1 00:00:00,480 --> 00:00:03,400 Speaker 1: Ridiculous Crime is a production of iHeartRadio. 2 00:00:04,840 --> 00:00:06,400 Speaker 2: Over here. 3 00:00:07,840 --> 00:00:08,320 Speaker 3: How are you doing? 4 00:00:08,760 --> 00:00:11,160 Speaker 2: Doing pretty good? It's been waiting for you. 5 00:00:11,200 --> 00:00:13,320 Speaker 3: How you've been running a little late today. I'm good, 6 00:00:13,360 --> 00:00:15,960 Speaker 3: I'm good. Listen. You know it's ridiculous. 7 00:00:16,079 --> 00:00:19,400 Speaker 2: Yes, malware, DNA. 8 00:00:19,560 --> 00:00:21,000 Speaker 3: Malware DNA yeah. 9 00:00:21,600 --> 00:00:23,919 Speaker 2: So you know, like I like, I like technology, but 10 00:00:23,960 --> 00:00:26,640 Speaker 2: I'm not a tech bro. I know a rap name. 11 00:00:27,000 --> 00:00:31,160 Speaker 2: But uh, there's this. I'm reading this Wired story. They 12 00:00:31,400 --> 00:00:33,519 Speaker 2: they Okay, I don't know. This is wild. Maybe you'll 13 00:00:33,560 --> 00:00:35,879 Speaker 2: find this interesting. I find it ridiculous. A group of 14 00:00:35,920 --> 00:00:42,240 Speaker 2: researchers from the University of Washington, they created malicious software malware, yeah, 15 00:00:42,280 --> 00:00:47,239 Speaker 2: and they put it into physical DNA strands EW so 16 00:00:47,600 --> 00:00:52,280 Speaker 2: in a gene sequencer analyzes the DNA, the program gets 17 00:00:52,320 --> 00:00:55,160 Speaker 2: read and then it corrupts the gene sequencing software and 18 00:00:55,160 --> 00:00:56,360 Speaker 2: it takes control of the computer. 19 00:00:57,160 --> 00:00:59,160 Speaker 3: So you just give your like DNA. 20 00:00:58,920 --> 00:00:59,920 Speaker 2: Dn M malware. 21 00:01:00,080 --> 00:01:03,440 Speaker 3: You can put in twenty three and meters rip and 22 00:01:03,520 --> 00:01:05,319 Speaker 3: then bring the whole thing. 23 00:01:05,200 --> 00:01:09,200 Speaker 2: Down DNA hijack love in that nuts. I'm gonna just 24 00:01:09,240 --> 00:01:13,600 Speaker 2: inject myself of malware, do it. Yeah, that's the ridiculous part. 25 00:01:13,640 --> 00:01:15,880 Speaker 2: My idea is I need some malware. 26 00:01:16,280 --> 00:01:19,600 Speaker 3: You'll find me out behind the headquarters building, chewing on 27 00:01:19,640 --> 00:01:22,960 Speaker 3: a flash drive, just trying to get that sweet malware 28 00:01:23,600 --> 00:01:24,000 Speaker 3: up in me. 29 00:01:24,080 --> 00:01:25,200 Speaker 2: So in that ridiculous It. 30 00:01:25,280 --> 00:01:28,960 Speaker 3: Is so ridiculous, love. Do you want to know what 31 00:01:28,959 --> 00:01:29,759 Speaker 3: else is ridiculous? 32 00:01:29,959 --> 00:01:32,160 Speaker 2: Goodness? Yes, getting off the rock. 33 00:01:54,520 --> 00:01:57,960 Speaker 3: This is a ridiculous crime A podcast about absurd and 34 00:01:58,040 --> 00:02:02,720 Speaker 3: outrageous capers, heist and cons. It's always ninety nine percent 35 00:02:02,800 --> 00:02:07,720 Speaker 3: murder free and one hundred percent ridiculous. I asked today 36 00:02:07,720 --> 00:02:12,399 Speaker 3: for your indulgence. I think that that is because when 37 00:02:12,520 --> 00:02:16,040 Speaker 3: things are tough, everyone has to go to their comfort zone. 38 00:02:16,240 --> 00:02:18,320 Speaker 2: Yes, that's why I wanted to tell you a story 39 00:02:18,320 --> 00:02:21,680 Speaker 2: about Ireland earlier. YEA, something comfortingly nice makes. 40 00:02:21,560 --> 00:02:24,880 Speaker 3: People happy and calm. For me, that's usually like the 41 00:02:24,919 --> 00:02:29,880 Speaker 3: garden or cooking, making, hugging on dogs. Oh yeah, what 42 00:02:29,960 --> 00:02:32,560 Speaker 3: about you? What's your comfort zone place? 43 00:02:32,840 --> 00:02:35,160 Speaker 2: Speed? I don't mean the drug, I mean going fast, 44 00:02:35,520 --> 00:02:38,040 Speaker 2: just the act of going fast. I feel so relaxed 45 00:02:38,080 --> 00:02:38,959 Speaker 2: when I'm going fast. 46 00:02:39,280 --> 00:02:39,760 Speaker 3: I like that. 47 00:02:40,040 --> 00:02:42,560 Speaker 2: Yeah, it's not like comfort zone. It's more in the 48 00:02:42,639 --> 00:02:43,520 Speaker 2: cool zone. 49 00:02:43,600 --> 00:02:48,120 Speaker 3: But like the world is wild. Yes, as Shanaide saying, 50 00:02:48,440 --> 00:02:49,880 Speaker 3: these are dangerous days. 51 00:02:49,720 --> 00:02:52,040 Speaker 2: I think Elizabeth you've maybe realized I don't have a comfort. 52 00:02:51,840 --> 00:02:55,960 Speaker 3: Zone going fast, I. 53 00:02:55,960 --> 00:02:57,960 Speaker 2: Was kind of bing it's it's it's more I just 54 00:02:58,000 --> 00:02:59,639 Speaker 2: feel good. I don't really have a comfort zone. I 55 00:02:59,639 --> 00:03:01,440 Speaker 2: don't think I seek out enough comfort. You've made me 56 00:03:01,480 --> 00:03:04,320 Speaker 2: realized I have a paucity of comfort comfort I need. 57 00:03:04,360 --> 00:03:07,040 Speaker 2: I'm going to follow you in Shanade's advice, these. 58 00:03:06,880 --> 00:03:08,680 Speaker 3: Are dangerous days. You fill in the rest of the 59 00:03:08,680 --> 00:03:10,639 Speaker 3: line in your head if you know it. But the 60 00:03:10,680 --> 00:03:13,880 Speaker 3: show almost go on, almost go on. So I have 61 00:03:13,960 --> 00:03:15,799 Speaker 3: to tell you a compelling story. 62 00:03:15,800 --> 00:03:16,400 Speaker 2: Right please. 63 00:03:16,520 --> 00:03:19,400 Speaker 3: I can't come here and like be like, oh, list 64 00:03:19,480 --> 00:03:23,000 Speaker 3: off my tomato seedlings for an hour. I mean I could, 65 00:03:23,440 --> 00:03:26,880 Speaker 3: but there's no crime there other than how criminally delicious 66 00:03:26,919 --> 00:03:30,359 Speaker 3: those tomatoes are going to be. I have to tell 67 00:03:30,400 --> 00:03:32,160 Speaker 3: you an hour's worth of a z any crime. So 68 00:03:33,320 --> 00:03:35,200 Speaker 3: for that, I'm going to go to my comfort place 69 00:03:35,400 --> 00:03:38,760 Speaker 3: and Zarin that is San Francisco Bay Area history. 70 00:03:38,840 --> 00:03:39,440 Speaker 2: Oh hell yeah. 71 00:03:39,560 --> 00:03:43,760 Speaker 3: Right with that, I have a question for you. Have 72 00:03:43,920 --> 00:03:46,960 Speaker 3: you ever been to Alcatraz aka The Rock? 73 00:03:47,440 --> 00:03:48,640 Speaker 2: No? Actually I've never have. 74 00:03:48,960 --> 00:03:52,520 Speaker 3: Yeah, me neither. I am a fifth generation Bay Area 75 00:03:52,640 --> 00:03:54,320 Speaker 3: residence and I have never been there. 76 00:03:54,360 --> 00:03:56,960 Speaker 2: We should go, We should totally requid a ridiculous crime 77 00:03:56,960 --> 00:03:57,640 Speaker 2: episode on the road. 78 00:03:57,760 --> 00:03:59,839 Speaker 3: I kind of had wanted to do this one there, 79 00:03:59,840 --> 00:04:03,000 Speaker 3: but like you know, I'm busy. I got it busy 80 00:04:03,040 --> 00:04:03,960 Speaker 3: on the go lifestyles. 81 00:04:04,000 --> 00:04:05,280 Speaker 2: You forgot to get the boat tickets. 82 00:04:05,360 --> 00:04:09,160 Speaker 3: Yeah. I've been to the other like large free standing 83 00:04:09,200 --> 00:04:11,360 Speaker 3: island in the bay Angel Angel Island. Yeah, yeah, a 84 00:04:11,360 --> 00:04:13,320 Speaker 3: couple of times. Angel Islands so beautiful. 85 00:04:13,400 --> 00:04:15,840 Speaker 2: Yeah, that's like to go hiking off. Yeah, it's like 86 00:04:16,040 --> 00:04:18,960 Speaker 2: nature preserved Alcatraz. Why would why would you want to 87 00:04:19,000 --> 00:04:20,840 Speaker 2: go to a prison? That's a good point, you know 88 00:04:20,839 --> 00:04:22,560 Speaker 2: what I mean? Like that was my issue with it. People. 89 00:04:22,560 --> 00:04:24,200 Speaker 2: I've been offered to go and I was like, it's 90 00:04:24,240 --> 00:04:25,880 Speaker 2: a prison, right, and it's cold. I got it to 91 00:04:25,920 --> 00:04:27,359 Speaker 2: be cold for an hour to get there to go. 92 00:04:27,440 --> 00:04:29,360 Speaker 3: It means you have to go to like Peer thirty nine. 93 00:04:29,440 --> 00:04:31,040 Speaker 2: Yeah, you gotta go hang out all these tourists and 94 00:04:31,040 --> 00:04:32,600 Speaker 2: you gotta be wet and cold, and then you go 95 00:04:32,640 --> 00:04:34,360 Speaker 2: and hang out with them and they go, look al 96 00:04:34,360 --> 00:04:35,560 Speaker 2: Capone wants to spit here. 97 00:04:36,120 --> 00:04:39,359 Speaker 3: Yeah, yeah, I'm going to put it on my list now. 98 00:04:39,400 --> 00:04:40,800 Speaker 2: I do want to go because I'm hoping they have 99 00:04:40,839 --> 00:04:43,440 Speaker 2: like an al Capone banjo jazz band. 100 00:04:44,400 --> 00:04:46,680 Speaker 3: In the event that I ever leave my house to 101 00:04:46,760 --> 00:04:50,039 Speaker 3: go somewhere other than here at a headquarters, it'll be Alcatraz. 102 00:04:50,120 --> 00:04:51,240 Speaker 2: Yeah, call me, let me know that. 103 00:04:51,960 --> 00:04:54,480 Speaker 3: So the island started out as kind of a prison, 104 00:04:54,600 --> 00:04:57,880 Speaker 3: oddly enough, because the Oloney people on whose land we 105 00:04:57,960 --> 00:05:01,440 Speaker 3: sit to record, they used the island as a place 106 00:05:01,440 --> 00:05:02,760 Speaker 3: of exile or punishment. 107 00:05:02,880 --> 00:05:04,560 Speaker 2: Really, it was a banishment spot. 108 00:05:04,440 --> 00:05:06,640 Speaker 3: Makes sense. Yeah, that's what I That's what I was told. 109 00:05:07,640 --> 00:05:11,320 Speaker 3: Whereas Angel Islands pretty big relatively speaking, and has its 110 00:05:11,320 --> 00:05:16,400 Speaker 3: own like microclimates, even Alcatraz is small, rocky, yeah, and 111 00:05:16,440 --> 00:05:18,320 Speaker 3: it's in like a gnarly part of the bay that 112 00:05:18,360 --> 00:05:20,120 Speaker 3: gets hit with a lot of wind and a lot 113 00:05:20,200 --> 00:05:24,400 Speaker 3: and weather. The water is almost always choppy and cold. Yes, 114 00:05:25,040 --> 00:05:27,720 Speaker 3: And there's the wind, like I said, and it's not 115 00:05:27,960 --> 00:05:29,679 Speaker 3: particularly close to the shore. 116 00:05:29,839 --> 00:05:32,440 Speaker 2: No, they got crazy currents right there, and there's sharks. 117 00:05:32,440 --> 00:05:35,080 Speaker 2: That's where all the like the wind, the sail borders 118 00:05:35,080 --> 00:05:37,159 Speaker 2: and stuff that go by because the winds are so reliable. 119 00:05:37,279 --> 00:05:40,800 Speaker 3: Yeah. Yeah. So when the Spanish showed up, they named 120 00:05:40,800 --> 00:05:45,120 Speaker 3: the island like Isla Delos Alcatraces, And I'm saying that's 121 00:05:45,120 --> 00:05:48,960 Speaker 3: where it gets it, island of the Pelicans. Yeah, and 122 00:05:49,000 --> 00:05:51,520 Speaker 3: that's because there were so many Bobcats on the island 123 00:05:52,760 --> 00:05:54,200 Speaker 3: no Pelicans. 124 00:05:54,240 --> 00:05:57,640 Speaker 2: So there essentially there was you said, Pelican Island, and 125 00:05:57,680 --> 00:06:02,520 Speaker 2: then there's also Pelican Bay, the prison up nor Repelican, California. 126 00:06:03,160 --> 00:06:06,920 Speaker 3: That's the logo, that's the mascot Pelicans. So the name 127 00:06:07,000 --> 00:06:11,279 Speaker 3: was later shortened to Alcatraz. It's way jazzier totally. There's 128 00:06:11,320 --> 00:06:14,719 Speaker 3: a street in Berkeley called Alcatraz, so so named because 129 00:06:14,720 --> 00:06:16,560 Speaker 3: like as you drive down the hill on it toward 130 00:06:16,600 --> 00:06:19,360 Speaker 3: the bay, you're looking directly at the island. That's a 131 00:06:19,440 --> 00:06:22,400 Speaker 3: fun fact. Enjoy the tours there, thank you. So after that, 132 00:06:22,800 --> 00:06:25,960 Speaker 3: it was a US military fort in prison during the 133 00:06:26,000 --> 00:06:30,640 Speaker 3: Civil War, that's where they put Confederate sympathizers. Yeah, and 134 00:06:30,680 --> 00:06:33,200 Speaker 3: then it was a maximum security federal prison in nineteen 135 00:06:33,240 --> 00:06:35,560 Speaker 3: thirty four. That's when they kicked that off totally. And 136 00:06:35,560 --> 00:06:39,720 Speaker 3: it was like the most dangerous dude wanted the bad 137 00:06:39,720 --> 00:06:43,800 Speaker 3: boy Club. It was known for like super strict discipline, 138 00:06:43,920 --> 00:06:48,800 Speaker 3: harsh conditions, near impossible to escape because of like those cold, 139 00:06:49,040 --> 00:06:52,719 Speaker 3: treacherous waters. During the time that it was a federal prison, 140 00:06:52,760 --> 00:06:57,880 Speaker 3: there were fourteen escape attempts, thirty six men Alcatraz. Yes, 141 00:06:58,760 --> 00:07:01,200 Speaker 3: some say there were no successful attempts. 142 00:07:01,279 --> 00:07:02,159 Speaker 2: Yes, that's what they say. 143 00:07:02,360 --> 00:07:05,719 Speaker 3: Others like me begged to differ. We'll get to that 144 00:07:05,760 --> 00:07:09,280 Speaker 3: in a second. Due to high maintenance costs Alcatraz, they 145 00:07:09,279 --> 00:07:12,840 Speaker 3: closed it in nineteen sixty three. In nineteen sixty nine, 146 00:07:12,960 --> 00:07:17,520 Speaker 3: Native American activists, led by Richard Oaks, they occupied Alcatraz 147 00:07:17,560 --> 00:07:18,520 Speaker 3: for nineteen months. 