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Speaker 1: All right, Scott are you ready?

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Speaker 2: I am so ready to laugh and laugh and laugh.

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Speaker 1: Did Dakota Johnson lock customers inside of a blue bottle?

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Speaker 2: I mean I have to The answer has got to

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Speaker 2: be yes, because I don't know if they write an article.

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Speaker 2: If she didn't try to do that, I still think

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Speaker 2: there's an article. But she did lock people inside of

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Speaker 2: a coffee shop. Well, let's see what's brewing on a

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Speaker 2: fancy new episode of Bananas.

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Speaker 3: Would you.

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Speaker 1: Not for your livesillion pieces?

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Speaker 2: Would you?

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Speaker 3: Bana?

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Speaker 1: BANAA guys, gals, non binary pals, Welcome to Bananas. I'm

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Speaker 1: Kerk Brown older.

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Speaker 2: I am Banana boy number two Scotty Landis. Thank you

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Speaker 2: for listening to the silliest little podcast there ever was,

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Speaker 2: especially to our Canadian listeners and our Mexican listeners, and yes,

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Speaker 2: our Panamanian listeners and our Colombian listeners.

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Speaker 1: Just we love you, We love you, and you know,

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Speaker 1: we don't talk about politics, but we do talk about healthcare.

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Speaker 1: And I just wanted to let everybody know this has

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Speaker 1: nothing to do with anything, but New York State just

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Speaker 1: passed a law that protects doctors from providing abortion supplies

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Speaker 1: for people in abortion restricting streets restricted states, and I

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Speaker 1: just want to let you know, for no reason, so

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Speaker 1: that if you're in an abortion restricted state, you can

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Speaker 1: contact a doctor in New York and they can mail

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Speaker 1: you abortion pills. That is a thing that they are

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Speaker 1: protected from doing. I just wanted to let you know.

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Speaker 1: You don't talk politics. I'm just letting you know.

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Speaker 2: You're just putting it out there because it's in the

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Speaker 2: news exactly.

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Speaker 1: It's in the news, and this is an educational podcast, Scotty,

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Speaker 1: and it's about the news. First March twenty ninth, we're

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Speaker 1: in Phoenix. Come on out and see us, Scottie and me.

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Speaker 1: All right, we're gonna be having fun. May seventh, eighth,

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Speaker 1: and ninth. I'm in Asbury Park, New Jersey. Then I'm

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Speaker 1: in Chicago at the Den. Then I'm in Cincinnati at

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Speaker 1: I haven't said it right yet. I have not said

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Speaker 1: it right yet. You're definitely in Cincinnati, Ohio Commonwealth Sanctuary,

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Speaker 1: which is a very fun venue. Now, now let's get

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Speaker 1: to our our guests today. I'm so excited. Our guest

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Speaker 1: today is a comedian, actress writer. You can see her

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Speaker 1: on Netflix Exploding Kittens, ABC's Home Economics and Marvel's Agatha

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Speaker 1: All Along.

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Speaker 2: She's in the.

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Speaker 1: Marvel Universe, Folks, That's massive. She was a cast member

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Speaker 1: on Saturday Night Live for four seasons. She's in the

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Speaker 1: Lauren Michaels Universe, folks, and and her stand up specials

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Speaker 1: Pizza Mind and The First Woman are available everywhere you

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Speaker 1: watch comedy, as well as her podcast Best Friends, Please Welcome,

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Speaker 1: Sushier Amada.

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Speaker 2: Hello, Hello, welcome. We're so glad to have you come.

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Speaker 2: And you've been on before, but welcome back. I think

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Speaker 2: a lot has changed. I think every year since twenty twenty,

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Speaker 2: things changed, like they.

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Speaker 4: Heat changing crazy exponentially.

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Speaker 2: Yes, so we're glad to have you back. How are

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Speaker 2: I'm good?

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Speaker 1: I'm good. Yeah.

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Speaker 3: I just got back to la yesterday. I fled like

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Speaker 3: a lot of people did.

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Speaker 1: Yeah.

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Speaker 4: Fires.

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Speaker 1: We spent the first three days together and we did Carlsbad, California.

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Speaker 3: Very funny hotel, and it was it was genuinely nice

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Speaker 3: and it was funny because like our friend Julia just

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Speaker 3: like texted me it was like a bunch of us

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Speaker 3: are going here.

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Speaker 4: I was like great, and it was like you know,

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Speaker 4: parents with their.

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Speaker 3: Kids and there and dogs and I was like solo

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Speaker 3: just like like like everyone's teen daughter just like yeah,

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Speaker 3: and me too.

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Speaker 2: I also don't want to burn alive. And that's fine.

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Speaker 1: We would have barbecues. We were just we have barbecues

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Speaker 1: every night.

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Speaker 4: They sweet, It.

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Speaker 1: Was genuinely sweet. But we were talking about the fact that, yeah,

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Speaker 1: it was like felt weird because a tragedy was happening. Yeah,

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Speaker 1: but we're all like a bunch of comedians in a

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Speaker 1: hotel together, and it also felt a little bit like

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Speaker 1: a comedy festival.

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Speaker 3: Yeah, it is like, Yeah, those are moments where it's like,

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Speaker 3: I really really love being part of the comedy community

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Speaker 3: because you get just band together and like remind yourself

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Speaker 3: you're not alone.

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Speaker 4: And then also everyone has great jokes.

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Speaker 3: Yeah, we are the best people to be around in

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Speaker 3: a moment of confusion and stress and sorrow and all

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Speaker 3: of those things.

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Speaker 4: So yeah, and I.

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Speaker 1: Have also noticed, with few exceptions that are very clear,

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Speaker 1: I think comedians are there's not a chance of it

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Speaker 1: being like awkward with them, do you know what I

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Speaker 1: mean of like things just being weird. Usually it's always

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Speaker 1: incredibly friendly. You can say whatever you want and they're

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Speaker 1: very forgiving. It's not like you can ever fuck up

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Speaker 1: there are certain comedians who like, if you say the

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Speaker 1: wrong thing, they'll just walk away from you. Yeah, I

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Speaker 1: can name names three things. You know.

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Speaker 2: It's ten percent are only awkward every time I talk

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Speaker 2: through them.

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Speaker 3: That's also a whole section of comedians are justly awkward.

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Speaker 2: Yeah, as a non comedian, let me tell you, they're

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Speaker 2: not ten percent. When they find out you're not a comic,

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Speaker 2: they just stare at you like, I don't know what

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Speaker 2: to say to this man. They're all white dudes. I

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Speaker 2: will say that they're all white dudes, and they're just like, Hi,

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Speaker 2: how are you?

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Speaker 4: Yeah, I forget how to be human?

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Speaker 2: Uh So, sir, I was listening to your podcast. You

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Speaker 2: and Colebyer have such a fun podcast, and I was

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Speaker 2: listening to the Gym. I've been going to the gym

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Speaker 2: a lot lately, and I was listening like three episodes

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Speaker 2: in a row, and I was doing squats on a

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Speaker 2: machine that's called a v squat machine, so your your

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Speaker 2: body's sort of like your legs are in front of

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Speaker 2: you a little bit, okay, not just right below you

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Speaker 2: and you too were talking about, of course, like any

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Speaker 2: good podcasts, all the restaurant and catering experiences, you've had,

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Speaker 2: including all the times you've gotten sick and then times

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Speaker 2: where you found things in your food. And while I

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Speaker 2: was squatting you, you said something about finding like metal.

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Speaker 2: The guy mentioned putting metal in food one time a

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Speaker 2: server said that to you, and I was down in

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Speaker 2: a squat and started laughing and then really couldn't stand up.

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Speaker 2: So I almost like ripped my butt in half, literally

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Speaker 2: ripped my button half listening to you to just be friends.

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Speaker 2: And so I'm a new fan. You've yeah, you've acquired

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Speaker 2: a new ripped in half butthole fan.

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Speaker 4: Yeah, that's fine, We're butt ripping good.

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Speaker 2: I like that compliment. It was awesome. Thank you. Also,

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Speaker 2: I have a question that you are uniquely qualified to answer.

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Speaker 2: Do you still have stress dreams about SNL? I do,

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Speaker 2: like high school type of can't find locker room type

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Speaker 2: of stress dreams, And you know it's because of SNL.

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Speaker 3: Literally, yeah, it'll be dreams like SNL is a school

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Speaker 3: like SL Like there's there's lockers in eight h and

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Speaker 3: I can't find the stage or something, or like I'm

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Speaker 3: too late because my sketch is happening and I'm not

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Speaker 3: on on camera yet, or like yeah, yeah, they still pop.

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Speaker 4: Up every so often.

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Speaker 3: And I've been off the show for like since twenty seventeen,

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Speaker 3: almost ten years, but I still, oh my god, really.

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Speaker 1: Still like part of it.

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Speaker 2: It just sounds like such a pressure cooker of a

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Speaker 2: creative environment that we've had writers and we're friends with

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Speaker 2: lots of writers who have been on, but for performers, Yeah,

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Speaker 2: I was just wondering it must personally, And yeah, I

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Speaker 2: still have those college ones where you forgot to go

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Speaker 2: to class for the whole semester or whatever, but I imagined,

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Speaker 2: so yeah, it's true you still have SNL can't find

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Speaker 2: studio eight h or whatever.

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Speaker 4: A truly really I think.

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Speaker 3: Also it's like that job's like nothing else in great

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Speaker 3: ways and also in very interesting ways. But yeah, I've

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Speaker 3: had haven't had a job like that since. And but

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Speaker 3: also because I was at that job, anything that comes

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Speaker 3: my way, I feel like I can handle it, Like

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Speaker 3: for sure, anything that like any last minute changes or

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Speaker 3: like huge switches or just energy, like I just feel

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Speaker 3: like I it rolls off my back because I was in.

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Speaker 4: Such a pressure cooker very early in my career.

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Speaker 3: So yeah, but I do feel like because it was

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Speaker 3: like the biggest thing I did earlier on. It's just

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Speaker 3: like truly I implanted in my brain and comes up

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Speaker 3: in subconscious very so often.

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Speaker 1: Do you ever go back? Have you ever been back

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Speaker 1: since twenty seventeen?

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Speaker 4: I haven't.

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Speaker 3: I am going back for the fiftieth anniversary. Cool next month,

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Speaker 3: which is really excited.

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Speaker 4: Or this month? Oh my god, what day is it?

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Speaker 2: This has been no idea?

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Speaker 1: Yeah this is February.

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Speaker 3: Yeah, so like it weeks from now. Wow, but yeah,

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Speaker 3: I'm going back. That'll yeah, that'll be first time I'm

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Speaker 3: seeing a show happen.

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Speaker 4: Which is cool. I'm excited.

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Speaker 3: I think I have been away from the show long

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Speaker 3: enough that like a lot of anxiety feelings I would

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Speaker 3: have felt earlier, I don't really apply right now. So

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Speaker 3: I'm mostly excited, like, see people haven't seen it in

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Speaker 3: a while and yeah, party.

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Speaker 2: Yeah that's gonna be awesome. Good for you. That's so

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Speaker 2: thank you for answering that question. It's I it just

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Speaker 2: occurred to me that you were the perfect person asked

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Speaker 2: you know you want to hear Chris.

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Speaker 3: Sure.

