WEBVTT - From the Archives: Nicolas Niarchos Exposes the Cobalt Gold Rush

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<v Speaker 1>I'm Alec Baldwin and you were listening to Here's the

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<v Speaker 1>Thing from iHeart Radio. There's been a lot of talk

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<v Speaker 1>about who should replace Daniel Craig now that he is

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<v Speaker 1>retiring as James Bond, and I think I have found

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<v Speaker 1>the perfect person. He's handsome, charming, brilliant and multilingual. His

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<v Speaker 1>name is Nicholas Niarkos and if only he could put

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<v Speaker 1>down his computer long enough to play the part. Nearkos

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<v Speaker 1>is a journalist. His choice of unglamorous and at times

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<v Speaker 1>dangerous profession is all the more surprising when you learn

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<v Speaker 1>about his background. His grandfather, Stavros Niarkos, founded the international

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<v Speaker 1>shipping company Nearkos Limited. I first came across Nearkos in

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<v Speaker 1>the New Yorker magazine. His recent piece Buried Dreams covers

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<v Speaker 1>the exploitation of workers in the cobalt mines in Central Africa.

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<v Speaker 1>In his reporting, Narcos exposed the danger and exploitative conditions

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<v Speaker 1>for the workers in Congolese cobalt minds, many of whom

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<v Speaker 1>are children, as well as those that stand to profit

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<v Speaker 1>handsomely off the minds. In addition to being a reporter

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<v Speaker 1>at large at The New Yorker, Nearcos's work has appeared

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<v Speaker 1>in Time, the New York Times, and the Nation.

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<v Speaker 2>I think that all the places that I try and

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<v Speaker 2>work for require a sort of serious journalistic engagement. And

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<v Speaker 2>that's what I really seek for. When I look for

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<v Speaker 2>a publication to write for The New Yorker, I find

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<v Speaker 2>the fact checking process. I was a fact checker for

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<v Speaker 2>many years. I think that's a very engaging thing to

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<v Speaker 2>deal with. I like working directly with the fact checkers.

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<v Speaker 2>I liked being a fact checker, learning you know a

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<v Speaker 2>great deal about a subject, you know, for a couple

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<v Speaker 2>of weeks and then and then sort of moving on.

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<v Speaker 2>And actually I found now as a reporter actually enhances

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<v Speaker 2>my reporting. It leads me down new alleys when I'm

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<v Speaker 2>trying to sort of verify things to the kind of

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<v Speaker 2>one hundredth designs.

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<v Speaker 1>When you factor you did it for how long?

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<v Speaker 2>I did it for five years? Actually, well almost four

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<v Speaker 2>years and eleven months.

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<v Speaker 1>Did they confine you to fact checking in a certain

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<v Speaker 1>realm or did you fact check a lot of different things?

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<v Speaker 2>I fact checked a lot of different things because I

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<v Speaker 2>speak French and Italian. Obviously, when there were stories which

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<v Speaker 2>required those languages, I would.

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<v Speaker 1>I would be sort of fact you were the go

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<v Speaker 1>to fact checker sometimes, yeah, when and when you would

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<v Speaker 1>do the fact checking or I mean, were there ones

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<v Speaker 1>you enjoyed more, like ones that were like deep and

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<v Speaker 1>intense and scientific or culture whatever, and did you did

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<v Speaker 1>you didn't love, You didn't love doing the fact checking

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<v Speaker 1>of the profile of some actress, or you enjoyed all

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<v Speaker 1>of it.

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<v Speaker 2>I enjoyed all of it, you know, Listen. I worked

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<v Speaker 2>on a piece on TMZ by Nick Schmiddle, which was

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<v Speaker 2>a kind of investigative piece, and that was a kind

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<v Speaker 2>of crazy experience. It was kind of well, I don't know,

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<v Speaker 2>sort of more you know, kind of input and sort

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<v Speaker 2>of back and forth and lawyers and whatever than most

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<v Speaker 2>other pieces.

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<v Speaker 1>You know.

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<v Speaker 2>Sometimes it would do pieces on Iraq and Afghanistan and

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<v Speaker 2>so on, and they would require less and less.

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<v Speaker 1>Rod Loyal Dafi or Harvey Levin exactly exactly.

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<v Speaker 2>But no, I loved working with I mean, the writers,

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<v Speaker 2>they're are great, Patrick Keith, Sarah Stillman, Rachel Laviv.

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<v Speaker 3>I mean, these this kind of Rebecca Meade.

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<v Speaker 2>Rebecca was actually a sort of wonderful early person who

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<v Speaker 2>I've fact checked quite quite early on in my career

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<v Speaker 2>there and then kind of ended up sort of doing

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<v Speaker 2>quite a lot with her, which was quite fun. And

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<v Speaker 2>we did a piece i remember on adult and Cabano,

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<v Speaker 2>and we just had like a lot of back and

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<v Speaker 2>forth with Doulty Gavan as people, and it was just

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<v Speaker 2>it was sort of hilarious because sometimes you know, those

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<v Speaker 2>sort of fashion stories and so on. I mean, if

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<v Speaker 2>you're talking with people in government and so on, they

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<v Speaker 2>kind of they have this attitude that, oh, well, it's

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<v Speaker 2>a story, it's going to go away. Whereas you know,

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<v Speaker 2>if it's a big fashion house and you know, this

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<v Speaker 2>is one of the few times that it appears in

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<v Speaker 2>The New Yorker, you know, this year or in the

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<v Speaker 2>you know, in five years or whatever, they realized that

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<v Speaker 2>that's going to stick with.

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<v Speaker 1>The marketing for them. Yeah, exactly. I agree. Well, I

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<v Speaker 1>mean I'm obviously an ever reader of The New Yorker.

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<v Speaker 1>The thing I tend to see when I when I

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<v Speaker 1>was thinking about your article and budgets and costs and

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<v Speaker 1>things like that, is that, you know, the magazine has

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<v Speaker 1>obviously a menu or different articles. There might be a profile,

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<v Speaker 1>there might be there's obviously the shouts and murmurs and

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<v Speaker 1>talk of the town and so but if the body

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<v Speaker 1>of the pieces that are not criticism or art or

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<v Speaker 1>what have you. There seems to be a limit I

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<v Speaker 1>would imagine of the number of pieces that are this expansive,

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<v Speaker 1>because it must be expensive. Correct.

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<v Speaker 2>You know, I started this piece reporting it for as

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<v Speaker 2>a book, and that first it started as a as

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<v Speaker 2>a sort of book reporting and then and then kind

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<v Speaker 2>of developed into New Yorker reporting.

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<v Speaker 3>So actually I.

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<v Speaker 2>Funded some of it for my own money, and then

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<v Speaker 2>I used some of the New Yorker what the New

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<v Speaker 2>Yorker paid me to sort of continue the reporting. But actually,

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<v Speaker 2>you know, this was a sort of budgetless piece at

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<v Speaker 2>the beginning.

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<v Speaker 1>You first became aware of this when and how.

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<v Speaker 2>I first became aware of this issue around cobalt mining

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<v Speaker 2>because of somebody called Dan Getler. He is a mining

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<v Speaker 2>billionaire who has sort of made his wealth in the DRC,

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<v Speaker 2>and he actually made a lot of money. Buy he's

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<v Speaker 2>from Israel. Originally he came to DRC. It's a crazy story.

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<v Speaker 2>Came when he was about twenty three, and by the

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<v Speaker 2>time he was twenty six, he was in charge of

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<v Speaker 2>the Congo's entire diamond export. And then various sort of

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<v Speaker 2>human rights groups were like, wait, well, what's happening here.

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<v Speaker 2>He was very close to the ruling family and so

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<v Speaker 2>he was kind of booted off that and Congo said, look, listen,

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<v Speaker 2>look we've dealt with this problem. Suddenly it turned out

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<v Speaker 2>that he had a bunch of copper and cobalt mines

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<v Speaker 2>down in the South, which he seemed to be basically,

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<v Speaker 2>and this is very well documented by the Carter Center

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<v Speaker 2>and sort of Human Rights Watch and various other institutions,

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<v Speaker 2>basically he was selling them on for the ruling family

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<v Speaker 2>to finance their elections. So he'd basically flipped the mines.

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<v Speaker 1>And he became aware of him.

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<v Speaker 3>How I became aware of him.

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<v Speaker 2>I have a very good friend of mine who works

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<v Speaker 2>in mining, and I was sort of casting around for stories,

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<v Speaker 2>you know, related to Africa, related to corruption and so on,

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<v Speaker 2>and he said, well, this is I mean, looks exactly good.

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<v Speaker 2>And also actually Patrick Keith, who's been a great sort

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<v Speaker 2>of inspiration to me and who I worked with actually

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<v Speaker 2>at the New Yorker, and you had Alex Gibney on

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<v Speaker 2>the show and you know they collaborated on the opioid story.

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<v Speaker 1>To Patrick on the street the other day, by the way,

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<v Speaker 1>already okay, with his family down in the village and

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<v Speaker 1>I just said to myself, my goddo of that? I

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<v Speaker 1>thought the documentary was sensation, Yeah, sensation.

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<v Speaker 2>So he'd done a piece on Benny Steinmetz, who was

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<v Speaker 2>a Israeli mining billionaire. I think he's he's currently been

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<v Speaker 2>arrested or he's on trial in Switzerland, and he had

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<v Speaker 2>basically taken control of an iron or mine called Simon Do,

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<v Speaker 2>which is in Guinea. And so Patrick had done that story,

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<v Speaker 2>and that was a kind of great inspiration. And then

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<v Speaker 2>I sort of went to Patrick, and Patrick said this,

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<v Speaker 2>and you should also follow this story. It's a great idea.

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<v Speaker 2>I've always wanted to do Gutler. And then I arrived

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<v Speaker 2>in Congo and I realized that the Gutler story was

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<v Speaker 2>very interesting, but it wasn't the whole story. And actually

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<v Speaker 2>what became more interested interesting to me is the lives

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<v Speaker 2>of these people, just the hellish existence of a cobalt

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<v Speaker 2>min an artisanal cobalt minor.

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<v Speaker 3>I have to be preciser in the southern DRC.

