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Speaker 1: Podcast starts. Now what the hell is going on? And

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Speaker 1: you are listening to Stradia Lab. That was a groundbreaking introduction.

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Speaker 1: Let's start there, George, how are you?

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Speaker 2: I am flying so high, I am skipping along the clouds.

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Speaker 2: Today is the first day of the rest of my life.

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Speaker 2: And I said this to you before when you were

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Speaker 2: recording previously. But I am having one of those twelve

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Speaker 2: hour periods where I wish my entire life was as

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Speaker 2: well structured as this twelve hour period, which only then

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Speaker 2: and I said this before, which only then makes you

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Speaker 2: almost counterintuitively upset that that can't be an actual goal

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Speaker 2: that you can have, because the whole point of that

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Speaker 2: twelve hour period being so special is that it's different

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Speaker 2: from the rest of your life. And so I am,

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Speaker 2: I would say, navigating the you know I'll say it

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Speaker 2: come down from that realization. And you're catching me like

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Speaker 2: mid I'm in the air falling this as I am recovering, George.

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Speaker 1: But it hasn't even ended yet, and you're still in

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Speaker 1: the You're already in the come down.

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Speaker 2: You know what, And it hasn't It hasn't ended because

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Speaker 2: we actually we have like such a great guest today,

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Speaker 2: I'm feeling. I'm feeling energized. I'm the protein bar that

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Speaker 2: I had mere hours ago. Is uh is coursing through

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Speaker 2: my veins beautiful. And I would say my abandonment issues

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Speaker 2: with you are at a manageable level.

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Speaker 1: That's good. I you know how I've been saying that

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Speaker 1: I like lad now as of last weekend because of

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Speaker 1: the lime scores, because you just cover the limescoter.

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Speaker 3: Yeah.

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Speaker 1: Well, actually today it almost all fell apart. And what happened. Well,

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Speaker 1: the thing about it is, I've had four to five

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Speaker 1: errands that I need to run and trying to figure

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Speaker 1: out the order in which I can run them most efficiently.

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Speaker 1: Where I spend too much time trying to figure out

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Speaker 1: that order, where it all falls apart and I can't

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Speaker 1: do any of it. I'm dangerously close to doing that.

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Speaker 1: I before this recording, I was like, Okay, get food,

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Speaker 1: go to Target, go to a coffee shop, send emails.

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Speaker 1: And guess what I did of those food? Yeah?

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Speaker 4: And I only.

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Speaker 1: Did food because I was even like, okay, well maybe

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Speaker 1: I can try to squeeze the gym in and I

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Speaker 1: was like no, no, no, And so all I did

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Speaker 1: was get food. And then I came here can I

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Speaker 1: go ahead?

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Speaker 2: Have you seen the Have you seen the Kelly Reichert

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Speaker 2: film showing up string Michelle Williams.

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Speaker 1: And featuring you Dora Peterson, Yes, featuring in Dora Peterson.

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Speaker 1: I haven't seen that yet, don't tell.

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Speaker 2: Okay, So long story short, it is about a sculptor,

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Speaker 2: and you know, you could say we are a sculptors

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Speaker 2: and sounds. It's about a sculptor and sort of the

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Speaker 2: entire premise of the film is that she's preparing for

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Speaker 2: this big show, but annoying logistical and personal things keep

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Speaker 2: happening that keep dragging her away from the task at hand. Okay,

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Speaker 2: And it is sort of a genius like sort of

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Speaker 2: a genius premise for a movie in that it is

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Speaker 2: so universal and I sort of have never seen it

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Speaker 2: on screen. Like it's just her trying to do her work,

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Speaker 2: and then her hot water is done, so then she

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Speaker 2: has to go talk to her landlord. And then her

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Speaker 2: sort of problem child brother is having a crisis, so

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Speaker 2: she has to go deal with that. Then she's having

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Speaker 2: drama with her mom, then she's having drama with her

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Speaker 2: day job. Then she puts the well, I don't want

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Speaker 2: to spoil anything, but it escalates. Let's just say, and

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Speaker 2: I'm sort of just like, wait, is that in fact

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Speaker 2: the most profound movie ever committed to film?

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Speaker 1: Potentially? I mean that is all that life is. Is

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Speaker 1: like having a goal and having that goal be interrupted

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Speaker 1: by a little inconvenient and is well and not just that.

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Speaker 2: But of course then the more let's say, privileged money

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Speaker 2: you have, whatever, the more you can actually outsource the inconveniences.

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Speaker 2: I mean, it's like it becomes like a structural you know,

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Speaker 2: sort of structural issue.

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Speaker 1: I mean, people with assistants. That's where things get really

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Speaker 1: complex for me, because then I'm like, whoa, so you're

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Speaker 1: completely free. That's like I'm scared of that. Actually, well,

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Speaker 1: of course.

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Speaker 2: The double edged sword, because I imagine if I had an assistant,

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Speaker 2: I would think that he was doing everything poorly, and

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Speaker 2: then of course the push and pull of that would

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Speaker 2: would maybe even make my life worse ultimately, although I

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Speaker 2: do want someone to just like book my flights.

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Speaker 1: Yeah, that'd be amazing. I think I would feel self

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Speaker 1: conscious if I had an assistant that I didn't have

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Speaker 1: enough emails for them to send, Like they'd be like,

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Speaker 1: this is my whole job, and I'd be like yeah,

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Speaker 1: that's it's just those four today, and that's.

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Speaker 2: Actually yeah, okay, I feel like we are subcon anxiously

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Speaker 2: poogifying our.

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Speaker 1: Poto, Like this is this is such a poog.

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Speaker 2: Conversation, And I'm having like a mid conversation realization that

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Speaker 2: we are like cosplaying Poog in a way that we

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Speaker 2: don't normally. That's not what our podcast normally is.

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Speaker 1: Like it's hard not to.

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Speaker 2: It's hard not to, and I'm and I'm feeling it

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Speaker 2: happening in myself. Oh no, our guest is going to

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Speaker 2: think that we are ripping we are ripping off Poog.

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Speaker 1: I think what it is is that our guest is here,

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Speaker 1: and we're so excited because we want to pick her

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Speaker 1: brain honestly and just sort of like see where it goes.

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Speaker 1: And so we are even starting to try to almost

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Speaker 1: bait her into speaking. I know, I know.

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Speaker 2: I'm like there is a part of me where, even

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Speaker 2: though we told her not to speak and we will

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Speaker 2: at some point bring her in, even though we told

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Speaker 2: her not to speak, I'm actually kind of offended she hasn't.

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Speaker 1: Well yeah, I was like, well, clearly that's interesting enough

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Speaker 1: for you to hop in.

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Speaker 4: Are you joking I've literally this has been the hardest. Okay, Okay,

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Speaker 4: I wasn't I literally thought I wasn't allowed because you

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Speaker 4: were saying, you know, it goes on longer than our

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Speaker 4: guests sometimes, like yeah, I have a million things say

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Speaker 4: and I considered taking please go, I consider taking out

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Speaker 4: my phone in order to take a couple of notes

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Speaker 4: so that you guys taking SIPs.

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Speaker 1: We're both sipping. Yeah, yeah, we're both.

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Speaker 4: First of all, I love uh you.

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Speaker 5: You voicing that.

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Speaker 4: Concern or experience or whatever of feeling like you're because

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Speaker 4: that is I know exactly what you mean. And I

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Speaker 4: feel like I would be doing that too, like like

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Speaker 4: it just it would be this thing like yeah, and

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Speaker 4: I don't know if that's a I just I get it.

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Speaker 4: It's like you get pulled towards this magnet of kind

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Speaker 4: of this thing that's it's it's weird.

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Speaker 1: It's a weird.

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Speaker 2: I feel this way sometimes if we have like a

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Speaker 2: straight male guest, which for us is like a little

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Speaker 2: more rare, where suddenly I'll be like, yeah, dude, oh.

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Speaker 1: My god, it's like oh god, yeah, last time, actually

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Speaker 1: we did talk like we had a straight guy on

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Speaker 1: and I'm pretty sure you George said like something about

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Speaker 1: getting pussy.

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Speaker 2: No, I did, and I was repeating something he said.

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Speaker 2: I was repeating something he said.

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Speaker 5: Right, you weren't. But but nonetheless the words but.

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Speaker 2: Here's the question, getting pussy came out of my I

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Speaker 2: can't believe.

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Speaker 4: I'm scared.

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Speaker 5: I didn't even repeat it at you.

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Speaker 4: I couldn't do it. I couldn't do it. But I

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Speaker 4: feel like, Okay, it's a gift or a or a

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Speaker 4: skill or something right to be able to kind of

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Speaker 4: when you're listening to someone, to get into their language. There,

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Speaker 4: you know, into that right there. It's a very it's

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Speaker 4: a kind of fluid adaptive thing that that seems like

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Speaker 4: it's like a skill.

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Speaker 1: Well, an improviser's delight and improvisers of yes, I love,

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Speaker 1: I love, I can't. You can take the boy out

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Speaker 1: of UCP, but you can't take the improv out of

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Speaker 1: the boy. Well, is there anything more Unfortunately?

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Speaker 2: No, Yeah, is there anything more beautiful than in fact

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Speaker 2: relating to someone?

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Speaker 4: Right?

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Speaker 2: Then then then actually drawing a connection where previously there

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Speaker 2: wasn't one.

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Speaker 4: Well, well, it just sorry, both things I address. It's

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Speaker 4: like because the mirroring, right, the mirroring of the other

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Speaker 4: I mean that's like your classic thing, right form and

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Speaker 4: the connection and it just happens. But then I sometimes

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Speaker 4: feel like, after the fact, oh I sort of disappeared.

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Speaker 4: I just went into mirroring. And then you see someone

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Speaker 4: else who does not budge in the face of of

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Speaker 4: social interaction and their their their essence is so just,

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Speaker 4: and that always impresses me. It's like, wait, I didn't

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Speaker 4: know you were allowed to just sit there in your

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Speaker 4: in your identity in that way, like they didn't have

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Speaker 4: to like reach out.

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Speaker 2: And well, even the metaphor of a mirror implies that

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Speaker 2: one person is the person and one person is the mirror,

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Speaker 2: and so in any I mean, yes, it can't just

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Speaker 2: be two mirrors talking to one another. Like even though

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Speaker 2: it seems almost like mirroring, is this way of as

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Speaker 2: I was saying before, like relating to someone in mutual

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Speaker 2: connection and actually by definition draws this incredibly hierarchical, like

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Speaker 2: incredibly like violent hierarchical appearance.

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Speaker 1: One exactly. Yeah, I love being the mirror. I'm realizing

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Speaker 1: I can find it with my clothes. I like, like,

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Speaker 1: now that I'm in LA, I'm sort of like, well,

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Speaker 1: I can't dress how I used to do what am

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Speaker 1: I here because it's a different it has to I

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Speaker 1: have to fit in with the people here.

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Speaker 4: No, I always feel that way about like going to

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Speaker 4: like my boyfriend's family or something right like like on

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Speaker 4: a holiday. That's just like and I sort of resistant.

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Speaker 4: I don't turn into what I think of as like

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Speaker 4: a girlfriend of a son, you know what I mean, Like,

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Speaker 4: I don't fully do it because that would make me

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Speaker 4: feel like, I don't know what, Like there's like a

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Speaker 4: certain kind of outfit or something that I would associate

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Speaker 4: with that, and so I sort of refused to. I

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Speaker 4: pretty much go like kind of a slob.

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Speaker 5: But it's definitely in my mind, you know, I'm not

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Speaker 5: I'm not going in there with.

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Speaker 4: Like my fashion sense. I'm not. You know.

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Speaker 1: It's well, there's two types of mirror where you're mirroring

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Speaker 1: what that you want them to see, or you know,

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Speaker 1: what you're supposed to be in your running the opposite direction.

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Speaker 4: Right, which remains you're still in relation to Yeah yeah, yeah,

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Speaker 4: it's no better than than.

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Speaker 1: Just doing what they want the thing.

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Speaker 4: Yeah yeah yeah. In both cases, it's all about them

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Speaker 4: their projection and like, yeah, I just but I'm comforted

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Speaker 4: that there's other things that we can't control in ourselves,

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Speaker 4: where we're arguably being like I might think I'm mirroring, like,

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Speaker 4: oh I completely lost myself and I'm mirroring the ship

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Speaker 4: out of whoever, like I just came in and talked

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Speaker 4: to Sorry dropped the first personally of the episode. Allowed

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Speaker 4: to but but but like, but there's probably things that

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Speaker 4: do retain, you know, like there are things that like

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Speaker 4: someone else my like no, you were completely your usual,

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Speaker 4: like asshole self in all these ways.

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Speaker 2: I actually love that of you thinking you're like, oh god,

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Speaker 2: like I completely disappeared and and my versality was gone.

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Speaker 2: And then someone's like you're being so weird and annoying

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Speaker 2: whole time in a way only you.

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Speaker 1: Have that you were.

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Speaker 4: It's like when people are like you're like, you know,

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Speaker 4: like oh, like don't take a photo of me now,

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Speaker 4: like whatever, you know, I look terrible, and it's like

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Speaker 4: you look exactly like you always.

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Speaker 5: Do, Like no one is going to be confused by

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Speaker 5: this photo.

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Speaker 1: That's hard.

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Speaker 4: I know, I know, and it's like but it's also

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Speaker 4: it's like, yeah, it's hard, it's hard. But I mean

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Speaker 4: unless there's someone who is you know, complete transformation in

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Speaker 4: terms of how they daily present themselves the average person,

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Speaker 4: like in terms of looking good versus not. It's like,

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Speaker 4: yeah that they can see that that's you not you know,

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Speaker 4: not as good, but it's not fundamentally changing, like their

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Speaker 4: believe about what you totally I don't.

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Speaker 2: Know, but yeah, what about when someone says that a

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Speaker 2: picture of you that you think is bad is a

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Speaker 2: good is like actually points it out as a good picture,

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Speaker 2: and it's like, this is such a great photo of you.

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Speaker 4: Yeah, what do you do?

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Speaker 1: Complicated? Do you go?

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Speaker 4: Because I feel like it's like really and then dig

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Speaker 4: for more like or is it or is it okay?

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Speaker 4: Because I see these six flaws that I maybe I

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Speaker 4: don't worry about as much as I thought.

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Speaker 1: I think the weirdest part is when they like the

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Speaker 1: like what you see as a flaw they see is

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Speaker 1: like a good thing. Like, yeah, I when I whenever

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Speaker 1: I shampoo my hair, it gets very poofy. It drives

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Speaker 1: me insane, and my lover is like I like that.

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Speaker 1: I like, I like when your hair is like this,

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Speaker 1: and like, but that's the bad version.

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Speaker 4: Amazing. Now, Now now do they specifically like I'm like

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Speaker 4: about to get into hair products okay because you like it.

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Speaker 4: You like the next day hair like settled a little bit. Yeah,

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Speaker 4: do you have a good product that you use post shampoo?

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Speaker 4: You're just getting out, You're just sort of flying, like

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Speaker 4: the hair is just hitting the hair.

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Speaker 1: I sometimes do like a thea salt spray, but that's yeah, yeah,

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Speaker 1: because I mostly because I don't know and the experimentation

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Speaker 1: process seems too shameful for me to really dive into.

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Speaker 4: Yeah, every hair product, if you go for it, you

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Speaker 4: got to get right back in the shower.

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Speaker 1: Yeah, I just leave it because I know that tomorrow

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Speaker 1: it'll be fine. Yeah, so I just waited out.

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Speaker 4: Yeah.

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Speaker 1: Yeah, I do think you are.

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Speaker 2: So maybe this is like my own issues and insecurities,

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Speaker 2: but I feel like I I feel like you your

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Speaker 2: hair journey and your grooming is so effortless. Like I

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Speaker 2: feel like you can just like get out of bed

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Speaker 2: and you have like a perfect little curl in your

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Speaker 2: hair mustache, perfect, so cute, and I feel like, I mean,

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Speaker 2: one of the reasons I started buying my hair where

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Speaker 2: I was like, I never in my entire.

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Speaker 1: Life have had a good haircut.

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Speaker 2: I have actually like very I have hair that people

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Speaker 2: would be envious uff. I have like hair like an

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Speaker 2: okay hairline, like whatever. I've never been satisfied leaving the

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Speaker 2: barber and and so I was like, right, well, I

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Speaker 2: guess I'm just gonna you know whatever, then.

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Speaker 4: You with proper stylist or just barbershop the whole time,

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Speaker 4: just like.

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Speaker 5: As an artist, you know what I mean. That's the

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Speaker 5: thing I sometimes leaving the supercuts.

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Speaker 4: Yeah, right, so I got rid of all my no no.

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Speaker 2: I feel like often what will happen And you know,

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Speaker 2: now I've buzzed it for a while, but I feel

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Speaker 2: like in the early early thank you, in the early

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Speaker 2: twenty tens, it would always be like some lesbian that

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Speaker 2: like basically gave me like a real like sort of

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Speaker 2: undercut with like a thing like too alt.

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Speaker 1: Even when I would ask for.

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Speaker 2: Something a little more simple, you need to go to

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Speaker 2: like and then I also have a salon.

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Speaker 4: It doesn't exist, but I know maybe it doesn't should Yeah. Yeah.

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Speaker 1: Also, George, though, I think you have the thing where

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Speaker 1: like when you are a little bit off, you're like,

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Speaker 1: I'm so off, Like I know you'll have the buzz

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Speaker 1: cut and he'll like wear a hat and take the

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Speaker 1: hat off. Oh everyone can see my hair so much.

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Speaker 1: It's you know what.

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Speaker 2: I actually was thinking about this yesterday when I did

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Speaker 2: my show, where I was like that it was the

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Speaker 2: first time I hadn't in the beginning warned everyone that

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Speaker 2: it was a work in progress, and I was like, yeah, duh,

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Speaker 2: like ever say that, Yeah, you.

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Speaker 4: Warn everyone like in advance who's coming or I know.

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Speaker 2: I just I'm like, like, I've been workshopping in you

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Speaker 2: hour and I've only done it four times, Okay, so

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Speaker 2: it is actively you know, and so and in the beginning,

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Speaker 2: it even like on the poster would say like sort

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Speaker 2: of work in progress or whatever, which I no longer say,

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Speaker 2: but I yeah, I would in the beginning. I think

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Speaker 2: what it is is I never am someone who brings

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Speaker 2: notes on stage, and for these shows, I haven't bringing notes.

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Speaker 2: So I feel the need to address that.

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Speaker 4: And be like shocked by the notes.

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Speaker 1: Yes exactly.

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Speaker 4: I mean you could certainly bring the notes on stage

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Speaker 4: and say nothing and the not imply that in a

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Speaker 4: way that I think is still self aware, because of

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Speaker 4: course you don't think you're fooling anyone that it's not

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Speaker 4: a work in progress. It's you know what I mean,

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Speaker 4: it's like the self awareness you want to communicate probably

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Speaker 4: I had a.

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Speaker 2: Little I had a line that I want to run

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Speaker 2: by both of you that I did last night that

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Speaker 2: I think worked, which is I had my notes and

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Speaker 2: then I said, you know, apologies for my notes. All

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Speaker 2: my jokes tonight are topical takes on today's headline, so

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Speaker 2: I haven't memorized them yet, which.

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Speaker 1: I think was enough enough self awareness.

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Speaker 4: Confused, because we have to work if we're going to

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Speaker 4: I was gonna say we have to I would never suggest,

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Speaker 4: so I immediately go, is is there an inherent joke

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Speaker 4: there that because it is absolutely not topical this show?

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Speaker 2: I think it's just the idea that I would do

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Speaker 2: an hour of comedy all of which is about today's.

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Speaker 4: Right, because that is not outrageous enough of a premise

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Speaker 4: to me to actually be like, not.