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Speaker 1: Yeah, but but right before I was talking with Kristin

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Speaker 1: Shall the other day and we were then she said

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Speaker 1: the funniest thing about about side of life. She's like, ugh,

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Speaker 1: they give themselves a party after every show.

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Speaker 4: It's pretty congratulatory.

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Speaker 5: Yeah, it's such a funny thing because it is it's

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Speaker 5: like like we've we've run a comedy show for twenty

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Speaker 5: years or whatever, but like it wasn't a party every night,

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Speaker 5: but it was such a funny thing to say about

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Speaker 5: the show. It's like, that's the one thing that no

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Speaker 5: one has ever complained about Saturday is that they have

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Speaker 5: a nice after party for the guests who only do

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Speaker 5: it once.

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Speaker 4: Yeah, can you believe every single week.

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Speaker 1: Let's be exhausting partying that much?

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Speaker 3: Oh yeah yeah, because he also like worked so many

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Speaker 3: hours all week and then you're like, yeah, now I'm

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Speaker 3: up till.

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Speaker 1: And then it's like, now you have to stay out

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Speaker 1: till four am? Did Dakota Johnson locked customers inside a

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Speaker 1: blue bottle coffee? This is from Vulture.

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Speaker 2: This is ah.

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Speaker 1: This is from two years ago by Rebecca Alter. Thanks

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Speaker 1: for Rebecca, Becca altered the.

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Speaker 2: Best of this? Who sent it?

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Speaker 1: I got this off of I got this off of Reddit.

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Speaker 1: Buddy still my own research.

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Speaker 2: Dave Reddit, Yeah, Dave Reddit.

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Speaker 1: Bobby read it. Dakota Johnson, actress, celebrity daughter, famous bangs

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Speaker 1: have r citru fiber trusaheran hostage taker question mark. That

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Speaker 1: is why Rebecca's the best in the biz. Rebecca Walter

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Speaker 1: Johnson has been in the news lately for her recent

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Speaker 1: roles in critically lauded projects blah blah blah blah. On Sunday,

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Speaker 1: a Twitter user with the handle at biz socks Say

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Speaker 1: you Know It's Real tweeted the Lime video with a

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Speaker 1: Dakota anecdote. He claimed to affirm the pure chaos she

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Speaker 1: radiates true story. Dakota Johnson once locked me and my

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Speaker 1: mom inside a Blue Bottle coffee shop because the briester

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Speaker 1: told her she couldn't make the coffee herself. Okay, okay.

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Speaker 1: This sounds to be the sort of far fetched story

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Speaker 1: that stan Twitter sometimes likes to make up, but biz

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Speaker 1: Socks didn't single that he was joking, and it only

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Speaker 1: got stranger when he followed up with what appears to

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Speaker 1: be evidence of Dakota Johnson. Johnson handling the door to

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Speaker 1: a Blue Bottle coffee location, writing that she quote closed

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Speaker 1: the door on all of us who are still inside,

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Speaker 1: pulled a rope out of her bag, tied the doors shut,

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Speaker 1: walked away. We had to have a passer by untie

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Speaker 1: the rope so we could get out. And then there's

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Speaker 1: a photograph of Dakota Johnson with the doors at it.

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Speaker 2: Oh, I bet she did it.

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Speaker 1: Based on this photo alone, there's still an opportunity for

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Speaker 1: Johnson to say that's not true. Allen, Okay, the pick

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Speaker 1: doesn't show her actually shutting the door or tying the road.

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Speaker 1: Thar aren't any viral videos of the incident floating around,

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Speaker 1: but last October, a staff member who worked at the

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Speaker 1: same Blue Bottle tweeted their own claim about Johnson. This

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Speaker 1: is unrelated quote. One time she came into my coffee

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Speaker 1: shop at Milk Studios at like eleven am, walked behind

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Speaker 1: the counter and started pretending that she was making drinks

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Speaker 1: while her people tied the front doors shut from the

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Speaker 1: outside and started filming her customers were trapped inside. The

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Speaker 1: details of the legend incident very slightly, but overall it's

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Speaker 1: an eerily similar anecdote. And the location in Bizsock's picture

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Speaker 1: is Milk Studios. This is like, let's just ask the

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Speaker 1: person at this point in the at the article, it's like,

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Speaker 1: just do the reporter thing where you actually ask the

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Speaker 1: people involved as opposed to Yeah, So she reached out

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Speaker 1: to Bis Socks, who turned out to be a New

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Speaker 1: York named l j And He's been trying to make.

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Speaker 2: Sense of this, yeemes.

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Speaker 1: Before we spoke on the phone, he suggested that Johnson's

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Speaker 1: take no prisoner's approach to the Latte Arts might have

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Speaker 1: had something to do with a video the actress made

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Speaker 1: for her SI January twenty seventeen Vogue cover story. Ok

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Speaker 1: And it was filmed at Milk Studios and at the

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Speaker 1: one oh seven Mark. Johnson wears the same floral Gucci

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Speaker 1: dress the scene in the Blue Bottle photo. Blah blah

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Speaker 1: blah blah blah. Okay, here is. I was waiting in

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Speaker 1: line behind who turned out to be Dacota Johnson, and

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Speaker 1: I was like, this woman looks so familiar. Couldn't place it.

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Speaker 1: I was like, it might be Emily Blunt, but then

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Speaker 1: when I saw her face, I don't know because she.

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Speaker 4: I didn't know who the hell this was. Could have been.

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Speaker 3: Could have been Anna Kendrick, could have been I could

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Speaker 3: have been l Fanning.

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Speaker 4: I didn't even know. I couldn't couldn't place her.

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Speaker 1: Is this is this generic white actress?

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Speaker 2: I think it is.

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Speaker 1: I went over to my mom and was like, hey,

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Speaker 1: don't make a big deal, but that's Dakota Johnson from

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Speaker 1: Fifty Shades of Gray. That's the reference point for Dakota

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Speaker 1: Johnson's I don't.

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Speaker 2: Think so, that's by far her biggest franchise.

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Speaker 3: Yeah really, oh yeah, I think how Yeah she made

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Speaker 3: a splash.

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Speaker 1: Am I thinking of the same Dakota. She was a

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Speaker 1: child actor, Dakota love Oh. I mean that would have

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Speaker 1: been Fanning.

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Speaker 3: Very wild if Dakota Fanning was locking people right, and

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Speaker 3: I would have been like what.

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Speaker 4: But Dakota Johnson, I kind of like, I can see it.

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Speaker 1: Yeah, I can see That's now you can understand why

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Speaker 1: I brought the story to the podcast. I don't know names. Also,

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Speaker 1: I was shocked to fight out Dakota Fanning.

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Speaker 5: Lovable Dakota Fanning, child actor was in Fifty Shades of Gray.

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Speaker 2: Very upset. Yeah, you know, they got.

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Speaker 1: Quick, okay, but then she pulled like a rope out

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Speaker 1: of her purse and literally just tied the door shut.

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Speaker 1: One of the baristas ran over and was like, no, no,

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Speaker 1: you can't do that. Stop and she just walked away.

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Speaker 1: We were all inside looking completely dumbfounded as people were

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Speaker 1: walking by. We were knocking on the door, and this

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Speaker 1: couple stopped and figured out what we were doing and

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Speaker 1: untied the rope. Yeah good, that's crazy.

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Speaker 2: Wow, Wildfire Country.

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Speaker 1: You know, I'll let you know that. This goes on

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Speaker 1: for about eight more paragraphs and I'm not gonna read anymore.

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Speaker 2: But there's no definitive. So the answer is she did

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Speaker 2: do this is what that?

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Speaker 1: Yes, she did.

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Speaker 2: In the next eight paragraphs, it's saying she did do

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Speaker 2: it wild.

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Speaker 1: Yeah, it looks like based on these two people. Yeah.

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Speaker 3: The first thing that popped in my mind is is

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Speaker 3: she doing a prank show like a hidden camera like

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Speaker 3: it's a it's punked, But she she's the only one

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Speaker 3: like altercating, like she's the she's the instigator in every prank.

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Speaker 3: Maybe it's just like, yeah, Dakota Dakota's rules or something.

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Speaker 2: I could see. I mean, she would be the last

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Speaker 2: person I would assume to do a prank show, which

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Speaker 2: might make her the best person to do a prank show.

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Speaker 1: Yeah.

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Speaker 4: Also, I can one of the accounts had said that

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Speaker 4: her people use the rope on the Yeah two, is

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Speaker 4: that what it said?

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Speaker 1: Right?

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Speaker 2: Who's walking around with ropes? These tastes are celebrities walking

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Speaker 2: around with ropes in their backs.

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Speaker 1: None of it's also very very fifty shades of gray

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Speaker 1: to walk around.

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Speaker 3: Yeah, she has it for photos in case any fans

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Speaker 3: come up and they're like, do the thing, and she

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Speaker 3: pulls out the rope.

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Speaker 4: She's like, okay, guys.

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Speaker 1: I you know, I just already forgot that this wasn't

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Speaker 1: Dakota Fanning, And I wanted to make the joke that

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Speaker 1: if the prank show is called Fanning the Flames, everyone

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Speaker 1: would love it. But then I had to look at

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Speaker 1: it and see that her name is d Cooda Johnson,

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Speaker 1: and that joke doesn't work. So I still wanted to

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Speaker 1: say it, so I did.

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Speaker 3: Josh and Johnson, Well that's good, just Johnson, Yeah.

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Speaker 2: Yeah, that's cool. I mean, okay, so she was born

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Speaker 2: into Hollywood royalty, and she's always acted a little differently,

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Speaker 2: and she likes to make her own blue bottle coffee.

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Speaker 2: I think the one part that's confusing to me is

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Speaker 2: if I was a barista working there and the Coda Johnson. Really, honestly,

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Speaker 2: any celebrity came around and started making coffee, I'd be

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Speaker 2: okay with it. I would say this is a great

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Speaker 2: moment the one. The fact that there's not lots of

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Speaker 2: video of it is the most suss part for me,

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Speaker 2: because you think everybody in that place would film it

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Speaker 2: the whole time and post it exactly.

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Speaker 4: That's true.

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Speaker 1: Yeah, speaking of prank shows, so she did did you

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Speaker 1: ever do a prank show?

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Speaker 3: I auditioned for a prank show some random MTV thing

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Speaker 3: that maybe didn't even happen.

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Speaker 4: I can't remember.

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Speaker 3: It was like years and years ago, and the audition

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Speaker 3: was pranking someone, which like right, like now, I'm like,

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Speaker 3: is that right?

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Speaker 2: Yeah?

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Speaker 3: I had like had an inner ear piece. They sent

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Speaker 3: me into the world. No release forms were signed, and

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Speaker 3: because it was an audition, right, it was an audition, yes,

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Speaker 3: and I had to they I think the story was

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Speaker 3: like I had to go up to a stranger and

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Speaker 3: be like, oh my god, Eric, we met and like

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Speaker 3: make up this whole backstory of like, oh we met

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Speaker 3: at a party.

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Speaker 4: We had such a great.

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Speaker 3: Connection, and the guy's like, oh sorry, I don't remember you,

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Speaker 3: and I'm like, oh, oh okay, no, It's just that

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Speaker 3: meant a lot to me and like may make the

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Speaker 3: try to really like pull heart strings, and it ended

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Speaker 3: up being like nice, like he was like yeah, he

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Speaker 3: like he felt bad. He was like, oh, I'm sorry,

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Speaker 3: I don't remember you, but you seemed great blah blah blah.

