WEBVTT - Episode 441 w/ 3rd Bass

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<v Speaker 1>He is drinks Chants, Motherfucky podcast, make si.

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<v Speaker 2>He's a legends every queen's rapper.

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<v Speaker 3>He ain't say greed as your boy in O R

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<v Speaker 3>eight's a Miami Hill pop mioneer. What Ups d j

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<v Speaker 3>E f N? Together they drink it up with some

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<v Speaker 3>of the biggest players you know what I mean.

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<v Speaker 4>And the most professional unprofessional podcast and your.

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<v Speaker 3>Number one source for drunk drinks post every day is

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<v Speaker 3>New year. See listen, It's time for drink champions. Drink up, motherfuck?

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<v Speaker 3>What it gonna be? Hob Swotter to me? This your

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<v Speaker 3>boy in O R E? What Up is dj E

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<v Speaker 3>f N? Listen to get library. I want to make

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<v Speaker 3>them know.

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<v Speaker 2>That when me and anfl started this show, we said

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<v Speaker 2>we wanted to give the flowers to the legends, the

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<v Speaker 2>people who have been there for us, the people who

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<v Speaker 2>have been there that pave the way, the people who

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<v Speaker 2>are pioneers and people who are legend, the people who

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<v Speaker 2>are icons. These people have paid the way for me personally,

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<v Speaker 2>you know, from them putting on someone and putting on

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<v Speaker 2>someone and putting on me and all coming together from

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<v Speaker 2>my home burrow.

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<v Speaker 3>These an icon.

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<v Speaker 2>When I see these brothers on stage here came down

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<v Speaker 2>my eye because I realized how personally I wanted to

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<v Speaker 2>see it. It's got nothing to do with hip hop,

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<v Speaker 2>got everything to do with me. Like I personally as

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<v Speaker 2>a fan, it was like, yeah, motherfucker, you know, seeing

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<v Speaker 2>them on stage together, knowing the history and knowing that

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<v Speaker 2>they come back together, I humble myself and I believe.

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<v Speaker 2>I made the phone call and I said, I want

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<v Speaker 2>to make this happen. I would like to be the

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<v Speaker 2>first people to have you brothers together on together and

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<v Speaker 2>give y all y'all flowers.

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<v Speaker 3>That's the most important part.

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<v Speaker 2>The most important part is not having y'all here, but

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<v Speaker 2>having y'all, letting y'all know that this is time to

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<v Speaker 2>praise y'all. It's time to show y'all how much hip

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<v Speaker 2>hop owes y'all. It's time to show show y'all how

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<v Speaker 2>much hip hop appreciate y'all and missus y'all. And in

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<v Speaker 2>case you don't know what we're doing, we're talking about

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<v Speaker 2>the one the motherfucker only.

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<v Speaker 3>Wanted real cold someone let shirts pop because he likes

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<v Speaker 3>to do that. Yeah, that's that's that's that's what she said.

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<v Speaker 1>By that, I'm gonna go with this one.

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<v Speaker 3>I'm gonna go with this, like yes, yes, so Pete,

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<v Speaker 3>what's going on? My brother?

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<v Speaker 2>You haven't been you got this is how you know

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<v Speaker 2>you're a classic? And look at that?

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<v Speaker 1>All right?

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<v Speaker 3>So which one is this? This is a Monty Crisco.

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<v Speaker 5>I can tell that a Leor Cohen Cuban pies of Dominicans.

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<v Speaker 2>Right, we smoke Dominicans and Nicaraguans, but the Cuban soil

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<v Speaker 2>I think it's different.

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<v Speaker 5>Yeah, you know, just catching up, but Leor put me

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<v Speaker 5>up on the Cubans.

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<v Speaker 3>The woid of Mono rail way back.

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<v Speaker 5>I used to only smoke Cubans.

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<v Speaker 3>And which one is this one? That's a Monte Cristco?

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<v Speaker 3>This crystal ball is so okay? So what's the difference

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<v Speaker 3>between it?

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<v Speaker 2>This Monty Crisco and it has a New York label

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<v Speaker 2>than the regular Monty crist.

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<v Speaker 5>I think I just was in Chicago. They had a

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<v Speaker 5>Chicago one, so I think, okay.

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<v Speaker 3>So how long you brothers happen? They got to Brooklyn

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<v Speaker 3>got a book out of that? How long have you brothers?

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<v Speaker 2>Because I couldn't tell when you said you guys said

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<v Speaker 2>you wasn't on stage for thirty years together? Or if

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<v Speaker 2>that meant you guys hadn't seen each other in thirty years?

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<v Speaker 3>Is that? Is that a big difference? Really that long?

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<v Speaker 1>So I think Cassidy got a little excited. Okay I didn't.

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<v Speaker 3>Yeah.

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<v Speaker 1>So we have performed officially on stage together in probably

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<v Speaker 1>close to thirteen, twelve or thirteen years.

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<v Speaker 3>We you can tell you from.

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<v Speaker 1>I'm just you know.

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<v Speaker 5>I saw nt do that and gold fingers Joffrey.

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<v Speaker 3>So so yeah, so yeah, okay, can you what you said?

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<v Speaker 3>We got no more see it? I'm sorry, yeah, I

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<v Speaker 3>got I gotta let him know. Yeah, down to the

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<v Speaker 3>Thug Borough, that's no.

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<v Speaker 1>But yeah, you know, so it really had become like

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<v Speaker 1>after that show. You know, life happens, you know what

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<v Speaker 1>I'm saying, like, and you know he was.

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<v Speaker 3>After the recent show.

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<v Speaker 1>Yeah, this was like twelve years ago. Okay, so yeah,

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<v Speaker 1>so what happened? Well, go ahead, it was thirty. We

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<v Speaker 1>kind of do this every ten years. Okay, you remember

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<v Speaker 1>the first time? Reunite every ten years? Yeah, you know,

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<v Speaker 1>say Adams, Yeah yeah, yeah, so so say it for

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<v Speaker 1>those who don't know, say did the Big Eie album,

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<v Speaker 1>he did a third Base album, he did the Redman cover,

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<v Speaker 1>he did Ready to Die like.

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<v Speaker 5>He's I mean maybe regardless, you.

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<v Speaker 3>Have an exhibit out here during the pavement, you know, and.

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<v Speaker 5>He's actually in this show at the Museum of City

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<v Speaker 5>of New York right now too, Martin walk So say

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<v Speaker 5>somehow enabled the fact that he got me and Surge

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<v Speaker 5>are on the phone together. Are not knowing that we

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<v Speaker 5>were going to be on the phone together in nineteen

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<v Speaker 5>ninety nine, Okay, wow, And he got us to come

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<v Speaker 5>back and we did Woodstock.

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<v Speaker 3>Wow. So we did work here.

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<v Speaker 1>So what happened was so we at that time our

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<v Speaker 1>agent was also the guy named Johnny Podell.

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<v Speaker 3>Okay, so Johnny's all City DJ.

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<v Speaker 1>Cassidy's dad right, Okay, Cassidy dad dad no relation to

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<v Speaker 1>Burt Padell, No, like dad, I didn't know, so yeah,

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<v Speaker 1>so Johnny Pidell who used to book some Power Lewis.

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<v Speaker 3>I didn't know that.

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<v Speaker 1>So yeah, so R and William Morris that's Cassidy's dad.

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<v Speaker 1>That's how actually me and Pete med Cassidy when he

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<v Speaker 1>was nine years old, when he used to come to

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<v Speaker 1>my house in Long Island on the way to That's

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<v Speaker 1>how we started DJing.

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<v Speaker 3>And was lying when he told us that yeah was playing.

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<v Speaker 5>We did a couple of records. Cassidy was like a

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<v Speaker 5>little kid in the studio.

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<v Speaker 3>That's how I knew.

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<v Speaker 1>So so he was like, Yo, do you guys want

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<v Speaker 1>to do Woodstock?

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<v Speaker 3>And we're like, why wouldn't we want to do Woodstock?

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<v Speaker 3>Like you know.

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<v Speaker 1>But the thing that was really funny is they paid

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<v Speaker 1>us one thousand dollars.

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<v Speaker 3>Wow.

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<v Speaker 1>So I still have because I thought it was more.

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<v Speaker 1>I still have the check that I didn't cash paid

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<v Speaker 1>to third Base, which I can't do anyway because there's

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<v Speaker 1>no account that says third bit for three hundred and

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<v Speaker 1>thirty three dollars and thirty three cents right everywhere. So

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<v Speaker 1>we go to we go to Woodstock to do Woodstock,

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<v Speaker 1>and it's the opening day. It's like Thursday, and everybody's

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<v Speaker 1>all the way on one side, We're all the.

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<v Speaker 3>Way on the opening stage.

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<v Speaker 5>What was fucking Delly George Clayton on the other side.

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<v Speaker 3>Wow.

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<v Speaker 1>But later, right later, but we were like literally like

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<v Speaker 1>the opening for this stage. So DJ Eclips, who was

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<v Speaker 1>with us at time, he's just start spinning records House

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<v Speaker 1>of Pain rock him and all these people start moving

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<v Speaker 1>towards us, like moving towards us, moving towards us and

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<v Speaker 1>we rocked. We rocked, and then we went to Europe

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<v Speaker 1>for a little while, just some European dates, tried to

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<v Speaker 1>do an.

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<v Speaker 2>Album stretching what we do, and then basketball always always

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<v Speaker 2>got basketball.

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<v Speaker 1>Right and uh and yeah, we started recording for an

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<v Speaker 1>album called Cabot's Craning, which was always gonna be the

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<v Speaker 1>third Third Base album.

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<v Speaker 3>Just never happened. You know, life happens, you know what

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<v Speaker 3>I'm saying.

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<v Speaker 2>But I remember at that time, I just didn't see

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<v Speaker 2>you guys together. But I never remember hearing rumors that

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<v Speaker 2>you breaking up. It wasn't too recently that we heard you.

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<v Speaker 2>Like it was like you guys wasn't coming together and

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<v Speaker 2>didn't see it you guys recently. So was there like

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<v Speaker 2>a certain thing that happened for you guys not to

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<v Speaker 2>be around, Because listen, I'm a part of a group too,

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<v Speaker 2>And I say, it's just me and Capone being together.

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<v Speaker 2>It's the same thing as Wu Tang getting together. It's

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<v Speaker 2>not different personalities, even though.

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<v Speaker 3>It like I noticed it. So I'm just asking you guys, like,

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<v Speaker 3>was was there something?

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<v Speaker 1>I mean, it wasn't that it was something I think

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<v Speaker 1>what for me at least, and I can just share.

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<v Speaker 1>My perspective is that you know, I was in a

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<v Speaker 1>place where I wasn't really doing some great listening. Like

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<v Speaker 1>I can take responsibility for this, you said, Yeah.

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<v Speaker 3>Like I wasn't. I just wasn't a great partner.

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<v Speaker 1>You know, So at least for me my perspective, and

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<v Speaker 1>I can take the you know, I can admit my

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<v Speaker 1>faults and you know, say, this was the reasons for

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<v Speaker 1>the demise of our partnership.

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<v Speaker 3>Was I was. I wasn't in a good place.

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<v Speaker 1>I wasn't in a healthy place, you know what I'm saying,

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<v Speaker 1>Like I wasn't listening, right, I was definitely basing a

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<v Speaker 1>lot of my decisions on ego, I was basing a

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<v Speaker 1>lot of my decisions.

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<v Speaker 3>On like my wife and my relationship.

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<v Speaker 1>And you know, the truth of the matter was I

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<v Speaker 1>wasn't thinking the way a partnership think, right, So everything

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<v Speaker 1>was kind of off kilter for me. And looking back now,

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<v Speaker 1>obviously because I love that Muhammad Ali saying like he says,

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<v Speaker 1>if you're the same man at twenty four, then you

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<v Speaker 1>are fifty four. You wasted thirty years ago, right, So

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<v Speaker 1>I can sit now here being a little older than

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<v Speaker 1>fifty four saying, you.

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<v Speaker 3>Know, what.

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<v Speaker 1>I'm not at that place anymore, and I can look

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<v Speaker 1>back and say I'll do I'm not going to be

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<v Speaker 1>that same person today, right, So a lot of those

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<v Speaker 1>are the reasons why, you know, we couldn't coexist, you know,

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<v Speaker 1>and I have to have.

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<v Speaker 3>To can't let that go? Okay, I love you saying that.

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<v Speaker 5>That.

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<v Speaker 3>That's big.

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<v Speaker 5>But also the fact that me and Rich when that

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<v Speaker 5>riff was there, we didn't think that Russell and the

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<v Speaker 5>Ore would actually even let it have like, you know,

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<v Speaker 5>like let us flit up, because they could have forced it.

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<v Speaker 5>But you know, they helped, you know, just they're like,

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<v Speaker 5>oh they want to do this. They made up their mind.

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<v Speaker 3>You know. That was basically so.

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<v Speaker 5>But listen, me and Rich had some of the same

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<v Speaker 5>things going on in search and uh.

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<v Speaker 3>Which nice Rich. Ok Okay, that's right, that's right, that's right,

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<v Speaker 3>that's right.

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<v Speaker 5>So but uh yeah, so, I mean it's just maturing

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<v Speaker 5>over the years. Uh you know, I mean, but such

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<v Speaker 5>I had a a whole history even before before that.

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<v Speaker 5>So that's the crazy thing about us going back to

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<v Speaker 5>when we met at the last quarter.

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<v Speaker 1>So you know, and now you know, looking at it todayway.

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<v Speaker 3>No, no, no, no, no, So he he was in Florid Park.

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<v Speaker 1>I was in Far Rockaway, but we always ran into

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<v Speaker 1>each other, like we would cross our paths at the

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<v Speaker 1>latt Quarter. His first MC partner was a guy I went

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<v Speaker 1>to high school with who was like the first white

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<v Speaker 1>rapper ever, kidnamed Vanilla b A K. A.

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<v Speaker 3>Key O, great graffiti artist Lad Scotch. Yeah, Blake Latham

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<v Speaker 3>and we got your move about it. I like to

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<v Speaker 3>say that the life, but that was the other.

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<v Speaker 1>Thing that really was like to me was the a

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<v Speaker 1>PEX for me was Cassidy show was on November eighth.

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<v Speaker 1>That was the thirty fifth anniversary of our album release party.

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<v Speaker 1>Wow that Clark Kent DJ and Clark died and Clark

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<v Speaker 1>is really the connect tissue between me and rich and

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<v Speaker 1>Pete Dana Dane I went to high school with. He

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<v Speaker 1>was Clark's DJ, you know, was his DJ. You know,

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<v Speaker 1>Pete met Clark. They did a radio show together, you know, Rich.

0:11:12.679 --> 0:11:13.520
<v Speaker 3>Stretch above Vito.

0:11:13.920 --> 0:11:17.199
<v Speaker 5>We had the first show on WKCR, and then Clark

0:11:18.280 --> 0:11:21.800
<v Speaker 5>introduced me to Richie Rich, who you know, arguably the

0:11:21.840 --> 0:11:24.000
<v Speaker 5>best show DJ in the world. I mean, like we

0:11:24.000 --> 0:11:26.960
<v Speaker 5>we guarantee if you put Daddy Rich out there ten

0:11:27.000 --> 0:11:32.079
<v Speaker 5>minutes said on tour, You're guaranteed that the crowd goes Like.

0:11:32.320 --> 0:11:36.840
<v Speaker 1>You remember this comedian, this Mexican comedian, like what was

0:11:36.880 --> 0:11:40.720
<v Speaker 1>his name, Rodriguez, Like he was Paul Rodriguez. Yea, Paul

0:11:40.760 --> 0:11:43.440
<v Speaker 1>had a big show, Like he had a talk show

0:11:43.520 --> 0:11:46.320
<v Speaker 1>that like NBC was putting soupid Money was the first

0:11:46.320 --> 0:11:49.520
<v Speaker 1>bilingual show after Rich did Our Sineo.

0:11:50.400 --> 0:11:52.079
<v Speaker 3>This motherfucker built this.

0:11:52.120 --> 0:11:56.160
<v Speaker 1>Shit with like cameras on all angles and like like

0:11:56.559 --> 0:12:00.600
<v Speaker 1>to watch him do his tricks, like like when Rich

0:12:01.400 --> 0:12:03.640
<v Speaker 1>battled in the World supremacy, like he did a forty

0:12:03.679 --> 0:12:06.880
<v Speaker 1>three unre vertical leap overturn table like I mean, like

0:12:07.080 --> 0:12:09.319
<v Speaker 1>without miss Ship, you know what I mean, Like you

0:12:09.360 --> 0:12:11.360
<v Speaker 1>know what I'm saying, Like so you know some Superman shit.

0:12:11.679 --> 0:12:15.319
<v Speaker 3>So Clock was the connector between all of us.

0:12:16.200 --> 0:12:18.960
<v Speaker 1>So for Clock to die and not be here and

0:12:19.000 --> 0:12:22.040
<v Speaker 1>it's November eighth, and it's that thirty fifth anniversary and

0:12:22.080 --> 0:12:24.599
<v Speaker 1>it's just all those numbers made sense to me in

0:12:24.760 --> 0:12:26.640
<v Speaker 1>an album coming out, Like you know what I'm saying,

0:12:26.679 --> 0:12:28.360
<v Speaker 1>Like and you know.

0:12:29.280 --> 0:12:33.240
<v Speaker 3>I hate to do it good, but I'm just saying,

0:12:34.040 --> 0:12:36.440
<v Speaker 3>you know, it's different right now, I'm just.

0:12:36.280 --> 0:12:39.800
<v Speaker 1>Saying I'm just saying like you know what I mean,

0:12:39.920 --> 0:12:42.720
<v Speaker 1>So you know, you know, it's just it just made

0:12:42.840 --> 0:12:45.360
<v Speaker 1>all the sense in the world, you know what I'm saying,

0:12:45.400 --> 0:12:50.000
<v Speaker 1>and universal now like really stepping up releasing the record

0:12:50.040 --> 0:12:51.920
<v Speaker 1>the way it always should have been on the album,

0:12:52.320 --> 0:12:55.240
<v Speaker 1>you know what I'm saying, Like, really it felt like

0:12:55.280 --> 0:12:57.160
<v Speaker 1>the right time. It just felt like the right time,

0:12:57.240 --> 0:13:00.400
<v Speaker 1>especially because Cassidy in our history with his dad and

0:13:00.520 --> 0:13:03.640
<v Speaker 1>Kaz and like my family with him, like he's family

0:13:03.679 --> 0:13:05.839
<v Speaker 1>to me, Like my kids call him Uncle Kaz, you

0:13:05.880 --> 0:13:06.240
<v Speaker 1>know what I mean.

0:13:06.280 --> 0:13:08.800
<v Speaker 3>So it's just made sense, you know what.

0:13:09.080 --> 0:13:12.520
<v Speaker 5>I remember Chuck Dan, we were on roadich all got

0:13:12.520 --> 0:13:13.319
<v Speaker 5>money Now, that's what.

0:13:14.960 --> 0:13:19.840
<v Speaker 3>That's what. So we were on tour with Chuck. We

0:13:19.840 --> 0:13:21.040
<v Speaker 3>were on toward Public Enemy.

0:13:21.080 --> 0:13:24.040
<v Speaker 1>It was like Public Enemy Digital Underground, Big Daddy Kane, like,

0:13:24.080 --> 0:13:26.120
<v Speaker 1>and we're in the South and I see that two

0:13:26.160 --> 0:13:27.040
<v Speaker 1>live crews on the show.

0:13:27.400 --> 0:13:28.920
<v Speaker 3>And I used to love to like go up and

0:13:28.960 --> 0:13:29.400
<v Speaker 3>see you.

0:13:29.360 --> 0:13:33.439
<v Speaker 1>Know, order time, set time, and I remember that I'm

0:13:33.480 --> 0:13:35.280
<v Speaker 1>looking at to run a show, and it would always

0:13:35.280 --> 0:13:37.880
<v Speaker 1>be like you know, Caine third Days, you blah blah blah.

0:13:38.280 --> 0:13:42.120
<v Speaker 1>But it was always Public Enemy. So this show and

0:13:42.200 --> 0:13:44.040
<v Speaker 1>we're in like the middle of nowhere. I think we're

0:13:44.080 --> 0:13:46.640
<v Speaker 1>in the like Dad and rouge AA somewhere in New Orleans,

0:13:47.800 --> 0:13:50.480
<v Speaker 1>and it's bang bang bang Public Enemy two live crew.

0:13:51.120 --> 0:13:54.360
<v Speaker 3>So now I'm hot. I'm you know, I'm like, yo,

0:13:54.400 --> 0:13:58.120
<v Speaker 3>what then see the no?

0:13:58.000 --> 0:14:00.240
<v Speaker 1>No, no, who the fuck would fuck this up? Like

0:14:00.440 --> 0:14:03.840
<v Speaker 1>Pe closes the show. I'm from New York, I'm a

0:14:03.880 --> 0:14:06.040
<v Speaker 1>queen starle bread. What the fuck you talking about? Ain't

0:14:06.080 --> 0:14:08.240
<v Speaker 1>nobody closing over a fucking Public Enemy?

0:14:08.679 --> 0:14:09.280
<v Speaker 3>And I'm mad?

0:14:10.000 --> 0:14:12.559
<v Speaker 1>So I run into like brother Mike and brother James

0:14:12.600 --> 0:14:14.440
<v Speaker 1>from you know that's one w's. I said, Yo, they

0:14:14.480 --> 0:14:17.120
<v Speaker 1>made a mistake. He said no, wow, And I said,

0:14:17.160 --> 0:14:17.880
<v Speaker 1>let me talk Chuck.

0:14:18.679 --> 0:14:23.600
<v Speaker 6>Chuck comes out and as he says, he just said,

0:14:23.800 --> 0:14:27.080
<v Speaker 6>he waved the tumble at me, did the tumble, and

0:14:27.120 --> 0:14:30.640
<v Speaker 6>he said, hottest group closes and he closed the door.

0:14:31.200 --> 0:14:32.720
<v Speaker 1>That's all he said to me. And I said, what

0:14:32.760 --> 0:14:35.520
<v Speaker 1>the fuck does that mean? How does group closes? We

0:14:35.640 --> 0:14:38.360
<v Speaker 1>get on, We do our thing. King goes on to it, says,

0:14:38.680 --> 0:14:42.120
<v Speaker 1>Public Enemy comes on. The fucking place is moving, whole

0:14:42.200 --> 0:14:42.880
<v Speaker 1>venue moving.

0:14:44.240 --> 0:14:44.440
<v Speaker 5>Man.

0:14:44.600 --> 0:14:46.960
<v Speaker 1>The second they get off the stage, all of a sudden,

0:14:47.000 --> 0:14:50.000
<v Speaker 1>there's about fifty cops all around the stage.

0:14:50.400 --> 0:14:52.640
<v Speaker 3>For them for two live crew.

0:14:53.200 --> 0:14:59.480
<v Speaker 1>Them boys come out, they get on stage and Luke

0:14:59.560 --> 0:15:02.760
<v Speaker 1>just says one thing, Hey, these motherfuckersre gonna throw us

0:15:02.800 --> 0:15:04.640
<v Speaker 1>in jail if we say any custoings, so we can't

0:15:04.640 --> 0:15:05.160
<v Speaker 1>do the custom.

0:15:05.200 --> 0:15:05.800
<v Speaker 3>You do us for it.

0:15:06.000 --> 0:15:15.800
<v Speaker 1>Hey, twenty two thousand people, they didn't Tao one fucking.

0:15:16.840 --> 0:15:19.360
<v Speaker 3>One fucking word. Taught a bitch down, said, you know,

0:15:20.880 --> 0:15:22.560
<v Speaker 3>they didn't show one doesn't work.

0:15:23.120 --> 0:15:27.240
<v Speaker 5>I'm on one of the other shows.

0:15:27.240 --> 0:15:28.640
<v Speaker 1>One of the other shows they did, but that was

0:15:28.680 --> 0:15:31.800
<v Speaker 1>because of fighting. There was an assault thing. But yo,

0:15:32.440 --> 0:15:35.600
<v Speaker 1>it was crazy like and it made me realize, like

0:15:36.480 --> 0:15:39.240
<v Speaker 1>when you're on tour, hot to Scoop closes. When we

0:15:39.240 --> 0:15:42.600
<v Speaker 1>were on tour, like on during the dialect, we're on

0:15:42.600 --> 0:15:44.080
<v Speaker 1>the West coast with Cyprus, We're.

0:15:43.960 --> 0:15:47.760
<v Speaker 3>Like, y'all close, y'all close, like because you know.

0:15:47.680 --> 0:15:50.200
<v Speaker 1>When we brought them on, right, Yeah, when we brought

0:15:50.240 --> 0:15:53.120
<v Speaker 1>them on, Pigs was their first single. Like no one

0:15:53.200 --> 0:15:54.720
<v Speaker 1>was really fucking with it when we got to the

0:15:54.720 --> 0:15:58.360
<v Speaker 1>West coast, like that's all you heard. Every fucking sholo

0:15:58.520 --> 0:16:01.280
<v Speaker 1>was bumping that ship. So we're like, yeah, y'all close them,

0:16:01.680 --> 0:16:03.440
<v Speaker 1>So let me ask y'all. We had doctor Dre and

0:16:03.440 --> 0:16:06.440
<v Speaker 1>Snoop and doctor Dre I asked him for something. There's

0:16:06.480 --> 0:16:09.680
<v Speaker 1>something that's been been like kind of bothering me.

0:16:10.120 --> 0:16:12.640
<v Speaker 2>I was like, you said that the firm flopped and

0:16:12.680 --> 0:16:14.960
<v Speaker 2>I could literally see Doctor Dre put his head down

0:16:15.240 --> 0:16:17.280
<v Speaker 2>and he was like, I shouldn't have said that, right,

0:16:17.920 --> 0:16:20.800
<v Speaker 2>And it's like, all these years later he regrets. Do

0:16:20.840 --> 0:16:23.640
<v Speaker 2>you regret putting certain people on the gas face who got.

0:16:23.560 --> 0:16:25.800
<v Speaker 3>The gas pace? Obviously? Like you ever talk to Himmer

0:16:26.400 --> 0:16:26.920
<v Speaker 3>all this time?

0:16:27.040 --> 0:16:29.480
<v Speaker 1>Like, no, I mean, but honestly I think that, Like,

0:16:30.040 --> 0:16:31.160
<v Speaker 1>and again, this is just me.

0:16:31.480 --> 0:16:33.120
<v Speaker 3>This is my path, you know.

0:16:33.120 --> 0:16:36.280
<v Speaker 1>Eleven eleven twenty four, I celebrated thirteen years of recovery,

0:16:36.360 --> 0:16:37.120
<v Speaker 1>right so, like.

0:16:37.080 --> 0:16:38.600
<v Speaker 3>For like, so.

0:16:40.600 --> 0:16:44.400
<v Speaker 1>One of the big parts of my maturity is making amends, right, Like,

0:16:44.480 --> 0:16:47.080
<v Speaker 1>that's a big part of like being able to speak

0:16:47.120 --> 0:16:50.000
<v Speaker 1>to people and be able to make amends and say, look,

0:16:50.040 --> 0:16:52.320
<v Speaker 1>this is what I did wrong, this is the responsibility

0:16:52.360 --> 0:16:54.120
<v Speaker 1>I take from my behavior, and.

0:16:54.040 --> 0:16:55.160
<v Speaker 3>This is how I act Differently.

0:16:55.200 --> 0:16:57.680
<v Speaker 1>It's not about apologizing, because you can be a sorry

0:16:57.680 --> 0:17:00.600
<v Speaker 1>mother fuck your whole life if you don't change. So

0:17:00.600 --> 0:17:03.280
<v Speaker 1>for me, it's not about apologizing about Look, I acknowledge

0:17:03.320 --> 0:17:05.960
<v Speaker 1>I did this wrong and moving moving.

0:17:06.000 --> 0:17:09.800
<v Speaker 3>Now, this is how I act differently, right, I.

0:17:09.720 --> 0:17:12.360
<v Speaker 1>Would make amends to Hammel because I see it from

0:17:12.400 --> 0:17:14.960
<v Speaker 1>his side, right, I know, And I can honestly say

0:17:15.000 --> 0:17:16.919
<v Speaker 1>this for ninety percent of it.

0:17:17.359 --> 0:17:19.600
<v Speaker 3>Pete's line that shit was hard body.

0:17:20.160 --> 0:17:22.280
<v Speaker 1>Like, let's be real clear, Like that lyric that he

0:17:22.440 --> 0:17:25.440
<v Speaker 1>dropped on Hamma's head is hard body.

0:17:26.480 --> 0:17:31.959
<v Speaker 3>No, that's what he did. Date his records.

0:17:31.960 --> 0:17:37.520
<v Speaker 1>Turn his mother out, hold the cactus, turn Hammer's mother out.

0:17:37.800 --> 0:17:40.040
<v Speaker 3>Yo. That ship was hard body for us.

0:17:40.200 --> 0:17:42.800
<v Speaker 5>And I was arguing with him straight up on the radio.

0:17:42.840 --> 0:17:43.520
<v Speaker 3>Ok, was.

0:17:45.040 --> 0:17:47.480
<v Speaker 5>He sabotaged us and put ham All on Live? Right?

0:17:47.600 --> 0:17:49.960
<v Speaker 3>Well, he ambushed us, Yeah, ambushed us on radio.

0:17:50.040 --> 0:17:52.719
<v Speaker 1>But the point was like we didn't think of that

0:17:52.760 --> 0:17:56.239
<v Speaker 1>line literally, because that's how MC's did. Like we had

0:17:56.280 --> 0:17:59.359
<v Speaker 1>double entendres all the time. We didn't think his he

0:17:59.400 --> 0:18:01.880
<v Speaker 1>would literally he take it like, yeah, we're talking.

0:18:01.680 --> 0:18:02.440
<v Speaker 3>About his mom.

0:18:02.520 --> 0:18:04.800
<v Speaker 5>Search is then taking it back to the essence taking

0:18:05.560 --> 0:18:07.240
<v Speaker 5>please it is nineteen eighty eight.

0:18:07.359 --> 0:18:07.840
<v Speaker 3>I'm there.

0:18:08.359 --> 0:18:11.640
<v Speaker 5>Before we had records out. Search would try to get

0:18:11.720 --> 0:18:14.280
<v Speaker 5>us on anything. So Search got us on the road

0:18:14.359 --> 0:18:20.119
<v Speaker 5>with Houdini judging a dunk contest in the full force

0:18:20.720 --> 0:18:26.800
<v Speaker 5>like basketball basketball game open and we're there with his dude,

0:18:26.840 --> 0:18:28.880
<v Speaker 5>Greg Butler from the next and the other dude from

0:18:28.880 --> 0:18:33.200
<v Speaker 5>the Warriors that passed back then, and this little kid

0:18:33.240 --> 0:18:35.920
<v Speaker 5>comes on halftime, starts dancing and kind of like hammer

0:18:36.000 --> 0:18:38.840
<v Speaker 5>style boom then Hammer comes out right.

0:18:38.760 --> 0:18:41.000
<v Speaker 1>And he had a Cadillac filled with so he was

0:18:41.040 --> 0:18:43.240
<v Speaker 1>pumping his music out of his cadillact this one.

0:18:43.280 --> 0:18:43.640
<v Speaker 3>He was.

0:18:45.600 --> 0:18:47.919
<v Speaker 1>What they called bull boy for the Oakland age. So

0:18:47.960 --> 0:18:50.879
<v Speaker 1>he had a Cadillac and he had a trunk full

0:18:50.880 --> 0:18:52.679
<v Speaker 1>of music and everybody was like, oh, that's the hottest

0:18:52.720 --> 0:18:53.359
<v Speaker 1>kid in Oakland.

0:18:54.400 --> 0:18:57.040
<v Speaker 5>And you know search in the record he said he

0:18:57.040 --> 0:19:02.000
<v Speaker 5>had soul coming out his asshole. He he wanted to battle. Yeah,

0:19:02.280 --> 0:19:04.679
<v Speaker 5>and James had no idea who the we were, and

0:19:04.680 --> 0:19:07.199
<v Speaker 5>he just like he just peeled us off. And we

0:19:07.280 --> 0:19:09.399
<v Speaker 5>actually caught him outside. He was in a bed in

0:19:09.440 --> 0:19:12.359
<v Speaker 5>a drop top bends with that kid Dante. Security picked

0:19:12.640 --> 0:19:13.600
<v Speaker 5>even got a picture, but.

0:19:13.800 --> 0:19:14.880
<v Speaker 3>It is in his hometown.

0:19:15.720 --> 0:19:17.679
<v Speaker 1>Yeah, so that was like, I mean, it was just

0:19:17.680 --> 0:19:21.439
<v Speaker 1>a playful, like it's like we all dance paddle back in.

0:19:24.160 --> 0:19:24.960
<v Speaker 3>Right after that.

0:19:25.160 --> 0:19:27.680
<v Speaker 5>Like so we we actually were with him, met him,

0:19:28.080 --> 0:19:29.560
<v Speaker 5>talk right in front of him. But then he just

0:19:29.680 --> 0:19:33.200
<v Speaker 5>run and then with the whole you're hitting.

0:19:33.000 --> 0:19:35.040
<v Speaker 3>Yeah, you ain't hitting in New York and and.

0:19:34.960 --> 0:19:38.120
<v Speaker 7>That's what got That's where that's where our whole of

0:19:38.200 --> 0:19:39.120
<v Speaker 7>hammer started.

0:19:39.320 --> 0:19:42.119
<v Speaker 5>And that's where we were just pretty much defending you know,

0:19:42.160 --> 0:19:44.280
<v Speaker 5>the guys who created ship for us and.

0:19:44.320 --> 0:19:46.720
<v Speaker 3>Rush and yeah, absolutely right, absolutely right.

0:19:46.920 --> 0:19:48.879
<v Speaker 5>That's why you saw D m C and ms J

0:19:49.119 --> 0:19:52.359
<v Speaker 5>in the gas face kick that kick that fake but

0:19:53.200 --> 0:19:55.440
<v Speaker 5>something search you wouldn't have won the dance content.

0:20:01.880 --> 0:20:04.080
<v Speaker 3>You ain't say I could do.

0:20:04.520 --> 0:20:06.600
<v Speaker 1>I could jump through my leg I could jump to

0:20:06.760 --> 0:20:09.119
<v Speaker 1>the limb that dance.

0:20:09.560 --> 0:20:19.160
<v Speaker 3>Don't care. I could dance my paradise.

0:20:19.280 --> 0:20:22.560
<v Speaker 5>Used to throw mustache at that cute first right before

0:20:23.000 --> 0:20:25.280
<v Speaker 5>he was rhyming out of the records out just with

0:20:25.440 --> 0:20:27.960
<v Speaker 5>the gold white boy, bring it, We'll bring it down.

0:20:28.080 --> 0:20:31.000
<v Speaker 1>Yeah, I don't know. He would have got served. You

0:20:31.000 --> 0:20:34.359
<v Speaker 1>don't got it served? Yeah, you know he got in

0:20:34.480 --> 0:20:35.920
<v Speaker 1>the bay.

0:20:37.960 --> 0:20:41.960
<v Speaker 3>No, but I wasn't. I was really nice. We might

0:20:42.000 --> 0:20:43.360
<v Speaker 3>have to bring that day.

0:20:43.520 --> 0:20:49.919
<v Speaker 1>But the point is, but the point is now you

0:20:49.960 --> 0:20:52.480
<v Speaker 1>know obviously where I am in my life today, Like

0:20:52.480 --> 0:20:54.320
<v Speaker 1>I would make amends to him because I know that

0:20:54.400 --> 0:20:56.880
<v Speaker 1>must have been like you never spoke to him never met,

0:20:57.400 --> 0:20:59.200
<v Speaker 1>never never spoke to him.

0:21:00.200 --> 0:21:03.280
<v Speaker 2>That wow yea, And how about what you're talking about,

0:21:03.359 --> 0:21:08.160
<v Speaker 2>Leo cohones, Yes, el Roy, that.

0:21:08.160 --> 0:21:10.080
<v Speaker 3>Was did you have to make amends?

0:21:10.080 --> 0:21:12.600
<v Speaker 1>Because that's like, yeah, I mean that's like the first

0:21:13.520 --> 0:21:14.080
<v Speaker 1>dis record.

0:21:14.080 --> 0:21:16.600
<v Speaker 3>Well, first of all, do you know if ever that

0:21:16.720 --> 0:21:20.040
<v Speaker 3>someone want come to Leo the gas like whatever? He

0:21:20.119 --> 0:21:20.640
<v Speaker 3>still does.

0:21:21.240 --> 0:21:24.320
<v Speaker 1>So he was, you know, so he was he got

0:21:24.359 --> 0:21:27.440
<v Speaker 1>the City of Light honor right, so it was all

0:21:27.480 --> 0:21:34.760
<v Speaker 1>the deaf jam that picassidy. He says to me, goes motherfucker.

0:21:34.760 --> 0:21:37.560
<v Speaker 1>They still call me el Roy motherfucker. No, he said

0:21:37.560 --> 0:21:38.840
<v Speaker 1>it like this, they still.

0:21:40.359 --> 0:21:40.439
<v Speaker 8>Do.

0:21:40.520 --> 0:21:46.400
<v Speaker 3>You know they come to your mother. I know if

0:21:46.400 --> 0:21:46.960
<v Speaker 3>you search you.

0:21:48.880 --> 0:21:50.359
<v Speaker 5>Roy, you know what?

0:21:50.520 --> 0:21:51.520
<v Speaker 3>You know what's crazy about that?

0:21:51.520 --> 0:21:52.520
<v Speaker 5>He deserves every bit of it.

0:21:53.000 --> 0:21:54.800
<v Speaker 3>You got that one.

0:21:55.080 --> 0:21:57.840
<v Speaker 2>On one part of that, it's like Dan, you dissed me.

0:21:58.560 --> 0:22:00.119
<v Speaker 2>But on the other part of that, you made and

0:22:00.160 --> 0:22:02.600
<v Speaker 2>they live there forever too. So it's the good and

0:22:02.640 --> 0:22:04.560
<v Speaker 2>the bad. But how did this? How did le all

0:22:04.600 --> 0:22:06.919
<v Speaker 2>get the gas face? How does Elroy excuse me?

0:22:07.040 --> 0:22:11.000
<v Speaker 3>Well, you dealt with Leon? Yes, yeah, we go pleasure.

0:22:11.720 --> 0:22:13.800
<v Speaker 5>First of all, you go up into Leo's office. He's

0:22:13.840 --> 0:22:17.679
<v Speaker 5>got a big cutout of his fiance behind him, who

0:22:17.720 --> 0:22:19.920
<v Speaker 5>was a singer at the time, e k oh okay.

0:22:19.960 --> 0:22:23.000
<v Speaker 3>And you don't notice, Leo, you just right this is

0:22:23.040 --> 0:22:23.600
<v Speaker 3>to eight.

0:22:23.640 --> 0:22:27.880
<v Speaker 5>Elizabeth Freig Moxley was his assistant. So he's like behind

0:22:27.960 --> 0:22:31.200
<v Speaker 5>him in a little back office and he's just screaming

0:22:31.200 --> 0:22:34.280
<v Speaker 5>at people. One time we did they had us do

0:22:34.320 --> 0:22:36.840
<v Speaker 5>a rape. They wanted us to do a rave in London.

0:22:36.880 --> 0:22:40.840
<v Speaker 5>In London, and there were literally like two Nigerian princes

0:22:41.240 --> 0:22:43.360
<v Speaker 5>who came. We were in the rush office with them

0:22:43.400 --> 0:22:44.800
<v Speaker 5>and they were pitching this whole thing, and.

0:22:44.840 --> 0:22:48.639
<v Speaker 9>Leo's like, I wanted to get twenty thousand Republican to

0:22:48.720 --> 0:22:51.879
<v Speaker 9>meet ten thousand for third Base, ten thousands of day

0:22:51.960 --> 0:22:55.640
<v Speaker 9>La Soul, and these guys are guaranteeing and everything.

0:22:56.119 --> 0:22:58.639
<v Speaker 5>And I actually had the other guys picturing this is

0:23:00.119 --> 0:23:01.480
<v Speaker 5>let me just let me, let me just.

0:23:01.400 --> 0:23:05.040
<v Speaker 1>Rewind real quick because there's an important yeah, rewind, Yeah,

0:23:05.400 --> 0:23:08.440
<v Speaker 1>this is one really important part of this. Public Enemy

0:23:08.480 --> 0:23:11.640
<v Speaker 1>were supposed to perform the night before and they had

0:23:11.640 --> 0:23:15.879
<v Speaker 1>a ray right, so they already paid Public Enemy and

0:23:15.920 --> 0:23:18.840
<v Speaker 1>they didn't perform. So he was like, if you want

0:23:18.880 --> 0:23:23.760
<v Speaker 1>them again, it's going to cost another another twenty five

0:23:23.920 --> 0:23:27.960
<v Speaker 1>thousand plus for this group, plus for this group.

0:23:28.280 --> 0:23:30.080
<v Speaker 5>And he's like, if you do not get the money

0:23:30.119 --> 0:23:32.320
<v Speaker 5>to me, I am you would be your father will

0:23:32.359 --> 0:23:33.719
<v Speaker 5>send you back to the bush.

0:23:34.200 --> 0:23:40.280
<v Speaker 10>And oh my god, he was brutal.

0:23:43.840 --> 0:23:46.840
<v Speaker 1>But let me just say he has one like literally,

0:23:46.840 --> 0:23:49.760
<v Speaker 1>when you talk about how we talk about the bag, No,

0:23:50.119 --> 0:23:53.200
<v Speaker 1>he had a bag, a brown paper bag, jimim guy.

0:23:53.400 --> 0:23:57.919
<v Speaker 1>No okay, a brown paper bag with fifty thousand bands.

0:23:58.119 --> 0:24:00.320
<v Speaker 1>And when he said to me and Peters they would

0:24:00.320 --> 0:24:02.840
<v Speaker 1>go back to the bush and get me my money

0:24:04.520 --> 0:24:09.119
<v Speaker 1>another time, No, no, no yo, And so I said,

0:24:09.560 --> 0:24:11.160
<v Speaker 1>So Pete leaves the room and.

0:24:11.119 --> 0:24:12.720
<v Speaker 3>I go, Yo, can I get ten dollars to get

0:24:12.720 --> 0:24:16.200
<v Speaker 3>something to eat? And he feels me five dollars Leo.

0:24:16.840 --> 0:24:20.920
<v Speaker 5>So Leo made me some promisory notes, maybe even for

0:24:21.040 --> 0:24:21.800
<v Speaker 5>my first born.

0:24:21.960 --> 0:24:23.919
<v Speaker 3>Like he never lost the dollars to a rapper.

0:24:23.960 --> 0:24:28.680
<v Speaker 1>He never left the rappers. That dude never lost the dime,

0:24:28.800 --> 0:24:30.840
<v Speaker 1>He never lost the pig and the dives. Like man,

0:24:30.960 --> 0:24:34.560
<v Speaker 1>he never left a penny on the table. I remember walking,

0:24:34.680 --> 0:24:39.879
<v Speaker 1>Do you remember the man? Do you remember when Jazz

0:24:40.040 --> 0:24:43.240
<v Speaker 1>Jeff in the Fresh Prince had the one eight hundred number? Okay,

0:24:43.680 --> 0:24:48.080
<v Speaker 1>I'm talking about a stack okay, So Jazz Jeff in

0:24:48.080 --> 0:24:52.160
<v Speaker 1>the Fresh Prince one eight hundred where you could call

0:24:52.240 --> 0:24:53.960
<v Speaker 1>them and they would wish you a happy holiday.

0:24:54.000 --> 0:24:57.199
<v Speaker 2>Married Jones was the first nigga that did that.

0:24:57.240 --> 0:25:00.119
<v Speaker 3>He did he actually gave.

0:25:01.440 --> 0:25:08.320
<v Speaker 1>Yeah, we went into his office.

0:25:09.240 --> 0:25:14.960
<v Speaker 3>So we go into his office. There's a stack, a

0:25:15.000 --> 0:25:16.280
<v Speaker 3>stack of.

0:25:16.359 --> 0:25:18.520
<v Speaker 1>Checks made out to Jazzy Jeff and the Press Prince

0:25:18.760 --> 0:25:22.080
<v Speaker 1>twenty two, twenty four thousand, sixteen thousand.

0:25:22.520 --> 0:25:23.280
<v Speaker 3>A stack.

