1 00:00:02,720 --> 00:00:07,360 Speaker 1: Are you leaving? I you wanna way back home? Either way, 2 00:00:07,600 --> 00:00:08,800 Speaker 1: we want to be there. 3 00:00:10,840 --> 00:00:14,240 Speaker 2: Doesn't matter how much baggage you claim and give us 4 00:00:14,440 --> 00:00:18,040 Speaker 2: time and a terminol and gage aid. 5 00:00:19,040 --> 00:00:21,599 Speaker 3: We want to send you off in style. 6 00:00:23,000 --> 00:00:28,479 Speaker 1: We wanna welcome you back home. Tell us all about it. 7 00:00:28,680 --> 00:00:49,320 Speaker 1: We scared her? Was it fine? Mal porn? Do you 8 00:00:49,479 --> 00:00:53,320 Speaker 1: need to ride? Do you need to ride? Do you 9 00:00:53,479 --> 00:00:57,240 Speaker 1: need to ride? Do you need to ride? Do you 10 00:00:57,440 --> 00:01:01,480 Speaker 1: need to ride? Do your need to ride? 11 00:01:01,800 --> 00:01:15,479 Speaker 3: Ride with Karen and Chris? Welcome to Do you need 12 00:01:15,520 --> 00:01:17,759 Speaker 3: a ride? This is Chris Fairbanks. 13 00:01:17,360 --> 00:01:18,400 Speaker 1: And this is Karen Tilgaro. 14 00:01:18,600 --> 00:01:19,400 Speaker 3: Still driving. 15 00:01:19,640 --> 00:01:21,560 Speaker 1: I mean, we can't stop driving. 16 00:01:21,720 --> 00:01:23,720 Speaker 3: It's part of the job description. 17 00:01:23,920 --> 00:01:26,360 Speaker 1: Have you watched English Teacher on FX? 18 00:01:26,640 --> 00:01:29,760 Speaker 3: I watched four of them last night and laughed so 19 00:01:29,920 --> 00:01:34,479 Speaker 3: hard I'm watch it. It's one of those shows where 20 00:01:34,680 --> 00:01:35,280 Speaker 3: I can't. 21 00:01:36,040 --> 00:01:39,360 Speaker 4: I feel like they rehearse a lot, and of course 22 00:01:39,400 --> 00:01:42,480 Speaker 4: it's all scripted, but then each character is like what 23 00:01:42,560 --> 00:01:45,880 Speaker 4: if I say this right here? Because if the I 24 00:01:45,920 --> 00:01:49,320 Speaker 4: know the characters are all well thought out and written, 25 00:01:49,360 --> 00:01:51,880 Speaker 4: they're all complete characters, and they play those characters in 26 00:01:51,920 --> 00:01:54,280 Speaker 4: every scene. That's the key to making a thing work. 27 00:01:54,360 --> 00:01:55,000 Speaker 3: What do I know? 28 00:01:55,440 --> 00:01:59,240 Speaker 4: But they all say things that I feel like they 29 00:01:59,560 --> 00:02:00,400 Speaker 4: there's no way it was. 30 00:02:00,400 --> 00:02:02,160 Speaker 3: Written for him, It's just coming out of their mouth. 31 00:02:02,480 --> 00:02:05,080 Speaker 2: Well you know John Kreisler is the director of that show, 32 00:02:05,360 --> 00:02:08,000 Speaker 2: Oh of course, and he's the fucking king of that shit. 33 00:02:08,280 --> 00:02:11,959 Speaker 2: Or like you write a script but he goes like, well, yeah, 34 00:02:11,960 --> 00:02:13,520 Speaker 2: but we'll see what we do that day. 35 00:02:13,720 --> 00:02:15,920 Speaker 4: I mean, the king of that the H and R 36 00:02:15,960 --> 00:02:18,040 Speaker 4: Block commercial I did with him. We went through all 37 00:02:18,080 --> 00:02:19,840 Speaker 4: the lines over and over and then at the end 38 00:02:19,919 --> 00:02:22,280 Speaker 4: he told Alison Becker and I to just have fun 39 00:02:22,480 --> 00:02:23,640 Speaker 4: and that was the commercial. 40 00:02:23,720 --> 00:02:25,320 Speaker 3: Yeah, so of course I should know that. 41 00:02:25,800 --> 00:02:27,799 Speaker 1: Well, but if you didn't know he was the director 42 00:02:27,880 --> 00:02:28,799 Speaker 1: or whatever I did. 43 00:02:28,919 --> 00:02:31,440 Speaker 4: I knew he was of baskets, but I guess I 44 00:02:31,480 --> 00:02:35,520 Speaker 4: didn't realize he was of English teacher too. 45 00:02:35,800 --> 00:02:39,680 Speaker 1: Well, what else don't you know? I'll tell you his height. 46 00:02:40,720 --> 00:02:42,000 Speaker 1: Oh he's quite tall. 47 00:02:42,400 --> 00:02:45,720 Speaker 3: He was tall and nice he's quite tall. Yeah, he 48 00:02:45,800 --> 00:02:48,280 Speaker 3: did that in Portlandia. You've known him forever. 49 00:02:49,400 --> 00:02:51,679 Speaker 1: Yeah, man, I lucked into it. 50 00:02:51,760 --> 00:02:54,720 Speaker 3: Can you tell him to put me in another commercial? 51 00:02:54,800 --> 00:02:58,600 Speaker 3: So I can't get all these surgery's done? 52 00:02:58,720 --> 00:03:02,000 Speaker 4: I can't That age and are Block thing saved my 53 00:03:02,200 --> 00:03:04,240 Speaker 4: that Johnathan. 54 00:03:04,320 --> 00:03:08,400 Speaker 3: Chsler krysl krzel is the reason I got my hip. 55 00:03:08,919 --> 00:03:09,720 Speaker 3: I mean, well, you. 56 00:03:09,680 --> 00:03:11,760 Speaker 1: Should know the last letter of his last name, then 57 00:03:12,120 --> 00:03:14,799 Speaker 1: I like, I like. 58 00:03:14,919 --> 00:03:19,040 Speaker 3: Just switching it out. I call him Johnny. 59 00:03:18,720 --> 00:03:22,480 Speaker 1: Chrysler because that's how great he was for me. 60 00:03:22,880 --> 00:03:23,560 Speaker 3: Thanks. 61 00:03:23,600 --> 00:03:28,440 Speaker 4: Nothing more solid than this hip, Thanks to Johnny Chrysler. 62 00:03:28,919 --> 00:03:32,120 Speaker 2: Also, I have to say this, I was very surprised 63 00:03:32,280 --> 00:03:33,840 Speaker 2: at how taken I was. 64 00:03:34,600 --> 00:03:38,000 Speaker 1: What's the comic Sean Who's in that show? Oh? 65 00:03:38,040 --> 00:03:40,040 Speaker 3: Sean Patton is killing it. 66 00:03:40,360 --> 00:03:41,200 Speaker 1: He's so good in it. 67 00:03:41,240 --> 00:03:44,520 Speaker 2: But I have to say this is very superficial. He's 68 00:03:44,640 --> 00:03:48,640 Speaker 2: so attractive on camera. He is a beautifully face. 69 00:03:48,880 --> 00:03:49,680 Speaker 3: Yeah, yeah, yeah. 70 00:03:50,360 --> 00:03:54,160 Speaker 2: I was very weirded out by the reaction I had 71 00:03:54,200 --> 00:03:56,760 Speaker 2: to looking at him on campus in person. 72 00:03:57,400 --> 00:03:59,880 Speaker 4: The first time I met him, he and Nikki Glazler 73 00:04:00,160 --> 00:04:03,200 Speaker 4: and I did all these open mics in LA where 74 00:04:03,240 --> 00:04:06,120 Speaker 4: you actually put a dollar in a fish bowl to 75 00:04:06,200 --> 00:04:08,640 Speaker 4: think of their careers now and us all going to 76 00:04:08,720 --> 00:04:12,040 Speaker 4: Iowa West to pay to put money in and actually 77 00:04:12,080 --> 00:04:16,840 Speaker 4: not get on stage. I remember, uh, maybe I'd had 78 00:04:16,880 --> 00:04:19,200 Speaker 4: a few drinks, but I kept asking him why he 79 00:04:19,320 --> 00:04:20,240 Speaker 4: was wearing eyeliner. 80 00:04:20,960 --> 00:04:23,120 Speaker 1: That's it. It looks like he's wearing eyemaker. 81 00:04:23,279 --> 00:04:25,640 Speaker 3: Yeah, but yeah, like that actor. 82 00:04:25,880 --> 00:04:30,680 Speaker 4: He was the sheriff in the Psycho Show, the Motel 83 00:04:30,920 --> 00:04:32,320 Speaker 4: in Psycho whatever. 84 00:04:33,040 --> 00:04:35,360 Speaker 3: He's also in The Daily Show, the Morning Show. 85 00:04:35,640 --> 00:04:38,360 Speaker 4: That anchor that always looks like I thought he had 86 00:04:38,360 --> 00:04:41,240 Speaker 4: to Billy Credup. Not Billy Credup, but the guy that 87 00:04:41,400 --> 00:04:44,040 Speaker 4: plays like the weatherman that becomes a co anchor. 88 00:04:44,240 --> 00:04:45,200 Speaker 1: I haven't seen that show. 89 00:04:45,320 --> 00:04:45,960 Speaker 3: It's pretty good. 90 00:04:46,080 --> 00:04:50,400 Speaker 4: Oh, but he's got it looks like tattooed eyelashes under 91 00:04:50,520 --> 00:04:53,760 Speaker 4: it is eyeliner. And I thought when he was the 92 00:04:53,839 --> 00:04:56,320 Speaker 4: sheriff in Bates Motel, see if I just relax, it 93 00:04:56,360 --> 00:04:57,520 Speaker 4: comes out of my mouth. 94 00:04:59,080 --> 00:05:00,680 Speaker 3: Just like a movement. 95 00:05:00,960 --> 00:05:04,520 Speaker 4: But he yeah, yeah, it's some people just have that, 96 00:05:04,640 --> 00:05:05,839 Speaker 4: and Sean Patton has that. 97 00:05:06,120 --> 00:05:08,159 Speaker 3: I just natural eyelin he does. 98 00:05:08,279 --> 00:05:11,120 Speaker 2: But it's weird to me that I have spoken to him, 99 00:05:11,800 --> 00:05:13,880 Speaker 2: been on the same show as him or whatever, been 100 00:05:13,920 --> 00:05:17,120 Speaker 2: around him, and just that is not the experience that 101 00:05:17,240 --> 00:05:20,040 Speaker 2: I had. And suddenly the show starts and they cut 102 00:05:20,120 --> 00:05:22,919 Speaker 2: over to him and I'm like, who's that. Yeah, and 103 00:05:23,000 --> 00:05:25,760 Speaker 2: I'm like, it's fucking Sean Behn. Yeah, it's just such 104 00:05:25,760 --> 00:05:26,760 Speaker 2: a weird experience. 