you.

459
00:21:44,640 --> 00:21:49,440
Speaker 4: No, because you know I got my father in law

460
00:21:49,520 --> 00:21:55,040
Speaker 4: here distracting, distracting, flopping going on.

461
00:21:56,000 --> 00:21:59,800
Speaker 1: No, they don't flop flopping, don't like the support things.

462
00:21:59,800 --> 00:22:02,920
Speaker 2: They're comfortable. I haven't won one in fifteen years.

463
00:22:03,000 --> 00:22:07,600
Speaker 6: They've made some great technological advances in bras in fifteen years.

464
00:22:07,880 --> 00:22:10,119
Speaker 2: Larry says he kind of needs to wear it.

465
00:22:10,160 --> 00:22:13,879
Speaker 1: They're distracting, they're flopping around, and she's like, there's no flopping,

466
00:22:13,960 --> 00:22:17,320
Speaker 1: there's no flopping going on, and she finds it uncomfortable,

467
00:22:17,320 --> 00:22:19,480
Speaker 1: and Larry tells her they've made a lot of advances.

468
00:22:19,680 --> 00:22:21,920
Speaker 2: They're inviting and cozy and comforting.

469
00:22:22,000 --> 00:22:26,080
Speaker 1: He tells her, Now, now what's interesting is you know this,

470
00:22:26,240 --> 00:22:28,840
Speaker 1: but I don't know that all our listeners know this. Larry,

471
00:22:28,880 --> 00:22:32,280
Speaker 1: before he started doing comedy, was a bra salesman.

472
00:22:32,480 --> 00:22:34,560
Speaker 3: Oh I didn't I knew he was a limo driver

473
00:22:34,680 --> 00:22:35,760
Speaker 3: that has never written.

474
00:22:35,600 --> 00:22:37,919
Speaker 2: A bra conversation, so he starts.

475
00:22:37,920 --> 00:22:40,560
Speaker 1: He says, now they're in the Pema cotton, Pullma cotton,

476
00:22:40,640 --> 00:22:44,040
Speaker 1: Pema cotton, and he offers to buy her a bra.

477
00:22:44,880 --> 00:22:47,920
Speaker 1: And next we are at our house and Larry is

478
00:22:47,960 --> 00:22:50,919
Speaker 1: squeaking in and Jeff, you can't find the can opener,

479
00:22:51,240 --> 00:22:54,360
Speaker 1: and you tell Larry you think our housekeeper is stealing,

480
00:22:54,600 --> 00:22:56,040
Speaker 1: but you're not completely sure.

481
00:22:56,119 --> 00:22:57,560
Speaker 2: You think so, but find the.

482
00:22:57,560 --> 00:23:02,040
Speaker 3: Way again a seed as it's not anything but a seed,

483
00:23:02,320 --> 00:23:04,359
Speaker 3: which leads to your favorite scene in the show.

484
00:23:04,600 --> 00:23:06,520
Speaker 2: And then Larry's one of my favorites.

485
00:23:06,560 --> 00:23:09,679
Speaker 1: Yeah, And Larry tells tells you that he has to

486
00:23:09,680 --> 00:23:13,560
Speaker 1: buy his housekeeper a bra, but he doesn't know her size.

487
00:23:13,760 --> 00:23:17,240
Speaker 1: And so I come in with Sammy's teeth, with Sammy's

488
00:23:17,240 --> 00:23:20,840
Speaker 1: tooth that just fell out, and I start talking about, Ah,

489
00:23:20,920 --> 00:23:22,160
Speaker 1: the tooth Fairy's coming.

490
00:23:22,200 --> 00:23:24,200
Speaker 2: I'm coming to get money from you for the tooth Fairy.

491
00:23:24,280 --> 00:23:27,000
Speaker 1: And Larry's like, she's like eleven years old, and he's

492
00:23:27,040 --> 00:23:29,440
Speaker 1: shocked that she still believes in the tooth Fairy. And

493
00:23:29,560 --> 00:23:31,280
Speaker 1: I tell him it's none of his business. He doesn't

494
00:23:31,320 --> 00:23:32,280
Speaker 1: know anything about children.

495
00:23:32,400 --> 00:23:34,520
Speaker 3: Ryay, awesome, you're awesome in this.

496
00:23:34,520 --> 00:23:36,880
Speaker 2: Y Yes, thank you. And then then we catch him

497
00:23:36,920 --> 00:23:38,800
Speaker 2: staring at my breasts.

498
00:23:38,880 --> 00:23:40,240
Speaker 3: And you say, what are you looking at?

499
00:23:40,240 --> 00:23:40,320
Speaker 1: You?

500
00:23:40,400 --> 00:23:42,480
Speaker 2: What are you looking at? And I am holding the tooth.

501
00:23:42,520 --> 00:23:44,359
Speaker 2: I remember it's because I was holding the tooth right.

502
00:23:44,720 --> 00:23:47,040
Speaker 3: By the way, did you choose to do that or

503
00:23:47,080 --> 00:23:48,040
Speaker 3: did they tell you to die?

504
00:23:48,160 --> 00:23:51,880
Speaker 1: I was directed to hold the tooth there, yeah, because camera, Yeah,

505
00:23:51,920 --> 00:23:53,080
Speaker 1: for camera purposes.

506
00:23:53,160 --> 00:23:55,919
Speaker 3: Yeah, well I'm that funny. But anyhow, you have the

507
00:23:55,960 --> 00:23:59,560
Speaker 3: tooth there, so he could have easily said, you're your tooth.

508
00:23:59,560 --> 00:24:00,000
Speaker 3: We might have.

509
00:24:01,840 --> 00:24:02,240
Speaker 4: That's right.

510
00:24:02,400 --> 00:24:05,280
Speaker 1: And then I leave and Larry tells you he thinks

511
00:24:05,320 --> 00:24:08,879
Speaker 1: that I'm the same size as Maria, And Jeff says,

512
00:24:09,240 --> 00:24:10,920
Speaker 1: he asked you what size, and you say, you don't know,

513
00:24:10,960 --> 00:24:12,800
Speaker 1: but you can find out. And then you say to him,

514
00:24:12,840 --> 00:24:15,920
Speaker 1: do you know what size Cheryl is? And he says,

515
00:24:16,000 --> 00:24:18,760
Speaker 1: I just found out, And frankly, I'm a little disappointed,

516
00:24:19,000 --> 00:24:25,000
Speaker 1: and you start beak up sea cup and then you

517
00:24:25,040 --> 00:24:27,280
Speaker 1: say to him, you don't tell me Cheryl's size. I'm

518
00:24:27,280 --> 00:24:29,280
Speaker 1: not going to tell you Susie's because you two are

519
00:24:29,280 --> 00:24:30,960
Speaker 1: so mature in your relationship.

520
00:24:31,040 --> 00:24:33,879
Speaker 3: And by the way, he ended up not telling me,

521
00:24:34,080 --> 00:24:36,840
Speaker 3: which it's really been which by the way, except the

522
00:24:36,880 --> 00:24:41,080
Speaker 3: disappointed line is actually a noble gesture for that character

523
00:24:41,640 --> 00:24:44,840
Speaker 3: to say, no, I can't do it. But what's next.

524
00:24:44,760 --> 00:24:47,200
Speaker 2: That's a very funny scene. Then you're watching.

525
00:24:46,920 --> 00:24:50,399
Speaker 1: Basketball and Larry starts, I could be general manager.

526
00:24:50,480 --> 00:24:52,440
Speaker 2: I just need the opportunity, you know, bullshit.

