1 00:00:00,840 --> 00:00:07,440 Speaker 1: A real key for real celebrity, Join the Breakfast Morning. 2 00:00:07,480 --> 00:00:10,680 Speaker 1: Everybody is DJ Envy Angela Ye, Charlomne the guy. We 3 00:00:10,720 --> 00:00:13,400 Speaker 1: all the Breakfast Club have a special guest in the 4 00:00:13,440 --> 00:00:15,840 Speaker 1: building this morning. This man about to have the number 5 00:00:15,880 --> 00:00:20,640 Speaker 1: one album in the damn country, independent independent, Why not tires? 6 00:00:22,600 --> 00:00:24,239 Speaker 1: Why not? Let's get right into it. You got a 7 00:00:24,320 --> 00:00:25,920 Speaker 1: number one country, but I mean the number one album 8 00:00:25,920 --> 00:00:30,120 Speaker 1: with this your last album? Why? Um? Well, y'all know, 9 00:00:30,200 --> 00:00:33,560 Speaker 1: I went through a real nasty public and private custody 10 00:00:33,640 --> 00:00:37,559 Speaker 1: situation fighting for more custody of my baby. So I 11 00:00:37,720 --> 00:00:41,040 Speaker 1: landed fifty fifty joining and legal custody. Shout out to 12 00:00:41,080 --> 00:00:43,479 Speaker 1: all the fathers out there still determined to get that 13 00:00:43,600 --> 00:00:47,760 Speaker 1: time man, And so you can't have that much custody 14 00:00:47,880 --> 00:00:50,080 Speaker 1: and then say I'll be home in six months. I 15 00:00:50,120 --> 00:00:53,840 Speaker 1: gotta go chase a music career. So you know, um, 16 00:00:54,040 --> 00:00:57,640 Speaker 1: pickups and drop offs is real for me. Bedtime stories 17 00:00:57,720 --> 00:01:00,920 Speaker 1: and helping her with her homework, that's all real for me. 18 00:01:01,000 --> 00:01:03,560 Speaker 1: So I had to. I gotta do what I gotta do. 19 00:01:03,600 --> 00:01:06,679 Speaker 1: I love music. I'm never gonna stop doing music as 20 00:01:06,680 --> 00:01:08,759 Speaker 1: a whole because it's my first love. But it's definitely 21 00:01:08,840 --> 00:01:11,240 Speaker 1: my last album. There's not a publicity stunt to get 22 00:01:11,240 --> 00:01:15,000 Speaker 1: everybody excited like gold Run the last time You're gonna 23 00:01:15,000 --> 00:01:17,600 Speaker 1: get it? No, it's not. This is it for real? 24 00:01:17,959 --> 00:01:20,840 Speaker 1: This is it three and a half years to do this, 25 00:01:21,240 --> 00:01:24,759 Speaker 1: m Like emotionally it wiped me out, like I'm fighting 26 00:01:24,800 --> 00:01:28,160 Speaker 1: for more custody. I was in a relationship for five 27 00:01:28,280 --> 00:01:33,000 Speaker 1: years on the low and living together. Envy nos you 28 00:01:33,000 --> 00:01:35,720 Speaker 1: know what I mean? Uh, Envy's wife used to talk 29 00:01:35,760 --> 00:01:38,559 Speaker 1: to my girl. They were cool, hey, and it ended? Though, 30 00:01:39,280 --> 00:01:41,240 Speaker 1: can your wife still talk to her? Are they still friends? 31 00:01:41,240 --> 00:01:44,000 Speaker 1: That does that friendship? And always loyalty is to tyres? Okay, 32 00:01:44,280 --> 00:01:48,720 Speaker 1: married women shouldn't talk to single women. It's true that 33 00:01:48,840 --> 00:01:51,480 Speaker 1: conversation can get a little So why are you still there? 34 00:01:52,960 --> 00:01:55,680 Speaker 1: That's though, because if they formed a friendship, shouldn't she 35 00:01:55,760 --> 00:01:57,640 Speaker 1: still be able to talk to her? I mean my 36 00:01:57,720 --> 00:02:02,400 Speaker 1: wife loyalties to trees? Okay, yeah, let's move on. So 37 00:02:02,520 --> 00:02:04,960 Speaker 1: five years, you know, I did some things that I 38 00:02:05,040 --> 00:02:07,520 Speaker 1: was ashamed of. You know, nobody, we're all a work 39 00:02:07,520 --> 00:02:12,400 Speaker 1: in progress, and and so that's where the inspiration behind 40 00:02:12,440 --> 00:02:14,720 Speaker 1: the song shame came from. You know, it's not for 41 00:02:14,800 --> 00:02:17,360 Speaker 1: perfect people. It's not for people that think they so 42 00:02:17,480 --> 00:02:19,840 Speaker 1: far up the spiritual lot of they don't make mistakes. 43 00:02:21,120 --> 00:02:24,720 Speaker 1: It's a song about being honest and transparent and vulnerable. 44 00:02:25,160 --> 00:02:27,680 Speaker 1: So for it to be number two on Billboard right 45 00:02:27,720 --> 00:02:31,160 Speaker 1: now in only six weeks, it's just the confirmation that 46 00:02:31,240 --> 00:02:33,360 Speaker 1: when you do things from your heart, it effects hearts. 47 00:02:33,360 --> 00:02:35,840 Speaker 1: So and it is a video actually that really matters, 48 00:02:35,840 --> 00:02:37,880 Speaker 1: because I feel like a lot of videos nowadays aren't 49 00:02:37,880 --> 00:02:40,200 Speaker 1: really so important, but I think it really helps what 50 00:02:40,280 --> 00:02:42,200 Speaker 1: the song is about. The visual that went along with 51 00:02:42,240 --> 00:02:47,519 Speaker 1: Diazel Noel did it for the love Denzel believe in this. 52 00:02:47,720 --> 00:02:51,600 Speaker 1: It's actually a short film, so that's twenty five minutes long, 53 00:02:51,680 --> 00:02:54,960 Speaker 1: and Denzel is definitely on board. I mean, I got 54 00:02:55,000 --> 00:02:58,240 Speaker 1: phone calls about Edits and you know it's it's like 55 00:02:58,360 --> 00:03:00,880 Speaker 1: he's very involved, like you'll keep sending me the links 56 00:03:00,919 --> 00:03:03,280 Speaker 1: with the updated scenes and I think you should this 57 00:03:03,520 --> 00:03:05,920 Speaker 1: that I mean them calls was very uncomfortable because you 58 00:03:05,919 --> 00:03:07,960 Speaker 1: don't want to disappoint d you know what I'm saying. 59 00:03:08,000 --> 00:03:10,639 Speaker 1: But did you call him or he called you that? Yeah? 60 00:03:10,639 --> 00:03:14,480 Speaker 1: I called him. And also the casting person named Robbie 61 00:03:14,520 --> 00:03:17,120 Speaker 1: Reid who did Malcolm X with them, and a bunch 62 00:03:17,160 --> 00:03:20,160 Speaker 1: of other movies, got Denzel on board as well, so 63 00:03:20,440 --> 00:03:23,600 Speaker 1: then that was be in between movies. He doing videos. Well, 64 00:03:23,639 --> 00:03:25,440 Speaker 1: it's a movie, it's a short stem, you know what 65 00:03:25,480 --> 00:03:28,480 Speaker 1: I mean. So that the condensed version of the Shame 66 00:03:28,680 --> 00:03:31,400 Speaker 1: video is about six and a half minutes long, but 67 00:03:31,480 --> 00:03:33,880 Speaker 1: the short film in itself is twenty five minutes long, 68 00:03:34,200 --> 00:03:37,680 Speaker 1: starring myself and Jennifer Hudson, directed by Paul Hunter. I'm 69 00:03:37,680 --> 00:03:39,080 Speaker 1: not allow, the said when I find out that you 70 00:03:39,120 --> 00:03:40,400 Speaker 1: had the number. No, I'm in the country, I said, 71 00:03:40,400 --> 00:03:43,280 Speaker 1: a boy, they're letting the wrong person be number one independent. 72 00:03:43,360 --> 00:03:48,760 Speaker 1: Now that's not right, and you should be happy. Man, 73 00:03:48,920 --> 00:03:54,040 Speaker 1: I'm keeping dark skin on. You know. You know we're 74 00:03:54,120 --> 00:03:55,960 Speaker 1: darker than this. Mic man. You know what I'm saying. 75 00:03:56,400 --> 00:04:00,760 Speaker 1: I'm trying to stay on. We're trying to take envy out. 76 00:04:04,480 --> 00:04:06,880 Speaker 1: You are getting brighter and brighter every time. When we 77 00:04:07,040 --> 00:04:09,440 Speaker 1: talk about that later, I was like this, I mean, Charlot, 78 00:04:12,240 --> 00:04:14,240 Speaker 1: now you you caught some flag because you you you 79 00:04:14,440 --> 00:04:18,520 Speaker 1: the dead homeless woman to promote dead homeless she was 80 00:04:18,600 --> 00:04:25,760 Speaker 1: not dead. Was like y'all sleeping on R and lady 81 00:04:25,839 --> 00:04:30,359 Speaker 1: she might not dead, she was not deep. It was 82 00:04:30,440 --> 00:04:34,039 Speaker 1: upset listen, let me just say this. I apologize for 83 00:04:34,279 --> 00:04:38,680 Speaker 1: what what seems like it was insensitive and going too far. Um. 84 00:04:39,160 --> 00:04:41,080 Speaker 1: I didn't really think about that before I did it, 85 00:04:41,160 --> 00:04:42,560 Speaker 1: you know what I mean. I just was trying to 86 00:04:42,600 --> 00:04:46,680 Speaker 1: make a point, and the point is right now, the 87 00:04:46,720 --> 00:04:49,359 Speaker 1: state of R and B is dead. Most R and 88 00:04:49,400 --> 00:04:52,520 Speaker 1: B singers are not conscious of it, but a lot 89 00:04:52,560 --> 00:04:55,479 Speaker 1: of us are insecure and we feel like our songs 90 00:04:55,520 --> 00:04:58,840 Speaker 1: don't get attention, don't get no love on radio, don't 91 00:04:58,880 --> 00:05:01,479 Speaker 1: have any fans buying it anymore unless we got fifteen 92 00:05:01,560 --> 00:05:03,680 Speaker 1: rappers on it. You know what I'm saying. The state 93 00:05:03,680 --> 00:05:06,000 Speaker 1: of R and B is insecure. So I just want 94 00:05:06,000 --> 00:05:09,360 Speaker 1: to apologize to everybody. I don't have fifteen rappers on 95 00:05:09,400 --> 00:05:11,960 Speaker 1: my album for this Black Rose album to be number 96 00:05:11,960 --> 00:05:16,880 Speaker 1: one in fifteen countries, and it's straight R and B period. 