0:25:24.119 --> 0:25:27.639
<v Speaker 1>This had like he knew how to collect money. There

0:25:27.680 --> 0:25:31.800
<v Speaker 1>was one thing done on that. Yeah, but he was

0:25:31.840 --> 0:25:35.160
<v Speaker 1>a monster when it came to that ship. He never

0:25:35.240 --> 0:25:37.159
<v Speaker 1>left a penny on the table. And that's not a

0:25:37.160 --> 0:25:40.200
<v Speaker 1>bad thing, especially when he's working for you. When he's

0:25:40.200 --> 0:25:42.159
<v Speaker 1>working against you, it's a fucking moment.

0:25:42.240 --> 0:25:44.560
<v Speaker 10>So where you guys were the beef coman? How did

0:25:44.560 --> 0:25:45.400
<v Speaker 10>he get the gas face?

0:25:45.480 --> 0:25:48.160
<v Speaker 3>Like, no, we got the gas face was in the air.

0:25:48.359 --> 0:25:50.640
<v Speaker 5>Yeah, No, it was like he was like a turban dear.

0:25:50.680 --> 0:25:54.439
<v Speaker 5>But like, yo, David scrub It's.

0:25:54.600 --> 0:25:56.640
<v Speaker 3>Right, Dante needs a haircut, you know what I'm saying.

0:25:56.720 --> 0:26:00.440
<v Speaker 3>Like this, it was really like an inside shot out. Yes,

0:26:00.560 --> 0:26:07.360
<v Speaker 3>I saw them following him. Yeah, I get it. It's

0:26:07.400 --> 0:26:09.160
<v Speaker 3>like it's like you know, anybody.

0:26:08.840 --> 0:26:10.760
<v Speaker 2>Who got the gas face was real. I thought they

0:26:10.760 --> 0:26:11.920
<v Speaker 2>would never squash it with y'all.

0:26:12.000 --> 0:26:15.240
<v Speaker 10>Yeah, it seemed you were just roll calling people people.

0:26:15.600 --> 0:26:20.120
<v Speaker 1>Yeah, called the Leader of South Africa p w Bota click.

0:26:20.800 --> 0:26:22.800
<v Speaker 3>It was just fucking you know, it's ship.

0:26:23.119 --> 0:26:30.160
<v Speaker 2>But so, what is your what is your favorite era

0:26:30.280 --> 0:26:33.600
<v Speaker 2>hip hop? Damn well, I know what this is.

0:26:33.720 --> 0:26:35.520
<v Speaker 5>I'm one of the curators at the hip Hop Museum

0:26:35.600 --> 0:26:38.960
<v Speaker 5>with Paradise from Excelent Oh, so my life is.

0:26:38.960 --> 0:26:40.520
<v Speaker 3>Just hip hop history.

0:26:41.760 --> 0:26:46.240
<v Speaker 5>So I find myself as much as like nineteen eighty

0:26:46.280 --> 0:26:50.120
<v Speaker 5>six credits right at the time that every being Rock

0:26:50.200 --> 0:26:53.040
<v Speaker 5>Him came out, Like I would say that would be

0:26:53.480 --> 0:26:57.040
<v Speaker 5>golden era of the top like slice of time, but

0:26:57.240 --> 0:26:59.280
<v Speaker 5>I really would if I had to go back on

0:26:59.359 --> 0:27:01.119
<v Speaker 5>time machine, I want to go back to like, you know,

0:27:01.160 --> 0:27:04.840
<v Speaker 5>seventy five at the Evil O with who herk, Park Ken,

0:27:04.920 --> 0:27:07.040
<v Speaker 5>all those guys DJ Smoke you well the guy, and

0:27:07.280 --> 0:27:09.240
<v Speaker 5>all these other guys who were pivotal in the history

0:27:09.280 --> 0:27:11.440
<v Speaker 5>of hip hop that no one knows about.

0:27:11.520 --> 0:27:12.159
<v Speaker 3>And no one knows that.

0:27:14.880 --> 0:27:19.200
<v Speaker 2>Yeah, yeah, you gonna do your job and get up.

0:27:18.359 --> 0:27:24.000
<v Speaker 2>But that's a Spike era, right, the Spikes and the

0:27:24.080 --> 0:27:26.520
<v Speaker 2>dark Glasses and no.

0:27:26.800 --> 0:27:29.000
<v Speaker 5>No, no, no, that that's really like the the A

0:27:29.200 --> 0:27:34.240
<v Speaker 5>J Lester you know him, you know uptown like colchar

0:27:34.359 --> 0:27:37.040
<v Speaker 5>Rock type thing. And like you know when when colclar

0:27:37.119 --> 0:27:40.600
<v Speaker 5>Rock tells people, you know her hert was from Jamaica.

0:27:40.680 --> 0:27:42.040
<v Speaker 5>He didn't know how to dress. I had to take

0:27:42.080 --> 0:27:42.760
<v Speaker 5>him up to town.

0:27:43.840 --> 0:27:47.439
<v Speaker 2>The album they say the other dul DJ with her,

0:27:47.560 --> 0:27:50.280
<v Speaker 2>but he also would talk HERK would talk too.

0:27:50.240 --> 0:27:51.960
<v Speaker 5>But they credit him to be one of the first

0:27:52.040 --> 0:27:54.159
<v Speaker 5>mcs exactly, and you know there were there were a

0:27:54.200 --> 0:27:56.760
<v Speaker 5>number of them, but Colk would say, I would take

0:27:56.760 --> 0:27:59.280
<v Speaker 5>them aj Lester to get the fly ship. And when

0:27:59.520 --> 0:28:01.840
<v Speaker 5>I was working with Hirt's brother and he had a

0:28:01.840 --> 0:28:04.440
<v Speaker 5>shoe box full of all these receipts and there's like

0:28:04.480 --> 0:28:07.320
<v Speaker 5>a cool Hurtz receipt from nineteen seventy five from aj Leslter.

0:28:07.359 --> 0:28:09.840
<v Speaker 5>So I showed it to Coke. He's like I told everybody,

0:28:09.880 --> 0:28:12.600
<v Speaker 5>I took there so that going back in a time

0:28:12.640 --> 0:28:15.240
<v Speaker 5>machine to that age would be for me, you know,

0:28:15.320 --> 0:28:17.520
<v Speaker 5>that would be the tops. Okay, So now with search

0:28:17.840 --> 0:28:19.199
<v Speaker 5>search would think, hold on.

0:28:19.600 --> 0:28:22.960
<v Speaker 2>Actually the Swiss beats cost tomorrow and he says, I

0:28:23.000 --> 0:28:25.320
<v Speaker 2>want you guys to do versus you guys picked your group?

0:28:25.400 --> 0:28:26.120
<v Speaker 3>Who you pick it?

0:28:26.480 --> 0:28:28.200
<v Speaker 5>Well, first off, I want to get Swiss beats and

0:28:28.200 --> 0:28:31.560
<v Speaker 5>Alicia Keys. They bought the cool Hurt speakers, which we're

0:28:31.600 --> 0:28:34.000
<v Speaker 5>actually in talks with them to try to loan them

0:28:34.000 --> 0:28:36.560
<v Speaker 5>to the museum. Oh wow, actually used within.

0:28:37.119 --> 0:28:41.560
<v Speaker 3>They actually got they got quired. Yeah, I never they bought.

0:28:43.040 --> 0:28:45.680
<v Speaker 5>And they have their Giants exhibition that's going around the country.

0:28:45.960 --> 0:28:50.920
<v Speaker 5>Hurts Herculos speakers are in that exhibition, but with diverses.

0:28:51.200 --> 0:28:54.360
<v Speaker 3>But with the verses. Yes, third base against who oh

0:28:54.480 --> 0:28:55.400
<v Speaker 3>third base? Yes?

0:28:55.480 --> 0:28:55.640
<v Speaker 5>Oh?

0:28:56.280 --> 0:28:58.080
<v Speaker 3>Are you you go solo too? No?

0:28:58.080 --> 0:29:00.560
<v Speaker 5>No, no, no, I thought you were talking about not base.

0:29:02.760 --> 0:29:04.680
<v Speaker 2>Because in case days, I don't know, if you know, yeah,

0:29:04.720 --> 0:29:06.600
<v Speaker 2>let's see.

0:29:07.400 --> 0:29:08.160
<v Speaker 3>I think.

0:29:09.600 --> 0:29:11.880
<v Speaker 5>X plan third base would be probably the.

0:29:12.000 --> 0:29:14.640
<v Speaker 3>I don't think that. I think yeah, okay.

0:29:14.440 --> 0:29:21.080
<v Speaker 5>Now obviously we had you know, sugar Chef professor, but yeah,

0:29:21.080 --> 0:29:22.920
<v Speaker 5>that would be. I think that would have been because

0:29:23.200 --> 0:29:25.520
<v Speaker 5>as much as we have b for the X Plan,

0:29:26.120 --> 0:29:28.480
<v Speaker 5>I mean we both love Brother Jay like Brother j

0:29:28.640 --> 0:29:30.800
<v Speaker 5>it was like one one of our favorite mcs.

0:29:31.000 --> 0:29:33.200
<v Speaker 1>I think also there's a you know with La Mumba

0:29:33.360 --> 0:29:35.480
<v Speaker 1>May rest in peace and paradise. You know, there's a

0:29:35.520 --> 0:29:37.600
<v Speaker 1>lot of love there, you know what I'm saying, Like

0:29:37.640 --> 0:29:39.200
<v Speaker 1>even though they were like how can the bowler best

0:29:39.720 --> 0:29:42.280
<v Speaker 1>gorillas and like all of that ship, but I think

0:29:42.320 --> 0:29:45.760
<v Speaker 1>it was all like whole I mean, for me, it's easy.

0:29:45.920 --> 0:29:48.760
<v Speaker 3>It's e pm D. I was thinking more a pm D.

0:29:48.920 --> 0:29:51.440
<v Speaker 1>Yeah, third Baking, apm D like to me, third base

0:29:51.480 --> 0:29:53.480
<v Speaker 1>and e pm D only because.

0:29:54.880 --> 0:29:55.560
<v Speaker 3>Smooth too.

0:29:57.280 --> 0:29:59.880
<v Speaker 1>Nice and smooth would be great because we did records together.

0:30:00.520 --> 0:30:03.960
<v Speaker 1>To me, but you know, I think that it's really

0:30:04.120 --> 0:30:07.080
<v Speaker 1>challenging for us because at the end of the day,

0:30:07.080 --> 0:30:09.520
<v Speaker 1>where two albums deep, and that's the crazy ship. Like

0:30:09.560 --> 0:30:12.840
<v Speaker 1>if you think about the thirty five years, I.

0:30:12.800 --> 0:30:15.160
<v Speaker 2>Think they got one album right, one and a half

0:30:15.240 --> 0:30:19.320
<v Speaker 2>and that no one knows that right house party party,

0:30:19.400 --> 0:30:20.240
<v Speaker 2>No one knows that, you know.

0:30:20.520 --> 0:30:23.480
<v Speaker 11>But La Hill had one album, but she had also

0:30:23.920 --> 0:30:27.560
<v Speaker 11>but she when we say Laura Hill, yeah, no, that's true.

0:30:27.960 --> 0:30:30.920
<v Speaker 11>You can perform Fuji records. She can do Fuji records

0:30:30.960 --> 0:30:34.280
<v Speaker 11>and she got that big, big cap record when she

0:30:34.400 --> 0:30:36.520
<v Speaker 11>bodied that ship. She said, I'm for woman up to

0:30:36.640 --> 0:30:40.040
<v Speaker 11>make it that that that whole verse is crazy. But

0:30:40.800 --> 0:30:44.600
<v Speaker 11>to me, it's epm D move. To me, those are

0:30:44.640 --> 0:30:47.280
<v Speaker 11>both good. What about you if CNN got back together.

0:30:47.320 --> 0:30:49.000
<v Speaker 11>Who would you want to do versus against.

0:30:48.760 --> 0:30:53.280
<v Speaker 1>CNN CNN versy and it's none of us anyway, right, yeah,

0:30:53.520 --> 0:30:56.720
<v Speaker 1>just I'll beat it in your minds, in your like

0:30:56.880 --> 0:31:00.880
<v Speaker 1>against the Spanish version of Norri and then right then

0:31:00.920 --> 0:31:05.360
<v Speaker 1>the version and then the pharal version versus the capon

0:31:05.440 --> 0:31:07.760
<v Speaker 1>and version of We can actually put it off and

0:31:07.840 --> 0:31:09.120
<v Speaker 1>we could be in the same state too.

0:31:10.640 --> 0:31:15.720
<v Speaker 3>Yeah, pretty impressive, cute that one. So is it time

0:31:15.760 --> 0:31:16.760
<v Speaker 3>for the flowers? Yes?

0:31:18.720 --> 0:31:22.680
<v Speaker 2>Our show was about giving legends they flowers while they

0:31:22.680 --> 0:31:24.640
<v Speaker 2>could smell them. They treats where they could help them,

0:31:24.680 --> 0:31:26.280
<v Speaker 2>they thoughts where they could think them, and they drinks

0:31:26.280 --> 0:31:29.000
<v Speaker 2>where they can drink them. We were so happy to

0:31:29.040 --> 0:31:31.880
<v Speaker 2>see you brothers back together, so happy because I said

0:31:31.880 --> 0:31:33.800
<v Speaker 2>this to doctor Dre and i'mna say it to you, guys.

0:31:34.280 --> 0:31:37.000
<v Speaker 2>I said to doctor Dre, life is better when he's

0:31:37.080 --> 0:31:39.560
<v Speaker 2>making music, and life is better when third bases in

0:31:39.640 --> 0:31:40.520
<v Speaker 2>the motherfucking game.

0:31:46.520 --> 0:31:50.320
<v Speaker 3>He owes me. That's just from making me go to

0:31:50.320 --> 0:31:52.600
<v Speaker 3>the house of fucking Athletes to sit in the room

0:31:52.720 --> 0:31:53.360
<v Speaker 3>for three hours.

0:31:53.480 --> 0:31:55.960
<v Speaker 2>My god, I love this guy and it really is

0:31:56.000 --> 0:32:01.160
<v Speaker 2>great you guys, but really, really, I really want to

0:32:01.160 --> 0:32:04.480
<v Speaker 2>see you guys on tour, like, since we're giving out flowers, Yeah,

0:32:04.520 --> 0:32:06.840
<v Speaker 2>I got something for y'all. Okay, okay, okay, since you

0:32:06.880 --> 0:32:09.800
<v Speaker 2>know we're giving out ship you're not taking back this record.

0:32:11.920 --> 0:32:15.080
<v Speaker 1>I just figured you want maybe one other one? Oh man, yes,

0:32:15.160 --> 0:32:18.640
<v Speaker 1>I want. So these two copies came out. This is

0:32:18.760 --> 0:32:19.440
<v Speaker 1>limited edition.

0:32:19.520 --> 0:32:22.239
<v Speaker 3>I got to crack it open, right, Okay, that's how

0:32:22.280 --> 0:32:26.120
<v Speaker 3>you crack it over Nintendo. Yeah, exactly. Okay, so you

0:32:26.200 --> 0:32:27.800
<v Speaker 3>might want to. I'm gonna let you check it out.

0:32:27.800 --> 0:32:30.520
<v Speaker 2>Okay, yes, yeah, he's gonna take it from me anyway.

0:32:30.560 --> 0:32:33.840
<v Speaker 2>You're going to give it to me Green. Oh, he's

0:32:33.880 --> 0:32:40.960
<v Speaker 2>bullies my vity. That's a limited edition Green. That's beautiful.

0:32:40.960 --> 0:32:42.760
<v Speaker 1>So yeah, so the link on the bio link is

0:32:42.800 --> 0:32:44.920
<v Speaker 1>on my mc serves bio will be on Pete's bio.

0:32:45.040 --> 0:32:46.320
<v Speaker 3>You can go and get those right now.

0:32:46.800 --> 0:32:48.840
<v Speaker 10>And you said the original pressing of this, they only

0:32:48.880 --> 0:32:50.800
<v Speaker 10>did it on one one copy.

0:32:51.320 --> 0:32:54.320
<v Speaker 1>Yeah, it was forty seven minutes aside, and we had

0:32:54.360 --> 0:33:00.479
<v Speaker 1>a frame it and the Clark oh yeah. Locke used

0:33:00.520 --> 0:33:02.560
<v Speaker 1>to complain about the grooves all the time, how thin

0:33:02.640 --> 0:33:04.880
<v Speaker 1>they were and how like the base would want well,

0:33:05.160 --> 0:33:07.520
<v Speaker 1>so we always talked about like, yo, there should have

0:33:07.520 --> 0:33:08.280
<v Speaker 1>been a double album.

0:33:10.280 --> 0:33:11.720
<v Speaker 3>I'm one of those deaths.

0:33:11.840 --> 0:33:13.120
<v Speaker 5>We never got double royalties.

0:33:14.840 --> 0:33:16.240
<v Speaker 3>Know we actually think you know what?

0:33:16.400 --> 0:33:19.280
<v Speaker 1>And and that's I want to shout out Monty Lipman,

0:33:19.360 --> 0:33:21.040
<v Speaker 1>and I do want to shout out the Libman brothers

0:33:21.080 --> 0:33:23.600
<v Speaker 1>because once they became the chairman's of def Jam, they

0:33:23.680 --> 0:33:25.600
<v Speaker 1>put me in Pete in the legacy program. So we

0:33:25.680 --> 0:33:29.400
<v Speaker 1>got our first royalty checks ever in thirty five years.

0:33:29.440 --> 0:33:31.720
<v Speaker 1>And August explain what that is the legacy So this

0:33:31.880 --> 0:33:34.200
<v Speaker 1>is so the legacy program basically means.

0:33:35.480 --> 0:33:36.040
<v Speaker 3>No, okay.

0:33:36.160 --> 0:33:38.840
<v Speaker 1>So it's basically this, if you signed a fucked up

0:33:38.880 --> 0:33:40.880
<v Speaker 1>deal before two thousand, they zero your debt.

0:33:41.560 --> 0:33:41.840
<v Speaker 5>Wow.

0:33:43.480 --> 0:33:46.160
<v Speaker 3>So that's basically it is only right. It's right. And

0:33:46.240 --> 0:33:47.680
<v Speaker 3>we signed to Left Hand Records.

0:33:47.680 --> 0:33:47.920
<v Speaker 5>I mean.

0:33:49.680 --> 0:33:51.280
<v Speaker 3>He told me. He's trying to tell me that I

0:33:51.320 --> 0:33:52.160
<v Speaker 3>didn't tell you. Seriously.

0:33:52.200 --> 0:33:54.120
<v Speaker 5>I thought he's bullshited me. I didn't do it, so

0:33:54.280 --> 0:33:58.880
<v Speaker 5>I have it. No, No, I thought that it wasn't possible.

0:33:58.880 --> 0:33:59.880
<v Speaker 5>I thought he was sucking around with me.

0:34:02.000 --> 0:34:03.800
<v Speaker 3>The music industry is trying to do good.

0:34:05.960 --> 0:34:09.400
<v Speaker 1>For us, certainly for us, like I gotta be honest

0:34:09.400 --> 0:34:13.000
<v Speaker 1>with you and shout out like Charlene Thomas at Death Jam,

0:34:13.480 --> 0:34:17.320
<v Speaker 1>like She literally brought people from Hollywood to Hialiah to

0:34:17.719 --> 0:34:19.600
<v Speaker 1>get this vinyl here for y'all today.

0:34:19.760 --> 0:34:22.680
<v Speaker 3>Like, so shout out to Charlene, shout out to death Jam.

0:34:22.800 --> 0:34:24.640
<v Speaker 3>They fucking Erica all of the people.

0:34:25.080 --> 0:34:28.279
<v Speaker 1>There's people now that are running catalog like people that

0:34:28.400 --> 0:34:31.000
<v Speaker 1>we knew, like Tina Dynham used to be the head

0:34:31.000 --> 0:34:33.759
<v Speaker 1>of marketing who did Wayne Records. Now all she does

0:34:33.960 --> 0:34:38.520
<v Speaker 1>is catalog and the same people who have the same energy. No,

0:34:38.640 --> 0:34:42.080
<v Speaker 1>she's a reservoir She's she's a reservoir masters as well.

0:34:42.520 --> 0:34:44.000
<v Speaker 3>Yeah she so she did the Day Long.

0:34:44.320 --> 0:34:47.960
<v Speaker 5>Okay, she's on the board at the Hip Hop Museum

0:34:48.000 --> 0:34:51.120
<v Speaker 5>as well, So I will say that. You know, it

0:34:51.239 --> 0:34:53.080
<v Speaker 5>was also in the female group called four Pack.

0:34:57.960 --> 0:34:58.160
<v Speaker 3>Yeah.

0:34:58.320 --> 0:35:04.120
<v Speaker 1>So I definitely feel like at least Monty who's now

0:35:04.160 --> 0:35:06.800
<v Speaker 1>the chairman of Deaf gen and you can see what

0:35:06.880 --> 0:35:09.120
<v Speaker 1>they're doing for the artists from our generation and how

0:35:09.160 --> 0:35:11.279
<v Speaker 1>they're trying to like step up and do the right

0:35:11.360 --> 0:35:15.960
<v Speaker 1>thing right because I remember hearing people said those contracts

0:35:15.960 --> 0:35:17.799
<v Speaker 1>back in the days always had that word of perpetuity,

0:35:18.440 --> 0:35:20.719
<v Speaker 1>and no one knew throughout the universe, no one knew

0:35:20.719 --> 0:35:21.759
<v Speaker 1>what perpetuity meant.

0:35:21.960 --> 0:35:24.080
<v Speaker 2>Since two thousand and five. Well even deeper. I'll go

0:35:24.160 --> 0:35:24.880
<v Speaker 2>one step deeper.

0:35:25.080 --> 0:35:27.919
<v Speaker 1>We signed it what's called an at will agreement, which

0:35:28.000 --> 0:35:30.200
<v Speaker 1>means that we didn't sign a recording contract.

0:35:30.640 --> 0:35:33.560
<v Speaker 3>We signed as at will employees to record a record.

0:35:33.360 --> 0:35:36.840
<v Speaker 10>On behalf of deafth Gam like being an independent contractor correct, what.

0:35:36.960 --> 0:35:37.440
<v Speaker 3>Is a work?

0:35:37.960 --> 0:35:40.279
<v Speaker 1>I mean yeah, that means they own our records for lot. Wow,

0:35:40.719 --> 0:35:42.680
<v Speaker 1>we have to suit them at the Hip Hop Museum.

0:35:42.880 --> 0:35:45.799
<v Speaker 5>We got contracts that would make your stomach to Joe

0:35:45.840 --> 0:35:51.440
<v Speaker 5>Ski loves contract. People can see that a contract the

0:35:51.560 --> 0:35:54.080
<v Speaker 5>Mic and Day of Records with SWEETYG and positive case

0:35:54.120 --> 0:35:58.160
<v Speaker 5>first records on the Mic and Day label, like just crazy,

0:35:58.239 --> 0:35:59.920
<v Speaker 5>and then even going up to like the early Hudan

0:36:00.680 --> 0:36:02.239
<v Speaker 5>you know the first those are like the real first

0:36:02.280 --> 0:36:05.040
<v Speaker 5>contract running them. But you know when we by the

0:36:05.120 --> 0:36:08.000
<v Speaker 5>time we had our deal with deaf Jam, we were

0:36:08.040 --> 0:36:10.319
<v Speaker 5>like kind of in that transition period, like people really

0:36:10.320 --> 0:36:11.520
<v Speaker 5>didn't get paid until.

0:36:12.000 --> 0:36:14.279
<v Speaker 1>No, we didn't know, No, we didn't get shipped. I mean,

0:36:14.360 --> 0:36:17.000
<v Speaker 1>but I tell people this all the time. There's there's

0:36:17.160 --> 0:36:18.919
<v Speaker 1>the left hand records side of it, and then there's

0:36:18.960 --> 0:36:21.080
<v Speaker 1>the deaf Jam Records oute of it. Right, the left

0:36:21.120 --> 0:36:24.000
<v Speaker 1>hand records side of it is. We didn't have off

0:36:24.640 --> 0:36:28.160
<v Speaker 1>We met with Tom Silverman. Tom Silverman literally Tom Silverman

0:36:28.280 --> 0:36:30.920
<v Speaker 1>was the head of Tommy Boys. We literally looked at

0:36:30.960 --> 0:36:32.759
<v Speaker 1>me and Pete said, I can't give you more money

0:36:32.800 --> 0:36:33.600
<v Speaker 1>than stets of Sonic.

0:36:33.680 --> 0:36:34.719
<v Speaker 3>What am I gonna tell that yet?

0:36:36.280 --> 0:36:37.719
<v Speaker 1>Like I'm like, what the fuck does that have to

0:36:37.800 --> 0:36:40.840
<v Speaker 1>do with anything? So you know what I'm saying, Like,

0:36:40.960 --> 0:36:43.040
<v Speaker 1>it wasn't like we had a lot of offers. It

0:36:43.160 --> 0:36:45.960
<v Speaker 1>wasn't until after the Battle for World Supremacy that he,

0:36:46.360 --> 0:36:47.520
<v Speaker 1>you know, Russell was like, oh, you.

0:36:47.560 --> 0:36:52.040
<v Speaker 3>Know, we want to sign you. But it wasn't was

0:36:52.080 --> 0:36:53.719
<v Speaker 3>a fault. Let me speak for y'all. Let me speak

0:36:53.719 --> 0:36:54.479
<v Speaker 3>for y'all. Yeah, please.

0:36:54.520 --> 0:36:57.000
<v Speaker 2>You probably didn't know you had his many offers because

0:36:57.080 --> 0:36:58.560
<v Speaker 2>at that time we didn't have a Twitter. We didn't

0:36:58.600 --> 0:37:00.600
<v Speaker 2>have But you guys are probably hot on the street.

0:37:01.360 --> 0:37:03.080
<v Speaker 1>We were hot on the street because we were hot

0:37:03.120 --> 0:37:05.759
<v Speaker 1>on the street, you know, because Pete had this radio show.

0:37:06.160 --> 0:37:09.279
<v Speaker 1>I was in the quarters, I was battling people. Pete

0:37:09.360 --> 0:37:12.080
<v Speaker 1>was outside with Clark like we were in the mix.

0:37:12.320 --> 0:37:14.320
<v Speaker 2>That's my question is you said that there was in

0:37:14.400 --> 0:37:17.000
<v Speaker 2>the office, but you didn't probably do extensive search.

0:37:17.400 --> 0:37:19.239
<v Speaker 5>It was small.

0:37:20.360 --> 0:37:21.320
<v Speaker 3>It was a small little.

0:37:21.080 --> 0:37:23.360
<v Speaker 10>File select record and they were gonna find.

0:37:23.200 --> 0:37:25.839
<v Speaker 3>You and yeah, and they didn't like I never seen

0:37:25.880 --> 0:37:27.960
<v Speaker 3>plot Nikki, they didn't want to sign us.

0:37:28.280 --> 0:37:30.160
<v Speaker 5>You know. We were also at the time when the

0:37:30.640 --> 0:37:33.239
<v Speaker 5>Boys were blowing up, so that that was also something

0:37:33.520 --> 0:37:36.360
<v Speaker 5>all these other big labels look like for that white

0:37:36.400 --> 0:37:38.800
<v Speaker 5>group White Seas were like kind of had that Rockete

0:37:39.400 --> 0:37:40.120
<v Speaker 5>and we were not that.

0:37:40.880 --> 0:37:44.360
<v Speaker 2>That's a that's a great example because uh, you know

0:37:44.680 --> 0:37:47.160
<v Speaker 2>when we came out, they had no other choice but

0:37:47.239 --> 0:37:48.879
<v Speaker 2>the pis the mob deep. There was no other black

0:37:48.960 --> 0:37:50.840
<v Speaker 2>kids from Queens in that area at the time. So

0:37:50.960 --> 0:37:54.960
<v Speaker 2>it was that something that I want to say, just

0:37:55.040 --> 0:37:57.160
<v Speaker 2>because because they wanted they wanted y'all to be the

0:37:57.239 --> 0:37:57.759
<v Speaker 2>Beastie Boys.

0:37:57.880 --> 0:38:00.600
<v Speaker 5>Yeah, yeah, And then the thing is like there's been

0:38:00.640 --> 0:38:03.000
<v Speaker 5>this talk like oh Russell got us to fill in

0:38:03.040 --> 0:38:05.279
<v Speaker 5>for the Beastie Boys. We were already signed to we

0:38:05.400 --> 0:38:09.719
<v Speaker 5>were Solos on Rush and even we just signed on

0:38:09.800 --> 0:38:11.719
<v Speaker 5>def Jen after they left. So like I went to

0:38:11.800 --> 0:38:14.960
<v Speaker 5>Leo's wedding, certain the Dominican reports could not go to

0:38:15.040 --> 0:38:16.719
<v Speaker 5>the wedding because he had to work.

0:38:17.200 --> 0:38:19.120
<v Speaker 3>No, no, no, I couldn't go to the wedding because

0:38:19.160 --> 0:38:21.319
<v Speaker 3>he didn't invite me to the woman he left.

0:38:22.360 --> 0:38:23.080
<v Speaker 5>No, no, no, he didn't.

0:38:24.080 --> 0:38:24.919
<v Speaker 3>I remember.

0:38:27.640 --> 0:38:31.160
<v Speaker 5>Search was delivering chicken delay no ch Ganada, which was

0:38:31.200 --> 0:38:32.000
<v Speaker 5>called the think Tank.

0:38:32.239 --> 0:38:34.200
<v Speaker 2>It did not have a radio on sar you had

0:38:34.280 --> 0:38:36.200
<v Speaker 2>you had a record deal and you were still delivering.

0:38:36.440 --> 0:38:39.680
<v Speaker 3>So I was yeah. No, I had three job, young artists. No,

0:38:39.800 --> 0:38:43.080
<v Speaker 3>I had three No, I had three jobs. Who's the

0:38:43.120 --> 0:38:43.560
<v Speaker 3>three jobs?

0:38:43.640 --> 0:38:46.400
<v Speaker 1>So the first job was I would drive Yeshiva boys

0:38:46.640 --> 0:38:51.040
<v Speaker 1>from Queen's near you to Yeshiva's in Far Rockaway, so

0:38:51.320 --> 0:38:53.080
<v Speaker 1>very religious Jewish schools.

0:38:53.560 --> 0:38:55.200
<v Speaker 3>I would go from there, I said. I started four

0:38:55.280 --> 0:38:57.160
<v Speaker 3>thirty in the morning. Then I go from there.

0:38:57.239 --> 0:38:59.240
<v Speaker 1>I'd go to the harm and Y in Far Rockaway

0:38:59.320 --> 0:39:02.920
<v Speaker 1>and I drove a truck, a food truck to homeless shelters.

0:39:03.080 --> 0:39:05.320
<v Speaker 1>So I delivered food to homeless shelters all through the

0:39:05.400 --> 0:39:08.839
<v Speaker 1>five boroughs in the twenty six foot of refrigerator. Then

0:39:08.880 --> 0:39:11.360
<v Speaker 1>I'd come back at four point thirty. I'd get about

0:39:11.360 --> 0:39:12.839
<v Speaker 1>a half an hour of sleep, and then I pick

0:39:12.920 --> 0:39:15.040
<v Speaker 1>up the Ahiva boys and I take them back to

0:39:15.200 --> 0:39:17.400
<v Speaker 1>Queen's to be about seven thirty eight, and then we

0:39:17.520 --> 0:39:20.320
<v Speaker 1>go to studio. That was That was my rotation for

0:39:20.400 --> 0:39:20.920
<v Speaker 1>a year.

0:39:21.360 --> 0:39:22.120
<v Speaker 3>Even when.

0:39:23.719 --> 0:39:26.000
<v Speaker 1>Get the crazy shit. Though, this was the crazy shit.

0:39:26.120 --> 0:39:29.359
<v Speaker 1>So step into the AM is a video. It's out.

0:39:30.600 --> 0:39:34.480
<v Speaker 1>I'm driving a truck in Brooklyn and this dude and

0:39:34.600 --> 0:39:39.600
<v Speaker 1>I'm milk cookies butter crunch. This kid testing goes, ain't

0:39:39.640 --> 0:39:48.000
<v Speaker 1>that you? And I'm like, nah, you know, but there

0:39:48.040 --> 0:39:49.759
<v Speaker 1>was no money we got. I think our advanced was

0:39:49.840 --> 0:39:52.759
<v Speaker 1>fifteen thousand dollars and something like that, like you know

0:39:52.800 --> 0:39:55.040
<v Speaker 1>what I'm saying, like you know, and half of.

0:39:55.040 --> 0:39:57.239
<v Speaker 3>That went to my mom. But I'm still gonna invite

0:39:57.280 --> 0:39:59.239
<v Speaker 3>you to the wedding. He didn't invite me.

0:39:59.640 --> 0:40:02.360
<v Speaker 1>He might see it differently. I didn't get invited to

0:40:02.440 --> 0:40:06.000
<v Speaker 1>the wedding, no invite. When he went, you got, you got?

0:40:06.320 --> 0:40:09.080
<v Speaker 3>He went he had invited you, he did not. Everybody went.

0:40:09.280 --> 0:40:11.279
<v Speaker 5>It was like if that plane went down, all the

0:40:11.320 --> 0:40:19.040
<v Speaker 5>hip hop would have been on, Yeah, hello, everybody, everybody is.

0:40:20.920 --> 0:40:23.239
<v Speaker 3>Joe. I was not invited to the wedding. I was

0:40:23.280 --> 0:40:26.279
<v Speaker 3>not invited. I always thought, like back in the day,

0:40:26.640 --> 0:40:27.799
<v Speaker 3>like it is.

0:40:27.800 --> 0:40:28.200
<v Speaker 5>What it is.

0:40:28.280 --> 0:40:30.560
<v Speaker 3>I mean again, it's perception, right.

0:40:30.680 --> 0:40:33.239
<v Speaker 1>So I'm a twenty one year old kid and I'm

0:40:33.280 --> 0:40:37.200
<v Speaker 1>already telling you like I'm really not really seeing things, right,

0:40:37.400 --> 0:40:37.520
<v Speaker 1>You know.

0:40:37.600 --> 0:40:40.120
<v Speaker 3>I mean, like that's just how I saw things. I

0:40:40.160 --> 0:40:41.000
<v Speaker 3>didn't see things right.

0:40:41.600 --> 0:40:45.440
<v Speaker 1>I always said like, oh, ley'all loves Pete Russell loves me,

0:40:46.160 --> 0:40:48.600
<v Speaker 1>Like that's how I always felt, like, oh, because it's

0:40:49.040 --> 0:40:50.480
<v Speaker 1>you know what I mean, Like, that's just that was

0:40:50.520 --> 0:40:54.400
<v Speaker 1>your perception of my perception. I felt totally opposite, like

0:40:54.920 --> 0:40:56.160
<v Speaker 1>you know what I'm saying like that, so you know,

0:40:58.239 --> 0:41:01.200
<v Speaker 1>you know what I'm saying. So so you know again

0:41:02.200 --> 0:41:04.080
<v Speaker 1>he could have invited me. All I remember is I

0:41:04.200 --> 0:41:08.759
<v Speaker 1>went to the airport, right, I was delivering chicken. I

0:41:08.880 --> 0:41:12.120
<v Speaker 1>got finished delivering my gang. I knew there was something

0:41:12.320 --> 0:41:16.920
<v Speaker 1>and I got them tumble umble and thinking that was crazy?

0:41:17.040 --> 0:41:18.920
<v Speaker 1>Is those days there was no ts A. He walked

0:41:18.960 --> 0:41:22.279
<v Speaker 1>in again. So I'm like Michael barn They're like who.

0:41:22.880 --> 0:41:25.840
<v Speaker 1>I'm like, Michael Barren my ticket and I got the

0:41:25.920 --> 0:41:29.040
<v Speaker 1>mambo and I'm crying in the airport. I'm watching everybody

0:41:29.080 --> 0:41:30.120
<v Speaker 1>getting on the plane.

0:41:31.440 --> 0:41:35.040
<v Speaker 3>With his wife, Simon fucking this one man he's with Rick.

0:41:38.239 --> 0:41:43.640
<v Speaker 3>He left you too. He was like, I'll see you

0:41:43.719 --> 0:41:48.640
<v Speaker 3>with my tan. I'm just showing rush. You know, it

0:41:48.719 --> 0:41:51.160
<v Speaker 3>wasn't it wasn't there something about ll swimming with his

0:41:51.320 --> 0:41:53.520
<v Speaker 3>hat yeah, like, oh, this is such a great story.

0:41:53.600 --> 0:41:56.080
<v Speaker 5>He would go under in the waves and he would

0:41:56.120 --> 0:41:57.040
<v Speaker 5>come up with the kango.

0:41:57.120 --> 0:41:57.600
<v Speaker 3>Oh ship.

0:41:57.800 --> 0:41:59.319
<v Speaker 5>You know you when I say you see him six

0:41:59.320 --> 0:42:00.000
<v Speaker 5>o'clock in the morning.

0:42:00.000 --> 0:42:04.759
<v Speaker 1>No no, so yeah, no no, no, no, no, no,

0:42:05.160 --> 0:42:08.600
<v Speaker 1>no no no the fishers so what So there was

0:42:08.840 --> 0:42:12.799
<v Speaker 1>supposedly this story that Ecstasy told me, may he rest

0:42:12.840 --> 0:42:13.160
<v Speaker 1>in peace.

0:42:14.640 --> 0:42:19.239
<v Speaker 3>Yes, l goes in the water, the kango comes up.

0:42:20.680 --> 0:42:24.759
<v Speaker 3>That ain't out. So now everybody's going to the yo.

0:42:26.400 --> 0:42:29.360
<v Speaker 1>Else hat because nobody knows what his head looks like.

0:42:29.719 --> 0:42:33.680
<v Speaker 1>No one's seen him without the hat except his passport photo, right,

0:42:34.400 --> 0:42:39.640
<v Speaker 1>So everybody's and this is what John X is telling me.

0:42:40.239 --> 0:42:41.560
<v Speaker 3>Everybody runs to the water.

0:42:42.200 --> 0:42:46.839
<v Speaker 1>Water is crystal clear, and they're looking and they're looking right,

0:42:47.080 --> 0:42:48.920
<v Speaker 1>and they're looking and all of a sudden.

0:42:48.800 --> 0:42:59.080
<v Speaker 12>Hands pull and he comes out commitment about comment that

0:42:59.200 --> 0:43:00.319
<v Speaker 12>alopecia is a bitch.

0:43:02.200 --> 0:43:06.880
<v Speaker 3>It's crazy. This morning the audition, what was it? What

0:43:07.080 --> 0:43:07.640
<v Speaker 3>movie it was?

0:43:07.960 --> 0:43:12.839
<v Speaker 2>Becomes he goes box. Was it crisical or yeah? Yeah,

0:43:13.080 --> 0:43:16.000
<v Speaker 2>he just starts performing. That fucking scene is just so like.

0:43:16.440 --> 0:43:19.000
<v Speaker 5>But it was on Legendary, that was on that's the

0:43:19.040 --> 0:43:20.839
<v Speaker 5>time when we came up it was to ninety eight

0:43:20.840 --> 0:43:23.359
<v Speaker 5>Elizabeth that office that was like the center of hip hop,

0:43:23.400 --> 0:43:25.880
<v Speaker 5>and like we go in the office, we're next thceing.

0:43:25.880 --> 0:43:27.800
<v Speaker 5>You know, we're playing their football, We're running thee on.

0:43:28.600 --> 0:43:30.880
<v Speaker 3>That's not where Tom King was at, right, No, he

0:43:31.000 --> 0:43:33.160
<v Speaker 3>was around around the corner. Okay, it was on Sunday.

0:43:33.320 --> 0:43:36.800
<v Speaker 2>Yeah, the next generation after that next week, you know,

0:43:37.160 --> 0:43:38.120
<v Speaker 2>I speak jealousey.

0:43:39.160 --> 0:43:41.000
<v Speaker 5>Yo, come on me, I gotta find rock him to

0:43:41.040 --> 0:43:43.520
<v Speaker 5>get his passport photo for the Depth Champ during nineteen

0:43:43.520 --> 0:43:44.360
<v Speaker 5>eighty seven.

0:43:44.320 --> 0:43:46.600
<v Speaker 1>Right, you know it was yeah, we were like, yeah,

0:43:46.640 --> 0:43:49.440
<v Speaker 1>we would watch Dante's house while he was road managing

0:43:49.560 --> 0:43:51.160
<v Speaker 1>or being rocked him, like you know what I mean,

0:43:51.239 --> 0:43:54.360
<v Speaker 1>Like this was like you know it and when you

0:43:54.520 --> 0:43:58.239
<v Speaker 1>when when you teach, or when you educate, or when

0:43:58.280 --> 0:44:02.480
<v Speaker 1>I go and lecture, when you watch kids' eyes when

0:44:02.520 --> 0:44:05.440
<v Speaker 1>you say, okay, I come from a place where there

0:44:05.560 --> 0:44:08.720
<v Speaker 1>was no thing called hip hop, there was no business,

0:44:09.520 --> 0:44:12.560
<v Speaker 1>there was no streaming their eye's. All of a sudden,

0:44:12.600 --> 0:44:16.520
<v Speaker 1>you become like an artifact, like how did you even survive?

0:44:17.200 --> 0:44:18.319
<v Speaker 3>Right, like how did you even?

0:44:18.480 --> 0:44:18.840
<v Speaker 13>Like you know?

0:44:19.239 --> 0:44:22.040
<v Speaker 1>But it's the truth and Graham mixed the DXT says

0:44:22.080 --> 0:44:25.120
<v Speaker 1>it all the time, he says, you know, we are

0:44:25.520 --> 0:44:29.399
<v Speaker 1>a nameless culture that was given a name a by

0:44:29.520 --> 0:44:30.560
<v Speaker 1>a machine.

0:44:30.239 --> 0:44:32.600
<v Speaker 3>That doesn't even care about as an industry, right, you

0:44:32.640 --> 0:44:33.120
<v Speaker 3>know what I'm saying.

0:44:33.160 --> 0:44:35.400
<v Speaker 1>Like the word hip hop came from the rappers the

0:44:35.480 --> 0:44:38.360
<v Speaker 1>Light Record, and somebody wrote about it in the Village

0:44:38.400 --> 0:44:40.279
<v Speaker 1>Voice and called it hip hop or whatever, like there

0:44:40.360 --> 0:44:42.040
<v Speaker 1>was some periodical right.

0:44:42.000 --> 0:44:44.040
<v Speaker 3>Like they had to define it to monetize it correct,

0:44:44.400 --> 0:44:44.879
<v Speaker 3>and it wasn't.

0:44:45.000 --> 0:44:46.880
<v Speaker 5>It was even even more like well wild style of

0:44:46.880 --> 0:44:49.319
<v Speaker 5>the movie came out, they called it the hip Hop Movie.

0:44:49.920 --> 0:44:52.680
<v Speaker 5>It started to spread and it just became known as

0:44:52.760 --> 0:44:54.759
<v Speaker 5>hip hop. And you look on the flyers who looked

0:44:54.800 --> 0:44:57.480
<v Speaker 5>on all the advertisements. It really started to show up

0:44:57.560 --> 0:45:01.320
<v Speaker 5>after eighty three. Look at the first ten years, it

0:45:01.400 --> 0:45:03.920
<v Speaker 5>wasn't even hip hop, wasn't even a thing.

0:45:04.080 --> 0:45:06.160
<v Speaker 3>It wasn't a thing. It was just you were tagging

0:45:06.200 --> 0:45:09.320
<v Speaker 3>on walls, you were dancing on floors, you know, and

0:45:09.440 --> 0:45:13.960
<v Speaker 3>you guys era right, it was almost like.

0:45:15.560 --> 0:45:19.960
<v Speaker 2>Like frowned upon to have a commercial record, a radio record.

0:45:20.000 --> 0:45:22.000
<v Speaker 3>Yeah, being on the radio wasn't the best thing for

0:45:22.200 --> 0:45:25.759
<v Speaker 3>true hip hop artist. You remember that list Out Goes

0:45:25.760 --> 0:45:26.120
<v Speaker 3>the Weasel.

0:45:26.160 --> 0:45:27.719
<v Speaker 5>The record we did was based on that, like we

0:45:28.200 --> 0:45:31.239
<v Speaker 5>got offer commercials right, different things we turned down. We

0:45:31.320 --> 0:45:34.040
<v Speaker 5>cannot do anything just because you didn't want to look

0:45:34.120 --> 0:45:35.200
<v Speaker 5>like you were commercializing.

