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Speaker 1: It all.

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Speaker 2: Get serious question, go to work? I ain't ever and

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Speaker 2: I didn't know you was gonna make it one of

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Speaker 2: these nights.

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Speaker 1: Can I sil with you? You're gonna make it. You're

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Speaker 1: not even ready to go to work anybody else? Thank you?

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Speaker 1: Thank you ros outfit. That's crazy. Come on, that's the

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Speaker 1: type of ship you're doing.

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Speaker 2: Ship when you're doing and getting paper wage other niggas

10
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Speaker 2: being lacy. Let's kick it off because it's never full

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Speaker 2: gaze had a lady, she tried to graze me, tried

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Speaker 2: to get her pregnant.

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Speaker 1: She might have two or three babies and one.

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Speaker 2: That's how I'm ripping and chilling because I be pimper

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Speaker 2: and I be dunking on hose like bos Simps. I

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Speaker 2: need a bitch with blue hair like marsh Simpson myself.

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Speaker 2: I'm getting Homer trying to get the doom. Do you

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Speaker 2: smell the.

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Speaker 1: Aroma of this? Marijuona?

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Speaker 2: Put a nigga in a coner, now bring it back,

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Speaker 2: just like a spine.

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Speaker 1: I start at six, but I don't never stop it. Now,

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Speaker 1: don't let it go up over your head.

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Speaker 2: Yeah, I ain't shed we get bitch is licking on

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Speaker 2: my left leg.

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Speaker 1: Last because I'm that nigga.

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Speaker 2: I do a bigger and I've been in the basement,

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Speaker 2: but my name ain't Tippy. Oh wait, yeah, damn, that's

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Speaker 2: what you said.

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Speaker 1: My ship too big. Can't nothing go over my head.

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Speaker 1: I keep it going. Yeah, I keep on flowing.

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Speaker 2: Come on, and everybody in the building, they be knowing,

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Speaker 2: say you dunking on niggas like Bot Simpson y sir, Well,

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Speaker 2: I'm gonna follow up like Dominique will come. I'm go,

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Speaker 2: that's how you know, Trent, that James and the motherfucking nigga,

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Speaker 2: I said, all go everything nigga nigga. The girl with

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Speaker 2: some good kootchie even had an ear ring in it.

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Speaker 1: Just wait a minute and let me tell you what

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Speaker 1: I said. What I just said. Yeah, so she spread

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Speaker 1: the legs. I seen the piercing. I'm like, really, this

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Speaker 1: is what we're doing.

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Speaker 2: I chipped my tooth because on the couchie, I'll be chowing.

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Speaker 1: You be chewing on the couch.

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Speaker 2: That's crazy, that's crazy, that's nasty. I'll be doing this

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Speaker 2: shit siting like the age, like the age. Yeah, that's

46
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Speaker 2: how you seen you chew on the coochie nap Green

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Speaker 2: he get mean he be eating it and don't be sharing,

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Speaker 2: because you could tell from the way that he be

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Speaker 2: tearing through meals and he on.

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Speaker 1: The dino bout.

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Speaker 2: This dude didn't what he doing because every time he

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Speaker 2: get the kuchie it be rumored.

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Speaker 1: Yep, he'd be walking there and listening to the little uzzie.

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Speaker 2: I seen this nigga right here, Nika kouchie smooth it.

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Speaker 2: Ooh damn, that's a man which I heard. You made

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Speaker 2: a whole coochie sandwich and you man it. Damn listen

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Speaker 2: that noise he just made. What the fuck was that

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Speaker 2: do with? One more time?

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Speaker 1: I jab why you say that?

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Speaker 2: Because now I want to coach yourself and man, welcome

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Speaker 2: back to the nil self show.

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Speaker 1: It's not over. Bring it back all right?

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Speaker 2: Hold on, well, let's get it right back.

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Speaker 1: Where it was.

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Speaker 2: This one right here's for the mothers and the cub

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Speaker 2: zins and step brothers. This for the gangsters and the

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Speaker 2: pimps and the hustlers. This for the crooks who reading books.

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Speaker 2: This for the pretty girls that's hung up on their looks.

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Speaker 1: This for the niggas that do with.

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Speaker 2: Bigger This for the white folks with big figures. This

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Speaker 2: for the foreigners, This for the immigrants, This for the

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Speaker 2: niggas who'll be wearing all them crazy pants, This for

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Speaker 2: the chicken real hair, this longer than we just for

74
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Speaker 2: the people who bought teeth that they didn't even need.

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Speaker 1: Dang, that was kind of mean.

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Speaker 2: I think you're talking about me with my uncertain sized jeans.

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Speaker 1: But that's okay.

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Speaker 2: Yeah, I get it right. These bitches make me walk

79
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Speaker 2: down the steps like Willie Dyna might. I ain't playing,

80
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Speaker 2: hear what I'm saying. Come on trending that James in

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Speaker 2: the Trap and we ain't playing. You know it's down.

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Speaker 2: You know what's up? Jayo Winn playing that pimping that?

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Speaker 1: What the fuck?

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Speaker 2: Yes, sir, hey man, ladies and gentlemen, welcome back to

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Speaker 2: the eighty five Self Show.

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Speaker 1: Voted sir.

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Speaker 2: This podcast was voted most likeness smell like we oh man, Yes, sir,

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Speaker 2: most likely we got a very special guess in the

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Speaker 2: trap with us today. You know, we on the whole

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Speaker 2: street with this Ghetto Legends ship, so we went and

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Speaker 2: got us a certified ghetto legend. Come on, man, This

92
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Speaker 2: dude started off with a mixtape giving him out in

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Speaker 2: the city for the free man.

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Speaker 1: I'm talking about hustling everywhere you went you saw.

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Speaker 2: I mean I picked up one at the mall one

96
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Speaker 2: day buying some shoes.

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Speaker 1: I fucked with it, I played it. I laid that

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Speaker 1: ship to some of the being.

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Speaker 2: Part of some of the biggest hits, some of your

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Speaker 2: favorite songs. One of the coldest writers, one of the

101
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Speaker 2: most creative motherfuckers that it would come through here. Man,

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Speaker 2: very entertaining. Hey, man, you might know him as the

103
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Speaker 2: shoe plug. Some people call the nigga Nick James. Come on,

104
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Speaker 2: some people call Dad. He introduced himself to the Hoses.

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Speaker 2: Just dad, man. I won't take up back to the traps. Yeah,

106
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Speaker 2: in the trap trap plenty.

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Speaker 1: I was in the pre trap. Yeah. So man, just

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Speaker 1: welcoming yourself. Oh yeah, I love it. Man. How y'all

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Speaker 1: feeling that shit? Amazing? Amazing?

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Speaker 2: Man, it's you know, like you had one of them

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Speaker 2: them moments in hip hop that is you can't you

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Speaker 2: can't even explain, you know, it's not too many people

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Speaker 2: who had that moment where you take over the whole

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Speaker 2: world on your first one, you know what I mean.

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Speaker 2: It's kind of like that, you know, I don't even

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Speaker 2: know what to compare it to be cause it's it's

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Speaker 2: everybody knew that song. I mean, my daughter used used

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Speaker 2: to be singing that ship when it first came out,

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Speaker 2: and she was a little girl whoa pop to Molly.

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Speaker 1: I'm specting that part too, and it was everybody, I mean.

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Speaker 2: And it's just like that that energy that you created

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Speaker 2: with that, Like I always wanted to ask, like, is

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Speaker 2: it a level of pressure that comes with having one

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Speaker 2: that's so major on your first one? Is it easier

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Speaker 2: to never have to try to create that again? Or

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Speaker 2: do you continuously try to.

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Speaker 1: Create that again.

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Speaker 3: It's all about the resources and knowledge that you come

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Speaker 3: into it with it. If you asked me this question

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Speaker 3: ten years ago, I'd be like, Nigga, this is your

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Speaker 3: hard don't ask me this question right now.

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Speaker 1: However, but ten years, ten years later, I still look good.

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Speaker 3: I'm still successful, and I feel even better about the

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Speaker 3: ten years in front of me.

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Speaker 4: I'm gonna tell you that it's a boutance of both, because.

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Speaker 3: When you do win big in the beginning, the resources

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Speaker 3: that are open to you are amazing.

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Speaker 1: It's great you.

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Speaker 3: Know the resources to make something else like that. It

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Speaker 3: is there, but you have to understand your artist type

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Speaker 3: and what I mean by that is, all artists do art,

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Speaker 3: but some aret is kind of not needed to be

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Speaker 3: tainted by mainstream how whatever. I think that when you're

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Speaker 3: making music, it has different demographics for it, and so

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Speaker 3: you could either get you got to understand what's good

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Speaker 3: for your spirit outside of what's good for your bank account.

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Speaker 3: That's what I'm gonna say to you. So I had

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Speaker 3: to realize that are early age or in this game

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Speaker 3: that Like He's like, do I really want to go

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Speaker 3: through everything that comes to We're having a number one

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Speaker 3: song every single summer.

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Speaker 2: That was just about to ask you that though, because

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Speaker 2: it's like when your song did the First Blood, remember

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Speaker 2: about the first two halloweens?

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Speaker 1: After that? Yeah, he is dressed.

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Speaker 2: It's on long, long legs man, long life is they?

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Speaker 3: I mean justin timulate did it on Saturday Night Live?

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Speaker 3: When I saw that or yeah, one of those times

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Speaker 3: I was like when I saw that, I was like, Okay,

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Speaker 3: you got to understand. I'm coming out of the real

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Speaker 3: Atlanta streets with not a background in music, Like my

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Speaker 3: background is the streets and being an immigrant. So for me,

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Speaker 3: it's different. It's like you have to get out of that.

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Speaker 3: I can't speak for anybody else. For me, I had

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Speaker 3: to get out of that phase of not deserving it,

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Speaker 3: feel like I didn't deserve it. I'm wondering if I

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Speaker 3: deserve it that impost syndrome or just like when you

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Speaker 3: don't have no background in uh, that type of success

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Speaker 3: in your whole family, and you're the first of the generation,

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Speaker 3: you're the first of your kind in your own family,

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Speaker 3: you know, you're gonna wonder did.

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Speaker 1: You come from?

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Speaker 5: Like the blaws and the media though aspect what come

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Speaker 5: with like you thinking that you ain't deserve it, like

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Speaker 5: you know what I'm saying, feeling like that or feeling like.

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Speaker 1: What you were?

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Speaker 3: I think that part of it would you know, But

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Speaker 3: I think also the reaction of the people around you

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Speaker 3: that's closest to you that you know.

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Speaker 4: So when you start to see those people.

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Speaker 3: Change, or people change for the good and the worst,

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Speaker 3: how you start to realize You start to realize you're

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Speaker 3: doing something that matters, you know, But if you don't

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Speaker 3: know what you're doing, just as yet you're trying to understand,

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Speaker 3: like what matters?

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Speaker 1: Is it? The moment?

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Speaker 4: Is it?

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Speaker 6: Me?

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Speaker 1: Is it?

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Speaker 4: The music? Is it?

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Speaker 1: The money? Is it? The jury? Like? What is it?

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Speaker 1: You know what I'm saying.

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Speaker 3: So that's what I had to wrap my head around

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Speaker 3: in the beginning of this aw is like, what is

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Speaker 3: actually mattering right now?

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Speaker 1: Bro?

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Speaker 2: You dealt with the criticism better than any an team,

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Speaker 2: and we didn't seen in the industry. Hold on before

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Speaker 2: we go there and say what it all kind of

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Speaker 2: crazy shit about you?

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Speaker 1: And I said, you explained like Ship, I don't give

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Speaker 1: a fucking straight.

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Speaker 2: He getting the criticism, but I don't think you'll be

204
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Speaker 2: getting the plug Like we're just talking about.

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Speaker 1: Were talking about this first single.

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Speaker 2: You had all go everything that Ship encapsulated what the

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Speaker 2: club scene was like. And I was like, I don't

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Speaker 2: think people realize that ship like you.

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Speaker 3: Think about it, even the perspective your rapper going out,

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Speaker 3: a person going out m j Q.

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Speaker 2: All these spots, all these clubs like it gave you.

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Speaker 1: The vibe of after hours.

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Speaker 2: And he was telling you, I was this keep up

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Speaker 2: old everybody feeling their motherfucking self, nigga.

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Speaker 1: That's why we did our anniversary concert.

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Speaker 2: M J.

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Speaker 1: Big ten Man. A lot of trying to write you

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Speaker 1: off in the beginning. Yeah, yeah, I understand.

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Speaker 3: I understand that at ten years ago and ten years

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Speaker 3: not a lot in this game, but it's enough for

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Speaker 3: me the way that I paid attention to it to

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Speaker 3: just understand why people.

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Speaker 1: Say the things that they say.

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Speaker 3: The truth of it is kind of what you got

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Speaker 3: to keep to yourself, you know, to to not let

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Speaker 3: that shit matter how whatever. It's like, damn is that

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Speaker 3: your true? Do I actually actually take this look from

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Speaker 3: Martin well not really when I realized that the things

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Speaker 3: that people was like going viral off of wasn't actually

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Speaker 3: true and that shit don't really make no difference unless

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Speaker 3: I really entertain it. Yeah, I was like, you can't

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Speaker 3: beat me, you know what I'm saying, Like, you can't

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Speaker 3: beat me, Like you might get me down today because

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Speaker 3: I'm human and I can't be got there one thousand

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Speaker 3: confidence every single day.

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Speaker 1: How whatever.

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Speaker 4: But nigga, this too will pass, like they say in

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Speaker 4: the Bible.

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Speaker 1: You know what I'm saying.

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Speaker 2: I mean, it definitely passed, and that I think it

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Speaker 2: gave mo Mo like to this ship see me on

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Speaker 2: a platform like this one right here, how whatever.

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Speaker 3: At this point in time, I feel like they just wondered,

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Speaker 3: like damn, what that nigga going on? Like I keep

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Speaker 3: writing this nigga off and he keep writing himselfing like, oh.

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Speaker 1: How whatever, Like you don't control my narrative. You just

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Speaker 1: control your perspective of the art. You know what I'm saying.

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Speaker 1: Didn't make it? What's the nails?

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Speaker 3: So these were dedicated to my first album, All Go Everything,

250
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Speaker 3: So I say, don't believe me. Just watch and then

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Speaker 3: dad for the pinky, I did the gold chains obviously

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Speaker 3: for the gold chains, that's the dollar sign, just I

253
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Speaker 3: always do for my James. This is my Soccony sneaker,

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Speaker 3: my first sneaker. And then this is me whole character. Yeah,

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Speaker 3: I mean my whole body is art. I look at

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Speaker 3: tattooing his art. I don't look at it as like

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Speaker 3: a job. It's like when you do it. Well, I

258
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Speaker 3: don't look at my nail text. This is a black

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Speaker 3: lady from Atlanta named Dossa Fat.

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Speaker 1: How much he texted? Uh these? You know she could

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Speaker 1: she could be up there. There's a lot. It's a lot.

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Speaker 5: I know how much the jail nails be for the

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Speaker 5: like when I got on my ship.

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Speaker 2: You know what I mean, you show you one jail

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Speaker 2: put that laminated.

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Speaker 5: So that's why I just I see how you're looking

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Speaker 5: at well, that's why I would ask him, that's it, that's.

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Speaker 1: Just regular fingers, my fingers pushing in.

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Speaker 2: I got calls in the cuticles, regular ship.

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Speaker 1: You know what I'm saying. You said, don't believe me.

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Speaker 1: Just watch how does that look?

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Speaker 4: Don't believe me?

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Speaker 1: Just watch, bro.

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Speaker 3: It is like, Uh, we're gonna be all right. It's

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Speaker 3: a it's a negro spiritual.

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Speaker 1: I'm just about to say that because when you said

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Speaker 1: nigga nigga, nigga nigga, I feel like.

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Speaker 2: You unlocked all the powers of the runaway slaves or

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Speaker 2: some ship.

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Speaker 1: Music, your music, with all your kind of music.

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Speaker 3: Guy, whatever, I dilated people's or tribe or when of

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Speaker 3: them had a song that.

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Speaker 1: Had a nigga nigga nigga part of it. How whatever

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Speaker 1: back in the day before me, I didn't ever even heard.

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Speaker 3: He came up to me like, hey, man, you did

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Speaker 3: this because of what it called it. I was like, man,

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Speaker 3: I never even heard that song. I felt bad. I

288
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Speaker 3: never heard of this song or whatever. But you know,

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Speaker 3: once again, these things are just in our culture. If

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Speaker 3: you're gonna look at old uh uh pimps he was saying,

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Speaker 3: or old nor Yankee he was saying, slime, the word

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Speaker 3: you know what I'm saying, fifteen.

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Speaker 2: Saying clout yeah, and all of it is nothing is

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Speaker 2: you know, not said that nothing is new one of

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Speaker 2: the sons.

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Speaker 1: Everything has been. You know what I'm saying. That's crazy

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Speaker 1: to do with this. I'm gonna make it work.

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Speaker 2: I'm gonna worst something he wasn't talking about.

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Speaker 1: I know. I mean, I'm gonna, I'm gonna got it

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Speaker 1: is nigga work. Got to say Paul's work.

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Speaker 2: But that's the thing like that, you know, on that

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Speaker 2: song specifically, just that one you were you was rapping,

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Speaker 2: but it was like you was preaching on that motherfucker

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Speaker 2: like it was just the way.

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Speaker 1: Man was saying what you were saying.

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Speaker 2: It was so easy to follow, and it was like

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Speaker 2: you was painting a picture for anybody who hadn't been

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Speaker 2: to Atlanta, even if you didn't see the visual, because

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Speaker 2: when the visual came out and took it to another level.

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Speaker 2: But if you never been to Atlanta and you hear

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Speaker 2: that song, you like, Nigga, when is these places?

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Speaker 1: This ain't for no fuck? N you real nigga being.

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Speaker 2: Fucked with it straight up, I'm doing the Lord's work,

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Speaker 2: he was.

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Speaker 7: It's like this nigga was in the club and he

316
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Speaker 7: saw everybody shout out that, I mean all the way

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Speaker 7: and Instagram first to even.

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Speaker 1: Have a perspective. Let's let's let's break down the song

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Speaker 1: a little bit. You know what I'm saying.

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Speaker 3: Fuck nigga had just became a ward that was really

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Speaker 3: really cranking in our city, like a fighting word or whatever.

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Speaker 3: So it was the most disrespectful word. It is the

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Speaker 3: most attention grabbing word. So I was like, you got

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Speaker 3: to start off the project with that because that's our culture.

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Speaker 3: Mind you. I'm not coming to this as a rapper

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Speaker 3: because my background is not being a rapper. My background

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Speaker 3: is being a stylist and a human and a fashion

328
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Speaker 3: nigga and a street nigga and selling weed and selling

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Speaker 3: molly like hustling. You know what I'm saying, I don't

330
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Speaker 3: know how rappers think. I don't even give a fuck.

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Speaker 3: I dress better than them in my head fifteen.

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Speaker 1: Years ago, you know what I'm saying. Like in Maad,

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Speaker 1: I'm like, nigga.

334
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Speaker 3: Ain't see me because I'm a stylist. I'm styling artists.

335
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Speaker 3: I'm styling Travisporting and there I'm styling Scream and DJ

336
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Speaker 3: Holiday and it's coming off the rock and.

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Speaker 1: Shit way like you know this is you know what

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Speaker 1: I'm saying, way like way.

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Speaker 3: Before it, being one of those.

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Speaker 1: Clients that came down to store and ship like that.

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Speaker 1: You know what I'm saying. So anyways, it's kind of

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Speaker 1: like taking it.

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Speaker 3: So like little fuck nigga, strongest word, most disrespectful word

344
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Speaker 3: in our culture.

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Speaker 1: Start there, you know what I'm saying.

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Speaker 3: Then I worked at the waffle house that's right by

347
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Speaker 3: chester Bridge would so I.

348
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Speaker 1: Knew all the strippers and aunts.

349
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Speaker 3: I learned so much from those girls from working the

350
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Speaker 3: night ship. Being the cook that spoke to him called Higgs,

351
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Speaker 3: and I was like, oh damn.

352
00:17:17,440 --> 00:17:20,880
Speaker 2: Wait, wait tell him to stripper blade. Wait wait this

353
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Speaker 2: man's wait. The stripper play was cool.

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Speaker 1: Yeah, nigga, it went perfect with the wife house.

355
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Speaker 2: You know that real it looked like he looked when

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Speaker 2: he first came out.

357
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Speaker 1: He looked like a nigga that would work at the

358
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Speaker 1: and he's missing that small toothing right there. It's like

359
00:17:44,240 --> 00:17:50,440
Speaker 1: a crack going to be crazy, big hum man. That's

360
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Speaker 1: really what it is.

361
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Speaker 2: We're not gonna talk about White House about you, Oh definitely.

362
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Speaker 1: It is about you. For the nigga just turns back

363
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Speaker 1: to you the grill on this side. I don't want,

364
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Speaker 1: don't do No, he's doing the Lord's work.

365
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Speaker 2: What but man, you know what I'm saying time, what

366
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Speaker 2: the stripper plate is for some people?

367
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Speaker 3: For anybody didn't hear the stripper plate, and they might

368
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Speaker 3: have changed because girls of it's a nuance and girls

369
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Speaker 3: have elevated.

370
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Speaker 1: You know, they get work at four or five in

371
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Speaker 1: the morning and that type of juice. And Jesus, that's

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Speaker 1: a good point right there.

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Speaker 2: When did all the lambs become available to the black community?

374
00:18:33,040 --> 00:18:36,359
Speaker 2: My life never seeing nobody eating lamb? Now all know

375
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Speaker 2: some nigga they got lamb lolly pop shops and nigga.

376
00:18:40,280 --> 00:18:41,800
Speaker 1: Whin the fucking the lambs come?

377
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Speaker 2: When did they migrate to the Negro community?