97 00:05:17,520 --> 00:05:20,320 Speaker 1: It's sending the right message. It's making a statement that 98 00:05:20,400 --> 00:05:22,960 Speaker 1: the fans are still out here. They want to support, 99 00:05:23,200 --> 00:05:25,080 Speaker 1: they want to show up, you know what I mean. 100 00:05:25,160 --> 00:05:27,680 Speaker 1: Like for me, in my mind, it was never Marvin 101 00:05:27,760 --> 00:05:32,000 Speaker 1: Gay featuring Curtis Blow. It was never Luta Vandro's featuring 102 00:05:32,080 --> 00:05:35,360 Speaker 1: Run DMC. It was never Donnie Had the Way featuring 103 00:05:35,839 --> 00:05:38,800 Speaker 1: sugar Hill Game. It was pure R and B soul, 104 00:05:39,200 --> 00:05:43,520 Speaker 1: no gimmicks, I ain't name dropping, produced by Pharrell, produced 105 00:05:43,520 --> 00:05:46,680 Speaker 1: by Listen. It's pure R and B period. So for 106 00:05:46,760 --> 00:05:49,719 Speaker 1: it to be number one on R and B charts 107 00:05:49,760 --> 00:05:52,400 Speaker 1: and the top two hundred with my album, it's a 108 00:05:52,520 --> 00:05:56,240 Speaker 1: confirmation that R and B is turning that corner. And 109 00:05:56,400 --> 00:05:58,160 Speaker 1: I think you should have just caught yourself buying the 110 00:05:58,240 --> 00:06:00,719 Speaker 1: lady something to eat. If you put don't came buying 111 00:06:00,720 --> 00:06:02,719 Speaker 1: the homeless ladying. Well, no, here's the thing. I was 112 00:06:02,760 --> 00:06:05,480 Speaker 1: just making a statement. I didn't know she was homeless. 113 00:06:05,480 --> 00:06:07,400 Speaker 1: She just looked like she was taking a nap. Was 114 00:06:07,400 --> 00:06:10,360 Speaker 1: passed down. I'm saying, like, now people are like, oh, 115 00:06:10,440 --> 00:06:12,520 Speaker 1: you're taking advantage the woman is home. I didn't know 116 00:06:12,560 --> 00:06:15,240 Speaker 1: she was home. I thought she look it was a 117 00:06:15,279 --> 00:06:18,400 Speaker 1: shaded area, there was other people sleeping in the area. 118 00:06:18,600 --> 00:06:22,440 Speaker 1: It was not necessarily a homeless area. And I was like, 119 00:06:22,520 --> 00:06:25,080 Speaker 1: she's taking a nap. So guess what, I want to 120 00:06:25,120 --> 00:06:28,440 Speaker 1: make a point. I feel like people are sleeping on 121 00:06:28,640 --> 00:06:30,760 Speaker 1: R and B. That was the only point. It wasn't 122 00:06:30,800 --> 00:06:33,280 Speaker 1: about taking advantage of nothing. That's not what I do. 123 00:06:34,440 --> 00:06:38,080 Speaker 1: I apologize for anybody that I made feel a certain 124 00:06:38,120 --> 00:06:40,320 Speaker 1: kind of way because of that moment. And if I 125 00:06:40,440 --> 00:06:42,760 Speaker 1: ran into the woman, I put a couple hundred dollars under. 126 00:06:43,480 --> 00:06:46,080 Speaker 1: But if there's anybody else that you know, want to 127 00:06:46,080 --> 00:06:47,720 Speaker 1: come at me about it, just come see me in 128 00:06:47,760 --> 00:07:00,279 Speaker 1: the streets, hummy. I'm just playing. Now you're training promoting 129 00:07:00,279 --> 00:07:01,960 Speaker 1: an album on the train. Why did you do that? 130 00:07:01,960 --> 00:07:03,839 Speaker 1: What was the idea behind that? Okay, So let me 131 00:07:03,880 --> 00:07:07,240 Speaker 1: just tell you what really happen. I've never told nobody, Okay. 132 00:07:07,279 --> 00:07:10,240 Speaker 1: I was running late to a live hit to do 133 00:07:10,280 --> 00:07:13,480 Speaker 1: a radio interview, I mean TV interview. It was actually 134 00:07:13,520 --> 00:07:15,400 Speaker 1: with Roxy from you know, used to be on one 135 00:07:15,400 --> 00:07:18,520 Speaker 1: oh six. She on HLN, and I had a live 136 00:07:18,640 --> 00:07:21,040 Speaker 1: hit that I could miss. So the driver said, we're 137 00:07:21,040 --> 00:07:23,200 Speaker 1: gonna get there about the hour and twenty minutes with 138 00:07:23,240 --> 00:07:25,840 Speaker 1: this traffic y'all know New York traffic. I say, Yo, 139 00:07:25,880 --> 00:07:27,960 Speaker 1: we gotta go take the train. Okay. So we end 140 00:07:28,080 --> 00:07:31,120 Speaker 1: up taking three trains, We went through Brooklyn, We did 141 00:07:31,120 --> 00:07:34,400 Speaker 1: what we had to do, and that's when the moment happened. 142 00:07:34,440 --> 00:07:35,920 Speaker 1: There you go, see, And that's how I tell Envy 143 00:07:35,960 --> 00:07:37,520 Speaker 1: to take the train all the time, because it's way 144 00:07:37,560 --> 00:07:40,200 Speaker 1: faster than sometimes I have to though every once in 145 00:07:40,240 --> 00:07:42,960 Speaker 1: a while. But then Envy's not Envy's not getting out 146 00:07:43,000 --> 00:07:45,160 Speaker 1: of that raid. No, I had to blow. He wants 147 00:07:45,200 --> 00:07:47,440 Speaker 1: people to see what's happening in these streets. I had 148 00:07:47,480 --> 00:07:49,360 Speaker 1: to walk him down to the subway and be like, 149 00:07:49,360 --> 00:07:50,680 Speaker 1: this is the train you have to get on. And 150 00:07:50,680 --> 00:07:52,000 Speaker 1: then he called me when it was time to come 151 00:07:52,040 --> 00:07:54,600 Speaker 1: back here, and I had to give him explicit directions 152 00:07:54,600 --> 00:07:56,520 Speaker 1: on how to get back. Envy. I know how to 153 00:07:56,600 --> 00:08:00,360 Speaker 1: ride the train, and I know how to ride the 154 00:08:00,360 --> 00:08:02,480 Speaker 1: train with no help. You need help, and you live 155 00:08:02,560 --> 00:08:05,840 Speaker 1: here to walk him down. He's got the wraith, he's 156 00:08:05,880 --> 00:08:08,280 Speaker 1: got no tents on this window. No, no, no, see me. 157 00:08:08,880 --> 00:08:11,760 Speaker 1: This is that radio money. It's happening in these streets now. 158 00:08:11,760 --> 00:08:15,040 Speaker 1: Brandy tried to do the same, Brandy get on the train. 159 00:08:15,080 --> 00:08:18,280 Speaker 1: He inspired. Brandy didn't work out to Jay Brandy video. 160 00:08:18,640 --> 00:08:22,000 Speaker 1: No man. She got on the video and she's saying 161 00:08:22,040 --> 00:08:24,240 Speaker 1: but nobody knew who she was she saying, and she 162 00:08:24,320 --> 00:08:26,040 Speaker 1: was like, I can't get one fan, not one fan. 163 00:08:26,240 --> 00:08:28,760 Speaker 1: You know you caused the commotion, and you know she 164 00:08:29,080 --> 00:08:34,040 Speaker 1: know it's all good man. I haven't seen it, man, 165 00:08:34,200 --> 00:08:36,480 Speaker 1: but you know I mean, listen, we all love riding 166 00:08:36,520 --> 00:08:39,040 Speaker 1: the train. That's the homie man, and gave us some advice. 167 00:08:39,000 --> 00:08:42,000 Speaker 1: It was like she should sing a little better and everything. 168 00:08:41,040 --> 00:08:44,160 Speaker 1: The endless lady that you gave a hundred hours to 169 00:08:44,320 --> 00:08:50,560 Speaker 1: was on the train and gave her some Man if 170 00:08:50,600 --> 00:08:52,560 Speaker 1: that dude whoever said that, if they knew that that 171 00:08:52,640 --> 00:08:54,880 Speaker 1: was Brandy, they would give us some different advice. Trust 172 00:08:54,960 --> 00:08:56,719 Speaker 1: because she is one of the greatest to ever do. 173 00:08:57,520 --> 00:08:59,880 Speaker 1: And she's on the Black Rows album and we have 174 00:09:00,120 --> 00:09:02,079 Speaker 1: a song called the Rest of Our Lives, So shout 175 00:09:02,080 --> 00:09:05,280 Speaker 1: out to Brandy. They let them talk, baby, It's all good. 176 00:09:05,280 --> 00:09:07,040 Speaker 1: We know what's happening in these R and B streets. 