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Speaker 3: And then he walked away and like I was like, great,

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Speaker 3: successful prank. And then the producers like, now go back

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Speaker 3: to that guy and start the exact same conversation. And

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Speaker 3: I was like what so I had to go back

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Speaker 3: and be like, oh my god, Eric, and he was

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Speaker 3: like and then like the fear in his face was

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Speaker 3: like yeah, oh no, oh she's off.

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Speaker 4: Something's off here, Like I'm talking to a crazy person.

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Speaker 3: And I felt so bad because I was like he

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Speaker 3: could have gone about his day being like what a

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Speaker 3: crazy interaction.

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Speaker 4: Now he's like, oh, this.

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Speaker 3: Is wild, and I didn't even get the job. And

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Speaker 3: I was like I ruined some man's day and I

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Speaker 3: didn't even get the job.

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Speaker 2: Well that's New York City. I mean you could have

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Speaker 2: the same person walking up to you repeatedly starting the

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Speaker 2: same sentence over and over and over and just okay,

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Speaker 2: here we go.

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Speaker 1: That is the thing that you don't realize, Like the

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Speaker 1: people watching prankiss don't realize that this is that the

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Speaker 1: person has an earpiece and there's just a producer being

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Speaker 1: like push it, yeah, push it farther, do it more,

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Speaker 1: be worse. I did one. I did one. It was

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Speaker 1: again I guess it was just a pilot. It never

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Speaker 1: made it to air, thank fucking god. Only had to

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Speaker 1: do this once.

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Speaker 3: Yeah.

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Speaker 1: It was based on a British prank show. And this

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Speaker 1: was again I was twenty two, I think. And it

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Speaker 1: was a character that they did in England or in

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Speaker 1: the UK for a while called Mister Stinks. And he

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Speaker 1: just smelled bad, that was the deal. And he would

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Speaker 1: just go on dates with people and he just smelled bad.

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Speaker 2: That was all.

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Speaker 1: So they got this suit for me and they like

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Speaker 1: soaked it in coyote piss and skunk stuff. They like

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Speaker 1: ordered all this stuff off the internet. And it smelt

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Speaker 1: so bad that when I would put it on, like

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Speaker 1: I would almost be gagging.

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Speaker 2: Yeah.

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Speaker 1: And then there and it was women who would set

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Speaker 1: up their friends. So they would say, I have a

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Speaker 1: blind date for you. I think you're really gonna like

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Speaker 1: this guy. So it's all these women who would set

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Speaker 1: up their friend. And then it was just how long

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Speaker 1: I could keep them at the date, Like, and I

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Speaker 1: smelt so bad and it was just upsetting. It was

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Speaker 1: just essentially upsetting. It was either people being like, you

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Speaker 1: smell bad, I'm not good doing this, and it was

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Speaker 1: like why do we make them do that? Or it

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Speaker 1: would be people who are just being really polite and

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Speaker 1: like sticking it out through the date. Oh, and it

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Speaker 1: was and the only thing I could do was like

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Speaker 1: get closer to the person. That was the only way

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Speaker 1: to like escalate the thing. Like yeah, and then and

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Speaker 1: my dressing room was the back of a mini van,

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Speaker 1: so I'd like change and it was it was February.

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Speaker 1: It was like negative twenty degrees out.

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Speaker 3: Which is also like I guess it's bad for the dates,

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Speaker 3: but it's worse for you, Like, yeah, you are the

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Speaker 3: one wearing that.

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Speaker 4: Your nose is closest to all of.

445
00:21:35,359 --> 00:21:39,480
Speaker 1: The clothing, and it's like an eight hour day or

446
00:21:39,600 --> 00:21:41,359
Speaker 1: like having it on for eight hours straight.

447
00:21:41,440 --> 00:21:48,200
Speaker 2: It was so oh, mister stinks, look it up. Wow.

448
00:21:48,320 --> 00:21:52,359
Speaker 2: That sounds terrible. But I do miss when Cable made

449
00:21:53,040 --> 00:21:55,399
Speaker 2: shows like now we're at the point where it's in

450
00:21:55,520 --> 00:21:59,600
Speaker 2: practical jokers or nothing else. It's it good for those guys,

451
00:21:59,640 --> 00:22:03,520
Speaker 2: for Bill an empire that is unfathomably popular and huge,

452
00:22:03,680 --> 00:22:07,440
Speaker 2: And Sal's always been a cool dude, but like, there

453
00:22:07,480 --> 00:22:10,280
Speaker 2: was a time where all of us made a little

454
00:22:10,280 --> 00:22:12,320
Speaker 2: bit of money here and there just doing pilots for

455
00:22:12,440 --> 00:22:15,800
Speaker 2: MTV or VH one or IFC or Comedy Central or

456
00:22:16,040 --> 00:22:18,800
Speaker 2: I mean it was a w true TV. It was

457
00:22:18,880 --> 00:22:21,600
Speaker 2: like you could relyled making I don't know, five grand

458
00:22:21,680 --> 00:22:23,920
Speaker 2: or whatever in a year just doing some dumb cable

459
00:22:23,960 --> 00:22:26,720
Speaker 2: shows or a little writer's room. And how that is

460
00:22:27,160 --> 00:22:28,040
Speaker 2: just gone.

461
00:22:28,400 --> 00:22:29,280
Speaker 1: It's gone.

462
00:22:29,880 --> 00:22:31,800
Speaker 4: Yeah, a lot of those networks are gone. All those

463
00:22:31,800 --> 00:22:32,720
Speaker 4: shows are gone.

464
00:22:33,119 --> 00:22:33,320
Speaker 1: Yeah.

465
00:22:33,320 --> 00:22:35,200
Speaker 4: I can't just bop in somewhere like.

466
00:22:35,200 --> 00:22:37,240
Speaker 3: For a week and be like all right, that's I

467
00:22:37,280 --> 00:22:39,960
Speaker 3: got some money, you know, like just like little guest

468
00:22:39,960 --> 00:22:40,720
Speaker 3: spots here and there.

469
00:22:40,760 --> 00:22:41,679
Speaker 4: It doesn't really happen.

470
00:22:42,160 --> 00:22:45,320
Speaker 2: You did inside Amy Schumer at one point, right, yeah, right,

471
00:22:45,520 --> 00:22:48,760
Speaker 2: great example, there was a time where kamed Central had

472
00:22:49,080 --> 00:22:52,000
Speaker 2: I think all at once they had Colbert and Daily Show,

473
00:22:52,080 --> 00:22:56,040
Speaker 2: they had Tash and South Park, and then they had Workaholics,

474
00:22:56,080 --> 00:23:00,560
Speaker 2: Broad City, Kroll, Schumer, Key and Peel they had, I

475
00:23:00,560 --> 00:23:01,160
Speaker 2: mean just.

476
00:23:01,160 --> 00:23:02,399
Speaker 1: That same time.

477
00:23:02,520 --> 00:23:07,040
Speaker 2: Talent alone is unthinkable, how many great comedic pieces they

478
00:23:07,080 --> 00:23:09,399
Speaker 2: had and now it's just gone. Now it's just the

479
00:23:09,480 --> 00:23:11,040
Speaker 2: office reruns.

480
00:23:10,920 --> 00:23:12,680
Speaker 1: And so crazy.

481
00:23:12,680 --> 00:23:17,080
Speaker 2: It's all of that talent and they lost all of it. Yeah,

482
00:23:17,119 --> 00:23:20,040
Speaker 2: and GOM Central presents like and they had the half

483
00:23:20,080 --> 00:23:24,360
Speaker 2: hours and the hours. It's wild how that how ten

484
00:23:24,440 --> 00:23:27,760
Speaker 2: years ago we all could rely on selling stuff for

485
00:23:27,840 --> 00:23:29,880
Speaker 2: being in our friends things on that network and now

486
00:23:30,000 --> 00:23:36,040
Speaker 2: it is office reruns. Wild. Yeah, we got to take

487
00:23:36,080 --> 00:23:38,080
Speaker 2: it back. Now it's just all podcasting now, that's what

488
00:23:38,119 --> 00:23:39,680
Speaker 2: it is. Everybody's podcast really is.

489
00:23:39,720 --> 00:23:42,800
Speaker 3: Everyone has a podcast, and they're all also TV shows.

490
00:23:42,840 --> 00:23:46,000
Speaker 3: They're also all videos too. They're not actually no listen

491
00:23:46,000 --> 00:23:48,240
Speaker 3: to the podcast, they watch it on their phone.

492
00:23:48,520 --> 00:23:54,280
Speaker 2: Yeah, that's really true. If I had bet on YouTube correctly. Boy,

493
00:23:54,440 --> 00:23:58,560
Speaker 2: YouTube just is still a juggernaut, like everything else falls away,

494
00:23:58,720 --> 00:24:07,000
Speaker 2: and YouTube is just getting bigger and bigger. Yeah, wild times. Uh,

495
00:24:07,040 --> 00:24:10,040
Speaker 2: speaking of getting bigger and bigger, Whiskey Bacon sent this

496
00:24:10,080 --> 00:24:12,480
Speaker 2: one in. This was in People magazine, so you know

497
00:24:12,560 --> 00:24:17,000
Speaker 2: it's medium. It's by Carol Lynn Schultz, who's the best

498
00:24:17,000 --> 00:24:22,080
Speaker 2: in the medium. Biz Man twenty two years of age

499
00:24:22,359 --> 00:24:25,360
Speaker 2: is allergic to his own orgasms and his symptoms can

500
00:24:25,480 --> 00:24:26,479
Speaker 2: last for days.

501
00:24:26,760 --> 00:24:27,719
Speaker 1: No, he is not.

502
00:24:28,720 --> 00:24:30,560
Speaker 2: This is a People magazine, Kert.

503
00:24:30,960 --> 00:24:34,880
Speaker 1: I mean people vets. People vets people, So all right,

504
00:24:34,920 --> 00:24:36,600
Speaker 1: I'm excited. Tell me about it.

505
00:24:36,640 --> 00:24:40,520
Speaker 2: A man who has experienced extreme physical and mental distress

506
00:24:40,520 --> 00:24:44,960
Speaker 2: following an org. Kert, this is an affliction.

507
00:24:45,920 --> 00:24:46,720
Speaker 1: That's an affliction.

508
00:24:46,840 --> 00:24:48,600
Speaker 2: I'm sorry, Kert, this is an affliction.

509
00:24:49,720 --> 00:24:54,320
Speaker 1: We can't This is like that time we heard that

510
00:24:54,440 --> 00:24:59,679
Speaker 1: story about the oh the woman about the dropping, you know,

511
00:24:59,720 --> 00:25:02,639
Speaker 1: the tower at amusement parks where it just drops. You know,

512
00:25:03,040 --> 00:25:05,840
Speaker 1: it was a story about what that that malfunc should had.

513
00:25:05,880 --> 00:25:10,000
Speaker 1: They dropped for twenty four hours, over and over. It

514
00:25:10,040 --> 00:25:12,680
Speaker 1: was like eighteen thousand times, Oh my god, that we

515
00:25:12,960 --> 00:25:15,680
Speaker 1: could not stop laughing. And turns out we got duped.

516
00:25:15,720 --> 00:25:19,200
Speaker 1: It was just a fake starf We laughed so hard

517
00:25:19,440 --> 00:25:21,439
Speaker 1: the whole time, just being like, now, this is the tragedy.

