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Speaker 1: So I've got my markers out, you know, and I'm

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Speaker 1: drawing the grit just like two inch by two inch patches,

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Speaker 1: you know, across my entire body, so I can photograph

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Speaker 1: my skin for my DIRM, and I, uh get stuff

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Speaker 1: two inch by two inch?

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Speaker 2: Yeah, why you do smaller? Uh no, I do two

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Speaker 2: inch by two inch. But for you, I can think

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Speaker 2: of specific two inch square patches where I would want

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Speaker 2: a little more specificity within that.

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Speaker 1: I'm getting a phone call.

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Speaker 2: Is it your Is it your your dirm? Because if

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Speaker 2: you just sent this in at hello, so sorry that

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Speaker 2: was unrelated.

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Speaker 1: It's my dorm. Yeah, it is my dorm.

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Speaker 2: That was your derm. Okay, because some of the pictures.

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Speaker 1: And maybe you're going to address I told him, I

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Speaker 1: told him, hang on, Hayes is in the middle of

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Speaker 1: a sentence, and he said, I'm sorry, but okay, you

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Speaker 1: were saying something about a particular patch or particular section

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Speaker 1: that was an issue I go to by two.

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Speaker 2: I know, but I'm saying I can think of specific

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Speaker 2: patches of yours where there's like multiple issues going on

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Speaker 2: within the patch to the point where like I would

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Speaker 2: actually want to do like a like a more fine

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Speaker 2: grained analysis because and I actually calling you to say

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Speaker 2: you're sorry about the about some of these patches, because

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Speaker 2: that was my prediction that you would you would get

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Speaker 2: like a direct phone call from your derm as soon

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Speaker 2: as the image was sent in, and that they would

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Speaker 2: say they were sorry.

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Speaker 1: Well what well what What he's saying to me now

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Speaker 1: is what he started to say before I told him

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Speaker 1: to shut up? And can whoever is over there shut

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Speaker 1: up as well? Overwhere somebody something's happening where you are.

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Speaker 1: I can hear there's something making noise.

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Speaker 2: Nope, loving to hear. And this is when this is

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Speaker 2: when I like, I am podcasting right now, and I

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Speaker 2: don't like it for me. I'm like, I'm like surfing.

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Speaker 2: I'm an open water right now. I don't hear any

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Speaker 2: of this shit. Great, this is why I don't have

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Speaker 2: a family when I'm doing this. You know what I mean, soon,

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Speaker 2: as as soon as this is over, I'm all about

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Speaker 2: my family.

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Speaker 1: If my wife tried to call me right now, I

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Speaker 1: wouldn't even answer. I'll answer if my Duram calls. If

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Speaker 1: my wife tried to call me right now, you know

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Speaker 1: what I do click when I'm fire an empty gun

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Speaker 1: at my phone just to let my phone know. Next

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Speaker 1: one's loaded. Click click click. You saw me put one

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Speaker 1: in the chamber phone.

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Speaker 2: And birth. You can talk about this too, I guess now.

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Speaker 2: When I'm podcasting, this comes off real quick, real easy

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Speaker 2: off you know.

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Speaker 3: Yeah, I'm really glad you're saying that. And for a

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Speaker 3: visual medium.

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Speaker 1: Mm hmmm.

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Speaker 2: I'm talking about my hat.

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Speaker 1: It has a hat that says married man.

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Speaker 2: And when I'm podcasting, off easy and it.

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Speaker 3: Reveals it reveals your tattoo on your forehead that says

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Speaker 3: podcaster only because.

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Speaker 1: We're going visual. You know, I've started wearing this hat

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Speaker 1: a lot in Earnest. I gotta say, I think it's

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Speaker 1: I think it's me. I think I'm gonna do it?

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Speaker 4: Is its named Ernest.

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Speaker 1: English is here? Everybody christ check this out? Okay?

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Speaker 4: Am?

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Speaker 1: I watching Cameron Crows singles, what's going on here?

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Speaker 4: What is it a Jeff cap? Technically?

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Speaker 1: Yeah?

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Speaker 2: What is it?

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Speaker 1: It's a.

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Speaker 2: Is it a Jeff cap after Jeff Daniels?

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Speaker 1: I don't know. Some people call it like a newsboy

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Speaker 1: cap or like a driving cap.

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Speaker 2: Don't you think the Daniels the director should change their

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Speaker 2: name to a Daniels at least? H Why in honor

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Speaker 2: of Jeff Daniels. Are we really just gonna disrespect Jeff

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Speaker 2: Daniels and say no, no, actually, well.

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Speaker 1: Now this is the Daniels. Jeff Daniels has only been

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Speaker 1: the Daniels in Hollywood for a long time.

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Speaker 3: That's true. But I think the Daniels. I don't think

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Speaker 3: that's their last name.

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Speaker 1: I okay, you don't think that.

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Speaker 3: You're totally right.

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Speaker 4: This is the podcast you come on and you say

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Speaker 4: what you don't think.

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Speaker 3: Yeah, and and listen.

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Speaker 1: This is this is improv movie. This is the movie

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Speaker 1: where you say what you don't think twice. So give

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Speaker 1: it to us one more time.

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Speaker 3: I don't wait which one do? I not think that

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Speaker 3: their first name is Daniels or that it shouldn't this

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Speaker 3: you're not making.

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Speaker 2: Wow, this is what the married version of you as.

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Speaker 3: I don't sorry, I'm just I'm thinking about wife stuff.

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Speaker 3: I'm thinking about wife stuff. I'm thinking about all sorts

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Speaker 3: of wife things. First of all, I'm I'm thinking about

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Speaker 3: I'm thinking about dinners. I'm thinking about a warm meal

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Speaker 3: for my fan.

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Speaker 4: I don't know.

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Speaker 2: About I just want to clarify, I just want I'm

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Speaker 2: thinking about what is dinners? Yeah, the warm meal is dinners.

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Speaker 2: So whatever you were thinking about before was maybe was

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Speaker 2: possibly not dinners.

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Speaker 4: Yeah, so you call them a dinners instead of like

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Speaker 4: B dinners.

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Speaker 3: Well, in honor of Jeff Jeff.

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Speaker 2: Yeah, so birth these here? Dylan, I guess is was

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Speaker 2: told to kick rocks.

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Speaker 3: No, Dylan's here.

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Speaker 2: She's not here. I know you she's here.

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Speaker 3: I have a Well, then, why do I have a

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Speaker 3: sixth box on my zoom screen.

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Speaker 2: In just your zoom.

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Speaker 3: Yeah, she's in a box on my zoom screen, right

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Speaker 3: next to Sean on the second row. It's Dylan, she is.

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Speaker 3: She looks very still right now, though.

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Speaker 1: Dylan is going electric right now. If you know what

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Speaker 1: I mean.

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Speaker 4: I'm sure you just don't have a framed photo of

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Speaker 4: her next year computer hunhu.

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Speaker 3: No, I'm pretty sure, because it's because I do have

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Speaker 3: a frame photo. But that's separate. Okay, I'm looking at a.

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Speaker 1: Might you have two frame photos?

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Speaker 2: Sweetie?

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Speaker 4: Well?

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Speaker 1: Is she also the wallpaper behind your behind your zoom window?

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Speaker 3: Well okay, yes, but also I am seeing this. All

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Speaker 3: of what you're saying is right, But what I'm also

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Speaker 3: saying is right, which is that she is on the zoom.

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Speaker 3: She's on the zoom and she's about to sing a beautiful.

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Speaker 2: Song, but only you can hear it. That's fine, we're

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Speaker 2: all listening to sing a song.

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Speaker 3: No we no, you're you're all listening to it. What

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Speaker 3: you're doing right now is gaslighting.

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Speaker 1: So Brothie collects these happened a good old fashioned tricking

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Speaker 1: gas leg What can't I trick someone?

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Speaker 2: You know? He's sort of.

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Speaker 1: An impish prankster figure, used to be something celebrated in

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Speaker 1: many cultures, and now all of a sudden, the slightest

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Speaker 1: trick at your gas lighting?

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Speaker 2: I don't know.

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Speaker 1: We have to find some way to divide the two,

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Speaker 1: and we have to.

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Speaker 4: Come up with a more more environmentally friendly way to

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Speaker 4: trick someone.

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Speaker 1: It doesn't shouldn't we be solar lighting them? Or yeah, Adam.

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Speaker 2: With a windmill.

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Speaker 4: Led led and someone.

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Speaker 3: I will say that Sean's hat. Right now, I feel

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Speaker 3: like that's somewhat of a bridge to a trickster character,

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Speaker 3: right Like you're you're making some kind of evolution into

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Speaker 3: the word, taking.

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Speaker 1: On some sort of new character, and I'm excited to

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Speaker 1: see what comes next.

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Speaker 2: For me.

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Speaker 4: It seems like what you could you could do something,

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Speaker 4: for example, a trick maybe, and then you you like,

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Speaker 4: take your hat off and bow, you know, like it

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Speaker 4: seems like the kind of hat that you could take

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Speaker 4: off from bow and then pop, yeah, back on your head.

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Speaker 1: Kevin, make a new tier, get a screen grab, you know,

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Speaker 1: an image of just my square, and then see if

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Speaker 1: you can create a new tier for the Patreon where

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Speaker 1: for a hundred dollars you can see me in the hat. Great,

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Speaker 1: and for and for five thousand dollars, I'll do a

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Speaker 1: private zoom with you wearing the hat. And that doesn't

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Speaker 1: go into the larger Patreon pool. Hayes doesn't get a

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Speaker 1: of it.