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<v Speaker 1>Now I read the article and you become suspicious, or

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<v Speaker 1>you become enlightened, if you will, to the idea that

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<v Speaker 1>huge swaths of this continent are being exploited for these

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<v Speaker 1>kinds of minerals. And if I may say so, I'll

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<v Speaker 1>let you speak to this, not just the greatest hits

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<v Speaker 1>like petroleum based things, but these cobalt for lithium for

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<v Speaker 1>modern technology, chips, photovoltaic whatever they may be used for batteries,

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<v Speaker 1>mostly correct the lithium batteries. So was it safe to say,

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<v Speaker 1>you talk about Guinea, you talk about DRC. Is this

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<v Speaker 1>happening all over Africa where these minerals exist, I mean, American, Israeli.

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<v Speaker 1>It doesn't matter pirates or when they're trying to grab

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<v Speaker 1>as much of it as they can.

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<v Speaker 2>Well, it depends where Obviously some places are better regulator

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<v Speaker 2>than others.

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<v Speaker 1>Who's doing a good job of regulating if you can say.

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<v Speaker 2>I think, for example, Zambia has had a better track record,

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<v Speaker 2>although now the sort of influx of Chinese wealth into

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<v Speaker 2>Zambia has sort of upended some.

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<v Speaker 1>Of that, if you but seeking their copper as well.

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<v Speaker 3>So it's actually on the border with DRC.

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<v Speaker 2>When I was reporting some of this stuff, I actually

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<v Speaker 2>flew to Zambia to meet a sort of renegade Congolese

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<v Speaker 2>politician before he was traveling back into the DRC so yeah, No,

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<v Speaker 2>it's known as the Copper Belt, and it's a sort

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<v Speaker 2>of large part.

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<v Speaker 1>The scene between the two countries exactly exactly.

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<v Speaker 2>And the other big one is coltan actually, and that's

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<v Speaker 2>sort of been the focus of a lot of human

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<v Speaker 2>rights work because it is largely mined by sort of

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<v Speaker 2>army types and sort of warlords in the northeast of

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<v Speaker 2>the DRC. And coltan is used in capacitors, which are

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<v Speaker 2>sort of key for computers and batteries. That's also been

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<v Speaker 2>a big issue, and people confuse that with cobalt, and

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<v Speaker 2>actually what's happening there is slightly different from cobalt, which

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<v Speaker 2>is a kind of more of a mechanized, sort of

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<v Speaker 2>legitimized type of trade.

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<v Speaker 1>Well, the thing that also struck me in terms of

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<v Speaker 1>any store like this where there's danger, describe to me

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<v Speaker 1>what you had to do in advance security wise. You

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<v Speaker 1>don't just land at the airport and say in an

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<v Speaker 1>uber and say take me to you know, Cobalt town.

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<v Speaker 1>There must have been a lot of preparatory steps you

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<v Speaker 1>took and security steps you took, if I'm assuming, And

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<v Speaker 1>then talk about when you first got there for the

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<v Speaker 1>first time, what went on?

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<v Speaker 3>Okay, so yeah, the security steps.

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<v Speaker 2>I mean, I've traveled to quite a lot at this

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<v Speaker 2>point of countries which sort of have different complicated security profiles,

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<v Speaker 2>places like Yeam in western Sahara, in fact, this southern

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<v Speaker 2>part of the DRC. You know, there is the threat

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<v Speaker 2>always of randomized violence, but I, you know, had looked

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<v Speaker 2>into it. I'd spoken to a couple of people who

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<v Speaker 2>had been there. I've spoken to a couple of journalists,

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<v Speaker 2>and I don't think there was a kind of threatening

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<v Speaker 2>or kind of looming threat we're afraid. I wasn't particularly

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<v Speaker 2>afraid that. You know, sometimes traveling on the road at night,

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<v Speaker 2>you'd be stopped at roadblocks and there would be sort

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<v Speaker 2>of policemen with guns and they'd be drunk, and you know,

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<v Speaker 2>then you get a little bit nervous, and then we

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<v Speaker 2>were sort of held up in broad daylight. So I

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<v Speaker 2>traveled with the local journalists called Jeff Kazadi, who's a

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<v Speaker 2>wonderful one of and he was a great resource. He

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<v Speaker 2>worked as a translator. He was incredibly sort of resourceful

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<v Speaker 2>as well on the ground, and he sort of knew

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<v Speaker 2>quite a few of the operators and he'd worked with

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<v Speaker 2>I believe CNN before and some other journalists who had

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<v Speaker 2>been down to do stories like this or to do

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<v Speaker 2>other types of stories in southern DRC. He works for

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<v Speaker 2>a mining trade publication, so you know, oftentimes he wanted

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<v Speaker 2>to sort of look further into stories, but because he

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<v Speaker 2>works for an industry publication, it wasn't the type of

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<v Speaker 2>journalism that.

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<v Speaker 1>They were interested in.

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<v Speaker 2>So I contacted Jeff. I also contacted another journalist, Ben Yemba,

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<v Speaker 2>who's based out of her and he was interested in this.

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<v Speaker 2>So the first time I went, I went with Jeff

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<v Speaker 2>and Ben. We kind of thought about the security risks

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<v Speaker 2>and we discussed the different types of issues along the road.

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<v Speaker 2>Sometimes there were bandits and so on, but usually if

0:10:50.559 --> 0:10:53.400
<v Speaker 2>you're traveling in the daytime, you're fairly safe along that road.

0:10:53.679 --> 0:10:55.679
<v Speaker 2>So when I first arrived in the South, i'd been

0:10:55.720 --> 0:10:58.319
<v Speaker 2>in Kinshassa for a bit, and in many ways the

0:10:58.440 --> 0:11:02.600
<v Speaker 2>South is much less hectic. In Conchasta and I arrived

0:11:02.640 --> 0:11:04.600
<v Speaker 2>on a local flight so we didn't have to deal

0:11:04.640 --> 0:11:08.160
<v Speaker 2>with customs. I stayed in a sort of very downbeat hotel,

0:11:08.280 --> 0:11:10.880
<v Speaker 2>which was an interesting experience to say the least. There

0:11:10.920 --> 0:11:12.640
<v Speaker 2>were a lot of women coming in at night and

0:11:12.800 --> 0:11:13.760
<v Speaker 2>leaving in the morning.

0:11:14.320 --> 0:11:14.400
<v Speaker 4>But.

0:11:16.120 --> 0:11:20.640
<v Speaker 2>Afterwards everywhere, which is everywhere exactly. And then I stayed

0:11:20.800 --> 0:11:24.120
<v Speaker 2>the next two or three times. I was there in

0:11:24.360 --> 0:11:27.480
<v Speaker 2>more kind of like hotels that sort of mining execs

0:11:27.600 --> 0:11:29.719
<v Speaker 2>had made their home. It was you know, kind of

0:11:30.040 --> 0:11:32.560
<v Speaker 2>immediately there with people at the bar kind of talking

0:11:32.559 --> 0:11:34.880
<v Speaker 2>about their sort of the you know, the greatest hits

0:11:34.920 --> 0:11:38.160
<v Speaker 2>of you know, copper mines and cobalt.

0:11:37.880 --> 0:11:40.439
<v Speaker 1>Mines, some of the work some of the useful work

0:11:40.520 --> 0:11:40.880
<v Speaker 1>done there.

0:11:41.120 --> 0:11:43.440
<v Speaker 2>Yeah, and those are sort of like off the record

0:11:43.600 --> 0:11:47.400
<v Speaker 2>chats usually, but it helps you get such a good

0:11:47.600 --> 0:11:48.840
<v Speaker 2>sort of context around the stuff.

0:11:49.040 --> 0:11:49.160
<v Speaker 1>You know.

0:11:49.240 --> 0:11:52.440
<v Speaker 3>What else was very useful is that I visited a.

0:11:53.600 --> 0:11:57.640
<v Speaker 2>Mining conference there as well and sort of met a

0:11:57.679 --> 0:12:00.880
<v Speaker 2>lot of people in the field. It was hosted by

0:12:01.000 --> 0:12:03.320
<v Speaker 2>a South African firm, but it was kind of visited

0:12:03.360 --> 0:12:05.480
<v Speaker 2>by all the sort of local potents and so on.

0:12:05.800 --> 0:12:08.120
<v Speaker 3>It was a sort of eye opening experience.

0:12:07.760 --> 0:12:12.000
<v Speaker 2>Because people are very aware of the problem of artisanal mining,

0:12:12.240 --> 0:12:15.000
<v Speaker 2>and you have to make the distinction between artisanal mining

0:12:15.040 --> 0:12:18.920
<v Speaker 2>and industrial mining. So artisanal mining is something somewhere between

0:12:19.000 --> 0:12:21.679
<v Speaker 2>ten and thirty percent of Congo's production every year. It

0:12:21.760 --> 0:12:25.040
<v Speaker 2>really fluctuates depending on you know, supply demand, so on

0:12:25.360 --> 0:12:27.959
<v Speaker 2>and the rest is industrial which has done much in

0:12:28.040 --> 0:12:30.680
<v Speaker 2>the way of large mining firms anywhere else in the world.

0:12:31.240 --> 0:12:33.640
<v Speaker 1>And do the industrials want to put the artisanals out

0:12:33.679 --> 0:12:33.920
<v Speaker 1>of work?

0:12:34.240 --> 0:12:38.440
<v Speaker 2>The industrials would probably prefer that the artisanals were not there,

0:12:38.640 --> 0:12:42.079
<v Speaker 2>because there are serious human rights issues with some of

0:12:42.120 --> 0:12:44.760
<v Speaker 2>the artisanal minds, which are with many of the artisanal minds.

0:12:44.760 --> 0:12:46.559
<v Speaker 3>I would say some are led.

0:12:46.440 --> 0:12:51.360
<v Speaker 2>By cooperatives, and those cooperatives are sort of better about

0:12:51.400 --> 0:12:56.280
<v Speaker 2>safety than other sort of non cooperative managed artisanal minds. However,

0:12:56.559 --> 0:12:59.760
<v Speaker 2>the big problem is that there's just been a huge

0:13:00.040 --> 0:13:01.400
<v Speaker 2>flux of people into that region.

0:13:01.400 --> 0:13:02.360
<v Speaker 1>It's a gold rush.

0:13:02.480 --> 0:13:05.199
<v Speaker 2>It's a huge gold rush, and you really feel like

0:13:05.400 --> 0:13:07.360
<v Speaker 2>just people are arriving every day, that kind of thing.