527
00:24:52,560 --> 00:24:55,359
Speaker 3: I don't remember if it made the episode any of

528
00:24:55,440 --> 00:24:59,080
Speaker 3: the episodes, but he did something. He told me, and

529
00:24:59,119 --> 00:25:04,320
Speaker 3: this is he I alone. We're talking between not a camera,

530
00:25:04,440 --> 00:25:07,320
Speaker 3: off camera, and he says to me, you know, I

531
00:25:07,400 --> 00:25:09,320
Speaker 3: was really good basketball player. I could have made it

532
00:25:09,359 --> 00:25:12,360
Speaker 3: to the pros. And he's being totally sincere. I could

533
00:25:12,359 --> 00:25:15,119
Speaker 3: have been a small guard. I could do this. And

534
00:25:15,160 --> 00:25:18,520
Speaker 3: I go, because I know how to like have you know,

535
00:25:18,720 --> 00:25:21,560
Speaker 3: I make him elaborate and I go, well did you

536
00:25:21,680 --> 00:25:24,760
Speaker 3: practice what did you play on? And he says no,

537
00:25:24,840 --> 00:25:27,720
Speaker 3: I used to bounce. I practice dribbling in the house.

538
00:25:28,080 --> 00:25:30,480
Speaker 3: And then he would do his mom, Larry, stop with

539
00:25:30,600 --> 00:25:33,760
Speaker 3: the dribbling. Don't dribble, Larry. And when he does his

540
00:25:33,800 --> 00:25:36,560
Speaker 3: mom that's one of my favorites. I lose it. But

541
00:25:36,760 --> 00:25:37,960
Speaker 3: stop your dribbling.

542
00:25:38,240 --> 00:25:41,040
Speaker 1: Beautiful, all right, So then he goes to the bathroom

543
00:25:41,040 --> 00:25:44,040
Speaker 1: and he's squeaking along, and he goes by our laundry

544
00:25:44,119 --> 00:25:48,320
Speaker 1: room and he sees my bra sitting out the laundry room.

545
00:25:48,400 --> 00:25:50,800
Speaker 1: So he grabs the bra and he looks at the size,

546
00:25:50,920 --> 00:25:53,320
Speaker 1: and then he chooses to kind of put it on

547
00:25:54,000 --> 00:25:55,840
Speaker 1: and feel what it feels like.

548
00:25:57,280 --> 00:26:00,640
Speaker 3: I think that's a joke in itself, which it is,

549
00:26:00,680 --> 00:26:03,080
Speaker 3: which is kind of but the call back to that

550
00:26:03,320 --> 00:26:06,680
Speaker 3: and the question you ask him is fucking awesome.

551
00:26:06,880 --> 00:26:10,720
Speaker 2: Yeah, keep going, but it's very That scene in the

552
00:26:10,760 --> 00:26:12,040
Speaker 2: laundry room is hilarious.

553
00:26:12,480 --> 00:26:15,400
Speaker 1: And then he comes out of the bathroom and he's squeaking,

554
00:26:15,480 --> 00:26:17,679
Speaker 1: squeaking down the hall just as.

555
00:26:17,560 --> 00:26:20,520
Speaker 2: I'm putting the money underneath.

556
00:26:19,960 --> 00:26:24,600
Speaker 1: Sammy's pillow for the tooth Fairy, and his squeaking wakes

557
00:26:24,600 --> 00:26:25,240
Speaker 1: Sammy up.

558
00:26:29,520 --> 00:26:30,280
Speaker 3: What are you doing?

559
00:26:30,680 --> 00:26:32,840
Speaker 2: What are you doing with that money? I was checking

560
00:26:32,840 --> 00:26:35,560
Speaker 2: to make sure the tooth Fairy left it. You're lying,

561
00:26:35,760 --> 00:26:36,639
Speaker 2: and you're lying.

562
00:26:36,800 --> 00:26:37,680
Speaker 3: You're the tooth fair.

563
00:26:37,800 --> 00:26:43,600
Speaker 1: There is no jew fairy, it's you.

564
00:26:43,920 --> 00:26:45,359
Speaker 2: And Sammy starts screaming.

565
00:26:45,680 --> 00:26:50,119
Speaker 3: By the way, I didn't like that because I felt

566
00:26:50,240 --> 00:26:53,560
Speaker 3: that she just leapt up and hit you hard. And

567
00:26:53,960 --> 00:26:57,199
Speaker 3: if you're sleeping and putting them. It really bugs me,

568
00:26:57,600 --> 00:27:00,919
Speaker 3: and I know that I had to have told the director,

569
00:27:01,280 --> 00:27:03,400
Speaker 3: but no one listened me that you should wake up. Look,

570
00:27:03,440 --> 00:27:06,480
Speaker 3: I know there's a pacing thing. Wake up a little groggy,

571
00:27:06,760 --> 00:27:10,440
Speaker 3: go what's going She woke up in the most fake way,

572
00:27:10,800 --> 00:27:14,879
Speaker 3: you know what. No, well, those things bother the fuck.

573
00:27:14,640 --> 00:27:17,000
Speaker 1: Out of me, all right, and she starts accusing me

574
00:27:17,040 --> 00:27:18,879
Speaker 1: of lying, and like, you're the tooth fairy.

575
00:27:18,920 --> 00:27:20,960
Speaker 2: You're the tooth fairy. And then I go out my

576
00:27:21,040 --> 00:27:22,160
Speaker 2: confront Larry in the hall.

577
00:27:22,240 --> 00:27:24,359
Speaker 1: You woke her up, and he's like, well, it had

578
00:27:24,400 --> 00:27:27,000
Speaker 1: to happen eventually, and it's a blessing in disguise, and

579
00:27:27,040 --> 00:27:28,400
Speaker 1: I'm like, you know, I just.

580
00:27:28,400 --> 00:27:31,280
Speaker 3: Thought of something that we never did on the show,

581
00:27:31,800 --> 00:27:34,120
Speaker 3: and this scene would have been perfect for it. If

582
00:27:34,160 --> 00:27:37,240
Speaker 3: she talked to you like you talk to everybody else,

583
00:27:37,640 --> 00:27:40,240
Speaker 3: that would have been really funny. If she mimicked to

584
00:27:40,320 --> 00:27:41,760
Speaker 3: her best ability.

585
00:27:41,400 --> 00:27:44,919
Speaker 2: Yes, mimic you, which, by the way, no, no.

586
00:27:44,920 --> 00:27:47,240
Speaker 3: Hold on, get the fuck out of my room. Get

587
00:27:47,280 --> 00:27:48,000
Speaker 3: the fuck out.

588
00:27:48,560 --> 00:27:52,240
Speaker 2: That she was little, well no, she was like twelve,

589
00:27:52,520 --> 00:27:52,840
Speaker 2: she come.

590
00:27:53,160 --> 00:27:56,479
Speaker 3: But the point is that was a missed opportunity that

591
00:27:56,800 --> 00:27:58,600
Speaker 3: none of us thought of thought.

592
00:27:58,720 --> 00:28:01,440
Speaker 1: But I'm sitting here going if you recall in a

593
00:28:01,520 --> 00:28:03,639
Speaker 1: later oh it was Palestinian chicken.

594
00:28:03,920 --> 00:28:07,600
Speaker 2: Later on in season eight, she did channel her mother.

595
00:28:07,680 --> 00:28:10,600
Speaker 3: But it was but by the way, it was awesome,

596
00:28:10,640 --> 00:28:13,280
Speaker 3: but she was yeah, but we could have established that.

597
00:28:13,800 --> 00:28:15,560
Speaker 2: Yeah, you're right, the missed opportunity.

598
00:28:15,720 --> 00:28:17,760
Speaker 1: Anyway, So Larry and I get into it, and you

599
00:28:17,800 --> 00:28:20,200
Speaker 1: come in and whatever, and we kick him out of

600
00:28:20,240 --> 00:28:21,480
Speaker 1: the house and he goes.