105 00:05:26,880 --> 00:05:30,479 Speaker 3: No, it's it's it's goes the other way too. 106 00:05:30,560 --> 00:05:34,200 Speaker 4: I'm I'm I'm a handsome person in real life, but 107 00:05:34,240 --> 00:05:36,680 Speaker 4: you put me on camera, I'm like a Picasso painting. 108 00:05:36,880 --> 00:05:38,360 Speaker 3: Just fucking it's a mess. 109 00:05:38,680 --> 00:05:40,000 Speaker 1: Chris, that's not true. 110 00:05:40,240 --> 00:05:42,520 Speaker 3: Let me believe it so I know why I'm not 111 00:05:42,640 --> 00:05:43,720 Speaker 3: in The English. 112 00:05:43,360 --> 00:05:46,040 Speaker 4: Teacher, my favorite show you every time I watch it, 113 00:05:46,800 --> 00:05:47,440 Speaker 4: I want to be in this. 114 00:05:47,760 --> 00:05:50,159 Speaker 2: You say that about everything. You say that every single 115 00:05:50,200 --> 00:05:52,440 Speaker 2: thing anyone does. I wish I was a writer on 116 00:05:52,600 --> 00:05:54,800 Speaker 2: Ess and now I wish I fucking worked at Subway. 117 00:05:55,480 --> 00:06:01,480 Speaker 2: It's just your universal yearning. And it's because you're a creative. 118 00:06:02,160 --> 00:06:05,200 Speaker 2: You can see yourself and envision yourself doing anything, and 119 00:06:05,240 --> 00:06:08,080 Speaker 2: you could. He would be you would be amazing on 120 00:06:08,120 --> 00:06:10,719 Speaker 2: that show. I'm sure it's the weird janitor or whatever. 121 00:06:10,880 --> 00:06:13,480 Speaker 3: Yeah, I just don't take the steps to be in 122 00:06:13,520 --> 00:06:14,120 Speaker 3: that position. 123 00:06:14,279 --> 00:06:15,599 Speaker 1: Well, you can't take steps. 124 00:06:15,640 --> 00:06:20,359 Speaker 2: That's not you know, it's not an option unless something happens, 125 00:06:20,560 --> 00:06:22,200 Speaker 2: like it's there's no doing it. 126 00:06:22,200 --> 00:06:24,440 Speaker 1: It's like you don't get to have the option. 127 00:06:24,560 --> 00:06:26,480 Speaker 3: Sometimes, well I should. 128 00:06:26,880 --> 00:06:30,039 Speaker 4: I was thinking about taking an acting class, and then 129 00:06:30,120 --> 00:06:32,400 Speaker 4: I'd be like, well, now I have the confidence to 130 00:06:32,480 --> 00:06:33,840 Speaker 4: know I could do something like that. 131 00:06:33,920 --> 00:06:37,400 Speaker 2: You should go to a little school, a cold reading 132 00:06:37,440 --> 00:06:39,400 Speaker 2: class or a scene studies. 133 00:06:39,520 --> 00:06:42,200 Speaker 3: And then you make connections. I've never I haven't done that, So. 134 00:06:42,520 --> 00:06:45,440 Speaker 1: Jack Reacher, excuse me, I think you like my podcast? 135 00:06:45,600 --> 00:06:50,800 Speaker 4: Oh God, what I've never seen someone with legs the 136 00:06:50,880 --> 00:06:54,080 Speaker 4: exact distance from their waist as the top of their head. 137 00:06:55,279 --> 00:06:59,600 Speaker 1: Was he a totally even man? Mid torso completely mid? 138 00:06:59,760 --> 00:07:02,440 Speaker 4: Yeah, two and a half foot long legs, two and 139 00:07:02,480 --> 00:07:06,920 Speaker 4: a half foot tall torso, eight inch, eight pound head. 140 00:07:12,240 --> 00:07:20,520 Speaker 4: My sister, Well, that lets us know we're podcasting. God, 141 00:07:20,560 --> 00:07:24,120 Speaker 4: what's with all the rolls? Have they become affordable? 142 00:07:24,320 --> 00:07:26,840 Speaker 2: This is like the fucking wealth gap in action, and 143 00:07:26,920 --> 00:07:30,400 Speaker 2: like people can't buy groceries. But that's the fourth fucking 144 00:07:30,480 --> 00:07:32,000 Speaker 2: rolls Royce we've seen today. 145 00:07:32,160 --> 00:07:35,280 Speaker 4: I STUV must be affordable. Why has it got a 146 00:07:35,360 --> 00:07:36,360 Speaker 4: racing stripe? 147 00:07:36,400 --> 00:07:36,520 Speaker 2: Like? 148 00:07:36,920 --> 00:07:39,160 Speaker 3: How confused are you getting roys? 149 00:07:39,200 --> 00:07:41,800 Speaker 2: But it's there's no way it's fucking affordable. Those things 150 00:07:41,800 --> 00:07:43,640 Speaker 2: are like two hundred thousand dollars. 151 00:07:43,920 --> 00:07:47,600 Speaker 4: Yes, they're they're a car made for the movie Arthur. 152 00:07:47,720 --> 00:07:53,080 Speaker 4: No one actually has one. It's they're big, they're always brown, 153 00:07:53,400 --> 00:07:55,600 Speaker 4: they're kind of ugly, but they got that grill. 154 00:07:56,160 --> 00:07:58,400 Speaker 3: And now there's sporty rolls Royses. 155 00:07:58,640 --> 00:08:01,680 Speaker 2: I mean, no one needs it. Stop it, stop it, 156 00:08:01,880 --> 00:08:03,440 Speaker 2: you stop it right now. 157 00:08:04,240 --> 00:08:06,600 Speaker 3: I'm now I'm going to never stop. Look a Rolls 158 00:08:06,680 --> 00:08:09,600 Speaker 3: Royce cop car that looks like one. 159 00:08:10,440 --> 00:08:14,000 Speaker 2: I really wanted to take a left back there. God 160 00:08:14,080 --> 00:08:17,760 Speaker 2: damn it and that stupid thing. But this fucking cop 161 00:08:17,880 --> 00:08:21,680 Speaker 2: is here. Ooh that guy that wasn't legal. Do you 162 00:08:21,680 --> 00:08:23,720 Speaker 2: guys see that total cut. 163 00:08:23,520 --> 00:08:27,240 Speaker 3: Across he did? The cop did it? 164 00:08:27,520 --> 00:08:31,040 Speaker 2: No, not the cop, the motorcyclist who did the most 165 00:08:31,120 --> 00:08:32,400 Speaker 2: dangerous in the guy. 166 00:08:32,640 --> 00:08:34,679 Speaker 3: Oh he's riding a wheelie right now. 167 00:08:35,480 --> 00:08:36,360 Speaker 1: Oh he wants to die. 168 00:08:36,720 --> 00:08:40,160 Speaker 4: Yeah, I mean he's still riding it. That is such 169 00:08:40,200 --> 00:08:41,720 Speaker 4: a common thing now. 170 00:08:42,760 --> 00:08:45,080 Speaker 1: Rolls Royces and wheelies everywhere you look. 171 00:08:45,360 --> 00:08:53,839 Speaker 4: Just lah in the streets La City youth on dirt 172 00:08:53,880 --> 00:08:57,880 Speaker 4: bikes in groups of one hundred, popping wheelies. 173 00:08:57,920 --> 00:08:59,600 Speaker 3: It's if you haven't visited here. 174 00:08:59,640 --> 00:09:02,120 Speaker 4: It's like I'm making it up, or maybe it's happening 175 00:09:02,160 --> 00:09:06,120 Speaker 4: in your rural Florida or wherever you are. You don't 176 00:09:06,160 --> 00:09:09,480 Speaker 4: expect it in a city that isn't even bike friendly 177 00:09:10,760 --> 00:09:14,800 Speaker 4: for people to be riding Wheeley's Oh no, we're going 178 00:09:14,800 --> 00:09:17,079 Speaker 4: in this alley to reenact that scene from Boys in 179 00:09:17,120 --> 00:09:17,480 Speaker 4: the Hood. 180 00:09:17,840 --> 00:09:19,079 Speaker 3: It looks like the Boys in the. 181 00:09:19,000 --> 00:09:25,720 Speaker 4: Hood alley, ricky, Oh, are we gonna pay this person's 182 00:09:25,760 --> 00:09:26,480 Speaker 4: parking ticket? 183 00:09:27,120 --> 00:09:27,160 Speaker 2: No? 184 00:09:28,559 --> 00:09:31,320 Speaker 4: Oh, I have a splitting headache, and this dark chocolate 185 00:09:31,320 --> 00:09:32,040 Speaker 4: didn't do shit. 186 00:09:33,360 --> 00:09:33,560 Speaker 1: Well. 187 00:09:33,600 --> 00:09:36,480 Speaker 2: Maybe some water from uh oh, you're right, or a 188 00:09:36,480 --> 00:09:39,280 Speaker 2: little bit of coffee or a little bit of tea. 189 00:09:38,760 --> 00:09:42,720 Speaker 4: Right, I think the small I think coffee is the 190 00:09:43,040 --> 00:09:45,960 Speaker 4: I know the caffeine helps, but it's the dehydration that 191 00:09:46,160 --> 00:09:48,800 Speaker 4: causes them for having a lot of headaches. 192 00:09:50,480 --> 00:09:52,720 Speaker 2: I went to this nursery one time and got the 193 00:09:52,760 --> 00:09:55,360 Speaker 2: beautiful plant I now have in my front room. I 194 00:09:55,400 --> 00:10:00,840 Speaker 2: was very pleased with the experience. Sego Nursery on Bird Bank, Bulevart. 195 00:10:01,040 --> 00:10:05,000 Speaker 4: I believe it. The plants are the best right now 196 00:10:05,000 --> 00:10:07,360 Speaker 4: because it just rained. I like going to that place 197 00:10:07,360 --> 00:10:10,360 Speaker 4: and going where's my kids? Like, I don't know what 198 00:10:10,440 --> 00:10:15,239 Speaker 4: kind of nursery it is. They're like, they're in Alaska. 199 00:10:15,559 --> 00:10:17,800 Speaker 4: Weren't you listening to your dumb podcast. 200 00:10:20,400 --> 00:10:22,480 Speaker 1: You said it on your stupid podcast already. 201 00:10:22,920 --> 00:10:25,560 Speaker 3: I'm like, I mean, thank you for being a fan. 202 00:10:25,400 --> 00:10:29,240 Speaker 2: But ouch, I'm so interested in the people that you 203 00:10:29,400 --> 00:10:31,679 Speaker 2: talk to because I think it would be a different 204 00:10:31,760 --> 00:10:35,000 Speaker 2: constituency from the people that I talk to that know 205 00:10:35,080 --> 00:10:35,800 Speaker 2: the podcast. 206 00:10:36,520 --> 00:10:36,720 Speaker 3: Right. 