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Speaker 1: Believable, totally totally.

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Speaker 5: I mean, I think to another comedian, like.

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Speaker 1: Yes, you're absolutely median, Yes.

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Speaker 4: It's comediens is one of the one of the great challenges.

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Speaker 1: One of the hardest things to do, entire thing.

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Speaker 4: But they're going to think back of the room to

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Speaker 4: hear like a.

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Speaker 2: Guy Brandom laugh, a guy Brandom laugh from the back

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Speaker 2: of the room.

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Speaker 1: If one when a comedian has seen like something I've

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Speaker 1: done one million times. I'm like, well, they're here, so

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Speaker 1: I can't do it. And it's like but they that's

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Speaker 1: just they just will see it a million times.

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Speaker 4: It will it is it is a must get over

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Speaker 4: and it is so hard to get over that because

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Speaker 4: no one's seen anything ever in the world, you know

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Speaker 4: what I mean, Like yes, and yes the comedians have

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Speaker 4: and whatever, but like that's I don't know, it's just like, yeah,

359
00:17:52,720 --> 00:17:56,399
Speaker 4: you got to do your work, okay, you're you're a showman, okay,

360
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Speaker 4: for the people you know, And it's like it's like

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Speaker 4: the work is for the people you know.

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Speaker 2: I do like the idea of like someone in a

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Speaker 2: different job, like someone that is work in construction looking

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Speaker 2: at his coworkers and being like, I know you've seen

365
00:18:11,800 --> 00:18:13,840
Speaker 2: me do the wall like this before, but I mean,

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Speaker 2: this is just the task at hands.

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Speaker 4: Do they need to do they exactly?

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Speaker 1: Do they need to disclaimer?

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Speaker 5: Seshion it up?

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Speaker 4: Like shows that they've still got it that like they're

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Speaker 4: approaching it in a new way, Like.

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Speaker 1: I also, I want to bring up the like, okay,

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Speaker 1: talking about your notes to me, I'm sort of like, well,

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Speaker 1: people get it, like people will know this is actually

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Speaker 1: a big yes.

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Speaker 2: And this is a big difference between you and I.

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Speaker 2: I think you and I actually think you are one

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Speaker 2: percent in the right about this. But when we like

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00:18:43,600 --> 00:18:45,520
Speaker 2: when we were on tour together and even when we

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Speaker 2: do live shows and stuff, my instinct will be like,

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Speaker 2: let's mention that the show started really late because there

382
00:18:52,600 --> 00:18:55,160
Speaker 2: was an issue, and it's like people know it started late.

383
00:18:55,359 --> 00:18:57,760
Speaker 2: Like I'm like, let's make a joke about it.

384
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Speaker 1: And I'm always like, run forward, They're fine, They're okay.

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Speaker 4: Yes, now that is really you're sort of lean towards

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Speaker 4: parenthetical sort of.

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Speaker 1: Yes.

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Speaker 2: Yeah, I would say everything I've ever said has been

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Speaker 2: a parenthetic and the parentheses have never closed.

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Speaker 4: Yes, yeah, these layers, you just keep doing the right

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00:19:17,440 --> 00:19:23,560
Speaker 4: hand parentheses, you know, a parent exactly. Yeah, and and yeah,

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Speaker 4: yeah I feel that a lot too. Yeah, it's an

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Speaker 4: obsession with them knowing that you know or something or

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00:19:31,040 --> 00:19:37,760
Speaker 4: or it's yeah, it's and I sometimes have to yeah,

395
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Speaker 4: I have to go okay, maybe not because also you know,

396
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Speaker 4: to have them have impact, right, like when it's everything

397
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Speaker 4: it's hard though it's.

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Speaker 1: Hard, it's hard.

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Speaker 2: Well, it's also you start fetishizing the uh you know

400
00:19:51,600 --> 00:19:54,959
Speaker 2: that sort of jittery intellectual quality where you're like, oh,

401
00:19:55,000 --> 00:19:59,000
Speaker 2: the more I'm constantly commenting on what I'm doing, the

402
00:19:59,000 --> 00:20:03,680
Speaker 2: more uh I'm being so you know, culture critic, we've

403
00:20:03,720 --> 00:20:04,280
Speaker 2: got a froze.

404
00:20:06,119 --> 00:20:07,520
Speaker 1: Oh, this is one of the worst things that could

405
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Speaker 1: ever happen.

406
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Speaker 4: Has this ever happened here?

407
00:20:10,480 --> 00:20:11,440
Speaker 1: Not entirely?

408
00:20:11,800 --> 00:20:19,040
Speaker 4: Cameras and you know, someone says, streaming too many show

409
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Speaker 4: us next door in the loft.

410
00:20:20,680 --> 00:20:22,919
Speaker 1: Yeah, we shared. We share the internet with all the

411
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Speaker 1: homes here.

412
00:20:24,080 --> 00:20:31,360
Speaker 4: Yeah, got online. I mean, oh wait, you're back? Did

413
00:20:31,359 --> 00:20:31,600
Speaker 4: you hear?

414
00:20:32,040 --> 00:20:35,639
Speaker 1: Am I back? Able to hear you this whole time? Really?

415
00:20:35,680 --> 00:20:38,800
Speaker 1: I figured that's one of the more painful things.

416
00:20:38,960 --> 00:20:39,719
Speaker 5: Yeah, I figured.

417
00:20:39,760 --> 00:20:43,680
Speaker 2: You know, there was some foreshadowing for me. There was

418
00:20:43,720 --> 00:20:46,240
Speaker 2: some foreshadowing for me because I first you first became

419
00:20:46,320 --> 00:20:48,399
Speaker 2: super blurry, and I was like, here it comes.

420
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Speaker 4: I know, I know, what about that first moment, the

421
00:20:51,720 --> 00:20:58,240
Speaker 4: first moment that you acknowledge with other people that it's

422
00:20:58,280 --> 00:21:01,560
Speaker 4: breaking up, Like there's a moment on like a zoom

423
00:21:01,680 --> 00:21:04,600
Speaker 4: or something where you go like the break up a

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00:21:04,640 --> 00:21:07,040
Speaker 4: little and it's kind of like, are we all gonna one?

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00:21:07,160 --> 00:21:09,160
Speaker 4: Are we all seeing that? You know? Are the breaking

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00:21:09,200 --> 00:21:11,679
Speaker 4: up for all of us, which they are, and then

427
00:21:12,600 --> 00:21:14,400
Speaker 4: going like are we going to broach it or did

428
00:21:14,600 --> 00:21:16,879
Speaker 4: the break? Did we basically hear what they said and

429
00:21:16,880 --> 00:21:17,720
Speaker 4: now it's fine again.

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00:21:18,080 --> 00:21:21,199
Speaker 2: Yeah, it's like a weird like crazy just what we

431
00:21:21,200 --> 00:21:23,320
Speaker 2: were just talking about of like, do you address it

432
00:21:23,440 --> 00:21:24,280
Speaker 2: or do you keep going?

433
00:21:24,560 --> 00:21:25,480
Speaker 1: Actually life, it.

434
00:21:25,520 --> 00:21:30,720
Speaker 4: Hits art, yes, And of course I'm digging in because

435
00:21:32,000 --> 00:21:34,160
Speaker 4: here's a talk talk about the improv. It's like.

436
00:21:35,600 --> 00:21:37,160
Speaker 5: It's like the wrinkle has appeared.

437
00:21:37,240 --> 00:21:38,240
Speaker 1: We'll go with it.

438
00:21:38,520 --> 00:21:41,080
Speaker 4: Yeah, yeah, yeah, yeah, it's all a gift, like you

439
00:21:41,320 --> 00:21:44,560
Speaker 4: play it straight until right, don't force the weird thing

440
00:21:44,600 --> 00:21:46,720
Speaker 4: has happened. Weird thing happens in that, and then play

441
00:21:46,760 --> 00:21:48,040
Speaker 4: that right. Do you believe that?

442
00:21:48,320 --> 00:21:52,280
Speaker 1: I mean in a strict sense kind of like I mean, yeah,

443
00:21:52,320 --> 00:21:56,119
Speaker 1: but this is different. Oh he's trying to speak. No, no,

444
00:21:56,160 --> 00:22:00,080
Speaker 1: he's not trying to speak. No no, oh interesting.

445
00:22:00,040 --> 00:22:00,600
Speaker 5: Is that a fake?

446
00:22:02,440 --> 00:22:04,520
Speaker 2: I'm not trying to speak. This is I was actually

447
00:22:04,600 --> 00:22:05,840
Speaker 2: enraptured in whatever I was saying.

448
00:22:05,880 --> 00:22:07,840
Speaker 4: Okay, well then no, no, but we hear we hear

449
00:22:07,880 --> 00:22:09,640
Speaker 4: words and we're not seeing your lips move.

450
00:22:10,040 --> 00:22:12,480
Speaker 1: Yeah. I think the videos themselves are mixed.

451
00:22:12,960 --> 00:22:16,520
Speaker 4: Because I actually thought you were doing like a ventriloquism

452
00:22:16,680 --> 00:22:20,560
Speaker 4: like thing like that was. This is so odd to

453
00:22:20,600 --> 00:22:23,399
Speaker 4: not get the live reaction. I'm sorry everyone that my

454
00:22:23,440 --> 00:22:26,880
Speaker 4: face is so heavily moisturized today. I remember I believe in.

455
00:22:27,960 --> 00:22:30,600
Speaker 1: Do you shiny? You don't look shiny to.

456
00:22:30,600 --> 00:22:33,919
Speaker 4: Me catching I'm bouncing light, but you know, I.

457
00:22:33,960 --> 00:22:35,040
Speaker 1: Think we're both shiny.

458
00:22:35,119 --> 00:22:37,280
Speaker 4: It's fine, but I just want everyone to know it's

459
00:22:37,320 --> 00:22:41,400
Speaker 4: it's highly expensive product. I'm sure resting well.

460
00:22:41,320 --> 00:22:43,320
Speaker 1: We wouldn't expect anything anything less.

461
00:22:48,920 --> 00:22:51,840
Speaker 2: Okay, I want to while we're while I am not delayed,

462
00:22:51,880 --> 00:22:53,480
Speaker 2: I want to bring up the thing that I wanted

463
00:22:53,480 --> 00:22:55,320
Speaker 2: to bring up before, which at this point we're so

464
00:22:55,440 --> 00:22:58,760
Speaker 2: deep and much more interesting topics that it barely is this.

465
00:22:58,880 --> 00:23:00,480
Speaker 1: Little thing you thought what I want to say?

466
00:23:00,800 --> 00:23:06,160
Speaker 2: Yeah, no, this actually talk about another whatever dynamic between

467
00:23:06,200 --> 00:23:07,760
Speaker 2: me and Sam. I'm always like, I have to have

468
00:23:07,800 --> 00:23:10,360
Speaker 2: the thing in my back pocket in case it's complete silence,

469
00:23:10,400 --> 00:23:11,280
Speaker 2: where it can bring.

470
00:23:11,119 --> 00:23:12,080
Speaker 1: It in silence.

471
00:23:13,680 --> 00:23:17,280
Speaker 4: A right, that's where I'm there's no way.

472
00:23:17,800 --> 00:23:19,160
Speaker 1: You're absolutely sorry.

473
00:23:19,400 --> 00:23:21,840
Speaker 4: My stomachshell growl and it will probably get picked up

474
00:23:21,840 --> 00:23:23,560
Speaker 4: by the mic. I just need to understand's interimt and

475
00:23:23,560 --> 00:23:24,280
Speaker 4: fasting it as well.

476
00:23:24,680 --> 00:23:26,760
Speaker 1: Okay, wait, sorry that back to it now in relaxed well,

477
00:23:26,800 --> 00:23:29,080
Speaker 1: George always wants to have like some like almost a

478
00:23:29,119 --> 00:23:31,200
Speaker 1: bullet bulleted list of things he could talk about. And

479
00:23:31,240 --> 00:23:31,960
Speaker 1: I'm always like, but.

480
00:23:31,920 --> 00:23:33,600
Speaker 4: Let's just see what happened, you know, Yeah, because you

481
00:23:33,600 --> 00:23:36,840
Speaker 4: know what it's like. You won't fight to the death

482
00:23:36,840 --> 00:23:38,680
Speaker 4: in the same way if you have a if you

483
00:23:38,760 --> 00:23:40,240
Speaker 4: have like a life.

484
00:23:40,040 --> 00:23:44,440
Speaker 6: Raft, Yeah, and you'll never it will never be as

485
00:23:44,760 --> 00:23:49,760
Speaker 6: sink or swim because you probably see your your eyes

486
00:23:49,840 --> 00:23:52,639
Speaker 6: start to go towards and you realize he's.

487
00:23:52,480 --> 00:23:54,080
Speaker 4: Out of the moment. He's out of the moment he's

488
00:23:54,119 --> 00:23:57,760
Speaker 4: thinking about reaching for the life raft. There's a ditchable

489
00:23:57,880 --> 00:24:01,560
Speaker 4: quality versus sinkers. I mean it's like someone have you

490
00:24:01,560 --> 00:24:04,440
Speaker 4: ever seen like like sorry to bring up improv again,

491
00:24:05,240 --> 00:24:10,840
Speaker 4: one of the ugliest subject matters available, right, But if

492
00:24:10,840 --> 00:24:13,680
Speaker 4: someone like pulls out, I mean literally, if someone would

493
00:24:13,680 --> 00:24:16,960
Speaker 4: be completely not okay, if someone pulled out like a

494
00:24:16,960 --> 00:24:21,160
Speaker 4: little bit they and they.

495
00:24:21,119 --> 00:24:22,840
Speaker 5: Were like, I got this thing ready for us just

496
00:24:22,880 --> 00:24:23,280
Speaker 5: in case.

497
00:24:23,680 --> 00:24:26,760
Speaker 1: Well, it robs you the whole point. That's the whole

498
00:24:26,760 --> 00:24:28,679
Speaker 1: point that they get.

499
00:24:28,520 --> 00:24:30,760
Speaker 4: Their foot on the side of the swimming pool like

500
00:24:31,840 --> 00:24:33,080
Speaker 4: they're not gonna how can.

501
00:24:32,920 --> 00:24:34,600
Speaker 5: You trust them to tread water with you.

502
00:24:34,600 --> 00:24:35,480
Speaker 1: You literally can't.

503
00:24:35,800 --> 00:24:40,159
Speaker 7: It's anyway, sorry, but I think I was ready to

504
00:24:40,200 --> 00:24:45,760
Speaker 7: bring up to that life, as you guys are are saying, like, God,

505
00:24:45,760 --> 00:24:49,399
Speaker 7: it would be so lame and not something I'm like,

506
00:24:49,760 --> 00:24:51,560
Speaker 7: I'm dying.

507
00:24:51,720 --> 00:24:53,680
Speaker 1: He here's my repair thing. Okay.

508
00:24:53,720 --> 00:24:58,560
Speaker 2: So Jacqueline, you got in one of your like live show,

509
00:24:58,800 --> 00:25:00,000
Speaker 2: you know, EPISOD.

510
00:25:00,040 --> 00:25:02,080
Speaker 1: So it's you bring up the gay pilot.

511
00:25:02,600 --> 00:25:04,879
Speaker 4: Yes, oh, I literally bring him up.

512
00:25:05,359 --> 00:25:08,840
Speaker 2: You brought him up on the show. This was when

513
00:25:08,880 --> 00:25:11,200
Speaker 2: we when we did a show and that and I

514
00:25:11,880 --> 00:25:14,879
Speaker 2: saw that. I noticed that you said that it was

515
00:25:14,880 --> 00:25:17,600
Speaker 2: a show in Philly. Yes, so I clocked that when

516
00:25:17,640 --> 00:25:21,240
Speaker 2: Sam and I did our Philly show, someone in two

517
00:25:21,320 --> 00:25:23,679
Speaker 2: people in the audience were gay pilots, and one of

518
00:25:23,720 --> 00:25:27,800
Speaker 2: them was a private jet gay pilot, and I am

519
00:25:28,080 --> 00:25:30,199
Speaker 2: We spoke to him but didn't bring him up. We

520
00:25:30,400 --> 00:25:32,199
Speaker 2: just like sort of spoke to him from the stage.

521
00:25:32,480 --> 00:25:35,280
Speaker 2: But I was immediately and I still believe it was

522
00:25:35,280 --> 00:25:35,840
Speaker 2: the same guy.

523
00:25:36,000 --> 00:25:37,359
Speaker 1: I mean, I mean it was a small city.

524
00:25:37,600 --> 00:25:37,800
Speaker 4: Yeah.

525
00:25:38,400 --> 00:25:41,679
Speaker 2: Network Also I have to say, like, we don't you know,

526
00:25:41,720 --> 00:25:44,640
Speaker 2: we don't do a lot of crowd work, I would say,

527
00:25:44,720 --> 00:25:46,800
Speaker 2: so it is like the fact that he was the

528
00:25:46,840 --> 00:25:49,480
Speaker 2: one person we happened to talk at art.

529
00:25:49,760 --> 00:25:52,360
Speaker 4: Say you know, is there a gay man here?

530
00:25:52,760 --> 00:25:53,800
Speaker 5: Is there a pilot here?

531
00:25:54,920 --> 00:25:58,240
Speaker 2: It was like for you know, it wasn't because I

532
00:25:58,280 --> 00:26:00,960
Speaker 2: do think you guys were looking for a pilot.

533
00:26:01,200 --> 00:26:01,719
Speaker 1: We were not.

534
00:26:01,920 --> 00:26:04,639
Speaker 4: We can emailed us pre show like weeks before, being like,

535
00:26:05,080 --> 00:26:07,640
Speaker 4: I'm your because we talked about it, like we talked.

536
00:26:07,400 --> 00:26:09,560
Speaker 5: About gay pilots on the show.

537
00:26:10,080 --> 00:26:11,679
Speaker 4: He said, I'm a gay pilot and I'll be at

538
00:26:11,680 --> 00:26:13,480
Speaker 4: the Philly show and we said we shall interview you

539
00:26:13,520 --> 00:26:15,159
Speaker 4: because we talked so much about turbulence.

540
00:26:15,160 --> 00:26:19,760
Speaker 2: Oh well so we yeah, no, it was we truly

541
00:26:19,840 --> 00:26:21,719
Speaker 2: just like asked someone, you know, what do you do?

542
00:26:21,880 --> 00:26:23,040
Speaker 1: Or maybe yeah?

543
00:26:23,280 --> 00:26:23,440
Speaker 4: Yeah?

544
00:26:23,480 --> 00:26:24,960
Speaker 2: And it was him and he was it was him

545
00:26:25,000 --> 00:26:27,399
Speaker 2: and his friend and he's a private jet pilot and

546
00:26:27,440 --> 00:26:30,120
Speaker 2: his friend is a norm commercial toilet.

547
00:26:30,280 --> 00:26:32,760
Speaker 4: And I was like, well, I need to know about

548
00:26:32,800 --> 00:26:35,399
Speaker 4: him because because I've got questions that apply specifically to

549
00:26:35,400 --> 00:26:38,480
Speaker 4: commercial Oh really yeah. I thought there was a tone

550
00:26:38,520 --> 00:26:40,040
Speaker 4: in my voice when he came up and revealed he

551
00:26:40,119 --> 00:26:42,760
Speaker 4: was jet that I almost sounded a little too like wait,

552
00:26:42,760 --> 00:26:45,120
Speaker 4: but I got commercial questions, Like it's a different deal.

553
00:26:45,160 --> 00:26:47,480
Speaker 2: Well, of course, because your questions are obviously that's not

554
00:26:47,520 --> 00:26:49,120
Speaker 2: a I mean, no offense. I don't know if you're

555
00:26:49,119 --> 00:26:52,240
Speaker 2: flying private, but I would say that's less applicable to you.

