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Speaker 1: I missed you, girl.

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Speaker 2: Girl, let me tell you something I missed you too.

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Speaker 1: Look at that tricep though you like that? Yeah, I

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Speaker 1: mean for a guy that doesn't even lift anymore, you

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Speaker 1: got a nice try try.

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Speaker 2: I lift a little bit. I left a little bit.

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Speaker 3: Now.

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Speaker 1: You said you're just doing peloton, but you're not like

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Speaker 1: curling iron.

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Speaker 2: Oh no, I got a couple of weights that I

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Speaker 2: curl every now and then, just to you know, keep

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Speaker 2: my shit quick.

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Speaker 1: Oh. I just thought you were doing you were you

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Speaker 1: were on a quarantine trip where you were just like

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Speaker 1: Cardio nothing else.

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Speaker 2: No, I thought you were about to say carbs and

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Speaker 2: nothing else. Yeah, I'm doing that too though.

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Speaker 1: By the way, A lot of love, A lot of

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Speaker 1: love for the first animation we put out.

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Speaker 2: I love it.

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Speaker 1: I love it, and it's so funny. It's only thirty seconds,

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Speaker 1: but I've watched it like nine hundred times.

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Speaker 2: Yeah, it's like when we first heard the uh, when

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Speaker 2: we first heard the theme song. I remember how crazy

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Speaker 2: we were going for the theme song when we first

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Speaker 2: heard it.

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Speaker 1: For those of you who don't know this company, Cartooner

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Speaker 1: Radio is an animation company in Brooklyn, and they did

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Speaker 1: an animation of Moment of Donald and my podcast of

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Speaker 1: this podcast, and they just you know, tagged us on

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Speaker 1: Instagram and we thought it was so funny. We hit

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Speaker 1: them up and said, you know, can we work out

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Speaker 1: a situation where we'll obviously pay you, but will you

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Speaker 1: do like some quick little thirty second moments from the podcast.

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Speaker 1: And they thought that was awesome, and so now we

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Speaker 1: we're starting to roll some of them out. In the

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Speaker 1: first one we just put on our Instagram today, although

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Speaker 1: this was this was this was this will be like

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Speaker 1: a week, this will be a this will be like

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Speaker 1: a week later. But anyway, they did the moment with

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Speaker 1: Donald giving Jeff Zucker and noogies, and the animation is

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Speaker 1: so funny. Dude, your eyes are all.

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Speaker 2: Fucked bloodshot, dude, Like they knew I smoked that ship

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Speaker 2: and they knew I drank that ship that night.

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Speaker 1: Well, we did talk about how fuck uff we were, yeah.

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Speaker 2: But I didn't talk about how I smoked that ship.

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Speaker 2: Like when you when you drink, your eyes don't get

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Speaker 2: red like.

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Speaker 1: That hot pink. But what they got, you, you know what

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Speaker 1: they got. Maybe they're listening and they got because another

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Speaker 1: episode I mentioned how when you're hammered you like this this.

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Speaker 1: What do you call this?

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Speaker 2: When you do this? It's a high step. I got

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Speaker 2: that shit from you, though, dude.

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Speaker 1: Right anyway, just a drunk high step. And then when

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Speaker 1: they in the animation, when you're headed over to Zuker,

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Speaker 1: you're like, get over that. Shit's hilarious. It's funny out

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Speaker 1: loud and what I love about on Instagram. I'm sure

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Speaker 1: they're doing it on yours too. People are like saying, Oh,

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Speaker 1: you got to do this moment, Oh you gotta do

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Speaker 1: the washcloth to be you gotta do this.

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Speaker 2: They are doing that. What's crazy is that I think

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Speaker 2: you need to tell each and every one of your

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Speaker 2: followers that you demand that they follow me or fuck off, because.

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Speaker 1: I would never followers don't.

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Speaker 2: I don't listen. I look at what your numbers are,

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Speaker 2: and I look at what my numbers are on Instagram,

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Speaker 2: and I gotta be honest with you, I'm a little jealous. Dude.

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Speaker 1: You're assuming that they're all scrubs folks. They might be

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Speaker 1: some people that love Garden State and uh.

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Speaker 2: And so where are my clueless people at? Huh? Where

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Speaker 2: am I remember the Titans people at? Where my motherfucking

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Speaker 2: I'm telling you right now, where my motherfucking waiting to

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Speaker 2: exhale people at where my parents ransome people at, where

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Speaker 2: my tripping people at, where my listen. I'm gonna put

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Speaker 2: it out there, man, because where they at they need

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Speaker 2: to represent.

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Speaker 1: Where your Homie Spamoni people wear them.

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Speaker 2: Homie Spamoni, where my next day people at? Yo? Come

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Speaker 2: on now.

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Speaker 1: Homie Spamoni is a film that Donald made. It's basically

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Speaker 1: the plot of The Jerk, except instead of a white

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Speaker 1: baby being dropped off at a black family's home, Donald's

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Speaker 1: a black baby that's dropped off at an Italian family's home.

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Speaker 3: Right.

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Speaker 2: No, no, no, I'm not even dropped off. They literally kidnapped

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Speaker 2: me pretty much.

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Speaker 1: Oh they kidnap you.

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Speaker 2: Yeah. They find me floating in the river in Italy

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Speaker 2: and the mom kidnaps me like like Moses. Uh, well yeah,

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Speaker 2: I guess so. But Moses was you know.

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Speaker 1: Wasn't Moses put in a basket.

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Speaker 2: And yeah, trying to escape?

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Speaker 1: Yes, I have my old Testament? Right, Well didn't they

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Speaker 1: put Moses? Who the wife?

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Speaker 2: Yeah? No, Moses, and then Pharaoh's wife found her, found

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Speaker 2: him out.

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Speaker 1: I went to Hebrew school. Now, Donald, I have a

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Speaker 1: question for you, Homies Pomoni for those of you who

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Speaker 1: don't know, will be.

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Speaker 2: Goldberg, the Great and the Great Paul Mooney, the great

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Speaker 2: Paul Mooney.

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Speaker 1: Now do you Tony Rock? You do an Italian New

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Speaker 1: York accent? Right, dude, give us gamp.

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Speaker 2: You want to hear a sample of my accent? This

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Speaker 2: is the character right, listen, all right, my name's Renato, right,

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Speaker 2: and this is how we do things where I'm from. Okay,

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Speaker 2: it's very simple. It's almost like a New York accent too.

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Speaker 2: It's like a New York you know.

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Speaker 1: I've seen a lot.

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Speaker 2: It was a lot thicker back in the day when

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Speaker 2: I was doing it. It was so hard like it

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Speaker 2: was thick, you know. Jamie Lynn Siegler, right, yes, yes,

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Speaker 2: your love interest. She was my love interest on it.

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Speaker 2: She's like you sound like the guys I grew up with.

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Speaker 1: Oh that's a compliment because it was a compliment. I

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Speaker 1: think she's a Jersey girl, is she? I don't know.

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Speaker 2: They got a lot of Italians in Jersey.

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Speaker 1: Listen, I gotta tell you something. I've never seen that movie.

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Speaker 1: But if you, dude, you've never seen anything I've been

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Speaker 1: I've seen a lot of not bullshiting, man.

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Speaker 2: I remember I showed you. Fucking remember the time. I

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Speaker 2: was like, yo, just watch remember the Titans on the Plane.

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Speaker 2: You got halfway through it and you were like, I mean, no,

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Speaker 2: it's cool.

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Speaker 1: That's not a true story. That's not a true story.

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Speaker 1: I'm gonna watch that film because I know how much

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Speaker 1: people love it, and I love Denzel, I love.

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Speaker 2: So you've never seen remember the Titans.

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Speaker 1: I have never seen Remember the Titans.

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Speaker 2: See that's what I'm talking about, right there, guy.

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Speaker 1: But you didn't read the Garden State script, so fuck off.

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Speaker 2: But I saw the Garden State script and you don't.

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Speaker 1: You didn't even hold the script in your hand.

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Speaker 2: Yeah I did. I know.

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Speaker 1: I said I would like you to read this, and

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Speaker 1: you said, are there any black people in it? And

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Speaker 1: I said there's two, but you're not right for them.

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Speaker 1: And I already cast method man And you said.

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Speaker 2: That I'm not going to read it. That's right, I do.

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Speaker 2: That is true. But I will tell you this, what

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Speaker 2: a dick, dude.

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Speaker 1: I'm gonna watch Remember the Titan. You know I'm gonna

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Speaker 1: watch it tonight. We're looking for a movie for tonight.

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Speaker 2: Yeah, please do all right, I'm telling you right now.

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Speaker 1: I'm gonna lay it down. I'm gonna pay down the log.

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Speaker 1: You know you have?

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Speaker 2: Well my kick ass two people at yo?

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Speaker 1: Where y'all at? Kick cass too? If you Donaldson? Kick

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Speaker 1: ass too? Donald is now.

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Speaker 2: Talking about Donald and where y'all at?

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Speaker 1: Oh, you're circling back to Instagram. Well, Donald, I'm sorry

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Speaker 1: that you're upset about this, but the good not upset.

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Speaker 2: I'm just a little jealous.

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Speaker 1: Well, I think that you should give some love to

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Speaker 1: the people that are following you and so they don't

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Speaker 1: feel like what we don't matter to you, Donald.

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Speaker 2: No, they definitely matter.

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Speaker 4: You.

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Speaker 2: People that following me right now, I love you. I

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Speaker 2: love you traumatic to me. Yes, you are special to me,

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Speaker 2: and we together are building a great foundation and an institution.

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Speaker 2: What is necessary right now is for you to tell

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Speaker 2: your friends that six hundred thousand isn't enough.

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Speaker 1: Tell your friends, tell your wife. Listen. Today's a very

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Speaker 1: special episode of this show because today's the first time

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Speaker 1: we're having on as our guest, someone who was not

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Speaker 1: on the show, someone who had nothing to do with

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Speaker 1: the show, but I wanted to have him on. We

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Speaker 1: wanted to have him on because he's an incredible writer

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Speaker 1: and amongst many things that he's written. He's written a

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Speaker 1: self published book about scrubs that I'm going to promote

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Speaker 1: many many times. It's called Where Do You Think We Are?

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Speaker 1: And it's ten illustrated essays about scrubs and was written

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Speaker 1: by shayse Rano and it was illustrated by Arturo Torres

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Speaker 1: and it is really awesome. And he is I don't

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Speaker 1: know how well you know Shay Donald. We'll get We're

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Speaker 1: gonna get him on before you tell me any anything

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Speaker 1: about how you well you know him, But I follow

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Speaker 1: him on Twitter and he's very entertaining.

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Speaker 2: I don't know. I don't know him well, to be

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Speaker 2: honest with you. But before we get into that five

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Speaker 2: six Stories, I'm that show we made about a bunch

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Speaker 2: of said he's a stories.

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Speaker 3: So YadA.

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Speaker 1: Ya wait for it.

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Speaker 2: There he is wait fresh cutting everywhere.

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Speaker 1: There he is fresh. Therey is Oh man, it's so

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Speaker 1: nice to finally meet you. I am I am like

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Speaker 1: one of your one of your many many Twitter followers,

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Speaker 1: and I feel like I know you. But it's so

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Speaker 1: nice to finally meet you in person.

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Speaker 5: Yeah, I'm excited. I'm really excited to be here. I've

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Speaker 5: been I've been waiting on hold since twelve in the

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Speaker 5: afternoon for three hours now just to I don't want

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Speaker 5: I don't want to miss it. I didn't want to

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Speaker 5: miss this one.

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Speaker 1: You know, you've been sitting there. You've been sitting there.

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Speaker 2: We didn't put you on hold. You just this was

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Speaker 2: like a self proclaim hole.

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Speaker 1: Yes, I want to get He didn't want to fuck

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Speaker 1: up Donald. So he's been sitting there with his mic Now, Shaye,

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Speaker 1: before you say anything, I got to tell you. I

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Speaker 1: was doing research for the show on you because I

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Speaker 1: know you for being very popular on Twitter. I encourage

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Speaker 1: you to follow Shae and we'll get his handle out

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Speaker 1: before the show ends. But he h, I'm reading all

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Speaker 1: about you and your career is amazing. But I I

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Speaker 1: started reading like he wrote.

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Speaker 2: Uh.

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Speaker 1: This is second book was called the Rap Year Book,

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Speaker 1: the most important rap song from every year since nineteen

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Speaker 1: seventy nine. Then he's got another book called Basketball and

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Speaker 1: Other Things that Obama said was one of his favorite things.

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Speaker 1: And then he's got another And I'm sitting here going

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Speaker 1: I'm gonna lose Donald Faison to share like I'm sitting

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Speaker 1: here being like this was a this was a bad idea.

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Speaker 1: The man has written best selling books on rap and

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Speaker 1: basketball and I'm going to lose.

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Speaker 2: Him and you know what I love and you know

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Speaker 2: what I love?

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Speaker 5: Oh shit, you know what. What's what's funny is is, uh,

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Speaker 5: I got a chance. I met Donald one time. I

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Speaker 5: don't know if you remember.

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Speaker 2: I do remember. I remember look his book. Before I

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Speaker 2: even read the book.

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Speaker 5: Oh you read it?

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Speaker 2: Oh okay, so I didn't read hold On.

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Speaker 1: He read the whole thing.

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Speaker 2: Yeah. So, but before before I even knew that it existed,

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Speaker 2: Zach was like, you were coming on and I looked

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Speaker 2: you up on uh, I googled you, and I was like, oh,

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Speaker 2: I met this dude. I met this dude. And when

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Speaker 2: I was going to do first take, I thought you

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Speaker 2: were going to do first take that day. Also, but

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Speaker 2: I also met you. Your wife was with you, right,

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Speaker 2: is that your wife? Yeah? And she and I got

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Speaker 2: to talk a little bit more than you and I did.

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Speaker 2: But I remember, I mean, and then I read the

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Speaker 2: essay and you made it seem like you were like

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Speaker 2: all crazy, like holy shit, holy shit, you got a

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Speaker 2: little bit cooler than that.

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Speaker 5: Now in my head his head, yeah, absolutely, inside of

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Speaker 5: my head. There's only been a few times in my

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Speaker 5: life I was Starstruck.

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Speaker 2: But it was me, Denzel Washington and Michael Jordan.

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Speaker 5: I know, I know, I know, I know, I'm watching

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Speaker 5: you walk in that room. I don't know if it's

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Speaker 5: because I was surprised or because I had just finished,

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Speaker 5: Like I was already working on the Scrubs thing, so

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Speaker 5: I had gone through the whole series again, whatever it was.

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Speaker 5: But yeah, when you walked in there, I was like,

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Speaker 5: holy fucking shit, Like I was trying so hard not

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Speaker 5: to not to wig out.

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Speaker 2: You took you were there for You were there for

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Speaker 2: a book, right, You were there for another book, but

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Speaker 2: it was it wasn't the rap book. It was the

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Speaker 2: basketball book right now?

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Speaker 5: Was the basketball one? Came out in twenty seventeen, October

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Speaker 5: of last year. I did movies and other things, movies,

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Speaker 5: and so that's when I was in I was in

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Speaker 5: New York, you know, doing all the press stuff.

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Speaker 2: Okay, Rich, I'm sorry before we.

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Speaker 1: Talk, little word in Edgeway. See, this is what's gonna happen.

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Speaker 1: This is my nightmare, right Joelle. They just suddenly they

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Speaker 1: turned my mic down and they just go off.

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Speaker 2: Well, I just wanted to get into the basketball thing,

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Speaker 2: get into you said, you think my game would be

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Speaker 2: more like, like you imagine my game being like PJ. Tucker.

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Speaker 5: Yeah, yeah, yeah, yeah, yeah, I'm gonna agree with that.

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Speaker 2: I'm gonna agree I knew it.

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Speaker 5: I'm gonna agree with that. I'd watched enough.

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Speaker 2: Yeah yeah, yeah, a lot of jump shots, some defense,

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Speaker 2: very competitive and talks a lot of shit. Yeah that's me.

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Speaker 5: That's about right.

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Speaker 2: I wish I had a little bit of a you know,

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Speaker 2: a silkier game. I wish my game was more like

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Speaker 2: Klay Thompson. But PJ. Tucker was spot on. Man, he's

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Speaker 2: a he's a great uh. I don't even know if

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Speaker 2: you would consider him a role player. He's just like

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Speaker 2: a glue guy, right.

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Speaker 5: Yeah, he's in a sin player on that Rocket team.

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Speaker 5: I lived in lerrman, I lived in Houston for fourteen years,

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Speaker 5: so we were there like when he showed up. And

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Speaker 5: then he's one of those guys who, like, if you

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Speaker 5: go to the city where he's playing, everybody there just

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Speaker 5: fucking loves him. Yeah, because all the stuff he does.

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Speaker 1: Yeah, Now, Shaye, I have a question, do you know,

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Speaker 1: do you have your book? Like could Donald about your

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Speaker 1: wrap book? And Shaye is everything he writes becomes a

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Speaker 1: best seller, including the Rap Yearbook the most Important rap

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Speaker 1: song from every year since nineteen seventy nine, discussed, debated,

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Speaker 1: and deconstructed. Billboard said this was one of the best

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Speaker 1: one hundred best music books of all time, which, holy shit, man,

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Speaker 1: congratulations on an accomplishment like that.

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Speaker 2: Round of thunderous applause.

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Speaker 1: Yeah, Dan, please put in some thunder's applause. You won't

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Speaker 1: hear it, Shay, so just imagine it. It's just it's

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Speaker 1: like a stadium. You listen to the podcast, right, Shaye.

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Speaker 1: I've seen you on so you know you know how

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Speaker 1: Dan really brings the thunderous applause. Now, Shay, if Donald

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Speaker 1: were to say, because Donald loves rap, if you were

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Speaker 1: to like mention a year, you don't have this memorize, right,

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Speaker 1: or do you? If he would just say, like if

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Speaker 1: Donald were to be like, all right, ninety seven, would

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Speaker 1: you be like, oh, this is what I wrote about that.

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Speaker 5: I believe, so ninety seven is puff daddy. If I'm

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Speaker 5: not mistaken, which one I want to say, you.

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Speaker 2: Can look it up.

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Speaker 1: It's so good as sad as I am about how

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Speaker 1: much how well you guys are hitting it off. I

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Speaker 1: just feel like once this rap conversation starts, It'll be

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Speaker 1: Donald's favorite conversation in the world because he really really

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Speaker 1: loves rap, like as long as I've known him.

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Speaker 5: Yeah, it's the best music in the world. It was

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Speaker 5: a can't Nobody Hold Me Down?

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Speaker 2: Can't know okay with him and Mace, with him and.

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Speaker 5: Mace, Yeah, Okay, that was that one because because that

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Speaker 5: was when when when rap had like they were doing

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Speaker 5: the whole shiny suit thing. It was like it became

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Speaker 5: all about opulence and.

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Speaker 1: High bullium and the high Williams of Mint music videos, right.

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Speaker 5: That those ones came a little bit. Yeah, so right

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Speaker 5: right around then, I remember.

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Speaker 1: Around ninety seven, I just picked ninety seven.

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Speaker 2: Can't Nobody Hold Me Down? Was a wasn't a HiPE

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Speaker 2: william Yeah, I'm.

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Speaker 1: Miss saying because I was when I was peeing fresh

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Speaker 1: out of college. I was peeing on rap videos in

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Speaker 1: New York and I don't really know the music that well,

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Speaker 1: but I remember like HiPE Williams was a god at

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Speaker 1: the time. And that's just right around the time all

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Speaker 1: those Mace Puffy videos were coming out.

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Speaker 2: That was the one where they went in the desert,

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Speaker 2: right And isn't j Lo in it too?

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Speaker 5: Yeah, she's in that one.

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Speaker 2: Yeah, yea, yeah, yeah, all.

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Speaker 1: Right, Donald, do you want to pick a year now

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Speaker 1: that he's got it up, just pick sure?

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Speaker 2: I mean, but I mean, okay, ninety two, that's a

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Speaker 2: hard one.

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Speaker 5: Nineteen ninety two, Oh, like I don't have I don't

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Speaker 5: have the book up. I was looking at the song

344
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Speaker 5: I wanted to me to put you on I didn't

345
00:14:33,400 --> 00:14:36,080
Speaker 5: mean to put you on the spot. I just wondered

346
00:14:36,080 --> 00:14:38,600
Speaker 5: that you knew, ye that's no voice. But I will

347
00:14:38,600 --> 00:14:41,240
Speaker 5: say I know, like I know. Ninety two was nothing

348
00:14:41,280 --> 00:14:41,880
Speaker 5: but a g thing.

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Speaker 1: That was wow.

350
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Speaker 2: Yeah, there was a right, that's a great, great record, man, right,

351
00:14:46,600 --> 00:14:49,040
Speaker 2: record that was really really good. That Chronic was one

352
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Speaker 2: of oh my gosh, man, there were a lot of

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Speaker 2: great albums that came out, though. I feel like in

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Speaker 2: ninety two, you know what I mean, that was it. Yeah,

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Speaker 2: I graduated, I think from high school.

356
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Speaker 1: I'm pretty I liked that song rolling down the street

357
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Speaker 1: smoking and sipping on gin and juice.

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Speaker 5: That was so that's not the Doggie style album. And

359
00:15:09,160 --> 00:15:11,320
Speaker 5: there's like there's like a constant debate between which is

360
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Speaker 5: a better G funk album, between between the Chronic and

361
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Speaker 5: Doggi style.

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Speaker 2: Both the dope man.

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00:15:17,280 --> 00:15:19,280
Speaker 5: Pick one, Pick one? Which one do you want to

364
00:15:19,280 --> 00:15:20,240
Speaker 5: listen to right now?

365
00:15:22,160 --> 00:15:24,600
Speaker 2: Ship man? Well, because no, because what happened is with.

366
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Speaker 1: To do it.

367
00:15:28,000 --> 00:15:31,520
Speaker 2: What happened is it's hard, man, because Doggie Style, Nate Dogg,

368
00:15:31,720 --> 00:15:37,400
Speaker 2: all these cats are on that record. Man on this

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Speaker 2: it's hard because you know what, I take it back,

370
00:15:40,960 --> 00:15:43,400
Speaker 2: I go chronic. But just because of Deep Cover, I

371
00:15:43,440 --> 00:15:44,400
Speaker 2: could feel it.

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Speaker 5: I heard that ship.

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Speaker 2: I remember when Deep Cover of the movie came out

374
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Speaker 2: and that song was on the deep Cover soundtrack, and

375
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Speaker 2: my boy played me that ship and we listened to

376
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Speaker 2: that ship over. We listened to that song over and

377
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Speaker 2: over and over again. And this is before the beef

378
00:15:58,800 --> 00:16:01,480
Speaker 2: with East Coast West Coast stuff, and it was just like, Yo,

379
00:16:01,880 --> 00:16:04,240
Speaker 2: this is the this is the dopest thing I ever

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Speaker 2: heard in my life.

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Speaker 5: Yes, it's one of the one of those moments where

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00:16:06,800 --> 00:16:09,720
Speaker 5: you like, I've never heard something like this, Yeah you're

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00:16:10,080 --> 00:16:12,760
Speaker 5: snoop sort of lollygagging out into song like who yeah

384
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Speaker 5: is this guy?

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Speaker 2: Yeah? Yeah that and the beat was fucking fire and

386
00:16:16,880 --> 00:16:20,320
Speaker 2: fucking and then the cook was yeah, and you don't

387
00:16:20,360 --> 00:16:25,560
Speaker 2: stop because it's one eight seven on an undercover cop was.

388
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Speaker 1: Still ever make a documentary about this because I read

389
00:16:27,840 --> 00:16:28,680
Speaker 1: that there was talk of it.

390
00:16:28,680 --> 00:16:30,960
Speaker 5: Did they ever make it a documentary about you?

391
00:16:31,160 --> 00:16:31,680
Speaker 1: Of your book?

392
00:16:31,880 --> 00:16:35,320
Speaker 5: Oh? Yeah, yeah yeah. So what happened is a production

393
00:16:35,360 --> 00:16:37,280
Speaker 5: company got the rights for it, and then we signed

394
00:16:37,360 --> 00:16:39,960
Speaker 5: up with the Roots. They became like executive producers on it,

395
00:16:40,280 --> 00:16:42,520
Speaker 5: and then they sold it to We sold this series

396
00:16:42,520 --> 00:16:45,280
Speaker 5: to AMC and they did a six episode thing where

397
00:16:45,280 --> 00:16:47,480
Speaker 5: it was like six episodes. Each episode was about one

398
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Speaker 5: particular song. They're an hour long, and so it became

399
00:16:51,000 --> 00:16:52,960
Speaker 5: like a videover. It was really cool. I got to

400
00:16:52,960 --> 00:16:55,280
Speaker 5: go out to New York. They did like a concert,

401
00:16:55,680 --> 00:16:58,080
Speaker 5: The Roost did a concert before that, and then they

402
00:16:58,080 --> 00:17:01,080
Speaker 5: showed the the one of the episodes is the one

403
00:17:01,080 --> 00:17:04,400
Speaker 5: that they did on on Jesus Walks, and it was

404
00:17:04,440 --> 00:17:05,600
Speaker 5: it was really really cool to.

405
00:17:05,560 --> 00:17:07,040
Speaker 1: What It's so cool because as I'm listening to you

406
00:17:07,119 --> 00:17:08,640
Speaker 1: talk about it, I mean, I just think it would

407
00:17:08,640 --> 00:17:10,000
Speaker 1: be such an amazing I can understand why it be

408
00:17:10,040 --> 00:17:11,640
Speaker 1: amazing series. I wouldn't check that out.