148 00:07:18,560 --> 00:07:21,600 Speaker 2: My friend's father was involved in that exactly, So shout 149 00:07:21,600 --> 00:07:22,760 Speaker 2: out Victoria, Hello. 150 00:07:23,120 --> 00:07:27,240 Speaker 3: And they wanted the land return to Indigenous people. It 151 00:07:27,320 --> 00:07:31,680 Speaker 3: gained national attention, influenced Native American rights policies. In nineteen 152 00:07:31,760 --> 00:07:35,160 Speaker 3: seventy two, the island became part of the Golden Gate 153 00:07:35,240 --> 00:07:39,480 Speaker 3: National Recreation Area. Now it's a big tourist attraction. So 154 00:07:39,560 --> 00:07:42,960 Speaker 3: here's a fun fact for this virtual tour. Alcatraz had 155 00:07:43,080 --> 00:07:47,000 Speaker 3: hot showers, yes, and that was to prevent the prisoners 156 00:07:47,000 --> 00:07:49,480 Speaker 3: from getting used to cold water, which would make it 157 00:07:50,360 --> 00:07:51,560 Speaker 3: less likely to escape. 158 00:07:51,880 --> 00:07:54,440 Speaker 2: Oh, they didn't want them to like basically, you know, 159 00:07:54,760 --> 00:07:57,960 Speaker 2: make their body be not bothered by cold because that's 160 00:07:57,960 --> 00:07:59,320 Speaker 2: what I would totally do that totally. 161 00:07:59,360 --> 00:08:01,920 Speaker 3: So instead you have to take a hot shower, craze 162 00:08:01,920 --> 00:08:04,200 Speaker 3: just hot water coming out of them showers. Isn't that nuts? 163 00:08:05,000 --> 00:08:08,800 Speaker 3: You can't temping yourself up? So Alcatraz is like a 164 00:08:08,880 --> 00:08:11,280 Speaker 3: mile and a half from the nearest point of land, 165 00:08:11,280 --> 00:08:14,080 Speaker 3: which is Fisherman's Wharf in San Francisco, OK. A mile 166 00:08:14,080 --> 00:08:16,920 Speaker 3: and a half in the prison used and developed this 167 00:08:17,240 --> 00:08:22,880 Speaker 3: armorer system for surveilling the interior and the San Francisco 168 00:08:22,960 --> 00:08:25,560 Speaker 3: Chronicle writer Jay Campbell Bruce he wrote this book in 169 00:08:25,640 --> 00:08:30,400 Speaker 3: nineteen sixty three, Escape from Alcatraz quote. The armorer, in 170 00:08:30,520 --> 00:08:33,960 Speaker 3: his vault, sealed in the inner side, accessible only from 171 00:08:34,000 --> 00:08:38,560 Speaker 3: outside the prison, enjoys virtual omniscience about what is going 172 00:08:38,640 --> 00:08:42,040 Speaker 3: on in the cell blocks. Microphones hidden about the prison 173 00:08:42,160 --> 00:08:45,280 Speaker 3: relay sounds to him day and night. If a phone 174 00:08:45,320 --> 00:08:47,680 Speaker 3: is off a hook for more than fifteen seconds, a 175 00:08:47,720 --> 00:08:50,640 Speaker 3: bulb lights up on his board and he dispatches an 176 00:08:50,640 --> 00:08:54,840 Speaker 3: officer to investigate. He receives, for the record, twelve official 177 00:08:54,920 --> 00:08:57,720 Speaker 3: counts a day of the inmate population. There are some 178 00:08:58,040 --> 00:09:01,680 Speaker 3: thirty additional special counts, and if a count reveals a 179 00:09:01,720 --> 00:09:06,040 Speaker 3: prisoner missing, he radios the Coastguard and the San Francisco Police. 180 00:09:06,400 --> 00:09:09,000 Speaker 3: In the event of a riot, he hits the siren 181 00:09:09,040 --> 00:09:12,559 Speaker 3: button to summon off duty personnel and distributes weapons from 182 00:09:12,559 --> 00:09:17,640 Speaker 3: an arsenal in his vault. Rifles, pistols, submachine guns, gas grenades, ammunition. 183 00:09:18,360 --> 00:09:21,320 Speaker 3: So there's like the one guy who's the brain of 184 00:09:21,360 --> 00:09:24,040 Speaker 3: it all. So we had these guys who tried to 185 00:09:24,160 --> 00:09:27,640 Speaker 3: escape fourteen attempts thirty six dude. 186 00:09:27,679 --> 00:09:29,839 Speaker 2: So they're basically going up against this mastermind. 187 00:09:30,000 --> 00:09:33,080 Speaker 3: Yeah. Yeah, he's just like in the like control tower. 188 00:09:33,200 --> 00:09:35,800 Speaker 3: He can do and see everything. Interesting, most of the 189 00:09:35,840 --> 00:09:38,160 Speaker 3: people who tried to scoot out, most of those guys 190 00:09:38,160 --> 00:09:40,880 Speaker 3: were either recaptured, shot or killed or you know, they 191 00:09:40,880 --> 00:09:41,319 Speaker 3: gave up. 192 00:09:41,800 --> 00:09:42,720 Speaker 2: Oh really Yeah. 193 00:09:42,760 --> 00:09:46,400 Speaker 3: So one of the ones who was recaptured was John 194 00:09:46,600 --> 00:09:52,360 Speaker 3: Giles on July thirty first, nineteen forty five. His job 195 00:09:52,440 --> 00:09:55,000 Speaker 3: was on the loading dock at the prison. He had 196 00:09:55,000 --> 00:09:58,840 Speaker 3: a little job. He went down there though, dressed as 197 00:09:58,880 --> 00:10:02,080 Speaker 3: a US Army Tech sergeant and he got on an 198 00:10:02,200 --> 00:10:05,000 Speaker 3: army boat that was headed back to the mainlan. So 199 00:10:05,040 --> 00:10:07,840 Speaker 3: he had spent the past couple of years working on 200 00:10:07,920 --> 00:10:11,400 Speaker 3: the doc putting together a sergeant's uniform. By like when 201 00:10:11,520 --> 00:10:14,520 Speaker 3: laundry would come in from this nearby naval base, I'm 202 00:10:14,559 --> 00:10:19,240 Speaker 3: thinking Treasure Islander. It was sent to Alcatraz to be clean. 203 00:10:19,640 --> 00:10:22,200 Speaker 3: He would just take little bits out, one by one, 204 00:10:22,320 --> 00:10:27,199 Speaker 3: like the Johnny Cash song, and one piece of time 205 00:10:27,280 --> 00:10:30,200 Speaker 3: made himself a whole uniform. He made fake dog tags, 206 00:10:30,720 --> 00:10:34,199 Speaker 3: and he forged a shore pass. And so he gets 207 00:10:34,240 --> 00:10:36,600 Speaker 3: down there in his little fake uniform, gets on the 208 00:10:36,640 --> 00:10:38,840 Speaker 3: boat like, oh, you know, just getting out of here. 209 00:10:39,040 --> 00:10:42,400 Speaker 3: Here's the thing. Officers on the boat quickly noticed they 210 00:10:42,400 --> 00:10:46,120 Speaker 3: had too many officers count yeah, and at the prison 211 00:10:46,200 --> 00:10:48,880 Speaker 3: the guards were like, we don't have enough prisoners. So 212 00:10:49,400 --> 00:10:52,120 Speaker 3: then there's the uniform, right Like, everyone's looking at him 213 00:10:52,120 --> 00:10:55,280 Speaker 3: because the uniform doesn't really match up. It's not and 214 00:10:55,320 --> 00:10:58,520 Speaker 3: he's got this janky shore pass, it's like wrinkled. So 215 00:10:58,640 --> 00:11:02,480 Speaker 3: within twenty minutes the warden has chased him down in 216 00:11:02,559 --> 00:11:05,800 Speaker 3: a speedboat and they pull made his boat pull off 217 00:11:05,840 --> 00:11:10,560 Speaker 3: an Angel island. He's like, pull over over to the 218 00:11:10,559 --> 00:11:14,600 Speaker 3: island island, We're not going on a horse stop. And 219 00:11:14,640 --> 00:11:16,760 Speaker 3: then they sent him back to Alcatraz, and for that 220 00:11:16,960 --> 00:11:20,640 Speaker 3: he got an additional five years on his ticket. So 221 00:11:21,160 --> 00:11:23,440 Speaker 3: two cats who did make it off the island were 222 00:11:23,559 --> 00:11:28,000 Speaker 3: Theodore Coal and Ralph Rowe. In nineteen thirty seven, Theodore Cole, 223 00:11:28,040 --> 00:11:30,920 Speaker 3: who was twenty three years old, he was serving fifty 224 00:11:31,000 --> 00:11:35,280 Speaker 3: years for kidnapping. When he was seventeen. He'd actually been 225 00:11:35,320 --> 00:11:38,719 Speaker 3: sentenced to death for participation in an armed robbery of 226 00:11:38,760 --> 00:11:41,839 Speaker 3: a doctor pepper bottling plant in Tulsa, Oklahoma. 227 00:11:42,000 --> 00:11:42,920 Speaker 2: Did he kills someone? 228 00:11:43,040 --> 00:11:46,480 Speaker 3: I don't know so, but all like these women's clubs, 229 00:11:46,520 --> 00:11:51,400 Speaker 3: his own mother. They protested the sentencing, and the state 230 00:11:51,559 --> 00:11:54,400 Speaker 3: Court of Appeals later reduced the term to fifteen years. 231 00:11:54,720 --> 00:11:55,800 Speaker 2: Okay, wow. 232 00:11:55,800 --> 00:12:01,160 Speaker 3: So nineteen thirty four he was in the Oklahoma State Penitentiary. 233 00:12:02,080 --> 00:12:04,880 Speaker 3: He escaped in a laundry bag in a laundry truck. 234 00:12:05,320 --> 00:12:09,080 Speaker 3: Then he hitchhiked, kidnapped a driver, hitchhiked, and forced him 235 00:12:09,080 --> 00:12:12,440 Speaker 3: to drive him to Illinois. In early nineteen thirty five, 236 00:12:12,480 --> 00:12:15,760 Speaker 3: he gets arrested in Texas, sent back to Oklahoma. Tries 237 00:12:15,800 --> 00:12:18,360 Speaker 3: to escape a few more times, once by hiding in 238 00:12:18,400 --> 00:12:21,760 Speaker 3: a garbage can. Another time he sawed off his cell bars. 239 00:12:21,840 --> 00:12:26,200 Speaker 3: It was like every trope. May thirty five, he pleaded 240 00:12:26,200 --> 00:12:29,240 Speaker 3: guilty to kidnapping charges. Sent to Alcatraz, and that's where 241 00:12:29,240 --> 00:12:32,280 Speaker 3: you're supposed to do his fifty years. When he arrived, 242 00:12:32,320 --> 00:12:35,080 Speaker 3: he apparently said, quote, don't think I'll like it here. 243 00:12:35,480 --> 00:12:41,360 Speaker 3: Doubt I'll stay long. Oh, oh okay, Yeah. Ralph Rowe, 244 00:12:41,400 --> 00:12:44,080 Speaker 3: he's twenty nine in nineteen thirty seven and he was 245 00:12:44,120 --> 00:12:48,600 Speaker 3: at Alcatraz serving ninety nine years for bank robbery years. 246 00:12:49,679 --> 00:12:51,880 Speaker 3: He had a long rap sheet, he had all these 247 00:12:51,920 --> 00:12:56,000 Speaker 3: crazy robbery charges. He escaped from one prison by hiding 248 00:12:56,040 --> 00:12:58,280 Speaker 3: in a crate that was leaving on a truck. 249 00:12:58,320 --> 00:12:58,840 Speaker 2: Classic. 250 00:12:58,920 --> 00:13:01,199 Speaker 3: So he and Cole they arrive at Alcatraz around the 251 00:13:01,200 --> 00:13:05,800 Speaker 3: same time. And when they're there, other inmates included a 252 00:13:05,920 --> 00:13:10,800 Speaker 3: notorious bank robber Harvey Bailey and Alcopol as well as 253 00:13:11,000 --> 00:13:15,319 Speaker 3: George machine Gun Kelly and Albert Bates. And those two 254 00:13:15,400 --> 00:13:18,960 Speaker 3: were there because they kidnapped oil tycoon and millionaire Charles 255 00:13:19,080 --> 00:13:25,240 Speaker 3: Erschall remember Ershall, stepfather of cryptozoologist Tom Slick, He of 256 00:13:25,280 --> 00:13:26,760 Speaker 3: the Jimmy Stewart Yetihans. 257 00:13:26,800 --> 00:13:28,640 Speaker 2: Yeah, we got a bunch of stories of that one. 258 00:13:28,760 --> 00:13:31,800 Speaker 3: Oh yeah. So Cole and Roe they both worked in 259 00:13:31,880 --> 00:13:35,520 Speaker 3: a model industries building in Alcatraz and that was on 260 00:13:35,760 --> 00:13:40,600 Speaker 3: the northwest Ish end of it facing the Golden Gate Bridge. 261 00:13:40,640 --> 00:13:41,960 Speaker 2: That's what gorgeous views. 262 00:13:42,280 --> 00:13:45,240 Speaker 3: So Cole he was a janitor in the blacksmith part 263 00:13:45,240 --> 00:13:47,920 Speaker 3: of it, and Roe he worked in the mat shop. 264 00:13:48,200 --> 00:13:52,280 Speaker 3: And the mat shop is where car tires were like shredded, 265 00:13:52,520 --> 00:13:55,880 Speaker 3: like torn up to make mats for the navy. That's 266 00:13:55,920 --> 00:13:57,120 Speaker 3: the name the mat shop. 267 00:13:57,200 --> 00:14:00,000 Speaker 2: Huh yeah, car tires turned into matts. 268 00:14:00,080 --> 00:14:03,040 Speaker 3: Yeah yeah. So over like you know, maybe like a 269 00:14:03,080 --> 00:14:06,480 Speaker 3: month or so, the two men, you know, they started 270 00:14:06,559 --> 00:14:09,240 Speaker 3: like filing through a couple of the bars on the 271 00:14:09,280 --> 00:14:13,199 Speaker 3: mat shop window, and they covered up their progress using 272 00:14:13,320 --> 00:14:17,559 Speaker 3: shoe polish and like grease paint, scraps and putty. They 273 00:14:17,600 --> 00:14:19,480 Speaker 3: just have all these little, you know, tools around them. 274 00:14:20,200 --> 00:14:24,880 Speaker 3: February sixteenth, nineteen thirty seven, Cole and Roe finally made 275 00:14:24,920 --> 00:14:27,880 Speaker 3: their move. So there was like really thick fog that day, 276 00:14:28,000 --> 00:14:31,560 Speaker 3: so thick in fact that in the morning the inmates 277 00:14:31,800 --> 00:14:34,520 Speaker 3: were told, you have to stay in your cells. FOG's 278 00:14:34,560 --> 00:14:39,280 Speaker 3: too thick, we can't see you, yeah, by a fog warning, 279 00:14:39,360 --> 00:14:41,760 Speaker 3: fog warning. So by noon the fog had lifted some. 280 00:14:41,880 --> 00:14:43,440 Speaker 3: And this is not unusual. 281 00:14:43,640 --> 00:14:47,240 Speaker 2: A lockdown is crazy, though, well crazy, and the fog 282 00:14:47,320 --> 00:14:50,000 Speaker 2: is not unusual. But to be a lockdown, it's like 283 00:14:50,040 --> 00:14:52,040 Speaker 2: a snow day, but in prison it's a fog exactly. 