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Speaker 4: That'll be huge, be great, So huge money goes right

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Speaker 4: to Ernest Hayes.

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Speaker 3: Are you growing your hair out like this because you

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Speaker 3: wish you had a hat?

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Speaker 2: So crazy? Where do I even begin with that question?

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Speaker 2: It's so fucked, it's so upsetting. First of all, this

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Speaker 2: is my body you're talking about. You're talking about You're

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Speaker 2: coming on the show and talking about my body.

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Speaker 1: Where let them know what the show is. So she

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Speaker 1: now thinks the show is we just talk about Hayes's body. Yeah,

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Speaker 1: I've never heard the podcast.

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Speaker 4: That's no, I'm not. That's why I agreed to do it, though, yeh,

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Speaker 4: what I thought it was.

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Speaker 2: That's what she told you.

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Speaker 1: Yeah, I guess I started talking about my own body

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Speaker 1: and my dirm.

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Speaker 2: Looks like Greg is hungry for dinner.

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Speaker 3: Yeah. I mean that's one of the wife stuff. So

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Speaker 3: the husband thing is, uh, he brought home the groceries.

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Speaker 2: He comes home into frame with all this food.

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Speaker 1: Very subtle, say say Greg's last name, it's Galant, goof

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Speaker 1: is and Galant.

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Speaker 3: Yeah, Galant.

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Speaker 4: That's great.

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Speaker 2: Hey guys, you've got new Year's goals, and HelloFresh is

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Speaker 2: here to help you achieve them. Skip the grocery store,

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Speaker 2: an easy way to eat well and save money this year.

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Speaker 2: Hello Fresh is a great place to get started. It's

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Speaker 2: cheaper than grocery shopping and twenty five percent cheaper than takeout.

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Speaker 2: Just one other thing. I do feel it's important to uh,

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Speaker 2: just to get out there. It's not in the copy

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Speaker 2: and this does not affect my enjoyment of the product

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Speaker 2: at all. I had a great experience making the meal,

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Speaker 2: eating the meal. They they were able to accommodate my

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Speaker 2: dietary restrictions, which can be sort of limiting sometimes when

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Speaker 2: I go out to eat great experience with Hello Fresh,

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Speaker 2: they don't let you submit ideas any kind of ideas,

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Speaker 2: but like recipe ideas, which is fine. Like, because I

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Speaker 2: have a platform, I don't actually need like any specific

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Speaker 2: corporation to get my ideas out there. I can just

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Speaker 2: do it right here. I could just sort of list

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Speaker 2: off different things that I think could be interesting. Cookie soup,

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Speaker 2: scrambled pineapples, cedar plant, carbon spicy peas, lucky charms, the

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Speaker 2: spaghetti version, smoked gel pasta, pie, alfredo, carbon mustard, underwear,

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Speaker 2: Swedish beans, turkey potato, gel burgers, crab oats, poodles these

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Speaker 2: are those are peach noodles because they could do it

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Speaker 2: with zucchini, why don't do it with something that's actually

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Speaker 2: really good? Deep soup, completely white salad, wine fries, and

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Speaker 2: sloppy o's, which are oreos in the style of a

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Speaker 2: sloppy Joe. They were not interested, and that's why they

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Speaker 2: have over thirty five weekly recipes, so I guess they

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Speaker 2: felt like they were sort of good on that front.

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Speaker 5: This week on the Patreon, Carl debuts his new video

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Speaker 5: game live stream, Play No Games. Monday, January sixteenth, that's

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Speaker 5: six pm Pacific. The Boys have an important board members

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Speaker 5: meeting on the pro Version and The flagrant Ones are

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Speaker 2: So I want to talk about these Simpsons. I love

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Speaker 2: this stuff. We have people. We just had this it's.

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Speaker 1: So fucked up man. Congratulations. By the way, this shit

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Speaker 1: is sick as fuck. I'm freaking out. God, it's insane.

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Speaker 1: You congratulations. I've been watching for a long time. I've

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Speaker 1: been watching ever since Homer was like since Bar are

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Speaker 1: you since? I mean since Bar?

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Speaker 4: Yeah?

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Speaker 2: Yeah, you remember when Homer was kind of I'm like,

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Speaker 2: hey you Bart, oh, God, big trouble Marrow.

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Speaker 4: Yeah, I'll remember that first.

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Speaker 2: Yeah, you bad guy.

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Speaker 1: Yeah.

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Speaker 3: And you're quoting the show those are That's one of

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Speaker 3: the that's one of our things.

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Speaker 2: I love the stuff. We have a lot of people

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Speaker 2: on here who shit, I hate.

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Speaker 1: All the time talking to these people and the fucking

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Speaker 1: stuff they do. It's like you're promoting that. I wouldn't

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Speaker 1: want anyone to know about it. Yes, we had this

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Speaker 1: guy on last week. What was this show?

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Speaker 2: The White Postife, Locusts.

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Speaker 1: The ship. I'm watching this ship. I don't know what

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Speaker 1: the fuck is going on. They're on the beach or something.

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Speaker 1: It doesn't make any sense.

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Speaker 2: And as I said to him at the time, I

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Speaker 2: can't relate to people that are just like on vacation.

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Speaker 2: I work, all my friends work. The Simpsons go to

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Speaker 2: work and school. That's what they do. Yeah, they are

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Speaker 2: committed did to meeting their obligations at work and at school,

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Speaker 2: and I admire for them. The Simpsons stay on.

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Speaker 3: That grind, right, they've got you know, what they've got

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Speaker 3: is regular work and then homework. Yeah, it's two kinds

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Speaker 3: of work.

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Speaker 2: Mm hmmmm. It's true.

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Speaker 1: The Simpsons will be working over zoom.

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Speaker 4: Yes, we have been working over ziim.

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Speaker 3: Yeah, it's happening.

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Speaker 1: But the Simpsons are doing that is mister Burns zooming

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Speaker 1: into work.

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Speaker 3: They're still in Springfield. The but the they don't know

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Speaker 3: about COVID and Springfield.

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Speaker 4: We're not going to warn You're not going.

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Speaker 2: To tell them about COVID, Okay, Well, we just.

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Speaker 4: Want to see, like these characters, like how are they

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Speaker 4: going to react to this particular challenge or this roadblock? Right,

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Speaker 4: that's helpful for us as storytellers really to know, like

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Speaker 4: how are they going to react to.

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Speaker 1: This Maggie with long COVID? Yeah, right, there's a story.

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Speaker 1: The story the fucking pacifier keeps shooting out of her

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Speaker 1: mouth because she's got this hacking cough.

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Speaker 4: And and you know you can get comed out of that.

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Speaker 1: You know, absolutely lands in the toilet. You could episode, right.

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Speaker 2: I love it.

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Speaker 3: That's an episode.

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Speaker 1: In the toilet. Okay, anybody got a B story. Let's

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Speaker 1: stick these things together.

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Speaker 4: I mean it covid Meg, Marge gets short COVID, Bart

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Speaker 4: gets medium COVID. Like, these are all different. They could

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Speaker 4: all be one episode or they could all be different episodes.

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Speaker 3: Then and Lisa gets monkey pocks on that.

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Speaker 4: Soeh, she gets it.

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Speaker 1: Oh my gosh, that's so Lisa.

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Speaker 2: That is a change that makes sense among like the

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Speaker 2: changes that we look I yes, and I know, yes, yes,

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Speaker 2: the show. A lot of people still watch the show,

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Speaker 2: but of like people listening to this, you know, they

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Speaker 2: might not be aware today some of the changes in

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Speaker 2: recent years that my understand, I mean, you two are

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Speaker 2: like relatively new to the show. My understand from talking

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Speaker 2: to other people on is that you're responsible for a

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Speaker 2: lot of the the show. Yes, the new directions that

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Speaker 2: the show is going. I want to get into this.

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Speaker 2: I want to hear your side of it. I'm not,

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Speaker 2: as a fan, totally supportive of some of the things

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Speaker 2: that you all have been doing, and I think it

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Speaker 2: would be great to just like discuss it here. I'm

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Speaker 2: willing to learn and I want to.

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Speaker 1: It's a great forum and there's no judgment other than

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Speaker 1: like the obviously I've made a judgment on the show,

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Speaker 1: which is I'm not gonna watch it anymore.

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Speaker 2: But maybe I could.

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Speaker 1: Understand, you know why so much has changed because the

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Speaker 1: show was a pretty big hit.

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Speaker 2: Yeah, it was so that we can well, we can

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Speaker 2: talk like we can talk about like specific things and

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Speaker 2: like just sort of general vibe. Let me get into

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Speaker 2: it of the show. I would love to start with

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Speaker 2: the dabbing and just get it out of the way.

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Speaker 1: Yeah, that's that's probably my number one issue as well,

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Speaker 1: that every character is dabbing.

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Speaker 2: And nobody talks about it. They're talking about and they're

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Speaker 2: doing it to different degrees. It feels like Lenny is

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Speaker 2: dabbing way more than anyone else, and there's a bigger

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Speaker 2: part of the show than he ever was.

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Speaker 1: Well, and and it's this a cartoon, but there used

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Speaker 1: to be some level of sort of grounded humanity there

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Speaker 1: and you could understand people and the ferocity with which

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Speaker 1: Lenny dabs would injure him and others. So for no

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Speaker 1: one to even mention it, like how do I invest

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Speaker 1: in that? I can't connect to that world?

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Speaker 4: Right?