409
00:17:11,880 --> 00:17:13,840
Speaker 5: I definitely yeah, it was great, you know what as

410
00:17:13,880 --> 00:17:16,080
Speaker 5: neat is. So they we got all signed up and

411
00:17:16,080 --> 00:17:18,160
Speaker 5: they like, we sold the series and they started working

412
00:17:18,160 --> 00:17:19,960
Speaker 5: on it and they gave me a phone call and

413
00:17:20,000 --> 00:17:21,359
Speaker 5: they're like, hey, do you want to call in, and

414
00:17:21,359 --> 00:17:23,840
Speaker 5: like we're brainstorming and helping out doing whatever, and I

415
00:17:23,880 --> 00:17:25,600
Speaker 5: was like, oh yeah, yeah, like that'll be cool because

416
00:17:25,640 --> 00:17:27,640
Speaker 5: I like I know a lot about REP. We're doing

417
00:17:27,640 --> 00:17:30,240
Speaker 5: this whole thing. And I called in and Black Thought

418
00:17:30,280 --> 00:17:32,960
Speaker 5: and quest Lever both in there and like everything that

419
00:17:33,040 --> 00:17:36,680
Speaker 5: somebody brought up, like I had like a third hand story,

420
00:17:36,800 --> 00:17:38,440
Speaker 5: like oh yeah, I heard a story about a party

421
00:17:38,440 --> 00:17:40,639
Speaker 5: that happened at this thing, and no matter what it was,

422
00:17:40,840 --> 00:17:42,439
Speaker 5: Quest Lever Black Thought, they were like, oh yeah, I

423
00:17:42,480 --> 00:17:45,720
Speaker 5: was at that party. I rode to I was like, okay,

424
00:17:46,359 --> 00:17:47,960
Speaker 5: I don't want to I don't want to help anymore.

425
00:17:48,000 --> 00:17:50,040
Speaker 5: Like yeah, guys, clearly you got this. I was gonna

426
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Speaker 5: fall back.

427
00:17:50,960 --> 00:17:51,680
Speaker 1: That's amazing.

428
00:17:52,280 --> 00:17:56,080
Speaker 2: Yeah. You know, I've been at some places like where

429
00:17:56,160 --> 00:17:59,000
Speaker 2: crazy things happened, like and I was just I just

430
00:17:59,080 --> 00:18:01,679
Speaker 2: happened to be there when the things happened, like you

431
00:18:01,680 --> 00:18:03,679
Speaker 2: know what I mean, Like I was at the party

432
00:18:03,680 --> 00:18:07,240
Speaker 2: where Biggie got killed. You know what? Yeah shit, yeah,

433
00:18:07,320 --> 00:18:08,280
Speaker 2: yeah yeah.

434
00:18:07,960 --> 00:18:09,760
Speaker 1: Did you did you did you hear like.

435
00:18:10,040 --> 00:18:12,480
Speaker 2: The yeah, I heard I heard gun I was outside,

436
00:18:12,600 --> 00:18:15,600
Speaker 2: so I heard the gunshots. I also I spoke to

437
00:18:15,680 --> 00:18:17,040
Speaker 2: him before all of it happened.

438
00:18:17,119 --> 00:18:19,480
Speaker 1: Oh shit, you never told me this. You saved this

439
00:18:19,560 --> 00:18:21,720
Speaker 1: for Shay. Dude.

440
00:18:21,720 --> 00:18:23,720
Speaker 2: You're not a hip hop You're not a hip hop.

441
00:18:23,640 --> 00:18:25,080
Speaker 1: I mean, I'm not a hip hop dude, but I'm

442
00:18:25,080 --> 00:18:26,760
Speaker 1: a pop culture fan. You could have told me you

443
00:18:26,760 --> 00:18:27,680
Speaker 1: were at that fucking event.

444
00:18:27,760 --> 00:18:30,199
Speaker 2: Yeah, dude, I was at that event event and I

445
00:18:30,240 --> 00:18:33,040
Speaker 2: spoke to him, and then the next morning I found

446
00:18:33,080 --> 00:18:34,840
Speaker 2: out he was there. I actually found out that night

447
00:18:34,920 --> 00:18:37,439
Speaker 2: that he had gotten shot. Somebody came around the corner

448
00:18:37,440 --> 00:18:40,440
Speaker 2: and told me, you know, yo, they just fucking got big,

449
00:18:40,440 --> 00:18:41,640
Speaker 2: and I was like, get the fuck out of here.

450
00:18:41,760 --> 00:18:44,639
Speaker 2: And I remember telling Ricky Bell from Bell Bib Devaux

451
00:18:44,680 --> 00:18:46,320
Speaker 2: and he was like, shut the fuck up, dude, you

452
00:18:46,359 --> 00:18:48,639
Speaker 2: don't know what you're talking about. And then the next morning,

453
00:18:48,680 --> 00:18:50,800
Speaker 2: my boy Dion Richmond called me up on the phone

454
00:18:50,800 --> 00:18:53,639
Speaker 2: and was like, Yo, they killed big last night. And

455
00:18:53,640 --> 00:18:55,680
Speaker 2: I was like holy and and I was like, holy shit,

456
00:18:55,720 --> 00:18:57,959
Speaker 2: I was there, dude, I was. I spoke to him

457
00:18:58,040 --> 00:18:59,840
Speaker 2: right before, you know what I mean, I've did this

458
00:19:00,080 --> 00:19:03,120
Speaker 2: couple of instances, like I was at Nell's the night

459
00:19:03,160 --> 00:19:05,200
Speaker 2: all that shit went down with Tupac and the girl

460
00:19:05,280 --> 00:19:07,320
Speaker 2: on the dance floor and stuff like that. Like I

461
00:19:07,400 --> 00:19:09,240
Speaker 2: was at the I was at the club hanging out

462
00:19:09,280 --> 00:19:12,119
Speaker 2: with my friends and stuff like that, and I was

463
00:19:12,119 --> 00:19:14,400
Speaker 2: there like just a bunch of things. Man, it's weird.

464
00:19:14,400 --> 00:19:17,040
Speaker 2: It's it's my connection to hip hop runs deep.

465
00:19:17,040 --> 00:19:17,200
Speaker 3: Man.

466
00:19:17,240 --> 00:19:19,480
Speaker 2: I love I love it so much. And when I was,

467
00:19:19,640 --> 00:19:22,119
Speaker 2: when I was younger, I would be You would frequently

468
00:19:22,200 --> 00:19:26,560
Speaker 2: find me at some of these events that were considered

469
00:19:26,640 --> 00:19:30,520
Speaker 2: you know, later on that were considered iconic or pivotal

470
00:19:30,640 --> 00:19:34,480
Speaker 2: moments in artists careers, especially in Tupac's and bigs. Those

471
00:19:34,480 --> 00:19:36,720
Speaker 2: were two big moments. One one was the death of

472
00:19:36,760 --> 00:19:39,679
Speaker 2: one and one was where everybody started looking at somebody

473
00:19:39,760 --> 00:19:42,399
Speaker 2: as a true troublemaker, which was bullshit, but that was

474
00:19:42,760 --> 00:19:46,160
Speaker 2: that was what. From that moment on, Tupac's lane shifted

475
00:19:46,480 --> 00:19:50,800
Speaker 2: from you know, actor rapper to activists to you know,

476
00:19:51,800 --> 00:19:54,639
Speaker 2: his whole run with death Row and the whole East Coast,

477
00:19:54,640 --> 00:19:56,919
Speaker 2: West Coast Beef and all of that stuff. A lot

478
00:19:57,000 --> 00:19:58,879
Speaker 2: of it stemmed from that moment.

479
00:19:59,280 --> 00:20:00,480
Speaker 1: He wasn't even do you think anything.

480
00:20:00,480 --> 00:20:05,320
Speaker 2: I wasn't that, I wasn't I don't know right right, you.

481
00:20:05,240 --> 00:20:07,480
Speaker 1: Know, like that butterfly effect thing when one thing happens

482
00:20:07,480 --> 00:20:08,800
Speaker 1: and then it causes everything to happen.

483
00:20:09,200 --> 00:20:12,080
Speaker 2: If I take myself out of the equation, everyone would

484
00:20:12,119 --> 00:20:14,479
Speaker 2: have got everybody would have got Donald.

485
00:20:14,520 --> 00:20:16,720
Speaker 1: Donald like bumped into some waiter who then got into

486
00:20:16,760 --> 00:20:18,440
Speaker 1: bad mood and was rude to Tupac, and all of

487
00:20:18,480 --> 00:20:19,200
Speaker 1: a sudden.

488
00:20:18,960 --> 00:20:21,840
Speaker 5: All this shit happened because Donald did do either of

489
00:20:21,960 --> 00:20:27,000
Speaker 5: y'all follow a writer named Cheo Hadari Coker. No, Okay,

490
00:20:27,160 --> 00:20:29,920
Speaker 5: so he he like works on a ton of stuff,

491
00:20:29,920 --> 00:20:33,120
Speaker 5: but he like worked on the biggie movie Low Riders,

492
00:20:33,160 --> 00:20:34,720
Speaker 5: creed to like a bunch of the stuff that I like.

493
00:20:34,760 --> 00:20:36,800
Speaker 5: So I started following him. But just today he was

494
00:20:36,840 --> 00:20:39,280
Speaker 5: talking about, uh, I think it was today, Maybe might

495
00:20:39,280 --> 00:20:41,600
Speaker 5: have been last night or yesterday, but he was talking

496
00:20:41,640 --> 00:20:46,439
Speaker 5: about when when Tupac did Juice, And he was saying,

497
00:20:46,480 --> 00:20:48,879
Speaker 5: like when he got the role of Bishop, which is

498
00:20:48,880 --> 00:20:50,439
Speaker 5: like the guy who causes all the trouble in it,

499
00:20:51,359 --> 00:20:53,560
Speaker 5: Like that was the beginning of his like gangster rapper,

500
00:20:54,200 --> 00:20:56,920
Speaker 5: Like it's set him on that path, right, Like that's

501
00:20:56,960 --> 00:20:59,359
Speaker 5: just crazy to think about, Like a little thing like that,

502
00:20:59,400 --> 00:21:00,000
Speaker 5: you know what I'm saying.

503
00:21:00,119 --> 00:21:02,960
Speaker 2: Yeah, I was in Juice. I had a really tiny

504
00:21:03,040 --> 00:21:05,879
Speaker 2: role in that movie. And the one thing I remember

505
00:21:06,240 --> 00:21:10,119
Speaker 2: the most about that movie was the premiere and after

506
00:21:10,200 --> 00:21:15,520
Speaker 2: seeing it, and you know, Tupac walking into the it

507
00:21:15,560 --> 00:21:18,680
Speaker 2: was like a Lows on forty second Street or something

508
00:21:18,720 --> 00:21:20,280
Speaker 2: like that. It was in Times Square, I remember that.

509
00:21:20,560 --> 00:21:23,400
Speaker 2: And he walked into the area where everybody was being

510
00:21:23,480 --> 00:21:25,320
Speaker 2: let out of the movie, and it felt like he

511
00:21:25,359 --> 00:21:27,680
Speaker 2: had like the glow around, like the Bruce Leroy glow

512
00:21:27,720 --> 00:21:30,280
Speaker 2: around him, man, because you just knew at that moment

513
00:21:30,520 --> 00:21:32,760
Speaker 2: he was out of here. Man, Yeah, he was just

514
00:21:33,040 --> 00:21:36,159
Speaker 2: out of here. That's when I became a fan of his,

515
00:21:36,359 --> 00:21:38,439
Speaker 2: you know what I mean, Like as an actor, I

516
00:21:38,800 --> 00:21:40,760
Speaker 2: you know, checked on his stuff all the time, all

517
00:21:40,800 --> 00:21:43,119
Speaker 2: of the movies he made and stuff like that. When

518
00:21:43,160 --> 00:21:45,119
Speaker 2: I was younger, I remember thinking he's a better actor

519
00:21:45,119 --> 00:21:46,200
Speaker 2: than he is a rapper, dude.

520
00:21:46,200 --> 00:21:50,120
Speaker 5: I remember thinking that's like an argument you could honestly,

521
00:21:50,280 --> 00:21:53,359
Speaker 5: legitimately make like he was unbelievable as an actor.

522
00:21:53,440 --> 00:21:55,760
Speaker 2: Yeah, yeah, he was a very good actor.

523
00:21:56,040 --> 00:21:58,560
Speaker 1: So she tell us like how you came to Scrubs

524
00:21:58,600 --> 00:22:04,000
Speaker 1: and this this book, because I just I was so

525
00:22:04,160 --> 00:22:06,320
Speaker 1: moved by a lot of that. I mean, it's funny

526
00:22:06,520 --> 00:22:09,800
Speaker 1: your book, but also there's moments I was reading and

527
00:22:09,920 --> 00:22:12,639
Speaker 1: that they would give me goosebumps, cause you articulate moments

528
00:22:12,640 --> 00:22:15,320
Speaker 1: in Scrubs. Sometimes I think better than moments and Scrubs

529
00:22:15,359 --> 00:22:18,679
Speaker 1: even were we right? And no, I mean and I

530
00:22:18,720 --> 00:22:21,760
Speaker 1: appreciate that. We love what a fan you are. And

531
00:22:21,840 --> 00:22:25,120
Speaker 1: I was reading something you wrote about the episode we're

532
00:22:25,119 --> 00:22:28,200
Speaker 1: going to talk about today, my occurrence, and I got

533
00:22:28,240 --> 00:22:30,240
Speaker 1: goosebumps when you wrote it. It was about it was

534
00:22:30,240 --> 00:22:33,000
Speaker 1: about when I find out that Brent Fraser's character has

535
00:22:33,080 --> 00:22:36,520
Speaker 1: leukemia and Judy's standing there, and I'm not bullshitting you.

536
00:22:36,520 --> 00:22:38,960
Speaker 1: When I rewatched the episode today, it was even more

537
00:22:39,000 --> 00:22:40,720
Speaker 1: moving than me. It was really unique. It was a

538
00:22:40,720 --> 00:22:43,760
Speaker 1: really unique experience because I don't even remember the moment

539
00:22:43,800 --> 00:22:46,360
Speaker 1: And then I read your essay in his book where

540
00:22:46,400 --> 00:22:48,480
Speaker 1: do you Think We Are? And it gave me goosebumps.

541
00:22:48,480 --> 00:22:50,399
Speaker 1: And then I rewatched the moment today and I was

542
00:22:50,400 --> 00:22:52,800
Speaker 1: so much more moved by it because I had your backstory.

543
00:22:52,880 --> 00:22:55,359
Speaker 1: So so I encourage you, if you're a Scrubs fan,

544
00:22:55,600 --> 00:22:58,120
Speaker 1: to get this book. But anyway, I just wanted to know.

545
00:22:58,400 --> 00:23:00,679
Speaker 1: It's a long question, but how did you come to Scrubs?

546
00:23:00,680 --> 00:23:02,040
Speaker 1: And then how did you come to write this book?

547
00:23:02,480 --> 00:23:05,800
Speaker 5: I came to Scrubs late. This was this was back

548
00:23:05,840 --> 00:23:07,919
Speaker 5: when it was on Netflix, so it's a few you know,

549
00:23:08,000 --> 00:23:10,840
Speaker 5: several years ago. I didn't. I had never really I

550
00:23:10,840 --> 00:23:12,800
Speaker 5: didn't watch it when it was like on ABC or

551
00:23:12,840 --> 00:23:15,560
Speaker 5: NBC or anything like that. But I started catching it

552
00:23:15,560 --> 00:23:17,600
Speaker 5: when I think it showed up I got a Comedy Central,

553
00:23:18,359 --> 00:23:20,560
Speaker 5: you know, on one of those like cable channels. I

554
00:23:20,600 --> 00:23:22,359
Speaker 5: was like, this is this is like a cool show,

555
00:23:22,359 --> 00:23:24,440
Speaker 5: but there was no way to like rewatch the whole thing.

556
00:23:24,480 --> 00:23:26,639
Speaker 5: You just catch whatever episode you can. And then it

557
00:23:26,640 --> 00:23:30,160
Speaker 5: popped up on Netflix, and Laramie, my wife, she also

558
00:23:30,240 --> 00:23:32,280
Speaker 5: likes to shows, were like, oh, let's like I haven't

559
00:23:32,280 --> 00:23:34,439
Speaker 5: seen like the first four seasons or something. Let's sit

560
00:23:34,480 --> 00:23:36,959
Speaker 5: down and watch it. And so you like, that's how

561
00:23:37,000 --> 00:23:38,479
Speaker 5: it started. It was a few years ago, and then

562
00:23:38,480 --> 00:23:41,240
Speaker 5: it just became one of those shows that we watched

563
00:23:41,240 --> 00:23:42,840
Speaker 5: our whole way through it. We we like fell in

564
00:23:42,840 --> 00:23:45,399
Speaker 5: love with everybody on there. And it was one of

565
00:23:45,400 --> 00:23:46,720
Speaker 5: the ones where it was like, it's been a long

566
00:23:46,800 --> 00:23:48,840
Speaker 5: day and I needed to like unwind and relax and

567
00:23:49,119 --> 00:23:51,560
Speaker 5: I need to like feel some emotions of some sort.

568
00:23:51,800 --> 00:23:53,879
Speaker 5: So let me put put this one on because I

569
00:23:53,960 --> 00:23:56,879
Speaker 5: think and I wrote this in a thing, but I

570
00:23:56,880 --> 00:23:59,760
Speaker 5: think Scrubs is the best TV show ever at like

571
00:24:00,320 --> 00:24:02,480
Speaker 5: balancing between those two worlds. You'll talk about it a

572
00:24:02,480 --> 00:24:04,680
Speaker 5: lot of the time, like how hard of a transition

573
00:24:04,800 --> 00:24:08,240
Speaker 5: that is to make from going from something like totally

574
00:24:09,000 --> 00:24:14,600
Speaker 5: silly and like ridiculous immediately into something just outlandish or

575
00:24:15,080 --> 00:24:19,679
Speaker 5: you know, like crazy serious. So that's how we started

576
00:24:19,680 --> 00:24:23,000
Speaker 5: watching that show, and it just became like like a ritual.

577
00:24:23,040 --> 00:24:25,480
Speaker 5: Every so often we're like, we're going to restart Scrubs again,

578
00:24:25,560 --> 00:24:27,240
Speaker 5: We're gonna watch it, and then that's gonna be like

579
00:24:27,240 --> 00:24:27,679
Speaker 5: what we do.

580
00:24:28,440 --> 00:24:28,600
Speaker 2: Right.

581
00:24:29,119 --> 00:24:31,000
Speaker 1: I love it And you and your wife getting debates

582
00:24:31,040 --> 00:24:32,879
Speaker 1: about the show. I saw, and part of the book

583
00:24:32,960 --> 00:24:35,919
Speaker 1: is an email conversation you have about whether or not

584
00:24:36,040 --> 00:24:39,919
Speaker 1: she likes JD or not. And I really appreciated your

585
00:24:39,960 --> 00:24:45,320
Speaker 1: point of view more than Larmer because Laramie, Laramie loves

586
00:24:45,320 --> 00:24:47,920
Speaker 1: the show, but it's JD's not her favorite character. And

587
00:24:48,200 --> 00:24:51,560
Speaker 1: I appreciated Shay debating why he should.

588
00:24:51,320 --> 00:24:55,120
Speaker 5: Be Yeah, yeah, that's like yeah. So that we started

589
00:24:55,119 --> 00:24:57,280
Speaker 5: watching the show, and I realized, like you watch a

590
00:24:57,320 --> 00:24:59,440
Speaker 5: show and depending on like who you are the type

591
00:24:59,440 --> 00:25:00,919
Speaker 5: of person you are. Just watched it a little bit

592
00:25:00,920 --> 00:25:03,440
Speaker 5: different than everybody else, and I realized at some point

593
00:25:03,440 --> 00:25:06,320
Speaker 5: that we were very much watching the show differently. I

594
00:25:06,400 --> 00:25:09,159
Speaker 5: was watching it waiting for like the JD moment to happen,

595
00:25:09,200 --> 00:25:11,040
Speaker 5: when you like make your eyes water or you like

596
00:25:11,119 --> 00:25:13,840
Speaker 5: say a thing real seriously, and she was watching it

597
00:25:13,880 --> 00:25:16,960
Speaker 5: for like for like a Turk and Carlo situation or

598
00:25:17,040 --> 00:25:19,879
Speaker 5: or a doctor Cox situation or whatever, and so like,

599
00:25:19,960 --> 00:25:21,680
Speaker 5: we should let you know, let's talk about this a

600
00:25:21,720 --> 00:25:22,080
Speaker 5: little bit.

601
00:25:22,119 --> 00:25:23,600
Speaker 1: And that was my.

602
00:25:23,600 --> 00:25:26,600
Speaker 2: Favorite, my favorite. I was skimming through the book because

603
00:25:26,600 --> 00:25:28,560
Speaker 2: you know, I'm not but.

604
00:25:28,680 --> 00:25:30,840
Speaker 1: You don't take it personally. He skimmed through the scripts

605
00:25:30,840 --> 00:25:33,000
Speaker 1: for the episode one.

606
00:25:33,000 --> 00:25:36,000
Speaker 2: I'm not a great reader, and my attentions, my my

607
00:25:36,080 --> 00:25:41,960
Speaker 2: attention focused on to if j D and Turk were

608
00:25:42,000 --> 00:25:44,119
Speaker 2: to ever do a buddy cop movie, what would it be?

609
00:25:44,840 --> 00:25:47,119
Speaker 2: And you go through a bunch of a bunch of

610
00:25:47,160 --> 00:25:50,560
Speaker 2: lists of what movies and I immediately went for Running

611
00:25:50,560 --> 00:25:53,439
Speaker 2: Scared with Billy Crystal and Gregory Hines, Like that's the

612
00:25:53,480 --> 00:25:55,719
Speaker 2: immediate one I went to. And I was like, I

613
00:25:55,720 --> 00:25:57,280
Speaker 2: bet you he doesn't have that on the list, And

614
00:25:57,440 --> 00:25:59,600
Speaker 2: sure enough, it's right there. On list.

615
00:26:01,560 --> 00:26:04,720
Speaker 1: We always over the years, we've always talked about it's

616
00:26:04,720 --> 00:26:07,280
Speaker 1: never happened so far, but we've always talked about wanting

617
00:26:07,280 --> 00:26:09,680
Speaker 1: to do a buddy cop or buddy movie of some

618
00:26:09,760 --> 00:26:12,800
Speaker 1: kind together. I was obsessed with trying to do like

619
00:26:12,800 --> 00:26:15,800
Speaker 1: a Spies Like Us thing, because I thought Donald and

620
00:26:15,840 --> 00:26:19,520
Speaker 1: I could really do. We both love playing guy way

621
00:26:19,560 --> 00:26:22,560
Speaker 1: in over his head and the idea, and like, I mean,

622
00:26:22,640 --> 00:26:24,760
Speaker 1: I don't want to. I would never dare to attempt

623
00:26:24,760 --> 00:26:26,440
Speaker 1: to remake Spies Like Us because I love that movie.

624
00:26:26,520 --> 00:26:28,879
Speaker 1: But the premise of that, like two spies that are

625
00:26:29,000 --> 00:26:30,680
Speaker 1: are fuck ups that get in way over their head,

626
00:26:30,680 --> 00:26:32,440
Speaker 1: I thought Donald and I would be really funny at

627
00:26:32,880 --> 00:26:35,080
Speaker 1: But but it's funny that you wrote a section of

628
00:26:35,080 --> 00:26:36,760
Speaker 1: the book about that, because Donald and I always talked

629
00:26:36,760 --> 00:26:37,879
Speaker 1: about wanting to do something like that.

630
00:26:38,160 --> 00:26:40,440
Speaker 5: Yeah, but like, yeah, go ahead, man, oh, I was

631
00:26:40,480 --> 00:26:42,000
Speaker 5: gonna say. That's how you could tell. I was like,

632
00:26:42,320 --> 00:26:44,119
Speaker 5: I had just finished up the movie book at the

633
00:26:44,119 --> 00:26:46,639
Speaker 5: same time I was doing the Scrubs thing, and I

634
00:26:46,640 --> 00:26:49,000
Speaker 5: had rewatched all of like Buddy Cop movies, and I

635
00:26:49,040 --> 00:26:50,920
Speaker 5: was like, oh, this is like this makes too much sense.

636
00:26:51,320 --> 00:26:52,040
Speaker 1: She didn't work.

637
00:26:53,040 --> 00:26:55,400
Speaker 2: It does make sense, man, I think Turk and JD

638
00:26:55,520 --> 00:26:59,840
Speaker 2: would and and it really comes through Zach on the episode,

639
00:27:00,160 --> 00:27:03,320
Speaker 2: first episode that you directed, where we're doing the whole

640
00:27:03,320 --> 00:27:06,879
Speaker 2: heathogram thing. It really comes through there, like that's a

641
00:27:06,920 --> 00:27:10,480
Speaker 2: buddy cop movie or a buddy comedy in itself, right there,

642
00:27:10,520 --> 00:27:14,399
Speaker 2: these two dudes going to adventure and it's a silly

643
00:27:14,440 --> 00:27:16,200
Speaker 2: one too, so his boy can get some ass, you

644
00:27:16,280 --> 00:27:16,840
Speaker 2: know what I mean.

645
00:27:17,160 --> 00:27:20,520
Speaker 1: With a letter from Elia. Actually, Shay, you wrote that

646
00:27:20,640 --> 00:27:21,840
Speaker 1: in the in the book a little bit too, because

647
00:27:21,840 --> 00:27:24,320
Speaker 1: you're talking about Molly Shannon's character in that episode. And

648
00:27:24,359 --> 00:27:27,080
Speaker 1: that's one of my favorite episodes ever. I Uh, we

649
00:27:27,119 --> 00:27:28,800
Speaker 1: bring it up a lot because it was a pivotal

650
00:27:28,840 --> 00:27:30,439
Speaker 1: moment for me because it was the first one I

651
00:27:30,440 --> 00:27:33,359
Speaker 1: got to direct, and it was it was epic and

652
00:27:33,400 --> 00:27:35,720
Speaker 1: Donald and I went on a quest that all took

653
00:27:35,760 --> 00:27:37,720
Speaker 1: place over in one night. You know it for budget,

654
00:27:37,760 --> 00:27:39,879
Speaker 1: most of the time, we would you know, be confined

655
00:27:39,880 --> 00:27:41,719
Speaker 1: to the hospital with with going out a little bit

656
00:27:41,720 --> 00:27:44,320
Speaker 1: here or there. But you know, it's very expensive to

657
00:27:44,320 --> 00:27:46,840
Speaker 1: bring a full film crew out into the real world.