0:13:07.400 --> 0:13:10.040
<v Speaker 2>There's a train that comes down from a place called

0:13:10.120 --> 0:13:12.880
<v Speaker 2>Mambuji Mai, which is in the middle of Congo, and

0:13:13.200 --> 0:13:15.920
<v Speaker 2>that is a place in which there used to be

0:13:15.960 --> 0:13:19.080
<v Speaker 2>a huge amount of diamond mining and that's been sort

0:13:19.080 --> 0:13:21.640
<v Speaker 2>of woefully mismanaged and the industry has kind of fallen

0:13:21.640 --> 0:13:23.520
<v Speaker 2>into pieces. So a lot of people who had some

0:13:23.720 --> 0:13:26.800
<v Speaker 2>mining experience now sort of getting on that train which

0:13:26.880 --> 0:13:29.880
<v Speaker 2>goes through the sort of jungles and wilds of Central

0:13:29.920 --> 0:13:34.120
<v Speaker 2>Congo and comes to Lumumbashi and sort of people are

0:13:34.160 --> 0:13:35.760
<v Speaker 2>just sort of hanging off the side of that train

0:13:36.280 --> 0:13:38.960
<v Speaker 2>and it comes, you know, every two months or something

0:13:39.000 --> 0:13:42.000
<v Speaker 2>like that. Nobody really the schedule basically works on you know,

0:13:42.120 --> 0:13:44.319
<v Speaker 2>whenever it's completely full or whenever they can sort of

0:13:44.400 --> 0:13:47.120
<v Speaker 2>get the engine running. And so with that, you know,

0:13:47.200 --> 0:13:50.280
<v Speaker 2>people come and then the industrial minds have sort of

0:13:50.320 --> 0:13:52.800
<v Speaker 2>run by very few people, so they don't have the

0:13:52.880 --> 0:13:55.640
<v Speaker 2>capacity to observe high resolve that the labor force.

0:13:55.440 --> 0:13:59.160
<v Speaker 3>Exactly, they don't they can't hire. So yeah, I think

0:13:59.160 --> 0:13:59.480
<v Speaker 3>that they.

0:13:59.440 --> 0:14:01.679
<v Speaker 1>Will arrived to participate in artisinal mining.

0:14:01.760 --> 0:14:02.080
<v Speaker 3>Exactly.

0:14:02.120 --> 0:14:03.800
<v Speaker 2>You arrived because you think you're going to get rich

0:14:03.880 --> 0:14:06.319
<v Speaker 2>and there's just like a lot of stories about it

0:14:06.400 --> 0:14:08.160
<v Speaker 2>and so on, and you arrive and there's nothing to

0:14:08.240 --> 0:14:12.559
<v Speaker 2>do apart from artisanal mining basically, and people really exploit

0:14:12.679 --> 0:14:16.160
<v Speaker 2>that they get paid nothing. I mean, it's some people

0:14:16.280 --> 0:14:18.559
<v Speaker 2>say that there have been people who made lots and

0:14:18.600 --> 0:14:21.880
<v Speaker 2>lots of money, but I actually found that quite difficult

0:14:21.920 --> 0:14:23.760
<v Speaker 2>to believe after spending two months there.

0:14:23.840 --> 0:14:26.440
<v Speaker 1>I just so you went the one on the one

0:14:26.480 --> 0:14:27.320
<v Speaker 1>trip for two months.

0:14:27.360 --> 0:14:29.440
<v Speaker 2>So I went on one trip for a month, then

0:14:29.480 --> 0:14:32.480
<v Speaker 2>I went on another trip for ten days, and then

0:14:32.520 --> 0:14:34.880
<v Speaker 2>I was there for about almost a month the next time,

0:14:34.920 --> 0:14:35.760
<v Speaker 2>So yeah, two months.

0:14:35.800 --> 0:14:39.800
<v Speaker 1>So when you arrive and you are in the more

0:14:39.880 --> 0:14:43.040
<v Speaker 1>decent hotel with people who seem to be related to

0:14:43.080 --> 0:14:44.960
<v Speaker 1>the whole enterprise and you can chit chat with him.

0:14:45.440 --> 0:14:47.200
<v Speaker 1>Is the idea that when you arrive you don't go

0:14:47.360 --> 0:14:49.400
<v Speaker 1>right into the belly of the beast and go to

0:14:49.440 --> 0:14:53.960
<v Speaker 1>where the artisanal mining is at full throttle. You kind

0:14:53.960 --> 0:14:55.840
<v Speaker 1>of work your way toward that. Did you take a

0:14:55.880 --> 0:14:58.160
<v Speaker 1>few days before you get into the into the pits

0:14:58.240 --> 0:14:58.760
<v Speaker 1>so to speak?

0:14:59.240 --> 0:15:01.800
<v Speaker 2>Depends actually on the different trips. On my second trip,

0:15:01.840 --> 0:15:04.320
<v Speaker 2>I went straight to the artism mining because I'd spent

0:15:04.360 --> 0:15:06.960
<v Speaker 2>a lot of time, you know, talking with seth Africans about,

0:15:07.160 --> 0:15:09.320
<v Speaker 2>you know, the benefits of copper mirning for the area.

0:15:09.600 --> 0:15:11.800
<v Speaker 2>So you know, I had all that material and I

0:15:11.920 --> 0:15:15.720
<v Speaker 2>wanted to really focus on the artisanal miners.

0:15:15.600 --> 0:15:17.880
<v Speaker 1>Who were people that sounded like they had not the

0:15:18.000 --> 0:15:20.160
<v Speaker 1>right idea, but maybe the better ideas about how this

0:15:20.200 --> 0:15:22.440
<v Speaker 1>should be handled, what should happen there for the greater

0:15:22.560 --> 0:15:23.240
<v Speaker 1>good of everybody.

0:15:23.520 --> 0:15:27.480
<v Speaker 2>So there's a Catholic charity called Good Shepherd Calwazy and

0:15:27.880 --> 0:15:32.080
<v Speaker 2>they've been incredibly sort of outspoken and sort of quite

0:15:32.120 --> 0:15:35.120
<v Speaker 2>sort of research focused as well around some of these issues.

0:15:35.480 --> 0:15:38.040
<v Speaker 2>They've put forward this plan which says, listen, you need

0:15:38.120 --> 0:15:41.120
<v Speaker 2>to develop other types of industry because you have to

0:15:41.240 --> 0:15:44.400
<v Speaker 2>understand this as like as a cycle of which corruption

0:15:44.560 --> 0:15:47.080
<v Speaker 2>is only a part. There's also just the basic fact

0:15:47.120 --> 0:15:53.239
<v Speaker 2>of poverty and need. So they have suggested that agriculture

0:15:53.280 --> 0:15:56.960
<v Speaker 2>would be a way of engaging the local population. In fact,

0:15:57.000 --> 0:15:59.520
<v Speaker 2>it's a very fertile region as well, and something like

0:15:59.640 --> 0:16:03.080
<v Speaker 2>ninety center of Congo's food is imported, so there's this

0:16:03.880 --> 0:16:06.360
<v Speaker 2>kind of from other areas the region, from Zambia, from

0:16:06.640 --> 0:16:08.880
<v Speaker 2>from other areas of the region, So there's this kind

0:16:08.960 --> 0:16:11.960
<v Speaker 2>and import taxes are huge, and people are making money

0:16:12.160 --> 0:16:13.800
<v Speaker 2>at every step of the way and so on and

0:16:13.840 --> 0:16:16.680
<v Speaker 2>so forth, often not Congolese. So they say, listen, why

0:16:16.720 --> 0:16:19.120
<v Speaker 2>don't the Congolese grow their own food here? Why don't

0:16:19.120 --> 0:16:22.040
<v Speaker 2>people work on farms? And so I think that that's

0:16:22.200 --> 0:16:26.080
<v Speaker 2>a you know, there are large businesses that obviously invested

0:16:26.120 --> 0:16:28.680
<v Speaker 2>in this. I think that's actually something which would be

0:16:28.800 --> 0:16:31.600
<v Speaker 2>positive for them to do. So there are also some

0:16:31.680 --> 0:16:34.240
<v Speaker 2>other groups like the Fair Cobalt Alliance and then there's

0:16:34.240 --> 0:16:39.240
<v Speaker 2>another Chinese group. The UN doesn't have a permanent presence,

0:16:39.280 --> 0:16:41.680
<v Speaker 2>I don't think in Colway's actually a lot of what

0:16:41.920 --> 0:16:44.600
<v Speaker 2>they do in Congo is to do with rebels in

0:16:44.640 --> 0:16:47.040
<v Speaker 2>the north, and then they assisted with some war crimes

0:16:47.240 --> 0:16:50.240
<v Speaker 2>tribunals in a city which was not too far away.

0:16:50.720 --> 0:16:54.840
<v Speaker 2>So they do mainly kind of like armed conflict type

0:16:54.840 --> 0:16:57.760
<v Speaker 2>stuff there. I didn't see any sort of UN involvement,

0:16:57.960 --> 0:16:58.840
<v Speaker 2>but I could you know.

0:16:58.880 --> 0:16:59.840
<v Speaker 1>They could be that, they could be.

0:17:00.160 --> 0:17:01.240
<v Speaker 3>Yeah, there could be a.

0:17:01.280 --> 0:17:03.760
<v Speaker 2>UN office that focuses on this, but it doesn't seem

0:17:03.800 --> 0:17:07.040
<v Speaker 2>to be a main priority because they're focused on you know, some.

0:17:07.359 --> 0:17:08.320
<v Speaker 1>What year did you go there?

0:17:08.600 --> 0:17:09.960
<v Speaker 3>I went at twenty nineteen.

0:17:09.800 --> 0:17:12.320
<v Speaker 1>And right before the right before How convenient for you,

0:17:12.480 --> 0:17:15.320
<v Speaker 1>I know, yeah, how wonderful. And what is the national

0:17:15.440 --> 0:17:17.879
<v Speaker 1>government to the extent you could ascertain when you were there,

0:17:18.000 --> 0:17:19.600
<v Speaker 1>what's their position on what's going on there?

