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Speaker 1: Yeah, wrapper our podcast, Eliot Wilson, my name is beat

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Speaker 1: that beat up. What's up baby?

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Speaker 2: Yo? I'm right? No, actually I'm not all right. I'm

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Speaker 2: kind of mad at you.

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Speaker 1: Oh Man. What happened?

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Speaker 2: Man? Where you mad to be?

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Speaker 3: Man?

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Speaker 2: How you stick off to London without me?

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Speaker 1: Hey?

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Speaker 2: Man?

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Speaker 1: You started it? Man, you told you're old Jay. We

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Speaker 1: had to go check him on the road.

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Speaker 2: Man.

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Speaker 1: He started what he did his uh Paris show? Maybe

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Speaker 1: he did the activation with Louis Vaitan. Yeah, the show.

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Speaker 4: You said you were gonna go out there, man, and

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Speaker 4: then you flaked on us. Man, we didn't go and

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Speaker 4: then we looked bad and big hombie's eyes. So I

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Speaker 4: was like, I had to make it right. Man had

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Speaker 4: to pull up at that be concert. Man had to

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Speaker 4: bring the wife heat up, saying London town.

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Speaker 1: Man, I was with.

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Speaker 2: You the day, Brian. All of a sudden, I look online.

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Speaker 2: I'm like, yo, what.

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Speaker 4: Paul McCartney and Sir Paul I fanned out when I

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Speaker 4: met Sir Paul b I ain't gonna hold you man,

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Speaker 4: Sir Paul.

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Speaker 1: Man, come on, man, the guy's eighty years old.

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Speaker 4: Man, he's crispy out here, but he's the kid He's

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Speaker 4: a legend, man, Sir Paul.

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Speaker 2: The Yellow Submarine meets the Yellow Nigga.

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Speaker 1: Oh Man, easy easy, Man. It was Interval Presents manby

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Speaker 1: Easy Easy.

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Speaker 2: Now.

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Speaker 4: But it was amazing, man, Thanks Soul for the hospitality. Man,

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Speaker 4: Me and the wife had a great time and then

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Speaker 4: b Man. You know, the show lives up to the hype.

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Speaker 4: I will say that, Man, the show lives up to

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Speaker 4: the hype. Man, Beyonce, this is the best Beyonce tour

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Speaker 4: I've seen. You know, she doesn't just power ballot it out.

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Speaker 4: She gives you the renaissance album like it's a party.

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Speaker 1: Man. You don't want it to end. Man, it's a

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Speaker 1: great vibe.

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Speaker 2: Man. So you're telling me I got to catch on

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Speaker 2: a city near me.

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Speaker 1: Huh yo.

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Speaker 4: When it comes to the States, Man, you gotta take

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Speaker 4: a wife or something. I don't know what you're gonna do. Man,

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Speaker 4: you gotta take a lady friend. Man, you know what

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Speaker 4: I'm saying. You got your daughter.

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Speaker 1: Maybe you know we'll see you know, but you gotta

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Speaker 1: definitely support man. You gotta support it.

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Speaker 2: You gotta make something happen back, but we.

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Speaker 4: Made something happen man before I was in London. Man,

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Speaker 4: you know what was that be that I was in Louisville, Baby, Louisville.

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Speaker 2: We was in Louisville, man.

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Speaker 1: Yeah, man, all we gotta say it right. No, I

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Speaker 1: got it wrong. Now wait, I'm saying that like I have,

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Speaker 1: saying it right in front of Jack.

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Speaker 4: How do you say it again? Louisville, Louisville like that,

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Speaker 4: not Louisville. You gotta drop your voice. That's how they

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Speaker 4: say it down there in Kentucky.

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Speaker 1: Man. Yo, we went all the way to Kentucky to

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Speaker 1: speak to the boy Jack Hollow. Isn't that amazing?

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Speaker 2: Man?

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Speaker 5: I mean, he wasn't doing any press. I'm really honest

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Speaker 5: for us to be able to sit with him, because

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Speaker 5: you know, he wasn't really talking. He has the movie out,

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Speaker 5: he has the album out, jack Man. So that was

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Speaker 5: my first time there and it was really an experience

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Speaker 5: for sure.

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Speaker 1: Yeah.

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Speaker 4: Man, Shout out his management, shout out his publicist, shout

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Speaker 4: out to Big Jack himself.

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Speaker 1: Man.

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Speaker 4: Like he said, the Jackman album, he wanted that to

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Speaker 4: come out. You know, people said he kind of went

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Speaker 4: a little commercial with the last album. He dropped that

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Speaker 4: jack Man kind of roar hip hop, and he didn't

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Speaker 4: want to even speak about it. But you know, we

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Speaker 4: finally convinced him. He got the White Man Can't Jump

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Speaker 4: movie out and he was like, yo, we.

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Speaker 1: Just wrap right up. Man with a trust his face.

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Speaker 4: If you're going to talk about this, Brian Bett, Miller,

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Speaker 4: Elliott Wilson, those are the guys.

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Speaker 1: You need to talk to.

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Speaker 2: Absolutely man. So that was my first time interviewing him

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Speaker 2: as well.

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Speaker 5: I think he was revealing honest and I think he

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Speaker 5: wants it more than more people give him credit for.

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Speaker 2: You know, like he wants absolutely absolutely.

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Speaker 1: He's driven, man. He's a driven dude. Man. He loves

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Speaker 1: hip hop. He's dedicated.

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Speaker 4: It was great, you know, it was just amazing to

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Speaker 4: really soak it up, and I think you got left

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Speaker 4: beat town beat out. I was able to actually go

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Speaker 4: to the movie premiere that night and he had like

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Speaker 4: the Governor of Kentucky was there and stuff like the

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Speaker 4: love he gets in the city. Man, you can see it, man,

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Speaker 4: he says to the hometown pride, hometown hero.

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Speaker 1: You know, it's great to see somebody really putting on

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Speaker 1: for the city.

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Speaker 5: I always think it's dope when a person comes from

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Speaker 5: a small city blows up and comes back. You know,

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Speaker 5: you like with j Cole and you've seen it with

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Speaker 5: others and you know Jack is no exception.

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Speaker 1: And that's the thing you podcast is. Man, We rap

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Speaker 1: it on. You know how we do. We ain't scared

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Speaker 1: to go nowhere, man, buddapet hungry. We'll go anywhere. Toronto, Canada,

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Speaker 1: Love Kentucky. It ain't nothing but a flight. Man. You

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Speaker 1: gotta go out and get these stories. Man.

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Speaker 4: You want to talk to these artists, You gotta make

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Speaker 4: them feel comfortable. Sometimes you got to go to their environment. Man,

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Speaker 4: show that respect, you know.

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Speaker 2: Yeah, get your sky miles up.

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Speaker 1: Man. We'll get your ears up, man, and enjoy the audio.

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Speaker 2: Man.

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Speaker 1: Video will be available the next day. Man, this is

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Speaker 1: a very special one.

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Speaker 2: Man.

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Speaker 4: We set it off with toil to create it. The

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Speaker 4: reaction has been crazy. This is the second one. We

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Speaker 4: ain't stopping no time soon.

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Speaker 2: Man.

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Speaker 1: This is our got Jack hollow Man, Jack Man.

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Speaker 2: Want to rap rate our podcasts?

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Speaker 1: Yeah, rap raid on podcast. That's what it was. Beat

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Speaker 1: Elliott Wilson were in Kentucky with the man. See if

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Speaker 1: I get it right, Jack, tell me if I get

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Speaker 1: it right. Louisville nailed it. Yeah, Louisville welcome. You gotta

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Speaker 1: do it like that because we.

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Speaker 3: Say Louisville's flying out the first.

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Speaker 1: Time in Louisville. Yeah, why you ain't doing no press

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Speaker 1: for this album?

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Speaker 3: Man?

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Speaker 1: Why why you gave us the honor of sitting with us? Man?

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Speaker 1: We appreciate that, man, jack Man.

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Speaker 3: This album is about rap, and I know y'all want

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Speaker 3: to talk hip hop so much. The press I do

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Speaker 3: is spread.

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Speaker 6: They want to talk about the movie, which is Wonder Football.

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Speaker 6: I don't want to talk about the movie. WHI y'all

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Speaker 6: want to talk about rap, and so I was thinking

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Speaker 6: of hip hop when I made this album, so I

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Speaker 6: wanted to do an interview with.

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Speaker 3: Hip hop folks. But other than that, I want to

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Speaker 3: let the music speak.

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Speaker 5: Yeah, most people weren't expecting to return this fast following

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Speaker 5: the last project. Man, no rollout, no radio single, no promo, Like,

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Speaker 5: why was that your approach this time around?

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Speaker 3: There's just so much music right now, as y'all know,

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Speaker 3: And I was just I don't want to I don't

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Speaker 3: want to try to create something. I just want to

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Speaker 3: give them where I'm at right now, because it may

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Speaker 3: not be where I'm at in six months. So I said,

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Speaker 3: let's go right now. I can't lie, I guess I

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Speaker 3: just wanted to pledge allegiance to the genre a little bit.

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Speaker 1: I don't know.

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Speaker 3: I just wanted to take all the frills off and

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Speaker 3: just say here rap you.

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Speaker 4: Think some of the some of the album to come

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Speaker 4: home with kids miss you. The commercial success misconstrued.

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Speaker 3: I felt, Yeah, I love that album, and I think

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Speaker 3: I always will. I see a lot of redeeming qualities

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Speaker 3: in that album. I had so much fun making it.

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Speaker 3: And you don't always get points for how much fun

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Speaker 3: you have, but I had a lot of fun making it.

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Speaker 3: But I definitely afterwards spent some time feeling a bit misunderstood,

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Speaker 3: which is okay. That's not the worst way to live

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Speaker 3: your life. It's okay to be misunderstood. But I felt misunderstood,

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Speaker 3: as so many artists have and continue to and I'll

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Speaker 3: probably feel misunderstood stood again soon. But I just wanted

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Speaker 3: to fucking say my piece.

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Speaker 1: I just wanted to do it.

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Speaker 3: I just wanted to do it my way this time.

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Speaker 1: And you said your piece like under thirty minutes. It's

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Speaker 1: an easy listen to.

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Speaker 5: It's like only ten tracks as opposed to the other

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Speaker 5: projects to have fourteen fifteen.

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Speaker 1: Did you want to make it that tight and concise.

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Speaker 3: Concise is a great word. That's exactly what I want

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Speaker 3: to I didn't want to waste the line. I didn't

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Speaker 3: want some bridge to just make the song longer. It's

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Speaker 3: like I saw no reason to add anything that wasn't cruise,

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Speaker 3: so every line mattered to me. I didn't set out like, yo,

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Speaker 3: let's make a short ass album. It ended up short,

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Speaker 3: and I'm like, why we don't need to And there's

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Speaker 3: three songs with three verses, which is unheard of. It's

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Speaker 3: still the songs are still. I'm giving as much as

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Speaker 3: I can, but I don't like making songs longer to

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Speaker 3: make them longer, So if they end up short, they

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Speaker 3: end up short.

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Speaker 4: But you know what I like about the album is

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Speaker 4: like it's an easy listen in one sense, but in

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Speaker 4: some ways it isn't where it's like you hit the

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Speaker 4: ground with common ground and it's a short record, like

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Speaker 4: run it back and it's wait a minute, he said

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Speaker 4: a lot of shitness Right now, I gotta go back

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Speaker 4: and really dissect the Bar's like he made a lot

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Speaker 4: of strong statements in this one record, Like this one

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Speaker 4: record is a lot like was that your purpose?

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Speaker 1: Also, it's like pack with a lot of messaging in it.

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Speaker 3: Yeah, there's just so many vibes right now, there's so

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Speaker 3: many just vibes and mood music that, like I think

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Speaker 3: on Come Home, I was so focused on ear candy.

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Speaker 3: It was like literally a phrase I was using in

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Speaker 3: the studio concert. I remember telling the producers. I was like, Yo,

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Speaker 3: every beat you make, I need you to imagine there's

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Speaker 3: a girl sitting shotgun with you in the car. She

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Speaker 3: needs to like it. And I let go of that.

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Speaker 3: This time it was like, let's make this about just statements.

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Speaker 3: I let go of like my tone being as soothing

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Speaker 3: as it could be, and I was like, Yo, just

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Speaker 3: wrap because it's just so much music. So I felt

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Speaker 3: say something.

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Speaker 7: I don't know.

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Speaker 3: I just I wanted to say something. There's a middle

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Speaker 3: ground you can strike. There's a balance you can strike

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Speaker 3: where you can have it ear candy and say something.

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Speaker 3: I'm not saying you can't, but for me, it was

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Speaker 3: just like, funck the ear candy, fuck the vibes. Let

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Speaker 3: me just say a few things on my mind and

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Speaker 3: get right to it. I think people are craving that

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Speaker 3: a little bit is get right to it. What are

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Speaker 3: you trying to say?

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Speaker 1: So?

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Speaker 4: What are you trying to say with common ground because

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Speaker 4: to me it feels like it's like an indictment of

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Speaker 4: like white privilege right to a certain extent.

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Speaker 3: Yeah, I suppose, So I'll be hesitant to create a

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Speaker 3: synopsis for any of these tracks. I'd rather continue to

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Speaker 3: leave them up for interpretation. But more than anything like,

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Speaker 3: it's like I said at the beginning of the record,

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Speaker 3: I'm just painting a picture of what I see is

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Speaker 3: what I'm observing in society and culture right now. And

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Speaker 3: I didn't necessarily promise like a payoff or a like,

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Speaker 3: and here's what comes because of that. It's, hey, here's

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Speaker 3: some of what I'm saying. And sometimes I think just

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Speaker 3: painting a picture. I'm literally just painting something. I'm saying,

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Speaker 3: that's how you take it, is how you take it,

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Speaker 3: how you feel about it. I wasn't even scolding it.