601
00:28:21,480 --> 00:28:24,000
Speaker 3: No, no, no, no, no no. You kick him out

602
00:28:24,040 --> 00:28:27,119
Speaker 3: of the house, and I stand like a cook cold

603
00:28:27,200 --> 00:28:31,160
Speaker 3: husband with my arm. But I'm cheating on you all

604
00:28:31,200 --> 00:28:35,240
Speaker 3: the time, all right, So but yeah, I'm handcuffed. But

605
00:28:35,800 --> 00:28:39,440
Speaker 3: the build of that is beautiful. In that scene, the

606
00:28:39,560 --> 00:28:42,360
Speaker 3: kickout scene, you start at a level you know, what

607
00:28:42,480 --> 00:28:45,360
Speaker 3: did you do? Why? And then you're the only person

608
00:28:45,640 --> 00:28:48,760
Speaker 3: who can go in hot and then blow it all up.

609
00:28:49,200 --> 00:28:51,480
Speaker 3: But get the fuck out of my house. It's a

610
00:28:51,560 --> 00:28:55,120
Speaker 3: level of thing. Yeah, but you go in hot hot, Well, look,

611
00:28:55,320 --> 00:28:59,160
Speaker 3: you went to a scene cynical about what we're doing,

612
00:28:59,680 --> 00:29:04,120
Speaker 3: or you're furious. No, no, cynical to start up because

613
00:29:04,440 --> 00:29:08,520
Speaker 3: you're yelling is a build even though it's like when

614
00:29:08,600 --> 00:29:10,480
Speaker 3: is she going to do it? Like the scene we

615
00:29:10,720 --> 00:29:14,960
Speaker 3: filmed this past season. The stairs starts out pleasant and

616
00:29:15,000 --> 00:29:17,760
Speaker 3: then when's the explosion. But a lot of times your

617
00:29:17,840 --> 00:29:20,680
Speaker 3: character comes in happy for the most inane reasons. The

618
00:29:20,760 --> 00:29:23,400
Speaker 3: tooth a calf tan, you know what I mean, It's like.

619
00:29:23,600 --> 00:29:26,840
Speaker 2: Yes, yeh, damn Sammy's tooth.

620
00:29:27,240 --> 00:29:30,080
Speaker 3: Yeah, but you do that about other things. And then

621
00:29:30,120 --> 00:29:33,000
Speaker 3: the joy is of course ruined by Larry. But those

622
00:29:33,040 --> 00:29:34,480
Speaker 3: are the two ways you hit. And then when you

623
00:29:34,600 --> 00:29:37,760
Speaker 3: come in hot, you're not even thinking she can go hotter,

624
00:29:38,080 --> 00:29:42,360
Speaker 3: and you fucking explode. And by the way, never not funny.

625
00:29:42,280 --> 00:29:45,800
Speaker 2: Never Jeffrey. Next he's squeaking up the stairs again. The

626
00:29:45,840 --> 00:29:47,360
Speaker 2: squeaking is just continual.

627
00:29:47,640 --> 00:29:51,640
Speaker 1: He wakes Cheryl's parents up, He wakes everybody up, curious

628
00:29:51,720 --> 00:29:54,120
Speaker 1: thing that they were sitting in separate bedrooms.

629
00:29:54,360 --> 00:29:58,320
Speaker 3: The separate rooms. I'm like, we never talked about that

630
00:29:58,400 --> 00:30:00,400
Speaker 3: on the show. I don't know whose choice the was,

631
00:30:00,720 --> 00:30:03,680
Speaker 3: but they could have easily come out together. I don't

632
00:30:03,720 --> 00:30:06,959
Speaker 3: because all right, I'm watching. I'm sure as people listening though,

633
00:30:07,000 --> 00:30:10,680
Speaker 3: who are hardcore curb and they had to have noticed

634
00:30:10,720 --> 00:30:14,840
Speaker 3: it because it's fucking weird, just saying because we had

635
00:30:14,840 --> 00:30:15,920
Speaker 3: them fight on the show.

636
00:30:16,000 --> 00:30:19,200
Speaker 1: Ever, No, but a lot of older couples sleep in

637
00:30:19,240 --> 00:30:20,120
Speaker 1: separate bedrooms.

638
00:30:20,160 --> 00:30:23,800
Speaker 2: Once snores when they have gone sleeping. That you know, my.

639
00:30:24,160 --> 00:30:27,680
Speaker 3: Partner, Sari lives in a separate house for me, about

640
00:30:27,920 --> 00:30:31,320
Speaker 3: a ten minute drive, and even if we were married,

641
00:30:32,000 --> 00:30:35,400
Speaker 3: we would do that. Forget separate bedrooms, separate houses. Like

642
00:30:35,520 --> 00:30:38,000
Speaker 3: my dream is my dream is I love to marry

643
00:30:38,040 --> 00:30:40,640
Speaker 3: her and the house by the house next door to me,

644
00:30:41,040 --> 00:30:43,320
Speaker 3: and she lives there and I live here. It also

645
00:30:43,360 --> 00:30:45,600
Speaker 3: went up the romance, Oh, who's knocking?

646
00:30:47,880 --> 00:30:49,880
Speaker 2: Who's that knocking at my door?

647
00:30:50,000 --> 00:30:50,320
Speaker 4: Door?

648
00:30:50,640 --> 00:30:54,720
Speaker 3: No, but I understand separate bedrooms. It's just that each

649
00:30:54,760 --> 00:30:56,440
Speaker 3: of you. It's not a privacy thing.

650
00:30:57,000 --> 00:30:59,240
Speaker 2: But it's a sleep it's a sleep thing.

651
00:30:59,320 --> 00:31:02,400
Speaker 3: I know, it's a he rolls around, he snores, she

652
00:31:02,600 --> 00:31:05,760
Speaker 3: yells out vagina all night. Like they all have different

653
00:31:05,760 --> 00:31:08,400
Speaker 3: things as you do that. Who doesn't, Yes, but anyho,

654
00:31:08,520 --> 00:31:10,760
Speaker 3: it's I understand it. But still it was weird.

655
00:31:10,840 --> 00:31:12,960
Speaker 2: But it was I noticed that as well.

656
00:31:13,160 --> 00:31:16,120
Speaker 1: Yeah, but again that might have just been a timing

657
00:31:16,200 --> 00:31:19,640
Speaker 1: one two three, because it was Paul Julie Sheryll.

658
00:31:19,320 --> 00:31:23,200
Speaker 2: You know, by the way we really necessary.

659
00:31:22,680 --> 00:31:24,440
Speaker 3: No, by the way we should do. Yes, that was

660
00:31:24,480 --> 00:31:27,200
Speaker 3: a little bit because when we do those set moments.

661
00:31:27,520 --> 00:31:31,480
Speaker 3: I find them completely false. You know, the boom boom

662
00:31:31,920 --> 00:31:35,200
Speaker 3: every moment. This is just my thing, should be a surprise.

663
00:31:35,560 --> 00:31:38,520
Speaker 3: You go back to Duck Soup with the Marx brothers

664
00:31:38,840 --> 00:31:42,680
Speaker 3: and both brothers in the same exact pajamas, and Harpo's

665
00:31:42,720 --> 00:31:47,320
Speaker 3: got and they're Harpo's prepared to fuck with Grouchow, but

666
00:31:47,480 --> 00:31:51,800
Speaker 3: Groudcho is walking along not knowing what's going to happen.

667
00:31:52,240 --> 00:31:54,480
Speaker 3: You need sort of like there's always got to be

668
00:31:54,520 --> 00:31:58,240
Speaker 3: even if it's a light surprise. But those choreograph shits,

669
00:31:58,440 --> 00:31:58,960
Speaker 3: fuck them.