0:17:19.800 --> 0:17:22.400
<v Speaker 2>So the national government makes kind of these overtures over

0:17:22.400 --> 0:17:25.000
<v Speaker 2>and over again saying we can't have child labor whatever,

0:17:25.440 --> 0:17:27.360
<v Speaker 2>and then the local government will say the same thing,

0:17:27.440 --> 0:17:29.119
<v Speaker 2>and they're like, we're cleaning up the minds and then

0:17:29.280 --> 0:17:31.480
<v Speaker 2>they use you know, these kind of mind clean up

0:17:31.720 --> 0:17:35.240
<v Speaker 2>activities in order to basically seize more parts of the

0:17:35.320 --> 0:17:38.800
<v Speaker 2>minds for themselves and you know, kind of co opt

0:17:38.880 --> 0:17:41.800
<v Speaker 2>local cooperatives and so on. And I document that in

0:17:41.880 --> 0:17:44.440
<v Speaker 2>the piece, And at the moment there's a bit of

0:17:44.480 --> 0:17:47.760
<v Speaker 2>a power struggle happening down in that region, and it's

0:17:47.880 --> 0:17:50.720
<v Speaker 2>very unclear to me what's actually happening in terms of

0:17:50.840 --> 0:17:53.400
<v Speaker 2>like who's getting pieces of the eye, But the fact

0:17:53.480 --> 0:17:55.240
<v Speaker 2>is that it still continues. Actually, I was I was

0:17:55.280 --> 0:17:58.639
<v Speaker 2>speaking to a friend of mine who's a photographer who

0:17:58.720 --> 0:18:01.639
<v Speaker 2>can sell a Cunningham who's done great, great work in

0:18:01.760 --> 0:18:05.960
<v Speaker 2>the DRC. He was there last weekend and he saw

0:18:06.240 --> 0:18:08.840
<v Speaker 2>basically exactly the same condition. So it's not improving.

0:18:09.080 --> 0:18:11.199
<v Speaker 1>But I'm assuming for people who don't understand the way

0:18:11.280 --> 0:18:15.119
<v Speaker 1>these things work, it's that you have the corporate mining,

0:18:15.200 --> 0:18:18.400
<v Speaker 1>you have the industrial mining, which of course the government's

0:18:18.440 --> 0:18:19.920
<v Speaker 1>going to sanction that because they're going to make a

0:18:19.960 --> 0:18:22.840
<v Speaker 1>lot of money. I'm assuming just like the drug trade

0:18:22.880 --> 0:18:25.840
<v Speaker 1>in other parts of the world, in South America, for example,

0:18:26.160 --> 0:18:28.199
<v Speaker 1>they don't want it to go away. They can't make

0:18:28.240 --> 0:18:30.520
<v Speaker 1>it go away because there'll be just so much illegal

0:18:30.600 --> 0:18:34.000
<v Speaker 1>activity and violence and bloodshed. Do they sit there and say,

0:18:34.320 --> 0:18:35.600
<v Speaker 1>and they just write it off and say, well, we

0:18:35.680 --> 0:18:37.960
<v Speaker 1>have to tolerate a certain amount of artisanal mining just

0:18:38.040 --> 0:18:40.000
<v Speaker 1>to keep these people quiet and peaceful.

0:18:40.320 --> 0:18:42.680
<v Speaker 3>Yeah, I mean, I think they can make it go away. Yeah.

0:18:42.800 --> 0:18:45.720
<v Speaker 2>I think sometimes they'll say that, and sometimes they say, well,

0:18:45.960 --> 0:18:49.479
<v Speaker 2>artisanal mining can't exist. And it was funny I interviewed

0:18:49.480 --> 0:18:51.520
<v Speaker 2>the governor at the time and he basically said the same.

0:18:51.760 --> 0:18:53.639
<v Speaker 2>He said both of those things in the same interview.

0:18:53.800 --> 0:18:56.200
<v Speaker 2>So I don't think they really understood how to deal

0:18:56.280 --> 0:18:58.679
<v Speaker 2>with this problem. And it is it's a very very

0:18:58.720 --> 0:19:01.280
<v Speaker 2>complex issue, and I wouldn't say that I have I

0:19:01.440 --> 0:19:03.679
<v Speaker 2>have the answers, but I just don't think it's being

0:19:03.800 --> 0:19:07.280
<v Speaker 2>engaged with in a particularly robust manner. You also have

0:19:07.359 --> 0:19:09.600
<v Speaker 2>to think about that in terms of, you know, the

0:19:10.000 --> 0:19:13.000
<v Speaker 2>industrial minds which were brought many of them were brought

0:19:13.040 --> 0:19:15.600
<v Speaker 2>through this guy Getler who's now in the US sanctions.

0:19:15.640 --> 0:19:19.520
<v Speaker 2>This actually Trump de sanctioned him for a bit, who

0:19:19.640 --> 0:19:22.640
<v Speaker 2>knows why, and then and then he got re sanctioned.

0:19:22.840 --> 0:19:26.200
<v Speaker 2>And basically you have a system that relies on this

0:19:26.320 --> 0:19:30.200
<v Speaker 2>corruption and those funds are not going back to the people.

0:19:30.760 --> 0:19:33.280
<v Speaker 2>And then you have a situation in which you know

0:19:33.359 --> 0:19:35.160
<v Speaker 2>the minds are sold to big Western companies, and big

0:19:35.200 --> 0:19:38.320
<v Speaker 2>Western companies, you know, maybe don't participate directly in that,

0:19:38.440 --> 0:19:42.639
<v Speaker 2>but they work with people who are certainly questionable. Actually

0:19:42.640 --> 0:19:44.720
<v Speaker 2>it's not and forgive me a big Western companies is

0:19:44.760 --> 0:19:47.080
<v Speaker 2>not entirely correct. A lot of Chinese companies.

0:19:46.800 --> 0:19:48.280
<v Speaker 1>Actually want to get to that too. What are the

0:19:48.359 --> 0:19:50.840
<v Speaker 1>Chinese doing there? And how long have they been? Obviously, well,

0:19:50.880 --> 0:19:52.880
<v Speaker 1>when I think of China, I think of a place

0:19:52.920 --> 0:19:56.040
<v Speaker 1>of this obviously a vast a region of land and

0:19:56.720 --> 0:20:00.879
<v Speaker 1>very geologically and topographically, and media realized what have you here?

0:20:00.880 --> 0:20:04.000
<v Speaker 1>I mean, it's China enormous. They don't have those resources

0:20:04.040 --> 0:20:04.920
<v Speaker 1>in their own territory.

0:20:05.240 --> 0:20:08.040
<v Speaker 2>So something like seventy percent of the world's cobalt is

0:20:08.080 --> 0:20:11.399
<v Speaker 2>actually in DRC. It's like three point four million tons,

0:20:11.400 --> 0:20:14.800
<v Speaker 2>which is a huge, huge amount of cobot is there.

0:20:15.000 --> 0:20:17.680
<v Speaker 2>And you know, there are nickel mines in Indonesia which

0:20:17.760 --> 0:20:20.320
<v Speaker 2>also produce cobalt as a byproduct, and is interesting if

0:20:20.359 --> 0:20:23.600
<v Speaker 2>you look, one of China's biggest battery manufacturers just bought

0:20:23.640 --> 0:20:26.120
<v Speaker 2>one of the biggest nickel mines in Indonesia. So they're

0:20:26.200 --> 0:20:29.560
<v Speaker 2>really kind of making this resource grab and they've understood

0:20:29.640 --> 0:20:32.760
<v Speaker 2>how I think Ivan Glaisenberg, who's the head of Glencore,

0:20:32.840 --> 0:20:34.479
<v Speaker 2>one of the big or was the head of Glencore,

0:20:34.640 --> 0:20:37.880
<v Speaker 2>said this summer China Inc. Has realized how important cobolt

0:20:38.000 --> 0:20:41.439
<v Speaker 2>is and they're kind of starting to buy everything up.

0:20:41.560 --> 0:20:43.960
<v Speaker 1>And where do western manufacturers include in the US. Where

0:20:43.960 --> 0:20:45.840
<v Speaker 1>do they get their cobolt from from the Chinese? From

0:20:45.840 --> 0:20:47.840
<v Speaker 1>the Chinese, they're not out buying their own, No, they're not.

0:20:48.119 --> 0:20:50.040
<v Speaker 1>They're not trying to develop that resource for themselves.

0:20:50.160 --> 0:20:53.440
<v Speaker 2>Yeah, BMW's is I think one of the few that

0:20:53.600 --> 0:20:56.760
<v Speaker 2>doesn't buy from the Chinese. They buy most of their

0:20:57.000 --> 0:20:59.760
<v Speaker 2>cobalt from a cobalt only mine and Morocco, but that's

0:20:59.760 --> 0:21:01.639
<v Speaker 2>where too small to supply it in Thaire.

0:21:01.520 --> 0:21:09.359
<v Speaker 1>World journalist Nicholas Narkos. If you like hearing about the

0:21:09.480 --> 0:21:13.200
<v Speaker 1>inner workings of some of the greatest journalistic outlets of

0:21:13.240 --> 0:21:16.520
<v Speaker 1>our time, check out my interview with New Yorker editor

0:21:16.880 --> 0:21:17.640
<v Speaker 1>David Remnick.

0:21:18.280 --> 0:21:20.520
<v Speaker 4>The magazine is not the magazine if it doesn't have

0:21:20.600 --> 0:21:24.720
<v Speaker 4>a sense of humor. You're not in business to depress

0:21:24.760 --> 0:21:28.159
<v Speaker 4>the hell out of the reader unremittingly. It's like a

0:21:28.240 --> 0:21:31.800
<v Speaker 4>band having a set list. If you do everything, it's

0:21:31.840 --> 0:21:33.320
<v Speaker 4>all sixteenth notes ferment.

0:21:33.720 --> 0:21:35.399
<v Speaker 1>So I got a DAVIDO or.

0:21:35.440 --> 0:21:37.840
<v Speaker 4>Will you sound like the Ramones? Although I've heard of

0:21:37.920 --> 0:21:43.280
<v Speaker 4>worse things. So you want some variation in tone, in voice,

0:21:43.600 --> 0:21:46.320
<v Speaker 4>and that's your responsibility, you feel, I feel all of

0:21:46.359 --> 0:21:47.560
<v Speaker 4>it's my responsibility.