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Speaker 3: I wasn't even saying this is horrible. That's kind of

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Speaker 3: what I didn't want to do on this album, is

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Speaker 3: like say this is what I think is bad, and

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Speaker 3: this is what I think is good. I'm not interested

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Speaker 3: in right or wrong right now, Like it's not super

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Speaker 3: interesting to me. It's more here's a picture. You decide like,

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Speaker 3: I'm not here to tell people how to feel. I'm

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Speaker 3: just painting something.

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Speaker 5: You definitely got your shit off too, Like one of

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Speaker 5: the lyrics that stood out to me was like kind

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Speaker 5: of standing Serban Suburban kids growing up wanted to be

253
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Speaker 5: raped journalists, right, urban myths about who do you think

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Speaker 5: the best urban kid is?

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Speaker 1: It felt very specific.

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Speaker 5: Do you feel like those are the people that are

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Speaker 5: like critiquing your music unfairly?

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Speaker 3: I don't think anyone's being unfair. Everyone probably ideally it

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Speaker 3: is just writing from their heart. If we're lucky. I

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Speaker 3: definitely think there's it's like really self righteous condescension, just

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Speaker 3: in journalism in general. But of course look at the side.

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Speaker 3: I'm the artist, so I'm looking over at them like

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Speaker 3: it's just what it is. I was definitely venting right there,

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Speaker 3: but it goes beyond me, Like I just feel like,

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Speaker 3: I don't know, it's just irritating when you are putting

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Speaker 3: yourself out there and then people are making a living

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Speaker 3: off of critiquing you. Putting yourself out there. Put yourself

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Speaker 3: out there, motherfucker. That's how we all feel, right, It's natural.

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Speaker 3: Everybody's working.

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Speaker 5: I think another takeaway I got from common grind as

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Speaker 5: you talk about the differences between suburban communities and the

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Speaker 5: urban community communities, Like, when did you realize like the

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Speaker 5: playing field wasn't leveled? How do you mean just like

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Speaker 5: growing up, you know, with being here in Kentucky, or

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Speaker 5: just like in just life in general, when you realize

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Speaker 5: there are some disproportionate Yeah, I mean I.

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Speaker 3: Went to public school, so I went to school with

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Speaker 3: a lot of black kids that were from the other

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Speaker 3: side of town. Didn't take long in probably the elementary school,

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Speaker 3: you start to realize, Oh, they're living a little differently

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Speaker 3: from me because I grew up in a great neighborhood,

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Speaker 3: like in a very unique neighborhood. I grew up in

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Speaker 3: a peaceful place. But I was going to school with

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Speaker 3: a lot of kids that were from the other side

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Speaker 3: of town. So I think you just start to Yeah,

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Speaker 3: I don't think it takes much to realize that some

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Speaker 3: people are from worse situations than you. But I don't

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Speaker 3: know if I hadn't gone to public school, I don't

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Speaker 3: know if I could be a compelling Yeah.

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Speaker 4: That's why going toad, they don't love it, And that's

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Speaker 4: pretty much the big statement. That's only song you shot

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Speaker 4: a video for Do you think that's really what it's about.

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Speaker 4: It's like, when you look at this game five years in,

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Speaker 4: you see how competitive it gets. Do you really think

295
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Speaker 4: it comes down to believe me the best, which is

296
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Speaker 4: what you want to be. You have to have that drive,

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Speaker 4: you have to have that dedication.

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Speaker 1: Yeah.

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Speaker 3: I think you have to have a passion, and I

300
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Speaker 3: think you have to be a fan. You have to

301
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Speaker 3: be a fan of the genre and love it. I

302
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Speaker 3: love the craft. I love chasing getting better, coming off

303
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Speaker 3: or come home like. Of course, there's some frustrations with

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Speaker 3: not feeling understood, but it's also exciting to think, Okay,

305
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Speaker 3: let me see how I can get better. I don't

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Speaker 3: think it's the worst thing in the world for people

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Speaker 3: to say you have room to improve, Okay, let's get

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Speaker 3: after it.

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Speaker 1: How of all of the DJ drama, Don Cannon on this.

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Speaker 7: Project spiritually heavily.

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Speaker 3: I mean, I was really excited to play them the music,

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Speaker 3: but I did a lot of it on my own,

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Speaker 3: kind of remotely. Cannon's always a mentor for me. We

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Speaker 3: talk hip hop, but of course there was just a

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Speaker 3: lot of excitement in recording the songs and thinking, damn,

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Speaker 3: I can't wait for them to hear this shit because

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Speaker 3: I know they're going to like it, and sure enough

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Speaker 3: it resonated. I don't know I feel a kinship to them,

319
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Speaker 3: but I did. I picked the beats, I spent those times.

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Speaker 3: There's a lot of solitude on this project.

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Speaker 1: So they didn't know that you were creating this project.

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Speaker 3: They knew I was in the studio, but we didn't.

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Speaker 1: We weren't planning.

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Speaker 3: All right, let's get a ten track concise.

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Speaker 1: You know you was ready to go, go like you yeah.

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Speaker 7: And we all agreed together, let's go.

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Speaker 3: I don't know. It's exciting, man, like fuck, Like I

328
00:12:27,720 --> 00:12:29,559
Speaker 3: played it by the book so much last year, I

329
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Speaker 3: did it right. I did the press run, I created moments,

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Speaker 3: and this time around us just enjoy give them the music.

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Speaker 3: I don't give a fuck what comes with it. Let's

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Speaker 3: just give them the music.

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Speaker 4: Like you said, two weeks to pass, and I just

334
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Speaker 4: want to say the loveness back that I felt from

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Speaker 4: not only my peers, but from all the fans, the

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Speaker 4: folks that have supported me from the beginning. It feels amazing.

337
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Speaker 4: I never felt so connected to the people listening to

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Speaker 4: my music.

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Speaker 1: Thank you. What's bied you to say that I.

340
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Speaker 3: Just have been getting messages and running into people on

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Speaker 3: the street, and I think one thing I wanted to

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Speaker 3: get back to, man, not that it was gone, but

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Speaker 3: like as much as I enjoy like young teenage screams,

344
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Speaker 3: there is something so exciting about somebody coming up to

345
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Speaker 3: you and say, Yo, your shit is fucking dope. You

346
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Speaker 3: know what I'm saying. And I'm not saying one's better

347
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Speaker 3: than the other, but I think for this album, like

348
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Speaker 3: I was really excited about the idea that some dude

349
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Speaker 3: will come up to me that loves rap and says, Yo,

350
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Speaker 3: I just listened to your album and it was phenomenal.

351
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Speaker 3: I felt it like that's really what we do it for.

352
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Speaker 3: That's why I got started. It's just so a motherfucker

353
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Speaker 3: would tell me I'm dope. That's the best feeling in

354
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Speaker 3: the world. And fucking I ran into Kendrick at the

355
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Speaker 3: met and it was like a few days after the

356
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Speaker 3: album dropped, and he was like, Yo, like it's the

357
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Speaker 3: best move you could have made. This is incredible, and

358
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Speaker 3: just give me enough props. I could have just fucking

359
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Speaker 3: walked home. I didn't even want to meet anyone else.

360
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Speaker 1: I was.

361
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Speaker 3: It's like one of the best, one of the best

362
00:13:58,840 --> 00:14:03,800
Speaker 3: feelings and saw Tyler he said something similar. All the

363
00:14:03,800 --> 00:14:08,880
Speaker 3: people I respect have been giving me that had tip

364
00:14:09,160 --> 00:14:12,560
Speaker 3: and that is so gratifying. That's so great. It's not

365
00:14:12,559 --> 00:14:13,880
Speaker 3: the only thing we do it for, but it's a

366
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Speaker 3: huge thing. Is just I just wanted to be an

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Speaker 3: EMC on this album.

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Speaker 5: When we first heard it, me and Ellie were going

369
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Speaker 5: back and forth. So it feels like an Album of

370
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Speaker 5: the Year contender. I hit Jason and Drama and Cam y'all,

371
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Speaker 5: I think you got one with this one.

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Speaker 3: Right, thank you, thank you.

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Speaker 1: In a lot of ways, it almost.

374
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Speaker 4: Felt like a debut or felt like what they say,

375
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Speaker 4: a mixtape, because it's just like the autistic freedom right

376
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Speaker 4: can you speak to that? Did you feel like I

377
00:14:36,360 --> 00:14:38,840
Speaker 4: may approach it like a mixtape? Per ses then out

378
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Speaker 4: of an album.

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Speaker 3: I just been feeling like, I just want to remind

380
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Speaker 3: motherfuckers how I got here. I didn't. I didn't get

381
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Speaker 3: here because girls liked me, or because I'm funny or charismatic,

382
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Speaker 3: Like why did I get in the door because I

383
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Speaker 3: can fucking rap? That's really what it was at the

384
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Speaker 3: other day, and I just I wanted to get back

385
00:14:56,640 --> 00:14:59,000
Speaker 3: to that recording this album, I felt like a young,

386
00:14:59,520 --> 00:15:03,000
Speaker 3: hungry rapper, and so I saw no reason to steer

387
00:15:03,040 --> 00:15:05,040
Speaker 3: from that. I think come Home. I was trying to

388
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Speaker 3: make a song for everyone. I was trying to just

389
00:15:07,840 --> 00:15:11,920
Speaker 3: trying to bite off the entire world, like just grab everyone,

390
00:15:12,480 --> 00:15:14,680
Speaker 3: cast the biggest possible net I could cause. And this

391
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Speaker 3: time I was like, I have one mission, like I

392
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Speaker 3: just want to wrap the chorus comes. But at the

393
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Speaker 3: end of the day, I just want to tell stories.

394
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Speaker 3: And I don't reconnect with why I got into hip hop.

395
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Speaker 3: It's difference between entertainment and pop culture and then hip hop.

396
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Speaker 3: Like this was for hip hop.

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Speaker 1: Why do you think your dedications with that? Why do

398
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Speaker 1: you think that ended up being.

399
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Speaker 4: Was there a moment where you was like, this really

400
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Speaker 4: is what I want to do for the rest of

401
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Speaker 4: my life.

402
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Speaker 1: This is what it is. I don't know.

403
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Speaker 3: It's funny a lot of those I told you. I

404
00:15:45,080 --> 00:15:47,480
Speaker 3: ordered a bunch of double ex cells, and I think

405
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Speaker 3: I was just reading old interviews. Y'all put Eminem on

406
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Speaker 3: the cover every month.

407
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Speaker 7: It's so jack I gantee.

408
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Speaker 1: I was reading a lot. I was reading a lot of.

409
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Speaker 3: Eminem interviews, and I remember I was reading this one

410
00:16:02,840 --> 00:16:05,440
Speaker 3: section I should posted the section, and there was this

411
00:16:05,920 --> 00:16:08,720
Speaker 3: whole columns that is Eminem bad for hip hop and

412
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Speaker 3: y'all had some of the biggest rappers in the game. Answer,

413
00:16:12,560 --> 00:16:15,120
Speaker 3: Oh yeah, jay Z give jay Z gave him.

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Speaker 1: I said, with Steve Stout and he's watched this. Nobody

415
00:16:17,480 --> 00:16:20,160
Speaker 1: else could do this. And he called Nash and j

416
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Speaker 1: had beef. He called Nas and he gave him answer.

417
00:16:24,000 --> 00:16:27,320
Speaker 1: I saw them and nobody else could get these guys

418
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Speaker 1: on the phone. So I read that Steve Stouts each

419
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Speaker 1: one of these.

420
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Speaker 3: Everyone was like, fuad hip hop. He's dopest ship. And

421
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Speaker 3: that's what connected with me, is he's dopest ship. At

422
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Speaker 3: the end of the day, if you can rap, what

423
00:16:42,560 --> 00:16:45,520
Speaker 3: else are we talking about. We're not perfect. He made

424
00:16:45,520 --> 00:16:48,120
Speaker 3: a few mistakes in his career. Sure I forgot about

425
00:16:48,120 --> 00:16:51,000
Speaker 3: some of them. I had to read those magazines. But

426
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Speaker 3: it don't fucking matter because he can rap his ass off.

427
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Speaker 3: So I said, I just had a moment.

428
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Speaker 7: He was like, just rap.

429
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Speaker 3: There's so many things. You could try to be everything,

430
00:16:59,400 --> 00:17:01,800
Speaker 3: but at the end of the days, this one I

431
00:17:01,840 --> 00:17:02,760
Speaker 3: just wanted to wrap.

432
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Speaker 4: But you did say you're the hardest white boy since Eminem.

433
00:17:07,760 --> 00:17:10,600
Speaker 4: And then so people got in their feelings. MGK got

434
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Speaker 4: his feelings and no response like are you gonna clap

435
00:17:13,640 --> 00:17:16,080
Speaker 4: back in him lyrically? Is there a surprise you that

436
00:17:16,119 --> 00:17:17,760
Speaker 4: people responding? I saw you have to put up an

437
00:17:17,800 --> 00:17:20,080
Speaker 4: execs actually a show a prove of mac Miller. So

438
00:17:20,160 --> 00:17:22,919
Speaker 4: you have all these recipes mac Miller fans who was like,

439
00:17:22,960 --> 00:17:24,000
Speaker 4: not mac Miller, blah blah.