0:45:35.239 --> 0:45:37.960
<v Speaker 3>Should selling out and the point we would try to

0:45:38.040 --> 0:45:43.640
<v Speaker 3>do records that right, But that was the problem.

0:45:44.400 --> 0:45:45.920
<v Speaker 1>It was it was the problem, and it was the

0:45:45.960 --> 0:45:48.879
<v Speaker 1>point at the same time, because you know, for us

0:45:50.000 --> 0:45:54.719
<v Speaker 1>to go commercial was corny, right, because every executive in

0:45:54.800 --> 0:45:57.239
<v Speaker 1>the room was a cornball. They were all straight bozos,

0:45:57.560 --> 0:46:00.760
<v Speaker 1>so they didn't know anything. So because they didn't know anything,

0:46:00.880 --> 0:46:06.560
<v Speaker 1>how am I going to intercept your bozonees with authenticity

0:46:06.880 --> 0:46:10.440
<v Speaker 1>and still be credible when I go home? Right, Because

0:46:10.480 --> 0:46:12.879
<v Speaker 1>that's the shit I care about, Like, I don't live

0:46:12.960 --> 0:46:13.839
<v Speaker 1>in commercial land.

0:46:13.920 --> 0:46:15.239
<v Speaker 3>I don't live where you live.

0:46:15.320 --> 0:46:17.200
<v Speaker 1>I got to go back to Redfern and o V

0:46:17.800 --> 0:46:22.520
<v Speaker 1>and see my people. So there was no credibility in

0:46:22.640 --> 0:46:25.200
<v Speaker 1>doing that. It's not like today where you know, the

0:46:25.280 --> 0:46:27.839
<v Speaker 1>people that you're now talking in the rooms with grew

0:46:28.000 --> 0:46:29.680
<v Speaker 1>up on fifty years of hip hop.

0:46:29.760 --> 0:46:31.360
<v Speaker 10>But let me be honest, like now, if you're not

0:46:31.440 --> 0:46:34.239
<v Speaker 10>commercial and you're not irrelevant in him honest for me.

0:46:34.560 --> 0:46:38.120
<v Speaker 2>Right after you guys era, it was a time where

0:46:38.920 --> 0:46:42.000
<v Speaker 2>like NAS was the most loved kid in the world,

0:46:42.160 --> 0:46:44.160
<v Speaker 2>right love person in the world, right love man in

0:46:44.200 --> 0:46:45.359
<v Speaker 2>the world, whatever we want to say.

0:46:45.680 --> 0:46:46.800
<v Speaker 3>And then he came with that album.

0:46:46.840 --> 0:46:49.520
<v Speaker 10>I believe it was written right after it was written

0:46:49.560 --> 0:46:53.799
<v Speaker 10>the golden album Nomadic Illmatic, where a lot of people

0:46:53.840 --> 0:46:56.600
<v Speaker 10>say he he might have made money, might have changed

0:46:56.600 --> 0:46:57.839
<v Speaker 10>his life, might have got him out of the hood,

0:46:58.080 --> 0:47:00.360
<v Speaker 10>but it wasn't that level of success.

0:47:00.440 --> 0:47:02.840
<v Speaker 3>It wasn't a commercial success. It wasn't the commercial success.

0:47:03.040 --> 0:47:05.000
<v Speaker 2>So people will argue you, like dam that took away

0:47:05.040 --> 0:47:07.560
<v Speaker 2>from Knas, But some people will argue like that made

0:47:07.960 --> 0:47:09.480
<v Speaker 2>actually the perfect foundation.

0:47:09.680 --> 0:47:11.759
<v Speaker 3>So I would so Win Win has hip hop? When

0:47:12.000 --> 0:47:12.600
<v Speaker 3>when did that ever?

0:47:12.719 --> 0:47:15.360
<v Speaker 2>Because even Wu Tang, like Wu Tang's first album, I

0:47:15.480 --> 0:47:17.440
<v Speaker 2>listened to that ship and if you go look at

0:47:17.440 --> 0:47:19.920
<v Speaker 2>the algorithms of the album, at least seven or eight

0:47:20.040 --> 0:47:23.200
<v Speaker 2>records were on the radio. They weren't promoted, but they

0:47:23.280 --> 0:47:25.400
<v Speaker 2>were on the radio, and that was the algorithm at

0:47:25.440 --> 0:47:25.719
<v Speaker 2>the time.

0:47:25.920 --> 0:47:28.399
<v Speaker 3>So when didn't hip hop? When when did it come from?

0:47:28.680 --> 0:47:29.680
<v Speaker 3>You being underground?

0:47:29.719 --> 0:47:32.239
<v Speaker 2>But if your record happens to go commercial, it was

0:47:32.280 --> 0:47:35.839
<v Speaker 2>still accepted. So I'll share two stories. Was a great question,

0:47:35.920 --> 0:47:41.000
<v Speaker 2>by the way, this is a good question. You got

0:47:41.040 --> 0:47:43.680
<v Speaker 2>too pioneers. This is that's honestly something I want to

0:47:43.719 --> 0:47:44.880
<v Speaker 2>know because so I.

0:47:44.880 --> 0:47:47.319
<v Speaker 1>Don't know that, right, So I can I can share

0:47:47.440 --> 0:47:51.359
<v Speaker 1>two like practical points when we were talking about when

0:47:51.520 --> 0:47:52.680
<v Speaker 1>I came to you and did.

0:47:52.600 --> 0:47:55.759
<v Speaker 2>The public inemy public Inemy records was always underground, but

0:47:55.840 --> 0:47:57.879
<v Speaker 2>they were they were they were selling to the people.

0:47:58.120 --> 0:48:01.200
<v Speaker 2>It seemed like they were distant almost yeah no, yeah,

0:48:01.239 --> 0:48:04.240
<v Speaker 2>And they were selling in Europe with the entire audience.

0:48:05.719 --> 0:48:08.319
<v Speaker 5>So you have a bike planet the entire audience is white.

0:48:08.480 --> 0:48:08.760
<v Speaker 3>Wow.

0:48:09.280 --> 0:48:14.600
<v Speaker 1>So I was doing consulting for Nike in nineteen ninety three, right.

0:48:14.880 --> 0:48:16.960
<v Speaker 1>I was working with a guy named Mark Ray and

0:48:16.960 --> 0:48:19.719
<v Speaker 1>a woman named Kim White. And I played them a

0:48:19.840 --> 0:48:21.919
<v Speaker 1>record where NA said I'm a Nike head. I would

0:48:21.960 --> 0:48:24.640
<v Speaker 1>change that excite them, right, And I said to it

0:48:24.719 --> 0:48:27.040
<v Speaker 1>in point blank, you should probably give me like fifty

0:48:27.120 --> 0:48:30.920
<v Speaker 1>bands right now this for this mention, because I promise

0:48:31.000 --> 0:48:32.879
<v Speaker 1>you what's going to happen is as soon as every

0:48:32.960 --> 0:48:36.160
<v Speaker 1>kid in Queen's here's this, They're going to hang up

0:48:36.160 --> 0:48:38.600
<v Speaker 1>their tims and go by Nikes. Right. And I was

0:48:38.640 --> 0:48:40.960
<v Speaker 1>able to get them a check wow, right, just because

0:48:41.000 --> 0:48:43.360
<v Speaker 1>I was consulting them and they believed me. But what

0:48:43.480 --> 0:48:45.399
<v Speaker 1>I did was when I started working with Mark Echo

0:48:45.480 --> 0:48:50.080
<v Speaker 1>and Echo Unlimited Market. So you know, you know it's

0:48:50.080 --> 0:48:52.560
<v Speaker 1>funny you talk about, you know, anniversaries. This is the

0:48:52.640 --> 0:48:55.759
<v Speaker 1>thirtieth anniversary of Echo, right, you know when we started it,

0:48:56.360 --> 0:48:59.520
<v Speaker 1>Mark always had this philosophy of like, okay, we have

0:48:59.719 --> 0:48:59.920
<v Speaker 1>to do.

0:49:00.200 --> 0:49:03.600
<v Speaker 3>Natural integration, but commercialize it.

0:49:03.760 --> 0:49:05.560
<v Speaker 1>Right, So we were talking about like when I did

0:49:05.600 --> 0:49:09.400
<v Speaker 1>the CNN Michael, we went to the building because I said, Yo,

0:49:09.480 --> 0:49:10.080
<v Speaker 1>where do you smoke?

0:49:10.120 --> 0:49:11.680
<v Speaker 3>Where do y'all go hang out and smoke? Is that

0:49:11.760 --> 0:49:14.560
<v Speaker 3>what we go to? So rushat and everything was.

0:49:14.560 --> 0:49:16.840
<v Speaker 1>Grainy and it looked like we captured and when we dipped,

0:49:17.239 --> 0:49:19.640
<v Speaker 1>when I shot Prodigy made Recipes and mob Deep, they

0:49:19.640 --> 0:49:21.480
<v Speaker 1>were on the forty side of Vernet, hanging off on

0:49:21.560 --> 0:49:22.560
<v Speaker 1>the bench, you know.

0:49:22.680 --> 0:49:25.040
<v Speaker 3>So it was about having.

0:49:24.880 --> 0:49:27.680
<v Speaker 1>Those voices in the room that could say, this is

0:49:27.719 --> 0:49:30.480
<v Speaker 1>what's credible, this is what's real, this is what feels

0:49:30.560 --> 0:49:32.120
<v Speaker 1>real because it is real.

0:49:32.440 --> 0:49:34.879
<v Speaker 3>And we're talking to the artists because we're not coming

0:49:34.960 --> 0:49:35.319
<v Speaker 3>up with some.

0:49:35.440 --> 0:49:39.839
<v Speaker 1>Catchphraset a bunch of people, right, so like all the catchphrases,

0:49:39.920 --> 0:49:41.600
<v Speaker 1>Like me and Buster were talking about it. When we

0:49:41.680 --> 0:49:44.080
<v Speaker 1>did his it was him and his son to Zaia,

0:49:44.120 --> 0:49:48.239
<v Speaker 1>who's now thirty something, right, and he his son had

0:49:48.280 --> 0:49:50.400
<v Speaker 1>to go use the bathroom and were like, do you

0:49:50.480 --> 0:49:52.239
<v Speaker 1>want to go with to Zaia, He's like, now, let

0:49:52.320 --> 0:49:53.800
<v Speaker 1>him pull his pants down, he'll figure it out. I

0:49:53.920 --> 0:49:56.040
<v Speaker 1>was like, that's the quote, and that was the quote.

0:49:56.080 --> 0:49:57.799
<v Speaker 1>You know what I'm saying, like because it was real

0:49:58.280 --> 0:50:00.560
<v Speaker 1>to what he was experiencing while he was in the clothes,

0:50:00.600 --> 0:50:02.759
<v Speaker 1>while he was wearing the clothes. That was what was

0:50:02.920 --> 0:50:05.719
<v Speaker 1>missing for me and Pete's era in ninety one. That's

0:50:05.719 --> 0:50:08.560
<v Speaker 1>why we couldn't do Kentucky Fried Chicken ass.

0:50:08.600 --> 0:50:08.960
<v Speaker 3>That's what we.

0:50:08.960 --> 0:50:11.239
<v Speaker 1>Couldn't do because there was no one in there that

0:50:11.360 --> 0:50:15.800
<v Speaker 1>we could correlate our realness, our authenticity and then have

0:50:16.040 --> 0:50:21.400
<v Speaker 1>that become an eco siloed fucking no this zero. But

0:50:21.520 --> 0:50:24.600
<v Speaker 1>when that goal would gravitate everybody that go is real.

0:50:25.400 --> 0:50:27.319
<v Speaker 1>They got the real dudes, They got the real dog

0:50:29.280 --> 0:50:32.960
<v Speaker 1>in retro aspect, right, and the bag was real like

0:50:33.040 --> 0:50:35.839
<v Speaker 1>the bag that I was saying living in that time, right,

0:50:35.920 --> 0:50:36.120
<v Speaker 1>it was.

0:50:36.200 --> 0:50:37.680
<v Speaker 2>It was kind of crazy to say that we got

0:50:37.920 --> 0:50:41.000
<v Speaker 2>messed up contracts, but let's not take these this money

0:50:41.040 --> 0:50:43.279
<v Speaker 2>from over here, because we'll be corny for taking that

0:50:43.320 --> 0:50:44.799
<v Speaker 2>money over there are we.

0:50:44.840 --> 0:50:47.200
<v Speaker 3>Saying that we didn't care about our family? Know what

0:50:47.320 --> 0:50:47.799
<v Speaker 3>we're saying.

0:50:48.160 --> 0:50:52.160
<v Speaker 2>No, But but listen, if you say because you say

0:50:52.160 --> 0:50:54.799
<v Speaker 2>Michael Jordan, they always say that Michael Jordan had one

0:50:54.840 --> 0:50:58.440
<v Speaker 2>of the least powerful contracts in the NBA.

0:50:59.239 --> 0:51:01.520
<v Speaker 3>But he went he all his money through Nike and.

0:51:01.680 --> 0:51:04.000
<v Speaker 2>All this other ship, so he had a chance to

0:51:04.120 --> 0:51:06.360
<v Speaker 2>hire good players around him. So what I'm saying is,

0:51:06.840 --> 0:51:09.279
<v Speaker 2>back then, if all concerts were so fucked up back then,

0:51:09.719 --> 0:51:11.640
<v Speaker 2>why was it fucked up for us to make it

0:51:12.040 --> 0:51:12.680
<v Speaker 2>somewhere else?

0:51:12.760 --> 0:51:13.680
<v Speaker 3>That's you know what I mean?

0:51:13.760 --> 0:51:15.600
<v Speaker 1>And the answer is because you would have been so

0:51:15.880 --> 0:51:18.600
<v Speaker 1>fucked up that your credibility would have been fucked up.

0:51:24.920 --> 0:51:26.600
<v Speaker 3>But even though it doesn't make sense.

0:51:26.440 --> 0:51:30.759
<v Speaker 1>If nobody somebody, if somebody is a cornball, and one

0:51:30.840 --> 0:51:34.160
<v Speaker 1>thing about you, right right, if somebody is a cornball,

0:51:34.200 --> 0:51:34.920
<v Speaker 1>you fucking with them.

0:51:34.920 --> 0:51:39.960
<v Speaker 2>And if somebody's a cornball and birdman, they co signed

0:51:40.080 --> 0:51:41.360
<v Speaker 2>Lugs and they still survived.

0:51:44.880 --> 0:51:47.360
<v Speaker 3>Yeah, but I don't think that bad was that serious.

0:51:48.120 --> 0:51:50.040
<v Speaker 3>But they add was that serious.

0:51:50.840 --> 0:51:53.560
<v Speaker 2>Nobody listened to them, but nobody fucked with Ugs, and

0:51:53.680 --> 0:51:56.399
<v Speaker 2>nobody was like fucked with Ugs regardless, Like no one

0:51:56.440 --> 0:51:59.080
<v Speaker 2>went out and fucked with Uggs like lugs whatever they

0:51:59.160 --> 0:51:59.919
<v Speaker 2>call nobody.

0:52:00.480 --> 0:52:02.480
<v Speaker 1>Nobody fucked with it because that shi was for Gayzy

0:52:03.120 --> 0:52:04.640
<v Speaker 1>and everybody knew it was a badground.

0:52:04.960 --> 0:52:07.319
<v Speaker 5>Remember when they wanted us to be on Beverly Hills

0:52:07.400 --> 0:52:10.920
<v Speaker 5>nine o two on Donnie Aner and Tommy Mottola were begging.

0:52:10.719 --> 0:52:12.680
<v Speaker 3>Us, I would they should be so great.

0:52:14.760 --> 0:52:18.000
<v Speaker 5>Episode where the whole that whole crew of kids goes

0:52:18.040 --> 0:52:19.879
<v Speaker 5>to what depends what the scene and there's a band

0:52:20.000 --> 0:52:22.719
<v Speaker 5>playing where the band and one of the kids gets

0:52:22.719 --> 0:52:27.640
<v Speaker 5>slipped to Mickey. They get Mickey ospital or whatever whatever,

0:52:28.239 --> 0:52:31.160
<v Speaker 5>and sure enough the group gets involved in the whole

0:52:31.200 --> 0:52:33.120
<v Speaker 5>like it's the Scooby Doo episode or whatever.

0:52:33.800 --> 0:52:35.719
<v Speaker 1>Drunks are bad, but we were just like listen, we

0:52:35.719 --> 0:52:39.000
<v Speaker 1>would have been class hons in.

0:52:39.120 --> 0:52:43.080
<v Speaker 3>Hindsight later I'm gonna be. But I can see it

0:52:43.120 --> 0:52:46.440
<v Speaker 3>doesn't like you if you wouldn't understand was I was

0:52:46.520 --> 0:52:48.160
<v Speaker 3>the whole era. I know, I know what you're saying,

0:52:48.160 --> 0:52:50.359
<v Speaker 3>and I know back then that's what Warranton is about.

0:52:50.400 --> 0:52:52.680
<v Speaker 1>This glory how about this? We go in for a

0:52:52.760 --> 0:52:55.759
<v Speaker 1>reading from Malcolm X Okay, me and Pete that was

0:52:55.760 --> 0:52:56.839
<v Speaker 1>gonna be a Malcolm.

0:52:56.520 --> 0:53:03.880
<v Speaker 3>X Spike, I'm about to do so going on me, I'm.

0:53:13.640 --> 0:53:16.040
<v Speaker 1>So we get in Sam Jackson is dare he's reading

0:53:16.080 --> 0:53:19.480
<v Speaker 1>with us in Spike and we get the sides and

0:53:19.680 --> 0:53:24.680
<v Speaker 1>it's c O one CEO two, and he wants us

0:53:24.800 --> 0:53:25.200
<v Speaker 1>to read.

0:53:25.600 --> 0:53:30.120
<v Speaker 3>When they asked Malcolm Little his numbers and when he

0:53:30.200 --> 0:53:35.600
<v Speaker 3>didn't give his red red in jails, Malcolm Little real

0:53:35.719 --> 0:53:39.400
<v Speaker 3>name like little saying saying, and he kills it. He

0:53:39.600 --> 0:53:40.360
<v Speaker 3>like kills the.

0:53:40.400 --> 0:53:47.560
<v Speaker 1>Reading and Sam's nah and and and and I'm not

0:53:47.680 --> 0:53:52.200
<v Speaker 1>really killed it. And then Pe just goes really.

0:53:52.200 --> 0:53:54.040
<v Speaker 3>Like, this is what you want us to do? Really?

0:53:54.040 --> 0:53:56.279
<v Speaker 5>And I was like, do you walk into a movie there?

0:53:56.360 --> 0:53:57.640
<v Speaker 5>You see third dase.

0:54:00.040 --> 0:54:02.960
<v Speaker 3>I was acting acting acting. I can see that it

0:54:03.120 --> 0:54:07.399
<v Speaker 3>is active, but hold taking that? You know, how would

0:54:07.440 --> 0:54:10.799
<v Speaker 3>the hood taking that hood taking describe.

0:54:10.760 --> 0:54:14.960
<v Speaker 2>Wout'll y'all describe it? And this is real talk. Yeah,

0:54:15.200 --> 0:54:16.280
<v Speaker 2>error was too hardcore.

0:54:16.440 --> 0:54:16.600
<v Speaker 5>Man.

0:54:16.960 --> 0:54:22.040
<v Speaker 3>It's true yea, but you know nothing you can about that.

0:54:22.440 --> 0:54:25.440
<v Speaker 3>My generation half real just.

0:54:26.080 --> 0:54:26.520
<v Speaker 10>Kept them.

0:54:31.640 --> 0:54:34.560
<v Speaker 3>Why it's true. It's true. Like what you're saying right

0:54:34.640 --> 0:54:35.040
<v Speaker 3>now was.

0:54:35.080 --> 0:54:38.719
<v Speaker 2>Like, yo, you know what the hood, the respect, the look,

0:54:39.080 --> 0:54:40.000
<v Speaker 2>it's more important.

0:54:40.040 --> 0:54:43.680
<v Speaker 1>My boys would actually vegutory something. Yeah, of course, even

0:54:43.800 --> 0:54:45.320
<v Speaker 1>said to the Spike, I said, Spike, when was the

0:54:45.400 --> 0:54:47.040
<v Speaker 1>last time somebody asked you to play a show for

0:54:47.120 --> 0:54:50.040
<v Speaker 1>in a movie? And then we placed and we rock

0:54:50.680 --> 0:54:52.839
<v Speaker 1>and I said, and then you know, I did Bamboozoo,

0:54:52.960 --> 0:54:55.319
<v Speaker 1>you know, two thousand and had a better look.

0:54:55.800 --> 0:54:58.759
<v Speaker 14>But like it was, it would have been horrible for us. Yeah,

0:54:58.880 --> 0:55:01.239
<v Speaker 14>it would have been horrible. That would like, yo, would

0:55:01.239 --> 0:55:05.000
<v Speaker 14>have been like nickname. He just looked at me, just

0:55:05.040 --> 0:55:05.920
<v Speaker 14>still upset about it.

0:55:06.320 --> 0:55:09.280
<v Speaker 3>He was upset. I can't understand.

0:55:09.360 --> 0:55:13.640
<v Speaker 2>I can understand because an acting everything is warranty, right, right, right,

0:55:13.680 --> 0:55:15.080
<v Speaker 2>you know what I mean, So I can understand it.

0:55:15.400 --> 0:55:17.680
<v Speaker 3>But on the street people take that shit.

0:55:19.840 --> 0:55:23.000
<v Speaker 1>Thespians trying to just do this right, and it wound

0:55:23.080 --> 0:55:25.440
<v Speaker 1>up being to Thespians and it got two actors and

0:55:25.600 --> 0:55:27.560
<v Speaker 1>who knows who they are, and nobody cared.

0:55:27.760 --> 0:55:30.560
<v Speaker 5>But if it was us, right, yeah, that's a serious subject.

0:55:30.640 --> 0:55:32.080
<v Speaker 3>Let me really serious.

0:55:32.120 --> 0:55:32.480
<v Speaker 5>Let me see.

0:55:32.520 --> 0:55:34.400
<v Speaker 1>Because I even said to him, because I read at

0:55:34.440 --> 0:55:36.319
<v Speaker 1>that time, I was reading Malcolm X at least once

0:55:36.360 --> 0:55:39.239
<v Speaker 1>a year. I said, Yo, there's that scene in Colombia

0:55:39.360 --> 0:55:42.960
<v Speaker 1>when the student walks up to Malcolm and he's going

0:55:43.040 --> 0:55:44.640
<v Speaker 1>to do the thing. He says, Yo, I don't have

0:55:44.719 --> 0:55:46.839
<v Speaker 1>a racist bone in my body. And even though I'm white,

0:55:46.880 --> 0:55:48.560
<v Speaker 1>isn't there anything I can do? When Malcolm looks at

0:55:48.600 --> 0:55:51.000
<v Speaker 1>her and goes no and keeps moving, I said, why

0:55:51.000 --> 0:55:52.440
<v Speaker 1>can't he close to Columbia?

0:55:52.920 --> 0:55:54.640
<v Speaker 3>Like, Yo, why can't we do that role? Like it's

0:55:54.680 --> 0:55:59.320
<v Speaker 3>fucking authentic. He fucking graduated Magnicum louder degree in English.

0:55:59.400 --> 0:56:02.600
<v Speaker 3>Let them other do that. Now, that's real. But acting

0:56:02.680 --> 0:56:09.200
<v Speaker 3>is whatever so real? Like everything was real, even Belly.

0:56:09.200 --> 0:56:11.719
<v Speaker 3>I remember when not Belly people were really thinking he was.

0:56:15.719 --> 0:56:18.680
<v Speaker 3>People were asking me, when's your man getting out? I'm like,

0:56:19.120 --> 0:56:22.239
<v Speaker 3>I'm from where where was he hitting from?

0:56:22.480 --> 0:56:26.640
<v Speaker 2>In retrospect, this is something that I know, Uh, you're

0:56:26.719 --> 0:56:29.680
<v Speaker 2>close to is I believe when it comes to acting

0:56:30.000 --> 0:56:33.919
<v Speaker 2>and people sticking with those roles that they categorized ass

0:56:34.120 --> 0:56:38.000
<v Speaker 2>I believe Bishop was the one, oh Tupac, Like I don't.

0:56:39.200 --> 0:56:41.080
<v Speaker 2>I believe both of you guys know Tupac. I've never

0:56:41.160 --> 0:56:44.840
<v Speaker 2>met Tupac. Right before that, people said he became.

0:56:46.480 --> 0:56:49.280
<v Speaker 5>We heard it because Rich Daddy Rich was in juice

0:56:49.320 --> 0:56:52.359
<v Speaker 5>with him and saw the transformation from when we were

0:56:52.400 --> 0:56:53.799
<v Speaker 5>on tour, Like we.

0:56:55.000 --> 0:56:57.960
<v Speaker 3>Tupac used to come in my Digital underground. He was

0:56:58.000 --> 0:57:00.800
<v Speaker 3>with Digital, he was dancing. You would just come in

0:57:00.880 --> 0:57:02.360
<v Speaker 3>the room. He would free style.

0:57:06.120 --> 0:57:08.400
<v Speaker 5>Two us trying to get it. He's trying to like,

0:57:08.520 --> 0:57:09.120
<v Speaker 5>what what do you think?

0:57:09.160 --> 0:57:09.600
<v Speaker 3>What do you think?

0:57:09.640 --> 0:57:13.360
<v Speaker 5>I'm like, that's all right, you know, and base and

0:57:13.480 --> 0:57:16.680
<v Speaker 5>he he's actually walking up to Rich and saying, you're Rich,

0:57:16.760 --> 0:57:18.040
<v Speaker 5>Can I help you carry your cases?

0:57:18.040 --> 0:57:19.240
<v Speaker 3>You need you help? Yeah.

0:57:19.280 --> 0:57:23.120
<v Speaker 5>We we bought him whoppers everything. He was such a

0:57:23.200 --> 0:57:25.080
<v Speaker 5>good dude though, like you was a good dude.

0:57:25.240 --> 0:57:28.040
<v Speaker 1>Like and we would be on the road and you know,

0:57:28.240 --> 0:57:30.840
<v Speaker 1>Shock g ma Res and Pece and me, like he

0:57:30.880 --> 0:57:32.919
<v Speaker 1>would just play the keys and we would freestyle damn

0:57:33.040 --> 0:57:34.800
<v Speaker 1>it all night, this off the top of our head

0:57:34.840 --> 0:57:36.800
<v Speaker 1>about how much we loved each other, how much we

0:57:36.920 --> 0:57:38.880
<v Speaker 1>loved where we were at, how much we love how

0:57:38.920 --> 0:57:41.160
<v Speaker 1>we were moving, you know, and and it was just

0:57:41.560 --> 0:57:42.160
<v Speaker 1>it was family.

0:57:42.560 --> 0:57:42.680
<v Speaker 3>You know.

0:57:42.760 --> 0:57:45.400
<v Speaker 1>It's really like a family, like you know, we play

0:57:46.000 --> 0:57:49.280
<v Speaker 1>pool with Queen Latifa and Mooney, or we'd work.

0:57:49.120 --> 0:57:51.200
<v Speaker 3>Out with this one. It's really a family.

0:57:51.360 --> 0:57:53.400
<v Speaker 10>But that kind of the moral of this whole story

0:57:53.440 --> 0:57:55.360
<v Speaker 10>is that back then it was like a small community

0:57:56.040 --> 0:57:58.480
<v Speaker 10>and doing certain things would kind of exile you from

0:57:58.480 --> 0:57:59.040
<v Speaker 10>that community.

0:57:59.120 --> 0:58:00.320
<v Speaker 3>But back to what he saying.

0:58:00.400 --> 0:58:04.280
<v Speaker 5>So Tupac once we want a conversation, told me about

0:58:04.280 --> 0:58:06.120
<v Speaker 5>his mom, and I see that he had like these

0:58:06.200 --> 0:58:09.400
<v Speaker 5>friendship bracelets and like a silver bracelet and just like

0:58:09.480 --> 0:58:12.480
<v Speaker 5>a little silver chain with a little silver madown. He's like,

0:58:12.520 --> 0:58:14.920
<v Speaker 5>you never wear gold. Tells the whole story about the

0:58:15.000 --> 0:58:20.760
<v Speaker 5>gold trade, and so he's in Jews. Rich reports back

0:58:20.840 --> 0:58:23.280
<v Speaker 5>to us, like I think Tupac thinks he's this character,

0:58:23.600 --> 0:58:26.840
<v Speaker 5>like he saw it right in from his face. So

0:58:27.320 --> 0:58:30.040
<v Speaker 5>we do this show and uh, I think it was

0:58:30.040 --> 0:58:32.680
<v Speaker 5>a Gavin at the Townsend. And we walked to the

0:58:32.800 --> 0:58:36.200
<v Speaker 5>side stage and who's standing there in the corner with

0:58:36.400 --> 0:58:41.600
<v Speaker 5>this big dookie cable on with the big gold medallion. No, no,

0:58:43.400 --> 0:58:48.040
<v Speaker 5>like Brenda got a baby. We clowned him and he

0:58:48.240 --> 0:58:49.680
<v Speaker 5>was like, yeah, he was pissed.

0:58:49.720 --> 0:58:55.480
<v Speaker 3>Man. Like we were like, yo, whatever going on, homie? Yeah,

0:58:57.200 --> 0:59:03.280
<v Speaker 3>slave man? You know, yeah, that's all that.

0:59:04.840 --> 0:59:07.120
<v Speaker 1>At the end of the day, Like we were all young,

0:59:07.480 --> 0:59:10.440
<v Speaker 1>like we were all really young, like making thank you,

0:59:10.720 --> 0:59:14.520
<v Speaker 1>we were making adult decisions as children, like you know

0:59:14.560 --> 0:59:18.000
<v Speaker 1>what I mean, Like I think about like the decisions

0:59:18.080 --> 0:59:21.400
<v Speaker 1>I made about the demise of our partnership at twenty

0:59:21.440 --> 0:59:24.240
<v Speaker 1>three years old, Like I got kids, you know, my

0:59:24.360 --> 0:59:27.200
<v Speaker 1>kids at thirty, twenty and twenty seven, Like, I can't

0:59:27.240 --> 0:59:30.840
<v Speaker 1>imagine my kids at twenty three making the decisions.

0:59:30.920 --> 0:59:34.080
<v Speaker 3>That I was making. I was, I was just not

0:59:34.280 --> 0:59:36.120
<v Speaker 3>capable of making those decisions.

0:59:37.520 --> 0:59:43.240
<v Speaker 5>Real talk, you got something to say, I'll just say,

0:59:43.320 --> 0:59:45.880
<v Speaker 5>like when we get Daddy Richard here, he'll you can

0:59:45.960 --> 0:59:47.840
<v Speaker 5>go one up with that two punk story.

0:59:48.680 --> 0:59:50.320
<v Speaker 3>He was in the battle scene.

0:59:51.000 --> 0:59:54.000
<v Speaker 5>You know, rich rich was right on the set and

0:59:54.520 --> 0:59:55.920
<v Speaker 5>he's got a good perspective on that.

0:59:56.520 --> 0:59:56.760
<v Speaker 1>I think.

0:59:56.800 --> 0:59:58.520
<v Speaker 10>I think when we talk about whether it be pop

0:59:58.640 --> 1:00:01.600
<v Speaker 10>or big, we we talk about them now as if

1:00:02.480 --> 1:00:05.720
<v Speaker 10>like if they were older, not remembering that these were

1:00:05.840 --> 1:00:09.520
<v Speaker 10>young men, really young men, yeah, doing what they were

1:00:09.600 --> 1:00:11.960
<v Speaker 10>doing and making the mistakes that young people do, right,

1:00:12.080 --> 1:00:13.880
<v Speaker 10>but we're trying to bring them to our age now

1:00:14.000 --> 1:00:15.960
<v Speaker 10>like oh that was fucked though they did this and

1:00:16.040 --> 1:00:16.800
<v Speaker 10>expect you know.

1:00:16.880 --> 1:00:18.680
<v Speaker 1>That's what I love about what like Wallow did with

1:00:18.840 --> 1:00:21.560
<v Speaker 1>Kodak Black and what Wallow did with Thugs. Like you know,

1:00:22.000 --> 1:00:24.760
<v Speaker 1>there's certain people that are in the podcast space right

1:00:25.440 --> 1:00:29.720
<v Speaker 1>that really take it upon themselves to like understand like

1:00:30.640 --> 1:00:33.360
<v Speaker 1>if we're going to really uplift this next generation of

1:00:33.480 --> 1:00:37.520
<v Speaker 1>kids that are really getting money, like insane amounts of money. Yeah,

1:00:38.840 --> 1:00:41.240
<v Speaker 1>we have to start to level the playing field in

1:00:41.360 --> 1:00:44.840
<v Speaker 1>terms of what they understand about commerces, what they understand

1:00:44.920 --> 1:00:47.360
<v Speaker 1>about not just being a brand, but what they understand

1:00:47.400 --> 1:00:51.600
<v Speaker 1>about brand responsibility, brand focus, brand vision, you know, really

1:00:51.680 --> 1:00:56.439
<v Speaker 1>bringing them into a level of conversation that they'll they'll

1:00:56.520 --> 1:01:00.440
<v Speaker 1>get because if they don't, they'll find themselves already five

1:01:00.480 --> 1:01:00.800
<v Speaker 1>and broke.

1:01:01.520 --> 1:01:05.960
<v Speaker 3>Yeah that's up. Yeah, Thomas.

1:01:06.200 --> 1:01:07.640
<v Speaker 10>Before we get into that, I want to ask you

1:01:08.240 --> 1:01:11.720
<v Speaker 10>going back a little bit the Beastie Boys, what was

1:01:11.800 --> 1:01:12.800
<v Speaker 10>the rift there?

1:01:15.480 --> 1:01:16.160
<v Speaker 3>I'll start.

1:01:17.640 --> 1:01:21.840
<v Speaker 5>You want to start one Riff was my best friends

1:01:21.880 --> 1:01:27.360
<v Speaker 5>in college. My roommate, he wrote sake he went to

1:01:27.400 --> 1:01:34.200
<v Speaker 5>school with Mike d and my other boy Mike and

1:01:34.440 --> 1:01:37.040
<v Speaker 5>uh Ad Rock went to school with that boy and

1:01:37.200 --> 1:01:40.640
<v Speaker 5>she disagreed to a killy and uh m c A

1:01:41.080 --> 1:01:42.440
<v Speaker 5>went to school with all of the men, even when

1:01:42.480 --> 1:01:43.400
<v Speaker 5>playma school.

1:01:44.320 --> 1:01:44.920
<v Speaker 3>Yeah, so.

1:01:47.080 --> 1:01:49.680
<v Speaker 5>They always looked at them as like, you know, you're

1:01:49.720 --> 1:01:51.960
<v Speaker 5>coming up, you're a white kid in Brooklyn whatever, you know,

1:01:52.000 --> 1:01:54.240
<v Speaker 5>the kids who were down with hip hop. Basically they're

1:01:54.240 --> 1:01:56.440
<v Speaker 5>saying like they were not down with hip hop when

1:01:56.720 --> 1:01:57.840
<v Speaker 5>they were down with hip hop.

1:01:57.960 --> 1:02:03.959
<v Speaker 3>So it was it was like yo, those kids because

1:02:03.960 --> 1:02:06.240
<v Speaker 3>they came to a punk sy, but the punksy came

1:02:06.320 --> 1:02:06.720
<v Speaker 3>up together.

1:02:06.880 --> 1:02:09.959
<v Speaker 5>Well that's if you told to me and search about

1:02:09.960 --> 1:02:12.000
<v Speaker 5>the punk Sy, we could tell you anything.

1:02:11.640 --> 1:02:17.440
<v Speaker 3>About the punk sea correct were. But that's just like, no,

1:02:17.560 --> 1:02:22.040
<v Speaker 3>it doesn't boy boy, one guy who was in both things.

1:02:22.120 --> 1:02:24.920
<v Speaker 1>But the kids like like like there was a guy

1:02:25.000 --> 1:02:27.439
<v Speaker 1>named Dave Skilkin, May rest in peace. He was there

1:02:27.840 --> 1:02:32.040
<v Speaker 1>like their guy, like there was two people captain, yeah,

1:02:32.120 --> 1:02:34.520
<v Speaker 1>may rest in peace. And that's the sucky thing about

1:02:34.600 --> 1:02:37.120
<v Speaker 1>doing this at fifty seven is how many people you

1:02:37.200 --> 1:02:40.040
<v Speaker 1>gotta bless right, which is another reason.

1:02:39.880 --> 1:02:40.960
<v Speaker 3>Why we're sitting here today.

1:02:41.840 --> 1:02:47.200
<v Speaker 1>So the whole thing, at least my side, was I

1:02:47.320 --> 1:02:50.080
<v Speaker 1>really didn't understand how Russell was moving with our contract.

1:02:50.800 --> 1:02:52.960
<v Speaker 1>And Russell was living in Barrow Street at the time.

1:02:53.520 --> 1:02:57.080
<v Speaker 1>Right up the block was Mike D's apartment, and Mike

1:02:57.160 --> 1:02:59.400
<v Speaker 1>D was with this kid showing the Captain karasof who

1:02:59.480 --> 1:03:03.520
<v Speaker 1>was there manager May rest in peace. And I was

1:03:03.600 --> 1:03:05.800
<v Speaker 1>so frustrated, I said, fuck it, I'm knock on Mike

1:03:05.840 --> 1:03:06.280
<v Speaker 1>D's doing.

1:03:06.440 --> 1:03:07.680
<v Speaker 3>Just ask them see how.

1:03:08.000 --> 1:03:09.600
<v Speaker 5>Because this is the famous blogoney story?

1:03:10.480 --> 1:03:10.680
<v Speaker 3>Is this?

1:03:10.920 --> 1:03:13.600
<v Speaker 5>Is this the bloney story ane story?

1:03:13.840 --> 1:03:16.280
<v Speaker 3>Okay, Well, I don't know. I don't know what that bologna,

1:03:16.760 --> 1:03:20.960
<v Speaker 3>but I'm gonna find out. So I went upstairs.

1:03:21.040 --> 1:03:23.840
<v Speaker 1>So I went upstairs to his apartment. Sean's knocked down

1:03:23.880 --> 1:03:25.840
<v Speaker 1>on the on the sofa. I go to speak to Mike.

1:03:25.960 --> 1:03:28.600
<v Speaker 1>They had just left Deaf Jaine and they just signed

1:03:28.600 --> 1:03:31.240
<v Speaker 1>their deal a Capital, and I said, hey, man, like

1:03:31.840 --> 1:03:34.160
<v Speaker 1>I don't really understand what the fuck is going on, Like,

1:03:34.600 --> 1:03:37.080
<v Speaker 1>help me understand, like how Russell moves?

1:03:37.480 --> 1:03:39.120
<v Speaker 3>We got this deal? Who are you talking to again?

1:03:39.160 --> 1:03:42.480
<v Speaker 5>Sorry, Mike d Okay, let's just salute Mike d here

1:03:42.760 --> 1:03:45.840
<v Speaker 5>yes being the richest person because he saw his mother's

1:03:45.920 --> 1:03:50.400
<v Speaker 5>art collection for like five hundred million. Get hurricane Man,

1:03:51.560 --> 1:03:53.880
<v Speaker 5>Hurricane many.

1:03:54.520 --> 1:03:58.160
<v Speaker 1>So so I go to ask him these questions and

1:03:58.200 --> 1:04:01.240
<v Speaker 1>we're having like a real conversation. He's like, yo, you know,

1:04:01.360 --> 1:04:03.480
<v Speaker 1>be careful with this, be careful with that. You know

1:04:03.560 --> 1:04:04.120
<v Speaker 1>you might want to.

1:04:04.160 --> 1:04:07.240
<v Speaker 3>Check with this, check your lawyer about that. As I'm leaving,

1:04:07.400 --> 1:04:10.240
<v Speaker 3>I turned a safe peace. He starts throwing ship at

1:04:10.320 --> 1:04:11.960
<v Speaker 3>me like a rubber ducky.

1:04:12.560 --> 1:04:17.360
<v Speaker 5>Iought he was a piece of bloney, was throwing a rubber.

1:04:17.240 --> 1:04:20.000
<v Speaker 3>Ducky at me and showing all of a sudden wakes up.

1:04:20.080 --> 1:04:23.640
<v Speaker 3>He throws a cheeto at me, and I'm like, and

1:04:23.720 --> 1:04:25.880
<v Speaker 3>I'm like and they're laughing. So I'm like, all right,

1:04:25.960 --> 1:04:27.760
<v Speaker 3>dare whatever, and I left.

1:04:28.520 --> 1:04:33.040
<v Speaker 1>And then fast forward and Spin magazine there's this article

1:04:34.000 --> 1:04:39.080
<v Speaker 1>and they asked the guys about third base and Mike says, yeah,

1:04:39.200 --> 1:04:41.040
<v Speaker 1>I know. Search Like he came to my crib, I

1:04:41.160 --> 1:04:43.320
<v Speaker 1>threw ship at him. I was like, oh, fuck you,

1:04:43.400 --> 1:04:45.800
<v Speaker 1>it's on. So we were in the studio and I

1:04:45.880 --> 1:04:47.800
<v Speaker 1>was like, yeah, son's a third base, it's on. Fuck you,

1:04:48.000 --> 1:04:50.400
<v Speaker 1>fuck y'all. I'm gonna son you, fuck y'all.

1:04:50.960 --> 1:04:54.240
<v Speaker 5>And that Sam Subver took me to a spot where

1:04:54.240 --> 1:04:56.680
<v Speaker 5>his barber was and like ed Rod walked in with

1:04:56.800 --> 1:05:00.440
<v Speaker 5>that actress that he was with the time. Be Nice

1:05:00.480 --> 1:05:03.800
<v Speaker 5>was saying that he didn't do anything. He became his thing.

1:05:04.520 --> 1:05:08.040
<v Speaker 5>But I mean we were on death Gym. Well we

1:05:08.120 --> 1:05:09.800
<v Speaker 5>weren't on deaf Jair. We were just on rush at

1:05:09.840 --> 1:05:12.240
<v Speaker 5>the exact same time that they were still signing and everything.

1:05:12.600 --> 1:05:14.440
<v Speaker 5>So that time of Leo's wedding, they were still on

1:05:14.560 --> 1:05:15.000
<v Speaker 5>death Jam.

1:05:15.080 --> 1:05:15.560
<v Speaker 3>That's when.

1:05:18.760 --> 1:05:25.160
<v Speaker 5>That's when Lee or lew York kind of took over

1:05:25.720 --> 1:05:27.360
<v Speaker 5>Grub and left, and that's when the VC.

1:05:27.280 --> 1:05:28.720
<v Speaker 3>Boys left, right at the same time he went to

1:05:28.800 --> 1:05:30.320
<v Speaker 3>Capitol while yeah, exactly.

1:05:30.560 --> 1:05:32.800
<v Speaker 5>Well actually they went nowhere for a while and then

1:05:32.840 --> 1:05:35.040
<v Speaker 5>because they had to get off the deal, like three

1:05:35.160 --> 1:05:36.439
<v Speaker 5>or four years to get off the deal.

1:05:36.600 --> 1:05:37.800
<v Speaker 3>It seems like when they when.

1:05:37.640 --> 1:05:39.760
<v Speaker 5>They said they had tapes of Russell doing something in

1:05:39.840 --> 1:05:42.640
<v Speaker 5>the back of h C, I said, he had a

1:05:42.720 --> 1:05:44.720
<v Speaker 5>VHS tape, but Russell in the back of a.

1:05:44.760 --> 1:05:46.880
<v Speaker 3>Bus, and that deal just got settled real quick.

1:05:47.360 --> 1:05:50.320
<v Speaker 5>And the in New Music Express that's not like secret,

1:05:50.600 --> 1:05:51.640
<v Speaker 5>it's like writing an interview.

1:05:52.280 --> 1:05:58.080
<v Speaker 3>Was he kidding? I don't know. That's there a lot

1:05:58.080 --> 1:06:03.919
<v Speaker 3>of tapes flying right, a lot of tape. I was like, QuickTime, listen,

1:06:05.240 --> 1:06:07.840
<v Speaker 3>those are some mid tours. But did you guys ever.