284 00:14:52,800 --> 00:14:55,520 Speaker 3: So lifts at noon and they're like, okay, you guys 285 00:14:55,600 --> 00:14:58,000 Speaker 3: can go to your work site. So one o'clock, the 286 00:14:58,040 --> 00:15:01,120 Speaker 3: prison guard did his rounds of the mat. There's row 287 00:15:01,160 --> 00:15:03,600 Speaker 3: and coal working away. By the time he came back 288 00:15:03,640 --> 00:15:06,760 Speaker 3: around at one point thirty, no row and coal. No 289 00:15:06,840 --> 00:15:10,480 Speaker 3: one's working. So they had broken through the bars, removed 290 00:15:10,560 --> 00:15:13,200 Speaker 3: three panes of glass. They slipped out of a hole 291 00:15:13,240 --> 00:15:18,560 Speaker 3: that was eight and three quarters inches by eighteen inches wide. Whoa, yeah, 292 00:15:18,800 --> 00:15:22,400 Speaker 3: they were going lothered. Yeah. They used a wrench that 293 00:15:22,440 --> 00:15:25,480 Speaker 3: they took from the machine shop to open a wire fence, 294 00:15:25,680 --> 00:15:27,880 Speaker 3: and then that led them to this like twenty foot 295 00:15:27,960 --> 00:15:30,840 Speaker 3: cliff over the water, and then they kind of like 296 00:15:30,920 --> 00:15:34,320 Speaker 3: scrabbled down the side of it. Those are jagged, very 297 00:15:34,360 --> 00:15:37,160 Speaker 3: jagged in the Yeah, it's almost straight up and down. 298 00:15:38,000 --> 00:15:40,080 Speaker 3: They go down all these steep rocks to the shore, 299 00:15:40,120 --> 00:15:44,560 Speaker 3: and the fog is still thick, and so the guards 300 00:15:44,560 --> 00:15:47,320 Speaker 3: in the watch towers couldn't see them as they got 301 00:15:47,360 --> 00:15:51,640 Speaker 3: into the water. And according to the news, the fog 302 00:15:51,760 --> 00:15:52,960 Speaker 3: was the fog was sick. 303 00:15:53,200 --> 00:15:54,880 Speaker 2: How thick was it? 304 00:15:55,520 --> 00:15:58,280 Speaker 3: Well, the guards could not even see the Coastguard boards 305 00:15:58,280 --> 00:16:00,440 Speaker 3: that were approaching to within a few year yards of 306 00:16:00,480 --> 00:16:04,000 Speaker 3: the island in response to calls by radio, So they 307 00:16:04,040 --> 00:16:06,000 Speaker 3: call for the coast Guard. The Coastguards like we're here. 308 00:16:06,000 --> 00:16:06,960 Speaker 3: They're like, I don't see you. 309 00:16:07,760 --> 00:16:09,960 Speaker 2: Honk, I don't see you are outside. 310 00:16:10,520 --> 00:16:14,280 Speaker 3: So later officials they figured that Cole and Roe had 311 00:16:14,320 --> 00:16:17,360 Speaker 3: waited for a foggy day, of course, to both hide 312 00:16:17,360 --> 00:16:19,280 Speaker 3: them from the guards and also because there would be 313 00:16:19,360 --> 00:16:21,040 Speaker 3: fewer ferries in everything. 314 00:16:21,120 --> 00:16:23,080 Speaker 2: Yeah, it kind of shows down the waterless traffic. 315 00:16:23,400 --> 00:16:25,640 Speaker 3: So by the time the time that they escaped, too, 316 00:16:25,680 --> 00:16:28,360 Speaker 3: they also did it at high tide, so it would 317 00:16:28,400 --> 00:16:31,920 Speaker 3: be easier to die, like less to go distance. 318 00:16:31,600 --> 00:16:33,000 Speaker 2: To get to the water less of the drop. 319 00:16:33,960 --> 00:16:37,200 Speaker 3: The problem was that on that particular day, the tidal 320 00:16:37,280 --> 00:16:40,400 Speaker 3: currents were super strong, eight miles an out. 321 00:16:40,480 --> 00:16:42,160 Speaker 2: You don't realize how fast those currents are. 322 00:16:42,600 --> 00:16:45,400 Speaker 3: Like even a strong swimmer would have been pushed out 323 00:16:45,440 --> 00:16:46,360 Speaker 3: through the Golden Gate. 324 00:16:47,320 --> 00:16:48,480 Speaker 2: To show up on the other side of the Golden 325 00:16:49,000 --> 00:16:49,920 Speaker 2: like the Pacific side. 326 00:16:50,000 --> 00:16:53,160 Speaker 3: Doesn't matter though they're escape kicked off. According to the 327 00:16:53,200 --> 00:16:56,520 Speaker 3: New York Times at the time, quote the most intensive 328 00:16:56,640 --> 00:17:02,720 Speaker 3: manhunt in recent California history. Yeah, so, six Coast Guard boats, 329 00:17:03,120 --> 00:17:07,120 Speaker 3: one SFPD boat. They patrolled the coast of Alcatraz Island 330 00:17:07,920 --> 00:17:11,200 Speaker 3: and the Bay. Sixteen police cars drove up and down 331 00:17:11,200 --> 00:17:16,160 Speaker 3: the waterfront. The team searched Alcatraz Islands, surrounding Rocks, San Francisco, 332 00:17:16,359 --> 00:17:21,199 Speaker 3: four nearby counties, nothing They came up empty. On the 333 00:17:21,240 --> 00:17:24,320 Speaker 3: same day, two revolvers and two rifles, as well as 334 00:17:24,520 --> 00:17:28,040 Speaker 3: six hundred rounds of ammunition, were stolen from a forty 335 00:17:28,040 --> 00:17:30,880 Speaker 3: foot sailboat called the Jenny G. Moore at the Saint 336 00:17:30,920 --> 00:17:32,720 Speaker 3: Francis Yacht Harbor in San Francisco. 337 00:17:33,640 --> 00:17:36,040 Speaker 2: I was wondering which harbor they would land, So there was. 338 00:17:36,080 --> 00:17:38,359 Speaker 3: Much debate as to whether this was connected to the 339 00:17:38,520 --> 00:17:44,719 Speaker 3: escape you know, Saint Francis Yacht Club Tony and I 340 00:17:44,760 --> 00:17:46,640 Speaker 3: love so I love the idea of the guys swimming 341 00:17:46,720 --> 00:17:49,320 Speaker 3: up and like hopping into a small sailboat as they 342 00:17:49,359 --> 00:17:51,879 Speaker 3: call it in the news reports. This small sailboat, it's 343 00:17:51,880 --> 00:17:53,439 Speaker 3: a forty foot you know. 344 00:17:53,520 --> 00:17:55,760 Speaker 2: Yeah, that's yeah. 345 00:17:55,800 --> 00:17:59,080 Speaker 3: So they pop in and they find chalk full of 346 00:17:59,080 --> 00:18:04,280 Speaker 3: guns and ammo. Like that's crazy anyway, So when when 347 00:18:04,280 --> 00:18:06,600 Speaker 3: they there were other news reports of like people getting 348 00:18:06,600 --> 00:18:09,119 Speaker 3: lost in the fog while they were duck hunting and 349 00:18:09,160 --> 00:18:12,000 Speaker 3: like coming in from the fog and Alameda and the 350 00:18:12,000 --> 00:18:14,800 Speaker 3: police thought it was the escape convicts and held them 351 00:18:14,800 --> 00:18:17,560 Speaker 3: at Tommy Guns until they Tommy, Yeah, what I'm trying 352 00:18:17,600 --> 00:18:19,240 Speaker 3: to say, Zarin, is the fog was thick. 353 00:18:19,840 --> 00:18:21,800 Speaker 2: Carl had he was on one that day. 354 00:18:21,880 --> 00:18:24,919 Speaker 3: We get thick fog here in the bay, but nothing 355 00:18:25,000 --> 00:18:27,240 Speaker 3: like I have ever experienced in Davis. 356 00:18:27,640 --> 00:18:31,040 Speaker 2: To fog. Yes, they named the fog in San Francisco, Carl. 357 00:18:31,200 --> 00:18:35,240 Speaker 2: They don't even name it in Davis because an animates. Yeah, exactly. 358 00:18:35,760 --> 00:18:38,439 Speaker 3: That is the thickest fog ever. It's unreal anyway, so 359 00:18:38,560 --> 00:18:39,120 Speaker 3: low and. 360 00:18:39,160 --> 00:18:41,359 Speaker 2: So thick you can't see your hand. You literally can't 361 00:18:41,480 --> 00:18:44,000 Speaker 2: put your hand out and cannot see it. It causes 362 00:18:44,000 --> 00:18:45,200 Speaker 2: all these car accidents every year. 363 00:18:45,720 --> 00:18:49,399 Speaker 3: It's fantastic. Yeah, so let's take a break. When we 364 00:18:49,520 --> 00:19:14,520 Speaker 3: come back, we're going to catch up with these escape convicts. 365 00:19:14,640 --> 00:19:15,639 Speaker 3: I'm over here in the fog. 366 00:19:16,600 --> 00:19:19,280 Speaker 2: I was hitting myself in the face, going, who's hitting you? 367 00:19:19,880 --> 00:19:24,640 Speaker 3: Theodore call Ralph Row. They skidaddled out of Alcatraz into 368 00:19:24,680 --> 00:19:27,960 Speaker 3: the drink in the heavy fog, the foggy do On 369 00:19:28,040 --> 00:19:30,720 Speaker 3: the first day of searching prison Warden was like, you 370 00:19:30,760 --> 00:19:33,719 Speaker 3: know what, I think they drowned. You know, he just 371 00:19:33,720 --> 00:19:35,840 Speaker 3: looked out the water. He's like, yeah, them boys is going. 372 00:19:37,520 --> 00:19:40,520 Speaker 3: But then like a few days later, no bodies have 373 00:19:40,600 --> 00:19:42,640 Speaker 3: turned up. He's like, you know what, I'd take it back. 374 00:19:43,119 --> 00:19:45,200 Speaker 3: I think that someone picked him up in a boat 375 00:19:46,080 --> 00:19:50,000 Speaker 3: and yeah, and others are like, you know what, we 376 00:19:50,080 --> 00:19:52,560 Speaker 3: got all these old car tires. I think they use 377 00:19:52,600 --> 00:19:57,240 Speaker 3: those as flotation devices. Okay, I mean apparently they were 378 00:19:57,240 --> 00:19:59,840 Speaker 3: like littering the side of the island. So whatever, that's 379 00:19:59,880 --> 00:20:05,320 Speaker 3: not smart environmentally or escape early. So no one could 380 00:20:05,359 --> 00:20:09,040 Speaker 3: speak to their swimming skills. But a sheriff from Oklahoma City, 381 00:20:09,119 --> 00:20:12,520 Speaker 3: who you know, he knew who Cole was. He said, quote, 382 00:20:13,119 --> 00:20:15,800 Speaker 3: he was lack a greased pig, and I wouldn't be 383 00:20:15,880 --> 00:20:25,000 Speaker 3: surprised at anything he could do that mouth. So to 384 00:20:25,160 --> 00:20:28,920 Speaker 3: prove that swimming from Alcatraz to shore was actually possible, 385 00:20:29,440 --> 00:20:32,560 Speaker 3: the San Francisco Examiner had a teenage girl swim around 386 00:20:32,600 --> 00:20:35,280 Speaker 3: the island and back to the mainland. I mean people 387 00:20:35,320 --> 00:20:39,080 Speaker 3: do it in like triathlons always do ye, but they 388 00:20:40,000 --> 00:20:43,120 Speaker 3: they picked their times right. The Examiner was having a 389 00:20:43,200 --> 00:20:46,000 Speaker 3: field day with this, by the way, like full page 390 00:20:46,040 --> 00:20:50,040 Speaker 3: spreads articles that looked at every possible angle of the. 391 00:20:49,960 --> 00:20:51,960 Speaker 2: Storywings and maps. 392 00:20:52,080 --> 00:20:54,639 Speaker 3: Oh yeah, yeah. So they had like the histories of 393 00:20:54,680 --> 00:21:00,120 Speaker 3: these guys, the weather, like currents, stories about the various searchs, 394 00:21:00,720 --> 00:21:05,960 Speaker 3: like you said, maps, fantastic stuff. They don't do that 395 00:21:06,080 --> 00:21:07,000 Speaker 3: like they used to know. 396 00:21:07,119 --> 00:21:09,360 Speaker 2: They did not know when they're trying to sell papers. 397 00:21:09,440 --> 00:21:14,520 Speaker 3: Yeah, exactly, and it was so informative. It's just fascinating stuff. Okay. 398 00:21:14,600 --> 00:21:18,280 Speaker 3: December seventeenth, a journalist reaches out to Cole's parents. They 399 00:21:18,280 --> 00:21:22,760 Speaker 3: had moved from Oklahoma to Visalia, California, to be closer 400 00:21:22,800 --> 00:21:26,240 Speaker 3: to Alcatraz after he got sent there. I mean it's 401 00:21:26,280 --> 00:21:28,360 Speaker 3: like two hundred miles from the Bay Area, but that's 402 00:21:28,359 --> 00:21:29,800 Speaker 3: closer than Oklahoma, and. 403 00:21:29,720 --> 00:21:31,440 Speaker 2: It's not that could afford. It's nice. 404 00:21:31,440 --> 00:21:32,600 Speaker 3: There are a lot of Oakies. 405 00:21:33,280 --> 00:21:35,320 Speaker 2: Just by saying south of Frans I bet they were farming. 406 00:21:35,520 --> 00:21:38,000 Speaker 3: Yeah, agg country. Well, they had a ranch, they got 407 00:21:38,000 --> 00:21:41,480 Speaker 3: a ranch. It's also gateway to Sequoia National Park. 408 00:21:41,640 --> 00:21:44,200 Speaker 2: Beautiful sun there's that come visit. 409 00:21:44,680 --> 00:21:48,080 Speaker 3: Back to the journalists visiting Cole's family, he let them 410 00:21:48,119 --> 00:21:53,480 Speaker 3: know that Theodore had escaped, and they're like, Theodore Cole 411 00:21:53,680 --> 00:21:55,920 Speaker 3: kind of looked like Jack White by the way, White 412 00:21:55,920 --> 00:21:58,359 Speaker 3: stripes Jack. Yeah. So when you do the screenplay for this, 413 00:21:58,440 --> 00:22:00,000 Speaker 3: see if you can get him tied to the product. 414 00:22:00,080 --> 00:22:01,840 Speaker 2: Dude, you know, he's one of my favorite people on 415 00:22:01,840 --> 00:22:02,280 Speaker 2: the planet. 416 00:22:02,440 --> 00:22:06,160 Speaker 3: Likewise, Okay, so the journalist he tells the mom like CEO, 417 00:22:06,320 --> 00:22:09,720 Speaker 3: escape the Rock, didn't know that, And the mom's like, no, 418 00:22:10,280 --> 00:22:13,159 Speaker 3: I know he's dead. I know he's dead. That's her quote. 419 00:22:13,320 --> 00:22:17,000 Speaker 3: I know he's dead. But then later when the authorities 420 00:22:17,119 --> 00:22:19,760 Speaker 3: were like, oh, we don't think he's dead, actually, she 421 00:22:19,880 --> 00:22:22,720 Speaker 3: said quote, it would be better I guess if he 422 00:22:22,800 --> 00:22:24,880 Speaker 3: were dead. But he's not prepared. 423 00:22:25,560 --> 00:22:26,960 Speaker 2: Wow wow thanks mo. 424 00:22:27,240 --> 00:22:30,960 Speaker 3: Yeah, his stepfathers just said quote, we'll all be damned. 425 00:22:31,600 --> 00:22:36,200 Speaker 3: That was his were and they were like deeply, deeply religious. 426 00:22:36,440 --> 00:22:38,320 Speaker 3: The reason they didn't know about it. They didn't read 427 00:22:38,400 --> 00:22:40,800 Speaker 3: daily papers, they didn't have a radio. 