670
00:31:59,200 --> 00:32:13,240
Speaker 2: Yeah, we'll be right back. Stay tuned. Okay, we're back.

671
00:32:13,720 --> 00:32:17,880
Speaker 1: So next, Larry is in Victoria's Secret and he wants

672
00:32:17,920 --> 00:32:20,840
Speaker 1: to buy a bra. And the woman who played the

673
00:32:20,880 --> 00:32:22,720
Speaker 1: sales girl, she was terrific.

674
00:32:24,160 --> 00:32:25,400
Speaker 3: Show with her.

675
00:32:25,600 --> 00:32:27,760
Speaker 2: Her name is Lydia Cornell.

676
00:32:28,680 --> 00:32:33,200
Speaker 3: Lydia Cornell worked quite often in comedies, and she was

677
00:32:33,240 --> 00:32:36,680
Speaker 3: on that show where where Ted Knight played a cartoonist,

678
00:32:36,960 --> 00:32:39,680
Speaker 3: The ten Night Show or whatever it was. She was

679
00:32:39,720 --> 00:32:42,160
Speaker 3: either his daughter or one of I think she was

680
00:32:42,160 --> 00:32:45,680
Speaker 3: his daughter anyhow, Yeah, she worked a ton and I

681
00:32:45,720 --> 00:32:47,400
Speaker 3: was really happy to meet her and that she did

682
00:32:47,400 --> 00:32:48,200
Speaker 3: our show, and she.

683
00:32:48,240 --> 00:32:50,800
Speaker 2: Was terrific in the scene. Absolutely terrific.

684
00:32:50,800 --> 00:32:54,320
Speaker 3: In this scene when people not only can improvise because

685
00:32:54,360 --> 00:32:58,280
Speaker 3: we are casting process, COVID really hurt us because we

686
00:32:58,280 --> 00:33:00,440
Speaker 3: couldn't be in the room. Yeah, did you ever come

687
00:33:00,480 --> 00:33:01,560
Speaker 3: to a casting session?

688
00:33:01,760 --> 00:33:04,000
Speaker 2: No, No, it's really well.

689
00:33:04,040 --> 00:33:07,640
Speaker 3: You come in and you're with Larry. Myself, Cheryl was

690
00:33:07,680 --> 00:33:10,200
Speaker 3: there a lot of times. Yeah, So if you're scene

691
00:33:10,400 --> 00:33:12,840
Speaker 3: is with Larry, you're doing it with Larry David, which

692
00:33:12,880 --> 00:33:16,760
Speaker 3: is also nerve wracking. But we're really we have failed

693
00:33:17,280 --> 00:33:19,880
Speaker 3: five times, four times when we went with somebody and

694
00:33:19,920 --> 00:33:22,520
Speaker 3: then they're not gonna work, you know, but let's just

695
00:33:22,720 --> 00:33:25,560
Speaker 3: cut it and we'll recast, which we've done. But it's

696
00:33:25,600 --> 00:33:28,920
Speaker 3: a very thorough process. So she came in and you

697
00:33:29,040 --> 00:33:33,400
Speaker 3: see the comfort, relax doing it with Larry. You know, Cheryl,

698
00:33:33,480 --> 00:33:36,440
Speaker 3: when she auditioned, we talked about this. She was the

699
00:33:36,440 --> 00:33:40,719
Speaker 3: only one that really had a lovely I'm not going

700
00:33:40,800 --> 00:33:43,800
Speaker 3: to take your shit at it. Yeah, only one. Yeah,

701
00:33:43,800 --> 00:33:46,560
Speaker 3: and if I'm not mistaken, she might have even been

702
00:33:46,760 --> 00:33:50,920
Speaker 3: the last actress to audition, might have been because.

703
00:33:50,680 --> 00:33:53,000
Speaker 1: I remember, it's a it's a difficult thing when you

704
00:33:53,080 --> 00:33:57,640
Speaker 1: have somebody who's so strong like Larry, you need somebody

705
00:33:57,720 --> 00:33:59,760
Speaker 1: who's going to be able to be at that level.

706
00:33:59,800 --> 00:34:01,400
Speaker 2: I mean you can't just you know.

707
00:34:01,400 --> 00:34:04,160
Speaker 3: Well you can't be intimidated. Yes, but that's the thing

708
00:34:04,200 --> 00:34:09,120
Speaker 3: about acting performing in general. It's experience, and so it's

709
00:34:09,160 --> 00:34:13,400
Speaker 3: a comfort level, you know, being natural. And I've grown

710
00:34:13,440 --> 00:34:16,560
Speaker 3: into putting no spin on my acting. I don't try

711
00:34:16,560 --> 00:34:19,040
Speaker 3: and make anything funny. I just say it the way

712
00:34:19,320 --> 00:34:21,600
Speaker 3: and matter of fact. That's why I fool people all

713
00:34:21,640 --> 00:34:23,200
Speaker 3: the time, and I have to tell them I'm not

714
00:34:23,280 --> 00:34:27,320
Speaker 3: being serious, which I feel for them, and they'd go okay,

715
00:34:27,560 --> 00:34:29,040
Speaker 3: I keep going okay.

716
00:34:29,320 --> 00:34:32,000
Speaker 1: So Larry goes into Victoria's secret he's buying a bride.

717
00:34:32,040 --> 00:34:34,600
Speaker 1: It's first housekeeper, not for him. He makes that very clear,

718
00:34:34,800 --> 00:34:36,560
Speaker 1: not that there's anything wrong with it if it was

719
00:34:36,600 --> 00:34:38,640
Speaker 1: for him, which he says, yeah.

720
00:34:38,480 --> 00:34:40,520
Speaker 4: I'm interested in buying a.

721
00:34:41,840 --> 00:34:47,160
Speaker 2: Bra No fear, sweethearted, your wife.

722
00:34:48,320 --> 00:34:52,680
Speaker 4: Actually my my housekeeper, hell housekeeper. Okay, I'm not making

723
00:34:52,680 --> 00:34:53,759
Speaker 4: it up. It's really not for me.

724
00:34:54,120 --> 00:34:55,759
Speaker 2: Fine, okay, No, it's not for of course, it's not

725
00:34:55,800 --> 00:34:57,799
Speaker 2: for you. I believe you.

726
00:34:57,840 --> 00:34:58,200
Speaker 3: Of course.

727
00:34:58,280 --> 00:35:00,840
Speaker 6: Not okay, you know, not that it's anything wrong with it, No,

728
00:35:00,960 --> 00:35:02,719
Speaker 6: because I know, but there is something wrong with it.

729
00:35:02,800 --> 00:35:03,440
Speaker 3: What am I saying, not that.

730
00:35:03,480 --> 00:35:04,239
Speaker 2: There's a lot.

731
00:35:04,280 --> 00:35:06,560
Speaker 6: I can't say that I like to walk around with

732
00:35:06,800 --> 00:35:07,600
Speaker 6: underwear on my head.

733
00:35:07,600 --> 00:35:08,480
Speaker 2: Is there anything wrong with that?

734
00:35:09,000 --> 00:35:11,439
Speaker 3: Is there something wrong with that? Yeah, there's something wrong

735
00:35:11,440 --> 00:35:11,600
Speaker 3: with that.

736
00:35:12,480 --> 00:35:13,720
Speaker 2: So you really do need to broaden.

737
00:35:13,960 --> 00:35:15,680
Speaker 3: Yes, oh, yes, something comfortable.

738
00:35:15,719 --> 00:35:16,879
Speaker 6: She hasn't won one in fifteen years.

739
00:35:16,920 --> 00:35:18,520
Speaker 2: I need something comfortable, not a French made out.