207 00:10:37,520 --> 00:10:41,680 Speaker 4: Yeah, I'm I'm I'm I'm running into them a lot 208 00:10:41,720 --> 00:10:45,240 Speaker 4: because of the doing stand up, but I'm gonna do 209 00:10:45,280 --> 00:10:48,319 Speaker 4: it more often. I realized when my hand broke skateboarding, 210 00:10:48,320 --> 00:10:52,320 Speaker 4: I'm like, Okay, time to focus on doing stand up, 211 00:10:53,200 --> 00:10:55,920 Speaker 4: even though I'm going to keep skateboarding when it heals. 212 00:10:56,080 --> 00:10:59,560 Speaker 4: I just it was like an eye opening thing. And yes, 213 00:11:00,800 --> 00:11:04,040 Speaker 4: it was interesting. It's always so much fun to meet 214 00:11:04,200 --> 00:11:08,040 Speaker 4: people that listen to this. Yeah, they're all Canadian nice. 215 00:11:09,040 --> 00:11:11,960 Speaker 2: Look at that lady up fully asleep on the patio. 216 00:11:12,480 --> 00:11:17,680 Speaker 2: Oh or did look at her mouth completely a jar? 217 00:11:19,000 --> 00:11:22,400 Speaker 3: Huh? What are you seeing? People? I'm not seeing. 218 00:11:23,040 --> 00:11:25,080 Speaker 1: She's directly behind this menu, so I don't think you 219 00:11:25,160 --> 00:11:25,680 Speaker 1: can see. 220 00:11:25,760 --> 00:11:28,040 Speaker 3: I think you're having a Haley Joel Osmon moment. 221 00:11:29,559 --> 00:11:32,960 Speaker 1: One woman died in her what looks like pajamas. 222 00:11:33,200 --> 00:11:36,560 Speaker 4: And that's the other interview my phone showed me before 223 00:11:36,679 --> 00:11:40,200 Speaker 4: Mandy Patinkin. It's Tony Klett talking about being in the 224 00:11:40,280 --> 00:11:42,360 Speaker 4: sixth sixth sense. 225 00:11:42,559 --> 00:11:43,240 Speaker 1: What'd she say? 226 00:11:43,520 --> 00:11:46,120 Speaker 3: She didn't know it as a horror movie. What she's like? 227 00:11:46,200 --> 00:11:48,600 Speaker 4: I thought it was just a sweet, spiritual story about 228 00:11:48,640 --> 00:11:51,440 Speaker 4: a mom and a son. And then I was watching 229 00:11:51,480 --> 00:11:54,600 Speaker 4: the dailies and I'm like, this looks scary. She's like, 230 00:11:54,679 --> 00:11:57,200 Speaker 4: I don't like horror movies, and it's like what she's 231 00:11:57,240 --> 00:11:58,480 Speaker 4: been in the most. 232 00:11:58,440 --> 00:12:01,640 Speaker 2: It's insane that Tony Klak doesn't like scary movies, because 233 00:12:02,559 --> 00:12:04,199 Speaker 2: what's the fucking movie with the girl. 234 00:12:04,600 --> 00:12:05,120 Speaker 1: In the head? 235 00:12:05,280 --> 00:12:12,920 Speaker 4: Hereditary? Yeah, she gets scary. She can be scary, so scary. Yeah, yeah, 236 00:12:12,960 --> 00:12:14,080 Speaker 4: it is funny to hear. 237 00:12:13,960 --> 00:12:16,800 Speaker 2: That was she talked about what a great child actor 238 00:12:16,840 --> 00:12:18,000 Speaker 2: Haley Joel Osmon was. 239 00:12:18,679 --> 00:12:20,800 Speaker 3: I think that was part of the conversation. 240 00:12:21,640 --> 00:12:24,719 Speaker 4: He was good right out of the gates, and I 241 00:12:24,800 --> 00:12:29,880 Speaker 4: knew why. I knew why once I saw him in 242 00:12:29,920 --> 00:12:36,520 Speaker 4: a celebrity golf tournament with Michael Keaton or not Michael Keaton, 243 00:12:36,640 --> 00:12:40,839 Speaker 4: Michael Douglas and who played the long saxophone, Kenny G. 244 00:12:41,559 --> 00:12:43,400 Speaker 3: Kenny G, Michael Douglas, and. 245 00:12:43,360 --> 00:12:46,760 Speaker 4: Hailey Joel Osmon were golfing in a tournament and they 246 00:12:46,960 --> 00:12:56,040 Speaker 4: every time, yes, he was sinking. He was a little kid, 247 00:12:56,200 --> 00:13:00,560 Speaker 4: all serious and he was sinking like ten foot putts. Yeah, 248 00:13:00,600 --> 00:13:04,080 Speaker 4: and every time he did it, Kenny G and Michael 249 00:13:04,120 --> 00:13:06,120 Speaker 4: Douglas would lift him in the air and they were 250 00:13:06,200 --> 00:13:09,600 Speaker 4: laughing and having so much fun, and Haley Joel Osmond 251 00:13:09,600 --> 00:13:12,320 Speaker 4: as a child was so serious about it. And then 252 00:13:12,400 --> 00:13:14,960 Speaker 4: at the end of the golf thing, he shook his 253 00:13:15,040 --> 00:13:18,320 Speaker 4: hand and shook his dad's hand with full eye contact, 254 00:13:18,400 --> 00:13:22,040 Speaker 4: like like it was a weird business transaction, and he's like, 255 00:13:22,120 --> 00:13:23,760 Speaker 4: oh man, yeah, that guy. 256 00:13:24,080 --> 00:13:26,680 Speaker 3: But the good the news is he's kind of having 257 00:13:26,720 --> 00:13:27,959 Speaker 3: his childhood. 258 00:13:27,480 --> 00:13:30,040 Speaker 1: Now, that's right, you know, and people love him. 259 00:13:30,120 --> 00:13:32,400 Speaker 3: Yeah, he's the best. And don't care. Go ahead and 260 00:13:32,480 --> 00:13:33,400 Speaker 3: drink or whatever. 261 00:13:33,720 --> 00:13:34,319 Speaker 1: Who cares. 262 00:13:34,320 --> 00:13:38,520 Speaker 3: Who cares tabloids. You didn't get to have a normal kidhood. 263 00:13:38,679 --> 00:13:42,680 Speaker 1: Did you ever watch that TV series? Got? 264 00:13:42,720 --> 00:13:44,600 Speaker 2: It was funny and he was like a villain on 265 00:13:44,640 --> 00:13:48,400 Speaker 2: it and it was Kristin wigg and somebody else. It 266 00:13:48,480 --> 00:13:50,280 Speaker 2: was like maybe it was Will Ferrell and it was 267 00:13:50,320 --> 00:13:51,640 Speaker 2: like a fake soap opera. 268 00:13:52,520 --> 00:13:54,000 Speaker 1: Oh god, I loved it so much. 269 00:13:54,000 --> 00:13:57,640 Speaker 2: It was on Adult Swim and Haley Ozma was like 270 00:13:57,720 --> 00:13:59,000 Speaker 2: the evil guy in the town. 271 00:13:59,240 --> 00:14:00,600 Speaker 1: Oh it was so good. 272 00:14:00,800 --> 00:14:02,319 Speaker 3: I didn't I didn't see that. 273 00:14:03,360 --> 00:14:06,800 Speaker 1: Looking at the Spoils of Babylon is what it's called. 274 00:14:07,480 --> 00:14:08,480 Speaker 1: You have to watch it. 275 00:14:09,000 --> 00:14:14,400 Speaker 4: Yeah, there's all these bizarre and what was that the tournament? 276 00:14:14,880 --> 00:14:17,840 Speaker 4: They're the music festival. I'm like losing my mind all 277 00:14:17,840 --> 00:14:19,640 Speaker 4: of a sudden. Maybe this coffee will help. 278 00:14:19,760 --> 00:14:20,400 Speaker 1: It will help you. 279 00:14:20,760 --> 00:14:28,120 Speaker 4: Where they're like a Swedish music Eurovision or you oh. 280 00:14:28,000 --> 00:14:29,120 Speaker 1: The Will Farrell one? 281 00:14:29,240 --> 00:14:29,680 Speaker 3: Thank you? 282 00:14:29,840 --> 00:14:32,400 Speaker 1: Yes, I just Eurovision, that's what it was called. 283 00:14:32,480 --> 00:14:33,840 Speaker 3: Yeah, Eurovision, yep. 284 00:14:33,960 --> 00:14:36,880 Speaker 4: I enjoyed it so much, and I loved the MC 285 00:14:36,920 --> 00:14:38,400 Speaker 4: fake music they made for it. 286 00:14:38,800 --> 00:14:39,680 Speaker 3: I thought, what was great? 287 00:14:39,720 --> 00:14:45,080 Speaker 4: And everyone's like, what a stinkers full anighber, double thumbs down, oh, 288 00:14:45,120 --> 00:14:47,520 Speaker 4: grotten tomatoes splatter meter. 289 00:14:48,760 --> 00:14:53,440 Speaker 3: Maybe I'm going to the wrong websites, but I loved it. Yeah, 290 00:14:53,760 --> 00:14:54,120 Speaker 3: I like. 291 00:14:54,880 --> 00:14:57,880 Speaker 4: I think they did another like he and animicated some 292 00:14:58,760 --> 00:15:01,160 Speaker 4: movie in Spanish and he learned Spanish for it. 293 00:15:01,320 --> 00:15:04,440 Speaker 3: No one watched it, yeah, like a Western and it. 294 00:15:04,600 --> 00:15:08,480 Speaker 4: Was played totally seriously right, And that's the reason what 295 00:15:08,560 --> 00:15:09,480 Speaker 4: I've just describes. 296 00:15:10,000 --> 00:15:10,840 Speaker 3: No one's awful. 297 00:15:10,960 --> 00:15:12,600 Speaker 1: No one wants to watch that, right, right. 298 00:15:12,640 --> 00:15:14,880 Speaker 3: They want to see him falling and farting. 299 00:15:15,320 --> 00:15:17,320 Speaker 1: I mean, did you watch Eastbounding Down? 300 00:15:18,160 --> 00:15:22,200 Speaker 2: I did in the beginning, because did you did you 301 00:15:22,280 --> 00:15:24,360 Speaker 2: watch enough to get to the part where Will Ferrell 302 00:15:24,440 --> 00:15:24,880 Speaker 2: comes in? 303 00:15:25,600 --> 00:15:25,800 Speaker 3: Yes? 304 00:15:27,560 --> 00:15:29,160 Speaker 1: Yes, so funny. 305 00:15:29,280 --> 00:15:31,600 Speaker 4: Yeah, he was very funny in that. I think that 306 00:15:31,920 --> 00:15:35,520 Speaker 4: was the thing where I was like, oh, he really. 307 00:15:35,320 --> 00:15:38,040 Speaker 3: Is a hilarious person. 