428 00:22:40,840 --> 00:22:42,560 Speaker 2: They didn't have a radio. They weren't listening to your 429 00:22:42,560 --> 00:22:43,680 Speaker 2: girl Amy, simple. 430 00:22:43,560 --> 00:22:47,480 Speaker 3: No, sadly no. So they promised the press that they 431 00:22:47,480 --> 00:22:50,520 Speaker 3: were going to turn their son over to authorities if 432 00:22:50,560 --> 00:22:54,399 Speaker 3: he came to the ranch. Oh like wank wank. Yeah. 433 00:22:54,560 --> 00:22:59,640 Speaker 3: There were various unconfirmed but reported sightings, like all around Oklahoma. 434 00:23:00,040 --> 00:23:02,359 Speaker 3: In nineteen thirty eight, a taxi driver said that he 435 00:23:02,400 --> 00:23:05,480 Speaker 3: got shot by Cole who was trying to rob his car. 436 00:23:06,000 --> 00:23:08,760 Speaker 3: Two hitchhikers said they got a ride from a man 437 00:23:08,800 --> 00:23:12,680 Speaker 3: they were positive was Ralph Roe. In nineteen forty one, 438 00:23:12,880 --> 00:23:15,560 Speaker 3: the San Francisco Chronicle reported the two guys were living 439 00:23:15,640 --> 00:23:20,000 Speaker 3: in Peru and Chile, I don't know, simultaneously different like 440 00:23:20,160 --> 00:23:22,600 Speaker 3: at whatever, and had quote plenty of money. 441 00:23:22,960 --> 00:23:25,000 Speaker 2: They're kind of like a Butcher Sun Dance move from 442 00:23:25,040 --> 00:23:25,760 Speaker 2: South America. 443 00:23:25,840 --> 00:23:29,159 Speaker 3: Nineteen fifty eight, the FBI looked into a report that 444 00:23:29,240 --> 00:23:32,960 Speaker 3: Cole and Roe were playing the banjo and guitar in 445 00:23:33,040 --> 00:23:37,240 Speaker 3: a bar and New Jersey. That that's amazing is the 446 00:23:37,280 --> 00:23:40,000 Speaker 3: story that I want to be true. Like, think about 447 00:23:40,000 --> 00:23:42,639 Speaker 3: that for a second. So you have two Alcatraz buddies 448 00:23:42,680 --> 00:23:46,200 Speaker 3: who defied the law and nature to escape the rock 449 00:23:46,320 --> 00:23:49,679 Speaker 3: and his aid capture, only to take up musical instruments 450 00:23:49,680 --> 00:23:51,840 Speaker 3: and start new lives playing at a bar in New 451 00:23:51,880 --> 00:23:56,119 Speaker 3: Jersey banjo and guitar. That's delicious. Wait, that's a perfect 452 00:23:56,200 --> 00:23:59,080 Speaker 3: scene for your movie. You got Jack White just destroying 453 00:23:59,080 --> 00:24:02,320 Speaker 3: it on the guitar eighteen fifty eight. I don't know 454 00:24:02,320 --> 00:24:04,600 Speaker 3: who would play Ralph Rowe. Let me let me show 455 00:24:04,600 --> 00:24:07,480 Speaker 3: you their mugshots and then you can you can tell me. 456 00:24:08,560 --> 00:24:14,320 Speaker 3: Scroll down here, okay, so on your left is coal. 457 00:24:14,960 --> 00:24:21,320 Speaker 2: Oh okay, and then oh yikes, yeah it is some 458 00:24:21,440 --> 00:24:26,200 Speaker 2: real criminals, criminals people back. He does look like Jack 459 00:24:26,200 --> 00:24:28,880 Speaker 2: White never had a hot meal? 460 00:24:29,320 --> 00:24:32,040 Speaker 3: Yeah exactly. So, yeah, those are bad boys of rock 461 00:24:32,080 --> 00:24:34,159 Speaker 3: and roll. And like, yeah, why do you like? 462 00:24:34,280 --> 00:24:37,159 Speaker 2: Was it the photographs? The food, like the lead and 463 00:24:37,240 --> 00:24:39,680 Speaker 2: the milk? Like, what the hell is all of the above? 464 00:24:40,080 --> 00:24:42,880 Speaker 3: All of the above? Okay, So they're in nineteen fifty eight, 465 00:24:43,200 --> 00:24:45,840 Speaker 3: they're playing in this bar. You got to figure out 466 00:24:45,840 --> 00:24:48,640 Speaker 3: who you're going to cast as Ralph row anyway, nineteen. 467 00:24:49,119 --> 00:24:50,880 Speaker 2: Four, that's a tough challenge. 468 00:24:51,000 --> 00:24:54,679 Speaker 3: Seventy four, thirty seven years after they liked it, the 469 00:24:54,720 --> 00:24:56,400 Speaker 3: active investigation was stopped. 470 00:24:56,520 --> 00:24:58,080 Speaker 2: Oh there, I thought it's gonna be like they were, like, 471 00:24:58,160 --> 00:25:00,640 Speaker 2: you know, Roadies were the dead, Like they was spotted 472 00:25:00,720 --> 00:25:02,720 Speaker 2: in Minnesota. 473 00:25:02,960 --> 00:25:05,680 Speaker 3: They were officially listed as missing and presumed dead. 474 00:25:05,760 --> 00:25:07,680 Speaker 2: Okay, and I think. 475 00:25:07,560 --> 00:25:10,760 Speaker 3: Like successful escape or not, those two are long gone, 476 00:25:10,800 --> 00:25:12,520 Speaker 3: Like right now, they'd be in their one hundred teens 477 00:25:12,600 --> 00:25:13,480 Speaker 3: or like one hundred twenties. 478 00:25:13,600 --> 00:25:15,520 Speaker 2: Yeah, they're out there with the Elvis sightings. It's now 479 00:25:15,560 --> 00:25:18,199 Speaker 2: like you're dead, bro. Exactly. So do you think they 480 00:25:18,240 --> 00:25:18,959 Speaker 2: made it out or not? 481 00:25:19,280 --> 00:25:19,560 Speaker 3: Sure? 482 00:25:19,680 --> 00:25:20,720 Speaker 2: You don't think they become sharp? 483 00:25:21,359 --> 00:25:22,040 Speaker 3: Yeah? Sure? 484 00:25:22,480 --> 00:25:23,240 Speaker 2: Honestly, do you think. 485 00:25:23,160 --> 00:25:25,440 Speaker 3: They made if the current was that strong, And I 486 00:25:25,480 --> 00:25:28,080 Speaker 3: don't think they outside of the gate, you wouldn't ever 487 00:25:28,119 --> 00:25:28,960 Speaker 3: find their bodies. 488 00:25:29,000 --> 00:25:32,560 Speaker 2: You would never see anything again. No, so nothing. 489 00:25:32,720 --> 00:25:35,240 Speaker 3: I don't think they did it. And I like, you know, 490 00:25:35,280 --> 00:25:37,200 Speaker 3: you have to be a really strong swimmer, and they 491 00:25:37,240 --> 00:25:38,000 Speaker 3: hadn't been. 492 00:25:37,800 --> 00:25:40,000 Speaker 2: Haven't practicing at all, They haven't been in the water. 493 00:25:40,080 --> 00:25:42,960 Speaker 2: And also you cramp up and like you can't make 494 00:25:43,000 --> 00:25:45,560 Speaker 2: your body work anymore. It's freezing cold. 495 00:25:45,720 --> 00:25:46,680 Speaker 3: They gets swimmers here. 496 00:25:47,359 --> 00:25:48,360 Speaker 2: There's that as well. 497 00:25:48,560 --> 00:25:54,359 Speaker 3: So hard so Alcatraz the rock. Those dudes made a 498 00:25:54,400 --> 00:25:56,960 Speaker 3: break for it. Pretty ridiculous. But I have one that's 499 00:25:57,040 --> 00:26:00,480 Speaker 3: even better. This is the best Alcatraz escape ever. 500 00:26:00,720 --> 00:26:02,800 Speaker 2: Do they butter themselves before they hit the water? 501 00:26:03,040 --> 00:26:04,480 Speaker 3: They're made of butter, Because. 502 00:26:05,119 --> 00:26:08,880 Speaker 2: I'd be covered completely large, I'd be covered in large. 503 00:26:08,200 --> 00:26:12,520 Speaker 3: I'd i'd be ordering from the commissary like vats of vassel. 504 00:26:12,400 --> 00:26:16,520 Speaker 2: Totally, I mean, like various oils and oneons wetsuits. 505 00:26:17,720 --> 00:26:20,840 Speaker 3: So this one happened in nineteen sixty two. It involved 506 00:26:20,880 --> 00:26:27,400 Speaker 3: three guys, Frank Morris, John Anglin, and Clarence Anglin. Oh yeah, 507 00:26:27,640 --> 00:26:31,879 Speaker 3: so Frank Morris arrived at Alcatraz January nineteen sixty and, 508 00:26:31,920 --> 00:26:36,000 Speaker 3: according to alcatrazistory dot com please quote, by the time 509 00:26:36,040 --> 00:26:39,399 Speaker 3: he reached his later teens, Morris's criminal record would include 510 00:26:39,400 --> 00:26:43,680 Speaker 3: a multitude of crimes ranging from narcotics possession to armed robbery, 511 00:26:43,920 --> 00:26:47,400 Speaker 3: and he had become a professional inhabitant of the correctional system. 512 00:26:47,680 --> 00:26:50,679 Speaker 3: He spent his formative years in a boys training school, 513 00:26:50,680 --> 00:26:54,400 Speaker 3: and then he graduated to a series of even larger penitentiaries. 514 00:26:55,600 --> 00:26:58,760 Speaker 3: So he allegedly had an IQ of one thirty five, 515 00:26:58,840 --> 00:27:02,680 Speaker 3: which is considered above average or quote moderately gifted. Okay, 516 00:27:02,920 --> 00:27:05,000 Speaker 3: so good for him. I'm sad that he missed out 517 00:27:05,000 --> 00:27:07,320 Speaker 3: on being in the gifted and Talented program as a kid. 518 00:27:07,440 --> 00:27:08,959 Speaker 2: This is why I see people talk about, Oh, there 519 00:27:08,960 --> 00:27:11,000 Speaker 2: are one thirty on the I know. I see that 520 00:27:11,040 --> 00:27:12,480 Speaker 2: online and I'm like, who. 521 00:27:12,320 --> 00:27:13,760 Speaker 3: Cares, I don't know, I don't know. 522 00:27:14,320 --> 00:27:18,040 Speaker 2: Yeah, anyway, that's coming around. Okay, that's the number. 523 00:27:18,240 --> 00:27:20,919 Speaker 3: Sure you can go a lot higher than that. Oh 524 00:27:21,000 --> 00:27:23,119 Speaker 3: I know, honey, lower too. 525 00:27:23,240 --> 00:27:24,840 Speaker 2: Yeah, I know, I've been tested. 526 00:27:26,680 --> 00:27:30,040 Speaker 3: So nineteen fifty five, Morris was serving a ten year 527 00:27:30,160 --> 00:27:34,240 Speaker 3: sentence for robbery and marijuana possession. When he was he 528 00:27:34,320 --> 00:27:36,920 Speaker 3: was in Louisiana State Prison in Angola. 529 00:27:37,000 --> 00:27:38,560 Speaker 2: See, and they say standards don't have ambition. 530 00:27:38,600 --> 00:27:41,040 Speaker 3: He escaped while he was out in the fields, cut 531 00:27:41,040 --> 00:27:41,840 Speaker 3: in sugarcane. 532 00:27:42,320 --> 00:27:45,600 Speaker 2: Oh that's like something out of the exactly that. 533 00:27:45,840 --> 00:27:49,640 Speaker 3: Yeah. So about six months later around Thanksgiving time. 534 00:27:49,480 --> 00:27:52,360 Speaker 2: Field outside of Anglia. I mean I can just hear 535 00:27:52,480 --> 00:27:53,360 Speaker 2: and feel the heat. 536 00:27:53,480 --> 00:27:54,680 Speaker 3: I'm so glad he escaped. 537 00:27:54,760 --> 00:27:55,719 Speaker 2: Oh kind of snakes. 538 00:27:55,720 --> 00:27:59,600 Speaker 3: And so he's out right, he's on the lamb. He 539 00:27:59,640 --> 00:28:01,760 Speaker 3: gets he's part of a team that robbed a bank 540 00:28:01,840 --> 00:28:04,440 Speaker 3: by boring a hole through a wall and burning open 541 00:28:04,480 --> 00:28:08,600 Speaker 3: two vaults. They got six one hundred and sixty five 542 00:28:08,640 --> 00:28:13,200 Speaker 3: dollars in coins, but that's like seventy three thousand dollars today. 543 00:28:13,520 --> 00:28:16,159 Speaker 3: Yeahs all coins. They're just like doing a burden a 544 00:28:16,160 --> 00:28:19,520 Speaker 3: lot of laundry. So he needs to make a phone 545 00:28:19,560 --> 00:28:23,120 Speaker 3: call a cup of coffee. So they're caught a few 546 00:28:23,160 --> 00:28:27,040 Speaker 3: months later. He got sentenced to fourteen years and you know, 547 00:28:27,800 --> 00:28:30,240 Speaker 3: sent to the rock. Then we have the brothers Anglin, 548 00:28:30,760 --> 00:28:33,320 Speaker 3: John and Clarence. They had also been in and out 549 00:28:33,320 --> 00:28:36,760 Speaker 3: of prison for bank robbery. Clarence had escaped before and 550 00:28:36,800 --> 00:28:39,960 Speaker 3: by nineteen sixty both of them were back in Levenworth. 551 00:28:40,760 --> 00:28:44,840 Speaker 3: August of nineteen sixty, while in Levenworth, they again tried 552 00:28:44,840 --> 00:28:49,640 Speaker 3: to escape. According to that book, Escape from Alcatraz, Clarence 553 00:28:49,720 --> 00:28:52,640 Speaker 3: quote cut the top off a big bread box and 554 00:28:52,720 --> 00:28:55,719 Speaker 3: the bottom out of another. John sat in won and 555 00:28:55,800 --> 00:28:58,520 Speaker 3: Clarence set the other on top, then packed in loaves 556 00:28:58,520 --> 00:29:01,240 Speaker 3: of bread. A truck was ready to haul John and 557 00:29:01,280 --> 00:29:03,760 Speaker 3: the other boxes out to a prison farm camp when 558 00:29:03,760 --> 00:29:07,640 Speaker 3: a supervisor, apparently wondering why the helpers had struggled to 559 00:29:07,640 --> 00:29:11,840 Speaker 3: hoist that particular double box into the vehicle, grew suspicious. 560 00:29:12,240 --> 00:29:15,080 Speaker 3: He pulled out a few loaves and discovered John inside 561 00:29:15,080 --> 00:29:19,360 Speaker 3: with an iron barn and knife. Just hide in the bread. 562 00:29:21,040 --> 00:29:23,760 Speaker 2: I'm like a ten year old. I'm out of here totally. 563 00:29:24,080 --> 00:29:27,200 Speaker 3: That's another thing that's like out of o brother. Anyway, John, 564 00:29:27,360 --> 00:29:29,760 Speaker 3: he gets sent to Alcatraz. Clarence shows up there a 565 00:29:29,760 --> 00:29:33,440 Speaker 3: few months later. They were signed to adjacent cells, which 566 00:29:33,480 --> 00:29:38,120 Speaker 3: does not seem like the wisest choice. I'd separate those two, 567 00:29:38,920 --> 00:29:41,520 Speaker 3: I guess, and what would wind up being another bad 568 00:29:41,600 --> 00:29:44,920 Speaker 3: choice as they were right by Frank Morris, our gifted criminal. 