740
00:35:18,760 --> 00:35:20,920
Speaker 6: No, no, it's not a Lacey French made out.

741
00:35:21,760 --> 00:35:25,879
Speaker 2: And he wants something comfortable and soft, and she shows him.

742
00:35:26,480 --> 00:35:30,040
Speaker 3: You know, she's assuming that it's trying it her self.

743
00:35:30,200 --> 00:35:33,960
Speaker 3: And everybody said the underwear line, which is right coming up.

744
00:35:33,880 --> 00:35:37,160
Speaker 1: We're coming up, and that it's so soft that he

745
00:35:37,200 --> 00:35:39,320
Speaker 1: said maybe they should make underwear out of this stuff

746
00:35:39,320 --> 00:35:42,120
Speaker 1: for men, and she says, you see, that's what I'm

747
00:35:42,160 --> 00:35:42,880
Speaker 1: talking about.

748
00:35:43,080 --> 00:35:44,640
Speaker 2: Feel free to try anything on.

749
00:35:44,920 --> 00:35:47,320
Speaker 1: I know, you know, it doesn't He's like, it doesn't

750
00:35:47,320 --> 00:35:49,480
Speaker 1: make me a pervert that I thought. You whatever. They

751
00:35:49,520 --> 00:35:52,000
Speaker 1: go back and forth and she's just terrific. And you know,

752
00:35:52,160 --> 00:35:54,840
Speaker 1: I remember that scene because I remember how good she was.

753
00:35:54,880 --> 00:35:57,560
Speaker 1: And the scene was actually quite short, and I remember

754
00:35:57,560 --> 00:36:00,239
Speaker 1: it somehow being longer, but it was a very short.

755
00:36:01,120 --> 00:36:02,000
Speaker 2: We cut it down.

756
00:36:02,320 --> 00:36:05,000
Speaker 3: But you know, when I realized also watching this episode,

757
00:36:05,000 --> 00:36:09,200
Speaker 3: and I'm actually not a curmudgeon, but in terms of

758
00:36:09,400 --> 00:36:13,799
Speaker 3: exchanging looks and what I say and explaining things, I'm

759
00:36:13,800 --> 00:36:17,640
Speaker 3: more like Larry offscreen in terms of I talk to

760
00:36:17,680 --> 00:36:21,680
Speaker 3: everybody and I'm curious about what they're wearing. The old time,

761
00:36:21,800 --> 00:36:26,000
Speaker 3: one person like I went into a movie theater and

762
00:36:26,560 --> 00:36:29,839
Speaker 3: there's a guy behind the counter, like, there's a man bun,

763
00:36:29,880 --> 00:36:32,360
Speaker 3: which I've always found interesting. Unless you live in Europe

764
00:36:32,760 --> 00:36:36,080
Speaker 3: the Americans, it doesn't work anyhow. I said to him,

765
00:36:36,160 --> 00:36:39,160
Speaker 3: are you wearing the man bun because you like it

766
00:36:39,440 --> 00:36:41,320
Speaker 3: or because you don't want your hair and the food?

767
00:36:41,680 --> 00:36:44,920
Speaker 3: And he, matter of factly, with a touch of angers,

768
00:36:44,960 --> 00:36:47,359
Speaker 3: said I prefer not, And I didn't get what he

769
00:36:47,440 --> 00:36:50,919
Speaker 3: was saying. I prefer not to be identified by my hair.

770
00:36:51,200 --> 00:36:53,800
Speaker 3: And I go, yeah, but the man I'm asking you,

771
00:36:54,080 --> 00:36:57,920
Speaker 3: And I didn't get the identification thing. He at a

772
00:36:57,960 --> 00:37:00,480
Speaker 3: certain way, and I was being kind the whole time

773
00:37:00,840 --> 00:37:02,920
Speaker 3: of I'm not curious, and I wouldn't put it away.

774
00:37:03,160 --> 00:37:05,600
Speaker 3: That's why I'm saying. It's the Larry thing. But what

775
00:37:05,920 --> 00:37:08,719
Speaker 3: And I'd ask him those questions and explain, and by

776
00:37:08,719 --> 00:37:10,640
Speaker 3: the way, one of the other times I got a

777
00:37:10,680 --> 00:37:13,520
Speaker 3: rejection was the woman who takes tickets in the same

778
00:37:13,600 --> 00:37:16,200
Speaker 3: theater maybe two years later. I don't want to be

779
00:37:16,400 --> 00:37:20,719
Speaker 3: And then I'm like, okay, I'm very sorry. I will

780
00:37:20,760 --> 00:37:23,920
Speaker 3: not ask. And he was very upset, like furious. And

781
00:37:24,040 --> 00:37:26,120
Speaker 3: later on I walked up to him and I said,

782
00:37:26,560 --> 00:37:29,160
Speaker 3: I just want to let you know I meant nothing.

783
00:37:29,280 --> 00:37:33,719
Speaker 3: I apologize. It was just curiosity because also I said

784
00:37:33,760 --> 00:37:37,040
Speaker 3: to somebody, he doesn't want to be identified by his hair,

785
00:37:37,360 --> 00:37:40,080
Speaker 3: what does that fucking mean? They go, no, you're saying, man,

786
00:37:40,120 --> 00:37:41,440
Speaker 3: button And he may not.

787
00:37:42,360 --> 00:37:45,440
Speaker 1: Myself a miss, but you know, you know what kills

788
00:37:45,480 --> 00:37:49,239
Speaker 1: me though, when people do things to draw attention to

789
00:37:49,320 --> 00:37:53,839
Speaker 1: themselves and then don't want the you know what I'm saying.

790
00:37:54,160 --> 00:37:56,840
Speaker 3: No, I know, I know. But by the way, someone

791
00:37:56,840 --> 00:38:02,200
Speaker 3: who embraces whatever they are and such a way, that's colorful.

792
00:38:02,400 --> 00:38:05,600
Speaker 3: I dig that man, that guy. People like that make

793
00:38:05,640 --> 00:38:08,560
Speaker 3: the world a better place when they really embrace who

794
00:38:08,600 --> 00:38:08,920
Speaker 3: they are.

795
00:38:09,320 --> 00:38:12,920
Speaker 2: And you know what, fashion it really should be fun.

796
00:38:13,239 --> 00:38:15,040
Speaker 2: Fashion is an expression.

797
00:38:15,520 --> 00:38:19,840
Speaker 1: And then Larry brings Maria a very large selection of

798
00:38:19,880 --> 00:38:20,919
Speaker 1: bras and he's very.

799
00:38:20,840 --> 00:38:23,360
Speaker 2: Proud of himself because he thinks he nailed the size.

800
00:38:23,600 --> 00:38:26,760
Speaker 3: No, no, no, he bought. He bought different sizes.

801
00:38:26,520 --> 00:38:28,960
Speaker 1: Yes, but he says he thinks he nailed the size

802
00:38:29,080 --> 00:38:32,759
Speaker 1: and he's very proud of and she tries it on

803
00:38:33,160 --> 00:38:35,040
Speaker 1: and she looks great.

804
00:38:35,520 --> 00:38:38,400
Speaker 3: She's so happy, she's so comfortable.

805
00:38:39,080 --> 00:38:41,759
Speaker 1: And then he comes upstairs and comes into his bedroom

806
00:38:41,800 --> 00:38:43,520
Speaker 1: and Cheryl and I are waiting for him.

807
00:38:43,640 --> 00:38:45,440
Speaker 2: I just say him, you're a sick fuck.

808
00:38:45,840 --> 00:38:48,279
Speaker 1: And I show him the video because I tell him

809
00:38:48,280 --> 00:38:50,600
Speaker 1: that we have cameras in the laundry room because we

810
00:38:51,080 --> 00:38:56,360
Speaker 1: the houselipper is stealing, so we put the nanny cams around, which, by.