378
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Speaker 1: Bro? When you was all the crab leaguers.

379
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Speaker 2: Oh yeah, it's a big cray nigga crab had like

380
00:18:53,119 --> 00:18:54,840
Speaker 2: they even show up crowds.

381
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Speaker 1: Like I heard how good juicy Crab is. Somebody crib

382
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Speaker 1: spot is about to feed over hit when COVID hit about.

383
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Speaker 2: Niggas all new animals and.

384
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Speaker 1: The lamp lamp chopping pancakes. Niggas is just into them now.

385
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Speaker 1: Lamb chop and everything. Slow people folk. It's racism folk.

386
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Speaker 1: They can't have much delicious ship we ain't even had yet.

387
00:19:22,200 --> 00:19:23,879
Speaker 1: Oh yeah, sure, that's.

388
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Speaker 2: You're talking about ship that we ain't even got a.

389
00:19:25,480 --> 00:19:29,320
Speaker 1: Hold of yet. Well, the hood grocery grocery a lot

390
00:19:29,359 --> 00:19:30,080
Speaker 1: of times the.

391
00:19:30,160 --> 00:19:36,480
Speaker 2: Niggas going, yeah, exactly, got going for breakfast.

392
00:19:36,080 --> 00:19:36,520
Speaker 1: To see this.

393
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Speaker 2: Niggas.

394
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Speaker 1: Niggas gonna stop making roasts. We just ain't never seen

395
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Speaker 1: a prime rib done.

396
00:19:46,840 --> 00:19:49,879
Speaker 2: Yeah, they always look like that, niggas is that you

397
00:19:49,920 --> 00:19:52,320
Speaker 2: gotta eat a prime rib? That bit be you know,

398
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Speaker 2: telling what else white man pink in the middle. You know,

399
00:19:55,680 --> 00:19:58,720
Speaker 2: I gotta say this, the garnish like the ultimate compliment

400
00:19:58,760 --> 00:20:03,160
Speaker 2: on the video was voting Oh yeah yeah, and then

401
00:20:03,200 --> 00:20:06,160
Speaker 2: the hand movements too, nigga, you know what I'm saying.

402
00:20:06,440 --> 00:20:08,600
Speaker 2: It was just it was player man that My question

403
00:20:08,680 --> 00:20:10,680
Speaker 2: to you is, being from Atlanta, like you said, from

404
00:20:10,720 --> 00:20:13,040
Speaker 2: the from the streets of the perspective that you had

405
00:20:13,119 --> 00:20:16,439
Speaker 2: coming into the game, what was your reception like for

406
00:20:16,520 --> 00:20:18,679
Speaker 2: the people that knew you prior.

407
00:20:18,520 --> 00:20:19,359
Speaker 1: To you blowing up?

408
00:20:21,119 --> 00:20:23,320
Speaker 4: It was It was interesting.

409
00:20:22,880 --> 00:20:24,639
Speaker 2: Like the nigga used to see a weed and moley

410
00:20:24,680 --> 00:20:26,680
Speaker 2: too when they see you grew up like goodness.

411
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Speaker 4: I mean, well, you see the beautiful thing is that no.

412
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Speaker 8: Matter what yours whatever, the fact that we didn't see.

413
00:20:45,280 --> 00:20:51,000
Speaker 3: That Nigga just lost his job, but it was a

414
00:20:51,119 --> 00:20:54,440
Speaker 3: blessing bro me being there. I love answer these questions

415
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Speaker 3: now because I just understand everything because.

416
00:20:58,160 --> 00:20:59,320
Speaker 1: I never fucked nobody over.

417
00:20:59,600 --> 00:21:02,439
Speaker 3: It was like they was happy at him because I

418
00:21:02,520 --> 00:21:04,679
Speaker 3: was somebody that was in their circle and we was

419
00:21:04,760 --> 00:21:06,320
Speaker 3: all flipping money between each other.

420
00:21:06,640 --> 00:21:08,679
Speaker 4: It's like a shit is like I make money out for.

421
00:21:08,680 --> 00:21:10,880
Speaker 3: Selling all these shoes and all this modey and then

422
00:21:10,920 --> 00:21:13,880
Speaker 3: I buy even you and then you know what I'm saying,

423
00:21:13,920 --> 00:21:17,119
Speaker 3: It's like whatever you needed. Who had a community, it

424
00:21:17,280 --> 00:21:17,880
Speaker 3: was a.

425
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Speaker 1: Big part of this community. I didn't.

426
00:21:22,600 --> 00:21:24,159
Speaker 3: I didn't usually to take care of my mama and

427
00:21:24,160 --> 00:21:25,960
Speaker 3: be able to own my own business and stop having

428
00:21:25,960 --> 00:21:28,480
Speaker 3: to work for somebody. I didn't do music to be

429
00:21:28,560 --> 00:21:32,240
Speaker 3: famous or I was already cool in the coolest city

430
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Speaker 3: in the world.

431
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Speaker 1: You know what I'm saying, like.

432
00:21:35,640 --> 00:21:37,880
Speaker 3: My version of cool. Like you know what I'm saying, like, well,

433
00:21:37,880 --> 00:21:40,960
Speaker 3: you're not a Gucci man, t I Jesus, But it's

434
00:21:40,960 --> 00:21:42,960
Speaker 3: so many levels to cool in this city. Once you

435
00:21:43,000 --> 00:21:46,000
Speaker 3: really establish what your worth is and your ingener how whatever,

436
00:21:46,040 --> 00:21:47,480
Speaker 3: that I had made a name for myself from a

437
00:21:47,520 --> 00:21:50,520
Speaker 3: fashion standpoint, providing the drip to.

438
00:21:50,560 --> 00:21:52,200
Speaker 4: So many people whatever.

439
00:21:52,280 --> 00:21:54,080
Speaker 3: And if I wasn't doing music, I probably had one

440
00:21:54,119 --> 00:21:56,760
Speaker 3: of the best Nikkas stores in Atlanta, Georgia, because that's

441
00:21:56,760 --> 00:21:57,520
Speaker 3: the only thing I would have.

442
00:21:57,520 --> 00:21:58,080
Speaker 1: To focus on.

443
00:21:58,320 --> 00:22:00,640
Speaker 3: Here's the thing that I already was become a big,

444
00:22:00,840 --> 00:22:03,560
Speaker 3: huge asset for the city.

445
00:22:04,080 --> 00:22:07,359
Speaker 1: You know what I'm saying. It's bigger than my partners.

446
00:22:07,640 --> 00:22:08,960
Speaker 1: Going back to your question or whatever.

447
00:22:09,040 --> 00:22:11,200
Speaker 3: Like the people around me, they were just happy because

448
00:22:11,240 --> 00:22:14,520
Speaker 3: they knew that I was a person that was like

449
00:22:15,560 --> 00:22:18,040
Speaker 3: gonna he deserved it or whatever. I didn't even know

450
00:22:18,040 --> 00:22:20,399
Speaker 3: he was doing music, but he ain't a bad person,

451
00:22:20,480 --> 00:22:23,399
Speaker 3: So the blessing was just something they was all thankful for.

452
00:22:23,640 --> 00:22:24,080
Speaker 1: That's good.

453
00:22:24,400 --> 00:22:27,400
Speaker 2: That's good because you got so many artists in Atlanta,

454
00:22:27,400 --> 00:22:29,680
Speaker 2: You got so many people who rap in Atlanta that's

455
00:22:29,720 --> 00:22:32,280
Speaker 2: been doing it for so long that never got anywhere

456
00:22:32,400 --> 00:22:35,960
Speaker 2: near close to having an even a local hit. For

457
00:22:36,040 --> 00:22:39,600
Speaker 2: something that goes worldwide like that, like that probably can

458
00:22:39,600 --> 00:22:40,320
Speaker 2: breed a lot of.

459
00:22:40,440 --> 00:22:42,439
Speaker 1: You know, envy, you know from people.

460
00:22:42,480 --> 00:22:44,680
Speaker 2: So for you to not have that experience it's a blessing.

461
00:22:45,040 --> 00:22:47,280
Speaker 3: I think that that's one of the greatest things talking

462
00:22:47,280 --> 00:22:50,800
Speaker 3: to y'all now ten being at an official ten years,

463
00:22:51,160 --> 00:22:55,600
Speaker 3: is that over these ten years, he's whatever three hundred

464
00:22:55,600 --> 00:22:57,680
Speaker 3: and sixty five thousand days whatever that is.

465
00:22:59,200 --> 00:23:00,000
Speaker 1: On thirty six styles.

466
00:23:03,000 --> 00:23:08,360
Speaker 3: The people who started off jealous in the first five, however,

467
00:23:08,400 --> 00:23:10,600
Speaker 3: I stayed so consistent that we're cool.

468
00:23:11,080 --> 00:23:11,520
Speaker 1: How whatever.

469
00:23:11,520 --> 00:23:13,439
Speaker 3: I've looked at my being able to even make my

470
00:23:13,560 --> 00:23:16,800
Speaker 3: enemies get closer to me. Damn there or whatever where

471
00:23:16,840 --> 00:23:17,320
Speaker 3: it's like.

472
00:23:17,520 --> 00:23:21,080
Speaker 1: You're not you're not an enemy because you realize, like, damn,

473
00:23:21,720 --> 00:23:24,840
Speaker 1: you're just missing. You're missing for about what you thought

474
00:23:24,840 --> 00:23:25,480
Speaker 1: I was going to do.

475
00:23:25,520 --> 00:23:26,919
Speaker 3: You thought I was going to take my fame and

476
00:23:26,960 --> 00:23:29,119
Speaker 3: shit on you. I never shit on you. I just

477
00:23:29,160 --> 00:23:31,359
Speaker 3: really stayed focused on me, which I didn't. Left me

478
00:23:31,440 --> 00:23:33,240
Speaker 3: no time for you. That don't mean I should it

479
00:23:33,320 --> 00:23:35,000
Speaker 3: on you. I just don't have no time for you

480
00:23:35,400 --> 00:23:37,719
Speaker 3: because I need to focus on me in order to

481
00:23:37,880 --> 00:23:40,240
Speaker 3: take care of what actually matters, the thing that we

482
00:23:40,280 --> 00:23:42,720
Speaker 3: got into this trap for, to take care of my families.

483
00:23:43,320 --> 00:23:45,800
Speaker 1: I'm still in the trap. It's just a better looking one,

484
00:23:46,240 --> 00:23:50,480
Speaker 1: you know what I'm saying. That's real shit. That's some quotes.

485
00:23:51,480 --> 00:23:55,920
Speaker 2: If you good in this city and you do good business, yeah,

486
00:23:56,200 --> 00:23:59,000
Speaker 2: like you said, people fuck with you and comedy shit,

487
00:23:59,080 --> 00:24:01,720
Speaker 2: we'd have seen that ship first head like taking.

488
00:24:01,560 --> 00:24:06,920
Speaker 1: People bought tickets Ticket Jerry. The first tickets the first

489
00:24:07,480 --> 00:24:09,480
Speaker 1: Hawks game I ever went to is because I gave

490
00:24:09,560 --> 00:24:12,080
Speaker 1: him some jeans from my store for the tickets. You

491
00:24:12,160 --> 00:24:13,600
Speaker 1: know what I'm saying. My first car.

492
00:24:13,520 --> 00:24:15,879
Speaker 3: Ever got was Ticket Jerry, and I crashed it. His

493
00:24:16,080 --> 00:24:18,480
Speaker 3: brand new fast ass challenge. He had like a three

494
00:24:18,480 --> 00:24:20,720
Speaker 3: two three two five the bumble bee position, one of

495
00:24:20,720 --> 00:24:23,879
Speaker 3: them challengers three ninety two. However, I crashed at the

496
00:24:23,880 --> 00:24:27,359
Speaker 3: Croaker parking right here westn Intel Park car you know

497
00:24:27,400 --> 00:24:29,959
Speaker 3: what I'm saying. And he was like, it's all good whatever,

498
00:24:29,960 --> 00:24:30,680
Speaker 3: you know what I'm saying.

499
00:24:30,960 --> 00:24:32,240
Speaker 1: And when it got another car.

500
00:24:32,160 --> 00:24:32,919
Speaker 2: That's crazy.

501
00:24:34,720 --> 00:24:36,840
Speaker 1: For him. It's crazy. Knew that I could take care

502
00:24:36,880 --> 00:24:38,320
Speaker 1: of it. If you beeing back anywhere you.

503
00:24:38,240 --> 00:24:41,160
Speaker 2: Can bodel in Atlanta is probably different than any other

504
00:24:41,240 --> 00:24:41,680
Speaker 2: city in.

505
00:24:41,640 --> 00:24:46,199
Speaker 1: The last you know what I mean.

506
00:24:46,240 --> 00:24:48,680
Speaker 2: You probably can just trade off some ship in Atlanta.

507
00:24:48,720 --> 00:24:50,640
Speaker 2: You can't trade off nooking just because of the ship

508
00:24:50,680 --> 00:24:53,040
Speaker 2: that's available in this city, you know what I mean.

509
00:24:53,359 --> 00:24:55,480
Speaker 2: Like you funking around and just say, man, look like

510
00:24:55,640 --> 00:24:56,640
Speaker 2: you give me a lap.

511
00:24:56,520 --> 00:24:59,840
Speaker 1: Dance like you know, bro, But I sing it to

512
00:25:00,600 --> 00:25:01,280
Speaker 1: any city.

513
00:25:01,400 --> 00:25:04,440
Speaker 5: Ticket Jared be close in any city like this nigga,

514
00:25:04,480 --> 00:25:06,639
Speaker 5: damn will be on the court like players gotta dribble

515
00:25:06,640 --> 00:25:07,359
Speaker 5: around that nigga.

516
00:25:07,640 --> 00:25:11,240
Speaker 1: That ticket, Jared, he got the ticket anything super Bowl.

517
00:25:11,320 --> 00:25:17,280
Speaker 2: He's the best talking about get your tickets while the

518
00:25:17,320 --> 00:25:18,000
Speaker 2: ship going on.

519
00:25:18,720 --> 00:25:20,560
Speaker 5: I had just got my mama from married j Black

520
00:25:20,680 --> 00:25:22,399
Speaker 5: tickets from blowing me.

521
00:25:22,520 --> 00:25:32,480
Speaker 1: Ticket Jerry, that's the ticket they knowing. You gotta know him.

522
00:25:34,640 --> 00:25:39,440
Speaker 2: There's gonna be some more people like Jerry. I wonder

523
00:25:39,480 --> 00:25:41,880
Speaker 2: if ticket Jerry, you ever got us the tickets to ship.

524
00:25:43,320 --> 00:25:47,520
Speaker 1: Yeah, the bigger you get, ticket Jay, gonna get the

525
00:25:47,520 --> 00:25:49,720
Speaker 1: tickets to your ship. Damn ticket.

526
00:25:50,280 --> 00:25:52,359
Speaker 5: He already got the sweets for the show coming up.

527
00:25:52,840 --> 00:25:56,800
Speaker 3: Man, what is guarantee? He's never failed man, my family,

528
00:25:57,000 --> 00:26:00,920
Speaker 3: he's never feld. My family's friends never failed, not one time.

529
00:26:03,680 --> 00:26:06,280
Speaker 5: I never heard a negative ye review about this nigga.

530
00:26:07,359 --> 00:26:15,800
Speaker 2: Never tickets tickets to anything.

531
00:26:17,080 --> 00:26:24,280
Speaker 1: Anything. He gonna get everything because he got like to

532
00:26:24,359 --> 00:26:25,120
Speaker 1: go up to the game.

533
00:26:25,200 --> 00:26:27,040
Speaker 2: It's gonna be a old man sitting on the bench

534
00:26:27,080 --> 00:26:28,880
Speaker 2: when he get up off the bench. The ticket gonna

535
00:26:28,880 --> 00:26:31,840
Speaker 2: be under the bench, under your it's yours. That's the

536
00:26:31,960 --> 00:26:36,440
Speaker 2: damn ticket jails niggas the wizard of tickets.

537
00:26:36,480 --> 00:26:41,199
Speaker 1: This niggas is it only in Atlanta? He could be

538
00:26:41,320 --> 00:26:44,879
Speaker 1: drinking London to the tour? What call them two hours

539
00:26:44,920 --> 00:26:47,840
Speaker 1: before tickets? More tickets?

540
00:26:48,160 --> 00:26:50,919
Speaker 5: Gon got the best time to follow ticket. Jared is

541
00:26:51,000 --> 00:26:55,440
Speaker 5: doing Valentine's Day the god damnit Strava. The nigga take

542
00:26:55,480 --> 00:26:58,440
Speaker 5: his girl the grease one day they backing Atlanta court

543
00:26:58,480 --> 00:27:00,439
Speaker 5: side of the game, like he do it like that,

544
00:27:00,560 --> 00:27:03,080
Speaker 5: So the women follow him. So the women showing you

545
00:27:03,119 --> 00:27:04,760
Speaker 5: what this nigga doing, what we're.

546
00:27:04,640 --> 00:27:08,240
Speaker 1: Talking about doing all this ship. It's just got a job.

547
00:27:08,320 --> 00:27:10,920
Speaker 1: You brought some ship into there. Because if you listen to.

548
00:27:10,880 --> 00:27:13,320
Speaker 3: Him, you're gonna be feeling type of way because Jerry

549
00:27:13,359 --> 00:27:15,160
Speaker 3: take care of his woman is so good.

550
00:27:15,440 --> 00:27:17,000
Speaker 1: Young woman gonna be like, so what you doing.

551
00:27:17,680 --> 00:27:23,399
Speaker 9: I'm not a motherfucker to get take this part out

552
00:27:24,520 --> 00:27:26,680
Speaker 9: trying to contact with her like I'm trying to get

553
00:27:26,680 --> 00:27:29,440
Speaker 9: in contact with this nose, trying.

554
00:27:29,240 --> 00:27:31,160
Speaker 1: To act like you aren't great guys.

555
00:27:31,600 --> 00:27:33,840
Speaker 2: I'm definitely a great guy, but I ain't taking Jerry

556
00:27:34,000 --> 00:27:35,280
Speaker 2: going to win your nigga talking.

557
00:27:35,119 --> 00:27:37,640
Speaker 1: About you, but ticket jaill help you get there? Oh yeah,

558
00:27:38,080 --> 00:27:43,640
Speaker 1: get trying to get to it.

559
00:27:43,600 --> 00:27:45,880
Speaker 2: To be but it's with your ticket. Jerry's some ship

560
00:27:45,920 --> 00:27:49,000
Speaker 2: I want to see. I want to see Taylor Swift nigga,

561
00:27:49,080 --> 00:27:50,040
Speaker 2: something that I would.

562
00:27:49,840 --> 00:27:51,680
Speaker 1: Never get a ticket to. I'm gonna I'm gonna truy

563
00:27:51,720 --> 00:27:54,639
Speaker 1: you a Swift Team. I'm gonna be one if Swift

564
00:27:54,680 --> 00:27:55,640
Speaker 1: team man.

565
00:27:55,480 --> 00:27:58,119
Speaker 5: That nigga might have you introducing her. That nigga so

566
00:27:58,160 --> 00:27:59,800
Speaker 5: god damn cold with the ticket ship.

567
00:28:00,320 --> 00:28:02,760
Speaker 3: Damn he has a backstage pass back there with her

568
00:28:02,760 --> 00:28:05,040
Speaker 3: mama and now smoking hooker.

569
00:28:05,160 --> 00:28:07,800
Speaker 1: Yeah, damn drinking Jack Dames.

570
00:28:08,320 --> 00:28:12,600
Speaker 3: You know, get guess what the ground name is ticket

571
00:28:12,680 --> 00:28:13,960
Speaker 3: Jack nigga.

572
00:28:14,000 --> 00:28:21,080
Speaker 1: You know, come on the best of the whole. He

573
00:28:21,200 --> 00:28:25,440
Speaker 1: has a real chain from ice Box chains. Say take

574
00:28:25,440 --> 00:28:28,520
Speaker 1: a jam. Yeah, what do you mean? You got a

575
00:28:28,560 --> 00:28:29,640
Speaker 1: commercial on the ready.

576
00:28:29,400 --> 00:28:39,560
Speaker 3: One America's Finest, Atlanta's best nigga, don't miss man, have

577
00:28:39,640 --> 00:28:42,600
Speaker 3: a little ship down the buckhead right then they get.

578
00:28:44,600 --> 00:28:52,920
Speaker 1: On the couch. Get he get You know what I'm saying,

579
00:28:53,240 --> 00:28:55,480
Speaker 1: because he's been to everybody show, That's what I'm saying.

580
00:28:55,520 --> 00:28:57,920
Speaker 2: You know, whats That's exactly how you get in the

581
00:28:57,960 --> 00:29:00,920
Speaker 2: trap with the ghetto leggers, bro another and on legend.

582
00:29:08,840 --> 00:29:09,520
Speaker 1: You gotta get.

583
00:29:11,400 --> 00:29:18,080
Speaker 2: To speak your le We got hoss, we got low

584
00:29:18,120 --> 00:29:21,480
Speaker 2: holds and hold man, I'm telling you you see what's going.

585
00:29:21,640 --> 00:29:23,080
Speaker 1: We don't want to go not much.

586
00:29:23,280 --> 00:29:26,360
Speaker 2: I ain't no service it tick t I c K.

587
00:29:32,840 --> 00:29:37,080
Speaker 1: Ticket, underscore Jared ticket and you got out the score.

588
00:29:37,120 --> 00:29:40,520
Speaker 2: It might be underscore out the score all right, you

589
00:29:40,560 --> 00:29:42,920
Speaker 2: should be very fast, very bad.

590
00:29:42,960 --> 00:29:47,840
Speaker 1: And was Stu, Man, what you talking about? I'm sorry,

591
00:29:47,840 --> 00:29:54,800
Speaker 1: I don't know, man.