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Speaker 1: And it's dangerous, right because I'm a kid who I

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Speaker 1: grew up going well, I'm a Lenny, Like I'm kind

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Speaker 1: of the Lenny of his friend group. I want to

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Speaker 1: be like Lenny. And if he had been dabbing like

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Speaker 1: this at that time, right, you know, my shoulder would

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Speaker 1: be uh, you know over in the other rooms.

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Speaker 3: Week I mean as well, you'd be wearing a different hat.

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Speaker 3: We can say.

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Speaker 2: That, that's for sure.

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Speaker 1: They can't see that. There's no video the hospital hat. Yeah, yeah, it's.

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Speaker 4: Not it's not our I'll say this, it's.

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Speaker 1: Not our surgery hat to tell.

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Speaker 4: Parents how to raise their kids. Like if like you

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Speaker 4: as a parent should know like what the what the

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Speaker 4: your child's limit is for dabbing? So like, I don't

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Speaker 4: really see why that that would be like the show's

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Speaker 4: fault for if we put in too much dabbing and

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Speaker 4: a kid is doing it too much, it's not our fault.

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Speaker 4: He is hurt first of all.

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Speaker 2: Okay, but every kid has it. I just want to

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Speaker 2: point out though there's no way to know until they like,

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Speaker 2: every care has a certain number. Every kid has a

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Speaker 2: certain number of dads that they're physically capable of doing.

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Speaker 4: Right, which is where this idea came from.

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Speaker 3: Yeah, yeah, yeah. And the thing is, I mean what

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Speaker 3: Christina's saying is totally right, and Lenny's parents know where

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Speaker 3: that line is for Lenny, and we don't want to

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Speaker 3: tell them how to parent Lenny.

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Speaker 1: Well, I'm surprised that Lenny's parents have become so central.

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Speaker 2: I was going to tell this is this is my

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Speaker 2: next thing. I cannot believe how often we're we're seeing

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Speaker 2: Lenny's parents. We're like following they have scenes all to themselves.

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Speaker 2: Now we're mostly in their house.

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Speaker 1: Sometimes we're like halfway through a story that I think

379
00:21:40,720 --> 00:21:45,199
Speaker 1: is pretty good about like you know, Homer trying to

380
00:21:45,240 --> 00:21:48,440
Speaker 1: coach a British soccer team ted Lasso style or something,

381
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Speaker 1: and I go, oh, this could be pretty good, and

382
00:21:50,640 --> 00:21:53,520
Speaker 1: then he goes, I wonder what Lenny's parents think about this,

383
00:21:53,720 --> 00:21:57,199
Speaker 1: And then we zoom back across the pond and just

384
00:21:57,640 --> 00:22:00,359
Speaker 1: hang out with Lenny's parents while they have dinner and

385
00:22:00,400 --> 00:22:02,359
Speaker 1: discuss like whether or not they think Home will be

386
00:22:02,400 --> 00:22:07,560
Speaker 1: a successful coach, and then we roll credits. Yeah, just go, well,

387
00:22:07,560 --> 00:22:10,840
Speaker 1: what how what happened to the story you started telling me?

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Speaker 4: We're talking about it, I mean, you're talking about it.

389
00:22:14,240 --> 00:22:17,640
Speaker 1: Well, they're talking about they're speculating on it. Yeah, yeah,

390
00:22:17,680 --> 00:22:19,200
Speaker 1: I guess I am talking about but I'm talking about

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Speaker 1: it in a negative way. Well, Sean, and I'm saying

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Speaker 1: it's why I don't watch but you do.

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Speaker 3: Yeah, here's the thing. The audience is as much a

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00:22:33,000 --> 00:22:36,600
Speaker 3: part of the story as the people in the story are,

395
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Speaker 3: you know, And so if Lenny's parents are part of

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Speaker 3: the audience, why wouldn't we want to know what they think?

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Speaker 2: I don't.

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Speaker 1: I don't like how much you show the audience now,

399
00:22:47,240 --> 00:22:49,720
Speaker 1: I don't. For me, what I liked was there was

400
00:22:49,800 --> 00:22:54,120
Speaker 1: sort of a closed fourth wall, especially since it's animated,

401
00:22:54,359 --> 00:22:56,800
Speaker 1: like it's not it's not the kind of show where

402
00:22:56,840 --> 00:22:59,680
Speaker 1: you need like live reactions from.

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00:22:59,400 --> 00:23:02,560
Speaker 2: Like Japanese game show like Picture and Picture thing where

404
00:23:02,600 --> 00:23:06,480
Speaker 2: you have audience members watching the show. And by the way,

405
00:23:06,560 --> 00:23:10,200
Speaker 2: let me just point out they also they hate this,

406
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Speaker 2: they hate what's happening.

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Speaker 4: No, they don't want to be I started as an accident,

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00:23:16,000 --> 00:23:21,159
Speaker 4: I will say that, and actually you just haven't figured

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Speaker 4: out how to turn that part off.

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Speaker 2: Okay, So it started as an accident and it has

411
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Speaker 2: continued to be an accident the whole time.

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Speaker 1: Like it, you know, there's who likes it. I'm curious

413
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Speaker 1: because they don't like it and I don't like it.

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Speaker 1: So who So when you say some people, I guess

415
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Speaker 1: I just got to ask, like, can you narrow that

416
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Speaker 1: down for me to even one person?

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Speaker 4: I like it? Yeah, Brokeley likes it.

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Speaker 2: I like it.

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Speaker 3: I like it. And it's not related to the fact that,

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Speaker 3: you know, the accident of having Lenny's parents in the

421
00:23:59,119 --> 00:24:02,399
Speaker 3: picture and picture thing was because I was running around

422
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Speaker 3: in many circles.

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Speaker 2: I just want to say, that's a separate thing. We

424
00:24:07,320 --> 00:24:09,800
Speaker 2: were talking about having audience members in the picture and picture.

425
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Speaker 2: The fact that Lenny's parents are picture is very is

426
00:24:15,119 --> 00:24:19,280
Speaker 2: also very distracting. Yeah, separate issue.

427
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Speaker 3: Well, I was running I was running around the big

428
00:24:21,960 --> 00:24:25,280
Speaker 3: computers that make the Simpsons, and I excellently hit a button.

429
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Speaker 1: Okay, but well you didn't just well you didn't just

430
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Speaker 1: hit a button broth the Yeah, you spilled an entire

431
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Speaker 1: so beyond it.

432
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Speaker 3: I the chocolate chip cookie was a.

433
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Speaker 1: Mistake, but full, so beyond it.

434
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Speaker 2: A chocolate chip cookie flavored sob.

435
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Speaker 4: But then we got an episode out of that, didn't

436
00:24:43,200 --> 00:24:46,880
Speaker 4: We We got that classic episode where Lenny's parents come

437
00:24:46,920 --> 00:24:49,680
Speaker 4: to visit at the nuclear power plant and they spill

438
00:24:49,680 --> 00:24:53,080
Speaker 4: a soby all over you know the controls.

439
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Speaker 2: Yeah, yeah, I didn't know that's how the computer worked

440
00:24:55,920 --> 00:24:58,399
Speaker 2: that that it just does. It just makes an episode

441
00:24:58,400 --> 00:25:00,160
Speaker 2: about whatever's happening to it.

442
00:25:00,440 --> 00:25:01,600
Speaker 4: No, we wrote that, We wrote that.

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Speaker 1: Oh yeah, well then I think like, since we made

444
00:25:07,160 --> 00:25:10,200
Speaker 1: it the nuclear power plant, and we made it Lenny's parents,

445
00:25:10,280 --> 00:25:13,120
Speaker 1: we made it Homer's job, maybe we should have made

446
00:25:13,119 --> 00:25:16,800
Speaker 1: the effect of the spilled drink something other than being

447
00:25:16,800 --> 00:25:21,919
Speaker 1: able to see another picture and picture reaction from the

448
00:25:22,000 --> 00:25:26,440
Speaker 1: audience during the show, and Lenny's parents just talking about

449
00:25:26,480 --> 00:25:28,719
Speaker 1: like can you believe that these people are watching us

450
00:25:28,800 --> 00:25:29,200
Speaker 1: right now?

451
00:25:30,880 --> 00:25:31,080
Speaker 4: Yeah?

452
00:25:31,359 --> 00:25:33,080
Speaker 1: Like why was it something to do with the nuclear

453
00:25:33,119 --> 00:25:36,320
Speaker 1: power plant so the characters could react? I don't know.

454
00:25:36,440 --> 00:25:40,480
Speaker 1: I don't have all the answers, but I don't think

455
00:25:40,480 --> 00:25:42,480
Speaker 1: I'm alone in disliking this direction.

456
00:25:43,520 --> 00:25:46,840
Speaker 2: I want to move on. Go ahead, go ahead, go ahead.

457
00:25:46,880 --> 00:25:48,520
Speaker 2: Do you have a comment on this?

458
00:25:48,560 --> 00:25:49,200
Speaker 1: Is why you're here?

