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Speaker 1: I can't decide if if Janice from Friends would be

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Speaker 1: a great podcast host because of her crazy voice, or

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Speaker 1: if she would be the worst podcast because of her

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Speaker 1: crazy voice, like famously a difficult voice to listen to,

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Speaker 1: so I would think it would be tough. What if

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Speaker 1: she did like a five minute podcast every day wake

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Speaker 1: Up with Janet Boost? Yeah, make me up for sure. Obviously,

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Speaker 1: when you listen to that actress speak in real life,

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Speaker 1: she doesn't sound anything like that. It's kind of weird.

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Speaker 1: That's a good character voice. Oh yeah, she's great. She's

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Speaker 1: what does she sound like like a normal human being?

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Speaker 1: The regular voice? Yeah? I mean it's been Does she

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Speaker 1: even have like an accent? Like a New York accent?

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Speaker 1: I was just gonna it's been well over a decade

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Speaker 1: since I cared about anything about friends, And even then

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Speaker 1: it was I wouldn't say caring is the word. It

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Speaker 1: was of those like early days of the internet, Like, oh,

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Speaker 1: an article came up for me, Oh interesting, it's about

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Speaker 1: the girl from Friends. That was That was the thing

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Speaker 1: I'll read today on the internet. I wonder what I'll

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Speaker 1: read tomorrow. And that was it. I did see someone

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Speaker 1: tweet like they missed the stumble Upon era of the internet.

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Speaker 1: Just go on the Internet and you found the weirdest ship.

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Speaker 1: And it wasn't about finding anything specific, literally like I'm

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Speaker 1: going to see what I run across today, And that's

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Speaker 1: so true. That is a different era. There was straight

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Speaker 1: up a website. I had a Bookmarcus, my homepage called

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Speaker 1: stumble Upon. I didn't think, yeah, you checked your check

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Speaker 1: boxes with all your interests and it would just show

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Speaker 1: you random ship. It was like, you know, the algorithm

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Speaker 1: before the algorithm. Um, yeah, it was super cool and

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Speaker 1: it was mostly all at least the boxes I had

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Speaker 1: checked and mostly got interesting fun or funny or like

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Speaker 1: cool science stuff, whatever TV video movie related thing. And

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Speaker 1: now you have all the world's hatred concentrated into a

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Speaker 1: four inch brick in your pocket at all times. What

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Speaker 1: a life. But not us also get us, and that

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Speaker 1: offsets everything because we're not we're not about that hatred. Well, look,

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Speaker 1: people don't want us to talk about murdering people anymore.

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Speaker 1: I know. We did get a review they said they

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Speaker 1: were very tired of hearing us wish murder upon people,

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Speaker 1: and to be fair, you implied murder upon people, and

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Speaker 1: I backed us off. No one wished murder on anyone.

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Speaker 1: I was going to say, I think I wished murder

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Speaker 1: on many people. I have certainly threatened to set building

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Speaker 1: on fire. But yeah, and maybe building, and maybe you've

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Speaker 1: suggested that people were inside that belly. But I know

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Speaker 1: also that there is nothing you would ever do. Um,

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Speaker 1: I'm way too lazy for arsenal. I was about to

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Speaker 1: inflate your compassion and your good nature, but that's the lazies.

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Speaker 1: Like a comfortable beach side resort in which to write

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Speaker 1: my angry letters about how everything should change, my armchair

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Speaker 1: quarterbacking with the way communities are marginalized in this country.

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Speaker 1: And can I get another peniut colada? Please over here?

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Speaker 1: Thank you real quick? Thank you? Where was that a dollar? Day? True?

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Speaker 1: I guess the resort would be a bad place to

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Speaker 1: get there's a quarter. Don't spend it all in one place. Wow,

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Speaker 1: you're a terrible person in this, in this very fictional

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Speaker 1: fantasy we've grafted, we can't afford a beach side vacation

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Speaker 1: with pina coladas being brought to us, not even for

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Speaker 1: a quarter for drink. Well, I can tell you one

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Speaker 1: place I'd love a beach side vacation. And that is Spain.

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Speaker 1: Oh I love Spain. I know. The very brief, brief

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Speaker 1: honeymoon alert time that we got to spend there in

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Speaker 1: Barcelona was one of the coolest cities I've ever been to. Definitely,

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Speaker 1: and I would I would definitely take a few weeks

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Speaker 1: and just do Spain. Spain, but yeah, beautiful. And if

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Speaker 1: we could jump over to Portugal, that'd be dope. Yeah,

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Speaker 1: I know it needs to. I know, every time we

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Speaker 1: start talking about a vacation, it just starts expand a

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Speaker 1: lot of mission creep in our vacation planning. But that's

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Speaker 1: not the point. We're talking about Spain today. We've got

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Speaker 1: a story that is another one that's from legend sort of,

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Speaker 1: but it could be fact, it could be fiction, but

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Speaker 1: it spawned a huge cultural following and it became the

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Speaker 1: central tourist draw for a city in Spain. Now, this

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Speaker 1: story says that in the thirteen century to teenagers from

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Speaker 1: opposing families fell in love and their parents would not

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Speaker 1: let them get together. This sounds familiar, right, Let it

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Speaker 1: at Romeo and Juliet. In fact, all this happened a

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Speaker 1: couple of hundred years before those two crazy kids even

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Speaker 1: went into Shakespeare's brain. This was Diego and Isabel of Tarwell, Spain,

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Speaker 1: and you can even go visit them today. Kind we'll

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Speaker 1: get to that. Let's dig into this centuries old story

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Speaker 1: and hear how it led to a Guinness World record

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Speaker 1: being set just a few years ago. Here, well, let's go. Hey,

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Speaker 1: their friends come listen. Well, Elia and Diana got some

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Speaker 1: stories to tell. There's no match making, a romantic tips.

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Speaker 1: It's just about ridiculous relationships, a lover. It might be

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Speaker 1: any type of person at all, and abstract cons at

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Speaker 1: a concrete wall. But if there's a story where the

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Speaker 1: Second Glance show Ridiculous role Lance a production of I

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Speaker 1: Heart Radio. Before we get into this story, um, I

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Speaker 1: thought that it would be really fun to revisit our

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Speaker 1: ridicu coon idea ridic ridicukon. We threw that idea out

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Speaker 1: at a previous episode. Several of y'all responded very enthusiastically

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Speaker 1: about having some kind of fun convention with us and

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Speaker 1: ridiculous news and ridiculous crime and ridiculous history all in

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Speaker 1: the same Can you imagine it's it's so much ridiculousness

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Speaker 1: the roof would just get blown off in a very

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Speaker 1: funny way I imagine. Yeah, yeah, I'd be like foam

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Speaker 1: or something absolutely exploding with foam shooting up into the sky.

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Speaker 1: Hopefully it would be something historical and loving and newsworthy

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Speaker 1: and also a bit of a crime so that we

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Speaker 1: could all cover it. Are the best stories. We're going

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Speaker 1: to find that one for podcast crossover story that just

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Speaker 1: fits them all and we're all involved, and it's chaotic

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Speaker 1: podcast episode of all time, just eight people screaming at

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Speaker 1: each other. We will have to make that a four

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Speaker 1: episode series. But yeah, y'all were super excited about this

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Speaker 1: silly idea that we had, and um, we had also

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Speaker 1: asked you to come up with fun activities that we

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Speaker 1: could have at this ridicukon stuff that we could all enjoy,

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Speaker 1: and y'all came through gangbusters with some good ideas. But also,

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Speaker 1: like a while back, we did an episode about Hadrian

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Speaker 1: and Antonus from ancient Rome and mentioned, you know, wouldn't

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Speaker 1: it be fun if there was an Art Olympics, like

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Speaker 1: an Olympics but for art for art. Yeah, and y'all

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Speaker 1: came through some amazing ideas for Olympics as well. Together, Yeah, exactly.

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Speaker 1: They We never got to talk about those ideas. So

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Speaker 1: I was like, we should just combine these because I

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Speaker 1: feel like our Olympics totally works for Yeah, definitely, So

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Speaker 1: I thought we could open up the letterbox and have

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Speaker 1: a quick mail call. Awesome. Okay, So our first one

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Speaker 1: comes from Larissa Hughes, who suggested for ridicukon a photo

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Speaker 1: booth with themed world locations and we would call it

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Speaker 1: Paula Dorothy Putnam and take a trip about it. Yeah.

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Speaker 1: I personally I am in love with this idea. This

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Speaker 1: is perfect. I mean, y'all know Dorothy Putnam is just

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Speaker 1: the coolest person in the world, and her style of

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Speaker 1: like I'm upset, I'm going to take a trip halfway

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Speaker 1: across the world is something I think we can all

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Speaker 1: aspire to, especially you. That's that's You're like, if I

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Speaker 1: had the money, I would pop out of here at

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Speaker 1: any given time and I would take as many people

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Speaker 1: as I could with me and tell them all to

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Speaker 1: go do something else. Um alone. But it's perfect. Backdrops

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Speaker 1: from all over the world, you know, cool funny props

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Speaker 1: photo booth, Get a scarf to like wind around your face,

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Speaker 1: and like some cool sunglasses fan blowing. Also, I think

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Speaker 1: you need to have the ship as an option to

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Speaker 1: get get your picture on the steamship that Dorothy was on.

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Speaker 1: And she's sort of like, you have to like sort

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Speaker 1: of be like, oh, George is here, yea behaving? Well,

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Speaker 1: this is perfect, this is perfect. I'm setting out this

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Speaker 1: photo booth just for myself. Yes. Larissa also that Dorothy

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Speaker 1: is her favorite episode, much like me. That's one of

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Speaker 1: my favorites too, and she cannot wait for the George

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Speaker 1: and Amelia one, which I'm very excited to get to,

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Speaker 1: very yes. So yeah. And then we combined lyricism amazing

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Speaker 1: idea with some Otlympics suggestions we had gotten on Twitter.

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Speaker 1: So at song Flight girls suggested couples pictionary, so the

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Speaker 1: last couple to divorce or break up wins. Tell a

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Speaker 1: competitive pictionary can really be. She also suggested speed caricature

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Speaker 1: and said, I don't know how this one works. I

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Speaker 1: just think characters of the judges would be funny. And

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Speaker 1: then I will not be judging that one. I don't

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Speaker 1: need a caricature. Let me exaggerate all the things you

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Speaker 1: don't like about your face than um. And also a

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Speaker 1: song Flight girl said endurance ceiling painting. Can you outlast

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Speaker 1: my Colangelo? That would be incredibly difficult. I can tell

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Speaker 1: you right now I cannot probably in any place probably

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Speaker 1: any medium, yeah or medium. Yeah, it's science. And I

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Speaker 1: mean I'm gonna lie down on my back on a

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Speaker 1: scaffold and like lift a paintbrush to the ceiling and

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Speaker 1: within I wouldn't say four seconds, my hand will be

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Speaker 1: completely asleep. Just uh and at lady Tu got in

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Speaker 1: on this, also suggesting slalomn sculpting. Yeah, no, I get it,

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Speaker 1: I get it. I think stuff if I'm right here,

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Speaker 1: let me know. So you would get on your skis

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Speaker 1: and you would go in patterns on the mountain to

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Speaker 1: create a sculpture, right like you would use your your

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Speaker 1: skis to carve away the snow until you've created you know,

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Speaker 1: whatever you're on little Mount Rushmore or whatever it is

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Speaker 1: you want to have very put into the side of

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Speaker 1: the mountain. What would you carve in the side of

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Speaker 1: a mountain in the snow with your skis with all

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Speaker 1: your ski talent. Yeah, I've never been on I think

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Speaker 1: I would be lucky to create a pile. But I

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Speaker 1: think it would be dope to carve like like Snoop

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Speaker 1: dogg and then like one of the good evergreens would

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Speaker 1: be like, oh cool, blun coming out. That's good. That's good.

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Speaker 1: That's what I would try. I would try to. I

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Speaker 1: would try to bring in the natural scenery into my art.

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Speaker 1: That's good. That's good. What about you? What would well?