1:06:09.760 --> 1:06:12.560
<v Speaker 1>This questioned, Actually, when their book came out, they asked

1:06:12.640 --> 1:06:14.959
<v Speaker 1>me to do that section of the book. They asked

1:06:15.000 --> 1:06:17.440
<v Speaker 1>me to do the audio and me and when I

1:06:17.520 --> 1:06:19.760
<v Speaker 1>had I had a syndicated show called The Old School

1:06:19.800 --> 1:06:24.000
<v Speaker 1>Show and MCA had produced a documentary called Gunning for

1:06:24.040 --> 1:06:27.240
<v Speaker 1>the Number One Spot, which trussed about like AU basketball,

1:06:27.680 --> 1:06:30.920
<v Speaker 1>and I interviewed him and when they Peace about a

1:06:31.000 --> 1:06:31.760
<v Speaker 1>year before he died.

1:06:32.240 --> 1:06:34.000
<v Speaker 3>So it was really cool because we got to talk

1:06:34.040 --> 1:06:34.360
<v Speaker 3>about it.

1:06:34.720 --> 1:06:36.400
<v Speaker 1>And the thing that was real funny was as we

1:06:36.480 --> 1:06:38.919
<v Speaker 1>were closing it out, I told him how I felt

1:06:38.960 --> 1:06:39.400
<v Speaker 1>about him.

1:06:39.440 --> 1:06:41.240
<v Speaker 3>He said thanks. I said, Now we're going to end

1:06:41.240 --> 1:06:42.680
<v Speaker 3>the show with Sons of the Third Base.

1:06:42.720 --> 1:06:45.360
<v Speaker 1>He's like, no playing because they had a silly Professor

1:06:45.440 --> 1:06:46.920
<v Speaker 1>record that was their disc record and.

1:06:47.120 --> 1:06:48.680
<v Speaker 3>He's like the So he was like, no, you better

1:06:48.720 --> 1:06:54.040
<v Speaker 3>play that ship. So yeah, so it favorite songs to perform.

1:06:54.120 --> 1:06:59.600
<v Speaker 3>Oh shit, Professor, there is a Professor the dis record?

1:06:59.720 --> 1:06:59.880
<v Speaker 2>Yeah?

1:07:00.360 --> 1:07:00.520
<v Speaker 5>Is it?

1:07:00.680 --> 1:07:01.240
<v Speaker 13>Is it like that?

1:07:01.960 --> 1:07:05.480
<v Speaker 2>Like you know, Kevin Hard and these people always accused

1:07:05.560 --> 1:07:07.840
<v Speaker 2>like there can't be one black actor at one time?

1:07:08.160 --> 1:07:09.640
<v Speaker 3>Is it like that in the white world?

1:07:09.920 --> 1:07:10.040
<v Speaker 13>Oh?

1:07:10.160 --> 1:07:12.640
<v Speaker 1>Definitely when us when we were coming up, the actually,

1:07:12.680 --> 1:07:16.760
<v Speaker 1>whether it was only today, would be one DJ do

1:07:16.880 --> 1:07:18.800
<v Speaker 1>the worst of the label dude who gets.

1:07:18.640 --> 1:07:21.120
<v Speaker 5>A coffee is in hip hop it's a chip on

1:07:21.200 --> 1:07:23.480
<v Speaker 5>the shoulder because there that's.

1:07:23.840 --> 1:07:25.480
<v Speaker 3>There can only be one. There can only be one.

1:07:25.800 --> 1:07:29.120
<v Speaker 1>Only nineteen eighty nine, I would say, from nineteen eighty nine,

1:07:29.200 --> 1:07:32.040
<v Speaker 1>damn near the nine to two thousand, it can only

1:07:32.080 --> 1:07:32.320
<v Speaker 1>be one.

1:07:32.440 --> 1:07:35.880
<v Speaker 3>Can we describe from that era? From the White Wrapper.

1:07:36.440 --> 1:07:40.240
<v Speaker 5>See you gotta go back to listen, Yeah, go back

1:07:40.280 --> 1:07:44.680
<v Speaker 5>when and me and Vanilla B probably the only three.

1:07:45.520 --> 1:07:49.520
<v Speaker 5>Like I got a picture of Search at Prospect Park

1:07:49.640 --> 1:07:54.520
<v Speaker 5>that with Paradise on stage, Rock Kim's first show where

1:07:54.880 --> 1:07:58.000
<v Speaker 5>he's got a pair of tight shorts, socks all the

1:07:58.040 --> 1:07:59.880
<v Speaker 5>way up, ready to do angles.

1:08:00.040 --> 1:08:03.600
<v Speaker 3>And on stage Rock Kim is before his March show

1:08:03.640 --> 1:08:04.959
<v Speaker 3>went to vine House. That's wow.

1:08:05.360 --> 1:08:07.680
<v Speaker 5>But like we were, he was down with Tony d

1:08:07.760 --> 1:08:10.800
<v Speaker 5>and the Bad Boys, you know Lamumba Professor X was

1:08:10.840 --> 1:08:13.560
<v Speaker 5>my first manager. Like I was down with this group

1:08:13.640 --> 1:08:16.560
<v Speaker 5>Sinking where we were with Dana Dane as parts. So

1:08:16.640 --> 1:08:18.760
<v Speaker 5>we were like at the same time the VC boys

1:08:18.800 --> 1:08:21.240
<v Speaker 5>were actually blowing up. Yeah, we were kind of like

1:08:21.439 --> 1:08:24.320
<v Speaker 5>more on that underground scene and we were like me

1:08:24.400 --> 1:08:27.439
<v Speaker 5>and so she used to do for twenty five bucks

1:08:27.479 --> 1:08:32.080
<v Speaker 5>fifty bucks. We'd announced show, Dax said, Hotel Amazon Amazon

1:08:32.160 --> 1:08:39.240
<v Speaker 5>to positive. We introduced Rob Base first Rob first show,

1:08:39.360 --> 1:08:42.000
<v Speaker 5>every Rock.

1:08:43.840 --> 1:08:46.000
<v Speaker 3>Who Mark Kemp was the DJ may rest In piece,

1:08:46.320 --> 1:08:47.720
<v Speaker 3>Like yeah, I mean like like that.

1:08:47.960 --> 1:08:48.000
<v Speaker 1>That.

1:08:48.240 --> 1:08:51.000
<v Speaker 3>We were like like people would always say, like who

1:08:51.040 --> 1:08:51.920
<v Speaker 3>the fuck are those guys?

1:08:52.360 --> 1:08:55.400
<v Speaker 1>Like we would get into everything, like like there the

1:08:55.560 --> 1:08:57.040
<v Speaker 1>batties outside of the Red Parrot.

1:08:57.080 --> 1:08:59.760
<v Speaker 3>We'd walk by past them like who the boys?

1:08:59.760 --> 1:09:02.160
<v Speaker 5>We never record out and so I just like, yo,

1:09:02.640 --> 1:09:05.120
<v Speaker 5>We're going to Devonport, Iowa with King's son. Next thing,

1:09:05.160 --> 1:09:07.759
<v Speaker 5>you know, we're on a vand yeah, I went to Devonport,

1:09:07.800 --> 1:09:09.360
<v Speaker 5>Iowa King Son and his crew.

1:09:09.600 --> 1:09:13.080
<v Speaker 3>And it was showing a flood zone. It's like, you know,

1:09:13.240 --> 1:09:15.080
<v Speaker 3>we would just move around.

1:09:15.160 --> 1:09:19.280
<v Speaker 1>We were always moving around because people coming up that time,

1:09:19.720 --> 1:09:22.400
<v Speaker 1>they knew that we weren't trying to like.

1:09:23.479 --> 1:09:24.599
<v Speaker 3>Appropriate the culture.

1:09:25.160 --> 1:09:25.320
<v Speaker 5>You know.

1:09:25.960 --> 1:09:28.120
<v Speaker 1>Pete had a dope ass radio show, you know what

1:09:28.120 --> 1:09:30.240
<v Speaker 1>I mean, Like it was dope, like they played real

1:09:30.320 --> 1:09:34.439
<v Speaker 1>ship and you know, I had promos on Red Alert.

1:09:34.760 --> 1:09:35.000
<v Speaker 3>Listen.

1:09:35.160 --> 1:09:39.040
<v Speaker 5>The highlight of my career and Rich Daddy Rich's career

1:09:39.720 --> 1:09:43.160
<v Speaker 5>was when Red Alert played the promo that we made

1:09:43.360 --> 1:09:46.679
<v Speaker 5>for him about the radio show, and it was played

1:09:46.720 --> 1:09:49.880
<v Speaker 5>in between the Public Enemy and the Jungle Brothers promo.

1:09:50.040 --> 1:09:53.439
<v Speaker 1>We were like the promod like that when you were

1:09:54.400 --> 1:09:58.080
<v Speaker 1>when you heard a promo, Yeah, the search is always getting.

1:09:59.560 --> 1:10:03.559
<v Speaker 3>Yo. It was like you were the most famous mother fucker.

1:10:04.000 --> 1:10:07.800
<v Speaker 1>And they would just say to me, I would get

1:10:07.840 --> 1:10:11.400
<v Speaker 1>fifty dollars for people to just have me go to

1:10:11.520 --> 1:10:12.320
<v Speaker 1>shows and get.

1:10:12.240 --> 1:10:17.960
<v Speaker 3>Dished getting Wait what, I don't get this. No, It's just.

1:10:19.479 --> 1:10:21.400
<v Speaker 1>Like I had a record called hey Boy and like

1:10:21.880 --> 1:10:23.840
<v Speaker 1>and I like so my promo was like hey Boy,

1:10:24.000 --> 1:10:25.599
<v Speaker 1>like hey Boy, and I'd be like, Yo, what a baby,

1:10:25.640 --> 1:10:26.519
<v Speaker 1>and she's like, no, I'm not telling you.

1:10:26.600 --> 1:10:28.479
<v Speaker 3>I'm about Red Alert and I'd be like, damn, Search

1:10:28.560 --> 1:10:31.639
<v Speaker 3>is always getting Yeah.

1:10:32.120 --> 1:10:34.680
<v Speaker 5>It was self deprecating, but at the same time, like

1:10:34.800 --> 1:10:37.479
<v Speaker 5>a shout out to Red Alert because I'm God Alert

1:10:37.880 --> 1:10:38.840
<v Speaker 5>me my first lawyer.

1:10:40.600 --> 1:10:44.000
<v Speaker 3>Yeah, like unbelievable. That's how me and Chris Lighting met,

1:10:44.320 --> 1:10:47.559
<v Speaker 3>called Chris Lighting Rest in Peace. Yo.

1:10:47.880 --> 1:10:51.400
<v Speaker 1>We used to carry red S crates. So at this

1:10:51.560 --> 1:10:54.439
<v Speaker 1>time Chris had a white maximum right because he was

1:10:54.520 --> 1:10:56.679
<v Speaker 1>moving going back and forth see his dad in Baltimore.

1:10:57.000 --> 1:10:59.400
<v Speaker 1>So we moved back and forth from Baltimore right, and

1:10:59.479 --> 1:11:01.800
<v Speaker 1>he would have REDS crates. We would go to kiss,

1:11:02.240 --> 1:11:04.479
<v Speaker 1>he would put the record, put his crates in the maximum,

1:11:04.479 --> 1:11:07.080
<v Speaker 1>and then we go to the Latin Quarter. Me and

1:11:07.120 --> 1:11:10.160
<v Speaker 1>Search met at the Latin Quarter. I was LB, We're

1:11:10.200 --> 1:11:13.400
<v Speaker 1>standing in front of Latin Quarter. This Lincoln Town car

1:11:13.520 --> 1:11:16.519
<v Speaker 1>pulls up the Search pop out.

1:11:16.640 --> 1:11:16.920
<v Speaker 3>I don't know.

1:11:17.000 --> 1:11:20.080
<v Speaker 5>He had some sort of it was either a shirt

1:11:20.160 --> 1:11:24.960
<v Speaker 5>kings or like an acid washed bedazzled Yeah, yeah, I know, like.

1:11:25.000 --> 1:11:27.040
<v Speaker 3>With with like a Rtstone thing.

1:11:27.160 --> 1:11:27.400
<v Speaker 1>Was it that?

1:11:27.720 --> 1:11:29.760
<v Speaker 3>So I had two I had two shirt kings. One

1:11:29.880 --> 1:11:33.559
<v Speaker 3>one was was me my face that said hey boy

1:11:33.680 --> 1:11:35.680
<v Speaker 3>on it that I would you know, and that come

1:11:35.840 --> 1:11:38.200
<v Speaker 3>the promo. I think about that one. So, and I

1:11:38.320 --> 1:11:40.000
<v Speaker 3>was going to a show I was. I was performing

1:11:40.040 --> 1:11:43.080
<v Speaker 3>at night July eighty six. He was before the Flyer, right,

1:11:43.120 --> 1:11:43.760
<v Speaker 3>he was Tony D.

1:11:44.280 --> 1:11:47.080
<v Speaker 1>So Tony D got me an executive like a town car,

1:11:47.280 --> 1:11:49.720
<v Speaker 1>like a local car from Brooklyn to bring me this show.

1:11:50.120 --> 1:11:53.760
<v Speaker 5>And so me and Blake are standing in front, sears

1:11:53.800 --> 1:11:56.160
<v Speaker 5>popping out. Now Blake went to high school with him.

1:11:56.960 --> 1:11:59.120
<v Speaker 5>I had just heard wreck Search's record. Heard he was

1:11:59.520 --> 1:12:01.320
<v Speaker 5>a white guy. I had a record on p Fine.

1:12:01.400 --> 1:12:02.559
<v Speaker 3>It was like wow.

1:12:02.960 --> 1:12:06.200
<v Speaker 5>I saw Melissa that he had out and I was like, man,

1:12:06.280 --> 1:12:09.559
<v Speaker 5>this motherfucker beat me to it. And you know, I'm

1:12:09.600 --> 1:12:11.599
<v Speaker 5>with Blake. We had this group called the Servant Generals

1:12:11.640 --> 1:12:17.400
<v Speaker 5>at the time. Search comes out, Yo, Pete Searcher give

1:12:17.479 --> 1:12:19.720
<v Speaker 5>him pound and he just kind of like says all

1:12:19.800 --> 1:12:22.320
<v Speaker 5>right and just just walk was getting ready to go down.

1:12:24.280 --> 1:12:35.559
<v Speaker 3>No, no, I don't dance. It's dance battle everybody, and.

1:12:35.600 --> 1:12:38.400
<v Speaker 5>This goes on the white boy on the shoulder. Years later,

1:12:38.920 --> 1:12:40.760
<v Speaker 5>I get a call from Blake out of nowhere. I

1:12:40.800 --> 1:12:43.439
<v Speaker 5>haven't I talked to him for years, Like yo, feet

1:12:43.479 --> 1:12:45.240
<v Speaker 5>Search was just on this thing. He said that me

1:12:45.320 --> 1:12:46.960
<v Speaker 5>and you were waiting outside of the l Q because

1:12:47.000 --> 1:12:48.400
<v Speaker 5>we could not get in and he had to get

1:12:48.479 --> 1:12:50.519
<v Speaker 5>us in. He didn't get us in. We always got in.

1:12:50.840 --> 1:12:52.560
<v Speaker 5>I'm like, yes, Blake, we always got in. Why is

1:12:52.600 --> 1:12:55.240
<v Speaker 5>this bothering you so much? So? But that was just

1:12:55.320 --> 1:12:58.280
<v Speaker 5>the type of thing where, you know, we that's the

1:12:58.320 --> 1:13:00.439
<v Speaker 5>first time we ever met. And then obviously you know

1:13:00.640 --> 1:13:02.320
<v Speaker 5>by the time we would go. We went to Red

1:13:02.400 --> 1:13:06.280
<v Speaker 5>Aler's birthday party. Search me and Search went the Green

1:13:06.320 --> 1:13:10.720
<v Speaker 5>Acres mall Red Birthday and got him. Look wait wait wait,

1:13:10.800 --> 1:13:14.040
<v Speaker 5>we got to know so searchs like, yo, get the

1:13:14.120 --> 1:13:17.280
<v Speaker 5>frosted mug, yep with the with the hatching on it.

1:13:17.439 --> 1:13:20.040
<v Speaker 5>Happy if you've learned to have you DJ Redler gets it,

1:13:20.200 --> 1:13:21.160
<v Speaker 5>wraps it up and everything.

1:13:21.360 --> 1:13:23.160
<v Speaker 3>But he was fifty back then. No no, no, it's

1:13:23.160 --> 1:13:27.120
<v Speaker 3>the no no no. I was telling him, O, yo,

1:13:27.160 --> 1:13:29.000
<v Speaker 3>we got to get some special that he'll always remember.

1:13:29.280 --> 1:13:32.360
<v Speaker 1>So it was his fifth anniversary fifty and I said

1:13:32.760 --> 1:13:36.200
<v Speaker 1>fifth anniversary, Red, And I think it costs like twenty

1:13:36.240 --> 1:13:36.639
<v Speaker 1>five bucks.

1:13:36.680 --> 1:13:38.960
<v Speaker 3>It was a lot of It was a lot for us.

1:13:39.040 --> 1:13:40.640
<v Speaker 3>So we will be going to l Q.

1:13:41.840 --> 1:13:45.240
<v Speaker 5>Comes up, Reds on stage, searches like, makes a big presentation,

1:13:45.400 --> 1:13:47.000
<v Speaker 5>walks up, gives it to him. But it's like, oh,

1:13:47.080 --> 1:13:49.880
<v Speaker 5>thank you. Search Chris Rock, who's doing the stand up

1:13:49.960 --> 1:13:50.880
<v Speaker 5>and intros, He's like.

1:13:51.479 --> 1:13:54.840
<v Speaker 3>Yo, search, where'd you get that? At Greenacre Malls?

1:13:55.120 --> 1:13:59.479
<v Speaker 5>Twenty five dollars? And everybody lost all and everybody out

1:13:59.600 --> 1:14:02.560
<v Speaker 5>you up? Yeah, but I mean it was it was

1:14:02.600 --> 1:14:04.720
<v Speaker 5>a thought that kind of Red loved it. But I mean,

1:14:04.720 --> 1:14:06.519
<v Speaker 5>I'm just saying that that's where, you know, Chris Rock

1:14:06.680 --> 1:14:10.680
<v Speaker 5>is doing the you know, the intros again. Yeah, it's like,

1:14:10.800 --> 1:14:11.880
<v Speaker 5>you know, but that's what it was.

1:14:12.080 --> 1:14:15.639
<v Speaker 1>Like. It was, you know, it's really hard to explain

1:14:15.760 --> 1:14:20.639
<v Speaker 1>to people that there was I have a homegirl named

1:14:20.680 --> 1:14:24.799
<v Speaker 1>Shelby who used to work for like Electra and everything.

1:14:24.920 --> 1:14:26.320
<v Speaker 3>She's like a PR person.

1:14:27.040 --> 1:14:31.560
<v Speaker 1>She really succinctly nailed this. There's so many people culturally

1:14:32.240 --> 1:14:36.280
<v Speaker 1>that like, like Nick Quested, who just did this amazing documentary,

1:14:38.960 --> 1:14:46.280
<v Speaker 1>Crazy crazy, Crazy Infiltrated. It's crazy to you, Nick question,

1:14:47.640 --> 1:14:51.920
<v Speaker 1>I say, I'm quested dance with me and Bobbido and

1:14:52.040 --> 1:14:55.439
<v Speaker 1>Nick's fucking and Bob's apartment on fourteenth Street.

1:14:55.479 --> 1:14:57.960
<v Speaker 3>We were break dancing b boy in and.

1:14:58.040 --> 1:14:59.639
<v Speaker 5>He's got all the good pictures he took.

1:15:00.560 --> 1:15:02.040
<v Speaker 3>He won an Academy award.

1:15:02.280 --> 1:15:05.760
<v Speaker 1>Like yo, she said, Yo, we were just some kids

1:15:05.840 --> 1:15:10.280
<v Speaker 1>bugging out. We had no idea how we were going

1:15:10.320 --> 1:15:12.479
<v Speaker 1>to impact culture. We were just some kids bugging out.

1:15:12.720 --> 1:15:14.800
<v Speaker 1>We were kids from New York. We just run the street.

1:15:15.000 --> 1:15:19.880
<v Speaker 1>Now we run culture. Like kids that tagged they fucking

1:15:20.000 --> 1:15:23.200
<v Speaker 1>curate the Louver, kids that fucking went to Columbia curate

1:15:23.280 --> 1:15:27.439
<v Speaker 1>the Hip Hop Museum. Started out as my barber on

1:15:27.600 --> 1:15:29.280
<v Speaker 1>ninety sixth Street, Like you know what I mean, Like

1:15:29.880 --> 1:15:32.600
<v Speaker 1>he's a curator of basketball culture around the world. Like

1:15:32.760 --> 1:15:35.040
<v Speaker 1>all of us come from this fucking era of just

1:15:35.120 --> 1:15:38.639
<v Speaker 1>some kids bugging out. Norri was fucking and fucking Iraq.

1:15:39.800 --> 1:15:41.240
<v Speaker 1>We're just some kids bugging out.

1:15:41.479 --> 1:15:44.000
<v Speaker 5>And by the way, let's give it up to yes

1:15:44.040 --> 1:15:44.960
<v Speaker 5>the clippery.

1:15:48.280 --> 1:15:49.000
<v Speaker 3>And sub rocks.

1:15:53.200 --> 1:15:55.760
<v Speaker 1>But that's you know, she really hit it, like we

1:15:55.840 --> 1:15:59.120
<v Speaker 1>were just some kids bugging out, and we went from

1:16:00.200 --> 1:16:02.840
<v Speaker 1>standing what we were doing to be really understanding how

1:16:02.880 --> 1:16:04.640
<v Speaker 1>it can make a living for our family doing what

1:16:04.760 --> 1:16:07.479
<v Speaker 1>we continue to do, right, you know, like and I

1:16:07.600 --> 1:16:08.960
<v Speaker 1>and I've said this to you a million times. And

1:16:09.080 --> 1:16:11.000
<v Speaker 1>I took him on the road and he went to

1:16:11.160 --> 1:16:14.160
<v Speaker 1>radio stations. I mean it was so fucking disrespectful, bro,

1:16:14.640 --> 1:16:16.960
<v Speaker 1>Like he would be on the morning show. Leave the

1:16:17.080 --> 1:16:20.200
<v Speaker 1>morning show, the program director operations, manage to go?

1:16:20.400 --> 1:16:23.840
<v Speaker 3>Does he want to do mornings? Your morning shows? Right here?

1:16:24.640 --> 1:16:26.240
<v Speaker 3>Like why are you he don't want to do what?

1:16:26.360 --> 1:16:28.519
<v Speaker 3>He's already in the van asking either we want to

1:16:28.560 --> 1:16:30.680
<v Speaker 3>go to the next spotcast? You know what I mean?

1:16:30.800 --> 1:16:34.679
<v Speaker 1>Like you could see, you could just see the elevation,

1:16:35.080 --> 1:16:39.320
<v Speaker 1>like you could see and we were just some fucking

1:16:39.880 --> 1:16:41.960
<v Speaker 1>kids bugging out in New York having a good time

1:16:42.080 --> 1:16:42.960
<v Speaker 1>doing what we love to do.

1:16:43.439 --> 1:16:47.200
<v Speaker 3>Like you know, I remember telling Russell when this album

1:16:47.280 --> 1:16:50.040
<v Speaker 3>was gonna drop, all I cared about there were three

1:16:50.080 --> 1:16:52.720
<v Speaker 3>records stores in far Rockaway and won the Rockaway Park.

1:16:53.080 --> 1:16:55.519
<v Speaker 1>I just cared about those those stores selling out the record.

1:16:56.000 --> 1:16:57.519
<v Speaker 1>And He's like, well, I care about it a whole

1:16:57.560 --> 1:16:58.880
<v Speaker 1>lot more than you do. I want to sell a

1:16:58.920 --> 1:17:00.080
<v Speaker 1>whole lot more records than you do.

1:17:00.280 --> 1:17:00.640
<v Speaker 10>Trust me.

1:17:00.880 --> 1:17:03.080
<v Speaker 3>I'm like, no, I just I need my hood just

1:17:03.200 --> 1:17:04.599
<v Speaker 3>I need just sold out my hood.

1:17:04.800 --> 1:17:08.560
<v Speaker 2>But let me ask you, right, because it's something that

1:17:08.640 --> 1:17:11.040
<v Speaker 2>I can't like. You know, I'm Puerto Rican, right, so

1:17:11.040 --> 1:17:14.439
<v Speaker 2>I'm gonna be prepared to to the Puerto Ricans for the.

1:17:14.439 --> 1:17:15.439
<v Speaker 3>Rest of my life. Right.

1:17:15.880 --> 1:17:18.080
<v Speaker 2>It does not matter like I don't care, you don't

1:17:18.120 --> 1:17:20.679
<v Speaker 2>grow out of it. And it's not saying the fact

1:17:20.720 --> 1:17:22.760
<v Speaker 2>that they say, oh, you're nice for a Puerto Rican.

1:17:23.000 --> 1:17:24.160
<v Speaker 3>You know what I mean. I'm sure you get that.

1:17:24.960 --> 1:17:26.040
<v Speaker 3>You know what I mean? Like you know how they

1:17:26.080 --> 1:17:27.160
<v Speaker 3>said up like, oh you're nice.

1:17:27.439 --> 1:17:31.920
<v Speaker 2>But there was a whole era of like that white

1:17:32.320 --> 1:17:36.880
<v Speaker 2>genre of music, right right, Beastie Boys And when does

1:17:37.479 --> 1:17:39.400
<v Speaker 2>where does that start? You said in eighty nine because

1:17:39.439 --> 1:17:41.280
<v Speaker 2>I believe you said something and that you said it

1:17:41.360 --> 1:17:41.880
<v Speaker 2>is before that.

1:17:42.320 --> 1:17:47.280
<v Speaker 5>Well they blew up in eighty six, I mean was

1:17:47.320 --> 1:17:48.160
<v Speaker 5>in White Boys.

1:17:48.280 --> 1:17:51.360
<v Speaker 1>Yeah, they were signed a select to me, I'll tell

1:17:51.400 --> 1:17:55.600
<v Speaker 1>you at least to me again my perspective. Yes, everlast

1:17:55.680 --> 1:17:57.280
<v Speaker 1>who was in House of Pain was part of rhyme

1:17:57.320 --> 1:18:07.000
<v Speaker 1>syndicate signed like crack Whip. You know what I'm saying,

1:18:07.040 --> 1:18:11.160
<v Speaker 1>Bash get drunk, yo, And while I begetting drunk with

1:18:11.240 --> 1:18:14.200
<v Speaker 1>that Bible of Rose not keeping my trunk like yo, he.

1:18:15.800 --> 1:18:18.800
<v Speaker 10>He was nice, wasn't he? Was he dating Carmen Electro

1:18:18.840 --> 1:18:20.519
<v Speaker 10>back thenism he had her in the video zone.

1:18:20.720 --> 1:18:22.080
<v Speaker 3>That was that was earlier.

1:18:22.240 --> 1:18:25.240
<v Speaker 1>Yeah, so this was like this was earlier, so like

1:18:25.560 --> 1:18:28.559
<v Speaker 1>so then he was he was there, then we were there,

1:18:29.160 --> 1:18:31.440
<v Speaker 1>and then all of a sudden there were like iterations

1:18:31.479 --> 1:18:33.720
<v Speaker 1>of third base like you know what I mean, like

1:18:33.840 --> 1:18:36.480
<v Speaker 1>big Men on Campus got signed to select.

1:18:36.240 --> 1:18:41.920
<v Speaker 3>Shuck milkhonebone the problem.

1:18:42.000 --> 1:18:43.800
<v Speaker 1>So here's the problem with milkpone and this again my

1:18:43.920 --> 1:18:47.160
<v Speaker 1>personal You're right, Milkphone was nice.

1:18:47.600 --> 1:18:51.600
<v Speaker 3>His name wasn't nice. His name was because he was

1:18:51.640 --> 1:18:53.840
<v Speaker 3>down with naughty by nature, like for somebody didn't even

1:18:53.840 --> 1:18:55.880
<v Speaker 3>know that he was. So he was like that. So

1:18:56.040 --> 1:18:57.000
<v Speaker 3>like Cypress Hill.

1:18:56.920 --> 1:18:59.880
<v Speaker 1>Had the Hooligans, which is out Scott with Scott com

1:19:00.080 --> 1:19:03.679
<v Speaker 1>an alchemist right, like all of a sudden, every Alchemist

1:19:05.840 --> 1:19:08.360
<v Speaker 1>and every so every group had to have one, like

1:19:08.479 --> 1:19:12.600
<v Speaker 1>every dre had m So now every black dope artist.

1:19:12.520 --> 1:19:14.479
<v Speaker 3>Had to have one, like I gotta find a white

1:19:14.520 --> 1:19:17.160
<v Speaker 3>boy like everybody. You think it was that thought out,

1:19:17.280 --> 1:19:17.800
<v Speaker 3>I don't think.

1:19:23.479 --> 1:19:25.760
<v Speaker 1>When I when I did right after I did O C,

1:19:26.240 --> 1:19:28.519
<v Speaker 1>after I made the OC album work life and all

1:19:28.560 --> 1:19:28.680
<v Speaker 1>of that.

1:19:29.600 --> 1:19:38.280
<v Speaker 3>Yeah, man, fucking toms yo. That album word Life an yo.

1:19:39.000 --> 1:19:44.040
<v Speaker 1>Anyway, So right after that we put together nonfiction, right,

1:19:44.360 --> 1:19:48.800
<v Speaker 1>so it'll bill clips, a box go text. I'll never

1:19:48.880 --> 1:19:52.880
<v Speaker 1>forget what David Geffen and Wendy Goldberg said to me.

1:19:53.400 --> 1:19:56.320
<v Speaker 1>They said, I don't need this group to be underground.

1:19:56.439 --> 1:19:58.400
<v Speaker 1>I need this group to get with Dre and be

1:19:58.520 --> 1:20:00.760
<v Speaker 1>the next sh next.

1:20:00.840 --> 1:20:01.320
<v Speaker 3>That's the pain.

1:20:01.640 --> 1:20:05.040
<v Speaker 1>And I'm like, no, they're the hip hop Ramones. I

1:20:05.080 --> 1:20:07.760
<v Speaker 1>said this in ninety six. I said, they're the hip

1:20:07.760 --> 1:20:10.120
<v Speaker 1>hop Ramones. They're never going to need a hit record,

1:20:10.160 --> 1:20:11.439
<v Speaker 1>and they're going to tour for the rest of their

1:20:11.520 --> 1:20:14.280
<v Speaker 1>fucking life. And you have to figure out how to

1:20:14.360 --> 1:20:17.840
<v Speaker 1>monetize the records because we're going to monetize their career.

1:20:18.720 --> 1:20:19.800
<v Speaker 3>You figured that shit out.

1:20:19.880 --> 1:20:21.360
<v Speaker 1>I don't know how to fucking do what you do

1:20:21.920 --> 1:20:24.439
<v Speaker 1>on the alternative hip hop side, but they're the hip

1:20:24.479 --> 1:20:25.120
<v Speaker 1>hop ramones.

1:20:25.200 --> 1:20:28.640
<v Speaker 3>Be clear what labels? They weren't a major, Yeah, so

1:20:29.000 --> 1:20:29.920
<v Speaker 3>what we adomination?

1:20:30.360 --> 1:20:32.600
<v Speaker 1>So how we did it was we had them on

1:20:32.640 --> 1:20:35.439
<v Speaker 1>a major, but we put out records independently through fab Beats, right,

1:20:35.680 --> 1:20:39.560
<v Speaker 1>So that's Eli is Christ and all of that. That

1:20:39.680 --> 1:20:42.519
<v Speaker 1>was still Geffen, but we were treating it like an indie,

1:20:43.120 --> 1:20:44.519
<v Speaker 1>but Geffen was funding everything.

1:20:44.640 --> 1:20:47.479
<v Speaker 10>Oh wow, that's early because that ended up happening a

1:20:47.520 --> 1:20:48.880
<v Speaker 10>lot later on exactly right.

1:20:49.040 --> 1:20:51.880
<v Speaker 1>That was the first time that a major label allowed

1:20:51.920 --> 1:20:56.679
<v Speaker 1>an incubator program to happen. And thirty years later, thank goodness,

1:20:56.800 --> 1:20:59.040
<v Speaker 1>Nonfiction and is still touring and they are the Ramones

1:20:59.040 --> 1:20:59.479
<v Speaker 1>of hip.

1:20:59.320 --> 1:21:02.640
<v Speaker 3>Hop, like they will tour forever. Was company floorredy Out, No,

1:21:02.840 --> 1:21:03.639
<v Speaker 3>they came after.

1:21:05.520 --> 1:21:10.479
<v Speaker 2>So they didn't let's name Uh then okay, didn't eminem

1:21:10.560 --> 1:21:12.120
<v Speaker 2>have like, but we've got bubble sparks.

1:21:12.160 --> 1:21:13.320
<v Speaker 3>That's not forget bubble later?

1:21:13.600 --> 1:21:19.640
<v Speaker 1>Yeah, right right, because like with N Too Deep, like

1:21:19.840 --> 1:21:22.559
<v Speaker 1>N Too Deep, how to pretend not to be Latin

1:21:23.200 --> 1:21:26.439
<v Speaker 1>because you know, lighter shade around, they had to pretend

1:21:26.560 --> 1:21:30.400
<v Speaker 1>not to be Latino because there was no category.

1:21:30.680 --> 1:21:32.479
<v Speaker 10>If you're a kid frost, you're told, oh my god,

1:21:32.560 --> 1:21:34.680
<v Speaker 10>your head would explode, ruthless.

1:21:34.640 --> 1:21:37.400
<v Speaker 3>You like you know what I'm saying. I I met.

1:21:37.439 --> 1:21:40.720
<v Speaker 1>I had a group and I hope they're watching. They

1:21:40.760 --> 1:21:46.280
<v Speaker 1>were from South America called they had a record Sounds

1:21:46.280 --> 1:21:47.439
<v Speaker 1>that they somebody else Yo.

1:21:48.320 --> 1:21:48.960
<v Speaker 3>This record is.

1:21:48.960 --> 1:21:52.519
<v Speaker 1>Called WAW And all that record was was the noise

1:21:52.640 --> 1:21:56.040
<v Speaker 1>that the pistol made in the club. Your head ducks down.

1:21:56.200 --> 1:21:58.479
<v Speaker 1>In Spanish, they said the head ducks down because the pistols.

1:21:59.800 --> 1:22:04.320
<v Speaker 1>I was, did you get these motherfucker's a deal to

1:22:04.640 --> 1:22:08.160
<v Speaker 1>save my life? I couldn't get him a deal to say,

1:22:08.280 --> 1:22:11.160
<v Speaker 1>but see if they I still listen to the ship

1:22:11.240 --> 1:22:11.680
<v Speaker 1>to this day.

1:22:11.920 --> 1:22:13.080
<v Speaker 3>That record was fire.

1:22:14.200 --> 1:22:16.880
<v Speaker 5>I had this kick Cage who in his demo for

1:22:16.920 --> 1:22:19.160
<v Speaker 5>Faith Newman said he was going to catch a Sony

1:22:19.240 --> 1:22:20.920
<v Speaker 5>exactly hit the thought off in his.

1:22:21.240 --> 1:22:24.200
<v Speaker 3>Chest, you know, so like he was not getting signed.

1:22:25.840 --> 1:22:27.439
<v Speaker 3>He was kind of like and he had bet for Eminem.

1:22:27.479 --> 1:22:29.200
<v Speaker 3>I guess they bad a little bit, but he was

1:22:29.280 --> 1:22:29.640
<v Speaker 3>kind of like.

1:22:31.960 --> 1:22:34.840
<v Speaker 5>A version of Eminem before Eminem could be, you know,

1:22:35.640 --> 1:22:37.240
<v Speaker 5>decipher them with dre You know.

1:22:37.479 --> 1:22:39.559
<v Speaker 3>Here's a trivia question because hold, let me say something.

1:22:40.000 --> 1:22:40.519
<v Speaker 3>It seems like.

1:22:42.439 --> 1:22:45.160
<v Speaker 2>This is obviously me outside looking at the inside of

1:22:45.200 --> 1:22:47.040
<v Speaker 2>looking out, But it seems like once that person is

1:22:47.080 --> 1:22:50.200
<v Speaker 2>at the top, it's like all of they go at

1:22:50.240 --> 1:22:52.880
<v Speaker 2>the top like they want to they want an Eminem spot.

1:22:52.920 --> 1:22:55.120
<v Speaker 2>Like I remember one year it was I felt like Eminem.

1:22:55.640 --> 1:22:58.519
<v Speaker 2>It felt like whoever got hot like Eminem had to

1:22:58.840 --> 1:23:01.400
<v Speaker 2>like shut them down. But it felt like they were

1:23:01.439 --> 1:23:03.960
<v Speaker 2>attacking it. No, I mean, but them was attacking He said, what,

1:23:04.040 --> 1:23:05.960
<v Speaker 2>I'm nicer than Pete. I'm on a search across the

1:23:06.040 --> 1:23:10.200
<v Speaker 2>milk bone like yo, he was. He was going after everybody. Yeah,

1:23:10.280 --> 1:23:11.200
<v Speaker 2>he was going after everybody.

1:23:11.240 --> 1:23:12.479
<v Speaker 1>But the point I was just going to say to

1:23:12.479 --> 1:23:15.120
<v Speaker 1>you was like, you're talking about white rappers, right, who

1:23:15.240 --> 1:23:18.320
<v Speaker 1>is the white who's the only white rapper to do

1:23:18.439 --> 1:23:20.360
<v Speaker 1>a record with Biggie M?

1:23:20.800 --> 1:23:21.479
<v Speaker 3>But not a lot?

1:23:21.600 --> 1:23:24.800
<v Speaker 1>No, no, no, no, no, not m M did a

1:23:24.840 --> 1:23:27.840
<v Speaker 1>record post who's the only white rapper to do a

1:23:27.920 --> 1:23:29.439
<v Speaker 1>record with Biggie?

1:23:30.360 --> 1:23:32.960
<v Speaker 3>He's supposed to be googling like Texas text didn't mentioned

1:23:33.880 --> 1:23:42.040
<v Speaker 3>did he mention? The universe is not the answer You're

1:23:42.040 --> 1:23:42.640
<v Speaker 3>going to say, it's you.

1:23:43.000 --> 1:23:45.280
<v Speaker 1>No, No, I'm not gonna say so. The answer is

1:23:45.400 --> 1:23:49.919
<v Speaker 1>already the rugged man. Oh already already had.

1:23:49.760 --> 1:23:52.920
<v Speaker 3>Biggie in the studio. So so, and I say, and

1:23:53.000 --> 1:23:55.040
<v Speaker 3>I say it, but I say that to.

1:23:55.120 --> 1:23:58.880
<v Speaker 1>Say, there was like this incredible movement for about two

1:23:59.000 --> 1:24:02.680
<v Speaker 1>years between ninety four ninety six were all these underground

1:24:02.880 --> 1:24:03.839
<v Speaker 1>mcs eclips.

1:24:03.880 --> 1:24:05.879
<v Speaker 3>You remember this too, Like ninety four ninety.

1:24:05.720 --> 1:24:11.280
<v Speaker 1>Six, there was all these really dope white MC's that

1:24:11.680 --> 1:24:13.360
<v Speaker 1>people were like, yo, this kid's well.

1:24:13.400 --> 1:24:16.200
<v Speaker 10>The Underground was perfect for that because it didn't discriminate.

1:24:16.200 --> 1:24:17.759
<v Speaker 10>It's just you're just dope. You're dope.

1:24:17.800 --> 1:24:22.240
<v Speaker 3>And Big Hot, Big was hot and he did.

1:24:22.200 --> 1:24:25.960
<v Speaker 1>This record with fucking It and it was perfect because

1:24:26.240 --> 1:24:27.960
<v Speaker 1>Ra was crazy out his mind.

1:24:28.520 --> 1:24:31.600
<v Speaker 3>Fucking Biggie was on that shit. It was gonna go

1:24:31.640 --> 1:24:32.240
<v Speaker 3>back listen to that.

1:24:32.280 --> 1:24:35.040
<v Speaker 1>Right, Yeah, man, shit is crazy. So the point is,

1:24:35.360 --> 1:24:37.840
<v Speaker 1>So the point is there was this period of time

1:24:38.000 --> 1:24:41.639
<v Speaker 1>and how it kind of went left, not to his demid,

1:24:41.760 --> 1:24:45.160
<v Speaker 1>not to his fault, but M became a rocket.

1:24:45.200 --> 1:24:47.479
<v Speaker 3>Shit wow, because he became so much that it is too.

1:24:47.520 --> 1:24:51.160
<v Speaker 1>Much my name is And everybody's like, oh, that's the theorem.

1:24:51.960 --> 1:24:56.799
<v Speaker 1>That's the theory. Everything else goes to fat beats, everything

1:24:56.840 --> 1:25:01.160
<v Speaker 1>else goes indie and if we don't find that, then

1:25:01.920 --> 1:25:03.040
<v Speaker 1>it's not worth making.

1:25:03.240 --> 1:25:05.879
<v Speaker 5>And that's, by the way, the BC Boys were differently earlier.

1:25:06.600 --> 1:25:09.920
<v Speaker 10>Even though M comes from that because he comes through

1:25:09.960 --> 1:25:11.360
<v Speaker 10>the fat Beat, he comes through all of that.

1:25:12.080 --> 1:25:15.320
<v Speaker 3>Game Bad verse E Bolm and Royce like you know

1:25:15.360 --> 1:25:19.160
<v Speaker 3>what I mean album like it was that that trajectory

1:25:19.240 --> 1:25:22.000
<v Speaker 3>that Hi, my Name is and it was over and.

1:25:22.120 --> 1:25:24.960
<v Speaker 10>Dre because Dre is the obvious the formula that takes.

1:25:24.760 --> 1:25:27.960
<v Speaker 3>It to that level. Obviously obviously, So you know, and

1:25:28.080 --> 1:25:29.800
<v Speaker 3>there was that, and then you look at to like

1:25:30.320 --> 1:25:34.000
<v Speaker 3>and then really think about it. Ninety eight, ninety nine,

1:25:35.400 --> 1:25:36.000
<v Speaker 3>two thousand.

1:25:36.080 --> 1:25:38.240
<v Speaker 1>Name of White MC that made that impact Besize M

1:25:38.640 --> 1:25:43.320
<v Speaker 1>two thousand and one, two thousand and two, Bubbles Fight.

1:25:42.320 --> 1:25:44.959
<v Speaker 3>Bubble had one record nineteen ninety seven, ninety.

1:25:45.000 --> 1:25:47.080
<v Speaker 1>Bubble lasted like a couple of albums. Yeah, I mean,

1:25:47.120 --> 1:25:51.320
<v Speaker 1>but that one record was any six ninety six, ninety seven,

1:25:51.400 --> 1:25:53.280
<v Speaker 1>ninety eight Bubba Arrow for Timberland.

1:25:53.439 --> 1:25:56.360
<v Speaker 2>I think Bubbles like more two thousand, yeah, but more

1:25:56.439 --> 1:26:00.320
<v Speaker 2>like two thousand yea fe so, but two thousand and one,

1:26:01.040 --> 1:26:03.920
<v Speaker 2>two thousand and two, two thousand and three, until you

1:26:03.960 --> 1:26:07.000
<v Speaker 2>get to like Yellow w War one record.

1:26:06.720 --> 1:26:10.439
<v Speaker 1>Two thousand and five, two thousand and six, I'm still

1:26:10.520 --> 1:26:11.639
<v Speaker 1>going by the WAK two.

1:26:11.560 --> 1:26:12.240
<v Speaker 3>Thousand and seven.

1:26:12.640 --> 1:26:17.160
<v Speaker 1>If it wasn't until Action Bronson actually in two thousand

1:26:17.200 --> 1:26:21.240
<v Speaker 1>and nine, two thousand and eight, wow, that you started

1:26:21.320 --> 1:26:24.280
<v Speaker 1>to have, oh, maybe there can be more than one,

1:26:25.640 --> 1:26:28.520
<v Speaker 1>maybe they can be Oh here comes Jack Carlow.

1:26:28.240 --> 1:26:28.920
<v Speaker 3>Out of Kentucky.

1:26:29.040 --> 1:26:32.600
<v Speaker 1>Were fucking putting out records in twenty twelve, which is

1:26:32.640 --> 1:26:36.360
<v Speaker 1>the changing of the way that music is being The

1:26:36.560 --> 1:26:40.000
<v Speaker 1>gatekeepers are now gone consumed, right, There's no more gatekeepers

1:26:40.000 --> 1:26:42.439
<v Speaker 1>because then you have Blogger era going into this era

1:26:42.560 --> 1:26:46.080
<v Speaker 1>going into this era, and SoundCloud or whatever, strength and

1:26:46.280 --> 1:26:49.679
<v Speaker 1>Mac Miller if Maxim Miller's Mac Killer.