811
00:38:56,200 --> 00:38:59,800
Speaker 3: The way, I wouldn't even think that was going to happen,

812
00:39:00,080 --> 00:39:00,600
Speaker 3: do you know what I mean?

813
00:39:00,680 --> 00:39:02,880
Speaker 2: I didn't see it exactly exactly.

814
00:39:03,120 --> 00:39:07,600
Speaker 1: And we see the video of Larry mincing around trying

815
00:39:07,640 --> 00:39:09,840
Speaker 1: on the bra and he says, well, he wanted to

816
00:39:09,880 --> 00:39:11,560
Speaker 1: see what it felt like washing dishes.

817
00:39:11,600 --> 00:39:13,600
Speaker 2: I said, is that how your made washing his dishes?

818
00:39:13,880 --> 00:39:14,520
Speaker 2: Is that going out?

819
00:39:14,640 --> 00:39:17,640
Speaker 3: But he also said other things moving around, going around

820
00:39:17,640 --> 00:39:22,120
Speaker 3: the house, cleaning stuff, and wanted to feel your impression

821
00:39:22,640 --> 00:39:25,759
Speaker 3: of that doing the like is that how you didn't

822
00:39:25,840 --> 00:39:30,120
Speaker 3: just say it how she does the dishes, which I mean.

823
00:39:29,960 --> 00:39:34,160
Speaker 1: That was great, and you know, staring at everyone's breasts

824
00:39:34,160 --> 00:39:36,120
Speaker 1: and and Cheryl's like, why are you buying her a bra?

825
00:39:36,480 --> 00:39:39,719
Speaker 3: I love the scenes where you and Cheryl really time

826
00:39:39,840 --> 00:39:41,800
Speaker 3: up and we have no idea what to say.

827
00:39:41,960 --> 00:39:44,440
Speaker 1: And I tell him keep you goddamn hands off my brazier,

828
00:39:44,520 --> 00:39:47,120
Speaker 1: and Cheryl's tells me she caught him looking at her

829
00:39:47,200 --> 00:39:50,040
Speaker 1: bra and you know, like it's just a sick fuck

830
00:39:50,120 --> 00:39:52,600
Speaker 1: with a fetish of bras And and then I tell

831
00:39:52,719 --> 00:39:56,440
Speaker 1: Cheryl about him waking up Sammy, and then Cheryl says him,

832
00:39:56,480 --> 00:39:57,000
Speaker 1: where have you been?

833
00:39:57,040 --> 00:39:59,399
Speaker 2: And he says brush shopping and then he walks out.

834
00:40:00,000 --> 00:40:02,319
Speaker 3: Hold On. In the second though, he gets into an

835
00:40:02,400 --> 00:40:04,320
Speaker 3: argument again with you about the tooth.

836
00:40:04,520 --> 00:40:07,480
Speaker 2: He yells at you about the tooth fairy. Yes, I

837
00:40:07,480 --> 00:40:08,160
Speaker 2: want to say.

838
00:40:08,120 --> 00:40:11,200
Speaker 3: This scene, all the things you're saying and doing, there's

839
00:40:11,280 --> 00:40:15,080
Speaker 3: no you know, maybe it's written Susie is upset with Larry,

840
00:40:15,320 --> 00:40:18,719
Speaker 3: but you're making all this shit up. Well, we all do, no, no,

841
00:40:18,800 --> 00:40:21,239
Speaker 3: But it's like I watched this scene and I go,

842
00:40:21,480 --> 00:40:24,600
Speaker 3: I wonder if people know that this is all improvise

843
00:40:24,920 --> 00:40:27,080
Speaker 3: from a very well it used to be back then

844
00:40:27,080 --> 00:40:30,040
Speaker 3: it was a very short outline, you know, same.

845
00:40:29,520 --> 00:40:32,680
Speaker 1: With your scenes like that, hilarious scene earlier where you're

846
00:40:32,680 --> 00:40:34,200
Speaker 1: guessing Cheryl's bra size.

847
00:40:34,239 --> 00:40:37,720
Speaker 3: We had no idea we were going to do that.

848
00:40:37,160 --> 00:40:40,920
Speaker 3: That just happens, and you know, we do it two

849
00:40:41,000 --> 00:40:43,319
Speaker 3: or three times because we're pretty happy with the first one.

850
00:40:43,600 --> 00:40:46,200
Speaker 3: But that is so much fun. That's what's fun about

851
00:40:46,239 --> 00:40:46,640
Speaker 3: the show.

852
00:40:46,760 --> 00:40:50,160
Speaker 2: Oh I see here where I see that? Okay?

853
00:40:50,600 --> 00:40:53,319
Speaker 1: So then Paul is asleep on the sofa because we've

854
00:40:53,360 --> 00:40:56,280
Speaker 1: already established Larry welcome up with the orthotics the night before,

855
00:40:56,320 --> 00:40:58,600
Speaker 1: so we didn't get a good night's sleep, and Larry

856
00:40:58,680 --> 00:41:01,920
Speaker 1: sees the mozuzza on the and Maria comes in and

857
00:41:01,920 --> 00:41:04,560
Speaker 1: that's when she's showing off how comfortable she is and

858
00:41:04,600 --> 00:41:07,080
Speaker 1: how good she feels. And that's when he asked her,

859
00:41:07,320 --> 00:41:09,840
Speaker 1: where's haystus? How come he didn't put up the Messusa?

860
00:41:10,120 --> 00:41:14,000
Speaker 1: And she says, hey susus, upset that Larry was talking

861
00:41:14,000 --> 00:41:15,160
Speaker 1: to Marie about her breast.

862
00:41:15,400 --> 00:41:17,840
Speaker 2: He said, mister David can go fuck himself.

863
00:41:18,120 --> 00:41:21,520
Speaker 1: Right, Okay, good, Right, that's where that was. And then

864
00:41:21,560 --> 00:41:24,840
Speaker 1: we see Nat Larry's father pulling up and Larry starts

865
00:41:24,840 --> 00:41:26,560
Speaker 1: to freak out, where's a hammer, Where's a nail?

866
00:41:26,600 --> 00:41:27,840
Speaker 2: He's got to put up? The Masusa.

867
00:41:28,120 --> 00:41:30,719
Speaker 1: So Nat doesn't get upset, because that is the kind

868
00:41:30,719 --> 00:41:32,400
Speaker 1: of thing that Nat would get upset about.

869
00:41:32,400 --> 00:41:33,800
Speaker 2: Oh, by the way, yes.

870
00:41:33,960 --> 00:41:37,879
Speaker 3: What's amazing about Shelley's performance all through the show, which

871
00:41:38,000 --> 00:41:42,239
Speaker 3: kind of you know, you knows just how subtle he was, Yeah,

872
00:41:42,280 --> 00:41:46,480
Speaker 3: and quiet, quiet and subtle, and then in character he

873
00:41:46,480 --> 00:41:49,280
Speaker 3: would make like that he was happy. He said, don't

874
00:41:49,320 --> 00:41:52,839
Speaker 3: do this and this is not the old part. There

875
00:41:52,880 --> 00:41:54,280
Speaker 3: are some okay, so yeah.

876
00:41:54,160 --> 00:41:57,520
Speaker 2: That's next. Okay. So he's looking for a hammer. She

877
00:41:57,520 --> 00:41:59,520
Speaker 2: tells him where the hammer is, where's a nail? He

878
00:41:59,520 --> 00:42:00,560
Speaker 2: doesn't have any, And.