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Speaker 1: Would I sculpt in the side of a mountain? You

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Speaker 1: know what I would do. I would sculpt a picture

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Speaker 1: of a smaller mountain. I love that. Very meta. Yeah,

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Speaker 1: I would just carve like the Paramount logo. That's because

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Speaker 1: you're sponsored by Paramount. Yes, yes, to bring in the

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Speaker 1: corporation Paramount. If you want to pay me five million

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Speaker 1: dollars to carve your logo into the side of a

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Speaker 1: mountain with my skis, I will have it ready in

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Speaker 1: about three years after I get enough ski lessons in

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Speaker 1: to do this. On the same tip, Lady Tigue also

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Speaker 1: suggest said beach volleyball sand paintings. Yeah, very similar, I feel.

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Speaker 1: Would you put paint on the volleyball and let it fall?

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Speaker 1: That's what I want to do. Yeah, that's what I

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Speaker 1: would do to or like you would hit it and

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Speaker 1: like the splatter would make something cool and also interpretive

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Speaker 1: high jump. Now that's that would be because you would

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Speaker 1: you would get off, that's the one with the stick

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Speaker 1: right that you jump over those big hurdles. Uh, well

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Speaker 1: that's pole vaulting. Yeah. I think the high jump is

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Speaker 1: literally just how high can you jump with your own

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Speaker 1: two legs? Okay, not not hurdles necessarily, It's like you

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Speaker 1: run up. Can you jump over this bar at this

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Speaker 1: height just your own two little grasshopper legs? Wow? But

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Speaker 1: then interpretive you would have to make some movements up

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Speaker 1: there to convey some meaning. Yeah. Yeah, I like this sport.

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Speaker 1: This is beautiful and amazing. I can't wait. The body

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Speaker 1: would be so strong, would be like parkour, slash dance slash. No,

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Speaker 1: I'm tired just thinking about it. The amount of energy

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Speaker 1: this would take, the control over your body. Finally, Angie

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Speaker 1: C on Instagram suggested quote, can we have a game

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Speaker 1: where you cover yourself in paint and then fling yourself

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Speaker 1: into the medium of your choice big lebowski? And then

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Speaker 1: can we have a game that somehow involves like the

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Speaker 1: rules of curling, but make it art or maybe clean up?

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Speaker 1: Because we know the real m vps of winter sports

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Speaker 1: at the middle aged dad's with swiffers on the ice. Sure, like,

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Speaker 1: maybe they could have a go at removing all the

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Speaker 1: glitter or something. Wow, glitter removal is an Olympic sports.

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Speaker 1: I hate it. Can you imagine? Okay, I get a

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Speaker 1: story to get to we we told you all we

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Speaker 1: were going to tell you a story, and then we

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Speaker 1: told you a completely different thing. But it was fun.

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Speaker 1: I mean we had to get into that. Thank you

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Speaker 1: for all those fun ideas. Thank you. I think this

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Speaker 1: party is really planning itself keeping coming because it's time

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Speaker 1: for us to go talk to Ben and Knoll and

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Speaker 1: the other hosts and uh and get this thing going.

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Speaker 1: All right, But for today, let us journey back to

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Speaker 1: centuries Spain. There is a city called tar Well in

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Speaker 1: Spain that's got romance built right into its history. It

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Speaker 1: is a beautiful city. It's full of Renaissance architecture. There's

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Speaker 1: this aqueduct standing there that was built in the sixteenth century.

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Speaker 1: There's all this other amazing history. This was the place

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Speaker 1: where the first dinosaur in Spain was ever discovered, so

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Speaker 1: that's super cool. You can go see that. Of course,

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Speaker 1: there's gorgeous cathedrals being popping up all over the place,

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Speaker 1: including the Iglesia de San Pedro. And this church is

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Speaker 1: home to a mausoleum for los Amantes de Teruel or

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Speaker 1: the Lovers of Tara. Well, and this tomb is dedicated

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Speaker 1: to a story from the thirteenth century. That's, like we said,

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Speaker 1: kind of Romeo and Juliesque, right. Uh. The most complete

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Speaker 1: version of this story that we could find was in

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Speaker 1: a book called Spanish and Busque Legends, translated and adapt

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Speaker 1: did by Richard Marsh. So thank you, Richard. We got

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Speaker 1: a lot of the filled in, a lot of the

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Speaker 1: details from from your version of this story. The story

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Speaker 1: says there were two wealthy families in Spain in the

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Speaker 1: early twelve hundreds, the Demarcias, who were an old, respected family,

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Speaker 1: and the Seguras, who were like the new money family.

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Speaker 1: They're doing really well in the real estate game right

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Speaker 1: up starts. And of course from these two families there

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Speaker 1: were two children, Diego Martinez de Marcius and Isabelle Segura,

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Speaker 1: and they played together all the time as kids. They

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Speaker 1: grew up running around the same parks and everything, and

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Speaker 1: as they grew into teenagers, of course they fell in love.

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Speaker 1: The good old friends to lovers of course, classic tale

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Speaker 1: as old as time. Yeah, these were those kids everyone

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Speaker 1: knew was going to get married day. All right, They're

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Speaker 1: all over each other, always together, always flirting. People probably

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Speaker 1: grossed out by their PDA, you know, the teenagers. Yeah,

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Speaker 1: you know, they're probably holding hands. So they're skipping through

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Speaker 1: the street and they're the picture of sweetness. And one day,

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Speaker 1: when they were fifteen years old, they went to Isabel's

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Speaker 1: father and said, hey, obviously we want to get married.

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Speaker 1: Everybody's on board. We're like the ideal couple, the perfect

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Speaker 1: example of two families overcoming their differences and getting along.

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Speaker 1: Come on, perfect love story for the ages. Everyone's just

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Speaker 1: waiting for this to happen, right right, Where Isabelle and

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Speaker 1: Diego were like Ross and Rachel, we get two friends

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Speaker 1: references in this episode. No right, we don't really watch

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Speaker 1: that show. But Papa Saigoda checked the books and it

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Speaker 1: turned out that the Demarcias were broken. All that old

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Speaker 1: money had dried up over the years. So he said,

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Speaker 1: dot on the richest man in this town, and I

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Speaker 1: got one job. That's to make you married for logistical purposes.

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Speaker 1: Are not for love? So wrong, Get out of town.

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Speaker 1: Nothing's happening, no marriage, okay? Are done? Well? Of course,

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Speaker 1: these two they're both heartbroken and they would do anything

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Speaker 1: to change his mind, like, don't matter what it would take.

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Speaker 1: So Diego starts running through ideas in his head. I

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Speaker 1: gotta get rich. I gotta be wealthy to impress my

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Speaker 1: girlfriend's dad. Classic another tale. As all this time he's like,

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Speaker 1: I don't know, you know, he's thinking of ideas. He's like,

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Speaker 1: maybe I'll get into this cryptocurrency, right, yeah, I'm making

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Speaker 1: an f t out of myself. I found a self

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Speaker 1: heat picks. I don't know. Maybe I'll unload all these

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Speaker 1: old Pokemon cards, you know, which is big money. Back then, Um,

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Speaker 1: nothing seemed like the right answer. None of that stuff

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Speaker 1: existed yet, so tradeable, right, He's like, hang on checking

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Speaker 1: myself here, it's the twelve So what does everyone do

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Speaker 1: in this day and age to get rich? He's thinking.

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Speaker 1: He's like, oh my god, I know they go seek

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Speaker 1: their fortune whatever that means. That's like what everyone does

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Speaker 1: this age, right if you if I leave town for

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Speaker 1: a while, I'll come back rich. That's just what happens.

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Speaker 1: It happens in all the stories, and so it's like

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Speaker 1: it's like step one, go travel the world, step two,

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Speaker 1: step three profits. Yeah exactly. If only that were true today,

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Speaker 1: he's so rich. Well, so he tells papas to this,

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Speaker 1: and he says, oh, yeah, Actually, you know what, young man,

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Speaker 1: you could go join the Christian army that's assembling in

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Speaker 1: Barcelona to fight the Moors. Lots of people were coming

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Speaker 1: back from the wars with tons of money in their pocket,

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Speaker 1: lots of jewels, land they've acquired. It was not a

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Speaker 1: bad way to get rich. But young man, if Isabel

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Speaker 1: marries off before then, then you should out of luck. Sorry.

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Speaker 1: You know, you can go get rich. But if you

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Speaker 1: come back and she's already married, too bad. I don't

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Speaker 1: care how much money you get. Well, Isabel was basically like,

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Speaker 1: let me take a hand in my own future. So

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Speaker 1: she said, well, actually, Daddy, I talked to God the

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Speaker 1: other day and he asked me to stay a virgin

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Speaker 1: for five more years until I'm twenty years old. So

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Speaker 1: there's no way in hell I'm gonna get married before then.

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Speaker 1: That's God, he said it. I'm into it, And so

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Speaker 1: Papa couldn't argue with that. It's God after all, and

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Speaker 1: so they all agreed on a timeline. Diego had five

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Speaker 1: years exactly to go make his fortune in the wars,

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Speaker 1: but not a single day longer, Papa Sigura said, you

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Speaker 1: better hot put it out here tomorrow because the day after,

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Speaker 1: five years from now, she's getting married to somebody, and

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Speaker 1: I hope it's not you, but it was, you know whatever,

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Speaker 1: at least she'll have money. So sure enough, Diego left

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Speaker 1: the next day. And during those five years, Papa Sigura

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Speaker 1: was constantly trying to get Isabelle to marry somebody besides Diego.

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Speaker 1: He's like, how about this real to he's rich, or

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Speaker 1: this noble he's got some real assets. His face sucks,

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Speaker 1: you know, so on and so forth. He's finding all

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Speaker 1: these rich and noble people options for her, um, but

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Speaker 1: Isabelle keeps kind of deck and engaging. Meanwhile, Marsh says

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Speaker 1: that Diego did really well in the army and distinguished

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Speaker 1: himself in battle many times. He became an officer. He

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Speaker 1: was eventually awarded a knighthood, contending in tons of land

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Speaker 1: for his conquests. He even saved the life of a

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Speaker 1: French soldier who left Diego his estate in his will,

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Speaker 1: Like he thought, you leave you get some stuff. Yeah,

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Speaker 1: I'll tell you what though, if you save a man's

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Speaker 1: life and he leaves you everything in his will You're

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Speaker 1: not going to try that hard to save his life

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Speaker 1: again next time. I was just thinking that. So he's like,

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Speaker 1: I guess I should kill you now now. According to

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Speaker 1: Marsha's account, some say that Diego never wrote to her

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Speaker 1: because he wanted to show up with a big surprise.

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Speaker 1: Just reappear one day. Look at all the money I have.

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Speaker 1: Let's get married. Aren't you excited for this? But the

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Speaker 1: more accepted story is that her parents intercepted all of

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Speaker 1: his letters because they had someone else in mind for

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Speaker 1: her to marry. They had settled on Don Rodrigo Diazagra,

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Speaker 1: who was a wealthy retired night They even told Isabel

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Speaker 1: at one point that Diego had been killed in battle, damn.

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Speaker 1: But of course he hadn't. He was out there doing

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Speaker 1: really well and making stacks on stacks, and it was

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Speaker 1: just about time for him to head home, and we'll

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Speaker 1: check back in on his journey right after this. Welcome

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Speaker 1: back everyone. Well, Diego had amassed a huge fortune and

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Speaker 1: vast properties, and he looked at his watch. It's like, oh, ship,

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Speaker 1: I gotta get back. Almost five years are up. He's

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Speaker 1: got He's got one of those five year watches. It's

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Speaker 1: like a day calendar, so he's already cutting it a

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Speaker 1: bit close. But it looked like if I leave now,

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Speaker 1: ways says the I will be back in plenty of

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Speaker 1: time before the five year period was up. But what

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Speaker 1: happens to every single one of us when we're in

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00:22:24,680 --> 00:22:28,080
Speaker 1: a rush, when we're running late? Do the roads open up?