569 00:29:45,440 --> 00:29:47,520 Speaker 3: So you know, when I was in the gifted program, 570 00:29:47,560 --> 00:29:50,320 Speaker 3: it wasn't all math geniuses and science kids. 571 00:29:50,480 --> 00:29:51,200 Speaker 2: Future spies. 572 00:29:51,480 --> 00:29:53,640 Speaker 3: No, all of us were. Almost all of us were 573 00:29:53,680 --> 00:29:57,320 Speaker 3: like weird creatives writing and this is unassigned. Mind you. 574 00:29:57,840 --> 00:30:01,720 Speaker 3: Radio shows with vaudevillian musical numbers about leaking diapers, yes, 575 00:30:02,080 --> 00:30:05,400 Speaker 3: or one woman shows about Joan of arc orse gits 576 00:30:05,400 --> 00:30:09,120 Speaker 3: about the emotional toll of the moon landing. You can 577 00:30:09,160 --> 00:30:12,600 Speaker 3: guess which one was mine, and it was only one 578 00:30:12,640 --> 00:30:17,120 Speaker 3: of them anyway. So the brother's angling Alcatraz had been 579 00:30:17,560 --> 00:30:20,040 Speaker 3: super hardcore for a long time. Like I said, you know, 580 00:30:20,080 --> 00:30:22,880 Speaker 3: you got that guy in the box like controlling everything, 581 00:30:23,680 --> 00:30:26,120 Speaker 3: but like this is nearing the end of its bid, 582 00:30:26,400 --> 00:30:29,520 Speaker 3: you know. And so by this time a lot of 583 00:30:29,520 --> 00:30:33,360 Speaker 3: the stricter stuff had loosened up. Okay, So now after 584 00:30:33,400 --> 00:30:36,120 Speaker 3: dinner the men had like four hours of free time 585 00:30:36,240 --> 00:30:38,560 Speaker 3: in their cells before they had to go to bed. 586 00:30:38,640 --> 00:30:42,360 Speaker 3: So from five thirty to nine thirty after dinner they 587 00:30:42,360 --> 00:30:47,080 Speaker 3: could just chill out. Coolah. There was a utility core open. 588 00:30:46,920 --> 00:30:48,920 Speaker 2: Door cells that they can somebody. 589 00:30:48,760 --> 00:30:51,280 Speaker 3: No, I think they're closed up, I believe. 590 00:30:51,320 --> 00:30:51,400 Speaker 4: So. 591 00:30:51,480 --> 00:30:54,920 Speaker 3: Yeah, So there's this utility corridor that ran behind their 592 00:30:54,960 --> 00:30:59,360 Speaker 3: group of cells. The Anglands and Morris. Around December of 593 00:30:59,440 --> 00:31:03,120 Speaker 3: nineteen six, Morris decides, I've got to come up with 594 00:31:03,160 --> 00:31:06,840 Speaker 3: an escape plan, so he made a tool. He welded 595 00:31:06,920 --> 00:31:09,400 Speaker 3: the handle of a spoon with the file from his 596 00:31:09,480 --> 00:31:13,200 Speaker 3: nail clippers, and then he used that to slowly chip 597 00:31:13,240 --> 00:31:16,400 Speaker 3: away at the concrete around the bars of his cells 598 00:31:16,480 --> 00:31:19,360 Speaker 3: air vent. And like he figured, the wall was like 599 00:31:19,440 --> 00:31:22,200 Speaker 3: eight inches thick and the air vent was only six 600 00:31:22,240 --> 00:31:25,080 Speaker 3: inches by ten inches, so he couldn't squeeze through it. 601 00:31:25,520 --> 00:31:27,360 Speaker 3: But he's pretty sure that if he got it up 602 00:31:27,400 --> 00:31:31,080 Speaker 3: to like ten inches by fourteen, you know, he could 603 00:31:31,120 --> 00:31:31,320 Speaker 3: make it. 604 00:31:31,480 --> 00:31:31,640 Speaker 2: Yeah. 605 00:31:32,440 --> 00:31:34,960 Speaker 3: It so he got to work like he needed help 606 00:31:34,960 --> 00:31:37,800 Speaker 3: with the project, though this is not a one man effort. 607 00:31:37,840 --> 00:31:40,000 Speaker 3: He also needed people to warn him if the. 608 00:31:39,960 --> 00:31:41,600 Speaker 2: Guards were watch. 609 00:31:41,760 --> 00:31:44,719 Speaker 3: Yeah, so he rolled up to his neighbors, the Anglans, 610 00:31:45,160 --> 00:31:49,520 Speaker 3: but also Alan West. West was born in Brooklyn and 611 00:31:49,560 --> 00:31:53,080 Speaker 3: he played the accordion and was in Alcatraz. And I 612 00:31:53,080 --> 00:31:55,480 Speaker 3: think that's all we need to know about him. It 613 00:31:55,560 --> 00:32:00,640 Speaker 3: tells the whole story as far as I'm concerned, Brooklyn, Accordion, Alcatraz. 614 00:32:00,840 --> 00:32:02,920 Speaker 2: I don't know Adion. 615 00:32:02,960 --> 00:32:04,720 Speaker 3: Probably I don't know what he was in for, but 616 00:32:04,760 --> 00:32:07,200 Speaker 3: I love him. They had to figure unless it was 617 00:32:07,240 --> 00:32:10,200 Speaker 3: something horrific, and then I don't love him. They had 618 00:32:10,200 --> 00:32:11,880 Speaker 3: to figure out a way to hide their work, and 619 00:32:11,880 --> 00:32:14,959 Speaker 3: that's when like Morris went into gifted kid mode. So 620 00:32:15,000 --> 00:32:18,240 Speaker 3: he decided they could hide their work on the vents 621 00:32:18,440 --> 00:32:20,320 Speaker 3: using painted paper mache. 622 00:32:20,680 --> 00:32:22,080 Speaker 2: That was gonna be an accordian concert. 623 00:32:22,080 --> 00:32:25,560 Speaker 3: I'm like to just wait. So they began cutting ad 624 00:32:25,560 --> 00:32:29,000 Speaker 3: pages out of magazines, and like one of the Anglin brothers, 625 00:32:29,040 --> 00:32:32,040 Speaker 3: all of a sudden was like, I feel an artistic 626 00:32:32,120 --> 00:32:35,800 Speaker 3: urge coming on. I need art supplies. So he orders 627 00:32:35,840 --> 00:32:38,680 Speaker 3: tubes of paint from the purchasing officer. I think I'm 628 00:32:38,680 --> 00:32:42,960 Speaker 3: going to get into painting. Morris ordered himself an accordion 629 00:32:43,080 --> 00:32:47,160 Speaker 3: like his pal West, not for like a dueling accordion session, 630 00:32:47,600 --> 00:32:50,880 Speaker 3: but because he realized that the case would perfectly cover 631 00:32:50,960 --> 00:32:52,000 Speaker 3: the air vent well. 632 00:32:52,040 --> 00:32:53,920 Speaker 2: So he just puts it there and he's like, oh yeah. 633 00:32:55,200 --> 00:32:57,800 Speaker 3: Yeah, exactly. So the men they made these like thick 634 00:32:57,880 --> 00:33:01,160 Speaker 3: sheets of cardboard out of paper mache, painted it to 635 00:33:01,240 --> 00:33:04,280 Speaker 3: look like it had the vent over it. They also 636 00:33:04,320 --> 00:33:07,160 Speaker 3: started collecting the concrete that they chipped from the wall. 637 00:33:07,720 --> 00:33:10,400 Speaker 3: One of the Anglin brothers he worked in the brush shop, 638 00:33:10,760 --> 00:33:14,200 Speaker 3: and then he started collecting the bristles because it looked 639 00:33:14,240 --> 00:33:17,480 Speaker 3: like hair and then they used real human hair gathered 640 00:33:17,520 --> 00:33:21,160 Speaker 3: from the barber shop Zarin. They were channeling Willie Sutton. 641 00:33:21,960 --> 00:33:25,600 Speaker 3: They made dummies of themselves. Yeah. So by May of 642 00:33:25,720 --> 00:33:29,280 Speaker 3: nineteen sixty two, the men had successfully removed the air vents. 643 00:33:29,800 --> 00:33:33,080 Speaker 3: Morris and Clarence, who had finished first, they start building 644 00:33:33,120 --> 00:33:36,280 Speaker 3: their dummy busts. And they made plaster from the chipped 645 00:33:36,320 --> 00:33:39,720 Speaker 3: concrete that they'd collected, and soap and like white glue 646 00:33:39,760 --> 00:33:42,520 Speaker 3: that they stole from the brush shop. Then they painted 647 00:33:42,560 --> 00:33:44,440 Speaker 3: the plaster to make it look more life like. They 648 00:33:44,480 --> 00:33:49,600 Speaker 3: added eyebrows, eyelashes, hair, John and Clarence, the brothers named 649 00:33:49,600 --> 00:33:54,000 Speaker 3: their dummy heads Oink and Oscar. Yeah. To test everything out, 650 00:33:54,160 --> 00:33:57,360 Speaker 3: Frank Morris and Clarence they put their dummy heads in 651 00:33:57,400 --> 00:33:59,680 Speaker 3: their bed and filled the rest of the quote body 652 00:33:59,680 --> 00:34:01,320 Speaker 3: with like pillow jacket. 653 00:34:01,440 --> 00:34:01,880 Speaker 2: Yeah. 654 00:34:02,120 --> 00:34:05,640 Speaker 3: Then they climbed into the corridor behind the vent. Morris 655 00:34:05,760 --> 00:34:08,840 Speaker 3: used a string tied to the handle of the accordion 656 00:34:08,920 --> 00:34:11,799 Speaker 3: case to pull it back and cover the hole. Really. Yeah, 657 00:34:11,880 --> 00:34:13,839 Speaker 3: So the two men they made their way up. They're 658 00:34:13,920 --> 00:34:16,600 Speaker 3: climbing this utility pole to the top of the cell block. 659 00:34:17,000 --> 00:34:19,400 Speaker 3: And when they were up there, they found this concealed 660 00:34:19,440 --> 00:34:22,040 Speaker 3: space that they could use as a storage area. As 661 00:34:22,080 --> 00:34:26,319 Speaker 3: their plan progressed, so they started collecting rain jackets so 662 00:34:26,360 --> 00:34:30,000 Speaker 3: that they could build life jackets and a raft out. 663 00:34:30,080 --> 00:34:31,320 Speaker 2: Oh smart. 664 00:34:31,440 --> 00:34:34,719 Speaker 3: Yeah, And according to the FBI quote, the seams carefully 665 00:34:34,719 --> 00:34:38,319 Speaker 3: stitched together and vulcanized by the hot steam pipes in 666 00:34:38,360 --> 00:34:41,439 Speaker 3: the prison. The idea came from magazines that were found 667 00:34:41,440 --> 00:34:42,520 Speaker 3: in the prisoner's cells. 668 00:34:42,600 --> 00:34:44,959 Speaker 2: So they're basically rubberizing the jackets. Yeah. 669 00:34:45,080 --> 00:34:48,960 Speaker 3: Yeah. Morris he built two oars out of some plywood 670 00:34:49,040 --> 00:34:51,920 Speaker 3: that he had like lifted from the shop. Then they 671 00:34:51,960 --> 00:34:53,680 Speaker 3: were like, okay, we've done all this, how do we 672 00:34:53,719 --> 00:34:56,839 Speaker 3: get into the roof? And you know, easy enough. There's 673 00:34:56,840 --> 00:35:00,680 Speaker 3: this rain cap on the shaft with cross bars. So 674 00:35:01,120 --> 00:35:03,680 Speaker 3: with a piece of pipe that they found in the corridor, 675 00:35:04,040 --> 00:35:05,960 Speaker 3: they were able to bend some of the bars, but 676 00:35:06,000 --> 00:35:09,440 Speaker 3: they couldn't remove the rivets. So Morris he stole a 677 00:35:09,480 --> 00:35:12,400 Speaker 3: fan from the music room, like hiding it in his 678 00:35:12,440 --> 00:35:15,480 Speaker 3: accordion case. He goes in with an empty accordion case. 679 00:35:15,520 --> 00:35:17,080 Speaker 3: I'm just going to go practice. Just let me get 680 00:35:17,120 --> 00:35:17,839 Speaker 3: into a choir room. 681 00:35:18,160 --> 00:35:18,959 Speaker 2: Give me a quick mind. 682 00:35:19,000 --> 00:35:21,440 Speaker 3: She shoves a fan in there. He tried to build 683 00:35:21,440 --> 00:35:23,799 Speaker 3: a drill with the motor from the fan, but it 684 00:35:23,840 --> 00:35:27,560 Speaker 3: wasn't powered. Yeah, so, but he was able to get 685 00:35:27,600 --> 00:35:32,799 Speaker 3: some carborundum string from the machine shop because his friend 686 00:35:32,840 --> 00:35:35,000 Speaker 3: worked in there. It's what that is is it's a 687 00:35:35,200 --> 00:35:38,439 Speaker 3: quote a cord impregnated with an abrasive such as raw 688 00:35:38,480 --> 00:35:42,880 Speaker 3: greens of silicon carbide, aluminum oxide or diamond powder and 689 00:35:42,960 --> 00:35:46,279 Speaker 3: used for intricate repairs such as fine grooving on the 690 00:35:46,320 --> 00:35:48,480 Speaker 3: sewing machines in the glove and tailor. 691 00:35:48,280 --> 00:35:50,200 Speaker 2: Shops, basically like diamond floss. 692 00:35:50,280 --> 00:35:52,719 Speaker 3: Yeah. Yeah, so that did the trick, and then they 693 00:35:52,800 --> 00:35:56,880 Speaker 3: use that in some banjo string, probably borrowed from al 694 00:35:56,920 --> 00:36:02,239 Speaker 3: Capone's dead body. Dorris and Clarence they were able to 695 00:36:02,280 --> 00:36:05,560 Speaker 3: get through the rivets, so they made fake rivets out 696 00:36:05,600 --> 00:36:08,759 Speaker 3: of soap and place those on the vent just in 697 00:36:08,800 --> 00:36:11,440 Speaker 3: case someone came by to inspect it. So this whole 698 00:36:11,480 --> 00:36:13,440 Speaker 3: process of THEIRS takes six months. 699 00:36:13,480 --> 00:36:15,560 Speaker 2: That's crazy, like shaping rivet heads and. 700 00:36:15,880 --> 00:36:18,719 Speaker 3: Out of soap and then painting it. So by this 701 00:36:18,760 --> 00:36:22,280 Speaker 3: time it's early June nineteen sixty two, the Anglan brothers, 702 00:36:22,280 --> 00:36:25,399 Speaker 3: they're ready to leave Morris. He he wants to spend 703 00:36:25,480 --> 00:36:29,040 Speaker 3: more time learning about Angel Island, which something about. 704 00:36:28,719 --> 00:36:31,279 Speaker 2: Sixty two San Francisco, like they're about to show up 705 00:36:31,280 --> 00:36:32,960 Speaker 2: in the craziest San Francisco. 706 00:36:33,160 --> 00:36:37,400 Speaker 3: Really, Yeah, Yeah, he wants to learn about Angel Island. 707 00:36:37,480 --> 00:36:40,120 Speaker 3: It's like a mile and a half away, and the 708 00:36:40,239 --> 00:36:42,120 Speaker 3: channel between it and Marin. 709 00:36:42,760 --> 00:36:42,960 Speaker 2: Yeah. 710 00:36:43,280 --> 00:36:45,399 Speaker 3: Going, He's like, we're not going into the city, We're 711 00:36:45,400 --> 00:36:45,919 Speaker 3: going to Marin. 