518
00:25:21,480 --> 00:25:23,240
Speaker 1: This will probably be horrible to be on. But this

519
00:25:23,359 --> 00:25:25,119
Speaker 1: is also the funniest thing I've ever heard.

520
00:25:25,560 --> 00:25:28,040
Speaker 2: All Right, this one's not quite as wild as that one.

521
00:25:28,119 --> 00:25:32,560
Speaker 2: But a man, a man it is. He's only twenty two,

522
00:25:32,760 --> 00:25:34,080
Speaker 2: so you know, there's there's time.

523
00:25:34,600 --> 00:25:36,280
Speaker 1: There's time he could grow out of his.

524
00:25:38,080 --> 00:25:38,280
Speaker 2: As.

525
00:25:39,800 --> 00:25:42,280
Speaker 1: Has he tried zirtech? That's my first question.

526
00:25:42,920 --> 00:25:45,959
Speaker 2: Yeah, Benadol needs to make condoms for this guy. A

527
00:25:46,000 --> 00:25:50,160
Speaker 2: man who experienced extreme physical and mental distress following an orgasm.

528
00:25:50,560 --> 00:25:52,800
Speaker 2: Research his symptoms online, and he has learned he has

529
00:25:52,840 --> 00:25:56,080
Speaker 2: a rare disorder that he is allergic to his own orgasms.

530
00:25:56,119 --> 00:25:59,760
Speaker 1: He's not allergic it. Maybe it's caused by it. But

531
00:25:59,800 --> 00:26:02,840
Speaker 1: the word allergic is not the right word for this

532
00:26:02,920 --> 00:26:03,720
Speaker 1: man's condition.

533
00:26:04,280 --> 00:26:07,800
Speaker 2: I don't know. As he turns out, he was right.

534
00:26:08,040 --> 00:26:10,760
Speaker 2: A twenty two year old man sought care after documenting

535
00:26:10,840 --> 00:26:13,800
Speaker 2: that for years he experienced flu like symptoms for several

536
00:26:13,840 --> 00:26:17,760
Speaker 2: hours after ejaculation. According to the American Journal of Case Reports,

537
00:26:18,119 --> 00:26:21,520
Speaker 2: he struggled with weakness, malays, running nose, itchy eyes. His

538
00:26:21,560 --> 00:26:26,280
Speaker 2: symptoms began two to three hours kurt this is an

539
00:26:26,320 --> 00:26:30,480
Speaker 2: affliction two to three hours after ejaculation, and by eight

540
00:26:30,520 --> 00:26:35,280
Speaker 2: to ten hours they were worse, progressing into conjunctiveviis abdominal pain,

541
00:26:35,359 --> 00:26:39,960
Speaker 2: muscle pain, cognitive impairment, and he described his brain was

542
00:26:40,080 --> 00:26:45,880
Speaker 2: not functioning what These episodes lasted for two to three days,

543
00:26:45,920 --> 00:26:48,879
Speaker 2: preventing him from going to work, and research notes that

544
00:26:49,080 --> 00:26:52,320
Speaker 2: due to these reactions, he avoided sexual activity and had

545
00:26:52,359 --> 00:26:53,560
Speaker 2: difficulty in relationship.

546
00:26:53,640 --> 00:26:55,520
Speaker 1: Can imagine I can imagine?

547
00:26:55,720 --> 00:26:59,399
Speaker 2: Did the true edge Lord? He arrived for in evaluation

548
00:27:00,160 --> 00:27:05,480
Speaker 2: notes after reading online about hyposensitization to sperm. However, a

549
00:27:05,560 --> 00:27:08,119
Speaker 2: skin test determined he wasn't allergic to his own semen,

550
00:27:08,160 --> 00:27:09,000
Speaker 2: So that's a positive.

551
00:27:09,720 --> 00:27:10,880
Speaker 1: Yeah, yeah, that's.

552
00:27:10,720 --> 00:27:12,240
Speaker 2: A little silver lining in there.

553
00:27:12,640 --> 00:27:13,480
Speaker 1: He's not allergic.

554
00:27:13,640 --> 00:27:16,080
Speaker 2: He's not allergic to his own semen. That's just the

555
00:27:16,200 --> 00:27:21,360
Speaker 2: orgasms just having a great time with doctors concluding that

556
00:27:21,480 --> 00:27:23,800
Speaker 2: mass cells, a type of immune cells, were triggering the

557
00:27:23,840 --> 00:27:29,840
Speaker 2: allergic reaction. The condition post orgasmic illness syndrome POIS or POISSE,

558
00:27:30,800 --> 00:27:34,560
Speaker 2: is a rare condition with unclear causes. A study in

559
00:27:34,960 --> 00:27:38,399
Speaker 2: Nature says, adding that it affects the quality of life

560
00:27:38,440 --> 00:27:42,520
Speaker 2: of men. Yes, I imagined it would wow. In the

561
00:27:42,560 --> 00:27:44,720
Speaker 2: case of this twenty two year old. Also, good on

562
00:27:46,240 --> 00:27:49,119
Speaker 2: Carol Lynn Schultz for just not naming this guy. This

563
00:27:49,200 --> 00:27:53,959
Speaker 2: guy deserves some anonymity here. In the case of this

564
00:27:53,960 --> 00:27:58,720
Speaker 2: twenty two year old, he was treated with omal. Oh man,

565
00:27:58,760 --> 00:28:04,960
Speaker 2: this is a crazy word. Omal Liz zoom maab omala zoomab. Sorry.

566
00:28:04,960 --> 00:28:07,359
Speaker 2: I know it sounds like I'm making things up, but

567
00:28:07,480 --> 00:28:10,920
Speaker 2: in the US it's known as exolayer, which can treat

568
00:28:11,000 --> 00:28:12,520
Speaker 2: hives and asthma. So there you go.

569
00:28:13,119 --> 00:28:13,960
Speaker 1: That's crazy.

570
00:28:14,240 --> 00:28:19,639
Speaker 2: The exolaire resulted in complete resolution of symptoms the case sets,

571
00:28:19,680 --> 00:28:22,640
Speaker 2: and adding that after seven months he stopped taking the medication,

572
00:28:23,680 --> 00:28:28,119
Speaker 2: which resulted in the symptoms returning. This guy's going to

573
00:28:28,200 --> 00:28:32,800
Speaker 2: be taking exo layer or zo layer. Maybe it's zo layer,

574
00:28:33,080 --> 00:28:37,280
Speaker 2: it's xol Yeah, we'll go zolair. That sounds cooler. While

575
00:28:37,400 --> 00:28:41,680
Speaker 2: on zolair, the patient is symptom free and feels comfortable

576
00:28:41,720 --> 00:28:45,240
Speaker 2: engaging in sexual activity. That's a win. Given its effectiveness

577
00:28:45,240 --> 00:28:48,000
Speaker 2: and the fact that the patient tried other medications beforehand

578
00:28:48,040 --> 00:28:52,120
Speaker 2: with zero success, we recommended that he continues on o'mal

579
00:28:52,360 --> 00:28:55,480
Speaker 2: zoomab for life so it has a happy ending. They

580
00:28:55,520 --> 00:28:59,960
Speaker 2: can treat his allergic reaction to his own orgasms. Wow

581
00:29:00,200 --> 00:29:00,800
Speaker 2: about that.

582
00:29:02,320 --> 00:29:04,720
Speaker 1: Here's here's a would you rather for you this year?

583
00:29:05,120 --> 00:29:09,280
Speaker 1: Say you had this, but the medication that you took

584
00:29:09,840 --> 00:29:12,960
Speaker 1: I had a side effect where even when you weren't

585
00:29:12,960 --> 00:29:16,560
Speaker 1: engaged in sexual activity, just normally, you would just flap

586
00:29:16,640 --> 00:29:19,320
Speaker 1: your hand, like flap your arm like a chicken, do

587
00:29:19,320 --> 00:29:21,360
Speaker 1: you know what I mean? Like this like this, So

588
00:29:21,440 --> 00:29:23,000
Speaker 1: that's kind of how you would go through life, and

589
00:29:23,040 --> 00:29:24,800
Speaker 1: if people asked you about it, you'd have to be, oh,

590
00:29:24,840 --> 00:29:27,280
Speaker 1: this is a side effect of my medication. So that

591
00:29:27,320 --> 00:29:30,520
Speaker 1: I can come. Which which would you choose to not

592
00:29:30,720 --> 00:29:33,480
Speaker 1: to have the allergic reaction or to have that medication.

593
00:29:34,880 --> 00:29:36,560
Speaker 3: I mean, this is actually kind of easy for me

594
00:29:36,640 --> 00:29:40,800
Speaker 3: because I feel like women's birth control already does that.

595
00:29:42,720 --> 00:29:45,760
Speaker 3: It's it's already like I do you want to get

596
00:29:45,760 --> 00:29:49,120
Speaker 3: pregnant or have your arm flap consistently? Like if I

597
00:29:49,120 --> 00:29:53,320
Speaker 3: guess I'll have my arm flap consistently, then fine. But

598
00:29:53,480 --> 00:29:56,920
Speaker 3: like the amount of friends I talked to and people

599
00:29:56,920 --> 00:29:59,760
Speaker 3: in my family that's like, oh well, I don't come

600
00:29:59,800 --> 00:30:02,920
Speaker 3: any more, or I sweat, I night sweat, or I

601
00:30:02,920 --> 00:30:05,680
Speaker 3: get migraines or you know, it's like all these things

602
00:30:05,760 --> 00:30:08,800
Speaker 3: because we have just consistently been put on birth control

603
00:30:08,880 --> 00:30:12,520
Speaker 3: and like no other options have been given to us. True,

604
00:30:13,680 --> 00:30:16,600
Speaker 3: this is our life, this is what we does deal

605
00:30:16,640 --> 00:30:18,200
Speaker 3: with all the time. And also, like part of me

606
00:30:18,240 --> 00:30:21,320
Speaker 3: was kind of jealous hearing this story because I'm like, Wow,

607
00:30:21,640 --> 00:30:24,840
Speaker 3: these doctors really took time to investigate what was going

608
00:30:24,880 --> 00:30:27,560
Speaker 3: on with this young man. That's so wonderful. I don't

609
00:30:27,560 --> 00:30:30,160
Speaker 3: know what that's like. I don't know that does not

610
00:30:30,240 --> 00:30:33,080
Speaker 3: happen to women hardly ever. If a woman went in

611
00:30:33,280 --> 00:30:35,160
Speaker 3: was like this weird thing's happening to me. They'd be like,

612
00:30:35,200 --> 00:30:37,120
Speaker 3: you're hysterical, Like something's wrong with you.

613
00:30:37,200 --> 00:30:40,600
Speaker 4: You're exaggerating. You probably have a cold bite like there's.

614
00:30:40,520 --> 00:30:41,880
Speaker 1: Yeah, it's probably in your head.

615
00:30:42,080 --> 00:30:45,840
Speaker 2: You probably have a cold. Get on birth control, yeah, well,

616
00:30:46,120 --> 00:30:47,840
Speaker 2: or Tricyclin's coming for you.

617
00:30:47,960 --> 00:30:48,160
Speaker 1: Yeah.