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Speaker 1: Does everyone get out of your way? Is it a

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00:22:30,320 --> 00:22:35,080
Speaker 1: clear and pleasant journey to your destination? No? Not, Everything

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Speaker 1: goes wrong. And it happened for diego to As soon

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Speaker 1: as he got back to his ship to sail back

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Speaker 1: to Spain, this huge storm came rolling in and they

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00:22:43,560 --> 00:22:48,440
Speaker 1: had to delay their departure. So stressful, very obnoxious. He's

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00:22:48,480 --> 00:22:51,520
Speaker 1: hitting every red light. You know. There's just like some

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00:22:51,840 --> 00:22:54,439
Speaker 1: car randomly pulls out in front of him. They like

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00:22:54,520 --> 00:22:56,239
Speaker 1: pull out really fast in front of him, but then

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Speaker 1: they only go twenty miles an hour, and you're like,

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Speaker 1: why did you pull out dangerously in front of me?

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Speaker 1: If you're not in a hurry. Uh, you know what,

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00:23:03,760 --> 00:23:06,040
Speaker 1: it's probably happening to you if you're driving listening to

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00:23:06,040 --> 00:23:11,960
Speaker 1: this podcast right now. So he finally got back to Spain.

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Speaker 1: He gets on the road to tear Well, and it

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00:23:14,000 --> 00:23:17,119
Speaker 1: looked like he was gonna show up literally five years

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Speaker 1: to the day after he left, just in time. He's like,

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Speaker 1: I'm gonna make it. I'm gonna make it. Get the

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00:23:23,080 --> 00:23:25,040
Speaker 1: hell out of my way. He's riding on his horse.

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Speaker 1: He's like, I'm not picking up hitchhikers. I'm not gonna

390
00:23:27,480 --> 00:23:29,800
Speaker 1: break for school busses. I'm going. I'm crossing every train

391
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Speaker 1: track I'm going. I'm going, I'm going back at home.

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Speaker 1: Isabel was indeed being prepped for her wedding. Her parents

393
00:23:35,920 --> 00:23:39,359
Speaker 1: were like completely obsessed with this John Rodrigo. They're picking

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Speaker 1: out colors for the nurse three. Isabel is getting fitted

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Speaker 1: for her wedding chest. They're bringing in flowers, they got food.

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00:23:47,080 --> 00:23:49,480
Speaker 1: She's probably kind of tapping her foot and looking around,

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Speaker 1: like where is Diego? Diego done this dos Diego? And

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00:23:57,680 --> 00:24:01,040
Speaker 1: Diego is writing as fast as he can. He's whipping

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Speaker 1: past the countryside. When one horse gets tired, he jumps

400
00:24:04,640 --> 00:24:07,720
Speaker 1: on another line. He did not stop, he just kept riding.

401
00:24:08,240 --> 00:24:14,359
Speaker 1: Isabel is like making her centerpieces real slowly, very last minute.

402
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Speaker 1: So I don't like this color of flower, I'm going

403
00:24:16,600 --> 00:24:20,879
Speaker 1: to replace them all. She's thinking, Okay, you had five

404
00:24:21,000 --> 00:24:28,520
Speaker 1: years dunder stock and then finally, finally, Diego arrived back

405
00:24:28,520 --> 00:24:31,560
Speaker 1: and tear well. It was evening, five years to the

406
00:24:31,640 --> 00:24:34,080
Speaker 1: day since he had left. He'd made it. He just

407
00:24:34,200 --> 00:24:37,160
Speaker 1: had to go find Isabel. Diego sprinted through the town

408
00:24:37,200 --> 00:24:39,760
Speaker 1: to the Segura estate. He was so excited. He was

409
00:24:39,800 --> 00:24:41,600
Speaker 1: going to bust in and tell her father what a

410
00:24:41,640 --> 00:24:44,080
Speaker 1: wealthy man he was now, and there was no way

411
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Speaker 1: Isabel would marry anyone but him. He heard a celebration

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Speaker 1: on the lawn and he thought, oh my god, good,

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Speaker 1: this is this for me? Did they know I was

414
00:24:52,840 --> 00:24:54,679
Speaker 1: Did someone tell them I was coming in? And they

415
00:24:54,760 --> 00:24:58,520
Speaker 1: put a party together? This is wonderful. And he bust

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00:24:58,520 --> 00:25:00,880
Speaker 1: through the gates, his arms wide, and he says, it's

417
00:25:00,880 --> 00:25:07,760
Speaker 1: a battle. I'm oh. There she was in the middle

418
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Speaker 1: of the courtyard, slipping a little piece of wedding cake

419
00:25:11,359 --> 00:25:16,040
Speaker 1: into Rodrigo's mouth. No, he was too late, but nobody

420
00:25:16,040 --> 00:25:18,280
Speaker 1: recognized him. I mean, he'd been away at war for

421
00:25:18,359 --> 00:25:21,560
Speaker 1: five years from fifteen to twenty, so you gotta imagine

422
00:25:21,560 --> 00:25:24,880
Speaker 1: he looks quite different. He just slipped into the crowd unnoticed,

423
00:25:25,080 --> 00:25:27,880
Speaker 1: and he went to find Isabel's father, and he went

424
00:25:27,920 --> 00:25:31,400
Speaker 1: up to Senior Sigura and He's like, hey, asshole, what's

425
00:25:31,440 --> 00:25:35,680
Speaker 1: the deal. Uh, And the father says, whoa Oh, Diego

426
00:25:35,920 --> 00:25:39,600
Speaker 1: Boom didn't recognize you there, Oh ship son, you're a

427
00:25:39,720 --> 00:25:42,840
Speaker 1: day late. Too bad, so sad see you next Tuesday.

428
00:25:42,960 --> 00:25:46,479
Speaker 1: Thanks for stopping by. You weren't invited. And Diego was like, no,

429
00:25:46,480 --> 00:25:48,760
Speaker 1: no, no no, no, man no. It's been five years to

430
00:25:48,960 --> 00:25:51,760
Speaker 1: the day since I left. I got a little calendar

431
00:25:51,800 --> 00:25:53,840
Speaker 1: watch right here. I've been tearing off a day every day.

432
00:25:54,000 --> 00:25:57,280
Speaker 1: You could check your receipts. It is today. And Papa

433
00:25:57,359 --> 00:26:00,639
Speaker 1: Sigura just kind of chuckles. He says, oh, wait a minute,

434
00:26:00,680 --> 00:26:04,639
Speaker 1: Wait a minute, son, you started counting the day you left,

435
00:26:05,119 --> 00:26:08,280
Speaker 1: my guy. We made the deal the day before that.

436
00:26:08,640 --> 00:26:10,639
Speaker 1: You're the one who chose to leave the next morning.

437
00:26:11,000 --> 00:26:15,119
Speaker 1: I waited until yesterday. You were late. The wedding was

438
00:26:15,160 --> 00:26:20,120
Speaker 1: this morning. Bye bye, What an asshole. I al still

439
00:26:20,160 --> 00:26:22,879
Speaker 1: think this is so weird because it's like, Isabel's in

440
00:26:22,880 --> 00:26:25,520
Speaker 1: love with this guy. He's rich, Now, why what's the

441
00:26:25,560 --> 00:26:28,320
Speaker 1: big problem. Yeah, but it just feels like a power

442
00:26:28,400 --> 00:26:30,960
Speaker 1: play more than any Oh, definitely, it definitely feels like

443
00:26:31,080 --> 00:26:33,919
Speaker 1: I'm wondering if it's like, well, your family's poor, or

444
00:26:33,960 --> 00:26:35,800
Speaker 1: just like I just I mean again, these are kind

445
00:26:35,800 --> 00:26:37,960
Speaker 1: of rival families. I don't think they've ever really liked

446
00:26:38,000 --> 00:26:41,439
Speaker 1: each other much. If you were rich, I wouldn't really

447
00:26:41,480 --> 00:26:43,359
Speaker 1: want you to marry. Yeah, because it was kind of

448
00:26:43,400 --> 00:26:45,199
Speaker 1: at first it was like, sorry, you're not rich, and

449
00:26:45,240 --> 00:26:46,560
Speaker 1: he was like, well, what if I get rich? And

450
00:26:46,560 --> 00:26:52,840
Speaker 1: he was like, uh, something else. Probably I'll find a reason. Well.

451
00:26:52,880 --> 00:26:56,879
Speaker 1: Diego was of course heartbroken and probably pretty pissed about

452
00:26:56,920 --> 00:27:00,359
Speaker 1: this stupid technicality, like I am. So he did what

453
00:27:00,520 --> 00:27:03,800
Speaker 1: all noble lovers do and they want to set things straight.

454
00:27:04,560 --> 00:27:06,960
Speaker 1: He snuck into the girl's bedroom on our wedding night.

455
00:27:09,920 --> 00:27:13,440
Speaker 1: Interesting choice, that's not it's not it's not it. Please

456
00:27:13,440 --> 00:27:16,760
Speaker 1: don't sneak into a girl's bedroom. Uh. Rodrigo is in

457
00:27:16,800 --> 00:27:20,320
Speaker 1: the other room, like brushing his teeth and washing his ass.

458
00:27:20,359 --> 00:27:24,000
Speaker 1: So Diego crept in and he grabs Isabel's hand and

459
00:27:24,080 --> 00:27:28,040
Speaker 1: she's like, I don't know from fear of a random

460
00:27:28,080 --> 00:27:31,520
Speaker 1: guy or she was like oh it's Diego. Um, but

461
00:27:31,600 --> 00:27:34,680
Speaker 1: she like shoves Diego down underneath the bed and Rodrigo

462
00:27:34,760 --> 00:27:38,320
Speaker 1: comes in. He goes, yes, my love, did something frighten you?

463
00:27:38,880 --> 00:27:42,280
Speaker 1: And she's thinking quick and as quoted in Marsha's book.

464
00:27:42,480 --> 00:27:47,280
Speaker 1: She says, quote, oh, I suddenly remembered a vow I

465
00:27:47,400 --> 00:27:50,920
Speaker 1: made when I was fifteen to remain a virgin until

466
00:27:50,960 --> 00:27:54,119
Speaker 1: I reached the age of twenty. And I won't be

467
00:27:54,160 --> 00:27:57,680
Speaker 1: twenty until tomorrow. So I beg you not to ask

468
00:27:57,760 --> 00:28:00,240
Speaker 1: me to do what a man expects of his hide

469
00:28:00,280 --> 00:28:04,320
Speaker 1: on their wedding night. She's she's a quick thinker, all right.

470
00:28:04,440 --> 00:28:06,720
Speaker 1: Also she's got a little Papa sigura and the She's like,

471
00:28:06,760 --> 00:28:13,119
Speaker 1: a technical technically, will be twenty ntil tomorrow. Rodrigo presumably

472
00:28:13,200 --> 00:28:16,639
Speaker 1: is like, okay, here we go with the technicalities of family,

473
00:28:17,119 --> 00:28:19,720
Speaker 1: his life, fine, whatever, So he flops down next to

474
00:28:19,720 --> 00:28:21,880
Speaker 1: her on the bed and he goes to sleep. As

475
00:28:21,920 --> 00:28:24,840
Speaker 1: soon as he's out, she grabbed Diego out from under

476
00:28:24,880 --> 00:28:27,320
Speaker 1: the bed and took him outside the room so they

477
00:28:27,320 --> 00:28:30,280
Speaker 1: could talk. She's like, we got shipped to talk about.