0:21:48.960 --> 0:21:52.280
<v Speaker 1>Hear more of my conversation with David Remnick in our

0:21:52.520 --> 0:21:56.440
<v Speaker 1>archives that Here's the Thing dot org after the break

0:21:56.560 --> 0:21:59.840
<v Speaker 1>Nicholas Nearkos and I talk about his background and the

0:22:00.000 --> 0:22:14.280
<v Speaker 1>big story he nearly broke in high school. I'm Malec

0:22:14.359 --> 0:22:18.639
<v Speaker 1>Baldwin and you're listening to Here's the Thing. Nicholas Niarkos,

0:22:18.680 --> 0:22:21.560
<v Speaker 1>who could be living a life of privilege instead can

0:22:21.640 --> 0:22:24.960
<v Speaker 1>be found in the Democratic Republic of the Congo, reporting

0:22:25.000 --> 0:22:29.280
<v Speaker 1>on human rights violations. Nearkos grew up in London and

0:22:29.480 --> 0:22:32.840
<v Speaker 1>came to the United States to attend Yale. His family

0:22:32.960 --> 0:22:35.320
<v Speaker 1>helped him develop his interest in journalism.

0:22:35.920 --> 0:22:36.800
<v Speaker 3>I grew up in the UK.

0:22:37.040 --> 0:22:37.760
<v Speaker 1>I grew in London.

0:22:37.880 --> 0:22:39.400
<v Speaker 3>Yeah, I was born here, but grew up in London.

0:22:39.480 --> 0:22:42.840
<v Speaker 1>You're born here, Yeah, your father's Greek, father's Greek. You're

0:22:42.880 --> 0:22:45.520
<v Speaker 1>growing up in this famous family and your father is

0:22:45.560 --> 0:22:48.320
<v Speaker 1>obviously the son of the guy that was the big

0:22:48.400 --> 0:22:51.639
<v Speaker 1>dog there in the shipping business Stavros Niarkos. But what

0:22:51.840 --> 0:22:54.280
<v Speaker 1>was it like in your home and your family was

0:22:54.880 --> 0:22:57.440
<v Speaker 1>where you ended up going into Chrism? That was likely.

0:22:58.119 --> 0:23:01.159
<v Speaker 1>Were everybody very interested in politics and current affairs? And

0:23:01.320 --> 0:23:02.720
<v Speaker 1>was your dad like rabbit about that?

0:23:03.080 --> 0:23:05.760
<v Speaker 2>Yeah, my dad's sort of very interesting in current affairs.

0:23:05.800 --> 0:23:08.160
<v Speaker 2>And you know, my mum's family as well. My grandfather

0:23:08.920 --> 0:23:12.600
<v Speaker 2>is a writer, and my great grandparents many of them

0:23:12.640 --> 0:23:15.959
<v Speaker 2>were writers and travelers and many such things. And then

0:23:16.000 --> 0:23:20.080
<v Speaker 2>actually in high school I did this anti school newspaper

0:23:20.640 --> 0:23:23.920
<v Speaker 2>and we actually ended up very very close to blowing

0:23:23.960 --> 0:23:27.000
<v Speaker 2>the lid on this kind of strange story where Chinese

0:23:27.080 --> 0:23:32.160
<v Speaker 2>officials were sort of paying this intermediary character to get

0:23:32.200 --> 0:23:34.120
<v Speaker 2>their kids into the school that I went to, which

0:23:34.160 --> 0:23:36.639
<v Speaker 2>is called Harrow. It's a kind of very stiff boarding school.

0:23:37.080 --> 0:23:39.639
<v Speaker 2>So we ended up almost writing the story and the

0:23:39.720 --> 0:23:42.600
<v Speaker 2>newspaper was shut down. Two years later in the financial time,

0:23:42.720 --> 0:23:45.920
<v Speaker 2>suddenly the guy has revealed to be somehow connected with

0:23:46.160 --> 0:23:49.840
<v Speaker 2>m I six and like one of the governors in

0:23:49.960 --> 0:23:52.840
<v Speaker 2>China basically was sort of taken down by it. And

0:23:53.440 --> 0:23:56.560
<v Speaker 2>this was kind of she jimping, kind of flexing his

0:23:56.680 --> 0:23:59.359
<v Speaker 2>muscles for the first time we had been so close

0:23:59.400 --> 0:24:01.600
<v Speaker 2>to doing that store. You know, the only reason that

0:24:01.640 --> 0:24:04.800
<v Speaker 2>we didn't run it was because the school had basically said, like,

0:24:04.920 --> 0:24:07.119
<v Speaker 2>you're not publishing this. So yeah, I think that was

0:24:07.160 --> 0:24:10.200
<v Speaker 2>the first time I really like saw the power of journalism.

0:24:10.320 --> 0:24:12.879
<v Speaker 2>And it was funny because they banned that it was

0:24:12.960 --> 0:24:15.000
<v Speaker 2>hard copy and then people sort of hid it behind

0:24:15.080 --> 0:24:18.200
<v Speaker 2>their notice boards in their dorm rooms and then kind

0:24:18.200 --> 0:24:20.560
<v Speaker 2>of passed it around, and you know, by three days

0:24:20.600 --> 0:24:23.399
<v Speaker 2>after publication, even though the school had destroyed most of

0:24:23.440 --> 0:24:25.359
<v Speaker 2>the copies, you know, everybody had read it. And it

0:24:25.480 --> 0:24:27.960
<v Speaker 2>was this kind of great affirmation of the power.

0:24:27.800 --> 0:24:30.840
<v Speaker 1>Of good start, a noble start. And your mother is

0:24:31.359 --> 0:24:35.440
<v Speaker 1>Irish English, she really I went to Dublin once with

0:24:35.560 --> 0:24:38.360
<v Speaker 1>my ex wife and my daughter and we were there

0:24:38.800 --> 0:24:41.720
<v Speaker 1>it was Christmas Eve and Saint Stephen's Day and we

0:24:41.800 --> 0:24:44.399
<v Speaker 1>were staying at the Shelbourne in Dublin, I as it is,

0:24:44.560 --> 0:24:47.440
<v Speaker 1>the famous hotel, and they said to me, oh, you've

0:24:47.480 --> 0:24:50.439
<v Speaker 1>made a mistake though, come in this week because everything's closed.

0:24:50.920 --> 0:24:54.760
<v Speaker 1>They said, this week everything's closed, Christmas Eve and Saint

0:24:54.840 --> 0:24:58.280
<v Speaker 1>Stephen's Day, everything's close. Even the Guinness is closed. They said.

0:24:59.600 --> 0:25:02.399
<v Speaker 1>They were like, that's rare. I mean, even the Guinness

0:25:02.480 --> 0:25:05.359
<v Speaker 1>factories closed and we're like, well, my shit, what are

0:25:05.400 --> 0:25:07.520
<v Speaker 1>we going to do where we're here? So but you

0:25:07.720 --> 0:25:10.600
<v Speaker 1>you know, obviously when I saw your byline, then I

0:25:10.680 --> 0:25:12.840
<v Speaker 1>saw your name. You don't have to be my age

0:25:12.920 --> 0:25:16.160
<v Speaker 1>to know, you know, there are two great shipping families,

0:25:16.359 --> 0:25:19.760
<v Speaker 1>and yours just as recognizable to my generation as the

0:25:19.880 --> 0:25:22.440
<v Speaker 1>other one. But you lived in London and you first

0:25:22.520 --> 0:25:24.680
<v Speaker 1>came you were born here, grew up in London. And

0:25:24.720 --> 0:25:26.280
<v Speaker 1>when did you come back here to live? How old

0:25:26.280 --> 0:25:27.960
<v Speaker 1>were I came back here for college, go to school,

0:25:28.080 --> 0:25:29.920
<v Speaker 1>go to school, and you decided to say.

0:25:30.000 --> 0:25:30.720
<v Speaker 3>I decided to stay.

0:25:30.760 --> 0:25:31.800
<v Speaker 1>Now why do you want to live here or not

0:25:31.960 --> 0:25:33.760
<v Speaker 1>from London? And the opposite, I want to live in

0:25:33.800 --> 0:25:35.840
<v Speaker 1>London and leave New York as soon as really. Oh

0:25:35.920 --> 0:25:36.639
<v Speaker 1>I love London.

0:25:36.960 --> 0:25:40.359
<v Speaker 3>I love you, Yeah, you do. Listen. I feel like London.

0:25:40.400 --> 0:25:43.119
<v Speaker 2>There's you know, there's this kind of idealized London of

0:25:43.200 --> 0:25:45.040
<v Speaker 2>my sort of teenage years, which had like a lot

0:25:45.080 --> 0:25:48.080
<v Speaker 2>of kind of relaxed hangout places, which has sort of

0:25:48.359 --> 0:25:51.240
<v Speaker 2>shut down and it's easy for you here. Well, no,

0:25:51.320 --> 0:25:53.600
<v Speaker 2>it's just it's sort of become it's become this kind

0:25:53.640 --> 0:25:58.200
<v Speaker 2>of like very I don't know, this kind of fake

0:25:58.359 --> 0:26:00.399
<v Speaker 2>version of itself in a way, and I feel like

0:26:00.480 --> 0:26:02.200
<v Speaker 2>it's like a lot of these Yeah, and it's a

0:26:02.240 --> 0:26:05.280
<v Speaker 2>lot of you know, like heritaging and like news.

0:26:05.320 --> 0:26:08.199
<v Speaker 1>I love these. I want to live in a castle.

0:26:08.840 --> 0:26:11.120
<v Speaker 1>I watched The Crown and like, oh God, that would

0:26:11.160 --> 0:26:12.920
<v Speaker 1>work for me. I could live there. But when you

0:26:13.040 --> 0:26:15.840
<v Speaker 1>finished school, you decided to stay here. And what were

0:26:15.880 --> 0:26:17.880
<v Speaker 1>the first jobs you got in journalism?

0:26:18.160 --> 0:26:19.040
<v Speaker 3>So I worked at the Nation.

0:26:19.480 --> 0:26:20.480
<v Speaker 1>Describe that experience.

0:26:20.920 --> 0:26:22.600
<v Speaker 2>It was a fact Katrina as an old friend of mine,

0:26:22.680 --> 0:26:24.119
<v Speaker 2>Katrina Katrina's well, now when.