618
00:30:48,160 --> 00:30:51,120
Speaker 3: There's been times where I actually questions about something and

619
00:30:51,120 --> 00:30:52,800
Speaker 3: they're like, you should just get on birth control. And

620
00:30:52,800 --> 00:30:55,640
Speaker 3: I'm like, I'm literally got off of birth control because

621
00:30:55,640 --> 00:30:56,800
Speaker 3: it was causing other problems.

622
00:30:56,840 --> 00:30:59,040
Speaker 4: And they're like, yeah, but that's the only way I know.

623
00:31:02,080 --> 00:31:04,760
Speaker 2: Yeah, but wasn't it. Yes, because we have samples.

624
00:31:05,040 --> 00:31:06,520
Speaker 4: Yeah, you should try this one instead.

625
00:31:06,600 --> 00:31:12,120
Speaker 1: Actually, And that's why Scotty and I recommend vasectomies. Boys

626
00:31:12,440 --> 00:31:16,400
Speaker 1: pas no, no no side effects.

627
00:31:16,240 --> 00:31:18,680
Speaker 2: Leep, Like yeah, the only side effect is great night's

628
00:31:18,720 --> 00:31:23,000
Speaker 2: sleep for the rest of your life, zero worries. Yeah,

629
00:31:23,000 --> 00:31:26,000
Speaker 2: that's a There was a thing I read a few

630
00:31:26,080 --> 00:31:28,440
Speaker 2: years ago that were all these women that started on

631
00:31:28,480 --> 00:31:31,280
Speaker 2: birth control in like as early as eighth grade or

632
00:31:31,280 --> 00:31:33,000
Speaker 2: seventh grade, and then we're on it in high school

633
00:31:33,000 --> 00:31:34,640
Speaker 2: and we're in college. They met the dudes they were

634
00:31:34,680 --> 00:31:36,640
Speaker 2: going to marry. Then when they got married and they

635
00:31:36,680 --> 00:31:38,720
Speaker 2: were going to start families. They got off birth control

636
00:31:38,760 --> 00:31:42,320
Speaker 2: and were no longer attracted to their partner yep, whoa,

637
00:31:42,720 --> 00:31:46,360
Speaker 2: because the birth was tricking them into thinking they were pregnant,

638
00:31:46,560 --> 00:31:49,360
Speaker 2: and then because their body constantly felt like they're pregnant,

639
00:31:49,360 --> 00:31:51,720
Speaker 2: they sort of were like, oh, they had this life

640
00:31:51,760 --> 00:31:53,880
Speaker 2: partner that they were clinging to, like okay, we'll raise

641
00:31:53,920 --> 00:31:55,800
Speaker 2: this thing together. And then when they got off it,

642
00:31:56,000 --> 00:31:57,920
Speaker 2: like the pheromones, they didn't like the way they smelled,

643
00:31:57,960 --> 00:32:00,600
Speaker 2: they didn't that. When I read that, I mean maybe

644
00:32:00,640 --> 00:32:04,240
Speaker 2: it's eight years ago, I was like, wow, that is what.

645
00:32:04,640 --> 00:32:06,680
Speaker 2: It's not just a body thing, it's like a mind

646
00:32:06,760 --> 00:32:07,400
Speaker 2: thing too.

647
00:32:07,520 --> 00:32:12,160
Speaker 3: Really, I mean, I I don't want to be like

648
00:32:12,200 --> 00:32:16,680
Speaker 3: birth control kept me straight. But when I was on

649
00:32:16,760 --> 00:32:19,440
Speaker 3: birth control, I was consistently dating men, and I think

650
00:32:19,480 --> 00:32:23,120
Speaker 3: I thought, you know, women were attractive, et cetera. But

651
00:32:23,280 --> 00:32:25,280
Speaker 3: like it was' until I got off a birth control

652
00:32:25,320 --> 00:32:29,560
Speaker 3: where I was like, oh wait a minute, and now yeah,

653
00:32:29,840 --> 00:32:32,360
Speaker 3: yeah truly, and now I'm dating a woman and like

654
00:32:32,440 --> 00:32:34,640
Speaker 3: you know, full one to eighty and not that I'm

655
00:32:34,640 --> 00:32:36,800
Speaker 3: not attracted to men, but just like I was like, oh,

656
00:32:36,800 --> 00:32:39,720
Speaker 3: this is very different than what I was feeling before.

657
00:32:40,200 --> 00:32:44,840
Speaker 3: And I do wonder if it like dulled some some

658
00:32:45,000 --> 00:32:47,120
Speaker 3: senses over the years, because I was truly I was

659
00:32:47,120 --> 00:32:49,160
Speaker 3: on birth control since I was sixteen, so like, yeah,

660
00:32:49,200 --> 00:32:51,640
Speaker 3: exactly when my friends were like boy crazy, I was like,

661
00:32:51,640 --> 00:32:53,440
Speaker 3: I don't feel anything. And then eventually I was like,

662
00:32:53,480 --> 00:32:55,480
Speaker 3: I guess I'll start dating, and like it was never

663
00:32:55,640 --> 00:32:59,520
Speaker 3: I was never excited to do it until yeah, I

664
00:32:59,640 --> 00:33:03,640
Speaker 3: got my hormones were doing what they did naturally, and

665
00:33:03,680 --> 00:33:06,560
Speaker 3: I was like, oh, wait a minute, I'm excited about ladies.

666
00:33:07,240 --> 00:33:07,720
Speaker 2: That's great.

667
00:33:07,960 --> 00:33:08,920
Speaker 1: Also amazing.

668
00:33:09,080 --> 00:33:12,880
Speaker 2: Comically, on your Wikipedia page, you may know this, Like

669
00:33:12,920 --> 00:33:14,960
Speaker 2: I looked you up, you know, yesterday when we were

670
00:33:14,960 --> 00:33:18,960
Speaker 2: prepping and and it's the last fact on your Wikipedia

671
00:33:19,000 --> 00:33:21,479
Speaker 2: pages in twenty twenty fours this year came out as

672
00:33:21,480 --> 00:33:23,960
Speaker 2: a lesbian. That's the last thing on your Wikipedia. And

673
00:33:23,960 --> 00:33:26,800
Speaker 2: I'm like, was it her or did some fan go

674
00:33:27,240 --> 00:33:31,280
Speaker 2: Finally we have a new nugget of information to contribute

675
00:33:31,320 --> 00:33:34,080
Speaker 2: to the encyclopedia that anyone can edit.

676
00:33:34,720 --> 00:33:37,480
Speaker 4: Yeah, yeah, I don't edit my Wikipedia.

677
00:33:37,560 --> 00:33:38,720
Speaker 2: Yeah, of course you don't.

678
00:33:39,000 --> 00:33:39,560
Speaker 4: The people do.

679
00:33:39,800 --> 00:33:42,200
Speaker 3: They were like, yes, you have to let people know

680
00:33:42,280 --> 00:33:44,280
Speaker 3: that when you look her up, she's a lesbian.

681
00:33:45,240 --> 00:33:48,400
Speaker 2: Yes, the people should know It's just a great sentence

682
00:33:48,440 --> 00:33:51,760
Speaker 2: to be like somebody was like, here's a new tidbit. Yeah,

683
00:33:51,840 --> 00:33:54,000
Speaker 2: you should have a tidbit section on Wikipedia.

684
00:33:54,080 --> 00:33:57,840
Speaker 1: Well, they have a trivia section, and the saddest part

685
00:33:57,920 --> 00:34:01,520
Speaker 1: of my Wikipedia pages it says via Kurt Brown Older

686
00:34:01,600 --> 00:34:02,800
Speaker 1: is a stand up comedian.

687
00:34:04,240 --> 00:34:05,760
Speaker 4: No did you know?

688
00:34:07,320 --> 00:34:08,160
Speaker 1: Did you know?

689
00:34:09,760 --> 00:34:10,080
Speaker 2: Little?

690
00:34:10,120 --> 00:34:12,120
Speaker 4: No fact?

691
00:34:12,360 --> 00:34:15,719
Speaker 2: True or false. I don't find him funny, so I'm

692
00:34:15,719 --> 00:34:19,640
Speaker 2: putting false very funny, so I'm putting true.

693
00:34:20,840 --> 00:34:23,640
Speaker 1: Let me seees us into some shout outs, some thumbs up.

694
00:34:24,120 --> 00:34:28,040
Speaker 1: I love passenger clings on the outside of one hundred

695
00:34:28,040 --> 00:34:30,920
Speaker 1: and seventy five mile per hour German train after doors

696
00:34:30,960 --> 00:34:32,600
Speaker 1: shut him out on a cigarette break.

697
00:34:32,880 --> 00:34:35,799
Speaker 2: Okay, on a cigarette break. They got flung to the

698
00:34:35,800 --> 00:34:37,960
Speaker 2: side of one hundred and fifty mile an hour, one

699
00:34:38,000 --> 00:34:38,920
Speaker 2: hundred seventy.

700
00:34:38,640 --> 00:34:41,440
Speaker 4: Five mile prime or he was actually like gripping it.

701
00:34:41,680 --> 00:34:44,960
Speaker 1: He was on the door, He's on the doorframe. He's

702
00:34:45,000 --> 00:34:47,560
Speaker 1: just pushing himself against the doorframe. It's like an inch

703
00:34:47,600 --> 00:34:48,040
Speaker 1: and a half.

704
00:34:48,520 --> 00:34:53,200
Speaker 2: Dakota Johnson's just kicking him in the Chestnules, get out

705
00:34:53,200 --> 00:34:56,680
Speaker 2: of here. I'm trying to make a latte. Okay, thumbs ups.

706
00:34:56,680 --> 00:34:58,560
Speaker 2: First of all, I want to thank all the bananimals

707
00:34:58,640 --> 00:35:02,000
Speaker 2: are we closed our go fundme for fire relief. We

708
00:35:02,160 --> 00:35:05,239
Speaker 2: raised fivey, one hundred and twenty four dollars for California

709
00:35:05,280 --> 00:35:08,600
Speaker 2: Fire Foundation, which goes to fire victims and the firefighters

710
00:35:08,640 --> 00:35:11,160
Speaker 2: who went and fought them. So thanks, Kurt. I looked

711
00:35:11,239 --> 00:35:15,640
Speaker 2: up and the multiple gofundmes we've done because of the Banana's,

712
00:35:15,640 --> 00:35:18,560
Speaker 2: including Door to Shores. We've had seven hundred and fifty

713
00:35:18,560 --> 00:35:22,200
Speaker 2: four individual donors to all those campaigns. We've raised forty

714
00:35:22,200 --> 00:35:25,720
Speaker 2: four thousand, two hundred and thirty eight USD one hundred

715
00:35:25,760 --> 00:35:28,880
Speaker 2: and ninety Canadian dollars at seventy five British pounds. So

716
00:35:30,200 --> 00:35:31,840
Speaker 2: this is that funny. It breaks it down like that,

717
00:35:32,000 --> 00:35:34,239
Speaker 2: So thank you. Love that to the seven hundred and

718
00:35:34,239 --> 00:35:37,200
Speaker 2: fifty four people who have donated all these charitable things. Now,

719
00:35:38,200 --> 00:35:41,360
Speaker 2: Autumn Schuster wants to big thumbs up her husband Jordan

720
00:35:41,440 --> 00:35:46,840
Speaker 2: for getting promoted. Jordan is a reluctant but great leader,

721
00:35:46,960 --> 00:35:50,680
Speaker 2: which is probably the best kind there is. That's a

722
00:35:50,719 --> 00:35:53,400
Speaker 2: cool sum sence. Thumbs up to you, Jordan, way to

723
00:35:53,400 --> 00:35:57,719
Speaker 2: get the promotion. U Gina Binaz thumbing up Benjamin for

724
00:35:57,760 --> 00:36:00,000
Speaker 2: turning one year old. He is a day one Banana

725
00:36:00,239 --> 00:36:03,920
Speaker 2: who went to a Bananas Live in Utero. Gina Iso,

726
00:36:04,040 --> 00:36:06,520
Speaker 2: that's pretty good. Gina is also thumbing herself up for

727
00:36:06,560 --> 00:36:09,840
Speaker 2: being two years sober. Banana skits her through tough times.