459
00:25:49,520 --> 00:25:52,040
Speaker 4: Is you know the show who has been on for

460
00:25:52,560 --> 00:25:57,400
Speaker 4: eighty four five years. We wanted to you know, when

461
00:25:57,440 --> 00:25:59,840
Speaker 4: they hired me, when they hired Brothy in our interview

462
00:26:00,920 --> 00:26:03,960
Speaker 4: separate interviews, they said, what are ten ways of show

463
00:26:03,960 --> 00:26:08,240
Speaker 4: could change, and I wasn't prepared for that question. I'll

464
00:26:08,280 --> 00:26:10,720
Speaker 4: take a lot to come up with, so I kind

465
00:26:10,720 --> 00:26:15,840
Speaker 4: of did that. I looked around the room, usual suspect style,

466
00:26:15,880 --> 00:26:19,320
Speaker 4: and I saw so be Yeah, I saw you know,

467
00:26:19,640 --> 00:26:22,600
Speaker 4: picture next to a picture next to a picture, and

468
00:26:22,640 --> 00:26:24,639
Speaker 4: a picture picture like that, you know it. I'll just

469
00:26:24,680 --> 00:26:27,840
Speaker 4: like and I said these things, not thinking that we'd

470
00:26:27,880 --> 00:26:29,480
Speaker 4: have to do them, but then we did. We did

471
00:26:29,520 --> 00:26:31,359
Speaker 4: do them, and now they're being done.

472
00:26:31,640 --> 00:26:33,840
Speaker 1: So what did you see them? What did you see

473
00:26:33,880 --> 00:26:36,080
Speaker 1: that made you decide to have Marge bi nude?

474
00:26:37,080 --> 00:26:38,240
Speaker 4: That came from broth The's interview.

475
00:26:38,240 --> 00:26:41,960
Speaker 1: I think, yeah, all right, we'll talk about that because

476
00:26:42,880 --> 00:26:45,160
Speaker 1: I don't know, like I think of myself as actually

477
00:26:46,200 --> 00:26:49,359
Speaker 1: kind of a cool liberal guy. I'm not up man and.

478
00:26:49,400 --> 00:26:53,440
Speaker 2: One of them positive people like honestly in the world.

479
00:26:54,119 --> 00:27:02,720
Speaker 1: Yes, but the disgusting, just absolutely horrifying, uh sickening sex

480
00:27:02,760 --> 00:27:04,960
Speaker 1: acts that I've been positive about on this show.

481
00:27:05,320 --> 00:27:09,120
Speaker 3: Uh huh yeah, can you name that word even me?

482
00:27:10,359 --> 00:27:11,440
Speaker 1: Of the sex acts?

483
00:27:11,800 --> 00:27:14,320
Speaker 3: Yeah, the horrifying sex acts that you've been positive of.

484
00:27:15,119 --> 00:27:20,720
Speaker 1: Cunnelingis sixty nine ing coming down on a chick. I mean,

485
00:27:21,000 --> 00:27:21,720
Speaker 1: I go on.

486
00:27:23,640 --> 00:27:26,600
Speaker 4: Three more is one of them, like drawing on your

487
00:27:26,640 --> 00:27:30,040
Speaker 4: partner into by two inch grids with the marker.

488
00:27:31,240 --> 00:27:33,639
Speaker 1: Well, you know, I didn't get to finish that story.

489
00:27:33,760 --> 00:27:37,359
Speaker 1: The part of that was that no one would draw it,

490
00:27:37,600 --> 00:27:39,399
Speaker 1: you know, no one would draw on me on some

491
00:27:39,440 --> 00:27:41,000
Speaker 1: of the spots that I couldn't read.

492
00:27:41,680 --> 00:27:43,000
Speaker 2: Which I think is related.

493
00:27:43,280 --> 00:27:45,560
Speaker 1: And then it's hard to draw inside of your mouth.

494
00:27:46,080 --> 00:27:50,520
Speaker 3: You asked about Marge's nudity. The just complete, honest answer

495
00:27:50,720 --> 00:27:54,040
Speaker 3: is that when I go to work, I am punctual.

496
00:27:54,240 --> 00:27:57,000
Speaker 3: I want us to you know, I want us to

497
00:27:57,040 --> 00:27:59,919
Speaker 3: be there at a specific time. Marge was not ready

498
00:28:00,800 --> 00:28:04,359
Speaker 3: by the time that, you know, we were starting the interview.

499
00:28:05,240 --> 00:28:11,359
Speaker 3: And that's I interviewed Marge. Well, she was in the

500
00:28:11,720 --> 00:28:12,680
Speaker 3: she was in the room.

501
00:28:13,600 --> 00:28:15,760
Speaker 2: Oh wait, sorry, So Marge was in the room for

502
00:28:15,920 --> 00:28:17,359
Speaker 2: your interview, for.

503
00:28:17,480 --> 00:28:20,320
Speaker 3: My interview, and I wanted my interview to start at

504
00:28:20,320 --> 00:28:23,720
Speaker 3: exactly the time that, you know, I wanted it to

505
00:28:23,800 --> 00:28:27,879
Speaker 3: start exactly nine thirty am, not a second, not a

506
00:28:27,920 --> 00:28:31,120
Speaker 3: second sooner, not a second later, and she just had

507
00:28:31,160 --> 00:28:33,080
Speaker 3: not gotten ready for that.

508
00:28:33,080 --> 00:28:36,399
Speaker 2: Shows they were taking you very seriously as a can.

509
00:28:36,520 --> 00:28:40,920
Speaker 3: Yeah, yeah, And the thing is that's yeah, and he's

510
00:28:41,520 --> 00:28:45,800
Speaker 3: in Hollywood. You know you'll go on these interviews, but

511
00:28:46,280 --> 00:28:48,800
Speaker 3: you're also interviewing them.

512
00:28:48,880 --> 00:28:50,680
Speaker 2: Sure you know, mm hm.

513
00:28:51,200 --> 00:28:53,640
Speaker 3: So that's why Marge is naked now, So you.

514
00:28:53,600 --> 00:28:55,080
Speaker 2: Made her be naked as punishment.

515
00:28:55,720 --> 00:28:59,080
Speaker 3: Well, she wasn't ready. She wasn't ready, but she but

516
00:28:59,200 --> 00:29:01,640
Speaker 3: she respected me enough to come on time anyway.

517
00:29:02,040 --> 00:29:03,920
Speaker 4: And then in order to hire, the two of us

518
00:29:03,960 --> 00:29:06,320
Speaker 4: say to fire the person that draws for clothes on her.

519
00:29:07,320 --> 00:29:09,960
Speaker 4: So we were fine with it. He's been around for

520
00:29:10,000 --> 00:29:12,719
Speaker 4: a while, he's fine. Hope he'll be fine.

521
00:29:12,880 --> 00:29:15,080
Speaker 1: You know, if he's been drawn to close this whole time.

522
00:29:15,080 --> 00:29:17,800
Speaker 2: It was time to put that person out to pastor

523
00:29:17,920 --> 00:29:19,640
Speaker 2: or anyway. I don't know what their deal was, but

524
00:29:19,680 --> 00:29:22,160
Speaker 2: the clothes were looking really fucked up in raggedy.

525
00:29:22,760 --> 00:29:27,280
Speaker 3: He's actually right now, he's like changing the he's making

526
00:29:27,880 --> 00:29:31,120
Speaker 3: he's altering the dress so that it fits Meg from

527
00:29:31,200 --> 00:29:31,800
Speaker 3: Family Guy.

528
00:29:33,120 --> 00:29:33,360
Speaker 4: Wow.

529
00:29:33,520 --> 00:29:35,000
Speaker 3: Yeah, so he's actually you.

530
00:29:34,960 --> 00:29:40,320
Speaker 2: Know her the character Brent Cockman, he did used to

531
00:29:40,320 --> 00:29:43,360
Speaker 2: be named Kent Brockman. I know that all like senior

532
00:29:43,440 --> 00:29:45,360
Speaker 2: leadership on the show are saying that that that his

533
00:29:45,440 --> 00:29:49,160
Speaker 2: name was always Brent Cockman. I have a hun. I'm

534
00:29:49,280 --> 00:29:51,680
Speaker 2: one hundred percent certain, And I went back and checked

535
00:29:51,680 --> 00:29:55,040
Speaker 2: the old episodes. They all say Brent Cockman now. But

536
00:29:55,800 --> 00:29:58,200
Speaker 2: I've talked to other people who also remember that that

537
00:29:58,320 --> 00:30:01,240
Speaker 2: character did used to be named Kent Brockman.

538
00:30:01,080 --> 00:30:03,280
Speaker 1: And his name is recorded in a different voice when

539
00:30:03,280 --> 00:30:07,600
Speaker 1: he says it in the old episode. Yes, yes, sounds

540
00:30:08,520 --> 00:30:09,960
Speaker 1: it sounds like you guys speaking.

541
00:30:12,280 --> 00:30:12,480
Speaker 4: Yeah.

542
00:30:12,520 --> 00:30:13,880
Speaker 3: I haven't noticed either.

543
00:30:15,160 --> 00:30:17,760
Speaker 1: Okay, but that's what it sounds. That's what it sounds like.

544
00:30:18,240 --> 00:30:21,040
Speaker 3: I mean, if anything, I feel like he has sounded

545
00:30:21,080 --> 00:30:25,560
Speaker 3: more himself now than he ever has before.

546
00:30:25,960 --> 00:30:26,560
Speaker 4: Authentic.

547
00:30:26,960 --> 00:30:29,880
Speaker 2: Yeah, so it did change, So you so you so

548
00:30:29,960 --> 00:30:32,560
Speaker 2: you're saying that it has changed in some way because

549
00:30:32,640 --> 00:30:35,880
Speaker 2: that is more than we've been able to get at it.

550
00:30:36,240 --> 00:30:40,280
Speaker 4: The writing. He's more authentic to who he is. Sound okay,

551
00:30:40,720 --> 00:30:43,800
Speaker 4: maybe just because that you guys know that we work

552
00:30:43,800 --> 00:30:45,920
Speaker 4: on the show, so you hear our voices when you

553
00:30:46,160 --> 00:30:49,040
Speaker 4: watch the show. Yeah, I think is kind of a compliment.