440
00:17:24,080 --> 00:17:26,200
Speaker 1: I know you didn't mean to offend any of those people.

441
00:17:26,240 --> 00:17:28,199
Speaker 4: It's like, when you make a statement like that on

442
00:17:28,200 --> 00:17:31,479
Speaker 4: some EMC level of I'm the best, how everybody reacts

443
00:17:31,480 --> 00:17:32,400
Speaker 4: to in this modern era?

444
00:17:32,880 --> 00:17:33,720
Speaker 1: How do you take that in?

445
00:17:34,720 --> 00:17:36,119
Speaker 3: How do you take it out? I guess you just

446
00:17:36,160 --> 00:17:36,760
Speaker 3: fucking take it.

447
00:17:36,800 --> 00:17:37,280
Speaker 1: And I don't know.

448
00:17:38,520 --> 00:17:41,320
Speaker 3: It's interesting. I think everyone is entitled to their opinion.

449
00:17:42,320 --> 00:17:44,560
Speaker 3: And I feel great about what I said, and I

450
00:17:44,560 --> 00:17:45,679
Speaker 3: feel great about the reaction.

451
00:17:46,200 --> 00:17:47,719
Speaker 1: It's just what it just wanted to stir it up

452
00:17:47,760 --> 00:17:49,040
Speaker 1: in a little bit like not.

453
00:17:48,960 --> 00:17:53,960
Speaker 3: Even It's like it was a stream of consciousness sort

454
00:17:53,960 --> 00:17:56,160
Speaker 3: of verse. And not that I don't stand on my statement,

455
00:17:56,200 --> 00:17:59,359
Speaker 3: but it's just I'm an MC shit like it's not

456
00:17:59,400 --> 00:18:01,560
Speaker 3: just ain't a new concept to feel yourself? You know

457
00:18:01,600 --> 00:18:05,200
Speaker 3: what I'm saying. I feel no reservations about what was

458
00:18:05,240 --> 00:18:05,720
Speaker 3: said at all.

459
00:18:07,000 --> 00:18:08,520
Speaker 4: Well, you're going back to the met gallon real quick.

460
00:18:08,520 --> 00:18:10,600
Speaker 4: You gotta solve the mystery for all of us. We

461
00:18:10,680 --> 00:18:13,280
Speaker 4: see all y'all dressing nicely at the met galley. Everything's fly?

462
00:18:14,040 --> 00:18:16,080
Speaker 4: Is there anything going on the side? What is inside?

463
00:18:16,160 --> 00:18:17,960
Speaker 4: Do you get food? Do you get to eat? Do

464
00:18:17,960 --> 00:18:19,800
Speaker 4: you get to talk to people? What goes on inside

465
00:18:19,800 --> 00:18:20,320
Speaker 4: the met galla?

466
00:18:20,440 --> 00:18:22,520
Speaker 1: Jallow? Can you solve that mystery? Follow us?

467
00:18:22,760 --> 00:18:25,080
Speaker 3: Has anyone ever spoken on it? Okay?

468
00:18:25,119 --> 00:18:25,280
Speaker 7: Good?

469
00:18:25,560 --> 00:18:26,280
Speaker 3: I'm not going to.

470
00:18:30,359 --> 00:18:33,080
Speaker 1: Gotta keep some things close to the chest. I like going,

471
00:18:33,200 --> 00:18:40,520
Speaker 1: so you know that, keep man, keep it to the chest. Man.

472
00:18:40,520 --> 00:18:45,600
Speaker 5: Speaking of the chest album cover chest, you know, I

473
00:18:45,600 --> 00:18:46,600
Speaker 5: mean where was that shot?

474
00:18:46,640 --> 00:18:47,320
Speaker 1: Topless?

475
00:18:48,000 --> 00:18:48,520
Speaker 7: Topless?

476
00:18:50,640 --> 00:18:54,159
Speaker 3: That was then alley way behind my middle school that

477
00:18:54,240 --> 00:18:58,480
Speaker 3: I walked down every day while I was with all

478
00:18:58,480 --> 00:19:02,639
Speaker 3: my homeboys, or we'd walk to Your Ecstasy, a local

479
00:19:02,840 --> 00:19:06,800
Speaker 3: record store, and I bought Thank Me Later Beautiful Dark

480
00:19:06,840 --> 00:19:09,040
Speaker 3: Twisted Fantasy up there, and so those were just like

481
00:19:09,080 --> 00:19:12,960
Speaker 3: my primitive MC years. I used to shoot music videos

482
00:19:12,960 --> 00:19:16,200
Speaker 3: in that exact alley on a little fucking flip camera.

483
00:19:17,240 --> 00:19:18,959
Speaker 3: There's a lot of history in that alley. I don't know.

484
00:19:19,080 --> 00:19:21,000
Speaker 3: To me, it just represented going back to I did

485
00:19:21,040 --> 00:19:22,879
Speaker 3: the whole album out here. I did the whole album

486
00:19:22,880 --> 00:19:27,040
Speaker 3: in Louisville, so I wanted to cover to reflect where

487
00:19:27,080 --> 00:19:27,680
Speaker 3: my heart is.

488
00:19:27,920 --> 00:19:29,600
Speaker 5: It seems like to me, listen to the album, you

489
00:19:29,640 --> 00:19:32,959
Speaker 5: have these moments of celebrity fatigue, right like, move back

490
00:19:33,000 --> 00:19:35,280
Speaker 5: to Louisville. You know you don't want to do press

491
00:19:35,520 --> 00:19:38,000
Speaker 5: to your publicist, Jason, here we are here, we are

492
00:19:38,040 --> 00:19:40,439
Speaker 5: all right, Thank you, Jason?

493
00:19:41,680 --> 00:19:44,320
Speaker 1: Is that am of like where your mind is right now?

494
00:19:44,320 --> 00:19:47,520
Speaker 5: I just want to get back to to the small town.

495
00:19:48,280 --> 00:19:51,520
Speaker 3: I love being home, and at the end of the day,

496
00:19:51,560 --> 00:19:54,919
Speaker 3: I think you go towards where you feel love. And

497
00:19:55,000 --> 00:19:59,399
Speaker 3: I feel so much love here, And I don't know,

498
00:19:59,560 --> 00:20:01,840
Speaker 3: I spent almost every day on the road last year,

499
00:20:01,920 --> 00:20:04,480
Speaker 3: so I think I just had an appetite for being home.

500
00:20:04,560 --> 00:20:06,840
Speaker 3: I feel so connected to the city. As I've said

501
00:20:06,840 --> 00:20:09,160
Speaker 3: a million times, I don't want to beat a dead horse,

502
00:20:09,280 --> 00:20:13,560
Speaker 3: like on some self pity like being celebrity stuff, because

503
00:20:13,640 --> 00:20:16,560
Speaker 3: it's a fucking I'm blessed. But so here's what it is.

504
00:20:17,200 --> 00:20:19,760
Speaker 3: I've been rambling. Here's what it really is. If I

505
00:20:19,760 --> 00:20:24,920
Speaker 3: could distill it down, I've been exposed to the illusions

506
00:20:25,640 --> 00:20:28,560
Speaker 3: of what is supposed to make me happy, and I

507
00:20:28,560 --> 00:20:30,399
Speaker 3: think a lot of people get exposed to, like what

508
00:20:30,440 --> 00:20:32,320
Speaker 3: you're supposed to do, buy a house in the hills.

509
00:20:33,280 --> 00:20:36,879
Speaker 3: We go to the club, and I think, I'm like,

510
00:20:37,040 --> 00:20:39,600
Speaker 3: I've just got all the illusions out of the way,

511
00:20:39,680 --> 00:20:42,399
Speaker 3: and I'm deciding for myself what makes me happy. And

512
00:20:42,400 --> 00:20:44,560
Speaker 3: that's what is that I is about? Is that whole

513
00:20:44,600 --> 00:20:47,399
Speaker 3: song is about. I don't need to be told what

514
00:20:47,560 --> 00:20:51,480
Speaker 3: to do with my time, money and platform. I'm just

515
00:20:51,520 --> 00:20:54,120
Speaker 3: gonna go towards what actually excites me. And I find

516
00:20:54,160 --> 00:20:56,480
Speaker 3: that my preference is to be here, So I'm gonna

517
00:20:56,520 --> 00:20:58,919
Speaker 3: be here and tell my preferences to be elsewhere. I'm

518
00:20:58,920 --> 00:21:00,600
Speaker 3: gonna spend my time. I want to spend my time,

519
00:21:00,640 --> 00:21:02,280
Speaker 3: and I'm gonna do press when I'm ready to do press.

520
00:21:02,280 --> 00:21:04,960
Speaker 3: Because I'm not a total introvert. I'm not a hermit.

521
00:21:05,000 --> 00:21:08,040
Speaker 3: I'm not on some frank gas and ship. But there's

522
00:21:08,040 --> 00:21:09,880
Speaker 3: times you want to be seen and there's times you don't.

523
00:21:11,240 --> 00:21:12,800
Speaker 1: Do you really have ten girlfriends?

524
00:21:16,920 --> 00:21:19,399
Speaker 3: That's one of my least favorite lines too. Really, I

525
00:21:19,480 --> 00:21:23,240
Speaker 3: just didn't change it because it felt so good sonically,

526
00:21:23,320 --> 00:21:26,960
Speaker 3: Like it's just like yeah, that flows like I knew

527
00:21:26,960 --> 00:21:28,960
Speaker 3: people would feel it, but by the time the album

528
00:21:28,960 --> 00:21:32,359
Speaker 3: came out, I was out of a space where I

529
00:21:32,400 --> 00:21:35,960
Speaker 3: wanted to talk about a ton of women. I don't know. Yeah,

530
00:21:36,160 --> 00:21:38,840
Speaker 3: that line's cool, but that ain't the line that I'm like, Damn,

531
00:21:38,880 --> 00:21:41,359
Speaker 3: I talked about ship right there. There's so many other lines, and.

532
00:21:41,600 --> 00:21:43,240
Speaker 4: We talk about let's talk about some of those lines.

533
00:21:43,280 --> 00:21:46,160
Speaker 4: What stands out to you that's you're product.

534
00:21:46,160 --> 00:21:48,399
Speaker 3: The line right before that, no airports and no flights

535
00:21:48,480 --> 00:21:49,960
Speaker 3: is how I want to live my life? Is that all?

536
00:21:50,240 --> 00:21:52,840
Speaker 3: It almost feels rhetorical because it's not all right, You're

537
00:21:52,840 --> 00:21:54,960
Speaker 3: gonna have to get on a few flights, but for me,

538
00:21:55,040 --> 00:21:58,520
Speaker 3: it's like, how few flights can I get on right now?

539
00:21:59,400 --> 00:22:00,840
Speaker 3: That's what I mean so much to me that y'all

540
00:22:00,840 --> 00:22:04,000
Speaker 3: would come here because one of the things I've discovered

541
00:22:04,080 --> 00:22:07,040
Speaker 3: is I love routine. I don't want to escape routine,

542
00:22:07,080 --> 00:22:11,200
Speaker 3: and being on the road, routine does not exist for

543
00:22:11,240 --> 00:22:11,960
Speaker 3: the most part for you.

544
00:22:12,240 --> 00:22:13,679
Speaker 7: So I don't know.

545
00:22:13,680 --> 00:22:15,359
Speaker 3: We could go through every song and there's lines that

546
00:22:15,400 --> 00:22:17,600
Speaker 3: I'm like, I can't wait for my grandkids to hear that,

547
00:22:17,640 --> 00:22:19,080
Speaker 3: because that's exactly how it felt.

548
00:22:19,359 --> 00:22:21,520
Speaker 5: There's also a lot of concepts on the project too,

549
00:22:21,520 --> 00:22:23,680
Speaker 5: Like when that stood out was gang Gang Gang, it's

550
00:22:23,760 --> 00:22:26,760
Speaker 5: really dark, Like what's the inspiration behind that track?

551
00:22:26,920 --> 00:22:29,840
Speaker 3: The inspiration is exactly what the song is about, and

552
00:22:30,000 --> 00:22:36,840
Speaker 3: experiencing different variations of that personally of just friendships that

553
00:22:38,920 --> 00:22:42,520
Speaker 3: go left because decisions. The real question of the song

554
00:22:42,640 --> 00:22:45,480
Speaker 3: is how deep does your loyalty go? It's something we

555
00:22:45,520 --> 00:22:50,880
Speaker 3: as men, we always are talking loyalty. If everyone's always

556
00:22:50,920 --> 00:22:53,439
Speaker 3: somebout how down for each other they are. And I

557
00:22:53,440 --> 00:22:56,800
Speaker 3: guess I just wanted to heard the beat shout out

558
00:22:56,840 --> 00:23:00,280
Speaker 3: a shad incredible beat. I guess I just wanted to

559
00:23:00,320 --> 00:23:03,760
Speaker 3: flip the concept of being down for my gang on

560
00:23:03,800 --> 00:23:05,560
Speaker 3: its head. See how far that stretches?

561
00:23:06,040 --> 00:23:10,320
Speaker 1: And what are those real life situations inspired by changing

562
00:23:10,359 --> 00:23:11,760
Speaker 1: the names and stuff.

563
00:23:12,000 --> 00:23:13,400
Speaker 7: Changing a lot?

564
00:23:13,840 --> 00:23:18,520
Speaker 3: Those are stories. Those stories aren't necessarily from my direct life,

565
00:23:18,560 --> 00:23:22,080
Speaker 3: but they were inspired by things I've seen and gone through.