728
00:36:09,840 --> 00:36:11,880
Speaker 2: Thanks for the lofts. You are welcome.

729
00:36:11,920 --> 00:36:13,719
Speaker 1: Thumbs up and combs up to everybody who's in the

730
00:36:13,719 --> 00:36:16,000
Speaker 1: middle of their dry sixty nine. We're right there with you.

731
00:36:16,239 --> 00:36:20,680
Speaker 2: Yeah, we're thirty something days in. I think this is

732
00:36:20,760 --> 00:36:23,920
Speaker 2: a great one. This is a truly unique one. Amber

733
00:36:24,080 --> 00:36:27,239
Speaker 2: wants to thumb up Blake Brown, who's age fourteen. I

734
00:36:27,239 --> 00:36:30,800
Speaker 2: think he listens to bananas too. Blake earned his personal

735
00:36:30,880 --> 00:36:34,160
Speaker 2: best score three hundred and seventy six out of four

736
00:36:34,239 --> 00:36:40,440
Speaker 2: hundred with fifteen bullseyes in four h BB gun shooting competition.

737
00:36:40,960 --> 00:36:43,400
Speaker 2: Thumb I mean, I didn't even know there was a

738
00:36:43,520 --> 00:36:47,480
Speaker 2: daisy BB gun shooting competition. He's going to the Daisy

739
00:36:47,480 --> 00:36:53,160
Speaker 2: BB gun Nationals. So congratulations comes up. Let's take him

740
00:36:53,200 --> 00:36:54,920
Speaker 2: to the state Fair and have him shoot out some

741
00:36:54,920 --> 00:36:57,399
Speaker 2: stars and win some stuffed animals. That's a great job.

742
00:36:57,600 --> 00:37:01,360
Speaker 2: Heck yeah, I'll do one more. Let's see what's a

743
00:37:01,360 --> 00:37:04,680
Speaker 2: fun one. Oh, this is just a fun one. The

744
00:37:04,680 --> 00:37:09,640
Speaker 2: Banana boys are thumbing up the Instagram account pdx dino Rama.

745
00:37:09,760 --> 00:37:13,200
Speaker 2: There's a woman named Rachel in Portland, Orga. She builds

746
00:37:13,320 --> 00:37:17,239
Speaker 2: dinosaur dioramas all around Portland and puts them out. They're

747
00:37:17,280 --> 00:37:19,839
Speaker 2: just scattered around the city. You can find them on

748
00:37:19,880 --> 00:37:22,960
Speaker 2: her Instagram. Or if you're just walking by in Portland

749
00:37:23,000 --> 00:37:26,319
Speaker 2: and you see a diorama and it's featuring dinosaurs, it's

750
00:37:26,360 --> 00:37:31,759
Speaker 2: probably Rachel's instagram pdx Dinorama. Go take a look, send

751
00:37:31,800 --> 00:37:33,840
Speaker 2: us a pick. We have a lot of Portland ban animals.

752
00:37:33,840 --> 00:37:37,600
Speaker 2: But that's just inserting absurdity into the world for the

753
00:37:37,719 --> 00:37:39,840
Speaker 2: joy of it. So thumbs up to you, Rachel.

754
00:37:40,640 --> 00:37:44,560
Speaker 1: That is y and how easy is it? That's so easy?

755
00:37:44,560 --> 00:37:48,000
Speaker 1: In beauty they're really cool too, really cool. Not saying

756
00:37:48,040 --> 00:37:51,319
Speaker 1: that it's not saying that the dioramas are easy to make,

757
00:37:51,360 --> 00:37:54,400
Speaker 1: not at all, but I mean the impulse to insert

758
00:37:54,400 --> 00:37:58,440
Speaker 1: absurdity into the world can be done so easily, you know,

759
00:37:58,600 --> 00:38:00,279
Speaker 1: go and do it, folks. Yeah.

760
00:38:00,280 --> 00:38:04,479
Speaker 3: I love seeing things that like make the neighborhood more fun,

761
00:38:04,520 --> 00:38:07,080
Speaker 3: where it's like, oh yeah, like door painted on at

762
00:38:07,080 --> 00:38:08,440
Speaker 3: the bottom of a tree to make it look like

763
00:38:08,440 --> 00:38:11,799
Speaker 3: a secret tree house, or like like legos filling up

764
00:38:11,840 --> 00:38:14,239
Speaker 3: potholes or something, you know, like that stuff is so

765
00:38:14,800 --> 00:38:17,200
Speaker 3: fun and then you're like, there's someone creative here like that.

766
00:38:17,200 --> 00:38:19,120
Speaker 4: I don't know where they are, but they're Oh my gosh.

767
00:38:19,280 --> 00:38:23,080
Speaker 3: Is that reminded me of I don't know if it

768
00:38:23,120 --> 00:38:24,040
Speaker 3: ever got figured out.

769
00:38:24,080 --> 00:38:25,719
Speaker 4: Maybe it did, but.

770
00:38:25,760 --> 00:38:27,440
Speaker 3: There when I was in New York this is like

771
00:38:27,480 --> 00:38:31,040
Speaker 3: two thousand and nine, I remember I kept seeing these

772
00:38:31,080 --> 00:38:36,640
Speaker 3: like red ekg lines all over the place, like yeah,

773
00:38:36,680 --> 00:38:38,480
Speaker 3: and I don't know who's all over the city. It

774
00:38:38,520 --> 00:38:40,719
Speaker 3: felt like it was everywhere I went. So I was like,

775
00:38:40,760 --> 00:38:42,399
Speaker 3: am I doing it? Am I blacking out?

776
00:38:42,400 --> 00:38:46,120
Speaker 1: And it was crazy. It was like like in my neighborhood.

777
00:38:46,160 --> 00:38:47,960
Speaker 3: It was like in green Point, it would be on

778
00:38:48,040 --> 00:38:50,560
Speaker 3: my way to UCB. I just felt like it was everywhere,

779
00:38:50,600 --> 00:38:53,960
Speaker 3: and I was like, is it one person? Is it

780
00:38:54,000 --> 00:38:56,680
Speaker 3: a ring of people? Like and what does it mean?

781
00:38:57,000 --> 00:38:59,880
Speaker 3: But I really loved seeing it because it made me

782
00:39:00,000 --> 00:39:02,439
Speaker 3: You're like like it's like, oh my gosh, there's another one,

783
00:39:02,480 --> 00:39:04,960
Speaker 3: Like like now it's a scavenger hunt, like how many

784
00:39:05,239 --> 00:39:07,080
Speaker 3: little lines can I find?

785
00:39:07,480 --> 00:39:08,520
Speaker 4: Yeah? I loved it.

786
00:39:08,760 --> 00:39:11,440
Speaker 1: Oh that's so great. Do you do you remember from

787
00:39:11,480 --> 00:39:11,879
Speaker 1: that time?

788
00:39:12,480 --> 00:39:14,160
Speaker 2: We're about to say the same thing you go, I

789
00:39:14,160 --> 00:39:14,640
Speaker 2: want to see.

790
00:39:14,719 --> 00:39:17,799
Speaker 1: Okay, do you do you remember neck face from back

791
00:39:17,800 --> 00:39:18,520
Speaker 1: in that time.

792
00:39:19,239 --> 00:39:21,520
Speaker 3: I don't remember neck face, but I remember was it

793
00:39:21,640 --> 00:39:23,240
Speaker 3: Dick Ham or something ham?

794
00:39:23,440 --> 00:39:24,239
Speaker 4: What was the other one?

795
00:39:25,160 --> 00:39:27,279
Speaker 1: I don't know, Dick Ham or neck face?

796
00:39:27,360 --> 00:39:29,719
Speaker 3: Was it was chicken dick or dick chicken. That's what

797
00:39:29,760 --> 00:39:32,360
Speaker 3: it was, Dick chicken. It was it was it was

798
00:39:32,400 --> 00:39:35,920
Speaker 3: the body of a chicken with the head of a shaft.

799
00:39:36,800 --> 00:39:37,319
Speaker 2: There you go.

800
00:39:40,680 --> 00:39:43,239
Speaker 1: Uh. Neck face was just it just would say neck

801
00:39:43,280 --> 00:39:45,040
Speaker 1: face and it would be kind of almost like blocky,

802
00:39:45,160 --> 00:39:48,080
Speaker 1: kind of long letters, and it was all over Brooklyn

803
00:39:48,640 --> 00:39:50,560
Speaker 1: back in the day, like probably yeah, two thousand and

804
00:39:50,600 --> 00:39:54,000
Speaker 1: nine ten. But I guess neck face moved to La

805
00:39:54,040 --> 00:39:56,719
Speaker 1: because now there's a neck face right as you come

806
00:39:56,760 --> 00:40:00,480
Speaker 1: into Atwater Village. And my daughters seven saw and she

807
00:40:00,640 --> 00:40:02,719
Speaker 1: was like neck face and she's like what is that?

808
00:40:02,800 --> 00:40:05,880
Speaker 1: And then I just kind of explained the laffiti and

809
00:40:06,000 --> 00:40:09,600
Speaker 1: pieces to her and like public art, and she was

810
00:40:09,640 --> 00:40:11,920
Speaker 1: like okay, and then it was like maybe she like

811
00:40:12,160 --> 00:40:14,680
Speaker 1: so then every day she got drav go neck face

812
00:40:15,120 --> 00:40:16,680
Speaker 1: and say it as we drove by, and then she

813
00:40:16,880 --> 00:40:18,960
Speaker 1: just like maybe it was like three weeks ago she

814
00:40:19,000 --> 00:40:21,040
Speaker 1: was just like we're waiting at the light and she

815
00:40:21,120 --> 00:40:24,560
Speaker 1: just goes, I'm gonna become a graef feedy artist when

816
00:40:24,560 --> 00:40:25,080
Speaker 1: I grow up.

817
00:40:26,440 --> 00:40:26,720
Speaker 2: Good.

818
00:40:27,320 --> 00:40:30,840
Speaker 1: She's like I thought, her inspired starter.

819
00:40:31,000 --> 00:40:32,680
Speaker 2: Now she's not going to go to jail. You know,

820
00:40:32,800 --> 00:40:35,440
Speaker 2: she's got a good run of thirteen years or whatever

821
00:40:35,480 --> 00:40:37,719
Speaker 2: before she can get arrested for it. Get her out there,

822
00:40:38,040 --> 00:40:41,239
Speaker 2: get her tagging. Also, Olive's a good name for a tag.

823
00:40:41,360 --> 00:40:43,239
Speaker 2: Just draw at Olive with a smiley face.

824
00:40:43,440 --> 00:40:44,280
Speaker 1: I like that.