554
00:30:49,120 --> 00:30:50,600
Speaker 4: That's like kind of awesome.

555
00:30:52,240 --> 00:30:56,080
Speaker 1: Yeah, I mean your creative voice, like your writer's voice,

556
00:30:56,160 --> 00:31:00,480
Speaker 1: is definitely in there, but the with the Brent Cockman thing,

557
00:31:00,720 --> 00:31:05,080
Speaker 1: it's also your actual speaking voice. It's very different from you.

558
00:31:05,920 --> 00:31:07,200
Speaker 3: Yeah, that's what you're hearing.

559
00:31:07,280 --> 00:31:10,440
Speaker 1: That's great, No, I know that I know that you're

560
00:31:10,440 --> 00:31:14,560
Speaker 1: trying to gaslight me, and and people have said that

561
00:31:14,640 --> 00:31:19,040
Speaker 1: this is actually the Mancala effect.

562
00:31:20,160 --> 00:31:24,960
Speaker 3: What happened to good old fashioned tricking? Yeah, but no,

563
00:31:25,040 --> 00:31:29,440
Speaker 3: we're not. We're not gas lighting were We're really honored

564
00:31:29,440 --> 00:31:32,000
Speaker 3: that you would say you would say something like that.

565
00:31:32,600 --> 00:31:35,480
Speaker 4: Yes, So like now if I say, like, I'm Brent Cochman,

566
00:31:35,680 --> 00:31:38,240
Speaker 4: you think that sounds like what the voice it.

567
00:31:38,200 --> 00:31:40,560
Speaker 2: Sounds like that, but you have but brot it. You're

568
00:31:40,560 --> 00:31:43,000
Speaker 2: saying it at the exact same time, but not quite

569
00:31:43,440 --> 00:31:45,160
Speaker 2: wind up like you're trying to say it at the

570
00:31:45,200 --> 00:31:45,720
Speaker 2: same time.

571
00:31:45,800 --> 00:31:47,680
Speaker 1: But yeah, there's a little lag.

572
00:31:48,280 --> 00:31:51,680
Speaker 3: I mean, this is what it's And this is why

573
00:31:51,880 --> 00:31:55,440
Speaker 3: you know, Christina and I don't really agree that many interviews,

574
00:31:55,480 --> 00:31:58,800
Speaker 3: is that when you see us as people, it's like

575
00:31:58,840 --> 00:32:03,440
Speaker 3: the magic goes away, you know, where you would you

576
00:32:03,480 --> 00:32:09,040
Speaker 3: would originally just associate these voices with Brent, but now

577
00:32:09,080 --> 00:32:10,800
Speaker 3: you're seeing that they're coming.

578
00:32:10,600 --> 00:32:14,920
Speaker 1: From uh the way you pause after Brent there, it's

579
00:32:14,960 --> 00:32:19,320
Speaker 1: like you know that little bit. Yeah, yes, it's just

580
00:32:19,480 --> 00:32:22,480
Speaker 1: not I don't know and I didn't hear a pause.

581
00:32:22,880 --> 00:32:25,400
Speaker 1: By the way, He's not a character that we necessarily

582
00:32:25,520 --> 00:32:29,920
Speaker 1: see like every episode and so it wasn't as jarring

583
00:32:29,960 --> 00:32:37,360
Speaker 1: to me as ned Flanders being changed to need flaccid. Yeah,

584
00:32:37,560 --> 00:32:39,800
Speaker 1: I guess I don't care like I guess they don't care.

585
00:32:40,000 --> 00:32:40,680
Speaker 4: That is.

586
00:32:41,320 --> 00:32:44,160
Speaker 1: Yeah, yeah, well can you talk about why then, because

587
00:32:44,200 --> 00:32:45,760
Speaker 1: you're acknowledging that that got changed.

588
00:32:45,760 --> 00:32:51,440
Speaker 4: So yeah, and I was, you know, as animation and

589
00:32:51,520 --> 00:32:55,720
Speaker 4: TV has evolved, there's just more room for the representation,

590
00:32:56,600 --> 00:32:59,480
Speaker 4: and we just like on the show, we realized we

591
00:32:59,480 --> 00:33:03,760
Speaker 4: didn't have a character representing that kind of particular community.

592
00:33:04,200 --> 00:33:07,200
Speaker 4: So there was just kind of a decision that's made

593
00:33:07,200 --> 00:33:09,640
Speaker 4: in the room, and everybody feels really good about it.

594
00:33:09,680 --> 00:33:13,720
Speaker 2: So, yeah, what what community? Because it's it's just his

595
00:33:13,920 --> 00:33:19,440
Speaker 2: name is different, Like what exactly what community are you?

596
00:33:19,880 --> 00:33:22,920
Speaker 2: Is he representing now? Because he's the character is otherwise

597
00:33:22,960 --> 00:33:24,440
Speaker 2: to same except.

598
00:33:24,840 --> 00:33:27,640
Speaker 1: Because everybody, well he's not exactly the same Haze because

599
00:33:27,640 --> 00:33:30,360
Speaker 1: he used to say Heidily Hoe neighbor, and now he

600
00:33:30,480 --> 00:33:32,520
Speaker 1: comes over and he goes hey, just so you know,

601
00:33:32,600 --> 00:33:35,000
Speaker 1: I'm just gonna say hi from now on, but he

602
00:33:35,120 --> 00:33:38,720
Speaker 1: does it in every episode, so he's never transitioned to

603
00:33:38,800 --> 00:33:39,440
Speaker 1: saying hi.

604
00:33:41,280 --> 00:33:44,600
Speaker 4: You don't think people deserve representation? Like he doesn't understand

605
00:33:44,600 --> 00:33:45,040
Speaker 4: I think.

606
00:33:45,080 --> 00:33:47,000
Speaker 1: Who whoa whoa whoa whoa whoa whoa whoa whoa whoa

607
00:33:47,040 --> 00:33:50,920
Speaker 1: whoa whoa whoa whoa whoa whoa whoa. I never said

608
00:33:51,080 --> 00:33:53,080
Speaker 1: on this that people deserve representations.

609
00:33:53,480 --> 00:33:58,240
Speaker 3: I And here's here's my question. You say, you know

610
00:33:58,360 --> 00:34:02,560
Speaker 3: he says this every episode, this really brilliant line that

611
00:34:03,560 --> 00:34:06,800
Speaker 3: you know Christine actually pulled from her own life and

612
00:34:06,840 --> 00:34:11,320
Speaker 3: from her own experiences. My question for you is does

613
00:34:11,440 --> 00:34:14,840
Speaker 3: Bart not say kawabunga many times?

614
00:34:14,960 --> 00:34:15,040
Speaker 4: No?

615
00:34:15,239 --> 00:34:18,600
Speaker 2: Well, no, he doesn't anymore. And that that's that's another

616
00:34:19,840 --> 00:34:22,799
Speaker 2: I guess, like his new the like the whole set

617
00:34:22,800 --> 00:34:31,319
Speaker 2: of new catchphrases, his Sippy Sippy soda, me Yoda, me

618
00:34:31,440 --> 00:34:32,200
Speaker 2: wants soda.

619
00:34:33,000 --> 00:34:35,520
Speaker 4: Yeah, that's rev loved the whole.

620
00:34:35,280 --> 00:34:39,480
Speaker 2: Like soda obsession. It's not really how Yoda talks. And

621
00:34:39,520 --> 00:34:41,680
Speaker 2: the fact that this is the big payoff for like

622
00:34:41,800 --> 00:34:45,520
Speaker 2: integrating the entire like Disney Library. Now is Bart being

623
00:34:45,560 --> 00:34:47,760
Speaker 2: able to say me Yoda, me wants soda.

624
00:34:48,600 --> 00:34:49,280
Speaker 4: It's great.

625
00:34:49,800 --> 00:34:51,239
Speaker 1: I hate to do this on this show, Like this

626
00:34:51,400 --> 00:34:54,120
Speaker 1: is the that I do think this is an improvement

627
00:34:56,560 --> 00:34:58,960
Speaker 1: just so that you guys don't feel like you're getting

628
00:34:58,960 --> 00:35:03,480
Speaker 1: piled on or doesn't a little bit, I don't want that.

629
00:35:03,600 --> 00:35:06,800
Speaker 1: Hayes and I we agree on most of this stuff.

630
00:35:08,520 --> 00:35:13,000
Speaker 1: Me Yoda, me want SODA's that's very good, righting. Uh yeah,

631
00:35:13,560 --> 00:35:16,520
Speaker 1: you know it. It works. The times that you've had

632
00:35:16,600 --> 00:35:20,400
Speaker 1: him say it, I've usually been surprised because there's no

633
00:35:20,520 --> 00:35:23,920
Speaker 1: soda visible on screen. He's not eating, he's not around,

634
00:35:23,960 --> 00:35:25,600
Speaker 1: you know. He just kind of will say it and

635
00:35:25,640 --> 00:35:29,279
Speaker 1: then we uh. So often, like in the middle of,

636
00:35:30,120 --> 00:35:32,480
Speaker 1: you know, a conversation with someone else where, it's like

637
00:35:32,600 --> 00:35:34,919
Speaker 1: it's not done. He just interrupts them to go me Yota,

638
00:35:35,000 --> 00:35:36,320
Speaker 1: me want soda and go.

639
00:35:37,040 --> 00:35:40,840
Speaker 4: Watch you watch it.