658
00:27:46,920 --> 00:27:48,920
Speaker 1: And and sometimes what Bill would do is he'd sort

659
00:27:48,920 --> 00:27:51,639
Speaker 1: of save up so we'd have episodes that were mostly

660
00:27:51,640 --> 00:27:53,560
Speaker 1: contained to the world of the hospital and then he'd

661
00:27:54,240 --> 00:27:56,600
Speaker 1: use the budget money he'd saved. Then we'd do like

662
00:27:56,640 --> 00:27:58,040
Speaker 1: a big ass one. That's why they'd be like the

663
00:27:58,040 --> 00:28:01,000
Speaker 1: Wision of Oz or the medieval times or this one

664
00:28:01,000 --> 00:28:04,920
Speaker 1: with Heather where we were, you know, out all night long. Yeah,

665
00:28:05,080 --> 00:28:08,120
Speaker 1: I wanted to ask you, Shay, how I wanted to say,

666
00:28:08,160 --> 00:28:11,439
Speaker 1: just before we get into the episode. I really am

667
00:28:11,480 --> 00:28:14,960
Speaker 1: impressed by how hard you hustle and work. And you know,

668
00:28:15,320 --> 00:28:17,280
Speaker 1: we're both on Twitter. We're all on Twitter, and I

669
00:28:17,520 --> 00:28:19,639
Speaker 1: always see a lot of writers asking you for advice

670
00:28:19,720 --> 00:28:22,040
Speaker 1: and how do I do it. I'm just so impressed

671
00:28:22,080 --> 00:28:26,960
Speaker 1: with how hard you work. You write your ass off.

672
00:28:27,119 --> 00:28:31,040
Speaker 1: You then go off and you really talk to your

673
00:28:31,520 --> 00:28:34,240
Speaker 1: followers and say, hey, support the cause. I'm here working

674
00:28:34,359 --> 00:28:37,280
Speaker 1: my ass off and I made a thing I think

675
00:28:37,280 --> 00:28:39,520
Speaker 1: you're gonna like. And I don't know, I just I've

676
00:28:39,520 --> 00:28:41,560
Speaker 1: always been impressed by how hard you work. And I

677
00:28:41,600 --> 00:28:43,600
Speaker 1: wonder if you, if you wanted to, could speak to

678
00:28:43,640 --> 00:28:45,560
Speaker 1: that for I don't know for anyone. It could be

679
00:28:45,600 --> 00:28:48,480
Speaker 1: about anyone trying to go after their dream, but you

680
00:28:48,480 --> 00:28:49,880
Speaker 1: you particularly do it with your writing.

681
00:28:50,600 --> 00:28:53,240
Speaker 5: Yeah, well, I think that's that's probably like an extension

682
00:28:53,240 --> 00:28:56,360
Speaker 5: of several different things. We grew up, like we live

683
00:28:56,400 --> 00:28:57,840
Speaker 5: in San Antonio now that I grew up like on

684
00:28:57,880 --> 00:29:00,960
Speaker 5: the other side of town, we were like real poor.

685
00:29:02,080 --> 00:29:04,640
Speaker 5: Nobody was like finishing school or anything like that. So

686
00:29:04,720 --> 00:29:06,680
Speaker 5: like that's always in the back of my head, like

687
00:29:06,680 --> 00:29:08,440
Speaker 5: if shit goes wrong or if I make like a

688
00:29:08,480 --> 00:29:11,240
Speaker 5: few mistakes, we could fall all the way back there.

689
00:29:11,240 --> 00:29:14,400
Speaker 5: So that's that's part of it. But also like in

690
00:29:14,440 --> 00:29:17,880
Speaker 5: the in the case of the the Scrubs thing, like

691
00:29:18,240 --> 00:29:21,320
Speaker 5: this was a thing that I was publishing independently. That is,

692
00:29:21,400 --> 00:29:23,520
Speaker 5: you weren't going to find it in bookstores. The only

693
00:29:23,560 --> 00:29:25,320
Speaker 5: way anybody was going to find out about it was

694
00:29:25,360 --> 00:29:27,760
Speaker 5: directly through me at the at the start of it,

695
00:29:27,800 --> 00:29:30,240
Speaker 5: you know. So like I'm not gonna just sit there

696
00:29:30,240 --> 00:29:32,440
Speaker 5: and cross my fingers and hope somebody like bats their

697
00:29:32,440 --> 00:29:34,560
Speaker 5: way into it. Yeah, it's not you know, I'm trying

698
00:29:34,560 --> 00:29:36,880
Speaker 5: to be like the guys at the at the fucking

699
00:29:36,960 --> 00:29:40,920
Speaker 5: mall that comes spraying you with perfume, you know what

700
00:29:40,960 --> 00:29:43,360
Speaker 5: I'm saying, Like I'm gonna be that. I'm gonna be

701
00:29:43,360 --> 00:29:45,000
Speaker 5: that kind of salesperson.

702
00:29:44,680 --> 00:29:46,360
Speaker 1: Or the guys in New York with the rap album

703
00:29:46,600 --> 00:29:48,720
Speaker 1: they always trying to get you to buy there.

704
00:29:48,400 --> 00:29:51,160
Speaker 2: There strong dude. That's the strongest hustle level, because there's

705
00:29:50,840 --> 00:29:54,040
Speaker 2: a part of that hustle is also like strong arming

706
00:29:54,080 --> 00:29:54,440
Speaker 2: you too.

707
00:29:54,600 --> 00:29:56,000
Speaker 5: Yeah, I know, I always do it.

708
00:29:56,040 --> 00:29:57,880
Speaker 1: I always do it because I feel so bad. By

709
00:29:57,920 --> 00:29:59,840
Speaker 1: the time you've walked two blocks with them, you're like, dude,

710
00:29:59,840 --> 00:30:01,600
Speaker 1: I'm okay, okay.

711
00:30:01,400 --> 00:30:04,040
Speaker 5: You there, slick. They're say they're smart. They're like, hey,

712
00:30:04,080 --> 00:30:05,880
Speaker 5: hold this for me real quick. And then you hold

713
00:30:05,880 --> 00:30:07,840
Speaker 5: it and they're like, all right, that's seven dollars. Like

714
00:30:07,840 --> 00:30:08,400
Speaker 5: what the fuck?

715
00:30:09,880 --> 00:30:14,280
Speaker 2: Even I wasn't. I wasn't even I wasn't even trying

716
00:30:14,280 --> 00:30:15,400
Speaker 2: to buy it, dude, I was.

717
00:30:15,480 --> 00:30:17,560
Speaker 1: But they're the best salesman, those guys, because by the

718
00:30:17,600 --> 00:30:19,320
Speaker 1: time you've walked a block of them, you're like, yeah, ye,

719
00:30:19,400 --> 00:30:20,880
Speaker 1: I do need to hear this. You're right, that does

720
00:30:20,880 --> 00:30:21,400
Speaker 1: sound good.

721
00:30:23,400 --> 00:30:28,720
Speaker 2: Sometimes sometimes it's like, dog, okay, just give me that ship.

722
00:30:28,760 --> 00:30:30,880
Speaker 1: But then they're like, Donald, come on, Donald, keep it real. Donald.

723
00:30:31,040 --> 00:30:31,440
Speaker 1: I seen.

724
00:30:31,720 --> 00:30:33,160
Speaker 2: This is what I hate because I get a lot

725
00:30:33,160 --> 00:30:35,600
Speaker 2: of this. I've seen you in the movies. Dog, don't

726
00:30:35,640 --> 00:30:40,320
Speaker 2: let me. Don't fucking let me down. Now I didn't

727
00:30:40,360 --> 00:30:42,440
Speaker 2: let you down. Don't let me down.

728
00:30:42,480 --> 00:30:47,040
Speaker 1: All right, Well, I always think, you know, in my career,

729
00:30:47,080 --> 00:30:50,400
Speaker 1: the things I've done that you know, you have to

730
00:30:50,400 --> 00:30:52,880
Speaker 1: put yourself out there. You have to really you know,

731
00:30:52,920 --> 00:30:55,920
Speaker 1: I've write my own stuff. You get turned down a

732
00:30:56,040 --> 00:30:58,240
Speaker 1: hundred times, and you just got to keep going and

733
00:30:58,440 --> 00:31:00,600
Speaker 1: keep fighting for it and keep believing yourself. And I

734
00:31:00,600 --> 00:31:02,440
Speaker 1: think that's one of the reasons I really like what

735
00:31:02,520 --> 00:31:04,480
Speaker 1: you say and do on on Twitter, because you do

736
00:31:04,520 --> 00:31:06,880
Speaker 1: a lot of philanthropic things as well, but you're also

737
00:31:06,920 --> 00:31:08,760
Speaker 1: someone who's just like, I'm gonna do this on my own.

738
00:31:08,800 --> 00:31:12,280
Speaker 1: Sometimes sometimes a publisher will publish it. Sometimes I'll publish it,

739
00:31:12,320 --> 00:31:14,480
Speaker 1: but like I'm always going to be doing my own hustle,

740
00:31:14,520 --> 00:31:15,680
Speaker 1: which I really appreciate.

741
00:31:15,960 --> 00:31:17,280
Speaker 5: Yeah, thank you, Thank you very much.

742
00:31:17,320 --> 00:31:21,160
Speaker 1: So guys, we're getting the episode. But go buy Shay's book.

743
00:31:21,200 --> 00:31:27,280
Speaker 1: It's called go to the website Sacred Heart Gang dot com. Correct,

744
00:31:27,280 --> 00:31:29,240
Speaker 1: if you go to sacred If you go to Sacred

745
00:31:29,280 --> 00:31:32,200
Speaker 1: Heart gang dot com, you can buy the book. It's

746
00:31:32,200 --> 00:31:35,680
Speaker 1: a PDF you can download. It's twenty bucks. It's really

747
00:31:35,680 --> 00:31:38,120
Speaker 1: worth it. It's amazing. I've seen some people on online

748
00:31:38,200 --> 00:31:39,920
Speaker 1: or are printing it out and kind of making their

749
00:31:39,960 --> 00:31:44,920
Speaker 1: own their own book. Out of it, but support independent writers.

750
00:31:44,920 --> 00:31:49,200
Speaker 1: He self published this with amazing illustrations by Arturo Torres,

751
00:31:49,880 --> 00:31:52,080
Speaker 1: and I can't I really recommend it if you're a

752
00:31:52,120 --> 00:31:56,800
Speaker 1: Scrubs fan. It's it's very, very entertaining and even the

753
00:31:56,880 --> 00:31:57,800
Speaker 1: parts Donald skimmed.

754
00:31:58,080 --> 00:32:01,200
Speaker 2: Can we talk about the illustrations real quick illustration. They

755
00:32:01,560 --> 00:32:03,600
Speaker 2: they kind of look like the New York Times. I'm

756
00:32:03,600 --> 00:32:06,640
Speaker 2: not the New York Times the Wall Street Journal. When

757
00:32:06,640 --> 00:32:10,040
Speaker 2: they draw the pictures like they look like when somebody

758
00:32:10,080 --> 00:32:12,600
Speaker 2: sits in front of you and poses and stuff like that,

759
00:32:12,600 --> 00:32:15,000
Speaker 2: they're very they're very lifelike, almost.

760
00:32:14,840 --> 00:32:15,520
Speaker 1: Like like a portrait.

761
00:32:16,440 --> 00:32:19,120
Speaker 2: Yeah, kind of kind of like a portrait. Yeah, absolutely, yes,

762
00:32:19,480 --> 00:32:22,080
Speaker 2: especially the one with Brendan Fraser on the for the

763
00:32:22,160 --> 00:32:24,200
Speaker 2: title of the book. You know what I mean with

764
00:32:24,320 --> 00:32:26,959
Speaker 2: the inside, when you get to that moment and you

765
00:32:27,000 --> 00:32:28,800
Speaker 2: even say at that moment, I didn't want to talk

766
00:32:28,800 --> 00:32:31,080
Speaker 2: about the you know, I hate talking about this, and

767
00:32:31,160 --> 00:32:33,800
Speaker 2: Zach you before we get into the store, I wanted

768
00:32:33,800 --> 00:32:37,160
Speaker 2: to say this. Also it made also me watching the

769
00:32:37,280 --> 00:32:41,320
Speaker 2: episode again, it made it more impactful for me because one,

770
00:32:41,400 --> 00:32:43,840
Speaker 2: I knew how it was going to work out the

771
00:32:43,880 --> 00:32:47,000
Speaker 2: way you laid it out in the book. I knew

772
00:32:47,000 --> 00:32:49,400
Speaker 2: how it was going to end up, not only because

773
00:32:49,400 --> 00:32:54,520
Speaker 2: I was in it, but because of that. But but

774
00:32:54,520 --> 00:32:57,560
Speaker 2: but it made it more impactful because what the way

775
00:32:57,560 --> 00:33:02,520
Speaker 2: you described all of what was happening, Uh, you really

776
00:33:02,560 --> 00:33:04,840
Speaker 2: told the story. Well my point, you know, well.

777
00:33:04,760 --> 00:33:07,520
Speaker 1: That's good writing when you're like when he's he's he's

778
00:33:07,560 --> 00:33:10,440
Speaker 1: writing his thoughts on something we were a part of.

779
00:33:10,640 --> 00:33:13,840
Speaker 1: And I never had this experience before. I mean, I

780
00:33:13,880 --> 00:33:16,280
Speaker 1: guess occasionally when someone writes a good review of something

781
00:33:16,320 --> 00:33:19,400
Speaker 1: you've done, maybe it's similar. But you're writing his thoughts

782
00:33:19,480 --> 00:33:22,200
Speaker 1: on this moment, and it made the moment for me

783
00:33:22,520 --> 00:33:24,360
Speaker 1: as a part of it more impactful. I thought that

784
00:33:24,440 --> 00:33:24,960
Speaker 1: was really good.

785
00:33:25,200 --> 00:33:27,440
Speaker 2: And then even where and then even where it stems from,

786
00:33:27,480 --> 00:33:30,280
Speaker 2: how you bring it back to the episode where we

787
00:33:30,480 --> 00:33:33,040
Speaker 2: lose you know, where one in three patients die when

788
00:33:33,040 --> 00:33:35,520
Speaker 2: they go into the hospital and everything like that, how

789
00:33:35,560 --> 00:33:38,320
Speaker 2: you connect the This is how Scrubs fucks you up.

790
00:33:38,360 --> 00:33:40,520
Speaker 2: They fuck you up by making you think you know

791
00:33:41,080 --> 00:33:43,520
Speaker 2: everything's all right, everything's all right, everything's all right, and

792
00:33:43,560 --> 00:33:46,080
Speaker 2: then just when you're feel like you're out of the

793
00:33:46,120 --> 00:33:48,520
Speaker 2: woods and you're safe, they drop the fucking hammer on you.

794
00:33:48,520 --> 00:33:49,040
Speaker 2: You know what I mean?

795
00:33:49,080 --> 00:33:51,840
Speaker 1: And by the way, this is how good Shaye's writing is.

796
00:33:52,280 --> 00:33:57,840
Speaker 1: He preempted Brendan Fraser being on this podcast. So I

797
00:33:57,880 --> 00:33:59,840
Speaker 1: want you to know, Shay that we and I'm telling

798
00:34:00,000 --> 00:34:02,600
Speaker 1: bouncing to the fans right here and now, that the

799
00:34:02,680 --> 00:34:05,640
Speaker 1: next episode will have Brendan Fraser on this podcast.

800
00:34:05,680 --> 00:34:07,040
Speaker 5: That's perfect. That's perfect.

801
00:34:07,440 --> 00:34:09,200
Speaker 1: So we want Shay's gonna come on and we're gonna

802
00:34:09,239 --> 00:34:13,720
Speaker 1: talk through Brennan Fraser's first episode. Then the next episode

803
00:34:13,719 --> 00:34:16,319
Speaker 1: we're gonna have Brennan Fraser come on and uh and

804
00:34:16,400 --> 00:34:19,879
Speaker 1: talk about it and then uh, well eventually I guess

805
00:34:19,880 --> 00:34:22,719
Speaker 1: it's season three, we'll get to uh, the big one.

806
00:34:22,760 --> 00:34:24,880
Speaker 1: That's a lot of people's favorite episode of all time.

807
00:34:25,719 --> 00:34:28,840
Speaker 1: This also when Brendan spoiler alert dies.

808
00:34:29,160 --> 00:34:33,399
Speaker 2: This also is kind of a it's precursor the right

809
00:34:33,400 --> 00:34:37,520
Speaker 2: word to that episode. Like this whole episode pretty much

810
00:34:37,600 --> 00:34:38,719
Speaker 2: is a dream, dude.

811
00:34:38,480 --> 00:34:40,239
Speaker 1: That I didn't even remember that by the way, you know.

812
00:34:40,239 --> 00:34:44,359
Speaker 2: What I mean foreshadowing, Yeah, a lot of foreshadowing, right

813
00:34:44,520 --> 00:34:48,600
Speaker 2: I I I didn't remember that either. And I've truly

814
00:34:48,640 --> 00:34:52,120
Speaker 2: went on this journey with JD through this whole episode

815
00:34:52,400 --> 00:34:56,680
Speaker 2: of him trying to, you know, rationalize why this oh

816
00:34:56,760 --> 00:34:59,319
Speaker 2: this is a false positive test. This test isn't it's

817
00:34:59,320 --> 00:35:01,640
Speaker 2: not to code. They're fucking up all day.

818
00:35:01,760 --> 00:35:02,000
Speaker 1: Yeah.

819
00:35:02,040 --> 00:35:04,080
Speaker 2: I even made a note, and I even made a note, Wow,

820
00:35:04,280 --> 00:35:07,439
Speaker 2: Sacred Heart is making a lot of mistakes. Yeah.

821
00:35:07,880 --> 00:35:10,279
Speaker 1: Yeah. And also, by the way, first of all, I

822
00:35:10,400 --> 00:35:12,680
Speaker 1: was so fucking uncomfortable with Judy hitting on me, and

823
00:35:12,719 --> 00:35:16,719
Speaker 1: I didn't remember that at all, but because Donald's my

824
00:35:16,719 --> 00:35:18,400
Speaker 1: best friend in the world, I was nervous that his

825
00:35:18,560 --> 00:35:22,600
Speaker 1: TV wife was hitting me. I was like, my stomach

826
00:35:22,680 --> 00:35:25,799
Speaker 1: was getting uncomfortable. And then I noticed a very subtle thing.

827
00:35:25,800 --> 00:35:27,319
Speaker 1: I don't know if you guys noticed this, because I'm

828
00:35:27,400 --> 00:35:29,560
Speaker 1: just very aware of the cinematography. I don't know if

829
00:35:29,560 --> 00:35:31,640
Speaker 1: it was Larry Trilling who directed by We mentioned that

830
00:35:31,640 --> 00:35:34,560
Speaker 1: Bill Laurance wrote this one and Larry Trilling, one of

831
00:35:34,560 --> 00:35:37,920
Speaker 1: our favorite directors, directed it. And there was this weird

832
00:35:38,120 --> 00:35:41,799
Speaker 1: sort of a very subtle filter on the camera for

833
00:35:41,920 --> 00:35:45,880
Speaker 1: that fantasy, that long dream sequence, and I didn't remember

834
00:35:45,920 --> 00:35:47,800
Speaker 1: that it was a dream sequence. I remember, like Jesus,

835
00:35:47,880 --> 00:35:50,680
Speaker 1: why is this. It's usually a filter you would reserve

836
00:35:50,760 --> 00:35:53,240
Speaker 1: for a close up of a woman of a certain

837
00:35:53,280 --> 00:35:55,400
Speaker 1: age where you wanted to maybe soften her wrinkles, a

838
00:35:55,400 --> 00:35:57,439
Speaker 1: little bit or her eyes. But if you go back

839
00:35:57,480 --> 00:36:00,279
Speaker 1: and look, it's on that whole sequence. And I was

840
00:36:00,320 --> 00:36:02,520
Speaker 1: kind of like, why is why is this filter on?

841
00:36:02,640 --> 00:36:04,319
Speaker 1: Like what? And then I was like does this just

842
00:36:04,400 --> 00:36:06,680
Speaker 1: look weird on my computer? Like what's going on? And

843
00:36:06,719 --> 00:36:08,759
Speaker 1: then when it was revealed that the whole thing is

844
00:36:08,800 --> 00:36:11,520
Speaker 1: a is a fantasy, I was like, Oh, that was

845
00:36:11,520 --> 00:36:12,600
Speaker 1: like a little subtle thing.

846
00:36:12,640 --> 00:36:12,759
Speaker 5: You know.

847
00:36:12,960 --> 00:36:14,600
Speaker 1: There's lots of little subtle things either, but that's one

848
00:36:14,640 --> 00:36:15,960
Speaker 1: thing I noticed with the cinematography.

849
00:36:16,520 --> 00:36:18,360
Speaker 2: It makes you want to go back and watch it again.

850
00:36:20,000 --> 00:36:20,799
Speaker 5: It's a good show.

851
00:36:21,960 --> 00:36:23,680
Speaker 1: Show Thank you, thank you.

852
00:36:23,680 --> 00:36:23,799
Speaker 5: Well.

853
00:36:23,800 --> 00:36:25,640
Speaker 1: I'm telling you when you get chased, when you guys

854
00:36:25,640 --> 00:36:28,600
Speaker 1: get Shay's book, you're gonna want to when you read

855
00:36:28,640 --> 00:36:30,839
Speaker 1: his essays, then you want to go back and go, Okay,

856
00:36:30,920 --> 00:36:33,440
Speaker 1: now I got to rewatch that episode with this with

857
00:36:33,520 --> 00:36:35,080
Speaker 1: this essay in mine. All right, we're gonna go to

858
00:36:35,080 --> 00:36:37,320
Speaker 1: break and we'll be right back.

859
00:36:44,480 --> 00:36:46,360
Speaker 2: And back. We're back.

860
00:36:46,600 --> 00:36:48,200
Speaker 1: All right, we're gonna go into this episode.

861
00:36:48,239 --> 00:36:50,120
Speaker 2: Guys, all right, I got one thing to say when

862
00:36:50,120 --> 00:36:52,360
Speaker 2: we start off, What the fuck? How do why do

863
00:36:52,440 --> 00:36:54,960
Speaker 2: we have like a cheese plate with a meat cheese

864
00:36:55,040 --> 00:36:58,080
Speaker 2: meat plate the size of like when you go to

865
00:36:58,120 --> 00:37:02,239
Speaker 2: a party, you know what I mean, Like, it's it's

866
00:37:02,239 --> 00:37:05,680
Speaker 2: our cheese and and and we and we got like

867
00:37:05,880 --> 00:37:10,400
Speaker 2: the rous version of cheese and meat. Like it's only cheddar.

868
00:37:10,600 --> 00:37:15,040
Speaker 2: It's only cheddar and American and white white cheddar, yellow

869
00:37:15,160 --> 00:37:16,800
Speaker 2: cheddar and American cheese.

870
00:37:16,840 --> 00:37:22,280
Speaker 1: And then it's the worst cheese, proast, beef turkey. It's

871
00:37:22,400 --> 00:37:25,880
Speaker 1: cold cuts, rolled up what kind of that?

872
00:37:27,080 --> 00:37:30,319
Speaker 2: And we're drinking wine with that, And this is our

873
00:37:30,360 --> 00:37:32,719
Speaker 2: and this is our night out from the hospital.

874
00:37:32,960 --> 00:37:35,959
Speaker 1: It's our big fancy night. And Judy and Carla says

875
00:37:36,000 --> 00:37:38,799
Speaker 1: she got a nice bottle of wine. And then Donald's right,

876
00:37:38,840 --> 00:37:41,040
Speaker 1: if you freeze frame at five seconds on the plate

877
00:37:41,040 --> 00:37:44,319
Speaker 1: we're talking about, it's basically cubes of cheddar and rolled

878
00:37:44,400 --> 00:37:51,120
Speaker 1: up cold cuts. Well, maybe maybe the rationalization was that

879
00:37:51,480 --> 00:37:53,040
Speaker 1: we didn't know we were just we were like, we

880
00:37:53,040 --> 00:37:54,960
Speaker 1: were so busy being doctors. None of us are cooks,

881
00:37:54,960 --> 00:37:56,719
Speaker 1: and we're like, oh, we're gonna have like an adult night.

882
00:37:56,960 --> 00:37:57,880
Speaker 1: That's what we do. They have.

883
00:37:58,440 --> 00:38:00,920
Speaker 5: So this is a good example of like one of

884
00:38:00,920 --> 00:38:02,800
Speaker 5: the one of the reasons I like to rewatch the

885
00:38:02,840 --> 00:38:04,480
Speaker 5: show so much, because every time you rewatch it, you're

886
00:38:04,480 --> 00:38:07,480
Speaker 5: gonna find like another little neat thing in there. So

887
00:38:07,600 --> 00:38:09,799
Speaker 5: I noticed that she's saying same same as y'all did

888
00:38:09,840 --> 00:38:12,680
Speaker 5: when I rewatched it yesterday, and I was like, the

889
00:38:12,680 --> 00:38:15,799
Speaker 5: only person in this room who is upset about the

890
00:38:15,880 --> 00:38:19,960
Speaker 5: situation or the setup is Carla, which makes sense because

891
00:38:20,000 --> 00:38:23,040
Speaker 5: she for that whole first season, second season, she's like

892
00:38:23,080 --> 00:38:25,640
Speaker 5: the adult in the room. Yeah, and the other and

893
00:38:25,640 --> 00:38:27,360
Speaker 5: and the other three are just sort of pretending to

894
00:38:27,400 --> 00:38:30,000
Speaker 5: be adults, so they think like, this is what is

895
00:38:30,000 --> 00:38:30,759
Speaker 5: supposed to look like.

896
00:38:30,760 --> 00:38:36,839
Speaker 1: And probably Shaye, probably Turk and and UH and JD

897
00:38:36,920 --> 00:38:41,680
Speaker 1: were probably tasked with getting a nice cheese place. We

898
00:38:41,719 --> 00:38:43,759
Speaker 1: went to fucking the supermarket. We're like got one of

899
00:38:43,800 --> 00:38:48,520
Speaker 1: those round jobs. Meanwhile, she went to the liquor store

900
00:38:48,520 --> 00:38:49,640
Speaker 1: and bottle expensive.