478
00:28:31,000 --> 00:28:33,920
Speaker 1: She's like, what are you doing here? You know I

479
00:28:33,920 --> 00:28:35,720
Speaker 1: don't see it for five years, you don't call, you

480
00:28:35,760 --> 00:28:38,360
Speaker 1: don't right, He says, what are you talking about? I

481
00:28:38,360 --> 00:28:40,520
Speaker 1: wrote to you all the time. He's like, well, you

482
00:28:40,520 --> 00:28:42,800
Speaker 1: didn't get on my postcards. They you know, wish you

483
00:28:42,800 --> 00:28:45,600
Speaker 1: were here fighting the moors. With me. He didn't get

484
00:28:45,600 --> 00:28:47,800
Speaker 1: any of those. He said, here one that's like my

485
00:28:47,880 --> 00:28:53,640
Speaker 1: love for you grows more and more. That's good. If

486
00:28:53,680 --> 00:28:56,280
Speaker 1: only you had been around the cell postcards during this

487
00:28:56,840 --> 00:29:00,400
Speaker 1: during this war. So she's like, asshole, I never got

488
00:29:00,440 --> 00:29:03,440
Speaker 1: a single one he or postcards, no telegrams, and your

489
00:29:03,440 --> 00:29:08,040
Speaker 1: clever puns. Nothing. I just, oh, wait a second, that's

490
00:29:08,080 --> 00:29:11,440
Speaker 1: probably got to be why my dad every single day

491
00:29:11,480 --> 00:29:13,800
Speaker 1: for the last five years has rushed out to get

492
00:29:13,800 --> 00:29:17,880
Speaker 1: the mail first. He's probably sneaking away your letters so

493
00:29:17,920 --> 00:29:20,720
Speaker 1: I would never read them. And he's like, yeah, yeah,

494
00:29:20,800 --> 00:29:24,040
Speaker 1: that makes sense, that makes sense. Okay, So she didn't

495
00:29:24,080 --> 00:29:26,600
Speaker 1: get his letters, but still diego saying how could she

496
00:29:26,760 --> 00:29:30,840
Speaker 1: marry this Don Rodrigo? Didn't she want to wait for him?

497
00:29:30,880 --> 00:29:33,080
Speaker 1: You know? And I gotta say, I'm getting real Wesley

498
00:29:33,120 --> 00:29:35,480
Speaker 1: from The Princess Bride vibes here. And if you ever

499
00:29:35,520 --> 00:29:38,280
Speaker 1: heard me rant about The Princess Bride, I love this movie.

500
00:29:38,320 --> 00:29:40,280
Speaker 1: It's one of the best movies. I've watched it a

501
00:29:40,320 --> 00:29:43,160
Speaker 1: hundred times as a child. I still watch it regularly today.

502
00:29:43,400 --> 00:29:48,360
Speaker 1: But Wesley sucks, especially right up to the point where

503
00:29:48,360 --> 00:29:50,160
Speaker 1: he falls down the hill and then he gets better.

504
00:29:50,280 --> 00:29:53,040
Speaker 1: But he's still kind of an ass He's just very controlling.

505
00:29:53,160 --> 00:29:54,760
Speaker 1: And when he shows back up in her life and

506
00:29:54,800 --> 00:29:58,600
Speaker 1: he's like mad at her for for marrying, you know,

507
00:29:58,880 --> 00:30:01,880
Speaker 1: some rich dude's in her mind going to take care

508
00:30:01,920 --> 00:30:05,000
Speaker 1: of her. And he's like, wow, you couldn't have waited.

509
00:30:05,320 --> 00:30:08,920
Speaker 1: She's like, you went off to go find your fortune

510
00:30:09,680 --> 00:30:13,320
Speaker 1: and then come back mad at me, threatening to hit me.

511
00:30:13,560 --> 00:30:16,360
Speaker 1: Excuse me. That man raises his hand to a moment

512
00:30:16,360 --> 00:30:18,680
Speaker 1: in that movie, and that is not okay. I don't

513
00:30:18,680 --> 00:30:22,120
Speaker 1: care what kind of disguise he's putting on. It is

514
00:30:22,120 --> 00:30:24,240
Speaker 1: weird for him to come back and be like, didn't

515
00:30:24,240 --> 00:30:26,600
Speaker 1: you just assume I was alive out there one day

516
00:30:26,640 --> 00:30:30,240
Speaker 1: would come back to you at some point. And she's like, yeah,

517
00:30:30,280 --> 00:30:32,120
Speaker 1: I guess for a while, and then I was like,

518
00:30:32,240 --> 00:30:34,600
Speaker 1: everyone's calling me a spinster. You're acting like I got

519
00:30:34,640 --> 00:30:37,720
Speaker 1: a lot more agency than I really do, sir. It's

520
00:30:37,720 --> 00:30:41,280
Speaker 1: a great movie. I love it, and Carrie always is

521
00:30:41,520 --> 00:30:43,600
Speaker 1: one of the greatest actors of our time. He's so

522
00:30:43,640 --> 00:30:46,520
Speaker 1: adorable in that movie too. You can see why she's like,

523
00:30:46,600 --> 00:30:51,240
Speaker 1: all right, fine, you could be an asshole for a while. Well,

524
00:30:51,280 --> 00:30:54,800
Speaker 1: she pushes around the hill and it's like, you can

525
00:30:54,840 --> 00:30:57,280
Speaker 1: shut up and die, and he's like, all right, as

526
00:30:57,360 --> 00:31:00,160
Speaker 1: you wish. She's like, okay that hopefully that's snap him

527
00:31:00,200 --> 00:31:03,040
Speaker 1: out of it. Yeah, I guess I'll throw myself down

528
00:31:03,040 --> 00:31:05,560
Speaker 1: the hill to Anyway, that was a funny scene. It's

529
00:31:05,560 --> 00:31:09,200
Speaker 1: a great movie. It's a great scene. My complaints are ingested.

530
00:31:10,000 --> 00:31:13,360
Speaker 1: So Diego is pulling a real Wesley here. He's really

531
00:31:13,360 --> 00:31:15,840
Speaker 1: grumpy that she didn't wait for him. She's like, Buddy,

532
00:31:15,960 --> 00:31:19,120
Speaker 1: I did wait for you. My parents told me you

533
00:31:19,160 --> 00:31:23,320
Speaker 1: were dead, and I still waited for you. You dragged

534
00:31:23,320 --> 00:31:25,040
Speaker 1: your ass and got here a day late. What do

535
00:31:25,080 --> 00:31:27,160
Speaker 1: you want me to say? Yeah? And again, it's not

536
00:31:27,240 --> 00:31:30,160
Speaker 1: like she has a lot of power over how her

537
00:31:30,200 --> 00:31:33,600
Speaker 1: life goes. She's somebody's daughter. She doesn't own herself. I mean,

538
00:31:33,680 --> 00:31:36,560
Speaker 1: especially in medieval times. The only way she was able

539
00:31:36,600 --> 00:31:38,840
Speaker 1: to get her dad to hold off on marrying her

540
00:31:38,920 --> 00:31:44,440
Speaker 1: off was to go over his head to God and say, hey, Dad,

541
00:31:44,560 --> 00:31:48,640
Speaker 1: your boss tells you you gotta wait. Sorr bro. He's like, well,

542
00:31:48,680 --> 00:31:50,800
Speaker 1: I won't listen to you, but I will listen to

543
00:31:50,840 --> 00:31:56,040
Speaker 1: what you say God told you to tell me. Anyway,

544
00:31:56,080 --> 00:31:59,640
Speaker 1: Diego tries to make his case about you know, the

545
00:31:59,680 --> 00:32:02,320
Speaker 1: five year countdown and when it started and the day

546
00:32:02,360 --> 00:32:06,160
Speaker 1: when he left, deal or whatever. But Isabel basically is like,

547
00:32:06,560 --> 00:32:08,880
Speaker 1: I mean, that's that's great and all, but it's too bad,

548
00:32:08,960 --> 00:32:12,440
Speaker 1: so sad. I'm I'm married now. I wish you'd gotten

549
00:32:12,440 --> 00:32:15,240
Speaker 1: here sooner. But we just had a super official ceremony

550
00:32:15,280 --> 00:32:17,520
Speaker 1: in front of my family and God and a very

551
00:32:17,560 --> 00:32:22,680
Speaker 1: expensive DJ and and there's no takebacks on that. I mean,

552
00:32:22,800 --> 00:32:28,440
Speaker 1: especially consider considering the religious I mean the importance of

553
00:32:28,440 --> 00:32:33,120
Speaker 1: religion Catholic Spain. Okay, yeah, you couldn't. You couldn't flout.

554
00:32:33,280 --> 00:32:37,440
Speaker 1: That's all it's done. And fortunately Diego does accept that

555
00:32:37,480 --> 00:32:40,280
Speaker 1: there's very little to be done at this point about

556
00:32:40,280 --> 00:32:43,360
Speaker 1: this situation, but he does so in the most dramatic

557
00:32:43,400 --> 00:32:46,920
Speaker 1: way possible, and he says, to her quote, I accept

558
00:32:46,960 --> 00:32:49,240
Speaker 1: that it is God's will that will not be united

559
00:32:49,280 --> 00:32:52,080
Speaker 1: in this life, but at least give me a kiss

560
00:32:52,400 --> 00:32:57,440
Speaker 1: or I will die. Pretty coercive, it's kind of manipulative.

561
00:32:57,760 --> 00:33:01,840
Speaker 1: Oh no, but my balls are so blue. If you

562
00:33:01,840 --> 00:33:06,040
Speaker 1: don't kiss me, I could die. It's a lot. It's

563
00:33:06,040 --> 00:33:09,800
Speaker 1: a lot. It's it's left and it's bell. She's you know,

564
00:33:09,880 --> 00:33:12,840
Speaker 1: we've seen she's pretty firm about her religion and her honor.

565
00:33:12,960 --> 00:33:16,520
Speaker 1: She really cares about these things. They're very no, not abstract.

566
00:33:16,600 --> 00:33:19,320
Speaker 1: For she did not I'll say, she did not make

567
00:33:19,440 --> 00:33:22,080
Speaker 1: up that story about God telling her to wait five years,

568
00:33:22,120 --> 00:33:24,440
Speaker 1: like she believed that. Yeah, yeah, I know I said

569
00:33:24,480 --> 00:33:26,120
Speaker 1: it in kind of a mocking way, but she really

570
00:33:26,120 --> 00:33:30,120
Speaker 1: did believe that. So she tells him quote, I wish

571
00:33:30,200 --> 00:33:33,640
Speaker 1: that things were otherwise, my love. I understand your grief

572
00:33:33,680 --> 00:33:37,120
Speaker 1: and pain because I feel the same emotions. But now

573
00:33:37,160 --> 00:33:40,000
Speaker 1: that I am married, I no longer belong to myself,

574
00:33:40,280 --> 00:33:42,960
Speaker 1: and I cannot give you what belongs to my husband,

575
00:33:43,400 --> 00:33:47,120
Speaker 1: not even a kiss, which is I think kind of

576
00:33:47,120 --> 00:33:49,680
Speaker 1: a backwards way of looking at it. I think she

577
00:33:49,720 --> 00:33:51,840
Speaker 1: loves this guy, she can give him a kiss. That's

578
00:33:51,920 --> 00:33:56,080
Speaker 1: me though. Yeah, she's she got married under a different

579
00:33:56,080 --> 00:33:59,080
Speaker 1: set of rules, different set of vows. You and I did. Yeah,

580
00:34:00,120 --> 00:34:02,560
Speaker 1: as like we specifically said in our vows. And if

581
00:34:02,600 --> 00:34:04,720
Speaker 1: you're a long lost lover comes back in five years

582
00:34:04,720 --> 00:34:06,760
Speaker 1: and you want to give him a smooch, you can

583
00:34:06,800 --> 00:34:12,040
Speaker 1: do that. Go ahead, I do, I do. Yeah. I

584
00:34:12,040 --> 00:34:14,640
Speaker 1: think I think our grandparents were a little weirded out

585
00:34:14,640 --> 00:34:19,040
Speaker 1: by that that inclusion. Yeah, I thought modern couples, you know,

586
00:34:21,239 --> 00:34:23,520
Speaker 1: but you know it was at the end of the day,

587
00:34:23,520 --> 00:34:26,600
Speaker 1: it was just commitment. You know, she was committed to Rodrigo.