640
00:35:42,680 --> 00:35:42,879
Speaker 2: Yeah.

641
00:35:42,920 --> 00:35:47,200
Speaker 1: I have my niece cut out those parts so that

642
00:35:47,280 --> 00:35:48,200
Speaker 1: I could just love that.

643
00:35:48,880 --> 00:35:49,279
Speaker 4: Mm hmm.

644
00:35:50,080 --> 00:35:56,160
Speaker 1: Okay, so that I I do enjoy. I don't love

645
00:35:56,360 --> 00:35:58,240
Speaker 1: the other soda things.

646
00:35:58,280 --> 00:35:59,080
Speaker 2: He says.

647
00:35:59,360 --> 00:36:02,200
Speaker 3: Okay, we want to hear your feedback. I mean we

648
00:36:02,239 --> 00:36:02,840
Speaker 3: want to hear so.

649
00:36:03,520 --> 00:36:07,520
Speaker 1: Did nine eleven. And for a guy who loves soda

650
00:36:07,560 --> 00:36:12,080
Speaker 1: so much, Yeah, then is he saying that's positive or

651
00:36:12,200 --> 00:36:17,359
Speaker 1: is him drinking it or being Yoda somehow change for him?

652
00:36:17,440 --> 00:36:20,080
Speaker 1: Like that's right, that's not clear.

653
00:36:20,400 --> 00:36:21,680
Speaker 4: Fair, it's fair.

654
00:36:22,320 --> 00:36:26,200
Speaker 3: That's fair that that was not the only thing that's

655
00:36:26,200 --> 00:36:32,280
Speaker 3: happened on nine to eleven. Mm hmm, and maybe that's.

656
00:36:32,239 --> 00:36:34,520
Speaker 4: Maybe nine to eleven means something different to him than

657
00:36:34,680 --> 00:36:38,920
Speaker 4: yes to you. It's not everybody, so he's referring.

658
00:36:38,719 --> 00:36:42,480
Speaker 2: To something else. He thinks something else that happened on

659
00:36:42,600 --> 00:36:48,920
Speaker 2: nine to eleven, unspecified year. I guess right, that Soda did.

660
00:36:49,360 --> 00:36:53,799
Speaker 4: Yeah, what is it that was in the episode?

661
00:36:54,080 --> 00:36:56,279
Speaker 3: Yeah, that was in the episode. I guess you'll have

662
00:36:56,320 --> 00:36:57,040
Speaker 3: to watch it again.

663
00:36:57,960 --> 00:37:01,359
Speaker 2: Shawn's niece cut it out. So Britt, if you could

664
00:37:01,360 --> 00:37:04,560
Speaker 2: say what it is, that would be great for us

665
00:37:04,600 --> 00:37:09,080
Speaker 2: to know, just for transparency. What it is it?

666
00:37:09,840 --> 00:37:13,160
Speaker 3: Man, you gotta watch it and then you can tell me.

667
00:37:13,840 --> 00:37:17,200
Speaker 2: You do nothing else in this episode. You are going

668
00:37:17,280 --> 00:37:19,439
Speaker 2: to need to say what it is that Soda did

669
00:37:20,719 --> 00:37:24,480
Speaker 2: on either the same nine to eleven as the one

670
00:37:24,520 --> 00:37:26,919
Speaker 2: that people are usually talking about, or a different one.

671
00:37:28,160 --> 00:37:29,960
Speaker 4: You don't have to, Okay, you don't have to.

672
00:37:31,320 --> 00:37:38,200
Speaker 1: Okay. Then we will sit and we will wait. It's

673
00:37:38,239 --> 00:37:43,520
Speaker 1: your episode. It's your episode, ladies. I have a lot

674
00:37:43,560 --> 00:37:46,759
Speaker 1: of episodes, so I will not be judged on this

675
00:37:46,800 --> 00:37:52,400
Speaker 1: one alone. People know number ken wait in silence, like

676
00:37:52,520 --> 00:37:53,320
Speaker 1: four eighty.

677
00:37:54,239 --> 00:37:56,480
Speaker 2: Okay, so it's a round number. So I am a

678
00:37:56,560 --> 00:37:59,319
Speaker 2: little disciph but this.

679
00:38:01,600 --> 00:38:04,439
Speaker 1: We've done four hundred eighty of them, and I immediately.

680
00:38:03,880 --> 00:38:08,400
Speaker 3: Fop, I'm still deciding if I want to share that

681
00:38:08,440 --> 00:38:09,759
Speaker 3: with you. Come back to me.

682
00:38:10,400 --> 00:38:12,080
Speaker 2: Okay, okay, now that.

683
00:38:13,960 --> 00:38:19,160
Speaker 4: Christique stuff going on you yea, And plus you can

684
00:38:19,160 --> 00:38:19,960
Speaker 4: talk to each other.

685
00:38:20,280 --> 00:38:25,160
Speaker 2: That's true the Homer thing. And again you have to

686
00:38:25,239 --> 00:38:29,360
Speaker 2: like adapt to the times in different ways. I totally

687
00:38:29,400 --> 00:38:35,160
Speaker 2: understand that Homer is is just way too shy. Now, yeah,

688
00:38:36,160 --> 00:38:39,000
Speaker 2: he's being he's being so shy.

689
00:38:39,280 --> 00:38:41,719
Speaker 1: So much of his character was how bold he could

690
00:38:41,760 --> 00:38:45,960
Speaker 1: be and he didn't really feel self conscious. But it's

691
00:38:46,000 --> 00:38:48,880
Speaker 1: like every time anyone asks him a question, he just

692
00:38:48,960 --> 00:38:51,359
Speaker 1: starts kind of looking at the ground and shuffling his

693
00:38:51,400 --> 00:38:57,560
Speaker 1: feet and pinching at his jeans area. And it's like,

694
00:38:59,520 --> 00:39:03,319
Speaker 1: I don't know how I can watch that for and

695
00:39:03,400 --> 00:39:07,200
Speaker 1: he whispers I'm shy, and then the audience in the

696
00:39:07,239 --> 00:39:10,440
Speaker 1: picture and picture will go, I can't hear you, yeah,

697
00:39:10,480 --> 00:39:16,200
Speaker 1: and again yeah, I just don't. I don't know. For me,

698
00:39:16,880 --> 00:39:19,399
Speaker 1: that's a downgrade from what Homer used to be, which

699
00:39:19,440 --> 00:39:21,759
Speaker 1: is like he's kind of crazy and funny as kind

700
00:39:21,760 --> 00:39:26,439
Speaker 1: of he was brash. I think we and I don't

701
00:39:26,440 --> 00:39:27,640
Speaker 1: know why he got shy.

702
00:39:27,960 --> 00:39:30,239
Speaker 4: I can tell. I mean, we you know, we had

703
00:39:30,239 --> 00:39:34,520
Speaker 4: to do the integration with with Disney, and you don't know,

704
00:39:34,719 --> 00:39:39,040
Speaker 4: he also did an integration with the shy guys. So

705
00:39:39,719 --> 00:39:40,680
Speaker 4: there the.

706
00:39:40,640 --> 00:39:45,880
Speaker 2: Shy guys from Super Mario two or these like a

707
00:39:46,080 --> 00:39:48,680
Speaker 2: version of the Try guys that tried to hear from

708
00:39:48,680 --> 00:39:49,320
Speaker 2: as much.

709
00:39:49,560 --> 00:39:51,520
Speaker 1: The Try guys who were off camera.

710
00:39:51,680 --> 00:39:54,600
Speaker 4: Who don't want to be on camera. There are a.

711
00:39:54,520 --> 00:39:56,960
Speaker 1: Dozen Try guys, but only four of them were brave

712
00:39:57,080 --> 00:39:58,960
Speaker 1: enough to step in front of the lens.

713
00:39:59,680 --> 00:40:03,520
Speaker 4: So the those other guys that are off camera, of.

714
00:40:03,400 --> 00:40:06,680
Speaker 1: Course, it's of course it was one of them. Yeah, yeah,

715
00:40:06,800 --> 00:40:11,719
Speaker 1: became asparious criminal when meanwhile, and this is why I

716
00:40:11,800 --> 00:40:15,640
Speaker 1: always say I love introverts, like it takes a little

717
00:40:15,719 --> 00:40:19,520
Speaker 1: longer to get to know us, right, but there's so

718
00:40:19,800 --> 00:40:22,520
Speaker 1: much more in there, you know, It's not the concept

719
00:40:22,560 --> 00:40:25,640
Speaker 1: look at me, look at me, validation, look at me.

720
00:40:25,960 --> 00:40:28,440
Speaker 1: I'm here with one of the snack girls.

721
00:40:29,520 --> 00:40:33,480
Speaker 6: Whatever, right, right, Well, I mean the thing with this

722
00:40:33,600 --> 00:40:38,359
Speaker 6: shy the shyness is, you know, Homer is really in

723
00:40:38,400 --> 00:40:39,640
Speaker 6: that one episode you probably saw it.

724
00:40:39,719 --> 00:40:43,560
Speaker 4: He says, you know, shyness did January sixth, right, and

725
00:40:43,640 --> 00:40:47,600
Speaker 4: so you love Yeah. So that was one of the

726
00:40:47,600 --> 00:40:49,960
Speaker 4: big things that we wanted to get out there, is

727
00:40:50,000 --> 00:40:53,319
Speaker 4: that he has that positive association with you know what happened.