556
00:26:53,119 --> 00:26:53,520
Speaker 2: Not yet.

557
00:26:55,680 --> 00:26:57,560
Speaker 4: I don't know. I don't know.

558
00:26:57,640 --> 00:26:58,240
Speaker 5: Is that the goal.

559
00:26:58,280 --> 00:26:59,120
Speaker 4: It's hard to say.

560
00:26:59,320 --> 00:27:01,640
Speaker 1: It is hard to say. I actually I don't even

561
00:27:01,680 --> 00:27:04,040
Speaker 1: know if it is the goal. Yeah, it feels I

562
00:27:04,119 --> 00:27:06,600
Speaker 1: think I would feel too disgusting every time. Yeah, yeah,

563
00:27:06,640 --> 00:27:09,800
Speaker 1: well like the goal is just flying business. Yeah that

564
00:27:09,880 --> 00:27:11,879
Speaker 1: is actually that's enough. That would be nice.

565
00:27:12,040 --> 00:27:13,600
Speaker 4: Oh my god, it's unreal.

566
00:27:14,000 --> 00:27:14,240
Speaker 1: Yeah.

567
00:27:14,320 --> 00:27:18,000
Speaker 4: I did it recently. It was stomach just will not stop.

568
00:27:20,160 --> 00:27:23,520
Speaker 4: I yeah, it was a Netflix. Okay, they sent me

569
00:27:23,760 --> 00:27:26,560
Speaker 4: New York word around the press, and so I got

570
00:27:26,560 --> 00:27:30,000
Speaker 4: put in business and baby, baby, did I enjoy it.

571
00:27:30,000 --> 00:27:34,080
Speaker 2: It was when Samini flew business once because someone paid

572
00:27:34,080 --> 00:27:37,080
Speaker 2: for it. It was we were literally like we are

573
00:27:37,200 --> 00:27:38,920
Speaker 2: voting Republican in the next.

574
00:27:39,359 --> 00:27:41,800
Speaker 1: How did you? How did it change you? How did

575
00:27:41,880 --> 00:27:42,520
Speaker 1: you embrace it?

576
00:27:42,640 --> 00:27:43,119
Speaker 5: I've done it.

577
00:27:43,200 --> 00:27:44,960
Speaker 4: I've done it a couple of times, a couple of

578
00:27:45,000 --> 00:27:50,119
Speaker 4: times upgrades back when I had I was traveling with

579
00:27:50,119 --> 00:27:53,000
Speaker 4: a cat. There were a couple times I just shelled

580
00:27:53,040 --> 00:27:56,400
Speaker 4: out because it was it was whatever. So I've been

581
00:27:56,480 --> 00:27:58,880
Speaker 4: up there a few different ways, you know, I've been

582
00:27:58,960 --> 00:28:01,240
Speaker 4: put there, I've been up graded there, and I've even

583
00:28:01,280 --> 00:28:06,679
Speaker 4: shelled out on occasion. Wow. Wow, just to be completely transparent.

584
00:28:07,320 --> 00:28:10,800
Speaker 4: Then I realized, okay, I can't you know, I cannot

585
00:28:10,800 --> 00:28:13,320
Speaker 4: afford it or whatever. At the time, I don't want

586
00:28:13,320 --> 00:28:17,200
Speaker 4: to affirm that because I plan to apart it again shortly. You,

587
00:28:17,280 --> 00:28:24,280
Speaker 4: of course, strategically chose okay, to not expend energy that way.

588
00:28:24,359 --> 00:28:27,280
Speaker 5: So have you ever done this?

589
00:28:27,480 --> 00:28:30,920
Speaker 4: Have you ever been referred to money as energy exchange

590
00:28:30,960 --> 00:28:33,480
Speaker 4: by like a healer.

591
00:28:35,080 --> 00:28:38,520
Speaker 5: Or you like it's free, but like we do think like.

592
00:28:38,480 --> 00:28:43,000
Speaker 4: An energy exchange of fifteen dollars? Like is I mean,

593
00:28:43,080 --> 00:28:45,479
Speaker 4: well anyway, sorry, I got to drive to Okay, so

594
00:28:45,480 --> 00:28:51,000
Speaker 4: so anyway up there? Yell, okay, Like I accept the champagne.

595
00:28:50,960 --> 00:28:52,080
Speaker 1: Accept or is it.

596
00:28:54,000 --> 00:29:00,600
Speaker 4: It's sparkling wine something? I go, yes, I enjoy it,

597
00:29:00,640 --> 00:29:03,640
Speaker 4: I mean it just and then I start in. I

598
00:29:03,680 --> 00:29:06,320
Speaker 4: start looking at the menu. Oh you know what really

599
00:29:06,400 --> 00:29:08,520
Speaker 4: feels like next level kind of like if you're in

600
00:29:09,040 --> 00:29:11,960
Speaker 4: those things, is to ignore like this looks like like

601
00:29:12,040 --> 00:29:15,280
Speaker 4: some pro move people really comfortable there. They don't even

602
00:29:15,440 --> 00:29:17,560
Speaker 4: like open that little like gift bag thing that they

603
00:29:17,560 --> 00:29:20,040
Speaker 4: sometimes have, like they're like I know it's in there,

604
00:29:20,080 --> 00:29:21,840
Speaker 4: and I don't give a shit, and they're not like

605
00:29:22,600 --> 00:29:25,080
Speaker 4: versus like opening it up to me and feeling like,

606
00:29:25,080 --> 00:29:28,160
Speaker 4: oh yeah, everything, everything is coming home with me, Like oh,

607
00:29:28,160 --> 00:29:30,360
Speaker 4: these airplex are coming home with me. This little I'm

608
00:29:30,400 --> 00:29:35,880
Speaker 4: ask like this tiny serving of whatever. It's like they're

609
00:29:35,920 --> 00:29:38,560
Speaker 4: just like left there and that's sort of like, oh

610
00:29:38,600 --> 00:29:40,239
Speaker 4: these people like they really do.

611
00:29:40,400 --> 00:29:42,600
Speaker 2: Yeah, this is not the novelty is gone. Wait, Jacqueline,

612
00:29:42,600 --> 00:29:43,440
Speaker 2: I have a question for you.

613
00:29:43,520 --> 00:29:47,160
Speaker 1: When you paid for it yourself, how my fear would be.

614
00:29:47,360 --> 00:29:51,240
Speaker 2: No, no, no, I'm not going to explain yourself. My fear

615
00:29:51,280 --> 00:29:53,400
Speaker 2: would be if I paid for it myself, it's so

616
00:29:53,520 --> 00:29:57,840
Speaker 2: expensive that I would be so focused on getting my

617
00:29:57,920 --> 00:30:01,440
Speaker 2: money's worth and things being enough to warrant that price

618
00:30:01,480 --> 00:30:03,640
Speaker 2: the whole time that it would actually ruin the experience.

619
00:30:03,680 --> 00:30:05,680
Speaker 2: I would rather just be in coach. Did you find

620
00:30:05,680 --> 00:30:08,920
Speaker 2: that compared to getting it for free?

621
00:30:09,640 --> 00:30:12,760
Speaker 4: Because it was mostly around being able to travel comfortably

622
00:30:12,800 --> 00:30:15,640
Speaker 4: with my cat and her being accepted up there, like

623
00:30:15,680 --> 00:30:17,959
Speaker 4: they were like allowed up there or something. Yeah, you know,

624
00:30:18,080 --> 00:30:19,640
Speaker 4: it was like all worth it. It was like, how

625
00:30:19,680 --> 00:30:22,360
Speaker 4: do I get like me and Mabel back to Los Angeles,

626
00:30:22,400 --> 00:30:26,840
Speaker 4: you know, like so it was just it, it sort

627
00:30:26,840 --> 00:30:33,080
Speaker 4: of had its function, and so that just felt like, well,

628
00:30:33,080 --> 00:30:37,480
Speaker 4: there's no other way, you know whatever. I experienced what

629
00:30:37,520 --> 00:30:38,240
Speaker 4: you're talking.

630
00:30:38,000 --> 00:30:39,640
Speaker 5: About in hotels.

631
00:30:40,560 --> 00:30:45,480
Speaker 4: Big time, if like time, that's where I have to

632
00:30:45,520 --> 00:30:47,640
Speaker 4: ask would I rather pay less and be sort of

633
00:30:47,680 --> 00:30:50,880
Speaker 4: delighted by you know, this place is actually kind of

634
00:30:50,880 --> 00:30:51,920
Speaker 4: glance around and go it's.

635
00:30:51,800 --> 00:30:54,440
Speaker 1: Clean, and you're allowed to dislike it. If it's cheap,

636
00:30:54,680 --> 00:30:56,040
Speaker 1: you're like, well this sucks.

637
00:30:55,920 --> 00:30:57,280
Speaker 4: Yeah, and it's fine, and that's good.

638
00:30:57,400 --> 00:30:58,760
Speaker 5: It's fine.

639
00:31:00,240 --> 00:31:03,720
Speaker 1: This about Los Angeles in general right now in my

640
00:31:03,760 --> 00:31:07,080
Speaker 1: early stages of being here, because people keep saying, like, oh,

641
00:31:07,120 --> 00:31:10,280
Speaker 1: the weather's amazing, Like you just feel so relaxed when

642
00:31:10,280 --> 00:31:13,120
Speaker 1: you're there, like it's just a different pace, Like you'll

643
00:31:13,160 --> 00:31:15,040
Speaker 1: love it. I'm sure you'll love it feeling that and

644
00:31:15,040 --> 00:31:18,920
Speaker 1: I'm not feeling yeah, said that might be distracting.

645
00:31:19,000 --> 00:31:20,520
Speaker 4: No, no, No, it's me like, like, am I so much

646
00:31:20,560 --> 00:31:23,400
Speaker 4: just usually growl this way? And I'm trying to understand why.

647
00:31:23,560 --> 00:31:26,680
Speaker 4: It's not just because I haven't eaten yet, Like what

648
00:31:26,840 --> 00:31:28,480
Speaker 4: did I do wrong? Okay?

649
00:31:28,680 --> 00:31:32,120
Speaker 1: Anyway, anyway, I feel every single flaw I find in

650
00:31:32,520 --> 00:31:35,680
Speaker 1: Like I was eating dinner outside the other night and

651
00:31:35,720 --> 00:31:38,200
Speaker 1: there was a bug flying around, and first of all,

652
00:31:38,240 --> 00:31:40,800
Speaker 1: I'm freezing. Then there was a single bug flying around,

653
00:31:40,840 --> 00:31:43,160
Speaker 1: and like, there aren't that many bugs here, And I

654
00:31:43,200 --> 00:31:45,720
Speaker 1: was like, right, well, why is this here?

655
00:31:45,840 --> 00:31:50,960
Speaker 4: Like the promise I'm paying now, is it costing you

656
00:31:51,080 --> 00:31:52,120
Speaker 4: more to live here in New York?

657
00:31:53,120 --> 00:31:54,480
Speaker 1: I guess depends on right now.

658
00:31:54,600 --> 00:31:56,240
Speaker 4: I sort of upgraded.

659
00:31:56,840 --> 00:31:59,200
Speaker 1: No, right now, my apartment here is cheaper than my

660
00:31:59,240 --> 00:32:01,480
Speaker 1: apartment in New York, But I'm still paying for my

661
00:32:01,520 --> 00:32:05,920
Speaker 1: apartment in New York because it's you know, no sublet.

662
00:32:06,160 --> 00:32:08,240
Speaker 1: So my boyfriend's there, Oh.

663
00:32:08,240 --> 00:32:11,959
Speaker 4: Okay, sorry, I'm obviously behind on episodes, but it's it's

664
00:32:12,040 --> 00:32:14,080
Speaker 4: complicated asking questions of like, you know.

665
00:32:14,360 --> 00:32:18,080
Speaker 1: My boyfriend's there, he's gonna come out here, yeah soon,

666
00:32:18,360 --> 00:32:21,520
Speaker 1: And we're like trying to find a subletter shout out

667
00:32:21,520 --> 00:32:25,360
Speaker 1: to any Yeah, yeah, that would actually be.

668
00:32:25,360 --> 00:32:27,960
Speaker 2: Toxic, honest, say, Prime real Estate. I would love to

669
00:32:28,320 --> 00:32:30,440
Speaker 2: particula Bushwick.

670
00:32:31,000 --> 00:32:35,760
Speaker 4: Great, yeah, Bushwick, You're gonna come, You're gonna la. You

671
00:32:35,840 --> 00:32:37,560
Speaker 4: just need to be seduced in the right way by

672
00:32:37,600 --> 00:32:41,160
Speaker 4: the you know, yeah, you need to you need to

673
00:32:41,240 --> 00:32:41,920
Speaker 4: understand La.

674
00:32:42,320 --> 00:32:43,959
Speaker 5: I mean, I think what you need to do.

675
00:32:44,120 --> 00:32:46,520
Speaker 4: I mean me and Chris only moved here like a

676
00:32:46,520 --> 00:32:51,040
Speaker 4: couple of years ago, and we went full like Hollywood,

677
00:32:51,200 --> 00:32:53,360
Speaker 4: like we got into the Hollywood spirit. We were living

678
00:32:53,360 --> 00:32:57,040
Speaker 4: on Hollywood Boulevard. It's like, get into like the Hollywood

679
00:32:57,080 --> 00:32:59,960
Speaker 4: of the whole thing, old Hollywood and go to moose

680
00:33:00,080 --> 00:33:04,880
Speaker 4: Own Franks and like that was so fun. Okay, yeah, yeah,

681
00:33:05,000 --> 00:33:08,320
Speaker 4: so that booth, Yeah, Okay, that you're need to get

682
00:33:08,320 --> 00:33:10,719
Speaker 4: in that spirit and get into like kind of like

683
00:33:11,200 --> 00:33:14,320
Speaker 4: and then this l a kind of idea can come

684
00:33:14,360 --> 00:33:15,880
Speaker 4: next and you can figure out what that means to you.

685
00:33:16,000 --> 00:33:18,680
Speaker 4: But I feel Hollywood, baby, it's Hollywood.

686
00:33:18,960 --> 00:33:22,120
Speaker 1: Yeah, that's a point. That's an entry point. I love that.

687
00:33:22,240 --> 00:33:22,440
Speaker 4: Yeah.

688
00:33:22,480 --> 00:33:26,200
Speaker 2: That's actually similar to because my suggestion for Sam it

689
00:33:26,240 --> 00:33:28,040
Speaker 2: was sort of adjacent to that, where I said, you

690
00:33:28,560 --> 00:33:31,440
Speaker 2: think you're an east side person, and of course you know,

691
00:33:31,680 --> 00:33:34,720
Speaker 2: we are in our own way, but why not lean

692
00:33:34,800 --> 00:33:38,560
Speaker 2: into the beechiness of it, Like why not go east side?

693
00:33:38,640 --> 00:33:38,840
Speaker 2: Right now?

694
00:33:38,880 --> 00:33:40,120
Speaker 1: I'm in East Hollywood.

695
00:33:40,480 --> 00:33:42,400
Speaker 4: Well least you're in Hollywood, that's true.

696
00:33:44,000 --> 00:33:45,280
Speaker 5: No, I'm more west side.

697
00:33:45,320 --> 00:33:50,080
Speaker 4: I mean, I'm like, yeah, just because you're in comedy

698
00:33:50,200 --> 00:33:53,560
Speaker 4: doesn't mean you have to go east side. Okay, okay, okay,

699
00:33:53,600 --> 00:33:54,520
Speaker 4: from I know, it's.

700
00:33:54,400 --> 00:33:56,200
Speaker 5: Like bush bricks straight to you.

701
00:33:56,600 --> 00:33:59,680
Speaker 3: I was looking for like a parallel leap, you know,

702
00:33:59,720 --> 00:34:03,120
Speaker 3: exactly exactly like we moved when when we were we

703
00:34:03,160 --> 00:34:06,160
Speaker 3: were living in New York and like Hell's Kitchen and

704
00:34:06,200 --> 00:34:07,880
Speaker 3: we had to move out, and we were looking like

705
00:34:07,960 --> 00:34:12,239
Speaker 3: wherever and Brooklyn, like various Brooklyn options were like more

706
00:34:12,280 --> 00:34:13,640
Speaker 3: expensive on the Upper west Side.

707
00:34:13,719 --> 00:34:16,239
Speaker 4: We moved to the Upper west Side. Whoa, and like,

708
00:34:16,880 --> 00:34:19,800
Speaker 4: you know, that was not you know, that was not cool.

709
00:34:22,400 --> 00:34:25,320
Speaker 4: And we were we were living like like it was heaven,

710
00:34:25,400 --> 00:34:27,720
Speaker 4: Like it was this tiny apartment but it had really

711
00:34:27,840 --> 00:34:29,799
Speaker 4: you know, at the top of a building. And then

712
00:34:30,040 --> 00:34:33,520
Speaker 4: like Central Park was our you know, tiny apartment, but

713
00:34:33,760 --> 00:34:35,440
Speaker 4: go downstairs and you're in Central Park. I mean it

714
00:34:35,480 --> 00:34:37,640
Speaker 4: was like anyway, just don't.

715
00:34:37,800 --> 00:34:42,719
Speaker 6: Assume west Side, baby, this is this is this has

716
00:34:42,760 --> 00:34:43,680
Speaker 6: to do with mirroring.

717
00:34:43,960 --> 00:34:47,240
Speaker 1: I will say where it's like even that, Like I

718
00:34:47,320 --> 00:34:50,239
Speaker 1: have never had the bravery or confidence if someone was like,

719
00:34:50,600 --> 00:34:52,200
Speaker 1: you can live on the Upper west Side for free,

720
00:34:52,320 --> 00:34:54,920
Speaker 1: I believe no, Like I believe that's not where my

721
00:34:55,000 --> 00:34:55,520
Speaker 1: people are.

722
00:34:55,680 --> 00:34:57,839
Speaker 4: Yes, And guess what, you don't need your I mean,

723
00:34:58,000 --> 00:35:00,520
Speaker 4: I mean, if you're like getting lunch with with other

724
00:35:00,640 --> 00:35:04,080
Speaker 4: people in comedy every day, what the hell? Okay, is

725
00:35:04,080 --> 00:35:05,759
Speaker 4: that really what you want? Don't you see them enough

726
00:35:05,800 --> 00:35:07,560
Speaker 4: at night the shows? Yeah?

727
00:35:08,239 --> 00:35:09,600
Speaker 5: Do you need them to coffee chef too?

728
00:35:09,960 --> 00:35:13,160
Speaker 4: Like to me, like I enjoyed retreating, okay, getting on

729
00:35:13,200 --> 00:35:17,360
Speaker 4: an a spread express. I went express train because of Express.

730
00:35:18,080 --> 00:35:19,880
Speaker 4: Like I've locked from saying.

731
00:35:19,800 --> 00:35:22,520
Speaker 2: You've been corrected so many times, You've corrected so many times.

732
00:35:25,120 --> 00:35:29,640
Speaker 4: Yeah, literally happened, you saw it. But then you take

733
00:35:29,640 --> 00:35:32,200
Speaker 4: an express train okay, and.

734
00:35:32,120 --> 00:35:33,799
Speaker 1: You're actually the thing.

735
00:35:33,960 --> 00:35:39,799
Speaker 4: Yeah it sounds wrong, sounds simple, but no, yeah, it's

736
00:35:39,840 --> 00:35:44,080
Speaker 4: this idea. And and so I mean, we always, being Chris,

737
00:35:44,120 --> 00:35:45,719
Speaker 4: have always lived in places that.

738
00:35:47,960 --> 00:35:50,480
Speaker 5: People like have a reaction. Just when we moved here,

739
00:35:50,680 --> 00:35:51,000
Speaker 5: moved to.