588
00:34:26,800 --> 00:34:31,240
Speaker 1: She she promised it, and her religion and her purity,

589
00:34:31,320 --> 00:34:33,799
Speaker 1: I guess yeah, and in herself. You know, she was like,

590
00:34:33,840 --> 00:34:36,960
Speaker 1: I made a choice to whatever degree I was capable

591
00:34:36,960 --> 00:34:40,480
Speaker 1: of making a choice, and I am committed to that choice. Well,

592
00:34:40,520 --> 00:34:43,879
Speaker 1: Diego was committed to his word too, because he loved

593
00:34:43,880 --> 00:34:45,680
Speaker 1: her too much to try and break her honor in

594
00:34:45,680 --> 00:34:49,279
Speaker 1: her vows. But when he turned to walk away, he

595
00:34:49,320 --> 00:34:55,160
Speaker 1: took two steps and then dropped to the floor dead.

596
00:34:55,320 --> 00:34:57,799
Speaker 1: He was right, if you don't kiss me, I will

597
00:34:57,920 --> 00:35:01,520
Speaker 1: die and we'll hear what was next for these lovers

598
00:35:01,600 --> 00:35:04,920
Speaker 1: and how this led to a Guinness World record setting

599
00:35:04,960 --> 00:35:13,240
Speaker 1: event right after this commercial break, Let's get back into

600
00:35:13,280 --> 00:35:17,440
Speaker 1: it all right now. Sadly, Diego had died right in

601
00:35:17,520 --> 00:35:21,439
Speaker 1: front of Isabelle of a broken heart. She cried out

602
00:35:21,440 --> 00:35:24,000
Speaker 1: in anguish and she rushed to his side, and from

603
00:35:24,000 --> 00:35:31,080
Speaker 1: the other room she heard Rodrigo kind of, what's going on, honey, Well,

604
00:35:31,120 --> 00:35:34,640
Speaker 1: what's up in there? Everything okay? And she ran into

605
00:35:34,680 --> 00:35:36,359
Speaker 1: the room before he had a chance to come out

606
00:35:36,360 --> 00:35:39,080
Speaker 1: and see Diego's body, and she wiped tears away from

607
00:35:39,080 --> 00:35:42,360
Speaker 1: her eyes, and she told him quote, I dreamed that

608
00:35:42,440 --> 00:35:45,839
Speaker 1: a young friend of mine had agreed to marry her lover.

609
00:35:46,280 --> 00:35:49,120
Speaker 1: And she went on to tell him basically her whole

610
00:35:49,239 --> 00:35:52,480
Speaker 1: story of her in Diego, except she said that it

611
00:35:52,520 --> 00:35:56,239
Speaker 1: was about my friend. You know, my my friend wanted

612
00:35:56,280 --> 00:35:58,880
Speaker 1: to marry this guy, and her dad told him five

613
00:35:59,000 --> 00:36:02,120
Speaker 1: years you know, yeah, and then my friend married this

614
00:36:02,160 --> 00:36:14,000
Speaker 1: guy named Rodrigo. Weird coincidence, DoD Dodrigo, Don Ricardo and um.

615
00:36:14,040 --> 00:36:16,320
Speaker 1: But of course, you know, she's heartbroken telling this story.

616
00:36:16,400 --> 00:36:19,799
Speaker 1: She's feeling all this incredible guilt. And she ended it

617
00:36:19,880 --> 00:36:23,239
Speaker 1: by saying, quote, he asked her to kiss him so

618
00:36:23,280 --> 00:36:26,480
Speaker 1: that he wouldn't die of grief, but she refused because

619
00:36:26,480 --> 00:36:29,640
Speaker 1: she felt it would not be right. And then he died.

620
00:36:30,440 --> 00:36:33,719
Speaker 1: That's why I was crying. Tell me, Rodrigo, do you

621
00:36:33,800 --> 00:36:37,440
Speaker 1: think she did the right thing? Well, Rodrigo, who was

622
00:36:37,480 --> 00:36:42,040
Speaker 1: apparently the dawn of not reading the room, uh, he

623
00:36:42,239 --> 00:36:45,960
Speaker 1: laughed at her and said, quote, well, she was silly

624
00:36:46,000 --> 00:36:48,720
Speaker 1: and prudish and overly cruel to the ones she loved

625
00:36:49,200 --> 00:36:51,520
Speaker 1: not to give him one kiss when he was alive

626
00:36:51,640 --> 00:36:54,239
Speaker 1: to save his life when she would kiss him a

627
00:36:54,360 --> 00:36:57,960
Speaker 1: thousand times in her mind after he died. Oh, so,

628
00:36:58,120 --> 00:37:02,759
Speaker 1: Rodrigo was like emotional, cheating, still cheating friend. Yeah, I

629
00:37:02,840 --> 00:37:05,279
Speaker 1: think he's just saying like that was so dumb. Why

630
00:37:05,280 --> 00:37:07,000
Speaker 1: didn't you just kiss him? You're gonna kiss him in

631
00:37:07,040 --> 00:37:09,879
Speaker 1: your head over and over again? Anyway, saved his life? Yeah,

632
00:37:10,280 --> 00:37:13,040
Speaker 1: give him the smooch. What's a big deal. What's a

633
00:37:13,080 --> 00:37:16,640
Speaker 1: smooch between tell your friend she was real stupid not

634
00:37:16,719 --> 00:37:21,799
Speaker 1: to do that and husband, chill the fun out of Yeah. Now.

635
00:37:21,880 --> 00:37:25,080
Speaker 1: Then she walked to Rodrigo outside the room and showed

636
00:37:25,160 --> 00:37:29,320
Speaker 1: him Diego's body and said, quote, I am not silly

637
00:37:29,360 --> 00:37:33,400
Speaker 1: and prudish woman, but I have kept my honor. And

638
00:37:33,480 --> 00:37:40,120
Speaker 1: Rodrigo is like, oh yeah, what I meant was you

639
00:37:40,239 --> 00:37:45,160
Speaker 1: did the right thing, loving wife, totally shouldn't have kissed

640
00:37:45,200 --> 00:37:48,200
Speaker 1: that guy. Lips belong to this guy and no one else.

641
00:37:48,280 --> 00:37:50,080
Speaker 1: I hope you're not kissed him in your mind a

642
00:37:50,120 --> 00:37:54,320
Speaker 1: thousand times. Now. They weren't sure what to do because

643
00:37:54,440 --> 00:37:57,160
Speaker 1: you know, they figured a dead ex boyfriends in your

644
00:37:57,200 --> 00:37:59,799
Speaker 1: bedroom on your wedding night. Not a good Oh yeah

645
00:38:00,120 --> 00:38:04,400
Speaker 1: that was really rough for us. Right again, our boyfriend.

646
00:38:04,520 --> 00:38:06,520
Speaker 1: I know, Yeah, I didn't know what to do with him.

647
00:38:06,640 --> 00:38:09,239
Speaker 1: You're like, I didn't even know you existed. So they

648
00:38:09,280 --> 00:38:12,279
Speaker 1: don't know what to do with this corpse that's lying

649
00:38:12,320 --> 00:38:15,480
Speaker 1: in their house, and Rodrigo decides the best course of

650
00:38:15,520 --> 00:38:18,640
Speaker 1: action is to carry the body across town and lay

651
00:38:18,719 --> 00:38:22,759
Speaker 1: him down on the doorstep of Diego's family's house. His

652
00:38:22,840 --> 00:38:25,440
Speaker 1: family found him the next morning. Of course, they're so

653
00:38:25,560 --> 00:38:29,160
Speaker 1: grief stricken. A funeral was set for the following day

654
00:38:29,200 --> 00:38:32,120
Speaker 1: at the church of San Pedro and tar Will, and

655
00:38:32,239 --> 00:38:35,160
Speaker 1: everyone turned out for this war hero who had fought

656
00:38:35,200 --> 00:38:39,320
Speaker 1: so hard for this big fortune. The Demarcilla family probably

657
00:38:39,320 --> 00:38:43,320
Speaker 1: back on top with all this inherited wealth, and Isabelle's family,

658
00:38:43,400 --> 00:38:46,720
Speaker 1: the de Saga's, being one of the leading families in town,

659
00:38:47,239 --> 00:38:50,320
Speaker 1: were also seated in the front row, and they're probably

660
00:38:50,360 --> 00:38:54,399
Speaker 1: getting some serious side I from Diego's family. Yeah, right,

661
00:38:54,640 --> 00:38:58,200
Speaker 1: he went off to war to impress you dead Papa Sia,

662
00:38:58,440 --> 00:39:00,440
Speaker 1: and he was gone for five years. We didn't have

663
00:39:00,520 --> 00:39:02,279
Speaker 1: him here, and now he shows up dead, like this

664
00:39:02,360 --> 00:39:06,960
Speaker 1: is your faults. Yeah, that's true. Yeah, And isabel was

665
00:39:07,120 --> 00:39:09,560
Speaker 1: right there in the front row with her family. She

666
00:39:09,640 --> 00:39:12,400
Speaker 1: had her black veil covering her tear streaked face as

667
00:39:12,440 --> 00:39:17,800
Speaker 1: she sat through this long Catholic ceremony, and then Marsh writes,

668
00:39:18,360 --> 00:39:21,680
Speaker 1: before anybody realized what she was doing, she walked up

669
00:39:21,719 --> 00:39:25,600
Speaker 1: to the open casket, threw back her veil, and kissed

670
00:39:25,719 --> 00:39:30,239
Speaker 1: Diego's dead lips so loudly that the sound echoed through

671
00:39:30,280 --> 00:39:35,120
Speaker 1: the cathedral and shocked the whole town. She wrapped her

672
00:39:35,200 --> 00:39:38,239
Speaker 1: arms around his body and held him tight, and her

673
00:39:38,280 --> 00:39:40,520
Speaker 1: parents got up and rushed up to the casket as well.

674
00:39:40,560 --> 00:39:42,600
Speaker 1: They're like, oh my god, this is so embarrassing. What

675
00:39:42,719 --> 00:39:45,439
Speaker 1: is she doing? And they tried to pull her off

676
00:39:45,480 --> 00:39:49,640
Speaker 1: of him, but as they did, Isabel's body went limp.

677
00:39:50,360 --> 00:39:56,280
Speaker 1: She was also dead, and Marsh points out it's common

678
00:39:56,400 --> 00:39:59,359
Speaker 1: for accounts of this story to say that Isabel died

679
00:39:59,440 --> 00:40:02,799
Speaker 1: from green, but he cites one version that was found

680
00:40:02,800 --> 00:40:05,600
Speaker 1: in the archives of the San Pedro Church in eighteen

681
00:40:05,600 --> 00:40:08,239
Speaker 1: o six, which says that in her mind, as she

682
00:40:08,320 --> 00:40:12,600
Speaker 1: walked to Diego's coffin, she thought to herself, quote, I

683
00:40:12,640 --> 00:40:16,600
Speaker 1: will live no longer. I will follow your example and

684
00:40:16,719 --> 00:40:20,840
Speaker 1: die husband, for you deserve that name. More. I consider

685
00:40:20,880 --> 00:40:23,200
Speaker 1: the devotion you showed me to be a packed until

686
00:40:23,280 --> 00:40:26,200
Speaker 1: your death and I want to repay that with my death,

687
00:40:26,560 --> 00:40:29,200
Speaker 1: so that fame will make us one in the tomb.

688
00:40:30,000 --> 00:40:33,759
Speaker 1: If poison and dagger fail me, grief will suffice to

689
00:40:33,800 --> 00:40:36,759
Speaker 1: give me a sure death. You will see me within

690
00:40:36,800 --> 00:40:39,480
Speaker 1: an hour, and I will be very happy if one

691
00:40:39,640 --> 00:40:43,400
Speaker 1: gravestone will cover us both, for our souls burn with

692
00:40:43,440 --> 00:40:48,400
Speaker 1: a pure and chaste love. So that version is much

693
00:40:48,480 --> 00:40:51,239
Speaker 1: more Romeo and Juliet, I mean straight up poison and

694
00:40:51,320 --> 00:40:56,400
Speaker 1: a dagger in her head at least um, So that

695
00:40:56,480 --> 00:40:59,160
Speaker 1: kind of suggests that she poisoned herself before she went

696
00:40:59,280 --> 00:41:01,680
Speaker 1: up there, and you was like letting the poison do

697
00:41:01,719 --> 00:41:05,360
Speaker 1: its work them on lips and boom, now we're together

698
00:41:05,600 --> 00:41:08,320
Speaker 1: forever in paradise. These people in these stories are always

699
00:41:08,840 --> 00:41:12,839
Speaker 1: very confident about the timing that poison will take. You know.