728
00:40:53,000 --> 00:40:57,600
Speaker 2: With January sixth? Yeah? Yeah, yeah, And is that the

729
00:40:57,640 --> 00:40:59,880
Speaker 2: same January sixth is the one that people were like

730
00:41:00,080 --> 00:41:02,520
Speaker 2: normally talking about or is that a different one?

731
00:41:02,719 --> 00:41:04,120
Speaker 4: It might be the one that you talk about. I

732
00:41:04,680 --> 00:41:12,560
Speaker 4: don't know the one you talk about, but yeah.

733
00:41:09,440 --> 00:41:12,799
Speaker 1: Yeah, I mean I didn't, you know, not to make

734
00:41:12,840 --> 00:41:16,920
Speaker 1: it all negative. I do like the post integration catchphrase,

735
00:41:16,920 --> 00:41:21,320
Speaker 1: which is he goes call me Luke shywalker Yeah, and then.

736
00:41:21,200 --> 00:41:24,160
Speaker 3: Yeah shovels around.

737
00:41:24,680 --> 00:41:27,920
Speaker 1: It felt it felt like nangle yeah, and it sounded

738
00:41:27,920 --> 00:41:32,240
Speaker 1: like her voice as well. Say that and thank you again.

739
00:41:32,320 --> 00:41:34,239
Speaker 4: I mean, this is like I didn't think it would

740
00:41:34,239 --> 00:41:35,880
Speaker 4: be such a love fast. I appreciated, thank you.

741
00:41:36,560 --> 00:41:37,600
Speaker 3: This is great feedback.

742
00:41:37,719 --> 00:41:42,439
Speaker 2: Yeah, Kevin was the Simpsons on your on your Tender

743
00:41:42,480 --> 00:41:46,799
Speaker 2: profile that one time didn't make the cut. Okay, Well,

744
00:41:46,800 --> 00:41:49,440
Speaker 2: at one point Kevin's profile was just a list of shows,

745
00:41:49,880 --> 00:41:52,040
Speaker 2: no other information.

746
00:41:52,680 --> 00:41:54,759
Speaker 7: I think it was one shows, maybe two.

747
00:41:55,560 --> 00:41:57,239
Speaker 4: How did that work out for you?

748
00:41:57,320 --> 00:41:58,640
Speaker 2: Yeah?

749
00:41:58,680 --> 00:42:03,279
Speaker 7: I got mocked publicly and deleted my bio and then

750
00:42:03,320 --> 00:42:04,440
Speaker 7: met the love of my life.

751
00:42:05,400 --> 00:42:07,080
Speaker 4: Well, the one thing we did, we did change the

752
00:42:07,160 --> 00:42:09,840
Speaker 4: name of the show from the Simpsons to us Simpsons.

753
00:42:10,320 --> 00:42:10,600
Speaker 2: Yeah.

754
00:42:10,760 --> 00:42:13,000
Speaker 4: We didn't want to just that we didn't want to.

755
00:42:12,960 --> 00:42:18,960
Speaker 2: Get Yeah, yes, that's nice to respect to O. J.

756
00:42:19,080 --> 00:42:22,439
Speaker 2: Simpsons doesn't say anything about like whether what he did

757
00:42:22,600 --> 00:42:24,400
Speaker 2: was good or bad or anything, but like.

758
00:42:26,239 --> 00:42:26,279
Speaker 4: J.

759
00:42:26,400 --> 00:42:28,040
Speaker 2: Simpsons, and that's it.

760
00:42:28,640 --> 00:42:32,000
Speaker 3: We don't want to create opinions for you. So that

761
00:42:32,239 --> 00:42:35,960
Speaker 3: so that's why we wouldn't be called like, oh, a

762
00:42:36,320 --> 00:42:39,839
Speaker 3: better Simpsons or something like that. You know, we don't

763
00:42:39,880 --> 00:42:41,640
Speaker 3: want to make up your mind for you. We want

764
00:42:41,680 --> 00:42:44,759
Speaker 3: to give everyone the freedom to come to their own

765
00:42:44,800 --> 00:42:47,600
Speaker 3: conclusion when it comes to OJ, well.

766
00:42:47,760 --> 00:42:50,279
Speaker 1: I wanted to go ahead, Sehan no, I just as

767
00:42:50,320 --> 00:42:54,400
Speaker 1: we're here, I know that I've it's skewed a little negative.

768
00:42:54,440 --> 00:42:56,960
Speaker 1: I mean we tend to you know, we tend to

769
00:42:56,960 --> 00:42:59,239
Speaker 1: focus on that stuff. You go to a mechanic, they're

770
00:42:59,239 --> 00:43:00,600
Speaker 1: not going to tell you all the hearts that work

771
00:43:00,640 --> 00:43:04,560
Speaker 1: on the car, right, you'd be there all day. Wipers

772
00:43:04,600 --> 00:43:08,040
Speaker 1: are going, It's like, hey, why are you being so negative?

773
00:43:08,080 --> 00:43:10,239
Speaker 1: Just talk about how my breaks don't work. It's like, well,

774
00:43:10,239 --> 00:43:13,919
Speaker 1: that's actually the important part. But no, sometimes it does

775
00:43:13,960 --> 00:43:17,560
Speaker 1: feel good. So I will say, you know, the fact

776
00:43:17,600 --> 00:43:20,279
Speaker 1: that the shows up and running is a credit to you,

777
00:43:20,440 --> 00:43:24,200
Speaker 1: and I would like to be on the show.

778
00:43:25,960 --> 00:43:28,600
Speaker 3: Please you have the hat for it?

779
00:43:29,600 --> 00:43:30,880
Speaker 4: Do you? When you say you want to be on

780
00:43:30,880 --> 00:43:32,280
Speaker 4: the show, you want to be watching.

781
00:43:32,360 --> 00:43:33,520
Speaker 1: I'd like to be on the show.

782
00:43:34,400 --> 00:43:35,560
Speaker 4: Uh do you want to be.

783
00:43:36,560 --> 00:43:41,160
Speaker 1: Whatever feels like the right fit to you. I just

784
00:43:41,239 --> 00:43:42,840
Speaker 1: would like to be evolved.

785
00:43:43,200 --> 00:43:48,640
Speaker 4: Okay, okay, please can you draw clothes on a lady?

786
00:43:49,520 --> 00:43:50,240
Speaker 1: Just the opposite?

787
00:43:50,560 --> 00:43:54,920
Speaker 4: Okay, okay, I don't I don't.

788
00:43:54,680 --> 00:43:57,440
Speaker 3: Know, man, Yeah, I don't know what the opposite? So

789
00:43:57,960 --> 00:44:01,480
Speaker 3: you can erase clothes from lady? Is that the opposite

790
00:44:01,719 --> 00:44:01,960
Speaker 3: of that?

791
00:44:03,400 --> 00:44:04,520
Speaker 2: Yeah?

792
00:44:04,640 --> 00:44:07,640
Speaker 4: Okay, okay. We're open. I mean we're open, you know.

793
00:44:07,960 --> 00:44:08,200
Speaker 3: Yeah.

794
00:44:08,320 --> 00:44:09,960
Speaker 4: That's the thing about the Simpsons that people don't know

795
00:44:10,200 --> 00:44:13,960
Speaker 4: is doors are open. You can just come in and handles,

796
00:44:14,080 --> 00:44:14,600
Speaker 4: you could.

797
00:44:14,360 --> 00:44:15,000
Speaker 1: Just show up.

798
00:44:15,800 --> 00:44:16,000
Speaker 7: Yeah.

799
00:44:16,000 --> 00:44:20,000
Speaker 1: I was curious. Yeah, I was curious if I could

800
00:44:20,080 --> 00:44:22,719
Speaker 1: just walk in there. Yeah. You know, I drive by

801
00:44:22,800 --> 00:44:25,000
Speaker 1: it every day and I sort of park outside. I

802
00:44:25,040 --> 00:44:28,839
Speaker 1: look at the door. I yeah, been trying to screw

803
00:44:28,920 --> 00:44:30,719
Speaker 1: up the courage to get in. Maybe that's why I'm

804
00:44:30,760 --> 00:44:33,120
Speaker 1: so sensitive about home or becoming shy.

805
00:44:33,080 --> 00:44:33,279
Speaker 6: Yeah.

806
00:44:33,719 --> 00:44:38,000
Speaker 4: I was just then you'd be a great writer for him,

807
00:44:38,280 --> 00:44:38,480
Speaker 4: you know.

808
00:44:38,960 --> 00:44:42,600
Speaker 2: I also I just wonder, Sean, if they've been watching you, Sean,

809
00:44:43,400 --> 00:44:46,960
Speaker 2: that they've been seeing you kind of shuffle up to

810
00:44:47,000 --> 00:44:50,759
Speaker 2: the door, kind of pull on your jeans area.

811
00:44:51,719 --> 00:44:53,719
Speaker 4: We're always like, come on in, little guy, come on.

812
00:44:55,000 --> 00:44:58,080
Speaker 3: I was like, hey, Seun Shun, come and then and

813
00:44:58,120 --> 00:45:00,640
Speaker 3: then he turns around and leaves, and it's a little

814
00:45:00,680 --> 00:45:01,960
Speaker 3: more heartbreaking thne the less.

815
00:45:02,080 --> 00:45:02,279
Speaker 1: Yeah.

816
00:45:02,680 --> 00:45:06,960
Speaker 3: Yeah, even though the door is not locked and oftentimes

817
00:45:06,960 --> 00:45:10,600
Speaker 3: someone will even open it for Sean. Yeah, and he

818
00:45:10,800 --> 00:45:13,040
Speaker 3: just he kind of stays out there. He's still shoves

819
00:45:13,080 --> 00:45:13,480
Speaker 3: up like a.