592
00:29:54,840 --> 00:30:00,720
Speaker 2: I was like, you know what, Okay, you know what. Hey,

593
00:30:00,920 --> 00:30:09,480
Speaker 2: however you get your tickets, feel free to get them.

594
00:30:09,640 --> 00:30:11,440
Speaker 2: What does it feel like when somebody come through and

595
00:30:11,480 --> 00:30:13,560
Speaker 2: want to sample your work? And then this shit turned

596
00:30:13,560 --> 00:30:17,680
Speaker 2: in to a super super nigga super song and.

597
00:30:17,680 --> 00:30:22,960
Speaker 1: We heard the Bruno Mars. We heard right, we heard

598
00:30:23,240 --> 00:30:25,160
Speaker 1: that they had.

599
00:30:24,960 --> 00:30:31,600
Speaker 3: To so it's it's beautiful now, beautiful now, ok Yeah.

600
00:30:31,880 --> 00:30:34,680
Speaker 3: The way that the bag works is the business that

601
00:30:35,040 --> 00:30:38,480
Speaker 3: I'm happy that I learned getting the initial big bag

602
00:30:38,480 --> 00:30:40,920
Speaker 3: at first, if more tied to my childish ways when

603
00:30:40,920 --> 00:30:42,720
Speaker 3: it's like, oh damn, I got a lot of money, cool,

604
00:30:43,040 --> 00:30:47,040
Speaker 3: how whatever? But I made more money before that from that,

605
00:30:47,720 --> 00:30:51,480
Speaker 3: but not overall. Over time, they see money is about

606
00:30:51,520 --> 00:30:54,800
Speaker 3: making it travel, not the moment of it. Like if

607
00:30:54,840 --> 00:30:56,920
Speaker 3: you could the further you could throw money is the

608
00:30:56,960 --> 00:31:00,040
Speaker 3: better having moment right money right in the moment is like.

609
00:31:00,280 --> 00:31:03,520
Speaker 1: That's what you're saying. The front you can throw money

610
00:31:03,600 --> 00:31:07,080
Speaker 1: is the longer it's gonna last. You know what I'm saying.

611
00:31:07,160 --> 00:31:08,040
Speaker 1: If you got all of.

612
00:31:07,960 --> 00:31:13,200
Speaker 2: It, that's real because in my mind it's Randy Moss

613
00:31:13,320 --> 00:31:14,160
Speaker 2: going to get the money.

614
00:31:14,240 --> 00:31:18,680
Speaker 1: Yeah, so you put it over there. Yeah, just throw it.

615
00:31:18,680 --> 00:31:22,680
Speaker 1: It's like consistent and don't look back too much, how whatever,

616
00:31:22,720 --> 00:31:23,640
Speaker 1: because you'll miss it.

617
00:31:24,120 --> 00:31:26,520
Speaker 3: And just keep going and then when it's time to

618
00:31:26,520 --> 00:31:28,960
Speaker 3: put your arms out, receive what you deserve.

619
00:31:29,080 --> 00:31:31,200
Speaker 1: Ketch it because if you drop it, that's on you.

620
00:31:31,320 --> 00:31:33,760
Speaker 1: This nigga philoso for now, I ain't know this ship

621
00:31:34,000 --> 00:31:39,239
Speaker 1: turned into financial but because let's just start hitting. Did

622
00:31:39,320 --> 00:31:41,479
Speaker 1: she gonna pop up with my man? Said Guru?

623
00:31:41,680 --> 00:31:45,280
Speaker 2: Is it gonna pop up with the little Indian's philosopher

624
00:31:46,520 --> 00:31:47,080
Speaker 2: bro talking?

625
00:31:49,200 --> 00:31:51,880
Speaker 1: I'm telling you said, taking it back to it?

626
00:31:51,960 --> 00:31:53,240
Speaker 3: Taking it back to it because I don't want to

627
00:31:53,240 --> 00:31:56,160
Speaker 3: get too lost In translation, the Bruno Mars thing was amazing.

628
00:31:56,200 --> 00:31:58,080
Speaker 3: But at the time that it happened, if I'm being

629
00:31:58,080 --> 00:31:59,520
Speaker 3: honest with you, it happened when I was at my.

630
00:31:59,560 --> 00:32:02,240
Speaker 1: Most as state as an artist.

631
00:32:02,560 --> 00:32:06,560
Speaker 3: And actually I never got depressed until I got into music.

632
00:32:07,320 --> 00:32:10,680
Speaker 1: Like I've never been the pressed in the music industry.

633
00:32:10,440 --> 00:32:13,600
Speaker 3: Success, Like you want to be successful, bro, Like to

634
00:32:13,680 --> 00:32:16,560
Speaker 3: take back to your original first question right when you

635
00:32:16,560 --> 00:32:19,040
Speaker 3: asked about you know, when you're get that big success

636
00:32:19,080 --> 00:32:21,640
Speaker 3: off the top, I wouldever wanted to keep up with that?

637
00:32:21,920 --> 00:32:24,360
Speaker 4: How whatever brouh. I'm an athlete first.

638
00:32:24,400 --> 00:32:28,320
Speaker 1: I played basketball, ran track and football. I would like

639
00:32:28,360 --> 00:32:31,080
Speaker 1: I'm a very competitive person because I've played all these

640
00:32:31,120 --> 00:32:31,959
Speaker 1: courts in high school.

641
00:32:32,120 --> 00:32:34,040
Speaker 4: You know what I'm saying. So it's like that part.

642
00:32:33,800 --> 00:32:36,520
Speaker 3: Of me is like I want to kill all these

643
00:32:36,600 --> 00:32:38,000
Speaker 3: niggas and dah dah whatever.

644
00:32:38,000 --> 00:32:38,560
Speaker 1: I would want to.

645
00:32:38,600 --> 00:32:41,600
Speaker 4: Kill it for like my brand I building.

646
00:32:41,600 --> 00:32:43,920
Speaker 3: It ain't even about like I'm trying to be a

647
00:32:43,920 --> 00:32:46,520
Speaker 3: better rapper than Kendrick how whatever shit, I've already just

648
00:32:46,560 --> 00:32:48,640
Speaker 3: met this man, and like I was saying Tia earlier,

649
00:32:48,720 --> 00:32:51,240
Speaker 3: like damn, the energy that he showed me ten years ago,

650
00:32:51,520 --> 00:32:54,040
Speaker 3: nine years ago when we first met was whereas like well,

651
00:32:54,080 --> 00:32:56,120
Speaker 3: I'm at a competition with you. Actually, I just name

652
00:32:56,200 --> 00:32:58,120
Speaker 3: dropped your name in the song and then that end

653
00:32:58,200 --> 00:33:00,680
Speaker 3: up being the remix hibition on Kimo Vitru James, and I.

654
00:33:00,640 --> 00:33:02,400
Speaker 1: Was like, oh, what the fuck? You know what I'm saying.

655
00:33:02,480 --> 00:33:05,040
Speaker 1: Imagine being a nigga out of the concert, a big concert.

656
00:33:05,280 --> 00:33:07,280
Speaker 1: I'm kind of like the biggest name, but he is

657
00:33:07,320 --> 00:33:09,160
Speaker 1: who he is at that moment.

658
00:33:09,360 --> 00:33:11,480
Speaker 3: I whatever, like I'm kind of bigger than him, where

659
00:33:11,480 --> 00:33:13,640
Speaker 3: like the kids are a little bit more ready to

660
00:33:13,640 --> 00:33:16,480
Speaker 3: see me than him to a certain extent, not on

661
00:33:16,560 --> 00:33:21,200
Speaker 3: a weird shit, just like like I'm a Southern nigga

662
00:33:21,200 --> 00:33:24,200
Speaker 3: and I'm just giving the culture at that time.

663
00:33:24,520 --> 00:33:26,560
Speaker 1: Literally the energy we need is.

664
00:33:26,880 --> 00:33:29,760
Speaker 3: Like the first like the equipment, not the equivalent. But

665
00:33:29,880 --> 00:33:32,680
Speaker 3: somebody that gives that I think gives the culture the

666
00:33:32,800 --> 00:33:34,880
Speaker 3: energy that they need right now is like Glo Rilla,

667
00:33:35,960 --> 00:33:39,720
Speaker 3: like the energy that the culture wants in a party.

668
00:33:40,400 --> 00:33:43,040
Speaker 2: It's her song, little glow Man all the way.

669
00:33:43,640 --> 00:33:44,200
Speaker 1: You know what. I'm say.

670
00:33:46,160 --> 00:33:50,080
Speaker 3: Something and you have provided they hold on to it.

671
00:33:50,320 --> 00:33:52,360
Speaker 3: Like I think that yo, that yo, she got way

672
00:33:52,360 --> 00:33:55,080
Speaker 3: more songs than the song That's going Crazy or whatever,

673
00:33:55,160 --> 00:33:56,120
Speaker 3: because I like her.

674
00:33:56,520 --> 00:33:58,600
Speaker 4: But what I like to pay attention.

675
00:33:59,200 --> 00:34:01,280
Speaker 3: And that's why I started to start working on a

676
00:34:01,280 --> 00:34:04,600
Speaker 3: new album here in Atlanta and only working on it

677
00:34:04,720 --> 00:34:08,319
Speaker 3: really aired Atlanta is because this is the perspective that matter.

678
00:34:08,840 --> 00:34:11,960
Speaker 3: The reason why you appreciate all go everything is because

679
00:34:12,080 --> 00:34:15,160
Speaker 3: that is the perspective of somebody that is not trying

680
00:34:15,160 --> 00:34:17,279
Speaker 3: to be famous, but literally, like, Bro, this was going

681
00:34:17,320 --> 00:34:19,200
Speaker 3: on for a nigga that's trying to be cool the

682
00:34:19,480 --> 00:34:21,759
Speaker 3: level of Atlanta nigga cool, which is like, you know,

683
00:34:21,840 --> 00:34:27,239
Speaker 3: Atlanta niggas think that we God's gift to earth. You

684
00:34:27,239 --> 00:34:30,080
Speaker 3: know what I'm saying, Like, Bro, our descendants are outcasts

685
00:34:30,120 --> 00:34:33,040
Speaker 3: and this person and that person, you know. So for

686
00:34:33,160 --> 00:34:35,600
Speaker 3: me taking it all the way back, you know, all

687
00:34:35,640 --> 00:34:38,040
Speaker 3: the lessons that I learned, but the lesson taking it

688
00:34:38,040 --> 00:34:40,600
Speaker 3: back to your questions about the brutal thing. I was

689
00:34:40,680 --> 00:34:43,279
Speaker 3: very depressed at the time, so when the initial play

690
00:34:43,320 --> 00:34:46,719
Speaker 3: came through, I was like, I don't care y'all fucking me.

691
00:34:46,680 --> 00:34:49,920
Speaker 1: Over anyway, fuck y'all how whatever. So it was all

692
00:34:50,360 --> 00:34:52,839
Speaker 1: to your people or to the system.

693
00:34:52,560 --> 00:34:55,200
Speaker 3: To the system whatever my people brought the play to

694
00:34:55,280 --> 00:34:58,160
Speaker 3: me or whatever, Like hey, bro, brutomarge fucking with you.

695
00:34:58,280 --> 00:34:59,840
Speaker 1: He wants to do something that I'll go everything.

696
00:35:00,320 --> 00:35:03,200
Speaker 3: However, I felt such a distaste in my mouth towards

697
00:35:03,239 --> 00:35:06,960
Speaker 3: the game and everybody. And the distaste came because the

698
00:35:06,960 --> 00:35:10,880
Speaker 3: distaste came because the difference between the streets and the

699
00:35:10,960 --> 00:35:13,680
Speaker 3: industry is many of them. But one of the distinct

700
00:35:14,360 --> 00:35:16,920
Speaker 3: differences that I'm gonna touch on right now is that

701
00:35:16,960 --> 00:35:20,520
Speaker 3: when somebody does something that is legitimately some fuck nigga ship,

702
00:35:20,840 --> 00:35:22,960
Speaker 3: you cannot really whoop they ass.

703
00:35:26,040 --> 00:35:31,279
Speaker 2: You could?

704
00:35:31,840 --> 00:35:31,960
Speaker 7: You know?

705
00:35:32,000 --> 00:35:36,520
Speaker 3: I was speaking of corporate I ain't even even artist

706
00:35:36,640 --> 00:35:38,759
Speaker 3: is one thing whatever that niggas fight all the time

707
00:35:38,800 --> 00:35:42,440
Speaker 3: privately on some secret circle ship and keep going and

708
00:35:42,480 --> 00:35:44,160
Speaker 3: just be having to be fabric Like why these niggas

709
00:35:44,200 --> 00:35:46,480
Speaker 3: be favor cause these niggas be fighting the concerts that

710
00:35:46,560 --> 00:35:48,480
Speaker 3: you don't see or be fighting at this and the

711
00:35:48,600 --> 00:35:50,800
Speaker 3: niggas got to fight in the bathroom in the airport

712
00:35:51,080 --> 00:35:51,839
Speaker 3: and you wasn't there.

713
00:35:52,000 --> 00:35:53,880
Speaker 2: You're talking about the real gangsters with the suits and

714
00:35:53,920 --> 00:35:54,400
Speaker 2: the pens.

715
00:35:54,560 --> 00:35:57,600
Speaker 3: Yes, the corporate people or whatever, they would do something

716
00:35:57,600 --> 00:36:01,799
Speaker 3: that is legitimately disrespectful to your culture, to you as

717
00:36:01,840 --> 00:36:04,840
Speaker 3: a black man or black woman, to you as an artist,

718
00:36:05,040 --> 00:36:07,440
Speaker 3: no matter your race, and that there's nothing that you

719
00:36:07,480 --> 00:36:07,759
Speaker 3: can do.

720
00:36:07,800 --> 00:36:09,640
Speaker 1: And if you come from an environment like.

721
00:36:09,640 --> 00:36:12,800
Speaker 3: I do, how whatever, that is how we were taught

722
00:36:12,840 --> 00:36:16,919
Speaker 3: to handle certain levels of disrespect. I'm a conversating type

723
00:36:16,920 --> 00:36:19,279
Speaker 3: of FEMA. My conversation is pretty.

724
00:36:19,000 --> 00:36:20,040
Speaker 1: Damn on point.

725
00:36:20,320 --> 00:36:22,880
Speaker 3: But there's been things in this game. The way that

726
00:36:22,920 --> 00:36:24,600
Speaker 3: it's been done is like, Bro, I don't want to

727
00:36:24,600 --> 00:36:26,640
Speaker 3: do no talking. I want to put my hand on

728
00:36:26,640 --> 00:36:27,680
Speaker 3: the face for you.

729
00:36:27,719 --> 00:36:31,560
Speaker 2: Saying they got ass whooping type disrespect.

730
00:36:31,800 --> 00:36:35,319
Speaker 1: That's just the norm around this motherfucker. Yeah, on that

731
00:36:35,440 --> 00:36:37,280
Speaker 1: level of like fuck talking.

732
00:36:37,960 --> 00:36:41,840
Speaker 2: Yeah, you imagine you walk in you hear you a

733
00:36:41,880 --> 00:36:44,520
Speaker 2: shit on the topic commercial where you don't have no

734
00:36:44,640 --> 00:36:47,600
Speaker 2: say soul in nothing and the even like thanks.

735
00:36:47,400 --> 00:36:49,040
Speaker 1: For making the song. Man, you did us a.

736
00:36:48,920 --> 00:36:53,400
Speaker 2: Solid black motherfucker. Right, that's what you're hitting outside of

737
00:36:53,440 --> 00:36:57,480
Speaker 2: the door, nigger. That's what you heard.

738
00:36:58,640 --> 00:37:01,319
Speaker 1: That's what you hear. Yeah, that's what you're here.

739
00:37:02,080 --> 00:37:03,879
Speaker 2: Hey, why don't you use those big lips and eat

740
00:37:03,920 --> 00:37:10,000
Speaker 2: some of that fruit? Yeah, get a kool Aid pack

741
00:37:10,040 --> 00:37:10,239
Speaker 2: it in.

742
00:37:13,560 --> 00:37:14,479
Speaker 1: You just wasn't playing.

743
00:37:14,640 --> 00:37:18,279
Speaker 2: Guess what we're giving you a watermelon?

744
00:37:18,440 --> 00:37:20,839
Speaker 1: Child? Yeah?

745
00:37:21,360 --> 00:37:23,880
Speaker 2: Man, you get you.

746
00:37:23,080 --> 00:37:25,120
Speaker 1: Your MAMMYO be really proud of that one.

747
00:37:25,239 --> 00:37:27,600
Speaker 2: Wasn't sh yeah, Like, how do you deal with that?

748
00:37:27,719 --> 00:37:28,480
Speaker 1: Talk speak to that?

749
00:37:28,600 --> 00:37:29,879
Speaker 2: Like how do you get through that?

750
00:37:29,960 --> 00:37:30,040
Speaker 1: Like?

751
00:37:30,080 --> 00:37:31,960
Speaker 2: Because I think that's what a lot of people who

752
00:37:32,000 --> 00:37:34,040
Speaker 2: watch this that are on, you know, because we got

753
00:37:34,040 --> 00:37:36,120
Speaker 2: a lot of people that watch us that are don't

754
00:37:36,160 --> 00:37:39,120
Speaker 2: even know that they on the cusp of becoming the

755
00:37:39,160 --> 00:37:41,720
Speaker 2: most successful that they ever became in their life.

756
00:37:41,760 --> 00:37:44,759
Speaker 1: So these are things that we need.

757
00:37:44,480 --> 00:37:47,040
Speaker 2: To get out there, Like how do you get past that?

758
00:37:47,080 --> 00:37:50,560
Speaker 2: What's the way to navigate past seeing that, feeling that

759
00:37:50,640 --> 00:37:52,200
Speaker 2: and not being able to do nothing? How do you

760
00:37:52,239 --> 00:37:54,200
Speaker 2: walk out of that room and still continue to be

761
00:37:55,120 --> 00:37:56,799
Speaker 2: whoever you are before you walked in?

762
00:37:57,800 --> 00:38:00,400
Speaker 3: I think that staying My first thing I say to

763
00:38:00,400 --> 00:38:04,960
Speaker 3: you to stand focus on outworking the opinion, outwork in

764
00:38:04,960 --> 00:38:09,319
Speaker 3: the room. You got to understand your advantage, your advantages, Well,

765
00:38:09,640 --> 00:38:14,320
Speaker 3: my advantages I'm the culture. I'm really outside their advantages.

766
00:38:14,680 --> 00:38:18,399
Speaker 3: They have spent their life learning the business and how

767
00:38:18,440 --> 00:38:23,279
Speaker 3: to take your culture and monetize it how whatever, So

768
00:38:24,200 --> 00:38:31,360
Speaker 3: that instead of focusing on the oppression, I think you

769
00:38:31,360 --> 00:38:34,560
Speaker 3: should focus on the knowledge that you lack and then

770
00:38:34,920 --> 00:38:37,880
Speaker 3: that being able to fight it is what allows you

771
00:38:37,920 --> 00:38:39,520
Speaker 3: to kind of like be in a better position now

772
00:38:39,600 --> 00:38:42,600
Speaker 3: to answer a little bit more detailed into your question.

773
00:38:43,640 --> 00:38:48,040
Speaker 3: I have been blessed enough to not get that extreme

774
00:38:48,080 --> 00:38:54,759
Speaker 3: stuff happened directly to me. But micro microaggressions. I think

775
00:38:54,800 --> 00:38:56,959
Speaker 3: you've heard people say that in the workforce. I feel

776
00:38:57,000 --> 00:39:01,120
Speaker 3: like those are the things that a lot of the

777
00:39:01,360 --> 00:39:06,719
Speaker 3: newer people in labels don't realize that they're doing, and

778
00:39:06,760 --> 00:39:09,120
Speaker 3: the ones that do, older people they know what they do,

779
00:39:09,200 --> 00:39:09,799
Speaker 3: don't give a fuck.

780
00:39:10,719 --> 00:39:13,840
Speaker 1: It's like your parents, your mama. If that's how she

781
00:39:13,880 --> 00:39:15,200
Speaker 1: cooked this shit, that sit.

782
00:39:15,040 --> 00:39:17,160
Speaker 3: Could be nasty to saying she'd been cooking it that

783
00:39:17,160 --> 00:39:20,279
Speaker 3: way for thirty seven years. Nigga, that's how it's getting cooked.

784
00:39:21,880 --> 00:39:23,680
Speaker 3: It's the same thing with the older people in the

785
00:39:23,760 --> 00:39:26,359
Speaker 3: label thing or whatever. It's like, bro, if James Brown

786
00:39:26,400 --> 00:39:29,920
Speaker 3: took this contract, truing that James took this contract or whatever,

787
00:39:30,000 --> 00:39:34,360
Speaker 3: it ain't necessarily personal my nigga or whatever.

788
00:39:34,400 --> 00:39:36,280
Speaker 1: It's just like it's it's the business.

789
00:39:36,320 --> 00:39:38,560
Speaker 3: And if if you never beat me in court to

790
00:39:38,560 --> 00:39:40,880
Speaker 3: make me change this contract, I'm gonna keep using this contract,

791
00:39:40,880 --> 00:39:43,719
Speaker 3: my nigga. You know, I think that the industry is

792
00:39:43,800 --> 00:39:48,240
Speaker 3: changing for the better because more people of color coming.

793
00:39:48,040 --> 00:39:50,439
Speaker 1: Into it, But even outside of more people in color.

794
00:39:50,480 --> 00:39:52,560
Speaker 1: It's not about us. We are always going to try

795
00:39:52,600 --> 00:39:54,200
Speaker 1: and figure out how to be team us.

796
00:39:54,000 --> 00:39:55,839
Speaker 4: Whether it's a click or all of us.

797
00:39:56,440 --> 00:39:59,480
Speaker 3: But the newer racist of people that are coming into

798
00:39:59,480 --> 00:40:03,040
Speaker 3: the understand that these old dinosaur ways are not even

799
00:40:03,120 --> 00:40:03,839
Speaker 3: appealing to them.