712 00:36:46,000 --> 00:36:48,400 Speaker 2: Yeah, there's the Admiral's Club harbor there right by the 713 00:36:48,440 --> 00:36:50,879 Speaker 2: where the Golden Gate touches. On the other side, there's 714 00:36:50,880 --> 00:36:52,960 Speaker 2: like an inlet harbor you can you can shelter and 715 00:36:52,960 --> 00:36:55,440 Speaker 2: then you can totally get to before even knew you 716 00:36:55,440 --> 00:36:57,920 Speaker 2: were there. Yeah. So, and there's an in and out 717 00:36:57,920 --> 00:36:59,879 Speaker 2: burger right right right there. 718 00:37:00,640 --> 00:37:04,160 Speaker 3: So they agreed to leave in like ten days. Meanwhile, 719 00:37:04,400 --> 00:37:07,920 Speaker 3: the guards had been inspecting cells recently, and West he 720 00:37:07,960 --> 00:37:10,960 Speaker 3: gets nervous, not just because he plays the accordion, but 721 00:37:11,040 --> 00:37:14,160 Speaker 3: because his paper mache great was like a little wobbly. 722 00:37:14,640 --> 00:37:17,520 Speaker 3: It wasn't that great. So he filled in most of 723 00:37:17,520 --> 00:37:20,960 Speaker 3: his hole with cement that he'd found left in the corridor, 724 00:37:21,960 --> 00:37:24,560 Speaker 3: because like there had been plumbers working in there recently, 725 00:37:24,640 --> 00:37:26,279 Speaker 3: so it's not even like, oh, no one ever goes 726 00:37:26,320 --> 00:37:29,200 Speaker 3: back there. And so then he stuck the paper machee. 727 00:37:29,200 --> 00:37:31,040 Speaker 3: On top of that, he didn't want to get. 728 00:37:30,920 --> 00:37:32,879 Speaker 2: Caught and the other guys. 729 00:37:33,160 --> 00:37:36,279 Speaker 3: Yeah, yeah, the whole thing would tank. So let's pause here. 730 00:37:37,000 --> 00:37:39,480 Speaker 3: It is West is a good dude, unless he wasn't 731 00:37:39,480 --> 00:37:41,600 Speaker 3: a good dude, and in which case he's not. We 732 00:37:41,640 --> 00:37:46,200 Speaker 3: don't like him. Yeah, when we get back, we're going 733 00:37:46,239 --> 00:38:09,280 Speaker 3: to catch up with this crafty crew, zaren. Yes, okay, 734 00:38:09,360 --> 00:38:13,600 Speaker 3: So we have Frank Morris, gifted Felon and the brother's Anglin, 735 00:38:13,760 --> 00:38:17,279 Speaker 3: John and Clarence and then Alan West Brooklyn Accordion man 736 00:38:17,280 --> 00:38:20,520 Speaker 3: on the spot. They're making a plan to escape, right, 737 00:38:20,560 --> 00:38:23,960 Speaker 3: and it's the artsiest, craftiest plan I've ever heard totally. 738 00:38:24,040 --> 00:38:26,040 Speaker 3: So remember they had everything in place and then they 739 00:38:26,120 --> 00:38:28,520 Speaker 3: decided that they'd put the plan in action in ten 740 00:38:28,640 --> 00:38:31,400 Speaker 3: days and a few nights after they made that decision, 741 00:38:31,480 --> 00:38:35,080 Speaker 3: on Monday, June eleventh, nineteen sixty two, the Anglins jumped 742 00:38:35,080 --> 00:38:38,040 Speaker 3: the gun. They announced that they wanted to leave that night. 743 00:38:38,840 --> 00:38:42,920 Speaker 3: So Morris, I don't know, Morris, he was both gifted 744 00:38:42,920 --> 00:38:45,120 Speaker 3: and bullied. Those go hand in hand. He had no 745 00:38:45,239 --> 00:38:47,480 Speaker 3: choice but to comply. He's like, all right, fine, fine, 746 00:38:47,520 --> 00:38:50,399 Speaker 3: we'll go now. As soon as the nine thirty bed 747 00:38:50,480 --> 00:38:53,440 Speaker 3: check was completed. The men they set up their dummy 748 00:38:53,480 --> 00:38:56,399 Speaker 3: heads and broke out of their cells for the last time. 749 00:38:57,120 --> 00:39:01,040 Speaker 3: Zaren closed your eyes. Oh yeah, I want you to 750 00:39:01,120 --> 00:39:05,320 Speaker 3: picture it. Yes, you are a jail bird, a convict. 751 00:39:05,400 --> 00:39:09,480 Speaker 3: You're in Alcatraz serving a ten year sentence for public indecency, 752 00:39:09,880 --> 00:39:13,799 Speaker 3: practicing both law and medicine without a license, perjury, and 753 00:39:13,840 --> 00:39:17,080 Speaker 3: a marijuana possession with intent to sell. It's the scale. 754 00:39:17,200 --> 00:39:19,640 Speaker 3: Is there in the scale? Did you in on that one? 755 00:39:19,920 --> 00:39:20,000 Speaker 4: No? 756 00:39:20,040 --> 00:39:23,839 Speaker 3: Anyway, you're nine years into your dime. The finish line 757 00:39:23,880 --> 00:39:25,759 Speaker 3: is within view. You just want to get out and 758 00:39:25,800 --> 00:39:28,080 Speaker 3: try to do things right this time. You've learned some 759 00:39:28,200 --> 00:39:30,719 Speaker 3: trades here, You've got a line on some work. You 760 00:39:30,800 --> 00:39:33,000 Speaker 3: just want to earn an honest book, find a nice girl, 761 00:39:33,000 --> 00:39:35,719 Speaker 3: and settle down and smoke a lot of weed. That's 762 00:39:35,760 --> 00:39:39,160 Speaker 3: all you want. It's Monday, June eleventh, nineteen sixty two, 763 00:39:39,320 --> 00:39:42,200 Speaker 3: nine to thirty pm. The guards have just finished their 764 00:39:42,239 --> 00:39:45,200 Speaker 3: bed checks. You're on your cot reading to Kill a 765 00:39:45,239 --> 00:39:47,960 Speaker 3: Mockingbird by the dimming light from a long summer night. 766 00:39:48,520 --> 00:39:50,640 Speaker 3: It came out a couple of years ago. People donate 767 00:39:50,680 --> 00:39:53,160 Speaker 3: books to the prison library, and you snag this one. 768 00:39:53,360 --> 00:39:55,279 Speaker 3: You've checked it out a number of times, and this 769 00:39:55,320 --> 00:39:57,759 Speaker 3: is your fifth read of it. You're almost done with it. 770 00:39:58,120 --> 00:40:00,319 Speaker 3: You're in good with the librarian, and he has a 771 00:40:00,320 --> 00:40:03,040 Speaker 3: book called Dharma Bums set aside for you. Sound good. 772 00:40:03,800 --> 00:40:06,399 Speaker 3: You can hear the footsteps of the guard tap down 773 00:40:06,440 --> 00:40:11,160 Speaker 3: along the long corridor, getting fainter and fainter until he's gone. 774 00:40:11,680 --> 00:40:14,520 Speaker 3: Then it's nothing but the sound of the light wind 775 00:40:14,840 --> 00:40:17,560 Speaker 3: and the waves. In the cell across from you is 776 00:40:17,600 --> 00:40:20,520 Speaker 3: a guy named Alan West. He and a dude called 777 00:40:20,560 --> 00:40:23,520 Speaker 3: Morris and the Anglan brothers are working on an escape plan. 778 00:40:23,920 --> 00:40:27,080 Speaker 3: You think it's stupid. I mean, they say you can't 779 00:40:27,120 --> 00:40:30,000 Speaker 3: survive an escape attempt here. Sure those fellas tried in 780 00:40:30,040 --> 00:40:32,279 Speaker 3: thirty seven, and you're pretty sure though they didn't make 781 00:40:32,320 --> 00:40:34,680 Speaker 3: it out of the water, same will go for this crew. 782 00:40:34,680 --> 00:40:38,280 Speaker 3: In your mind, plus, you are so close to getting 783 00:40:38,320 --> 00:40:40,880 Speaker 3: out it would be foolish to risk it all right now, 784 00:40:41,040 --> 00:40:43,680 Speaker 3: So instead you flip the page on your paperback and 785 00:40:43,760 --> 00:40:47,600 Speaker 3: continue your reading. But they're starting to make a little racket. 786 00:40:47,840 --> 00:40:49,520 Speaker 3: You get up and you look over at their row 787 00:40:49,560 --> 00:40:52,200 Speaker 3: of cells. Each of them are taking down their little 788 00:40:52,280 --> 00:40:55,920 Speaker 3: art projects, revealing the holes where they've been scraping. You 789 00:40:55,960 --> 00:40:58,760 Speaker 3: can't believe the guards haven't caught on, But you're no snitch. 790 00:40:59,280 --> 00:41:01,120 Speaker 3: More power to the these goofs if they can pull 791 00:41:01,160 --> 00:41:04,080 Speaker 3: it off. You see that Wes is having trouble getting 792 00:41:04,120 --> 00:41:07,000 Speaker 3: through his cement. He was worried the hole would be 793 00:41:07,040 --> 00:41:09,319 Speaker 3: discovered and shoved a bunch of stuff in there. But 794 00:41:09,360 --> 00:41:12,279 Speaker 3: the air here is wet and the dry bits in 795 00:41:12,320 --> 00:41:15,600 Speaker 3: there have hardened into a tough clump. He pulls and 796 00:41:15,680 --> 00:41:18,399 Speaker 3: scratches at the cement as you look over and see 797 00:41:18,400 --> 00:41:21,120 Speaker 3: the feet of Morris and the Anglans disappear into the 798 00:41:21,160 --> 00:41:24,520 Speaker 3: holes in the walls of their cells. West is frantic, 799 00:41:25,040 --> 00:41:27,600 Speaker 3: but then he realizes it's too late. He won't make it. 800 00:41:28,160 --> 00:41:30,600 Speaker 3: You see Morris's face pop back out through the wall. 801 00:41:30,719 --> 00:41:33,680 Speaker 3: He whispers to West, asking him what's the hold up. 802 00:41:34,040 --> 00:41:36,759 Speaker 3: West whispers back that he can't get through go on 803 00:41:36,880 --> 00:41:40,440 Speaker 3: without him. Without a word, Morris disappears back into the wall. 804 00:41:40,920 --> 00:41:44,480 Speaker 3: Wes sits down and sighs. He pushes his accordion with 805 00:41:44,560 --> 00:41:47,759 Speaker 3: his foot and lets out a discordant wine. Then it's 806 00:41:47,840 --> 00:41:50,920 Speaker 3: just the sound of the wind and the water. An 807 00:41:50,960 --> 00:41:54,319 Speaker 3: occasional cough. You flip the page of your book you 808 00:41:54,400 --> 00:41:57,080 Speaker 3: look down at the page and whisper aloud to West 809 00:41:57,239 --> 00:42:00,760 Speaker 3: the line of text in front of you are always 810 00:42:00,800 --> 00:42:04,160 Speaker 3: better in the morning. West looks up at you. You 811 00:42:04,280 --> 00:42:07,000 Speaker 3: nodded him in the darkness. Close your book and rest 812 00:42:07,040 --> 00:42:09,840 Speaker 3: your head on your pillow. Things are always better in 813 00:42:09,880 --> 00:42:15,640 Speaker 3: the morning. So Morris and the brothers Anglin they bust 814 00:42:15,640 --> 00:42:18,239 Speaker 3: through the rain cap on the roof. They had their 815 00:42:18,280 --> 00:42:21,600 Speaker 3: makeshift life vest and raft with them they'd stored in 816 00:42:21,640 --> 00:42:25,000 Speaker 3: a little space. They found they had one of the oars, 817 00:42:25,000 --> 00:42:27,840 Speaker 3: but they forgot to grab the other one. H Morris 818 00:42:28,000 --> 00:42:31,319 Speaker 3: and the Anglin brothers they shimmeyed down a fifty foot 819 00:42:31,360 --> 00:42:34,320 Speaker 3: pipe to the ground. They climbed a barb wire fence, 820 00:42:34,760 --> 00:42:37,280 Speaker 3: and once down by the water, they placed some boards 821 00:42:37,320 --> 00:42:40,719 Speaker 3: that they took from like leftover pallets in the life 822 00:42:40,840 --> 00:42:42,640 Speaker 3: jacket raft to help stiffen it. 823 00:42:42,760 --> 00:42:44,200 Speaker 2: Ah, there you go a frame. 824 00:42:44,640 --> 00:42:47,719 Speaker 3: So how in the world were they going to inflate this? Things? 825 00:42:47,840 --> 00:42:50,719 Speaker 2: Erin Oh, I didn't even think of them inflating at us. 826 00:42:50,800 --> 00:42:54,000 Speaker 2: I was imagining, like they have made the raincoats really 827 00:42:54,040 --> 00:42:55,960 Speaker 2: hard and rubberized, and they're just going to put wood 828 00:42:55,960 --> 00:42:58,960 Speaker 2: in and it's going to like kind of just deplay displace. 829 00:43:00,200 --> 00:43:04,920 Speaker 3: Those seams, right, And so luckily Morris had taken up 830 00:43:04,960 --> 00:43:08,719 Speaker 3: the accordion and he packed that down with them too, 831 00:43:08,920 --> 00:43:10,880 Speaker 3: and he used that to inflate. 832 00:43:10,520 --> 00:43:12,760 Speaker 2: The rats, of course, brilliant. 833 00:43:12,840 --> 00:43:15,399 Speaker 3: So the tide it was only moving at two point 834 00:43:15,480 --> 00:43:17,560 Speaker 3: five miles an hour, which is better than the eight 835 00:43:17,640 --> 00:43:21,719 Speaker 3: something of the nineteen thirty seven escape. So the water, though, 836 00:43:21,800 --> 00:43:24,840 Speaker 3: is like between fifty and fifty four degrees. That's pretty 837 00:43:24,920 --> 00:43:27,200 Speaker 3: standard for the bay. It'd be colder if it was 838 00:43:27,200 --> 00:43:27,680 Speaker 3: in the winter. 839 00:43:27,920 --> 00:43:29,399 Speaker 2: I'm just about to say that's actually not bad. 840 00:43:29,600 --> 00:43:33,319 Speaker 3: Yeah, and June isn't true summer here. You know, you 841 00:43:33,320 --> 00:43:36,920 Speaker 3: have to wait till like September October. Anyway, here's a 842 00:43:37,000 --> 00:43:41,160 Speaker 3: development for you. West finally made it out of his cell. 843 00:43:41,640 --> 00:43:44,280 Speaker 3: He didn't give up, so maybe you read him another 844 00:43:44,360 --> 00:43:47,600 Speaker 3: quote from To Kill a Mockingbird. Real courage is when 845 00:43:47,600 --> 00:43:50,000 Speaker 3: you know you're licked before you begin, but you begin 846 00:43:50,160 --> 00:43:52,080 Speaker 3: anyway and see it through no matter what. 847 00:43:52,239 --> 00:43:53,239 Speaker 2: That's damn right. 848 00:43:53,280 --> 00:43:55,759 Speaker 3: So there's West up on the roof. He's liberated, but 849 00:43:55,840 --> 00:43:58,480 Speaker 3: his pals are nowhere to be seen because they'd been 850 00:43:58,520 --> 00:44:00,600 Speaker 3: out there around like ten o'clock or so. And now 851 00:44:00,600 --> 00:44:01,320 Speaker 3: it's midnight. 