1:26:49.880 --> 1:26:50.439
<v Speaker 3>You know what I'm saying.

1:26:50.479 --> 1:26:53.679
<v Speaker 1>So again, the white rapper, the plight of the white

1:26:53.760 --> 1:26:57.120
<v Speaker 1>rapper was the gatekeeper yep, right, and the black co

1:26:57.360 --> 1:26:59.840
<v Speaker 1>sign and then you eliminate all of that just by

1:27:00.000 --> 1:27:02.600
<v Speaker 1>making music. Who's this girl now, Georgiana. She's killing the

1:27:02.640 --> 1:27:09.879
<v Speaker 1>fucking internet, right, but the mic from Indie, Yeah, Michigan City, Indiana,

1:27:09.960 --> 1:27:10.960
<v Speaker 1>She's fucking killing them.

1:27:11.800 --> 1:27:13.800
<v Speaker 3>She's fucking killing them. Right.

1:27:15.479 --> 1:27:17.880
<v Speaker 1>But we're in a period of time now where we're

1:27:17.920 --> 1:27:22.240
<v Speaker 1>fifty years plus and there's no generational gap for these kids.

1:27:22.520 --> 1:27:24.919
<v Speaker 1>I look at an artist like Body James, right, Body's

1:27:24.960 --> 1:27:25.640
<v Speaker 1>killing them right now?

1:27:26.520 --> 1:27:29.840
<v Speaker 3>Does a record with Harry Fraud? No one cares? Right.

1:27:30.920 --> 1:27:34.080
<v Speaker 1>Producers is different, like you could be a white producer

1:27:34.120 --> 1:27:38.160
<v Speaker 1>and be dope. It's got storage, right, right, Alchemist, Yes,

1:27:39.320 --> 1:27:41.680
<v Speaker 1>congratulations to him too. Out of the year, you know

1:27:41.720 --> 1:27:42.280
<v Speaker 1>what I'm saying.

1:27:42.479 --> 1:27:47.840
<v Speaker 3>For the year like forever. But there's always been Graham

1:27:47.920 --> 1:27:49.639
<v Speaker 3>Jones shout out to them for sure.

1:27:49.760 --> 1:27:53.160
<v Speaker 1>Yeah, but there's always been this gatekeeper level that's like, Okay,

1:27:54.360 --> 1:27:56.160
<v Speaker 1>this is where you can be. You can be a spectator,

1:27:56.200 --> 1:28:00.280
<v Speaker 1>but not a participated And the one thing that the

1:28:00.400 --> 1:28:02.000
<v Speaker 1>Internet did the good thing, was.

1:28:02.000 --> 1:28:04.519
<v Speaker 3>It allowed the gatekeepers to fall back.

1:28:04.720 --> 1:28:06.760
<v Speaker 1>I'm not saying it allows a lot of great music

1:28:06.800 --> 1:28:09.000
<v Speaker 1>to come out, because that's a whole other different story,

1:28:09.120 --> 1:28:14.240
<v Speaker 1>but at least it allows artists to be artists and

1:28:14.360 --> 1:28:16.760
<v Speaker 1>then you make up the decision whether they're dope or not.

1:28:17.160 --> 1:28:19.280
<v Speaker 10>I think what the Internet did is it took away

1:28:19.520 --> 1:28:23.240
<v Speaker 10>the divisions between the different underground scenes.

1:28:23.640 --> 1:28:26.240
<v Speaker 3>Because in the underground scene, if you're dope, you're dope.

1:28:27.240 --> 1:28:27.519
<v Speaker 3>That's it.

1:28:27.920 --> 1:28:30.840
<v Speaker 10>That's all it mattered. If you're whack, you whack. And

1:28:30.920 --> 1:28:32.560
<v Speaker 10>it took away the Internet is like, Okay, now we

1:28:32.600 --> 1:28:35.920
<v Speaker 10>can see these different underground scenes and we can connect

1:28:35.960 --> 1:28:37.800
<v Speaker 10>it in its one big underground scene.

1:28:37.840 --> 1:28:40.000
<v Speaker 1>No. I Love, I Love and the A Ball and

1:28:40.120 --> 1:28:43.519
<v Speaker 1>mjg shit when he played Glorilla and gave her fucking

1:28:43.560 --> 1:28:45.880
<v Speaker 1>flowers and said she really represents Memphis the right way,

1:28:45.920 --> 1:28:48.080
<v Speaker 1>right right, because that's ultimately what I want, like for

1:28:48.200 --> 1:28:52.040
<v Speaker 1>Far Rockaway, Keene Streets represents Rockaway the right way. Moulah

1:28:52.120 --> 1:28:54.719
<v Speaker 1>represents Rockaway the right way. Like I want the artists

1:28:54.760 --> 1:28:57.240
<v Speaker 1>that come from my hood, I want them to represent

1:28:57.320 --> 1:28:59.320
<v Speaker 1>my hood the right way. You know what I'm saying.

1:28:59.439 --> 1:29:01.400
<v Speaker 1>And there's our does that do that in every in

1:29:01.560 --> 1:29:04.120
<v Speaker 1>every hood and every genre that it doesn't matter what

1:29:04.240 --> 1:29:06.480
<v Speaker 1>kind of music, you just want to make sure they represent.

1:29:06.200 --> 1:29:06.920
<v Speaker 3>Your hood the right way.

1:29:07.400 --> 1:29:10.400
<v Speaker 5>At the Hip Hop Museum, we're trying to represent everything

1:29:10.439 --> 1:29:13.120
<v Speaker 5>that you just mentioned, and think about all the different artists,

1:29:13.160 --> 1:29:16.600
<v Speaker 5>all the different platforms. It's it's just so hard to

1:29:17.240 --> 1:29:21.559
<v Speaker 5>bring under one roof and try to represent it all properly, right,

1:29:22.400 --> 1:29:26.440
<v Speaker 5>It's it's it's insane. Well, it's almost important.

1:29:26.120 --> 1:29:30.080
<v Speaker 10>Time with slimes A being sane ready control you gotta know,

1:29:30.160 --> 1:29:32.880
<v Speaker 10>we gotta bring that rich Okay, let's go.

1:29:34.800 --> 1:29:37.879
<v Speaker 3>It's gonna be a designated drink, a drink for want.

1:29:42.160 --> 1:29:47.240
<v Speaker 10>Set them up, you gotta okay, we'll get a new one.

1:29:47.240 --> 1:29:49.599
<v Speaker 10>Set them up with a mic uh as well? Want

1:29:49.640 --> 1:29:58.479
<v Speaker 10>me to move down? No, he's over there. You gott

1:29:58.520 --> 1:30:01.599
<v Speaker 10>explain them the game so they know, well Search knows

1:30:01.640 --> 1:30:04.719
<v Speaker 10>the game, all right, So these are the rules, fellas.

1:30:05.000 --> 1:30:08.280
<v Speaker 10>We're gonna give you two choices. You pick one, we

1:30:08.439 --> 1:30:11.080
<v Speaker 10>don't drink. If you say both of neither, which is

1:30:11.120 --> 1:30:14.280
<v Speaker 10>the PC answer, then everybody drinks.

1:30:14.000 --> 1:30:14.479
<v Speaker 5>At the tape.

1:30:14.920 --> 1:30:16.519
<v Speaker 3>Obviously you have a designated drinker.

1:30:18.520 --> 1:30:21.160
<v Speaker 10>The real reason for this game is not to pin

1:30:21.200 --> 1:30:23.559
<v Speaker 10>anybody against each other, to bring up stories about anybody

1:30:23.600 --> 1:30:26.880
<v Speaker 10>we mentioned. Let's talk about history, give us some good stories.

1:30:27.120 --> 1:30:29.480
<v Speaker 10>Let's talk about people. You know what I'm saying and places.

1:30:32.439 --> 1:30:32.639
<v Speaker 5>Cool?

1:30:32.680 --> 1:30:34.880
<v Speaker 10>You're ready, you all ready? We got the shots. Ready,

1:30:34.960 --> 1:30:37.519
<v Speaker 10>we gotta get we gotta get everything you need to.

1:30:37.840 --> 1:30:43.320
<v Speaker 10>This guy's ready to pop a question, all right, talking

1:30:43.320 --> 1:30:43.439
<v Speaker 10>to you?

1:30:43.479 --> 1:30:45.040
<v Speaker 3>No, no, I'll ask one.

1:30:45.960 --> 1:30:49.200
<v Speaker 1>So since we did verses, let's not do versus. Let's

1:30:49.240 --> 1:30:51.639
<v Speaker 1>do concerts. Who would you want to see third Base

1:30:51.720 --> 1:30:52.200
<v Speaker 1>on the road.

1:30:52.080 --> 1:30:57.599
<v Speaker 3>With nice and smooth public enemy? I like, I like nicest.

1:30:57.640 --> 1:31:00.160
<v Speaker 3>These are all good answers. By the way, there is

1:31:00.200 --> 1:31:03.280
<v Speaker 3>no wrong answer. I was just candy. It's all legend

1:31:03.280 --> 1:31:04.000
<v Speaker 3>of the classics.

1:31:04.160 --> 1:31:07.360
<v Speaker 5>We were thinking that boy to squash beef tour all

1:31:07.400 --> 1:31:08.160
<v Speaker 5>the all the groups.

1:31:08.560 --> 1:31:10.160
<v Speaker 3>Yo, that's crazy. Let me tell you you.

1:31:12.240 --> 1:31:17.960
<v Speaker 1>Know what's crazy though, And I will say this after no, no, no, no,

1:31:18.439 --> 1:31:23.160
<v Speaker 1>they have beef internally after the word hit Dress called

1:31:23.200 --> 1:31:26.880
<v Speaker 1>me on Monday and said, Joe, me and Law made peace. Wow,

1:31:27.120 --> 1:31:29.479
<v Speaker 1>he said, me and Law made peace. And like and

1:31:29.640 --> 1:31:32.640
<v Speaker 1>there's like all of these like I hear rumblings that

1:31:32.720 --> 1:31:35.880
<v Speaker 1>Everlast is talking to fucking Danny boy again, and this

1:31:36.000 --> 1:31:39.000
<v Speaker 1>one's talking to this Beef Well. I mean, I don't know,

1:31:40.560 --> 1:31:42.679
<v Speaker 1>you know, but I'm just here, like even like word

1:31:42.800 --> 1:31:44.880
<v Speaker 1>is Pete rock and Seale smooth? Like I again, I

1:31:45.000 --> 1:31:49.200
<v Speaker 1>don't know, but I know that like Dress called me

1:31:50.280 --> 1:31:51.840
<v Speaker 1>and said, Joe, we made peace.

1:31:52.160 --> 1:31:54.560
<v Speaker 10>If you and Pete could do it, we can do

1:31:54.760 --> 1:31:56.240
<v Speaker 10>You know what, I'd like to see you guys with

1:31:56.360 --> 1:31:57.599
<v Speaker 10>Hammer on tour.

1:31:58.680 --> 1:32:00.759
<v Speaker 3>That was that was about those boys.

1:32:01.560 --> 1:32:03.439
<v Speaker 1>No, I mean, you know, honestly, like I said, man,

1:32:03.479 --> 1:32:05.720
<v Speaker 1>I would love to make amends with that man. You

1:32:05.760 --> 1:32:07.519
<v Speaker 1>know what I'm saying, I think is a super legend.

1:32:07.560 --> 1:32:10.080
<v Speaker 1>To be honest, I think the Beef squads workers. You

1:32:10.200 --> 1:32:12.280
<v Speaker 1>still have totally different algorithms.

1:32:13.240 --> 1:32:14.880
<v Speaker 3>I don't believe. I think that you could work. I

1:32:15.960 --> 1:32:17.760
<v Speaker 3>think I don't think we have the same thing. I

1:32:17.800 --> 1:32:19.760
<v Speaker 3>think it could work, man, I think it could work.

1:32:20.800 --> 1:32:22.760
<v Speaker 3>I mean I think a lot of shit could work.

1:32:24.400 --> 1:32:29.280
<v Speaker 3>I like to do a reality already. Yes, let me

1:32:29.320 --> 1:32:30.439
<v Speaker 3>get my mama. Juan already.

1:32:31.880 --> 1:32:33.680
<v Speaker 5>Can we give a toast to the best show d

1:32:33.840 --> 1:32:34.839
<v Speaker 5>J in history?

1:32:34.920 --> 1:32:35.519
<v Speaker 3>Daddy Original?

1:32:39.760 --> 1:32:50.080
<v Speaker 10>Yeah, Yeah, you know all right nas or ll nos Yeah,

1:32:53.479 --> 1:32:56.760
<v Speaker 10>Jay z or Big Daddy Kane, Big Daddy Big Daddy Cane.

1:32:58.360 --> 1:32:59.840
<v Speaker 10>If one of y'all is off, then we're all drinking.

1:33:00.040 --> 1:33:01.920
<v Speaker 10>That's the way we're doing it. Yeah, I gotta be

1:33:01.960 --> 1:33:03.800
<v Speaker 10>on the same. No disrespect, I mean.

1:33:03.760 --> 1:33:06.320
<v Speaker 1>No disrespect to Jay, But bottom line is there's no

1:33:06.840 --> 1:33:07.519
<v Speaker 1>Jay without King.

1:33:07.760 --> 1:33:12.360
<v Speaker 10>Yeah, and remember any stories because we just went I

1:33:12.400 --> 1:33:15.800
<v Speaker 10>mean we all we all remember any day being on

1:33:15.880 --> 1:33:19.080
<v Speaker 10>the road with Can, like we all remember, you know that.

1:33:19.240 --> 1:33:19.800
<v Speaker 3>Was his crew.

1:33:19.880 --> 1:33:21.760
<v Speaker 10>Any standout story seeing him on the road.

1:33:21.960 --> 1:33:25.040
<v Speaker 1>No, I mean I just remember, like we all, we

1:33:25.080 --> 1:33:27.280
<v Speaker 1>would all try to find the waves, lose a lot

1:33:27.320 --> 1:33:29.320
<v Speaker 1>of money to Can. Yeah, I lost a lot of

1:33:29.360 --> 1:33:33.600
<v Speaker 1>money plans dice. But I remember us always trying to

1:33:33.640 --> 1:33:35.560
<v Speaker 1>find red lobsters wherever we wanted to go.

1:33:36.120 --> 1:33:38.320
<v Speaker 3>We'd always try to find a red lobster. Immediately made

1:33:38.320 --> 1:33:41.640
<v Speaker 3>me hungry. Yeah. In fact, I heard we're going to

1:33:41.720 --> 1:33:43.120
<v Speaker 3>like Jerobi's restaurant after.

1:33:43.040 --> 1:33:43.280
<v Speaker 5>This, So.

1:33:45.880 --> 1:33:49.920
<v Speaker 1>Okay yoah o day in and day or slick Wig

1:33:51.760 --> 1:33:57.320
<v Speaker 1>you skipped one Bro you get it? Uh, And they

1:33:57.360 --> 1:33:59.559
<v Speaker 1>were in the same group. You know, Yeah, I heard

1:34:00.400 --> 1:34:05.120
<v Speaker 1>Cano Crew. So here's the here's a story here, here,

1:34:05.240 --> 1:34:05.760
<v Speaker 1>here's a story.

1:34:05.880 --> 1:34:06.000
<v Speaker 13>Right.

1:34:06.720 --> 1:34:09.800
<v Speaker 1>So when I was growing up in Redfern, we would

1:34:09.840 --> 1:34:13.080
<v Speaker 1>listen to these two set tapes fourth and fifth Generation

1:34:13.160 --> 1:34:16.519
<v Speaker 1>get set tapes of parties in Prospect. I used to

1:34:16.560 --> 1:34:18.640
<v Speaker 1>love those because there was always a group called the

1:34:18.680 --> 1:34:21.679
<v Speaker 1>Kno Crew. I couldn't really hear what they said because

1:34:21.680 --> 1:34:23.760
<v Speaker 1>there was fourth fifth Generation, so that the time it

1:34:23.840 --> 1:34:26.240
<v Speaker 1>got to Far Rockaway, it sounded like the teacher and

1:34:26.320 --> 1:34:27.080
<v Speaker 1>fucking peanuts.

1:34:27.280 --> 1:34:27.640
<v Speaker 3>So it's like.

1:34:30.200 --> 1:34:33.160
<v Speaker 1>But they sounded nice. That's all I knew is they

1:34:33.200 --> 1:34:37.439
<v Speaker 1>had British accents. Sounded nice, British accents. Yeah, and they

1:34:37.479 --> 1:34:40.160
<v Speaker 1>were like, well Ricky d. It wasn't like rick here's

1:34:40.200 --> 1:34:40.880
<v Speaker 1>Ricky d Wow.

1:34:41.120 --> 1:34:42.360
<v Speaker 3>And I was like, oh, they're dope.

1:34:42.880 --> 1:34:45.560
<v Speaker 1>So I get into this high school called Music and

1:34:45.680 --> 1:34:49.120
<v Speaker 1>Art right, and it's the first day of orientation. I

1:34:49.240 --> 1:34:52.519
<v Speaker 1>take the A train from Far Rockaway to one hundred

1:34:52.520 --> 1:34:56.640
<v Speaker 1>and thirty fifth in Convent, go to school, go to

1:34:56.680 --> 1:34:59.840
<v Speaker 1>the lunch room for orientation and there's these for do

1:35:00.040 --> 1:35:05.920
<v Speaker 1>roots in Kangos, the Tigra Permanent Crease Lee's and Fucking

1:35:05.960 --> 1:35:10.960
<v Speaker 1>Walli's and they're doing Indian Girl, and all the freshman

1:35:11.040 --> 1:35:13.679
<v Speaker 1>guys had like a senior that took you around.

1:35:14.240 --> 1:35:16.000
<v Speaker 3>The guy who took me around was named Steve Bosco

1:35:16.080 --> 1:35:16.800
<v Speaker 3>May Rest in Peace.

1:35:17.280 --> 1:35:18.800
<v Speaker 1>And I'm trying to impress him because I'm in this

1:35:18.840 --> 1:35:20.559
<v Speaker 1>white kid with a jew fro and I'm from Far

1:35:20.680 --> 1:35:23.360
<v Speaker 1>Rockaway and how am I going to notice? So Steve,

1:35:23.840 --> 1:35:27.639
<v Speaker 1>it's the Caango Crew. They're doing Hill Bully Girl. He goes, now, motherfucker,

1:35:27.720 --> 1:35:30.720
<v Speaker 1>that is the Cago Crew. And it was like the

1:35:30.760 --> 1:35:32.679
<v Speaker 1>first time I ever saw a rock star on my life.

1:35:32.920 --> 1:35:36.160
<v Speaker 1>It was Ricky d Lance, Romance Omega and Dana Dane

1:35:36.760 --> 1:35:41.160
<v Speaker 1>Wow Wow so. And the one skit that they started

1:35:41.200 --> 1:35:43.400
<v Speaker 1>doing in high school in nineteen eighty was a skit

1:35:43.520 --> 1:35:47.160
<v Speaker 1>called Lottie Dottie. We like to party, we don't cause trouble,

1:35:47.360 --> 1:35:50.600
<v Speaker 1>we don't bother nobody. There was no record, It was

1:35:50.800 --> 1:35:53.439
<v Speaker 1>just their routine and when we rock upon a mic,

1:35:53.479 --> 1:35:56.519
<v Speaker 1>we rock and all they would go right, and it

1:35:56.640 --> 1:35:56.800
<v Speaker 1>was a.

1:35:56.840 --> 1:35:59.680
<v Speaker 3>Skit that they would do at parties. Yo.

1:36:00.600 --> 1:36:03.080
<v Speaker 1>I bit that whole shit. I would at first girls

1:36:03.120 --> 1:36:04.559
<v Speaker 1>in Far Rockaway, like you want to hear.

1:36:04.520 --> 1:36:08.120
<v Speaker 3>My rhym lotty dotty relaxable. We don't go in trouble,

1:36:08.280 --> 1:36:13.560
<v Speaker 3>we don't right. So for me and fucking Dana, I

1:36:13.680 --> 1:36:15.639
<v Speaker 3>know you watching this, and I love you Dana because

1:36:15.640 --> 1:36:19.080
<v Speaker 3>you're my man. I gotta go with rick. I gotta

1:36:19.120 --> 1:36:20.000
<v Speaker 3>go Ricky Dean.

1:36:19.880 --> 1:36:23.240
<v Speaker 1>Because because for me as much as I love Cinder Fella, Dana,

1:36:23.360 --> 1:36:29.800
<v Speaker 1>Dane and and Clark obviously, like that's Great Adventures album.

1:36:29.840 --> 1:36:32.800
<v Speaker 1>It's crazy, that's crazy. It's crazy. Part of storytelling that

1:36:32.880 --> 1:36:36.400
<v Speaker 1>he did with Okay, this is crazy, like he still

1:36:36.439 --> 1:36:39.360
<v Speaker 1>got bars So and Dana, I love you know I

1:36:39.439 --> 1:36:40.040
<v Speaker 1>love you Dana.

1:36:40.120 --> 1:36:42.920
<v Speaker 5>So I got a personally first show I ever did

1:36:43.000 --> 1:36:44.559
<v Speaker 5>with the first group. I was in SyncE quit Na

1:36:44.600 --> 1:36:49.000
<v Speaker 5>and we open up for Dana. When I met Daddy

1:36:49.080 --> 1:36:52.320
<v Speaker 5>Richard was through Clark and when I knew Clark Clark

1:36:52.680 --> 1:36:55.439
<v Speaker 5>was Dana, Dane and Jesse Rest of Peace Clark Kent.

1:36:55.600 --> 1:36:58.560
<v Speaker 5>If Clark Kent died in eight nineteen eighty eight or

1:36:58.600 --> 1:37:02.160
<v Speaker 5>eighty nine, he be just as big a legend as

1:37:02.200 --> 1:37:04.840
<v Speaker 5>he was now, just because in my eyes, he was

1:37:04.920 --> 1:37:07.640
<v Speaker 5>day to day's DJ going on toward Dana day his

1:37:07.840 --> 1:37:09.400
<v Speaker 5>connection to me and rich.

1:37:09.920 --> 1:37:13.280
<v Speaker 3>And when so basically drink going on, basically.

1:37:15.240 --> 1:37:18.479
<v Speaker 5>And the other crazy thing is when I went to

1:37:18.560 --> 1:37:22.640
<v Speaker 5>Clark's memorial service, which was amazing. I mean everyone like

1:37:22.760 --> 1:37:27.200
<v Speaker 5>from Scratch to Stretched Andrew Martinez, everybody incredible. I walked

1:37:27.240 --> 1:37:31.519
<v Speaker 5>past the casket, it was packed. The only seat that

1:37:31.680 --> 1:37:35.400
<v Speaker 5>was open was the seat next to Dana that I

1:37:35.520 --> 1:37:38.600
<v Speaker 5>go sit next to Dana, and everyone's mentioning Clark's accolades.

1:37:39.240 --> 1:37:43.640
<v Speaker 5>And it wasn't until Scratch talked about when Clark was

1:37:43.680 --> 1:37:46.680
<v Speaker 5>on soul train with Dana and like that to me,

1:37:47.640 --> 1:37:50.080
<v Speaker 5>like when I saw that soul train, it was so

1:37:50.200 --> 1:37:51.960
<v Speaker 5>I have to say, Danna, Dan, all.

1:37:51.920 --> 1:37:57.160
<v Speaker 1>Right, well go ahead Dana and Clark. Ye nah, this

1:37:57.280 --> 1:38:02.160
<v Speaker 1>is solid ark Man. Absolutely yeah. I still got Trill Burgers.

1:38:02.200 --> 1:38:04.320
<v Speaker 3>I wasn't ready for that. I heard it was good.

1:38:04.400 --> 1:38:09.000
<v Speaker 3>It's fantastic. Turkey Burger, Veggie Burger too, and the ship

1:38:09.080 --> 1:38:10.160
<v Speaker 3>off to Veggie Burger.

1:38:10.360 --> 1:38:12.679
<v Speaker 2>That's he started with the Veggie Burger, cleaned the grill,

1:38:13.080 --> 1:38:15.120
<v Speaker 2>then the Turkey Burger clean the grill.

1:38:15.120 --> 1:38:16.200
<v Speaker 3>And didn't clean it every time.

1:38:17.200 --> 1:38:19.840
<v Speaker 2>Yeah you know, yeah, yeah, yeah yeah yeah, switch the

1:38:19.880 --> 1:38:21.639
<v Speaker 2>grill rat there you know what I mean, who's next?

1:38:22.040 --> 1:38:26.080
<v Speaker 5>That's the apologies to rick Man because they loan sleeep

1:38:26.080 --> 1:38:28.439
<v Speaker 5>bricks are thrown to the hip hop really, so yeah,

1:38:28.600 --> 1:38:29.040
<v Speaker 5>that's dope.

1:38:29.360 --> 1:38:31.880
<v Speaker 1>That's what That's what I want to shout out to. Salaman,

1:38:32.960 --> 1:38:38.040
<v Speaker 1>shout out my guy, my guy, kre Rest one or

1:38:38.160 --> 1:38:40.920
<v Speaker 1>rock Him. Oh it's easy, rock Him. I love K

1:38:41.280 --> 1:38:42.840
<v Speaker 1>Don't get me wrong. Rock Him is the greatest set

1:38:43.000 --> 1:38:46.519
<v Speaker 1>of all time period. And a conversation rock Him, Okay,

1:38:48.600 --> 1:38:52.400
<v Speaker 1>I want he got you definitely?

1:38:53.600 --> 1:38:59.400
<v Speaker 3>Yeah, right, okay, Premore, Pete rock Oh, Primo, it's easy.

1:39:00.200 --> 1:39:03.479
<v Speaker 3>These are really these are like layups. I mean maybe

1:39:03.760 --> 1:39:08.760
<v Speaker 3>not for everybody. See like he's hesitating. Well he's like, well,

1:39:08.920 --> 1:39:10.679
<v Speaker 3>I don't know, Yeah, what happened.

1:39:11.479 --> 1:39:14.400
<v Speaker 5>I used to catch Premo out there in my building.

1:39:14.760 --> 1:39:16.439
<v Speaker 5>He was seeing a young lady on my flight. Used

1:39:16.479 --> 1:39:18.080
<v Speaker 5>to go walk my dog like three in the morning,

1:39:18.800 --> 1:39:21.080
<v Speaker 5>and I'd be like, oh, for me, Premiere is something elevator.

1:39:21.120 --> 1:39:24.240
<v Speaker 5>So we had a lot of talks. And when I

1:39:24.360 --> 1:39:29.360
<v Speaker 5>had a couple of groups, this kid Cage who Cage, Yeah,

1:39:29.439 --> 1:39:32.360
<v Speaker 5>Cage could not I have Premiere do a whole Premiere

1:39:32.400 --> 1:39:35.599
<v Speaker 5>beats cag you broke Yeah, Me and my beat Cage

1:39:35.720 --> 1:39:40.200
<v Speaker 5>corigonally and uh, Premiere made a whole tape of Premiere

1:39:40.240 --> 1:39:45.720
<v Speaker 5>beats like incredible, and Cage was like nah, nah, he

1:39:45.840 --> 1:39:48.320
<v Speaker 5>wanted more, So I have to give it to Premiere.

1:39:48.840 --> 1:39:51.400
<v Speaker 3>Oh you'll disagree.

1:39:51.720 --> 1:39:55.160
<v Speaker 10>Agree, they agreed, They agreed, agreed. I agree, Uh, BC

1:39:55.320 --> 1:39:56.480
<v Speaker 10>boys are fat boys.

1:39:57.080 --> 1:39:57.599
<v Speaker 3>Fat boys.

1:40:00.439 --> 1:40:03.240
<v Speaker 5>I got a picture of Search at a fat boy

1:40:03.360 --> 1:40:08.400
<v Speaker 5>show in nineteen eighty five at Roseland and you send

1:40:08.439 --> 1:40:09.800
<v Speaker 5>it to you could put it on the screen when you.

1:40:09.960 --> 1:40:12.400
<v Speaker 5>Search has said that he never kissed a white girl.

1:40:12.920 --> 1:40:17.599
<v Speaker 5>And he's there with a white girl who sang no hop,

1:40:18.400 --> 1:40:23.080
<v Speaker 5>who sang the hawk on it rerecord, Melissa, she doesn't sing.

1:40:24.000 --> 1:40:27.200
<v Speaker 3>This girl was on Z one her know this twist.

1:40:27.560 --> 1:40:28.439
<v Speaker 3>She told this story.

1:40:28.520 --> 1:40:31.160
<v Speaker 5>My boy Chris Money here has that tape somewhere buried

1:40:31.200 --> 1:40:35.200
<v Speaker 5>in his computer. She she says she did no says

1:40:35.240 --> 1:40:35.960
<v Speaker 5>she's telling the hook.

1:40:36.600 --> 1:40:38.040
<v Speaker 3>Really, she says she did a lot of things.

1:40:38.960 --> 1:40:39.200
<v Speaker 5>She did.

1:40:39.520 --> 1:40:44.040
<v Speaker 3>I know, I don't remember that, but I don't know.

1:40:44.120 --> 1:40:46.479
<v Speaker 3>I think she might have been Italian. That don't count

1:40:46.560 --> 1:40:59.080
<v Speaker 3>rights with the money. I think she's Sillian. Remember, I'll say,

1:40:59.080 --> 1:41:01.960
<v Speaker 3>fat boy. They agreed again.

1:41:02.200 --> 1:41:09.080
<v Speaker 10>Yeah, biggie A big pun all three y'all please, big

1:41:09.960 --> 1:41:20.840
<v Speaker 10>biggie resting piece to both of those legends. Man, mhm,

1:41:24.200 --> 1:41:25.200
<v Speaker 10>I hate to disagree.

1:41:28.200 --> 1:41:34.320
<v Speaker 1>Lyrics, lyrics, lyrically, whatever you're fun. I love big don't

1:41:34.360 --> 1:41:37.160
<v Speaker 1>get me wrong. I love Big Pun was a monster

1:41:37.920 --> 1:41:41.639
<v Speaker 1>with them Bars. Pun was a monster with them Bars.

1:41:42.680 --> 1:41:45.200
<v Speaker 1>That's fuck both. Yeah, that's horrible.

1:41:45.479 --> 1:41:47.360
<v Speaker 10>Any stories with Bigger Pun anybody?

1:41:47.520 --> 1:41:49.280
<v Speaker 1>I mean, the only story I have two stories for

1:41:49.439 --> 1:41:52.400
<v Speaker 1>both of them, then they're quick. I was doing radio

1:41:52.479 --> 1:41:54.400
<v Speaker 1>promotion at the time. I was at the beat with

1:41:54.920 --> 1:41:58.640
<v Speaker 1>tecond Sway. I had OC with me and Craig k

1:41:58.640 --> 1:42:00.160
<v Speaker 1>Mac and Biggie were on the Big Mac for.

1:42:00.439 --> 1:42:06.559
<v Speaker 2>Ye and one of the best promo items is ever ever.

1:42:08.200 --> 1:42:11.040
<v Speaker 1>I walk in walk into Sway in Tech and I

1:42:11.120 --> 1:42:15.439
<v Speaker 1>got old with me and Biggot already said like Time's

1:42:15.479 --> 1:42:17.800
<v Speaker 1>Up was his favorite ship, Like that was his ship.

1:42:20.320 --> 1:42:21.040
<v Speaker 3>And we walk in.

1:42:22.520 --> 1:42:24.960
<v Speaker 1>And they just they just go into commercial break and

1:42:25.240 --> 1:42:27.080
<v Speaker 1>was about to come in and BIG's about to leave,

1:42:28.000 --> 1:42:31.000
<v Speaker 1>and out of nowhere, he just says to me, Oh,

1:42:31.120 --> 1:42:33.640
<v Speaker 1>He's like, sirch, I gotta apologize to you now.

1:42:33.760 --> 1:42:36.479
<v Speaker 3>Man, I'm just manic depressive right now. I don't feel

1:42:36.520 --> 1:42:43.280
<v Speaker 3>like fucking with you. Who said this to you? Like

1:42:43.400 --> 1:42:45.080
<v Speaker 3>out of left field? Like I was like yo, big

1:42:45.120 --> 1:42:46.479
<v Speaker 3>what pretty Yeah.

1:42:46.800 --> 1:42:48.920
<v Speaker 1>But then but then the funny part was when we

1:42:49.000 --> 1:42:51.200
<v Speaker 1>went outside, there was a DJ that was on the

1:42:51.280 --> 1:42:54.680
<v Speaker 1>beat and his thing he was a midday DJ, and

1:42:54.760 --> 1:42:58.439
<v Speaker 1>the thing was his promo was that celebrity artists would

1:42:58.479 --> 1:43:01.120
<v Speaker 1>leave a message on his phone, like that was his thing,

1:43:01.240 --> 1:43:04.400
<v Speaker 1>like hey, you know, blah blah blah, it's you know shy,

1:43:04.640 --> 1:43:06.840
<v Speaker 1>you know, hey we're coming for the two and two.

1:43:06.720 --> 1:43:10.000
<v Speaker 3>Blah blah blah. So Craig does whatever he does, like, hey,

1:43:10.040 --> 1:43:11.160
<v Speaker 3>blah blah Blah's Craig Mac.

1:43:11.200 --> 1:43:12.960
<v Speaker 1>You know, I got that flavor year coming down and

1:43:13.040 --> 1:43:16.920
<v Speaker 1>I'll see you at two fifteen level. It comes out

1:43:17.640 --> 1:43:19.719
<v Speaker 1>and Craig says, you're big, you gotta do these promos.

1:43:20.280 --> 1:43:23.720
<v Speaker 1>He's kind of promos, he said. And the guy says, yo,

1:43:23.840 --> 1:43:26.120
<v Speaker 1>you know it's leaving a message on my answering machine.

1:43:26.160 --> 1:43:27.600
<v Speaker 1>He goes, I ain't your bitch. I don't leaven no

1:43:27.680 --> 1:43:30.280
<v Speaker 1>fucking message. And he's like, no, no, no, big, you

1:43:30.280 --> 1:43:32.080
<v Speaker 1>know what I'm saying. He goes, I don't done saying shit.

1:43:32.640 --> 1:43:35.880
<v Speaker 10>Car That was it.

1:43:36.479 --> 1:43:39.000
<v Speaker 1>And the other pun, the pun story was like every

1:43:39.240 --> 1:43:42.840
<v Speaker 1>time I ran in a pun, he oh, well, first

1:43:42.840 --> 1:43:45.479
<v Speaker 1>of all, he was always happy. Yes, that was a

1:43:45.840 --> 1:43:49.840
<v Speaker 1>b He always had people around him that made him happy.

1:43:50.720 --> 1:43:53.280
<v Speaker 1>And he always had like three or four chicks around

1:43:53.360 --> 1:43:56.560
<v Speaker 1>him that were just like so happy to be in

1:43:56.680 --> 1:43:59.080
<v Speaker 1>his circle, and he would always make.

1:43:59.160 --> 1:44:02.800
<v Speaker 3>Them feel good. It wasn't even like something he had

1:44:02.840 --> 1:44:05.720
<v Speaker 3>to try. He just had this charm. He had this

1:44:05.880 --> 1:44:11.040
<v Speaker 3>amazing like loving spirit. And that's what I always remembered

1:44:11.080 --> 1:44:14.000
<v Speaker 3>about Punty. Oh yeah, and my tattoo by the way,

1:44:14.040 --> 1:44:15.320
<v Speaker 3>you know I have a tattoo.

1:44:15.920 --> 1:44:20.800
<v Speaker 1>And the guy who did Pun's hands celebrity tattoo artists

1:44:20.800 --> 1:44:22.519
<v Speaker 1>on Instagram, he did my tattoo.

1:44:22.640 --> 1:44:23.120
<v Speaker 3>Oh okay.

1:44:23.320 --> 1:44:24.960
<v Speaker 5>You know at the Hip Hop Museum, we had this

1:44:25.200 --> 1:44:28.200
<v Speaker 5>TV show Me and Paradise called Hip Hop Treasures, and

1:44:28.640 --> 1:44:30.479
<v Speaker 5>Cipher Sounds was on the show with us. We would

1:44:30.479 --> 1:44:34.120
<v Speaker 5>send him out to send him out to Fat Joe's

1:44:34.680 --> 1:44:38.040
<v Speaker 5>and Joe had the jersey from the Trinidad fight when

1:44:38.080 --> 1:44:40.479
<v Speaker 5>they came out, so just looking like an iconic moment

1:44:40.800 --> 1:44:43.439
<v Speaker 5>that you know could not be top like.

1:44:43.640 --> 1:44:44.800
<v Speaker 3>Yeah, and I love Big.

1:44:44.920 --> 1:44:46.920
<v Speaker 1>I love Big, And I know there's always this argument

1:44:47.040 --> 1:44:48.840
<v Speaker 1>like Big should be in people's top fives and this

1:44:48.960 --> 1:44:53.200
<v Speaker 1>and that, like Tove, but not of people, but for me, personally.

1:44:53.400 --> 1:44:56.080
<v Speaker 1>Again my perspective, there's like certain artists that didn't have

1:44:56.360 --> 1:44:58.080
<v Speaker 1>enough time to make enough body of work.

1:44:58.680 --> 1:44:59.760
<v Speaker 3>Pun and Big of both that.

1:45:00.280 --> 1:45:06.800
<v Speaker 2>Yeah, yeah, I agree, but both made crazy crazy the

1:45:08.800 --> 1:45:09.919
<v Speaker 2>B Street or Crush.

1:45:09.760 --> 1:45:16.720
<v Speaker 1>Groove, Brush Groove shout out to Style and Yellow, Yeah,

1:45:20.320 --> 1:45:22.360
<v Speaker 1>because the thing is they both kind of whack. Now

1:45:22.439 --> 1:45:23.720
<v Speaker 1>if you watch them, they're both like.

1:45:24.080 --> 1:45:30.479
<v Speaker 3>But that's a lot of old movies though. Know it's great.

1:45:30.800 --> 1:45:33.080
<v Speaker 3>It's great. You gotta smoke a joint and get into

1:45:33.120 --> 1:45:36.519
<v Speaker 3>old school mood and it gets better with time. It's like,

1:45:36.560 --> 1:45:42.160
<v Speaker 3>why joint, smoke physical joint? You joint? Yeah, beach culture.

1:45:43.880 --> 1:45:44.120
<v Speaker 5>Yeah.

1:45:45.400 --> 1:45:49.320
<v Speaker 1>The Last Dragon the other day last year. I was like,

1:45:49.640 --> 1:45:51.920
<v Speaker 1>because now you know that they come who was sucked up?

1:45:52.240 --> 1:45:54.840
<v Speaker 3>Like like like I didn't know. I thought they were

1:45:54.880 --> 1:45:58.400
<v Speaker 3>professionals back then. You look at that the Last Dragon,

1:45:58.760 --> 1:46:04.280
<v Speaker 3>like that screw Crew Crush. All right, this is group.

1:46:04.520 --> 1:46:13.519
<v Speaker 10>It's gonna be tough for you guys, oh man, god.

1:46:14.200 --> 1:46:22.440
<v Speaker 3>One, well for me, I mean mm, I mean, JAMJ

1:46:22.560 --> 1:46:23.160
<v Speaker 3>is the reason I'm on.

1:46:24.320 --> 1:46:26.960
<v Speaker 1>Like, jam Master J found me in Tony D's basement

1:46:28.040 --> 1:46:31.479
<v Speaker 1>the first rom I ever said wow, you know, and

1:46:31.600 --> 1:46:35.439
<v Speaker 1>he leaned back and he was like this, and he went, fuck,

1:46:35.479 --> 1:46:37.559
<v Speaker 1>if white boys start ramming like that, we're finished.

1:46:37.600 --> 1:46:39.000
<v Speaker 3>Yo, I need to take you on the road, and

1:46:40.520 --> 1:46:44.240
<v Speaker 3>like that's verbating him what he said, No, I went down.

1:46:44.400 --> 1:46:47.240
<v Speaker 1>I went, So I went. I I harassed ground vis

1:46:47.320 --> 1:46:50.920
<v Speaker 1>it Tony d for six months. I had given up

1:46:51.000 --> 1:46:53.519
<v Speaker 1>a four year scholarship to go to college. I told

1:46:53.560 --> 1:46:54.960
<v Speaker 1>my mother I wanted to be a rapper and she's like,

1:46:54.960 --> 1:46:55.360
<v Speaker 1>what do you mean?

1:46:55.360 --> 1:46:55.479
<v Speaker 5>You know?

1:46:55.600 --> 1:46:56.599
<v Speaker 3>Rap gifts at sears?

1:46:56.640 --> 1:47:00.439
<v Speaker 1>Like right, I'm like no, no, it's as ain't called

1:47:00.479 --> 1:47:02.840
<v Speaker 1>hip hop and it's this And she asked me when

1:47:02.880 --> 1:47:07.120
<v Speaker 1>my plan was six months. I'm harassing. The dude finally

1:47:07.400 --> 1:47:09.439
<v Speaker 1>picks up the call, says, yeah, coming.

1:47:09.280 --> 1:47:09.679
<v Speaker 5>To the house.

1:47:10.360 --> 1:47:12.599
<v Speaker 3>It's pouring, it's April pouring, ring.

1:47:13.000 --> 1:47:17.360
<v Speaker 1>It's in Corny Island, Seagate dark and there's this beautiful

1:47:17.400 --> 1:47:22.599
<v Speaker 1>brownstone that got a green Jaguar sitting on Dayton's X seven.

1:47:23.040 --> 1:47:26.880
<v Speaker 3>It got a fucking devil on day ends, got all

1:47:26.960 --> 1:47:27.719
<v Speaker 3>these flock carts.

1:47:28.640 --> 1:47:31.080
<v Speaker 1>I'm with my man Bill and like, Bill, come inside

1:47:31.120 --> 1:47:34.280
<v Speaker 1>with me. He's like, I'm like, where are you gonna?

1:47:34.320 --> 1:47:40.759
<v Speaker 1>Let me go in by myself? Knocking the door opens

1:47:40.800 --> 1:47:43.880
<v Speaker 1>the door, Tony goes who you, I said, an MC

1:47:44.000 --> 1:47:47.760
<v Speaker 1>search the fuck out of here. You the guy's been

1:47:47.800 --> 1:47:48.880
<v Speaker 1>calling me, yep, come in.

1:47:50.200 --> 1:47:54.160
<v Speaker 3>Walk through the walk through. The hallway opens up into

1:47:54.280 --> 1:47:55.600
<v Speaker 3>this living room where the kitchen was.

1:47:58.320 --> 1:48:01.120
<v Speaker 1>Grand Wizard Tony D's man, Lord True from the Eternal

1:48:01.200 --> 1:48:05.240
<v Speaker 1>Forces right there, Grand Master D from Houdini, jam Master

1:48:05.439 --> 1:48:09.040
<v Speaker 1>Jay Wow, right there, and Tony He's like, let's go

1:48:09.080 --> 1:48:12.640
<v Speaker 1>in the basement. I had this little gold chain on

1:48:13.240 --> 1:48:15.920
<v Speaker 1>with this little gold watch that my father gave me

1:48:15.960 --> 1:48:18.559
<v Speaker 1>for my Ba Mitza, and I'm going down the stairs

1:48:18.600 --> 1:48:20.560
<v Speaker 1>and all I'm thinking about is, damn, I'm about to

1:48:20.600 --> 1:48:22.040
<v Speaker 1>get robbed by three of the Great Deeper.

1:48:23.120 --> 1:48:24.519
<v Speaker 3>Like I'm literally like, yo, I'm.

1:48:24.400 --> 1:48:28.479
<v Speaker 1>About to get snuffed. Like it's pitch dark. Turns on

1:48:28.560 --> 1:48:31.479
<v Speaker 1>a light, light light, Bubba's doing this. There's in a

1:48:31.600 --> 1:48:34.120
<v Speaker 1>Kai twelve hundred and a booth and he sits me

1:48:34.200 --> 1:48:37.559
<v Speaker 1>in a seat like this, and Jay's there, Grand Master

1:48:37.680 --> 1:48:39.599
<v Speaker 1>D's there, Lord Chreue's there.

1:48:40.479 --> 1:48:43.320
<v Speaker 3>And Tony D's behind me and he goes rack.