308 00:15:38,160 --> 00:15:38,800 Speaker 1: He really is. 309 00:15:38,880 --> 00:15:43,040 Speaker 4: Yeah, excuse me while I bite into this dark chocolate 310 00:15:43,120 --> 00:15:44,000 Speaker 4: kit cat. 311 00:15:43,800 --> 00:15:46,080 Speaker 1: We're gonna go ahead and mute the living hell out 312 00:15:46,080 --> 00:15:46,240 Speaker 1: of you. 313 00:15:46,400 --> 00:15:48,880 Speaker 3: Oh no, oh no. 314 00:15:49,600 --> 00:15:53,680 Speaker 4: But what if the whole time I'm chewing, I'm saying 315 00:15:53,720 --> 00:15:55,160 Speaker 4: important talking point? 316 00:15:55,240 --> 00:15:57,680 Speaker 1: What if it just gets grocer and grocers? You chew 317 00:15:57,760 --> 00:15:58,160 Speaker 1: and talk. 318 00:16:02,280 --> 00:16:04,480 Speaker 3: I have an idea. What if you make a grocer 319 00:16:04,520 --> 00:16:07,840 Speaker 3: and grocer as you chew and talk? What would that 320 00:16:07,920 --> 00:16:08,240 Speaker 3: be like? 321 00:16:08,480 --> 00:16:10,960 Speaker 2: Pretend you're talking through it as if it's not gross 322 00:16:11,000 --> 00:16:12,040 Speaker 2: When it's super gross. 323 00:16:12,240 --> 00:16:20,200 Speaker 4: Yeah, then it's impossible to cut out. Do you mind 324 00:16:20,520 --> 00:16:24,320 Speaker 4: if since we're in the drive through line, we crank 325 00:16:24,360 --> 00:16:26,480 Speaker 4: the ac Oh. 326 00:16:26,400 --> 00:16:29,280 Speaker 2: Not at all, Although I don't know how those two 327 00:16:29,280 --> 00:16:30,120 Speaker 2: things correlate. 328 00:16:30,160 --> 00:16:31,600 Speaker 1: When we're still on the microphone. 329 00:16:32,560 --> 00:16:35,480 Speaker 4: I mean, maybe we can take a drive through break 330 00:16:36,840 --> 00:16:37,720 Speaker 4: as we cool off? 331 00:16:38,480 --> 00:16:40,640 Speaker 1: Sure, or what you can roll your window down. 332 00:16:40,480 --> 00:16:44,520 Speaker 3: To Maybe I will. I just suddenly, gee, I know, 333 00:16:44,680 --> 00:16:47,680 Speaker 3: and I'm excited about it. I was so tired of 334 00:16:47,720 --> 00:16:52,520 Speaker 3: being hot for it seems like a year. Yeah, and 335 00:16:52,560 --> 00:16:55,640 Speaker 3: then to arrive in La and it's full on fall. 336 00:16:55,880 --> 00:16:57,080 Speaker 3: It makes me so happy. 337 00:16:57,400 --> 00:17:00,640 Speaker 2: I mean it turned cold and then rained so hard 338 00:17:00,720 --> 00:17:02,280 Speaker 2: it was like a temper tantrum. 339 00:17:02,760 --> 00:17:03,000 Speaker 3: Yeah. 340 00:17:03,080 --> 00:17:05,399 Speaker 4: Right, when I got off the plane yesterday morning, it 341 00:17:05,440 --> 00:17:09,960 Speaker 4: was pouring and I was just wearing the last thing 342 00:17:10,040 --> 00:17:11,520 Speaker 4: you'd want, just. 343 00:17:11,560 --> 00:17:16,280 Speaker 3: A wool pants. I did not want. I wasn't expecting 344 00:17:16,320 --> 00:17:17,080 Speaker 3: to get wet here. 345 00:17:17,280 --> 00:17:18,520 Speaker 1: Wool pants. 346 00:17:19,040 --> 00:17:23,399 Speaker 4: I had some warm pants, but they were not forgetting wet. 347 00:17:23,240 --> 00:17:26,240 Speaker 2: So those would be wool pants is something you would 348 00:17:26,240 --> 00:17:30,160 Speaker 2: wear in Montana because it's snowy and it's right fifty. 349 00:17:29,880 --> 00:17:33,800 Speaker 4: Forty thirty degrees and you're thinking, right now, also perfect 350 00:17:33,840 --> 00:17:34,280 Speaker 4: for rain. 351 00:17:36,000 --> 00:17:40,800 Speaker 1: But no, I'm saying wool isn't I get that right? 352 00:17:40,840 --> 00:17:42,280 Speaker 1: But how cold was it in Monte? 353 00:17:42,440 --> 00:17:44,080 Speaker 4: It was a knit pant that I didn't want to 354 00:17:44,119 --> 00:17:51,120 Speaker 4: get wet. Sure, it was bizarre because it was thirty 355 00:17:51,600 --> 00:17:53,480 Speaker 4: I mean one morning I golfed with my dad and 356 00:17:53,520 --> 00:17:56,520 Speaker 4: it was thirty two degrees but the sun was out 357 00:17:56,840 --> 00:17:59,159 Speaker 4: and I just had an extra layer and I was 358 00:17:59,240 --> 00:18:02,280 Speaker 4: not cold at all. But the night we did curb 359 00:18:02,320 --> 00:18:06,679 Speaker 4: Dogs in Idaho, it was kind of windy and it 360 00:18:07,000 --> 00:18:09,440 Speaker 4: said my phone said it was fifty five and I've 361 00:18:09,480 --> 00:18:14,360 Speaker 4: never been more cold and glued to a bonfire for warmth. 362 00:18:15,160 --> 00:18:19,720 Speaker 4: So I'm gonna start ignoring thermometers. Good idea, It's just 363 00:18:19,840 --> 00:18:20,439 Speaker 4: a number. 364 00:18:20,720 --> 00:18:21,800 Speaker 1: They don't know you. 365 00:18:21,840 --> 00:18:25,600 Speaker 3: No, it's like age. Temperature is what you make it 366 00:18:26,000 --> 00:18:28,240 Speaker 3: that's right, or what you're actually feeling. 367 00:18:27,960 --> 00:18:29,639 Speaker 1: Or what you need it to be. Yeah. 368 00:18:29,800 --> 00:18:32,879 Speaker 2: I actually realized this morning that it's time for me 369 00:18:33,040 --> 00:18:37,680 Speaker 2: because as a lady of a certain age, I'm always 370 00:18:37,760 --> 00:18:41,200 Speaker 2: hot or having hot flashes of some kind and it's 371 00:18:41,280 --> 00:18:44,919 Speaker 2: really fucking irritating. And when I go to sleep, I 372 00:18:45,040 --> 00:18:47,159 Speaker 2: feel all cozy, and then I wake up in the 373 00:18:47,160 --> 00:18:51,480 Speaker 2: middle of the night like dying and pouring sweat. And 374 00:18:52,080 --> 00:18:57,879 Speaker 2: when the temperature dropped, I got to change the central 375 00:18:58,040 --> 00:19:02,439 Speaker 2: air to the heat instead of the AC mode. And 376 00:19:02,960 --> 00:19:05,880 Speaker 2: my now I'm not I never sweat at night. It's 377 00:19:06,040 --> 00:19:10,240 Speaker 2: fucking the best. And uh, and I get to wear 378 00:19:10,480 --> 00:19:13,560 Speaker 2: all the sweaters that I keep compulsively buying. 379 00:19:13,240 --> 00:19:14,440 Speaker 1: Off of the techtok shop. 380 00:19:14,680 --> 00:19:18,280 Speaker 3: Right, you're a sweater as am I. We're sweater lovers. 381 00:19:18,320 --> 00:19:20,159 Speaker 1: We're sweater lovers. And weren't clothes. 382 00:19:19,920 --> 00:19:23,080 Speaker 3: Horses were Canadian clothes. 383 00:19:23,240 --> 00:19:28,960 Speaker 4: Worse, I feel like it's been years since I wore 384 00:19:29,080 --> 00:19:34,480 Speaker 4: my sweaters. They're so far away in my not large closet, 385 00:19:34,680 --> 00:19:38,480 Speaker 4: but narrow, long closet. Pull them up, Call them up, 386 00:19:38,720 --> 00:19:40,879 Speaker 4: pull them up, Pull up the photos I've taken of 387 00:19:40,960 --> 00:19:43,320 Speaker 4: my closet. 388 00:19:44,000 --> 00:19:44,600 Speaker 3: Pull them up. 389 00:19:44,720 --> 00:19:45,880 Speaker 1: No, pull up them sweaters. 390 00:19:45,880 --> 00:19:46,359 Speaker 3: It's time. 391 00:19:47,280 --> 00:19:50,280 Speaker 4: It's better to call. I'm better on the phone. Hello, 392 00:19:50,720 --> 00:19:51,520 Speaker 4: card to get in here. 393 00:19:52,480 --> 00:19:54,440 Speaker 1: What do you want? 394 00:19:54,480 --> 00:19:56,800 Speaker 3: See it soon? Yeah? 395 00:19:57,000 --> 00:19:59,679 Speaker 2: Remember the you're too young, God, damn it. Well, your 396 00:19:59,680 --> 00:20:03,520 Speaker 2: sister would remember. There was a commercial that was the 397 00:20:03,920 --> 00:20:06,240 Speaker 2: It was like a phone. It was a Mickey Mouse 398 00:20:06,359 --> 00:20:11,000 Speaker 2: phone that you could press buttons and different Disney characters would. 399 00:20:10,800 --> 00:20:11,480 Speaker 1: Talk to you. 400 00:20:11,480 --> 00:20:14,160 Speaker 3: You're right, I don't know that you don't like a speaking. 401 00:20:13,880 --> 00:20:15,879 Speaker 1: Spell kind of but you're on the phone. 402 00:20:16,320 --> 00:20:20,280 Speaker 2: And in the commercial, this little blonde girl or a 403 00:20:20,320 --> 00:20:21,359 Speaker 2: little boy, I can't remember. 404 00:20:21,920 --> 00:20:24,439 Speaker 1: This little kid they got who was probably four or 405 00:20:24,440 --> 00:20:25,520 Speaker 1: five years old. 406 00:20:25,960 --> 00:20:40,760 Speaker 2: It was like, Okay, my friend and I used to say. 407 00:20:36,680 --> 00:20:42,600 Speaker 3: Karen's crying right now. That's what she does when she cries. Sorry, 408 00:20:42,800 --> 00:20:46,399 Speaker 3: it's okay, it's so stupid. It's been a lot of loss. 409 00:20:46,000 --> 00:20:50,400 Speaker 3: It's okay to let it go. Very tired, she's crying, everybody. 410 00:20:50,560 --> 00:20:53,280 Speaker 1: That's when I'm so tired. No, this makes me laugh 411 00:20:53,320 --> 00:20:53,680 Speaker 1: so hard. 412 00:20:53,720 --> 00:20:57,359 Speaker 2: But they're advertising his phone and they're like the Mickey 413 00:20:57,359 --> 00:20:58,920 Speaker 2: Mouse phone whatever, blah blah blah. 414 00:20:58,960 --> 00:21:01,159 Speaker 1: And then they cut to little kid picks up the 415 00:21:01,160 --> 00:21:02,960 Speaker 1: phone and goes, he don't make you go on to 416 00:21:03,000 --> 00:21:05,680 Speaker 1: a party. And we used to say that to. 417 00:21:05,960 --> 00:21:10,439 Speaker 4: Okay, I do know that, Yes, I do remember it, 418 00:21:10,480 --> 00:21:11,480 Speaker 4: and maybe it's. 419 00:21:12,960 --> 00:21:16,320 Speaker 3: Yeah, maybe that was an eighties commercial. 