901
00:38:50,400 --> 00:38:53,239
Speaker 2: Right, and then we still fucked it up for how about?

902
00:38:53,280 --> 00:38:56,960
Speaker 1: I mean, I feel bad talking like JD knowing so

903
00:38:57,040 --> 00:39:00,320
Speaker 1: much about what celebrities are are naked and what move movies,

904
00:39:00,320 --> 00:39:04,760
Speaker 1: But it was pretty funny when he's like frontal and touchus.

905
00:39:06,520 --> 00:39:08,920
Speaker 2: They have something like that on the playboard. I mean,

906
00:39:09,040 --> 00:39:12,359
Speaker 2: never mind, this.

907
00:39:12,280 --> 00:39:14,600
Speaker 1: Is obviously before a website has existed, so it does

908
00:39:14,640 --> 00:39:16,480
Speaker 1: come up in the episode, But I don't think we

909
00:39:16,520 --> 00:39:18,600
Speaker 1: should actively advertise.

910
00:39:18,160 --> 00:39:20,279
Speaker 2: Them unless you want to hear it. Let us know.

911
00:39:20,760 --> 00:39:24,480
Speaker 1: Okay, hit up Donald on his Instagram on hit.

912
00:39:24,400 --> 00:39:28,640
Speaker 2: Me up on my Instagram, but you gotta find only

913
00:39:28,800 --> 00:39:30,280
Speaker 2: I will only respond if you follow.

914
00:39:30,440 --> 00:39:32,320
Speaker 1: But make sure you follow him because he's very upset

915
00:39:32,320 --> 00:39:35,000
Speaker 1: about his follower count. But uh, if you really, if

916
00:39:35,040 --> 00:39:36,680
Speaker 1: you don't want to take the time to google it,

917
00:39:36,760 --> 00:39:38,440
Speaker 1: just ask Donald on Instagram.

918
00:39:38,080 --> 00:39:39,640
Speaker 2: Share you want some of this, man, We could we

919
00:39:39,640 --> 00:39:42,600
Speaker 2: can hijack we can hijack some of Zach's followers, man,

920
00:39:42,600 --> 00:39:43,360
Speaker 2: and get them on.

921
00:39:43,200 --> 00:39:45,680
Speaker 1: On my followers. He's blowing up.

922
00:39:46,560 --> 00:39:48,640
Speaker 2: What did Shay share some of yours with me? Brother?

923
00:39:48,719 --> 00:39:53,040
Speaker 1: Yeah? All right, one day one twelve, I was kind

924
00:39:53,040 --> 00:39:55,919
Speaker 1: of taken, and I think this comes up in your essay.

925
00:39:55,960 --> 00:39:58,360
Speaker 1: Say if I'm not mistaken. But we finally see Cox

926
00:39:58,560 --> 00:40:00,160
Speaker 1: like someone.

927
00:40:00,080 --> 00:40:00,680
Speaker 2: Yeah right.

928
00:40:00,920 --> 00:40:04,000
Speaker 1: It seems that he seems to never like anybody or

929
00:40:04,040 --> 00:40:06,960
Speaker 1: at least be snarky with anyone and everyone. This is

930
00:40:07,600 --> 00:40:10,799
Speaker 1: this is sort of the first time that he's really uh,

931
00:40:11,040 --> 00:40:13,920
Speaker 1: we see how much he genuinely is no bullshit has

932
00:40:13,960 --> 00:40:14,360
Speaker 1: a friend.

933
00:40:15,080 --> 00:40:17,800
Speaker 5: Yeah, that's really It's really like an interesting creation of

934
00:40:17,840 --> 00:40:20,880
Speaker 5: a character is to put somebody in in his Orbit

935
00:40:21,239 --> 00:40:24,759
Speaker 5: who just sort of takes away all of his like

936
00:40:24,800 --> 00:40:27,920
Speaker 5: protective armor immediately, like he has another friend. Later on

937
00:40:27,960 --> 00:40:31,040
Speaker 5: the show, Michael Boltman's character Ron when he shows up

938
00:40:31,080 --> 00:40:33,440
Speaker 5: and they're like clearly close friends, but but at the

939
00:40:33,440 --> 00:40:35,279
Speaker 5: same time they're like poking each other in the eye

940
00:40:35,280 --> 00:40:37,640
Speaker 5: every once in a while with something. But Brendan Fraser's

941
00:40:37,719 --> 00:40:39,839
Speaker 5: character Ben is the only time we see him where

942
00:40:39,840 --> 00:40:42,040
Speaker 5: he is just wide open and like just having a

943
00:40:42,040 --> 00:40:44,120
Speaker 5: good old time and he loves Yeah.

944
00:40:44,160 --> 00:40:48,839
Speaker 1: It really mirrors the JAD And it's like his Turk

945
00:40:48,920 --> 00:40:51,759
Speaker 1: in a way, just solely in the fact that like

946
00:40:52,160 --> 00:40:54,480
Speaker 1: they're on you know, they're hugging, and they're and they're

947
00:40:54,560 --> 00:40:59,319
Speaker 1: joking about hugging and and they're just very they're being

948
00:40:59,360 --> 00:41:01,640
Speaker 1: playing silly games, the thing with the card on their head,

949
00:41:01,719 --> 00:41:04,120
Speaker 1: and they're just like they're unabashedly themselves.

950
00:41:04,400 --> 00:41:07,560
Speaker 5: Yeah, all of the things that doctor Cox says annoys

951
00:41:07,640 --> 00:41:10,080
Speaker 5: him about JD. Yeah, the things that Brent like he

952
00:41:10,440 --> 00:41:13,520
Speaker 5: talks in the voices, he's very affectionate, and I'm saying

953
00:41:13,560 --> 00:41:16,840
Speaker 5: like like, oh, this is like you begin to understand,

954
00:41:16,840 --> 00:41:19,440
Speaker 5: this is like why he has such a fondness for

955
00:41:19,560 --> 00:41:21,640
Speaker 5: JD is because he reminds him of this camera.

956
00:41:21,880 --> 00:41:24,480
Speaker 1: That's great, Shay. I really love that analysis. And I

957
00:41:24,520 --> 00:41:27,840
Speaker 1: didn't see it, but it's funny. I was watching Brendan

958
00:41:27,880 --> 00:41:30,120
Speaker 1: Fraser's choice in this character for the first time in

959
00:41:30,160 --> 00:41:33,600
Speaker 1: twenty years, and he is playing it very goofy and silly,

960
00:41:33,800 --> 00:41:36,759
Speaker 1: and it's very JD like. And it's funny that you

961
00:41:36,840 --> 00:41:39,000
Speaker 1: say that that I never thought of it like that.

962
00:41:39,080 --> 00:41:42,480
Speaker 1: It's like you're seeing even though Cox has to keep

963
00:41:42,520 --> 00:41:46,040
Speaker 1: it down because he has to be Cox to JD,

964
00:41:46,920 --> 00:41:49,919
Speaker 1: there is the there must be some aspect of JD

965
00:41:50,000 --> 00:41:51,440
Speaker 1: that reminds him of his good buddy.

966
00:41:51,480 --> 00:41:53,640
Speaker 5: You know, there's no question about it, There's no question.

967
00:41:55,200 --> 00:41:57,200
Speaker 1: I like when I go at the bar one twenty three,

968
00:41:57,200 --> 00:42:03,719
Speaker 1: when I go neat Hug. Yeah, what a fucking tool,

969
00:42:03,840 --> 00:42:04,440
Speaker 1: Neat Hug.

970
00:42:05,880 --> 00:42:09,879
Speaker 2: This is something that kind of bugged me the whole

971
00:42:09,880 --> 00:42:12,879
Speaker 2: time we made this show, but later on hindsight, being

972
00:42:12,920 --> 00:42:17,520
Speaker 2: twenty twenty nowadays, it's I wish, I'm so happy that

973
00:42:17,560 --> 00:42:20,800
Speaker 2: this happened. But Brendan Fraser brings a camera into the

974
00:42:20,880 --> 00:42:25,000
Speaker 2: episode and it's a polaroid camera, old school polaroid, old

975
00:42:25,080 --> 00:42:29,080
Speaker 2: school polaroid camera, and I'm not sure if we were

976
00:42:29,080 --> 00:42:32,560
Speaker 2: doing this before or if this is where it started,

977
00:42:33,400 --> 00:42:36,640
Speaker 2: but because of this moment right here, it's like I

978
00:42:36,760 --> 00:42:39,560
Speaker 2: have polaroids from you know what I mean.

979
00:42:39,719 --> 00:42:40,480
Speaker 1: I can't answer this.

980
00:42:40,719 --> 00:42:45,359
Speaker 2: Okay, let's let's let's get into it, because I I

981
00:42:45,440 --> 00:42:49,160
Speaker 2: was wondering, we have all of these memories on celluloid

982
00:42:49,640 --> 00:42:53,560
Speaker 2: because because of someone bringing a camera and then it

983
00:42:53,600 --> 00:42:54,440
Speaker 2: became an.

984
00:42:54,360 --> 00:42:55,200
Speaker 1: All began with this.

985
00:42:55,880 --> 00:42:56,600
Speaker 2: Is this where it began?

986
00:42:56,719 --> 00:42:58,600
Speaker 1: Yeah, So here's the thing. Krista Miller and I are

987
00:42:58,640 --> 00:43:02,040
Speaker 1: both photographers our hobby, and we both are camera geeks.

988
00:43:02,040 --> 00:43:04,680
Speaker 1: We love new cameras, we love old cameras, will like

989
00:43:04,719 --> 00:43:07,960
Speaker 1: send each other eBay listings of cameras. She's a really

990
00:43:08,160 --> 00:43:10,759
Speaker 1: talented photographer and I like to think I'm not too

991
00:43:10,760 --> 00:43:14,520
Speaker 1: bad myself. When Brendan Fraser came in, this was his

992
00:43:14,600 --> 00:43:17,759
Speaker 1: real hobby, shooting with these old school polaroids. As you

993
00:43:17,760 --> 00:43:21,279
Speaker 1: guys see in the movie, the kind of polaroid film

994
00:43:21,320 --> 00:43:23,399
Speaker 1: not that just comes out automatically. You pull it out

995
00:43:23,560 --> 00:43:24,880
Speaker 1: and then you got it's like shake it like a

996
00:43:24,920 --> 00:43:26,880
Speaker 1: poloraroid picture. These you actually did have to wait for

997
00:43:26,920 --> 00:43:29,040
Speaker 1: a minute for them to cook, and then you'd peel

998
00:43:29,040 --> 00:43:31,480
Speaker 1: it off and then'd be a beautiful a shot. And

999
00:43:31,800 --> 00:43:35,120
Speaker 1: this camera that he's shooting with was actually Brendan's and

1000
00:43:35,239 --> 00:43:38,200
Speaker 1: he brought it in and of course, and he was

1001
00:43:38,239 --> 00:43:40,200
Speaker 1: taking pictures. All the pictures you see at the end

1002
00:43:40,200 --> 00:43:43,279
Speaker 1: of the episode in that tin that he has, we're

1003
00:43:43,320 --> 00:43:45,839
Speaker 1: all shot by him over the course of his week

1004
00:43:46,160 --> 00:43:49,200
Speaker 1: hanging out with us. And then Christa and I got,

1005
00:43:49,239 --> 00:43:51,520
Speaker 1: of course, got so into it. We're like, oh my god,

1006
00:43:51,520 --> 00:43:52,600
Speaker 1: we got to get one of those. Where do we

1007
00:43:52,600 --> 00:43:55,960
Speaker 1: buy them? And then over the years, Donald that you

1008
00:43:56,040 --> 00:43:58,799
Speaker 1: have a lot of polaroid pictures because I have a

1009
00:43:58,800 --> 00:44:01,800
Speaker 1: bunch of these cameras now right, And I'm sure I'm

1010
00:44:01,800 --> 00:44:03,839
Speaker 1: sure Chris has given you some too, because she does too,

1011
00:44:04,239 --> 00:44:06,359
Speaker 1: but the bulk of the ones you have, I'm sure.

1012
00:44:06,440 --> 00:44:08,200
Speaker 1: I got super into it, and I was going on

1013
00:44:08,239 --> 00:44:10,560
Speaker 1: eBay and buying all these old cameras. That's why. That's

1014
00:44:10,600 --> 00:44:12,080
Speaker 1: that's it all started with this.

1015
00:44:12,400 --> 00:44:14,200
Speaker 2: Okay, So all right, that's what I was, That's what

1016
00:44:14,239 --> 00:44:16,520
Speaker 2: I was running because it got ridiculous too at some point.

1017
00:44:16,840 --> 00:44:20,000
Speaker 2: At some point, it was like a battle between everybody

1018
00:44:20,040 --> 00:44:22,799
Speaker 2: who took pictures on the fucking show to bring in

1019
00:44:22,840 --> 00:44:25,080
Speaker 2: their new toy. You know what, I mean, whether it

1020
00:44:25,120 --> 00:44:28,560
Speaker 2: was a lika or a cannon, or a fucking or

1021
00:44:28,640 --> 00:44:31,359
Speaker 2: a point this is the This is the Rolls Royce

1022
00:44:31,400 --> 00:44:33,200
Speaker 2: of point and shoot, or this is the.

1023
00:44:35,480 --> 00:44:37,319
Speaker 1: How do you think I feel when you're talking about

1024
00:44:37,320 --> 00:44:40,520
Speaker 1: your new animation gadget? But listen, I it.

1025
00:44:40,560 --> 00:44:43,680
Speaker 2: Wasn't I don't go to you, dude, Man, I just

1026
00:44:43,760 --> 00:44:46,360
Speaker 2: fucking got a c stand. Man, I'm really excited. I

1027
00:44:46,360 --> 00:44:47,959
Speaker 2: don't hit you up and do that ship.

1028
00:44:48,080 --> 00:44:50,439
Speaker 1: No, But on your Instagram you post shit like I'm doing.

1029
00:44:50,440 --> 00:44:52,160
Speaker 1: All this is on the ones and I just got

1030
00:44:52,160 --> 00:44:57,560
Speaker 1: this new gadget called l R two five nine. You

1031
00:44:57,560 --> 00:45:02,000
Speaker 1: think I give a funk how you're animating? Just showed

1032
00:45:02,040 --> 00:45:04,040
Speaker 1: me to show me to finish product.

1033
00:45:07,440 --> 00:45:07,560
Speaker 2: Now.

1034
00:45:07,640 --> 00:45:09,600
Speaker 1: But He's right. In addition to Christ and I, there's

1035
00:45:09,640 --> 00:45:12,799
Speaker 1: also a huge camera department and and uh and with

1036
00:45:12,880 --> 00:45:15,200
Speaker 1: also you know, everyone in the camera department loves cameras.

1037
00:45:15,200 --> 00:45:16,440
Speaker 1: So yeah, there was a lot of camera talk on

1038
00:45:16,440 --> 00:45:18,919
Speaker 1: the side. I'm sorry we annoyed you with that.

1039
00:45:19,040 --> 00:45:21,360
Speaker 2: It wasn't annoying. I look back at it now and

1040
00:45:21,400 --> 00:45:23,279
Speaker 2: I'm so grateful for it because I have all of

1041
00:45:23,320 --> 00:45:24,480
Speaker 2: these memories captured.

1042
00:45:24,960 --> 00:45:27,279
Speaker 1: Yes, now I want to know why JD. Who's we've

1043
00:45:27,400 --> 00:45:29,920
Speaker 1: established as a very good doctor, all beit young is

1044
00:45:29,960 --> 00:45:32,120
Speaker 1: passing out at a nail in someone's hand. I mean,

1045
00:45:32,120 --> 00:45:34,480
Speaker 1: hasn't he seen far with things?

1046
00:45:34,920 --> 00:45:36,520
Speaker 2: That ship is gross s though, no matter how you

1047
00:45:36,560 --> 00:45:41,200
Speaker 2: look at it, man, really how you for some reason he's.

1048
00:45:40,960 --> 00:45:42,920
Speaker 1: He's fucking cleaned out people's rectums.

1049
00:45:43,280 --> 00:45:45,960
Speaker 2: Yeah, but when the ship's still in you, that's scary, man,

1050
00:45:45,960 --> 00:45:47,960
Speaker 2: because it has to come out. And when it comes

1051
00:45:48,000 --> 00:45:52,000
Speaker 2: Look you see in the movies, all right, you ready, one, two, three,

1052
00:45:52,040 --> 00:45:53,440
Speaker 2: and then they pull it and the person it's like

1053
00:45:58,440 --> 00:46:00,359
Speaker 2: that was the first thing I thought about, Like they

1054
00:46:00,400 --> 00:46:01,480
Speaker 2: got to take that shit out.

1055
00:46:01,600 --> 00:46:03,759
Speaker 1: It didn't cross your It didn't cross your mind. Well

1056
00:46:03,960 --> 00:46:06,640
Speaker 1: as I understand it. Being a fake doctor, you don't

1057
00:46:06,640 --> 00:46:08,200
Speaker 1: want to pull it out before you get to the er,

1058
00:46:08,239 --> 00:46:10,760
Speaker 1: because then that's what that thing is, stopping the blood

1059
00:46:10,800 --> 00:46:11,600
Speaker 1: from coming out.

1060
00:46:11,920 --> 00:46:14,000
Speaker 2: In some cases, yes, in some cases.

1061
00:46:14,040 --> 00:46:17,160
Speaker 1: By the way, I'm gonna take this as medical. Please google,

1062
00:46:17,239 --> 00:46:18,440
Speaker 1: Please google the right thing to do.

1063
00:46:18,680 --> 00:46:21,200
Speaker 2: Listen, because in some movies when dude gets shot with

1064
00:46:21,239 --> 00:46:24,359
Speaker 2: the bow and arrow or something like that, or or

1065
00:46:24,480 --> 00:46:26,840
Speaker 2: or or get stabbed with a knife. Yeah, and they

1066
00:46:26,960 --> 00:46:29,640
Speaker 2: got to make the escape there, you know, it's the

1067
00:46:29,760 --> 00:46:32,560
Speaker 2: eye cont it's the close eye contact and everything. They're

1068
00:46:32,560 --> 00:46:36,120
Speaker 2: looking face to face and they're like, all right, you ready,

1069
00:46:36,560 --> 00:46:43,080
Speaker 2: I'm ready on three, one, two, you shut on three.

1070
00:46:46,960 --> 00:46:50,080
Speaker 1: That's true. Well, anyway, I thought it was surprising that

1071
00:46:50,200 --> 00:46:53,400
Speaker 1: there's the episode begins with j D passing out at

1072
00:46:53,440 --> 00:46:56,799
Speaker 1: a nail in someone's hand, like he literally faints. He

1073
00:46:56,880 --> 00:46:59,600
Speaker 1: literally faints like a like a person in old movies

1074
00:46:59,640 --> 00:47:04,879
Speaker 1: faints right, like be still, yeah, like like yeah, back

1075
00:47:04,920 --> 00:47:05,279
Speaker 1: of hand.

1076
00:47:05,640 --> 00:47:06,320
Speaker 2: The vapis.

1077
00:47:09,480 --> 00:47:11,799
Speaker 1: Now there's a real thing in hospitals, you know, mix

1078
00:47:11,880 --> 00:47:13,919
Speaker 1: ups are are I mean, they've they've taken all these

1079
00:47:13,920 --> 00:47:17,040
Speaker 1: steps in the intervening years between this show and twenty

1080
00:47:17,080 --> 00:47:21,960
Speaker 1: twenty to make sure that fuck ups are very, very

1081
00:47:22,080 --> 00:47:25,920
Speaker 1: very rare. I just started watching this show on Netflix's

1082
00:47:26,120 --> 00:47:29,000
Speaker 1: a documentary show if you're into real doctor situations called

1083
00:47:29,080 --> 00:47:31,799
Speaker 1: Lenox Hill, where they're following around real doctors, and I

1084
00:47:31,880 --> 00:47:33,880
Speaker 1: just noticed that they go in to do brain surgery

1085
00:47:33,920 --> 00:47:36,080
Speaker 1: on someone and there's those whole process where they're like,

1086
00:47:36,760 --> 00:47:39,000
Speaker 1: they're like, we'll be doing this on the right side

1087
00:47:39,040 --> 00:47:40,640
Speaker 1: of the brain. Does anyone hear right? Raise your hand

1088
00:47:40,680 --> 00:47:42,400
Speaker 1: if you heard right, And there's this whole system in

1089
00:47:42,480 --> 00:47:45,279
Speaker 1: place now where the nurses are like, I heard right,

1090
00:47:45,400 --> 00:47:47,120
Speaker 1: I heard right, I heard right, and they're like sign

1091
00:47:47,520 --> 00:47:50,480
Speaker 1: he signs his name on the woman's skull before the surgery.

1092
00:47:50,520 --> 00:47:54,000
Speaker 1: Like my point is everyone in the medical community who

1093
00:47:54,000 --> 00:47:55,400
Speaker 1: listens to the show is laughing at me because I'm

1094
00:47:55,440 --> 00:47:58,160
Speaker 1: explaining it so horribly. But it made me think of

1095
00:47:58,200 --> 00:48:00,319
Speaker 1: that because there's so many systems in place now to

1096
00:48:00,440 --> 00:48:02,560
Speaker 1: make sure fuck ups happen less because it is a

1097
00:48:02,600 --> 00:48:03,440
Speaker 1: thing in hospitals.

1098
00:48:04,320 --> 00:48:06,360
Speaker 2: But it's also really funny how they figure out the

1099
00:48:06,360 --> 00:48:08,759
Speaker 2: mess up was happening, you know what I mean, Wait

1100
00:48:08,800 --> 00:48:11,959
Speaker 2: a second, I imagine that this guy is Jewish, Yeah,

1101
00:48:12,080 --> 00:48:15,360
Speaker 2: of course he is. Then why isn't his penis circumcised?

1102
00:48:15,760 --> 00:48:19,279
Speaker 2: And then Todd runs in, Hey, doctor Wynn wants to

1103
00:48:19,320 --> 00:48:21,640
Speaker 2: know if there's some sort of mix up because our

1104
00:48:21,680 --> 00:48:25,360
Speaker 2: appendix surgery doesn't have an appendix. And then he walks

1105
00:48:25,360 --> 00:48:27,200
Speaker 2: into the room and he's like, can you believe what

1106
00:48:27,239 --> 00:48:32,840
Speaker 2: the whoa it's going on here? That shit made me

1107
00:48:32,920 --> 00:48:33,399
Speaker 2: laugh so.

1108
00:48:34,160 --> 00:48:37,080
Speaker 1: By the way, I laughed so hard, But I did

1109
00:48:37,120 --> 00:48:39,840
Speaker 1: it understand something? I mean, I laughed so hard that

1110
00:48:39,880 --> 00:48:42,920
Speaker 1: But isn't it just an uncircumcised phoenis? Why is Todd.

1111
00:48:43,160 --> 00:48:45,279
Speaker 1: Why is Todd so freaked out by uncircumcised?

1112
00:48:45,280 --> 00:48:48,520
Speaker 2: He's he's not freaked out by it. But what it

1113
00:48:48,600 --> 00:48:51,440
Speaker 2: is is, it's it's you know, the person's covered in

1114
00:48:51,480 --> 00:48:55,000
Speaker 2: a complete uh cheat, right, and it's covering their whole

1115
00:48:55,040 --> 00:48:56,920
Speaker 2: body and the only thing sticking out and there's a

1116
00:48:56,960 --> 00:49:00,759
Speaker 2: big light shining on it. Obviously is this dude's I

1117
00:49:00,840 --> 00:49:04,240
Speaker 2: can't and his balls and his balls? Yeah.

1118
00:49:04,280 --> 00:49:06,240
Speaker 1: But by the way, Donald, if you if you fans

1119
00:49:06,280 --> 00:49:08,799
Speaker 1: are listening, go back. You can see when when Rob

1120
00:49:08,840 --> 00:49:11,319
Speaker 1: comes in and says, WHOA, what is going on here?

1121
00:49:11,680 --> 00:49:14,160
Speaker 1: You can see Donald under his mask start to laugh

1122
00:49:15,000 --> 00:49:18,800
Speaker 1: and like, Donald, I can see you biting your fucking cheek.

1123
00:49:22,480 --> 00:49:23,640
Speaker 1: That ship was hilarious.

1124
00:49:23,680 --> 00:49:27,279
Speaker 2: He's fucking dude. Man. I forgot how I say this

1125
00:49:27,520 --> 00:49:32,920
Speaker 2: over and over again, Robert Macio, Holy shit, I forgot

1126
00:49:32,960 --> 00:49:36,040
Speaker 2: how funny he is. Man. And we used to we

1127
00:49:36,120 --> 00:49:38,799
Speaker 2: used to fucking fuck with him all the time and oh,

1128
00:49:38,880 --> 00:49:41,800
Speaker 2: let's go run line and everything. But he fucking crushes

1129
00:49:41,840 --> 00:49:44,239
Speaker 2: it every time. Every time.

1130
00:49:44,560 --> 00:49:47,000
Speaker 1: Dude, that's the funniest line on the show. WHOA, what

1131
00:49:47,239 --> 00:49:48,080
Speaker 1: is going on? Here?

1132
00:49:48,280 --> 00:49:49,279
Speaker 2: Is going on here?

1133
00:49:49,520 --> 00:49:51,399
Speaker 1: Even in my brain I was thinking, like, well, why

1134
00:49:51,480 --> 00:49:54,840
Speaker 1: is he so surprised to see PTUs? But Donald?

1135
00:49:55,400 --> 00:49:55,879
Speaker 2: Oh Man.

1136
00:49:55,920 --> 00:49:57,480
Speaker 1: Then I looked at Donald and I know that look

1137
00:49:57,560 --> 00:50:02,359
Speaker 1: better than anyone. That You're lucky that he's like he's

1138
00:50:02,400 --> 00:50:04,200
Speaker 1: like his face is like strutched up like this.

1139
00:50:09,239 --> 00:50:13,280
Speaker 2: Nicole Sullivan's back, Krista Miller's back on this episode.

1140
00:50:13,360 --> 00:50:14,319
Speaker 1: Yeah, Christ's back.