566
00:23:22,320 --> 00:23:23,440
Speaker 3: But sons of variation.

567
00:23:24,320 --> 00:23:25,240
Speaker 1: But then, don't blame on me.

568
00:23:25,600 --> 00:23:27,879
Speaker 5: You have me scratching my head because it's three different

569
00:23:27,880 --> 00:23:31,160
Speaker 5: perspectives you're talking from, like your older brother, your younger brother,

570
00:23:31,280 --> 00:23:34,040
Speaker 5: into your unborn child, but you only have one brother

571
00:23:34,640 --> 00:23:35,520
Speaker 5: in real life, though.

572
00:23:35,440 --> 00:23:39,159
Speaker 3: Right, it's a little brother, the older brother, and then

573
00:23:39,160 --> 00:23:39,760
Speaker 3: it's the dad.

574
00:23:40,119 --> 00:23:42,320
Speaker 7: Yeah, the verse the father I have.

575
00:23:42,680 --> 00:23:45,199
Speaker 3: Yeah, yeah, that's why a third verse starts off, you

576
00:23:45,200 --> 00:23:48,399
Speaker 3: grew up in my household like he owns the house.

577
00:23:48,520 --> 00:23:50,800
Speaker 4: Okay, that feel they do that record? This seems like

578
00:23:50,840 --> 00:23:53,600
Speaker 4: so personal to families, Like you said, this is the

579
00:23:53,600 --> 00:23:55,600
Speaker 4: album of a bar fools up. But it's like there

580
00:23:55,680 --> 00:23:58,240
Speaker 4: are actually really deep personal songs on there too.

581
00:23:58,320 --> 00:24:00,600
Speaker 3: Yeah to me, those aren't those don't kids each other out?

582
00:24:00,960 --> 00:24:04,480
Speaker 3: To me, Bar and people up is can be conceptual

583
00:24:04,560 --> 00:24:08,679
Speaker 3: and storytelling and personal. Like when I think Bars, I

584
00:24:08,680 --> 00:24:12,919
Speaker 3: think I've stopped when I think Bars, I've stopped thinking Braggadocio.

585
00:24:13,640 --> 00:24:16,119
Speaker 3: Not that Braggadosio isn't Bars, but I've stopped thinking strictly.

586
00:24:16,200 --> 00:24:19,199
Speaker 3: It's about hitting your chest. To me, Bars is the

587
00:24:19,280 --> 00:24:21,760
Speaker 3: royal truth, just compelling statements.

588
00:24:21,840 --> 00:24:23,680
Speaker 1: Yeah, how did that feel? Did you play that for

589
00:24:23,720 --> 00:24:24,159
Speaker 1: your family?

590
00:24:24,200 --> 00:24:27,560
Speaker 3: And I didn't want them blind sided? And yeah, they

591
00:24:27,560 --> 00:24:29,680
Speaker 3: took it really well. My family took it really well

592
00:24:29,680 --> 00:24:31,600
Speaker 3: and understood the picture I was trying to paint. I mean,

593
00:24:31,680 --> 00:24:35,040
Speaker 3: that's home. That's the one I've seen connect with the people.

594
00:24:35,160 --> 00:24:37,919
Speaker 4: You understand, Blame on me it's accountability, right, It's just

595
00:24:37,960 --> 00:24:40,880
Speaker 4: like people in this area, you know what's really going

596
00:24:40,920 --> 00:24:43,960
Speaker 4: on and how do we address it? Because especially your family,

597
00:24:44,040 --> 00:24:46,240
Speaker 4: sometimes you don't say the tough stuff like you said.

598
00:24:46,400 --> 00:24:49,000
Speaker 4: The fact that power you always keep saying, I'm terrified

599
00:24:49,800 --> 00:24:52,359
Speaker 4: like to speak on this is the so much power

600
00:24:52,440 --> 00:24:52,600
Speaker 4: in that.

601
00:24:53,040 --> 00:24:56,199
Speaker 3: Yeah, so much goes on set, right, I think everyone.

602
00:24:57,320 --> 00:25:01,280
Speaker 3: It started off with just the first verse a sibling song,

603
00:25:03,080 --> 00:25:04,760
Speaker 3: and then I was like, Okay, let me see if

604
00:25:04,760 --> 00:25:06,520
Speaker 3: we can tell it from another perspective, and then slowly

605
00:25:06,520 --> 00:25:09,320
Speaker 3: it evolved into we may as well bring fatherhood into this,

606
00:25:09,640 --> 00:25:12,320
Speaker 3: so I just try to make it. I tried to

607
00:25:12,320 --> 00:25:14,920
Speaker 3: stretch it as far as I could because everyone has

608
00:25:14,920 --> 00:25:17,720
Speaker 3: something with their family. Yeah, everyone has a spot that

609
00:25:17,760 --> 00:25:19,520
Speaker 3: if you just hit tears and fallout.

610
00:25:20,000 --> 00:25:21,880
Speaker 4: Because I'm the oldest in my family, so I feel

611
00:25:21,880 --> 00:25:23,680
Speaker 4: like that could relate to you. It's like the father

612
00:25:23,720 --> 00:25:27,159
Speaker 4: puts the pressure on you. It's because you represent a

613
00:25:27,200 --> 00:25:29,119
Speaker 4: lot of his dreams or his view of things, and

614
00:25:29,160 --> 00:25:31,639
Speaker 4: it's like being the oldest, you carry that weight. I

615
00:25:31,640 --> 00:25:34,040
Speaker 4: have two younger brothers. You inherit that and there's always

616
00:25:34,040 --> 00:25:36,520
Speaker 4: that that toughness between your father. If you're the oldest child.

617
00:25:37,040 --> 00:25:41,520
Speaker 3: Sometimes you can load itis you unloaded. Yeah, yeah, it's

618
00:25:41,560 --> 00:25:42,080
Speaker 3: a heavy one.

619
00:25:42,560 --> 00:25:44,520
Speaker 1: I'm literally Elliott Jr. I don't put that on.

620
00:25:47,440 --> 00:25:48,480
Speaker 3: I think you've lived up to it.

621
00:25:48,560 --> 00:25:51,040
Speaker 5: Man, thank you, thank you. I appreciate when we talk

622
00:25:51,080 --> 00:25:53,840
Speaker 5: about family. Man, we can't not talk about your mom. Man,

623
00:25:53,920 --> 00:25:57,000
Speaker 5: Like she's been a big fello up in the video. Yeah, man,

624
00:25:57,200 --> 00:25:58,960
Speaker 5: she introduced you to rat Like, what does she think

625
00:25:59,000 --> 00:26:01,240
Speaker 5: about the Jack Hall of Success?

626
00:26:02,040 --> 00:26:04,960
Speaker 3: She's fucking loving it, man, I can't lie. She's a

627
00:26:05,000 --> 00:26:08,439
Speaker 3: big participant in consumer in and she keeps up. But

628
00:26:08,600 --> 00:26:10,960
Speaker 3: she's just an overall incredible woman. Everyone that meets my

629
00:26:11,000 --> 00:26:17,920
Speaker 3: mom is just captivated. My mom is incredible, and she's

630
00:26:17,920 --> 00:26:20,160
Speaker 3: helped me start a foundation out here and such, her

631
00:26:20,160 --> 00:26:23,520
Speaker 3: heart's just in a phenomenal place. It's just a hard working,

632
00:26:24,640 --> 00:26:25,880
Speaker 3: ambitious woman of her own.

633
00:26:26,000 --> 00:26:28,640
Speaker 5: Like Elliott alluded to, Like in the Churchhill Downs video,

634
00:26:28,680 --> 00:26:30,400
Speaker 5: she's in there. I love that scene at the end.

635
00:26:30,320 --> 00:26:33,040
Speaker 1: She's like the fuck, Like, how manyful was it to.

636
00:26:32,960 --> 00:26:34,840
Speaker 5: Have her in the video and to shoot that video

637
00:26:35,119 --> 00:26:38,640
Speaker 5: in Louisville at Churchhill's Downs during the Kentucky Louisville beat

638
00:26:38,640 --> 00:26:40,640
Speaker 5: that Louisville it makes get it over.

639
00:26:42,520 --> 00:26:43,440
Speaker 1: How beautiful was that.

640
00:26:43,520 --> 00:26:45,600
Speaker 3: It was one of the best days of my life. Man,

641
00:26:46,000 --> 00:26:47,480
Speaker 3: it was one of the best days of my life.

642
00:26:47,640 --> 00:26:51,080
Speaker 3: So fulfilling to bring my hero to my hometown.

643
00:26:51,440 --> 00:26:54,400
Speaker 1: About the boy, Drake, that.

644
00:26:54,400 --> 00:26:56,560
Speaker 3: Was totally impropt to that scene with my mom, and

645
00:26:56,600 --> 00:27:01,000
Speaker 3: I'm pretty protective over my family, but that was just moments. Yeah,

646
00:27:01,160 --> 00:27:03,680
Speaker 3: it feels right, it feels great at least shoot it.

647
00:27:03,880 --> 00:27:06,400
Speaker 3: And then we watched it and it's pretty much everyone's

648
00:27:06,800 --> 00:27:09,480
Speaker 3: favorite scene, so incredible.

649
00:27:10,440 --> 00:27:12,280
Speaker 4: If you'd like to be one of the lines about

650
00:27:12,280 --> 00:27:14,280
Speaker 4: being friends with your heroes, Drake, somebody, I think I

651
00:27:14,280 --> 00:27:15,000
Speaker 4: saw something you said.

652
00:27:15,200 --> 00:27:15,400
Speaker 1: Drake.

653
00:27:15,440 --> 00:27:17,240
Speaker 4: Since I was in sixth grade, best I ever had

654
00:27:17,280 --> 00:27:19,560
Speaker 4: came out. He's been that forced and the culture, but

655
00:27:19,560 --> 00:27:20,800
Speaker 4: I didn't want to give it up. What is it

656
00:27:20,880 --> 00:27:22,560
Speaker 4: like to acknowledge that, but then also to get to

657
00:27:22,560 --> 00:27:24,720
Speaker 4: know him and be a true friend and make songs

658
00:27:24,720 --> 00:27:25,040
Speaker 4: with him.

659
00:27:25,440 --> 00:27:29,640
Speaker 3: I told you about the Kendrick moment, and then I'm

660
00:27:29,720 --> 00:27:31,919
Speaker 3: way closer to Drake at this point. I've only met

661
00:27:32,000 --> 00:27:34,960
Speaker 3: Kendrick a couple of times, and shit like that, Shit

662
00:27:35,040 --> 00:27:37,040
Speaker 3: like both of those situations and so many others that

663
00:27:37,040 --> 00:27:40,080
Speaker 3: I've had the privilege of experiencing Those are the moments

664
00:27:40,119 --> 00:27:44,399
Speaker 3: where you're like, oh, yeah, I'm fucking blessed. I'm living

665
00:27:44,400 --> 00:27:47,919
Speaker 3: the life I fantasized about a decade ago. You know

666
00:27:47,920 --> 00:27:51,520
Speaker 3: what I'm saying, Like, any of my time with Drake

667
00:27:51,680 --> 00:27:56,000
Speaker 3: is like precious to me because it's a dream of

668
00:27:56,119 --> 00:27:59,679
Speaker 3: just chopping it up with him, much less doing a

669
00:27:59,720 --> 00:28:04,080
Speaker 3: song and feeling validated by him, but just being able

670
00:28:04,080 --> 00:28:07,879
Speaker 3: to chop it with him and have free conversation. And

671
00:28:08,080 --> 00:28:10,840
Speaker 3: he had heroes of his own. You know what I'm saying,

672
00:28:10,880 --> 00:28:13,000
Speaker 3: that's the cycle. That's what we all like, that's what

673
00:28:13,080 --> 00:28:16,920
Speaker 3: we all dream exactly, and that's what we all that's

674
00:28:16,920 --> 00:28:19,119
Speaker 3: what we all dream of. I'd like to think, is

675
00:28:19,240 --> 00:28:21,920
Speaker 3: that chance to get to know the people that drove

676
00:28:21,960 --> 00:28:24,600
Speaker 3: you to the spot, because before all this they're just

677
00:28:25,480 --> 00:28:30,480
Speaker 3: damn their figmancy your imagination almost and they're just mythical figures.

678
00:28:31,200 --> 00:28:33,200
Speaker 3: So to really meet him is a good Lord. I

679
00:28:33,240 --> 00:28:35,480
Speaker 3: don't know. I'm not a nostalg the junkie though, so

680
00:28:35,520 --> 00:28:38,640
Speaker 3: I always think full circle. I always think to eleven

681
00:28:38,720 --> 00:28:43,240
Speaker 3: year old me and think, wow, we did.

682
00:28:43,120 --> 00:28:44,800
Speaker 1: It on Churchill Downs.

683
00:28:44,800 --> 00:28:47,240
Speaker 5: You gcluded to it as well, Like how you did

684
00:28:47,240 --> 00:28:49,680
Speaker 5: you feel like there was pressure to match the success

685
00:28:49,680 --> 00:28:50,280
Speaker 5: of Little Uzi.

686
00:28:50,360 --> 00:28:52,600
Speaker 1: Fort was also on the Generation That label.