177 00:09:07,080 --> 00:09:09,320 Speaker 1: What's that about the rest of our lives? The rest 178 00:09:09,400 --> 00:09:11,680 Speaker 1: of our lives? Well, you know we we said, you 179 00:09:11,720 --> 00:09:14,800 Speaker 1: know what, let's do a song that's for the first 180 00:09:14,880 --> 00:09:22,720 Speaker 1: dance at a wedding. And and so it's a wedding song. Yeah, wedding. Yeah. 181 00:09:23,320 --> 00:09:25,400 Speaker 1: What's the significance of the title Black Roles because it 182 00:09:25,440 --> 00:09:28,920 Speaker 1: sound kind of dark. Um, Well, a rose that grew 183 00:09:28,960 --> 00:09:33,000 Speaker 1: through concrete tupoc So I said, I'm a black rose 184 00:09:33,120 --> 00:09:38,160 Speaker 1: that grew through concrete South Central La. Watts Um lived 185 00:09:38,160 --> 00:09:41,080 Speaker 1: in Watts for nineteen years. I was born in Watts, 186 00:09:41,679 --> 00:09:44,560 Speaker 1: so I just wanted to to to you know. It 187 00:09:44,600 --> 00:09:48,320 Speaker 1: was inspired by that poem that poc Road. So it's 188 00:09:48,400 --> 00:09:53,280 Speaker 1: it's transparent, it's honest, it's vulnerable. Uh, it's it's my best, 189 00:09:53,320 --> 00:09:56,319 Speaker 1: it's my last. And it's one of them albums where 190 00:09:56,360 --> 00:09:58,280 Speaker 1: you can press play from top to bottom and not 191 00:09:58,400 --> 00:10:00,760 Speaker 1: skip one joint. And I that's what I'm proud of. 192 00:10:00,880 --> 00:10:04,319 Speaker 1: So shout out to everybody around the world. It's number 193 00:10:04,320 --> 00:10:08,240 Speaker 1: one in thirteen countries. It's my first number one R 194 00:10:08,320 --> 00:10:10,679 Speaker 1: and B album on Billboard, It's number one on the 195 00:10:10,720 --> 00:10:15,120 Speaker 1: top two hundred. I'm just like, we're celebrating because instead 196 00:10:15,160 --> 00:10:20,440 Speaker 1: of just mentioning statistics, it's a confirmation that they say 197 00:10:20,600 --> 00:10:23,480 Speaker 1: R and B fans are dead, they say nobody sells 198 00:10:23,640 --> 00:10:26,560 Speaker 1: R and B albums anymore. This whole time, I've been 199 00:10:26,600 --> 00:10:28,760 Speaker 1: doing interviews. As you can imagine, it's like, Okay, you 200 00:10:28,840 --> 00:10:31,080 Speaker 1: got an R and B album, You're doing an interview. 201 00:10:31,480 --> 00:10:34,560 Speaker 1: What could I say that can make people do what 202 00:10:34,600 --> 00:10:37,800 Speaker 1: they don't do anymore, which is by a full R 203 00:10:37,920 --> 00:10:40,280 Speaker 1: and B album that doesn't have fifteen rappers on it, 204 00:10:40,559 --> 00:10:44,480 Speaker 1: No antics, noe perks. I'm not twerking, I ain't dropping. 205 00:10:44,800 --> 00:10:47,600 Speaker 1: I don't know nobody named name name. I'm sorry, but 206 00:10:47,640 --> 00:10:51,480 Speaker 1: it comes from a different place from what I don't. 207 00:10:51,520 --> 00:10:53,440 Speaker 1: I don't know nobody name, name name, which it comes 208 00:10:53,440 --> 00:10:55,600 Speaker 1: from a different place. See, most artists have to conform 209 00:10:55,640 --> 00:10:57,480 Speaker 1: to the industry because they got to pay their bills. 210 00:10:57,600 --> 00:10:59,400 Speaker 1: You're coming from a place of doing it from the heart. 211 00:10:59,480 --> 00:11:01,640 Speaker 1: You got to pay your bills, so you can go 212 00:11:02,440 --> 00:11:09,720 Speaker 1: in your backyard, but finish the hookah louns by the way, yeah, 213 00:11:09,840 --> 00:11:15,480 Speaker 1: stay out my back yard. My goodness. All I'm saying 214 00:11:15,559 --> 00:11:20,960 Speaker 1: is all I'm saying is R and B singers that 215 00:11:21,000 --> 00:11:25,200 Speaker 1: are specifically an R and B. We've had to convert 216 00:11:25,280 --> 00:11:28,160 Speaker 1: into doing house and techno. We've had to have our 217 00:11:28,200 --> 00:11:31,800 Speaker 1: albums compromise with a bunch of rappers on it just 218 00:11:31,920 --> 00:11:34,960 Speaker 1: to get any kind of attention. And love the fact 219 00:11:35,000 --> 00:11:37,760 Speaker 1: that this album is winning and it's just R and B. 220 00:11:38,520 --> 00:11:41,000 Speaker 1: I feel like it's sending the right statement. I don't 221 00:11:41,000 --> 00:11:43,240 Speaker 1: want to be number one just for me. I'm number one. 222 00:11:43,400 --> 00:11:47,040 Speaker 1: I'm cool the fact that it's number one. The industry 223 00:11:47,160 --> 00:11:49,360 Speaker 1: is like robots. They're gonna want to fall in line 224 00:11:49,760 --> 00:11:51,840 Speaker 1: and it becomes the trend. This is oh, this is 225 00:11:51,880 --> 00:11:54,400 Speaker 1: what we're doing now. So all of the tworking and 226 00:11:54,480 --> 00:11:58,040 Speaker 1: dropping is gonna be on pause, and the actual talented 227 00:11:58,080 --> 00:12:00,960 Speaker 1: people that's been on the shelves, they gonna finally had 228 00:12:01,000 --> 00:12:02,960 Speaker 1: the albums to see the light of day. I'm talking 229 00:12:03,000 --> 00:12:06,280 Speaker 1: about past favorite R and B singers, R and B 230 00:12:06,440 --> 00:12:09,000 Speaker 1: singers that are current and the ones that have yet 231 00:12:09,040 --> 00:12:12,800 Speaker 1: to be discovered. And then for me, I'm sending this 232 00:12:13,000 --> 00:12:17,520 Speaker 1: as a message to radio. I had a song called Stay. 233 00:12:17,880 --> 00:12:21,240 Speaker 1: Envy knows all about it right. Stay was number one 234 00:12:21,559 --> 00:12:24,880 Speaker 1: for eleven weeks on Billboard. Sam Smith had a song 235 00:12:24,960 --> 00:12:28,520 Speaker 1: called Stay. Sam Smith's song had a full choir on it. 236 00:12:29,160 --> 00:12:34,920 Speaker 1: Sam Smith's record was played on all formats radio, Top forty, rhythmic, crossover. 237 00:12:35,400 --> 00:12:39,360 Speaker 1: He's got an urban right now. Sam Smith ain't step 238 00:12:39,840 --> 00:12:43,600 Speaker 1: foot into any of these urban radio stations, but yet 239 00:12:43,720 --> 00:12:46,520 Speaker 1: urban radio is going all out supporting it. If you 240 00:12:46,600 --> 00:12:49,720 Speaker 1: want a radio spend, you gotta do so much. Radio 241 00:12:49,800 --> 00:12:52,839 Speaker 1: promo was out of control, Meet and greets, interviews, you 242 00:12:52,920 --> 00:12:55,400 Speaker 1: gotta call in, you gotta do something now. I'm not 243 00:12:55,440 --> 00:12:58,720 Speaker 1: attacking Sam Smith. I'm not competitive. This is not ego, 244 00:12:58,880 --> 00:13:02,760 Speaker 1: no nothing. I'm talking about facts because you're talking about money. 245 00:13:02,880 --> 00:13:04,880 Speaker 1: Now I can tell my truth. I ain't got to 246 00:13:04,920 --> 00:13:07,520 Speaker 1: be politically correct. I think right now it's time to 247 00:13:07,559 --> 00:13:10,320 Speaker 1: be more fair. If we showing love on urban radio 248 00:13:10,400 --> 00:13:14,440 Speaker 1: to Robin Thick, justin Timberlake and Sam Smith who's singing 249 00:13:14,559 --> 00:13:17,160 Speaker 1: R and B soul, and I'm a fan, that it 250 00:13:17,280 --> 00:13:19,600 Speaker 1: needs to work on both sides. Don't tell me I'm 251 00:13:19,679 --> 00:13:22,400 Speaker 1: number one on R and B and urban ac and 252 00:13:22,520 --> 00:13:25,920 Speaker 1: urban mainstream, but yet I'm number one for eleven weeks, 253 00:13:25,960 --> 00:13:29,240 Speaker 1: But yet top forty rhythmic and crossover stations ain't playing 254 00:13:29,240 --> 00:13:32,080 Speaker 1: my music. Were showing love on both sides. You gotta 255 00:13:32,120 --> 00:13:34,760 Speaker 1: show love on both sides. The point I'm making is, 256 00:13:35,559 --> 00:13:38,280 Speaker 1: don't say because you're black that only black people is 257 00:13:38,280 --> 00:13:41,280 Speaker 1: supposed to support you. My music has no limits, It 258 00:13:41,320 --> 00:13:44,839 Speaker 1: has no sexual preference, it has no racial barriers. So 259 00:13:44,880 --> 00:13:47,440 Speaker 1: if we're if they're singing R and B soul and 260 00:13:47,559 --> 00:13:50,600 Speaker 1: you're being supported on urban radio, I believe it should 261 00:13:50,600 --> 00:13:54,200 Speaker 1: go both ways. Don't limit my shop because my movies 262 00:13:54,240 --> 00:13:57,240 Speaker 1: ain't limited. You can't say that only black people know 263 00:13:57,400 --> 00:14:00,120 Speaker 1: me and support my music, because that's not true. You 264 00:14:00,160 --> 00:14:02,520 Speaker 1: can't say that if you go to a Stevie Wonder concert. 265 00:14:02,720 --> 00:14:05,400 Speaker 1: It's only black people in the audience because he's black. 266 00:14:06,080 --> 00:14:09,040 Speaker 1: Like there's there's a lot of different forms of racism. 267 00:14:09,080 --> 00:14:11,199 Speaker 1: And guess what, y'all, here's this is what I want 268 00:14:11,200 --> 00:14:16,760 Speaker 1: to say to pop radio. I'm not gonna convert. There's 269 00:14:16,800 --> 00:14:19,920 Speaker 1: no there's no house and techno version of shame coming. 270 00:14:21,200 --> 00:14:23,760 Speaker 1: I'm not gonna switch it up. I'm not gonna sing 271 00:14:23,880 --> 00:14:26,200 Speaker 1: shame with auto tune in my voice just for a 272 00:14:26,320 --> 00:14:29,160 Speaker 1: radio spend. But I guarantee you if I show up, 273 00:14:29,760 --> 00:14:33,280 Speaker 1: the fans are gonna be there. They will be excited. Period. 