700
00:41:13,000 --> 00:41:14,960
Speaker 1: It's like I will go, I will take the poison

701
00:41:15,080 --> 00:41:19,760
Speaker 1: precisely thirty six seconds before I'm where I want to die,

702
00:41:19,880 --> 00:41:22,680
Speaker 1: and then I will die quickly, quietly and peacefully, which

703
00:41:22,800 --> 00:41:26,160
Speaker 1: I don't think any poisons do that. Like where's the

704
00:41:26,200 --> 00:41:31,279
Speaker 1: foaming at the map for all the vomiting? Right? Some

705
00:41:31,360 --> 00:41:33,920
Speaker 1: of these this fairy tale poison I'm like when I

706
00:41:34,160 --> 00:41:38,960
Speaker 1: when it's time for me, give me that ship, tasteless, odorless,

707
00:41:39,040 --> 00:41:41,279
Speaker 1: and you're just get dead without ever knowing about it,

708
00:41:41,560 --> 00:41:47,840
Speaker 1: quietly instantly. Wow, only a fool would choose the class

709
00:41:47,880 --> 00:41:52,520
Speaker 1: in front of me. Well, the families were so moved

710
00:41:52,640 --> 00:41:55,400
Speaker 1: by her gesture and the love that they clearly shared

711
00:41:55,440 --> 00:41:58,840
Speaker 1: for each other, And Rodrigo in fact told them everything

712
00:41:58,880 --> 00:42:01,480
Speaker 1: that she had relaid to him about their story and

713
00:42:01,480 --> 00:42:05,400
Speaker 1: their love for each other. So all of them, both families,

714
00:42:05,640 --> 00:42:09,720
Speaker 1: even Rodrigo, agreed that these two should be buried together,

715
00:42:10,320 --> 00:42:13,080
Speaker 1: and in the church ground that year of twelve seventeen,

716
00:42:13,480 --> 00:42:18,120
Speaker 1: they were buried side by side to rest together for eternity. Well,

717
00:42:18,160 --> 00:42:20,960
Speaker 1: I hope Papa Sagara felt like a real dumbass, because

718
00:42:21,320 --> 00:42:24,200
Speaker 1: if you had just let her wait, Yes, she would

719
00:42:24,239 --> 00:42:26,960
Speaker 1: have a he would have an alive daughter who was

720
00:42:27,000 --> 00:42:29,520
Speaker 1: happy and in love with her husband, who was a

721
00:42:29,640 --> 00:42:32,400
Speaker 1: rich man. So when everything he wanted he would just

722
00:42:32,400 --> 00:42:35,440
Speaker 1: have to deal with like the father every one year

723
00:42:35,520 --> 00:42:39,319
Speaker 1: at a family reunion or something like what's the deal. Yeah, Well,

724
00:42:39,360 --> 00:42:42,279
Speaker 1: you know this is where our prejudices blind us to

725
00:42:42,440 --> 00:42:45,000
Speaker 1: our best choices. Yeah, you know that's true. There you go,

726
00:42:45,120 --> 00:42:49,279
Speaker 1: that's your moral Yeah story, take that with you, I

727
00:42:49,280 --> 00:42:55,160
Speaker 1: don't know. Well, the story became legend, legend became myth,

728
00:42:56,320 --> 00:42:58,719
Speaker 1: and for five and a half thousand years, the ring

729
00:42:58,840 --> 00:43:02,960
Speaker 1: poisoned his I'm in the wrong story legend became myth,

730
00:43:03,000 --> 00:43:05,840
Speaker 1: and for over two hundred and fifty years it was

731
00:43:05,920 --> 00:43:10,200
Speaker 1: just an oral history passed down across Spain. But in

732
00:43:10,239 --> 00:43:14,080
Speaker 1: the year fifteen seventy eight, so yeah, like two or

733
00:43:14,080 --> 00:43:17,320
Speaker 1: fifty years later, but a long time ago still. According

734
00:43:17,320 --> 00:43:21,439
Speaker 1: to an article on medieval dot EU, two mummies were

735
00:43:21,480 --> 00:43:24,600
Speaker 1: exhumed from beside the church, and this article says they

736
00:43:24,640 --> 00:43:28,800
Speaker 1: were proven at the time to be these star crossed lovers,

737
00:43:30,040 --> 00:43:34,200
Speaker 1: But the website points out quote the notary, who had

738
00:43:34,239 --> 00:43:38,080
Speaker 1: also written about these lovers years before, simply claimed that

739
00:43:38,160 --> 00:43:41,600
Speaker 1: he found documents witnessing to the fact that the two

740
00:43:41,640 --> 00:43:44,920
Speaker 1: mummies were the faded lovers. It's kind of like, well,

741
00:43:45,760 --> 00:43:48,600
Speaker 1: I found a thing that said that, something said that

742
00:43:48,719 --> 00:43:50,680
Speaker 1: something that said that something said that these were the

743
00:43:50,719 --> 00:43:55,160
Speaker 1: two from the story. And yeah, and he's already writing

744
00:43:55,160 --> 00:43:57,040
Speaker 1: about them, so he's already kind of got an ant

745
00:43:57,160 --> 00:43:59,280
Speaker 1: like he's already interested in this story and probably wanted

746
00:43:59,360 --> 00:44:01,960
Speaker 1: to find them. Well, yeah, it makes more people want

747
00:44:01,960 --> 00:44:04,440
Speaker 1: to buy his version because he's got like a a

748
00:44:04,560 --> 00:44:08,239
Speaker 1: personal connection and stuff. Yeah right, and so we can

749
00:44:08,320 --> 00:44:12,280
Speaker 1: suspect that this was not actually proven at all, despite

750
00:44:12,320 --> 00:44:16,960
Speaker 1: him saying it was. And unfortunately science did poop this

751
00:44:17,040 --> 00:44:22,160
Speaker 1: party anyway, because very recently DNA studies showed that these

752
00:44:22,200 --> 00:44:25,400
Speaker 1: bodies were from the fourteen not the thirteenth century, and

753
00:44:25,480 --> 00:44:29,239
Speaker 1: not only that they were actually two males. Oh but

754
00:44:29,400 --> 00:44:32,400
Speaker 1: at the time, the mummies were a big cultural hit

755
00:44:32,960 --> 00:44:35,960
Speaker 1: because people believed, you know, who they were, and a

756
00:44:36,080 --> 00:44:39,040
Speaker 1: play was written about the lovers just fifteen years after

757
00:44:39,080 --> 00:44:43,760
Speaker 1: the bodies were exhumed, called Los Amantes, and the bodies

758
00:44:43,800 --> 00:44:46,640
Speaker 1: were exhibited in the eighteen sixties. Oh, people love that

759
00:44:46,680 --> 00:44:50,840
Speaker 1: stuff in the eighteen sixties. Yeah, we have a bodies

760
00:44:50,880 --> 00:44:55,040
Speaker 1: exhibit that people love it. Today people still love bodies,

761
00:44:55,120 --> 00:45:02,480
Speaker 1: So quit Hayden on the past. Now, operas, plays, songs,

762
00:45:02,600 --> 00:45:04,920
Speaker 1: and movies have been made out of their story. I

763
00:45:04,960 --> 00:45:07,040
Speaker 1: kind of wonder if Shakespeare and maybe heard a little

764
00:45:07,080 --> 00:45:09,640
Speaker 1: bit of this, and that's what inspired from a Romeo

765
00:45:09,680 --> 00:45:13,799
Speaker 1: and Juliet. I don't know that speculation station Shakespeare heard it.

766
00:45:13,880 --> 00:45:15,800
Speaker 1: He subliminate this damn mage. A little money of that

767
00:45:17,560 --> 00:45:22,120
Speaker 1: real broke today. Um and just because these mummies were

768
00:45:22,160 --> 00:45:25,600
Speaker 1: not their bodies, that doesn't really quite answer whether or

769
00:45:25,640 --> 00:45:29,680
Speaker 1: not their story is true. Um, because you know, obviously

770
00:45:29,719 --> 00:45:32,560
Speaker 1: similar stories have been told for centuries, but this one

771
00:45:32,680 --> 00:45:36,360
Speaker 1: might be the earliest version. James Missioner said in his

772
00:45:36,440 --> 00:45:41,200
Speaker 1: ninety eight book Iberia that the Italian author Giovanni Boccaccio

773
00:45:41,640 --> 00:45:45,120
Speaker 1: told practically the same story in thirteen fifty three about

774
00:45:45,120 --> 00:45:47,839
Speaker 1: two Italian lovers. Okay, so this would have been like

775
00:45:48,440 --> 00:45:51,719
Speaker 1: a hundred years after their story, so still way before

776
00:45:51,760 --> 00:45:54,120
Speaker 1: the bodies were dug up or anything. So early days

777
00:45:54,160 --> 00:45:57,920
Speaker 1: of this story, all right, Yeah, except that Boccaccio's version

778
00:45:58,080 --> 00:46:03,919
Speaker 1: had quote considerable, alacious and amusing materials, And he goes

779
00:46:03,960 --> 00:46:06,400
Speaker 1: on to argue that the erotic version of the story

780
00:46:06,680 --> 00:46:11,120
Speaker 1: probably came second because quote, it is difficult to find

781
00:46:11,160 --> 00:46:14,600
Speaker 1: instances in which popular taste borrowed an erotic tale from

782
00:46:14,600 --> 00:46:18,320
Speaker 1: a professional writer and retold it with the erotic elements missing.

783
00:46:19,560 --> 00:46:24,000
Speaker 1: Missioner gets fan thick. Okay, yeah, like they always add

784
00:46:24,000 --> 00:46:26,600
Speaker 1: more sex in their versions that ever was in the

785
00:46:26,640 --> 00:46:30,000
Speaker 1: original property. No one's going to take a famous author's

786
00:46:30,120 --> 00:46:33,480
Speaker 1: version of a very X rated story and say, let

787
00:46:33,480 --> 00:46:36,640
Speaker 1: me write a PG version of it. Like boring, who tears.

788
00:46:36,680 --> 00:46:39,600
Speaker 1: I'm just going to read the raunchy one exactly. You

789
00:46:39,640 --> 00:46:41,160
Speaker 1: would do it the other way around, you would do

790
00:46:41,160 --> 00:46:43,440
Speaker 1: it the other way. So it's more likely that he

791
00:46:43,480 --> 00:46:47,400
Speaker 1: took the original story and added selecious sexy stuff instead

792
00:46:47,400 --> 00:46:50,239
Speaker 1: of somebody taking his sexy story and taking all the

793
00:46:50,239 --> 00:46:57,120
Speaker 1: goods squeezing all the juice out of my story. Not regardless,

794
00:46:57,440 --> 00:47:00,520
Speaker 1: this legend is a huge part of the altar of

795
00:47:00,520 --> 00:47:04,360
Speaker 1: the city of ter Well today. In nineteen five, artists

796
00:47:04,400 --> 00:47:09,480
Speaker 1: one to Avelos sculpted two gorgeous tombs for the lovers. Uh,

797
00:47:09,520 --> 00:47:12,520
Speaker 1: they have their you know. It's it's like two tombs,

798
00:47:12,520 --> 00:47:15,680
Speaker 1: two stone tombs, and the lid at the top of

799
00:47:15,719 --> 00:47:20,040
Speaker 1: them is relief sculpture of two bodies, you know, his

800
00:47:20,239 --> 00:47:22,560
Speaker 1: and hers, and they're next to each other and they're

801
00:47:22,600 --> 00:47:26,480
Speaker 1: reaching out their hands. Uh they're not touching there. That's

802
00:47:26,520 --> 00:47:29,919
Speaker 1: coming so close, but their hands just aren't touching. And

803
00:47:30,000 --> 00:47:32,280
Speaker 1: he says that that was supposed to represent the purity

804
00:47:32,440 --> 00:47:35,200
Speaker 1: of their love. I think to me, it really represents

805
00:47:35,360 --> 00:47:38,040
Speaker 1: that they came so close and never really got there.