420 00:21:15,880 --> 00:21:18,080 Speaker 2: Could be I mean sometimes they would just re run 421 00:21:18,160 --> 00:21:20,680 Speaker 2: those commercials every Christmas or whatever. 422 00:21:20,480 --> 00:21:24,560 Speaker 4: Right right, Like I remember the Clydesdale's and the winter 423 00:21:24,680 --> 00:21:28,720 Speaker 4: commercial for Budweiser, but that was made way before as born. 424 00:21:28,760 --> 00:21:32,280 Speaker 4: They just kept making it. Yeah, and now I want 425 00:21:32,280 --> 00:21:37,560 Speaker 4: to Budweiser. Clydesdale chandelier only found in bars. Wow, I 426 00:21:37,560 --> 00:21:40,399 Speaker 4: look them up on eBay. They're like seventeen hundred dollars. 427 00:21:40,600 --> 00:21:43,720 Speaker 4: There's a chandelier with the Clydesdales go around in a 428 00:21:43,760 --> 00:21:49,240 Speaker 4: circle and it plays the Dona. No, No, it's okay, 429 00:21:49,280 --> 00:21:51,720 Speaker 4: everyone that they're all dead. We can sing that, so 430 00:21:52,160 --> 00:21:52,840 Speaker 4: we can't. 431 00:21:54,680 --> 00:21:55,360 Speaker 1: They're all dead. 432 00:21:55,520 --> 00:21:59,720 Speaker 4: The horses, they're all dead, all the Clydesdale's, all the musicians, 433 00:22:00,119 --> 00:22:03,120 Speaker 4: everyone involved with production, all the bottlers. 434 00:22:03,320 --> 00:22:05,400 Speaker 1: It turns out they died on the same plane. 435 00:22:05,119 --> 00:22:08,719 Speaker 4: The Breumeister. They were all on the plane with the 436 00:22:08,760 --> 00:22:10,800 Speaker 4: big Bopper and Richie. 437 00:22:11,320 --> 00:22:14,240 Speaker 2: How did they fit those client sales on there? I 438 00:22:14,280 --> 00:22:16,600 Speaker 2: think that was part of the reason it went down. 439 00:22:17,000 --> 00:22:24,080 Speaker 4: It's what coined the phrase horsepower. It wasn't until that. 440 00:22:24,880 --> 00:22:26,119 Speaker 3: A lot of people don't know that. 441 00:22:27,000 --> 00:22:30,120 Speaker 4: But yeah, there's the one the phone I grew up with, which, 442 00:22:30,200 --> 00:22:35,760 Speaker 4: hilariously you win from like the Sports Illustrated. 443 00:22:37,200 --> 00:22:40,359 Speaker 3: Issue. Yeah, the football folk. It was great. 444 00:22:40,440 --> 00:22:43,760 Speaker 4: Yeah, it felt it was the grip of exactly a 445 00:22:43,840 --> 00:22:47,880 Speaker 4: tiny little rubber football. And every time I'd answer it, 446 00:22:48,080 --> 00:22:53,360 Speaker 4: I'd do the Heisman pose and go hello, Yeah, it 447 00:22:53,400 --> 00:22:58,640 Speaker 4: was my mistake. We're just trying to keep rhythm here. 448 00:23:00,520 --> 00:23:02,439 Speaker 4: It's like a metronome. 449 00:23:02,720 --> 00:23:08,199 Speaker 1: Clydesdale horse, Clydetale horse. All I've ever wanted was a Clydesdale. 450 00:23:08,320 --> 00:23:12,760 Speaker 3: And now you can have it. 451 00:23:12,560 --> 00:23:15,080 Speaker 1: Get brand names for less pat Ross. 452 00:23:15,320 --> 00:23:15,880 Speaker 3: There we go. 453 00:23:17,000 --> 00:23:21,480 Speaker 4: I got it at Burlington. Okay, I'm feeling better now. 454 00:23:21,720 --> 00:23:25,560 Speaker 4: Sorry about I had my I mean, we're both pre 455 00:23:25,720 --> 00:23:26,400 Speaker 4: met apausal. 456 00:23:26,840 --> 00:23:28,520 Speaker 3: I mean, I'm so I. 457 00:23:28,560 --> 00:23:30,359 Speaker 1: Just left at a joke that it was absolutely not 458 00:23:30,400 --> 00:23:31,040 Speaker 1: funny at all. 459 00:23:31,200 --> 00:23:34,720 Speaker 4: Hey, I only said that because I know what you're 460 00:23:34,760 --> 00:23:44,560 Speaker 4: going through, not from personal experience, of course, but I'm 461 00:23:44,640 --> 00:23:46,200 Speaker 4: surrounded by ladies. 462 00:23:46,920 --> 00:23:47,400 Speaker 1: That's right. 463 00:23:47,600 --> 00:23:50,520 Speaker 2: All the ladies get it, and you get it because 464 00:23:50,520 --> 00:23:52,200 Speaker 2: you've always been attuned to ladies. 465 00:23:52,280 --> 00:23:54,080 Speaker 3: Yeah, you know what, you know. I'm being earnest. 466 00:23:54,160 --> 00:23:54,439 Speaker 1: I know. 467 00:23:57,960 --> 00:23:59,800 Speaker 2: The question I was going to ask Chris is having 468 00:24:00,840 --> 00:24:04,280 Speaker 2: being raised by a mother prominently and a bossy older sister, 469 00:24:04,359 --> 00:24:05,119 Speaker 2: which they all are. 470 00:24:05,320 --> 00:24:06,639 Speaker 3: Yeah, yeah, six years older. 471 00:24:06,760 --> 00:24:11,160 Speaker 2: So yeah, real, how do you what do you think 472 00:24:11,359 --> 00:24:14,640 Speaker 2: the problem is these days with the like quote unquote 473 00:24:14,640 --> 00:24:18,600 Speaker 2: male loneliness epidemic and the and the kind of things 474 00:24:18,600 --> 00:24:21,600 Speaker 2: that we're seeing out of radicalized young men. 475 00:24:22,359 --> 00:24:27,320 Speaker 3: Right, I feel like. 476 00:24:30,320 --> 00:24:33,080 Speaker 4: People are just speaking up now and we have to 477 00:24:33,160 --> 00:24:36,920 Speaker 4: listen to everyone. And maybe there was always lonely men, 478 00:24:37,000 --> 00:24:40,679 Speaker 4: but it's like, who cares. It's not a trend with 479 00:24:40,760 --> 00:24:43,760 Speaker 4: how people are raised differently now, it's just listening to 480 00:24:43,800 --> 00:24:44,440 Speaker 4: all these. 481 00:24:45,760 --> 00:24:46,680 Speaker 3: Fucking voices. 482 00:24:48,640 --> 00:24:51,560 Speaker 2: It is a great answer, that's right, Like, there's so 483 00:24:51,640 --> 00:24:53,040 Speaker 2: much there's so much exposure. 484 00:24:54,280 --> 00:24:57,640 Speaker 3: Yeah, maybe it's an argument for divorce. 485 00:24:57,880 --> 00:25:01,439 Speaker 4: Too many, too many guys these days have dads that 486 00:25:01,520 --> 00:25:03,120 Speaker 4: are still fucking hanging around. 487 00:25:06,080 --> 00:25:07,840 Speaker 3: Did steering him in the wrong direction. 488 00:25:08,160 --> 00:25:10,359 Speaker 2: But do you think that like, if you grow up 489 00:25:10,359 --> 00:25:13,560 Speaker 2: with women, that isn't as likely, or do you think 490 00:25:13,600 --> 00:25:17,200 Speaker 2: it's just to the person having an experience online, Because 491 00:25:17,240 --> 00:25:19,679 Speaker 2: my idea was like, you are good at getting around, 492 00:25:19,760 --> 00:25:22,199 Speaker 2: getting along with lots of different kind of people, but 493 00:25:22,600 --> 00:25:25,840 Speaker 2: especially women, And I think that that is because of 494 00:25:25,880 --> 00:25:26,560 Speaker 2: your mom and your. 495 00:25:26,440 --> 00:25:27,280 Speaker 3: Soul for sure. 496 00:25:27,440 --> 00:25:32,280 Speaker 4: Yeah, and also being so excited when it was time 497 00:25:32,440 --> 00:25:36,320 Speaker 4: to dress me up in my grandma's. 498 00:25:35,960 --> 00:25:37,679 Speaker 3: Clothes, do full makeup on me. 499 00:25:37,960 --> 00:25:41,520 Speaker 4: All my sister's friends were there and they're all paying 500 00:25:41,560 --> 00:25:45,719 Speaker 4: attention to me. They'd make me walk around like a grandma, 501 00:25:45,880 --> 00:25:47,040 Speaker 4: like different characters. 502 00:25:47,119 --> 00:25:48,200 Speaker 3: They made me perform. 503 00:25:48,440 --> 00:25:51,760 Speaker 4: And that was just my sister hanging out with seventeen 504 00:25:51,840 --> 00:25:55,480 Speaker 4: year old girls. And yeah, if I had an older brother, 505 00:25:55,520 --> 00:25:58,320 Speaker 4: we wouldn't. They'd be just like, go ahead, punch him. 506 00:25:58,320 --> 00:26:00,359 Speaker 4: He doesn't feel anything, you know. 507 00:26:00,800 --> 00:26:03,879 Speaker 1: That's a different it's a whole different vibe. 508 00:26:04,080 --> 00:26:04,720 Speaker 3: Yeah, and. 509 00:26:06,200 --> 00:26:09,720 Speaker 4: Yeah, I think my mom and sister were close in 510 00:26:09,760 --> 00:26:14,000 Speaker 4: a way to where it was like, Okay, they're fighting 511 00:26:14,040 --> 00:26:17,240 Speaker 4: about this thing my mom shouldn't care about, and my 512 00:26:17,320 --> 00:26:22,800 Speaker 4: sister I can mediate this fight in a way that 513 00:26:22,920 --> 00:26:25,320 Speaker 4: I guess a dad would do by slamming a door 514 00:26:25,440 --> 00:26:28,080 Speaker 4: or something. Not all of a sudden, I'm the man 515 00:26:28,080 --> 00:26:31,080 Speaker 4: of the house. But I'm still pooping in my pants. 516 00:26:32,560 --> 00:26:34,800 Speaker 3: I don't know. Now I'm just riffing. 