820
00:45:13,400 --> 00:45:15,200
Speaker 1: Little branch in front of me or something.

821
00:45:15,280 --> 00:45:17,640
Speaker 4: Every time it comes. His hat gets a little bigger,

822
00:45:18,200 --> 00:45:20,839
Speaker 4: his ants get a little longer. I don't know what

823
00:45:20,880 --> 00:45:25,480
Speaker 4: that's about, but it doesn't change hanging on how well

824
00:45:25,520 --> 00:45:27,719
Speaker 4: I think you would do, you know, working on the show.

825
00:45:28,960 --> 00:45:32,920
Speaker 3: Yeah, yeah, we don't look at things like like gradual

826
00:45:33,000 --> 00:45:36,320
Speaker 3: hat size or pant length when we're hiring.

827
00:45:36,360 --> 00:45:38,080
Speaker 4: We're not allowed. It's I think it's the union.

828
00:45:38,160 --> 00:45:41,239
Speaker 2: Yeah, it's a legal thing. Yeah, Kevin, I wanted to

829
00:45:41,239 --> 00:45:43,960
Speaker 2: give space for you is a not you know, not

830
00:45:44,200 --> 00:45:45,719
Speaker 2: enough of a fan of the show to put it

831
00:45:45,760 --> 00:45:47,600
Speaker 2: in your bio. But I have a question.

832
00:45:48,960 --> 00:45:52,839
Speaker 7: I'm getting a little lost in the reality good when

833
00:45:52,840 --> 00:45:56,320
Speaker 7: Homer says he has to drive his cartoon car to work.

834
00:45:57,600 --> 00:46:00,439
Speaker 4: Right right right?

835
00:46:01,360 --> 00:46:01,719
Speaker 3: Uh huh?

836
00:46:02,120 --> 00:46:03,040
Speaker 4: And what's the question?

837
00:46:04,520 --> 00:46:09,239
Speaker 7: Do they now know that it's a cartoon or only

838
00:46:09,320 --> 00:46:12,319
Speaker 7: parts of some of them do?

839
00:46:12,600 --> 00:46:14,000
Speaker 2: Why is it just the car and.

840
00:46:15,680 --> 00:46:19,680
Speaker 3: That it's a cartoon, like ridiculous, he's shy, he's shy,

841
00:46:19,719 --> 00:46:20,560
Speaker 3: but he isn't stupid.

842
00:46:20,680 --> 00:46:23,080
Speaker 4: It's clearly a cartoon. He's looking at the car. It's

843
00:46:23,120 --> 00:46:27,600
Speaker 4: a cartoon, like, yeah, he's not stupid, Yeah, but not stupid.

844
00:46:27,680 --> 00:46:29,040
Speaker 4: That's like the new Homer tagle.

845
00:46:29,200 --> 00:46:31,800
Speaker 3: That's his Yeah.

846
00:46:32,440 --> 00:46:38,800
Speaker 2: So but everything else is also like pretty clearly a cartoon,

847
00:46:38,840 --> 00:46:41,480
Speaker 2: except for the stuff that you've now Their hair, I

848
00:46:41,480 --> 00:46:45,040
Speaker 2: guess is now real, which is real hair, which is.

849
00:46:45,719 --> 00:46:53,080
Speaker 3: Do Yeah, it's awesome. Yeah, and we've put some of yeah. Yeah,

850
00:46:53,080 --> 00:46:55,520
Speaker 3: it makes it makes us feel really loved and also

851
00:46:55,640 --> 00:46:58,200
Speaker 3: like some of you know, some of the blood that

852
00:46:58,280 --> 00:47:01,080
Speaker 3: we saw in the envelopes with that hair we put

853
00:47:01,160 --> 00:47:04,120
Speaker 3: into some of the characters as well, so well, can

854
00:47:04,160 --> 00:47:04,680
Speaker 3: we as.

855
00:47:04,560 --> 00:47:07,359
Speaker 2: We talk about this area of real hair blood.

856
00:47:07,640 --> 00:47:09,759
Speaker 1: There's some real hair. And as we talk about this

857
00:47:09,840 --> 00:47:13,480
Speaker 1: area and what what Kevin brought up, and we've discussed

858
00:47:13,520 --> 00:47:17,040
Speaker 1: some of their catchphrases. So when Homer says I have

859
00:47:17,080 --> 00:47:19,560
Speaker 1: to drive my cartoon car to work, which I agree

860
00:47:19,640 --> 00:47:24,200
Speaker 1: is a bump, I'm not sure I love that. Lisa goes, well,

861
00:47:24,440 --> 00:47:27,840
Speaker 1: car may be a cartoon, but my borderline personality disorder

862
00:47:27,920 --> 00:47:28,319
Speaker 1: is real.

863
00:47:30,719 --> 00:47:33,640
Speaker 3: That was BROTHI yeah, I mean, here's the thing is,

864
00:47:33,760 --> 00:47:40,480
Speaker 3: we don't We obviously don't like that because it's it

865
00:47:40,520 --> 00:47:43,480
Speaker 3: is our lives reflected back at us, right, Like like

866
00:47:43,560 --> 00:47:47,760
Speaker 3: if you have a diagnosis of borderline personality disorder, you say,

867
00:47:48,239 --> 00:47:51,680
Speaker 3: you would say something like that, You would say, you know,

868
00:47:52,840 --> 00:47:54,640
Speaker 3: that might be a cartoon.

869
00:47:54,280 --> 00:47:57,520
Speaker 4: And you would say be directly a camera, Yeah, wouldn't

870
00:47:57,520 --> 00:47:58,359
Speaker 4: you like she does?

871
00:47:59,280 --> 00:48:02,279
Speaker 1: And why does your cash app tag show up when

872
00:48:02,320 --> 00:48:05,720
Speaker 1: that gets said as well? Like why does that? Because

873
00:48:05,719 --> 00:48:08,200
Speaker 1: I I'll sometimes watch with the subtitles on.

874
00:48:09,600 --> 00:48:11,160
Speaker 3: Oh that's Disney.

875
00:48:11,920 --> 00:48:13,920
Speaker 4: Yeah, we don't have any that's Disney.

876
00:48:14,520 --> 00:48:17,000
Speaker 3: Yeah, that's Disney. That's Disney's cash app.

877
00:48:17,360 --> 00:48:21,440
Speaker 1: Okay, it's your name, right, and it's your picture as well.

878
00:48:22,360 --> 00:48:26,319
Speaker 2: That goes to Disney. Disney's cash app is your maam

879
00:48:26,400 --> 00:48:27,279
Speaker 2: and picture.

880
00:48:28,239 --> 00:48:29,960
Speaker 3: And that's a total coincidence.

881
00:48:31,120 --> 00:48:32,240
Speaker 2: That's a coincidence.

882
00:48:32,480 --> 00:48:34,440
Speaker 3: It's a total coincidence. Isn't that crazy?

883
00:48:35,360 --> 00:48:37,359
Speaker 2: The fact that bart is by I don't even want

884
00:48:37,360 --> 00:48:39,359
Speaker 2: to address I don't. I don't want to get into

885
00:48:39,400 --> 00:48:43,920
Speaker 2: it at all. I mostly have heard it referred to

886
00:48:43,920 --> 00:48:47,520
Speaker 2: the state being referred to as bisexuality. The fact that

887
00:48:47,560 --> 00:48:52,640
Speaker 2: he talks about his bindness, his extreme bindness.

888
00:48:53,400 --> 00:48:55,560
Speaker 1: And other characters call him your byness.

889
00:48:56,480 --> 00:48:58,399
Speaker 4: You do want to talk about it? You don't because

890
00:48:58,400 --> 00:48:59,239
Speaker 4: it sounds like you do.

891
00:49:01,760 --> 00:49:02,160
Speaker 1: Around it.

892
00:49:02,360 --> 00:49:05,520
Speaker 2: That not the language around it exactly. The decision for

893
00:49:05,600 --> 00:49:09,040
Speaker 2: him to be visibly bisexual.

894
00:49:08,480 --> 00:49:13,879
Speaker 1: Whether he or not, is like great, like you know, good,

895
00:49:13,920 --> 00:49:14,960
Speaker 1: I support whatever.

896
00:49:15,719 --> 00:49:20,359
Speaker 4: And he says by m now he says by Karumba, Yeah, yes, he.

897
00:49:20,320 --> 00:49:22,720
Speaker 1: Says by Karumba now, which I was kind of happy

898
00:49:22,719 --> 00:49:23,560
Speaker 1: to see that come back.

899
00:49:23,600 --> 00:49:25,919
Speaker 4: Yeah. I thought that was worth it. That was worth

900
00:49:26,320 --> 00:49:28,120
Speaker 4: I wasn't crazy about all the other changes, but by

901
00:49:28,200 --> 00:49:29,799
Speaker 4: Corumba kind of tied it all together for me.

902
00:49:30,040 --> 00:49:33,279
Speaker 1: So are you saying both your biness stuff?

903
00:49:34,040 --> 00:49:34,640
Speaker 3: Am I saying?

904
00:49:34,640 --> 00:49:34,839
Speaker 2: What?

905
00:49:36,120 --> 00:49:36,720
Speaker 1: Never mind?

906
00:49:37,360 --> 00:49:40,160
Speaker 2: We gotta go, we gotta go. By never mind b

907
00:49:40,320 --> 00:49:43,840
Speaker 2: I b I bye