879
00:42:00,480 --> 00:42:03,600
Speaker 1: He sees Paul asleep on the couch with that that

880
00:42:03,760 --> 00:42:06,320
Speaker 1: for cock and nail around his neck and he tries

881
00:42:06,360 --> 00:42:08,200
Speaker 1: to take it off, which is a whole big you know,

882
00:42:08,280 --> 00:42:09,200
Speaker 1: can't get it over his head.

883
00:42:09,440 --> 00:42:11,319
Speaker 3: But by the way, I see, I didn't buy that

884
00:42:11,480 --> 00:42:13,279
Speaker 3: the nose, all of it, because.

885
00:42:13,200 --> 00:42:14,239
Speaker 2: He wouldn't have woken up.

886
00:42:14,320 --> 00:42:17,279
Speaker 3: Yeah, no, no, I'd buy that. He's not waking up.

887
00:42:17,400 --> 00:42:20,920
Speaker 3: That's all good, But the joke is still funny if

888
00:42:20,920 --> 00:42:23,080
Speaker 3: he just pulls it off his head. That's not what

889
00:42:23,080 --> 00:42:25,880
Speaker 3: we're doing. It's about the nail. It's not about it.

890
00:42:26,760 --> 00:42:30,360
Speaker 3: But that's you know again. Sometimes I'm not listening.

891
00:42:29,960 --> 00:42:31,560
Speaker 2: To I know where you're going.

892
00:42:34,000 --> 00:42:36,560
Speaker 3: No, actually I know in the back of my head,

893
00:42:36,560 --> 00:42:37,719
Speaker 3: but I was not going there.

894
00:42:37,880 --> 00:42:42,080
Speaker 1: Trust And Paul wakes up and it's blasphemy and he's upset,

895
00:42:42,360 --> 00:42:45,280
Speaker 1: and Cheryl and I come down the stairs and it's pandemonium.

896
00:42:45,400 --> 00:42:47,880
Speaker 1: We're all shouting and screaming, and Larry is putting up

897
00:42:47,920 --> 00:42:51,160
Speaker 1: the messiussa with the passion of the Christ nail and

898
00:42:51,440 --> 00:42:52,120
Speaker 1: Natt walks in.

899
00:42:52,200 --> 00:42:56,359
Speaker 2: He's like, kiddo, it was so.

900
00:42:56,719 --> 00:43:01,600
Speaker 3: Light and natural. He touched it, it was warmed by it,

901
00:43:01,680 --> 00:43:02,640
Speaker 3: and I thought.

902
00:43:02,400 --> 00:43:04,839
Speaker 1: That was Jeff, do you touch it first and then

903
00:43:04,960 --> 00:43:07,319
Speaker 1: kiss or do you kiss and then touch it?

904
00:43:07,320 --> 00:43:08,759
Speaker 3: Well, by the way, that's uh.

905
00:43:09,120 --> 00:43:13,600
Speaker 2: I don't know somebody, well, right, can I be honest

906
00:43:13,640 --> 00:43:13,880
Speaker 2: with you?

907
00:43:14,080 --> 00:43:17,200
Speaker 3: Don't even want to google it? Accept anyone? Do I

908
00:43:17,280 --> 00:43:20,000
Speaker 3: see kissing their hand first and then touch I believe

909
00:43:20,040 --> 00:43:22,560
Speaker 3: it's a kiss and touch. That's why I believe it is.

910
00:43:22,880 --> 00:43:25,440
Speaker 3: But if they do a touch and kiss, I'm good

911
00:43:25,480 --> 00:43:27,320
Speaker 3: with both, because you're showing respect.

912
00:43:27,640 --> 00:43:30,640
Speaker 1: If you hear snoring in the background, that's my dog

913
00:43:30,719 --> 00:43:33,200
Speaker 1: right over here is asleep and snoring very loudly.

914
00:43:33,360 --> 00:43:34,040
Speaker 2: I can hear it.

915
00:43:34,200 --> 00:43:36,400
Speaker 3: So I felt that you were going to say, if

916
00:43:36,440 --> 00:43:40,240
Speaker 3: you hear snoring in the background, my dog is bored

917
00:43:40,280 --> 00:43:40,480
Speaker 3: of you.

918
00:43:40,640 --> 00:43:47,000
Speaker 5: Jeff, I thought you were going, Okay, Next, we're in uh,

919
00:43:47,280 --> 00:43:49,799
Speaker 5: we're in Larry's office and you're there and you're both

920
00:43:49,840 --> 00:43:53,560
Speaker 5: eating chicken salad sandwiches and it's the best chicken salad

921
00:43:53,800 --> 00:43:55,200
Speaker 5: ever that you've ever had.

922
00:43:55,600 --> 00:43:58,760
Speaker 3: And there was a moment where we both are laughing

923
00:43:58,880 --> 00:44:01,440
Speaker 3: really hard. Do you remember what it was about the

924
00:44:01,560 --> 00:44:04,680
Speaker 3: chicken salad or whatever, because that scene, I'm on the couch,

925
00:44:04,680 --> 00:44:05,279
Speaker 3: he's behind the.

926
00:44:05,840 --> 00:44:06,399
Speaker 2: It comes up.

927
00:44:06,719 --> 00:44:10,399
Speaker 1: It's and he tells you that she's very happy about

928
00:44:10,400 --> 00:44:12,120
Speaker 1: the bra and that he nailed the bra size.

929
00:44:12,160 --> 00:44:14,120
Speaker 2: He's very you know, proud himself.

930
00:44:14,280 --> 00:44:15,880
Speaker 1: And you tell him, me should get a job at

931
00:44:15,920 --> 00:44:20,080
Speaker 1: a carnival somewhere to get the broth size.

932
00:44:19,840 --> 00:44:23,359
Speaker 3: And we don't know it's gonna work. Holy shit, And

933
00:44:23,400 --> 00:44:26,680
Speaker 3: then he started doing what he would do as a

934
00:44:26,719 --> 00:44:30,160
Speaker 3: carnival barker who collects. I mean. And by the way,

935
00:44:30,239 --> 00:44:33,399
Speaker 3: when you see Larry and I laughing on screen, or

936
00:44:34,040 --> 00:44:37,440
Speaker 3: we're laughing at Susie or whatever it is, those are

937
00:44:37,560 --> 00:44:39,400
Speaker 3: one genuine.

938
00:44:39,080 --> 00:44:41,600
Speaker 2: Laughs, yes, like we are laughing hard.

939
00:44:41,960 --> 00:44:44,920
Speaker 3: And how absurd it is, and how funny it is

940
00:44:45,200 --> 00:44:46,520
Speaker 3: and those are real laughs.

941
00:44:46,680 --> 00:44:49,680
Speaker 1: And he tells you that Heyesue's freaked out about the

942
00:44:49,680 --> 00:44:52,600
Speaker 1: bra and quit and told him to go fuck himself.

943
00:44:53,000 --> 00:44:54,960
Speaker 1: And then you asked if he replace the nail, and

944
00:44:55,000 --> 00:44:56,640
Speaker 1: he says, yeah, he ordered a new one. And then

945
00:44:56,680 --> 00:45:00,200
Speaker 1: he bites down in the chicken salad sandwich and his

946
00:45:00,320 --> 00:45:02,960
Speaker 1: tooth fell out because it was a bone in the

947
00:45:03,040 --> 00:45:08,880
Speaker 1: chicken salad. And then we hear squeaking, squeaking, squeaking, squeaking.

948
00:45:10,239 --> 00:45:13,040
Speaker 2: Yeah, it's like a real horror movie kind of.

949
00:45:13,440 --> 00:45:15,600
Speaker 3: The way we did the sound effects on the show

950
00:45:15,640 --> 00:45:17,600
Speaker 3: for the shoes was perfect.