740
00:35:51,239 --> 00:35:55,600
Speaker 4: Hollywood proper, you know, like Hollywood Boulevard, and and people

741
00:35:55,600 --> 00:35:59,799
Speaker 4: are like what okay, or they're like the people say

742
00:35:59,880 --> 00:36:02,600
Speaker 4: like most insane stuff. And then they're like there's the

743
00:36:02,600 --> 00:36:04,120
Speaker 4: guy's like, oh you just moved to La let me

744
00:36:04,239 --> 00:36:06,440
Speaker 4: tell you all the restaurants, Like I'm the best restaurant

745
00:36:06,960 --> 00:36:08,920
Speaker 4: guy there is, and I know everything. And they're like,

746
00:36:08,920 --> 00:36:10,920
Speaker 4: where do you live Hollywood. Oh there's nothing there, you know,

747
00:36:11,360 --> 00:36:15,320
Speaker 4: and it's like burn you know, It's just it's just

748
00:36:15,440 --> 00:36:19,360
Speaker 4: an ugly quality, like to literally be proud to and

749
00:36:19,400 --> 00:36:21,920
Speaker 4: then to articulate it someone. So it's like, so we

750
00:36:21,920 --> 00:36:24,279
Speaker 4: always enjoyed that there was a time period in Hell's Kitchen.

751
00:36:24,360 --> 00:36:26,840
Speaker 5: We're like a block from Times Square basically.

752
00:36:26,440 --> 00:36:31,319
Speaker 4: Like and people are like, oh God, and it's like no,

753
00:36:31,480 --> 00:36:34,440
Speaker 4: it's I mean, Chris is this thing like lover boy,

754
00:36:34,560 --> 00:36:37,239
Speaker 4: like like he enjoys being in a place, you know

755
00:36:37,239 --> 00:36:40,120
Speaker 4: when people are like tourists like it's all it's all tourists.

756
00:36:40,160 --> 00:36:42,680
Speaker 4: Is like He's like yeah, like it's great, Like they're

757
00:36:42,719 --> 00:36:44,920
Speaker 4: on vacation and I'm just like getting.

758
00:36:44,719 --> 00:36:47,640
Speaker 5: My coffee for the day, like totally I live here.

759
00:36:47,719 --> 00:36:50,840
Speaker 4: Like it's like I don't know, just like the whole

760
00:36:50,880 --> 00:36:53,600
Speaker 4: like hating Times Square thing, you know, it's like it's

761
00:36:53,040 --> 00:36:57,480
Speaker 4: it's a different way, okay beyond Yeah.

762
00:36:57,560 --> 00:37:01,319
Speaker 2: You know what I've had that realization about recently. I've

763
00:37:01,360 --> 00:37:04,319
Speaker 2: been looking back at, you know, my comedy life, and

764
00:37:04,360 --> 00:37:07,480
Speaker 2: I'm like, wait, should I have gone all in on

765
00:37:07,640 --> 00:37:11,120
Speaker 2: being a club comedian? Like I thought, wait, I thought

766
00:37:11,120 --> 00:37:14,680
Speaker 2: this whole time that was somehow not beneath me, obviously,

767
00:37:14,680 --> 00:37:18,279
Speaker 2: but somehow I was too alt and too cool, and

768
00:37:18,320 --> 00:37:21,520
Speaker 2: I'm going to perform at basements and coffee shops. And

769
00:37:21,520 --> 00:37:23,600
Speaker 2: now I'm looking at those people, I'm like, wait, they

770
00:37:23,640 --> 00:37:26,840
Speaker 2: have the joy of like if they're performing somewhere with

771
00:37:26,880 --> 00:37:28,920
Speaker 2: there are a lot of tourists like performing for completely

772
00:37:28,920 --> 00:37:30,759
Speaker 2: different people every night, and people that are from all

773
00:37:30,760 --> 00:37:33,200
Speaker 2: over the country, and I am you know, of course

774
00:37:33,200 --> 00:37:38,080
Speaker 2: I love performing where we perform, but like it is, yeah,

775
00:37:38,120 --> 00:37:38,920
Speaker 2: it's people.

776
00:37:38,680 --> 00:37:40,759
Speaker 1: That are similar to us. It's people that are that

777
00:37:40,840 --> 00:37:41,520
Speaker 1: live in Brooklyn.

778
00:37:41,520 --> 00:37:45,440
Speaker 2: It's people that are sort of like upwardly mobile millennial

779
00:37:46,080 --> 00:37:49,720
Speaker 2: like queer adjacent millennials. And you do sort of wonder,

780
00:37:49,800 --> 00:37:55,200
Speaker 2: like wait, in my in my attempt to escape the cliche,

781
00:37:55,640 --> 00:38:01,120
Speaker 2: I am only embracing and even more limiting, right, Like

782
00:38:01,160 --> 00:38:01,840
Speaker 2: at least there's.

783
00:38:01,719 --> 00:38:05,320
Speaker 4: A neutrality kind of to like in theory, there's a

784
00:38:05,320 --> 00:38:08,440
Speaker 4: little bit of a neutrality to a club in that like,

785
00:38:09,680 --> 00:38:16,440
Speaker 4: you know, any sort of wacky version like of you

786
00:38:16,480 --> 00:38:18,360
Speaker 4: know in theory would work in a club if you

787
00:38:18,440 --> 00:38:20,960
Speaker 4: get the laughs right. It's like it's like the unifying

788
00:38:21,000 --> 00:38:23,440
Speaker 4: sort of like tradesman nature of like well, if you

789
00:38:23,480 --> 00:38:26,479
Speaker 4: can make them laugh, We'll put you up, which is true,

790
00:38:26,560 --> 00:38:28,239
Speaker 4: I would say, right like if you could you know,

791
00:38:28,360 --> 00:38:33,520
Speaker 4: in a club or something like and where I guess

792
00:38:34,640 --> 00:38:37,239
Speaker 4: in that other like scene and setting, it's a little

793
00:38:37,280 --> 00:38:39,680
Speaker 4: more like if the person who show it is like

794
00:38:39,760 --> 00:38:40,560
Speaker 4: sees what you're.

795
00:38:40,400 --> 00:38:41,360
Speaker 5: Going for.

796
00:38:43,120 --> 00:38:45,840
Speaker 4: Potential, they'll put you up, or like you know, they

797
00:38:45,920 --> 00:38:48,960
Speaker 4: they appreciate what you're like, they see that you're struggling

798
00:38:49,400 --> 00:38:52,040
Speaker 4: against the same uh, you know, to resist the same

799
00:38:52,080 --> 00:38:56,680
Speaker 4: tropes as because you are, and you're like there's a

800
00:38:56,880 --> 00:39:00,279
Speaker 4: taste like you know, and then and then it used

801
00:39:00,320 --> 00:39:03,799
Speaker 4: to be like you know, but I kind of was

802
00:39:04,280 --> 00:39:08,000
Speaker 4: pursuing both, I guess when I first started, like I

803
00:39:08,160 --> 00:39:11,200
Speaker 4: was very much when I first started literally like club

804
00:39:11,560 --> 00:39:13,080
Speaker 4: like trying to like get in a club, you know,

805
00:39:13,120 --> 00:39:15,959
Speaker 4: like just the whole thing, and there was something sort

806
00:39:16,000 --> 00:39:21,520
Speaker 4: of there was something the harsh nature, the harsh, harsh

807
00:39:21,600 --> 00:39:24,839
Speaker 4: sort of showbiz kind of feeling of like well, if

808
00:39:24,880 --> 00:39:26,600
Speaker 4: I did get up there and was able to like

809
00:39:26,920 --> 00:39:29,400
Speaker 4: show that I can get anyone, any group of people

810
00:39:29,800 --> 00:39:32,560
Speaker 4: strangers to laugh, like you know, there's there is something

811
00:39:32,600 --> 00:39:33,960
Speaker 4: I knew cool about that and.

812
00:39:33,880 --> 00:39:36,680
Speaker 2: Absolutely how I felt, Yes, this is how I felt

813
00:39:36,680 --> 00:39:39,120
Speaker 2: because I started in Boston and I'm not from there,

814
00:39:39,160 --> 00:39:41,960
Speaker 2: so it's not like I didn't have any sort of

815
00:39:42,040 --> 00:39:44,520
Speaker 2: hometown connection to it, but I just happened to be

816
00:39:44,520 --> 00:39:45,960
Speaker 2: living there and that's where I started, and that was

817
00:39:45,960 --> 00:39:48,600
Speaker 2: the exact way I felt where I had this sick

818
00:39:48,719 --> 00:39:50,480
Speaker 2: pleasure of like being in a room and it was

819
00:39:50,560 --> 00:39:54,640
Speaker 2: all guys with red sox CAFs and I was making

820
00:39:54,640 --> 00:39:58,000
Speaker 2: them laugh because I was saying the word Eiffel towering

821
00:39:58,400 --> 00:40:00,320
Speaker 2: about gay men doing it.

822
00:40:01,239 --> 00:40:06,200
Speaker 1: Well, yeah, hysterical. Also, the bubble that we're in has

823
00:40:06,239 --> 00:40:10,799
Speaker 1: gotten more bubbly recently, like it did start. Like I

824
00:40:10,840 --> 00:40:13,279
Speaker 1: even feel like, you know, doing the Pine Box mic

825
00:40:13,320 --> 00:40:16,759
Speaker 1: in Bushwick. It was sort of where I found myself

826
00:40:17,280 --> 00:40:19,239
Speaker 1: and that was like, you know, I felt like, oh,

827
00:40:19,280 --> 00:40:22,239
Speaker 1: I'm performing for so many different types of guys that

828
00:40:22,320 --> 00:40:26,000
Speaker 1: I would never like out that.

829
00:40:26,000 --> 00:40:28,279
Speaker 4: Was Wait, you thought that was the wider group. The

830
00:40:28,360 --> 00:40:31,400
Speaker 4: Pine Box was the Pine Box of Broke Club.

831
00:40:31,400 --> 00:40:34,160
Speaker 2: In this analogy, hysterical, it's literally like at least it's

832
00:40:34,200 --> 00:40:37,440
Speaker 2: literally at least it's not only LGBT.

833
00:40:37,480 --> 00:40:38,480
Speaker 5: Right, right, I can picture that.

834
00:40:38,560 --> 00:40:40,600
Speaker 1: I remember, like these guys are like I forgot They're

835
00:40:40,680 --> 00:40:43,640
Speaker 1: so different and yet like I'm look at me performing

836
00:40:43,680 --> 00:40:44,080
Speaker 1: for them.

837
00:40:44,280 --> 00:40:47,400
Speaker 4: Well, also the host I mean the hostile crowd, like

838
00:40:47,800 --> 00:40:50,839
Speaker 4: the are the inherent like hostility that I at least

839
00:40:50,880 --> 00:40:54,719
Speaker 4: always project onto a comedy audience that isn't you know,

840
00:40:55,520 --> 00:40:57,960
Speaker 4: like there to see you, which has never been the

841
00:40:58,000 --> 00:41:01,320
Speaker 4: case for me except for once I started doing my show,

842
00:41:01,360 --> 00:41:03,680
Speaker 4: and then they're at least they're there on purpose to

843
00:41:03,719 --> 00:41:06,440
Speaker 4: see the show, even if they don't know me, you

844
00:41:06,440 --> 00:41:08,680
Speaker 4: know what I mean, Like it's a different thing, right,

845
00:41:08,680 --> 00:41:12,680
Speaker 4: But always comedy audience is like this, you know, I

846
00:41:12,760 --> 00:41:15,160
Speaker 4: just see them as this thing that like if I

847
00:41:15,200 --> 00:41:17,640
Speaker 4: do nothing, they're gonna hate me. And then like how

848
00:41:17,640 --> 00:41:19,719
Speaker 4: far away can from them hating me? Can I can?

849
00:41:19,760 --> 00:41:22,560
Speaker 4: I get? You know, like and it's just like a

850
00:41:22,640 --> 00:41:24,840
Speaker 4: failed proposition from the start of my mind or something,

851
00:41:24,880 --> 00:41:28,759
Speaker 4: and you know, just cause and anyway I forgot always

852
00:41:28,760 --> 00:41:30,960
Speaker 4: saying it. But but oh the hostile crowd, right like,

853
00:41:32,239 --> 00:41:34,600
Speaker 4: and so then I project I've always projected onto that

854
00:41:34,719 --> 00:41:37,800
Speaker 4: like a certain kind of like I just if you

855
00:41:37,840 --> 00:41:39,960
Speaker 4: could get inside the head of the Communian and go

856
00:41:40,080 --> 00:41:41,719
Speaker 4: like what is the what.

857
00:41:41,680 --> 00:41:42,560
Speaker 5: Are they picturing?

858
00:41:44,000 --> 00:41:48,000
Speaker 4: Like the personality that they project under the hostile crowd?

859
00:41:48,120 --> 00:41:51,440
Speaker 4: You know, like what is it? Yes? And like I

860
00:41:51,800 --> 00:41:56,280
Speaker 4: and I think mine probably varies. There are different ones.

861
00:41:56,320 --> 00:41:57,920
Speaker 4: Like if I were in the club setting that I

862
00:41:57,920 --> 00:42:01,960
Speaker 4: thought was a very i don't know, like traditional whatever,

863
00:42:02,120 --> 00:42:04,120
Speaker 4: I like think that, then for them, I'm like this

864
00:42:04,200 --> 00:42:07,200
Speaker 4: weird girl or something, right, And then like in the

865
00:42:07,280 --> 00:42:10,560
Speaker 4: most you know, alternative whatever you know you call it scene,

866
00:42:10,640 --> 00:42:13,359
Speaker 4: like like suddenly I feel like this, like I don't

867
00:42:13,360 --> 00:42:15,799
Speaker 4: even know what, like like it's just yeah, I mean

868
00:42:15,800 --> 00:42:19,120
Speaker 4: that's the mirroring thing again, but just the personality of

869
00:42:19,120 --> 00:42:20,520
Speaker 4: the crowd, like what the.

870
00:42:20,440 --> 00:42:23,560
Speaker 2: Hell yeah are You also find that sometimes if you're

871
00:42:23,760 --> 00:42:26,879
Speaker 2: in a more alt uh you know, in a more

872
00:42:26,920 --> 00:42:29,319
Speaker 2: all crowd, then suddenly you are taking on the role

873
00:42:29,360 --> 00:42:30,960
Speaker 2: of like the conservative.

874
00:42:30,640 --> 00:42:38,240
Speaker 1: Oh I feel so republican, such straightforward woke audiences. Yeah

875
00:42:38,320 --> 00:42:38,840
Speaker 1: right right.

876
00:42:38,760 --> 00:42:42,719
Speaker 4: Right right right, like you're you're you're yeah, suddenly you

877
00:42:42,760 --> 00:42:44,640
Speaker 4: can't say anything anymore whatever.

878
00:42:44,960 --> 00:42:47,279
Speaker 2: Literally yeah, And you start to actually think that and

879
00:42:47,280 --> 00:42:49,279
Speaker 2: you're like oh no, oh, no, oh no, and now

880
00:42:49,280 --> 00:42:49,839
Speaker 2: it's too late.

881
00:42:50,160 --> 00:42:55,160
Speaker 1: What I recently, I saw Guy Brandham recently and he

882
00:42:55,320 --> 00:42:57,359
Speaker 1: was like made a joke about how I used to

883
00:42:57,400 --> 00:43:01,200
Speaker 1: like pour water on myself at shows, and I was like, oh,

884
00:43:01,239 --> 00:43:03,399
Speaker 1: that's true. I used to do this like bit where

885
00:43:03,400 --> 00:43:06,719
Speaker 1: I pour water all over myself and if I saw

886
00:43:06,760 --> 00:43:09,919
Speaker 1: someone do that, now, I'd like do such an eye roll,

887
00:43:10,960 --> 00:43:11,880
Speaker 1: like why.

888
00:43:11,640 --> 00:43:16,680
Speaker 4: Would you because it's too like it's it's like meaningless like.

889
00:43:16,800 --> 00:43:20,520
Speaker 1: Hard where I'm like, we get it, you're weird. Yeah yeah,

890
00:43:20,560 --> 00:43:21,560
Speaker 1: like let's move past that.

891
00:43:21,800 --> 00:43:24,480
Speaker 4: Yeah yeah, yeah, you got anything else kind of like

892
00:43:24,600 --> 00:43:27,759
Speaker 4: like like you're you're like day one like early kind

893
00:43:27,800 --> 00:43:30,120
Speaker 4: of like like like early comedy coming in and like

894
00:43:30,360 --> 00:43:32,600
Speaker 4: and like shipping up, Like your bit is that you're

895
00:43:32,680 --> 00:43:36,120
Speaker 4: shitting on what comedians do or whatever, Like that's classic, classic,

896
00:43:36,320 --> 00:43:38,480
Speaker 4: like it is like to get up and do bad

897
00:43:38,520 --> 00:43:41,799
Speaker 4: storm comedy like literally the easiest thing in the world. Yeah,

898
00:43:41,880 --> 00:43:45,200
Speaker 4: so I'm supposed to be you know, I remember like whatever,

899
00:43:45,400 --> 00:43:47,439
Speaker 4: just you know, it's it's it's like try to write

900
00:43:47,440 --> 00:43:49,839
Speaker 4: one joke, to run straight.

901
00:43:49,600 --> 00:43:51,200
Speaker 1: Joke, really put yourself out there.

902
00:43:51,320 --> 00:43:54,239
Speaker 4: Ye see. It's you know, that's where it's like, I

903
00:43:54,239 --> 00:43:58,279
Speaker 4: don't know, it's but this this sort of thing of

904
00:43:58,320 --> 00:44:02,360
Speaker 4: this like whatever club alt thing that is always a

905
00:44:02,400 --> 00:44:04,200
Speaker 4: point of conversation and literally has.

906
00:44:04,040 --> 00:44:05,720
Speaker 1: Been since the beginning of time.

907
00:44:05,880 --> 00:44:08,040
Speaker 5: Yeah, it's always and it always seems like.

908
00:44:09,719 --> 00:44:12,200
Speaker 4: I don't know, there's there's obviously something in that conversation

909
00:44:12,280 --> 00:44:15,640
Speaker 4: whether or not the scene like exists, because it's always

910
00:44:15,680 --> 00:44:18,279
Speaker 4: like someone being like they're like, well you see when

911
00:44:18,320 --> 00:44:20,839
Speaker 4: I or there actually was an old scene or there

912
00:44:20,840 --> 00:44:23,520
Speaker 4: wasn't no senor there's been this. It's like this this

913
00:44:23,880 --> 00:44:25,480
Speaker 4: arguing about the history of this thing. But it's like

914
00:44:26,160 --> 00:44:28,560
Speaker 4: sitting on the side, there's obviously like a fiction in

915
00:44:28,600 --> 00:44:31,000
Speaker 4: our mind that holds like an archetypal thing.

916
00:44:31,000 --> 00:44:33,160
Speaker 5: I'm sort of what we mean when we think of

917
00:44:33,160 --> 00:44:33,719
Speaker 5: this and when.

918
00:44:33,600 --> 00:44:37,600
Speaker 4: Were and like these two these two like polls kind

919
00:44:37,640 --> 00:44:40,120
Speaker 4: of or maybe it's like two different axes. One of

920
00:44:40,160 --> 00:44:43,960
Speaker 4: them is like because it's like and they're like, okay,

921
00:44:44,080 --> 00:44:46,400
Speaker 4: you know, it's this, oh you got to get like

922
00:44:46,640 --> 00:44:48,920
Speaker 4: over here the tradesman who's got to get everybody. He's

923
00:44:48,920 --> 00:44:50,480
Speaker 4: got to be able to make this person laugh and

924
00:44:50,480 --> 00:44:52,799
Speaker 4: this person laughs. It's gonna be you know, broad, it's

925
00:44:52,800 --> 00:44:56,200
Speaker 4: got it's got to be repeatable, and therefore it's gonna

926
00:44:56,200 --> 00:44:58,680
Speaker 4: be low risk and whatever. And then over on this

927
00:44:58,760 --> 00:45:01,239
Speaker 4: side like okay, they're doing and whatever, but there's no

928
00:45:01,280 --> 00:45:05,879
Speaker 4: standards like like you know, you know, like uh, it's

929
00:45:06,000 --> 00:45:09,960
Speaker 4: a different you know, laziness. Laziness can occur on both sides.