274 00:14:33,640 --> 00:14:36,720 Speaker 1: So if if Stay by Sam Smith has a full 275 00:14:36,840 --> 00:14:39,200 Speaker 1: choir on it, if I sung that version of Stay, 276 00:14:39,640 --> 00:14:41,920 Speaker 1: my joint would have been locked into urban radio and 277 00:14:41,960 --> 00:14:43,920 Speaker 1: I'd have probably been with your Linda Adams on the 278 00:14:43,960 --> 00:14:48,640 Speaker 1: gospel channel Spread Love, don't forget WBLS. You definite would 279 00:14:48,640 --> 00:14:53,440 Speaker 1: have got that earlier. I'm just saying, man, at the 280 00:14:53,560 --> 00:14:56,680 Speaker 1: end of the day, I'm putting this on blast. And 281 00:14:56,720 --> 00:14:59,320 Speaker 1: guess what, I don't have a racist bone in my body. 282 00:14:59,720 --> 00:15:02,520 Speaker 1: I'm out of homer Fold. I ain't got no issues. 283 00:15:02,560 --> 00:15:05,800 Speaker 1: I'm not competitive. I just want music to have an 284 00:15:05,800 --> 00:15:09,840 Speaker 1: opportunity to reach his maximum audience. Don't limit me because 285 00:15:09,840 --> 00:15:12,920 Speaker 1: of my skin, don't limit me because of what what 286 00:15:13,160 --> 00:15:16,960 Speaker 1: form of radio is supporting him? First listen, they may 287 00:15:17,040 --> 00:15:20,760 Speaker 1: start and popping rhythmic radio, but if urban radio recognize 288 00:15:20,800 --> 00:15:23,360 Speaker 1: that they sing an R and B soul, we spread love. 289 00:15:23,440 --> 00:15:25,560 Speaker 1: We don't say, oh, that's a white person. Let the 290 00:15:25,560 --> 00:15:28,400 Speaker 1: white station support them, and they shouldn't be happening on 291 00:15:28,440 --> 00:15:31,080 Speaker 1: the other side. I often wonder if the pop program 292 00:15:31,120 --> 00:15:34,160 Speaker 1: directors are paying attention the way to urban program director, 293 00:15:34,200 --> 00:15:36,520 Speaker 1: because program directors tend to be more aware of all 294 00:15:36,560 --> 00:15:38,320 Speaker 1: the music that's out there. I don't know if pop 295 00:15:38,640 --> 00:15:42,000 Speaker 1: program they do. Man, they do, they know, Bro, It's 296 00:15:42,040 --> 00:15:44,400 Speaker 1: no way to stay was number one for eleven weeks. 297 00:15:44,640 --> 00:15:48,440 Speaker 1: Right now, my song Shame is number two on Billboard. 298 00:15:48,480 --> 00:15:51,040 Speaker 1: It's no way they don't see that featuring Jennifer Hudson. 299 00:15:51,360 --> 00:15:54,000 Speaker 1: You can't tell me that only black people love Jennifer Hudson. 300 00:15:54,280 --> 00:15:57,680 Speaker 1: Stop playing with me. As soon as Obama come up 301 00:15:57,680 --> 00:16:00,680 Speaker 1: with any event, Jennifer is there, as soon as the 302 00:16:00,720 --> 00:16:04,400 Speaker 1: Oscars do any awards show, Jennifer is there. You're telling 303 00:16:04,400 --> 00:16:06,760 Speaker 1: me only black people at the Oscars. Man, I'm grown. 304 00:16:06,800 --> 00:16:09,320 Speaker 1: Stop playing with me, especially being. I like what you 305 00:16:09,320 --> 00:16:11,840 Speaker 1: said about how do they make you know? Black artists 306 00:16:11,880 --> 00:16:15,120 Speaker 1: jump through hoops? Man? Can I get a radio span? 307 00:16:15,200 --> 00:16:17,400 Speaker 1: What do you want me to do? We're vulnerable because 308 00:16:17,400 --> 00:16:20,880 Speaker 1: without radio our voices aren't heard. So at the end 309 00:16:20,920 --> 00:16:23,040 Speaker 1: of the day, I ain't trying to start no ship. 310 00:16:23,400 --> 00:16:26,240 Speaker 1: I'm just putting it out there. Those days is over 311 00:16:26,320 --> 00:16:29,680 Speaker 1: for me. Shane is number two on Billboard, and I'm asking, 312 00:16:30,480 --> 00:16:33,720 Speaker 1: what's my man name? Uh? Come on, give me the 313 00:16:33,800 --> 00:16:39,400 Speaker 1: name Ryan ccrest, Ryan Seacrest in the morning that you man, 314 00:16:39,480 --> 00:16:42,800 Speaker 1: Ryan Secret. We're about to go into Tyree's Shane featuring 315 00:16:42,920 --> 00:16:45,360 Speaker 1: Jennifer Hudson. Can I hear that at least one time? 316 00:16:45,720 --> 00:16:47,880 Speaker 1: Or do you need Robin Think to sing my song 317 00:16:47,960 --> 00:16:50,720 Speaker 1: in order for you to play damn it? Man? Can 318 00:16:51,000 --> 00:16:54,200 Speaker 1: come on, man, All I'm saying is this is my 319 00:16:54,320 --> 00:16:57,480 Speaker 1: last round. This is my last album. I don't want 320 00:16:57,560 --> 00:17:01,800 Speaker 1: Shane that's being heavily support ordered by urban AC and 321 00:17:01,960 --> 00:17:05,200 Speaker 1: urban mainstream radio to be limited to a black man 322 00:17:05,560 --> 00:17:09,720 Speaker 1: singing to only black people. Them days is over, man. 323 00:17:10,440 --> 00:17:13,920 Speaker 1: I got fans named Becky on the record. There's album 324 00:17:13,960 --> 00:17:19,120 Speaker 1: talking on it. You're doing twenty years man, and you're 325 00:17:19,119 --> 00:17:21,960 Speaker 1: still putting out amazing records. This shouldn't be the last album. 326 00:17:21,960 --> 00:17:24,120 Speaker 1: I'm gonna tell you that. But but he didn't say 327 00:17:24,160 --> 00:17:26,960 Speaker 1: that he's not any more music. He's not saying he's 328 00:17:27,000 --> 00:17:30,520 Speaker 1: not doing any music. He playing out Album's twenty years 329 00:17:30,520 --> 00:17:32,160 Speaker 1: since he did the Coca Cola on the bus Man 330 00:17:32,200 --> 00:17:34,880 Speaker 1: and he's still putting out records. I got this. There's 331 00:17:34,880 --> 00:17:36,720 Speaker 1: a lot of people. You know what if you die 332 00:17:37,200 --> 00:17:40,080 Speaker 1: to make the records that you have and die to 333 00:17:40,160 --> 00:17:41,639 Speaker 1: be in your position right now, and you're saying this 334 00:17:41,680 --> 00:17:44,360 Speaker 1: is my last album, well, you know what, Listen, you're 335 00:17:44,359 --> 00:17:48,120 Speaker 1: a dad. You gotta kid absolutely Okay, so you're a dad. 336 00:17:48,520 --> 00:17:50,520 Speaker 1: We're still waiting on the homie to go ahead and 337 00:17:50,640 --> 00:17:54,680 Speaker 1: shoot the club. We're still waiting on you to stop 338 00:17:54,720 --> 00:17:57,360 Speaker 1: playing in these straights. The good thing is about when 339 00:17:57,359 --> 00:17:59,320 Speaker 1: you when you're hosting, you know, you always stay far 340 00:17:59,359 --> 00:18:02,240 Speaker 1: away from that. So you could always be pregnant and said, 341 00:18:02,280 --> 00:18:04,720 Speaker 1: we're talking about that, lady, talk about that later. Let 342 00:18:04,720 --> 00:18:06,960 Speaker 1: me know. I'm having baby Mama auditions next week. And 343 00:18:07,880 --> 00:18:09,280 Speaker 1: you know what I'm saying. You know, you can get 344 00:18:09,280 --> 00:18:12,680 Speaker 1: me right with a number one album. I got a 345 00:18:12,720 --> 00:18:15,520 Speaker 1: number on now I got me another baby, that's it, baby, 346 00:18:15,600 --> 00:18:19,120 Speaker 1: mama audition. I feel like, listen, man, I just want 347 00:18:19,200 --> 00:18:21,320 Speaker 1: this album and the success around this album to make 348 00:18:21,359 --> 00:18:24,879 Speaker 1: a statement. And I can't say it enough. Urban or 349 00:18:25,000 --> 00:18:28,520 Speaker 1: AC radio, y'all have helped us to feed our families, 350 00:18:28,840 --> 00:18:31,760 Speaker 1: pay our bills. You were able to tour like at 351 00:18:31,800 --> 00:18:35,120 Speaker 1: the end of the day. Without radio, our music will 352 00:18:35,119 --> 00:18:37,280 Speaker 1: never have an audience. It will never have no reach. 353 00:18:37,320 --> 00:18:42,000 Speaker 1: I know social media's powerful and everybody's moving, but we're vulnerable. Man. 354 00:18:42,080 --> 00:18:46,040 Speaker 1: Every spin counts, everything counts. So oh, I mean, bro, 355 00:18:46,119 --> 00:18:48,120 Speaker 1: I'm off for an hour and a half asleep every day. 356 00:18:48,200 --> 00:18:52,560 Speaker 1: Yesterday I had an in store at FYE and they 357 00:18:52,600 --> 00:18:59,320 Speaker 1: called the ambulance. I almost did in the store. I 358 00:18:59,480 --> 00:19:03,520 Speaker 1: needed some oxygen. I didn't stop. I needed to quit 359 00:19:03,680 --> 00:19:06,200 Speaker 1: thirty minute break. I was there off an hour and 360 00:19:06,200 --> 00:19:10,359 Speaker 1: a half asleep. I'm drinking five hours and express so coffee. 