800
00:40:03,840 --> 00:40:04,640
Speaker 1: So the new white A.

801
00:40:04,680 --> 00:40:07,560
Speaker 3: And rs, new white CEOs or whatever, like some of

802
00:40:07,600 --> 00:40:10,719
Speaker 3: these guys now being ten years and this shit. I

803
00:40:10,800 --> 00:40:13,040
Speaker 3: met them when they were just a mid level A

804
00:40:13,160 --> 00:40:16,000
Speaker 3: and R. And now they're there like SVP of this

805
00:40:16,160 --> 00:40:18,759
Speaker 3: record label and shit like that. And you can see

806
00:40:18,800 --> 00:40:20,640
Speaker 3: when they pull a white man move because they just

807
00:40:20,680 --> 00:40:23,919
Speaker 3: can't help that they're white. I hate asking white people

808
00:40:23,960 --> 00:40:26,759
Speaker 3: to do black shit. It's like, bro, expect the white

809
00:40:26,760 --> 00:40:29,799
Speaker 3: person to do white shit because he's white. That's what

810
00:40:29,840 --> 00:40:32,000
Speaker 3: he knows. When you go when he goes to his house,

811
00:40:32,239 --> 00:40:34,520
Speaker 3: he lives his lifestyle, and you go to your house

812
00:40:34,560 --> 00:40:38,759
Speaker 3: and live your lifestyle. It's different. I wouldever, like, let's

813
00:40:38,800 --> 00:40:41,480
Speaker 3: take our families. It's different. So unless you take the

814
00:40:41,640 --> 00:40:44,920
Speaker 3: actual conscious effort to do your homework on somebody's culture,

815
00:40:45,480 --> 00:40:48,880
Speaker 3: you will always be butting hims or whatever. Because I

816
00:40:48,920 --> 00:40:51,000
Speaker 3: don't want to keep blaming somebody for something.

817
00:40:50,719 --> 00:40:52,600
Speaker 4: That you've been doing for five hundred years.

818
00:40:53,320 --> 00:40:55,319
Speaker 1: I need more knowledge to beat it.

819
00:40:56,160 --> 00:40:57,719
Speaker 4: I need to beat it. I need to beat it.

820
00:40:57,960 --> 00:40:59,719
Speaker 3: I need to If I don't beat it, I need

821
00:40:59,719 --> 00:41:03,320
Speaker 3: to make sure that I need enough things, enough interviews

822
00:41:03,400 --> 00:41:06,279
Speaker 3: with other brothers and other sisters and other people, whether

823
00:41:06,320 --> 00:41:07,880
Speaker 3: whoever the racist person I'm talking to.

824
00:41:08,280 --> 00:41:09,640
Speaker 1: Whereas like, we figured.

825
00:41:09,280 --> 00:41:12,120
Speaker 3: This out because it's people outside.

826
00:41:11,600 --> 00:41:13,200
Speaker 1: Of being black that want to beat it.

827
00:41:13,640 --> 00:41:15,520
Speaker 2: I feel like, if you don't love black people, you

828
00:41:15,560 --> 00:41:18,520
Speaker 2: should be getting no money off of them. Like, if

829
00:41:18,560 --> 00:41:20,640
Speaker 2: you don't love the fuck out of black people, you

830
00:41:20,680 --> 00:41:26,480
Speaker 2: shouldn't be able to promise everybody this money. I respect it,

831
00:41:26,560 --> 00:41:34,080
Speaker 2: but it like this, let's take let's take it to call.

832
00:41:34,520 --> 00:41:37,479
Speaker 2: If a white man fix your engine, ain't you gonna

833
00:41:37,480 --> 00:41:39,920
Speaker 2: pay him? I want to hear if you fix a

834
00:41:39,960 --> 00:41:42,800
Speaker 2: white man, spare everyone, baby.

835
00:41:44,280 --> 00:41:45,240
Speaker 1: I know I understand.

836
00:41:45,239 --> 00:41:48,000
Speaker 2: The better question, though, is do you think like if

837
00:41:48,000 --> 00:41:49,400
Speaker 2: you want to take it all the way back to

838
00:41:49,440 --> 00:41:51,320
Speaker 2: white you know, if you're just speaking white should be

839
00:41:51,400 --> 00:41:58,800
Speaker 2: doing white you can't say that you got.

840
00:41:58,560 --> 00:42:01,680
Speaker 1: To you get them. He feels on what you let

841
00:42:01,760 --> 00:42:02,520
Speaker 1: me over there.

842
00:42:02,560 --> 00:42:04,759
Speaker 2: You shouldn't be able to just god damn go home

843
00:42:04,800 --> 00:42:07,719
Speaker 2: and be like, listen, we're white over here. You've just

844
00:42:07,800 --> 00:42:10,319
Speaker 2: been making money off black people all day. But that's

845
00:42:10,320 --> 00:42:14,040
Speaker 2: why I love you, because I'm off now and I

846
00:42:14,040 --> 00:42:16,640
Speaker 2: can show you love as long as the profit margin

847
00:42:16,800 --> 00:42:17,040
Speaker 2: is there.

848
00:42:17,120 --> 00:42:19,160
Speaker 1: So you want a nigga to be loved?

849
00:42:19,160 --> 00:42:20,919
Speaker 2: If I ain't got nothing that you ain't got nothing,

850
00:42:21,200 --> 00:42:22,759
Speaker 2: come on jumping the car, ain't gonna see you walk

851
00:42:22,800 --> 00:42:25,400
Speaker 2: down the street, that type of little so whatever.

852
00:42:25,400 --> 00:42:27,399
Speaker 1: You got a hundred white artists on your black level,

853
00:42:27,440 --> 00:42:28,560
Speaker 1: how should I be able.

854
00:42:28,400 --> 00:42:34,839
Speaker 2: To have it? Well, I WoT that as many TikTokers.

855
00:42:35,160 --> 00:42:37,680
Speaker 1: I feel like he is like the shower of Like.

856
00:42:37,600 --> 00:42:40,879
Speaker 2: Hey, that's lady.

857
00:42:41,120 --> 00:42:42,240
Speaker 4: It's like it's possible.

858
00:42:42,280 --> 00:42:56,600
Speaker 2: But I feel like he's not from from never see

859
00:42:56,960 --> 00:43:00,799
Speaker 2: a black man on a country music boy. He got

860
00:43:00,800 --> 00:43:03,440
Speaker 2: a hundred white artists signed the fucked up deals and

861
00:43:03,480 --> 00:43:05,160
Speaker 2: he getting richest fuck off of them.

862
00:43:05,480 --> 00:43:08,120
Speaker 1: It wouldn't work this same, Okay, we would doing letters here,

863
00:43:08,200 --> 00:43:10,720
Speaker 1: We would do it right. He wouldn't. Yeah, he couldn't.

864
00:43:10,760 --> 00:43:13,640
Speaker 1: God damn, come over to Big Red. Wouldn't be like

865
00:43:14,440 --> 00:43:17,640
Speaker 1: all his money off of white people music. Come over

866
00:43:17,680 --> 00:43:21,160
Speaker 1: here and act like he motherfucking doctor dre or listen there,

867
00:43:21,239 --> 00:43:21,839
Speaker 1: Toby and.

868
00:43:21,840 --> 00:43:24,600
Speaker 2: You know West raising it might be a nigga that

869
00:43:24,640 --> 00:43:26,759
Speaker 2: did that. They just never let us know who he.

870
00:43:26,840 --> 00:43:32,480
Speaker 3: Is, right, you know, we say niggas have done things

871
00:43:32,600 --> 00:43:34,919
Speaker 3: to other races that they were pissed off about.

872
00:43:34,960 --> 00:43:36,080
Speaker 1: Like when Michael Jackson.

873
00:43:35,800 --> 00:43:41,480
Speaker 3: Brought up boarding the Cadalog they were friends, was moved,

874
00:43:41,640 --> 00:43:42,920
Speaker 3: but he didn't sell it back to.

875
00:43:43,440 --> 00:43:51,759
Speaker 1: He wasn't a buzzle. No, no, no, I said you're back.

876
00:43:52,280 --> 00:43:53,960
Speaker 1: I ain't gonna say you back your jokes. Chico.

877
00:43:54,160 --> 00:43:57,520
Speaker 4: You said you called me your jokes, need the money.

878
00:43:57,280 --> 00:44:00,720
Speaker 1: And if I'm the Beatles fucked them jokes? You saying

879
00:44:00,800 --> 00:44:02,400
Speaker 1: Mike funked up for that nigga.

880
00:44:02,480 --> 00:44:05,439
Speaker 2: No, you can have him, got damn jokes, Mike, buy

881
00:44:05,480 --> 00:44:08,280
Speaker 2: some of your Mike?

882
00:44:08,360 --> 00:44:13,319
Speaker 1: Can I buy the jokes back? Mike, Mike, Mike, can

883
00:44:13,320 --> 00:44:15,719
Speaker 1: you can you give me what's dropping over here? Give

884
00:44:15,760 --> 00:44:16,480
Speaker 1: my souls back?

885
00:44:17,239 --> 00:44:19,759
Speaker 10: Telling me they're gonna take one of my I need

886
00:44:19,800 --> 00:44:20,440
Speaker 10: at least.

887
00:44:20,239 --> 00:44:20,719
Speaker 1: One of my.

888
00:44:22,200 --> 00:44:24,520
Speaker 2: Mike about that ship won too many times and put

889
00:44:24,520 --> 00:44:29,240
Speaker 2: this ship like, all right, I'm not playing, stop asking

890
00:44:29,280 --> 00:44:35,120
Speaker 2: me what is it? As Paul McCarty lawyers couldn't stop me.

891
00:44:35,520 --> 00:44:38,600
Speaker 2: Slaughter of the Packets had him tied to a rocket.

892
00:44:38,680 --> 00:44:41,400
Speaker 2: Hey man, Michael Jackson ain't got to do ship for you.

893
00:44:41,920 --> 00:44:43,600
Speaker 2: So we got hit up a couple of times. Tell

894
00:44:43,800 --> 00:44:49,839
Speaker 2: where he had Mike fucked up the girl that girls

895
00:44:49,840 --> 00:44:50,120
Speaker 2: like that.

896
00:44:50,160 --> 00:44:53,160
Speaker 1: Of course, that chimps type. You don't know what went

897
00:44:53,200 --> 00:45:00,560
Speaker 1: on when he said through Paul, my I got drunk

898
00:45:00,640 --> 00:45:00,840
Speaker 1: on that.

899
00:45:01,040 --> 00:45:05,040
Speaker 2: I'll give you your fucking money when I feel like it. Okay,

900
00:45:06,160 --> 00:45:10,799
Speaker 2: hold on, holdo, you gotta go step further, because you know,

901
00:45:10,960 --> 00:45:15,480
Speaker 2: Paul said, Mike asked him what's the best way to

902
00:45:15,480 --> 00:45:19,040
Speaker 2: make money as an artist? And Paul was like by

903
00:45:19,719 --> 00:45:24,200
Speaker 2: publisher to other artists. He went about the ship. So

904
00:45:24,280 --> 00:45:26,520
Speaker 2: he gave him the game, but he ain't mean go

905
00:45:26,719 --> 00:45:27,680
Speaker 2: buy That's.

906
00:45:27,520 --> 00:45:28,080
Speaker 1: What I heard.

907
00:45:28,400 --> 00:45:31,480
Speaker 2: He ain't by my ship man, So that's even colder.

908
00:45:32,200 --> 00:45:34,280
Speaker 1: But like, but like for you being.

909
00:45:34,120 --> 00:45:36,440
Speaker 2: In the game ten years now, that's an eternity for

910
00:45:36,719 --> 00:45:39,600
Speaker 2: you know, any artist to do anything, Like how much

911
00:45:40,160 --> 00:45:44,880
Speaker 2: do you credit the fact that not just the music,

912
00:45:44,960 --> 00:45:47,440
Speaker 2: but like something that I always looked at you for

913
00:45:47,640 --> 00:45:49,800
Speaker 2: just because it's some shit I meant to just the fashion,

914
00:45:50,080 --> 00:45:53,640
Speaker 2: how much do you credit that? And stretching you these

915
00:45:53,680 --> 00:45:54,600
Speaker 2: ten years.

916
00:45:54,760 --> 00:45:59,040
Speaker 3: At least Images Images trying James super Power, you have

917
00:45:59,040 --> 00:46:01,719
Speaker 3: to try under stay your super just like.

918
00:46:01,640 --> 00:46:05,840
Speaker 1: This too far? The dress stuff, the dress.

919
00:46:05,600 --> 00:46:10,320
Speaker 3: Stuff, like wearing a dress.

920
00:46:09,960 --> 00:46:25,360
Speaker 1: I've wore. What's it is? I know I understand the

921
00:46:25,480 --> 00:46:30,440
Speaker 1: fashion perspective of it, because mind you, I'm really the person.

922
00:46:30,520 --> 00:46:31,480
Speaker 1: I don't judge nobody.

923
00:46:31,560 --> 00:46:34,520
Speaker 3: That's why you'll see gays at my show, You'll see whites,

924
00:46:34,600 --> 00:46:37,160
Speaker 3: you'll see you, but you're gonna see the most leftis

925
00:46:37,239 --> 00:46:37,880
Speaker 3: center people.

926
00:46:38,200 --> 00:46:39,960
Speaker 4: How to treat that Jame show or the.

927
00:46:39,920 --> 00:46:41,840
Speaker 1: Most leftis center of fans of music?

928
00:46:41,960 --> 00:46:43,280
Speaker 4: They treated that James fans?

929
00:46:43,320 --> 00:46:43,800
Speaker 1: How whatever?

930
00:46:43,960 --> 00:46:44,600
Speaker 4: Why is that?

931
00:46:44,960 --> 00:46:46,600
Speaker 1: I don't ask that question no more.

932
00:46:46,840 --> 00:46:49,719
Speaker 3: I just cultivate these niggas and just want to build things,

933
00:46:49,719 --> 00:46:52,720
Speaker 3: to build communities, and build metal verses and build things

934
00:46:52,960 --> 00:46:56,600
Speaker 3: to cultivate all these leftis center people. That my frequency

935
00:46:57,000 --> 00:46:59,839
Speaker 3: speaks to them, my confidence speaks to them.

936
00:47:00,600 --> 00:47:03,040
Speaker 1: That's what it is. You know what I'm saying.

937
00:47:03,160 --> 00:47:09,759
Speaker 4: So you know I forgot what your question was, the fashion, But.

938
00:47:09,719 --> 00:47:13,680
Speaker 3: Yes, like images and everything, man, you know, that's that's

939
00:47:13,680 --> 00:47:16,799
Speaker 3: what I started as a stylist before a musician. I

940
00:47:16,840 --> 00:47:19,399
Speaker 3: started in fashion before I ever picked up a mic.

941
00:47:19,880 --> 00:47:25,480
Speaker 3: So images, I always felt that I had image handled

942
00:47:25,520 --> 00:47:28,040
Speaker 3: because artists were coming to me to dress them before

943
00:47:28,080 --> 00:47:30,000
Speaker 3: I ever did music of fashion.

944
00:47:30,560 --> 00:47:32,719
Speaker 2: I just was about to ask that I gotta get it,

945
00:47:33,440 --> 00:47:34,120
Speaker 2: I gotta.

946
00:47:33,880 --> 00:47:39,680
Speaker 3: Give, so, of course, hundred two thousand James Brown, Little Richard, Prince.

947
00:47:42,960 --> 00:47:46,239
Speaker 1: Escurata. If you don't know es Careader. Little Richard kind

948
00:47:46,239 --> 00:47:48,600
Speaker 1: of got his wife back in the day.

949
00:47:48,680 --> 00:47:51,680
Speaker 2: Yeah, my grandfather played for Little Richard's band. He played

950
00:47:51,680 --> 00:47:59,120
Speaker 2: the Home the Little riches Man. Yeah, Clifford, Clifford Burks. Yeah, yeah, yeah,

951
00:47:59,120 --> 00:47:59,520
Speaker 2: that's y'all.

952
00:47:59,600 --> 00:48:01,000
Speaker 1: Welcome, y'all, welcome.

953
00:48:03,960 --> 00:48:04,400
Speaker 2: Granddad.

954
00:48:07,320 --> 00:48:16,319
Speaker 1: It wasn't mad Fast. Yeah, what was that? Na, But

955
00:48:16,400 --> 00:48:19,520
Speaker 1: those people, those people in some shape a way.

956
00:48:19,920 --> 00:48:24,799
Speaker 3: I'm my older brother. His name is Solomon. He was

957
00:48:24,840 --> 00:48:26,440
Speaker 3: one when we didn't grow up together. I got a

958
00:48:26,480 --> 00:48:28,840
Speaker 3: lot of brothers and sisters because my pops was he

959
00:48:28,920 --> 00:48:32,279
Speaker 3: was a roller. He was a roller, and we didn't

960
00:48:32,280 --> 00:48:34,520
Speaker 3: grow up together. So even though I have so many

961
00:48:34,520 --> 00:48:36,120
Speaker 3: brothers and sisters, I grew up by myself.

962
00:48:36,480 --> 00:48:38,040
Speaker 4: So I'm a very like selfish person.

963
00:48:38,640 --> 00:48:41,839
Speaker 1: And when I met my brother for the first time

964
00:48:41,920 --> 00:48:43,279
Speaker 1: as a as like a little bit older.

965
00:48:43,280 --> 00:48:44,600
Speaker 3: I was a teenager. He was a little older. He

966
00:48:44,640 --> 00:48:47,520
Speaker 3: was older than me, however, he was in New Yorker.

967
00:48:47,920 --> 00:48:52,200
Speaker 1: I was like Damn, this nigga got more jeans than

968
00:48:52,239 --> 00:48:57,359
Speaker 1: I got clothes, like just jeans. However, like when I left,

969
00:48:57,400 --> 00:48:58,719
Speaker 1: I went to visit him for the first time.

970
00:48:58,760 --> 00:49:00,720
Speaker 3: When I left there, I ain't seen him and for years,

971
00:49:01,000 --> 00:49:04,399
Speaker 3: but in my mind, I was like, Okay, I got

972
00:49:04,480 --> 00:49:07,880
Speaker 3: something to live up to. How whatever type situation, the

973
00:49:07,960 --> 00:49:09,560
Speaker 3: way that my parents treated me because I came over

974
00:49:09,560 --> 00:49:12,560
Speaker 3: here as an immigrant. I wasn't born in Atlanta unfortunately,

975
00:49:13,200 --> 00:49:18,320
Speaker 3: but I love being a Trinidadian, proud Trinidadian. Atlanta molded

976
00:49:18,320 --> 00:49:19,839
Speaker 3: me as a as a you know, a child, an

977
00:49:19,840 --> 00:49:21,239
Speaker 3: adult with you too.

978
00:49:21,400 --> 00:49:25,799
Speaker 1: Oh yeah, I mean, so you be going back and

979
00:49:25,840 --> 00:49:30,080
Speaker 1: for if they didn't and if they take you through

980
00:49:30,080 --> 00:49:31,080
Speaker 1: what you went through the city.

981
00:49:31,160 --> 00:49:34,920
Speaker 3: Man, I love DC because the Caribbean demographic there is

982
00:49:34,960 --> 00:49:35,640
Speaker 3: amazing to me.

983
00:49:35,719 --> 00:49:37,399
Speaker 1: Bro, It's really really good.

984
00:49:37,440 --> 00:49:39,480
Speaker 3: Like if anybody that's watching this right now, which is

985
00:49:39,480 --> 00:49:41,920
Speaker 3: probably millions of people because we're going viral for something,

986
00:49:43,719 --> 00:49:47,560
Speaker 3: DC's Caribbean culture, not just Trinidadian, even though trainees are

987
00:49:47,880 --> 00:49:50,960
Speaker 3: the best, is amazing.

988
00:49:51,160 --> 00:49:51,319
Speaker 1: Man.

989
00:49:51,320 --> 00:49:54,640
Speaker 2: While y'all don't funk with Tobago, man, Oh nobody said that,

990
00:49:55,400 --> 00:49:56,359
Speaker 2: but literally.

991
00:50:00,280 --> 00:50:08,080
Speaker 3: So literally, these shoes, my sneaker these are the Maxi

992
00:50:08,160 --> 00:50:11,640
Speaker 3: taxis because and they're this color because in Tobago, because

993
00:50:11,640 --> 00:50:14,440
Speaker 3: they're the blue Maxi taxis. Only in Tobago you can

994
00:50:14,440 --> 00:50:16,800
Speaker 3: get a blue Maxi taxi. So that dedicated.

995
00:50:17,640 --> 00:50:21,480
Speaker 1: So Maxi taxi is a formal transportation, whatever form of transportations.

996
00:50:21,520 --> 00:50:23,759
Speaker 2: Like I was trying to him, like I knew y'all

997
00:50:23,840 --> 00:50:28,000
Speaker 2: was like tarr taxis.

998
00:50:28,680 --> 00:50:31,640
Speaker 1: I thought, okay, yeah, man, I got it soon.

999
00:50:31,760 --> 00:50:34,440
Speaker 3: But but yeah, so, but but you are right there,

1000
00:50:34,480 --> 00:50:36,719
Speaker 3: Tobago does not come out people's minds when they say

1001
00:50:36,760 --> 00:50:37,959
Speaker 3: trining that as often as a ship.

1002
00:50:38,400 --> 00:50:39,040
Speaker 1: You know what I'm saying.

1003
00:50:39,080 --> 00:50:44,839
Speaker 3: I mean, I just didn't do what the Tobagan, Tobagonian, Tobogonianbagonian.

1004
00:50:45,719 --> 00:50:46,560
Speaker 1: This ship going.