1141
00:50:15,600 --> 00:50:20,239
Speaker 2: Yeah, then Nicole Sullivan's story you know, uh, Shay, you

1142
00:50:20,280 --> 00:50:22,840
Speaker 2: can speak on this also. This was one of those

1143
00:50:22,920 --> 00:50:25,680
Speaker 2: things where you throw her in there just so you can,

1144
00:50:26,600 --> 00:50:30,200
Speaker 2: just so the audience remembers. Okay, there's this character, and

1145
00:50:30,239 --> 00:50:33,560
Speaker 2: we have plans for her later on and to make

1146
00:50:33,560 --> 00:50:36,359
Speaker 2: this connection, to make to make what happens to her,

1147
00:50:36,400 --> 00:50:38,960
Speaker 2: to make you feel it more. We're gonna introduce her

1148
00:50:39,000 --> 00:50:42,120
Speaker 2: on some silly shit just so you're comfortable, like, oh,

1149
00:50:42,160 --> 00:50:44,479
Speaker 2: this is just somebody who comes into the space, into

1150
00:50:44,520 --> 00:50:48,400
Speaker 2: the universe for Elliott to make funny jokes with, and

1151
00:50:48,480 --> 00:50:51,120
Speaker 2: you kind of don't realize. Okay, at the end of this,

1152
00:50:51,560 --> 00:50:54,280
Speaker 2: something's bad's gonna happen, even though we're laying out the crumbs,

1153
00:50:54,280 --> 00:50:56,200
Speaker 2: you know what I mean, something's you know.

1154
00:50:56,480 --> 00:50:59,239
Speaker 1: Yeah, she talks about that in his book actually with

1155
00:50:59,239 --> 00:51:01,600
Speaker 1: with the Brendan ar of it all about how Bill

1156
00:51:01,800 --> 00:51:04,879
Speaker 1: wasn't was totally not afraid to play the long game

1157
00:51:04,920 --> 00:51:07,279
Speaker 1: with these people, right say, like like they laid the

1158
00:51:07,280 --> 00:51:09,640
Speaker 1: foundation from Brennan and then that episode is now until

1159
00:51:09,719 --> 00:51:10,719
Speaker 1: two years later.

1160
00:51:11,000 --> 00:51:13,960
Speaker 5: You know, So that's the like, the one question I

1161
00:51:13,960 --> 00:51:15,560
Speaker 5: wanted to make sure I asked when I came on

1162
00:51:15,640 --> 00:51:18,680
Speaker 5: here was when y'all are doing that stuff with with

1163
00:51:18,680 --> 00:51:21,360
Speaker 5: with the d Coole Sullivan character or with the renin

1164
00:51:21,400 --> 00:51:24,480
Speaker 5: Frage character, do you know ahead of time? Like okay,

1165
00:51:24,520 --> 00:51:27,280
Speaker 5: and in fucking three years, this is when we're gonna

1166
00:51:27,280 --> 00:51:29,359
Speaker 5: get rid of no of you just sort of.

1167
00:51:29,320 --> 00:51:31,279
Speaker 2: Well, we should throw it to Bill. Let's throw that.

1168
00:51:31,360 --> 00:51:34,120
Speaker 1: Yeah, well let's let's throw the Brennan one to Bill,

1169
00:51:34,120 --> 00:51:37,240
Speaker 1: because that's what I was thinking about doing that as well. Bill,

1170
00:51:37,719 --> 00:51:40,120
Speaker 1: When you had Brendan on in season one for these

1171
00:51:40,200 --> 00:51:43,759
Speaker 1: two awesome episodes, we have Shae Soronald here, and of

1172
00:51:43,760 --> 00:51:45,799
Speaker 1: course Bill knows who you are, Shay, because he wanted

1173
00:51:45,840 --> 00:51:49,880
Speaker 1: to I see him hitting you up on Twitter as well. Bill,

1174
00:51:50,360 --> 00:51:52,480
Speaker 1: was was it your intention that you would kind of

1175
00:51:52,480 --> 00:51:55,080
Speaker 1: play the long game and then bring Brennan back in

1176
00:51:55,480 --> 00:51:59,080
Speaker 1: season three for the episode Everybody Loves at the funeral

1177
00:51:59,360 --> 00:52:01,959
Speaker 1: was that on your are this far out and because

1178
00:52:01,960 --> 00:52:05,040
Speaker 1: we're because you know, we're talking about also Nicole Sullivan

1179
00:52:05,120 --> 00:52:06,919
Speaker 1: character and how one of the things you did really

1180
00:52:06,920 --> 00:52:09,239
Speaker 1: well and Scrubs was not be afraid to play the

1181
00:52:09,320 --> 00:52:11,800
Speaker 1: long game with these characters. But first, well, Bill, please

1182
00:52:11,840 --> 00:52:13,360
Speaker 1: don't don't don't, please.

1183
00:52:13,120 --> 00:52:14,279
Speaker 2: Don't do the six seven eight.

1184
00:52:15,640 --> 00:52:19,880
Speaker 6: Hey, guys, I guess we'll just continue this relationship in

1185
00:52:19,920 --> 00:52:22,319
Speaker 6: which you only reach out to me when you need me.

1186
00:52:23,360 --> 00:52:25,000
Speaker 6: And I'm supposed to feel good about that.

1187
00:52:27,239 --> 00:52:28,160
Speaker 1: No, I do feel good.

1188
00:52:28,360 --> 00:52:32,120
Speaker 6: Look, Brendan, he's an old family friend, a good friend

1189
00:52:32,120 --> 00:52:37,719
Speaker 6: of Christ's. And when we brought him on, initially we thought, wow,

1190
00:52:37,960 --> 00:52:39,840
Speaker 6: that's back when we kind of bring guest stars on,

1191
00:52:39,880 --> 00:52:41,839
Speaker 6: get to know him and kill him. But we thought

1192
00:52:41,880 --> 00:52:44,279
Speaker 6: it was kind of a good enough thing to give him,

1193
00:52:45,120 --> 00:52:50,080
Speaker 6: uh leukemia and you know, kind of see doctor Cox

1194
00:52:50,360 --> 00:52:52,080
Speaker 6: rise to the occasion and deal with it. The first

1195
00:52:52,160 --> 00:52:54,520
Speaker 6: episode is based on a short story called Occurrence at

1196
00:52:54,520 --> 00:52:57,680
Speaker 6: al Creek Bridge by Ambrose Beers. If anybody wanted to

1197
00:52:57,680 --> 00:53:00,920
Speaker 6: look that up. Second episode, it's just cool excuse to

1198
00:53:01,000 --> 00:53:04,880
Speaker 6: use the worthless peons. Ted's band and all you guys

1199
00:53:05,200 --> 00:53:09,840
Speaker 6: and Brennan was so good when he agreed to come back. Uh,

1200
00:53:09,880 --> 00:53:12,520
Speaker 6: it was perfect because we were able to do you

1201
00:53:12,560 --> 00:53:16,040
Speaker 6: know that sixth sense homage. So we always knew we

1202
00:53:16,080 --> 00:53:19,239
Speaker 6: wanted to kill him, but we hadn't planned. Uh we

1203
00:53:19,280 --> 00:53:21,120
Speaker 6: had hoped, but hadn't planned for him to come back,

1204
00:53:21,120 --> 00:53:23,560
Speaker 6: and when that happened, it's one of our favorite episodes ever.

1205
00:53:24,360 --> 00:53:26,600
Speaker 1: All Right, we were we have a fan that we're

1206
00:53:26,600 --> 00:53:28,919
Speaker 1: gonna take new commercial and then we come back.

1207
00:53:30,040 --> 00:53:31,960
Speaker 2: Do we ever go to fan and then go to

1208
00:53:31,960 --> 00:53:34,360
Speaker 2: commercial after the fan? How come we always got to

1209
00:53:34,400 --> 00:53:36,360
Speaker 2: go to commercial before the fan? Is this?

1210
00:53:36,520 --> 00:53:36,600
Speaker 3: Like?

1211
00:53:36,880 --> 00:53:40,600
Speaker 2: Is it because and it's a seg it's a segment thing.

1212
00:53:40,600 --> 00:53:41,920
Speaker 2: I got it, it's a segment thing.

1213
00:53:42,040 --> 00:53:44,839
Speaker 1: Yeah, I mean there's when Joel we first started making

1214
00:53:44,840 --> 00:53:47,279
Speaker 1: the show, Joel had a very organized list of the

1215
00:53:47,280 --> 00:53:49,600
Speaker 1: way the show would go, and since all we do

1216
00:53:49,680 --> 00:53:52,200
Speaker 1: is ramble all over the fucking place, we just occasionally

1217
00:53:52,200 --> 00:53:53,520
Speaker 1: asked her if we should commerce.

1218
00:53:53,560 --> 00:53:56,800
Speaker 2: I know, but it's always like, it's always a tease

1219
00:53:56,880 --> 00:53:58,920
Speaker 2: though for the it's always a tease for the people

1220
00:53:58,960 --> 00:54:01,279
Speaker 2: listening to the podcast. Oh we've got a listener here,

1221
00:54:01,719 --> 00:54:04,280
Speaker 2: let's you know what, we should probably go to fucking commercial.

1222
00:54:04,320 --> 00:54:06,400
Speaker 1: But I think that. I think that. You know, on

1223
00:54:06,760 --> 00:54:09,120
Speaker 1: real TV shows and radio shows, you want to you

1224
00:54:09,120 --> 00:54:11,080
Speaker 1: want the audience to stay on the line, right on,

1225
00:54:11,280 --> 00:54:14,759
Speaker 1: right on the fishing line. When we come back, we're

1226
00:54:14,760 --> 00:54:16,200
Speaker 1: gonna have an exciting caller.

1227
00:54:16,560 --> 00:54:18,120
Speaker 2: But we don't do it that way. We never do

1228
00:54:18,200 --> 00:54:18,560
Speaker 2: it that way.

1229
00:54:18,600 --> 00:54:20,160
Speaker 1: We always try it that way. Let's try and sell

1230
00:54:20,160 --> 00:54:21,359
Speaker 1: it this way. Do you want to try and sell

1231
00:54:21,400 --> 00:54:24,520
Speaker 1: it like pretendant? They might change the channel or switch to.

1232
00:54:24,600 --> 00:54:26,279
Speaker 2: The No, no, no, no, no, no, no no no.

1233
00:54:26,400 --> 00:54:28,640
Speaker 2: Don't you touch that down. When we come back, we'll

1234
00:54:28,680 --> 00:54:29,360
Speaker 2: have a caller.

1235
00:54:29,600 --> 00:54:41,440
Speaker 1: Don't you touch that down. We're back in two and two. Oh, hi, guys,

1236
00:54:42,560 --> 00:54:47,680
Speaker 1: what's up? Gentlemen? It's Dylan and who else is Dylan?

1237
00:54:47,800 --> 00:54:51,759
Speaker 1: And came there's your official Oprah voice. Guys. That's the

1238
00:54:51,800 --> 00:54:53,279
Speaker 1: price you get for making it on the show. You

1239
00:54:53,320 --> 00:54:54,840
Speaker 1: get an Oprah voice intro.

1240
00:54:55,040 --> 00:54:57,959
Speaker 2: Dylan and Cam. Where are you guys at It looks

1241
00:54:58,000 --> 00:55:00,360
Speaker 2: like you're like in a bunker underground.

1242
00:55:00,920 --> 00:55:04,440
Speaker 3: Yeah. Yeah, we have a little bar area in our basement.

1243
00:55:04,440 --> 00:55:06,200
Speaker 3: We're kind of hunkered down right here, but we're in

1244
00:55:06,239 --> 00:55:07,439
Speaker 3: a lacrosse with gods.

1245
00:55:08,400 --> 00:55:10,000
Speaker 2: Okay, Wisconsin in the house.

1246
00:55:10,480 --> 00:55:13,640
Speaker 1: Noise, Well, welcome guys to the show. We we we

1247
00:55:13,680 --> 00:55:16,600
Speaker 1: have Shae Serrano joining us, who's written an awesome book

1248
00:55:16,640 --> 00:55:20,520
Speaker 1: on Scrubs and incredible, uh best selling author, and he

1249
00:55:20,880 --> 00:55:22,880
Speaker 1: probably knows more about Scrubs than Donald and I. But

1250
00:55:23,120 --> 00:55:26,520
Speaker 1: so definitely you can well that's because Donald smokes a

1251
00:55:26,520 --> 00:55:28,520
Speaker 1: lot of weed. But you can ask us any question

1252
00:55:28,600 --> 00:55:30,279
Speaker 1: or maybe you're off. Are you off this hour? Though?

1253
00:55:31,400 --> 00:55:32,600
Speaker 2: Do you mean did I smoke today?

1254
00:55:32,880 --> 00:55:34,800
Speaker 1: No, because there was a couple of podcasts ago you

1255
00:55:34,840 --> 00:55:36,400
Speaker 1: said you were taking a break from weed, and I

1256
00:55:36,440 --> 00:55:37,280
Speaker 1: wonder if that's stuck.

1257
00:55:38,080 --> 00:55:40,320
Speaker 2: No, that didn't didn't take.

1258
00:55:40,719 --> 00:55:43,000
Speaker 1: Didn't take that night.

1259
00:55:43,960 --> 00:55:45,520
Speaker 2: That night I went back to the well.

1260
00:55:46,120 --> 00:55:46,239
Speaker 4: Uh.

1261
00:55:46,760 --> 00:55:49,000
Speaker 1: He always tries to brag Shay. He's like, yeah, I'm

1262
00:55:49,040 --> 00:55:50,719
Speaker 1: off weed. I'm like for how long? He's like an

1263
00:55:50,800 --> 00:55:53,000
Speaker 1: hour starts that?

1264
00:55:53,120 --> 00:55:54,319
Speaker 5: How it starts one step at a.

1265
00:55:54,280 --> 00:55:56,160
Speaker 2: Time, One step at a time.

1266
00:55:56,480 --> 00:55:59,720
Speaker 1: All right, Dylan and Cam, what's up? What's your question? Guys? Welcome?

1267
00:56:00,120 --> 00:56:02,400
Speaker 3: Yeah, good to be here. Man, really big fans and

1268
00:56:02,560 --> 00:56:05,000
Speaker 3: a really huge fan of too Well.

1269
00:56:07,000 --> 00:56:09,360
Speaker 2: Yeah, great, you guys.

1270
00:56:09,120 --> 00:56:14,920
Speaker 1: Have do you guys up the printed it out for

1271
00:56:14,960 --> 00:56:17,960
Speaker 1: you for you listeners. They held up Shay's book on

1272
00:56:18,000 --> 00:56:20,480
Speaker 1: the office. Uh, and they had printed it out and

1273
00:56:20,520 --> 00:56:22,600
Speaker 1: binded it. So these guys are real fans.

1274
00:56:22,920 --> 00:56:26,120
Speaker 3: Oh I love Yeah, I love she probably my favorite author.

1275
00:56:26,200 --> 00:56:30,040
Speaker 1: Yeah that's all right, thank you? Oh wow, nice Shay.

1276
00:56:31,080 --> 00:56:33,399
Speaker 1: All right, A question for I guess it's probably gonna

1277
00:56:33,400 --> 00:56:35,160
Speaker 1: be for Shaw, But Donald and I are here too.

1278
00:56:37,200 --> 00:56:39,080
Speaker 3: So I guess it's you guys going to hop in

1279
00:56:39,160 --> 00:56:42,800
Speaker 3: with this too. But for Shay. So you've written obviously,

1280
00:56:42,960 --> 00:56:46,480
Speaker 3: Conference five Minutes, for the Office, you've written where do

1281
00:56:46,480 --> 00:56:49,359
Speaker 3: you think we are? For Scrubs? Is there another show

1282
00:56:49,360 --> 00:56:51,839
Speaker 3: that you've been thinking about or is there maybe one

1283
00:56:51,880 --> 00:56:54,680
Speaker 3: that maybe Donald or Dak would really like to kind

1284
00:56:54,680 --> 00:56:55,680
Speaker 3: of see from you as well?

1285
00:56:56,000 --> 00:56:57,799
Speaker 1: Oh that's good. I like I like my part, But

1286
00:56:57,880 --> 00:56:58,760
Speaker 1: you go for a show.

1287
00:56:59,360 --> 00:57:01,839
Speaker 5: There hasn't been one that I thought of yet. Usually

1288
00:57:01,840 --> 00:57:03,600
Speaker 5: whenever I'm working on one of these, people will like

1289
00:57:03,640 --> 00:57:07,080
Speaker 5: start tweeting me, Oh, do the wire do arrested development?

1290
00:57:07,120 --> 00:57:11,000
Speaker 5: Do you Sons of Anarchy or Madmen or whatever? But

1291
00:57:11,360 --> 00:57:13,880
Speaker 5: most of these things just sort of happen organically, Like

1292
00:57:13,920 --> 00:57:16,919
Speaker 5: I've been I've been watching Scrubs for so long. I've

1293
00:57:16,920 --> 00:57:19,280
Speaker 5: seen it so many times. It was like, well, you know,

1294
00:57:19,440 --> 00:57:22,160
Speaker 5: let me let me do something with all of the

1295
00:57:22,200 --> 00:57:24,000
Speaker 5: times I've watched it, and then it becomes like, oh,

1296
00:57:24,080 --> 00:57:26,240
Speaker 5: I was actually just working hard all of that time

1297
00:57:26,440 --> 00:57:28,080
Speaker 5: instead of just sitting around watching TV. You know what

1298
00:57:28,120 --> 00:57:28,520
Speaker 5: I'm saying.

1299
00:57:28,720 --> 00:57:30,240
Speaker 1: Yeah, that's a nice way to spend it. You're like,

1300
00:57:30,840 --> 00:57:33,200
Speaker 1: You're like, I wasn't wasting those hours. I was writing

1301
00:57:33,200 --> 00:57:33,560
Speaker 1: a book.

1302
00:57:34,080 --> 00:57:36,479
Speaker 5: Yeah exactly. I mean there's like one hundred and eighty

1303
00:57:36,560 --> 00:57:39,960
Speaker 5: something episodes of the show you watch point ninety hours

1304
00:57:39,960 --> 00:57:42,840
Speaker 5: of TV that you've seen four or five times all

1305
00:57:42,880 --> 00:57:46,680
Speaker 5: the way through. But yeah, usually just if a show

1306
00:57:46,680 --> 00:57:48,080
Speaker 5: will grab a hold of me, then I then I'll

1307
00:57:48,080 --> 00:57:49,440
Speaker 5: write about it. But I haven't. I don't have any

1308
00:57:49,440 --> 00:57:51,520
Speaker 5: plans right now to do to do another.

1309
00:57:51,280 --> 00:57:53,000
Speaker 2: One, all right, I have a nice Which one do

1310
00:57:53,040 --> 00:57:54,360
Speaker 2: you want? Which one do you want him to do?

1311
00:57:54,840 --> 00:57:56,640
Speaker 1: I was just well, the whole time he was talking,

1312
00:57:56,720 --> 00:58:00,800
Speaker 1: I was half listening and half thinking. I think. I think.

1313
00:58:00,840 --> 00:58:02,920
Speaker 1: I don't know if you watch the show, Shay Donald,

1314
00:58:02,960 --> 00:58:05,800
Speaker 1: I don't think watches it. But I really loved Atlanta. Oh,

1315
00:58:05,840 --> 00:58:09,720
Speaker 1: Atlanta's great, and I think it's ripe for analysis because

1316
00:58:09,720 --> 00:58:13,680
Speaker 1: it's got so many trippy storylines and so much social commentary,

1317
00:58:13,880 --> 00:58:17,240
Speaker 1: and I just I just think it's incredibly done.

1318
00:58:17,440 --> 00:58:19,000
Speaker 5: Yeah, that's a really that's a really good one. But

1319
00:58:19,040 --> 00:58:22,040
Speaker 5: they're not done yet. It doesn't till they're done. Yeah,

1320
00:58:22,040 --> 00:58:23,640
Speaker 5: you gotta wait till you get Now, The Wire, A.

1321
00:58:23,640 --> 00:58:25,920
Speaker 1: Lot of people say The Wire is I have to

1322
00:58:25,960 --> 00:58:28,600
Speaker 1: admit I only watched season one, so please don't yell

1323
00:58:28,640 --> 00:58:30,720
Speaker 1: at me. But a lot of people think that's the

1324
00:58:30,720 --> 00:58:32,760
Speaker 1: greatest TV show of all time? Is that? Is that

1325
00:58:32,880 --> 00:58:33,919
Speaker 1: on the top of your list?

1326
00:58:34,200 --> 00:58:37,680
Speaker 5: Yeah, that's absolutely on there, The Wire, Breaking Bad Soprano, Like,

1327
00:58:37,840 --> 00:58:39,800
Speaker 5: you know, all of the all of the main ones.

1328
00:58:39,880 --> 00:58:41,600
Speaker 2: Right, I've never seen any of these shows.

1329
00:58:42,200 --> 00:58:42,720
Speaker 1: You haven't.

1330
00:58:43,080 --> 00:58:45,320
Speaker 5: No, you've never seen You've never seen Breaking Bad.

1331
00:58:45,640 --> 00:58:48,800
Speaker 1: No, No, you only watched wat We only watched the finale.

1332
00:58:48,800 --> 00:58:50,000
Speaker 1: It's the only episode you ever saw.

1333
00:58:50,240 --> 00:58:53,080
Speaker 2: So here's my thing. Here's my thing. I have a

1334
00:58:53,120 --> 00:58:56,320
Speaker 2: hard time investing in shows because what happens is either

1335
00:58:56,320 --> 00:58:59,440
Speaker 2: they get canceled or they disappoint you in the end. Right,

1336
00:58:59,480 --> 00:59:02,880
Speaker 2: that's my that's my issue with things. I hate when

1337
00:59:03,280 --> 00:59:05,280
Speaker 2: you know something, there's a cliffhanger at the end of

1338
00:59:05,360 --> 00:59:08,960
Speaker 2: the season, and then the show gets canceled and you

1339
00:59:09,080 --> 00:59:11,480
Speaker 2: don't get to finish, you know, and then.

1340
00:59:11,560 --> 00:59:14,320
Speaker 1: Surely there's a series. What's a series that you watched

1341
00:59:14,520 --> 00:59:16,280
Speaker 1: like that, you just loved all of it?

1342
00:59:16,440 --> 00:59:17,360
Speaker 2: The Clone Wars.

1343
00:59:19,040 --> 00:59:21,600
Speaker 1: It's got to be Star Wars. It's only Star Wars. Yeah,

1344
00:59:21,640 --> 00:59:21,959
Speaker 1: I mean.

1345
00:59:22,680 --> 00:59:26,920
Speaker 2: That that that well, yeah, you know that was.

1346
00:59:27,080 --> 00:59:29,640
Speaker 1: Anything non Star Wars. No.

1347
00:59:30,200 --> 00:59:34,760
Speaker 2: No, Like you know, Bill Lawrence used to say it

1348
00:59:34,800 --> 00:59:37,240
Speaker 2: all the time, and it's so true. You you tell

1349
00:59:37,320 --> 00:59:40,720
Speaker 2: people when you when people meet you and they say,

1350
00:59:40,840 --> 00:59:43,400
Speaker 2: I'm such a huge fan of your show, not out

1351
00:59:43,400 --> 00:59:45,360
Speaker 2: of the ten times, they've only seen it like a

1352
00:59:45,360 --> 00:59:47,920
Speaker 2: handful of times, you know what I mean, and haven't

1353
00:59:47,920 --> 00:59:53,280
Speaker 2: seen it more than that, And so I fall in

1354
00:59:53,360 --> 00:59:57,120
Speaker 2: that category. If I were to see Brian and Aaron,

1355
00:59:58,120 --> 01:00:00,280
Speaker 2: it would be like, I'm such a huge I was

1356
01:00:00,320 --> 01:00:02,840
Speaker 2: such a huge fan of Breaking Bad. I only saw

1357
01:00:02,880 --> 01:00:04,680
Speaker 2: the final episode.

1358
01:00:05,080 --> 01:00:06,120
Speaker 1: I wouldn't let you admit that.

1359
01:00:06,520 --> 01:00:08,520
Speaker 2: I already told them it's all over the air now

1360
01:00:08,560 --> 01:00:10,360
Speaker 2: that somebody's gonna come back to him and say that

1361
01:00:10,400 --> 01:00:13,760
Speaker 2: shit now, But you know what I mean, Like, like

1362
01:00:13,840 --> 01:00:16,040
Speaker 2: I watch every now and then I'll check out a

1363
01:00:16,080 --> 01:00:19,800
Speaker 2: CW show, right, Like I love superhero movies, right, so

1364
01:00:19,840 --> 01:00:23,160
Speaker 2: I'll check out The Flash, or I'll check out Legends

1365
01:00:23,200 --> 01:00:28,360
Speaker 2: of Tomorrow or I'll check out, you know, Arrow, and

1366
01:00:29,120 --> 01:00:32,439
Speaker 2: I've only seen, like, you know, out of all of them,

1367
01:00:32,760 --> 01:00:38,000
Speaker 2: I've seen maybe you know, thirty of them total, like

1368
01:00:38,320 --> 01:00:41,080
Speaker 2: of all of the show's total. But when I see

1369
01:00:41,440 --> 01:00:44,560
Speaker 2: the actors and stuff in it, I genuinely do love

1370
01:00:44,880 --> 01:00:46,840
Speaker 2: what I have seen. So I'll be like, I'm such

1371
01:00:46,840 --> 01:00:49,120
Speaker 2: a fan of your show, even though I've only seen

1372
01:00:49,200 --> 01:00:49,720
Speaker 2: each show.

1373
01:00:50,000 --> 01:00:52,400
Speaker 1: So the message for all those actors is that Donald

1374
01:00:52,480 --> 01:00:53,880
Speaker 1: is totally bullshitting you when.

1375
01:00:55,080 --> 01:00:57,760
Speaker 2: I'm telling the honest to goodness truth. I like a Supergirl,

1376
01:00:59,000 --> 01:01:00,919
Speaker 2: I have seen that time you like it?

1377
01:01:01,120 --> 01:01:03,560
Speaker 1: What about about Smallville?

1378
01:01:03,920 --> 01:01:06,400
Speaker 2: I only saw that show a couple of times also,

1379
01:01:06,480 --> 01:01:11,080
Speaker 2: And I'd like, you know, because Angel, which one was

1380
01:01:11,160 --> 01:01:11,720
Speaker 2: dark Angel?