1:48:45.400 --> 1:48:46.960
<v Speaker 1>I was like, so you think you're right, Well, got

1:48:47.000 --> 1:48:49.400
<v Speaker 1>a sobo chance at hell to catch MC search because

1:48:49.439 --> 1:48:50.840
<v Speaker 1>I'll ring your bell, assume.

1:48:50.600 --> 1:48:52.360
<v Speaker 3>You withs out of my and I'm going hard for

1:48:52.439 --> 1:48:58.639
<v Speaker 3>two minutes and Jay lean back and right fucking white

1:48:58.680 --> 1:49:00.360
<v Speaker 3>boys start rhyming like that, I'm finish, so I need

1:49:00.400 --> 1:49:00.760
<v Speaker 3>to take you on.

1:49:00.920 --> 1:49:03.880
<v Speaker 1>And the next day took me to Rochester, New York

1:49:03.920 --> 1:49:07.200
<v Speaker 1>with Davy DMX opened and that was my career.

1:49:07.280 --> 1:49:10.519
<v Speaker 3>Wrote records for Houdini. And yeah, so I mean I

1:49:10.600 --> 1:49:11.240
<v Speaker 3>love Clark, but.

1:49:13.120 --> 1:49:16.960
<v Speaker 5>On my side conversely, I used to go to Clark

1:49:17.000 --> 1:49:21.080
<v Speaker 5>Kent's crib on Union badging him to make break taste

1:49:21.080 --> 1:49:24.080
<v Speaker 5>for me to rhyme over begging him. He's already dated

1:49:24.160 --> 1:49:25.640
<v Speaker 5>Dan's DJ. I was trying to get him to be

1:49:25.800 --> 1:49:29.680
<v Speaker 5>my DJ, and he's putting up with me, and why

1:49:29.800 --> 1:49:31.720
<v Speaker 5>is he putting up with you? He's putting Is there

1:49:31.720 --> 1:49:35.519
<v Speaker 5>a reason? I mean, Danes, he was walking hot fire?

1:49:36.120 --> 1:49:37.080
<v Speaker 5>Why are you putting up with him?

1:49:37.520 --> 1:49:39.479
<v Speaker 3>Rhyme for him? Him?

1:49:39.479 --> 1:49:43.360
<v Speaker 5>And also my boy Blake introduced us, and you know

1:49:43.479 --> 1:49:46.120
<v Speaker 5>I had the radio show. Okay, the radio show came up.

1:49:46.200 --> 1:49:48.120
<v Speaker 5>I was like, yo, Clark, I go let you. You

1:49:48.120 --> 1:49:49.400
<v Speaker 5>could go off for two hours.

1:49:49.479 --> 1:49:52.320
<v Speaker 3>Vanilla B and Dana we all went to high school.

1:49:52.160 --> 1:49:56.000
<v Speaker 5>Exactly, Okay, so like the way we got introduced.

1:49:55.600 --> 1:49:58.960
<v Speaker 3>But he was familiar everything just came. The kicker is.

1:50:00.120 --> 1:50:02.639
<v Speaker 5>If it wasn't for Clark, that man right there, Richie

1:50:02.720 --> 1:50:04.840
<v Speaker 5>rich would not have been third bases.

1:50:04.960 --> 1:50:06.920
<v Speaker 3>DJ would not know? How did that happen to put

1:50:07.000 --> 1:50:07.160
<v Speaker 3>us on?

1:50:07.439 --> 1:50:10.120
<v Speaker 1>This is so I brought two of the worst DJs

1:50:10.160 --> 1:50:11.880
<v Speaker 1>in the history of DJs into this group.

1:50:12.080 --> 1:50:13.800
<v Speaker 3>Let's just pull it up. Can I just wait? Let

1:50:13.840 --> 1:50:14.479
<v Speaker 3>me just pull it this.

1:50:14.800 --> 1:50:17.320
<v Speaker 1>I brought two of the worst fucking DJs in the

1:50:17.400 --> 1:50:20.840
<v Speaker 1>history of DJs to this group. I will claim, like

1:50:21.000 --> 1:50:23.800
<v Speaker 1>I said, I would take responsibility. One kid named DJ

1:50:24.000 --> 1:50:27.360
<v Speaker 1>Word and another kid named DJ White Knight.

1:50:27.479 --> 1:50:29.680
<v Speaker 10>I hope they're not DJ anymore because you just and

1:50:29.840 --> 1:50:32.840
<v Speaker 10>both White Knight was nice, man.

1:50:32.840 --> 1:50:33.240
<v Speaker 3>He is not.

1:50:35.280 --> 1:50:36.120
<v Speaker 1>No, no, what what?

1:50:36.560 --> 1:50:38.800
<v Speaker 3>So what happened with White Night? So here's for a

1:50:38.920 --> 1:50:42.880
<v Speaker 3>white kid from the backwoods? Attendant? So here's the ship.

1:50:43.040 --> 1:50:45.479
<v Speaker 3>So this this I'm gonna tell you.

1:50:45.760 --> 1:50:48.720
<v Speaker 5>I'm going I'm going to tell you so Search is like, Yo,

1:50:48.760 --> 1:50:50.640
<v Speaker 5>I'm going to see MC holiday.

1:50:50.280 --> 1:50:52.760
<v Speaker 3>Right, No, that's not what it was, So whould you go? No, No,

1:50:53.920 --> 1:50:55.439
<v Speaker 3>I was going to see him, but not for what

1:50:55.520 --> 1:50:56.599
<v Speaker 3>you think I was going to see him.

1:50:56.600 --> 1:50:59.920
<v Speaker 5>But either way, Search showed up back in New York

1:51:00.800 --> 1:51:02.439
<v Speaker 5>with this kid DJ not Yo Pete.

1:51:02.479 --> 1:51:03.920
<v Speaker 3>I found out DJ Yo.

1:51:04.000 --> 1:51:06.920
<v Speaker 5>If I'm looking at this kid did not know what

1:51:07.000 --> 1:51:10.840
<v Speaker 5>a chicken cutlet was. No you, We asked him, how

1:51:10.880 --> 1:51:12.840
<v Speaker 5>do you want your burger at Chung King? He said,

1:51:12.840 --> 1:51:14.240
<v Speaker 5>what are you talking about? What are you talking about?

1:51:16.240 --> 1:51:17.559
<v Speaker 5>He was like, oh, we don't do that.

1:51:19.040 --> 1:51:20.680
<v Speaker 3>About his food choices? What's going on here?

1:51:21.200 --> 1:51:22.439
<v Speaker 5>He was just he was just like he was.

1:51:22.640 --> 1:51:26.320
<v Speaker 3>He was backwards. But could he spend? Could he he

1:51:27.120 --> 1:51:28.960
<v Speaker 3>he did a lot of cuts on the captain. So

1:51:29.040 --> 1:51:31.360
<v Speaker 3>he wasn't a terrible DJ. No, he was a terrible

1:51:31.439 --> 1:51:34.200
<v Speaker 3>DJ because he got Okay.

1:51:34.400 --> 1:51:37.080
<v Speaker 1>So you have to you have to meet and this

1:51:37.200 --> 1:51:40.040
<v Speaker 1>is again my perspective, right, you have to capture the

1:51:40.080 --> 1:51:44.679
<v Speaker 1>moment anytime. This man DJ, he captured the moment period

1:51:45.880 --> 1:51:47.160
<v Speaker 1>one of the craziest moments.

1:51:47.240 --> 1:51:49.439
<v Speaker 3>And here's your comparing these DJs to the greatest.

1:51:49.479 --> 1:51:51.680
<v Speaker 1>No no, no, no, I'm just saying, but the point is,

1:51:51.800 --> 1:51:53.880
<v Speaker 1>like you have to still capture the moment. There was

1:51:53.920 --> 1:51:55.800
<v Speaker 1>a moment in our senior hall when he was doing

1:51:55.880 --> 1:52:00.400
<v Speaker 1>sitting at home run in our senior hall, are Sinial

1:52:00.520 --> 1:52:03.400
<v Speaker 1>leaned on the turntable to watch.

1:52:04.280 --> 1:52:07.280
<v Speaker 3>Just motherfucker fans lifts the needles.

1:52:06.960 --> 1:52:09.760
<v Speaker 1>So it doesn't drop, puts it down, brings it back

1:52:11.520 --> 1:52:16.400
<v Speaker 1>like nothing happened. Like, I'm sorry, technical motherfuckers. You don't

1:52:16.439 --> 1:52:18.519
<v Speaker 1>know how fucking hard that was, because the records should

1:52:18.520 --> 1:52:20.960
<v Speaker 1>have skipped sitting in that home watching home.

1:52:24.880 --> 1:52:28.639
<v Speaker 3>Wait, you anticipated our sinial hitting the table. Yeah.

1:52:28.720 --> 1:52:31.040
<v Speaker 15>The first thing is like that was the first time

1:52:31.080 --> 1:52:34.240
<v Speaker 15>I ever pulled that routine off clean. I never pulled

1:52:34.280 --> 1:52:40.200
<v Speaker 15>it off clean, even when I was practicing it at home. So,

1:52:40.640 --> 1:52:42.760
<v Speaker 15>I mean, he stood on the horizon and whatnot, and

1:52:43.400 --> 1:52:45.320
<v Speaker 15>I thought it was work.

1:52:46.280 --> 1:52:46.439
<v Speaker 5>Yo.

1:52:47.120 --> 1:52:49.400
<v Speaker 1>So he and here, if you watch it, it's like

1:52:49.680 --> 1:52:52.160
<v Speaker 1>it's our senial hole and then and so you see

1:52:52.240 --> 1:52:53.160
<v Speaker 1>the needle and he's.

1:52:55.840 --> 1:52:56.439
<v Speaker 3>It's crazy.

1:52:56.840 --> 1:52:59.639
<v Speaker 1>So it's about capturing the moment. So I had White

1:52:59.720 --> 1:53:03.080
<v Speaker 1>Knight in the Battle for Supremacy. Why one caption the

1:53:03.120 --> 1:53:07.600
<v Speaker 1>moment this kid bricked like brick to the point he

1:53:07.640 --> 1:53:14.080
<v Speaker 1>got booed, then wouldn't leave my crib, wouldn't come outside,

1:53:14.880 --> 1:53:16.439
<v Speaker 1>called his mother how to pick.

1:53:16.320 --> 1:53:18.200
<v Speaker 3>The DJ get booed, and that that part is get

1:53:19.840 --> 1:53:23.800
<v Speaker 3>a battle, DJ battle, then he'll leave the crib. And

1:53:23.920 --> 1:53:27.320
<v Speaker 3>then his mother came to pick him up. Sounds about right.

1:53:28.439 --> 1:53:32.080
<v Speaker 1>So and I shouldn't have never looked outside of New

1:53:32.160 --> 1:53:33.800
<v Speaker 1>York anyway. We had the greatest DJs in the world

1:53:33.880 --> 1:53:34.200
<v Speaker 1>New York.

1:53:35.000 --> 1:53:36.879
<v Speaker 3>So he was from Tennessee.

1:53:38.640 --> 1:53:41.400
<v Speaker 5>So Clark is DJ and we have the Wreck the

1:53:41.520 --> 1:53:43.720
<v Speaker 5>Radio show together. We could do this show Tuesday night

1:53:43.800 --> 1:53:47.040
<v Speaker 5>is w k c R, and we started one hour.

1:53:47.360 --> 1:53:50.160
<v Speaker 5>We're up to three hours a night. Then Clark's like, yo,

1:53:50.600 --> 1:53:53.439
<v Speaker 5>I gotta go out with Dana and he's like, YO,

1:53:54.560 --> 1:53:57.639
<v Speaker 5>don't worry about it. I got my man, Richie Rich

1:53:57.760 --> 1:54:00.240
<v Speaker 5>to cover for me. So that's when I met Richie Rich.

1:54:00.320 --> 1:54:03.240
<v Speaker 5>I got the business search had that that then.

1:54:03.360 --> 1:54:06.280
<v Speaker 10>Clark had said, this is my man's feeling.

1:54:06.560 --> 1:54:08.800
<v Speaker 5>Wow. I actually had the flyers that we used to make.

1:54:09.600 --> 1:54:11.720
<v Speaker 5>I had the flyer and I had to put the

1:54:11.840 --> 1:54:15.719
<v Speaker 5>Richie Rich over the Clark can printed up on alternate weeks.

1:54:15.880 --> 1:54:20.080
<v Speaker 5>And that's how this man became my DJ first because

1:54:20.080 --> 1:54:22.160
<v Speaker 5>we used to go to Funky Slice making the demos

1:54:22.200 --> 1:54:25.880
<v Speaker 5>for Brooklyn Queens originally, and then rich was out in

1:54:25.960 --> 1:54:29.720
<v Speaker 5>Farmingdale at school and he couldn't get in, So that's

1:54:29.800 --> 1:54:31.880
<v Speaker 5>why he was going to be our first DJ before

1:54:32.000 --> 1:54:34.040
<v Speaker 5>night and he just couldn't make it in and then

1:54:34.160 --> 1:54:37.080
<v Speaker 5>boom tell us about how when you made it in rich.

1:54:37.520 --> 1:54:42.920
<v Speaker 3>Listen, First, let's let's shout up White Knight and DJ Work.

1:54:49.840 --> 1:54:50.760
<v Speaker 3>I have to tell the story.

1:54:50.920 --> 1:54:53.800
<v Speaker 5>There was one point where I don't know, It's like

1:54:54.760 --> 1:54:56.920
<v Speaker 5>DJ Night also eat like a piece of cake, didn't

1:54:56.960 --> 1:54:58.480
<v Speaker 5>he eat like a piece of cake at one point

1:54:58.520 --> 1:55:00.440
<v Speaker 5>and got really pissed off and the and it was

1:55:00.480 --> 1:55:04.200
<v Speaker 5>like sometimes routine was like it was it was like

1:55:04.240 --> 1:55:05.240
<v Speaker 5>a birthday cake or something.

1:55:05.400 --> 1:55:08.120
<v Speaker 3>We were they're in the video, They're in seven to

1:55:08.240 --> 1:55:10.400
<v Speaker 3>the Amy, both in seven to the Am. They're both

1:55:10.440 --> 1:55:13.080
<v Speaker 3>in the video. In the video, it was just like

1:55:13.200 --> 1:55:15.160
<v Speaker 3>I told you, I was done in the right head.

1:55:15.160 --> 1:55:18.560
<v Speaker 5>But at this point, like I was really against DJ

1:55:18.720 --> 1:55:19.680
<v Speaker 5>Knight time.

1:55:19.720 --> 1:55:21.120
<v Speaker 3>I was like, Sorch, what the fuck are you doing?

1:55:21.560 --> 1:55:25.000
<v Speaker 3>Good for Tennessee. I like DJ Knight.

1:55:25.120 --> 1:55:27.040
<v Speaker 5>I was like we were in the studio hanging out

1:55:27.040 --> 1:55:28.160
<v Speaker 5>with him and then boom, next thing you know, I

1:55:28.240 --> 1:55:28.560
<v Speaker 5>was like, yo.

1:55:28.960 --> 1:55:33.080
<v Speaker 3>Pete Night's gone. His mom came to pick him up.

1:55:33.120 --> 1:55:35.960
<v Speaker 5>He went back to Tennessee at boom and and to

1:55:36.120 --> 1:55:36.800
<v Speaker 5>Richie rich.

1:55:38.280 --> 1:55:40.600
<v Speaker 3>So Night did. But just so you know, both Knight

1:55:40.800 --> 1:55:43.080
<v Speaker 3>had and still does like he still does.

1:55:43.200 --> 1:55:46.200
<v Speaker 1>D He's still DJs is the former DJ of Third

1:55:46.280 --> 1:55:47.400
<v Speaker 1>Base all through Nashville.

1:55:47.840 --> 1:55:50.760
<v Speaker 5>He was officially your guys DJ on officially when me

1:55:50.760 --> 1:55:53.560
<v Speaker 5>and Barto had a label hoto, he actually was.

1:55:53.680 --> 1:55:55.920
<v Speaker 3>It was DJ Night who discovered Camp Base D. So

1:55:56.120 --> 1:55:58.120
<v Speaker 3>like DJ said, ways them, bro let me.

1:56:02.960 --> 1:56:08.920
<v Speaker 10>Let Night, but he's like DJ White Knight, Let's go

1:56:09.000 --> 1:56:09.640
<v Speaker 10>with DJ Night.

1:56:10.240 --> 1:56:11.080
<v Speaker 3>I'm just telling you.

1:56:11.640 --> 1:56:14.040
<v Speaker 5>There's a famous picture in the Hip Hop Connection the

1:56:14.480 --> 1:56:17.640
<v Speaker 5>u K where we had our first photo shoot, and

1:56:17.840 --> 1:56:19.320
<v Speaker 5>DJ Night is right down with us.

1:56:19.720 --> 1:56:20.880
<v Speaker 3>First photo shoot was in the UK.

1:56:21.360 --> 1:56:23.600
<v Speaker 5>No that yeah, it was like Normsky, I think took

1:56:23.640 --> 1:56:26.760
<v Speaker 5>the photos. He came into Elizabeth Street. We went right

1:56:26.800 --> 1:56:28.720
<v Speaker 5>around the corner and boom. That was like the first

1:56:28.760 --> 1:56:30.240
<v Speaker 5>time I think we were in a magazine.

1:56:30.600 --> 1:56:33.960
<v Speaker 3>Wow. Yeah he did the next one too. I love.

1:56:35.840 --> 1:56:39.000
<v Speaker 10>I think we Yeah, we gotta drink. We gotta drink,

1:56:39.000 --> 1:56:42.680
<v Speaker 10>We do gotta drink. It was split cheers and rest

1:56:42.720 --> 1:56:45.600
<v Speaker 10>in peace both legends.

1:56:45.680 --> 1:56:49.600
<v Speaker 5>Man. Apologies to Hurricane, but he was the best friend.

1:56:49.640 --> 1:56:51.960
<v Speaker 5>I couldn't pick UJ on that one, even though I

1:56:52.000 --> 1:56:52.320
<v Speaker 5>wanted to.

1:56:52.600 --> 1:56:55.240
<v Speaker 10>I love I love both of those men, not just legends,

1:56:55.280 --> 1:56:56.160
<v Speaker 10>pioneers as well.

1:56:58.160 --> 1:57:02.240
<v Speaker 3>Kick Capria read Alert for me.

1:57:02.360 --> 1:57:05.720
<v Speaker 1>It's red Alert and I love Kid Capri even though

1:57:05.760 --> 1:57:08.320
<v Speaker 1>he looks like me. And every time I go, you know,

1:57:09.000 --> 1:57:14.080
<v Speaker 1>and I'm like, no, absolutely kick Capri right now. If

1:57:14.120 --> 1:57:20.760
<v Speaker 1>I'm in an airport, you're kid, You'll care, Yeah you can.

1:57:20.920 --> 1:57:21.560
<v Speaker 3>No, I'm not.

1:57:22.120 --> 1:57:24.480
<v Speaker 5>And King Capri goes back so far people don't even

1:57:24.480 --> 1:57:25.880
<v Speaker 5>know we got him on fly. There was a fly

1:57:26.080 --> 1:57:29.520
<v Speaker 5>with Paradise where I think a group called the Throwdown

1:57:29.560 --> 1:57:31.800
<v Speaker 5>four where they were battling for the name against Kid Capri.

1:57:32.000 --> 1:57:32.520
<v Speaker 16>No, he's.

1:57:34.000 --> 1:57:36.520
<v Speaker 3>But I got it. When you're put in Ky Capri.

1:57:36.400 --> 1:57:38.320
<v Speaker 5>Up against Red Alert, it's not fair because there's no

1:57:38.440 --> 1:57:41.560
<v Speaker 5>way that anyone can know the impact had on you

1:57:42.320 --> 1:57:45.720
<v Speaker 5>just rap Radio, the Big Show, just and you know,

1:57:45.840 --> 1:57:48.800
<v Speaker 5>going back to the Zulu days. I mean know, not

1:57:48.920 --> 1:57:50.880
<v Speaker 5>for the fact personally all that he did for us.

1:57:51.480 --> 1:57:53.120
<v Speaker 5>You know, like Red would not play a record if

1:57:53.160 --> 1:57:55.480
<v Speaker 5>he didn't like a record. Correct, And he did not

1:57:55.640 --> 1:57:58.120
<v Speaker 5>like Steven Today, Correct, he did not, he did not

1:57:58.320 --> 1:58:01.320
<v Speaker 5>like it. He played it, but didn't kill it, right,

1:58:01.520 --> 1:58:04.720
<v Speaker 5>And but then he loved Gas Phase correct. And you know,

1:58:04.760 --> 1:58:09.440
<v Speaker 5>I mean also like the guy met him in the world.

1:58:10.400 --> 1:58:13.040
<v Speaker 5>I met him in lag quarterback when me and Rich

1:58:13.120 --> 1:58:16.720
<v Speaker 5>got together. We made this uh little demo and we

1:58:16.840 --> 1:58:19.640
<v Speaker 5>had the radio show and read new about the radio show,

1:58:19.720 --> 1:58:21.120
<v Speaker 5>and he had the whole week could do this thing.

1:58:21.160 --> 1:58:22.880
<v Speaker 5>We were calling our show we could do this right

1:58:22.880 --> 1:58:25.360
<v Speaker 5>at the same time, and he said, hey, why don't

1:58:25.360 --> 1:58:27.600
<v Speaker 5>you do it promo for me? So me and Rich

1:58:27.680 --> 1:58:30.600
<v Speaker 5>went in, cut into funky slice, delivered it to him.

1:58:30.600 --> 1:58:32.560
<v Speaker 5>Boom played it the next week. That's why you know

1:58:33.440 --> 1:58:37.440
<v Speaker 5>he made He made us, you know, shout out.

1:58:37.360 --> 1:58:43.640
<v Speaker 3>Absolute thinking on that one Swiss Beasts of Timberland.

1:58:47.840 --> 1:58:50.520
<v Speaker 1>It's funny because as soon as you say Swiss speeds

1:58:50.560 --> 1:58:54.480
<v Speaker 1>are Timberland, all I hurry in my head is on Mellillilli.

1:58:57.080 --> 1:59:02.840
<v Speaker 3>So you're thinking Swiss beats. No, I don't know what that. No,

1:59:02.960 --> 1:59:05.640
<v Speaker 3>I know, I know you didn't do it. That's all

1:59:06.760 --> 1:59:07.240
<v Speaker 3>litill Wayne.

1:59:07.280 --> 1:59:11.120
<v Speaker 1>It's still waingneay me right now we're talking about I

1:59:11.160 --> 1:59:12.080
<v Speaker 1>didn't asked nothing about it.

1:59:12.280 --> 1:59:17.000
<v Speaker 3>Johnson made there. You know, it's funny because every it's

1:59:17.040 --> 1:59:20.920
<v Speaker 3>funny because every time I don't know what it is.

1:59:21.040 --> 1:59:22.400
<v Speaker 3>I know Banglades did the beat.

1:59:22.960 --> 1:59:25.160
<v Speaker 1>Every time somebody says Swiss speachs, that's the first thing

1:59:25.200 --> 1:59:26.920
<v Speaker 1>out here that's weird.

1:59:27.240 --> 1:59:31.040
<v Speaker 3>I do think that's that left over when you get

1:59:33.000 --> 1:59:35.000
<v Speaker 3>I don't even know why, Like I don't know why

1:59:35.280 --> 1:59:36.880
<v Speaker 3>it is like my brain goes to that.

1:59:38.400 --> 1:59:40.480
<v Speaker 10>When I hear Swiss beans, I think of band from

1:59:40.480 --> 1:59:41.760
<v Speaker 10>TV Automatic.

1:59:42.720 --> 1:59:45.760
<v Speaker 3>But we need you to answer those the Swiss. You

1:59:45.800 --> 1:59:50.880
<v Speaker 3>still want me to answer? I started, no, no, no,

1:59:51.440 --> 1:59:54.600
<v Speaker 3>some more time, no no no. What did you say?

1:59:54.880 --> 1:59:56.720
<v Speaker 5>Well, I mean, considering the fact that I'm trying to

1:59:56.760 --> 2:00:00.400
<v Speaker 5>get Swiss beats alone, cool heart speakers, can I not

2:00:00.480 --> 2:00:01.160
<v Speaker 5>say Swiss beating?

2:00:01.160 --> 2:00:01.600
<v Speaker 3>That's right?

2:00:01.760 --> 2:00:05.960
<v Speaker 1>Okay, which, by the way, is super flows that now

2:00:06.040 --> 2:00:09.160
<v Speaker 1>that we know that, Yeah, that's one of Flex.

2:00:09.240 --> 2:00:13.000
<v Speaker 3>That's a major. That's a major Flex one hundred twenty

2:00:13.080 --> 2:00:14.720
<v Speaker 3>grand major.

2:00:14.480 --> 2:00:17.800
<v Speaker 5>F which is great because it wins what that was

2:00:17.880 --> 2:00:18.160
<v Speaker 5>sold by.

2:00:19.360 --> 2:00:20.680
<v Speaker 3>Yeah, it is it really is.

2:00:22.640 --> 2:00:24.880
<v Speaker 5>You actually beat out Knaves and Peter bit of ben

2:00:25.000 --> 2:00:26.280
<v Speaker 5>because that's American history.

2:00:27.440 --> 2:00:34.760
<v Speaker 3>Shoulder your shoulder, listen. You gotta make it right for

2:00:34.880 --> 2:00:35.480
<v Speaker 3>you to make a choice.

2:00:35.480 --> 2:00:35.560
<v Speaker 13>Man.

2:00:35.640 --> 2:00:38.640
<v Speaker 3>Yes, yes, yes, yes, yes, yeah, I gotta go with Swiss.

2:00:39.400 --> 2:00:41.240
<v Speaker 1>I gotta go with Swiss just because the Dmax Shop

2:00:41.400 --> 2:00:43.720
<v Speaker 1>band from TV and Yeah both went Swiss.

2:00:44.040 --> 2:00:48.720
<v Speaker 3>What do you think, Simbo? All right, drink drink, put

2:00:48.760 --> 2:00:55.520
<v Speaker 3>your drinks up. The boy made some great records.

2:00:56.000 --> 2:00:59.960
<v Speaker 2>Oh cool, coming back out. I spoke to Swiss person.

2:01:00.320 --> 2:01:06.080
<v Speaker 2>Well they didn't come to til burgers e P M BU.

2:01:06.320 --> 2:01:12.240
<v Speaker 3>Or Nice and you said they're going to erase that

2:01:12.240 --> 2:01:19.920
<v Speaker 3>ship from their mind already, mob both yall right, now,

2:01:20.040 --> 2:01:23.320
<v Speaker 3>just for the confusion, which one is it? De m

2:01:23.360 --> 2:01:30.040
<v Speaker 3>O P I mean m O P Queen's get the

2:01:30.120 --> 2:01:34.000
<v Speaker 3>money m O P is Brooklyn, Brooklyn. Yeah, are you sure?

2:01:34.120 --> 2:01:38.640
<v Speaker 3>I said, Mom Deep? I said, Mom Deep o money. Yeah,

2:01:38.640 --> 2:01:49.720
<v Speaker 3>we got it on cameras. Yeah, you've been real real bro. Wow,

2:01:50.360 --> 2:01:51.400
<v Speaker 3>I really said, m O P.

2:01:52.760 --> 2:01:52.960
<v Speaker 5>Wow.

2:01:54.040 --> 2:01:58.400
<v Speaker 3>No, mob D okay, Mob Deep Okay, mob Deep Brooklyn

2:01:58.600 --> 2:01:58.920
<v Speaker 3>the money.

2:01:58.920 --> 2:01:59.960
<v Speaker 5>I got it.

2:02:01.960 --> 2:02:04.680
<v Speaker 3>In the house. I know we we we're gonna have

2:02:04.720 --> 2:02:06.920
<v Speaker 3>to skip this one. We're gonna skip this one because

2:02:06.920 --> 2:02:10.400
<v Speaker 3>we we want to know m O P. Okay. Okakay,

2:02:11.480 --> 2:02:11.920
<v Speaker 3>we say that.

2:02:15.440 --> 2:02:15.640
<v Speaker 5>Move.

2:02:15.760 --> 2:02:19.520
<v Speaker 3>Don't we have to drink because it's okay. This one,

2:02:19.560 --> 2:02:21.960
<v Speaker 3>it's okay, just move E P M D or Nice?

2:02:22.000 --> 2:02:24.640
<v Speaker 3>And this one? Did we take a pass on this one?

2:02:24.800 --> 2:02:28.960
<v Speaker 3>Well it's drink. Yeah, well you can either. I'm gonna

2:02:28.960 --> 2:02:30.760
<v Speaker 3>have to drink on this one, all right. Yeah, I

2:02:30.800 --> 2:02:33.640
<v Speaker 3>can't pick one either. Really, Yeah, that's what we were

2:02:33.680 --> 2:02:37.920
<v Speaker 3>trying to get the all show. Yeah. No, if this

2:02:38.160 --> 2:02:41.560
<v Speaker 3>is your attempt to do this show, you've failed miserably. No, No,

2:02:42.160 --> 2:02:43.000
<v Speaker 3>were trying to get.

2:02:42.920 --> 2:02:45.680
<v Speaker 1>Try to say, no, I know it doesn't matter, you're

2:02:45.680 --> 2:02:46.360
<v Speaker 1>failing miserable.

2:02:46.440 --> 2:02:48.000
<v Speaker 3>Yes, yes, I'm gonna take this one. I mean that

2:02:48.120 --> 2:02:50.480
<v Speaker 3>was that was the toughest one. M d ns. Oh yeah,

2:02:50.520 --> 2:02:51.320
<v Speaker 3>that was definitely tough.

2:02:51.720 --> 2:02:55.240
<v Speaker 10>Analog or digital should be, I would imagine, I mean

2:02:55.320 --> 2:03:02.120
<v Speaker 10>for me, yeah, for whoever past kill me pass the mic.

2:03:02.480 --> 2:03:08.920
<v Speaker 3>Yeah, no, here's the thing for me again. Just my perspective.

2:03:10.520 --> 2:03:13.200
<v Speaker 1>I've been fortunate enough to work with some incredible artists,

2:03:14.360 --> 2:03:16.760
<v Speaker 1>one of the most recently Bodh James. Who And I'll

2:03:16.800 --> 2:03:18.480
<v Speaker 1>say it right now, and I'll stand on business and

2:03:18.520 --> 2:03:20.640
<v Speaker 1>I'll give a fuck who comes after me on this one.

2:03:22.360 --> 2:03:26.040
<v Speaker 1>Body James last ten albums, not including the Harry Fraud

2:03:26.120 --> 2:03:29.320
<v Speaker 1>record that he just put out, The Brictionary his last

2:03:29.360 --> 2:03:32.720
<v Speaker 1>ten albums. Has not been a single MC ever in

2:03:32.800 --> 2:03:35.480
<v Speaker 1>the history of the culture ever to put out ten

2:03:35.520 --> 2:03:38.320
<v Speaker 1>albums as strong as Body James. I stand on business,

2:03:38.800 --> 2:03:41.920
<v Speaker 1>not Jay, not nas. I don't give a fuck who

2:03:41.960 --> 2:03:46.280
<v Speaker 1>you can find Body James last ten albums And that's

2:03:46.480 --> 2:03:49.600
<v Speaker 1>it's and if it wasn't for digital, it would never happened.

2:03:50.520 --> 2:03:54.120
<v Speaker 3>So you're saying, no, I'm saying that because.

2:03:53.880 --> 2:04:01.520
<v Speaker 1>I say, this record on analog. This crazy that that happened,

2:04:02.760 --> 2:04:06.960
<v Speaker 1>that they found the reels is crazy, transfer the digital crazy,

2:04:07.120 --> 2:04:08.960
<v Speaker 1>which is analog. The fact that they found the reels

2:04:09.200 --> 2:04:13.080
<v Speaker 1>crazy to be analog crazy. So and the process that

2:04:13.200 --> 2:04:19.840
<v Speaker 1>it took those reels of course, of course both because

2:04:19.920 --> 2:04:22.280
<v Speaker 1>I'm saying past because I can't pick one over the other.

2:04:22.680 --> 2:04:28.280
<v Speaker 3>Both and like Ni Ni Shae is about to be

2:04:28.360 --> 2:04:29.480
<v Speaker 3>a problem, how about you, I.

2:04:29.520 --> 2:04:33.560
<v Speaker 5>Gotta say analogist because it's the rap records, like we

2:04:33.640 --> 2:04:36.920
<v Speaker 5>have the original reels for super rapping and funk you

2:04:37.000 --> 2:04:37.800
<v Speaker 5>for wrapping.

2:04:37.560 --> 2:04:41.560
<v Speaker 3>A rock in the house. And and that's a great point.

2:04:42.200 --> 2:04:42.680
<v Speaker 3>Great point.

2:04:43.120 --> 2:04:47.440
<v Speaker 15>Yeah, digital is making too many untalented people seem talented.

2:04:47.920 --> 2:04:52.680
<v Speaker 3>I'll go with analogs. And there was something about analog

2:04:52.800 --> 2:04:55.440
<v Speaker 3>gatekeeping that's okay. Does that make sense?

2:04:55.720 --> 2:04:58.760
<v Speaker 1>Yes, up to a certain point, Like because there were

2:04:58.800 --> 2:05:01.880
<v Speaker 1>so many great artist that couldn't get on because the

2:05:01.920 --> 2:05:03.600
<v Speaker 1>analog was so expensive.

2:05:04.200 --> 2:05:04.680
<v Speaker 3>Great point.

2:05:04.880 --> 2:05:07.480
<v Speaker 2>Yeah, And right now so many artists that shouldn't be

2:05:07.560 --> 2:05:10.320
<v Speaker 2>on correct getting on because because it's so cheap, cheap.

2:05:10.360 --> 2:05:11.880
<v Speaker 3>But the drive. You had to have to get in

2:05:11.960 --> 2:05:12.960
<v Speaker 3>an analog studio.

2:05:13.520 --> 2:05:15.800
<v Speaker 1>You had to be about that life, about that life,

2:05:16.360 --> 2:05:20.520
<v Speaker 1>and it really took a lot of effort to get

2:05:20.560 --> 2:05:22.920
<v Speaker 1>in the studio and make music.

2:05:23.200 --> 2:05:26.360
<v Speaker 10>I respect the people that just had a vinyl record.

2:05:26.440 --> 2:05:29.960
<v Speaker 10>I was like, I might not like this song, but man,

2:05:30.040 --> 2:05:30.880
<v Speaker 10>I got respect for you.

2:05:31.200 --> 2:05:31.280
<v Speaker 3>Bro.

2:05:31.400 --> 2:05:33.480
<v Speaker 1>When I found that to get to that, bro, when

2:05:33.520 --> 2:05:35.680
<v Speaker 1>I found that the fn K deff looking for the

2:05:35.720 --> 2:05:38.040
<v Speaker 1>perfect beat remix, Bro, damn near crowd.

2:05:38.080 --> 2:05:39.960
<v Speaker 3>When I saw that for that ship is fire.

2:05:42.000 --> 2:05:45.040
<v Speaker 5>It's important to preserve the history of analog and just

2:05:45.200 --> 2:05:48.320
<v Speaker 5>the whole studio history, like the Hit Factory donated the

2:05:48.400 --> 2:05:52.839
<v Speaker 5>actual or the actual studio to hip hop music created

2:05:52.920 --> 2:05:54.880
<v Speaker 5>that's dope, and you know you we we find all

2:05:54.920 --> 2:05:58.280
<v Speaker 5>these two inchs like I found rock Stands, rock Stands Revenge,

2:05:58.400 --> 2:06:02.520
<v Speaker 5>the original two inches Raster Real Wow, or the promo

2:06:02.720 --> 2:06:05.360
<v Speaker 5>that was I mean starting on Mister Magic. It wasn't

2:06:05.360 --> 2:06:08.960
<v Speaker 5>even a record, it was broadcast on live on the air.

2:06:09.360 --> 2:06:10.680
<v Speaker 5>We have like the two inch tape.

2:06:10.960 --> 2:06:15.680
<v Speaker 2>I love all hip hop legendary studios, d n D, Yeah, John.

2:06:15.600 --> 2:06:22.800
<v Speaker 3>King Ring Street, Calio, p Callipe Callipe was daily and I.

2:06:22.800 --> 2:06:28.560
<v Speaker 1>Mean yo shout Misriguez talk Rodriguez on board.

2:06:29.360 --> 2:06:31.920
<v Speaker 10>Well down here we had Criteria which ended up becoming.

2:06:31.640 --> 2:06:33.480
<v Speaker 3>The Hip Factory. And it's circle.

2:06:34.040 --> 2:06:37.480
<v Speaker 10>It was originally Circle seventh Street in New York City, right, Yeah,

2:06:38.160 --> 2:06:39.480
<v Speaker 10>I love the Circle houses.

2:06:39.560 --> 2:06:43.480
<v Speaker 1>Legendary houses will always be legend h house will never die,

2:06:44.680 --> 2:06:45.840
<v Speaker 1>big big Quad.

2:06:47.520 --> 2:06:52.080
<v Speaker 3>And Richard shout out after this day, control still there.

2:06:53.240 --> 2:06:56.400
<v Speaker 3>So yeah, it's solder you could feel pot sould when

2:06:56.400 --> 2:07:00.480
<v Speaker 3>you're walking. Quad, I don't. I don't know why. Oh Alex, lady,

2:07:01.320 --> 2:07:03.240
<v Speaker 3>lady jim he's your ship? About the cat?

2:07:03.440 --> 2:07:06.480
<v Speaker 2>Is the white cat in there? The only I'm alergy

2:07:06.560 --> 2:07:07.960
<v Speaker 2>old cats, the only cat.

2:07:08.240 --> 2:07:10.040
<v Speaker 3>Allergic to it. I don't know if I'm not alerted

2:07:10.080 --> 2:07:10.200
<v Speaker 3>to it.

2:07:10.280 --> 2:07:12.400
<v Speaker 2>It just never broke me out, Like I will walk

2:07:12.440 --> 2:07:14.680
<v Speaker 2>through and everyone will say, that's Jimmy Hendrick cat.

2:07:15.040 --> 2:07:19.360
<v Speaker 3>I mean, like his spirit. Yeah, okay, all right? And

2:07:20.040 --> 2:07:21.920
<v Speaker 3>d or Buck Wow, oh.

2:07:23.760 --> 2:07:27.960
<v Speaker 2>Oh fuck you Dominican and the Columbia who write the

2:07:28.040 --> 2:07:28.880
<v Speaker 2>questions right behind you.

2:07:29.160 --> 2:07:29.560
<v Speaker 5>It's not me.

2:07:29.680 --> 2:07:33.280
<v Speaker 2>We don't write these quick times line questions. Yeah yeah, right,

2:07:33.720 --> 2:07:35.000
<v Speaker 2>I got a great Buck Wild story.

2:07:35.200 --> 2:07:39.120
<v Speaker 1>I know you love these stories. So I'm working on

2:07:39.160 --> 2:07:43.280
<v Speaker 1>the O C record. I signed him to Wild Pitch

2:07:44.920 --> 2:07:48.400
<v Speaker 1>and I just finished executive producing.

2:07:48.080 --> 2:07:51.560
<v Speaker 3>Ellmatic Wow Life Flow so Lifelow.

2:07:56.440 --> 2:08:00.280
<v Speaker 1>And the difference between making those records was, you know,

2:08:00.480 --> 2:08:01.640
<v Speaker 1>NAS made eleven.

2:08:01.440 --> 2:08:05.440
<v Speaker 3>Songs, right, and I believe with an intro right, and.

2:08:06.960 --> 2:08:11.840
<v Speaker 1>I'm maybe at forty demos with d TC and oh

2:08:12.840 --> 2:08:14.400
<v Speaker 1>and we couldn't find the right record.

2:08:15.680 --> 2:08:18.760
<v Speaker 2>And I'm sorry, yeah, no, No, for the fans that's listening,

2:08:18.960 --> 2:08:21.120
<v Speaker 2>I probably don't know that. Let me say forty demos,

2:08:21.360 --> 2:08:23.360
<v Speaker 2>you are actually missing forty records?

2:08:23.680 --> 2:08:25.520
<v Speaker 3>Correct? Okay, yeah, because I don't he was you know,

2:08:25.560 --> 2:08:26.680
<v Speaker 3>we talked about analog, right.

2:08:26.760 --> 2:08:30.080
<v Speaker 2>So he's in a studio two inch reo forty songs,

2:08:30.360 --> 2:08:33.360
<v Speaker 2>forty songs with d TC recorded.

2:08:33.360 --> 2:08:38.800
<v Speaker 1>Wild og like Showbiz, all of them working, working, working.

2:08:38.760 --> 2:08:39.600
<v Speaker 3>All their production.

2:08:39.840 --> 2:08:43.280
<v Speaker 1>Yeah okay, and they're bringing back records and I'm like, nope, nope.

2:08:44.040 --> 2:08:46.160
<v Speaker 3>So our office is a Wild Pitch.

2:08:46.120 --> 2:08:50.440
<v Speaker 1>Had a roof deck that we could go on to

2:08:50.720 --> 2:08:55.320
<v Speaker 1>to hang out, and at one point of making this record,

2:08:55.480 --> 2:08:58.560
<v Speaker 1>I thought for sure either I was gonna get thrown

2:08:58.600 --> 2:09:01.520
<v Speaker 1>off the roof are always going to get thrown off.

2:09:01.560 --> 2:09:04.920
<v Speaker 1>Through one of my last meetings with these guys, they

2:09:05.040 --> 2:09:07.600
<v Speaker 1>all came to see me and I thought for sure,

2:09:08.000 --> 2:09:14.000
<v Speaker 1>was this the sec all of them? But Oh show ah, No,

2:09:15.200 --> 2:09:19.480
<v Speaker 1>but all of them, and they're furious. I'm fucking update money.

2:09:20.080 --> 2:09:23.160
<v Speaker 1>Oh got to put out a record, and I'm like, look,

2:09:24.400 --> 2:09:25.560
<v Speaker 1>you ain't got the record yet.

2:09:26.560 --> 2:09:28.720
<v Speaker 3>Trust me, I know what the record sounds like. You

2:09:28.760 --> 2:09:29.200
<v Speaker 3>ain't got it.

2:09:31.080 --> 2:09:35.880
<v Speaker 1>Two days later, Oh comes in and the receptions downstairs,

2:09:35.920 --> 2:09:39.440
<v Speaker 1>a wall pictures named Milky. Milky calls me, Oh's coming up.

2:09:39.440 --> 2:09:44.520
<v Speaker 1>He ain't saying nohing, no nobody. My man left his

2:09:45.040 --> 2:09:46.560
<v Speaker 1>his thing in my office.

2:09:47.560 --> 2:09:50.240
<v Speaker 3>So I pull. I'm figuring this is when it's going

2:09:50.280 --> 2:09:50.640
<v Speaker 3>to happen.

2:09:52.520 --> 2:09:55.720
<v Speaker 1>He pushes me out of the way and goes to

2:09:55.840 --> 2:09:59.160
<v Speaker 1>my DAT player and opens the That player puts it

2:09:59.240 --> 2:10:02.720
<v Speaker 1>dat in closes a debt and I'm like, yo, was it?

2:10:04.520 --> 2:10:09.760
<v Speaker 1>And I'm like, yo, you could presses play. It's about

2:10:09.800 --> 2:10:11.480
<v Speaker 1>five seconds of fucking emptiness.

2:10:12.200 --> 2:10:24.800
<v Speaker 3>And I hear boom boom theo stone Tom's up. Boom

2:10:25.080 --> 2:10:28.520
<v Speaker 3>boo boom ba boom ba boon bo boon ba boom.

2:10:28.600 --> 2:10:29.160
<v Speaker 3>Time's up.

2:10:29.560 --> 2:10:32.560
<v Speaker 1>You lack the minerals and the hair is filt right now,

2:10:32.680 --> 2:10:35.960
<v Speaker 1>right turns and he turned and he turns me around.

2:10:35.760 --> 2:10:38.640
<v Speaker 3>And he says and he says to me, and he

2:10:38.680 --> 2:10:41.240
<v Speaker 3>says to me, I understand now.

2:10:42.240 --> 2:10:46.200
<v Speaker 1>Buck comes up and says, I understand now, And two

2:10:46.560 --> 2:10:51.280
<v Speaker 1>weeks later the whole album was finished. Fast forward thirty

2:10:51.360 --> 2:10:54.839
<v Speaker 1>years later, we're doing this thing called Top Shelf with Rostrom.

2:10:55.520 --> 2:10:55.680
<v Speaker 3>Right.