930
00:45:10,440 --> 00:45:12,720
Speaker 4: Playing to the audience can occur on both sides. Whatever,

931
00:45:12,760 --> 00:45:14,840
Speaker 4: it's just like, but there's something compelling about it. So

932
00:45:14,880 --> 00:45:17,799
Speaker 4: it's like the conversation shall never stop. And like I

933
00:45:17,840 --> 00:45:19,640
Speaker 4: as well just like enjoy the converence. Like I just

934
00:45:19,680 --> 00:45:22,360
Speaker 4: A'm like, we're having a conversation. I'm like, yeah, it's

935
00:45:22,840 --> 00:45:28,080
Speaker 4: it's always and I don't know there there is I rememberroot.

936
00:45:28,280 --> 00:45:30,719
Speaker 4: I mean like the dream is somehow I guess to

937
00:45:30,760 --> 00:45:33,240
Speaker 4: me is to do it all.

938
00:45:37,680 --> 00:45:39,080
Speaker 1: And be able to read the room and be like,

939
00:45:39,120 --> 00:45:40,400
Speaker 1: you know what, they're gonna love that bit where I

940
00:45:40,400 --> 00:45:41,360
Speaker 1: pour water myself.

941
00:45:41,800 --> 00:45:46,920
Speaker 2: Yeah, yeah, you know we started, we started poog and

942
00:45:46,960 --> 00:45:51,960
Speaker 2: now we got to w TF because I was like, literally, wtf,

943
00:45:52,360 --> 00:45:54,040
Speaker 2: we are being so sorry?

944
00:45:54,400 --> 00:45:55,040
Speaker 5: I hate.

945
00:45:56,320 --> 00:45:57,200
Speaker 4: But I also love it.

946
00:45:57,280 --> 00:45:59,080
Speaker 2: We don't do it very often on this We don't

947
00:45:59,080 --> 00:46:01,239
Speaker 2: do it very often because I and we never not

948
00:46:01,280 --> 00:46:03,520
Speaker 2: to project on you, but exactly, I feel like you

949
00:46:03,560 --> 00:46:05,799
Speaker 2: guys also have an aversion to that. You don't want

950
00:46:05,840 --> 00:46:08,960
Speaker 2: to you know, sort of like do inside baseball. But

951
00:46:08,960 --> 00:46:12,080
Speaker 2: then of course, I ever actually of course it's all

952
00:46:12,120 --> 00:46:13,400
Speaker 2: I ever wanted to indulging.

953
00:46:14,000 --> 00:46:16,840
Speaker 4: I'm sorry, should we should we do our first segment.

954
00:46:17,000 --> 00:46:20,960
Speaker 1: Oh yeah, we're an hour in almost I would actually

955
00:46:21,000 --> 00:46:24,719
Speaker 1: love to do our first st No, no, no, no, Jack.

956
00:46:25,160 --> 00:46:28,440
Speaker 2: Just to be clear, I am I love everything we

957
00:46:28,520 --> 00:46:29,799
Speaker 2: have done to this point, and.

958
00:46:29,800 --> 00:46:32,960
Speaker 1: Even like, I'm like, I still feel like I want

959
00:46:32,960 --> 00:46:34,520
Speaker 1: to talk more about it, but I know we can't. Like,

960
00:46:34,600 --> 00:46:37,600
Speaker 1: I'm like, I know, I desperately want to. I also,

961
00:46:37,840 --> 00:46:43,160
Speaker 1: you know, I think it's interesting because you're I'm like,

962
00:46:43,239 --> 00:46:44,960
Speaker 1: I'm very curious how you feel about all of it,

963
00:46:45,239 --> 00:46:49,600
Speaker 1: because you are such a you know what, you want

964
00:46:49,680 --> 00:46:52,560
Speaker 1: to know who you are, and you've always I think,

965
00:46:52,600 --> 00:46:55,600
Speaker 1: so from the outside, it feels like phenomenal.

966
00:46:55,640 --> 00:46:56,239
Speaker 4: I love that.

967
00:46:56,840 --> 00:46:58,520
Speaker 1: Yeah, so, well.

968
00:46:58,640 --> 00:47:01,719
Speaker 2: There's an intentionality. There's intentionality there. You know, you know

969
00:47:01,760 --> 00:47:05,959
Speaker 2: what you're not doing as a performer mirroring Yeah hell yeah, yeah,

970
00:47:06,239 --> 00:47:08,280
Speaker 2: you're the person and the audience is the mirror.

971
00:47:08,680 --> 00:47:19,960
Speaker 4: Oh yeah, okay, yeah serious, Why I'm reduced to segment?

972
00:47:20,000 --> 00:47:21,720
Speaker 5: I'm sorry you got excited.

973
00:47:22,200 --> 00:47:25,640
Speaker 2: Okay, So, Jacqueline, our first segment is called Straight Shooters,

974
00:47:25,680 --> 00:47:28,800
Speaker 2: and in this segment, we test your familiarity with and

975
00:47:28,880 --> 00:47:31,440
Speaker 2: complicity and straight culture by giving you a series of

976
00:47:31,520 --> 00:47:34,200
Speaker 2: rapid fire questions where you have to choose one thing

977
00:47:34,239 --> 00:47:34,839
Speaker 2: or another thing.

978
00:47:35,040 --> 00:47:36,280
Speaker 1: And the one.

979
00:47:36,160 --> 00:47:39,520
Speaker 2: Rule is you can't ask any questions about how the

980
00:47:39,560 --> 00:47:41,879
Speaker 2: game works. You can't ask any follow up questions. If

981
00:47:41,880 --> 00:47:45,080
Speaker 2: you do, we will actually completely change our tune on

982
00:47:45,120 --> 00:47:53,040
Speaker 2: you and dislike you favor sensing a question already and

983
00:47:53,120 --> 00:47:56,520
Speaker 2: we and and it has been established in the midst.

984
00:47:56,239 --> 00:48:00,840
Speaker 1: Of this that's a question exactly alright, I'm gonna.

985
00:48:00,640 --> 00:48:02,960
Speaker 2: I'm gonna save you from yourself by starting with the

986
00:48:02,960 --> 00:48:09,960
Speaker 2: first question. Okay, all right, Jacqueline compiling adosier or stockpiling

987
00:48:10,239 --> 00:48:11,080
Speaker 2: in the chalet?

988
00:48:11,280 --> 00:48:11,759
Speaker 1: Wait? Wait?

989
00:48:12,719 --> 00:48:16,480
Speaker 4: Am I supposed to say mine? Okay, I'm saying no, like,

990
00:48:16,520 --> 00:48:18,239
Speaker 4: which one I like? Or am I trying to be like?

991
00:48:18,280 --> 00:48:19,200
Speaker 5: Here's the straight one?

992
00:48:20,120 --> 00:48:28,520
Speaker 4: Hold on compiling a dossier or CHALETI I mean, which

993
00:48:28,560 --> 00:48:30,719
Speaker 4: one do I want? Or which one do I live?

994
00:48:30,760 --> 00:48:31,080
Speaker 3: As?

995
00:48:31,200 --> 00:48:32,160
Speaker 5: I mean, I guess.

996
00:48:31,960 --> 00:48:35,919
Speaker 4: I'm compiling a dossier. Yeah, I'm not happy about it though.

997
00:48:36,080 --> 00:48:40,640
Speaker 1: Okay, yeah, Jacqueline, Well, no one ever Jacqueline a palindrome

998
00:48:40,800 --> 00:48:43,120
Speaker 1: or a house that's not a home, a house that's

999
00:48:43,160 --> 00:48:47,879
Speaker 1: not a home. Jacqueline splitting an app or spitting a.

1000
00:48:47,920 --> 00:48:55,200
Speaker 4: Rap, spitting our fucking rap. I guess I will shu.

1001
00:48:56,080 --> 00:49:01,000
Speaker 4: I shall not split nap unless it's three per person.

1002
00:49:01,280 --> 00:49:04,239
Speaker 4: I mean, yeah, it's a whole conversation for me. But

1003
00:49:04,400 --> 00:49:05,879
Speaker 4: keep it, keep it going into the rabbit fire.

1004
00:49:05,880 --> 00:49:10,520
Speaker 1: I'll keep okay, Okay, tossing the pigskin or embodying a Christen.

1005
00:49:13,400 --> 00:49:14,320
Speaker 1: I love that.

1006
00:49:14,320 --> 00:49:24,239
Speaker 4: That's beautiful tossing the pig skin despite not I don't

1007
00:49:24,239 --> 00:49:25,879
Speaker 4: I don't know if I'm saying which i'd rather do.

1008
00:49:26,200 --> 00:49:28,200
Speaker 4: You didn't tell me, and so I'm just sort of

1009
00:49:28,280 --> 00:49:30,360
Speaker 4: choosing yeah.

1010
00:49:30,040 --> 00:49:35,719
Speaker 2: With no elation, reduce, reuse, recycle, stop, drop and roll

1011
00:49:35,880 --> 00:49:40,120
Speaker 2: stop stop, a skip and a jump, or gypsies, tramps

1012
00:49:40,120 --> 00:49:41,120
Speaker 2: and thieves.

1013
00:49:41,320 --> 00:49:47,520
Speaker 1: Well, gypsy thieves, Okay, Jacqueline a bottle of water or

1014
00:49:47,560 --> 00:49:48,719
Speaker 1: a long lost daughter.

1015
00:49:50,080 --> 00:49:55,879
Speaker 2: Daughter daughter, Jacqueline entering a new era or exiting through

1016
00:49:55,880 --> 00:49:57,200
Speaker 2: the gift shop.

1017
00:49:58,080 --> 00:50:02,439
Speaker 1: Wow, I mean that was an amazing rap.

1018
00:50:03,200 --> 00:50:06,520
Speaker 2: That was an incredible Now we can talk. Yeah, yeah,

1019
00:50:06,560 --> 00:50:09,399
Speaker 2: So this is like I feel like, so we rank

1020
00:50:09,480 --> 00:50:11,960
Speaker 2: our guests performance on a scale of one to one

1021
00:50:11,960 --> 00:50:14,200
Speaker 2: thousand dubs, and I have to say, I actually think

1022
00:50:14,239 --> 00:50:16,040
Speaker 2: that was a one thousand And I'll tell you why,

1023
00:50:16,200 --> 00:50:23,120
Speaker 2: because the journey of uncertainty to complete embodiment, Like at

1024
00:50:23,160 --> 00:50:26,359
Speaker 2: the end, you really were just like gift shop. Yeah,

1025
00:50:26,480 --> 00:50:29,160
Speaker 2: I agree, there was any felt there was an art

1026
00:50:29,280 --> 00:50:30,040
Speaker 2: there was.

1027
00:50:30,280 --> 00:50:33,640
Speaker 1: I would say it was a romant. Wait, what is

1028
00:50:33,680 --> 00:50:34,880
Speaker 1: it called? Building? Is romance?

1029
00:50:35,920 --> 00:50:39,239
Speaker 2: I would say you came of a came of age.

1030
00:50:39,320 --> 00:50:41,640
Speaker 2: You were you were Emma Stone and poor things, and

1031
00:50:41,680 --> 00:50:45,560
Speaker 2: you started out baby brained and you ended an empowered.

1032
00:50:45,120 --> 00:50:48,240
Speaker 5: Woman because I had to find my own code, because.

1033
00:50:48,000 --> 00:50:49,799
Speaker 1: You have to find you. That is I mean this

1034
00:50:49,960 --> 00:50:52,680
Speaker 1: talk about our conversation around mirroring, like this was like

1035
00:50:52,719 --> 00:50:54,759
Speaker 1: you were like, well, I'm mirroring you, and we were like, no,

1036
00:50:54,840 --> 00:50:55,960
Speaker 1: it's about your journey.

1037
00:50:56,040 --> 00:50:59,919
Speaker 2: Yeah, no, no, no, that was you know sort of yeah,

1038
00:51:00,080 --> 00:51:02,759
Speaker 2: to answer the general question, like the whole point is

1039
00:51:02,760 --> 00:51:04,960
Speaker 2: that everyone's confused and then you see how they react.

1040
00:51:05,080 --> 00:51:08,520
Speaker 4: No, no, totally and that actually I was thrilled when you

1041
00:51:08,520 --> 00:51:12,560
Speaker 4: wouldn't let me ask the questions at the beginning because

1042
00:51:12,840 --> 00:51:17,560
Speaker 4: I had to surrender, okay, and then I became you know, no,

1043
00:51:17,760 --> 00:51:22,040
Speaker 4: the journey you saw, right was then okay, you guys

1044
00:51:22,040 --> 00:51:25,560
Speaker 4: and the listener all know sort of the game. I

1045
00:51:25,600 --> 00:51:28,279
Speaker 4: don't know whether I am you know, I don't know

1046
00:51:28,280 --> 00:51:30,640
Speaker 4: what my answers are meaning if there is a specific

1047
00:51:30,800 --> 00:51:33,120
Speaker 4: sort of you know, I'm supposed to be saying what

1048
00:51:33,200 --> 00:51:34,560
Speaker 4: I like and at the end, you're gonna tell me

1049
00:51:34,640 --> 00:51:37,200
Speaker 4: how straight I am or not. Okay. I went through that.

1050
00:51:38,719 --> 00:51:39,759
Speaker 5: I literally went through that.

1051
00:51:39,880 --> 00:51:42,560
Speaker 4: I was like, I was like, okay, well, I was

1052
00:51:42,600 --> 00:51:44,359
Speaker 4: like entering a new era. I was like, what's coming,

1053
00:51:44,440 --> 00:51:46,920
Speaker 4: like like my interpretations of the whole thing, and then

1054
00:51:47,040 --> 00:51:49,680
Speaker 4: and then yeah, and then it just became well, well,

1055
00:51:49,840 --> 00:51:52,680
Speaker 4: no one's fucking helping me, okay, okay, so I'm just

1056
00:51:52,719 --> 00:51:55,360
Speaker 4: gonna go with like I was like, so I was

1057
00:51:55,480 --> 00:51:57,000
Speaker 4: hung up on this kind of Yeah, I was hung

1058
00:51:57,040 --> 00:52:00,239
Speaker 4: up in this straight like thing for a little bit, like, oh,

1059
00:52:00,280 --> 00:52:04,399
Speaker 4: you think I'm straight, and I'm going to say yeah,

1060
00:52:04,440 --> 00:52:07,560
Speaker 4: but then I forget what the oh embodying a Christen right,

1061
00:52:07,640 --> 00:52:09,520
Speaker 4: and I just couldn't. I was like, no, fuck it,

1062
00:52:09,560 --> 00:52:11,680
Speaker 4: I'd rather toss the pig skin right now than body

1063
00:52:11,719 --> 00:52:13,960
Speaker 4: a chrystin. I don't know, like, I'd rather even like

1064
00:52:14,440 --> 00:52:17,239
Speaker 4: where the drag of the of the of the of

1065
00:52:17,239 --> 00:52:19,919
Speaker 4: the pigskin character. So then it just became my own, yeah,

1066
00:52:19,920 --> 00:52:22,359
Speaker 4: my own code of like you know.

1067
00:52:24,080 --> 00:52:27,960
Speaker 1: What sang to me? Yeah, yeah, yeah, it's like a

1068
00:52:28,239 --> 00:52:30,280
Speaker 1: shark test. It's it's yeah.

1069
00:52:30,080 --> 00:52:33,399
Speaker 4: I struggled when I had one of those two. I mean, well,

1070
00:52:33,440 --> 00:52:37,000
Speaker 4: of course with all the parenthetical like well.

1071
00:52:36,960 --> 00:52:39,200
Speaker 2: I was about to say, like a task like this

1072
00:52:39,400 --> 00:52:44,560
Speaker 2: for someone who is parenthetical inclined is complete. Yeah, is

1073
00:52:44,600 --> 00:52:50,120
Speaker 2: a nightmare because you can't basically you know, what's going

1074
00:52:50,120 --> 00:52:51,879
Speaker 2: through your mind is like, well, I hope they don't

1075
00:52:51,920 --> 00:52:53,879
Speaker 2: think I'm picking this for the wrong reason. But all

1076
00:52:53,920 --> 00:52:55,319
Speaker 2: I can say is what the thing is?

1077
00:52:55,600 --> 00:52:58,480
Speaker 1: I mean, doing a literal RORS test. I can't think

1078
00:52:58,520 --> 00:52:59,759
Speaker 1: of anything that I would get more in my head

1079
00:52:59,800 --> 00:53:01,960
Speaker 1: about because it's like, well, I know this is like

1080
00:53:02,040 --> 00:53:06,160
Speaker 1: revealing something about me, so so I can't even say

1081
00:53:06,160 --> 00:53:07,400
Speaker 1: it honestly any No.

1082
00:53:07,520 --> 00:53:09,920
Speaker 4: I so it was a literal I took a literal

1083
00:53:09,960 --> 00:53:12,040
Speaker 4: one in a formal setting of like a battery of

1084
00:53:12,040 --> 00:53:15,239
Speaker 4: psychological tests. Once it was like it was, It wasn't

1085
00:53:15,280 --> 00:53:17,760
Speaker 4: like a friend with a rorshack. It was like absolute

1086
00:53:17,840 --> 00:53:20,960
Speaker 4: real and then like about like you know, and I

1087
00:53:20,960 --> 00:53:22,520
Speaker 4: couldn't believe it. I couldn't believe it was all this

1088
00:53:22,640 --> 00:53:25,759
Speaker 4: like uh, projective subject there I think it was the

1089
00:53:26,200 --> 00:53:29,600
Speaker 4: I forget which one it was, but literally like draw

1090
00:53:29,680 --> 00:53:31,400
Speaker 4: person like all the stuff you see in like movies

1091
00:53:31,440 --> 00:53:34,120
Speaker 4: where they're assessing you know, like they're like draw person,

1092
00:53:34,320 --> 00:53:37,319
Speaker 4: then you do it. It's like and obviously you're sitting

1093
00:53:37,320 --> 00:53:41,839
Speaker 4: there going like you know, like okay, like I draw

1094
00:53:41,920 --> 00:53:44,080
Speaker 4: stick figure, like like there's like a million ways I.

1095
00:53:44,280 --> 00:53:46,080
Speaker 1: Go about it, like just tell me what each one means,

1096
00:53:46,080 --> 00:53:48,120
Speaker 1: and I'll draw the one that. Yeah, like I think

1097
00:53:48,160 --> 00:53:49,280
Speaker 1: I should be how.

1098
00:53:49,400 --> 00:53:51,880
Speaker 4: Like I trying to escape the system almost like okay,

1099
00:53:51,920 --> 00:53:55,759
Speaker 4: I'm gonna you know, I'm just like I'm performing for you.

1100
00:53:55,880 --> 00:54:00,160
Speaker 4: So like but in a rorshack, you know, it was like, well, well,

1101
00:54:01,040 --> 00:54:03,080
Speaker 4: first of I'm seeing multiple things at once. If I

1102
00:54:03,080 --> 00:54:04,600
Speaker 4: look at it, like that's the whole object that I

1103
00:54:04,640 --> 00:54:08,239
Speaker 4: see this wolf's face okay, And then I'm like or

1104
00:54:08,640 --> 00:54:10,840
Speaker 4: you know, or like pull back and I see a

1105
00:54:10,840 --> 00:54:13,320
Speaker 4: whole body of like a sort of person and whatever.