1381
01:01:12,240 --> 01:01:14,760
Speaker 5: This one with Jessica album, I didn't watch that one.

1382
01:01:14,800 --> 01:01:16,080
Speaker 2: I didn't watch and I never do.

1383
01:01:16,440 --> 01:01:18,400
Speaker 1: You also used, didn't you used to watch? There was

1384
01:01:18,440 --> 01:01:21,200
Speaker 1: a sci fi show you Battlestar Galactica.

1385
01:01:21,200 --> 01:01:23,360
Speaker 2: I take it back, if you do Battlestar, Yeah, you

1386
01:01:23,400 --> 01:01:27,440
Speaker 2: should do Battlestar galact Yeah.

1387
01:01:26,480 --> 01:01:28,400
Speaker 1: I ever watched Battlestar Galactica.

1388
01:01:29,080 --> 01:01:32,200
Speaker 2: There we go, Thank you, Zach, thank you. I remember,

1389
01:01:32,240 --> 01:01:33,280
Speaker 2: I remember, I got, I got.

1390
01:01:33,320 --> 01:01:35,040
Speaker 1: I was searching my brain for you I was like,

1391
01:01:35,080 --> 01:01:37,280
Speaker 1: I know, there was one sci fi show you actually watched.

1392
01:01:37,280 --> 01:01:39,480
Speaker 1: There wasn't a fucking Star Wars animated cartoon.

1393
01:01:39,880 --> 01:01:42,640
Speaker 2: I remember I got into an argument with my uh

1394
01:01:43,000 --> 01:01:47,800
Speaker 2: girlfriend at the time because I thought she uh taped

1395
01:01:47,920 --> 01:01:50,680
Speaker 2: over my Battlestar Galactica episode.

1396
01:01:50,760 --> 01:01:56,560
Speaker 1: I remember, did you watch that one? Shaw?

1397
01:01:57,000 --> 01:01:58,040
Speaker 5: I did not watch Battlestar.

1398
01:01:58,280 --> 01:02:01,720
Speaker 1: You guys, Dylan cam did you watch a Star Yeah? Yeah,

1399
01:02:02,360 --> 01:02:03,360
Speaker 1: Well do you guys like it?

1400
01:02:04,160 --> 01:02:07,520
Speaker 3: Yeah? I might. Super big and like sci fi by

1401
01:02:07,520 --> 01:02:10,040
Speaker 3: that one, I was pretty I think as.

1402
01:02:09,960 --> 01:02:13,800
Speaker 1: Far as like sci fi shows that people have liked,

1403
01:02:13,840 --> 01:02:16,400
Speaker 1: that's one of those ones everyone says was canceled too soon,

1404
01:02:16,440 --> 01:02:17,200
Speaker 1: and people.

1405
01:02:17,120 --> 01:02:20,720
Speaker 2: Katie Saccoff is a She's a g if you ask me,

1406
01:02:20,800 --> 01:02:22,320
Speaker 2: you know what I mean. Like, she's one of those

1407
01:02:22,720 --> 01:02:25,240
Speaker 2: action heroes that is a good Like she's straight up

1408
01:02:25,240 --> 01:02:29,800
Speaker 2: as a true action star who deserves the opportunity to

1409
01:02:29,920 --> 01:02:32,600
Speaker 2: carry some project. They say she's going to be in

1410
01:02:32,640 --> 01:02:37,640
Speaker 2: The Mandalorian this upcoming season as a Bocatan, which would

1411
01:02:37,640 --> 01:02:38,840
Speaker 2: be really fucking dope.

1412
01:02:39,200 --> 01:02:40,880
Speaker 1: My grandmother used to live in book Rattan.

1413
01:02:41,440 --> 01:02:46,160
Speaker 2: Right, Well, these characters, these these characters all travel from.

1414
01:02:46,120 --> 01:02:48,960
Speaker 1: Does it take place at an old Jewish community.

1415
01:02:48,480 --> 01:02:51,480
Speaker 2: Center and can eat an ass.

1416
01:02:51,800 --> 01:02:55,760
Speaker 1: Joel, do you watch Battlestar Galactica because you like the

1417
01:02:55,800 --> 01:02:56,720
Speaker 1: sci fi stuff?

1418
01:02:56,920 --> 01:02:57,400
Speaker 2: Yeah?

1419
01:02:57,480 --> 01:03:00,480
Speaker 4: I came very very late to Battle Star Galactica, currently

1420
01:03:00,480 --> 01:03:03,840
Speaker 4: in the middle of season one, but really loving it.

1421
01:03:03,840 --> 01:03:06,560
Speaker 4: It's amazing, It's excellent, good writing. If you're a Star

1422
01:03:06,680 --> 01:03:08,680
Speaker 4: Trek and or Star Wars fan, you'll probably find something

1423
01:03:08,800 --> 01:03:10,120
Speaker 4: like in Battlestar Galactica.

1424
01:03:10,920 --> 01:03:14,440
Speaker 1: All right, So guys, to finish that question off, do

1425
01:03:14,520 --> 01:03:17,720
Speaker 1: you have a show that that like you would love

1426
01:03:17,840 --> 01:03:20,200
Speaker 1: Shay to one day do a book about.

1427
01:03:20,240 --> 01:03:22,680
Speaker 2: Each We're gonna ask both of you each each.

1428
01:03:23,200 --> 01:03:27,640
Speaker 3: Yeah. First, okay, I would love Breaking Bad personally. Breaking

1429
01:03:27,680 --> 01:03:29,280
Speaker 3: That would be really sick. I think it's a really

1430
01:03:29,280 --> 01:03:34,920
Speaker 3: really good show. Yeah, that would probably be my top tooice.

1431
01:03:34,960 --> 01:03:36,440
Speaker 3: Maybe Parks and Rock would kind of be a more

1432
01:03:36,480 --> 01:03:39,680
Speaker 3: fun one. I'm more lighthearted, but I would probably say

1433
01:03:39,680 --> 01:03:41,080
Speaker 3: Breaking That would be a really cool one.

1434
01:03:41,320 --> 01:03:42,280
Speaker 1: All right, how about you.

1435
01:03:43,360 --> 01:03:45,240
Speaker 3: I'm always been a Jewish fan of the show Dexter.

1436
01:03:46,440 --> 01:03:48,640
Speaker 7: I would love to see you do that in my opinion,

1437
01:03:48,640 --> 01:03:52,720
Speaker 7: and born in the show start and then kind of

1438
01:03:52,800 --> 01:03:55,280
Speaker 7: drop cop right to finish where I think Breaking Bad

1439
01:03:55,320 --> 01:03:57,400
Speaker 7: is better in the series, But I think that's best

1440
01:03:57,840 --> 01:03:58,160
Speaker 7: is better?

1441
01:03:58,600 --> 01:04:00,360
Speaker 3: Yeah, I think I think that's that's I kind of

1442
01:04:00,400 --> 01:04:03,440
Speaker 3: fall in line with Donald of kind of a slight

1443
01:04:03,440 --> 01:04:04,640
Speaker 3: disaployment at the very end.

1444
01:04:04,720 --> 01:04:06,960
Speaker 2: But yeah, I was gonna say that's one. That's another

1445
01:04:07,000 --> 01:04:08,960
Speaker 2: show where I only watched the last episode and I

1446
01:04:09,000 --> 01:04:09,560
Speaker 2: was like, what the.

1447
01:04:12,640 --> 01:04:17,280
Speaker 5: I've heard?

1448
01:04:18,000 --> 01:04:20,360
Speaker 2: That's bullshit shady When Harry Matselly.

1449
01:04:20,360 --> 01:04:21,840
Speaker 1: That's a totally different example.

1450
01:04:21,960 --> 01:04:25,560
Speaker 2: Do you remember when Billy Crystal when she's asking when

1451
01:04:25,720 --> 01:04:29,080
Speaker 2: when she when he tells her how how dark he is,

1452
01:04:29,120 --> 01:04:30,919
Speaker 2: and he's like, I read the end of the book

1453
01:04:30,960 --> 01:04:33,880
Speaker 2: before I start. That's me with movies. That's me with

1454
01:04:33,920 --> 01:04:37,480
Speaker 2: television shows that everybody's train But that's me with television

1455
01:04:37,480 --> 01:04:39,840
Speaker 2: shows that everybody's like, you should watch this, you know

1456
01:04:39,880 --> 01:04:42,480
Speaker 2: what show you would like, you would like this show now.

1457
01:04:42,360 --> 01:04:45,040
Speaker 5: But you missed, you missed like the whole build up

1458
01:04:45,240 --> 01:04:48,240
Speaker 5: of everything, like you can't. Okay, we're talking about Nicole

1459
01:04:48,280 --> 01:04:52,920
Speaker 5: Sullivan character. Yeah, yes, in the in the season eight finale,

1460
01:04:53,160 --> 01:04:55,880
Speaker 5: when JD is doing the walk down the hallway and

1461
01:04:55,960 --> 01:04:57,680
Speaker 5: she pops up out of the out of the thing

1462
01:04:57,720 --> 01:05:00,280
Speaker 5: and she's like, there you are, and you get so

1463
01:05:00,560 --> 01:05:03,919
Speaker 5: fucking excite, Like there's like a real jolt of joy

1464
01:05:04,000 --> 01:05:06,560
Speaker 5: in your body when you see that. If you haven't

1465
01:05:06,640 --> 01:05:09,280
Speaker 5: watched all the other episodes, you don't understand what that.

1466
01:05:09,400 --> 01:05:11,760
Speaker 5: You think this is just a person who happens to

1467
01:05:11,800 --> 01:05:13,200
Speaker 5: be you can't just watch.

1468
01:05:13,000 --> 01:05:15,680
Speaker 2: So then that makes episode is the final episode of

1469
01:05:15,680 --> 01:05:16,840
Speaker 2: Scrubs a good episode.

1470
01:05:17,080 --> 01:05:21,360
Speaker 5: It's a great, fantastic because.

1471
01:05:21,080 --> 01:05:25,400
Speaker 2: The Breaking Bad, the Breaking Bad finale is a fucking movie.

1472
01:05:25,440 --> 01:05:27,960
Speaker 2: All I needed to know was that this dude, Walter White,

1473
01:05:28,520 --> 01:05:29,080
Speaker 2: was this freak.

1474
01:05:29,080 --> 01:05:30,160
Speaker 1: I'm gonna let the super.

1475
01:05:31,920 --> 01:05:34,600
Speaker 2: Why why why?

1476
01:05:34,640 --> 01:05:37,800
Speaker 1: Because you you you will get so I mean, let's

1477
01:05:37,840 --> 01:05:39,560
Speaker 1: just take Breaking back because I feel like it's a

1478
01:05:39,600 --> 01:05:41,800
Speaker 1: show that everyone listening to this problem.

1479
01:05:41,920 --> 01:05:44,680
Speaker 2: That last that last right, But that last episode is

1480
01:05:44,720 --> 01:05:48,120
Speaker 2: a movie. It's a fucking movie, a movie like like

1481
01:05:48,240 --> 01:05:51,360
Speaker 2: it's just like the twenty sixth hour with Edward Norton

1482
01:05:51,600 --> 01:05:54,240
Speaker 2: where he finally where he's a board. I forget the

1483
01:05:54,320 --> 01:05:55,240
Speaker 2: name of the damn movie.

1484
01:05:55,040 --> 01:05:57,160
Speaker 1: But you forget how many hours. There's a lot of them.

1485
01:05:57,440 --> 01:06:00,400
Speaker 2: There's a lot of them. But he he fucking uh,

1486
01:06:00,440 --> 01:06:02,960
Speaker 2: he's a drug dealer who goes to jail. You don't

1487
01:06:03,000 --> 01:06:05,920
Speaker 2: need to know everything that goes on before the movie.

1488
01:06:06,560 --> 01:06:09,800
Speaker 2: With the movie starts, you're invested the minute he gets

1489
01:06:09,800 --> 01:06:12,200
Speaker 2: caught out there after you know what I mean, and

1490
01:06:12,480 --> 01:06:14,360
Speaker 2: is going to jail, and it's the end of the story.

1491
01:06:14,400 --> 01:06:15,439
Speaker 2: It's his run.

1492
01:06:15,480 --> 01:06:18,320
Speaker 5: But you can watch that movie and understand all of

1493
01:06:18,320 --> 01:06:19,480
Speaker 5: the parts by the time you get to the end

1494
01:06:19,480 --> 01:06:21,600
Speaker 5: of it. If you only watch the finale of Breaking Bad,

1495
01:06:21,800 --> 01:06:24,400
Speaker 5: like you kind of you don't understand why it's so

1496
01:06:24,440 --> 01:06:27,080
Speaker 5: important that he saves Jesse in that moment, You're like,

1497
01:06:27,120 --> 01:06:28,760
Speaker 5: I don't get it. Why did he save this one

1498
01:06:28,840 --> 01:06:31,080
Speaker 5: kid and kill everybody else. I don't understand why he

1499
01:06:31,120 --> 01:06:32,800
Speaker 5: had to walk through the meth lab the last time.

1500
01:06:32,960 --> 01:06:34,880
Speaker 5: I don't understand why they played this particular song. Like,

1501
01:06:34,920 --> 01:06:38,040
Speaker 5: you're missing so much of this thing that you gotta watch.

1502
01:06:37,880 --> 01:06:40,080
Speaker 1: The rest of the episode. You gotta watch it, all right, Wait,

1503
01:06:40,560 --> 01:06:42,840
Speaker 1: let's ask the guys if they have another question. Go ahead, guys,

1504
01:06:42,880 --> 01:06:43,640
Speaker 1: do you have another one?

1505
01:06:44,480 --> 01:06:48,280
Speaker 3: So you guys have mentioned earlier in the podcast series

1506
01:06:48,280 --> 01:06:50,560
Speaker 3: that you guys just beat roommates, right, Yes.

1507
01:06:50,480 --> 01:06:52,600
Speaker 2: We were roommates for a year, I mean for half

1508
01:06:52,920 --> 01:06:54,880
Speaker 2: for summer, for summer, summer for a summer.

1509
01:06:54,920 --> 01:06:56,840
Speaker 3: So maybe I'm kind of stirring the pod a little

1510
01:06:56,840 --> 01:06:59,200
Speaker 3: bit here, but what was some of your biggest pet

1511
01:06:59,200 --> 01:06:59,920
Speaker 3: peeves living with you?

1512
01:07:00,720 --> 01:07:02,480
Speaker 1: So I got to the loft first. We rented this

1513
01:07:02,560 --> 01:07:05,880
Speaker 1: loft for the summer. And the loft it was enormous.

1514
01:07:06,200 --> 01:07:08,320
Speaker 1: It was like your dream loft in terms of size,

1515
01:07:08,360 --> 01:07:10,480
Speaker 1: but it didn't wasn't really that set up in terms

1516
01:07:10,560 --> 01:07:13,400
Speaker 1: of like two nice bedrooms, two nice bathrooms. So I

1517
01:07:13,560 --> 01:07:16,880
Speaker 1: claimed the nice bedroom because you know, I got there first, right,

1518
01:07:16,920 --> 01:07:17,480
Speaker 1: that's what you do.

1519
01:07:18,200 --> 01:07:18,320
Speaker 2: Right.

1520
01:07:18,400 --> 01:07:21,560
Speaker 1: Then I gave Donald what was technically the second bedroom,

1521
01:07:22,040 --> 01:07:25,160
Speaker 1: but it had a washer and drying in it, and

1522
01:07:25,200 --> 01:07:28,120
Speaker 1: he goes, who do you think I am? Benson? And

1523
01:07:29,720 --> 01:07:31,800
Speaker 1: for you guys are young, you don't know, but Benson

1524
01:07:32,080 --> 01:07:35,840
Speaker 1: was a show where Benson.

1525
01:07:36,760 --> 01:07:39,240
Speaker 2: Benson was a show. Robert Gione played Benson, and he

1526
01:07:39,320 --> 01:07:41,520
Speaker 2: was he worked for the mayor. He was an assistant

1527
01:07:41,560 --> 01:07:42,120
Speaker 2: to the mayor.

1528
01:07:42,360 --> 01:07:43,920
Speaker 1: He was saying like pretty much like who do you think?

1529
01:07:43,920 --> 01:07:44,520
Speaker 1: I worked for him?

1530
01:07:44,520 --> 01:07:47,760
Speaker 2: And Benson was the one that pretty much ran the

1531
01:07:47,800 --> 01:07:51,760
Speaker 2: country while because the mayor was this you know, bumbling

1532
01:07:52,160 --> 01:07:54,200
Speaker 2: uh well, he wasn't a bumbling mayor, but he was.

1533
01:07:54,560 --> 01:07:57,040
Speaker 2: Benson was the one that handled everything right. He handled

1534
01:07:57,040 --> 01:08:02,640
Speaker 2: the house, He handled everything uh. And for some reason, Uh,

1535
01:08:03,040 --> 01:08:06,280
Speaker 2: to me, that ship was kind of fucked up that.

1536
01:08:06,480 --> 01:08:08,360
Speaker 1: You can never like Benson should be the mayor.

1537
01:08:08,520 --> 01:08:10,680
Speaker 2: Benson should have been the mayor, and the mayor should

1538
01:08:10,720 --> 01:08:12,800
Speaker 2: not have been the mayor. But that's not why I

1539
01:08:12,880 --> 01:08:14,920
Speaker 2: was pissed up. I was pissed off because it was like, Yo,

1540
01:08:15,000 --> 01:08:17,400
Speaker 2: you're gonna put me in the fucking room with the

1541
01:08:17,880 --> 01:08:23,160
Speaker 2: washer and drying of all the wrong look. It was

1542
01:08:23,200 --> 01:08:25,400
Speaker 2: either that or like a law. It was like a

1543
01:08:26,080 --> 01:08:28,400
Speaker 2: There was a cot right outside of his room and

1544
01:08:28,439 --> 01:08:30,920
Speaker 2: I was not taking the cot. Take the fucking cot.

1545
01:08:31,320 --> 01:08:33,000
Speaker 1: Yeah, And then I didn't really have a door. So

1546
01:08:33,080 --> 01:08:35,679
Speaker 1: we we we were very open with each other that summer.

1547
01:08:35,920 --> 01:08:39,080
Speaker 2: We were very very open with the We touched tips no, no, no,

1548
01:08:39,120 --> 01:08:41,640
Speaker 2: we didn't. We did doc did we donc And we

1549
01:08:41,760 --> 01:08:42,360
Speaker 2: never docked.

1550
01:08:42,479 --> 01:08:45,400
Speaker 1: We never docked. Tok. That was the midst of the dream.

1551
01:08:45,800 --> 01:08:47,799
Speaker 2: This is all gone, this is oh boy.

1552
01:08:47,720 --> 01:08:50,320
Speaker 1: Now we're not cutting this out. Listen. This is what

1553
01:08:50,360 --> 01:08:52,360
Speaker 1: always happens on the show. We say something like that

1554
01:08:52,400 --> 01:08:54,160
Speaker 1: and then Donnag goes, we're cutting this out, and then

1555
01:08:54,200 --> 01:08:57,479
Speaker 1: we almost never cut it out. We used to play

1556
01:08:57,520 --> 01:08:59,320
Speaker 1: ping pong in in our box.

1557
01:08:59,120 --> 01:09:01,519
Speaker 2: In our underwear do. We had a lot of great times.

1558
01:09:01,720 --> 01:09:05,040
Speaker 1: I remember I think the writer Amy Tan. Is that

1559
01:09:05,080 --> 01:09:05,800
Speaker 1: a famous writer?

1560
01:09:06,040 --> 01:09:06,160
Speaker 3: Uh?

1561
01:09:06,720 --> 01:09:10,439
Speaker 1: Joelle? Okay, as I understand it. The writer Amy Tan

1562
01:09:10,640 --> 01:09:13,559
Speaker 1: lived beneath us, and she was not happy that two

1563
01:09:13,800 --> 01:09:16,760
Speaker 1: guys partying all summer were in the loft above her.

1564
01:09:17,240 --> 01:09:17,479
Speaker 2: Yeah.

1565
01:09:17,479 --> 01:09:19,519
Speaker 1: And we would get a note like, we would get

1566
01:09:19,600 --> 01:09:22,479
Speaker 1: notes like Amy Tan is furious, you guys need a

1567
01:09:22,520 --> 01:09:23,519
Speaker 1: fucking quiet down.

1568
01:09:24,000 --> 01:09:25,880
Speaker 2: She was like, she would write notes like do you

1569
01:09:25,920 --> 01:09:29,160
Speaker 2: guys have fucking elephants upstairs in apartment?

1570
01:09:29,520 --> 01:09:29,720
Speaker 1: Yeah?

1571
01:09:30,880 --> 01:09:33,559
Speaker 2: Because the banging. I can only imagine. She would write

1572
01:09:33,560 --> 01:09:34,880
Speaker 2: some pretty unique notes though she.

1573
01:09:34,800 --> 01:09:36,559
Speaker 1: Was a written well, she was a good writer. They

1574
01:09:36,560 --> 01:09:37,400
Speaker 1: were beautifully written.

1575
01:09:38,640 --> 01:09:40,599
Speaker 2: She wrote the joy Luck Club. Holy shit, we were

1576
01:09:40,600 --> 01:09:42,400
Speaker 2: fucking with the lady who wrote the joy Luck We.

1577
01:09:42,560 --> 01:09:44,479
Speaker 1: Were fun whether we were just having fun. And I

1578
01:09:44,520 --> 01:09:47,240
Speaker 1: remember her very well worded angry letters.

1579
01:09:47,520 --> 01:09:49,920
Speaker 2: Yeah. I wish you still had them.

1580
01:09:50,040 --> 01:09:51,960
Speaker 1: Yeah. She pulled out the thesaurus for some of those.

1581
01:09:56,080 --> 01:09:58,120
Speaker 1: We could probably sell them on eBay. Those are worth something.

1582
01:09:58,479 --> 01:10:07,320
Speaker 1: Amy Tan's angry letters. All right, we gotta keep going.

1583
01:10:07,800 --> 01:10:10,679
Speaker 1: Thank you guys for coming on, Donald, thank you.

1584
01:10:11,320 --> 01:10:12,400
Speaker 2: Hey, thank you guys.

1585
01:10:13,080 --> 01:10:13,880
Speaker 3: I appreciate it.

1586
01:10:14,160 --> 01:10:15,920
Speaker 2: What is that on your shirt? Summer League?

1587
01:10:16,520 --> 01:10:19,599
Speaker 3: Yeah, Vegas Summer League. So probably know about Summer League, yeah,

1588
01:10:20,200 --> 01:10:22,840
Speaker 3: NBA yeah Basketballak, you probably don't know too much.

1589
01:10:22,720 --> 01:10:24,320
Speaker 1: About what Donald Donald?

1590
01:10:25,200 --> 01:10:25,639
Speaker 2: Are you?

1591
01:10:25,680 --> 01:10:28,160
Speaker 3: But no, we're big Bucks fans.

1592
01:10:28,400 --> 01:10:30,800
Speaker 2: Bucks fans And okay, right on, how long do you

1593
01:10:30,800 --> 01:10:32,479
Speaker 2: think you can hold at too there?

1594
01:10:32,520 --> 01:10:40,160
Speaker 3: For he's resigning? You heard it? Yeah, you believe he's

1595
01:10:40,160 --> 01:10:41,439
Speaker 3: not coming to San Antonio show.

1596
01:10:43,880 --> 01:10:46,599
Speaker 2: I mean, look, here's the thing. Do they come out

1597
01:10:46,600 --> 01:10:48,240
Speaker 2: of the world. I mean, there is no East this

1598
01:10:48,360 --> 01:10:51,000
Speaker 2: year or West for the for this bubble round that

1599
01:10:51,000 --> 01:10:53,439
Speaker 2: they're talking about at Disney, right, it's just a bunch

1600
01:10:53,479 --> 01:10:54,639
Speaker 2: of teams thrown into a pot.

1601
01:10:54,720 --> 01:10:56,519
Speaker 3: Is that I think? I think they are still doing

1602
01:10:56,520 --> 01:10:58,760
Speaker 3: the East West. It's something weird though. It's kind of

1603
01:10:58,800 --> 01:10:59,840
Speaker 3: weird how they set out.

1604
01:11:00,080 --> 01:11:02,920
Speaker 2: It would be nice if they just threw teams into

1605
01:11:02,920 --> 01:11:05,280
Speaker 2: a pot so you could get you know, first rounds

1606
01:11:05,320 --> 01:11:10,200
Speaker 2: with like Houston versus Milwaukee or Houston vers you know, Washington.

1607
01:11:10,439 --> 01:11:11,280
Speaker 2: That'd be really cool.

1608
01:11:11,320 --> 01:11:13,120
Speaker 1: But what's his name again? I wanted to try and

1609
01:11:13,200 --> 01:11:28,680
Speaker 1: use it, Jansa Joo. Yes, well, I gotta tell you,

1610
01:11:28,800 --> 01:11:30,840
Speaker 1: he's a really great player. And what I like about

1611
01:11:30,880 --> 01:11:32,000
Speaker 1: him is he's always in the paint.

1612
01:11:36,080 --> 01:11:39,519
Speaker 5: That's actually true actually, and he reminds me.

1613
01:11:39,520 --> 01:11:41,880
Speaker 1: Of Rodman because he's always getting those rebounds.

1614
01:11:42,400 --> 01:11:48,600
Speaker 2: Wow, not bad, not bad, not bad, not basketball.

1615
01:11:49,240 --> 01:11:52,600
Speaker 3: Kind of a quick little share story. We uh, I

1616
01:11:52,640 --> 01:11:55,400
Speaker 3: think back to the episode where I don't think it

1617
01:11:55,479 --> 01:11:57,720
Speaker 3: was the standards. There's like a flashback to where you

1618
01:11:57,720 --> 01:12:05,760
Speaker 3: guys got to go seet Michael Jordan's yea, when we

1619
01:12:05,760 --> 01:12:08,799
Speaker 3: were in high school. I want tickets to buck Lakers

1620
01:12:08,840 --> 01:12:11,960
Speaker 3: game and shout out rest in peace Kobe Bryant. But

1621
01:12:12,000 --> 01:12:14,960
Speaker 3: we got to see Kobe Bryant playing. We rolled up

1622
01:12:14,960 --> 01:12:17,200
Speaker 3: and that's we're doing. Don't see Kobe Bryant.