361 00:19:10,400 --> 00:19:12,200 Speaker 1: I had to sit down for a minute. I'm sitting 362 00:19:12,240 --> 00:19:15,600 Speaker 1: there and the room started spinning. I'm like, Holy, this 363 00:19:15,640 --> 00:19:20,320 Speaker 1: ain't going to right. I needed a minute. Fully committed 364 00:19:20,359 --> 00:19:22,840 Speaker 1: to the process. I wasn't gonna let the fans down. 365 00:19:22,840 --> 00:19:25,520 Speaker 1: I'm like, look, I didn't pass out, and I'm definitely 366 00:19:25,600 --> 00:19:28,240 Speaker 1: not going out there to get into ambulance and make 367 00:19:28,280 --> 00:19:31,679 Speaker 1: a scene. But that's what it is. You can't be 368 00:19:31,680 --> 00:19:33,800 Speaker 1: working as hard and saying that you're doing all this 369 00:19:34,280 --> 00:19:36,720 Speaker 1: as an urban artist, catering to the needs of urban 370 00:19:37,000 --> 00:19:39,080 Speaker 1: I'm trying to do what I gotta do to to 371 00:19:39,280 --> 00:19:42,840 Speaker 1: respark R and B like I got my cape on, baby, 372 00:19:42,880 --> 00:19:44,920 Speaker 1: I'm trying to. I'm trying to. I'm trying to fly. 373 00:19:45,119 --> 00:19:46,679 Speaker 1: But then, let me ask you a question. You you 374 00:19:46,760 --> 00:19:49,480 Speaker 1: do records like stay, and then you do records like shame, 375 00:19:49,520 --> 00:19:52,920 Speaker 1: and you preach positivity, and you preach being a great 376 00:19:52,920 --> 00:19:55,320 Speaker 1: man and great relationships, but then you f up in 377 00:19:55,320 --> 00:19:59,680 Speaker 1: your He admits that he's human, not human tyres can't 378 00:19:59,680 --> 00:20:01,520 Speaker 1: do that. You can't be a pat Are you saying 379 00:20:01,560 --> 00:20:05,280 Speaker 1: that to me? Yes, all, you're saying that to me, 380 00:20:06,119 --> 00:20:10,480 Speaker 1: calling it the yellow. He's much blacker than me. Right now, 381 00:20:11,200 --> 00:20:13,680 Speaker 1: put this in front of you, put this in front 382 00:20:13,680 --> 00:20:19,000 Speaker 1: of your face. Let's talk about speak positivity and I 383 00:20:19,040 --> 00:20:20,200 Speaker 1: love it. A lot of people look up to you 384 00:20:20,280 --> 00:20:22,800 Speaker 1: as positivity. I was one that did and I still do. 385 00:20:23,440 --> 00:20:28,359 Speaker 1: He used to mess up, Like how you tell me 386 00:20:28,600 --> 00:20:30,400 Speaker 1: be good, be better? You tell the world. I ain't 387 00:20:30,400 --> 00:20:33,360 Speaker 1: never heard you were perfect. I'm not perfect. And one 388 00:20:33,359 --> 00:20:37,320 Speaker 1: of the best thing the fact that how do you 389 00:20:37,359 --> 00:20:40,560 Speaker 1: avoid all these leg muscles out here when the clevelang 390 00:20:40,720 --> 00:20:43,399 Speaker 1: is right and you're sitting up trying to keep your focus? 391 00:20:43,480 --> 00:20:45,359 Speaker 1: How do you do it? How do you do it? 392 00:20:45,760 --> 00:20:50,159 Speaker 1: I'm active? Listen, listen, let me just's real out here. Listen, listen. 393 00:20:50,400 --> 00:20:53,480 Speaker 1: I sing to that because I want that, and I 394 00:20:53,520 --> 00:20:57,080 Speaker 1: don't play on both sides. I'm right here right So 395 00:20:57,320 --> 00:21:00,000 Speaker 1: at the end of the day, I'm trying my best. 396 00:21:00,320 --> 00:21:02,960 Speaker 1: Every day we're a work in projects. Guess what when 397 00:21:02,960 --> 00:21:07,600 Speaker 1: a relationships ends, sometimes it's not always about cheating. Sometimes 398 00:21:07,800 --> 00:21:10,840 Speaker 1: that woman is in a relationship and she's mentally and spiritually, 399 00:21:10,840 --> 00:21:14,280 Speaker 1: emotionally bored because their man don't know how to intrigue her. 400 00:21:14,560 --> 00:21:17,640 Speaker 1: So she's like running around desperate just to have a conversation. 401 00:21:18,119 --> 00:21:21,640 Speaker 1: So my man ain't cheating. But if if it's gonna 402 00:21:21,680 --> 00:21:24,040 Speaker 1: stop me from being this board, go get something else. 403 00:21:24,119 --> 00:21:25,919 Speaker 1: Just come home and talk about it, talk to me. 404 00:21:26,680 --> 00:21:29,560 Speaker 1: It's all kind of reasons that relationships end, and you 405 00:21:29,600 --> 00:21:32,320 Speaker 1: could find just sayf saying I'm ashamed of that. I'm 406 00:21:32,359 --> 00:21:35,919 Speaker 1: ashamed that I was playing video games, wearing cartoon characters 407 00:21:35,920 --> 00:21:39,480 Speaker 1: on my backpack wearing peppermint socks, caught up in cars, 408 00:21:39,520 --> 00:21:42,280 Speaker 1: money and materialistic things, and my wife is at home 409 00:21:42,320 --> 00:21:44,760 Speaker 1: suffering and I didn't even know it. You could leave 410 00:21:44,800 --> 00:21:47,320 Speaker 1: your relationship and be ashamed of that. So at the 411 00:21:47,400 --> 00:21:49,520 Speaker 1: end of the day, there's all kind of and guess what, 412 00:21:49,960 --> 00:21:53,880 Speaker 1: let's put this out there that every time a relationship ends, 413 00:21:53,880 --> 00:21:56,560 Speaker 1: it's not always demand. There's plenty of women out here 414 00:21:56,640 --> 00:21:59,239 Speaker 1: doing that they're ashamed of. I had nothing to do 415 00:21:59,280 --> 00:22:01,800 Speaker 1: with them. Ten relationships that you was in before we 416 00:22:01,880 --> 00:22:06,320 Speaker 1: got in a relationship. You didn't brought all of them heartbreaks, insecurities, issues, 417 00:22:06,720 --> 00:22:11,240 Speaker 1: mental emotional and physical abuse into this brand new relationship. 418 00:22:11,520 --> 00:22:13,760 Speaker 1: Now I'm on the receiving end of all of them. 419 00:22:13,880 --> 00:22:16,439 Speaker 1: Ten dudes and dead do you so you should be 420 00:22:16,480 --> 00:22:19,679 Speaker 1: ashamed of yourself? Don't put it on me. Did I 421 00:22:19,720 --> 00:22:22,760 Speaker 1: ask your questions? But you have? But you have broken 422 00:22:22,760 --> 00:22:24,760 Speaker 1: a lot of hearts, as you said yourself, I have. 423 00:22:25,359 --> 00:22:29,360 Speaker 1: I'm not, I'm not. I'm not proud of them. Last 424 00:22:29,359 --> 00:22:37,680 Speaker 1: album Charlemagne. I'm sure. I'm so sure. If I would 425 00:22:37,680 --> 00:22:39,760 Speaker 1: have talked to your wife right there, she'll tell me. 426 00:22:40,320 --> 00:22:42,359 Speaker 1: I keep telling them to put the seat down on 427 00:22:42,400 --> 00:22:45,200 Speaker 1: the toilet hill. I keep telling him when he takes 428 00:22:45,240 --> 00:22:47,920 Speaker 1: his last drivel pause, don't have it on the top 429 00:22:47,960 --> 00:22:50,040 Speaker 1: of the seat, do it on the bottom of the seat. 430 00:22:50,960 --> 00:22:53,520 Speaker 1: I'm telling you. It's like, listen, man, here's the beautiful 431 00:22:53,520 --> 00:22:57,760 Speaker 1: thing about being a man and a woman. We're all 432 00:22:57,760 --> 00:23:00,639 Speaker 1: a work in progress. Nobody's perfect. And this is what 433 00:23:00,680 --> 00:23:04,199 Speaker 1: I'm gonna talk about just a little bit. Just the 434 00:23:04,200 --> 00:23:06,240 Speaker 1: way you faced it was like you think about being 435 00:23:06,240 --> 00:23:11,520 Speaker 1: a man and a woman, just a little bit. That's 436 00:23:11,520 --> 00:23:15,560 Speaker 1: what you're doing. Really, I swear to god, it's just 437 00:23:15,600 --> 00:23:19,600 Speaker 1: about ratings right now, he's about Really the headline is 438 00:23:19,600 --> 00:23:24,240 Speaker 1: about to say, tyres, I'm not doing this. I swear 439 00:23:24,280 --> 00:23:27,480 Speaker 1: to God, I'm about to walk about this. I'm not 440 00:23:27,560 --> 00:23:31,040 Speaker 1: doing it. So anyway, as a man and a woman, 441 00:23:31,080 --> 00:23:35,159 Speaker 1: and the pressence of thank you appreciate, sometimes you realize 442 00:23:35,640 --> 00:23:39,280 Speaker 1: that you're not perfect, we're working progress. My album is 443 00:23:39,320 --> 00:23:44,359 Speaker 1: not for perfect people. I'm going into honest topics. I'm 444 00:23:44,400 --> 00:23:47,680 Speaker 1: singing from the heart. I'm vulnerable, I'm honest. And here's 445 00:23:47,680 --> 00:23:51,159 Speaker 1: the thing. It's not about album selves. It's not about 446 00:23:51,200 --> 00:23:53,399 Speaker 1: being number one and I'm missing I'm not that's for 447 00:23:53,440 --> 00:23:56,399 Speaker 1: people in the industry to stroke that ego. All of 448 00:23:56,440 --> 00:23:59,880 Speaker 1: the success around this Black Rose album is to benefit 449 00:23:59,880 --> 00:24:03,120 Speaker 1: the state of R and B. It's to highlight something 450 00:24:03,440 --> 00:24:06,720 Speaker 1: that seems to be in the backseat right now. I'm 451 00:24:06,760 --> 00:24:09,600 Speaker 1: saying it to the Grammys. I want to win this year. 452 00:24:10,680 --> 00:24:12,920 Speaker 1: And I don't want to win just because I want 453 00:24:12,920 --> 00:24:15,640 Speaker 1: to give a speech. I want to win because this 454 00:24:15,720 --> 00:24:18,600 Speaker 1: is a real R and B album that deserves the Grammy. 455 00:24:18,640 --> 00:24:20,359 Speaker 1: And I don't want to be in the pre telecast. 456 00:24:20,400 --> 00:24:22,439 Speaker 1: I don't want to give out my award before the 457 00:24:22,480 --> 00:24:26,040 Speaker 1: actual Grammy start. I don't want to be on billboards 458 00:24:26,200 --> 00:24:29,160 Speaker 1: as rappers and R and B singers promoting the Grammys, 459 00:24:29,760 --> 00:24:31,840 Speaker 1: and then when you show up, they're given trophies to 460 00:24:31,880 --> 00:24:35,760 Speaker 1: everybody that wasn't on the billboards straight up and down. 461 00:24:36,520 --> 00:24:39,680 Speaker 1: Don't have all of us creating that momentum for people 462 00:24:39,680 --> 00:24:42,520 Speaker 1: to tune in and then you're giving out trophies there. 