517 00:26:36,760 --> 00:26:38,320 Speaker 1: Now you're just doing baby poop jokes. 518 00:26:38,480 --> 00:26:42,439 Speaker 4: Yeah, yeah, well it always works. I eventually go to 519 00:26:42,520 --> 00:26:43,560 Speaker 4: my road material. 520 00:26:43,680 --> 00:26:45,000 Speaker 1: That's right, got to. 521 00:26:45,320 --> 00:26:50,520 Speaker 4: Yeah, there are benefits to just being raised. But of 522 00:26:50,640 --> 00:26:54,720 Speaker 4: course my dad was the early days. It was dad 523 00:26:55,119 --> 00:26:59,080 Speaker 4: twenty four to seven, and then also whenever I went 524 00:26:59,800 --> 00:27:02,840 Speaker 4: to his house. I do think, even though it sounds 525 00:27:02,840 --> 00:27:05,440 Speaker 4: like a pain in the ass, and a lot of 526 00:27:05,960 --> 00:27:09,480 Speaker 4: my friends that our divorced start doing this because you 527 00:27:09,560 --> 00:27:14,280 Speaker 4: have to maintain two permanent bedrooms. 528 00:27:13,640 --> 00:27:14,359 Speaker 3: At each house. 529 00:27:15,000 --> 00:27:17,840 Speaker 4: But yeah, two weeks at this parent's house, two weeks 530 00:27:17,840 --> 00:27:20,480 Speaker 4: at this parent's house. That's the way you do it, right, 531 00:27:20,560 --> 00:27:22,480 Speaker 4: not every Thursday and Sunday. 532 00:27:22,800 --> 00:27:23,840 Speaker 1: Oh that's why you did it. 533 00:27:24,240 --> 00:27:29,080 Speaker 4: Yeah, yeah, then you get the equal doses. Yeah, you know, 534 00:27:30,119 --> 00:27:31,080 Speaker 4: so that's that's. 535 00:27:30,960 --> 00:27:32,560 Speaker 3: The only thing i'd go back and change. 536 00:27:32,720 --> 00:27:37,440 Speaker 4: Yeah, I would make a decision to split it exactly 537 00:27:37,520 --> 00:27:38,119 Speaker 4: down the middle. 538 00:27:38,240 --> 00:27:39,640 Speaker 1: Yeah, yeah, that makes sense. 539 00:27:39,800 --> 00:27:40,960 Speaker 3: Yeah, but I didn't know. 540 00:27:41,600 --> 00:27:44,440 Speaker 2: You couldn't have done that. Also, you lived your mom 541 00:27:44,520 --> 00:27:47,120 Speaker 2: lived in your dad lived in a totally. 542 00:27:46,880 --> 00:27:49,440 Speaker 3: Different No, no, just a few blocks away. 543 00:27:49,880 --> 00:27:50,120 Speaker 1: What. 544 00:27:50,440 --> 00:27:54,280 Speaker 4: Yeah, So I don't think as a kid, it's good 545 00:27:54,320 --> 00:27:56,320 Speaker 4: to be like, well, who do you want to live with? 546 00:27:56,640 --> 00:27:58,960 Speaker 3: Do I have to flip a coin? Who's failings? Do 547 00:27:59,040 --> 00:27:59,480 Speaker 3: I hurt? 548 00:27:59,520 --> 00:28:01,439 Speaker 1: You mean yeah, you can't decide? 549 00:28:01,520 --> 00:28:01,879 Speaker 3: Yeah? 550 00:28:01,960 --> 00:28:06,320 Speaker 4: Yeah, but it was an amicable enough divorce where they're like, well, 551 00:28:06,400 --> 00:28:11,560 Speaker 4: let's do joint. And that's been like, well, at least 552 00:28:11,560 --> 00:28:17,920 Speaker 4: here I got to wear costumes in Mecca and full 553 00:28:18,000 --> 00:28:21,320 Speaker 4: on basement with my waterbed all righty there. I wanted 554 00:28:21,320 --> 00:28:24,399 Speaker 4: to make sure I had bad posture and there's MTV. 555 00:28:24,560 --> 00:28:27,360 Speaker 4: I'm like, I want to fucking take this. 556 00:28:27,920 --> 00:28:30,840 Speaker 3: I can't duplicate this across town. That's the hard part. 557 00:28:31,359 --> 00:28:34,880 Speaker 2: I just thought of that because the conversation is always 558 00:28:34,920 --> 00:28:37,240 Speaker 2: happening now of like what's going on. I just saw 559 00:28:37,320 --> 00:28:40,720 Speaker 2: TikTok where these two girls are bartenders at this really 560 00:28:40,760 --> 00:28:45,040 Speaker 2: lovely outdoor bar, and you just it just says POV 561 00:28:45,320 --> 00:28:48,440 Speaker 2: when you work at a bar and this guy is 562 00:28:48,520 --> 00:28:51,719 Speaker 2: just like, I don't want women to and he's just 563 00:28:51,760 --> 00:28:53,880 Speaker 2: like kind of yelling at them, and they're both just 564 00:28:53,880 --> 00:28:56,440 Speaker 2: sitting there going uh huh. Well that's your opinion. Great, 565 00:28:56,600 --> 00:28:59,040 Speaker 2: that's your opinion. But he's like when I have a family, 566 00:28:59,040 --> 00:29:01,000 Speaker 2: I don't have a nucle and he's like, oh, it's 567 00:29:01,040 --> 00:29:03,920 Speaker 2: gonna be traditional, and it's like they're just like sounds good, and. 568 00:29:05,520 --> 00:29:07,280 Speaker 1: It was a real guy. 569 00:29:07,560 --> 00:29:11,960 Speaker 2: They were just holding their camera up at their own faces, 570 00:29:13,080 --> 00:29:15,160 Speaker 2: and then you can hear the weird shit he's saying, 571 00:29:15,360 --> 00:29:15,720 Speaker 2: I like. 572 00:29:15,680 --> 00:29:17,239 Speaker 4: The way to do it because then he doesn't know 573 00:29:17,280 --> 00:29:19,000 Speaker 4: and he's going to keep spewing dumb ship. 574 00:29:19,240 --> 00:29:21,800 Speaker 2: Yes, And he's like truly just yelling at them, and 575 00:29:21,800 --> 00:29:24,440 Speaker 2: they're both smiling. You can see what they're doing, so 576 00:29:24,480 --> 00:29:27,400 Speaker 2: it's not like a trick. But it's the thing where 577 00:29:27,400 --> 00:29:31,720 Speaker 2: I'm like, but that guy, what happened to his brain 578 00:29:32,120 --> 00:29:33,800 Speaker 2: where he thinks that's the way? 579 00:29:34,000 --> 00:29:37,040 Speaker 1: Like he's yelling at them like lonely. 580 00:29:37,440 --> 00:29:42,760 Speaker 2: I've heard thee is just like that men are really 581 00:29:42,840 --> 00:29:45,440 Speaker 2: lonely and it's really horrible for them, and that therefore 582 00:29:45,440 --> 00:29:47,560 Speaker 2: it's really bad for society. And it's like, well, that's 583 00:29:47,640 --> 00:29:52,320 Speaker 2: very true, because they get violent and they keep picking 584 00:29:52,400 --> 00:29:53,800 Speaker 2: up guns and doing fucked up shit. 585 00:29:54,320 --> 00:29:55,600 Speaker 3: That's actually what's. 586 00:29:55,360 --> 00:29:59,080 Speaker 2: Happening, but it keeps getting discussed because the press kind 587 00:29:59,080 --> 00:30:01,440 Speaker 2: of skewed it like it's so sad. We have to 588 00:30:01,480 --> 00:30:04,320 Speaker 2: feel bad for men because they're now having this loneliness 589 00:30:04,320 --> 00:30:04,760 Speaker 2: of it and. 590 00:30:04,720 --> 00:30:07,640 Speaker 4: These are it's similar to the phrase in cell right 591 00:30:07,720 --> 00:30:08,320 Speaker 4: mm hmm. 592 00:30:08,520 --> 00:30:12,680 Speaker 1: And it's all the related kind of horrible. The way 593 00:30:13,000 --> 00:30:15,800 Speaker 1: young men are being right radicalized online. 594 00:30:15,880 --> 00:30:20,400 Speaker 4: Weird because I during COVID, I guess that that because 595 00:30:20,440 --> 00:30:24,600 Speaker 4: everyone was forced to be alone. I just realized, oh man, 596 00:30:25,680 --> 00:30:28,000 Speaker 4: my gray hair went away. Because I have no fear 597 00:30:28,040 --> 00:30:31,200 Speaker 4: of missing out on anything, and I kind of have 598 00:30:31,400 --> 00:30:34,440 Speaker 4: fun by myself. But I was like, that's a slippery 599 00:30:34,440 --> 00:30:35,600 Speaker 4: slope because I'm talking to. 600 00:30:35,600 --> 00:30:36,960 Speaker 3: Myself and laughing. 601 00:30:37,080 --> 00:30:40,080 Speaker 4: Everybody talks about I'm telling story. Everyone does, everyone does. 602 00:30:40,120 --> 00:30:42,680 Speaker 4: But I was having a blast. But I knew this 603 00:30:42,720 --> 00:30:46,480 Speaker 4: isn't this is temporary. But thank god I enjoy my 604 00:30:46,520 --> 00:30:48,720 Speaker 4: own company. Yes, because if you told me a few 605 00:30:48,800 --> 00:30:50,680 Speaker 4: years ago, what if you were locked in your apartment 606 00:30:50,720 --> 00:30:52,880 Speaker 4: by yourself, I'm like, I don't know box of raids 607 00:30:53,000 --> 00:30:55,480 Speaker 4: or plates and I'm not making light of that. 608 00:30:55,720 --> 00:30:58,320 Speaker 1: I have to tell a teacher now, Oh wait, no, no, 609 00:30:58,480 --> 00:31:01,640 Speaker 1: I was you did? I have to warn an adult? 610 00:31:02,080 --> 00:31:02,280 Speaker 2: No? 611 00:31:02,360 --> 00:31:05,640 Speaker 4: But because I loved arts and crafts, it was going 612 00:31:05,680 --> 00:31:06,520 Speaker 4: to be about to raise. 613 00:31:06,400 --> 00:31:11,960 Speaker 1: The blades and makes me chures with glittery glory high. 614 00:31:12,520 --> 00:31:13,480 Speaker 3: I'm sorry. 615 00:31:14,680 --> 00:31:18,320 Speaker 4: I let me explain why I did that comedy festival. 616 00:31:19,200 --> 00:31:22,320 Speaker 3: The audience people needed it Is that a good disease? 617 00:31:22,720 --> 00:31:26,440 Speaker 2: It is what an awkward everyone trying to fucking disaster 618 00:31:26,880 --> 00:31:28,560 Speaker 2: those a bunch of dudes. 