687
00:28:52,640 --> 00:28:54,560
Speaker 3: A little bit, but really it was just like I

688
00:28:54,600 --> 00:28:59,000
Speaker 3: showed up and Vert was the talk of the label,

689
00:28:59,200 --> 00:29:00,840
Speaker 3: much less the end of street. And it was just

690
00:29:00,880 --> 00:29:05,160
Speaker 3: like he was making Lake Drama and Cannon. He was

691
00:29:05,160 --> 00:29:05,800
Speaker 3: bringing in the.

692
00:29:05,840 --> 00:29:08,720
Speaker 1: Cash, and so to a life is a big.

693
00:29:09,200 --> 00:29:11,360
Speaker 3: I'm walking into the studio every night and his plaques

694
00:29:11,360 --> 00:29:15,280
Speaker 3: are linked and always just looking up at him, like jeez,

695
00:29:16,120 --> 00:29:17,000
Speaker 3: I gotta get up there.

696
00:29:17,800 --> 00:29:19,760
Speaker 4: It's funny because I know, like you joined, you got

697
00:29:19,800 --> 00:29:22,760
Speaker 4: with drama, and it's like working a Chick fil a

698
00:29:22,840 --> 00:29:24,760
Speaker 4: one minute, next thing. You run around with drama here

699
00:29:24,800 --> 00:29:26,360
Speaker 4: in Atlanta, and we would see you.

700
00:29:26,360 --> 00:29:27,080
Speaker 1: You always just roll.

701
00:29:27,200 --> 00:29:28,720
Speaker 4: You play the back. That's part of the culture. You

702
00:29:28,800 --> 00:29:30,760
Speaker 4: play in the back. You're observing, you wait for your time.

703
00:29:31,240 --> 00:29:32,880
Speaker 4: Can you talk about those days and what are some

704
00:29:32,960 --> 00:29:34,840
Speaker 4: memories that really stand out to you? Playing the back

705
00:29:34,880 --> 00:29:37,720
Speaker 4: with drama, just getting into these rooms and like observing

706
00:29:37,760 --> 00:29:38,360
Speaker 4: what's going on.

707
00:29:38,640 --> 00:29:40,080
Speaker 3: I mean, it was a good rhythm because I was

708
00:29:40,080 --> 00:29:43,960
Speaker 3: still growing into myself, my confidence and how I wanted

709
00:29:43,960 --> 00:29:46,400
Speaker 3: to look. I had who I was figured out a

710
00:29:46,400 --> 00:29:48,520
Speaker 3: long time before I had how I want to look

711
00:29:48,600 --> 00:29:53,360
Speaker 3: figured out. I think I almost neglected my appearance because

712
00:29:53,600 --> 00:29:55,720
Speaker 3: I was so in touch with who I was inside

713
00:29:55,760 --> 00:29:57,840
Speaker 3: and authentically, so I think it was it's like I

714
00:29:57,920 --> 00:30:01,200
Speaker 3: hit puberty late because it was like, Okay, maybe I

715
00:30:01,200 --> 00:30:03,000
Speaker 3: should clean up a little bit. So I think during

716
00:30:03,040 --> 00:30:07,080
Speaker 3: those years I was figuring myself out, figuring out who

717
00:30:07,120 --> 00:30:08,800
Speaker 3: I was in those rooms, because it's one thing to

718
00:30:08,840 --> 00:30:11,920
Speaker 3: know who you are in your bedroom alone, but ideally

719
00:30:11,920 --> 00:30:13,720
Speaker 3: it's the same thing. But no matter what, you walk

720
00:30:13,800 --> 00:30:17,360
Speaker 3: into a room and there's just dynamics and you figure, Okay,

721
00:30:17,640 --> 00:30:20,040
Speaker 3: what's my presence in And I had to grow into

722
00:30:20,120 --> 00:30:22,360
Speaker 3: kind of hold my nuts and like really being like

723
00:30:23,560 --> 00:30:26,400
Speaker 3: I belong. So I'm not mad at the time at all,

724
00:30:26,440 --> 00:30:27,560
Speaker 3: but there was a lot of doubts, a lot of

725
00:30:27,560 --> 00:30:29,360
Speaker 3: insecurity on the way up, a lot of is this

726
00:30:29,440 --> 00:30:30,200
Speaker 3: ever gonna happen?

727
00:30:30,520 --> 00:30:30,800
Speaker 1: Yeah?

728
00:30:31,560 --> 00:30:32,960
Speaker 3: But piece by piece.

729
00:30:33,680 --> 00:30:35,880
Speaker 5: I think that's the ill part about your success is

730
00:30:35,880 --> 00:30:37,800
Speaker 5: that we've seen it in real time, Like there wasn't

731
00:30:37,840 --> 00:30:42,240
Speaker 5: no shortcuts. So the early interviews, the big curly frow.

732
00:30:42,440 --> 00:30:44,360
Speaker 4: Some I'm super proud, right, that doesn't ask you that

733
00:30:44,400 --> 00:30:46,440
Speaker 4: you proud of that? I think only probably you and

734
00:30:46,480 --> 00:30:48,320
Speaker 4: Meek Mill. Really you can see a lot of videos

735
00:30:48,320 --> 00:30:50,920
Speaker 4: of y'all younger and like really see the growth of

736
00:30:51,000 --> 00:30:53,400
Speaker 4: evolution of the person. Like it's very rare to see that,

737
00:30:53,480 --> 00:30:56,560
Speaker 4: like those awkward years and just developments there.

738
00:30:56,800 --> 00:30:59,120
Speaker 3: It makes me. Some of it makes me cringe naturally,

739
00:30:59,200 --> 00:31:02,280
Speaker 3: like the way anyone cringing old photos of themselves, But

740
00:31:02,440 --> 00:31:07,000
Speaker 3: like big picture, I'm so proud that it's documented, you

741
00:31:07,040 --> 00:31:09,640
Speaker 3: know what I'm saying, like a symptom of the era

742
00:31:09,760 --> 00:31:13,880
Speaker 3: we grew up in. It was so easy to upload music.

743
00:31:14,720 --> 00:31:16,800
Speaker 3: I was uploading music in the blog era, but I

744
00:31:16,880 --> 00:31:18,080
Speaker 3: was just twelve years old.

745
00:31:21,320 --> 00:31:24,680
Speaker 5: Balls he wasn't ready and that evolution, like he talked

746
00:31:24,680 --> 00:31:27,600
Speaker 5: about that and ambitious, like how you open up festivals

747
00:31:27,600 --> 00:31:31,120
Speaker 5: at one pm? Like or you said in the previous interview,

748
00:31:31,160 --> 00:31:33,600
Speaker 5: were like how you are afraid of doing empty shows

749
00:31:33,600 --> 00:31:36,400
Speaker 5: because you've done so many. I saw a picture a

750
00:31:36,400 --> 00:31:38,560
Speaker 5: couple of years ago that you posted on Twitter. You

751
00:31:38,600 --> 00:31:41,800
Speaker 5: were performing in Birmingham, Alabama in front of thirteen people.

752
00:31:42,400 --> 00:31:44,120
Speaker 1: What is that? What are those experiences?

753
00:31:44,160 --> 00:31:49,480
Speaker 3: Like just totally emasculating, fucking It's a tough one, but

754
00:31:50,080 --> 00:31:52,280
Speaker 3: it's why I'd like to think I'm pretty comfortable on

755
00:31:52,320 --> 00:31:55,560
Speaker 3: stage now because I felt those feelings. You're not shit.

756
00:31:56,440 --> 00:31:59,000
Speaker 3: I repeatedly felt, you know you're not shit. You might

757
00:31:59,120 --> 00:32:01,560
Speaker 3: rap like and you might think you're on your way,

758
00:32:01,560 --> 00:32:05,840
Speaker 3: but you still ain't there, and that's humbling, but it

759
00:32:05,880 --> 00:32:10,239
Speaker 3: prepares you. And now when there's twenty thousand people in

760
00:32:10,240 --> 00:32:11,680
Speaker 3: front of me, like, it ain't nothing.

761
00:32:12,000 --> 00:32:14,600
Speaker 4: You said that line about this because the one You're

762
00:32:14,600 --> 00:32:17,320
Speaker 4: really very facetious, Like, is it because I'm white?

763
00:32:17,320 --> 00:32:19,440
Speaker 1: It's because whatever it it's because I make eye contacts.

764
00:32:19,440 --> 00:32:21,719
Speaker 4: Talk about that it's performing, Like, why is it important

765
00:32:21,760 --> 00:32:23,560
Speaker 4: to be able to make eye contact with the audience

766
00:32:23,600 --> 00:32:24,320
Speaker 4: at times?

767
00:32:24,840 --> 00:32:26,880
Speaker 3: Oh? No, it just feels good to target a person

768
00:32:26,960 --> 00:32:30,040
Speaker 3: and walk in with them. I think it's a sense

769
00:32:30,080 --> 00:32:33,800
Speaker 3: of intimacy. It's just, yeah, I see you, and I've

770
00:32:33,800 --> 00:32:36,200
Speaker 3: been seeing you all night, spent every fucking lyric on

771
00:32:36,240 --> 00:32:38,440
Speaker 3: this set, and it means a lot to me. So

772
00:32:38,520 --> 00:32:41,360
Speaker 3: let's share this moment together because we both loved this part.

773
00:32:41,680 --> 00:32:42,880
Speaker 7: Yeah, I know it's sick.

774
00:32:43,920 --> 00:32:44,760
Speaker 1: It was dope scene.

775
00:32:44,760 --> 00:32:46,800
Speaker 5: You share that moment with Brandy Last year at the

776
00:32:46,840 --> 00:32:50,080
Speaker 5: BT Awards, she came out during first class?

777
00:32:50,120 --> 00:32:52,560
Speaker 1: Was it your idea to have a rhyme with you?

778
00:32:53,120 --> 00:32:55,800
Speaker 3: Definitely wanted her out there. I think Rhyman was her idea,

779
00:32:55,880 --> 00:32:57,960
Speaker 3: we're mad at it. I thought she was going to sing,

780
00:32:58,880 --> 00:33:00,560
Speaker 3: but she was on a rap. I don't know if

781
00:33:00,560 --> 00:33:02,640
Speaker 3: she was in an MC space last year, and I was.

782
00:33:02,560 --> 00:33:07,080
Speaker 1: Like, so, what was that like? Connection like when you first.

783
00:33:06,960 --> 00:33:11,240
Speaker 4: Met weird because the negative to a positive basically, Yeah.

784
00:33:11,480 --> 00:33:14,479
Speaker 3: Yeah, exactly. We met up and she's I love you,

785
00:33:14,480 --> 00:33:15,000
Speaker 3: We're all good.

786
00:33:16,360 --> 00:33:17,520
Speaker 1: Squash the bee for Brandy.

787
00:33:18,000 --> 00:33:22,760
Speaker 3: Yeah, the beef for squashed immediately made me wonder if

788
00:33:22,760 --> 00:33:25,320
Speaker 3: there was ever beef. Yeah, it's all love with her.

789
00:33:25,520 --> 00:33:28,520
Speaker 3: We're entertainers. Luckily we got some organic moments out of

790
00:33:28,520 --> 00:33:30,280
Speaker 3: that where we were actually able to share a smile

791
00:33:30,440 --> 00:33:32,000
Speaker 3: and get to know each other briefly. But at the

792
00:33:32,080 --> 00:33:35,080
Speaker 3: end of the day were like the Showman ship, let's

793
00:33:35,080 --> 00:33:36,520
Speaker 3: fucking do something they wouldn't expect.

794
00:33:36,800 --> 00:33:38,760
Speaker 5: I definitely wasn't expecting to see you on the big

795
00:33:38,800 --> 00:33:40,160
Speaker 5: screen Man White Man.

796
00:33:40,200 --> 00:33:43,880
Speaker 1: Can't Joe at the time of this right now? The movies? Yeah,

797
00:33:44,000 --> 00:33:44,920
Speaker 1: it least tomorrow.

798
00:33:45,000 --> 00:33:47,560
Speaker 4: Yeah, how do you feel like a couple hours away

799
00:33:47,560 --> 00:33:50,200
Speaker 4: from you you had a real movie, Jack Hollow, what

800
00:33:50,200 --> 00:33:53,120
Speaker 4: the fus going on? Something going on in the movie.

801
00:33:54,440 --> 00:33:55,240
Speaker 1: How does that feel?

802
00:33:56,040 --> 00:33:57,479
Speaker 3: I don't know it feels normal.

803
00:33:58,560 --> 00:34:00,160
Speaker 4: Was it something that you aspired? Was that point out

804
00:34:00,160 --> 00:34:02,400
Speaker 4: of it too, Like I might see your music drive, but.

805
00:34:02,520 --> 00:34:03,160
Speaker 2: I always was.

806
00:34:03,560 --> 00:34:05,400
Speaker 3: I always in the back of my mom was like,

807
00:34:05,480 --> 00:34:07,320
Speaker 3: I'd like to do some acting because I like to

808
00:34:07,320 --> 00:34:09,799
Speaker 3: play pretend, I like to lie. And then I was

809
00:34:09,800 --> 00:34:15,080
Speaker 3: so focused on this rap shit. It's like, if the

810
00:34:15,080 --> 00:34:18,040
Speaker 3: opportunity presents itself, and then sure enough it did. We're

811
00:34:18,040 --> 00:34:20,759
Speaker 3: getting a lot of energy from that side of entertainment

812
00:34:20,760 --> 00:34:24,279
Speaker 3: and something I want to continue to chase. So it's

813
00:34:24,320 --> 00:34:28,080
Speaker 3: definitely exciting, really grateful, really loved working with everyone on

814
00:34:28,120 --> 00:34:32,920
Speaker 3: the set. Sinqua. My acting coach, Lee is incredible cow

815
00:34:33,000 --> 00:34:35,120
Speaker 3: maatic who comes from hip hop, so we were able

816
00:34:35,120 --> 00:34:38,440
Speaker 3: to speak a language. I had a great time shooting it,

817
00:34:38,480 --> 00:34:40,960
Speaker 3: and it came right after Come Home came out, So

818
00:34:41,760 --> 00:34:44,920
Speaker 3: I think it was a necessary escape for me to

819
00:34:45,040 --> 00:34:47,880
Speaker 3: get into another medium in a world of people that

820
00:34:47,920 --> 00:34:51,080
Speaker 3: didn't even like may not even even listen to the album.