0:26:23.960 --> 0:26:26.440
<v Speaker 1>They're paying when you talk about budgets, so the Nation

0:26:26.560 --> 0:26:29.440
<v Speaker 1>comes out, we were saying, that looks like a college newspaper. Yeah,

0:26:29.560 --> 0:26:32.359
<v Speaker 1>on that very very less expensive paper. And so for them,

0:26:32.400 --> 0:26:36.520
<v Speaker 1>obviously they have their budgetary considerations, but they're irreplaceable in

0:26:36.600 --> 0:26:38.520
<v Speaker 1>terms of the reporting. Did you enjoy that experience.

0:26:38.600 --> 0:26:39.520
<v Speaker 3>It was a great experience.

0:26:39.560 --> 0:26:42.240
<v Speaker 2>I worked directly with Katrina as her fact checker and

0:26:42.640 --> 0:26:45.200
<v Speaker 2>with her late husband, Stephen Kohen. And it was the

0:26:45.280 --> 0:26:49.000
<v Speaker 2>time of the Syrian chemic chemical weapons, then Obama's Red

0:26:49.040 --> 0:26:51.080
<v Speaker 2>Line and so on, and they were you know, I

0:26:51.240 --> 0:26:53.080
<v Speaker 2>was called up on a Sunday evening. I think this

0:26:53.160 --> 0:26:55.080
<v Speaker 2>is one of my first weeks there was called up

0:26:55.119 --> 0:26:56.480
<v Speaker 2>on the Sunday evening and they were like, okay, and

0:26:56.560 --> 0:26:57.840
<v Speaker 2>you've got to be on touch, in touch with the

0:26:57.880 --> 0:27:01.600
<v Speaker 2>OPCW you know, four o'clock tomorrow morning, cut of thing.

0:27:01.680 --> 0:27:04.600
<v Speaker 2>And it was a fantastic experience. And also the nation

0:27:04.760 --> 0:27:07.399
<v Speaker 2>treats its in turns very well, which was something I

0:27:07.520 --> 0:27:10.960
<v Speaker 2>hadn't necessarily always seen in the UK. And you know,

0:27:11.119 --> 0:27:13.600
<v Speaker 2>you were paid minimum wage and there was a kind

0:27:13.640 --> 0:27:16.440
<v Speaker 2>of spirit of like community and activism there which was

0:27:16.560 --> 0:27:18.560
<v Speaker 2>which was really nice. And actually, by the end of

0:27:18.640 --> 0:27:22.440
<v Speaker 2>my time there, I had developed this story based on

0:27:22.560 --> 0:27:25.000
<v Speaker 2>a lead that I had gotten a journalism school about

0:27:25.000 --> 0:27:27.639
<v Speaker 2>this lawyer who'd been wire tapped called Robert Gottlieb and

0:27:27.760 --> 0:27:30.880
<v Speaker 2>he was representing a guy called Adis Mudungjenen and their

0:27:31.080 --> 0:27:34.879
<v Speaker 2>conversations had been wire tapped by the FBI, and that

0:27:35.000 --> 0:27:37.480
<v Speaker 2>story hadn't been reported, so I sort of reported that

0:27:37.880 --> 0:27:39.840
<v Speaker 2>out a little bit and then sort of came to

0:27:39.880 --> 0:27:41.440
<v Speaker 2>them and said, listen, I've been working on this in

0:27:41.520 --> 0:27:43.520
<v Speaker 2>my spare time, and they sort of took a chance

0:27:43.560 --> 0:27:46.520
<v Speaker 2>and published me. Looking back on it, I mean, that's

0:27:46.560 --> 0:27:49.480
<v Speaker 2>quite a sort of both sort of risk taking. But

0:27:49.560 --> 0:27:51.400
<v Speaker 2>I really appreciated that because that was my first sort

0:27:51.400 --> 0:27:54.480
<v Speaker 2>of big investigative type magazine story.

0:27:54.600 --> 0:27:56.159
<v Speaker 1>When you worked for the Guardian, did you go back

0:27:56.160 --> 0:27:56.560
<v Speaker 1>to the UK?

0:27:57.080 --> 0:27:59.640
<v Speaker 2>No, So I've written for the Guardian sort of independently

0:27:59.640 --> 0:28:01.119
<v Speaker 2>as a free lancer, and then I worked at The

0:28:01.160 --> 0:28:02.400
<v Speaker 2>Guardian as a researcher.

0:28:02.680 --> 0:28:04.359
<v Speaker 3>Like right when I graduated college.

0:28:04.440 --> 0:28:06.320
<v Speaker 1>What period of times did you work with the Huffington Post.

0:28:06.720 --> 0:28:09.600
<v Speaker 2>So I started writing with the Affington Post in college

0:28:10.160 --> 0:28:13.840
<v Speaker 2>and then I kind of wrote for them for a

0:28:13.960 --> 0:28:15.680
<v Speaker 2>year too afterwards.

0:28:15.600 --> 0:28:19.680
<v Speaker 1>You know, for me finding sources, you know, sometimes I

0:28:19.760 --> 0:28:21.720
<v Speaker 1>read The Times and I think, well there's the Times again.

0:28:22.320 --> 0:28:24.120
<v Speaker 1>And then sometimes they read the Times and I said,

0:28:24.160 --> 0:28:25.720
<v Speaker 1>this is not the Times anymore, you know. I mean

0:28:25.760 --> 0:28:28.680
<v Speaker 1>I get really really worried about their priorities, you know.

0:28:28.920 --> 0:28:31.159
<v Speaker 1>But The New Yorker has been for me, you know,

0:28:31.240 --> 0:28:33.320
<v Speaker 1>over the arc of many years, the most reliable in

0:28:33.440 --> 0:28:35.560
<v Speaker 1>terms of its integrity and what they cover in stories

0:28:35.600 --> 0:28:38.440
<v Speaker 1>they tell. And you had sent me the article from

0:28:38.840 --> 0:28:40.800
<v Speaker 1>John le Anderson, which I think which when I as

0:28:40.840 --> 0:28:42.880
<v Speaker 1>I was reading it, I think I read this article

0:28:43.080 --> 0:28:46.680
<v Speaker 1>when it first came out. Now, that article about South America,

0:28:46.920 --> 0:28:49.760
<v Speaker 1>and I'd read other articles and books about the work

0:28:49.800 --> 0:28:53.280
<v Speaker 1>of Thunai and the uncontacted Indians and so forth. You know,

0:28:53.800 --> 0:28:56.720
<v Speaker 1>I would imagine for you that that and writers like

0:28:56.800 --> 0:28:59.800
<v Speaker 1>Anderson who write these broad and very complex pieces, there's

0:28:59.840 --> 0:29:02.479
<v Speaker 1>no shortage of stories for you to cover. I mean

0:29:02.520 --> 0:29:05.080
<v Speaker 1>you must be constantly having to make tough decisions as

0:29:05.080 --> 0:29:06.720
<v Speaker 1>to which ones, because when they come to you, they

0:29:06.800 --> 0:29:08.600
<v Speaker 1>don't sign, they ask you if you want to do it?

0:29:08.640 --> 0:29:10.920
<v Speaker 3>Correct, No, no, no, I was as a freelance I

0:29:11.040 --> 0:29:12.240
<v Speaker 3>pitched a place as actually.

0:29:12.800 --> 0:29:16.200
<v Speaker 1>So you pitched, okay, so you pitched to Remnick and

0:29:16.280 --> 0:29:18.160
<v Speaker 1>his staff that you want to do the piece based

0:29:18.200 --> 0:29:20.320
<v Speaker 1>on your beginnings of your book. Yeah, but I would

0:29:20.360 --> 0:29:24.320
<v Speaker 1>imagine again with the corner copia of such stories that

0:29:24.400 --> 0:29:27.680
<v Speaker 1>are out there, you must be constantly wondering which one

0:29:27.720 --> 0:29:29.600
<v Speaker 1>you want to do or are there many ideas you

0:29:29.720 --> 0:29:30.479
<v Speaker 1>have for this kind of thing?

0:29:30.520 --> 0:29:33.640
<v Speaker 2>Absolutely, yeah, there are many ideas. Part of it is

0:29:33.680 --> 0:29:37.120
<v Speaker 2>also sort of editorial interest. I was reading Joan Didion

0:29:37.160 --> 0:29:39.680
<v Speaker 2>on El Salvador last night, and she was talking about

0:29:39.760 --> 0:29:41.720
<v Speaker 2>when she went, which I think is nineteen eighty two,

0:29:42.320 --> 0:29:44.480
<v Speaker 2>and she talked about how it was a period in

0:29:44.520 --> 0:29:47.200
<v Speaker 2>which it was like a filin hold, so you know,

0:29:47.280 --> 0:29:49.400
<v Speaker 2>you'd fire your story and then it would be held

0:29:49.440 --> 0:29:51.520
<v Speaker 2>by editors because you know, there wasn't a huge amount

0:29:51.520 --> 0:29:53.640
<v Speaker 2>of interest in El Salvador. I've actually seen that quite

0:29:53.640 --> 0:29:56.240
<v Speaker 2>a lot with Yemen, funnily enough, which is a conflict

0:29:56.400 --> 0:29:59.840
<v Speaker 2>that's been going on since twenty fifteen. You know, that's

0:30:00.080 --> 0:30:02.840
<v Speaker 2>really something that's very, very difficult to get onto people's radar.

0:30:02.960 --> 0:30:06.400
<v Speaker 2>So it's actually also about getting those stories onto editors' radar.

0:30:06.480 --> 0:30:08.360
<v Speaker 2>And there's a story that I want to do about

0:30:08.600 --> 0:30:14.320
<v Speaker 2>these complicated cooperations between US forces in Africa and local

0:30:14.440 --> 0:30:17.400
<v Speaker 2>forces that have led to a lot of civilian casualties

0:30:17.600 --> 0:30:20.640
<v Speaker 2>and don't seem to be being authorized on the highest level.

0:30:20.760 --> 0:30:24.040
<v Speaker 2>But that's firstly a hard story to get rolling and

0:30:24.200 --> 0:30:26.400
<v Speaker 2>to get sourced up. So I'm trying to sort of

0:30:26.720 --> 0:30:28.800
<v Speaker 2>find more sources on that. So if there are any listeners,

0:30:28.920 --> 0:30:29.760
<v Speaker 2>please get in touch.

0:30:30.440 --> 0:30:33.360
<v Speaker 1>So everywhere you go around the world, Africa, South America,

0:30:33.440 --> 0:30:37.200
<v Speaker 1>what have you see this exploitation for resources and for minerals.