619 00:31:28,560 --> 00:31:31,280 Speaker 1: So it's like, just don't say anything, you don't stand 620 00:31:31,280 --> 00:31:33,000 Speaker 1: for anything. It's fine, just shut up. 621 00:31:34,240 --> 00:31:40,120 Speaker 4: I know, but I it's like, uh, Mark Maren, I've 622 00:31:40,200 --> 00:31:44,280 Speaker 4: been happy with some of the things Bill Burr says, 623 00:31:44,520 --> 00:31:47,000 Speaker 4: and I'm like, oh, wait a minute. In the past, 624 00:31:47,080 --> 00:31:50,360 Speaker 4: it's just so hard to actually engauge where people are 625 00:31:50,360 --> 00:31:51,280 Speaker 4: coming from. 626 00:31:51,840 --> 00:31:53,920 Speaker 1: You're saying, in the past you have liked Bill Burr 627 00:31:54,080 --> 00:31:55,280 Speaker 1: have Yeah. 628 00:31:55,440 --> 00:31:59,360 Speaker 4: I'm like, wow, maybe it's not what are you? That's 629 00:31:59,440 --> 00:32:02,760 Speaker 4: roles where I behavior and U Sir are in a toyota. 630 00:32:02,440 --> 00:32:05,200 Speaker 1: A lot of rolls Royce energy on the streets side. 631 00:32:05,600 --> 00:32:07,680 Speaker 4: These are the first ones I've ever seen, and I'm 632 00:32:07,720 --> 00:32:12,760 Speaker 4: already deciding what kind of person drives them. But yeah, 633 00:32:12,840 --> 00:32:16,560 Speaker 4: that was that was I understand and know where people 634 00:32:16,600 --> 00:32:17,160 Speaker 4: are coming from. 635 00:32:17,200 --> 00:32:22,240 Speaker 3: When it's like, well saying the people that live. 636 00:32:22,360 --> 00:32:26,320 Speaker 4: In that region don't deserve to go see comedy is 637 00:32:26,400 --> 00:32:29,680 Speaker 4: the same as saying all Palestinians are Hamas or something. 638 00:32:29,720 --> 00:32:32,400 Speaker 4: There are people that went to that show that deserve 639 00:32:32,560 --> 00:32:37,120 Speaker 4: to have entertainment, and I get that, but they're not 640 00:32:37,160 --> 00:32:41,640 Speaker 4: talking about the money they just took from a beheading murderers, 641 00:32:42,680 --> 00:32:44,120 Speaker 4: terrifying person no. 642 00:32:44,200 --> 00:32:45,520 Speaker 3: One, no one is addressing. 643 00:32:45,520 --> 00:32:49,960 Speaker 2: They're addressing a thing that isn't isn't relevant, right, as 644 00:32:50,000 --> 00:32:52,280 Speaker 2: if that's a problem. And look, I don't I've just 645 00:32:52,320 --> 00:32:54,400 Speaker 2: been watching people talk about it, so I don't have 646 00:32:54,440 --> 00:32:57,600 Speaker 2: some big stance or whatever. But I would say, as 647 00:32:57,640 --> 00:33:01,840 Speaker 2: a person who's gotten in trouble publicly alone before, if 648 00:33:01,880 --> 00:33:04,720 Speaker 2: you're going to say shit, you better get your act 649 00:33:04,800 --> 00:33:07,800 Speaker 2: right about what you're about to say, because this fucking 650 00:33:08,520 --> 00:33:12,560 Speaker 2: the way they're basically saying, like, oh, America is bad too, 651 00:33:12,720 --> 00:33:16,360 Speaker 2: It's like, no, that's It's like you can say it, 652 00:33:16,480 --> 00:33:19,080 Speaker 2: you and your lawyer can figure out that that's your statement, 653 00:33:19,560 --> 00:33:23,360 Speaker 2: but no one's fucking buying that ship, right, And now 654 00:33:23,440 --> 00:33:26,480 Speaker 2: you're you've lost all fucking credibility. 655 00:33:26,560 --> 00:33:27,680 Speaker 3: Shiit, No, that's all right. 656 00:33:28,560 --> 00:33:30,920 Speaker 1: Sorry, I'm just gonna do It's okay. 657 00:33:31,000 --> 00:33:33,360 Speaker 3: We have a nice car. I'm tired of waiting in 658 00:33:33,400 --> 00:33:35,880 Speaker 3: my Haunta cord. They would have just said fuck this car. 659 00:33:37,720 --> 00:33:37,960 Speaker 2: Yeah. 660 00:33:38,800 --> 00:33:42,239 Speaker 4: When I watched whoever it was that asked it, it 661 00:33:42,280 --> 00:33:44,080 Speaker 4: was Kimmel asking as he's about it. 662 00:33:44,000 --> 00:33:45,720 Speaker 3: It was like, wait a minute, did you not know 663 00:33:45,840 --> 00:33:46,760 Speaker 3: he was going to ask this? 664 00:33:47,400 --> 00:33:49,240 Speaker 1: Oh? They absolutely absolutely knew. 665 00:33:49,360 --> 00:33:52,600 Speaker 3: And so that was the thought, thought ahead version that 666 00:33:52,720 --> 00:33:53,360 Speaker 3: was No. 667 00:33:53,400 --> 00:33:56,840 Speaker 2: One's like they're all so smart, right, they're all so smart, 668 00:33:57,120 --> 00:33:59,600 Speaker 2: but they're not thinking about what do you really say 669 00:33:59,600 --> 00:34:02,000 Speaker 2: in a suchuation like this, which is tell people the truth. 670 00:34:02,280 --> 00:34:05,080 Speaker 2: I did it for the money. It's one point five 671 00:34:05,160 --> 00:34:08,479 Speaker 2: million dollars. It's it's immoral, and that's what I did. 672 00:34:08,560 --> 00:34:10,759 Speaker 2: And I made that decision because that's the way they 673 00:34:10,800 --> 00:34:14,479 Speaker 2: made the decision privately, and that people know that there's 674 00:34:14,600 --> 00:34:18,160 Speaker 2: no you can't put any other spin on it. They 675 00:34:18,239 --> 00:34:21,680 Speaker 2: made that decision, so there's no going back. 676 00:34:21,760 --> 00:34:23,600 Speaker 4: Even if you were a low end person who got 677 00:34:23,640 --> 00:34:24,680 Speaker 4: the five hundred grand. 678 00:34:25,160 --> 00:34:27,520 Speaker 2: I mean, it's so much fucking money and this is 679 00:34:27,600 --> 00:34:29,440 Speaker 2: what the world is going to become. 680 00:34:29,480 --> 00:34:32,200 Speaker 3: I'm doing it again, and and and on to that. 681 00:34:32,400 --> 00:34:35,080 Speaker 4: If someone called me the other day and said, hey, 682 00:34:35,120 --> 00:34:36,880 Speaker 4: will you do this festival for a million and a 683 00:34:36,920 --> 00:34:38,360 Speaker 4: half dollars, I would have said. 684 00:34:38,160 --> 00:34:40,919 Speaker 3: Yes, right, I would have of course, of. 685 00:34:40,840 --> 00:34:43,879 Speaker 4: Course, I mean I really need it. Though I think 686 00:34:43,920 --> 00:34:45,879 Speaker 4: the argument is did you really need that? 687 00:34:45,960 --> 00:34:46,600 Speaker 1: Did you need it? 688 00:34:46,680 --> 00:34:49,440 Speaker 4: Like everyone in these T mobile commercials that's already the 689 00:34:49,520 --> 00:34:51,279 Speaker 4: Giant Movies sees. 690 00:34:50,719 --> 00:34:53,640 Speaker 2: If I'm fucking sorry, did not need that money unless 691 00:34:53,680 --> 00:34:55,799 Speaker 2: he's an inveterate gambler, some terrible. 692 00:34:55,520 --> 00:34:59,080 Speaker 4: I think, like you said, Seas, I'm fucking sorry for 693 00:34:59,239 --> 00:35:00,960 Speaker 4: what I'm about to and. 694 00:35:00,840 --> 00:35:04,239 Speaker 2: It's just your last name, But I mean, don't this 695 00:35:04,360 --> 00:35:07,040 Speaker 2: thing of like clearly as he's I'm sorry. 696 00:35:06,840 --> 00:35:09,440 Speaker 1: Got booked on Kimmel to say that. 697 00:35:10,040 --> 00:35:11,760 Speaker 2: So if you're going to come out with a statement, 698 00:35:11,800 --> 00:35:14,799 Speaker 2: that will then be picked apart once again, because that's 699 00:35:14,840 --> 00:35:17,839 Speaker 2: how this churn works where you're you're now in the 700 00:35:17,880 --> 00:35:21,360 Speaker 2: public churn. So either go, yeah, I did it that 701 00:35:21,520 --> 00:35:23,319 Speaker 2: I made a decision because I had to pay off 702 00:35:23,320 --> 00:35:25,640 Speaker 2: my house and I don't have a blah blah blah 703 00:35:25,680 --> 00:35:27,080 Speaker 2: and everything's slowing down. 704 00:35:27,640 --> 00:35:30,600 Speaker 3: Well, people would go, oh, that's the difference. I can't. 705 00:35:30,960 --> 00:35:36,120 Speaker 4: I can't not blurt what is the truth when i'm 706 00:35:36,320 --> 00:35:38,759 Speaker 4: and then I kick myself later like, oh, this will 707 00:35:38,800 --> 00:35:42,200 Speaker 4: be funny to actually say I'm I needed the money 708 00:35:42,239 --> 00:35:43,000 Speaker 4: really bad. 709 00:35:43,040 --> 00:35:44,360 Speaker 3: Right, Why wouldn't they have done that? 710 00:35:45,160 --> 00:35:48,800 Speaker 2: Just say, it's like everyone is doing that these days, 711 00:35:48,840 --> 00:35:52,040 Speaker 2: whether it's public or private. You get an offer of 712 00:35:52,080 --> 00:35:55,840 Speaker 2: a big payday, there there's going to be a downside 713 00:35:55,880 --> 00:35:58,400 Speaker 2: to that payday, because that is how the system works. 714 00:35:59,239 --> 00:36:01,719 Speaker 1: You decide to take the payday despite that. 715 00:36:02,040 --> 00:36:07,040 Speaker 2: Yeah, there's no conversation afterwards about how you're moral anyway. 