821
00:34:51,160 --> 00:34:53,200
Speaker 3: You know what I'm saying. Just we're totally focused on

822
00:34:53,239 --> 00:34:57,080
Speaker 3: this mission. It really could give a fuck about my success. Wow,

823
00:34:57,200 --> 00:34:59,040
Speaker 3: and hip hop is Hey, we're here shooting a movie

824
00:34:59,040 --> 00:35:00,239
Speaker 3: and you're just another team player.

825
00:35:00,400 --> 00:35:00,839
Speaker 1: Be on top.

826
00:35:02,200 --> 00:35:05,240
Speaker 3: Yeah, very interesting from going from being in charge almost

827
00:35:05,280 --> 00:35:07,960
Speaker 3: all the time. Yeah, you don't charge at all.

828
00:35:08,520 --> 00:35:11,000
Speaker 1: Did you have any like trepidation about remaking such a

829
00:35:11,000 --> 00:35:16,120
Speaker 1: classic movie, No Woody and Wesley Man Pressure Man sequels.

830
00:35:16,600 --> 00:35:20,400
Speaker 3: Yeah, it's almost like there is no pressure surrounding it

831
00:35:20,600 --> 00:35:24,560
Speaker 3: through reality obviously, I see the talk fuck another reboot.

832
00:35:24,600 --> 00:35:27,000
Speaker 3: But nobody gives a ship. I'm saying, even the people

833
00:35:27,040 --> 00:35:29,840
Speaker 3: complaining don't give a ship. It's just like just getting

834
00:35:29,840 --> 00:35:31,880
Speaker 3: through their day. Nobody gives a shit about anything.

835
00:35:33,680 --> 00:35:35,120
Speaker 1: Maybe they do for a short time.

836
00:35:35,239 --> 00:35:39,279
Speaker 3: That's that's not giving a ship, you know what I'm saying.

837
00:35:39,360 --> 00:35:40,359
Speaker 3: Nobody gives a ship.

838
00:35:40,800 --> 00:35:41,040
Speaker 2: Right.

839
00:35:41,280 --> 00:35:43,360
Speaker 3: That's the one thing I'm like growing to learn is

840
00:35:43,400 --> 00:35:48,160
Speaker 3: like everybody either has everybody has something to do or

841
00:35:48,160 --> 00:35:50,960
Speaker 3: they're looking for something to do, and sometimes that results

842
00:35:50,960 --> 00:35:53,040
Speaker 3: in comments. But nobody cares about anything.

843
00:35:53,120 --> 00:35:55,959
Speaker 4: Maybe the real estate. Very few things really we really

844
00:35:55,960 --> 00:35:58,080
Speaker 4: truly care about. When he cuts through the bullshit, like,

845
00:35:58,120 --> 00:36:00,560
Speaker 4: there's very few things that we truly and you.

846
00:36:00,560 --> 00:36:03,640
Speaker 3: Are talking about it. What people are talking about doesn't

847
00:36:03,640 --> 00:36:06,560
Speaker 3: reflect what they actually care about. What they're like up

848
00:36:06,600 --> 00:36:09,600
Speaker 3: a bet up at night. Nobody's up at night, fuck, bro,

849
00:36:09,960 --> 00:36:15,160
Speaker 3: they're remaking White Men, bro. Nobody is like tossing and turning,

850
00:36:15,239 --> 00:36:17,960
Speaker 3: like how could they fuck with a classic like this?

851
00:36:18,560 --> 00:36:20,120
Speaker 1: What are you doing that?

852
00:36:20,680 --> 00:36:23,000
Speaker 3: It's like, yeah, it's a fucking classic. We love the movie,

853
00:36:23,040 --> 00:36:26,920
Speaker 3: all right, let's keep moving. Damn nobody cares.

854
00:36:27,719 --> 00:36:30,400
Speaker 1: Yeah, You're not the only in the movie. You got

855
00:36:30,480 --> 00:36:31,600
Speaker 1: Vince Staples in there as well.

856
00:36:31,760 --> 00:36:32,640
Speaker 3: Fucking Hello a guy.

857
00:36:32,760 --> 00:36:35,319
Speaker 1: Yeah, man, how was it having another rap on set

858
00:36:35,360 --> 00:36:35,560
Speaker 1: with you?

859
00:36:36,480 --> 00:36:38,160
Speaker 3: Comforting? But I'm a Vince fan.

860
00:36:38,880 --> 00:36:40,359
Speaker 7: Hello, Vince is still young.

861
00:36:40,440 --> 00:36:43,360
Speaker 3: But Summertime those six came out when I was midway

862
00:36:43,360 --> 00:36:47,520
Speaker 3: through high school, and anyone that really listens to my

863
00:36:47,680 --> 00:36:51,239
Speaker 3: music knows I love that type of production, like that

864
00:36:51,360 --> 00:36:54,799
Speaker 3: West Coast influence tempo, a lot of that far real

865
00:36:55,040 --> 00:36:57,840
Speaker 3: Timbland influence. Ship and Summertime I six is one of

866
00:36:57,920 --> 00:37:00,440
Speaker 3: my favorite albums. Ever, Vince is still it. But I'm

867
00:37:00,480 --> 00:37:02,279
Speaker 3: looking at him like, Yo, you mean the world to me.

868
00:37:02,520 --> 00:37:04,239
Speaker 3: And I know every rapper says that to each other

869
00:37:04,239 --> 00:37:07,000
Speaker 3: when they run into each other. I was like, listen,

870
00:37:07,400 --> 00:37:10,200
Speaker 3: you mean a lot to me and me and events

871
00:37:10,200 --> 00:37:10,960
Speaker 3: clicked immediately.

872
00:37:11,200 --> 00:37:14,480
Speaker 5: Great guy, Ever, Moona Park broke my heart. The best

873
00:37:14,480 --> 00:37:16,560
Speaker 5: albums like Last Year, Man, He's excellent.

874
00:37:16,719 --> 00:37:18,480
Speaker 4: Yeah, okay, give me that though, give me one of

875
00:37:18,480 --> 00:37:22,800
Speaker 4: the any five favorite personal great hip hop albums to

876
00:37:22,960 --> 00:37:26,000
Speaker 4: Jack Hollow ever, yeah, they don't have to be like

877
00:37:26,080 --> 00:37:28,680
Speaker 4: people's listen more but personally connect you personally connected?

878
00:37:28,800 --> 00:37:33,520
Speaker 3: Yeah, Lay Registration Quemini nothing was the same.

879
00:37:34,239 --> 00:37:37,719
Speaker 4: It was a classics more two more Yeah, lay Registration

880
00:37:37,800 --> 00:37:39,479
Speaker 4: of Cumine nothing, what's the same?

881
00:37:40,160 --> 00:37:44,080
Speaker 1: Getting I wrapped it on beat Out, turning up podcasts.

882
00:37:44,800 --> 00:37:48,799
Speaker 3: I love Oh okay, you know the album I love

883
00:37:49,400 --> 00:37:51,560
Speaker 3: with fish Ride Bicycles by the Cool Kids.

884
00:37:52,520 --> 00:37:53,640
Speaker 1: That's definitely ball era.

885
00:37:54,560 --> 00:37:58,920
Speaker 3: Yeah, classic album and bakes. I love the cool Kids.

886
00:37:59,360 --> 00:38:04,440
Speaker 3: Cool Kids get me like all that bounce and tempo that.

887
00:38:04,560 --> 00:38:08,360
Speaker 3: I like all that smooth ship to me. I like

888
00:38:08,400 --> 00:38:11,359
Speaker 3: beats to feel like they're not going like this. I

889
00:38:11,400 --> 00:38:13,880
Speaker 3: like beats that are going in the circle that Yeah.

890
00:38:13,960 --> 00:38:15,200
Speaker 1: Yeah, that's a good five.

891
00:38:15,480 --> 00:38:16,120
Speaker 3: Yeah.

892
00:38:16,160 --> 00:38:18,080
Speaker 4: But do you think so like Lay Registration, that's your

893
00:38:18,200 --> 00:38:21,840
Speaker 4: YAY album, that's equiminized, your outcast album, Blue Pressure j album.

894
00:38:21,920 --> 00:38:26,000
Speaker 3: I would say so. I would definitely say so. Yeah,

895
00:38:26,080 --> 00:38:27,440
Speaker 3: y'all got my gears turning.

896
00:38:29,280 --> 00:38:32,000
Speaker 5: Your basketball ties do Run Deep even named the song

897
00:38:32,080 --> 00:38:36,000
Speaker 5: after Miami heat star hero did your jump Shot? Really

898
00:38:36,040 --> 00:38:39,840
Speaker 5: improve after doing the after what after doing the record

899
00:38:39,840 --> 00:38:41,400
Speaker 5: with having him in the video and just doing the

900
00:38:41,480 --> 00:38:42,600
Speaker 5: record named after him.

901
00:38:42,800 --> 00:38:46,440
Speaker 3: Hell no, my jump shot improved a lot after this movie.

902
00:38:46,760 --> 00:38:49,239
Speaker 3: I had a trainer I worked with and he reconstructed

903
00:38:49,280 --> 00:38:49,680
Speaker 3: my ship.

904
00:38:49,840 --> 00:38:52,239
Speaker 1: Okay, see you nice? Right now, you want to play

905
00:38:52,320 --> 00:38:53,759
Speaker 1: j cole one on one? You got him?

906
00:38:55,200 --> 00:38:58,680
Speaker 5: Yeah, let's do it. You guys are both in the

907
00:38:58,719 --> 00:39:01,719
Speaker 5: Celebrity All Star Games. Not at the same time, but yeah,

908
00:39:01,719 --> 00:39:04,000
Speaker 5: I think he dunked in one.

909
00:39:04,080 --> 00:39:07,000
Speaker 1: He did catch a dunk. I think it was all Yeah.

910
00:39:06,920 --> 00:39:09,200
Speaker 3: That was bizarre. You had a full point about ten

911
00:39:09,239 --> 00:39:13,719
Speaker 3: years ago. I love do you feel?

912
00:39:13,800 --> 00:39:16,799
Speaker 1: Are you a competitive guy?

913
00:39:17,840 --> 00:39:18,440
Speaker 3: Extremely?

914
00:39:19,040 --> 00:39:20,560
Speaker 4: Like if I play you in a video game, you lose,

915
00:39:20,600 --> 00:39:22,680
Speaker 4: you like throw the controller to the side.

916
00:39:22,719 --> 00:39:24,880
Speaker 3: I won't throw it. I'm good at masking my anger

917
00:39:24,880 --> 00:39:26,680
Speaker 3: because I don't want people to know how I feel.

918
00:39:27,160 --> 00:39:31,960
Speaker 3: But I desperately want to win everything. I play soccer

919
00:39:32,000 --> 00:39:32,439
Speaker 3: every week.

920
00:39:32,560 --> 00:39:35,200
Speaker 4: And yeah, so you talk about that soccer because you

921
00:39:35,280 --> 00:39:36,719
Speaker 4: tease it in the video a little bit, so you're

922
00:39:36,760 --> 00:39:37,400
Speaker 4: serious about it.

923
00:39:37,400 --> 00:39:39,680
Speaker 3: We just want our rec League championship. A couple of

924
00:39:39,719 --> 00:39:45,280
Speaker 3: nights ago, right about this album, the movie.

925
00:39:45,640 --> 00:39:48,680
Speaker 1: That's really what it is. Soccer champion Jack Hollow with

926
00:39:48,760 --> 00:39:49,719
Speaker 1: some respect on it.

927
00:39:49,800 --> 00:39:52,640
Speaker 3: So we play every week with a bunch of guys

928
00:39:53,320 --> 00:39:54,200
Speaker 3: played in college.

929
00:39:54,320 --> 00:39:57,600
Speaker 1: Or how does the kid in Louisville give it to

930
00:39:57,680 --> 00:39:58,399
Speaker 1: soccer like this?

931
00:39:58,600 --> 00:40:04,319
Speaker 4: I'm still white, brother, I don't believe it, but the

932
00:40:04,360 --> 00:40:06,440
Speaker 4: white folks in Louisville play soccer.

933
00:40:07,080 --> 00:40:09,040
Speaker 1: I can't do Louisville without saying Louisville like this.

934
00:40:09,160 --> 00:40:11,759
Speaker 7: I gotta stop doing Louisville.

935
00:40:12,560 --> 00:40:14,680
Speaker 1: Is that? Is it a popular sport out here?

936
00:40:15,880 --> 00:40:19,200
Speaker 3: I think soccer is the most popular sport on earth.

937
00:40:19,760 --> 00:40:23,239
Speaker 3: It is as yeah, yeah, people play soccer out here. Okay, cool,

938
00:40:23,280 --> 00:40:24,520
Speaker 3: people play soccer out here.

939
00:40:24,960 --> 00:40:26,880
Speaker 1: See, you're nice with it, You're a good soccer player.