0:30:37.680 --> 0:30:40.360
<v Speaker 1>And I'm just wondering if we'll ever see the day

0:30:40.400 --> 0:30:42.240
<v Speaker 1>when this country decides to come out on the right

0:30:42.360 --> 0:30:44.640
<v Speaker 1>side of that and try to prevent some of that,

0:30:44.720 --> 0:30:47.360
<v Speaker 1>Like you know what happened in Ecuador. It's just it's tragic.

0:30:47.480 --> 0:30:48.360
<v Speaker 1>It's tragical. Yeah.

0:30:48.360 --> 0:30:51.040
<v Speaker 2>I mean, I think that there's so much emphasis on

0:30:51.160 --> 0:30:54.280
<v Speaker 2>sort of labor rights here. And I listen to your

0:30:54.320 --> 0:30:58.120
<v Speaker 2>show with Lamina Gonzales and know she was talking about how,

0:30:58.280 --> 0:31:00.920
<v Speaker 2>you know, people getting the way maging California and farms

0:31:00.920 --> 0:31:02.320
<v Speaker 2>and things like that, and I think that there is

0:31:02.480 --> 0:31:04.520
<v Speaker 2>a lot of good movement on that in the States.

0:31:05.040 --> 0:31:09.040
<v Speaker 2>But somehow I feel like we've just sort of exported

0:31:09.160 --> 0:31:10.400
<v Speaker 2>all these issues.

0:31:10.120 --> 0:31:12.280
<v Speaker 3>And it's become thistceter rules for us.

0:31:13.120 --> 0:31:16.320
<v Speaker 2>Yeah, exactly, and that's kind of become the sort of

0:31:17.040 --> 0:31:18.240
<v Speaker 2>wages of globalization.

0:31:20.480 --> 0:31:25.520
<v Speaker 1>Journalist Nicholas Nearkos. If you're enjoying this conversation, be sure

0:31:25.640 --> 0:31:28.920
<v Speaker 1>to subscribe to Here's the Thing on the iHeartRadio app,

0:31:29.080 --> 0:31:33.520
<v Speaker 1>Spotify or wherever you get your podcasts. When we come back,

0:31:34.000 --> 0:31:38.040
<v Speaker 1>Nicholas Nearkos talks about some of the more challenging aspects

0:31:38.120 --> 0:31:56.040
<v Speaker 1>of his reporting in the Congo by'm Alec Baldwin and

0:31:56.160 --> 0:31:59.960
<v Speaker 1>this is Here's the Thing Nicholas Nearkos New Yorker article

0:32:00.120 --> 0:32:05.120
<v Speaker 1>or Buried Dreams expose the way Congolese cobalt miners are exploited.

0:32:05.680 --> 0:32:08.800
<v Speaker 1>In his reporting for the piece, he witnessed many gut

0:32:08.800 --> 0:32:09.720
<v Speaker 1>wrenching scenes.

0:32:10.560 --> 0:32:13.240
<v Speaker 2>Yeah, I think the toughest things that I saw were

0:32:13.280 --> 0:32:15.160
<v Speaker 2>around the kids. You know, you see a lot of

0:32:15.240 --> 0:32:19.200
<v Speaker 2>kids with deformities, firstly because of the radioactive nature of

0:32:19.320 --> 0:32:23.320
<v Speaker 2>the cobalt dust heavy metals poisoning. In fact, actually this

0:32:23.480 --> 0:32:25.200
<v Speaker 2>is something that one of the fact checkers on the

0:32:25.240 --> 0:32:29.160
<v Speaker 2>piece at Katti Nagrinbaden alerted me to that paternal exposure

0:32:29.280 --> 0:32:32.440
<v Speaker 2>to some of these materials is actually associated very heavily

0:32:32.560 --> 0:32:35.720
<v Speaker 2>with birth the effects. So that was very sad talking

0:32:35.800 --> 0:32:39.120
<v Speaker 2>to parents, to wives of people who'd been killed in

0:32:39.520 --> 0:32:44.120
<v Speaker 2>these landslides at mines. And then obviously, you know, going

0:32:44.200 --> 0:32:48.200
<v Speaker 2>to a school for sort of kids who had been

0:32:48.560 --> 0:32:51.040
<v Speaker 2>actually run by good shepherd, so kids who had been

0:32:51.160 --> 0:32:54.040
<v Speaker 2>artismal miners. And then just like chatting with his kid, Zicki,

0:32:54.440 --> 0:32:56.280
<v Speaker 2>who's in the piece as well. I mean he was

0:32:57.120 --> 0:32:59.920
<v Speaker 2>working in mind since he was three basically, and just

0:33:00.200 --> 0:33:02.840
<v Speaker 2>the sort of pain and suffering. And then there was

0:33:02.880 --> 0:33:05.400
<v Speaker 2>this moment where I kind of you know, showed him

0:33:05.440 --> 0:33:07.560
<v Speaker 2>my phone. I said, listen, like the new iPhone is

0:33:07.600 --> 0:33:10.280
<v Speaker 2>going for a two hundred dollars and everybody there knows

0:33:10.320 --> 0:33:12.360
<v Speaker 2>that it's going into batteries. It something like fifty percent

0:33:12.400 --> 0:33:14.880
<v Speaker 2>of the cobalt mine there. It goes into lifting my

0:33:14.920 --> 0:33:17.720
<v Speaker 2>own batteries. And I said to him, listen, like, how

0:33:17.760 --> 0:33:19.080
<v Speaker 2>do you feel about this? And he was just like,

0:33:19.640 --> 0:33:22.440
<v Speaker 2>I feel terrible. And I think he just had this

0:33:22.800 --> 0:33:25.880
<v Speaker 2>sort of moment of realization which I really didn't want

0:33:25.920 --> 0:33:29.000
<v Speaker 2>to prompt, but he sort of thought, you know, how

0:33:29.040 --> 0:33:32.680
<v Speaker 2>can people sort of sanction such violence against people like me.

0:33:33.160 --> 0:33:35.080
<v Speaker 1>When Remnick was on the show, he said, the New

0:33:35.160 --> 0:33:38.040
<v Speaker 1>York Times is the weather. He wakes up in the

0:33:38.120 --> 0:33:39.480
<v Speaker 1>morning and the first thing he does is read The

0:33:39.560 --> 0:33:42.400
<v Speaker 1>Times of his whole entire media died. What's your media died?

0:33:42.440 --> 0:33:43.600
<v Speaker 1>When you're up in the morning, I.

0:33:43.560 --> 0:33:44.640
<v Speaker 3>Would say the Times as well.

0:33:44.880 --> 0:33:47.720
<v Speaker 2>I like listening also to the BBC Today program. It's

0:33:47.880 --> 0:33:50.320
<v Speaker 2>such a good program, and it's just very good to

0:33:50.400 --> 0:33:51.640
<v Speaker 2>keep up with news from.

0:33:51.480 --> 0:33:53.200
<v Speaker 1>The UK as well your TV news.

0:33:53.880 --> 0:33:55.680
<v Speaker 3>No, I don't have a TV. I'm not one of

0:33:55.720 --> 0:33:56.280
<v Speaker 3>those people.

0:33:58.400 --> 0:33:58.520
<v Speaker 1>You know.

0:33:58.600 --> 0:34:00.840
<v Speaker 2>Actually, while I was in Africa, I really you know,

0:34:01.000 --> 0:34:04.600
<v Speaker 2>reporting actually in the Sahara and so on, like most

0:34:04.640 --> 0:34:07.480
<v Speaker 2>of the places you get France Francaire, France twenty four,

0:34:07.640 --> 0:34:10.160
<v Speaker 2>you know, everyway everywhere go, and I kind of when

0:34:10.160 --> 0:34:12.240
<v Speaker 2>I'm in Africa, I watch a lot of France twenty

0:34:12.280 --> 0:34:17.440
<v Speaker 2>four and a REFI, which is Radio France Ante Nacional.

0:34:17.280 --> 0:34:18.520
<v Speaker 3>And that's great as well.

0:34:18.560 --> 0:34:21.360
<v Speaker 2>I mean, they're just that they're really like, I don't know,

0:34:21.800 --> 0:34:24.600
<v Speaker 2>I find that sort of French quality of journalism, maybe

0:34:24.680 --> 0:34:28.719
<v Speaker 2>sometimes influenced by French foreign policy, but actually they go

0:34:28.880 --> 0:34:31.279
<v Speaker 2>very deep into a lot of issues that I'm interested in.

0:34:31.880 --> 0:34:35.360
<v Speaker 2>The other publication that I wanted to mention is Jean Afrique,

0:34:35.400 --> 0:34:39.560
<v Speaker 2>which is a sort of I think it's France based,

0:34:39.560 --> 0:34:42.520
<v Speaker 2>where they cover lots of Africa, especially French speaking Africa,

0:34:43.040 --> 0:34:46.680
<v Speaker 2>in depth, and again often with a kind of French

0:34:46.760 --> 0:34:48.920
<v Speaker 2>twist or French foreign policy twist.

0:34:49.440 --> 0:34:51.200
<v Speaker 1>What's the status of the book at the moment.

0:34:51.239 --> 0:34:53.920
<v Speaker 3>I'm in the middle of writing it, reporting it, traveling.

0:34:54.280 --> 0:34:56.279
<v Speaker 1>You're still working out, yeah, exactly when are you guys

0:34:56.360 --> 0:34:56.879
<v Speaker 1>got to come out?

0:34:57.880 --> 0:34:59.640
<v Speaker 3>I hope to work on it all of next year

0:34:59.680 --> 0:35:00.600
<v Speaker 3>and then for the next.

0:35:00.560 --> 0:35:03.200
<v Speaker 2>Year basically because you're doing other things, because I'm doing

0:35:03.239 --> 0:35:04.760
<v Speaker 2>other things, and I'm also.

0:35:04.640 --> 0:35:06.440
<v Speaker 3>Just doing a lot of reporting on this as well.

0:35:07.239 --> 0:35:09.360
<v Speaker 1>What's a story you wouldn't tell. What's a story that

0:35:09.719 --> 0:35:11.840
<v Speaker 1>people suggested to you and your thought that's not for me.