716 00:36:07,239 --> 00:36:09,560 Speaker 4: And it's hard not to compare it for me as 717 00:36:09,600 --> 00:36:14,840 Speaker 4: someone that used to make a quiet living from acting 718 00:36:14,920 --> 00:36:17,680 Speaker 4: in commercials, they're no longer is money in that one 719 00:36:17,719 --> 00:36:19,760 Speaker 4: because commercials are on streaming networks. 720 00:36:19,800 --> 00:36:23,200 Speaker 3: Some are on but not the same money old guy cable. 721 00:36:23,239 --> 00:36:26,480 Speaker 4: But those commercials are being scooped up by people that 722 00:36:26,560 --> 00:36:31,440 Speaker 4: are already established giant movie stars right at like you know, 723 00:36:31,960 --> 00:36:36,279 Speaker 4: the highest level. And I investigate those companies, I mean 724 00:36:36,280 --> 00:36:39,520 Speaker 4: there's probably more blood on the hands of so many. 725 00:36:39,280 --> 00:36:41,480 Speaker 3: Of those I don't know, not Tea Mobile. 726 00:36:41,520 --> 00:36:44,880 Speaker 1: But no, that's not here's the problem. That's not true. 727 00:36:44,960 --> 00:36:47,279 Speaker 2: So that that's the thing that they keep trying to 728 00:36:47,280 --> 00:36:50,920 Speaker 2: take right, equivocating, and it's like no, no, everyone's just 729 00:36:50,960 --> 00:36:53,520 Speaker 2: saying you went and took money from the people who 730 00:36:53,600 --> 00:36:59,720 Speaker 2: literally are actively killing journalists, right, gay people, women, anybody 731 00:36:59,719 --> 00:37:00,520 Speaker 2: who's speaks up. 732 00:37:00,600 --> 00:37:02,200 Speaker 1: It's not it's. 733 00:37:02,040 --> 00:37:06,080 Speaker 2: Not chill, and it's not comparable even to this fucked America. 734 00:37:06,440 --> 00:37:07,120 Speaker 1: I know that. 735 00:37:07,120 --> 00:37:10,120 Speaker 4: That's why I'm saying, right, I was being good Cup 736 00:37:10,160 --> 00:37:12,600 Speaker 4: bad Cup, because that's when a conversation if we're both 737 00:37:12,640 --> 00:37:13,240 Speaker 4: good cops. 738 00:37:13,440 --> 00:37:15,359 Speaker 1: No, no, that's right, right, I knew that. 739 00:37:16,120 --> 00:37:18,520 Speaker 2: I'm sorry. I wasn't trying to sure you. I'm just 740 00:37:18,560 --> 00:37:20,560 Speaker 2: saying I know you were. It's kind of the way 741 00:37:20,600 --> 00:37:24,480 Speaker 2: it really worked out. I'm arguing their argument, which is 742 00:37:24,520 --> 00:37:27,880 Speaker 2: what you were making for the example exactly, and I'm 743 00:37:27,920 --> 00:37:31,200 Speaker 2: just doing the same of like. It irritates me when 744 00:37:31,239 --> 00:37:37,640 Speaker 2: people people need to smarten up about the pr churm right, 745 00:37:37,719 --> 00:37:42,080 Speaker 2: because you're giving people more to talk about when you offer. 746 00:37:41,880 --> 00:37:43,799 Speaker 1: Up like, well, this is the excuse I. 747 00:37:43,800 --> 00:37:46,040 Speaker 2: Made to myself that made me feel okay about it, 748 00:37:46,040 --> 00:37:47,640 Speaker 2: where it's like, okay. 749 00:37:47,640 --> 00:37:50,560 Speaker 4: That sounds like the exact excuse the other guy gave. 750 00:37:50,719 --> 00:37:54,160 Speaker 4: At least make a slightly different edited excuse. 751 00:37:53,960 --> 00:37:57,680 Speaker 2: Yeah, or be the pivot and see how badly it's 752 00:37:57,719 --> 00:38:00,719 Speaker 2: going for those other people. But I mean, truly, I'm 753 00:38:00,760 --> 00:38:02,879 Speaker 2: sure that there are many people who are like, yep, 754 00:38:02,960 --> 00:38:04,680 Speaker 2: I knew my reputation would take a hit. 755 00:38:04,760 --> 00:38:06,960 Speaker 1: I don't care. I need money in the bank at 756 00:38:06,960 --> 00:38:07,319 Speaker 1: the end. 757 00:38:07,680 --> 00:38:11,000 Speaker 3: Yeah, like right, But. 758 00:38:10,920 --> 00:38:13,400 Speaker 2: Don't try to say America is the same and so 759 00:38:13,480 --> 00:38:17,719 Speaker 2: it all doesn't matter, because it's like that's how shit 760 00:38:17,880 --> 00:38:19,200 Speaker 2: like that continues. 761 00:38:19,360 --> 00:38:21,239 Speaker 3: Yeah, even though that also is true. 762 00:38:23,160 --> 00:38:27,439 Speaker 4: America is Oh it's the beautiful. Ay, not this close 763 00:38:27,520 --> 00:38:30,799 Speaker 4: to the holidays. Let's try me more patriotic as a podcast. 764 00:38:30,880 --> 00:38:33,640 Speaker 4: What do you know, I won't What about just around 765 00:38:33,640 --> 00:38:44,000 Speaker 4: Halloween this year, I'm going as Francis scott Key. 766 00:38:44,080 --> 00:38:48,680 Speaker 2: This year's sexy, going as pocon Y, but. 767 00:38:48,880 --> 00:38:52,920 Speaker 4: Sexy Landa Lake's Poconnas with the cutout where the needs 768 00:38:53,000 --> 00:38:56,200 Speaker 4: become a cleavage. Yes, you know what I'm talking about, right, Absolutely, 769 00:38:56,400 --> 00:38:57,160 Speaker 4: we've all done it. 770 00:38:58,239 --> 00:39:00,360 Speaker 1: We've lived in that world for so long. 771 00:39:00,920 --> 00:39:04,880 Speaker 4: Yeah, and now my hand, I'm not having Halloween. Everyone, 772 00:39:05,120 --> 00:39:08,759 Speaker 4: you can stop sending me really really good costume ideas well. 773 00:39:09,040 --> 00:39:13,120 Speaker 4: Chris one was Burt Reynolds, whether it transamdor just like 774 00:39:13,560 --> 00:39:15,960 Speaker 4: oh the bandit and then you just that was a 775 00:39:15,960 --> 00:39:16,719 Speaker 4: good idea. 776 00:39:16,800 --> 00:39:20,440 Speaker 1: With that hand, you're two steps away from Edward scissor hands. 777 00:39:20,480 --> 00:39:21,800 Speaker 1: I don't know why you're not seeing it. 778 00:39:22,080 --> 00:39:26,640 Speaker 4: Yeah, I guess, and it'll be fine in another couple 779 00:39:26,680 --> 00:39:32,319 Speaker 4: of weeks. So, yeah, you're right, Halloween's back on. And uh, 780 00:39:33,080 --> 00:39:34,680 Speaker 4: I meant what I said. Let's be We're going to 781 00:39:34,719 --> 00:39:35,759 Speaker 4: be extra patriotic. 782 00:39:36,480 --> 00:39:39,560 Speaker 3: Our guests next week. The Blue Angel, Yes. 783 00:39:39,560 --> 00:39:41,839 Speaker 1: The Canadian Blue A. They fly in. 784 00:39:41,840 --> 00:39:47,480 Speaker 4: A perfect V formation because of our grandpa's winning the wars. 785 00:39:47,800 --> 00:39:49,799 Speaker 1: Are How are the Blue Angels these days? 786 00:39:50,000 --> 00:39:53,360 Speaker 4: I think that nowadays, out of State Fair or something, 787 00:39:53,360 --> 00:39:55,560 Speaker 4: it's just one plane that flies by. 788 00:39:56,320 --> 00:39:59,920 Speaker 1: And Hanks like Hanks and eighteen wheeler. 789 00:40:00,080 --> 00:40:04,640 Speaker 3: Yeah, where's my five friends? Hong kongk Well, well we've 790 00:40:04,680 --> 00:40:05,320 Speaker 3: done it again. 791 00:40:05,640 --> 00:40:08,080 Speaker 1: Listen. I've tried to be This is the episode where 792 00:40:08,080 --> 00:40:12,279 Speaker 1: I've tried to make you be provocative, right, right, what 793 00:40:12,320 --> 00:40:14,200 Speaker 1: do you think about this? What do you think about that? 794 00:40:14,680 --> 00:40:16,080 Speaker 3: You're right, you're a good director. 795 00:40:16,440 --> 00:40:19,440 Speaker 1: Thanks so much. I mean, should we turn this into 796 00:40:19,560 --> 00:40:20,439 Speaker 1: the Bill Barbers Show. 797 00:40:20,800 --> 00:40:23,600 Speaker 3: Yeah, let's do it. Let's do it. Let's get high 798 00:40:23,640 --> 00:40:27,000 Speaker 3: and smoke cigars. Yeah, talk about how the ladies used 799 00:40:27,040 --> 00:40:28,759 Speaker 3: to be in the sixties. 800 00:40:29,600 --> 00:40:32,040 Speaker 1: They all had long hair and they don't anymore. 801 00:40:32,239 --> 00:40:33,120 Speaker 3: Yeah. 802 00:40:33,320 --> 00:40:39,279 Speaker 4: I like Harvey Korman films. Yeah, no, I don't. That's 803 00:40:39,320 --> 00:40:42,399 Speaker 4: the end of that character. Goodbye, good to see you. 804 00:40:42,400 --> 00:40:44,239 Speaker 4: You've been listening? Did you need a ride? 805 00:40:44,280 --> 00:40:44,640 Speaker 2: Do you? Why? 806 00:40:44,719 --> 00:40:54,920 Speaker 3: Any ar? This has been an exactly right production. 807 00:40:55,400 --> 00:40:57,640 Speaker 1: Our senior producer is Annalise Nelson. 808 00:40:58,040 --> 00:40:59,439 Speaker 3: Mixed by Edson Troy. 809 00:41:00,000 --> 00:41:01,760 Speaker 1: Our talent booker is Patrick Kotner. 810 00:41:02,040 --> 00:41:03,960 Speaker 3: Themed song by Karen Kilgareff. 811 00:41:04,400 --> 00:41:05,839 Speaker 1: Artwork by Chris Fairbanks. 812 00:41:06,080 --> 00:41:09,160 Speaker 2: Follow the show on Instagram, Twitter, and Facebook at dinar 813 00:41:09,280 --> 00:41:12,360 Speaker 2: podcast That's d y Nar Podcast. 814 00:41:12,760 --> 00:41:16,360 Speaker 4: For more information, go to exactly rightmedia dot com. 815 00:41:16,360 --> 00:41:18,640 Speaker 1: Thank you, Oh You're welcome.