1106
00:54:13,920 --> 00:54:15,960
Speaker 4: Or and then I'm like, or, well all of these

1107
00:54:16,360 --> 00:54:19,440
Speaker 4: like have a vaginal thing because they're all literally like

1108
00:54:19,520 --> 00:54:23,160
Speaker 4: folded in half. Yeah, and that depth like the ink

1109
00:54:23,280 --> 00:54:25,879
Speaker 4: is most inky in the center. Like it's so I'm

1110
00:54:25,920 --> 00:54:27,920
Speaker 4: just like, so they're all going to be like vaginas.

1111
00:54:27,960 --> 00:54:31,200
Speaker 4: But like we're like we just we know that right,

1112
00:54:31,280 --> 00:54:31,720
Speaker 4: like it's.

1113
00:54:31,600 --> 00:54:34,360
Speaker 1: A specific the form.

1114
00:54:34,480 --> 00:54:36,920
Speaker 4: Yeah, And doing all that and just talking talking and

1115
00:54:36,960 --> 00:54:39,440
Speaker 4: basically saying like you know, insisting on saying like twenty

1116
00:54:39,480 --> 00:54:42,799
Speaker 4: things that I saw and and then you know, I'm

1117
00:54:42,840 --> 00:54:47,520
Speaker 4: diagnosed as an overincorporator, like and I take him too literally.

1118
00:54:47,960 --> 00:54:51,200
Speaker 4: They're like takes in too much information, more information than

1119
00:54:51,640 --> 00:54:55,239
Speaker 4: you know you then is useful you can diagnosed.

1120
00:54:55,440 --> 00:54:57,879
Speaker 1: I guess I've never heard over incorporator.

1121
00:54:58,320 --> 00:55:01,480
Speaker 4: Yeah, it was like it was a formal like it

1122
00:55:01,560 --> 00:55:03,799
Speaker 4: was a word used in a in that setting, like

1123
00:55:04,080 --> 00:55:08,120
Speaker 4: over incorporation takes in vast you know, more information than

1124
00:55:08,280 --> 00:55:14,000
Speaker 4: than you can or would be even useful to process. WHOA,

1125
00:55:14,160 --> 00:55:16,280
Speaker 4: And so that can be like noticing like a facial

1126
00:55:16,320 --> 00:55:18,399
Speaker 4: expression like do you hate me, like you know.

1127
00:55:18,760 --> 00:55:21,160
Speaker 1: Yeah, totally totally yeah.

1128
00:55:20,800 --> 00:55:23,200
Speaker 4: You know, I'll like just sometimes and sometimes I'll go

1129
00:55:23,239 --> 00:55:25,640
Speaker 4: for it and be like like you know, my mother

1130
00:55:25,719 --> 00:55:28,359
Speaker 4: or something like feeling completely because I feel completely free

1131
00:55:28,360 --> 00:55:29,920
Speaker 4: with them. I'm like, oh, I know you just said

1132
00:55:29,960 --> 00:55:31,880
Speaker 4: you just said that because dadda and you're actually thinking that,

1133
00:55:32,640 --> 00:55:34,200
Speaker 4: you know, And like sometimes I'm dead wrong, but I

1134
00:55:34,239 --> 00:55:38,359
Speaker 4: also become enchanted by what I perceived, like of course,

1135
00:55:38,400 --> 00:55:39,879
Speaker 4: and like I kind of know I'm wrong, it's hard

1136
00:55:39,880 --> 00:55:40,360
Speaker 4: to let go of.

1137
00:55:41,120 --> 00:55:43,040
Speaker 2: I'm like, well, you know, we have to in this

1138
00:55:43,120 --> 00:55:45,520
Speaker 2: podcast we ring the jone diddy and alarm when we're

1139
00:55:45,560 --> 00:55:49,880
Speaker 2: telling ourselves stories. In order to live, I have to,

1140
00:55:50,280 --> 00:55:51,839
Speaker 2: I have to go ahead and ring the jone didi

1141
00:55:51,840 --> 00:55:54,400
Speaker 2: and alarm when it comes to your overincorporation.

1142
00:55:55,200 --> 00:55:58,239
Speaker 4: Oh my god, yeah, oh my god? Why uh why?

1143
00:55:58,560 --> 00:55:58,759
Speaker 2: Why?

1144
00:55:58,840 --> 00:56:02,680
Speaker 4: I right to know myself? I write to know what

1145
00:56:02,719 --> 00:56:06,320
Speaker 4: I think or whatever. Yeah, yeah, that's a that's a

1146
00:56:06,400 --> 00:56:09,160
Speaker 4: didan Did you notice that on the cover of Your

1147
00:56:09,320 --> 00:56:15,359
Speaker 4: Magical Thinking in the title mm hmm, that it's white letters.

1148
00:56:15,000 --> 00:56:16,799
Speaker 5: In blue and then the name John isn't there.

1149
00:56:16,800 --> 00:56:19,120
Speaker 4: I don't know if anyone else noticed that. I noticed

1150
00:56:19,120 --> 00:56:21,600
Speaker 4: that about nine years ago, and I wondered if I

1151
00:56:21,680 --> 00:56:27,160
Speaker 4: was the only person who spotted that.

1152
00:56:25,160 --> 00:56:28,799
Speaker 1: That fine detail. I uh so.

1153
00:56:29,040 --> 00:56:32,120
Speaker 2: I read My Year of Magical Thinking after going through

1154
00:56:32,160 --> 00:56:36,080
Speaker 2: a breakup in my twenties, and it is such a

1155
00:56:36,719 --> 00:56:41,360
Speaker 2: specifically you know, young dumb gay guy experience to truly

1156
00:56:41,360 --> 00:56:44,719
Speaker 2: be reading about this woman losing her husband and be

1157
00:56:44,840 --> 00:56:49,240
Speaker 2: liked because I am going through a breakup with someone

1158
00:56:49,440 --> 00:56:50,560
Speaker 2: that I'm like still friends with.

1159
00:56:51,320 --> 00:56:53,960
Speaker 4: Incredible and like as you should. I mean, that is

1160
00:56:54,000 --> 00:56:57,839
Speaker 4: the right of the book bookstore, like browser. Yeah, is

1161
00:56:57,880 --> 00:57:00,680
Speaker 4: to take the most you know, the biggest, the grandest,

1162
00:57:00,680 --> 00:57:05,680
Speaker 4: the most depthful, and apply, yeah, apply as needed.

1163
00:57:06,760 --> 00:57:10,440
Speaker 1: This is like when I have homework. Yeah, totally.

1164
00:57:10,800 --> 00:57:12,400
Speaker 2: You know what I'm thinking, Like, we do need to

1165
00:57:12,480 --> 00:57:14,440
Speaker 2: sort of land on a straight topic. But I'm like, oh,

1166
00:57:14,480 --> 00:57:14,960
Speaker 2: I forgot.

1167
00:57:15,000 --> 00:57:15,160
Speaker 4: You know.

1168
00:57:15,200 --> 00:57:16,440
Speaker 1: We either could take a left.

1169
00:57:16,280 --> 00:57:19,240
Speaker 2: Turn and choose something, or we could like look back

1170
00:57:19,240 --> 00:57:19,840
Speaker 2: on this conversation.

1171
00:57:19,840 --> 00:57:22,200
Speaker 1: I actually had a pitch. Oh yeah, what's your pitch?

1172
00:57:22,640 --> 00:57:24,400
Speaker 1: The straight topic is ourselves?

1173
00:57:25,600 --> 00:57:26,200
Speaker 2: Wow.

1174
00:57:26,360 --> 00:57:30,480
Speaker 1: I felt like, specifically in the stand up comedy conversation,

1175
00:57:31,520 --> 00:57:35,400
Speaker 1: I it was so WTF that I felt like we

1176
00:57:35,680 --> 00:57:39,080
Speaker 1: really were like almost in like who have I become?

1177
00:57:40,280 --> 00:57:43,760
Speaker 1: What was I made for? I remember listening to WTF

1178
00:57:43,800 --> 00:57:47,440
Speaker 1: when I was, you know, twenty, and being like this

1179
00:57:47,520 --> 00:57:50,560
Speaker 1: is what stand up is. This is a real fucking shit.

1180
00:57:51,120 --> 00:57:53,760
Speaker 1: And then I was like, oh no, we're literally doing it.

1181
00:57:54,000 --> 00:57:56,840
Speaker 1: People are going to listen to this, yes and be

1182
00:57:56,960 --> 00:57:59,280
Speaker 1: twenty and be like that's what stand up is?

1183
00:57:59,560 --> 00:58:01,120
Speaker 5: That's now?

1184
00:58:01,240 --> 00:58:04,440
Speaker 4: Is it now? Because you felt we were performing a

1185
00:58:04,560 --> 00:58:10,560
Speaker 4: kind of like straight like you know, sportsman comedy vibes,

1186
00:58:10,560 --> 00:58:12,560
Speaker 4: do you think we were doing it? I think we

1187
00:58:12,600 --> 00:58:15,160
Speaker 4: were doing it by trying to almost like double back

1188
00:58:15,360 --> 00:58:18,680
Speaker 4: from you know, like like you like you're kind of

1189
00:58:18,680 --> 00:58:24,160
Speaker 4: saying about feeling the you know, the on we of

1190
00:58:24,160 --> 00:58:26,080
Speaker 4: of the alternative scene or something.

1191
00:58:26,040 --> 00:58:29,640
Speaker 2: On we of the water pouring. Yeah, we are trying

1192
00:58:29,640 --> 00:58:33,880
Speaker 2: to react against that and almost have the fact that

1193
00:58:33,920 --> 00:58:36,360
Speaker 2: we were I don't want to say, excluded from whatever

1194
00:58:36,480 --> 00:58:37,880
Speaker 2: the mainstream scene is.

1195
00:58:37,840 --> 00:58:39,960
Speaker 5: Because it's like did you audition? You know what I mean.

1196
00:58:40,760 --> 00:58:43,720
Speaker 2: It's like, yes, I'm not saying we did it, but like,

1197
00:58:44,000 --> 00:58:47,360
Speaker 2: of course, but did It's like being in the you

1198
00:58:47,400 --> 00:58:50,880
Speaker 2: know what it is. It's sort of being at the window,

1199
00:58:50,960 --> 00:58:56,080
Speaker 2: the like Saxo Fifth Avenue holiday window and looking in

1200
00:58:56,160 --> 00:58:58,080
Speaker 2: and being like if only I could go in there. Meanwhile,

1201
00:58:58,080 --> 00:59:00,400
Speaker 2: the door is open right next to you, but it

1202
00:59:00,400 --> 00:59:02,200
Speaker 2: has never occurred to you to go inside.

1203
00:59:02,320 --> 00:59:11,160
Speaker 4: Yeah yeah, yeah, no, you're you're it's like thinking you yeah,

1204
00:59:11,200 --> 00:59:17,360
Speaker 4: it's luckily it's all interesting, like any path is interesting, right, yes,

1205
00:59:17,480 --> 00:59:18,880
Speaker 4: like any any way you go?

1206
00:59:20,000 --> 00:59:21,240
Speaker 1: But it is well.

1207
00:59:22,840 --> 00:59:25,760
Speaker 4: No, sorry nothing, no, no, I was just trying to

1208
00:59:25,800 --> 00:59:26,720
Speaker 4: force the topic.

1209
00:59:26,760 --> 00:59:29,240
Speaker 2: But but I know I want to. I think it's

1210
00:59:29,240 --> 00:59:30,920
Speaker 2: like a sort of a fun exercise. You've never done

1211
00:59:30,960 --> 00:59:34,480
Speaker 2: it this way before, of like I do like ourselves.

1212
00:59:34,600 --> 00:59:37,640
Speaker 2: I think something along the lines of like not the past,

1213
00:59:37,800 --> 00:59:42,680
Speaker 2: but like the there alternative history.

1214
00:59:42,840 --> 00:59:46,840
Speaker 1: Like yeah, I think with the stand up conversation in particular,

1215
00:59:46,960 --> 00:59:51,560
Speaker 1: there's something about like standing your edges that just inherently

1216
00:59:51,640 --> 00:59:55,440
Speaker 1: happens over time of like aging aging, you.

1217
00:59:55,360 --> 00:59:59,440
Speaker 4: Get DNA, stand it all, that's making four copies?

1218
00:59:59,480 --> 01:00:02,680
Speaker 1: Wait, go on, well you just get you have performed

1219
01:00:02,680 --> 01:00:04,120
Speaker 1: for more audiences.

1220
01:00:03,600 --> 01:00:07,360
Speaker 4: You are like you're handing off the edges. The edges

1221
01:00:07,480 --> 01:00:09,160
Speaker 4: need to sharpen the stick.

1222
01:00:10,240 --> 01:00:12,960
Speaker 1: I mean one would like to. But I think there's

1223
01:00:13,120 --> 01:00:16,800
Speaker 1: a you know, it's it's for me at least, it

1224
01:00:16,920 --> 01:00:19,040
Speaker 1: was like this weird clump thing.

1225
01:00:18,960 --> 01:00:20,600
Speaker 4: That like was like that's you.

1226
01:00:20,680 --> 01:00:24,200
Speaker 1: Yeah, and then it was like no, maybe it's molded

1227
01:00:24,240 --> 01:00:26,800
Speaker 1: a little more. But I sometimes I missed that weird

1228
01:00:26,880 --> 01:00:28,720
Speaker 1: imperfection that was like so large.

1229
01:00:29,120 --> 01:00:33,560
Speaker 4: But is now as you become go from the rough

1230
01:00:33,640 --> 01:00:36,480
Speaker 4: to the polished stone, let's say, being tumbled about in

1231
01:00:36,480 --> 01:00:42,000
Speaker 4: different environments, right, Yeah, has your success rate gone up?

1232
01:00:42,080 --> 01:00:44,440
Speaker 4: Like is this like you the edges stand it off

1233
01:00:44,440 --> 01:00:46,479
Speaker 4: and know you go down easier, like like you get

1234
01:00:46,760 --> 01:00:52,360
Speaker 4: more last more consistently. Right, So it's it's a metaphor

1235
01:00:52,360 --> 01:00:53,000
Speaker 4: of getting better.

1236
01:00:54,640 --> 01:00:59,520
Speaker 1: But yeah, but I like flaws and sometimes sometimes I'm like,

1237
01:01:00,040 --> 01:01:04,000
Speaker 1: am I too focused on sucuccess? Yeah, to still be

1238
01:01:04,240 --> 01:01:07,160
Speaker 1: to not like pursue what's genuinely interesting to me.

1239
01:01:07,720 --> 01:01:13,640
Speaker 4: Yeah, Because well, I've always felt like it was almost

1240
01:01:13,680 --> 01:01:16,680
Speaker 4: like you know, in yourself, your own degree of difficulty,

1241
01:01:16,840 --> 01:01:19,720
Speaker 4: m like Okay, I'd really love to talk about that,

1242
01:01:19,800 --> 01:01:21,200
Speaker 4: or I'd love to pull that, or I think that

1243
01:01:21,200 --> 01:01:23,520
Speaker 4: thing is good, but like I don't know how to

1244
01:01:23,600 --> 01:01:25,880
Speaker 4: do it, And then it's like it's kind of like

1245
01:01:26,840 --> 01:01:28,480
Speaker 4: kind of like interesting. That's like you getting up in

1246
01:01:28,480 --> 01:01:30,520
Speaker 4: the morning like like I don't know, like the sculptor

1247
01:01:30,600 --> 01:01:33,480
Speaker 4: or something like being like we're talking about sultors, like

1248
01:01:33,800 --> 01:01:35,160
Speaker 4: you know, like I don't like I'm going to do

1249
01:01:35,320 --> 01:01:38,040
Speaker 4: sculpt I'm gonna do fingernails like like you know, in

1250
01:01:38,040 --> 01:01:39,920
Speaker 4: this way like no one's ever done a fingernail without

1251
01:01:40,000 --> 01:01:43,120
Speaker 4: the limestone crumbling or whatever, and I'm like, get to

1252
01:01:43,200 --> 01:01:45,000
Speaker 4: do it. So it's like I always feel like there's

1253
01:01:45,040 --> 01:01:47,720
Speaker 4: a little bit of that kind of like what the

1254
01:01:47,840 --> 01:01:51,280
Speaker 4: gaptu and what you know you can pull off and

1255
01:01:51,440 --> 01:01:54,600
Speaker 4: like execute well versus like and I always want to

1256
01:01:54,600 --> 01:01:57,680
Speaker 4: move on to the thing that's out of reach because

1257
01:01:57,720 --> 01:02:02,280
Speaker 4: it's interesting you know. So that's one of those things

1258
01:02:02,320 --> 01:02:06,880
Speaker 4: like when here, when you here like the straightest like

1259
01:02:07,280 --> 01:02:09,880
Speaker 4: comedy piece. I know we're doing it, we're doing it,

1260
01:02:09,920 --> 01:02:11,800
Speaker 4: but just to like dive in even Moore.

1261
01:02:11,680 --> 01:02:15,840
Speaker 1: I mean ourselves. Yeah, yeah, so I actually think you should.

1262
01:02:15,960 --> 01:02:19,080
Speaker 4: There's like there's like this thing like some comedy interview

1263
01:02:19,200 --> 01:02:22,120
Speaker 4: on I don't know, like HBO is like from a

1264
01:02:22,120 --> 01:02:24,720
Speaker 4: million years ago. It's like Gary Shandling and Jerry Seinfeld.

1265
01:02:24,800 --> 01:02:25,600
Speaker 5: Okay, this is what I think.

1266
01:02:25,680 --> 01:02:28,480
Speaker 4: Me here recounting this anisode is the most whatever thing,

1267
01:02:28,680 --> 01:02:29,120
Speaker 4: you know what I mean.

1268
01:02:29,160 --> 01:02:33,720
Speaker 1: People are not expecting this episode. This is so iconic.

1269
01:02:33,880 --> 01:02:35,920
Speaker 4: It was like, I get, I'm not leaning in.

1270
01:02:36,120 --> 01:02:38,760
Speaker 2: Us to have like for our gay podcast to have

1271
01:02:38,840 --> 01:02:41,240
Speaker 2: Jacquly Novak on and then the topic is Jerry Side.

1272
01:02:41,480 --> 01:02:42,720
Speaker 1: It's so incredible.

1273
01:02:43,680 --> 01:02:45,480
Speaker 4: I can't even believe that this is. Yeah, like the

1274
01:02:45,520 --> 01:02:47,840
Speaker 4: projection the fear of like me not wanting to do

1275
01:02:47,920 --> 01:02:50,800
Speaker 4: behind the scenes like comedy ship because like you know,

1276
01:02:51,320 --> 01:02:54,560
Speaker 4: it's like it eclipses the actual comedy, you know, like

1277
01:02:54,680 --> 01:02:56,880
Speaker 4: nine hours talking about comedy in one hour of comedy

1278
01:02:56,920 --> 01:03:00,320
Speaker 4: put out whatever like personally or something, you know, or

1279
01:03:00,440 --> 01:03:02,320
Speaker 4: six hundred they'll just do it once, just for fun

1280
01:03:02,320 --> 01:03:04,200
Speaker 4: because we were in it, but like it was like

1281
01:03:05,080 --> 01:03:07,320
Speaker 4: and you know, we should find it share it with

1282
01:03:07,360 --> 01:03:10,320
Speaker 4: the listener. But there's this moment where like I think

1283
01:03:10,400 --> 01:03:13,200
Speaker 4: Jerry's talking about once he figures out the joke, like

1284
01:03:13,240 --> 01:03:15,360
Speaker 4: once he figures out the best way it works, just

1285
01:03:15,920 --> 01:03:19,480
Speaker 4: locking it in and just you know, the intonation, the

1286
01:03:19,560 --> 01:03:22,800
Speaker 4: rhythm that you know, and then it's locked and it works,

1287
01:03:22,800 --> 01:03:25,280
Speaker 4: and it's just don't deviate from it. You found it,

1288
01:03:25,320 --> 01:03:29,880
Speaker 4: you figured it out. And Gary Shanling's like, wow, like well,

1289
01:03:29,960 --> 01:03:33,040
Speaker 4: you know, like you're just like I could never every time,

1290
01:03:33,160 --> 01:03:34,680
Speaker 4: like like I forgot what he says exactly, but he

1291
01:03:34,720 --> 01:03:39,000
Speaker 4: started saying like like I couldn't live like that essentially,

1292
01:03:39,040 --> 01:03:40,880
Speaker 4: like you know, and he's like, and that's that's why

1293
01:03:40,920 --> 01:03:43,040
Speaker 4: you're like way more successful than me or whatever, Jerry,

1294
01:03:43,040 --> 01:03:44,840
Speaker 4: you know, and it's like, oh, he's kind of like

1295
01:03:45,160 --> 01:03:47,880
Speaker 4: once you know, can't help himself, but like sort of

1296
01:03:47,920 --> 01:03:50,360
Speaker 4: find it and reinterpret it in the moment, and like,

1297
01:03:51,800 --> 01:03:54,880
Speaker 4: I don't know, I have I feel like those I

1298
01:03:54,960 --> 01:03:59,160
Speaker 4: vacinate between those two straight mail polls.