463 00:24:42,520 --> 00:24:44,919 Speaker 1: But I think Steve Stou said that, like, at the 464 00:24:45,000 --> 00:24:49,560 Speaker 1: end of the day, it's time to respark real interest 465 00:24:50,040 --> 00:24:52,160 Speaker 1: and have the energy to go in the right direction. 466 00:24:52,240 --> 00:24:55,760 Speaker 1: And I'm not talking about black I'm just saying in general, 467 00:24:56,680 --> 00:24:59,720 Speaker 1: let's be more fair, let's be real, like I've already 468 00:24:59,720 --> 00:25:02,440 Speaker 1: talked about it, but come on, man, I don't limit me, 469 00:25:03,000 --> 00:25:06,280 Speaker 1: don't limit my reach, don't limit my fan base, don't 470 00:25:06,440 --> 00:25:09,400 Speaker 1: don't stop people from falling in love with these songs. 471 00:25:09,600 --> 00:25:12,119 Speaker 1: And don't make me think that because I'm not singing 472 00:25:12,160 --> 00:25:15,159 Speaker 1: house in techno and I'm not wearing tight ass pants 473 00:25:15,880 --> 00:25:19,159 Speaker 1: and trying to be a crossover act specifically, that I 474 00:25:19,200 --> 00:25:23,520 Speaker 1: can't have my fans all across the board hearing my music, Like, 475 00:25:23,640 --> 00:25:27,520 Speaker 1: come on, man, them days is over. Change subs a 476 00:25:27,560 --> 00:25:29,719 Speaker 1: little bit. You want Empire season two coming over? They said, Yes, 477 00:25:29,800 --> 00:25:32,640 Speaker 1: I'm coming to get my bottom lip back tied. All 478 00:25:32,640 --> 00:25:35,399 Speaker 1: these dudes kissing on Taraji, I'm not having it. Is 479 00:25:35,440 --> 00:25:39,760 Speaker 1: it gonna be a regular role or we'll see, we'll see. 480 00:25:39,920 --> 00:25:42,840 Speaker 1: I definitely got I'm I'm won't be visiting. I'm not 481 00:25:42,880 --> 00:25:44,440 Speaker 1: just gonna come and do a scene or two and 482 00:25:44,480 --> 00:25:49,080 Speaker 1: get up bout it. You supposed to be on the 483 00:25:49,119 --> 00:25:52,520 Speaker 1: first season, I was. I was dealing with my custody situation. 484 00:25:53,359 --> 00:25:56,520 Speaker 1: You know, shout out to Lee Daniels, Danny Strong, to Raji, 485 00:25:57,119 --> 00:25:59,440 Speaker 1: you know, all of the success that they have. I'm 486 00:25:59,480 --> 00:26:01,920 Speaker 1: not one of them people that's jumping on the Empire train. 487 00:26:02,400 --> 00:26:05,000 Speaker 1: They really wanted me to be on season one. I 488 00:26:05,040 --> 00:26:08,000 Speaker 1: just couldn't do it fighting for my baby. And uh, 489 00:26:08,119 --> 00:26:11,320 Speaker 1: I've also turned down like nine movies fighting for my daughter, 490 00:26:12,119 --> 00:26:13,840 Speaker 1: you know. And that's what it is when you're a 491 00:26:13,920 --> 00:26:17,159 Speaker 1: dad and you committed to what's happening sometime projects that 492 00:26:17,280 --> 00:26:21,120 Speaker 1: got big checks attached. You can't do it on press 493 00:26:21,240 --> 00:26:22,760 Speaker 1: runs with you and everything, because I see you have 494 00:26:22,800 --> 00:26:24,560 Speaker 1: it with you all the time when you're out and about. 495 00:26:25,200 --> 00:26:28,439 Speaker 1: Enjoy that. My daughter loves it. She's my daughter is 496 00:26:28,640 --> 00:26:30,879 Speaker 1: my biggest fan, and I'm hers. I mean, listen, I 497 00:26:30,920 --> 00:26:33,680 Speaker 1: just got I just got the best video ever man, 498 00:26:34,280 --> 00:26:36,800 Speaker 1: and I haven't even showed it to my daughter yet. 499 00:26:36,960 --> 00:26:41,119 Speaker 1: She just turned eight and I just got the best 500 00:26:41,240 --> 00:26:55,359 Speaker 1: video ever from Selena Goldman. Look at this. My daughter 501 00:26:55,560 --> 00:26:59,240 Speaker 1: is the biggest Selena gold Like my daughter, we wanted 502 00:26:59,240 --> 00:27:02,560 Speaker 1: to watch her documentaries. There's only so many women out 503 00:27:02,600 --> 00:27:04,800 Speaker 1: here that's keeping the classy and clean that your little 504 00:27:04,800 --> 00:27:07,359 Speaker 1: girl could actually look up to. I'm telling you she 505 00:27:07,400 --> 00:27:11,960 Speaker 1: hasn't seen this video yet. She's going to freak out. Listen. 506 00:27:12,040 --> 00:27:14,359 Speaker 1: I need you to because my daughter's doing well in school. 507 00:27:14,400 --> 00:27:16,399 Speaker 1: You know what, I mean, she just graduated, she's in 508 00:27:16,480 --> 00:27:20,560 Speaker 1: first grade now, and she needs that positive reinforcement. So 509 00:27:20,600 --> 00:27:23,320 Speaker 1: I'm like, look, say something about her being in school, 510 00:27:23,359 --> 00:27:26,080 Speaker 1: being focused in your video. Don't just send me a 511 00:27:26,119 --> 00:27:28,640 Speaker 1: birthday shout. So if the video had kept going, She's 512 00:27:28,680 --> 00:27:36,000 Speaker 1: going in love Selena now Voltron Record. So V Bosman, Yes, 513 00:27:36,200 --> 00:27:40,879 Speaker 1: Timberland artists your artist. That's that's that's Timberland's artist. And 514 00:27:41,000 --> 00:27:43,000 Speaker 1: I've been working with V to help her to finish 515 00:27:43,040 --> 00:27:45,920 Speaker 1: her first solo Outum got you. So I think both 516 00:27:45,960 --> 00:27:48,879 Speaker 1: from watch South Central LA and I just you know, 517 00:27:48,960 --> 00:27:52,520 Speaker 1: I think she's a sweet, beautiful Yeah, I love her, man, 518 00:27:52,600 --> 00:27:54,639 Speaker 1: She's sweet. I tell you. At the BET Awards and 519 00:27:54,680 --> 00:27:58,000 Speaker 1: you're the first ever mayor of the BET Awards. How 520 00:27:58,000 --> 00:28:01,639 Speaker 1: did that happen? Um? You know Stephen Hill uh and 521 00:28:01,760 --> 00:28:06,400 Speaker 1: my man? Uh um oh man, we gotta edit this part. 522 00:28:06,400 --> 00:28:10,160 Speaker 1: Hold on, hold on uh damn okay, yeah, my man, uh, 523 00:28:10,200 --> 00:28:13,800 Speaker 1: my man. Stephen Hill be Et Debralee as well as 524 00:28:13,840 --> 00:28:17,159 Speaker 1: Paxton Baker Um asked me to be the mayor of 525 00:28:17,200 --> 00:28:20,960 Speaker 1: the Overall Beet Experience and and I was just honored. 526 00:28:21,040 --> 00:28:24,280 Speaker 1: You know, I'm from la Um and it was five 527 00:28:24,440 --> 00:28:27,720 Speaker 1: days of me just hosting and just making sure that 528 00:28:27,760 --> 00:28:29,399 Speaker 1: everything was smooth. Now, I didn't know that they was 529 00:28:29,400 --> 00:28:31,199 Speaker 1: gonna have me doing that much work. Yeah, that was 530 00:28:31,200 --> 00:28:33,080 Speaker 1: a lot of work. I was like, poort tyrese out here, 531 00:28:33,119 --> 00:28:34,520 Speaker 1: he got to do all this time. I mean, we're 532 00:28:34,520 --> 00:28:38,000 Speaker 1: talking about emails, late night conference call. Certain certain people 533 00:28:38,000 --> 00:28:40,080 Speaker 1: were supposed to perform and fell out, and we're trying 534 00:28:40,120 --> 00:28:42,640 Speaker 1: to find a replacement. I didn't know I actually had 535 00:28:42,680 --> 00:28:44,400 Speaker 1: to work. I thought they were just gonna use me 536 00:28:44,440 --> 00:28:47,080 Speaker 1: on the red carpet. I thought I was gonna be 537 00:28:47,080 --> 00:28:49,920 Speaker 1: out there in them streets getting active and then I 538 00:28:50,000 --> 00:28:53,800 Speaker 1: sell you and Janelle Monae had to run in after. Yeah, 539 00:28:53,960 --> 00:28:57,840 Speaker 1: you like all my women. Manne Patti LaBelle sow danced 540 00:28:57,840 --> 00:29:00,720 Speaker 1: with Patty LaBelle. I don't want to pet the bell 541 00:29:00,800 --> 00:29:07,800 Speaker 1: but called him out for having that. I'm like, bright, 542 00:29:07,880 --> 00:29:09,239 Speaker 1: I can't. You can't be mad at me because your 543 00:29:09,240 --> 00:29:12,720 Speaker 1: mom's the milk. But Janelle is the prettiest girl in 544 00:29:12,760 --> 00:29:15,960 Speaker 1: the game. She is without question. Yeah, I love Janelle. 545 00:29:16,080 --> 00:29:19,560 Speaker 1: I think everybody knows that. But now I went I did. 546 00:29:19,600 --> 00:29:21,160 Speaker 1: I gave him my best. It was it was a 547 00:29:21,160 --> 00:29:25,680 Speaker 1: classic lebron lob in the air, and I listen. You 548 00:29:25,720 --> 00:29:28,680 Speaker 1: know what. I love the way she reacted. She put 549 00:29:28,760 --> 00:29:30,719 Speaker 1: up the tweet. When I seen her, I was I 550 00:29:30,760 --> 00:29:33,760 Speaker 1: got caught in the back of the Beet Radio room 551 00:29:33,760 --> 00:29:36,680 Speaker 1: and I ran into her and she was smiling. She said, 552 00:29:36,720 --> 00:29:39,840 Speaker 1: I love you and I'm just so grateful, and it 553 00:29:39,880 --> 00:29:42,080 Speaker 1: was like wow, all of my friends were calling me. 554 00:29:42,160 --> 00:29:45,680 Speaker 1: That was really really beautiful. She handled it. It was classy. 