1623
01:12:18,960 --> 01:12:23,479
Speaker 1: And I take ticket unlike unlike Jad and Turk. You

1624
01:12:23,479 --> 01:12:25,640
Speaker 1: guys remember the tickets. I take it right?

1625
01:12:26,080 --> 01:12:26,320
Speaker 3: Yeah?

1626
01:12:32,439 --> 01:12:32,560
Speaker 2: Is it?

1627
01:12:32,680 --> 01:12:32,800
Speaker 3: That?

1628
01:12:32,920 --> 01:12:35,080
Speaker 1: Is that like in Scrubs? Lord Donald? Is that how

1629
01:12:35,120 --> 01:12:37,599
Speaker 1: you began to lose your hair? You first started pulling

1630
01:12:37,640 --> 01:12:38,320
Speaker 1: it out, And.

1631
01:12:38,200 --> 01:12:39,080
Speaker 3: I don't know how.

1632
01:12:38,960 --> 01:12:41,000
Speaker 2: I began to I don't know how Turk started to

1633
01:12:41,040 --> 01:12:42,160
Speaker 2: lose his hair, but that.

1634
01:12:42,200 --> 01:12:42,960
Speaker 1: Was the first moment.

1635
01:12:43,520 --> 01:12:44,719
Speaker 2: That's one of the first moments.

1636
01:12:46,000 --> 01:12:47,519
Speaker 1: All right, guys, thank you so much for coming on.

1637
01:12:47,560 --> 01:12:48,439
Speaker 1: I really appreciate it.

1638
01:12:48,520 --> 01:12:49,800
Speaker 2: Appreciate Hey, for.

1639
01:12:49,840 --> 01:12:52,240
Speaker 3: Everyone Wisconsin, come play tennis with the Zach for tennis

1640
01:12:52,240 --> 01:12:52,760
Speaker 3: coaches too.

1641
01:12:53,160 --> 01:12:56,920
Speaker 1: Oh really, right on? I love it. I love it.

1642
01:12:56,960 --> 01:13:01,120
Speaker 1: I'll find you guys. All right, guys. You know, I

1643
01:13:01,160 --> 01:13:03,040
Speaker 1: appreciate that they knew how to tap into the one

1644
01:13:03,040 --> 01:13:06,439
Speaker 1: sport that I could talk about, and there they were.

1645
01:13:06,439 --> 01:13:07,880
Speaker 1: They were very good guests. I like that.

1646
01:13:09,120 --> 01:13:15,200
Speaker 2: Uh, MASSI is back in yeah, which is great. He

1647
01:13:15,360 --> 01:13:17,479
Speaker 2: went on to become a time traveling hero. That was

1648
01:13:17,520 --> 01:13:20,800
Speaker 2: another show I watched, Shay Heroes. I watched that all

1649
01:13:20,840 --> 01:13:21,439
Speaker 2: the way through.

1650
01:13:21,880 --> 01:13:22,120
Speaker 5: Yeah.

1651
01:13:22,200 --> 01:13:24,880
Speaker 1: Yeah, by the way, a couple of goose I had

1652
01:13:24,880 --> 01:13:27,559
Speaker 1: goosebumps multiple times in this episode. The first was nine

1653
01:13:27,680 --> 01:13:31,000
Speaker 1: fifty six when they're playing pool in the bar and

1654
01:13:31,840 --> 01:13:34,599
Speaker 1: Ben's hand is still bleeding and the look Cox gives

1655
01:13:34,640 --> 01:13:38,120
Speaker 1: to JD. It really moved me because first it's my

1656
01:13:38,200 --> 01:13:40,200
Speaker 1: even because I was reading your essays and now was

1657
01:13:40,200 --> 01:13:44,200
Speaker 1: all emotional, Shay, but I went My first reaction was

1658
01:13:44,800 --> 01:13:47,800
Speaker 1: Cox can't hide the fact that he respects JD is

1659
01:13:47,840 --> 01:13:50,080
Speaker 1: a doctor to know that he'll know what that could mean.

1660
01:13:50,280 --> 01:13:52,360
Speaker 5: Yeah, immediately, do you know what I mean?

1661
01:13:52,720 --> 01:13:55,080
Speaker 1: It was like, you know, Cox is always fronting like, oh,

1662
01:13:55,400 --> 01:13:57,720
Speaker 1: your girl's name and JD, you sucking but obviously under

1663
01:13:57,800 --> 01:14:00,080
Speaker 1: undercurrent trying to build him up. But that was a

1664
01:14:00,080 --> 01:14:02,519
Speaker 1: moment of shock where he looked to it as a peer,

1665
01:14:03,320 --> 01:14:05,599
Speaker 1: as a peer and when you know what that could.

1666
01:14:05,439 --> 01:14:08,800
Speaker 5: Mean, Yeah, that's like it. So you see you see

1667
01:14:08,840 --> 01:14:10,720
Speaker 5: him do it in the in the pilot, it was

1668
01:14:10,760 --> 01:14:14,519
Speaker 5: like the first time he expresses some sort of like

1669
01:14:14,800 --> 01:14:16,720
Speaker 5: not admiration, but like you know, I'm gonna grab a

1670
01:14:16,720 --> 01:14:18,479
Speaker 5: hold of you and take take care of you. And

1671
01:14:18,520 --> 01:14:20,479
Speaker 5: then this time was the first time when he he

1672
01:14:20,520 --> 01:14:23,920
Speaker 5: doesn't say anything. There's no words at all. He just

1673
01:14:24,040 --> 01:14:27,200
Speaker 5: looks and he knows, and JD knows, and the only

1674
01:14:27,240 --> 01:14:30,160
Speaker 5: person who doesn't know in that moment is Ben. He's like, oh,

1675
01:14:30,240 --> 01:14:30,680
Speaker 5: it's about it.

1676
01:14:31,000 --> 01:14:34,080
Speaker 1: I was really inspected by the respect that he's I mean,

1677
01:14:35,120 --> 01:14:37,800
Speaker 1: obviously in his mind wasn't I'm gonna now respect this person.

1678
01:14:37,840 --> 01:14:39,840
Speaker 1: It was just it didn't he didn't have a moment

1679
01:14:39,920 --> 01:14:42,240
Speaker 1: to put on his airs, if you will, He didn't

1680
01:14:42,280 --> 01:14:44,360
Speaker 1: have a moment to put on his front. He just

1681
01:14:44,400 --> 01:14:47,360
Speaker 1: had an instant reaction to a fellow doctor and went, oh, fuck,

1682
01:14:47,400 --> 01:14:48,240
Speaker 1: you know what this could mean.

1683
01:14:48,520 --> 01:14:51,240
Speaker 5: It's totally It's totally different than when you see him

1684
01:14:51,400 --> 01:14:54,680
Speaker 5: at the very beginning of the next episode when he

1685
01:14:54,760 --> 01:14:58,080
Speaker 5: walks into the room and JD and and Jordan and

1686
01:14:58,120 --> 01:15:00,320
Speaker 5: Benn are in there, and JD's doing the thing about

1687
01:15:00,320 --> 01:15:02,680
Speaker 5: like we knew, you know, you don't need a we

1688
01:15:02,720 --> 01:15:05,200
Speaker 5: don't need a resident, we need like a hero. And

1689
01:15:05,200 --> 01:15:07,559
Speaker 5: then he comes walking in and now now he's prepared

1690
01:15:07,600 --> 01:15:09,360
Speaker 5: for the situation and doing the whole thing. But yeah,

1691
01:15:09,400 --> 01:15:12,040
Speaker 5: you're exactly right in that moment and.

1692
01:15:12,000 --> 01:15:14,960
Speaker 1: Then and the second time. First of all, I just

1693
01:15:15,000 --> 01:15:16,200
Speaker 1: want to say at ten or five, there was a

1694
01:15:16,240 --> 01:15:19,120
Speaker 1: really cool transition moment that Larry Trilling did from I

1695
01:15:19,120 --> 01:15:20,960
Speaker 1: love how they went from the bar right to the

1696
01:15:20,960 --> 01:15:22,080
Speaker 1: exam room. That was cool.

1697
01:15:22,479 --> 01:15:25,200
Speaker 2: Awesome. Man, before we before we moved before, before we

1698
01:15:25,200 --> 01:15:27,559
Speaker 2: move forward with that. You know, he says, I've never

1699
01:15:27,600 --> 01:15:30,160
Speaker 2: asked you out for a beer before, but he had

1700
01:15:30,200 --> 01:15:32,200
Speaker 2: asked you out for a beer before, And that was

1701
01:15:32,240 --> 01:15:38,200
Speaker 2: when he lost his ship and tore up the lab

1702
01:15:38,320 --> 01:15:42,200
Speaker 2: that day, and he was having his worst day and

1703
01:15:42,240 --> 01:15:44,400
Speaker 2: you got caught up in it. He does invite you

1704
01:15:44,439 --> 01:15:46,040
Speaker 2: out for a beer. You guys go to a bar

1705
01:15:46,120 --> 01:15:50,920
Speaker 2: and you drink beer. You drink together. Actually, so that

1706
01:15:51,040 --> 01:15:52,800
Speaker 2: was very weird that he was like, you know, I've

1707
01:15:52,800 --> 01:15:53,479
Speaker 2: never asked you out.

1708
01:15:53,600 --> 01:15:54,599
Speaker 1: Maybe he've blocked it out.

1709
01:15:55,720 --> 01:15:56,040
Speaker 2: Whatever.

1710
01:15:56,080 --> 01:15:58,599
Speaker 1: I'm just you know, you're just trying to show off

1711
01:15:58,600 --> 01:16:01,640
Speaker 1: that you're like the Scrubs Wiki guy. By the mean,

1712
01:16:01,720 --> 01:16:04,559
Speaker 1: a lot of laughter on my Insta comments about Scrubs

1713
01:16:04,600 --> 01:16:07,360
Speaker 1: Wiki guys. They were like someone was like that guy

1714
01:16:07,400 --> 01:16:13,320
Speaker 1: pulled a total Dorian and people were just laughing about

1715
01:16:13,360 --> 01:16:16,320
Speaker 1: how No, friends, Trevor, we we got you. Now you're

1716
01:16:16,360 --> 01:16:19,160
Speaker 1: gonna be our Scrubs Wiki guy, right, Donald.

1717
01:16:20,080 --> 01:16:21,960
Speaker 2: I mean he doesn't necessarily want him.

1718
01:16:22,080 --> 01:16:24,320
Speaker 1: No, but I kind of like that about his character. No,

1719
01:16:24,360 --> 01:16:26,400
Speaker 1: but I kind of liked that about his character in

1720
01:16:26,439 --> 01:16:30,080
Speaker 1: the show. He's like a reluctant. He like a reluctant.

1721
01:16:30,200 --> 01:16:30,960
Speaker 1: He's reluctant.

1722
01:16:31,120 --> 01:16:33,200
Speaker 2: So, yeah, that's what you do. Think of it as

1723
01:16:33,240 --> 01:16:36,840
Speaker 2: like the hero's journey. In the beginning, you don't really

1724
01:16:36,880 --> 01:16:39,400
Speaker 2: want to do it. Yeah, once you get on board,

1725
01:16:39,840 --> 01:16:43,879
Speaker 2: you're off to an adventure, that adventure of a lifetime.

1726
01:16:43,960 --> 01:16:45,960
Speaker 1: Yeah, Trevor, by the time we do one hundred and

1727
01:16:45,960 --> 01:16:48,240
Speaker 1: eighty two episodes, you'll be happy that you came along

1728
01:16:48,320 --> 01:16:51,120
Speaker 1: on the journey. And the other moment and the other

1729
01:16:51,160 --> 01:16:54,559
Speaker 1: moment we got goo goosebumps. As I said earlier, that's

1730
01:16:54,680 --> 01:16:59,120
Speaker 1: that Shaye writes about in his essay was when Jad

1731
01:16:59,720 --> 01:17:02,479
Speaker 1: reads the chart and sees that Ben has leukemia, and

1732
01:17:02,560 --> 01:17:05,800
Speaker 1: Carla comes up and she says, are you okay? And

1733
01:17:05,920 --> 01:17:09,559
Speaker 1: I just say no. And it was just really, really

1734
01:17:09,600 --> 01:17:11,679
Speaker 1: powerful because it was one of those moments that she's

1735
01:17:11,720 --> 01:17:14,160
Speaker 1: talking about where there had just been a silly moment

1736
01:17:14,280 --> 01:17:16,800
Speaker 1: of of the fantasy of what happens in that in

1737
01:17:16,840 --> 01:17:20,720
Speaker 1: that blood test guy's office, and and and and and

1738
01:17:20,760 --> 01:17:23,920
Speaker 1: Doug being you know Doug, and then all of a sudden, bam,

1739
01:17:23,960 --> 01:17:25,960
Speaker 1: we just drop in with, Hey, this guy we just

1740
01:17:26,040 --> 01:17:27,920
Speaker 1: made you fall in love with he's got leukemia.

1741
01:17:28,880 --> 01:17:31,479
Speaker 5: She's so good in like every single moment, like she

1742
01:17:31,560 --> 01:17:35,880
Speaker 5: has this like a her player efficiency rating has got

1743
01:17:35,880 --> 01:17:38,519
Speaker 5: to be fucking outrageous, Yeah, which is like you know

1744
01:17:38,520 --> 01:17:38,840
Speaker 5: what I'm.

1745
01:17:38,760 --> 01:17:41,320
Speaker 2: Saying, Yeah, she's if you were playing if you were

1746
01:17:41,360 --> 01:17:47,599
Speaker 2: playing NBA two K, she's like ninety six ninety seven,

1747
01:17:47,800 --> 01:17:50,479
Speaker 2: Like she was like just straight up like she's glitch

1748
01:17:50,520 --> 01:17:54,959
Speaker 2: mode man at that time. Yeah.

1749
01:17:55,040 --> 01:17:57,680
Speaker 1: I think that she is an incredible actress and in

1750
01:17:57,720 --> 01:18:00,760
Speaker 1: the show, she was the perfect tool to use for

1751
01:18:00,840 --> 01:18:02,800
Speaker 1: moments like this because she was the heart, you know,

1752
01:18:02,880 --> 01:18:04,680
Speaker 1: she was the heart of She was the conscience and

1753
01:18:04,720 --> 01:18:06,160
Speaker 1: the heart for everybody.

1754
01:18:06,160 --> 01:18:08,040
Speaker 2: At least the first two seasons. I think as the

1755
01:18:08,080 --> 01:18:11,400
Speaker 2: show went on, she you know, she became as much

1756
01:18:11,400 --> 01:18:14,800
Speaker 2: of us a character as we you know, as all

1757
01:18:14,840 --> 01:18:16,760
Speaker 2: of us did. But in the first two seasons, she

1758
01:18:16,880 --> 01:18:19,920
Speaker 2: was definitely the grounding factor to all of the you

1759
01:18:19,960 --> 01:18:21,479
Speaker 2: know what I mean to everything m hm.

1760
01:18:21,760 --> 01:18:24,080
Speaker 1: So then we go into this fantasy that we don't

1761
01:18:24,120 --> 01:18:27,320
Speaker 1: know is a fantasy delivery end of the show, and

1762
01:18:27,439 --> 01:18:30,439
Speaker 1: all of this happens in Jady's Magination, which which again

1763
01:18:30,520 --> 01:18:33,880
Speaker 1: we talked about it earlier in this podcast, but you

1764
01:18:33,920 --> 01:18:38,720
Speaker 1: know that totally foreshadows the giant mislead we do in

1765
01:18:38,800 --> 01:18:42,599
Speaker 1: season three with with Johnny not knowing that that that

1766
01:18:42,880 --> 01:18:47,120
Speaker 1: Ben's gone. So it's just really interesting that that bill

1767
01:18:47,920 --> 01:18:50,640
Speaker 1: not only introduced Ben for for the long haul, but

1768
01:18:50,720 --> 01:18:54,200
Speaker 1: then mirrored that sort of wacky fantasy structure.

1769
01:18:54,720 --> 01:18:57,360
Speaker 5: Well, so when when when you reached out and asked

1770
01:18:57,360 --> 01:19:00,679
Speaker 5: which episode I wanted to be, like, if I could,

1771
01:19:00,720 --> 01:19:03,000
Speaker 5: if I wanted to be on a thing, that that

1772
01:19:03,160 --> 01:19:05,559
Speaker 5: was the whole reason that I ended up picking this

1773
01:19:05,600 --> 01:19:08,160
Speaker 5: one because I think this episode in season one, especially

1774
01:19:08,479 --> 01:19:11,519
Speaker 5: it's like the one episode where we see the most

1775
01:19:11,560 --> 01:19:14,200
Speaker 5: amount of tricks that Scrubs is able to pull off

1776
01:19:14,439 --> 01:19:17,040
Speaker 5: that maybe a lot of shows aren't. So so if

1777
01:19:17,080 --> 01:19:19,720
Speaker 5: we have if we put a list together, you have

1778
01:19:19,760 --> 01:19:23,040
Speaker 5: that great scene where Elliott makes yourself cry to get

1779
01:19:23,080 --> 01:19:26,800
Speaker 5: the to redo the thing right. So this is like

1780
01:19:26,840 --> 01:19:29,559
Speaker 5: her being very silly in this situation. But to do

1781
01:19:29,600 --> 01:19:34,439
Speaker 5: that as an actor, I imagine, is incredibly tricky, just

1782
01:19:34,439 --> 01:19:37,280
Speaker 5: like pull that out of you. So you have her

1783
01:19:37,320 --> 01:19:40,000
Speaker 5: doing that. You have Carla with JD in the hallway

1784
01:19:40,040 --> 01:19:42,320
Speaker 5: and Carla's doing her quick missile strike right here where

1785
01:19:42,360 --> 01:19:44,519
Speaker 5: she just like get a pump, a scene full of emotion.

1786
01:19:44,880 --> 01:19:47,400
Speaker 5: You have the thing where they're playing with timelines, which

1787
01:19:47,400 --> 01:19:50,120
Speaker 5: they use to even greater effect later on. You have

1788
01:19:50,200 --> 01:19:53,799
Speaker 5: the gag with we we find out that the janitor

1789
01:19:53,840 --> 01:19:55,840
Speaker 5: is in like the background of all of these pictures.

1790
01:19:58,200 --> 01:20:01,920
Speaker 5: There's so much we have. We have doctor Cox using

1791
01:20:01,960 --> 01:20:04,600
Speaker 5: his serious voice. He doesn't do it very often, but

1792
01:20:04,640 --> 01:20:07,320
Speaker 5: when he does it, you feel it. And he tells JD, like,

1793
01:20:07,360 --> 01:20:09,400
Speaker 5: your only job today is you get these test results back.

1794
01:20:10,040 --> 01:20:11,760
Speaker 5: Like you love to see him drop everything do that.

1795
01:20:11,800 --> 01:20:14,120
Speaker 5: You have Turt sticking up for JD. You have Brendan

1796
01:20:14,160 --> 01:20:17,559
Speaker 5: Fraser swooping in and being just like the perfect cameo

1797
01:20:17,720 --> 01:20:19,680
Speaker 5: character where you have to be able to tell a

1798
01:20:19,720 --> 01:20:21,280
Speaker 5: joke but you also have to be able to stick

1799
01:20:21,320 --> 01:20:24,760
Speaker 5: this landing. Yeah, there's just so much stuff going on.

1800
01:20:24,840 --> 01:20:26,000
Speaker 5: This one episode's perfect.

1801
01:20:26,160 --> 01:20:28,080
Speaker 1: By the way, Shay, you just made me think of

1802
01:20:28,120 --> 01:20:32,519
Speaker 1: something else, which was Sarah's a bit which he really

1803
01:20:32,520 --> 01:20:37,439
Speaker 1: did live on camera obviously, which which actors often have

1804
01:20:37,520 --> 01:20:40,280
Speaker 1: to do and can always do, but Sarah does literally

1805
01:20:40,320 --> 01:20:42,679
Speaker 1: live on camera. Here is get themselves in a headspace

1806
01:20:42,720 --> 01:20:48,360
Speaker 1: where they can produce tears, and that moment really encapsulates

1807
01:20:48,400 --> 01:20:51,040
Speaker 1: exactly what you're talking about in Scrubbs being able to

1808
01:20:51,080 --> 01:20:53,880
Speaker 1: dance between comedy and drama, because what Sarah's doing is

1809
01:20:54,000 --> 01:20:56,559
Speaker 1: very funny, but if you look at the words she's

1810
01:20:56,600 --> 01:21:00,200
Speaker 1: saying to get herself to cry, it's very seriously it's

1811
01:21:00,240 --> 01:21:02,799
Speaker 1: the painful stuff from her life and trying to impress

1812
01:21:02,840 --> 01:21:05,519
Speaker 1: her father and whatever whatever she was saying. But it

1813
01:21:05,600 --> 01:21:09,639
Speaker 1: was like happening simultaneously, is this thing you're laughing at,

1814
01:21:09,920 --> 01:21:12,799
Speaker 1: but what the woman is saying is is so sad,

1815
01:21:13,080 --> 01:21:15,599
Speaker 1: you know, and then it ends with her with tears

1816
01:21:15,640 --> 01:21:17,840
Speaker 1: streaming got her face if it was a really great acting.

1817
01:21:17,600 --> 01:21:19,719
Speaker 2: Woman for Sarah, she's amazing.

1818
01:21:21,720 --> 01:21:24,000
Speaker 1: What about Chop Chop Nancy Rapido.

1819
01:21:24,320 --> 01:21:28,920
Speaker 2: Raio, I remember that, dude, I remember that day. I remember.

1820
01:21:29,280 --> 01:21:31,000
Speaker 2: I think that was one of the first times where

1821
01:21:31,040 --> 01:21:32,599
Speaker 2: I was having a hard time with lines.

1822
01:21:32,920 --> 01:21:36,080
Speaker 1: I remember Chop Chop Nancy.

1823
01:21:36,360 --> 01:21:38,080
Speaker 2: No, I had the whole thing where it was like,

1824
01:21:38,200 --> 01:21:39,880
Speaker 2: you're gonna go back there and you're gonna do this

1825
01:21:39,960 --> 01:21:41,479
Speaker 2: and blah blah blah. I think that was one of

1826
01:21:41,560 --> 01:21:43,639
Speaker 2: the first times where I was like, I didn't study this.

1827
01:21:43,760 --> 01:21:49,760
Speaker 2: Oh shit. Leonard makes an appearance.

1828
01:21:49,360 --> 01:21:51,840
Speaker 1: Here without a hook arm, though without.

1829
01:21:51,439 --> 01:21:54,000
Speaker 2: A hook on his hand. So what is the story.

1830
01:21:54,080 --> 01:21:58,000
Speaker 1: I read on scrubs Wiki that the guy wrote perhaps

1831
01:21:58,080 --> 01:22:01,640
Speaker 1: this episode is before his ice machine accident.

1832
01:22:01,960 --> 01:22:02,680
Speaker 2: I think it is.

1833
01:22:03,720 --> 01:22:07,400
Speaker 1: I didn't remember that that Leonard had lost his arm

1834
01:22:07,439 --> 01:22:09,120
Speaker 1: in an ice machine accident. Did you need that?

1835
01:22:09,320 --> 01:22:10,680
Speaker 2: I did not either, But I love that.

1836
01:22:10,720 --> 01:22:12,880
Speaker 1: I love that on scrumbs Wiki it's like this may

1837
01:22:12,880 --> 01:22:16,599
Speaker 1: have occurred before Ard ice.

1838
01:22:15,600 --> 01:22:20,719
Speaker 2: Machine, but I didn't have to because he had a hand.

1839
01:22:20,800 --> 01:22:22,920
Speaker 1: So for those of you who don't remember, that's Randall Winston,

1840
01:22:22,920 --> 01:22:25,760
Speaker 1: our line producer who not only played death but also

1841
01:22:25,760 --> 01:22:30,200
Speaker 1: played Leonard. This is his first appearance in his wig and.

1842
01:22:30,160 --> 01:22:31,759
Speaker 2: The afro isn't that big yet either.

1843
01:22:31,800 --> 01:22:35,760
Speaker 1: It's like he was he was keeping his throat tighter, right,

1844
01:22:39,360 --> 01:22:41,120
Speaker 1: but he does he does not yet have a hook hand.

1845
01:22:41,200 --> 01:22:43,400
Speaker 1: This might be I believe, the only appearance of Leonard

1846
01:22:43,439 --> 01:22:46,759
Speaker 1: without his hook hands, so the ice machine. But then again, sorry,

1847
01:22:46,960 --> 01:22:49,360
Speaker 1: I'm going all over the place. But this was a fantasy.

1848
01:22:49,760 --> 01:22:53,360
Speaker 1: So maybe in JD's weird daydream, Leonard didn't have to

1849
01:22:53,800 --> 01:22:54,320
Speaker 1: hook yet.

1850
01:22:54,800 --> 01:22:57,880
Speaker 2: He didn't recognize Leonard had a hook yet he had.

1851
01:22:59,120 --> 01:23:01,120
Speaker 1: I hadn't noticed it. Leonard had a hook hit.

1852
01:23:01,160 --> 01:23:04,800
Speaker 5: So when I had a fantasy, Shane, that seems like

1853
01:23:04,840 --> 01:23:07,479
Speaker 5: something you would notice, though, I just want to that

1854
01:23:08,920 --> 01:23:10,560
Speaker 5: you've probably noticed that.

1855
01:23:12,040 --> 01:23:15,240
Speaker 1: So it took me a moment because I've forgotten well,

1856
01:23:15,280 --> 01:23:17,280
Speaker 1: I wanted to just mention in eighteen thirty six again,

1857
01:23:17,400 --> 01:23:20,160
Speaker 1: Brennan took all those pictures and they're pretty great, uh pictures,

1858
01:23:20,200 --> 01:23:23,439
Speaker 1: I believe christ this still save a bunch of them.