806
00:47:38,680 --> 00:47:41,080
Speaker 1: It's very very tragic. It's also reminding me of a

807
00:47:41,160 --> 00:47:44,879
Speaker 1: niesta Castro and Peter because when they died, he had

808
00:47:44,920 --> 00:47:48,799
Speaker 1: their tombs facing each other, that when they arose and

809
00:47:49,000 --> 00:47:51,680
Speaker 1: you know, the last judgment, they would rise facing each other.

810
00:47:51,640 --> 00:47:54,320
Speaker 1: Oh yeah, that's right. And then throughout the late nineties

811
00:47:54,320 --> 00:47:57,320
Speaker 1: and the early two thousands, the city of Trewell worked

812
00:47:57,400 --> 00:48:00,000
Speaker 1: on a wide tourism campaign with the lovers, sort of

813
00:48:00,360 --> 00:48:03,680
Speaker 1: centering their strategy around this concept of Europe and love.

814
00:48:04,040 --> 00:48:06,319
Speaker 1: So it was this whole like tourism strategy and it

815
00:48:06,360 --> 00:48:10,680
Speaker 1: linked t well with cities like Verona in Italy, Kroshno

816
00:48:10,840 --> 00:48:14,400
Speaker 1: in Poland, herac Leon in Greece and others as all

817
00:48:14,480 --> 00:48:17,400
Speaker 1: these like romance cities like this is these are the

818
00:48:17,440 --> 00:48:20,920
Speaker 1: origins of love. You know this big famous love stories

819
00:48:20,960 --> 00:48:23,799
Speaker 1: happening here. Let us find all those cities can do

820
00:48:23,880 --> 00:48:28,440
Speaker 1: a ridiculous romance Okay, okay, Let's contact the European Union

821
00:48:28,480 --> 00:48:31,759
Speaker 1: because they're working on this altruism campaign right now. And

822
00:48:32,200 --> 00:48:34,120
Speaker 1: if anybody over there works for the EU and wants

823
00:48:34,120 --> 00:48:38,440
Speaker 1: to call us about doing a romance tour, please call us.

824
00:48:38,760 --> 00:48:42,880
Speaker 1: We're ready, bags are packed. Please. And in two thousand

825
00:48:43,000 --> 00:48:46,480
Speaker 1: five they sort of rebuilt the mausoleum around these tombs

826
00:48:46,480 --> 00:48:49,719
Speaker 1: in this Church San Pedro, and so you can go

827
00:48:49,800 --> 00:48:52,560
Speaker 1: see them. It's supposed to be really beautiful. I can't

828
00:48:52,560 --> 00:48:55,719
Speaker 1: wait to go. These tombs are really lovely. If you look,

829
00:48:55,760 --> 00:48:58,560
Speaker 1: you can see some pictures of them. And then, in

830
00:49:00,800 --> 00:49:05,800
Speaker 1: celebrating the eight hundredth anniversary of the Lovers, the city

831
00:49:05,840 --> 00:49:09,600
Speaker 1: of turn Well held an event which set a Guinness

832
00:49:09,840 --> 00:49:16,800
Speaker 1: World Record. And this record was for the longest kissing

833
00:49:17,120 --> 00:49:22,839
Speaker 1: relay kissing kissing relay. And I guess it's because they

834
00:49:22,880 --> 00:49:25,840
Speaker 1: never got to kiss. So let's let's set up a

835
00:49:25,920 --> 00:49:29,200
Speaker 1: kiss chain in their honor. We can all kiss each

836
00:49:29,200 --> 00:49:32,839
Speaker 1: other now. The details here are murky. I can't find

837
00:49:32,840 --> 00:49:35,160
Speaker 1: exactly how it worked, and there's not a ton of

838
00:49:35,320 --> 00:49:38,759
Speaker 1: documentation of this thing. The Guinness World Record site just

839
00:49:38,840 --> 00:49:41,920
Speaker 1: says that it happened. They just say it was a relay.

840
00:49:42,040 --> 00:49:44,360
Speaker 1: There was one thousand and fifteen people that gathered in

841
00:49:44,400 --> 00:49:47,680
Speaker 1: the city of turn Well for a kissing relay. That's

842
00:49:47,680 --> 00:49:49,799
Speaker 1: all they say. I feel like they should have some

843
00:49:49,840 --> 00:49:54,239
Speaker 1: more video it was come on because I'm thinking it's

844
00:49:54,239 --> 00:49:58,840
Speaker 1: a relay. So you kiss someone kisses you on your left,

845
00:49:59,160 --> 00:50:01,000
Speaker 1: and you turn your head and you kissed the person

846
00:50:01,000 --> 00:50:04,040
Speaker 1: on your right. They turn their head, kiss, kis kiss kiss,

847
00:50:04,239 --> 00:50:08,200
Speaker 1: kiss all around in a big circle, right right. And

848
00:50:08,239 --> 00:50:13,600
Speaker 1: if that's the case, probably the birthplace of the predecessor

849
00:50:13,640 --> 00:50:19,640
Speaker 1: of COVID. My god, that sounds like people saying random folks.

850
00:50:19,840 --> 00:50:24,879
Speaker 1: The one thousand person in that line is getting everything

851
00:50:25,080 --> 00:50:28,279
Speaker 1: everyone in that line had before them. They went home

852
00:50:28,280 --> 00:50:34,960
Speaker 1: and they were like, I suddenly have herpes, hepatitis, lupus.

853
00:50:37,440 --> 00:50:40,360
Speaker 1: I don't know. Well think Spain dot com writes a

854
00:50:40,400 --> 00:50:44,080
Speaker 1: little bit more about it, and they say that this

855
00:50:44,200 --> 00:50:46,480
Speaker 1: was just a place where all these couples got together

856
00:50:46,520 --> 00:50:51,399
Speaker 1: and kissed simultaneously. But I don't know if I buy

857
00:50:51,400 --> 00:50:53,359
Speaker 1: that now. They say it was all couples. Everyone could

858
00:50:53,360 --> 00:50:55,440
Speaker 1: show up. It could be same sex couples, could be

859
00:50:55,480 --> 00:50:58,839
Speaker 1: hetero copples, could be any pairs of people get up

860
00:50:58,880 --> 00:51:01,560
Speaker 1: and kiss simultane lely, and that's how the record was set.

861
00:51:02,080 --> 00:51:08,000
Speaker 1: But I'm thinking relay means relay, right, And Plus there

862
00:51:08,040 --> 00:51:11,080
Speaker 1: are other records for the most people kissing in one

863
00:51:11,120 --> 00:51:16,240
Speaker 1: place from yeah, oh, also a thousand and fifteen people

864
00:51:16,880 --> 00:51:20,600
Speaker 1: that split the couples. Yeah, unless the throat showed up, yeah,

865
00:51:20,719 --> 00:51:23,760
Speaker 1: or one dude just kissing himself. He kissed his hands.

866
00:51:25,520 --> 00:51:27,840
Speaker 1: He's like I came here hoping someone a kissed me.

867
00:51:27,880 --> 00:51:32,440
Speaker 1: But I'm thinking one thousand and fifteen people got in

868
00:51:32,480 --> 00:51:35,040
Speaker 1: a line. Maybe they made a cool like spiral out

869
00:51:35,040 --> 00:51:38,239
Speaker 1: of it or something. That's what I would do. Can

870
00:51:38,239 --> 00:51:41,800
Speaker 1: call me this out the next one. I will happily

871
00:51:41,840 --> 00:51:45,000
Speaker 1: be the first person in that line, but not the last. Okay,

872
00:51:45,520 --> 00:51:49,160
Speaker 1: not the last, or honestly anywhere in the middle. Number one,

873
00:51:49,680 --> 00:51:52,719
Speaker 1: number one, or nothing, human centipede. If I maybe have

874
00:51:52,800 --> 00:51:55,040
Speaker 1: to be in want to be on the front, I

875
00:51:55,040 --> 00:51:57,760
Speaker 1: would take number two so I could kiss two people. Okay,

876
00:51:58,000 --> 00:52:00,960
Speaker 1: but that's it. I'm not going any further than number two. Okay,

877
00:52:01,000 --> 00:52:05,640
Speaker 1: and I get to pick numbers one and three. You've

878
00:52:05,640 --> 00:52:09,040
Speaker 1: got a lot of stipulations here. Yeah, call me you,

879
00:52:10,760 --> 00:52:15,959
Speaker 1: yes exactly, I'm ready. I'm ready. Oh my goodness. Yeah.

880
00:52:16,040 --> 00:52:19,120
Speaker 1: But you know, it's a nice little, uh homage to

881
00:52:19,200 --> 00:52:22,000
Speaker 1: their story in an era before we were worried about

882
00:52:22,280 --> 00:52:26,040
Speaker 1: contagions so desperately. Also really makes more sense because they

883
00:52:26,080 --> 00:52:28,640
Speaker 1: did never get to really kiss each other except in

884
00:52:28,719 --> 00:52:32,680
Speaker 1: death or in his death, like passing a kiss along,

885
00:52:32,719 --> 00:52:35,480
Speaker 1: but you never really get a kiss the one person

886
00:52:35,520 --> 00:52:39,120
Speaker 1: you want kiss. Maybe I don't know, maybe the last

887
00:52:39,160 --> 00:52:43,280
Speaker 1: person in the line had to go like kiss the

888
00:52:43,360 --> 00:52:48,200
Speaker 1: kiss the ghosts of Isabelle and Diego or the carried

889
00:52:48,239 --> 00:52:51,120
Speaker 1: the kiss to them or something. I don't know. That's

890
00:52:51,239 --> 00:52:56,239
Speaker 1: very interesting, um choice for a world record to make.

891
00:52:57,719 --> 00:53:00,080
Speaker 1: I'm assuming there was no record for them to break.

892
00:53:01,120 --> 00:53:04,640
Speaker 1: I don't know. Maybe there was, well I think spain

893
00:53:04,680 --> 00:53:07,160
Speaker 1: dot com says there was, but they are referring to

894
00:53:07,200 --> 00:53:09,080
Speaker 1: a group of couples who all got together and kissed

895
00:53:09,080 --> 00:53:11,240
Speaker 1: in the same place, and that is a whole separate record,

896
00:53:11,840 --> 00:53:13,560
Speaker 1: So I don't know that there was. You know, the

897
00:53:13,560 --> 00:53:15,880
Speaker 1: Guinness site does not say that they broke a record

898
00:53:16,000 --> 00:53:19,560
Speaker 1: or that one has been broken since because who who

899
00:53:19,560 --> 00:53:22,000
Speaker 1: in the year would line up a thousand people and

900
00:53:22,000 --> 00:53:25,719
Speaker 1: have them all kiss each other? The super spread er O.

901
00:53:25,800 --> 00:53:28,560
Speaker 1: Then we're going to need to forget a lot before

902
00:53:28,600 --> 00:53:32,200
Speaker 1: that can happen again. You're right, And when it does,

903
00:53:32,320 --> 00:53:35,480
Speaker 1: I will be second in line. When I forget all

904
00:53:35,480 --> 00:53:39,280
Speaker 1: this ship, I'll be second in line. Oh my god,

905
00:53:41,040 --> 00:53:42,560
Speaker 1: I don't know if I could, if I could do

906
00:53:42,600 --> 00:53:45,279
Speaker 1: that kissing relay, but also I will not allow a

907
00:53:45,320 --> 00:53:49,080
Speaker 1: kissing relay at ridic coon. Yeah, we can't do that,

908
00:53:49,200 --> 00:53:53,640
Speaker 1: not this year, not any year. A year. Look, what

909
00:53:53,719 --> 00:53:56,520
Speaker 1: happens inside the hotel rooms at ridic Con is none

910
00:53:56,560 --> 00:53:59,320
Speaker 1: of our business. My business, but make it my business.