1005
00:50:46,440 --> 00:50:50,920
Speaker 2: Crazy, Yeah, historic all the way, but shout out the

1006
00:50:50,920 --> 00:50:54,280
Speaker 2: Tabagonians all of that. That sounds like a spell.

1007
00:50:56,360 --> 00:50:59,920
Speaker 5: But the contract with Bruno, that was straight though.

1008
00:51:00,440 --> 00:51:04,000
Speaker 1: Yeah, so Bruno did great business. Okay, yeah it was.

1009
00:51:04,480 --> 00:51:10,120
Speaker 3: Sometimes your attitude can block a blessing, and luckily I

1010
00:51:10,200 --> 00:51:11,279
Speaker 3: was able to get out of my.

1011
00:51:11,320 --> 00:51:21,880
Speaker 11: Funk before that's crazy.

1012
00:51:22,280 --> 00:51:25,480
Speaker 1: I'm just a vessel from creative. I'm just doing the

1013
00:51:25,520 --> 00:51:29,360
Speaker 1: lawd's workout. But I was able to get out of it.

1014
00:51:29,800 --> 00:51:34,360
Speaker 3: And as soon as I unfortunately had left out of Atlanta,

1015
00:51:34,880 --> 00:51:37,600
Speaker 3: went to LA to shoot some music videos with a

1016
00:51:37,640 --> 00:51:40,600
Speaker 3: guy who kind of like threw me a bone.

1017
00:51:42,480 --> 00:51:43,040
Speaker 1: In my whole.

1018
00:51:43,160 --> 00:51:46,719
Speaker 3: Everything changed, Bro, everything changed. And I say that to

1019
00:51:46,760 --> 00:51:48,680
Speaker 3: say where It's like, Bro, I love Atlanta, but I

1020
00:51:48,719 --> 00:51:50,600
Speaker 3: had to get out of Atlanta in order to really

1021
00:51:50,640 --> 00:51:53,520
Speaker 3: appreciate Atlanta because Atlanta made me.

1022
00:51:53,480 --> 00:51:55,840
Speaker 4: Who I am as an artist and partially.

1023
00:51:55,480 --> 00:51:59,120
Speaker 3: As a man, But who I am to be that's

1024
00:51:59,120 --> 00:52:01,800
Speaker 3: not Atlanta's in this God's decision, and I think he

1025
00:52:01,960 --> 00:52:04,160
Speaker 3: just had more for me. And sometimes when you got

1026
00:52:04,200 --> 00:52:06,480
Speaker 3: when the universe has more for you, you got to

1027
00:52:06,520 --> 00:52:08,600
Speaker 3: go to that medium to help you get what's more

1028
00:52:08,640 --> 00:52:08,920
Speaker 3: for you.

1029
00:52:09,239 --> 00:52:12,399
Speaker 1: It's no offensive this to what helped you become.

1030
00:52:12,320 --> 00:52:14,359
Speaker 2: A part of you, you know what I'm saying.

1031
00:52:14,400 --> 00:52:17,640
Speaker 1: But Atlanta then birthed me. I wasn't even moving here,

1032
00:52:18,040 --> 00:52:18,880
Speaker 1: you know what I'm saying.

1033
00:52:18,920 --> 00:52:21,279
Speaker 3: So that's why once again you're gonna Henriq you saying.

1034
00:52:21,640 --> 00:52:24,160
Speaker 3: I really look at these last ten years, the beginning

1035
00:52:24,200 --> 00:52:28,320
Speaker 3: of it. I came to do the Lord's work, timing

1036
00:52:28,560 --> 00:52:32,120
Speaker 3: messenger what the culture needed, you know what I'm saying.

1037
00:52:32,160 --> 00:52:34,799
Speaker 3: And people still talk about the thing that happened ten

1038
00:52:34,840 --> 00:52:37,160
Speaker 3: years ago that still matters. I just did a show

1039
00:52:37,200 --> 00:52:42,400
Speaker 3: and goddamn Jacksonville, North Carolina, that shit was going upside down.

1040
00:52:42,800 --> 00:52:44,759
Speaker 4: Like the song came out yesterday.

1041
00:52:45,080 --> 00:52:46,279
Speaker 1: You know what I'm saying, Why is that?

1042
00:52:46,360 --> 00:52:50,240
Speaker 3: Because that's spiritual him It works in this church still,

1043
00:52:50,520 --> 00:52:52,800
Speaker 3: they still go by that Bible, you know what I'm saying.

1044
00:52:52,920 --> 00:52:55,200
Speaker 3: Like in Atlanta, we get new spiritual.

1045
00:52:54,920 --> 00:52:58,160
Speaker 1: Hymns every two weeks. Weeks. It's like this church is craftload.

1046
00:53:00,680 --> 00:53:01,680
Speaker 1: We got new class.

1047
00:53:03,040 --> 00:53:06,920
Speaker 5: You know, because my time of the song go like global,

1048
00:53:07,239 --> 00:53:09,600
Speaker 5: we already be tired of it in Atlanta because I

1049
00:53:09,680 --> 00:53:10,400
Speaker 5: heard the ship.

1050
00:53:12,719 --> 00:53:14,799
Speaker 1: For a year, you.

1051
00:53:14,800 --> 00:53:17,480
Speaker 3: Didn't ask about the question boom he did good business.

1052
00:53:17,840 --> 00:53:19,360
Speaker 3: I was in my feelings and I got out my

1053
00:53:19,360 --> 00:53:23,200
Speaker 3: feelings in time or whatever was able to hit my people, like, hey,

1054
00:53:24,480 --> 00:53:26,359
Speaker 3: did we do good business on this? Because I didn't

1055
00:53:26,360 --> 00:53:29,000
Speaker 3: hear the song until I got to La to shoot

1056
00:53:29,000 --> 00:53:31,560
Speaker 3: a music video, and two things happened the same day

1057
00:53:31,640 --> 00:53:33,600
Speaker 3: that song dropped and the song.

1058
00:53:33,440 --> 00:53:35,239
Speaker 1: That me and your scooter did was on Grand Theft

1059
00:53:35,280 --> 00:53:37,200
Speaker 1: Auto five. However, I was.

1060
00:53:37,160 --> 00:53:44,759
Speaker 3: Like, do we do did we do the business on this?

1061
00:53:44,840 --> 00:53:48,080
Speaker 3: You know what I'm saying, and you know, if I'm

1062
00:53:48,120 --> 00:53:49,880
Speaker 3: being honest with you, to take you back to a

1063
00:53:49,880 --> 00:53:52,240
Speaker 3: lot of things. People are always like man a nigga

1064
00:53:52,320 --> 00:53:53,720
Speaker 3: were dropping gems or whatever and stuff.

1065
00:53:53,719 --> 00:53:54,520
Speaker 1: But that's just like bro.

1066
00:53:55,320 --> 00:53:57,680
Speaker 3: So many things that happened to because I didn't know

1067
00:53:58,040 --> 00:54:01,600
Speaker 3: Ship coming into this. It didn't know Ship when I

1068
00:54:01,600 --> 00:54:03,439
Speaker 3: went to work at the waffle house, I didn't know Ship.

1069
00:54:03,520 --> 00:54:06,320
Speaker 1: I never stirred eggs, I whatever.

1070
00:54:06,320 --> 00:54:08,880
Speaker 3: And I left about that bitch of super Grill master

1071
00:54:08,960 --> 00:54:09,960
Speaker 3: Chief in the red shirt.

1072
00:54:10,440 --> 00:54:16,160
Speaker 2: You know red shirt that's back.

1073
00:54:16,239 --> 00:54:21,320
Speaker 1: That's that's a super Girl mass Chief Master Operator, super

1074
00:54:21,440 --> 00:54:25,719
Speaker 1: Grech red shirt shirt.

1075
00:54:25,920 --> 00:54:27,960
Speaker 2: The ones that I might have came in contact me

1076
00:54:28,080 --> 00:54:29,400
Speaker 2: like this nigga on the shoes.

1077
00:54:31,640 --> 00:54:35,520
Speaker 1: When they came in, show that nigga. You gonna find

1078
00:54:35,520 --> 00:54:38,040
Speaker 1: out about the person who you have in high regard.

1079
00:54:38,040 --> 00:54:40,960
Speaker 3: You're gonna realize that they've been doing him wrong. He

1080
00:54:41,160 --> 00:54:42,719
Speaker 3: just been working there a long time, but he ain't

1081
00:54:42,719 --> 00:54:43,640
Speaker 3: been trying to level up.

1082
00:54:43,880 --> 00:54:45,000
Speaker 4: And that's the difference.

1083
00:54:45,239 --> 00:54:47,719
Speaker 1: Waffa House taught me that his people who I saw

1084
00:54:47,960 --> 00:54:49,799
Speaker 1: his certain things are not gonna bring them all up.

1085
00:54:50,000 --> 00:54:52,640
Speaker 3: Because I'm close with some things, but lot one of

1086
00:54:52,640 --> 00:54:55,400
Speaker 3: the biggest lessons I learned from things like the waffle House,

1087
00:54:55,400 --> 00:54:57,360
Speaker 3: things like working at Gins of the Clothing and boutique

1088
00:54:57,360 --> 00:54:59,920
Speaker 3: I used to work at. How whatever is that people

1089
00:55:00,160 --> 00:55:02,680
Speaker 3: work at something for a long time, but they don't

1090
00:55:02,719 --> 00:55:05,720
Speaker 3: work on level enough. They work to just work or whatever,

1091
00:55:05,760 --> 00:55:08,239
Speaker 3: And you can get caught up in this working atmosphere

1092
00:55:08,560 --> 00:55:10,760
Speaker 3: where it's like, bro, is that all.

1093
00:55:10,560 --> 00:55:12,839
Speaker 1: You want to be? Trading time for money? Yeah?

1094
00:55:12,840 --> 00:55:14,480
Speaker 3: You know what I'm saying, that's just literally just a

1095
00:55:15,320 --> 00:55:18,720
Speaker 3: it's that's it, how whatever? And I just once music

1096
00:55:18,880 --> 00:55:22,080
Speaker 3: showed me that I was worth more. I just been

1097
00:55:23,480 --> 00:55:25,600
Speaker 3: digging for that goal. That's the goal I've been digging

1098
00:55:25,600 --> 00:55:28,080
Speaker 3: for because like, what what more can I be worth

1099
00:55:28,120 --> 00:55:29,160
Speaker 3: to my culture?

1100
00:55:29,400 --> 00:55:31,799
Speaker 4: What more can I do that makes.

1101
00:55:33,120 --> 00:55:34,680
Speaker 1: Something? You know what I'm saying? Crazy? You know what

1102
00:55:34,680 --> 00:55:36,719
Speaker 1: I'm saying, What other things does God have in store

1103
00:55:36,760 --> 00:55:37,000
Speaker 1: for me?

1104
00:55:37,080 --> 00:55:38,759
Speaker 3: Because if it wasn't meant for me to be here,

1105
00:55:39,200 --> 00:55:42,760
Speaker 3: how would it still be cranking things out? That crush

1106
00:55:43,040 --> 00:55:44,799
Speaker 3: how whatever, whether it's for me or writing a hit

1107
00:55:44,800 --> 00:55:46,160
Speaker 3: for other people who are not.

1108
00:55:48,239 --> 00:55:50,000
Speaker 1: Random fact, random fact?

1109
00:55:50,000 --> 00:55:52,000
Speaker 3: And somebody ever said to you, eh, broh, you know

1110
00:55:52,040 --> 00:55:54,960
Speaker 3: the white girl bad Baby, catch me outside trading that

1111
00:55:55,040 --> 00:55:57,160
Speaker 3: James were her first hit. He'd be like, no way

1112
00:55:57,640 --> 00:56:00,160
Speaker 3: a first platinum hits on that's launched her music.

1113
00:56:00,160 --> 00:56:02,440
Speaker 1: Career, that I was a part of that month, I

1114
00:56:02,480 --> 00:56:04,440
Speaker 1: was a party. You want to started?

1115
00:56:06,000 --> 00:56:13,920
Speaker 10: Did you make that white period? He's gonna claim that.

1116
00:56:13,960 --> 00:56:16,440
Speaker 10: One of the next thing is remember that period period?

1117
00:56:16,840 --> 00:56:25,040
Speaker 3: That was me too, what I said, You know what

1118
00:56:25,080 --> 00:56:28,799
Speaker 3: I'm saying, But I shout out to my boy who

1119
00:56:29,080 --> 00:56:33,480
Speaker 3: wrote way to But but you know, and that's the

1120
00:56:33,480 --> 00:56:37,160
Speaker 3: thing about it is like certain things happened, you know,

1121
00:56:37,239 --> 00:56:40,359
Speaker 3: even when even meeting that young lady at the time,

1122
00:56:40,440 --> 00:56:42,520
Speaker 3: she's so young, whatever fuck were to be in the room.

1123
00:56:42,520 --> 00:56:43,200
Speaker 1: You know what I'm saying.

1124
00:56:43,800 --> 00:56:46,680
Speaker 3: But it was just like, Bro, talent don't really got

1125
00:56:46,760 --> 00:56:49,280
Speaker 3: no color, bro, he really talent.

1126
00:56:49,360 --> 00:56:49,560
Speaker 2: Bro.

1127
00:56:50,320 --> 00:56:54,000
Speaker 3: It's so interesting. Bro, Like the talent that God gave me.

1128
00:56:54,040 --> 00:56:56,520
Speaker 3: He gave me the will to go find the talent.

1129
00:56:57,239 --> 00:57:00,760
Speaker 3: He gave me image, he gave me confidence, the talent.

1130
00:57:00,840 --> 00:57:03,120
Speaker 3: I had to go find that motherfucker, bro and just

1131
00:57:03,160 --> 00:57:05,960
Speaker 3: dig for it to bring it out because what all

1132
00:57:05,840 --> 00:57:06,959
Speaker 3: of everything took off.

1133
00:57:07,200 --> 00:57:10,040
Speaker 4: But that's raw. Me and my boy Jose was just listening.

1134
00:57:10,040 --> 00:57:12,279
Speaker 3: I've been because you know, I just listened to the

1135
00:57:12,280 --> 00:57:14,919
Speaker 3: first project because we're working on the new project, Don't

1136
00:57:14,960 --> 00:57:17,440
Speaker 3: be Safe too for the new album, and I just

1137
00:57:17,520 --> 00:57:18,000
Speaker 3: listened to it.

1138
00:57:18,040 --> 00:57:21,360
Speaker 1: I'm like, bro, this ship is so unorthodox.

1139
00:57:21,080 --> 00:57:23,880
Speaker 4: The knowledge I have now, I would have never been.

1140
00:57:23,720 --> 00:57:27,360
Speaker 3: Able to do this, this terribly perfect, perfect masterpiece if

1141
00:57:27,360 --> 00:57:28,360
Speaker 3: I had all the knowledge I have.

1142
00:57:28,360 --> 00:57:33,960
Speaker 1: Now, like raw knowledge.

1143
00:57:36,000 --> 00:57:40,480
Speaker 12: Saying, don't change what the you in there right on everything,

1144
00:57:42,680 --> 00:57:46,240
Speaker 12: So everything you can make, Niggah what I'm saying with

1145
00:57:46,360 --> 00:57:49,200
Speaker 12: a hey everything.

1146
00:57:50,640 --> 00:57:51,040
Speaker 1: Nigga go.

1147
00:57:51,360 --> 00:57:57,760
Speaker 6: That was just the beginning. Now fuck it with the Frinches.

1148
00:58:01,840 --> 00:58:03,160
Speaker 6: Now you can't.

1149
00:58:05,800 --> 00:58:08,040
Speaker 3: But you know, even to any young artists watching this,

1150
00:58:08,120 --> 00:58:10,600
Speaker 3: it's like, hey, man, if you really do make something

1151
00:58:10,640 --> 00:58:13,240
Speaker 3: that hits our culture like that, bro, you really can

1152
00:58:13,400 --> 00:58:14,360
Speaker 3: make twenty of them.

1153
00:58:14,920 --> 00:58:16,080
Speaker 4: Don't think that you can't.

1154
00:58:17,240 --> 00:58:21,520
Speaker 1: Nobody I saw on Clet you say you hate this song.

1155
00:58:21,360 --> 00:58:23,280
Speaker 4: Man, hate what the song?

1156
00:58:24,120 --> 00:58:24,440
Speaker 1: Everything?

1157
00:58:25,240 --> 00:58:28,000
Speaker 3: I don't hate the song I hate and I want.

1158
00:58:28,120 --> 00:58:30,560
Speaker 3: This is the Devil's advocate for you. To a young

1159
00:58:30,600 --> 00:58:33,160
Speaker 3: person watching. If you make something like all Everything and

1160
00:58:33,200 --> 00:58:36,000
Speaker 3: you you catch a wave, do not let anybody tell

1161
00:58:36,040 --> 00:58:37,120
Speaker 3: you to not make ten of those.

1162
00:58:37,520 --> 00:58:37,960
Speaker 1: Make ten.

1163
00:58:38,480 --> 00:58:41,160
Speaker 4: Make ten now to play devil's advocate.

1164
00:58:41,520 --> 00:58:44,160
Speaker 3: The reason why I did not make ten is because

1165
00:58:44,600 --> 00:58:48,760
Speaker 3: those people limit our culture. They they keep our culture

1166
00:58:48,840 --> 00:58:51,320
Speaker 3: locked in a certain place because they make us feel

1167
00:58:51,320 --> 00:58:52,640
Speaker 3: like that is the biggest.

1168
00:58:52,320 --> 00:58:53,120
Speaker 1: Version of us.

1169
00:58:53,360 --> 00:58:55,400
Speaker 3: And I knew that I was bigger than the nigga

1170
00:58:55,440 --> 00:58:58,040
Speaker 3: that they perceived that they wanted to make this like

1171
00:58:58,080 --> 00:58:59,920
Speaker 3: it's a lot of characters to tune that, James, But

1172
00:59:00,080 --> 00:59:01,760
Speaker 3: if this nigga is a nigga that you want to

1173
00:59:01,800 --> 00:59:05,360
Speaker 3: make the face of our culture, nah, I didn't go

1174
00:59:05,440 --> 00:59:08,040
Speaker 3: for that, right And so that was a personal decision

1175
00:59:08,080 --> 00:59:10,240
Speaker 3: that you got to be able to fit my size

1176
00:59:10,280 --> 00:59:12,480
Speaker 3: delivered to order to handle that, because most niggas would

1177
00:59:12,520 --> 00:59:15,480
Speaker 3: have took the money and made ten to eighty nine more.

1178
00:59:15,520 --> 00:59:19,560
Speaker 1: All go everything, nigga.

1179
00:59:21,160 --> 00:59:24,040
Speaker 5: And you, when you first came out, you were telling

1180
00:59:24,080 --> 00:59:26,680
Speaker 5: people like, listen to the whole album, like you kept

1181
00:59:26,680 --> 00:59:27,520
Speaker 5: telling people when.

1182
00:59:27,360 --> 00:59:30,280
Speaker 3: You because that's you know, that is more to me

1183
00:59:30,440 --> 00:59:33,360
Speaker 3: than this thing that you a goddamn doing backflips about

1184
00:59:33,400 --> 00:59:36,080
Speaker 3: in the middle of that goddamn centrustation. How whatever I do,

1185
00:59:36,160 --> 00:59:38,920
Speaker 3: appreciate this love because love is love. You know how

1186
00:59:38,960 --> 00:59:40,919
Speaker 3: long you go as a black man not getting no love?

1187
00:59:41,160 --> 00:59:42,600
Speaker 3: You know how long you go as a black woman

1188
00:59:42,640 --> 00:59:43,439
Speaker 3: not getting no love?

1189
00:59:43,800 --> 00:59:46,320
Speaker 1: You know how you go a low sad music. Man,

1190
00:59:47,520 --> 00:59:57,240
Speaker 1: it needs to. I don't feel bad about.

1191
00:59:57,160 --> 01:00:00,680
Speaker 3: Saying black when I'm saying about this, because.

1192
01:00:00,440 --> 01:00:02,480
Speaker 1: Bro, that shit really is tough. Bro.

1193
01:00:02,880 --> 01:00:04,600
Speaker 3: Oh thats bro. You know what I'm saying. I know

1194
01:00:04,640 --> 01:00:06,480
Speaker 3: that it's tough on humans. I know that's tough on

1195
01:00:06,520 --> 01:00:08,200
Speaker 3: every human. You know what I'm saying. I would not

1196
01:00:08,320 --> 01:00:10,400
Speaker 3: like to be a woman in the Middle East. They

1197
01:00:10,520 --> 01:00:13,000
Speaker 3: just got their license of the eligibility to get their

1198
01:00:13,000 --> 01:00:15,560
Speaker 3: license like three years ago. Are you know how crazy

1199
01:00:15,600 --> 01:00:17,919
Speaker 3: it is? I would ever like to be a whole woman.

1200
01:00:18,120 --> 01:00:20,640
Speaker 1: Yeah, told me about being over there. That shit sounds scared.

1201
01:00:20,640 --> 01:00:21,280
Speaker 1: You know what I'm saying.

1202
01:00:21,360 --> 01:00:24,640
Speaker 3: It's like damn, you know, so it's everybody's going through

1203
01:00:24,640 --> 01:00:25,320
Speaker 3: their own version.

1204
01:00:25,280 --> 01:00:27,680
Speaker 1: You know. I've traveled a lot, you know what I'm saying.

1205
01:00:27,800 --> 01:00:30,240
Speaker 1: I've always I always dive in the culture, and I

1206
01:00:30,240 --> 01:00:32,360
Speaker 1: travel as mess as I can. I go do my show,

1207
01:00:32,400 --> 01:00:33,240
Speaker 1: I gonna make my bag.

1208
01:00:33,560 --> 01:00:35,800
Speaker 3: But you see me in three o'clock in the morning,

1209
01:00:35,880 --> 01:00:37,919
Speaker 3: there's some hole in the wall or some boom bootle

1210
01:00:38,040 --> 01:00:38,600
Speaker 3: the same way.