0:35:12.680 --> 0:35:15.040
<v Speaker 1>Have you ever been asked to do profiles of movie

0:35:15.080 --> 0:35:17.040
<v Speaker 1>stars and things like that to get a paycheck and

0:35:17.360 --> 0:35:19.719
<v Speaker 1>to work, and you that didn't interest you. What don't

0:35:19.760 --> 0:35:20.160
<v Speaker 1>you want to do?

0:35:20.680 --> 0:35:23.080
<v Speaker 2>I think sort of gossip and sort of crying into

0:35:23.080 --> 0:35:26.640
<v Speaker 2>people's personal lives. I'd think probably things that you also

0:35:26.760 --> 0:35:28.640
<v Speaker 2>probably wouldn't like, so you didn't know the.

0:35:28.680 --> 0:35:29.000
<v Speaker 1>Half of it.

0:35:29.239 --> 0:35:29.439
<v Speaker 3>Yeah.

0:35:30.160 --> 0:35:32.080
<v Speaker 1>Now I'm not saying this to be kind. I mean,

0:35:32.080 --> 0:35:35.160
<v Speaker 1>you're this incredibly smart guy and I loved your piece.

0:35:35.200 --> 0:35:36.719
<v Speaker 1>I can't wait for the book to come out. Do

0:35:36.800 --> 0:35:39.680
<v Speaker 1>you have any appetite for documentary film and filmmaking.

0:35:40.120 --> 0:35:43.040
<v Speaker 2>I'd love to do documentary film and filmmaking. Actually, when

0:35:43.080 --> 0:35:46.200
<v Speaker 2>I graduated from Columbia, I went and made a mini

0:35:46.320 --> 0:35:49.960
<v Speaker 2>doc about a Roma gypsy trumpet players in Serbia and

0:35:50.120 --> 0:35:53.760
<v Speaker 2>Subbian nationalists and that was a really, really fun experience.

0:35:53.800 --> 0:35:55.919
<v Speaker 2>But you know, writing has always been my first love.

0:35:56.400 --> 0:35:59.160
<v Speaker 1>I feel like the work you're doing, I mean, these

0:35:59.360 --> 0:36:02.640
<v Speaker 1>stories are the stories people need to hear. Where there

0:36:02.719 --> 0:36:06.800
<v Speaker 1>was injustice like this and where this this exploitation we

0:36:06.920 --> 0:36:08.600
<v Speaker 1>have a set of rules here in this country for

0:36:08.680 --> 0:36:11.040
<v Speaker 1>our own and there's things that we would never allow.

0:36:11.120 --> 0:36:13.759
<v Speaker 1>We'd be screaming from the mountaintops if we had this

0:36:14.120 --> 0:36:17.160
<v Speaker 1>radioactive situation and children being content. We and we have

0:36:17.280 --> 0:36:19.480
<v Speaker 1>things like that in this country now. But when it

0:36:19.600 --> 0:36:22.520
<v Speaker 1>is exposed, when it is brought to light, I'll never forget,

0:36:22.520 --> 0:36:24.560
<v Speaker 1>you know, being a New Yorker. One of the things

0:36:24.600 --> 0:36:26.840
<v Speaker 1>I love to about being a New Yorker is the

0:36:26.960 --> 0:36:30.920
<v Speaker 1>indignation and the outrage are never packed away. People carry

0:36:30.960 --> 0:36:33.680
<v Speaker 1>a little bottle of it with them. And when the

0:36:33.840 --> 0:36:36.640
<v Speaker 1>needles all washed up and all the medical waste washed

0:36:36.680 --> 0:36:38.880
<v Speaker 1>up on the shores of New Jersey years ago, it

0:36:39.000 --> 0:36:41.280
<v Speaker 1>was on the front page of the People went insane.

0:36:41.840 --> 0:36:43.799
<v Speaker 1>They were like the beaches of New Jersey and all

0:36:43.840 --> 0:36:46.120
<v Speaker 1>these families go there and all this contaminate. I mean,

0:36:46.160 --> 0:36:50.880
<v Speaker 1>people went nuts. And of course writing books is important,

0:36:51.200 --> 0:36:53.239
<v Speaker 1>but that medium of film is another layer that you

0:36:53.280 --> 0:36:54.480
<v Speaker 1>should really really consider.

0:36:54.840 --> 0:36:56.840
<v Speaker 2>You know, I've written about art, I've written about I

0:36:56.960 --> 0:36:58.719
<v Speaker 2>was a restaurant review while I was a fact checker

0:36:58.760 --> 0:36:59.279
<v Speaker 2>at the New Yorker.

0:36:59.320 --> 0:37:02.359
<v Speaker 3>So you review restaurants for the NYOKA in the city,

0:37:02.880 --> 0:37:03.600
<v Speaker 3>how old you do that?

0:37:04.160 --> 0:37:04.600
<v Speaker 1>Two years.

0:37:04.640 --> 0:37:06.440
<v Speaker 3>It was great and I did bars as well.

0:37:06.600 --> 0:37:08.759
<v Speaker 2>It was fun because you know at the time, you

0:37:08.800 --> 0:37:10.359
<v Speaker 2>know they would give you a couple of hundred bucks

0:37:10.400 --> 0:37:11.239
<v Speaker 2>to go to restaurants.

0:37:11.320 --> 0:37:14.880
<v Speaker 1>And I did Del Posto with Frank Bruney. Okay, we

0:37:14.960 --> 0:37:17.440
<v Speaker 1>went to one of his sittings and Laureene doubts it,

0:37:17.480 --> 0:37:19.440
<v Speaker 1>would you like to come with Frank and I and

0:37:19.560 --> 0:37:22.480
<v Speaker 1>a fourth person. He's going to review Del Posto, And

0:37:22.520 --> 0:37:25.440
<v Speaker 1>I said, okay, here's the rules. He orders for everybody

0:37:25.480 --> 0:37:26.880
<v Speaker 1>because he has to eat everything on the menu. So

0:37:26.920 --> 0:37:28.439
<v Speaker 1>the four of you have to have what he tells

0:37:28.480 --> 0:37:30.520
<v Speaker 1>you to eat, and they're going to pass the plates

0:37:30.560 --> 0:37:32.320
<v Speaker 1>or whatever you can all sample, but he's going to

0:37:32.400 --> 0:37:34.440
<v Speaker 1>do the ordering because he must eat every item on

0:37:34.480 --> 0:37:36.680
<v Speaker 1>the menu. He goes back four and five times and

0:37:36.719 --> 0:37:38.640
<v Speaker 1>blah blah blah, and and he took me through the

0:37:38.719 --> 0:37:41.520
<v Speaker 1>whole reality of Frank's life. So what was it like?

0:37:41.680 --> 0:37:43.520
<v Speaker 1>Were you going four and five times to a restaurant or.

0:37:43.560 --> 0:37:45.440
<v Speaker 3>No, no, no, you go two times to the restaurant.

0:37:46.080 --> 0:37:48.000
<v Speaker 1>Did they eventually catch on who you were? No?

0:37:48.239 --> 0:37:51.680
<v Speaker 2>Not really, But one of the best experience experiences doing that.

0:37:51.840 --> 0:37:54.239
<v Speaker 2>I went to a Somali restaurant in Harlem, and then

0:37:54.280 --> 0:37:56.920
<v Speaker 2>I came back after the review. I live up in Harlem,

0:37:57.000 --> 0:37:59.600
<v Speaker 2>so he kind of was trying to wrap Harlem restaurants

0:38:00.080 --> 0:38:01.680
<v Speaker 2>and I came back after the review and there were

0:38:01.719 --> 0:38:02.600
<v Speaker 2>like lines around the block.

0:38:02.640 --> 0:38:03.160
<v Speaker 1>It was great.

0:38:03.480 --> 0:38:05.960
<v Speaker 2>It's really fun and it's wonderful place. I stand by

0:38:06.000 --> 0:38:07.920
<v Speaker 2>my review, So that was a nice moment.

0:38:08.800 --> 0:38:14.120
<v Speaker 1>Do you identify as Greek, Irish, British, American, a journalist

0:38:15.080 --> 0:38:15.960
<v Speaker 1>or all of the above?

0:38:16.600 --> 0:38:17.520
<v Speaker 3>Well, all of the above.

0:38:17.600 --> 0:38:19.920
<v Speaker 2>But I think that my Greek roots are very very

0:38:19.920 --> 0:38:23.279
<v Speaker 2>important to me, and I feel very strongly that, you know,

0:38:23.600 --> 0:38:26.480
<v Speaker 2>Greece is a troubled place but also somewhere where one

0:38:26.520 --> 0:38:28.759
<v Speaker 2>can do it a lot of good. I like the

0:38:29.200 --> 0:38:32.320
<v Speaker 2>spirit of Greeks and Greeks abroad and this kind of

0:38:32.480 --> 0:38:37.160
<v Speaker 2>journeying spirit. There's a poem by cossadinoska Vafis called Ithaca,

0:38:37.280 --> 0:38:39.800
<v Speaker 2>which is probably the most famous modern Greek poem, and

0:38:39.920 --> 0:38:42.480
<v Speaker 2>he talks about like hope as you set out for Ithaca,

0:38:42.800 --> 0:38:45.160
<v Speaker 2>so you're sort of setting out for coming back home

0:38:45.400 --> 0:38:48.920
<v Speaker 2>as Odysseus. You hope that your journey is a long one,

0:38:49.239 --> 0:38:51.480
<v Speaker 2>so you hope that you have this kind of like journey,

0:38:51.480 --> 0:38:55.279
<v Speaker 2>which is full of adventures and cyclops and Lystragonians and

0:38:55.360 --> 0:38:57.759
<v Speaker 2>so on. So I like that sort of aspect, and

0:38:57.800 --> 0:38:59.920
<v Speaker 2>I think I probably sort of see myself in that

0:39:00.120 --> 0:39:00.719
<v Speaker 2>mold as well.

0:39:00.760 --> 0:39:08.719
<v Speaker 1>I suppose journalist Nicholas Narkos. This episode was produced by

0:39:08.840 --> 0:39:13.839
<v Speaker 1>Kathleen Russo, Carrie Donahue, Maureen Hoben, and Zach MacNeice. Our

0:39:13.960 --> 0:39:18.400
<v Speaker 1>engineer is Frank Imperial. I'm Alec Baldwin. Here's the thing

0:39:18.520 --> 0:39:20.920
<v Speaker 1>is brought to you by iHeart Radio