825
00:40:44,280 --> 00:40:44,760
Speaker 4: That's great.

826
00:40:45,160 --> 00:40:47,719
Speaker 2: I was going to say, I'm sure you all remember this,

827
00:40:47,840 --> 00:40:49,560
Speaker 2: and I hope you haven't forgotten this. But there was

828
00:40:49,719 --> 00:40:52,239
Speaker 2: somebody used to go around, especially Brooklyn, and they would

829
00:40:52,280 --> 00:40:55,799
Speaker 2: outline the shadows of from street lights on signs and

830
00:40:55,840 --> 00:40:58,480
Speaker 2: stuff and so on the concrete there'd be a chalk

831
00:40:58,520 --> 00:41:01,840
Speaker 2: outline of the sign or the bike or whatever. And

832
00:41:01,880 --> 00:41:04,040
Speaker 2: I could never catch the person who's doing it. But

833
00:41:04,080 --> 00:41:05,440
Speaker 2: like I'd go into a bar and come out and

834
00:41:05,480 --> 00:41:07,400
Speaker 2: somebody would have done it. But all they would do

835
00:41:07,480 --> 00:41:10,040
Speaker 2: is wherever the street light was, whatever projected the shadow

836
00:41:10,120 --> 00:41:12,799
Speaker 2: on the parking meter or the no parking time, they

837
00:41:12,800 --> 00:41:15,040
Speaker 2: would just outline that with chalk on the sidewalk.

838
00:41:15,200 --> 00:41:16,200
Speaker 1: It was so smart.

839
00:41:16,480 --> 00:41:17,200
Speaker 2: It's so simple.

840
00:41:17,600 --> 00:41:21,160
Speaker 1: Yeah, it's so simple. That's so beautiful. I love that.

841
00:41:21,600 --> 00:41:24,160
Speaker 2: I'm gonna assume. I'm just gonna assume that was a year,

842
00:41:24,280 --> 00:41:29,600
Speaker 2: because why not. Great job. We love your your public art.

843
00:41:29,680 --> 00:41:32,480
Speaker 2: She control, she was blacked out the whole time, kissing

844
00:41:32,560 --> 00:41:41,000
Speaker 2: dudes and shadows, smooching dudes and drawn shadows.

845
00:41:41,080 --> 00:41:49,040
Speaker 1: That's the wild time. All right, let's I'll send us

846
00:41:49,040 --> 00:41:52,439
Speaker 1: home with this. This is from The Independent, so it's

847
00:41:52,560 --> 00:41:56,880
Speaker 1: sort of real. This is written by Natalie Wilson. Thank you, Natalie,

848
00:41:56,920 --> 00:41:58,680
Speaker 1: you are the best in the business. You can, of

849
00:41:58,719 --> 00:42:03,600
Speaker 1: course send your your strange news to us. Our Instagram

850
00:42:03,640 --> 00:42:05,960
Speaker 1: is The Bananas Podcast. You can DM us there, or

851
00:42:06,040 --> 00:42:08,560
Speaker 1: you can email us at the Bananas Podcast at gmail

852
00:42:08,600 --> 00:42:12,600
Speaker 1: dot com. Passenger clings onto outside of one hundred and

853
00:42:12,640 --> 00:42:16,400
Speaker 1: seventy five mile per hour German train after doors shut

854
00:42:16,480 --> 00:42:19,960
Speaker 1: him out on cigarette break. The man held on for

855
00:42:20,000 --> 00:42:23,279
Speaker 1: almost twenty miles as the train sped at one hundred

856
00:42:23,280 --> 00:42:27,080
Speaker 1: and seventy five miles per hour. A fair evading passenger

857
00:42:27,600 --> 00:42:30,399
Speaker 1: clung to the cables of a high speed German train

858
00:42:30,440 --> 00:42:33,800
Speaker 1: after a lengthy cigarette break saw the carriage doors close

859
00:42:33,880 --> 00:42:37,160
Speaker 1: on his luggage. Unwilling to be left behind without his bags.

860
00:42:37,239 --> 00:42:39,839
Speaker 1: The man jumped onto the outside of the train when

861
00:42:39,880 --> 00:42:42,880
Speaker 1: it punctually pulled away while he was still smoking an

862
00:42:43,080 --> 00:42:47,960
Speaker 1: Inglestat state at Inglestat station, reported the BBC. The forty

863
00:42:48,040 --> 00:42:52,759
Speaker 1: year old Hungarian national held onto a bracket between carriages

864
00:42:52,880 --> 00:42:55,480
Speaker 1: as the train continued to Nuremberg at one hundred and

865
00:42:55,560 --> 00:42:56,839
Speaker 1: seventy five miles per hour.

866
00:42:56,920 --> 00:42:57,320
Speaker 2: Wow.

867
00:42:58,000 --> 00:43:01,200
Speaker 1: He had boarded the IC train Munich without a valid

868
00:43:01,200 --> 00:43:04,319
Speaker 1: ticket before getting off the train for a cigarette at Inglestat,

869
00:43:04,320 --> 00:43:07,000
Speaker 1: please said. The inter City Express train on a six

870
00:43:07,040 --> 00:43:09,040
Speaker 1: hour journey in the northern city of Lubec was stopped

871
00:43:09,040 --> 00:43:13,240
Speaker 1: by federal police nineteen miles away in Kinding, Upper Bavaria

872
00:43:13,280 --> 00:43:17,839
Speaker 1: after witnesses alerted officials to the stowway.

873
00:43:18,480 --> 00:43:20,839
Speaker 4: Well, he said, six hour journey or the.

874
00:43:21,800 --> 00:43:24,560
Speaker 1: He went twenty miles at one hundred and seventy five

875
00:43:24,640 --> 00:43:27,680
Speaker 1: miles per hour, So what that's like maybe six minutes

876
00:43:27,760 --> 00:43:32,160
Speaker 1: or something. Okay, but you can go six hours on

877
00:43:32,239 --> 00:43:34,719
Speaker 1: this train, apparently, I guess that's what.

878
00:43:34,840 --> 00:43:36,400
Speaker 4: But they're like, we have to stop this.

879
00:43:36,600 --> 00:43:39,279
Speaker 2: Yeah, so yeah, I'm running the numbers over here. So

880
00:43:39,320 --> 00:43:43,200
Speaker 2: he went twenty miles doing one hundred and seventy five

881
00:43:43,239 --> 00:43:47,800
Speaker 2: miles an hour? No, is that what you said?

882
00:43:48,000 --> 00:43:50,760
Speaker 1: Yeah? How many minats somewhere?

883
00:43:50,760 --> 00:43:51,319
Speaker 2: Would that say?

884
00:43:51,360 --> 00:43:53,880
Speaker 1: Sixty into one seventy five is something like two and

885
00:43:53,880 --> 00:43:55,880
Speaker 1: a half and then two and a half times twenty,

886
00:43:55,960 --> 00:44:04,120
Speaker 1: So it's like, oh, okay, forty yeah, no really yeah, forty.

887
00:44:03,880 --> 00:44:09,840
Speaker 2: Minute, we're on it. Fifty eight fifty eight minutes twenty miles.

888
00:44:10,120 --> 00:44:12,759
Speaker 1: I'm like, no, it can't be. We did our we did.

889
00:44:13,040 --> 00:44:16,640
Speaker 2: I listened to you. I'll never do that again. Where's Ai?

890
00:44:17,040 --> 00:44:17,640
Speaker 2: Where's Ai?

891
00:44:18,000 --> 00:44:21,280
Speaker 3: This is like one of those like textbook math questions

892
00:44:21,280 --> 00:44:23,600
Speaker 3: where it's like a man jumps on a train at

893
00:44:24,120 --> 00:44:26,160
Speaker 3: one hundred and seventy five miles per hour.

894
00:44:26,560 --> 00:44:31,120
Speaker 1: Twenty sorry, no, it's more like twenty seconds eleven minutes

895
00:44:31,120 --> 00:44:33,960
Speaker 1: a mile over twenty seconds. Yeah yeah, yeah, I did

896
00:44:34,000 --> 00:44:36,040
Speaker 1: it the other way around. Yeah, it's eleven minutes.

897
00:44:36,040 --> 00:44:37,040
Speaker 2: But that's crazy.

898
00:44:37,120 --> 00:44:38,000
Speaker 4: That's still crazy.

899
00:44:38,280 --> 00:44:41,399
Speaker 3: That's still really crazy, especially because I guess I don't

900
00:44:41,400 --> 00:44:43,759
Speaker 3: know how those trains work, but on like a New

901
00:44:43,840 --> 00:44:47,880
Speaker 3: York subway, if you hit the emergency, either it stops

902
00:44:48,040 --> 00:44:50,759
Speaker 3: or the conductor gets alerted immediately.

903
00:44:50,800 --> 00:44:53,200
Speaker 4: So like, did they just watch him do that for

904
00:44:53,280 --> 00:44:53,880
Speaker 4: ten minutes?

905
00:44:53,880 --> 00:44:57,600
Speaker 3: And someone was like right, Okay, I'll tell the person,

906
00:44:58,239 --> 00:45:00,160
Speaker 3: I don't this looks unsafe.

907
00:45:01,400 --> 00:45:04,040
Speaker 1: Everyone's just looking at their phone the whole time, but yeah,

908
00:45:05,719 --> 00:45:09,319
Speaker 1: probably right. I mean we used when I would go

909
00:45:09,440 --> 00:45:13,520
Speaker 1: out because I had a I had a surf shack

910
00:45:13,560 --> 00:45:16,160
Speaker 1: in Rockaway, like a quarter block from the beach, and

911
00:45:16,200 --> 00:45:19,120
Speaker 1: so I would often do shows and then get on

912
00:45:19,160 --> 00:45:20,799
Speaker 1: the A train and take the A train all the

913
00:45:20,800 --> 00:45:23,600
Speaker 1: way out to Rockaway to surf in the morning, and

914
00:45:23,680 --> 00:45:29,360
Speaker 1: we we routinely, routinely would pee between the cars because

915
00:45:29,360 --> 00:45:31,200
Speaker 1: like you would just be on the train for an

916
00:45:31,239 --> 00:45:33,960
Speaker 1: hour and a half after like you know, in your twenties,

917
00:45:34,000 --> 00:45:38,480
Speaker 1: like drinking, probably after your show, and it was it

918
00:45:38,520 --> 00:45:42,280
Speaker 1: was often done, and it was terrifying. And that train

919
00:45:42,560 --> 00:45:46,879
Speaker 1: goes like fifteen miles an hour. Yeah, but to ride

920
00:45:46,880 --> 00:45:50,120
Speaker 1: in between subway cars is like terrifying, and you know,

921
00:45:50,200 --> 00:45:51,799
Speaker 1: nothing bad it's gonna happen because it's like you're kind

922
00:45:51,800 --> 00:45:54,600
Speaker 1: of walled in on all sides. So I can't imagine

923
00:45:54,600 --> 00:45:56,600
Speaker 1: one hundred and seventy five miles an hour like that.