911
00:53:59,360 --> 00:54:02,479
Speaker 1: Go ahead, shoot me an even, let me know which

912
00:54:02,520 --> 00:54:06,359
Speaker 1: the room number, just in case I'm interested. Diana won't come,

913
00:54:06,400 --> 00:54:10,600
Speaker 1: But yeah, probably not. It depends on the mood I

914
00:54:10,640 --> 00:54:13,400
Speaker 1: guess of the day. Hey, can I go? Maybe it

915
00:54:13,440 --> 00:54:15,600
Speaker 1: depends on my mood. Oh, I got you, I got you.

916
00:54:15,880 --> 00:54:21,000
Speaker 1: Pretty capricious about these things. Sometimes I'm like, sure, whatever,

917
00:54:21,120 --> 00:54:23,000
Speaker 1: what do I care? And then other times I'm like,

918
00:54:23,040 --> 00:54:26,239
Speaker 1: I feel jealous. Yeah, same, I feel in the same way.

919
00:54:27,040 --> 00:54:29,560
Speaker 1: That's interesting for polyamorous people. I wonder if they have

920
00:54:29,640 --> 00:54:31,239
Speaker 1: that too, or they're like some days they're like, I

921
00:54:31,280 --> 00:54:33,520
Speaker 1: just feel jealous today. I don't know why, but I'm

922
00:54:33,520 --> 00:54:36,640
Speaker 1: just feeling it normally don't care, but it's just getting

923
00:54:36,640 --> 00:54:38,439
Speaker 1: to me. Or if they're just like I just don't

924
00:54:38,480 --> 00:54:40,800
Speaker 1: feel that at all. I'm sure it's both. It's probably

925
00:54:40,840 --> 00:54:44,600
Speaker 1: both anyway polyamorous, let me know. So, Yeah, this is

926
00:54:44,640 --> 00:54:48,200
Speaker 1: such an interesting like Romeo and Juliet Fable, I hate

927
00:54:48,239 --> 00:54:53,279
Speaker 1: Papa Sagura, are Mary the guys she likes Godsake? You know,

928
00:54:53,360 --> 00:54:56,160
Speaker 1: I kind of feel bad for Rodrigo though, Oh for sure.

929
00:54:56,239 --> 00:54:58,240
Speaker 1: I guess he was like, cool, I got a wife,

930
00:54:58,239 --> 00:55:01,160
Speaker 1: Oh we're not having sex. Well to borrows another day

931
00:55:01,320 --> 00:55:04,000
Speaker 1: and then she's the next day. Rodrigo's like the most

932
00:55:04,040 --> 00:55:07,640
Speaker 1: passive and pleasant character in this story. Like, Diego is

933
00:55:07,680 --> 00:55:12,520
Speaker 1: worse than Rodrigo. Absolutely right. I wonder if Isabella had

934
00:55:12,560 --> 00:55:15,440
Speaker 1: time to think, like, actually, Rodrigo is okay. I like Rodrigo,

935
00:55:15,719 --> 00:55:18,840
Speaker 1: you go straight up with a chance. Yeah right. Diego

936
00:55:18,880 --> 00:55:20,879
Speaker 1: was straight up like if you don't kiss me, I'll die.

937
00:55:21,000 --> 00:55:22,279
Speaker 1: And then she didn't kiss him, and he was like,

938
00:55:22,360 --> 00:55:26,440
Speaker 1: I'll show her. I'm going to actually die. Damn. I

939
00:55:26,480 --> 00:55:29,560
Speaker 1: wonder what really I mean. I guess you can really

940
00:55:29,600 --> 00:55:32,360
Speaker 1: die from a heartbreak, but it feels like an automatic

941
00:55:32,440 --> 00:55:35,080
Speaker 1: death from heartbreak is a little bit unusual. Did he

942
00:55:35,120 --> 00:55:38,040
Speaker 1: already have like the plague or something? You know? I

943
00:55:38,080 --> 00:55:40,160
Speaker 1: don't know. In the image of my head, it's like

944
00:55:40,200 --> 00:55:42,920
Speaker 1: the end of kill Bill when he just walks away

945
00:55:43,000 --> 00:55:49,200
Speaker 1: and just falls down. Yeah, spoiler alert for that fourteen

946
00:55:49,239 --> 00:55:53,759
Speaker 1: year old mon Yes, sorry everyone, we ruined it. Um,

947
00:55:53,800 --> 00:55:56,320
Speaker 1: I hope you loved it. Yeah, if you're fascinating, I

948
00:55:56,320 --> 00:55:58,640
Speaker 1: hope this is the first time you've heard this story. Um,

949
00:55:58,960 --> 00:56:03,120
Speaker 1: it's definitely there's a lot of uh summaries of this

950
00:56:03,239 --> 00:56:05,279
Speaker 1: legend out there, but the Richard marsh One seemed to

951
00:56:05,320 --> 00:56:09,479
Speaker 1: be the most comprehensive version of the story. Um so yeah,

952
00:56:09,480 --> 00:56:12,960
Speaker 1: but it was. It's pretty cool little tale about some

953
00:56:13,360 --> 00:56:17,040
Speaker 1: stock cost lovers. And then I love seeing how these legends,

954
00:56:17,040 --> 00:56:21,040
Speaker 1: whether or not they were true, impact culture, you know,

955
00:56:21,120 --> 00:56:25,759
Speaker 1: for centuries, for hundreds thousands of years. One day, you know,

956
00:56:25,800 --> 00:56:29,440
Speaker 1: in the year thirty fifty six. Uh, they'll be celebrating

957
00:56:29,440 --> 00:56:32,480
Speaker 1: this in tar Well and everyone will be like, you know,

958
00:56:33,520 --> 00:56:35,920
Speaker 1: back in the day, there was this pretty cool podcast,

959
00:56:36,560 --> 00:56:39,480
Speaker 1: let's talk about this legend. Let's use our let's use

960
00:56:39,520 --> 00:56:44,239
Speaker 1: our resurrection ray guns to bring them back. And then

961
00:56:44,320 --> 00:56:46,080
Speaker 1: we'll come We'll be like, oh, what are we doing here,

962
00:56:46,080 --> 00:56:49,800
Speaker 1: and they'll say, welcome to the future. Well, it's our present,

963
00:56:50,239 --> 00:56:54,560
Speaker 1: but we assume it's your future. Um, we have free

964
00:56:55,080 --> 00:57:00,400
Speaker 1: everybody gets free WiFi and healthcare still sucks, but now

965
00:57:00,440 --> 00:57:04,640
Speaker 1: here in Spain, only only where you're from, and we've

966
00:57:04,640 --> 00:57:07,560
Speaker 1: resurrected you so you can get back to work. Yeah.

967
00:57:08,800 --> 00:57:12,719
Speaker 1: I don't like darn start podcasting. We died to get

968
00:57:12,719 --> 00:57:17,560
Speaker 1: out of this love this show could be like, podcasts

969
00:57:17,560 --> 00:57:22,480
Speaker 1: are the center of our society, and we worship podcasters.

970
00:57:24,960 --> 00:57:29,520
Speaker 1: Take the honorable first and second position in our kissing relay.

971
00:57:30,200 --> 00:57:33,360
Speaker 1: We have eradicated all disease. So I'll be first, I'll

972
00:57:33,400 --> 00:57:35,439
Speaker 1: kiss you, and then you can kiss someone else. Yeah,

973
00:57:35,880 --> 00:57:38,640
Speaker 1: they'll be like, and number two for number three in

974
00:57:38,680 --> 00:57:42,160
Speaker 1: the line we've resurrected the entire cast of the Avengers.

975
00:57:42,520 --> 00:57:45,360
Speaker 1: I'll be like, this is great. I love this future.

976
00:57:46,440 --> 00:57:49,760
Speaker 1: This future is amazing. Would you have to start with

977
00:57:49,880 --> 00:57:52,560
Speaker 1: Robert Downey Jr. Look if I had to kiss the

978
00:57:52,640 --> 00:57:54,760
Speaker 1: entire cast of the Avengers, I probably would start with

979
00:57:54,880 --> 00:57:57,760
Speaker 1: Robert Downey Jr. To be like, we'd have a like,

980
00:57:59,000 --> 00:58:00,200
Speaker 1: we have to get this out of the way, right,

981
00:58:00,240 --> 00:58:01,560
Speaker 1: And he was like, yeah, I get it all right.

982
00:58:02,960 --> 00:58:10,439
Speaker 1: Uh Scar Joe, where are you? Lupisa? Is Lupiza here? Lupita? Yeah?

983
00:58:10,920 --> 00:58:16,040
Speaker 1: Deny anyway, Deny any? Chris any, Chris any? Chris fine,

984
00:58:16,120 --> 00:58:19,400
Speaker 1: Chris are fine? I guess I have my my my

985
00:58:19,440 --> 00:58:22,360
Speaker 1: preferred Chris is Chris Evans would probably give you a

986
00:58:22,440 --> 00:58:25,760
Speaker 1: nice romantic kiss. I feel like I'm gonna make it,

987
00:58:25,920 --> 00:58:27,840
Speaker 1: you know, Chris Evans, I'm gonna give you your money

988
00:58:27,920 --> 00:58:30,320
Speaker 1: is where the thing is. I bet Chris Evans gives

989
00:58:30,360 --> 00:58:32,800
Speaker 1: a great hug. I bet he does give great hug.

990
00:58:33,080 --> 00:58:35,160
Speaker 1: I could totally see that, especially was wearing that cable

991
00:58:35,240 --> 00:58:38,560
Speaker 1: net from knives out. What happened? Where are we? What

992
00:58:38,600 --> 00:58:40,440
Speaker 1: are we talking about? I don't know. We're trying to

993
00:58:40,480 --> 00:58:42,600
Speaker 1: end the show. That's what we're trying to do. We

994
00:58:42,680 --> 00:58:46,360
Speaker 1: gotta get out. Bail, bail, bail, get me out of here.

995
00:58:47,200 --> 00:58:52,360
Speaker 1: We're going down with the aventures again. Okay, no, we're

996
00:58:52,400 --> 00:58:55,240
Speaker 1: done with the story. That's amazing, fable. Tell us what

997
00:58:55,320 --> 00:58:57,240
Speaker 1: you thought, Yeah, tell us what you thought about this

998
00:58:57,440 --> 00:58:59,880
Speaker 1: or what where you'd like to be in that tho

999
00:59:00,120 --> 00:59:03,840
Speaker 1: in person kissing me like, tell us your numbers. We'll

1000
00:59:03,880 --> 00:59:05,800
Speaker 1: set everyone a number. We'll line them up at Ridiculous.

1001
00:59:05,960 --> 00:59:09,440
Speaker 1: All worked out. As long as I'm first and elive second,

1002
00:59:09,560 --> 00:59:14,120
Speaker 1: it's fine. Um yeah, you can find us, um yeah,

1003
00:59:14,160 --> 00:59:17,400
Speaker 1: you can email us at ridic Romance at gmail dot com. Yes,

1004
00:59:17,560 --> 00:59:20,200
Speaker 1: find us on Twitter and Instagram. I'm at Oh great,

1005
00:59:20,320 --> 00:59:23,520
Speaker 1: it's Eli. I'm at Diana my boom and the show

1006
00:59:23,600 --> 00:59:26,160
Speaker 1: is at ridick Romance And we love hearing from you.

1007
00:59:26,280 --> 00:59:29,760
Speaker 1: And a Ken loved all these suggestions. With Dicky kN

1008
00:59:29,880 --> 00:59:33,280
Speaker 1: and our Olympics and stuff coming keep on coming. We

1009
00:59:33,320 --> 00:59:36,000
Speaker 1: really appreciate talking to you all so so much for

1010
00:59:36,040 --> 00:59:37,840
Speaker 1: spending your time with us today. Yeah, we'll see you

1011
00:59:37,880 --> 00:59:41,280
Speaker 1: next time. I so long friends, It's time to go.

1012
00:59:42,000 --> 00:59:46,400
Speaker 1: Thanks so listening to our show. Tell your friends names, uncles,

1013
00:59:46,440 --> 00:59:49,560
Speaker 1: and dance to listen to a show ridiculous roll nance