1299
01:04:00,040 --> 01:04:03,400
Speaker 2: Also just the revelation the realization that like the one

1300
01:04:03,440 --> 01:04:06,560
Speaker 2: who is quote unquote more successful is the one who

1301
01:04:06,600 --> 01:04:09,000
Speaker 2: is more rigid and the and the one who is

1302
01:04:09,120 --> 01:04:14,160
Speaker 2: more you know, what's the word dialectic, Yeah, is the

1303
01:04:14,160 --> 01:04:15,320
Speaker 2: one who is less.

1304
01:04:15,160 --> 01:04:17,760
Speaker 4: Successful and arguably though like you know, someone could be

1305
01:04:17,840 --> 01:04:20,640
Speaker 4: like they are both up on that stage as legends

1306
01:04:20,680 --> 01:04:23,000
Speaker 4: of comedy, like you know, they're both fully being lifted

1307
01:04:23,080 --> 01:04:25,480
Speaker 4: up as whatever, and it's just Gary like Shandling being

1308
01:04:25,520 --> 01:04:28,280
Speaker 4: like funny and cool by being like, you know, also

1309
01:04:28,320 --> 01:04:28,800
Speaker 4: there's that.

1310
01:04:28,920 --> 01:04:34,000
Speaker 2: Right, like of course Gary Chandling is yeah, garyl it's

1311
01:04:34,160 --> 01:04:35,920
Speaker 2: really obviously success, you.

1312
01:04:35,920 --> 01:04:38,800
Speaker 4: Know, kings there. But he's making that joke almost to

1313
01:04:39,480 --> 01:04:41,520
Speaker 4: I think, probably to sort of suggest like I'm not

1314
01:04:41,600 --> 01:04:44,400
Speaker 4: trying to call myself some great like I'm I'm a

1315
01:04:44,400 --> 01:04:48,520
Speaker 4: true artist and you're you know, trade. Yeah, it's good.

1316
01:04:48,640 --> 01:04:50,360
Speaker 4: It's it's like, yeah, that ship like.

1317
01:04:50,760 --> 01:04:54,320
Speaker 1: Yeah, fun to watch. That Ship's funny.

1318
01:04:54,800 --> 01:04:59,280
Speaker 2: Absolutely, That's like here's you know what, here's a real

1319
01:04:59,360 --> 01:05:03,080
Speaker 2: question of straight And if you had to for the

1320
01:05:03,080 --> 01:05:06,840
Speaker 2: rest of your life watch either only comedian on comedian

1321
01:05:06,880 --> 01:05:09,120
Speaker 2: conversations or actress round.

1322
01:05:09,000 --> 01:05:11,160
Speaker 1: Tables, which one would you choose?

1323
01:05:11,440 --> 01:05:14,840
Speaker 2: Because here's the thing, and this is a really dark realization.

1324
01:05:15,400 --> 01:05:18,480
Speaker 2: I think I'm the number one fan of actors. You know,

1325
01:05:18,680 --> 01:05:21,840
Speaker 2: I love watching Julianne Moore talk about a character. If

1326
01:05:21,880 --> 01:05:23,160
Speaker 2: I had to choose a gun to my head, I

1327
01:05:23,200 --> 01:05:27,640
Speaker 2: would choose comedians I and that is a really dark Yeah,

1328
01:05:27,640 --> 01:05:31,360
Speaker 2: I would choose comedian as well, which is actually less

1329
01:05:31,360 --> 01:05:33,680
Speaker 2: surprising coming from me.

1330
01:05:33,920 --> 01:05:38,200
Speaker 1: But it's still a bummer. And in fact, sometimes I don't.

1331
01:05:38,000 --> 01:05:40,280
Speaker 4: Think it is. I mean, no, no, because here's the

1332
01:05:40,280 --> 01:05:45,960
Speaker 4: thing that you know, the actress roundtable. It's like the comedian.

1333
01:05:46,000 --> 01:05:48,200
Speaker 4: You're you're having a conversation with the director, you're having

1334
01:05:48,200 --> 01:05:50,320
Speaker 4: a conversation with a writer, you're having a conversation with

1335
01:05:50,400 --> 01:05:52,920
Speaker 4: the actor when you're having a witch I mean, like

1336
01:05:52,960 --> 01:05:54,880
Speaker 4: the comedians, all those things. So it almost feels like

1337
01:05:54,960 --> 01:05:56,640
Speaker 4: you get to talk, You get to talk about writing,

1338
01:05:56,680 --> 01:05:58,640
Speaker 4: you get to talk about performance. You know, I don't know,

1339
01:05:58,840 --> 01:06:03,080
Speaker 4: like verse is the actor has to They can't sort

1340
01:06:03,080 --> 01:06:07,200
Speaker 4: of bad mouth the writer during the roundtable, right they can,

1341
01:06:07,480 --> 01:06:09,520
Speaker 4: like the text is sort of the text is what

1342
01:06:09,560 --> 01:06:11,120
Speaker 4: the text was, and they're talking about what they brought

1343
01:06:11,120 --> 01:06:11,680
Speaker 4: to and whatever.

1344
01:06:12,040 --> 01:06:13,120
Speaker 1: Yeah, yeah you can't.

1345
01:06:13,560 --> 01:06:15,840
Speaker 2: But I also think the most interesting thing about an

1346
01:06:15,880 --> 01:06:19,480
Speaker 2: actress roundtable is because they're also poised and clearly you know,

1347
01:06:19,560 --> 01:06:22,640
Speaker 2: media training, whatever else The most interesting thing is those

1348
01:06:22,720 --> 01:06:25,480
Speaker 2: little pockets of truth where you actually get a peek

1349
01:06:25,520 --> 01:06:29,240
Speaker 2: into how much of a nightmare it probably is to

1350
01:06:29,400 --> 01:06:33,600
Speaker 2: just be like literally literally a woman in Hollywood. Yeah,

1351
01:06:33,640 --> 01:06:36,120
Speaker 2: not to be like cliche. Yeah, but like when you're

1352
01:06:36,160 --> 01:06:38,360
Speaker 2: like you sort of get it peking like, oh you

1353
01:06:38,440 --> 01:06:42,000
Speaker 2: were not treated well for the majority of your life.

1354
01:06:42,200 --> 01:06:46,360
Speaker 4: Yeah, No, that that's you know. I actually don't really

1355
01:06:46,400 --> 01:06:48,800
Speaker 4: watch artists actress round tables so much so.

1356
01:06:48,800 --> 01:06:50,360
Speaker 1: I couldn't even pull the word out that's fair.

1357
01:06:50,440 --> 01:06:53,320
Speaker 4: No, it's interesting, Like I'm like kind of like like, oh,

1358
01:06:53,440 --> 01:06:55,360
Speaker 4: it really says a lot like but I also don't

1359
01:06:55,360 --> 01:06:57,520
Speaker 4: watch anything I don't know, like I'm I mean, that's

1360
01:06:57,560 --> 01:07:00,280
Speaker 4: not true. I watched hours of television over night that

1361
01:07:00,440 --> 01:07:07,440
Speaker 4: I watch ye genarrative programming and will.

1362
01:07:07,160 --> 01:07:09,320
Speaker 1: I think the actra people thing. I've never watched a

1363
01:07:09,320 --> 01:07:11,959
Speaker 1: full I just see it the little clips that people

1364
01:07:12,040 --> 01:07:16,200
Speaker 1: pull out for memes and such. And I actually think

1365
01:07:16,400 --> 01:07:18,760
Speaker 1: sometimes when gay guys are obsessed with it, I am

1366
01:07:18,800 --> 01:07:21,640
Speaker 1: sort of I feel a disconncted from my community because

1367
01:07:21,640 --> 01:07:24,720
Speaker 1: I'm like, but what is there other than like what

1368
01:07:24,920 --> 01:07:26,120
Speaker 1: you're coming at this with, Like.

1369
01:07:26,320 --> 01:07:29,400
Speaker 4: Is it only the actress? Is it is it primarily actresses. Yeah,

1370
01:07:29,440 --> 01:07:31,959
Speaker 4: it's really not coming for the actor around tables.

1371
01:07:31,600 --> 01:07:33,720
Speaker 1: And it's like, you're not actors. You just think these

1372
01:07:33,760 --> 01:07:36,880
Speaker 1: are like silly ladies. Well there is, of.

1373
01:07:36,800 --> 01:07:39,520
Speaker 2: Course, in the same way that all gay male like

1374
01:07:40,280 --> 01:07:43,600
Speaker 2: whatever diva worship can be boiled down to. You can

1375
01:07:43,640 --> 01:07:46,000
Speaker 2: either see it as an incredible respect for women or

1376
01:07:46,040 --> 01:07:50,200
Speaker 2: as like the most objective, like literally the definition of objectification.

1377
01:07:50,760 --> 01:07:52,440
Speaker 2: And it's like, right, so, if you're pulling out a

1378
01:07:52,480 --> 01:07:56,560
Speaker 2: clip where I don't know, I'm sure you know Kate

1379
01:07:56,680 --> 01:08:00,959
Speaker 2: Lenchette says something that is ridiculous, you ultimately just making

1380
01:08:01,000 --> 01:08:01,480
Speaker 2: fun of her.

1381
01:08:01,880 --> 01:08:07,800
Speaker 8: Oh totally, yeah, yeah, No, I mean yeah, but that's

1382
01:08:07,800 --> 01:08:10,880
Speaker 8: a that's a love that you know, I guess could

1383
01:08:10,920 --> 01:08:12,080
Speaker 8: lift you up or take you down.

1384
01:08:12,720 --> 01:08:15,520
Speaker 4: That kind of worship that very specific.

1385
01:08:15,960 --> 01:08:18,040
Speaker 1: And it'll change in a second.

1386
01:08:18,439 --> 01:08:21,519
Speaker 5: Right, Oh God, the figure I don't.

1387
01:08:21,360 --> 01:08:22,720
Speaker 2: Know if you've seen I don't know if you've seen

1388
01:08:22,760 --> 01:08:24,599
Speaker 2: Capodi versus The Swan's Jack.

1389
01:08:24,640 --> 01:08:29,000
Speaker 4: Haven't. I haven't yet, I haven't, I haven't. Right.

1390
01:08:29,360 --> 01:08:30,000
Speaker 1: Yeah.

1391
01:08:30,160 --> 01:08:33,320
Speaker 4: My friend was telling me that it's great and I

1392
01:08:33,360 --> 01:08:35,719
Speaker 4: should watch it for the titles alone, that the title

1393
01:08:35,880 --> 01:08:37,040
Speaker 4: the title treatment was.

1394
01:08:37,080 --> 01:08:43,200
Speaker 2: Like wow, watching the title design Yeah, flop Era for

1395
01:08:43,200 --> 01:08:45,559
Speaker 2: a while, so I'm glad somebody's out there.

1396
01:08:45,680 --> 01:08:48,080
Speaker 4: I worked with guy anyway. He was phenomenal.

1397
01:08:48,560 --> 01:08:53,240
Speaker 2: You know what's great title design The Leftovers Leftovers on HBO. Okay, yeah,

1398
01:08:53,320 --> 01:08:56,800
Speaker 2: I don't want to keep you too long, Jacqueline. Oh well,

1399
01:08:56,800 --> 01:08:58,760
Speaker 2: I mean we're I'm I could literally talk for hours,

1400
01:08:58,800 --> 01:09:00,400
Speaker 2: but I know you're global.

1401
01:09:00,760 --> 01:09:01,200
Speaker 1: By the way.

1402
01:09:01,720 --> 01:09:05,120
Speaker 2: By the way, I should say, since we are approximately

1403
01:09:05,120 --> 01:09:09,240
Speaker 2: two hours in and have not promoted special, I should

1404
01:09:09,320 --> 01:09:12,120
Speaker 2: say you are on a global promotion tour for your

1405
01:09:12,120 --> 01:09:13,880
Speaker 2: Netflix special Get on your Knees.

1406
01:09:14,000 --> 01:09:17,000
Speaker 1: Which, if you haven't seen, Run Don't Walk.

1407
01:09:17,120 --> 01:09:20,400
Speaker 2: Yeah, I mean, I will say on the record I

1408
01:09:20,479 --> 01:09:23,080
Speaker 2: was their first first night of previews.

1409
01:09:23,080 --> 01:09:24,920
Speaker 4: That are you serious?

1410
01:09:25,000 --> 01:09:27,320
Speaker 2: Yeah, I'm serious. In fact, do you want to hear

1411
01:09:27,360 --> 01:09:30,559
Speaker 2: something crazy? I think I might have been. I don't

1412
01:09:30,560 --> 01:09:31,680
Speaker 2: think I planned it this way, but I think I

1413
01:09:31,760 --> 01:09:33,520
Speaker 2: might have been first roun whoa.

1414
01:09:35,080 --> 01:09:38,000
Speaker 4: If I could feel that? Yeah, like like, but I

1415
01:09:38,080 --> 01:09:38,599
Speaker 4: might be wrong.

1416
01:09:38,640 --> 01:09:41,959
Speaker 1: I don't. I think I think something happened where.

1417
01:09:41,920 --> 01:09:45,040
Speaker 4: This is there intimate in a way that everyone feels

1418
01:09:45,080 --> 01:09:46,519
Speaker 4: like they're in the first row, even if they're in

1419
01:09:46,560 --> 01:09:47,680
Speaker 4: the very bad That's how you know.

1420
01:09:48,240 --> 01:09:52,559
Speaker 2: Yeah, you think maybe I was a binder exactly, so

1421
01:09:52,640 --> 01:09:56,240
Speaker 2: John was there taking notes and I don't remember being next.

1422
01:09:56,439 --> 01:09:58,040
Speaker 2: I don't remember being in the same row as him,

1423
01:09:58,080 --> 01:10:01,439
Speaker 2: so I think I must have been right maybe picking through.

1424
01:10:02,479 --> 01:10:02,640
Speaker 1: You know.

1425
01:10:04,320 --> 01:10:07,280
Speaker 4: Yeah, there was a moment where I was like he

1426
01:10:07,320 --> 01:10:09,200
Speaker 4: thought I was. He thought I forgot something or I

1427
01:10:09,200 --> 01:10:11,599
Speaker 4: did or something. Oh I know it was and he

1428
01:10:12,160 --> 01:10:14,640
Speaker 4: made this gesture like just with his fist that was

1429
01:10:14,720 --> 01:10:16,960
Speaker 4: just kept just doing it and then I'm distracted by

1430
01:10:16,960 --> 01:10:19,160
Speaker 4: the gesture, like what, like, what's going on? And then

1431
01:10:19,160 --> 01:10:21,080
Speaker 4: I really like it was it was like I forgot

1432
01:10:21,120 --> 01:10:25,360
Speaker 4: to say this line about the bouquet, like and he

1433
01:10:25,520 --> 01:10:28,000
Speaker 4: just he was loud about just because it was like

1434
01:10:28,280 --> 01:10:30,760
Speaker 4: there was nothing gesture that he expected, just like if

1435
01:10:30,760 --> 01:10:33,680
Speaker 4: someone's hand was authentically holding like like an improv like

1436
01:10:33,720 --> 01:10:36,680
Speaker 4: you know, the phone is like this, the phone's not

1437
01:10:36,720 --> 01:10:39,200
Speaker 4: the phone symbol, right, so it's like almost like that,

1438
01:10:39,240 --> 01:10:42,080
Speaker 4: like he's holding a bouquet like nothing, and I received

1439
01:10:42,080 --> 01:10:44,400
Speaker 4: the buque from stage and realized what like, but it

1440
01:10:44,520 --> 01:10:48,320
Speaker 4: just caused like anyway, But yeah, those initial those initial

1441
01:10:48,439 --> 01:10:52,679
Speaker 4: previews sales where everything really got that ship going on fire.

1442
01:10:52,800 --> 01:10:54,360
Speaker 5: So thank you for showing up.

1443
01:10:56,479 --> 01:10:57,599
Speaker 1: That was like a pre pandemic.

1444
01:10:57,640 --> 01:11:02,760
Speaker 2: I mean that was like what probably Yeah, yeah, reopen. No,

1445
01:11:02,920 --> 01:11:06,040
Speaker 2: there's I mean, it's been a long it's so funny.

1446
01:11:06,040 --> 01:11:08,719
Speaker 2: There's always there's actually another random connection. So Carry Batton,

1447
01:11:08,800 --> 01:11:10,599
Speaker 2: who wrote the New Yorker piece, is actually a friend

1448
01:11:10,640 --> 01:11:13,840
Speaker 2: of mine, and I remember when she was like starting it.

1449
01:11:15,320 --> 01:11:17,559
Speaker 2: I was like, what a funny connection.

1450
01:11:17,760 --> 01:11:21,120
Speaker 4: Yes, she's great.

1451
01:11:22,280 --> 01:11:31,479
Speaker 1: Okay, shall we do our final segments? Sam, Okay, Jacqueline.

1452
01:11:31,479 --> 01:11:33,479
Speaker 1: Our final segment is called shout Outs, and in this

1453
01:11:33,560 --> 01:11:36,720
Speaker 1: segment we pay homage to the Grand Street tradition of

1454
01:11:36,760 --> 01:11:39,080
Speaker 1: the radio shout out and give a shout out to

1455
01:11:39,160 --> 01:11:43,880
Speaker 1: anything that we are enjoying at all people, places, things ideas.

1456
01:11:44,680 --> 01:11:48,080
Speaker 1: Imagine it to actually, and you're at TRL shouting out

1457
01:11:48,080 --> 01:11:50,719
Speaker 1: to your squad back home about anything you like. So, George,

1458
01:11:50,760 --> 01:11:52,800
Speaker 1: you do have one? Yeah, I have one that I

1459
01:11:52,800 --> 01:11:53,439
Speaker 1: actually feel.

1460
01:11:53,560 --> 01:11:55,760
Speaker 2: I thought of it while we were recording, and I

1461
01:11:55,760 --> 01:11:57,200
Speaker 2: feel sort of good about it.

1462
01:11:57,200 --> 01:11:59,840
Speaker 1: Okay, Okay, what's up freaks some losers?

1463
01:11:59,840 --> 01:12:02,560
Speaker 2: I want to give a shout out to the technology Bluetooth,

1464
01:12:02,680 --> 01:12:04,400
Speaker 2: and this is a sort of smart one.

1465
01:12:04,439 --> 01:12:05,479
Speaker 1: Here's what I want to say.