1859
01:23:24,280 --> 01:23:29,439
Speaker 1: And then JD. Yeah, So then I was kind of

1860
01:23:29,479 --> 01:23:32,080
Speaker 1: surprised by that reveal. You know, again, I've watched these

1861
01:23:32,120 --> 01:23:33,760
Speaker 1: in twenty years. I thought it was cool to see this,

1862
01:23:34,439 --> 01:23:38,000
Speaker 1: you know, and Bill was smart directorially and writing wise.

1863
01:23:38,040 --> 01:23:41,439
Speaker 1: You needed something very specific to make the audience go,

1864
01:23:41,600 --> 01:23:44,479
Speaker 1: this is the exact same moment. You need a device

1865
01:23:44,920 --> 01:23:46,720
Speaker 1: because the audience is going to centerally track it. Keep

1866
01:23:46,720 --> 01:23:48,599
Speaker 1: in mind, when people watching these they had commercial breaks

1867
01:23:48,640 --> 01:23:50,640
Speaker 1: in and everything, so that you need the audience to

1868
01:23:50,680 --> 01:23:52,559
Speaker 1: make sure they tracked that whole run. And he came

1869
01:23:52,640 --> 01:23:55,080
Speaker 1: up with the device of the exact playing cards on

1870
01:23:55,120 --> 01:23:55,880
Speaker 1: their foreheads.

1871
01:23:56,240 --> 01:23:58,639
Speaker 2: Right. But here's the thing. He also made it seem

1872
01:23:58,800 --> 01:24:02,479
Speaker 2: like it was a curveball. That's you know, not only

1873
01:24:02,520 --> 01:24:04,880
Speaker 2: did it curve, but the ship was a change up too,

1874
01:24:05,000 --> 01:24:07,880
Speaker 2: you know what I mean, Like because you don't think

1875
01:24:07,960 --> 01:24:12,599
Speaker 2: that the whole thing is a daydream. You think, just

1876
01:24:12,800 --> 01:24:16,320
Speaker 2: when he gets the the paper the second time and

1877
01:24:16,400 --> 01:24:23,519
Speaker 2: he meets uh, Brendan Fraser outside, Yeah, you think that's

1878
01:24:23,600 --> 01:24:26,040
Speaker 2: all the fan that's just the fantasy. I'm gonna go

1879
01:24:26,080 --> 01:24:29,560
Speaker 2: out there and hey man, it's just leukemia. It's not leukemia.

1880
01:24:29,680 --> 01:24:32,080
Speaker 2: You're you're fine. I was wrong. I was wrong. And

1881
01:24:32,120 --> 01:24:34,240
Speaker 2: you know, the circle comes around and it's got this

1882
01:24:34,360 --> 01:24:37,840
Speaker 2: weird You think, Okay, so this part's the fantasy. And

1883
01:24:37,880 --> 01:24:40,640
Speaker 2: I expected you to be at the door of the

1884
01:24:40,760 --> 01:24:43,960
Speaker 2: exit telling him, No, dude, here's what I think you

1885
01:24:43,960 --> 01:24:46,280
Speaker 2: need to You need to come back inside. Actually, and

1886
01:24:46,320 --> 01:24:48,800
Speaker 2: it doesn't even do that. It jumps all the way

1887
01:24:48,840 --> 01:24:51,840
Speaker 2: back to the moment. And so it was like a

1888
01:24:52,080 --> 01:24:54,760
Speaker 2: It was like a not It wasn't just one pump fake.

1889
01:24:54,920 --> 01:24:56,400
Speaker 2: It was like he was under the rim giving you

1890
01:24:56,439 --> 01:25:01,760
Speaker 2: the dream shake, you know what I mean? Like and

1891
01:25:01,760 --> 01:25:02,519
Speaker 2: then you know what I mean.

1892
01:25:02,760 --> 01:25:04,839
Speaker 1: You know what's funny about that fantasy?

1893
01:25:05,160 --> 01:25:05,360
Speaker 5: You know?

1894
01:25:05,400 --> 01:25:07,840
Speaker 1: It's the writing is such that it's supposed to be. Oh,

1895
01:25:08,040 --> 01:25:11,200
Speaker 1: Ben says he doesn't like post pictures. You'll know it's

1896
01:25:11,240 --> 01:25:13,240
Speaker 1: a fantasy because here we are taking a post picture.

1897
01:25:13,520 --> 01:25:15,080
Speaker 1: But what what tipped it off even more from me

1898
01:25:15,200 --> 01:25:18,280
Speaker 1: was that Kelso's happily getting in a picture with everyone.

1899
01:25:18,840 --> 01:25:23,519
Speaker 1: I was like, ELSA would never want to do with these. Yeah,

1900
01:25:23,560 --> 01:25:25,320
Speaker 1: I think that's it, guys. I think we did the

1901
01:25:25,360 --> 01:25:26,960
Speaker 1: whole We did the whole episode.

1902
01:25:27,320 --> 01:25:28,400
Speaker 2: Yeah, we did.

1903
01:25:28,760 --> 01:25:30,479
Speaker 1: Chande, did you have fun? Are you glad you did this?

1904
01:25:31,120 --> 01:25:33,519
Speaker 5: I'm really glad this was like a you know, part

1905
01:25:33,560 --> 01:25:35,760
Speaker 5: of me is like, these are two guys who I

1906
01:25:35,760 --> 01:25:37,960
Speaker 5: have been watching for so long. I'm kind of nervous

1907
01:25:38,000 --> 01:25:39,519
Speaker 5: to meet him. I don't really like to meet the

1908
01:25:39,560 --> 01:25:42,160
Speaker 5: people who I admire, because what if it turns out

1909
01:25:42,160 --> 01:25:44,920
Speaker 5: their dicks? So I had that in my head, But no,

1910
01:25:45,040 --> 01:25:49,160
Speaker 5: y'are cool. Hold, I hope you're better than I was.

1911
01:25:49,479 --> 01:25:50,720
Speaker 2: Will you come back on?

1912
01:25:51,040 --> 01:25:52,040
Speaker 1: Yeah? Will you come back on?

1913
01:25:52,640 --> 01:25:54,840
Speaker 5: Yeah? I'll come back on later on after y'all do

1914
01:25:54,880 --> 01:25:56,480
Speaker 5: all of the other stuff for sure.

1915
01:25:56,439 --> 01:25:58,519
Speaker 1: Because I have a feeling what's going to happen on

1916
01:25:58,560 --> 01:26:00,720
Speaker 1: all of our social media is every one's gonna say

1917
01:26:00,760 --> 01:26:02,519
Speaker 1: Shaye was the best. Guess you need to have shade

1918
01:26:02,560 --> 01:26:04,839
Speaker 1: back all the time. Carol mal Bear.

1919
01:26:05,240 --> 01:26:08,040
Speaker 5: Definitely hashtag Carl.

1920
01:26:14,200 --> 01:26:18,200
Speaker 2: Whatever happened to We don't know. He freaking we went

1921
01:26:18,200 --> 01:26:20,600
Speaker 2: into the party and he got he got jumped or

1922
01:26:20,600 --> 01:26:21,120
Speaker 2: something like that.

1923
01:26:21,520 --> 01:26:25,439
Speaker 5: Yeah, he definitely died on the show. In real life

1924
01:26:25,439 --> 01:26:26,960
Speaker 5: he's still working, but on the show.

1925
01:26:26,840 --> 01:26:30,400
Speaker 2: You know he has a twin brother, right, yeah, yeah,

1926
01:26:30,400 --> 01:26:32,439
Speaker 2: And I remember one night we were out and his

1927
01:26:32,560 --> 01:26:35,400
Speaker 2: twin brother. Everybody thought his twin brother was him, and

1928
01:26:35,439 --> 01:26:37,400
Speaker 2: they were coming up to him going pedro.

1929
01:26:37,560 --> 01:26:40,559
Speaker 1: Pedro, and as I recall, the twin brother was rolling with.

1930
01:26:40,520 --> 01:26:44,800
Speaker 2: It, rolling with it, loving it, and he was like,

1931
01:26:44,880 --> 01:26:46,760
Speaker 2: don't tell anybody. I was like, I'm not gonna say

1932
01:26:46,760 --> 01:26:49,280
Speaker 2: ship dude, I thought that I thought you were the

1933
01:26:49,280 --> 01:26:49,720
Speaker 2: other one.

1934
01:26:53,800 --> 01:26:56,519
Speaker 1: Oh I I had people telling me that. I'm always

1935
01:26:56,520 --> 01:27:00,000
Speaker 1: say that's funny, like Mandy Moore's character does on the show,

1936
01:27:00,280 --> 01:27:02,519
Speaker 1: and then I need to stop saying that. Donald. I

1937
01:27:02,560 --> 01:27:03,600
Speaker 1: had someone write that to me.

1938
01:27:03,920 --> 01:27:06,559
Speaker 2: You guys did date. Maybe that rubbed off on you.

1939
01:27:06,680 --> 01:27:11,200
Speaker 1: Well, I don't know if that's the case, but all right, guys,

1940
01:27:11,479 --> 01:27:13,880
Speaker 1: I want to get out. I want to know you.

1941
01:27:13,800 --> 01:27:14,360
Speaker 2: Can leave it.

1942
01:27:15,320 --> 01:27:21,479
Speaker 1: Listen Shay's handle on Twitter at Shae Serrano s h

1943
01:27:21,680 --> 01:27:25,679
Speaker 1: e A s E r r A n O follow

1944
01:27:25,760 --> 01:27:27,799
Speaker 1: him on there. He is one of the most popular

1945
01:27:27,800 --> 01:27:30,600
Speaker 1: fellows on Twitter. He does a lot of amazing I

1946
01:27:30,760 --> 01:27:33,200
Speaker 1: just talk for a second, shape before we go about

1947
01:27:33,560 --> 01:27:36,360
Speaker 1: this cool thing you do with the f O h Army,

1948
01:27:36,560 --> 01:27:39,240
Speaker 1: tell us people what that is. Shaye will have like

1949
01:27:39,600 --> 01:27:41,960
Speaker 1: drives for people that need help. He'll be like, all right,

1950
01:27:42,000 --> 01:27:44,840
Speaker 1: whose bills are we paying this week? And then he'll

1951
01:27:44,880 --> 01:27:48,360
Speaker 1: like just venmo them cash. So just talk about it

1952
01:27:48,360 --> 01:27:49,160
Speaker 1: for a second.

1953
01:27:49,320 --> 01:27:52,720
Speaker 5: Yeah, that's like the silly little sort of gorilla philanthropy

1954
01:27:52,760 --> 01:27:54,920
Speaker 5: thing we started a couple of years ago where it

1955
01:27:54,960 --> 01:27:58,280
Speaker 5: was like, after we had enough people following me on Twitter,

1956
01:27:58,439 --> 01:28:00,640
Speaker 5: we were all grouped up together. If we got get

1957
01:28:00,640 --> 01:28:03,280
Speaker 5: one hundred, two hundred three hundred thousand people following, we

1958
01:28:03,320 --> 01:28:05,680
Speaker 5: could raise a lot of money real fast if everybody

1959
01:28:05,760 --> 01:28:08,720
Speaker 5: sends like a dollar or two dollars or whatever. And

1960
01:28:08,760 --> 01:28:11,679
Speaker 5: so you know, we started doing that and then yeah,

1961
01:28:11,680 --> 01:28:14,120
Speaker 5: when the coronavirus stuff hit, when the Black Lives Matter

1962
01:28:14,160 --> 01:28:19,200
Speaker 5: movement started up after the George Floyd's murder, we're like,

1963
01:28:19,360 --> 01:28:21,679
Speaker 5: you know, we're gonna try to help out in any

1964
01:28:21,720 --> 01:28:24,040
Speaker 5: situation we can. So like people will send stuff to

1965
01:28:24,120 --> 01:28:25,519
Speaker 5: me and we're like, all right, cool, we're gonna fund this.

1966
01:28:25,520 --> 01:28:28,000
Speaker 5: We're gonna send some money out. So yeah, I think

1967
01:28:28,040 --> 01:28:30,679
Speaker 5: like since March twelve, it's been you know, two hundred

1968
01:28:30,720 --> 01:28:33,519
Speaker 5: and fifty two hundred and forty thousand dollars up, just

1969
01:28:33,520 --> 01:28:36,439
Speaker 5: like straight cash. We've given two places of people.

1970
01:28:36,479 --> 01:28:38,759
Speaker 1: And do people give you I think just from following

1971
01:28:38,760 --> 01:28:40,800
Speaker 1: you do. Some people who can afford it give you

1972
01:28:40,840 --> 01:28:43,320
Speaker 1: like large sums and hey say hey, Shay, distribute this.

1973
01:28:43,920 --> 01:28:45,800
Speaker 5: Every once in a while, somebody will hit me up

1974
01:28:45,800 --> 01:28:47,680
Speaker 5: like and my DMS and be like, hey, I don't

1975
01:28:47,720 --> 01:28:49,400
Speaker 5: want you to like say where this came from, but

1976
01:28:49,520 --> 01:28:52,000
Speaker 5: like here's five thousand dollars. Can you pay bills for

1977
01:28:52,479 --> 01:28:54,599
Speaker 5: people until this is gone? Like that happens every once

1978
01:28:54,600 --> 01:28:56,639
Speaker 5: in a while. Mostly though, it's like we're all gonna

1979
01:28:56,680 --> 01:28:58,839
Speaker 5: chip in five bucks, ten bucks and see what happens.

1980
01:28:59,040 --> 01:29:01,000
Speaker 1: That's really awesome, man, that that's really aw and he's

1981
01:29:01,280 --> 01:29:03,479
Speaker 1: so sweet about it. People will write him things like, oh,

1982
01:29:03,600 --> 01:29:05,439
Speaker 1: thank you so much, Shay, I'm having trouble with my

1983
01:29:05,479 --> 01:29:07,760
Speaker 1: bills and he's like, fuck that noise, and he'll send

1984
01:29:07,800 --> 01:29:12,240
Speaker 1: them money. That's awesome, awesome, all right, everybody, that's the

1985
01:29:12,240 --> 01:29:14,479
Speaker 1: episode I want to thank, We want to thank on

1986
01:29:14,560 --> 01:29:17,760
Speaker 1: behalf of my co host and I sh Shay, you

1987
01:29:17,760 --> 01:29:20,320
Speaker 1: were an awesome guest, right Donald, amazing guests?

1988
01:29:21,120 --> 01:29:26,080
Speaker 2: Well, dude, this was this was you know, always you

1989
01:29:26,560 --> 01:29:30,120
Speaker 2: never know how your guests are going to be. And

1990
01:29:30,920 --> 01:29:34,920
Speaker 2: you're somebody who wasn't on the show. Uh, but you

1991
01:29:35,080 --> 01:29:38,200
Speaker 2: fit in so well man, and your insight on our show.

1992
01:29:38,400 --> 01:29:41,000
Speaker 2: I'm dead serious, man, your insight on our show is

1993
01:29:41,560 --> 01:29:44,800
Speaker 2: is very awesome. Man. Like I I appreciate you.

1994
01:29:45,600 --> 01:29:49,160
Speaker 1: And since and since the old Caramel Bear died, I

1995
01:29:49,200 --> 01:29:52,880
Speaker 1: think you can I just hope that I just hope

1996
01:29:52,880 --> 01:29:56,519
Speaker 1: that my persona on this podcast has made Laramie like

1997
01:29:56,600 --> 01:29:59,000
Speaker 1: me a little bit more. I know that it was

1998
01:29:59,080 --> 01:30:01,880
Speaker 1: j I know it was JD. She didn't love but

1999
01:30:02,040 --> 01:30:03,320
Speaker 1: maybe maybe she'll like Zach Brous.

2000
01:30:03,439 --> 01:30:05,760
Speaker 5: She loved Garden State, So you're good, all right.

2001
01:30:07,960 --> 01:30:10,440
Speaker 2: Question everybody loves that movie.

2002
01:30:10,680 --> 01:30:13,120
Speaker 1: Yeah, they you should have been in it. All right. Listen,

2003
01:30:13,120 --> 01:30:20,200
Speaker 1: everybody go to go to Donald Donald underscore ason.

2004
01:30:20,640 --> 01:30:23,840
Speaker 2: That's I'm trying to get all of Zach's followers. Okay,

2005
01:30:23,920 --> 01:30:26,600
Speaker 2: y'all need to come over to the dark side.

2006
01:30:26,320 --> 01:30:29,840
Speaker 1: All right, come over to Okay, that's one way to play.

2007
01:30:29,960 --> 01:30:35,599
Speaker 2: Join, join me, and together we will build this institution and.

2008
01:30:35,520 --> 01:30:41,480
Speaker 1: We will like weird memes. Listen, uh, combined strength.

2009
01:30:42,080 --> 01:30:46,400
Speaker 2: Okay, we can end this conflict and bring order to

2010
01:30:46,520 --> 01:30:47,200
Speaker 2: the galaxy.

2011
01:30:47,479 --> 01:30:51,439
Speaker 1: All right. That's his audition monologue. Listen. Check out Chase

2012
01:30:51,479 --> 01:30:55,080
Speaker 1: book a Sacred Heart gang dot com. Please follow Donald

2013
01:30:55,080 --> 01:30:57,160
Speaker 1: on Instagram. I'm really getting sick, you know, just just

2014
01:30:57,240 --> 01:30:57,600
Speaker 1: hold on.

2015
01:30:57,840 --> 01:31:00,839
Speaker 2: Let's be clear, not just the people who are listening

2016
01:31:01,520 --> 01:31:07,640
Speaker 2: Zach Braff's followers. Okay, follow Donald FAIZI.

2017
01:31:07,360 --> 01:31:11,719
Speaker 1: Followers are tired of being accosted by you, and write

2018
01:31:11,760 --> 01:31:16,280
Speaker 1: Joelle your questions at Scrubsiheart at gmail dot com and

2019
01:31:16,439 --> 01:31:21,880
Speaker 1: please subscribe and rate the podcast, because I recently was

2020
01:31:21,920 --> 01:31:24,799
Speaker 1: told that that's a real thing that's good for our exposure.

2021
01:31:24,840 --> 01:31:26,679
Speaker 1: If you give us five stars, I'm like the uber

2022
01:31:26,760 --> 01:31:29,559
Speaker 1: driver who's like five stars. Five stars, So give us

2023
01:31:29,560 --> 01:31:30,880
Speaker 1: five stars, right Donald.

2024
01:31:31,000 --> 01:31:32,559
Speaker 2: Yeah, please give us five stars.

2025
01:31:32,640 --> 01:31:35,559
Speaker 1: All right, and time, friends, five stars are better. Tell

2026
01:31:35,600 --> 01:31:37,600
Speaker 1: your friends we are hoping to one day when the

2027
01:31:37,600 --> 01:31:41,120
Speaker 1: world opens up, tour this show and we'll come to

2028
01:31:41,320 --> 01:31:43,559
Speaker 1: will will you? Will you come when we come to Houston? Shay,

2029
01:31:43,600 --> 01:31:44,360
Speaker 1: are you still in Houston?

2030
01:31:44,520 --> 01:31:46,360
Speaker 5: I'm in San Antonio now, but if y'all make it

2031
01:31:46,360 --> 01:31:47,320
Speaker 5: to Texas, I'll show up.

2032
01:31:47,320 --> 01:31:47,519
Speaker 1: All right.

2033
01:31:47,560 --> 01:31:49,679
Speaker 2: Well, wait, hold on, now, I heard something about Tim

2034
01:31:49,760 --> 01:31:51,960
Speaker 2: Duncan and that being your favorite player of all times

2035
01:31:52,000 --> 01:31:56,759
Speaker 2: this year? Absolutely absolutely Why why Tim Duncan? Why before

2036
01:31:56,800 --> 01:31:59,439
Speaker 2: we go? Why this doesn't even have to be on

2037
01:31:59,439 --> 01:32:01,920
Speaker 2: the podcast. I just need to know this because Tim

2038
01:32:01,960 --> 01:32:03,760
Speaker 2: is one of my favorite players too. He's not my

2039
01:32:03,880 --> 01:32:06,040
Speaker 2: favorite player. Why Tim Duncan?

2040
01:32:06,120 --> 01:32:09,560
Speaker 5: Okay, let me tell you that there's a very personal

2041
01:32:09,600 --> 01:32:13,600
Speaker 5: connection that Tim Duncan has with San Antonio and that

2042
01:32:13,760 --> 01:32:16,840
Speaker 5: he showed up and all of a sudden a city

2043
01:32:16,880 --> 01:32:19,400
Speaker 5: that had an inferiority complex, you know, we're not as

2044
01:32:19,880 --> 01:32:23,000
Speaker 5: hip as Austin, We're not as cool as as Houston

2045
01:32:23,080 --> 01:32:25,400
Speaker 5: or whatever. They beat us in the playoffs. Blah blah blah.

2046
01:32:25,479 --> 01:32:27,519
Speaker 5: He shows up and all of a sudden, we have

2047
01:32:27,640 --> 01:32:31,080
Speaker 5: the guy on our team that everybody's afraid of, and

2048
01:32:31,120 --> 01:32:34,080
Speaker 5: he's going to war and he's not backing down. You

2049
01:32:34,160 --> 01:32:36,240
Speaker 5: gotta fucking kill this guy in the playoffs if you

2050
01:32:36,240 --> 01:32:39,280
Speaker 5: want to beat him. He shows up, he delivers five

2051
01:32:39,439 --> 01:32:42,680
Speaker 5: championships for us. All of a sudden, we have that

2052
01:32:43,240 --> 01:32:45,559
Speaker 5: we I think he's the fifth or sixth greatest basketball

2053
01:32:45,600 --> 01:32:48,120
Speaker 5: player of all time. We have him on our team.

2054
01:32:48,320 --> 01:32:51,519
Speaker 5: He allows you, in your chest to feel like a winner,

2055
01:32:51,520 --> 01:32:52,719
Speaker 5: to feel like a champan. You know how it feels

2056
01:32:52,720 --> 01:32:54,840
Speaker 5: when the team that you love wins a thing and

2057
01:32:54,880 --> 01:32:56,280
Speaker 5: you feel like you're a part of it.

2058
01:32:56,280 --> 01:32:58,840
Speaker 2: It's like Jeter to New York Man, exactly know exactly

2059
01:32:58,920 --> 01:32:59,320
Speaker 2: what you mean?

2060
01:32:59,400 --> 01:33:00,240
Speaker 5: Yes?

2061
01:33:00,720 --> 01:33:02,920
Speaker 1: Or Cole Milkinson in the original cast of them is

2062
01:33:03,760 --> 01:33:05,320
Speaker 1: absolutely that's what.

2063
01:33:05,439 --> 01:33:07,559
Speaker 5: That's what Tim Duncan did. So I love him forever

2064
01:33:07,600 --> 01:33:07,800
Speaker 5: for that.

2065
01:33:08,160 --> 01:33:10,400
Speaker 2: I hear you, man. I feel like he had a

2066
01:33:10,400 --> 01:33:13,719
Speaker 2: lot of really good uh if it was the Justice League,

2067
01:33:13,760 --> 01:33:16,400
Speaker 2: he had a lot of good supporting characters. He's Superman.

2068
01:33:16,720 --> 01:33:19,759
Speaker 2: He definitely had a Batman and it switched off between

2069
01:33:19,800 --> 01:33:21,160
Speaker 2: Genobilie and Tony Parker.

2070
01:33:21,680 --> 01:33:24,400
Speaker 5: Uh, those guys were those guys were great, but those

2071
01:33:24,400 --> 01:33:26,679
Speaker 5: were not players you could take and put on other teams.

2072
01:33:26,920 --> 01:33:32,599
Speaker 2: And they maybe Janobili Janobli maybe you know, maybe Tony

2073
01:33:32,640 --> 01:33:34,559
Speaker 2: in his in his younger years anyway, but.

2074
01:33:34,479 --> 01:33:36,760
Speaker 1: Not Tony, not as much as Genobili though, and when.

2075
01:33:36,680 --> 01:33:38,680
Speaker 2: He shut up Man and when he got there. He

2076
01:33:38,720 --> 01:33:40,360
Speaker 2: also had the Admiral David Robinson.

2077
01:33:40,640 --> 01:33:42,959
Speaker 5: Did he did have Big Dave? He did, Da've.

2078
01:33:42,720 --> 01:33:44,000
Speaker 2: Only got one? He got five?

2079
01:33:44,240 --> 01:33:47,519
Speaker 5: Yeah, yeah, No, Dave got two. They've got to them.

2080
01:33:47,680 --> 01:33:49,400
Speaker 1: None of them are as good as Mike Jaminski. All right,

2081
01:33:49,439 --> 01:33:52,600
Speaker 1: we gotta go. We love you, Thank you, Shay. I

2082
01:33:52,640 --> 01:33:54,320
Speaker 1: hope he can be real friends in real life. I

2083
01:33:54,320 --> 01:33:56,559
Speaker 1: think you and Donald might hit it off really well.

2084
01:33:57,479 --> 01:33:59,640
Speaker 2: I think so too. He's like he's like he's like

2085
01:33:59,680 --> 01:34:01,800
Speaker 2: he was a dick when I first met him. That's

2086
01:34:01,840 --> 01:34:03,439
Speaker 2: when I got out of the little That's what I

2087
01:34:03,479 --> 01:34:05,240
Speaker 2: got out of the thing. No, you don't you.

2088
01:34:05,360 --> 01:34:07,639
Speaker 1: Super cool, super No, you're on your phone a lot.

2089
01:34:07,680 --> 01:34:09,000
Speaker 1: The one thing about that said I got it was

2090
01:34:09,000 --> 01:34:11,280
Speaker 1: like down sitting between two fans, and he's on his phone, like,

2091
01:34:11,280 --> 01:34:13,720
Speaker 1: talk to your family, Dick. Maybe this White people don't

2092
01:34:13,720 --> 01:34:15,320
Speaker 1: follow you on Instagram, Fox.

2093
01:34:15,000 --> 01:34:20,960
Speaker 2: Exeven stories about show we made about a bunch of

2094
01:34:21,120 --> 01:34:23,200
Speaker 2: talks and nurses in Canada.

2095
01:34:24,200 --> 01:34:27,880
Speaker 3: I said, he's a story nexttion No

2096
01:34:29,520 --> 01:34:34,360
Speaker 2: So YadA round you here, yead around do here spec

2097
01:34:34,520 --> 01:34:35,639
Speaker 2: meant so mis