2:10:56.480 --> 2:10:58.520
<v Speaker 1>I hadn't talked to Buck in at least fifteen years.

2:10:58.560 --> 2:11:00.480
<v Speaker 1>He pulls me over and he says, yo, I never

2:11:00.600 --> 2:11:04.160
<v Speaker 1>thanked you for that. Ain't all lesson? I said, of

2:11:04.200 --> 2:11:04.600
<v Speaker 1>course you did.

2:11:04.680 --> 2:11:05.040
<v Speaker 3>He said no.

2:11:06.320 --> 2:11:09.960
<v Speaker 1>Right after that happened, I was in the tunnel and

2:11:10.080 --> 2:11:12.280
<v Speaker 1>I saw a big and Big told me that was

2:11:12.320 --> 2:11:13.120
<v Speaker 1>his favorite record.

2:11:13.440 --> 2:11:15.160
<v Speaker 3>And I got to do story to tell because of

2:11:15.200 --> 2:11:18.760
<v Speaker 3>that record. And if it wasn't for you, and it

2:11:18.880 --> 2:11:19.320
<v Speaker 3>wasn't for you.

2:11:19.440 --> 2:11:21.880
<v Speaker 1>Pushing us so hard on those forty fucking records that

2:11:21.920 --> 2:11:23.800
<v Speaker 1>we all thought should have been on word Life, we

2:11:23.960 --> 2:11:25.040
<v Speaker 1>never would have got to word Life.

2:11:25.080 --> 2:11:28.040
<v Speaker 3>I never would have got the times up. So thank you. Wow,

2:11:28.080 --> 2:11:35.880
<v Speaker 3>God damn makes a noise for that answer. What's the answer, diamond,

2:11:35.880 --> 2:11:36.600
<v Speaker 3>dear buckets?

2:11:37.000 --> 2:11:44.360
<v Speaker 1>For me, it's obvious as Buckwell shout out a book man, Yeah,

2:11:44.480 --> 2:11:46.160
<v Speaker 1>old g I t C is coreat that cruise.

2:11:46.200 --> 2:11:49.400
<v Speaker 2>Fucking crazy because he's saying both because he said past

2:11:50.440 --> 2:11:51.520
<v Speaker 2>drinks and we still got a drink.

2:11:52.160 --> 2:11:57.720
<v Speaker 3>Let's say both that passed. I don't like salute salut

2:11:59.480 --> 2:12:07.120
<v Speaker 3>oh the meal being like rosa. Oh yeah, that's you, bro.

2:12:07.280 --> 2:12:10.720
<v Speaker 3>That's the New York sports stuff you want to feel

2:12:10.880 --> 2:12:13.680
<v Speaker 3>sitting there. I mean, I got, I got enough raise

2:12:13.880 --> 2:12:16.200
<v Speaker 3>you got that's easy.

2:12:16.960 --> 2:12:21.400
<v Speaker 1>I mean for me, that's easy. Queens all day, Mets,

2:12:21.480 --> 2:12:26.960
<v Speaker 1>Jet's nixt Wait wait wait, I don't watch none of that.

2:12:27.560 --> 2:12:31.400
<v Speaker 1>So it's passed, yea pass watch it?

2:12:31.520 --> 2:12:33.440
<v Speaker 3>I don't watch it. We don't care. I like this

2:12:33.960 --> 2:12:38.440
<v Speaker 3>not technically a pass past. Yeah, that's actually a pass.

2:12:38.480 --> 2:12:42.240
<v Speaker 3>But there's no drink, so you got to drinks. That's

2:12:42.280 --> 2:12:46.120
<v Speaker 3>the way you should use. How many passes do you get? Though?

2:12:46.720 --> 2:12:49.400
<v Speaker 1>It unlimited past it's cool because you're not drinking, so

2:12:49.520 --> 2:12:52.160
<v Speaker 1>you know, yeah, so it's designated you've been drinking.

2:12:52.240 --> 2:12:56.880
<v Speaker 3>Yeah, flex flex, you can take this one. I'm sorry,

2:12:57.000 --> 2:13:00.360
<v Speaker 3>we wind that you can take this one. Flex for clue,

2:13:04.000 --> 2:13:06.120
<v Speaker 3>we should start with you. That's we're gonna start with you.

2:13:06.320 --> 2:13:10.320
<v Speaker 17>Really, and you said it was just flex to DJ Okay,

2:13:12.680 --> 2:13:15.600
<v Speaker 17>clue doesn't DJ No, I got it, I got it,

2:13:15.680 --> 2:13:18.200
<v Speaker 17>flexy DJ and need Jamaican.

2:13:20.520 --> 2:13:21.120
<v Speaker 5>And there is.

2:13:22.760 --> 2:13:25.520
<v Speaker 3>He's like Lennar Mercy, that was hard.

2:13:30.000 --> 2:13:34.000
<v Speaker 1>I'll stay with my brother Daddy rich flex. Okay, queens

2:13:34.040 --> 2:13:37.680
<v Speaker 1>get the money. Okay, queens get the money.

2:13:39.800 --> 2:13:41.560
<v Speaker 10>I mean they both have a clue. They both did

2:13:41.760 --> 2:13:46.760
<v Speaker 10>the little big things. Yeah, clue, all right, my nigga

2:13:48.160 --> 2:13:49.600
<v Speaker 10>New Jack City or Juice.

2:13:51.560 --> 2:13:58.160
<v Speaker 3>For real. So that's that's that's that's both. That's both

2:13:58.320 --> 2:14:01.000
<v Speaker 3>hip hop. That's what you was hating on New I

2:14:01.160 --> 2:14:04.200
<v Speaker 3>never hated on New York. No hate on us. We

2:14:04.360 --> 2:14:06.080
<v Speaker 3>never hate it on y'all. Y'all hate it. We didn't

2:14:06.120 --> 2:14:10.000
<v Speaker 3>hate on mine on the rest of We're not gonna

2:14:10.000 --> 2:14:13.840
<v Speaker 3>get into this argument. You remember the story you just

2:14:13.960 --> 2:14:15.960
<v Speaker 3>told when I went and then they put two life

2:14:16.000 --> 2:14:16.440
<v Speaker 3>creup before.

2:14:16.560 --> 2:14:16.920
<v Speaker 10>Uh huh.

2:14:18.400 --> 2:14:23.640
<v Speaker 3>Yeah, but I didn't understand, no comprehend. You were like, no, no, no,

2:14:24.480 --> 2:14:30.000
<v Speaker 3>I no, we never hated, no, of course not. Wait,

2:14:30.080 --> 2:14:32.880
<v Speaker 3>there's a difference between hating and not understanding. I didn't

2:14:32.880 --> 2:14:34.800
<v Speaker 3>say hate, you did. You just said you hated on us.

2:14:34.840 --> 2:14:36.400
<v Speaker 3>We gotta go on tag but we got.

2:14:39.080 --> 2:14:39.560
<v Speaker 5>We got.

2:14:40.920 --> 2:14:41.720
<v Speaker 3>Hating it hating.

2:14:42.440 --> 2:14:45.000
<v Speaker 1>You didn't hate. We didn't understand. It's a difference. It's

2:14:45.040 --> 2:14:46.120
<v Speaker 1>a cultural difference.

2:14:46.240 --> 2:14:49.760
<v Speaker 10>I like that breaking in New York locked out everybody

2:14:49.800 --> 2:14:52.640
<v Speaker 10>else in the couse we didn't. It comes out Okay,

2:14:52.760 --> 2:14:55.560
<v Speaker 10>great story, but understand it's not a great story. What

2:14:55.600 --> 2:14:57.560
<v Speaker 10>I'm saying that that is the story. But I'm saying

2:14:57.760 --> 2:15:00.640
<v Speaker 10>it happened. Though it happened, it didn't. It didn't not happened.

2:15:00.880 --> 2:15:03.040
<v Speaker 1>But I'm just saying to you that it wasn't based

2:15:03.240 --> 2:15:07.440
<v Speaker 1>on hate. It wasn't like you did anything to cause hate.

2:15:08.080 --> 2:15:09.280
<v Speaker 1>We just didn't understand.

2:15:09.360 --> 2:15:12.480
<v Speaker 10>It depends when you hear people from New York saying, oh, y'all,

2:15:12.560 --> 2:15:14.960
<v Speaker 10>Bama's y'all, this y'all, that that is hate.

2:15:15.680 --> 2:15:18.160
<v Speaker 3>That's not what we're standing York though. But yeah, no,

2:15:18.440 --> 2:15:23.040
<v Speaker 3>and first of all, Bama most of the country are

2:15:23.120 --> 2:15:27.840
<v Speaker 3>excuse me, considered just FYI, it wasn't Bamas, it was Bumpkins.

2:15:28.120 --> 2:15:30.320
<v Speaker 3>It's different. No, we wear a lot of things, a

2:15:30.480 --> 2:15:31.120
<v Speaker 3>lot of things.

2:15:31.240 --> 2:15:31.280
<v Speaker 13>No.

2:15:31.400 --> 2:15:34.720
<v Speaker 1>No, the point was it wasn't because of hate. It

2:15:34.840 --> 2:15:37.640
<v Speaker 1>was because of lack of understanding. We weren't around Jill.

2:15:37.960 --> 2:15:41.440
<v Speaker 1>So if we can articulate this way different, if I'm

2:15:41.520 --> 2:15:44.640
<v Speaker 1>the same at twenty four, then it wasn't fifty four.

2:15:44.680 --> 2:15:47.680
<v Speaker 3>I wasted thirty years of my life. I'll just say

2:15:47.720 --> 2:15:49.839
<v Speaker 3>this and this is a whole other podcast.

2:15:49.880 --> 2:15:52.120
<v Speaker 10>Y'all had some bad but hip hop would be different

2:15:52.200 --> 2:15:54.120
<v Speaker 10>now if New York would have opened up a little

2:15:54.160 --> 2:15:56.440
<v Speaker 10>bit more at a certain time, absolutely, hip hop would

2:15:56.480 --> 2:15:57.440
<v Speaker 10>be totally different.

2:15:57.840 --> 2:16:06.120
<v Speaker 3>That is one hundred percent because everybody yet now, I

2:16:08.000 --> 2:16:12.280
<v Speaker 3>don't know what you say you were like, I can't

2:16:12.280 --> 2:16:17.240
<v Speaker 3>wait to a record with that. I don't know what

2:16:17.280 --> 2:16:21.160
<v Speaker 3>you're talking about right now, but let it up.

2:16:21.720 --> 2:16:24.480
<v Speaker 1>And when we're looking but looking at our beautiful things,

2:16:24.520 --> 2:16:26.520
<v Speaker 1>all right, now, look how horrible this music is.

2:16:26.720 --> 2:16:29.320
<v Speaker 3>Hell, get out of here, bro get it. You don't

2:16:29.320 --> 2:16:30.320
<v Speaker 3>want to. That's not the way.

2:16:30.400 --> 2:16:32.040
<v Speaker 10>That's not the way this went. That's not the way

2:16:32.120 --> 2:16:34.720
<v Speaker 10>this went. No, that's not the way. I listen.

2:16:35.280 --> 2:16:35.680
<v Speaker 3>You're right.

2:16:35.959 --> 2:16:37.520
<v Speaker 1>History is going to see it, thank you very much.

2:16:37.800 --> 2:16:39.120
<v Speaker 1>History is going to see it a different way.

2:16:39.240 --> 2:16:41.760
<v Speaker 3>Right. History is going to see it as hate. Right,

2:16:41.840 --> 2:16:44.320
<v Speaker 3>I got it, I get it, forget keeping. Let's does

2:16:44.400 --> 2:16:44.960
<v Speaker 3>not call it hate.

2:16:45.000 --> 2:16:47.800
<v Speaker 1>Let's I think that's a good immersion of ioeping for

2:16:47.959 --> 2:16:51.520
<v Speaker 1>me at this point in my life, I would just

2:16:51.600 --> 2:16:53.840
<v Speaker 1>prefer to use different adjectives to describe ship.

2:16:54.040 --> 2:16:56.480
<v Speaker 3>And for me, it was just different, like we didn't

2:16:56.560 --> 2:16:59.520
<v Speaker 3>get it, like we didn't get what we loved about.

2:16:59.560 --> 2:17:02.879
<v Speaker 1>It was the things that we understood right going out,

2:17:03.000 --> 2:17:06.119
<v Speaker 1>having a good time, being around people. You know that part,

2:17:06.320 --> 2:17:11.160
<v Speaker 1>eating good, drinking good, smoking good, feeling good. Everything else

2:17:11.240 --> 2:17:13.480
<v Speaker 1>didn't make sense to us, like the beats, and it

2:17:13.560 --> 2:17:15.600
<v Speaker 1>didn't make sense to us because we didn't come from that.

2:17:15.680 --> 2:17:17.680
<v Speaker 3>It was just different. It wasn't hate. It was a

2:17:17.760 --> 2:17:18.600
<v Speaker 3>lack of understanding.

2:17:19.400 --> 2:17:22.119
<v Speaker 1>The thing about New Yorkers and this is the one

2:17:22.200 --> 2:17:25.960
<v Speaker 1>thing that's just about New Yorkers. We come from a

2:17:26.040 --> 2:17:29.440
<v Speaker 1>place that's so siloed and so eco, Like, we don't

2:17:29.560 --> 2:17:31.640
<v Speaker 1>understand how you don't get around on the subway.

2:17:31.879 --> 2:17:34.120
<v Speaker 3>We don't understand how you don't know every street in

2:17:34.160 --> 2:17:35.520
<v Speaker 3>the five Burroughs. We don't.

2:17:36.080 --> 2:17:40.439
<v Speaker 1>That's it's foreign to us, right, because we're so siloed.

2:17:40.760 --> 2:17:42.480
<v Speaker 1>So when we come down here and you're like, oh,

2:17:42.520 --> 2:17:43.840
<v Speaker 1>I don't know how to get there from here, We're like,

2:17:43.879 --> 2:17:44.800
<v Speaker 1>what the fuck are you talking about?

2:17:44.840 --> 2:17:46.959
<v Speaker 3>You fucking bumpkin. You always just take the blah da

2:17:47.000 --> 2:17:48.360
<v Speaker 3>da dah, the blah dah dah, and you just get

2:17:48.440 --> 2:17:48.840
<v Speaker 3>that bunk.

2:17:49.959 --> 2:17:52.920
<v Speaker 1>No understand now, I'm not talking about him a bumpkin,

2:17:53.920 --> 2:17:54.880
<v Speaker 1>but that's how it was.

2:17:55.160 --> 2:17:55.879
<v Speaker 10>But no, no, no, But.

2:18:03.680 --> 2:18:06.320
<v Speaker 3>I don't need any of your people coming from right now.

2:18:06.600 --> 2:18:10.039
<v Speaker 3>I don't mean people running up in no, but the point.

2:18:10.080 --> 2:18:12.040
<v Speaker 3>But that was the old thing. Like I was just

2:18:12.160 --> 2:18:15.200
<v Speaker 3>explaining this, I was explaining to my man from Jersey, right,

2:18:15.600 --> 2:18:16.000
<v Speaker 3>My man.

2:18:16.240 --> 2:18:19.200
<v Speaker 1>Jersey had the same issue with the Yes, my man

2:18:19.280 --> 2:18:24.240
<v Speaker 1>from Jersey, say Brody. My man from Jersey City, which

2:18:24.320 --> 2:18:26.560
<v Speaker 1>is five minutes from fucking Newark, doesn't know how to

2:18:26.600 --> 2:18:29.560
<v Speaker 1>get through Newark. I'm like, Yo, you're fucking sixty seventy

2:18:29.640 --> 2:18:31.760
<v Speaker 1>years old. How the fuck is that possible? You live

2:18:31.840 --> 2:18:34.280
<v Speaker 1>here your whole fucking life. How do you not know

2:18:34.640 --> 2:18:37.320
<v Speaker 1>how to get from this restaurant Jersey to the fucking

2:18:37.360 --> 2:18:38.960
<v Speaker 1>Trip hotel in downtown Newark.

2:18:39.800 --> 2:18:41.879
<v Speaker 3>It's five minutes, It's five blocks.

2:18:42.800 --> 2:18:46.080
<v Speaker 1>It's crazy because when we were crumbing up in New York,

2:18:46.160 --> 2:18:48.560
<v Speaker 1>whether it was rich, you knew that, you knew how

2:18:48.600 --> 2:18:50.200
<v Speaker 1>to take the D train to the A to the

2:18:50.280 --> 2:18:53.000
<v Speaker 1>C to the two to the sixth, you knew every block.

2:18:54.400 --> 2:18:57.440
<v Speaker 3>So it it just it was just a different mindset.

2:18:59.040 --> 2:19:00.320
<v Speaker 3>And I'm not calling you a no.

2:19:00.879 --> 2:19:02.480
<v Speaker 10>Like I said, this is a whole other podcast we

2:19:02.520 --> 2:19:03.879
<v Speaker 10>could do. We're not gonna do it that at all.

2:19:04.959 --> 2:19:07.400
<v Speaker 1>Because when we work together, when we worked records together,

2:19:07.480 --> 2:19:09.879
<v Speaker 1>I trusted you on everything.

2:19:10.000 --> 2:19:11.600
<v Speaker 3>Of course, I would never question you.

2:19:11.640 --> 2:19:14.480
<v Speaker 1>I would never come into another city and be like, oh,

2:19:14.600 --> 2:19:19.320
<v Speaker 1>y'all doing it's crazy, but I.

2:19:19.400 --> 2:19:19.920
<v Speaker 3>Love that ship.

2:19:20.000 --> 2:19:20.760
<v Speaker 5>What about Juice?

2:19:22.000 --> 2:19:24.920
<v Speaker 3>What about juice? I said both? I said both, Yeah,

2:19:24.920 --> 2:19:25.760
<v Speaker 3>I said both drink.

2:19:26.040 --> 2:19:27.600
<v Speaker 10>Oh no, that's what I'm sorry because he said it was.

2:19:27.640 --> 2:19:33.120
<v Speaker 3>Not a New Jok City, New York City. Juice is

2:19:33.160 --> 2:19:35.360
<v Speaker 3>what made me want to really New Jack City or Juice.

2:19:35.840 --> 2:19:38.640
<v Speaker 3>Both are like being on set of Juice by the Yeah,

2:19:38.640 --> 2:19:41.280
<v Speaker 3>I gotta hear this because that that wanted me made

2:19:41.320 --> 2:19:42.519
<v Speaker 3>me buy my turntables.

2:19:42.840 --> 2:19:45.320
<v Speaker 1>He yo, that's some heavyweights. Man, you're going against fucking

2:19:45.400 --> 2:19:45.959
<v Speaker 1>Daddy Rich.

2:19:46.040 --> 2:19:48.280
<v Speaker 3>And the funny thing is.

2:19:49.800 --> 2:19:52.520
<v Speaker 4>Me and Scratch was supposed to battle that day on

2:19:52.720 --> 2:19:57.320
<v Speaker 4>set on set, but he went to Buffalo, so that

2:19:57.440 --> 2:19:58.440
<v Speaker 4>had been kind of crazy.

2:19:58.560 --> 2:19:58.840
<v Speaker 10>But U.

2:20:00.400 --> 2:20:03.280
<v Speaker 4>The records that we used in the real records, they

2:20:03.320 --> 2:20:04.320
<v Speaker 4>didn't get the sample clear.

2:20:04.520 --> 2:20:08.000
<v Speaker 10>So like the battles session that the whole thing was overdub.

2:20:08.160 --> 2:20:10.320
<v Speaker 10>But were they were really trying to like was it real?

2:20:10.640 --> 2:20:11.720
<v Speaker 10>Was audio really connected?

2:20:11.879 --> 2:20:12.039
<v Speaker 3>Yeah?

2:20:12.080 --> 2:20:15.520
<v Speaker 4>They were really DJing. We were really battled. Wow, Yeah,

2:20:15.879 --> 2:20:18.840
<v Speaker 4>we're really battled. But Scratch had to go to Buffalo

2:20:19.000 --> 2:20:23.560
<v Speaker 4>that day so he couldn't make it, and uh for

2:20:23.680 --> 2:20:26.960
<v Speaker 4>Omar Epps to pump me up, part scratched it. That

2:20:27.440 --> 2:20:31.040
<v Speaker 4>and I think the other practice thing, I think Classic

2:20:31.160 --> 2:20:34.160
<v Speaker 4>Man did that. That's who plugged us in with them. Wow,

2:20:35.680 --> 2:20:36.360
<v Speaker 4>all Superman.

2:20:37.240 --> 2:20:41.640
<v Speaker 1>So we're saying juice, No, I'm saying. I'm saying both Yo.

2:20:41.760 --> 2:20:42.880
<v Speaker 1>New Jack City was my fuck.

2:20:43.200 --> 2:20:44.640
<v Speaker 3>Yo. New Jack City is off the chain.

2:20:44.720 --> 2:20:44.800
<v Speaker 5>Yo.

2:20:44.920 --> 2:20:46.080
<v Speaker 3>New Jack Cony was off the chain.

2:20:46.920 --> 2:20:49.760
<v Speaker 1>And I was uptown when that shit really happened when

2:20:49.800 --> 2:20:52.160
<v Speaker 1>they took over that building, that ship.

2:20:52.440 --> 2:21:00.440
<v Speaker 3>Yeah, so we're drinking, Yes, I think we are as Yeah,

2:21:01.680 --> 2:21:05.120
<v Speaker 3>all right, h yeah, answer this. You're gonna let me

2:21:05.160 --> 2:21:10.119
<v Speaker 3>thank you very much. I appreciate you for my name

2:21:10.240 --> 2:21:14.920
<v Speaker 3>is not just on the den. It's okay then n

2:21:15.120 --> 2:21:18.400
<v Speaker 3>w A or Wu tang. This is a highly debated

2:21:19.000 --> 2:21:21.400
<v Speaker 3>now it's not even that debated. It really isn't that

2:21:21.480 --> 2:21:25.320
<v Speaker 3>highly debated. But so okay. So I think he's a

2:21:25.440 --> 2:21:28.120
<v Speaker 3>terrible pair. To be honest, I don't like the pair.

2:21:29.560 --> 2:21:33.200
<v Speaker 1>Who's the third base story to that, I believe, And

2:21:33.280 --> 2:21:36.520
<v Speaker 1>again my perspective, only my perspective based on talking to

2:21:36.600 --> 2:21:39.760
<v Speaker 1>Dre and talking to Ice Cube, m if there was

2:21:39.879 --> 2:21:43.320
<v Speaker 1>no Cactus album, the production on the first n A

2:21:43.680 --> 2:21:47.160
<v Speaker 1>w A album would be different really because and Q

2:21:48.160 --> 2:21:53.040
<v Speaker 1>they were so impressed with the production on the Cactus

2:21:53.360 --> 2:21:55.920
<v Speaker 1>one second, it came to our album party to show

2:21:56.000 --> 2:21:56.480
<v Speaker 1>us love.

2:21:56.840 --> 2:22:01.360
<v Speaker 3>The first album was Bump Squad involved, Right, this one

2:22:03.840 --> 2:22:07.120
<v Speaker 3>is the majority of Chris Paul. Yeah, okay, but he

2:22:07.320 --> 2:22:07.560
<v Speaker 3>loved it.

2:22:07.680 --> 2:22:12.760
<v Speaker 1>But but Dre and Cube loved Sam's production like that

2:22:13.320 --> 2:22:17.800
<v Speaker 1>particular like they loved if you listen to that first.

2:22:17.720 --> 2:22:21.400
<v Speaker 3>N w A album, them snares, them drums, they sound.

2:22:21.200 --> 2:22:22.920
<v Speaker 10>A lot like which is the ice Cube story that

2:22:22.959 --> 2:22:25.279
<v Speaker 10>he was looking for, right, Okay, okay.

2:22:25.240 --> 2:22:28.440
<v Speaker 5>But but that's the four Sam denies that story, that

2:22:28.560 --> 2:22:30.160
<v Speaker 5>no one ever contacted him.

2:22:30.440 --> 2:22:36.560
<v Speaker 3>That might have been leor didn't make the call, right,

2:22:36.680 --> 2:22:38.600
<v Speaker 3>but l Cohen against the gas.

2:22:40.560 --> 2:22:43.800
<v Speaker 1>But the point is that's why Cube came to New York. Right,

2:22:44.400 --> 2:22:48.920
<v Speaker 1>Whether whether I think it's there's Yeah, whether le or

2:22:49.040 --> 2:22:52.960
<v Speaker 1>call Sam or not, it's on that right. But obviously

2:22:53.000 --> 2:22:56.480
<v Speaker 1>that's what Yeah came. He came to meet with Sam.

2:22:56.640 --> 2:23:01.199
<v Speaker 5>Sever But they sonically, they made a lot of innovations

2:23:01.240 --> 2:23:03.920
<v Speaker 5>and followed more of the East Coast lead on production,

2:23:04.120 --> 2:23:06.640
<v Speaker 5>like when when Africa Islam went out to the West Coast,

2:23:07.120 --> 2:23:10.080
<v Speaker 5>but I see he brought that whole, you know, kicks

2:23:10.120 --> 2:23:12.680
<v Speaker 5>in the Aunt medic you know, like the beats. You

2:23:12.760 --> 2:23:15.680
<v Speaker 5>can hear the influence these coast. You could see the

2:23:15.800 --> 2:23:18.360
<v Speaker 5>L A Posse coming back from New York and bringing

2:23:18.360 --> 2:23:21.520
<v Speaker 5>the West Coast to New York. So people sleep on

2:23:21.879 --> 2:23:25.000
<v Speaker 5>L A Posse and Islam like laying the foundation which

2:23:25.040 --> 2:23:27.200
<v Speaker 5>is zoom like and yeah for n w A. And

2:23:27.440 --> 2:23:30.120
<v Speaker 5>when you look at what was the searchers saying, you know,

2:23:30.160 --> 2:23:33.160
<v Speaker 5>you see in the East coast influence which you know,

2:23:33.320 --> 2:23:37.439
<v Speaker 5>like Dante Ross would tell us, wah is incredible.

2:23:36.959 --> 2:23:39.400
<v Speaker 1>Which is this whole in their movie And in the

2:23:39.720 --> 2:23:42.600
<v Speaker 1>remember the going to the World and hearing Dope Man

2:23:42.680 --> 2:23:44.879
<v Speaker 1>for the first time and thinking like what the fuck

2:23:45.000 --> 2:23:48.280
<v Speaker 1>is this? This is crazy? Sounded so big in the world,

2:23:49.000 --> 2:23:54.360
<v Speaker 1>Dope Man, Dope Man, Yo, that ship sounded crazy. It

2:23:54.440 --> 2:24:00.480
<v Speaker 1>was incredible, man, mhm wu tang or n w A.

2:24:00.640 --> 2:24:01.360
<v Speaker 1>It's a bad pairing.

2:24:01.760 --> 2:24:04.080
<v Speaker 3>It's a very bad. I don't like the parent. Yeah,

2:24:04.080 --> 2:24:04.840
<v Speaker 3>I got whatch on.

2:24:04.879 --> 2:24:07.800
<v Speaker 10>It because I think generationally it's not.

2:24:08.240 --> 2:24:08.880
<v Speaker 3>The right parent.

2:24:08.959 --> 2:24:11.200
<v Speaker 1>Yeah, I mean I'm both so important in both. Yeah,

2:24:11.560 --> 2:24:14.200
<v Speaker 1>I'm gonna I'm gonna puge. I'm also gonna pass. I'm

2:24:14.240 --> 2:24:22.640
<v Speaker 1>gonna pay a past. Okay, Dan.

2:24:24.680 --> 2:24:32.480
<v Speaker 3>Knew he was gonna. I knew it. I actually am

2:24:32.520 --> 2:24:36.480
<v Speaker 3>not mad at that. And there it is. Okay, all right,

2:24:39.320 --> 2:24:48.959
<v Speaker 3>you already, Prince Paul large pro Oh, oh, I'm ninety

2:24:49.040 --> 2:24:51.039
<v Speaker 3>nine percent sure. I know what Rich and Peter are

2:24:51.080 --> 2:24:58.160
<v Speaker 3>gonna say. All right, Nussell Dommas, I'm ninety nine percent sure.

2:25:00.200 --> 2:25:01.320
<v Speaker 5>But what are you gonna say?

2:25:08.200 --> 2:25:10.440
<v Speaker 3>I mean, I'm gonna I'm waiting for y'all like i'm

2:25:10.640 --> 2:25:14.280
<v Speaker 3>I'm I'm we can't do that, you can't.

2:25:15.640 --> 2:25:20.160
<v Speaker 14>This is okay, so large Professor, Okay, I got I

2:25:20.240 --> 2:25:21.240
<v Speaker 14>gotta pass on that one.

2:25:21.280 --> 2:25:25.920
<v Speaker 5>I can't you and your passes both both both both,

2:25:28.160 --> 2:25:28.920
<v Speaker 5>my professor.

2:25:30.120 --> 2:25:33.760
<v Speaker 1>I'm surprised. I'm surprised. I'm surprised. You know, I'm surprised.

2:25:33.800 --> 2:25:34.879
<v Speaker 1>I thought you would say, principal.

2:25:35.000 --> 2:25:36.680
<v Speaker 3>So maybe two. I don't know.

2:25:38.160 --> 2:25:39.879
<v Speaker 10>Okay, no drinking, no drinking.

2:25:41.400 --> 2:25:43.880
<v Speaker 3>That's fair enough. I'll do it. Oh, d b or

2:25:43.879 --> 2:25:45.400
<v Speaker 3>Bis Wait wait, wait you gotta drink?

2:25:45.480 --> 2:25:45.520
<v Speaker 5>No?

2:25:46.840 --> 2:25:48.480
<v Speaker 3>Oh, I say, we just changed the rules in the

2:25:48.520 --> 2:25:50.720
<v Speaker 3>middu We just do that. It's your show.

2:25:50.760 --> 2:25:51.120
<v Speaker 1>You can do it.

2:25:52.920 --> 2:25:58.200
<v Speaker 18>Oh d b Or Bismarck, Bismark, bis Mark Mark okay,

2:25:58.680 --> 2:25:59.960
<v Speaker 18>rest in peace, resting peace?

2:26:00.000 --> 2:26:02.920
<v Speaker 3>Would you fuck you?

2:26:03.400 --> 2:26:03.560
<v Speaker 9>Wrap?

2:26:04.280 --> 2:26:07.120
<v Speaker 3>Mm hmm yeah, I gotta go ge Queen Wrap queens

2:26:07.120 --> 2:26:07.600
<v Speaker 3>get the money.

2:26:08.760 --> 2:26:11.240
<v Speaker 10>But schoolids an original this one yay?

2:26:11.520 --> 2:26:13.360
<v Speaker 3>Or forall for real?

2:26:14.959 --> 2:26:15.160
<v Speaker 2>Yeah?

2:26:16.240 --> 2:26:21.000
<v Speaker 3>For Rell right? Who said yeah? Oh two? The one

2:26:21.040 --> 2:26:22.720
<v Speaker 3>wins right new Roules. Oh yeah, I was about the

2:26:22.800 --> 2:26:30.360
<v Speaker 3>radio drink Queen Latifa might not passed. They both. If

2:26:30.400 --> 2:26:33.879
<v Speaker 3>you're going to pass, say pass. If you're gonna say both.

2:26:34.000 --> 2:26:35.600
<v Speaker 5>Have you ever seen the papers in the video?

2:26:35.840 --> 2:26:41.720
<v Speaker 3>Of course? What you get paper? Who's doing this? You

2:26:41.840 --> 2:26:45.160
<v Speaker 3>look closely? Get the funk out of here?

2:26:45.640 --> 2:26:49.240
<v Speaker 5>Me and searches show ball where the top villain video?

2:26:49.800 --> 2:26:52.280
<v Speaker 3>His his father in the top I'm in the top

2:26:52.360 --> 2:26:56.240
<v Speaker 3>building video. So his father is chilling. Yeah, the uh

2:26:57.000 --> 2:27:00.320
<v Speaker 3>pool his father worked. You know, he was a bishop

2:27:00.360 --> 2:27:01.160
<v Speaker 3>Ford High school.

2:27:01.280 --> 2:27:04.720
<v Speaker 1>They have the jopist letthermon jackets black red and white

2:27:05.000 --> 2:27:08.800
<v Speaker 1>letther sleeve. His dad for my birthday had been in

2:27:08.959 --> 2:27:11.400
<v Speaker 1>EMCE search bishop Ford that said, g w.

2:27:12.000 --> 2:27:18.600
<v Speaker 3>For go white boy and I wore that ship in

2:27:18.760 --> 2:27:22.320
<v Speaker 3>the milk and the audio two videos kind of yo,

2:27:22.520 --> 2:27:23.240
<v Speaker 3>that's iconic.

2:27:23.320 --> 2:27:25.520
<v Speaker 1>But you gotta check out the light video because I

2:27:25.640 --> 2:27:28.240
<v Speaker 1>played a fucking Italian muscle boy.

2:27:28.360 --> 2:27:31.560
<v Speaker 3>That's what fucking with soul.

2:27:32.120 --> 2:27:35.080
<v Speaker 10>I need you to be an Italian like the description

2:27:35.240 --> 2:27:36.959
<v Speaker 10>is wild Italian muscle boy.

2:27:36.920 --> 2:27:39.280
<v Speaker 3>With Yeah, that's what Lionel Martin told me to do.

2:27:39.680 --> 2:27:41.800
<v Speaker 3>That's in the video as a wild describon. That's what

2:27:41.959 --> 2:27:47.840
<v Speaker 3>she said, kind of fire. So we all said both.

2:27:48.520 --> 2:27:48.680
<v Speaker 13>Yeah.

2:27:48.680 --> 2:27:51.480
<v Speaker 15>I used to DJs like really like we're in the

2:27:51.520 --> 2:27:56.160
<v Speaker 15>group together as kids, so like all right, drink all.

2:27:56.160 --> 2:28:01.800
<v Speaker 16>Right, yo, she's to you for that. That's legendary. Ship

2:28:05.760 --> 2:28:08.119
<v Speaker 16>Rich's neighborhood got crazy history.

2:28:11.680 --> 2:28:24.440
<v Speaker 8>Podcasts of radio podcast or radio podcast podcasts means like

2:28:24.560 --> 2:28:26.480
<v Speaker 8>the same thing kind of that. You could curse it,

2:28:26.600 --> 2:28:29.039
<v Speaker 8>I say, podcast, right, Yeah, there you go. Damn we're

2:28:29.120 --> 2:28:30.000
<v Speaker 8>on the same page.

2:28:30.080 --> 2:28:34.839
<v Speaker 3>Ships, Public Enemy or Gangstar.

2:28:39.680 --> 2:28:46.680
<v Speaker 1>Recipes. Public so important? Yeah, yeah, I think I think

2:28:48.440 --> 2:28:52.320
<v Speaker 1>Public Enemy, we definitely say. That's my default on these

2:28:52.320 --> 2:28:54.600
<v Speaker 1>type of questions. I think that the person would say this,

2:28:55.080 --> 2:28:56.359
<v Speaker 1>the people the predecessors.

2:28:56.440 --> 2:28:57.600
<v Speaker 3>Yeah, I mean we.

2:28:57.760 --> 2:29:01.000
<v Speaker 5>Basically saw them from the beginning, and then we saw

2:29:01.040 --> 2:29:01.920
<v Speaker 5>the world because of them.

2:29:02.520 --> 2:29:04.920
<v Speaker 3>I mean literally in the world because of Public Enemy.

2:29:05.160 --> 2:29:07.040
<v Speaker 3>We opened for them for damn near two years.

2:29:07.360 --> 2:29:09.840
<v Speaker 5>I mean Clark Can he got the test press that

2:29:09.920 --> 2:29:12.560
<v Speaker 5>rubber without a pause to play on our show from

2:29:12.640 --> 2:29:16.120
<v Speaker 5>Red and you know you just saw like that record, yo,

2:29:16.280 --> 2:29:18.320
<v Speaker 5>that right alone. If they just put out that record

2:29:18.400 --> 2:29:19.200
<v Speaker 5>at the Latin Quarter and.

2:29:19.200 --> 2:29:22.200
<v Speaker 1>It was crazy the year before because you know, Yo,

2:29:22.240 --> 2:29:25.000
<v Speaker 1>bum Rush Show. People tend to forget that young bum

2:29:25.160 --> 2:29:28.320
<v Speaker 1>Rush Show is the first album. It did not have that,

2:29:28.480 --> 2:29:32.120
<v Speaker 1>it had my ninety eight no right. I remember them

2:29:32.160 --> 2:29:34.039
<v Speaker 1>getting booed off stage at the Latin Quarter.

2:29:33.879 --> 2:29:35.440
<v Speaker 3>Because it was it was new.

2:29:36.320 --> 2:29:38.600
<v Speaker 1>You knew it, but it was different, Yeah, and nobody

2:29:38.720 --> 2:29:41.440
<v Speaker 1>was checking for it. And then a year later they

2:29:41.520 --> 2:29:43.840
<v Speaker 1>came with that and it was a rap like that

2:29:43.959 --> 2:29:47.240
<v Speaker 1>record literally became the stick up record in the Lane Quarter.

2:29:47.440 --> 2:29:50.400
<v Speaker 1>Like when that record yeah, like when that record came up,

2:29:51.040 --> 2:29:52.840
<v Speaker 1>you took off your because.

2:29:52.640 --> 2:29:56.640
<v Speaker 3>They sucked on the text. Which record you're talking about?

2:29:56.720 --> 2:29:57.879
<v Speaker 3>Nobod out a pole.

2:29:59.120 --> 2:30:03.840
<v Speaker 10>Enemy inside of people, datting people that's wid yes, no, no,

2:30:04.160 --> 2:30:08.039
<v Speaker 10>I could dudes were getting you know that's wild yo.

2:30:08.360 --> 2:30:13.039
<v Speaker 3>Yes, yo, Yo, nother funk all.

2:30:13.000 --> 2:30:17.199
<v Speaker 1>That the original, the original fifty cent, his brother a Rock,

2:30:17.360 --> 2:30:20.760
<v Speaker 1>all the Decepticons. When that record will go Vic and

2:30:20.879 --> 2:30:24.240
<v Speaker 1>I was dancing with like ic Us the siren. Yeah, yo,

2:30:25.040 --> 2:30:28.000
<v Speaker 1>call that sounds chaotic. They call that to kill the

2:30:28.040 --> 2:30:32.200
<v Speaker 1>white man noise. Fifty don't you called it? Fifty cent?

2:30:32.440 --> 2:30:34.720
<v Speaker 3>Would tap me the original fifty cent with me. Go

2:30:34.840 --> 2:30:36.920
<v Speaker 3>get off the floor, search, get off the floor, go

2:30:36.959 --> 2:30:42.039
<v Speaker 3>to the ball. Yes, yo, it was rap.

2:30:43.720 --> 2:30:49.360
<v Speaker 5>That and ghosts probablys and and ultra magnetic Wow, antip villain,

2:30:49.520 --> 2:30:51.880
<v Speaker 5>top billing, top billion would do it.

2:30:52.400 --> 2:30:58.160
<v Speaker 3>It's a terrible era. It will great. I mean it

2:30:58.280 --> 2:31:00.920
<v Speaker 3>was the greatest error ever. I would go back to

2:31:01.040 --> 2:31:04.119
<v Speaker 3>that story light video. Look they pulled you up immediately.

2:31:05.720 --> 2:31:10.720
<v Speaker 19>Yeah, right then, oh ship that is you look at

2:31:10.800 --> 2:31:14.840
<v Speaker 19>you when you yeah, and the funny thing is on

2:31:14.959 --> 2:31:17.600
<v Speaker 19>the same way there than I am now.

2:31:18.320 --> 2:31:20.000
<v Speaker 3>Like literally, I'm in the best shape of my life.

2:31:20.360 --> 2:31:25.320
<v Speaker 3>Shout out the shout out to my man.

2:31:26.000 --> 2:31:27.600
<v Speaker 5>And the cold Crush is the most healthy man in

2:31:27.680 --> 2:31:28.640
<v Speaker 5>hip hop, like.

2:31:29.320 --> 2:31:35.520
<v Speaker 3>The health and hip hop. Oh yeah, we see ham

2:31:35.680 --> 2:31:47.160
<v Speaker 3>over in the ice. M uh. You know, honestly, I'm

2:31:47.200 --> 2:31:50.080
<v Speaker 3>gonna go with MC Hammer. I guy to pick Tom hamml.

2:31:50.200 --> 2:31:53.280
<v Speaker 3>I gotta go Hammer because you know, because you can

2:31:53.320 --> 2:31:53.680
<v Speaker 3>say what you.

2:31:53.680 --> 2:31:57.320
<v Speaker 1>Want about Hammer, but Hamma legitimately like cared about the culture.

2:31:59.640 --> 2:32:01.280
<v Speaker 1>Like one of the things that I love that Chuck

2:32:01.320 --> 2:32:03.840
<v Speaker 1>Dy's wife used to say all the time, which Chucky's

2:32:04.040 --> 2:32:06.760
<v Speaker 1>would always say that Hammer is the only rap artist

2:32:06.800 --> 2:32:07.680
<v Speaker 1>that plays in my house.

2:32:09.080 --> 2:32:11.360
<v Speaker 3>I respect Hammer like a motherfucker bro to be honest

2:32:11.360 --> 2:32:16.320
<v Speaker 3>with you, I think because he didn't play hip hop

2:32:16.360 --> 2:32:16.720
<v Speaker 3>in the house.

2:32:16.720 --> 2:32:19.160
<v Speaker 1>She wouldn't even play public Enemy, but she played see Hammer,

2:32:21.360 --> 2:32:26.320
<v Speaker 1>meaning meaning that for her Hammer's music and how he's

2:32:26.360 --> 2:32:28.879
<v Speaker 1>safe for the kids, and just it felt like.

2:32:29.400 --> 2:32:31.080
<v Speaker 3>Music that the whole family could enjoy.

2:32:31.840 --> 2:32:34.960
<v Speaker 5>I remember Hammer said some ship like Yo hotown three

2:32:35.000 --> 2:32:37.040
<v Speaker 5>five seven so more on third base, third base went

2:32:37.080 --> 2:32:37.920
<v Speaker 5>double wood.

2:32:37.840 --> 2:32:40.160
<v Speaker 10>Yeah, double wood, we went double yeah. Let's not forget

2:32:40.240 --> 2:32:45.040
<v Speaker 10>Hammer was a real last dude too. His brother brother,

2:32:45.160 --> 2:32:48.760
<v Speaker 10>his brother Louis Barrell. Yeah, Louis Barrell Hammon said with

2:32:48.920 --> 2:32:49.680
<v Speaker 10>double wood.

2:32:49.600 --> 2:32:55.320
<v Speaker 3>Double wood. Yeah, he said, we went doublet three five

2:32:55.400 --> 2:32:57.200
<v Speaker 3>seven soul More Records at the third base of it,

2:32:57.280 --> 2:32:58.240
<v Speaker 3>did we went double wood?

2:33:00.040 --> 2:33:02.800
<v Speaker 5>Shout out to him, yeah, man, shout out to still

2:33:03.080 --> 2:33:05.520
<v Speaker 5>the Holy Ghost Boys who got boot off the stage

2:33:05.520 --> 2:33:06.240
<v Speaker 5>of the lack of Quarter.

2:33:06.600 --> 2:33:08.560
<v Speaker 3>Who's that that was? That was his his group.

2:33:08.760 --> 2:33:11.240
<v Speaker 5>His new music seminar I think was eighty seven eighty seven,

2:33:11.320 --> 2:33:13.320
<v Speaker 5>he performed at the Line Quarter Paradise will tell you.

2:33:15.120 --> 2:33:25.000
<v Speaker 3>Wow, but no remorse for vential lies that on the

2:33:25.320 --> 2:33:30.840
<v Speaker 3>fuck it Yeah, pick drink, go ahead.

2:33:31.120 --> 2:33:34.920
<v Speaker 10>Yeah, I actually think the lies actually cares about hip

2:33:34.959 --> 2:33:35.480
<v Speaker 10>hop as well?

2:33:36.240 --> 2:33:42.320
<v Speaker 3>Is his name Pappy Robert van Winkle? Oh, I know

2:33:42.440 --> 2:33:44.560
<v Speaker 3>as I heard. You don't think you know I used

2:33:44.560 --> 2:33:47.200
<v Speaker 3>to love you, n like I love you. You don't

2:33:47.200 --> 2:33:48.920
<v Speaker 3>think he cares how long we go back?