852 00:44:01,920 --> 00:44:03,120 Speaker 2: Of course, yeah, he missed it. 853 00:44:03,520 --> 00:44:06,600 Speaker 3: According to west Quote, their plan had been to use 854 00:44:06,680 --> 00:44:10,160 Speaker 3: their raft to make their way to Angel Island. After resting, 855 00:44:10,520 --> 00:44:12,800 Speaker 3: they would then re enter the bay on the opposite 856 00:44:12,840 --> 00:44:15,279 Speaker 3: side of the island and swim through a waterway called 857 00:44:15,400 --> 00:44:19,439 Speaker 3: Raccoon Straits. Then on into Marin they would steal car, 858 00:44:20,000 --> 00:44:23,040 Speaker 3: burglarize a clothing store, and then venture out in their 859 00:44:23,080 --> 00:44:24,800 Speaker 3: own separate directions. 860 00:44:24,840 --> 00:44:26,080 Speaker 2: Not bad, you're right. 861 00:44:27,280 --> 00:44:30,480 Speaker 3: Plan. There were reports of a car being stolen in 862 00:44:30,520 --> 00:44:33,480 Speaker 3: Marin County by three men the night of the escape, 863 00:44:33,520 --> 00:44:35,600 Speaker 3: and then later that same car was found run off 864 00:44:35,640 --> 00:44:38,880 Speaker 3: the road in the Central Valley. But the FBI, the 865 00:44:39,000 --> 00:44:41,760 Speaker 3: US Marshals, they looked into it and it didn't go anywhere. 866 00:44:42,680 --> 00:44:45,480 Speaker 3: It was that next morning, Tuesday morning, June twelfth, at 867 00:44:45,480 --> 00:44:48,560 Speaker 3: the seven to fifteen am bedcheck, that the guards discovered 868 00:44:48,600 --> 00:44:53,440 Speaker 3: the escape. So this huge search on Alcatraz Island, Angel Island, 869 00:44:53,560 --> 00:44:56,279 Speaker 3: all throughout the bay night, they had the whole night, 870 00:44:56,320 --> 00:44:59,560 Speaker 3: You're right, like just ahead of them, and they're going 871 00:44:59,600 --> 00:45:03,120 Speaker 3: like all over all the counties surrounding the bay. So 872 00:45:03,280 --> 00:45:06,560 Speaker 3: on Wednesday and or like, the one they'd left behind 873 00:45:06,840 --> 00:45:10,839 Speaker 3: was found two hundred yards off Alcatraz, and then on Thursday, 874 00:45:11,080 --> 00:45:13,880 Speaker 3: a debris boat in the bay like searching for the debris, 875 00:45:13,920 --> 00:45:17,319 Speaker 3: they found a small plastic bag made out of raincoats 876 00:45:17,440 --> 00:45:22,000 Speaker 3: and inside and dry. It was like sixty photographs, a 877 00:45:22,080 --> 00:45:25,239 Speaker 3: list of names and addresses, and a receipt for a 878 00:45:25,280 --> 00:45:28,680 Speaker 3: ten dollars money order made out to Clarence Anglin and 879 00:45:28,800 --> 00:45:33,920 Speaker 3: cashed by the Alcatraz mail clerk. So it wasn't immediately 880 00:45:33,960 --> 00:45:35,960 Speaker 3: made public at the time, but there was a report 881 00:45:36,040 --> 00:45:40,240 Speaker 3: that a raft and a paddle were recovered on Angel 882 00:45:40,280 --> 00:45:43,440 Speaker 3: Island and there were footsteps leading away from him. So 883 00:45:43,480 --> 00:45:46,880 Speaker 3: a few days after the escape, a reporter called the 884 00:45:46,920 --> 00:45:49,560 Speaker 3: director of the Bureau of Prisons to check on progress, 885 00:45:49,880 --> 00:45:53,719 Speaker 3: and the director told the reporter this, and somehow the 886 00:45:53,719 --> 00:45:56,200 Speaker 3: Bureau of Prisons believed that this was proof that they 887 00:45:56,239 --> 00:45:59,799 Speaker 3: had drowned. I would say it was the exact oppositely. 888 00:46:00,239 --> 00:46:02,319 Speaker 3: I know, I'm a simple country Lawyer's there, I'm with you, 889 00:46:02,360 --> 00:46:04,799 Speaker 3: what do I know? So June eighteenth, it's like a 890 00:46:04,840 --> 00:46:07,960 Speaker 3: week out. The reporter filed an article with the information 891 00:46:07,960 --> 00:46:10,920 Speaker 3: about the paddle and the footsteps, and then the FBI 892 00:46:11,080 --> 00:46:13,480 Speaker 3: wrote quote a release such as appeared in the San 893 00:46:13,520 --> 00:46:17,359 Speaker 3: Francisco Chronicle on June eighteenth, nineteen sixty two, makes it 894 00:46:17,400 --> 00:46:21,280 Speaker 3: more difficult to conduct the investigation, since if in fact 895 00:46:21,640 --> 00:46:25,360 Speaker 3: these prisoners successfully reached the mainland, they obviously would not 896 00:46:25,600 --> 00:46:27,920 Speaker 3: contact the persons whose names were known to be in 897 00:46:27,960 --> 00:46:30,080 Speaker 3: possession of investigative authorities. 898 00:46:30,920 --> 00:46:33,439 Speaker 2: Okay, yeah, thanks, it's true, basically, yeah. 899 00:46:33,520 --> 00:46:36,840 Speaker 3: Yeah, So Friday, June fifteenth, according to the FBI report, 900 00:46:37,760 --> 00:46:42,839 Speaker 3: a quote May West life jacket may West. Yeah, identified 901 00:46:42,880 --> 00:46:46,759 Speaker 3: it as identical to those made by the escapees washed 902 00:46:46,840 --> 00:46:49,360 Speaker 3: up on Cronkite Beach in Marine County. You have you 903 00:46:49,400 --> 00:46:52,520 Speaker 3: heard that term a may West test? I hadn't either, 904 00:46:52,960 --> 00:46:55,960 Speaker 3: so I looked it up on the Navy's Naval History 905 00:46:56,000 --> 00:47:00,560 Speaker 3: and Heritage Command National Naval Aviation Museum website, and they 906 00:47:00,560 --> 00:47:04,400 Speaker 3: had a picture of one with a description quote, this 907 00:47:04,560 --> 00:47:07,920 Speaker 3: mark one life vest popularly known as a may West 908 00:47:08,239 --> 00:47:11,960 Speaker 3: because when inflated, it gave the wearer a book some appearance. 909 00:47:12,160 --> 00:47:14,319 Speaker 2: That's what I was imagining, Yeah, belonged. 910 00:47:14,000 --> 00:47:17,160 Speaker 3: To Marine aviator Elden E. Ballard. He expressed pride in 911 00:47:17,200 --> 00:47:19,959 Speaker 3: his service as a flying leatherneck, using his life vest 912 00:47:20,239 --> 00:47:23,960 Speaker 3: as a canvas for drawing The SBD Dauntless dive bomber 913 00:47:24,040 --> 00:47:26,760 Speaker 3: he flew, and the ubiquitous symbol of the Marine Corps 914 00:47:26,800 --> 00:47:29,520 Speaker 3: a bulldog wearing a pilot's helmet. So it's one of 915 00:47:29,520 --> 00:47:31,520 Speaker 3: those life vests with like a hole for your head, 916 00:47:31,600 --> 00:47:33,560 Speaker 3: ties around the front. You blow it up, gives you 917 00:47:33,800 --> 00:47:37,840 Speaker 3: gives you boobies later. And this particular one on the 918 00:47:37,840 --> 00:47:40,960 Speaker 3: website had drawings on it like tattoo flash looking you 919 00:47:41,000 --> 00:47:42,440 Speaker 3: know what else was on this website? 920 00:47:42,520 --> 00:47:43,480 Speaker 2: What else, Elizabeth? 921 00:47:44,040 --> 00:47:47,680 Speaker 3: A red banner across the top of the page reads quote. 922 00:47:48,000 --> 00:47:51,520 Speaker 3: Content on this website has been revised or removed to 923 00:47:51,600 --> 00:47:55,960 Speaker 3: align with the President's executive orders and DoD priorities in 924 00:47:56,040 --> 00:48:00,239 Speaker 3: accordance with DoD Instruction fifty four zero zero dot seventeen 925 00:48:00,640 --> 00:48:03,799 Speaker 3: Official Use of Social Media for public affairs purposes. 926 00:48:04,040 --> 00:48:09,439 Speaker 2: Because a woman, it's what's the reason. 927 00:48:09,640 --> 00:48:12,520 Speaker 3: I know we're being escapist here in more senses than one, 928 00:48:12,680 --> 00:48:16,000 Speaker 3: but I cannot act like this is normal. No, I'm sorry, 929 00:48:16,040 --> 00:48:18,799 Speaker 3: this is not normal to have this banner at the top. 930 00:48:19,000 --> 00:48:22,160 Speaker 3: We're just taking stuff out out of a whim to 931 00:48:22,280 --> 00:48:24,600 Speaker 3: quote the swing another song, tell them told you so. 932 00:48:25,080 --> 00:48:28,160 Speaker 3: This is not how it's supposed to go. It's in 933 00:48:28,200 --> 00:48:31,200 Speaker 3: my head a lot these days. Anyway, back to the 934 00:48:31,280 --> 00:48:35,120 Speaker 3: life fest, I can't escape anything, just like you can't 935 00:48:35,200 --> 00:48:38,520 Speaker 3: escape Alcatraz. I try and do escapist research and then 936 00:48:38,560 --> 00:48:39,120 Speaker 3: it's right there. 937 00:48:39,200 --> 00:48:41,800 Speaker 2: It comes right back at you life fest. 938 00:48:42,000 --> 00:48:44,400 Speaker 3: So it's fully intact. But there was like a small 939 00:48:44,480 --> 00:48:46,719 Speaker 3: tear at the scene. So that's when they're like, oh, 940 00:48:46,800 --> 00:48:48,759 Speaker 3: did they not make it? But I think if it's 941 00:48:48,800 --> 00:48:51,239 Speaker 3: tied around you, yeah, you know, even they. 942 00:48:51,200 --> 00:48:53,120 Speaker 2: Can use a pair of genes as a life fest. 943 00:48:53,360 --> 00:48:56,120 Speaker 2: You have to tie them the legs and you capture 944 00:48:56,160 --> 00:48:58,480 Speaker 2: air and you put it underwater. And that's right, So 945 00:48:58,640 --> 00:49:01,600 Speaker 2: it's possible. It is. And these guys as inventive as they. 946 00:49:01,560 --> 00:49:04,440 Speaker 3: Are, and they had like they had gone full on 947 00:49:04,480 --> 00:49:06,480 Speaker 3: to make this life as There was the tube that 948 00:49:06,520 --> 00:49:08,439 Speaker 3: you used to blow and and plate it and there's 949 00:49:08,480 --> 00:49:12,160 Speaker 3: like a paper clip they would hold it. That was saying, yeah, 950 00:49:13,160 --> 00:49:15,560 Speaker 3: and crafts is amazing. Oh they're incredible. The tube had 951 00:49:15,640 --> 00:49:18,880 Speaker 3: heavy teeth marks on it trying to hold it. And 952 00:49:19,880 --> 00:49:23,800 Speaker 3: June eighteenth, the warden at Alcatraz got a postcard postmark 953 00:49:23,920 --> 00:49:28,319 Speaker 3: June sixteenth with the message ha ha we made it, 954 00:49:28,520 --> 00:49:30,280 Speaker 3: signed Frank John Clarence. 955 00:49:30,520 --> 00:49:31,680 Speaker 2: I'm taking that as evidence. 956 00:49:31,760 --> 00:49:34,320 Speaker 3: I would say, yeah, they sent it to the FBI 957 00:49:34,440 --> 00:49:37,960 Speaker 3: for handwriting analysis. It was inconclusive, but amazing if true. 958 00:49:38,640 --> 00:49:40,160 Speaker 2: I also, I mean, it seems like it'd be before 959 00:49:40,160 --> 00:49:43,320 Speaker 2: anyone else knew they had escaped if it was postmarked sixteenth, 960 00:49:43,360 --> 00:49:45,640 Speaker 2: since weren't most of the stories coming out after that. 961 00:49:45,960 --> 00:49:50,000 Speaker 3: Yeah, yeah, I love taunting correspondence from criminals. Yes, like, 962 00:49:50,040 --> 00:49:53,440 Speaker 3: I'm looking at you, Zodiac killer stuff my thought, I 963 00:49:53,480 --> 00:49:57,840 Speaker 3: am so, of course, there were so many suspected sightings. 964 00:49:58,239 --> 00:50:02,920 Speaker 3: June fourteenth, someone reported seeing three suspicious men with quote 965 00:50:02,920 --> 00:50:06,200 Speaker 3: phony accents in San Rafell, just on the other side 966 00:50:06,200 --> 00:50:09,920 Speaker 3: of Angel Island from Alcatraz. The FBI later determined they 967 00:50:09,920 --> 00:50:13,799 Speaker 3: were simply quote foreign exchange students from the University of 968 00:50:13,960 --> 00:50:16,600 Speaker 3: Washington and were not the escapees. 969 00:50:16,800 --> 00:50:21,120 Speaker 2: So I'm thinking they came from Alden. 970 00:50:22,000 --> 00:50:24,600 Speaker 3: About a month after the escape, a body dressed in 971 00:50:24,640 --> 00:50:28,000 Speaker 3: blue clothing similar to the Alcatraz prison uniform, was found 972 00:50:28,400 --> 00:50:30,439 Speaker 3: up the coast from San Francisco, but it was too 973 00:50:30,520 --> 00:50:34,480 Speaker 3: badly decomposed to be identified. But this didn't mean the end. 974 00:50:34,920 --> 00:50:38,080 Speaker 3: One of the Angland's sisters later told the press that 975 00:50:38,160 --> 00:50:41,640 Speaker 3: she was positive that both of her brothers had attended 976 00:50:41,680 --> 00:50:47,240 Speaker 3: their mother's funeral in nineteen seventy eight, dressed as women. Yes, 977 00:50:47,360 --> 00:50:53,279 Speaker 3: I love that. And she also had another incarcerated. She 978 00:50:53,320 --> 00:50:56,160 Speaker 3: had another brother who was locked up. He said he 979 00:50:56,200 --> 00:50:59,000 Speaker 3: got a letter from Clarence and John when he was 980 00:50:59,000 --> 00:51:02,080 Speaker 3: in jail after the escape, which is like, how many 981 00:51:02,120 --> 00:51:04,440 Speaker 3: Anglin brothers are there? And are they all in jail? 982 00:51:04,560 --> 00:51:05,400 Speaker 2: Yes, totally. 983 00:51:06,200 --> 00:51:08,520 Speaker 3: The escape made it to the silver screen. Of course, 984 00:51:08,760 --> 00:51:11,040 Speaker 3: you know you're too late on this one. It was 985 00:51:11,400 --> 00:51:14,200 Speaker 3: the story behind the nineteen seventy nine movie Escape from 986 00:51:14,200 --> 00:51:18,760 Speaker 3: Alcatraz during Clint Eastwood. Yeah, Springklin and the FBI closed 987 00:51:18,760 --> 00:51:21,880 Speaker 3: the case in nineteen seventy nine, it said, quote, for 988 00:51:21,960 --> 00:51:25,360 Speaker 3: the seventeen years we worked on the case, no credible 989 00:51:25,400 --> 00:51:28,399 Speaker 3: evidence emerged to suggest the men were still alive, either 990 00:51:28,400 --> 00:51:31,400 Speaker 3: in the US or overseas. The three men are officially 991 00:51:31,400 --> 00:51:33,560 Speaker 3: listed as missing and presumed drowned. 