951
00:45:17,719 --> 00:45:21,480
Speaker 2: Yeah, I agree with you. Larry says it's Haesu's.

952
00:45:21,640 --> 00:45:23,680
Speaker 1: He looks out the window, he sees it's Hasus and

953
00:45:23,719 --> 00:45:27,080
Speaker 1: we see Haesu's coming Lobo and he picks up a

954
00:45:27,120 --> 00:45:29,080
Speaker 1: sign that, you know, some kind of I don't know,

955
00:45:29,160 --> 00:45:31,359
Speaker 1: for sale sign or whatever, and he rips the sign

956
00:45:31,440 --> 00:45:33,520
Speaker 1: off and it's across it's two pieces.

957
00:45:33,239 --> 00:45:38,040
Speaker 3: Of wood, was a cross, and he's holding it and

958
00:45:37,400 --> 00:45:39,040
Speaker 3: he starts.

959
00:45:38,680 --> 00:45:40,960
Speaker 1: To come after Larry, and we hear that that that

960
00:45:41,080 --> 00:45:42,880
Speaker 1: I forgot what the music is called, but it's this

961
00:45:43,040 --> 00:45:50,520
Speaker 1: religious music playing and he's coming after Larry, and Larry's

962
00:45:50,600 --> 00:45:51,439
Speaker 1: running and.

963
00:45:51,400 --> 00:45:55,719
Speaker 2: All of a sudden, Haesus falls in pain. He stepped on.

964
00:45:55,680 --> 00:45:59,120
Speaker 1: The nail that Larry drops the passion of Christ's nail

965
00:45:59,360 --> 00:46:02,440
Speaker 1: and it's in his foot and you guys pull it out.

966
00:46:02,719 --> 00:46:05,439
Speaker 3: No no, no, no, no, no no, wait. We do

967
00:46:05,520 --> 00:46:10,000
Speaker 3: something that bothered me, which is no. But that's after

968
00:46:10,400 --> 00:46:14,080
Speaker 3: we start discussing about the nail blah blah blah, and

969
00:46:14,120 --> 00:46:15,600
Speaker 3: the guys on the floor.

970
00:46:16,360 --> 00:46:18,040
Speaker 2: Oh yeah yeah, And I.

971
00:46:18,080 --> 00:46:21,800
Speaker 3: Just thought, are Larry and I that ignorant? That cruel?

972
00:46:22,200 --> 00:46:26,080
Speaker 3: Are characters? And I really thought, no, we would have

973
00:46:26,160 --> 00:46:28,400
Speaker 3: we would have a beat, pull it out, fat. So

974
00:46:28,440 --> 00:46:31,200
Speaker 3: we're having a fucking conversation, all right, keep going.

975
00:46:31,560 --> 00:46:33,680
Speaker 2: So then you pull the nail out and it's like.

976
00:46:33,640 --> 00:46:38,000
Speaker 1: Oh and they you know, they lift taste sus and

977
00:46:38,040 --> 00:46:38,680
Speaker 1: they drag it.

978
00:46:38,800 --> 00:46:42,360
Speaker 3: No no, no, no, wait wait wait they pull the

979
00:46:42,440 --> 00:46:45,520
Speaker 3: nail out and they look at it like it's a miracle. Right,

980
00:46:45,520 --> 00:46:48,880
Speaker 3: And someone decided to post to have a glow to

981
00:46:48,960 --> 00:46:49,520
Speaker 3: the nail on.

982
00:46:50,040 --> 00:46:55,160
Speaker 2: Yeah yeah, yeah, fucking hated it. Yeah that's not necessary.

983
00:46:55,280 --> 00:46:59,200
Speaker 3: It was not the biggest ball of not necessary. So

984
00:46:59,719 --> 00:47:01,520
Speaker 3: you know, and then when I did it, with him,

985
00:47:01,520 --> 00:47:04,120
Speaker 3: and he looked at it. I never imagine in post

986
00:47:04,239 --> 00:47:06,760
Speaker 3: that would be. And again I fought that one.

987
00:47:06,840 --> 00:47:09,920
Speaker 1: All right, keep going, And then we cut to Larry's

988
00:47:09,920 --> 00:47:14,200
Speaker 1: sleeping peacefully in bed and he wakes up and he

989
00:47:14,520 --> 00:47:18,200
Speaker 1: puts it like fumbling with the pillows, and he sees

990
00:47:18,520 --> 00:47:21,800
Speaker 1: this five dollars underneath his pillow that the tooth fairy

991
00:47:21,840 --> 00:47:25,360
Speaker 1: apparently left him for his tooth that fell out. And

992
00:47:25,480 --> 00:47:27,920
Speaker 1: he turns to Cheryl and he's like, very funny, and

993
00:47:27,960 --> 00:47:31,200
Speaker 1: clearly Cheryl's has no idea what he's talking about.

994
00:47:31,480 --> 00:47:34,879
Speaker 3: No, I think she clearly put it there. There's no master.

995
00:47:34,920 --> 00:47:36,080
Speaker 2: I don't think so.

996
00:47:36,080 --> 00:47:41,120
Speaker 3: So you think an actual tooth fairy whatever, keep it.

997
00:47:41,320 --> 00:47:44,759
Speaker 3: Maybe you came by in your bra, in your bra

998
00:47:45,040 --> 00:47:46,759
Speaker 3: and put it underneath.

999
00:47:47,719 --> 00:47:50,960
Speaker 2: And that's the end of the day. It was a

1000
00:47:50,960 --> 00:47:52,120
Speaker 2: great button, think.

1001
00:47:52,000 --> 00:47:53,760
Speaker 3: No, no, But it was a great button. But also

1002
00:47:54,360 --> 00:47:57,360
Speaker 3: Cheryl played it perfectly, and Larry's reaction was perfect. That

1003
00:47:57,480 --> 00:48:00,480
Speaker 3: being said, when she did it, I know that she

1004
00:48:00,600 --> 00:48:01,680
Speaker 3: put it under his pillow.

1005
00:48:01,840 --> 00:48:04,360
Speaker 2: See, I didn't think so. I thought it was just

1006
00:48:04,440 --> 00:48:05,200
Speaker 2: one of those.

1007
00:48:06,760 --> 00:48:11,000
Speaker 3: Magic realism bullshit okay, yes, which I've enjoyed in movies.

1008
00:48:11,040 --> 00:48:13,759
Speaker 3: There have been movies. Look at groundhoud Day, Yeah, you know,

1009
00:48:13,880 --> 00:48:17,319
Speaker 3: I love that movie, but I don't know, all right,

1010
00:48:17,360 --> 00:48:18,080
Speaker 3: but it's great.

1011
00:48:17,840 --> 00:48:20,440
Speaker 1: Button and that's the great button of the episode. And

1012
00:48:20,480 --> 00:48:23,799
Speaker 1: that's that's it. That is the christ Nail, Season five,

1013
00:48:23,920 --> 00:48:25,960
Speaker 1: episode three, and we'll be back next.

1014
00:48:25,719 --> 00:48:30,040
Speaker 3: Week with episode four. Thanks for listening. I really appreciate it,

1015
00:48:30,120 --> 00:48:31,759
Speaker 3: and I'm assuming Susie does too.

1016
00:48:32,080 --> 00:48:42,560
Speaker 2: I do Bye, Thanks, okay.

1017
00:48:45,239 --> 00:48:48,520
Speaker 1: The History of carbr Enthusiasm is a production of iHeart Radio.

1018
00:48:48,719 --> 00:48:52,440
Speaker 1: For more podcasts from iHeart Radio, visit the iHeart Radio

1019
00:48:52,560 --> 00:49:04,000
Speaker 1: Apple Podcasts, or wherever you listen to your favorite shows.