924
00:45:56,960 --> 00:46:00,400
Speaker 2: No, that's so fast. I once got to ride in

925
00:46:00,440 --> 00:46:03,920
Speaker 2: the pace car at a NASCAR event out just outside

926
00:46:03,960 --> 00:46:07,120
Speaker 2: of La we were I was with the workhogs dudes,

927
00:46:07,160 --> 00:46:08,880
Speaker 2: and we got to do like a lap before the

928
00:46:08,920 --> 00:46:11,960
Speaker 2: actual race, and that guy that drives the official it

929
00:46:12,000 --> 00:46:14,840
Speaker 2: was like a jacked up Camray or whatever. It was

930
00:46:14,880 --> 00:46:17,360
Speaker 2: down one hundred and ten. But it you know, like

931
00:46:17,360 --> 00:46:19,680
Speaker 2: when you were kids on the highway or something, somebody

932
00:46:19,680 --> 00:46:21,720
Speaker 2: would get up to one hundred and be so scary

933
00:46:21,760 --> 00:46:23,480
Speaker 2: and all our shitty cars would shake and you'd be like,

934
00:46:23,480 --> 00:46:25,640
Speaker 2: oh my god. But for somebody to do it sustained

935
00:46:25,680 --> 00:46:29,960
Speaker 2: and then turning it was wild. It was like I

936
00:46:30,000 --> 00:46:32,040
Speaker 2: was like, well, I guess this guy's a pro. It's

937
00:46:32,080 --> 00:46:35,520
Speaker 2: a good day to die, because but one hundred and

938
00:46:35,560 --> 00:46:38,360
Speaker 2: ten fell out of control and he was just you know,

939
00:46:38,480 --> 00:46:41,080
Speaker 2: calm as can be talking to us, and you're like,

940
00:46:41,200 --> 00:46:42,960
Speaker 2: damn man, that's it was wild.

941
00:46:43,280 --> 00:46:44,760
Speaker 1: Yeah, wild.

942
00:46:45,960 --> 00:46:49,279
Speaker 3: I gotta know what was in that suitcase or that bag.

943
00:46:49,360 --> 00:46:52,480
Speaker 3: But he left, Like what why is it so important

944
00:46:52,520 --> 00:46:56,319
Speaker 3: that you couldn't like just wait till the train got

945
00:46:56,360 --> 00:47:00,279
Speaker 3: to the next station called the customer service.

946
00:47:00,120 --> 00:47:01,840
Speaker 4: Or whatever to be like, hey, I lost my bag.

947
00:47:01,960 --> 00:47:05,120
Speaker 3: Like he had to jump on like risk his life

948
00:47:05,200 --> 00:47:07,400
Speaker 3: essentially for whatever was in that bag.

949
00:47:08,320 --> 00:47:12,400
Speaker 2: Yeah, that's a great question. What was it? What was

950
00:47:12,400 --> 00:47:15,920
Speaker 2: it illegal? Or was it just so important was it

951
00:47:16,000 --> 00:47:17,440
Speaker 2: an anniversary present.

952
00:47:18,000 --> 00:47:20,880
Speaker 1: It's the same thing that was in the briefcase in

953
00:47:20,920 --> 00:47:25,360
Speaker 1: pulp fiction. It was just light. He couldn't let his

954
00:47:25,440 --> 00:47:26,200
Speaker 1: light get away.

955
00:47:27,280 --> 00:47:31,440
Speaker 2: Controls the light, That's what it was. It was just

956
00:47:31,480 --> 00:47:34,279
Speaker 2: a cheese tray, like it is. That is what is

957
00:47:34,360 --> 00:47:37,240
Speaker 2: worth risking your Like we all just experienced this because

958
00:47:37,239 --> 00:47:39,279
Speaker 2: we all just fled when we had to evacuate, and

959
00:47:39,280 --> 00:47:42,560
Speaker 2: it was like you find yourself grabbing the bare minimum

960
00:47:42,640 --> 00:47:44,480
Speaker 2: and nothing simultaneously.

961
00:47:45,000 --> 00:47:48,000
Speaker 1: I bought nothing. I brought nothing other than the kid's

962
00:47:48,080 --> 00:47:50,480
Speaker 1: dog and wife. I didn't really bring the wife.

963
00:47:51,480 --> 00:47:52,280
Speaker 4: She brought herself.

964
00:47:52,719 --> 00:47:56,120
Speaker 1: Yeah, what did you grab?

965
00:47:56,480 --> 00:47:59,640
Speaker 3: I grabbed. I actually was really impressed with how prepared

966
00:47:59,640 --> 00:48:04,040
Speaker 3: I was. Had a go back and then one other

967
00:48:04,160 --> 00:48:05,520
Speaker 3: outfit I didn't.

968
00:48:05,560 --> 00:48:07,840
Speaker 4: I only had a sports the sports bra I was wearing.

969
00:48:07,880 --> 00:48:10,280
Speaker 3: I forgot to pack other bras, but I was like, well,

970
00:48:10,640 --> 00:48:13,760
Speaker 3: eventually I'll go home, I guess, or just buy them.

971
00:48:14,000 --> 00:48:19,080
Speaker 3: And then I did try to have some keepsakes, like, uh,

972
00:48:19,560 --> 00:48:23,560
Speaker 3: my friend Nicole bought me a wrap for like toy,

973
00:48:23,760 --> 00:48:24,640
Speaker 3: like like a white.

974
00:48:25,960 --> 00:48:29,680
Speaker 4: Friend, and I was like, I gotta have this.

975
00:48:33,800 --> 00:48:34,760
Speaker 1: That's really funny.

976
00:48:36,040 --> 00:48:40,080
Speaker 3: Some love letters and the deed to my house.

977
00:48:41,239 --> 00:48:45,600
Speaker 1: That's smart. Yeah, that's incredibly smart to grab the deed deer.

978
00:48:45,840 --> 00:48:48,680
Speaker 1: I left it all. I left it deeds to my car,

979
00:48:48,920 --> 00:48:51,239
Speaker 1: like titles for my car, deeds to my house. But

980
00:48:51,440 --> 00:48:52,359
Speaker 1: it was all there.

981
00:48:52,600 --> 00:48:54,359
Speaker 4: Yeah. I did a pretty good job.

982
00:48:54,680 --> 00:48:59,520
Speaker 2: You're very well. You're a good survival partner. That's good

983
00:48:59,600 --> 00:49:03,840
Speaker 2: to know. God, it was a yeah, it's interesting to

984
00:49:03,840 --> 00:49:05,960
Speaker 2: see what you grab again. Going back to this guy,

985
00:49:07,760 --> 00:49:10,640
Speaker 2: what could it have been? Like it is? I wish

986
00:49:10,680 --> 00:49:12,839
Speaker 2: that the story had that in there. It seems so

987
00:49:13,280 --> 00:49:17,759
Speaker 2: I know gold bars, right? Was he like an old

988
00:49:17,800 --> 00:49:21,919
Speaker 2: door to door salesman who sold kids whistles and and

989
00:49:21,920 --> 00:49:25,400
Speaker 2: and butter knives? And you're like, what is this and

990
00:49:26,160 --> 00:49:30,080
Speaker 2: who is this man? That's really butter knives? I don't know.

991
00:49:31,040 --> 00:49:33,879
Speaker 1: I don't know what potato what you're selling? And hungry? Yeah, yeah,

992
00:49:33,920 --> 00:49:35,360
Speaker 1: maybe you're selling potato peelers.

993
00:49:37,560 --> 00:49:42,040
Speaker 2: He seemed playing cards, tricks, you know, fun things. Uh,

994
00:49:42,080 --> 00:49:44,000
Speaker 2: it would be funny if it was empty. You just

995
00:49:44,080 --> 00:49:46,840
Speaker 2: really liked that bag. He's just obsessed with such a.

996
00:49:47,160 --> 00:49:51,359
Speaker 4: They don't make this bag anymore. I can't get another one.

997
00:49:51,840 --> 00:49:52,520
Speaker 4: It's greative.

998
00:49:52,560 --> 00:49:55,839
Speaker 1: It was actually a plastic bag. Just plastic bag tied

999
00:49:55,880 --> 00:49:56,200
Speaker 1: it half.

1000
00:49:56,400 --> 00:49:58,000
Speaker 2: It's always recycled.

1001
00:49:58,120 --> 00:49:58,440
Speaker 1: Damn.

1002
00:49:59,239 --> 00:50:02,400
Speaker 2: So shere where can they find you? Plug away? Where

1003
00:50:02,440 --> 00:50:05,240
Speaker 2: can the bananamals hunt you down and become your best friend?

1004
00:50:05,800 --> 00:50:09,320
Speaker 3: But animals can go to my website sosheer dot com

1005
00:50:09,360 --> 00:50:13,520
Speaker 3: and I try to update it, but I probably don't.

1006
00:50:14,520 --> 00:50:18,120
Speaker 3: And right now it's accurate and my socials are at

1007
00:50:18,200 --> 00:50:23,000
Speaker 3: the Sheer Truth thhe Sheer Truth. And you can watch

1008
00:50:23,040 --> 00:50:26,800
Speaker 3: my special The First Woman on Hulu or on YouTube.

1009
00:50:27,880 --> 00:50:30,600
Speaker 3: My first special, Peace of Mind is also on Amazon

1010
00:50:31,600 --> 00:50:36,600
Speaker 3: maybe Hulu. There's It's in places and uh everywhere. And

1011
00:50:36,719 --> 00:50:38,600
Speaker 3: Agatha Along is on Disney Plus.

1012
00:50:39,200 --> 00:50:42,879
Speaker 2: That's a hit. It's a hit, bab, You're in a hit.

1013
00:50:43,800 --> 00:50:46,719
Speaker 3: And yeah, just like you know, follow me to keep

1014
00:50:46,800 --> 00:50:49,120
Speaker 3: updated on what I'm doing and listen to best friends.

1015
00:50:49,560 --> 00:50:52,279
Speaker 2: Listen to best friends and have the best time in

1016
00:50:52,560 --> 00:50:55,560
Speaker 2: SNL fifty year reunion or part of history. That's going

1017
00:50:55,640 --> 00:50:59,120
Speaker 2: to be very cool and exciting. It's somehow cathartic and

1018
00:50:59,160 --> 00:51:01,760
Speaker 2: make those stress go away when you can just party

1019
00:51:01,800 --> 00:51:03,080
Speaker 2: and hang out, I hope.

1020
00:51:03,120 --> 00:51:05,600
Speaker 3: So yeah, I'm feeling good about it. It feels like like

1021
00:51:05,640 --> 00:51:08,719
Speaker 3: a college re engineer or something. Yeah, I'm excited to

1022
00:51:09,600 --> 00:51:10,720
Speaker 3: go back to where it began.

1023
00:51:11,400 --> 00:51:13,960
Speaker 1: Oh heck, yeah yeah.

1024
00:51:14,239 --> 00:51:31,600
Speaker 2: Banana's Ben Bananas is an exactly right media production.

1025
00:51:31,760 --> 00:51:33,960
Speaker 1: Our producer and engineer is Katie Levine.

1026
00:51:34,400 --> 00:51:37,600
Speaker 2: The catchy Bananas theme song was composed and performed by Kahan.

1027
00:51:37,840 --> 00:51:41,160
Speaker 1: Artwork for Bananas was designed by Travis Millard.

1028
00:51:41,160 --> 00:51:44,000
Speaker 2: And our benevolent overlords are the Great Karen Kilgareff and

1029
00:51:44,040 --> 00:51:44,920
Speaker 2: Georgia Hartstart

1030
00:51:45,040 --> 00:51:47,840
Speaker 1: And Lisa Maggott is our full human, not a robot

1031
00:51:47,880 --> 00:51:49,320
Speaker 1: intern