940
00:40:27,200 --> 00:40:29,880
Speaker 3: I'm straight. I just want to win. I'm not concerned

941
00:40:29,920 --> 00:40:32,160
Speaker 3: with the stats I put up. I'm not concerned with

942
00:40:32,239 --> 00:40:34,640
Speaker 3: looking good. And this goes for basketball, any sport. I

943
00:40:34,640 --> 00:40:37,600
Speaker 3: play almost any activity. I just want to win. I

944
00:40:37,640 --> 00:40:40,239
Speaker 3: don't care about teammates, Sean. I want to walk away

945
00:40:40,239 --> 00:40:43,120
Speaker 3: and say we won and you lost. That that feels

946
00:40:43,120 --> 00:40:45,760
Speaker 3: great to me. So I'm not a skills player. I'll

947
00:40:45,760 --> 00:40:49,600
Speaker 3: put my shoulder into somebody and I'll run really hard.

948
00:40:49,719 --> 00:40:50,480
Speaker 3: I'm an effort guy.

949
00:40:50,760 --> 00:40:55,440
Speaker 1: Same with basketball rebound pay. So what does like a

950
00:40:55,640 --> 00:40:57,360
Speaker 1: w look like in the movie world for you?

951
00:40:58,280 --> 00:41:03,200
Speaker 7: I guess an oscar, right, But.

952
00:41:03,200 --> 00:41:05,080
Speaker 5: For the success of White Men Can't Jump? Do you

953
00:41:05,120 --> 00:41:07,600
Speaker 5: care if it like goes number one at the box office?

954
00:41:07,719 --> 00:41:10,480
Speaker 5: You care about people come to your street, Like, what

955
00:41:10,480 --> 00:41:11,840
Speaker 5: does that look like to you?

956
00:41:11,960 --> 00:41:12,120
Speaker 7: Yeah?

957
00:41:12,160 --> 00:41:15,040
Speaker 3: All that would be nice, but it's all just byproducts.

958
00:41:15,080 --> 00:41:16,480
Speaker 3: That's not why we do it. But all of it

959
00:41:16,520 --> 00:41:17,120
Speaker 3: will be nice.

960
00:41:17,120 --> 00:41:21,200
Speaker 5: I would love that number one album, number one movie,

961
00:41:21,440 --> 00:41:22,640
Speaker 5: some Jennifer Lopez ship.

962
00:41:23,080 --> 00:41:25,040
Speaker 3: Yeah. I try not to get too wrapped up and

963
00:41:25,080 --> 00:41:30,560
Speaker 3: all that stuff, but it's all feels good. Yeah, I'd

964
00:41:30,560 --> 00:41:30,920
Speaker 3: love it.

965
00:41:31,200 --> 00:41:32,760
Speaker 1: Were you bummed when you didn't win the Grammy?

966
00:41:33,640 --> 00:41:34,600
Speaker 3: No, I wasn't bummed.

967
00:41:35,000 --> 00:41:37,600
Speaker 7: Yeah, it will come. Time will come.

968
00:41:37,800 --> 00:41:41,279
Speaker 4: He was in the building though, you used yeah to

969
00:41:41,320 --> 00:41:45,600
Speaker 4: you about it, right, He was like, no, I'm sorry, sorry,

970
00:41:46,760 --> 00:41:47,239
Speaker 4: I'm going to.

971
00:41:47,239 --> 00:41:50,720
Speaker 3: Be sorry about yeah the company enough was like it'selt

972
00:41:50,719 --> 00:41:52,879
Speaker 3: really good. No, I hardly felt a way. My heart

973
00:41:52,920 --> 00:41:54,839
Speaker 3: was beating on my chest. In case they fucked around

974
00:41:54,880 --> 00:41:56,320
Speaker 3: and said, I wont.

975
00:41:57,680 --> 00:41:59,040
Speaker 1: Did you feel when you put out Jackman?

976
00:41:59,120 --> 00:42:02,000
Speaker 4: Like it doesn't matter about out sales or Grammy nominations

977
00:42:02,000 --> 00:42:03,640
Speaker 4: like this is just where I'm at right now. Like

978
00:42:03,680 --> 00:42:05,040
Speaker 4: you said, I gotta get my shit off, and I

979
00:42:05,040 --> 00:42:08,160
Speaker 4: got motherfuckers know my dedication to this, And I.

980
00:42:08,160 --> 00:42:11,520
Speaker 3: Just think you gotta be careful about not getting too

981
00:42:11,520 --> 00:42:17,080
Speaker 3: wrapped up in because we get placed into a bubble

982
00:42:17,239 --> 00:42:20,520
Speaker 3: within the industry and so suddenly you find yourself interacting

983
00:42:20,560 --> 00:42:26,799
Speaker 3: with nothing but peers, executives and number crunchers, and you like,

984
00:42:27,200 --> 00:42:29,759
Speaker 3: if you're not careful, you forget there's human beings that

985
00:42:29,800 --> 00:42:31,680
Speaker 3: are listening to your music. That's what really drives it.

986
00:42:31,760 --> 00:42:34,440
Speaker 3: So I just all I really cared about was the

987
00:42:34,520 --> 00:42:38,560
Speaker 3: connection with the fans and them feeling like there was

988
00:42:38,600 --> 00:42:41,000
Speaker 3: no filter between how I felt and what I was

989
00:42:41,040 --> 00:42:45,440
Speaker 3: giving to them. So this album was totally for my

990
00:42:45,520 --> 00:42:47,880
Speaker 3: fans and for hip hop lovers.

991
00:42:48,840 --> 00:42:51,040
Speaker 4: Yeah, you mentioned Kendrick and Taler giving you praise. Was

992
00:42:51,040 --> 00:42:54,440
Speaker 4: there anybody like outly that surprised you, that reached out

993
00:42:54,440 --> 00:42:56,160
Speaker 4: to you about the album and really gave you your

994
00:42:56,200 --> 00:42:56,759
Speaker 4: props on it.

995
00:42:56,960 --> 00:43:02,960
Speaker 3: Nobody's surprising. Yeah, nobody's surprising. Really, it's hard to recall,

996
00:43:03,040 --> 00:43:05,200
Speaker 3: but people from all walks of life. I think it's

997
00:43:05,239 --> 00:43:09,960
Speaker 3: connected with the human spirit. I think vulnerability people connected

998
00:43:09,920 --> 00:43:14,760
Speaker 3: with I think honesty people appreciate right now, people want honesty.

999
00:43:14,880 --> 00:43:17,799
Speaker 3: They don't have patience for anything but the truth. Yeah,

1000
00:43:18,040 --> 00:43:20,040
Speaker 3: hip hop's in a weird space right now. Man, I'm

1001
00:43:20,040 --> 00:43:23,480
Speaker 3: sure y'all speak on it. It's in a very interesting space.

1002
00:43:23,560 --> 00:43:27,680
Speaker 3: So I was just trying to make something that was

1003
00:43:28,680 --> 00:43:32,920
Speaker 3: as rooted in hip hop as possible because it's evolving.

1004
00:43:33,120 --> 00:43:34,839
Speaker 3: I'm not gonna attach Like I said about the music,

1005
00:43:34,840 --> 00:43:36,600
Speaker 3: I'm not gonna attach a good or bad too it.

1006
00:43:36,600 --> 00:43:38,600
Speaker 3: It's just it's interesting.

1007
00:43:38,760 --> 00:43:40,520
Speaker 1: Yeah. Also, me and me not talked about before you

1008
00:43:40,560 --> 00:43:40,840
Speaker 1: came in.

1009
00:43:40,880 --> 00:43:42,759
Speaker 4: It's just like it's with such a challenge in this

1010
00:43:42,880 --> 00:43:46,480
Speaker 4: era to not only gain interest but sustain interest as

1011
00:43:46,480 --> 00:43:47,360
Speaker 4: a hip hop artist.

1012
00:43:47,400 --> 00:43:49,160
Speaker 1: Is that kind of somewhat what you're speaking about.

1013
00:43:49,840 --> 00:43:51,799
Speaker 3: I guess. I just mean, I don't know how much

1014
00:43:51,840 --> 00:43:56,279
Speaker 3: people value music at this moment. I just don't know.

1015
00:43:56,400 --> 00:43:58,239
Speaker 3: I'm not saying I know. I'm saying I don't know.

1016
00:43:58,560 --> 00:44:00,920
Speaker 3: I don't know. I don't know where hip it's in

1017
00:44:00,960 --> 00:44:04,520
Speaker 3: a really interesting space that they were seeing right now,

1018
00:44:04,520 --> 00:44:07,480
Speaker 3: we're seeing a ship. We're in the middle of a

1019
00:44:07,520 --> 00:44:08,120
Speaker 3: big shift.

1020
00:44:09,000 --> 00:44:10,840
Speaker 4: But it's funny because we always talk about vcs, this

1021
00:44:10,920 --> 00:44:12,960
Speaker 4: dynamic of we don't say you come from the Araweth.

1022
00:44:13,000 --> 00:44:15,279
Speaker 4: There's the big Free, there's a Drake, Kendrick, Cole, right,

1023
00:44:15,840 --> 00:44:18,200
Speaker 4: and then some artists shy away from I'm going to

1024
00:44:18,239 --> 00:44:21,080
Speaker 4: be the next leader in that space and some don't.

1025
00:44:21,080 --> 00:44:23,040
Speaker 4: I feel like you always say you want to be

1026
00:44:23,120 --> 00:44:25,360
Speaker 4: that person, you want to be a leader in that

1027
00:44:25,680 --> 00:44:27,279
Speaker 4: Is that still where your mind's that of Like.

1028
00:44:27,280 --> 00:44:32,680
Speaker 3: Yeah, absolutely, I definitely yearned for that type of influence,

1029
00:44:32,960 --> 00:44:38,200
Speaker 3: but it's something that people knight you for, you know

1030
00:44:38,200 --> 00:44:41,520
Speaker 3: what I'm saying. So you have to be compelling and

1031
00:44:41,560 --> 00:44:44,200
Speaker 3: you have to reach for it. And that's what I

1032
00:44:44,200 --> 00:44:46,960
Speaker 3: guess I mean by people are like, who's the next

1033
00:44:46,960 --> 00:44:50,080
Speaker 3: big three? But the game may be evolving to a

1034
00:44:50,120 --> 00:44:53,239
Speaker 3: place where it doesn't fit the same format as that time,

1035
00:44:54,200 --> 00:44:57,040
Speaker 3: and what people want is changing with the youth. Wants

1036
00:44:57,160 --> 00:45:01,160
Speaker 3: is changing, and it's almost like Drake, Kendrick and Cole,

1037
00:45:02,239 --> 00:45:03,960
Speaker 3: their voices are damn near nostalgic.

1038
00:45:04,000 --> 00:45:04,520
Speaker 7: At this point.

1039
00:45:04,600 --> 00:45:06,160
Speaker 3: We know this is good because this is from the

1040
00:45:06,239 --> 00:45:10,759
Speaker 3: days where things were a little better, you know what

1041
00:45:10,760 --> 00:45:13,360
Speaker 3: I'm saying, Like you hear Drake's voice come on in

1042
00:45:13,400 --> 00:45:16,440
Speaker 3: the club, and like it almost reminds you of twenty twelve,

1043
00:45:17,040 --> 00:45:20,240
Speaker 3: which was a great time. Remind you of twenty sixteen.

1044
00:45:20,680 --> 00:45:24,080
Speaker 3: This is a great time. And so it's almost like

1045
00:45:24,160 --> 00:45:26,920
Speaker 3: the history of the Big Three continues to rain on

1046
00:45:27,120 --> 00:45:30,239
Speaker 3: because of what they've already done, what they've already accomplished,

1047
00:45:30,320 --> 00:45:32,040
Speaker 3: is like, well, we know we're getting some good shit

1048
00:45:32,040 --> 00:45:33,799
Speaker 3: from women. It's why you see people go back and

1049
00:45:33,800 --> 00:45:38,000
Speaker 3: then instead of banging new shit, they're listening to Forest

1050
00:45:38,080 --> 00:45:42,640
Speaker 3: Hills Driver, they're listening to Late Registration. It's almost like

1051
00:45:42,680 --> 00:45:44,799
Speaker 3: we're living in a time where people don't feel like

1052
00:45:46,520 --> 00:45:50,680
Speaker 3: this era is special enough to stamp anything as timeless

1053
00:45:50,680 --> 00:45:53,279
Speaker 3: are classic, as if the timas in classic shit it

1054
00:45:53,360 --> 00:45:55,640
Speaker 3: already happened. We can't get any new timas in classic.

1055
00:45:56,040 --> 00:45:58,160
Speaker 4: I feel like they never claimed the album's classic since

1056
00:45:58,200 --> 00:46:01,520
Speaker 4: Good Kid, Mass City conversation has never been about this

1057
00:46:01,560 --> 00:46:02,319
Speaker 4: is a classic album.

1058
00:46:03,280 --> 00:46:05,040
Speaker 1: Clearing his last album is like.

1059
00:46:05,400 --> 00:46:08,160
Speaker 3: It's almost like we're living in the future. Bro, Yeah,

1060
00:46:08,200 --> 00:46:11,440
Speaker 3: and everyone's this may be a naive take. In twenty years,

1061
00:46:11,440 --> 00:46:13,000
Speaker 3: maybe we'll be looking at right now and be like,

1062
00:46:13,000 --> 00:46:14,799
Speaker 3: look at all this classic shit that's being mad right now.