992 00:51:34,080 --> 00:51:36,440 Speaker 2: Well, I'm going to say I think they made it in. Yeah, 993 00:51:36,520 --> 00:51:37,400 Speaker 2: good job, gentlemen. 994 00:51:37,520 --> 00:51:39,799 Speaker 3: The US Marshals, they took it over. They're like, oh, 995 00:51:39,880 --> 00:51:41,919 Speaker 3: you're two too weak to keep going. 996 00:51:41,960 --> 00:51:43,560 Speaker 2: For cowboys, we never give up. 997 00:51:43,760 --> 00:51:48,280 Speaker 3: Twenty eleven, Supervising Deputy Mike Dyke of the US Marshall 998 00:51:48,360 --> 00:51:51,680 Speaker 3: Service told CBS News that he thought that the men 999 00:51:51,719 --> 00:51:55,280 Speaker 3: may have survived. Quote, I think probably the brothers lived. 1000 00:51:55,360 --> 00:51:59,160 Speaker 3: There's no body recovered. I can't close the case. Yeah, 1001 00:51:59,239 --> 00:52:02,200 Speaker 3: good guys, don't have it in me. However, in twenty 1002 00:52:02,239 --> 00:52:05,480 Speaker 3: twenty two, he told the press that quote, after working 1003 00:52:05,520 --> 00:52:09,040 Speaker 3: the case for seventeen years, it's my opinion that they 1004 00:52:09,200 --> 00:52:12,160 Speaker 3: very likely did not survive the first night of their escape. 1005 00:52:12,760 --> 00:52:14,160 Speaker 2: Why did anyone come to that conclusion? 1006 00:52:14,200 --> 00:52:16,960 Speaker 3: Because has been recovered. You can never say that one 1007 00:52:17,040 --> 00:52:19,959 Speaker 3: hundred percent, but based on all the evidence, more than 1008 00:52:20,000 --> 00:52:21,960 Speaker 3: likely all three of them died that night and were 1009 00:52:21,960 --> 00:52:23,360 Speaker 3: swept out into the ocean. 1010 00:52:24,080 --> 00:52:26,000 Speaker 2: I don't see it the first time, yes, second time. 1011 00:52:26,719 --> 00:52:30,320 Speaker 3: In twenty thirteen, San Francisco police they got a letter 1012 00:52:30,400 --> 00:52:33,560 Speaker 3: from a guy claiming to be John Anglin. Yes. The 1013 00:52:33,640 --> 00:52:37,319 Speaker 3: letter stated, quote, yes we all made it out that night, 1014 00:52:37,360 --> 00:52:40,879 Speaker 3: but barely. He said he had cancer and quote, if 1015 00:52:40,920 --> 00:52:43,680 Speaker 3: you announce on TV that I will be promised to 1016 00:52:43,760 --> 00:52:46,000 Speaker 3: go first to jail for no more than a year 1017 00:52:46,360 --> 00:52:49,080 Speaker 3: and get medical attention, I'll write back to let you 1018 00:52:49,120 --> 00:52:52,359 Speaker 3: know exactly where I am. This is no joke. He 1019 00:52:52,400 --> 00:52:54,520 Speaker 3: wants to go to jail for medical health care. 1020 00:52:54,760 --> 00:52:55,560 Speaker 2: So America. 1021 00:52:55,640 --> 00:52:59,440 Speaker 3: Another deep breath, everyone, just deep breath. The writer of 1022 00:52:59,440 --> 00:53:03,000 Speaker 3: the letter said that he spent a ton of years 1023 00:53:03,040 --> 00:53:06,160 Speaker 3: after the escape living in Seattle, and that he also 1024 00:53:06,200 --> 00:53:08,880 Speaker 3: lived in North Dakota for eight years and then currently 1025 00:53:08,960 --> 00:53:12,759 Speaker 3: is in southern California. The guy who wrote the letter 1026 00:53:12,800 --> 00:53:15,160 Speaker 3: said that Morris had died in two thousand and eight 1027 00:53:15,239 --> 00:53:19,360 Speaker 3: and his brother Clarence had died in twenty eleven. FBI 1028 00:53:19,400 --> 00:53:22,560 Speaker 3: analysts they take the letter, they look at fingerprints. DNA 1029 00:53:22,840 --> 00:53:27,200 Speaker 3: results inconclusive twenty fifteen. So apparently they didn't tell it 1030 00:53:27,239 --> 00:53:28,839 Speaker 3: on TV and he didn't get to go back. 1031 00:53:28,880 --> 00:53:31,040 Speaker 2: And also do they have his fingerprints? I mean, do 1032 00:53:31,080 --> 00:53:34,160 Speaker 2: they have big handwriting samples enough they can do it before? 1033 00:53:34,360 --> 00:53:34,840 Speaker 3: I don't know. 1034 00:53:35,400 --> 00:53:37,279 Speaker 2: With the postcards, it's like, what do we think we're 1035 00:53:37,320 --> 00:53:38,120 Speaker 2: going to find FBI? 1036 00:53:38,280 --> 00:53:41,120 Speaker 3: I don't know. Twenty fifteen, new evidence that the men 1037 00:53:41,160 --> 00:53:45,839 Speaker 3: were possibly alive emerged. Yes, the Anglan's nephews said that 1038 00:53:45,880 --> 00:53:50,560 Speaker 3: their family had gotten handwritten Christmas cards and photos and 1039 00:53:50,560 --> 00:53:53,879 Speaker 3: that the brothers were possibly living in Brazil. And there's 1040 00:53:53,920 --> 00:53:57,560 Speaker 3: a photo that allegedly shows them in Brazil in nineteen 1041 00:53:57,640 --> 00:54:01,320 Speaker 3: seventy five. Oh and so the family they hired an analyst, 1042 00:54:01,760 --> 00:54:06,279 Speaker 3: and the analysts confirmed using AI facial recognition that yeah, 1043 00:54:06,320 --> 00:54:09,400 Speaker 3: that's them in the pictures. The FBI was like, no, 1044 00:54:09,560 --> 00:54:10,560 Speaker 3: it's inconclusive. 1045 00:54:11,080 --> 00:54:14,400 Speaker 2: Nothing's conclusive for the help. Yeah, it's just bodies. You 1046 00:54:14,440 --> 00:54:17,160 Speaker 2: got a body, call me when you got a body. 1047 00:54:17,560 --> 00:54:21,000 Speaker 3: In twenty twenty two, the US Marshals they released updated 1048 00:54:21,040 --> 00:54:23,480 Speaker 3: renderings of what the guys might look like if there's 1049 00:54:23,480 --> 00:54:27,400 Speaker 3: still a live Updated renders always nineties in their ninety 1050 00:54:27,640 --> 00:54:28,719 Speaker 3: the hell Okay, so. 1051 00:54:29,120 --> 00:54:30,759 Speaker 2: Did you see it? Did it seem like you like 1052 00:54:31,320 --> 00:54:32,400 Speaker 2: men like that? No? 1053 00:54:33,280 --> 00:54:34,600 Speaker 3: What's your ridiculous takeaway? 1054 00:54:35,560 --> 00:54:37,160 Speaker 2: I don't ever want to go to prison, but I 1055 00:54:37,160 --> 00:54:39,160 Speaker 2: would love to try to escape. Okay you know what 1056 00:54:39,200 --> 00:54:41,480 Speaker 2: I mean? Like, if I was there, that's all i'd 1057 00:54:41,480 --> 00:54:44,799 Speaker 2: be value. So I'm taking notes anytime we do a 1058 00:54:44,880 --> 00:54:48,280 Speaker 2: prison escape story. Anytime you're you're telling me, I'm like, oh, okay, 1059 00:54:48,280 --> 00:54:50,720 Speaker 2: that seems like that's a good Noteka, I remember that. Okay, 1060 00:54:50,880 --> 00:54:53,399 Speaker 2: gotta get the diamond flass. I'm like, all about you. 1061 00:54:53,360 --> 00:54:55,920 Speaker 3: Got to practice your like sculpture skills, Oh yeah. 1062 00:54:56,840 --> 00:54:59,359 Speaker 2: Rafts Hea, Yeah, what about you, Elizabeth? 1063 00:54:59,560 --> 00:55:03,799 Speaker 3: I I think that people get that challenge of you 1064 00:55:03,840 --> 00:55:08,120 Speaker 3: can't escape this place. And you know, I also all 1065 00:55:08,200 --> 00:55:10,560 Speaker 3: of the people, all the guys in this had done 1066 00:55:10,840 --> 00:55:13,920 Speaker 3: had tried to escape other facilities. So there are people 1067 00:55:14,000 --> 00:55:16,680 Speaker 3: like you where it's just they cannot be penned in 1068 00:55:17,520 --> 00:55:20,960 Speaker 3: and others you know, right right, And I think that's 1069 00:55:21,000 --> 00:55:23,760 Speaker 3: really interesting, like the mindset of it. And I think 1070 00:55:24,280 --> 00:55:27,200 Speaker 3: it also goes to not saying that like you don't 1071 00:55:27,239 --> 00:55:30,680 Speaker 3: have impulse control, because you very much do, but. 1072 00:55:30,640 --> 00:55:32,880 Speaker 2: I don't have the ability to have my life dominated 1073 00:55:32,960 --> 00:55:34,680 Speaker 2: like that. Yeah that's yeah problem. 1074 00:55:34,719 --> 00:55:37,280 Speaker 3: And so these guys they have poor ink pulse control, 1075 00:55:37,400 --> 00:55:40,560 Speaker 3: they don't like their life dominated. They also can't see 1076 00:55:40,640 --> 00:55:43,799 Speaker 3: down the road. So a lot of times you're just 1077 00:55:43,840 --> 00:55:46,920 Speaker 3: like you can plan these things to a t, but 1078 00:55:47,040 --> 00:55:49,319 Speaker 3: then what how how do you go after that? 1079 00:55:49,400 --> 00:55:51,160 Speaker 2: Totally? And like also how do you live in America 1080 00:55:51,200 --> 00:55:53,640 Speaker 2: as a convict? I mean damn? And everybody wants to 1081 00:55:53,640 --> 00:55:55,360 Speaker 2: find you and everyone wants to turn you in for 1082 00:55:55,440 --> 00:55:57,240 Speaker 2: a like a reward. 1083 00:55:57,000 --> 00:55:59,600 Speaker 3: Yeah exactly, And you're a criminal and you're probably just 1084 00:55:59,640 --> 00:56:01,880 Speaker 3: going to get keep criming and so your risk of 1085 00:56:01,880 --> 00:56:03,240 Speaker 3: getting re arrested. 1086 00:56:03,200 --> 00:56:05,240 Speaker 2: And you're and you're always just a life changing amount 1087 00:56:05,239 --> 00:56:06,399 Speaker 2: of money to somebody. 1088 00:56:08,960 --> 00:56:11,399 Speaker 3: With all that said, Dave, may I have a talk 1089 00:56:11,440 --> 00:56:11,960 Speaker 3: back please? 1090 00:56:12,080 --> 00:56:13,200 Speaker 2: By the way, that was really fun. 1091 00:56:13,480 --> 00:56:16,400 Speaker 3: Thank you, O. 1092 00:56:19,000 --> 00:56:23,920 Speaker 2: God. I let cheat. 1093 00:56:28,160 --> 00:56:31,480 Speaker 4: Hi Aaron producer d This one's mostly for Elizabeth. 1094 00:56:32,440 --> 00:56:33,120 Speaker 3: This is Grace. 1095 00:56:33,719 --> 00:56:36,080 Speaker 4: I just wanted to let you know that last night 1096 00:56:36,560 --> 00:56:39,239 Speaker 4: I started watching the first episode of nine to one 1097 00:56:39,360 --> 00:56:43,279 Speaker 4: one and I was so tickled by how ridiculous that 1098 00:56:43,360 --> 00:56:46,320 Speaker 4: show is. So thanks for the recommendation. Love the podcast. 1099 00:56:46,400 --> 00:56:50,000 Speaker 3: Look, Grace, I am so excited you have joined us. 1100 00:56:50,400 --> 00:56:53,799 Speaker 3: The journey it gets crazier and campier and sillier, and 1101 00:56:53,840 --> 00:56:55,920 Speaker 3: then you're really going to get invested in the whole thing. 1102 00:56:56,000 --> 00:56:58,600 Speaker 2: It's fantastic, it really is. You've got me watching. 1103 00:56:58,800 --> 00:57:02,200 Speaker 3: I love it. I'm so happy that you're part of 1104 00:57:02,239 --> 00:57:07,239 Speaker 3: the nine one one family. What's your emergency? That's it 1105 00:57:07,360 --> 00:57:10,839 Speaker 3: for today. You can find us online at ridiculous crime 1106 00:57:11,000 --> 00:57:16,040 Speaker 3: dot com. That website is full of. 1107 00:57:15,960 --> 00:57:18,680 Speaker 2: Malware DNA malware. 1108 00:57:18,440 --> 00:57:21,760 Speaker 3: DNA malware, so if you click it, you get the 1109 00:57:21,840 --> 00:57:23,920 Speaker 3: DNA malware, you grow a tail totally. 1110 00:57:23,920 --> 00:57:26,960 Speaker 2: It's awesome and finn Yeah maybe some spots so good. 1111 00:57:28,280 --> 00:57:32,280 Speaker 3: Crisper endorsed. We're also at Ridiculous Crime on Blue Sky 1112 00:57:32,320 --> 00:57:35,520 Speaker 3: and Instagram. You can email us at Ridiculous Crime at 1113 00:57:35,520 --> 00:57:39,160 Speaker 3: gmail dot com if that's If that's your thing, jamail, 1114 00:57:40,560 --> 00:57:42,480 Speaker 3: or you can leave a talk back on the iHeart app, 1115 00:57:42,480 --> 00:57:51,440 Speaker 3: which is our preferred method of communication reach out. Ridiculous 1116 00:57:51,480 --> 00:57:54,560 Speaker 3: Crime is hosted by Elizabeth Dutton and Zaren Burnett, produced 1117 00:57:54,600 --> 00:57:58,600 Speaker 3: and edited by Alcatraz Art Room director Dave Cousten, starring 1118 00:57:58,640 --> 00:58:05,120 Speaker 3: Annals Rutger as Judas. Research is by Unincarceratable Criminal mastermind 1119 00:58:05,200 --> 00:58:08,680 Speaker 3: Marissa Brown. The theme song is by Plaster Bunk Dummies 1120 00:58:08,880 --> 00:58:12,400 Speaker 3: Thomas Lee and Travis Duck. Post wardrobe is provided by 1121 00:58:12,440 --> 00:58:16,480 Speaker 3: Botany five hundred guests here and makeup by Sparkleshot and 1122 00:58:16,600 --> 00:58:20,400 Speaker 3: mister Andre. Executive producers are Ben Bowleen and Noel Brown, 1123 00:58:20,440 --> 00:58:24,200 Speaker 3: who escaped from Alcatraz in twenty sixteen via ferry boat 1124 00:58:24,240 --> 00:58:27,600 Speaker 3: headed for Pure thirty nine and the Curi Delly Chocolate Factory. 1125 00:58:28,480 --> 00:58:32,040 Speaker 2: Guidus Quime Say. 1126 00:58:31,880 --> 00:58:34,160 Speaker 3: It One More Time, Gquious QUI. 1127 00:58:35,320 --> 00:58:38,720 Speaker 1: Ridiculous Crime is a production of iHeartRadio four more Podcasts 1128 00:58:38,800 --> 00:58:41,960 Speaker 1: my heart Radio, visit the iHeartRadio app, Apple Podcasts, or 1129 00:58:42,000 --> 00:58:43,760 Speaker 1: wherever you listen to your favorite shows.