1211
01:00:38,880 --> 01:00:40,400
Speaker 1: Damn, Like, what is this about?

1212
01:00:40,600 --> 01:00:42,800
Speaker 2: I think that's how you get in touch with you know,

1213
01:00:43,080 --> 01:00:45,920
Speaker 2: the people, And really that's the way I realized just

1214
01:00:46,240 --> 01:00:50,040
Speaker 2: within the you know, United States, I've realized that you

1215
01:00:50,040 --> 01:00:52,120
Speaker 2: know and doing that same thing, that this ship is

1216
01:00:52,160 --> 01:00:53,520
Speaker 2: the same everywhere where we are.

1217
01:00:53,760 --> 01:00:55,600
Speaker 1: Mean person, I wish I were viral as a comedian

1218
01:00:55,880 --> 01:00:56,880
Speaker 1: compared to artists.

1219
01:00:57,200 --> 01:00:59,800
Speaker 3: I wish I was doing all everything as like a

1220
01:00:59,880 --> 01:01:02,960
Speaker 3: new joke skit and then that went viral, and then

1221
01:01:03,000 --> 01:01:05,680
Speaker 3: I would have started doing being a comedian because I

1222
01:01:05,720 --> 01:01:08,360
Speaker 3: feel being a comedian is the last art form where

1223
01:01:08,400 --> 01:01:11,080
Speaker 3: you could tap into culture and literally be a one

1224
01:01:11,120 --> 01:01:14,440
Speaker 3: hundred transparent version of the jokes that you're saying in

1225
01:01:14,480 --> 01:01:15,080
Speaker 3: the barbershop.

1226
01:01:15,120 --> 01:01:16,840
Speaker 1: It literally can be the joke you say on stage.

1227
01:01:16,880 --> 01:01:19,000
Speaker 2: But at the same time, one of the benefits of

1228
01:01:19,040 --> 01:01:21,840
Speaker 2: doing it, Joe Way, in twenty years, you're gonna be

1229
01:01:21,840 --> 01:01:25,120
Speaker 2: on one of them lineups performing all go everything, get

1230
01:01:25,120 --> 01:01:27,200
Speaker 2: in the bag, But we can't come do the jokes

1231
01:01:27,240 --> 01:01:27,560
Speaker 2: we did.

1232
01:01:27,640 --> 01:01:30,160
Speaker 1: Yes, but you can do a reunion tour.

1233
01:01:30,400 --> 01:01:34,200
Speaker 2: But that you said the last time they saw you,

1234
01:01:34,200 --> 01:01:34,760
Speaker 2: you can't do.

1235
01:01:34,720 --> 01:01:38,560
Speaker 1: That, Okay, you ain't jokes though. No, when they heard it,

1236
01:01:38,600 --> 01:01:41,439
Speaker 1: they like, what's next, nigga? But when you think that's true?

1237
01:01:41,480 --> 01:01:43,600
Speaker 4: Based because do you think that's actually really true?

1238
01:01:43,640 --> 01:01:45,040
Speaker 3: Or do you think that, like if we go to

1239
01:01:45,920 --> 01:01:49,360
Speaker 3: Kevin Hart's first series and he did like I'm only

1240
01:01:49,360 --> 01:01:52,200
Speaker 3: doing this jokes from this right here, that those people

1241
01:01:52,200 --> 01:01:52,920
Speaker 3: won't come off for that.

1242
01:01:53,160 --> 01:01:59,280
Speaker 2: No, I don't not not well, maybe like this, it's

1243
01:02:00,600 --> 01:02:04,800
Speaker 2: you scared it that one time you damn you you.

1244
01:02:04,840 --> 01:02:06,400
Speaker 1: Made a run with that ship.

1245
01:02:06,760 --> 01:02:11,520
Speaker 13: That set is gone global and everything daund do delirious

1246
01:02:11,600 --> 01:02:18,360
Speaker 13: right thatto the concert, they want to hear a new

1247
01:02:18,440 --> 01:02:20,880
Speaker 13: song that they like just as.

1248
01:02:20,840 --> 01:02:23,720
Speaker 1: Much as your last one. That's they ain't never heard.

1249
01:02:24,840 --> 01:02:28,200
Speaker 2: They won't really they really want her before they want

1250
01:02:28,240 --> 01:02:30,400
Speaker 2: you to do your old ship because because you know

1251
01:02:30,480 --> 01:02:32,280
Speaker 2: where you go on and you give.

1252
01:02:32,120 --> 01:02:34,280
Speaker 7: Them the new ship, Oh man, that she was great,

1253
01:02:34,280 --> 01:02:37,520
Speaker 7: Why you ain't do but and you like them, then

1254
01:02:37,560 --> 01:02:38,120
Speaker 7: you go up.

1255
01:02:38,160 --> 01:02:41,200
Speaker 1: Do your old ship. Then they be like dad, right,

1256
01:02:41,440 --> 01:02:44,760
Speaker 1: So it's it's what he said, you want my old ship.

1257
01:02:45,000 --> 01:02:46,760
Speaker 1: I'm old m man right.

1258
01:02:46,840 --> 01:02:49,040
Speaker 2: But it's like that's the thing about being a comedian

1259
01:02:49,080 --> 01:02:51,439
Speaker 2: where you go in and like Bloe said, they want

1260
01:02:51,480 --> 01:02:54,400
Speaker 2: to hear the new song that they like just as

1261
01:02:54,480 --> 01:02:56,400
Speaker 2: much as the old one, but they ain't never heard

1262
01:02:56,440 --> 01:02:58,800
Speaker 2: the new song, but they want to make this new

1263
01:02:58,880 --> 01:03:03,160
Speaker 2: song better be as good. Yeah, Yeah, that's what it is.

1264
01:03:03,200 --> 01:03:05,280
Speaker 2: So and that's what I said, studying, that's what I've.

1265
01:03:05,120 --> 01:03:07,160
Speaker 3: Been studying for the last ten years. It's like, okay,

1266
01:03:08,120 --> 01:03:10,120
Speaker 3: and not for the last ten I'm lying. The first

1267
01:03:10,120 --> 01:03:12,400
Speaker 3: five years, I wasn't studying what all everything was doing

1268
01:03:12,440 --> 01:03:15,600
Speaker 3: to our culture. I was studying how to survive in

1269
01:03:15,640 --> 01:03:19,280
Speaker 3: this industry. I would say the last four years of

1270
01:03:19,320 --> 01:03:22,840
Speaker 3: the ten was when I was like, I'm lying. When

1271
01:03:22,840 --> 01:03:25,560
Speaker 3: I worked at Bruno Mars, That's when I was like,

1272
01:03:26,600 --> 01:03:29,760
Speaker 3: oh shit, I gotta do homework on myself or whatever,

1273
01:03:29,800 --> 01:03:32,600
Speaker 3: because the main thing I learned from working with him

1274
01:03:33,040 --> 01:03:35,280
Speaker 3: was like, damn, this nigga been studying me and I'm

1275
01:03:35,280 --> 01:03:36,600
Speaker 3: not studying me, And.

1276
01:03:36,520 --> 01:03:38,480
Speaker 1: This nigga could do me better than me in the

1277
01:03:38,520 --> 01:03:39,880
Speaker 1: moment right now, and you eve.

1278
01:03:40,000 --> 01:03:45,040
Speaker 3: Moved on and I'm literally three thousand out here, you

1279
01:03:45,080 --> 01:03:46,520
Speaker 3: know what I'm saying. But I think about artists like

1280
01:03:46,560 --> 01:03:48,360
Speaker 3: three thousands when they just stopped. It's like, bro, I'm

1281
01:03:48,360 --> 01:03:50,400
Speaker 3: so far ahead. It's like I can't do it no more.

1282
01:03:50,400 --> 01:03:51,440
Speaker 1: It's like it might be a trick.

1283
01:03:52,040 --> 01:03:55,960
Speaker 2: That's how I keep making myself believe that one day

1284
01:03:56,000 --> 01:03:58,120
Speaker 2: he's just gonna pop out with eight thousand songs and

1285
01:03:58,480 --> 01:03:59,000
Speaker 2: he got.

1286
01:03:59,400 --> 01:04:03,080
Speaker 12: The hit this saying for you though we take anything,

1287
01:04:03,760 --> 01:04:07,600
Speaker 12: we don't take anything.

1288
01:04:05,800 --> 01:04:11,080
Speaker 1: That's the coldest song. Stopped rapping at the end. It

1289
01:04:11,160 --> 01:04:12,400
Speaker 1: was like that's all I got.

1290
01:04:12,760 --> 01:04:14,920
Speaker 2: And then the thing and the me is I like

1291
01:04:15,000 --> 01:04:17,960
Speaker 2: what three thousand is doing his process of doing it

1292
01:04:18,040 --> 01:04:20,919
Speaker 2: better than doctor Dre and keep teasing us with this

1293
01:04:21,000 --> 01:04:23,320
Speaker 2: Detox ship that it's mold to been coming out since

1294
01:04:23,360 --> 01:04:26,440
Speaker 2: I was in the lefth grade.

1295
01:04:27,320 --> 01:04:28,920
Speaker 1: Like, man, I was in the studio with.

1296
01:04:31,640 --> 01:04:34,800
Speaker 2: I ever heard see what I'm saying.

1297
01:04:36,280 --> 01:04:40,760
Speaker 3: Someone with you was like incredible person. He's like, bro,

1298
01:04:42,080 --> 01:04:43,800
Speaker 3: you wanted some ship from the Detox they went to me.

1299
01:04:43,800 --> 01:04:45,520
Speaker 3: It was to another person who was bigger than me,

1300
01:04:45,920 --> 01:04:48,560
Speaker 3: how whatever. So I'm just like now once again knowing

1301
01:04:48,600 --> 01:04:49,680
Speaker 3: how to play the position or whatever.

1302
01:04:49,680 --> 01:04:51,960
Speaker 1: It's like, well, let me get out this conversation. How whatever.

1303
01:04:52,000 --> 01:04:54,560
Speaker 1: It was a little bit above me right now whatever.

1304
01:04:54,600 --> 01:04:56,840
Speaker 3: And I heard songs from the Detaillers or whatever, and

1305
01:04:56,880 --> 01:04:59,000
Speaker 3: I was like, Okay, this is great.

1306
01:04:59,400 --> 01:05:00,000
Speaker 1: You know what I'm saying.

1307
01:05:00,360 --> 01:05:02,360
Speaker 3: But it's great from the standpoint of like whenever you

1308
01:05:02,400 --> 01:05:03,520
Speaker 3: get it, it's gonna be worth it.

1309
01:05:04,080 --> 01:05:05,120
Speaker 1: Man, Because he's.

1310
01:05:04,920 --> 01:05:07,480
Speaker 2: Just a great musical saying that, But it's like every

1311
01:05:07,520 --> 01:05:10,480
Speaker 2: time that you get a glimpse, it's like a tease

1312
01:05:10,680 --> 01:05:13,160
Speaker 2: to where you're like, Okay, I've been hearing this for

1313
01:05:13,200 --> 01:05:15,760
Speaker 2: so long. When am I going to get something to

1314
01:05:15,840 --> 01:05:20,160
Speaker 2: be able to satisfy this teas with with three thousand,

1315
01:05:20,760 --> 01:05:23,600
Speaker 2: it's you that nigga to just walk around with a flute.

1316
01:05:23,680 --> 01:05:29,280
Speaker 2: He don't give you no inclination that he and whenever

1317
01:05:29,320 --> 01:05:32,360
Speaker 2: you about him and he rapped, he rapp it. It's

1318
01:05:32,360 --> 01:05:35,600
Speaker 2: something that's out is that it's that Kanye West versus

1319
01:05:35,640 --> 01:05:38,800
Speaker 2: about his mama's. I went back and listened to all

1320
01:05:38,840 --> 01:05:43,920
Speaker 2: the songs he did for the cartoon plays for three thousand,

1321
01:05:45,160 --> 01:05:50,880
Speaker 2: Go Hard, Come on man, what's it call it?

1322
01:05:50,880 --> 01:05:52,280
Speaker 1: You know? And the Beauty once again.

1323
01:05:52,320 --> 01:05:53,800
Speaker 3: Andre is one of those people who is like I

1324
01:05:53,840 --> 01:05:58,440
Speaker 3: hold him high regard because of oh yeah, he came

1325
01:05:58,560 --> 01:06:01,280
Speaker 3: tell my trap studio metropolit when I first kicked off

1326
01:06:01,680 --> 01:06:03,480
Speaker 3: I'm too aircab I do. She was a big fan,

1327
01:06:03,520 --> 01:06:05,160
Speaker 3: but she was a big fan because he put her

1328
01:06:05,160 --> 01:06:08,000
Speaker 3: on me. How holdever type shit. So I was like, damn,

1329
01:06:08,080 --> 01:06:08,880
Speaker 3: what's going on here?

1330
01:06:10,040 --> 01:06:12,960
Speaker 1: Yeah, that's why it's hard for me to be like

1331
01:06:13,120 --> 01:06:14,520
Speaker 1: my life had to change over the team.

1332
01:06:14,560 --> 01:06:16,920
Speaker 4: I had to get used to, like not being.

1333
01:06:16,680 --> 01:06:18,880
Speaker 3: The regular fan of was to people like, Okay, now

1334
01:06:18,920 --> 01:06:21,360
Speaker 3: we are companions. Now we are business people. You're my

1335
01:06:21,440 --> 01:06:22,920
Speaker 3: old g you know, we gotta do business. You know

1336
01:06:22,920 --> 01:06:25,120
Speaker 3: what I'm saying. It's like, bro, I come from straight

1337
01:06:25,160 --> 01:06:27,400
Speaker 3: out to trap, straight out of the streets. How oldever,

1338
01:06:27,560 --> 01:06:30,240
Speaker 3: hand the hands selling kicks, this that that that They're like,

1339
01:06:30,240 --> 01:06:31,880
Speaker 3: oh damn, I just got paid one hundred thousand to

1340
01:06:31,880 --> 01:06:34,240
Speaker 3: do a show with Drake. However, this shit gott to

1341
01:06:34,280 --> 01:06:36,120
Speaker 3: be hard because all these bad ass bitchures in here

1342
01:06:36,120 --> 01:06:37,560
Speaker 3: and rich ass niggas here, they want to show they

1343
01:06:37,680 --> 01:06:39,800
Speaker 3: just spent all their money because I just made it,

1344
01:06:40,320 --> 01:06:40,960
Speaker 3: you know what I'm saying.

1345
01:06:41,000 --> 01:06:41,760
Speaker 4: And Drake is ready.

1346
01:06:41,800 --> 01:06:49,120
Speaker 1: He's always ready. He's always ready. He's just always ready.

1347
01:06:49,320 --> 01:06:51,600
Speaker 3: I remember, I will never forget the show's Houston All

1348
01:06:51,600 --> 01:06:55,360
Speaker 3: Star twenty thirteen, that I have two shows the same night.

1349
01:06:55,720 --> 01:06:59,240
Speaker 3: I've just made so much money and it's me Drake

1350
01:06:59,400 --> 01:07:00,800
Speaker 3: to change at one show.

1351
01:07:00,960 --> 01:07:02,880
Speaker 4: Then I have to leave them because I have another.

1352
01:07:02,600 --> 01:07:06,800
Speaker 3: Show with me Gzy and t I Nigga, I just

1353
01:07:07,040 --> 01:07:07,680
Speaker 3: got nigga.

1354
01:07:08,240 --> 01:07:10,840
Speaker 1: Just quit my job one night, one night, I just

1355
01:07:10,920 --> 01:07:11,480
Speaker 1: quit my job.

1356
01:07:11,520 --> 01:07:15,880
Speaker 2: Wait, man, hold on time okay, no, no, no time,

1357
01:07:16,680 --> 01:07:17,440
Speaker 2: you was working.

1358
01:07:17,960 --> 01:07:21,240
Speaker 1: I was working. I stopped that job like right in

1359
01:07:21,360 --> 01:07:27,000
Speaker 1: January All Starr's Basketball February All Star. So you quit

1360
01:07:27,080 --> 01:07:30,240
Speaker 1: the job January and in February the.

1361
01:07:30,200 --> 01:07:32,640
Speaker 3: Boss was like to do It's like, hey man, you

1362
01:07:32,760 --> 01:07:36,000
Speaker 3: gotta work like you can't work any way because it

1363
01:07:36,040 --> 01:07:39,560
Speaker 3: already went crazy because of the video went viral. So

1364
01:07:39,640 --> 01:07:42,680
Speaker 3: we already had everybody calling the phone to sign me

1365
01:07:42,760 --> 01:07:46,080
Speaker 3: Rick Cross Diddy. I'm hanging out with Diddy boo boo.

1366
01:07:46,400 --> 01:07:48,960
Speaker 1: So it already is lit from a cloud thing.

1367
01:07:49,120 --> 01:07:52,800
Speaker 3: And but your money money, once again, money is about.

1368
01:07:52,560 --> 01:07:55,160
Speaker 1: Throwing it as far as you can throw it, hol whatever.

1369
01:07:55,240 --> 01:07:57,120
Speaker 1: Don't try and get all the money like I got

1370
01:07:57,160 --> 01:07:59,640
Speaker 1: all the fame up front, however, and I ain't get.

1371
01:07:59,480 --> 01:08:02,080
Speaker 3: All the money up front or whatever. So that was

1372
01:08:02,120 --> 01:08:04,720
Speaker 3: what was awesome about it. I was like, Manu fat

1373
01:08:04,920 --> 01:08:06,439
Speaker 3: how whatever. I was like, do I want to change

1374
01:08:06,440 --> 01:08:07,960
Speaker 3: fame or do I want to see this money?

1375
01:08:09,520 --> 01:08:09,760
Speaker 1: Whatever?

1376
01:08:09,880 --> 01:08:11,520
Speaker 3: I was like, Okay, in order to get the money

1377
01:08:12,240 --> 01:08:14,640
Speaker 3: anything I've ever succeeded that, I had to actually do

1378
01:08:14,680 --> 01:08:16,920
Speaker 3: the things because I'm a hard work I'm a bootstrap

1379
01:08:16,960 --> 01:08:18,200
Speaker 3: type working nigga, like, I gotta go.

1380
01:08:18,439 --> 01:08:19,599
Speaker 4: I wasn't good at working smart.

1381
01:08:19,760 --> 01:08:21,479
Speaker 1: Who the fuck is wearing boots with straps?

1382
01:08:22,160 --> 01:08:30,800
Speaker 2: Man Williams really going down to back in nineteen, like

1383
01:08:30,920 --> 01:08:34,640
Speaker 2: you actually had these question for you though, speaking of

1384
01:08:34,680 --> 01:08:37,800
Speaker 2: boots with straps on them? What's your fashion moment? Like

1385
01:08:37,840 --> 01:08:39,719
Speaker 2: that moment you spoke about a lot of the musical

1386
01:08:39,720 --> 01:08:43,080
Speaker 2: moments that er, what's that moment where you was in

1387
01:08:43,160 --> 01:08:45,040
Speaker 2: the fashion side of the game. You was like, oh

1388
01:08:45,160 --> 01:08:47,960
Speaker 2: ship nigga. You like at one of them shows watching

1389
01:08:48,040 --> 01:08:51,080
Speaker 2: them Balenci Yakam was walk down crazy, Like what was

1390
01:08:51,080 --> 01:08:51,800
Speaker 2: that moment for you?

1391
01:08:52,000 --> 01:08:54,720
Speaker 3: I think honestly, man, it's a brand called b O

1392
01:08:54,840 --> 01:08:57,639
Speaker 3: d E. Some people pronounce it as bold, some people

1393
01:08:57,640 --> 01:09:00,759
Speaker 3: say bo d Body. Yeah, I said, I know exactly.

1394
01:09:02,200 --> 01:09:08,240
Speaker 3: The designer is from Georgia or whatever, and uh, I was.

1395
01:09:08,240 --> 01:09:09,240
Speaker 1: Shopping with her early.

1396
01:09:09,400 --> 01:09:11,360
Speaker 3: I was on the brand early because I'll be outside

1397
01:09:11,439 --> 01:09:14,519
Speaker 3: just seeing shit. So things closed me speaking to me

1398
01:09:15,040 --> 01:09:18,240
Speaker 3: and we got so cool. She invited me to her

1399
01:09:18,240 --> 01:09:21,000
Speaker 3: first runway show in Paris for Man's Fashion Week twenty

1400
01:09:21,080 --> 01:09:23,879
Speaker 3: twenty pandemic year, so it was before the pandemic January

1401
01:09:24,000 --> 01:09:24,559
Speaker 3: in Paris.

1402
01:09:25,200 --> 01:09:27,320
Speaker 1: My first time going to Paris just to like kick it.

1403
01:09:27,439 --> 01:09:28,880
Speaker 1: My first time going to Paris was on my.

1404
01:09:28,840 --> 01:09:33,640
Speaker 3: Birthday twenty thirteen, so I came in the game September

1405
01:09:33,960 --> 01:09:36,240
Speaker 3: and then my birthday twenty thirteen or whatever.

1406
01:09:38,120 --> 01:09:40,000
Speaker 1: Show who was on tour?

1407
01:09:40,240 --> 01:09:41,640
Speaker 4: It was wild, bro, It's wild, you know.

1408
01:09:41,840 --> 01:09:45,360
Speaker 3: But so my next time back in Paris was twenty twenty,

1409
01:09:45,400 --> 01:09:48,160
Speaker 3: so that's seven years later, how whatever? For Fashion Week,

1410
01:09:49,360 --> 01:09:52,840
Speaker 3: her show, big show, she liked the little baby of

1411
01:09:52,920 --> 01:09:54,200
Speaker 3: fashion how whatever?

1412
01:09:54,320 --> 01:09:56,760
Speaker 1: If you compare like the bubbling, like you know what

1413
01:09:56,800 --> 01:09:57,200
Speaker 1: I'm saying.