555 00:29:45,920 --> 00:29:48,080 Speaker 1: I wasn't shore watch on it and be like, yeah 556 00:29:48,120 --> 00:29:51,400 Speaker 1: that's cool. Yeah, yeah, that's nice. So what's happening saying 557 00:29:51,440 --> 00:29:54,320 Speaker 1: what's good? I put this I put this cologne on 558 00:29:54,360 --> 00:29:57,480 Speaker 1: for you. You know what I I You know, I 559 00:29:57,520 --> 00:30:00,120 Speaker 1: did apologize to her because it may have if have 560 00:30:00,200 --> 00:30:03,680 Speaker 1: created a bunch of unwanted attention, But I meant every 561 00:30:03,680 --> 00:30:06,920 Speaker 1: word I said. I think um today, it's a bunch 562 00:30:06,960 --> 00:30:09,680 Speaker 1: of pride and ego that stops a man from expressing 563 00:30:09,720 --> 00:30:12,040 Speaker 1: himself because he doesn't want to look thirsty, don't want 564 00:30:12,040 --> 00:30:14,600 Speaker 1: to look like he's sweating and jogging. You know, people 565 00:30:14,600 --> 00:30:17,600 Speaker 1: are quick to like diminish you trying to just give 566 00:30:17,640 --> 00:30:20,440 Speaker 1: somebody love. I ain't getting caught up in that. I'm grown. Listen, 567 00:30:20,520 --> 00:30:24,080 Speaker 1: my voice is deep. You give me twelve days I'll 568 00:30:24,080 --> 00:30:26,360 Speaker 1: have a full beard. I'm not out here trying to 569 00:30:26,480 --> 00:30:29,760 Speaker 1: drop keep up with nobody. I don't know nobody named 570 00:30:29,800 --> 00:30:32,560 Speaker 1: Nay Nay. I'm grown and I like it. I like 571 00:30:32,760 --> 00:30:36,240 Speaker 1: being grown. Okay, So if you got your show coming on, 572 00:30:36,800 --> 00:30:39,160 Speaker 1: Charlemagne got a full beard, ain't nothing wrong with that. 573 00:30:39,800 --> 00:30:46,280 Speaker 1: Be grown. It's coming on right to talk show? Right? Yes? 574 00:30:46,680 --> 00:30:48,800 Speaker 1: Would you give people advice? Yes, shoot your shot on 575 00:30:48,840 --> 00:30:50,960 Speaker 1: social media? If you like a girl, listen, I would 576 00:30:50,960 --> 00:30:54,480 Speaker 1: say in general, don't let your pride and ego and 577 00:30:54,600 --> 00:30:59,120 Speaker 1: this he thirsty. I am thirsty. I want that. Oh 578 00:30:59,160 --> 00:31:01,560 Speaker 1: my god. If I want that, I'm gonna go for it. 579 00:31:01,920 --> 00:31:05,360 Speaker 1: If I see come on, live up to the sprite 580 00:31:05,360 --> 00:31:09,400 Speaker 1: can Okay, listen, if you want that, go get thee. 581 00:31:09,920 --> 00:31:13,760 Speaker 1: Don't let your husband walk by you because you got 582 00:31:13,760 --> 00:31:16,400 Speaker 1: a job and you're doing I'm I'm independent. I don't 583 00:31:16,400 --> 00:31:17,880 Speaker 1: need you, I don't want you. I could do, but 584 00:31:17,960 --> 00:31:22,760 Speaker 1: you can nobody. Don't independence your way into loneliness, period. 585 00:31:22,840 --> 00:31:25,400 Speaker 1: And it doesn't mean because you're alone, your lone lead. 586 00:31:26,000 --> 00:31:28,840 Speaker 1: But there's a lot of women out here that becomes successful, 587 00:31:28,880 --> 00:31:31,920 Speaker 1: start getting money, start doing a thing, and they use 588 00:31:32,080 --> 00:31:35,760 Speaker 1: that as a weapon towards a man that may not 589 00:31:35,880 --> 00:31:38,080 Speaker 1: have as much. That man may not have as much 590 00:31:38,120 --> 00:31:40,960 Speaker 1: as you because you you're successful and you're doing your thing, 591 00:31:41,280 --> 00:31:43,960 Speaker 1: but nobody wants to be alone and stop tearing the 592 00:31:44,000 --> 00:31:47,040 Speaker 1: men down. You can, you can have a conversation with 593 00:31:47,080 --> 00:31:50,400 Speaker 1: that man and he becomes the next successful entrepreneur. Everything 594 00:31:50,440 --> 00:31:52,800 Speaker 1: on an ego level is just whacked. One thing I 595 00:31:52,880 --> 00:31:56,280 Speaker 1: love about envy, straight up and down. And we ain't 596 00:31:56,280 --> 00:31:58,920 Speaker 1: gonna going to that again. But this man made it 597 00:31:59,040 --> 00:32:04,120 Speaker 1: really clear that I made some mistakes. But I know 598 00:32:05,080 --> 00:32:07,720 Speaker 1: who that woman is. I know what this family is, 599 00:32:07,960 --> 00:32:10,479 Speaker 1: and I love getting money. I love living and driving 600 00:32:10,520 --> 00:32:13,280 Speaker 1: with that. But I am miserable and I am frustrated 601 00:32:13,280 --> 00:32:15,720 Speaker 1: with the idea that something that I may have did 602 00:32:15,760 --> 00:32:19,000 Speaker 1: and said might lose my wife. Now that's right, that's 603 00:32:19,000 --> 00:32:21,400 Speaker 1: how you fight to make love work. And I think 604 00:32:21,480 --> 00:32:23,760 Speaker 1: right now, when it comes to pride and ego, that's 605 00:32:23,800 --> 00:32:27,560 Speaker 1: the number one relationship killer. Okay, I don't need you. 606 00:32:27,680 --> 00:32:30,080 Speaker 1: I'm cool. I'm getting money out hit you getting money, 607 00:32:30,120 --> 00:32:35,960 Speaker 1: but you miserable as a motherfu Okay, woman, you want 608 00:32:35,960 --> 00:32:38,280 Speaker 1: to go home to a poodle and a rabbit in 609 00:32:38,320 --> 00:32:40,800 Speaker 1: your drawer helping you to go to sleep, every night, 610 00:32:40,800 --> 00:32:44,120 Speaker 1: you're replacing a man with a machine, a vibrator. Stop 611 00:32:44,200 --> 00:32:46,520 Speaker 1: playing man. There's a viby to go to. Poodle the rabbit, 612 00:32:46,800 --> 00:32:52,960 Speaker 1: a rabbit dog dog dog at the front door. I'm 613 00:32:53,000 --> 00:32:57,720 Speaker 1: good Now. All of you fellas out here thinking that 614 00:32:57,800 --> 00:33:00,440 Speaker 1: because you getting money, you drive, that you living, that 615 00:33:01,000 --> 00:33:03,760 Speaker 1: that you don't need a woman, come on, man, listen. 616 00:33:04,000 --> 00:33:06,800 Speaker 1: As much paper as I've been getting and getting. My 617 00:33:06,880 --> 00:33:09,680 Speaker 1: girl's been gone, she moved, she's been going like ten months. 618 00:33:09,720 --> 00:33:12,000 Speaker 1: I don't like going home without my girl there. I 619 00:33:12,040 --> 00:33:15,760 Speaker 1: don't like it. I don't like it. I've been doing 620 00:33:15,800 --> 00:33:17,800 Speaker 1: interviews trying to figure out what could I say and 621 00:33:17,840 --> 00:33:22,120 Speaker 1: do to get her to come back. I'm ashamed. I 622 00:33:22,200 --> 00:33:26,680 Speaker 1: do wow, I do Now. We got options out here, 623 00:33:26,880 --> 00:33:30,760 Speaker 1: but that don't mean nothing. I don't mean nothing that 624 00:33:30,800 --> 00:33:33,360 Speaker 1: he wrote the song about. I wrote this album about 625 00:33:33,360 --> 00:33:36,800 Speaker 1: the whole album. I don't like it. Now. Guess what 626 00:33:36,880 --> 00:33:38,880 Speaker 1: You can be in a bed with a woman and 627 00:33:39,000 --> 00:33:42,960 Speaker 1: still feel alone. That's what. Yes, you can definitely be 628 00:33:43,000 --> 00:33:45,320 Speaker 1: with somebody and be lonelier with somebody that you don't 629 00:33:45,320 --> 00:33:47,640 Speaker 1: want to be with. It absolutely there is a feeling 630 00:33:47,640 --> 00:33:57,280 Speaker 1: of still feeling alone even when you physically with somebody, Charlotte. Okay, 631 00:33:57,280 --> 00:34:05,000 Speaker 1: I'm reading the blogs all right, the blogs. Blogs say 632 00:34:05,040 --> 00:34:07,600 Speaker 1: you light skin, the blogs saying you look up to 633 00:34:07,760 --> 00:34:09,279 Speaker 1: Enva and you wanted your skin to look like he. 634 00:34:10,080 --> 00:34:19,080 Speaker 1: We wanna believe that one look up the Va offends 635 00:34:19,120 --> 00:34:23,600 Speaker 1: me more than all. My thing is, we're in a 636 00:34:23,680 --> 00:34:27,480 Speaker 1: day and age where we're amongst the lost generation. We 637 00:34:27,600 --> 00:34:30,400 Speaker 1: got so many people out here that are genusly talented, 638 00:34:30,920 --> 00:34:32,840 Speaker 1: but they have no sense of direction. We got a 639 00:34:32,880 --> 00:34:37,120 Speaker 1: bunch of people, uninspired, unmotivated, trying to figure out how 640 00:34:37,160 --> 00:34:39,120 Speaker 1: do I get my life in my career to the 641 00:34:39,160 --> 00:34:44,080 Speaker 1: next level without compromising my spirituality or my sexuality, without 642 00:34:44,120 --> 00:34:47,240 Speaker 1: feeling like I gotta go do something thirsty a sex 643 00:34:47,280 --> 