1466
01:12:05,600 --> 01:12:07,719
Speaker 2: This is a technology that has existed now for decades

1467
01:12:07,760 --> 01:12:10,160
Speaker 2: and still does not work. I have never been able

1468
01:12:10,160 --> 01:12:12,400
Speaker 2: to connect a phone to a speaker. I have never

1469
01:12:12,439 --> 01:12:15,800
Speaker 2: been able to air to draw, I have never been

1470
01:12:15,800 --> 01:12:18,439
Speaker 2: able to use Bluetooth correctly. And at first I was like,

1471
01:12:18,479 --> 01:12:20,439
Speaker 2: what are we doing here? How has no one fixed this?

1472
01:12:20,640 --> 01:12:22,800
Speaker 2: And I'm starting to realize that it actually is sort

1473
01:12:22,840 --> 01:12:24,960
Speaker 2: of an empowering narrative of like this technology that has

1474
01:12:24,960 --> 01:12:27,040
Speaker 2: always existed. Everyone knows what it is, and yet it

1475
01:12:27,120 --> 01:12:31,599
Speaker 2: refuses to perfect itself. It's an anti capitalist, it is

1476
01:12:31,640 --> 01:12:33,920
Speaker 2: sort of it has a free spirit, and it's actually

1477
01:12:34,320 --> 01:12:38,519
Speaker 2: the imperfection of it in the face of so much

1478
01:12:38,640 --> 01:12:43,280
Speaker 2: like algorithmic perfection, you know, that is eating up everything

1479
01:12:43,280 --> 01:12:48,840
Speaker 2: else almost makes it seem almost like non digital and

1480
01:12:49,479 --> 01:12:51,960
Speaker 2: it is a work of art, is almost it's analogic,

1481
01:12:52,280 --> 01:12:54,720
Speaker 2: and there's something about it that almost points to an

1482
01:12:54,720 --> 01:12:56,840
Speaker 2: earlier time, in earlier technologies.

1483
01:12:56,840 --> 01:13:01,080
Speaker 1: And I have to say, I really up respecting it.

1484
01:13:01,200 --> 01:13:03,880
Speaker 1: So shout out to Bluetooth. Shout out to Bluetooth. I

1485
01:13:03,880 --> 01:13:07,120
Speaker 1: love that. I also the dirtiness of like when you

1486
01:13:07,200 --> 01:13:09,360
Speaker 1: like have to go look at like I want to

1487
01:13:09,360 --> 01:13:11,599
Speaker 1: connect the Bluetooth, and you see all the Bluetooth you've

1488
01:13:11,600 --> 01:13:13,120
Speaker 1: ever connected to yeah, and.

1489
01:13:13,040 --> 01:13:19,160
Speaker 4: It's just like, yeah, bluetooths and which is what yeah,

1490
01:13:19,439 --> 01:13:21,639
Speaker 4: letters numbers. There also was that period where I feel

1491
01:13:21,640 --> 01:13:24,240
Speaker 4: like Bluetooth like was it before it got bought or

1492
01:13:24,240 --> 01:13:26,880
Speaker 4: something where it was like still kind of like a

1493
01:13:26,920 --> 01:13:29,880
Speaker 4: third party technology. It was there's like a little sticker

1494
01:13:29,920 --> 01:13:33,720
Speaker 4: on it, like like Bluetooth powered this, you know, and

1495
01:13:33,800 --> 01:13:36,240
Speaker 4: that name like it's it's like most things are not.

1496
01:13:36,400 --> 01:13:38,599
Speaker 4: It's like m one chips and things. It's not like

1497
01:13:38,840 --> 01:13:42,519
Speaker 4: it's like a branded yeah, branded like tech.

1498
01:13:42,600 --> 01:13:45,720
Speaker 1: It's exciting, it's exciting and Yeah, that's a really beautiful one.

1499
01:13:45,960 --> 01:13:46,720
Speaker 4: Joh, I love that.

1500
01:13:48,520 --> 01:13:53,880
Speaker 1: Okay, I have one. Okay, what is up everyone around

1501
01:13:53,920 --> 01:13:56,559
Speaker 1: the globe? I want to give a huge shout out

1502
01:13:56,600 --> 01:14:01,920
Speaker 1: to I think the song is called The Light of

1503
01:14:01,960 --> 01:14:06,479
Speaker 1: a Clear Blue Morning by Dolly Parton. I haven't loved

1504
01:14:06,479 --> 01:14:09,519
Speaker 1: this song so much, and I have been, you know,

1505
01:14:09,560 --> 01:14:11,360
Speaker 1: I listened to it and it's one of those songs

1506
01:14:11,360 --> 01:14:14,280
Speaker 1: now where I'm like, I'm crying to this song. I

1507
01:14:14,320 --> 01:14:17,120
Speaker 1: don't know, I think I'm taking the wrong meanings out

1508
01:14:17,160 --> 01:14:19,040
Speaker 1: of it, but whatever it means to me is what

1509
01:14:19,120 --> 01:14:22,840
Speaker 1: it means to me, and that's okay. I first heard

1510
01:14:22,840 --> 01:14:25,360
Speaker 1: it because Waksa Hachie did a cover of it, and

1511
01:14:25,400 --> 01:14:27,160
Speaker 1: I was like, this is the best song I've ever heard.

1512
01:14:27,439 --> 01:14:29,679
Speaker 1: Then come to find out it's a cover and guess

1513
01:14:29,720 --> 01:14:31,639
Speaker 1: what the original? I like even more?

1514
01:14:31,800 --> 01:14:33,080
Speaker 5: And was it written by Dolly?

1515
01:14:33,240 --> 01:14:34,200
Speaker 4: I believe.

1516
01:14:35,520 --> 01:14:36,360
Speaker 1: Wrote so many songs?

1517
01:14:36,360 --> 01:14:38,040
Speaker 4: What are the ones? Big ones that Dolly? That ever?

1518
01:14:38,760 --> 01:14:41,840
Speaker 1: We always loved so many more?

1519
01:14:42,439 --> 01:14:45,040
Speaker 2: Yeah, So shout out is the story that she did

1520
01:14:45,120 --> 01:14:46,880
Speaker 2: I always love you and Julina in the same day.

1521
01:14:46,960 --> 01:14:50,000
Speaker 1: Isn't that big story? We'll talk, So shout out to

1522
01:14:50,040 --> 01:14:54,040
Speaker 1: Dolly Parton, shout out to Waxahachi for re bringing that

1523
01:14:54,080 --> 01:14:57,720
Speaker 1: song to the surface, and shout out to all music ever.

1524
01:15:00,040 --> 01:15:01,519
Speaker 4: Going to because I'm supposed to be one And now

1525
01:15:01,600 --> 01:15:02,600
Speaker 4: Jacquey want to do.

1526
01:15:02,840 --> 01:15:04,920
Speaker 5: Jacqueline the guest always does one?

1527
01:15:04,960 --> 01:15:06,479
Speaker 4: Probably Oh yeah, yes.

1528
01:15:06,960 --> 01:15:09,240
Speaker 1: And we and I will say we always.

1529
01:15:09,479 --> 01:15:11,719
Speaker 2: It's like we always think of them on the spot,

1530
01:15:11,840 --> 01:15:14,719
Speaker 2: like at the time, so you don't have to feel nervous.

1531
01:15:14,920 --> 01:15:17,479
Speaker 2: Let me think, yeah, and you can take all the

1532
01:15:17,479 --> 01:15:18,160
Speaker 2: time you need.

1533
01:15:18,280 --> 01:15:21,640
Speaker 4: No, I need a trigger, you need a suggestion, like

1534
01:15:21,680 --> 01:15:22,880
Speaker 4: I need something to get me going.

1535
01:15:22,920 --> 01:15:24,280
Speaker 5: Yeah, blankness, I just go.

1536
01:15:24,400 --> 01:15:26,320
Speaker 2: How about how about what we were talking about was

1537
01:15:26,400 --> 01:15:27,519
Speaker 2: going to be your straight topic.

1538
01:15:27,640 --> 01:15:27,880
Speaker 7: Something.

1539
01:15:28,200 --> 01:15:30,559
Speaker 4: I thought about that, but I thought, okay, well yeah,

1540
01:15:30,600 --> 01:15:33,880
Speaker 4: continuer sort Okay, shout out Alpha okay, Okay, shout out

1541
01:15:33,880 --> 01:15:37,360
Speaker 4: Alpha Bins. Okay, shout out Alpha thirty percent off Okay,

1542
01:15:37,360 --> 01:15:41,720
Speaker 4: what's up Alpha? Okay? Okay, I just want to give

1543
01:15:41,760 --> 01:15:44,800
Speaker 4: a shout out my no, you know what, I really

1544
01:15:44,800 --> 01:15:48,679
Speaker 4: want to shout out the new the news. Okay. There's

1545
01:15:48,720 --> 01:15:51,040
Speaker 4: these new brands. I don't know how new they are,

1546
01:15:51,080 --> 01:15:52,640
Speaker 4: but they're the Alpha Extensions.

1547
01:15:52,640 --> 01:15:52,880
Speaker 1: Okay.

1548
01:15:52,920 --> 01:15:54,680
Speaker 5: They're They're like people going, hey, you.

1549
01:15:54,600 --> 01:15:56,680
Speaker 4: Know Alpha, and how you don't want that out in

1550
01:15:56,720 --> 01:15:59,240
Speaker 4: their regular home. Well guess what Alpha can look more

1551
01:15:59,280 --> 01:16:01,519
Speaker 4: beautiful because we have this new collection called like a

1552
01:16:01,640 --> 01:16:02,880
Speaker 4: Vira or something, and then they have.

1553
01:16:02,840 --> 01:16:04,360
Speaker 5: Another one for your concord or whatever.

1554
01:16:04,880 --> 01:16:08,840
Speaker 4: And I'm really quite enchanted. Okay. And I'll even say

1555
01:16:08,880 --> 01:16:11,759
Speaker 4: this morning I went in and I got I got

1556
01:16:12,320 --> 01:16:15,200
Speaker 4: thirty percent off. Classic Elf was always thirty percent off.

1557
01:16:16,720 --> 01:16:19,040
Speaker 4: I mean, not all here, okay, but you go in there,

1558
01:16:19,120 --> 01:16:21,360
Speaker 4: you fee on Spider and usually I'm too overwhelmed design

1559
01:16:21,400 --> 01:16:23,320
Speaker 4: whole thing. But today I went into a con hair

1560
01:16:23,400 --> 01:16:24,960
Speaker 4: store and the spirit was alive in the can hearing

1561
01:16:25,000 --> 01:16:28,600
Speaker 4: store because I just got two track shelf things. I

1562
01:16:28,600 --> 01:16:30,679
Speaker 4: didn't even get the baskets that actually go on the track.

1563
01:16:31,000 --> 01:16:33,200
Speaker 4: I get the tracks. I'm gonna bring them home, make

1564
01:16:33,200 --> 01:16:36,160
Speaker 4: sure they fit, and then I'm gonna decide how tall

1565
01:16:36,200 --> 01:16:39,439
Speaker 4: a basket I can get, and I'm gonna go for it.

1566
01:16:39,520 --> 01:16:42,360
Speaker 4: And I'm gonna get the fascia that goes on the

1567
01:16:42,560 --> 01:16:43,799
Speaker 4: on the line.

1568
01:16:43,880 --> 01:16:45,519
Speaker 5: Okay, the thing that covers the rail.

1569
01:16:45,800 --> 01:16:49,800
Speaker 4: Oh wow, then it no longer looks like Alpa. Then

1570
01:16:49,800 --> 01:16:52,760
Speaker 4: it just looks like a gorgeous and organized home full

1571
01:16:52,800 --> 01:16:53,360
Speaker 4: of bins.

1572
01:16:53,560 --> 01:16:54,240
Speaker 1: What a dream.

1573
01:16:54,840 --> 01:16:57,320
Speaker 4: Wow, that's horrible.

1574
01:16:57,760 --> 01:17:03,920
Speaker 1: That was stunning, choked, you got emotional. I you know,

1575
01:17:04,320 --> 01:17:07,559
Speaker 1: part of in my learning to love la. I didn't

1576
01:17:07,560 --> 01:17:10,719
Speaker 1: even know they had container stores here. I said, that's

1577
01:17:10,800 --> 01:17:13,080
Speaker 1: that's only in New York City.

1578
01:17:12,880 --> 01:17:14,719
Speaker 4: Wait, because they have them in the malls.

1579
01:17:14,760 --> 01:17:18,080
Speaker 1: Even a container store to me is so suburban.

1580
01:17:18,160 --> 01:17:20,680
Speaker 2: Yeah, of course, it's very like what you if you

1581
01:17:20,760 --> 01:17:23,320
Speaker 2: live in the suburbs, you get it in a you know, I.

1582
01:17:23,320 --> 01:17:25,720
Speaker 1: Kind of assumed, like people know they have space, they

1583
01:17:25,720 --> 01:17:27,639
Speaker 1: don't care about containing right.

1584
01:17:27,680 --> 01:17:29,559
Speaker 4: Contain yourself, by the way, how do you feel about

1585
01:17:29,600 --> 01:17:31,280
Speaker 4: there is that still their tigeline?

1586
01:17:31,680 --> 01:17:34,800
Speaker 2: Oh? I think it is. It contain yourself used to

1587
01:17:34,840 --> 01:17:37,040
Speaker 2: be at least I have.

1588
01:17:37,240 --> 01:17:38,519
Speaker 4: I just went to Yeah.

1589
01:17:39,160 --> 01:17:40,519
Speaker 2: I was in a yoga class the other day and

1590
01:17:40,520 --> 01:17:44,760
Speaker 2: the teacher started opened with take some time to pull

1591
01:17:44,800 --> 01:17:49,840
Speaker 2: yourself together, and I was like, it's like, how much

1592
01:17:49,880 --> 01:17:50,439
Speaker 2: time do you have?

1593
01:17:50,720 --> 01:17:50,880
Speaker 4: Yeah?

1594
01:17:51,160 --> 01:17:53,880
Speaker 1: Yeah, what did they do that? You?

1595
01:17:54,640 --> 01:17:54,760
Speaker 4: Like?

1596
01:17:55,640 --> 01:17:58,200
Speaker 2: Yeah, kind of assuming that you actually that you came

1597
01:17:58,240 --> 01:18:00,400
Speaker 2: in and you're just this mess that's throwing like like

1598
01:18:00,640 --> 01:18:02,519
Speaker 2: binders are dropping every.

1599
01:18:02,479 --> 01:18:05,280
Speaker 1: Yes, they're editorializing too much. I like when they're like

1600
01:18:05,400 --> 01:18:08,080
Speaker 1: leave you know, leave the day behind, let's be here now,

1601
01:18:08,520 --> 01:18:10,000
Speaker 1: that I can deal with, but don't tell me.

1602
01:18:10,080 --> 01:18:17,120
Speaker 4: Sometimes horrible, I mean sometimes yeah, pull yourself together, because

1603
01:18:17,160 --> 01:18:19,400
Speaker 4: I could tolerate the other teacher or whatever being like

1604
01:18:19,640 --> 01:18:21,960
Speaker 4: pull yourself together, like let's take a moment. We hear

1605
01:18:22,000 --> 01:18:25,120
Speaker 4: that expression, oh I gotta get my ship together again.

1606
01:18:25,160 --> 01:18:27,559
Speaker 4: Then like asked for it, you know, like and then

1607
01:18:27,960 --> 01:18:32,240
Speaker 4: I'm not Like the other teacher is not afraid, and

1608
01:18:32,280 --> 01:18:34,200
Speaker 4: they're like, pull yourself together, and they're like, actually, like

1609
01:18:34,240 --> 01:18:36,120
Speaker 4: we do give out so much of our energy, Like

1610
01:18:36,600 --> 01:18:40,360
Speaker 4: that's hard to pull it back, you know, just you know,

1611
01:18:40,400 --> 01:18:42,559
Speaker 4: bring bring it back, you know, call back your like

1612
01:18:42,680 --> 01:18:45,519
Speaker 4: do your energy hygiene. That would be cool.

1613
01:18:45,400 --> 01:18:47,320
Speaker 2: But I have big news from our I have big

1614
01:18:47,360 --> 01:18:48,240
Speaker 2: news from our producer.

1615
01:18:48,320 --> 01:18:48,680
Speaker 1: What is it?

1616
01:18:49,000 --> 01:18:52,200
Speaker 2: The new tagline for the Container Store is welcome to

1617
01:18:52,240 --> 01:18:53,080
Speaker 2: the organization.

1618
01:18:54,680 --> 01:18:57,120
Speaker 1: Huh. I'm not loving it.

1619
01:18:57,240 --> 01:19:00,880
Speaker 4: So that's almost like is the double They're kind of

1620
01:19:01,000 --> 01:19:05,760
Speaker 4: like like like this isn't like this is an organization.

1621
01:19:05,920 --> 01:19:09,439
Speaker 4: Welcome to the organization. Yeah, it's almost like cult like,

1622
01:19:09,800 --> 01:19:12,439
Speaker 4: which I don't mind. That's where I almost think they are.

1623
01:19:12,439 --> 01:19:15,320
Speaker 4: They kind of trying to like again a little like

1624
01:19:15,760 --> 01:19:18,479
Speaker 4: contain yourself for when it came out, and then this line,

1625
01:19:18,640 --> 01:19:20,439
Speaker 4: it feels like a little like not like they're trying

1626
01:19:20,439 --> 01:19:25,360
Speaker 4: to get be not straight totally right, totally welcome to

1627
01:19:25,360 --> 01:19:29,680
Speaker 4: the organization. Yeah, like they trying to like be like

1628
01:19:29,760 --> 01:19:32,479
Speaker 4: we know we are, like we know you love us

1629
01:19:32,520 --> 01:19:35,080
Speaker 4: and like make your craft rooms out of us.

1630
01:19:35,120 --> 01:19:38,160
Speaker 1: Like yeah, yeah, like they're weird.

1631
01:19:38,520 --> 01:19:42,160
Speaker 2: They're very I have to say, like I when Jacqueline,

1632
01:19:42,320 --> 01:19:45,160
Speaker 2: when your next special drops and you come back, we're

1633
01:19:45,200 --> 01:19:48,240
Speaker 2: getting into the containers because there's actually.

1634
01:19:48,080 --> 01:19:49,720
Speaker 1: There's actually I mean they might even have a new

1635
01:19:49,760 --> 01:19:50,519
Speaker 1: tagline by then.

1636
01:19:50,760 --> 01:19:53,400
Speaker 2: Yeah yeah, yeah, yeah, we'll have you back every time

1637
01:19:53,439 --> 01:19:53,680
Speaker 2: they have.

1638
01:19:53,640 --> 01:19:57,000
Speaker 4: Any I love that, Thank you having thanks.

1639
01:19:56,800 --> 01:19:57,679
Speaker 1: So much for doing it.

1640
01:19:58,520 --> 01:20:01,120
Speaker 2: Jacqueline, this was an absolute we love you so much.

1641
01:20:01,360 --> 01:20:04,000
Speaker 2: We're both huge fans. Yes, thank you and this was

1642
01:20:04,160 --> 01:20:07,400
Speaker 2: this was a real trit Thank you. Okay, bye bye

1643
01:20:07,880 --> 01:20:12,679
Speaker 2: bye podcast and now want more. Subscribe to our Patreon

1644
01:20:12,840 --> 01:20:16,320
Speaker 2: for two extra episodes a month, discord access and more

1645
01:20:16,520 --> 01:20:19,959
Speaker 2: by heading to patreon dot com. Slash Stradio lab.

1646
01:20:20,000 --> 01:20:22,599
Speaker 1: And for all our visual learners, free full length video

1647
01:20:22,600 --> 01:20:25,360
Speaker 1: episodes are available on our YouTube. Now get back to

1648
01:20:25,439 --> 01:20:25,719
Speaker 1: work