1414
01:09:57,280 --> 01:10:00,439
Speaker 3: She got god damn the social books, she got the

1415
01:10:00,600 --> 01:10:03,040
Speaker 3: energy going, she got the team how whatever.

1416
01:10:03,120 --> 01:10:06,280
Speaker 1: She got the people vouching for how whatever, like Will

1417
01:10:06,360 --> 01:10:09,839
Speaker 1: Welch and Mark Anthony Green, those like the heads of GQ.

1418
01:10:10,280 --> 01:10:12,760
Speaker 3: That's like you know Doug saying, like man, hi gout

1419
01:10:12,760 --> 01:10:15,479
Speaker 3: the money to get out of the stop trapping bruh rap.

1420
01:10:15,760 --> 01:10:17,240
Speaker 1: I wouldever like the equivalent of that.

1421
01:10:17,360 --> 01:10:19,720
Speaker 3: So like I know that because I care how about

1422
01:10:19,760 --> 01:10:22,120
Speaker 3: fashion as much as music, as far as like who popping.

1423
01:10:21,840 --> 01:10:22,960
Speaker 1: And like who really the shit?

1424
01:10:23,640 --> 01:10:27,240
Speaker 3: And she invited me to the show and it was

1425
01:10:27,280 --> 01:10:30,040
Speaker 3: our first show, and it was like, oh shit, so

1426
01:10:30,200 --> 01:10:34,360
Speaker 3: go back to Paris and it's a moment right before

1427
01:10:34,439 --> 01:10:36,280
Speaker 3: we go and stide walking around the corner, I get out,

1428
01:10:36,320 --> 01:10:40,519
Speaker 3: I'm fresh as fuck. I'm fresh as fuck. I'm talking

1429
01:10:40,560 --> 01:10:44,800
Speaker 3: about bruh, I'm fresh as I had that ship. Oh

1430
01:10:45,479 --> 01:10:48,800
Speaker 3: you know what I'm saying, Like it's just going to

1431
01:10:48,880 --> 01:10:51,559
Speaker 3: Paris Fashion Week. I always walk into shit really humble words,

1432
01:10:51,560 --> 01:10:53,040
Speaker 3: like I really don't think i'mna be the fresher nigga

1433
01:10:53,080 --> 01:10:55,920
Speaker 3: in something. I'm really just putting on some clothes, how whatever.

1434
01:10:56,400 --> 01:10:58,960
Speaker 3: And when I went to Paris, I was like, Man,

1435
01:10:59,000 --> 01:11:02,200
Speaker 3: this these niggas on super fashion shit. That's why I

1436
01:11:02,200 --> 01:11:04,439
Speaker 3: went a long time not fucking with fashion week because

1437
01:11:04,439 --> 01:11:06,040
Speaker 3: I was like, man, just a bunch of niggas who

1438
01:11:06,080 --> 01:11:08,000
Speaker 3: with their egos, they went to college, they think they're

1439
01:11:08,000 --> 01:11:09,320
Speaker 3: better than me because I didn't go to college.

1440
01:11:09,360 --> 01:11:10,719
Speaker 1: Fuck these niggas or whatever.

1441
01:11:10,800 --> 01:11:12,320
Speaker 3: And then I realized I was like, oh damn, I

1442
01:11:12,400 --> 01:11:17,040
Speaker 3: just better than everybody. So coming to Paris, going to

1443
01:11:17,120 --> 01:11:21,080
Speaker 3: that show, coming around the corner, all the cameras stopped

1444
01:11:21,120 --> 01:11:24,040
Speaker 3: at all the like known fashion people who they were on,

1445
01:11:24,520 --> 01:11:28,679
Speaker 3: and was like, who is this person or whatever? Getting

1446
01:11:28,720 --> 01:11:31,720
Speaker 3: all their attention and walking and sitting front row and

1447
01:11:31,920 --> 01:11:34,400
Speaker 3: just in that moment I was like, damn, a nigga,

1448
01:11:34,600 --> 01:11:38,120
Speaker 3: really em paris right now on some fashion shit the

1449
01:11:38,160 --> 01:11:39,760
Speaker 3: first time when.

1450
01:11:39,680 --> 01:11:41,639
Speaker 1: It's the white bitch behind you with a duck on.

1451
01:11:43,640 --> 01:11:47,599
Speaker 2: Smoking a cigarette this long long ol man.

1452
01:11:47,960 --> 01:11:48,439
Speaker 1: Yeah.

1453
01:11:48,680 --> 01:11:51,080
Speaker 2: And I asked that because you know, just being as

1454
01:11:51,320 --> 01:11:53,559
Speaker 2: into the you know that as much as I as

1455
01:11:53,600 --> 01:11:55,439
Speaker 2: you grow with it, I know that you gotta grow

1456
01:11:55,479 --> 01:11:57,320
Speaker 2: with it. It's not something that you could just pick up,

1457
01:11:57,640 --> 01:11:59,400
Speaker 2: like I'd have been buying my own clothes for so

1458
01:11:59,520 --> 01:12:02,639
Speaker 2: long that I know. It's a process like this nigga

1459
01:12:02,680 --> 01:12:05,560
Speaker 2: tell you like I be in the mall, nigga everywhere,

1460
01:12:05,760 --> 01:12:08,080
Speaker 2: you know what I mean. And I got a process.

1461
01:12:08,160 --> 01:12:09,919
Speaker 2: I walk around that bitch one full.

1462
01:12:09,760 --> 01:12:11,000
Speaker 1: Time, see what I.

1463
01:12:10,920 --> 01:12:13,599
Speaker 2: See, and then go back and put it all together.

1464
01:12:13,640 --> 01:12:16,439
Speaker 2: It's like it's a it's a process. But I remember

1465
01:12:16,479 --> 01:12:18,040
Speaker 2: the moment for me, one of the moments for me.

1466
01:12:18,080 --> 01:12:19,640
Speaker 2: As I come from DC, we got a lot of

1467
01:12:19,680 --> 01:12:22,360
Speaker 2: local brands that you know what I mean, the madness

1468
01:12:22,400 --> 01:12:25,160
Speaker 2: in the all days and the shooters, and when I

1469
01:12:25,200 --> 01:12:26,719
Speaker 2: started getting recognition from.

1470
01:12:28,200 --> 01:12:28,599
Speaker 1: Leaders.

1471
01:12:29,479 --> 01:12:32,200
Speaker 2: No no, no, no, it's a bunch of.

1472
01:12:32,720 --> 01:12:33,920
Speaker 4: The major or court.

1473
01:12:34,200 --> 01:12:35,719
Speaker 1: It's a major museum.

1474
01:12:36,080 --> 01:12:42,439
Speaker 3: Museum, Yeah, the museum that's my boy majors, major d.

1475
01:12:43,840 --> 01:12:46,600
Speaker 2: I ain't never hit the majors, my bad majors. I

1476
01:12:46,640 --> 01:12:48,439
Speaker 2: don't know if y'all knew, but you know what I mean,

1477
01:12:48,560 --> 01:12:50,080
Speaker 2: I know the ones that from when I was a

1478
01:12:50,120 --> 01:12:50,519
Speaker 2: young man.

1479
01:12:50,560 --> 01:12:52,600
Speaker 1: You're not about to sit there like, don't put this

1480
01:12:52,640 --> 01:12:53,000
Speaker 1: ship on.

1481
01:12:53,320 --> 01:12:56,240
Speaker 2: Oh now, put that ship on and take him a while.

1482
01:12:56,280 --> 01:12:57,040
Speaker 1: But he get it on.

1483
01:12:59,400 --> 01:13:02,720
Speaker 2: Show down a little bit in the poor man I

1484
01:13:02,840 --> 01:13:14,960
Speaker 2: said that we're talking about yeah jump, oh yeah, yes

1485
01:13:15,000 --> 01:13:15,280
Speaker 2: he did.

1486
01:13:15,479 --> 01:13:15,719
Speaker 1: Uncle.

1487
01:13:15,840 --> 01:13:16,040
Speaker 5: Yeah.

1488
01:13:16,400 --> 01:13:17,760
Speaker 1: It was a zor rumble too.

1489
01:13:20,400 --> 01:13:24,160
Speaker 2: From you can tell, you could tell it was that

1490
01:13:24,320 --> 01:13:27,519
Speaker 2: slightly above hing them quality but below you know what

1491
01:13:27,560 --> 01:13:31,920
Speaker 2: I mean, your ball in.

1492
01:13:31,920 --> 01:13:32,679
Speaker 1: The budget man.

1493
01:13:34,280 --> 01:13:38,799
Speaker 2: Already got was like it's right above h and them quality,

1494
01:13:38,920 --> 01:13:41,560
Speaker 2: but below like Sandro parents and all those people that

1495
01:13:41,760 --> 01:13:43,479
Speaker 2: give you the real silk and all that ship.

1496
01:13:45,560 --> 01:13:48,879
Speaker 1: Yeah he had sold boys, no.

1497
01:13:50,320 --> 01:13:54,000
Speaker 2: Slash slides, the Gucci slides with But to take it back.

1498
01:13:53,840 --> 01:13:56,479
Speaker 1: To what you're saying that, you know it was on

1499
01:13:56,760 --> 01:13:59,040
Speaker 1: bech fashion and image. Man.

1500
01:13:59,120 --> 01:14:01,760
Speaker 3: You know, if I didn't have it, man, I would

1501
01:14:01,760 --> 01:14:03,680
Speaker 3: have been quit music, Like if I didn't have that

1502
01:14:03,720 --> 01:14:04,679
Speaker 3: to balance it out.

1503
01:14:04,920 --> 01:14:08,000
Speaker 4: Because music business.

1504
01:14:09,080 --> 01:14:21,920
Speaker 1: Is they are not in the game of it.

1505
01:14:22,920 --> 01:14:24,519
Speaker 3: Take them a long time to get to where we're

1506
01:14:24,520 --> 01:14:27,840
Speaker 3: at now. It wasn't meant for us to win in it.

1507
01:14:27,840 --> 01:14:29,559
Speaker 3: It was meant for us to survive in it.

1508
01:14:30,320 --> 01:14:33,759
Speaker 1: And I'm an immigrant, I'm bean surviving my whole life.

1509
01:14:34,000 --> 01:14:37,080
Speaker 1: All I know is survival. So it's like, how long

1510
01:14:37,120 --> 01:14:38,960
Speaker 1: do I got I gotta survive my whole life?

1511
01:14:39,200 --> 01:14:41,760
Speaker 3: When can I get to a place of living? When

1512
01:14:41,840 --> 01:14:43,639
Speaker 3: can I get to a place of like being able

1513
01:14:43,680 --> 01:14:48,200
Speaker 3: to just be to be treated as an actual equal,

1514
01:14:48,600 --> 01:14:50,639
Speaker 3: how whatever it might not be for me, it might

1515
01:14:50,680 --> 01:14:54,360
Speaker 3: not happen, because it just might not. But I think

1516
01:14:54,400 --> 01:14:59,559
Speaker 3: that what's been more important is being able to take

1517
01:14:59,600 --> 01:15:01,720
Speaker 3: the time whenever I'm depressed, I was like, bruh, the

1518
01:15:02,200 --> 01:15:04,760
Speaker 3: world and everything being against me, and get back up,

1519
01:15:05,520 --> 01:15:10,760
Speaker 3: make another project, do new things, do movies, make my

1520
01:15:10,800 --> 01:15:14,479
Speaker 3: own sneaker, start a brand or whatever. But in the

1521
01:15:14,520 --> 01:15:17,639
Speaker 3: midst of it all, be a good person to people, right,

1522
01:15:17,840 --> 01:15:19,800
Speaker 3: you know what I'm saying, Like that's been the main

1523
01:15:19,920 --> 01:15:22,240
Speaker 3: consistent thing with me is like, no matter what, I've

1524
01:15:22,240 --> 01:15:24,439
Speaker 3: never been back to nobody, how whatever I might not

1525
01:15:24,479 --> 01:15:27,880
Speaker 3: have came, couldn't have come through, or whatever, And but

1526
01:15:28,000 --> 01:15:30,360
Speaker 3: my intention to me once your intentions is in the

1527
01:15:30,400 --> 01:15:32,360
Speaker 3: right place, then you'll be all right.

1528
01:15:32,439 --> 01:15:34,439
Speaker 2: Yeah, as long as you're not normally hurting yourself and

1529
01:15:34,520 --> 01:15:35,160
Speaker 2: nobody else.

1530
01:15:35,240 --> 01:15:37,479
Speaker 3: Yeah, come on, man, you know what I'm saying, you know,

1531
01:15:37,560 --> 01:15:40,759
Speaker 3: And I'm so happy, the happiest thing I'm about.

1532
01:15:41,000 --> 01:15:41,960
Speaker 1: Happy I'm about right now.

1533
01:15:41,960 --> 01:15:43,680
Speaker 3: I don't know when this is gonna come out, but

1534
01:15:43,760 --> 01:15:46,880
Speaker 3: whenever it does, whenever somebody looks at it. If if

1535
01:15:46,880 --> 01:15:50,320
Speaker 3: my album Don't Be Safe Too is out, then know

1536
01:15:50,479 --> 01:15:53,720
Speaker 3: that that music means a lot to me because I

1537
01:15:53,720 --> 01:15:56,160
Speaker 3: had to fight a lot of depression and a lot

1538
01:15:56,200 --> 01:15:59,040
Speaker 3: of personal battles and a lot of self sabotage to

1539
01:15:59,160 --> 01:16:01,120
Speaker 3: get to that place to be able to write those

1540
01:16:01,160 --> 01:16:04,040
Speaker 3: words a lot, a lot, a lot. And that's me

1541
01:16:04,080 --> 01:16:06,800
Speaker 3: in the midst of you know how conflicting it is

1542
01:16:06,840 --> 01:16:09,479
Speaker 3: and how the president is to be able to write

1543
01:16:09,520 --> 01:16:11,519
Speaker 3: a hit song for other people to watch that go viral,

1544
01:16:11,520 --> 01:16:14,040
Speaker 3: you can't write with for yourself or whatever.

1545
01:16:14,040 --> 01:16:16,519
Speaker 1: It is the worst kild on earth. It literally is.

1546
01:16:16,720 --> 01:16:18,800
Speaker 3: You want to kill yourself, you know what I'm saying,

1547
01:16:18,840 --> 01:16:21,800
Speaker 3: And so like to whether you hear well, I don't

1548
01:16:21,800 --> 01:16:24,879
Speaker 3: notice interview come out, you know, to know that my project,

1549
01:16:25,120 --> 01:16:27,559
Speaker 3: my next project is called don't be safe too. I'm

1550
01:16:27,600 --> 01:16:30,680
Speaker 3: working on it currently. Stuff just comes out after the

1551
01:16:30,760 --> 01:16:34,679
Speaker 3: project comes out. Know that that music, if you chose

1552
01:16:34,760 --> 01:16:36,439
Speaker 3: to listen to it, you know I wanted you to,

1553
01:16:37,000 --> 01:16:38,920
Speaker 3: and know that it means a lot to me because

1554
01:16:38,960 --> 01:16:42,360
Speaker 3: those words were not easy to write. They were not

1555
01:16:43,120 --> 01:16:46,000
Speaker 3: being a lot more vulnerable because it's like all the

1556
01:16:46,120 --> 01:16:47,360
Speaker 3: things I've learned in this game.

1557
01:16:47,840 --> 01:16:50,519
Speaker 1: You know, it's ten songs, ten years, one year per song.

1558
01:16:51,080 --> 01:16:54,160
Speaker 4: THEMN there, it's a lot. It's a lot, bro.

1559
01:16:54,680 --> 01:16:57,719
Speaker 3: You know, when you actually really do care about morals

1560
01:16:57,800 --> 01:17:02,320
Speaker 3: and character in a world that is moralists and no character,

1561
01:17:02,880 --> 01:17:05,840
Speaker 3: you know, you have to control your narrative at all costs,

1562
01:17:06,360 --> 01:17:10,920
Speaker 3: and that's not always easy. As as good of a

1563
01:17:10,960 --> 01:17:13,680
Speaker 3: communicator I am, as much as I know and all that,

1564
01:17:15,479 --> 01:17:17,560
Speaker 3: I'm human as fuck, you know what I'm saying. But

1565
01:17:17,680 --> 01:17:20,280
Speaker 3: the fact that I can tell you that, Look, if

1566
01:17:20,320 --> 01:17:22,320
Speaker 3: you see me on the stage performing my new album,

1567
01:17:22,680 --> 01:17:25,360
Speaker 3: I'm bringing that smoke because I'm happy as fuck, you

1568
01:17:25,400 --> 01:17:27,800
Speaker 3: know what I'm saying. And I had to fight day

1569
01:17:27,840 --> 01:17:31,280
Speaker 3: and night to get out of that depression, to get

1570
01:17:31,320 --> 01:17:33,960
Speaker 3: out of that self sabotage, because when they put you in.

1571
01:17:33,960 --> 01:17:38,840
Speaker 1: The choke hol and features on there any features on.

1572
01:17:38,840 --> 01:17:41,720
Speaker 3: The Yeah, yeah for sure. However, me talking to you now,

1573
01:17:42,280 --> 01:17:45,760
Speaker 3: I haven't locked them all in come out, you know

1574
01:17:45,800 --> 01:17:48,200
Speaker 3: what I'm saying, Like here, definitely because don't be safe.

1575
01:17:48,240 --> 01:17:50,560
Speaker 3: It's not about having the biggest names on it.

1576
01:17:50,920 --> 01:17:52,759
Speaker 1: Don't be safe is the is the start.

1577
01:17:53,880 --> 01:17:56,040
Speaker 5: I know when you say you're coming out of that depression,

1578
01:17:56,080 --> 01:17:57,720
Speaker 5: you want to make music with people that you.

1579
01:17:58,280 --> 01:18:04,640
Speaker 1: Re somebody Like who's Tony Snow? Who's that? You know

1580
01:18:04,680 --> 01:18:07,960
Speaker 1: what I'm saying? Like who is Bruiser Wolf for? Who

1581
01:18:08,120 --> 01:18:13,600
Speaker 1: is you know what I'm saying, Like you pick on

1582
01:18:13,680 --> 01:18:17,200
Speaker 1: street fighters versus with medium.

1583
01:18:19,120 --> 01:18:21,200
Speaker 3: So that is what I've been studying the game right now,

1584
01:18:21,280 --> 01:18:23,400
Speaker 3: It's like, damn, should I just drop my album on TikTok?

1585
01:18:23,800 --> 01:18:26,000
Speaker 1: Should I just drop my album on eighty South Channel?

1586
01:18:26,080 --> 01:18:28,840
Speaker 1: Like what is the okay? You know what I'm saying,

1587
01:18:29,040 --> 01:18:31,160
Speaker 1: Like yeah, like that.

1588
01:18:32,800 --> 01:18:34,439
Speaker 4: It ain't for a nigga like me.

1589
01:18:34,840 --> 01:18:38,120
Speaker 3: My whole life was devised to make it to show

1590
01:18:38,160 --> 01:18:41,320
Speaker 3: a nigga who really don't do ship by the rules,

1591
01:18:41,680 --> 01:18:44,120
Speaker 3: that you can be successful taking of your family doing it.

1592
01:18:44,200 --> 01:18:46,000
Speaker 3: However the fuck you want.

1593
01:18:45,880 --> 01:18:54,040
Speaker 2: To make that's the whole model updated. Let's man whenever,

1594
01:18:54,280 --> 01:18:55,479
Speaker 2: God damn you dropped this.

1595
01:18:55,600 --> 01:19:01,160
Speaker 1: Ship, come back, come back for the song, get some

1596
01:19:01,280 --> 01:19:05,320
Speaker 1: living pepper wings and we'll do it. Because it's no.

1597
01:19:05,400 --> 01:19:07,880
Speaker 3: Right way, man, It's no right way. And I really

1598
01:19:08,000 --> 01:19:10,920
Speaker 3: appreciate everybody here. Shout out to my boy DC who

1599
01:19:11,000 --> 01:19:12,639
Speaker 3: was not here. You know what I'm saying, like, well,

1600
01:19:12,720 --> 01:19:16,360
Speaker 3: y'all being the thing that like. And I'm not a

1601
01:19:16,439 --> 01:19:18,200
Speaker 3: crier because I just I don't know. My eyes don't

1602
01:19:18,240 --> 01:19:18,880
Speaker 3: do it, but.

1603
01:19:20,560 --> 01:19:28,040
Speaker 1: Damn, nigga, go get some more sleep. I want to right,

1604
01:19:32,680 --> 01:19:37,559
Speaker 1: I'm trying to blink the whole time. But no, man,

1605
01:19:37,640 --> 01:19:40,600
Speaker 1: you know the fact that brothers like y'all exist and

1606
01:19:40,720 --> 01:19:42,600
Speaker 1: platforms like this exists.

1607
01:19:42,600 --> 01:19:44,880
Speaker 3: And y'all I'll be wondering. I was like, why can't

1608
01:19:44,920 --> 01:19:47,360
Speaker 3: these real niggas show me respect? But then other people

1609
01:19:47,720 --> 01:19:50,479
Speaker 3: don't get it. How whatever, And once again it's that

1610
01:19:50,880 --> 01:19:53,080
Speaker 3: media versus in person, you know.

1611
01:19:53,280 --> 01:19:54,360
Speaker 1: So every chance and.

1612
01:19:54,360 --> 01:19:56,960
Speaker 3: Every opportunity that I get to push what I got

1613
01:19:57,040 --> 01:20:02,080
Speaker 3: going forward, whether it's my music, my clothing and my socks,

1614
01:20:02,280 --> 01:20:05,880
Speaker 3: you know what I'm saying. Whatever it is, anything movie

1615
01:20:06,000 --> 01:20:08,799
Speaker 3: this that that, you know, I truly appreciate it because

1616
01:20:09,240 --> 01:20:12,599
Speaker 3: I'm always studying our culture and not just our culture.