00:34:49,400 Speaker 1: tape or this to that, just to get some buzz 644 00:34:49,400 --> 00:34:51,759 Speaker 1: and attention to mirry of my career. And so I 645 00:34:51,800 --> 00:34:53,560 Speaker 1: just want to put this out there because there's a 646 00:34:53,600 --> 00:34:59,560 Speaker 1: million people watching this. Go get black rolls, But um um, 647 00:34:59,600 --> 00:35:01,200 Speaker 1: I want to just say this because it needs to 648 00:35:01,200 --> 00:35:04,120 Speaker 1: be said. I believe that this is the season for 649 00:35:04,200 --> 00:35:08,359 Speaker 1: good people to win. I believe that you can love 650 00:35:08,480 --> 00:35:12,640 Speaker 1: God not be out here doing things with antics and 651 00:35:12,640 --> 00:35:14,640 Speaker 1: this and that just to get some attention and love 652 00:35:14,680 --> 00:35:17,960 Speaker 1: around your creativity and your career. And I also want 653 00:35:17,960 --> 00:35:20,560 Speaker 1: to say this, it is not in everybody's cars to 654 00:35:20,600 --> 00:35:24,160 Speaker 1: be famous. It's not in every There is a such 655 00:35:24,239 --> 00:35:26,879 Speaker 1: thing as a billionaire that's on the train right now 656 00:35:26,880 --> 00:35:28,320 Speaker 1: and you don't even know who the hell he is, 657 00:35:28,360 --> 00:35:31,120 Speaker 1: and he likes it, he likes or she likes just 658 00:35:31,280 --> 00:35:35,160 Speaker 1: being successful, wealthy, having private planes, living his life and 659 00:35:35,200 --> 00:35:39,719 Speaker 1: lifestyle and not be famous. So many people are focused 660 00:35:39,760 --> 00:35:43,000 Speaker 1: on fame. It's crazy, especially in this area. We come 661 00:35:43,040 --> 00:35:44,680 Speaker 1: from the era of being just want to be successful 662 00:35:44,680 --> 00:35:48,040 Speaker 1: and so different now, Oh my god, listen, I don't 663 00:35:48,080 --> 00:35:50,160 Speaker 1: wake up every day trying to figure out how to 664 00:35:50,200 --> 00:35:54,560 Speaker 1: be more famous. I'm the chairman and CEO of Voltron Entertainment. 665 00:35:54,760 --> 00:35:58,160 Speaker 1: We got forty three projects that are in various different phases. 666 00:35:58,400 --> 00:36:02,800 Speaker 1: I got billionaires, edge funds, multi millionaires around the world, 667 00:36:03,080 --> 00:36:05,600 Speaker 1: all communicating and rocking trying to figure out how the 668 00:36:05,640 --> 00:36:08,319 Speaker 1: way to bring these visions to life. And it ain't 669 00:36:08,360 --> 00:36:13,000 Speaker 1: about antics, man, Listen right now. The reason I want 670 00:36:13,000 --> 00:36:15,640 Speaker 1: this album to be successful as well is because I 671 00:36:15,680 --> 00:36:19,120 Speaker 1: want to be able to highlight love again. Like you're 672 00:36:19,160 --> 00:36:22,120 Speaker 1: not even on the cover of a magazine unless you're 673 00:36:22,120 --> 00:36:26,279 Speaker 1: about to file for divorce, like I feel like positive, 674 00:36:26,360 --> 00:36:29,759 Speaker 1: Like why can't you be married with a functioning relationship 675 00:36:29,840 --> 00:36:32,680 Speaker 1: with your kids that are smart and educated, not out 676 00:36:32,760 --> 00:36:36,239 Speaker 1: here being bullied or bullying, and have some attention to 677 00:36:36,239 --> 00:36:39,120 Speaker 1: be given to your marriage and your relationship. The devil 678 00:36:39,160 --> 00:36:42,960 Speaker 1: has been busy trying to highlight negativity and not spread 679 00:36:43,040 --> 00:36:46,080 Speaker 1: no love to positivity. So I'm just putting it out 680 00:36:46,080 --> 00:36:48,480 Speaker 1: there like, I'm not preaching. I don't want nobody to 681 00:36:48,560 --> 00:36:51,440 Speaker 1: be like, oh here we go. He think he listen? Man, man, 682 00:36:51,520 --> 00:36:55,400 Speaker 1: shut up, shut up. You got a job to do 683 00:36:55,480 --> 00:36:57,719 Speaker 1: as a hater. I understand that you didn't create it 684 00:36:57,719 --> 00:37:00,239 Speaker 1: a user name and the passwords you could talk about 685 00:37:00,280 --> 00:37:03,080 Speaker 1: everybody's life and tear them down. I got that. Do 686 00:37:03,200 --> 00:37:06,640 Speaker 1: your job. Nobody wants to be unemployed. But it's very simple, man. 687 00:37:08,120 --> 00:37:10,560 Speaker 1: This is the season for good people to win. This 688 00:37:10,640 --> 00:37:13,200 Speaker 1: is the season for people that wake up every day 689 00:37:13,320 --> 00:37:16,719 Speaker 1: with good and positive intention towards other people's lives to 690 00:37:16,840 --> 00:37:20,919 Speaker 1: finally win. It's confusing. Women are in school every day, 691 00:37:21,200 --> 00:37:24,400 Speaker 1: single parent working, they ass off getting on the bus 692 00:37:24,440 --> 00:37:28,080 Speaker 1: and public transportation, trying to take care of their kids 693 00:37:28,080 --> 00:37:30,319 Speaker 1: and survive, and they feel like, Dan, what do I 694 00:37:30,320 --> 00:37:32,879 Speaker 1: gotta do a sex tape to finally get me as 695 00:37:32,880 --> 00:37:34,920 Speaker 1: an entrepreneur, to get some attention on some of the 696 00:37:34,920 --> 00:37:39,680 Speaker 1: sh I'm doing. I'm just tired, man, I'm tired. I'm 697 00:37:39,680 --> 00:37:43,520 Speaker 1: not frustrated, but I'm tired. And I felt like again, everybody, 698 00:37:43,640 --> 00:37:47,680 Speaker 1: stay encouraged, stay on your path, and just know that 699 00:37:47,719 --> 00:37:50,799 Speaker 1: as a positive person who has not allowed this game 700 00:37:50,840 --> 00:37:55,480 Speaker 1: to compromise my spirituality or my sexuality. In order for 701 00:37:55,520 --> 00:37:58,840 Speaker 1: me to get on and keep winning, I'm gonna keep rocking. 702 00:37:58,920 --> 00:38:01,160 Speaker 1: And when I win, you win, and I just want 703 00:38:01,239 --> 00:38:04,080 Speaker 1: us to win. Statement. The statement is this, if we're 704 00:38:04,120 --> 00:38:06,200 Speaker 1: trying to save R and B, it's not about the 705 00:38:06,239 --> 00:38:09,439 Speaker 1: album sales. I want to put this out there. If 706 00:38:09,480 --> 00:38:11,680 Speaker 1: I wanted to make money, I wouldn't be in music. 707 00:38:13,120 --> 00:38:15,919 Speaker 1: I'm getting real money with all the others I'm doing, 708 00:38:16,320 --> 00:38:19,160 Speaker 1: so for me to do music, I'm really trying to 709 00:38:19,160 --> 00:38:22,000 Speaker 1: make a statement on behalf of R and B. Black Rose. 710 00:38:22,080 --> 00:38:25,200 Speaker 1: My album is number one in thirteen countries. It's number 711 00:38:25,200 --> 00:38:30,720 Speaker 1: one on Google Play, Apple Music, iTunes, period it's number 712 00:38:30,760 --> 00:38:34,120 Speaker 1: one R and B Top two hundred. Supporting this Black 713 00:38:34,200 --> 00:38:37,040 Speaker 1: Rose album. Is you're helping me to make a statement. 714 00:38:37,400 --> 00:38:40,680 Speaker 1: You tired all this ratchet shout here happening. Help me 715 00:38:40,719 --> 00:38:43,840 Speaker 1: to make a statement because the music industry and executives 716 00:38:43,840 --> 00:38:48,399 Speaker 1: are like robots. What's selling. Let's put our money into that. 717 00:38:48,920 --> 00:38:51,520 Speaker 1: Let's put the R and B acts back on the radio, 718 00:38:51,880 --> 00:38:55,239 Speaker 1: back in business. Let's get talented people off of the 719 00:38:55,280 --> 00:38:59,520 Speaker 1: shelves and put them back on. That's it. So guess 720 00:38:59,560 --> 00:39:03,920 Speaker 1: what this when you're gonna see It's like Avatar. Everybody 721 00:39:03,960 --> 00:39:06,640 Speaker 1: started doing three D movies after that movie was the biggest. 722 00:39:07,280 --> 00:39:10,560 Speaker 1: That's what that's Black Rose is Avatar number one in 723 00:39:10,560 --> 00:39:13,000 Speaker 1: the country right now. We appreciate you for joining us. 724 00:39:13,080 --> 00:39:15,000 Speaker 1: I feel like I just read a week of Tyrese's 725 00:39:15,040 --> 00:39:21,960 Speaker 1: Facebook post. Congratulations, and I hope you get your girl back. 726 00:39:22,640 --> 00:39:25,359 Speaker 1: I hope I do too. She's listening. I hope y'all 727 00:39:25,360 --> 00:39:28,200 Speaker 1: are real popular. So I'm letting the world know I 728 00:39:28,239 --> 00:39:30,440 Speaker 1: want my girl back, and I don't mind the world 729 00:39:30,520 --> 00:39:33,399 Speaker 1: knowing right now, But you know, I gotta sing other 730 00:39:33,440 --> 00:39:44,880 Speaker 1: people's songs. My song ain't working right now. Really, Baby 731 00:39:45,400 --> 00:39:52,160 Speaker 1: trying a whole banking feelings for so long, any of 732 00:39:52,320 --> 00:39:59,280 Speaker 1: you feel I can't feel baby? Come home? Oh come home? 733 00:40:00,480 --> 00:40:07,080 Speaker 1: Ah ha. I'm just saying, she might hear it