1063
00:46:14,840 --> 00:46:16,720
Speaker 3: But it's almost like we're living in the future because

1064
00:46:17,800 --> 00:46:22,440
Speaker 3: everyone is just so into the nostalgia of it all.

1065
00:46:22,600 --> 00:46:26,160
Speaker 3: They're so into the Golden era, and it's almost like

1066
00:46:26,560 --> 00:46:29,000
Speaker 3: we've passed it so much that people are like, we're

1067
00:46:29,000 --> 00:46:30,880
Speaker 3: not going to stamp anything from right now because right

1068
00:46:30,880 --> 00:46:32,279
Speaker 3: now it's not even a special.

1069
00:46:31,960 --> 00:46:33,640
Speaker 1: Times, not enough times, not enough time.

1070
00:46:33,920 --> 00:46:36,279
Speaker 3: Yeah, it's just it's not even I don't know, it's

1071
00:46:36,280 --> 00:46:38,440
Speaker 3: really it's actually a struggle for me to articulate a

1072
00:46:38,480 --> 00:46:40,080
Speaker 3: little bit. No, I think you're doing a good job.

1073
00:46:40,280 --> 00:46:43,759
Speaker 3: I guess what I'm saying is I think Scorpion is

1074
00:46:43,760 --> 00:46:46,600
Speaker 3: going to be a classic. Just so you know, I

1075
00:46:46,600 --> 00:46:50,600
Speaker 3: think like these albums as time passes.

1076
00:46:51,320 --> 00:46:52,280
Speaker 1: It's just different.

1077
00:46:52,320 --> 00:46:54,120
Speaker 3: It's just how it is. It's just how it fucking is.

1078
00:46:54,320 --> 00:46:56,879
Speaker 3: I just feel like right now, almost on some post

1079
00:46:56,960 --> 00:47:00,480
Speaker 3: pandemic shit. I was talking to John Mayer about this,

1080
00:47:00,920 --> 00:47:04,759
Speaker 3: about how culture so fragmented. Artists put out music and

1081
00:47:04,800 --> 00:47:08,440
Speaker 3: the artist's job is to respond or comment on culture

1082
00:47:08,440 --> 00:47:11,719
Speaker 3: and society. But he and I were talking about there's

1083
00:47:11,719 --> 00:47:14,520
Speaker 3: no shared human experience anymore because everyone's living in their

1084
00:47:14,520 --> 00:47:17,840
Speaker 3: own pockets. Everyone's choosing what to digest. You got your shows,

1085
00:47:18,040 --> 00:47:19,960
Speaker 3: you got your artists, so you get to live in

1086
00:47:20,000 --> 00:47:22,319
Speaker 3: your pocket and you don't really need to be told

1087
00:47:22,320 --> 00:47:25,560
Speaker 3: who's the star, who's most important? And so I'm saying

1088
00:47:25,640 --> 00:47:30,000
Speaker 3: when Kendrick drinking cold that is were that was still

1089
00:47:30,000 --> 00:47:32,799
Speaker 3: a time where people were saying, Nah, everyone needs to

1090
00:47:32,800 --> 00:47:34,719
Speaker 3: know these are the most important people. Now everyone gets

1091
00:47:34,760 --> 00:47:36,920
Speaker 3: to choose what's important to them. Everyone is living a

1092
00:47:36,960 --> 00:47:42,000
Speaker 3: fragmented version of culture, and so it's hard to make

1093
00:47:42,080 --> 00:47:45,040
Speaker 3: something that connects with the entire zite guys because everyone

1094
00:47:45,120 --> 00:47:46,360
Speaker 3: there's no shared human experience.

1095
00:47:46,440 --> 00:47:48,120
Speaker 4: So do you feel like an alien that this is

1096
00:47:48,120 --> 00:47:50,920
Speaker 4: a landscape but you still have this old school I'm

1097
00:47:50,920 --> 00:47:52,520
Speaker 4: going to be the best MC in the world.

1098
00:47:52,719 --> 00:47:55,799
Speaker 3: I'm navigating, man, I don't know. I'm just reacting and

1099
00:47:57,040 --> 00:48:01,080
Speaker 3: taking it in. I'm okay with being wrong. I don't know,

1100
00:48:01,160 --> 00:48:03,040
Speaker 3: I'm okay with being wrong about half the shit I

1101
00:48:03,120 --> 00:48:05,240
Speaker 3: just said. Like maybe in five years I'll see it differently.

1102
00:48:05,280 --> 00:48:07,520
Speaker 3: But it's just an interesting time.

1103
00:48:08,280 --> 00:48:09,719
Speaker 5: But it's dope that you know, like even on the

1104
00:48:09,719 --> 00:48:11,400
Speaker 5: ambitious you say, I got to show these boys with

1105
00:48:11,480 --> 00:48:13,719
Speaker 5: the best out is the still want that you still

1106
00:48:13,760 --> 00:48:15,000
Speaker 5: want to be the best.

1107
00:48:15,000 --> 00:48:17,160
Speaker 4: And she ain't leaving us for acting because we've lost

1108
00:48:17,239 --> 00:48:18,960
Speaker 4: the ice cubes and the latifas And.

1109
00:48:19,000 --> 00:48:23,239
Speaker 3: Yeah, yeah, I'm not going nowhere. I love this shit

1110
00:48:23,320 --> 00:48:25,840
Speaker 3: too much. Shit, this rapture is not a cash grab

1111
00:48:25,880 --> 00:48:29,239
Speaker 3: to me or a vehicle to get famous. I love

1112
00:48:29,320 --> 00:48:32,759
Speaker 3: the craft. I grew up in it, so I'm here

1113
00:48:32,800 --> 00:48:34,000
Speaker 3: to stay.

1114
00:48:35,080 --> 00:48:36,719
Speaker 1: Are you staying on that road? Are we getting a

1115
00:48:36,760 --> 00:48:37,680
Speaker 1: tour for jack Man?

1116
00:48:38,719 --> 00:48:41,520
Speaker 3: I don't know, playing it by air right now. Tours

1117
00:48:41,520 --> 00:48:43,840
Speaker 3: take planning, so it obviously ain't happening in the next

1118
00:48:44,120 --> 00:48:48,080
Speaker 3: month or two. But keeping our finger on the pulse.

1119
00:48:48,360 --> 00:48:52,480
Speaker 3: Definitely have some things planned, but not feeling no pressure

1120
00:48:52,520 --> 00:48:54,399
Speaker 3: to go back out, really excited.

1121
00:48:54,040 --> 00:48:58,480
Speaker 5: To go back in the studio already. Wow, So this

1122
00:48:58,520 --> 00:49:00,560
Speaker 5: is not like this is a full this is not

1123
00:49:00,560 --> 00:49:03,440
Speaker 5: an EP. This is the album. You're gonna live with

1124
00:49:03,480 --> 00:49:04,719
Speaker 5: this for like maybe a year or two.

1125
00:49:04,760 --> 00:49:08,680
Speaker 4: And a year or two, I feel like, how does

1126
00:49:08,719 --> 00:49:11,799
Speaker 4: this success of the impact of Jackman shape how you

1127
00:49:11,840 --> 00:49:13,120
Speaker 4: may approach your next album.

1128
00:49:13,239 --> 00:49:16,480
Speaker 3: I may need a little time to decide. I needed

1129
00:49:16,520 --> 00:49:18,560
Speaker 3: time off come Home to decide where I was going

1130
00:49:18,640 --> 00:49:20,799
Speaker 3: to go and going back, like I said, I did

1131
00:49:20,840 --> 00:49:24,959
Speaker 3: the movie after Come Home. I spent all that time

1132
00:49:25,000 --> 00:49:26,879
Speaker 3: away from the studio. I didn't record at the same

1133
00:49:26,880 --> 00:49:28,919
Speaker 3: time as a movie, and by the time I got back,

1134
00:49:28,960 --> 00:49:31,080
Speaker 3: I felt like I lost the stuff. So you have

1135
00:49:31,200 --> 00:49:33,160
Speaker 3: to stay in it. You have to stay sharp because

1136
00:49:33,680 --> 00:49:35,200
Speaker 3: you'll get in there. And for me, at least, it

1137
00:49:35,239 --> 00:49:36,920
Speaker 3: takes a second to get back in the swing. So

1138
00:49:39,320 --> 00:49:41,399
Speaker 3: at some point, I really I just want to listen

1139
00:49:41,400 --> 00:49:43,080
Speaker 3: to beats for a while. And she was compelling.

1140
00:49:43,640 --> 00:49:45,280
Speaker 1: Do you work fast, pen pad?

1141
00:49:45,680 --> 00:49:49,720
Speaker 3: No, some shit comes fast, some shit takes time. Okay,

1142
00:49:50,280 --> 00:49:52,560
Speaker 3: freestyling less and less. This is out of my road.

1143
00:49:52,800 --> 00:49:54,560
Speaker 3: I just wanted to write and take my time with

1144
00:49:55,239 --> 00:49:56,959
Speaker 3: make sure every line was worth hearing.

1145
00:49:57,239 --> 00:50:00,040
Speaker 1: Depending pad, iPad off my phone.

1146
00:50:00,680 --> 00:50:05,160
Speaker 7: Okay, notes airplane mode, I gotcha.

1147
00:50:05,280 --> 00:50:06,759
Speaker 4: I was talking about the last song, if we get

1148
00:50:06,760 --> 00:50:08,720
Speaker 4: out of here, the questions. That's one of my favorites.

1149
00:50:08,840 --> 00:50:11,320
Speaker 4: What was the mistake going into recording that record?

1150
00:50:11,840 --> 00:50:15,719
Speaker 3: I was high. I ain't even being funny. I was high.

1151
00:50:15,719 --> 00:50:19,239
Speaker 3: I don't get high, but I was high, really smoking. Yeah,

1152
00:50:19,280 --> 00:50:22,960
Speaker 3: I got high. Whenever I am in that space, I'm

1153
00:50:23,080 --> 00:50:28,040
Speaker 3: very self conscious and self loathing, almost critical, and I

1154
00:50:28,040 --> 00:50:31,920
Speaker 3: think I was just like thinking about all the flaws

1155
00:50:31,960 --> 00:50:36,040
Speaker 3: I see in myself. I just was thinking about I

1156
00:50:36,080 --> 00:50:38,480
Speaker 3: don't know about y'all, but when I get high, I

1157
00:50:38,520 --> 00:50:43,920
Speaker 3: think I'm crap and everyone knows, not just on some reption,

1158
00:50:44,080 --> 00:50:46,200
Speaker 3: just as a human like I get very self loathing.

1159
00:50:46,520 --> 00:50:48,160
Speaker 3: I don't know, so I think some of that came

1160
00:50:48,200 --> 00:50:51,480
Speaker 3: out on that record where I was just like, I

1161
00:50:51,560 --> 00:50:53,600
Speaker 3: was seeing the negative in myself a lot when I

1162
00:50:53,600 --> 00:50:54,160
Speaker 3: was writing up.

1163
00:50:54,560 --> 00:50:55,480
Speaker 1: I like that record, Lie.

1164
00:50:55,560 --> 00:50:58,320
Speaker 5: It just reminds me of Smoother, a Hustler record and

1165
00:50:58,360 --> 00:51:00,640
Speaker 5: the Jada Kiss joints asking questions.

1166
00:51:00,960 --> 00:51:03,200
Speaker 3: Yeah, I thought about playing that for Jada quick.

1167
00:51:04,040 --> 00:51:05,839
Speaker 7: Yeah, just on some just like.

1168
00:51:05,800 --> 00:51:10,520
Speaker 4: Why we don't have to ask why you did the

1169
00:51:10,560 --> 00:51:11,160
Speaker 4: same of you, Jack.

1170
00:51:11,200 --> 00:51:13,799
Speaker 1: We appreciate you, Thank you brother, you feel good about it?

1171
00:51:13,840 --> 00:51:15,359
Speaker 3: Yeah, I feel great. Thanks for coming out here.

1172
00:51:15,360 --> 00:51:17,520
Speaker 1: And before we get out of here, yeah, talk to

1173
00:51:17,600 --> 00:51:18,319
Speaker 1: us what we got here?

1174
00:51:18,360 --> 00:51:22,000
Speaker 3: Man, Yeah, I'll be curious to see what y'all think

1175
00:51:22,000 --> 00:51:24,080
Speaker 3: of it. It's the remedy for writer's block. It's called

1176
00:51:24,120 --> 00:51:26,320
Speaker 3: Focus Elian.

1177
00:51:26,160 --> 00:51:28,640
Speaker 1: And our former writers, So I get up. We don't

1178
00:51:28,640 --> 00:51:31,360
Speaker 1: even know about his block, man, Let's.

1179
00:51:31,200 --> 00:51:37,520
Speaker 3: Get into it clean, no sugar, focus, Man's cool, good, right,

1180
00:51:37,600 --> 00:51:39,480
Speaker 3: moved out do it baby.

1181
00:51:39,360 --> 00:51:40,719
Speaker 2: Made in Louisville.

1182
00:51:41,080 --> 00:51:42,160
Speaker 7: That's a Louisville company.

1183
00:51:42,160 --> 00:51:45,200
Speaker 1: You got it right, Beat out Louisville. We go Louisville Louisville.

1184
00:51:46,120 --> 00:51:46,680
Speaker 1: I love it.

1185
00:51:47,000 --> 00:51:50,760
Speaker 4: Thank you, Hello, thank you, brother wrapperate our podcast, Yeah,

1186
00:51:50,800 --> 00:52:00,120
Speaker 4: thank you.