1617
01:20:12,600 --> 01:20:14,280
Speaker 3: You said something earlier that I want to touch on

1618
01:20:14,360 --> 01:20:16,760
Speaker 3: before we get out of here where it's like, bro,

1619
01:20:16,840 --> 01:20:18,360
Speaker 3: when I went to Africa for the first time this

1620
01:20:18,479 --> 01:20:20,000
Speaker 3: year in twenty twenty two, because that's when it is

1621
01:20:20,080 --> 01:20:23,479
Speaker 3: happening for anybody watching, whether it's twenty forty two when

1622
01:20:23,479 --> 01:20:23,960
Speaker 3: you're watch.

1623
01:20:23,840 --> 01:20:27,679
Speaker 4: It, No, it ain't gonna be that late, niggas.

1624
01:20:28,040 --> 01:20:31,080
Speaker 3: You know what the course is like twenty a thirteen

1625
01:20:31,160 --> 01:20:34,439
Speaker 3: year old in twenty forty two going away.

1626
01:20:35,200 --> 01:20:38,200
Speaker 1: It comes out from life. If you want to know

1627
01:20:38,240 --> 01:20:41,280
Speaker 1: about twenty twenty two, think about this. I went to

1628
01:20:41,320 --> 01:20:43,080
Speaker 1: Africa for the first time this year twice.

1629
01:20:43,439 --> 01:20:45,240
Speaker 3: I went to Nigeria to bring in the new year

1630
01:20:46,680 --> 01:20:51,120
Speaker 3: Legos and then in right before June, I went to

1631
01:20:52,120 --> 01:20:56,840
Speaker 3: Cape Town, South Africa and man Bro, Nigeria. First of

1632
01:20:56,880 --> 01:21:02,760
Speaker 3: all felt like Atlanta and Hton and New York on

1633
01:21:02,960 --> 01:21:07,720
Speaker 3: still ards times one hundred times one hundred like smarts.

1634
01:21:07,840 --> 01:21:10,960
Speaker 1: We got to get over there. We've been talking about

1635
01:21:11,000 --> 01:21:16,160
Speaker 1: this year but too long. We got to get over there. Man.

1636
01:21:16,760 --> 01:21:24,880
Speaker 2: Everybody I've been saying, you've been saying, we've been was

1637
01:21:24,920 --> 01:21:26,200
Speaker 2: dis missed our name of countries.

1638
01:21:26,240 --> 01:21:31,720
Speaker 1: You know what I was saying, hit.

1639
01:21:32,360 --> 01:21:34,200
Speaker 3: And the reason why I bring those places up, and

1640
01:21:34,280 --> 01:21:36,160
Speaker 3: the reason I'm saying is because we were talking something

1641
01:21:36,200 --> 01:21:38,080
Speaker 3: about black culture, and I think we were talking about

1642
01:21:38,120 --> 01:21:40,880
Speaker 3: like if a black person at a label or a

1643
01:21:40,960 --> 01:21:44,559
Speaker 3: white person. You know, Bro, you said something I wish

1644
01:21:44,640 --> 01:21:48,920
Speaker 3: I wanted to stop there. But brouh Really being from America, yeah,

1645
01:21:50,080 --> 01:21:52,559
Speaker 3: how whatever? It's like, Bro, black culture is one race.

1646
01:21:53,439 --> 01:21:57,800
Speaker 3: It really is one race, Black Africans. I got to

1647
01:21:57,840 --> 01:22:00,479
Speaker 3: see our culture from three black perspectives. I was born

1648
01:22:00,520 --> 01:22:04,559
Speaker 3: in Trinidad and Tobago, so black Trinidadian, Tobogonian culture, right.

1649
01:22:05,080 --> 01:22:06,880
Speaker 1: And then I grew up here in Atlanta, real talk,

1650
01:22:07,040 --> 01:22:07,320
Speaker 1: you know what.

1651
01:22:07,280 --> 01:22:09,800
Speaker 3: I'm saying, elementary, middle school, and high school, so Nick

1652
01:22:09,840 --> 01:22:13,519
Speaker 3: can't tell me shit about Atlanta or whatever Black American culture.

1653
01:22:14,280 --> 01:22:16,519
Speaker 3: And then I went to Africa and you gotta see

1654
01:22:16,600 --> 01:22:20,040
Speaker 3: black culture, which is basically the it's the same thing.

1655
01:22:20,160 --> 01:22:23,639
Speaker 3: I got to see a person in Africa that look, talk, walk,

1656
01:22:23,760 --> 01:22:26,240
Speaker 3: and act just like a nig in Atlanta and a

1657
01:22:26,320 --> 01:22:32,720
Speaker 3: ning in Trinidad. Same features, same disposition, the same laugh,

1658
01:22:33,080 --> 01:22:35,760
Speaker 3: the same teeth, the same smile, the.

1659
01:22:35,880 --> 01:22:39,160
Speaker 1: Same weird things that we got in our culture.

1660
01:22:39,840 --> 01:22:42,559
Speaker 3: It's the same thing, bro, it's we have been taught,

1661
01:22:43,000 --> 01:22:45,560
Speaker 3: whether it's by each other or other cultures, that we

1662
01:22:45,720 --> 01:22:47,080
Speaker 3: are different types of black.

1663
01:22:47,720 --> 01:22:51,479
Speaker 1: It's one black. There's one black. I'm just pointing out there,

1664
01:22:52,000 --> 01:22:55,720
Speaker 1: there's one black. So everything, everything that's happening, it's not

1665
01:22:55,880 --> 01:22:56,519
Speaker 1: because of us.

1666
01:22:56,640 --> 01:22:59,160
Speaker 3: It's because of the separation of us. So when you

1667
01:22:59,280 --> 01:23:01,599
Speaker 3: go a place and I think that you are lessening,

1668
01:23:02,160 --> 01:23:04,400
Speaker 3: you right there, and if you go around there, you

1669
01:23:04,439 --> 01:23:06,560
Speaker 3: are you know you you you know you're gonna be

1670
01:23:06,600 --> 01:23:09,519
Speaker 3: around around the right Africans when they make you feel

1671
01:23:09,680 --> 01:23:12,160
Speaker 3: that you are just like them. You should not feel

1672
01:23:12,240 --> 01:23:14,880
Speaker 3: less than a black person at any time, because all

1673
01:23:14,920 --> 01:23:15,760
Speaker 3: black culture.

1674
01:23:15,560 --> 01:23:16,240
Speaker 1: Is one culture.

1675
01:23:16,520 --> 01:23:18,280
Speaker 2: I think you get that more if you go over there,

1676
01:23:18,280 --> 01:23:20,560
Speaker 2: because over here everything is jaded because of what the

1677
01:23:21,040 --> 01:23:22,840
Speaker 2: images that the projector is.

1678
01:23:22,880 --> 01:23:31,560
Speaker 4: Basically, you got to go over there, wouldn't.

1679
01:23:31,200 --> 01:23:31,840
Speaker 1: The black.

1680
01:23:34,560 --> 01:23:36,759
Speaker 2: We gotta go on, man, we gotta go to Africa.

1681
01:23:36,800 --> 01:23:40,000
Speaker 2: Many questions about it.

1682
01:23:44,400 --> 01:23:47,920
Speaker 1: This is gonna be to document the whole thing. Just

1683
01:23:48,120 --> 01:23:52,280
Speaker 1: tour Africa. Just tour Africa. If y'all know we might

1684
01:23:52,360 --> 01:23:56,240
Speaker 1: be too wrong in some places to come to me.

1685
01:23:58,320 --> 01:24:03,120
Speaker 2: When you say you mean they don't care about that, No, no, no, no, no, no,

1686
01:24:03,439 --> 01:24:04,160
Speaker 2: don't be afraid.

1687
01:24:04,200 --> 01:24:05,960
Speaker 1: We are not going to do nothing. You're the brother

1688
01:24:06,040 --> 01:24:07,880
Speaker 1: of anybody, but we need to know what you mean

1689
01:24:08,280 --> 01:24:11,679
Speaker 1: to But we gotta get over there. See the little movies.

1690
01:24:12,240 --> 01:24:15,120
Speaker 1: I freaking black person.

1691
01:24:15,600 --> 01:24:19,759
Speaker 4: You you are doing it yourself.

1692
01:24:20,600 --> 01:24:23,880
Speaker 1: You are doing it just the same thing.

1693
01:24:24,200 --> 01:24:26,840
Speaker 2: Black people need to come to the Atlanta. I think

1694
01:24:26,920 --> 01:24:28,839
Speaker 2: black people just need to come to Atlanta.

1695
01:24:29,080 --> 01:24:30,320
Speaker 1: If you're a black person you grow.

1696
01:24:30,280 --> 01:24:33,599
Speaker 3: Up in Wichita, Kansas and all you know is Chita, Kansas,

1697
01:24:34,320 --> 01:24:36,880
Speaker 3: then you're doing a disservice to yourself and you're black coach,

1698
01:24:36,920 --> 01:24:37,799
Speaker 3: You're not coming to Atlanta.

1699
01:24:38,160 --> 01:24:40,560
Speaker 2: Yeah, because you get to see a success level in

1700
01:24:40,680 --> 01:24:42,400
Speaker 2: Atlanta that you don't get to see no where else.

1701
01:24:42,400 --> 01:24:45,840
Speaker 1: Atlanta's only really supposed to exist, I know, right.

1702
01:24:45,880 --> 01:24:48,719
Speaker 2: That's the thing I say about just this city in general,

1703
01:24:48,920 --> 01:24:51,080
Speaker 2: like this is one of the only places where you

1704
01:24:51,160 --> 01:24:55,160
Speaker 2: can come and become successful and not be a target

1705
01:24:55,320 --> 01:24:58,719
Speaker 2: simply because you're successful. Because it's so much black success

1706
01:24:59,080 --> 01:25:01,840
Speaker 2: with every most place you go. For the most part,

1707
01:25:02,160 --> 01:25:03,960
Speaker 2: if you're the nigga with the bread and the big

1708
01:25:04,479 --> 01:25:08,040
Speaker 2: Bentley and the chains and everybody is looking at you.

1709
01:25:08,439 --> 01:25:13,240
Speaker 1: Black success is expected in Atlanta. It's expected in other places.

1710
01:25:12,960 --> 01:25:15,160
Speaker 3: I feel like it's battled by the other cultures, like

1711
01:25:15,240 --> 01:25:20,479
Speaker 3: Houston is close whatever, Like Houston is the black millionaires there,

1712
01:25:20,680 --> 01:25:21,840
Speaker 3: they crush, they do their thing.

1713
01:25:22,320 --> 01:25:27,479
Speaker 1: But I do feel that Atlanta black success is just expected.

1714
01:25:27,520 --> 01:25:30,880
Speaker 3: You expect to meet a rich black nigga, however, or

1715
01:25:30,880 --> 01:25:32,000
Speaker 3: a black woman with their own.

1716
01:25:31,880 --> 01:25:33,320
Speaker 1: Business going crazy.

1717
01:25:33,640 --> 01:25:39,800
Speaker 3: Holdever, other places, the the talent is there, the money

1718
01:25:39,880 --> 01:25:42,120
Speaker 3: is there, like I mean shared the d m V.

1719
01:25:42,640 --> 01:25:45,479
Speaker 1: Hold. You go to certain parts of of d C.

1720
01:25:46,040 --> 01:25:47,960
Speaker 1: Hey ain't not a rich ass black people over there.

1721
01:25:48,240 --> 01:25:53,360
Speaker 1: That's the gentrification. But they still they still you know

1722
01:25:53,360 --> 01:25:57,679
Speaker 1: what I mean, what you mean the people just glass

1723
01:25:57,680 --> 01:25:58,160
Speaker 1: out area.

1724
01:25:58,240 --> 01:26:01,040
Speaker 2: I mean it's just talking about like you know where

1725
01:26:01,080 --> 01:26:06,639
Speaker 2: you have Atlanta, you have you know, you be from here, crush.

1726
01:26:06,760 --> 01:26:08,680
Speaker 1: The people who are from d.

1727
01:26:08,840 --> 01:26:12,800
Speaker 2: C don't benefit from the successes of the city.

1728
01:26:14,000 --> 01:26:17,280
Speaker 1: Division. I was like, oh damn, it's a division here.

1729
01:26:18,000 --> 01:26:19,920
Speaker 1: I hate when I see a division in black culture

1730
01:26:20,200 --> 01:26:22,360
Speaker 1: where when I'm like, bro, y'all so close to each other.

1731
01:26:22,400 --> 01:26:25,120
Speaker 3: Why are y'all, why y'all be twenty minute drive like

1732
01:26:25,240 --> 01:26:27,880
Speaker 3: this is stupid or whatever, But it's like this has

1733
01:26:27,920 --> 01:26:31,080
Speaker 3: been generations and generations of like you're working to get

1734
01:26:31,120 --> 01:26:34,000
Speaker 3: on this side. So if you're on that side, sir,

1735
01:26:34,920 --> 01:26:36,040
Speaker 3: how did you get there over there?

1736
01:26:36,040 --> 01:26:37,639
Speaker 1: On t right exactly?

1737
01:26:37,680 --> 01:26:40,320
Speaker 3: It's like, bro, let the nigga over here and show

1738
01:26:40,360 --> 01:26:43,679
Speaker 3: them how to stay here. Yeah, but that's a crazy perspective.

1739
01:26:45,800 --> 01:26:46,360
Speaker 3: You're gonna make it.

1740
01:26:46,439 --> 01:26:49,559
Speaker 1: We're working on. We're working working on. Work like nigga

1741
01:26:50,040 --> 01:26:55,200
Speaker 1: niggas out. Don't be safe to guys. Man, Yes, dad

1742
01:26:55,320 --> 01:26:57,800
Speaker 1: socks shout out to my brother when they can get

1743
01:26:57,800 --> 01:27:02,080
Speaker 1: the shoes. All your products has a black company r

1744
01:27:02,120 --> 01:27:06,920
Speaker 1: g B Atlanta, however support We're gonna r g P

1745
01:27:07,040 --> 01:27:10,760
Speaker 1: dot com, r g V dot com, Georg b B

1746
01:27:12,280 --> 01:27:13,200
Speaker 1: three three.

1747
01:27:14,200 --> 01:27:16,320
Speaker 5: I know about the ship, bro watch what I watched,

1748
01:27:16,360 --> 01:27:18,760
Speaker 5: what I was next week doing? Wait till you pull

1749
01:27:18,840 --> 01:27:25,800
Speaker 5: up you guys up, hey man, because y'all ship you go?

1750
01:27:26,000 --> 01:27:35,160
Speaker 1: God hey man? Whatever up for? Of course? Three thirteen?

1751
01:27:37,640 --> 01:27:43,200
Speaker 1: Uh charge an Yeah, you just like that?

1752
01:27:43,520 --> 01:27:47,080
Speaker 9: Really, you know, working with them and you see or

1753
01:27:47,200 --> 01:27:49,720
Speaker 9: c that how happening.

1754
01:27:51,000 --> 01:27:51,639
Speaker 1: On in years?

1755
01:27:52,200 --> 01:27:56,720
Speaker 3: Yes, meeting Donald Glover charge can be. How do you

1756
01:27:56,760 --> 01:28:01,559
Speaker 3: want to refer to him? I identify with him because.

1757
01:28:01,360 --> 01:28:03,759
Speaker 1: He grew up Drover Witness. I grew up drover Witness.

1758
01:28:04,200 --> 01:28:06,600
Speaker 1: So when I saw that leftist center awkwardness.

1759
01:28:06,960 --> 01:28:09,040
Speaker 4: I was like, Oh, he just a joke witness. I whatever.

1760
01:28:09,120 --> 01:28:10,680
Speaker 3: So to me, like the first time I met him

1761
01:28:10,760 --> 01:28:13,320
Speaker 3: is like, oh, he flew me out to to come

1762
01:28:13,640 --> 01:28:16,240
Speaker 3: do the thing with him in Chris Bosh's old mansion

1763
01:28:16,400 --> 01:28:18,560
Speaker 3: in La nice ass mansion.

1764
01:28:18,320 --> 01:28:21,000
Speaker 1: On the hills pool off the side of the hill.

1765
01:28:21,600 --> 01:28:23,519
Speaker 3: You know what I'm saying, It's just amazing here It's

1766
01:28:23,560 --> 01:28:25,880
Speaker 3: me and Chance Rapper playing Connect Forward, just hanging out.

1767
01:28:26,160 --> 01:28:28,000
Speaker 1: You know, life is great. I would ever you know

1768
01:28:28,040 --> 01:28:28,439
Speaker 1: what I'm saying.

1769
01:28:28,640 --> 01:28:30,240
Speaker 4: At the time, I don't even know who this, who

1770
01:28:30,360 --> 01:28:32,200
Speaker 4: Chance Rapper is or whatever.

1771
01:28:32,280 --> 01:28:33,960
Speaker 1: It's just like, oh, I'm gonna play. You know what

1772
01:28:33,960 --> 01:28:34,280
Speaker 1: I'm saying.

1773
01:28:34,280 --> 01:28:35,200
Speaker 4: I'm gonna play Thumbli.

1774
01:28:35,520 --> 01:28:37,280
Speaker 1: I'm a bus this nigga. He don't know how good

1775
01:28:37,320 --> 01:28:38,760
Speaker 1: I am at This game is actually the only game

1776
01:28:38,800 --> 01:28:39,200
Speaker 1: I'm good at.

1777
01:28:39,439 --> 01:28:41,360
Speaker 4: I would kill this lafe skin nigga right now.

1778
01:28:41,520 --> 01:28:42,040
Speaker 1: You know what I'm saying.

1779
01:28:42,360 --> 01:28:44,759
Speaker 4: You know, it's a long time, I'm I'm sorry whatever.

1780
01:28:44,840 --> 01:28:46,360
Speaker 1: You know what I'm saying. I've got way better with

1781
01:28:46,520 --> 01:28:49,519
Speaker 1: black culture over the years, and but.

1782
01:28:49,920 --> 01:28:51,840
Speaker 4: You know, see it being around him.

1783
01:28:53,160 --> 01:28:56,560
Speaker 1: He is a very great curator to me of the

1784
01:28:56,640 --> 01:29:00,160
Speaker 1: people that his association. So it showed me.

1785
01:29:00,320 --> 01:29:03,040
Speaker 3: Then I was just like, Damn, I gotta find some

1786
01:29:03,240 --> 01:29:07,360
Speaker 3: artsy friends, artsy new friends. I had my current friends,

1787
01:29:07,400 --> 01:29:10,120
Speaker 3: but we were so street like. I come from like

1788
01:29:10,760 --> 01:29:13,240
Speaker 3: street shit bro, which is like, I'm not down on it.

1789
01:29:13,560 --> 01:29:15,240
Speaker 3: It's just like bro that has a certain type of

1790
01:29:15,320 --> 01:29:17,200
Speaker 3: skill set with it, and if I'm not doing that

1791
01:29:17,320 --> 01:29:20,240
Speaker 3: skill set, then it's kind of like useless in the

1792
01:29:20,360 --> 01:29:22,400
Speaker 3: things that I'm doing now at the time. So when

1793
01:29:22,439 --> 01:29:25,400
Speaker 3: I got around him and his untourage people I whatever, I.

1794
01:29:25,479 --> 01:29:27,680
Speaker 1: Was like, Damn, these niggas no songs I never heard of.

1795
01:29:27,800 --> 01:29:29,960
Speaker 3: That that helped me make better, help me make my

1796
01:29:30,040 --> 01:29:33,320
Speaker 3: next album, Like meeting them helped me do Tempiecemile my

1797
01:29:33,400 --> 01:29:35,920
Speaker 3: next project, where I was like, ooh, what if I

1798
01:29:36,000 --> 01:29:39,639
Speaker 3: do a song that has Gucci Man, Scooter Alley Boy

1799
01:29:40,120 --> 01:29:42,040
Speaker 3: And then oh, wait a minute, I just did to

1800
01:29:42,080 --> 01:29:44,519
Speaker 3: stay with Y'ad's Conpino. He from the east Side, So

1801
01:29:44,760 --> 01:29:47,679
Speaker 3: Mountain is the east Side, the suburbs and the hood.

1802
01:29:48,160 --> 01:29:50,000
Speaker 4: If it got black people in it, it's still one.

1803
01:29:50,640 --> 01:29:52,439
Speaker 3: It's just a different type of house, you know what

1804
01:29:52,479 --> 01:29:56,160
Speaker 3: I'm saying. So like that's like meeting him showed me

1805
01:29:56,360 --> 01:29:59,960
Speaker 3: that like we gonna be all right type situation because

1806
01:30:00,080 --> 01:30:03,960
Speaker 3: left the centers okay, and seeing Atlanta later on and

1807
01:30:04,160 --> 01:30:06,280
Speaker 3: just seeing how you move, it's like, duh, this dude

1808
01:30:06,320 --> 01:30:07,960
Speaker 3: right here could make Star Wars by himself.

1809
01:30:08,960 --> 01:30:12,000
Speaker 1: New face, brought you some ship, new face, new face,

1810
01:30:13,600 --> 01:30:18,200
Speaker 1: Atlanta legend, ghetto legend, legend, legend y. Let's do it.

1811
01:30:18,520 --> 01:30:24,400
Speaker 1: Oh wow, yes, yes, yes, yes, yes, you open that

1812
01:30:24,560 --> 01:30:30,160
Speaker 1: up Kenny, Dad James, And then but then you open

1813
01:30:30,240 --> 01:30:30,679
Speaker 1: that up.

1814
01:30:30,640 --> 01:30:34,559
Speaker 2: Right there and that first time listen side, Yeah, got

1815
01:30:34,600 --> 01:30:34,960
Speaker 2: inside

1816
01:30:36,680 --> 01:30:37,559
Speaker 1: Hold on man,