2:33:49.040 --> 2:33:52.480
<v Speaker 5>You know, I don't think I heard that Vanellas has

2:33:52.560 --> 2:33:56.080
<v Speaker 5>a house that's an entrance to another house, so that

2:33:56.440 --> 2:33:57.160
<v Speaker 5>you know whoa.

2:33:57.280 --> 2:33:59.000
<v Speaker 3>I don't know what that means.

2:33:59.040 --> 2:34:00.920
<v Speaker 5>You got a lot of big house, you know, a

2:34:00.959 --> 2:34:02.400
<v Speaker 5>lot of so he doesn't care about.

2:34:04.200 --> 2:34:06.320
<v Speaker 3>Okay, we made friends with hand and let's make friends

2:34:06.360 --> 2:34:07.240
<v Speaker 3>with No.

2:34:07.400 --> 2:34:11.400
<v Speaker 1>That's fine, you want to to I'm just saying no, no, no,

2:34:13.120 --> 2:34:18.879
<v Speaker 1>if I'm toasting, no, no, no, it's not a problem.

2:34:18.959 --> 2:34:21.160
<v Speaker 3>I don't have a problem with any human being anymore.

2:34:21.240 --> 2:34:23.520
<v Speaker 3>Like literally, I have no problems with anyone. It's not

2:34:23.959 --> 2:34:25.800
<v Speaker 3>a problem. But you don't you really don't think that

2:34:25.879 --> 2:34:29.080
<v Speaker 3>he ever cared about hip hop? Absolutely? No, really absolutely

2:34:29.160 --> 2:34:31.360
<v Speaker 3>you think that was all a gimmick. I believe that

2:34:31.680 --> 2:34:34.640
<v Speaker 3>he saw an opportunity and he took it. Really, you

2:34:34.640 --> 2:34:37.400
<v Speaker 3>don't think he ever cared as a human being about

2:34:37.400 --> 2:34:40.040
<v Speaker 3>I don't think he understood what the culture was that

2:34:41.600 --> 2:34:48.400
<v Speaker 3>you still he wants to drink. He's feeling, he's with

2:34:48.560 --> 2:34:51.200
<v Speaker 3>his man. The legendary d m X is d J

2:34:51.320 --> 2:34:58.200
<v Speaker 3>d j LS one is here. He's having. We got

2:34:58.200 --> 2:35:05.760
<v Speaker 3>another legendary DJ cups in. You know, a lot of

2:35:06.160 --> 2:35:07.840
<v Speaker 3>legends in him. Man we behold.

2:35:08.320 --> 2:35:10.080
<v Speaker 1>So we say that he doesn't give him you know,

2:35:10.440 --> 2:35:13.959
<v Speaker 1>let me ask you though in fitness, because I really

2:35:14.040 --> 2:35:17.400
<v Speaker 1>did like that starts words just be you don't think

2:35:17.680 --> 2:35:20.600
<v Speaker 1>but not an ice kid about hip hop at one point.

2:35:20.520 --> 2:35:22.080
<v Speaker 3>Not even a little bit, a little bit, a little

2:35:22.080 --> 2:35:23.880
<v Speaker 3>bit a bit.

2:35:24.600 --> 2:35:26.240
<v Speaker 5>I mean when that when that record came out, I

2:35:26.320 --> 2:35:29.160
<v Speaker 5>think the first time we heard Ice Ice Baby, we

2:35:29.280 --> 2:35:30.400
<v Speaker 5>went that Detroit.

2:35:30.160 --> 2:35:33.320
<v Speaker 3>Station dancing a little bit to it. He was like

2:35:34.080 --> 2:35:36.160
<v Speaker 3>the Detroit station where you have to go all the

2:35:36.160 --> 2:35:38.879
<v Speaker 3>way up on the building, like the sixtieth floor that station,

2:35:40.600 --> 2:35:42.400
<v Speaker 3>And oh you did you did?

2:35:42.680 --> 2:35:45.520
<v Speaker 5>One thing about that record is the sample is dope.

2:35:45.600 --> 2:35:49.360
<v Speaker 5>That's something that we would have flipped David Bowie super away.

2:35:49.360 --> 2:35:51.520
<v Speaker 3>You're kind of mad, like ah, he grabbed that ship.

2:35:51.760 --> 2:35:54.000
<v Speaker 1>But the thing was he didn't take credit for it,

2:35:54.040 --> 2:35:58.080
<v Speaker 1>which makes him super wacky. He didn't take an interview samples.

2:35:58.280 --> 2:36:01.879
<v Speaker 1>He said, oh the David Bowie s call clean doom doom,

2:36:02.600 --> 2:36:04.640
<v Speaker 1>my ship goes doom, doom doom.

2:36:05.879 --> 2:36:06.959
<v Speaker 3>Yeah, no, that was why.

2:36:09.520 --> 2:36:12.480
<v Speaker 10>Yeah, but again that's if we're talking about the same

2:36:12.520 --> 2:36:14.960
<v Speaker 10>we were talking about poking Big as a young man.

2:36:15.080 --> 2:36:17.240
<v Speaker 3>Maybe he was just ignorant that went.

2:36:17.400 --> 2:36:23.120
<v Speaker 1>But again, again my perspective, when you show growth, right,

2:36:23.160 --> 2:36:27.800
<v Speaker 1>I was like, I have to quote chub Rock, because

2:36:27.959 --> 2:36:30.760
<v Speaker 1>chub Rock, the great prophet, the best vogue, first ever

2:36:31.520 --> 2:36:32.360
<v Speaker 1>creaking on the grill.

2:36:33.600 --> 2:36:34.959
<v Speaker 3>You know what he said in the grill?

2:36:35.320 --> 2:36:38.680
<v Speaker 5>Yeah, he said he could wrap his lips around something.

2:36:39.040 --> 2:36:41.800
<v Speaker 3>Right, I'll leave it at that, and we'll leave I mean,

2:36:41.840 --> 2:36:45.320
<v Speaker 3>don't leave it at that. No, no, no, no, weird

2:36:45.400 --> 2:36:48.800
<v Speaker 3>no no no. But the point is he got weird. Again.

2:36:49.040 --> 2:36:50.800
<v Speaker 5>Listen, Treuve Rock's verse on that record is one of

2:36:50.800 --> 2:36:53.840
<v Speaker 5>the most underrated verses all time, without questions, but but

2:36:53.920 --> 2:36:56.039
<v Speaker 5>shout out to Trevor Rock, one of the most underrated

2:36:56.240 --> 2:36:57.000
<v Speaker 5>seas of all time.

2:37:00.560 --> 2:37:06.600
<v Speaker 3>So I just think that, like when you look at.

2:37:08.920 --> 2:37:15.360
<v Speaker 1>Again my perspective, I owe this culture everything like not

2:37:16.080 --> 2:37:19.960
<v Speaker 1>just like I would be selling shoes at Nordstrom, Like

2:37:20.320 --> 2:37:23.240
<v Speaker 1>I would not have a life, right, I would not

2:37:23.400 --> 2:37:27.560
<v Speaker 1>have Echo. I wouldn't have had new Vaute, nothing, nothing.

2:37:28.120 --> 2:37:31.000
<v Speaker 1>I would have been a shoe salesman period in a conversation,

2:37:31.160 --> 2:37:33.320
<v Speaker 1>or a chicken delivery or a chicken delivery gun. I

2:37:33.360 --> 2:37:36.720
<v Speaker 1>would have been delivering pizza. I delivered chicken. I had

2:37:36.840 --> 2:37:41.680
<v Speaker 1>no skills. Hip hop gave me my life. Pop Goesluisa

2:37:41.800 --> 2:37:44.240
<v Speaker 1>was such an important record for us, not because we

2:37:44.400 --> 2:37:48.000
<v Speaker 1>wanted a pop record, there was an intent to that record.

2:37:48.640 --> 2:37:51.280
<v Speaker 1>Hip Hop got turned into hip hop. The second record

2:37:51.360 --> 2:37:53.360
<v Speaker 1>was number one on the Pop Tart. But don't skid

2:37:53.440 --> 2:37:55.080
<v Speaker 1>on the heart that got it started in the ghetto.

2:37:55.160 --> 2:37:57.440
<v Speaker 1>Let no one forget about the hard part. Now, when

2:37:57.520 --> 2:37:59.320
<v Speaker 1>ninety one we got a new band, a new brand

2:37:59.360 --> 2:38:02.560
<v Speaker 1>looking like the aim Old Clan Samuel Thieves to Steve,

2:38:02.800 --> 2:38:04.640
<v Speaker 1>we got to make sure the real rappers got to

2:38:04.800 --> 2:38:07.920
<v Speaker 1>endure Watco on points in one period, appear in a

2:38:08.000 --> 2:38:09.600
<v Speaker 1>complex structure like a pyramid.

2:38:10.000 --> 2:38:10.120
<v Speaker 13>Bro.

2:38:10.720 --> 2:38:13.440
<v Speaker 3>We cared that much that we were like, oh, let's

2:38:13.480 --> 2:38:14.160
<v Speaker 3>take the most.

2:38:14.120 --> 2:38:18.360
<v Speaker 1>Obvious record, go to pop stations and tell them about

2:38:18.480 --> 2:38:20.160
<v Speaker 1>thirty fucking recosition.

2:38:21.280 --> 2:38:22.879
<v Speaker 3>Fuck us, forget about us.

2:38:23.040 --> 2:38:25.560
<v Speaker 1>We would come with Daylight, we would come with Naughty,

2:38:25.600 --> 2:38:27.200
<v Speaker 1>we would come with Black Sheep, we would come with

2:38:27.280 --> 2:38:29.600
<v Speaker 1>Queen Latifa. We'd come with Money, Money in the Middle.

2:38:29.800 --> 2:38:32.160
<v Speaker 1>We'd come with Chubb Rock Special Led. We go to

2:38:32.240 --> 2:38:34.600
<v Speaker 1>the Z one hundreds, we go to the Bezzs in

2:38:34.720 --> 2:38:37.879
<v Speaker 1>fucking Pittsburgh. We go to Kiss FM in La biggest

2:38:37.879 --> 2:38:40.400
<v Speaker 1>pop stations in the world. We're number two, number one

2:38:40.800 --> 2:38:43.680
<v Speaker 1>most requests, and be like, here's about thirty fucking records

2:38:43.720 --> 2:38:47.160
<v Speaker 1>you should be playing. Don't play Mocky Mark, and I mean,

2:38:47.240 --> 2:38:51.879
<v Speaker 1>I love Mark Wolberg, don't Here's one hundred other records, right, And.

2:38:51.920 --> 2:38:53.920
<v Speaker 3>They're like, haha, here's been the lies.

2:38:54.959 --> 2:38:57.560
<v Speaker 5>But also we respect all the people came before us

2:38:57.640 --> 2:39:00.640
<v Speaker 5>who late n foundation. I mean when we did Rapmania

2:39:01.200 --> 2:39:05.800
<v Speaker 5>in nineteen ninety where with her Lovebug Stars right and

2:39:06.040 --> 2:39:10.520
<v Speaker 5>all the cubs. Boy, that was And they considered that

2:39:10.680 --> 2:39:14.080
<v Speaker 5>the fifteenth anniversary hip hop in nineteen ninety, saying that

2:39:14.160 --> 2:39:17.240
<v Speaker 5>it started in seventy five, like Ban Bada heard Van

2:39:17.320 --> 2:39:18.240
<v Speaker 5>Silk and then got together.

2:39:18.240 --> 2:39:20.320
<v Speaker 20>They said, seventy five is the starting day in the

2:39:20.360 --> 2:39:23.480
<v Speaker 20>street and break you know, yeah, yo, And so so

2:39:23.600 --> 2:39:25.560
<v Speaker 20>it's like, Yo, so, how you're gonna have a dude

2:39:26.440 --> 2:39:28.440
<v Speaker 20>who's like and then he.

2:39:28.440 --> 2:39:30.640
<v Speaker 1>Says he's from one place, but he's from another, Like

2:39:31.200 --> 2:39:33.080
<v Speaker 1>you know, you talked about it like a little while ago,

2:39:33.080 --> 2:39:35.760
<v Speaker 1>we were talking about like, you know, really repping where

2:39:35.800 --> 2:39:36.200
<v Speaker 1>you're from.

2:39:37.920 --> 2:39:39.360
<v Speaker 3>There was no authenticity there.

2:39:39.800 --> 2:39:42.640
<v Speaker 1>And then like four years later he's got dreads and

2:39:42.720 --> 2:39:44.480
<v Speaker 1>he's trying to make a record about Colts.

2:39:44.600 --> 2:39:46.320
<v Speaker 3>Come on, man, stop that bullshit.

2:39:46.480 --> 2:39:48.920
<v Speaker 1>Man, Like just it's because and at that point there

2:39:48.959 --> 2:39:52.000
<v Speaker 1>was so much great hip hop out Redman, Method Man,

2:39:52.120 --> 2:39:55.400
<v Speaker 1>Wu Tang Nah's Biggie most just came out.

2:39:56.959 --> 2:39:57.359
<v Speaker 3>Anyway.

2:39:57.480 --> 2:40:00.920
<v Speaker 1>I just think that like there was a level of

2:40:01.040 --> 2:40:05.360
<v Speaker 1>credibility that just never he never ascended to. And great

2:40:05.440 --> 2:40:08.320
<v Speaker 1>he hit a lick, but good for him. It's kind

2:40:08.320 --> 2:40:12.080
<v Speaker 1>of all worth it. With the Shug Night story, yeah, I.

2:40:12.120 --> 2:40:20.600
<v Speaker 3>Forgot and he is worth it. Just it keeps changing

2:40:20.720 --> 2:40:21.800
<v Speaker 3>even to Yeah.

2:40:21.920 --> 2:40:24.119
<v Speaker 1>So I'm just saying, like, for me, when you look

2:40:24.160 --> 2:40:27.120
<v Speaker 1>at like artists, right, and you look at artists overall,

2:40:28.640 --> 2:40:31.280
<v Speaker 1>you want them to have some credibility, right, some integrity

2:40:31.360 --> 2:40:33.080
<v Speaker 1>when they do what they do.

2:40:33.920 --> 2:40:38.000
<v Speaker 2>M hmm, I don't leave it at dead. So you

2:40:38.520 --> 2:40:41.920
<v Speaker 2>now that you're leave it at debt m J m

2:40:42.520 --> 2:40:44.920
<v Speaker 2>g K or insane cloud box.

2:40:45.400 --> 2:40:49.320
<v Speaker 3>Oh m g k K m g K m g K.

2:40:50.640 --> 2:40:51.920
<v Speaker 5>I wasn't none of that ship.

2:40:56.800 --> 2:40:57.000
<v Speaker 16>Yet.

2:40:57.240 --> 2:41:00.240
<v Speaker 3>And there it is best answer. Take a shot, just

2:41:00.280 --> 2:41:05.440
<v Speaker 3>goes down with yeah, that was just Yeah. You might

2:41:05.520 --> 2:41:11.000
<v Speaker 3>have to add drinking. Actually, I think that should be official,

2:41:11.040 --> 2:41:12.880
<v Speaker 3>like a rough of the whistle moving forward. I don't.

2:41:14.680 --> 2:41:17.959
<v Speaker 3>It's a part of the show. Now all right, that's

2:41:17.959 --> 2:41:22.280
<v Speaker 3>straight from Beverly Road. Um, hey man, you took my

2:41:22.320 --> 2:41:24.520
<v Speaker 3>words out of them up, that's what she said. You

2:41:25.200 --> 2:41:26.480
<v Speaker 3>took my man?

2:41:26.520 --> 2:41:37.000
<v Speaker 21>You or Buster Rungs? Yeah, jesus, yeah, I'm both. Oh

2:41:37.320 --> 2:41:42.320
<v Speaker 21>we figured that. Wow, let's ask you for It's tough.

2:41:42.200 --> 2:41:44.480
<v Speaker 5>For me because Rosenberg and Eminem were donating one of

2:41:44.520 --> 2:41:46.800
<v Speaker 5>the rat boy costumes to the hip hop you got.

2:41:47.879 --> 2:41:51.680
<v Speaker 3>I have a little like conflicted right there.

2:41:51.840 --> 2:41:56.880
<v Speaker 5>You know, well, I think your boy Jonathan Manion has

2:41:56.959 --> 2:41:59.039
<v Speaker 5>some of Buster's dreads.

2:41:58.920 --> 2:42:01.840
<v Speaker 3>That we do in the music him. He does got

2:42:01.959 --> 2:42:04.879
<v Speaker 3>dreads from Jonathan Manyon from Buster. Yeah, so you got

2:42:05.800 --> 2:42:08.160
<v Speaker 3>bird tie. I'm to say a tie there. Okay, now

2:42:08.280 --> 2:42:11.879
<v Speaker 3>now tie no ties in runs.

2:42:14.760 --> 2:42:14.960
<v Speaker 10>Drink?

2:42:15.920 --> 2:42:19.360
<v Speaker 3>What do you mean we're not drinking versus because you

2:42:19.440 --> 2:42:25.600
<v Speaker 3>cannot say anything. You're the summer guy. That's exactly right.

2:42:25.640 --> 2:42:29.960
<v Speaker 3>I want to I want to watch drunk a try

2:42:30.120 --> 2:42:34.720
<v Speaker 3>called quest or brand newbie. Fuck you whoa get the word?

2:42:35.360 --> 2:42:36.960
<v Speaker 3>I love this guy. You know what I'm saying. I

2:42:37.280 --> 2:42:37.760
<v Speaker 3>love this guy.

2:42:38.000 --> 2:42:48.200
<v Speaker 18>That's okay, Jesus, I mean try Trump Queens got said

2:42:48.280 --> 2:42:51.600
<v Speaker 18>drive okay, okay, and.

2:42:51.640 --> 2:42:58.400
<v Speaker 3>It's really hard to because that's what she said. Let's

2:42:58.440 --> 2:43:18.560
<v Speaker 3>be almost Yeah, bro, well deserved, well done. I got

2:43:18.640 --> 2:43:23.320
<v Speaker 3>this one. No, of course you do, doctor Dre, or.

2:43:26.760 --> 2:43:30.879
<v Speaker 10>Any criteria and if you got us wow, any criteria

2:43:32.080 --> 2:43:33.600
<v Speaker 10>and you can't answer first.

2:43:34.200 --> 2:43:38.120
<v Speaker 3>They go to you, God, bless you, God bless you.

2:43:38.480 --> 2:43:42.440
<v Speaker 3>Do you love me time?

2:43:43.280 --> 2:43:50.880
<v Speaker 22>Okay, Jesus, Christy answer first? Okay, So now I'm the tiebreaker, right,

2:43:53.000 --> 2:43:58.000
<v Speaker 22>so be it, doctor Dred, Doctor Dre. I don't think

2:43:58.040 --> 2:43:58.480
<v Speaker 22>we don't.

2:44:00.040 --> 2:44:03.520
<v Speaker 3>All right. Last one, you got it, buddy, loyalty or respect.

2:44:10.200 --> 2:44:17.080
<v Speaker 1>My perspective, oh father, the way my father raised me

2:44:17.160 --> 2:44:23.480
<v Speaker 1>may rest in peace is you cannot have loyalty without respect.

2:44:25.520 --> 2:44:28.040
<v Speaker 1>You can have respect without loyalty, but you can't have

2:44:28.200 --> 2:44:29.200
<v Speaker 1>loyalty without respect.

2:44:30.200 --> 2:44:34.160
<v Speaker 3>So I'm gonna say loyal I would say recipe. I'll

2:44:34.200 --> 2:44:37.400
<v Speaker 3>go along with search on that one. I'll go along

2:44:37.480 --> 2:44:40.720
<v Speaker 3>with it me. If we're going to take a shot.

2:44:41.440 --> 2:44:48.120
<v Speaker 3>We believe that it's both. You always believe respect for

2:44:48.160 --> 2:44:48.520
<v Speaker 3>your pots.

2:44:48.560 --> 2:44:48.680
<v Speaker 5>Man.

2:44:48.720 --> 2:44:52.199
<v Speaker 3>I love your pots, bro, because you can respect somebody

2:44:52.280 --> 2:44:55.280
<v Speaker 3>but not be loyal to absolutely. But you can't have

2:44:55.400 --> 2:44:56.400
<v Speaker 3>loyalty without respect.

2:44:56.520 --> 2:44:58.400
<v Speaker 1>The one thing all of you guys have, all of

2:44:58.480 --> 2:45:01.720
<v Speaker 1>y'all all ye, because I've been around all of y'all,

2:45:02.600 --> 2:45:06.080
<v Speaker 1>is you have loyalty and the respect is built in.

2:45:10.720 --> 2:45:12.640
<v Speaker 3>And that's why we came here first. So let me

2:45:12.680 --> 2:45:13.160
<v Speaker 3>ask you, thank you.

2:45:14.040 --> 2:45:16.280
<v Speaker 10>Hold hold up, thank you guys for coming here first.

2:45:16.400 --> 2:45:23.440
<v Speaker 3>Goddamn, let me go quick use search. Let me ask

2:45:23.480 --> 2:45:27.240
<v Speaker 3>you about rape. Whoa, whoa. I know what he's talking about.

2:45:31.440 --> 2:45:33.960
<v Speaker 3>What I want to talk about rappers against phony entertainers.

2:45:34.840 --> 2:45:42.400
<v Speaker 3>That's what she says, no outside, So so there's two stories.

2:45:42.600 --> 2:45:45.240
<v Speaker 1>There's two great stories about that, right, So what he's

2:45:45.280 --> 2:45:48.680
<v Speaker 1>talking about for those who don't know, on my my record, pod,

2:45:49.959 --> 2:45:53.560
<v Speaker 1>I said I got a squad, right, A bunch of

2:45:53.640 --> 2:46:00.920
<v Speaker 1>entertainers started rape rappers against phony entertainers. The label call

2:46:01.040 --> 2:46:04.240
<v Speaker 1>me especially a couple of female executives, and said you

2:46:04.360 --> 2:46:07.199
<v Speaker 1>cannot say rape on the record. I said, I didn't

2:46:07.200 --> 2:46:10.240
<v Speaker 1>say rape on the record. I said rappers against Phony Entertainers.

2:46:10.280 --> 2:46:15.360
<v Speaker 1>On the record, I used an acronym or ape. They're like, yeah,

2:46:15.400 --> 2:46:17.480
<v Speaker 1>but you don't spell it out. Pardon but you don't

2:46:17.520 --> 2:46:19.520
<v Speaker 1>spell it out. I said, I don't have to spell

2:46:19.560 --> 2:46:23.080
<v Speaker 1>it out. I explained it on the next line. So

2:46:24.320 --> 2:46:29.200
<v Speaker 1>fast forward a thousand years. I'm the first MC ever

2:46:29.280 --> 2:46:34.400
<v Speaker 1>to perform at EPCOTCOT in Orlando. In Orlando, doing the

2:46:34.400 --> 2:46:39.560
<v Speaker 1>Food and Wine Festival. It's a nice bag and they're like,

2:46:40.040 --> 2:46:43.320
<v Speaker 1>we need you do one thing. You can't say rape.

2:46:44.959 --> 2:46:47.560
<v Speaker 1>I said, no problem, I said, I started a group

2:46:48.080 --> 2:46:49.600
<v Speaker 1>called Rappers Against Phony Entertainments.

2:46:49.680 --> 2:46:54.160
<v Speaker 3>Right, So that's a so that so that that's what And.

2:46:54.240 --> 2:46:58.280
<v Speaker 1>That's always been one of those things that when people

2:46:58.480 --> 2:47:03.600
<v Speaker 1>hear it, they feel some type of way until I

2:47:03.920 --> 2:47:06.800
<v Speaker 1>explain it, right. That's exactly why I asked the question

2:47:06.879 --> 2:47:09.200
<v Speaker 1>that way, right, No, so people feel some type of way.

2:47:09.879 --> 2:47:12.080
<v Speaker 1>But the second thing was the second thing though, that

2:47:12.240 --> 2:47:18.080
<v Speaker 1>was really critical on this right derelicts a dialect speak

2:47:18.080 --> 2:47:21.320
<v Speaker 1>came up with this idea of us being disheveled, right,

2:47:21.440 --> 2:47:25.520
<v Speaker 1>looking like we fucking derelicts. The label said, no, that

2:47:25.600 --> 2:47:28.000
<v Speaker 1>can't be the album covered. This could be a promo cover.

2:47:28.080 --> 2:47:28.920
<v Speaker 1>Can't be the album cover.

2:47:29.440 --> 2:47:32.600
<v Speaker 23>They're talking about this specific cover. He said, why, he said,

2:47:32.879 --> 2:47:40.040
<v Speaker 23>it'll turn away your I'll get you, I promise.

2:47:40.959 --> 2:47:42.840
<v Speaker 1>He just so on.

2:47:46.520 --> 2:47:47.000
<v Speaker 3>My stuff.

2:47:49.560 --> 2:47:52.039
<v Speaker 1>But the lab so, the label said it'll scare away.

2:47:52.120 --> 2:47:56.160
<v Speaker 1>The Impulse Buyers album went golden thirty days.

2:47:56.640 --> 2:47:56.879
<v Speaker 3>Wow.

2:47:58.360 --> 2:48:00.280
<v Speaker 1>So there was two things like and and you know,

2:48:00.360 --> 2:48:03.040
<v Speaker 1>when I hear like the Kanyes of the world, or

2:48:03.080 --> 2:48:04.959
<v Speaker 1>I hear the you know, the Drakes of the world,

2:48:05.080 --> 2:48:07.000
<v Speaker 1>or I hear the kid Cuddings of the world. And

2:48:07.120 --> 2:48:10.680
<v Speaker 1>when they say the label told me and I did blank,

2:48:10.760 --> 2:48:15.440
<v Speaker 1>I'm like, good for you. Because labels don't know. They'd

2:48:15.600 --> 2:48:17.560
<v Speaker 1>like to believe to play it safe like they know,

2:48:17.720 --> 2:48:20.440
<v Speaker 1>but they don't know. The artist has to have the intuition.

2:48:21.080 --> 2:48:24.080
<v Speaker 1>He had this intuition and was great that we should

2:48:24.080 --> 2:48:25.840
<v Speaker 1>be there looks a dialogue, we should be homeless. We

2:48:25.879 --> 2:48:28.520
<v Speaker 1>were in make up for how long.

2:48:28.480 --> 2:48:31.240
<v Speaker 5>Was five or six for Saturday and live Yeah did

2:48:31.280 --> 2:48:32.960
<v Speaker 5>the makeup for us and it was great.

2:48:33.040 --> 2:48:35.320
<v Speaker 1>And we're playing in the cold and like having a

2:48:35.360 --> 2:48:40.320
<v Speaker 1>good time and enjoying like the moment of like that, right,

2:48:41.320 --> 2:48:44.320
<v Speaker 1>But to know that this dude who is the senior

2:48:44.440 --> 2:48:47.080
<v Speaker 1>VP of marketing, and oh, I'm the big guy getting this,

2:48:47.480 --> 2:48:50.000
<v Speaker 1>you know whatever, And we can't put this record out

2:48:51.280 --> 2:48:52.120
<v Speaker 1>golden thirty days.

2:48:52.200 --> 2:48:55.040
<v Speaker 3>Now what you gotta say? How about you go do

2:48:55.120 --> 2:48:59.160
<v Speaker 3>your job? Wow? And we had a number one and

2:48:59.240 --> 2:49:01.520
<v Speaker 3>we almost had a more one pop record with a

2:49:01.600 --> 2:49:04.400
<v Speaker 3>record that said like we started rape Roberts against fortieth

2:49:04.400 --> 2:49:08.680
<v Speaker 3>to say Jesus Christmas, and it played on fucking pop

2:49:08.760 --> 2:49:09.400
<v Speaker 3>stations all.

2:49:09.320 --> 2:49:11.920
<v Speaker 5>Over the country and we pretty much broke up in

2:49:11.959 --> 2:49:14.600
<v Speaker 5>the middle of it right at the people because they

2:49:14.640 --> 2:49:16.400
<v Speaker 5>were trying to push us just had rape.

2:49:16.440 --> 2:49:18.000
<v Speaker 3>They were trying to push they were trying to push

2:49:18.160 --> 2:49:20.320
<v Speaker 3>us more pop. They were trying to put us on

2:49:20.360 --> 2:49:20.760
<v Speaker 3>all rape.

2:49:21.480 --> 2:49:23.480
<v Speaker 5>You know, we would show up on the pop station

2:49:23.800 --> 2:49:27.720
<v Speaker 5>and kind of flip on the host or whatever.

2:49:27.920 --> 2:49:31.360
<v Speaker 3>Yeah, we just slip on the home like here's an

2:49:31.400 --> 2:49:33.840
<v Speaker 3>all format. Yeah, we're like, yo play this.

2:49:34.680 --> 2:49:36.840
<v Speaker 1>Like when we were out ninety one kind of kick

2:49:36.879 --> 2:49:39.520
<v Speaker 1>it was huge, your fucking black sheet choices yours and

2:49:39.600 --> 2:49:40.199
<v Speaker 1>they weren't.

2:49:39.959 --> 2:49:40.560
<v Speaker 3>Playing that shot.

2:49:40.600 --> 2:49:42.560
<v Speaker 5>So we were like and even like we were gold,

2:49:42.600 --> 2:49:44.200
<v Speaker 5>they were so hard to go gold back then. Like

2:49:44.240 --> 2:49:47.840
<v Speaker 5>people don't even realize tribe used to.

2:49:47.879 --> 2:49:52.480
<v Speaker 1>Open for us, like it's ridiculous, and now it's like, yo,

2:49:52.600 --> 2:49:56.920
<v Speaker 1>why these are hit records and they're like, haha, we're

2:49:56.959 --> 2:49:57.640
<v Speaker 1>gonna play.

2:49:59.320 --> 2:50:03.240
<v Speaker 3>Some bullshit. But now how ninety seven is now I

2:50:03.280 --> 2:50:04.640
<v Speaker 3>think technically a pop station.

2:50:06.040 --> 2:50:09.119
<v Speaker 1>Yeah, you know what I'm saying, Like we've we've grown

2:50:09.520 --> 2:50:11.400
<v Speaker 1>in such a way and the culture has grown in

2:50:11.480 --> 2:50:14.960
<v Speaker 1>such a way where the things that we had to

2:50:15.000 --> 2:50:18.879
<v Speaker 1>worry about no longer are worries, right, the challenges that.

2:50:18.920 --> 2:50:21.040
<v Speaker 3>We had to have are no longer challenges.

2:50:21.840 --> 2:50:23.879
<v Speaker 1>And the thing is so funny is thirty five years later,

2:50:23.920 --> 2:50:25.879
<v Speaker 1>when I talked to like, you know, Big Daddy Kane

2:50:25.920 --> 2:50:28.720
<v Speaker 1>and EPMD and Public Enemy and all the groups that

2:50:28.760 --> 2:50:32.000
<v Speaker 1>are out and there touring, they talk about how much

2:50:32.000 --> 2:50:33.000
<v Speaker 1>fun they're having on the road.

2:50:33.080 --> 2:50:34.720
<v Speaker 3>Now they're talking about like.

2:50:34.840 --> 2:50:37.800
<v Speaker 1>Being this age and like enjoying being on the road

2:50:37.840 --> 2:50:40.640
<v Speaker 1>and having fans that at this age who come out

2:50:40.800 --> 2:50:41.720
<v Speaker 1>and they are.

2:50:41.720 --> 2:50:44.760
<v Speaker 10>It's like freedom thing though as well, Bro, it's being

2:50:44.920 --> 2:50:46.760
<v Speaker 10>free before now.

2:50:47.520 --> 2:50:52.000
<v Speaker 3>And your home my lovell right, yeah, your home my love. Yeah. Yeah,

2:50:52.560 --> 2:50:53.960
<v Speaker 3>you know what I'm saying. Yeah, I like it, you

2:50:54.040 --> 2:50:54.560
<v Speaker 3>know what I'm saying.

2:50:55.040 --> 2:51:01.360
<v Speaker 10>Let me ask you guys, KMD. You recently seeing Tyler

2:51:01.440 --> 2:51:02.200
<v Speaker 10>pay homage.

2:51:03.320 --> 2:51:08.400
<v Speaker 3>I'm gonna take a peep beach MF Doom? What is

2:51:08.480 --> 2:51:13.840
<v Speaker 3>that lineage to KMD? And then you have MF. Doom

2:51:13.959 --> 2:51:18.800
<v Speaker 3>and then he passes and then he's this phenomenon. Now, well,

2:51:19.000 --> 2:51:21.440
<v Speaker 3>I mean for me, I met Doom when he was

2:51:21.480 --> 2:51:24.760
<v Speaker 3>fourteen years old, you know, I mean for people who

2:51:24.800 --> 2:51:25.120
<v Speaker 3>don't know.

2:51:25.600 --> 2:51:27.320
<v Speaker 10>Remember you're talking to us, No, no, no, all right,

2:51:27.360 --> 2:51:29.960
<v Speaker 10>so you don't know what KMD is, right, So what

2:51:30.120 --> 2:51:31.879
<v Speaker 10>that whole thing is with third base?

2:51:32.040 --> 2:51:33.880
<v Speaker 3>Right? So even before third base?

2:51:34.000 --> 2:51:36.400
<v Speaker 1>So when I had my solo record out Indie Records,

2:51:36.480 --> 2:51:38.800
<v Speaker 1>I used to hang out Long Beach, Long Island, and

2:51:38.879 --> 2:51:40.360
<v Speaker 1>I used to hang out with this kid I met.

2:51:40.720 --> 2:51:44.320
<v Speaker 1>I met Brandon what Up and his man Otis and

2:51:44.440 --> 2:51:48.280
<v Speaker 1>they had a whole crew called GYP, which became my crew,

2:51:48.800 --> 2:51:52.480
<v Speaker 1>and it was mister hoodhim Diego, and then we would

2:51:52.560 --> 2:51:55.920
<v Speaker 1>all go a haircut from this kid named sub Rock, right,

2:51:56.360 --> 2:51:59.560
<v Speaker 1>and it was sub Rock and Daniel Dumalay aka Art

2:52:00.000 --> 2:52:03.800
<v Speaker 1>and they were brothers, right, And Doom's name at the

2:52:03.840 --> 2:52:06.560
<v Speaker 1>time was zeb Love X. So it's him it with

2:52:06.600 --> 2:52:10.279
<v Speaker 1>sub Rock and the boy on ITX. And I always

2:52:10.320 --> 2:52:12.960
<v Speaker 1>told them. When I get on, you get on. Like

2:52:13.040 --> 2:52:15.760
<v Speaker 1>when I make it, you make it. So we had

2:52:15.800 --> 2:52:19.440
<v Speaker 1>a term around our like little crew called a gas face,

2:52:19.680 --> 2:52:22.200
<v Speaker 1>which was the face that girls made when we go

2:52:22.320 --> 2:52:24.560
<v Speaker 1>to mall and try to get a number, and they

2:52:24.600 --> 2:52:27.280
<v Speaker 1>would look at us like and we're like, damn, we

2:52:27.320 --> 2:52:29.760
<v Speaker 1>spend all that gas money and get that face, right,

2:52:29.760 --> 2:52:30.959
<v Speaker 1>And that's how we got That's how.

2:52:30.920 --> 2:52:34.240
<v Speaker 10>It works that it's not they gave you the gas face.

2:52:34.320 --> 2:52:37.120
<v Speaker 10>Is you spent the money on gas to get that face.

2:52:37.240 --> 2:52:39.440
<v Speaker 1>Okay, that's how the and then we just kind of

2:52:39.480 --> 2:52:41.760
<v Speaker 1>condensed it to gas I think admitted that it was

2:52:41.760 --> 2:52:44.120
<v Speaker 1>another kid who first started using it.

2:52:44.320 --> 2:52:46.320
<v Speaker 3>And then but that's not using it.

2:52:46.920 --> 2:52:49.440
<v Speaker 5>But that's how that's where it came from. Started taking

2:52:49.480 --> 2:52:51.560
<v Speaker 5>me out to Long Beach. But he he was going

2:52:51.600 --> 2:52:54.879
<v Speaker 5>after Long Beach with doing with the MLK Center. That's

2:52:54.920 --> 2:52:56.480
<v Speaker 5>where didn't you first meet with them?

2:52:56.480 --> 2:52:57.840
<v Speaker 3>Ok? Center? Yeah, we all met it.

2:52:58.320 --> 2:53:00.880
<v Speaker 5>And that ties into public enemy because Ray and Spectrum

2:53:00.920 --> 2:53:02.880
<v Speaker 5>City were putting together those shows and T Money and

2:53:02.920 --> 2:53:04.519
<v Speaker 5>all them MLK.

2:53:04.440 --> 2:53:08.000
<v Speaker 1>Center, so Graham Master, Reggie REJ and the Playboy Club

2:53:08.080 --> 2:53:09.720
<v Speaker 1>and like all these local like DJs.

2:53:09.920 --> 2:53:12.480
<v Speaker 5>But you understand, these kids were mad young, So I

2:53:12.520 --> 2:53:14.600
<v Speaker 5>don't think like search was hanging out with like twelve

2:53:14.680 --> 2:53:18.080
<v Speaker 5>year old no, right.

2:53:18.200 --> 2:53:19.800
<v Speaker 1>But I met a notice from my age, like I

2:53:19.879 --> 2:53:22.680
<v Speaker 1>Med was like I was like the oldest one. Right,

2:53:23.560 --> 2:53:29.240
<v Speaker 1>So we get on albums ninety nine percent done. First

2:53:29.280 --> 2:53:31.800
<v Speaker 1>you put on we had a contract with a med notice.

2:53:32.600 --> 2:53:35.480
<v Speaker 1>Remember that they had to finish school, right, and they

2:53:35.520 --> 2:53:35.879
<v Speaker 1>were going.

2:53:35.800 --> 2:53:37.560
<v Speaker 3>To be a dancer. You had a contract with cam

2:53:37.680 --> 2:53:40.560
<v Speaker 3>Dy with a med notice from GYP.

2:53:41.080 --> 2:53:43.280
<v Speaker 1>So it was a whole crew of them called GYP,

2:53:43.720 --> 2:53:45.320
<v Speaker 1>and we were dancers like the back of this.

2:53:45.760 --> 2:53:48.959
<v Speaker 3>So just understand the whole crew and involved. Cad Or came.

2:53:49.080 --> 2:53:50.640
<v Speaker 3>Let me show you they were all together. See this.

2:53:50.840 --> 2:53:53.680
<v Speaker 3>You see this cover right, this was on Med's basements.

2:53:53.879 --> 2:53:57.200
<v Speaker 3>This is GYP. That's GYP. This is old GYP. The

2:53:57.240 --> 2:53:58.800
<v Speaker 3>people behind you old GYP.

2:53:59.160 --> 2:54:08.720
<v Speaker 1>Right and right here is Onyx and there's Doom and Faith.

2:54:10.080 --> 2:54:12.640
<v Speaker 1>This is a whole crew that's g y P.

2:54:13.360 --> 2:54:13.480
<v Speaker 8>Right.

2:54:14.200 --> 2:54:17.520
<v Speaker 3>We ran all over New York, right.

2:54:18.560 --> 2:54:26.119
<v Speaker 1>I used to go out there with you. So we're

2:54:26.200 --> 2:54:31.200
<v Speaker 1>finishing the album. We just did Brooklyn Queens. We they

2:54:31.240 --> 2:54:33.400
<v Speaker 1>got this other beat. I was like, yo, we should

2:54:33.440 --> 2:54:34.560
<v Speaker 1>do gas fas No.

2:54:34.760 --> 2:54:37.800
<v Speaker 5>But but even before that, We took Doom and Subrock

2:54:37.920 --> 2:54:40.480
<v Speaker 5>into the studio with the Bomb Squad when we were

2:54:40.520 --> 2:54:43.760
<v Speaker 5>doing Step into the A. M. An Oval Office, which

2:54:43.879 --> 2:54:44.840
<v Speaker 5>is before the album.

2:54:44.640 --> 2:54:46.080
<v Speaker 3>Either came out. Everything.

2:54:46.640 --> 2:54:49.640
<v Speaker 1>Remember saying Doom because Doom was not a well he

2:54:49.720 --> 2:54:52.760
<v Speaker 1>was That wasn't a no, no, it was a thing.

2:54:52.879 --> 2:54:56.600
<v Speaker 1>Because his name is Daniel dum He was already we

2:54:56.680 --> 2:55:02.200
<v Speaker 1>always called we did not always called him, always called

2:55:02.400 --> 2:55:05.120
<v Speaker 1>was always called, always called him Doom. Okay, yeah, because

2:55:05.120 --> 2:55:07.960
<v Speaker 1>that was his last name, Daniel Dumala, So he was

2:55:08.000 --> 2:55:08.600
<v Speaker 1>always doomed.

2:55:08.640 --> 2:55:10.640
<v Speaker 3>We always called him Doom. You're Doom and they had

2:55:10.680 --> 2:55:13.400
<v Speaker 3>so that's where he evolves into this no well. He

2:55:13.480 --> 2:55:16.480
<v Speaker 3>involved this other kid, Jade one down with them and

2:55:16.520 --> 2:55:17.160
<v Speaker 3>they had a demo.

2:55:17.720 --> 2:55:20.040
<v Speaker 5>That's the first time we heard the actual death because

2:55:20.080 --> 2:55:23.920
<v Speaker 5>Doom would always right rhymes. He wouldn't spit them. We

2:55:23.959 --> 2:55:26.039
<v Speaker 5>wouldn't hear a tape, but we would hear him.

2:55:26.600 --> 2:55:31.880
<v Speaker 7>So he made before the mask made for They were

2:55:31.920 --> 2:55:34.560
<v Speaker 7>both obsessed with production, so we we had them in

2:55:34.640 --> 2:55:37.080
<v Speaker 7>with Shockley Vietnam in the studio.

2:55:37.280 --> 2:55:41.880
<v Speaker 5>They're watching, they're learning things and they're taking that ship

2:55:41.959 --> 2:55:42.760
<v Speaker 5>back to Long Beach.

2:55:43.160 --> 2:55:46.560
<v Speaker 1>Done got some equipment, uh I forget what he had

2:55:46.600 --> 2:55:49.119
<v Speaker 1>A nakais something like nine.

2:55:49.400 --> 2:55:51.960
<v Speaker 5>I think he had s B twelve point twelve. And

2:55:52.520 --> 2:55:54.840
<v Speaker 5>that's when he started making the first demos.

2:55:54.520 --> 2:55:55.480
<v Speaker 3>And Jade One was in it.

2:55:55.560 --> 2:55:57.680
<v Speaker 5>Then Jade one went out and then Onyx came in,

2:55:58.600 --> 2:56:03.200
<v Speaker 5>and that's at the point where Prince Paul sent me

2:56:04.520 --> 2:56:07.760
<v Speaker 5>just a cassette with some beats and that's where the

2:56:07.879 --> 2:56:11.000
<v Speaker 5>gas face beat was on. So I gave it to Searge,

2:56:11.160 --> 2:56:14.520
<v Speaker 5>gave it to Doom, and we had this idea, Yo,

2:56:15.000 --> 2:56:17.200
<v Speaker 5>this could be the gas face. So we were on

2:56:17.320 --> 2:56:19.880
<v Speaker 5>the Long Island Railroad going out to the Island media students.

2:56:19.920 --> 2:56:20.160
<v Speaker 3>First.

2:56:20.280 --> 2:56:22.160
<v Speaker 1>Yeah, but first we asked Doom. We were like, Doom,

2:56:22.240 --> 2:56:24.160
<v Speaker 1>can we do the gas face? Because it was like

2:56:24.240 --> 2:56:25.800
<v Speaker 1>a gyp thing, so we wanted.

2:56:25.720 --> 2:56:27.400
<v Speaker 5>It wasn't even like it was like, Yo, we wanted

2:56:27.480 --> 2:56:28.400
<v Speaker 5>let's do the gas phase.

2:56:28.480 --> 2:56:30.760
<v Speaker 10>He's like, yeah, let me do it because that term

2:56:31.080 --> 2:56:33.360
<v Speaker 10>was the cruise term, right, that's what you're saying.

2:56:33.640 --> 2:56:35.120
<v Speaker 1>I wanted to make sure everybody was cool with it,

2:56:35.160 --> 2:56:36.720
<v Speaker 1>but I was like, yo, if we do it, you

2:56:36.800 --> 2:56:38.600
<v Speaker 1>got to jump on the record, right, And.

2:56:38.640 --> 2:56:41.680
<v Speaker 5>We wrote the lyrics on the Jaloyle Railroad going on

2:56:41.720 --> 2:56:43.039
<v Speaker 5>on the way to the Island Media.

2:56:43.120 --> 2:56:45.640
<v Speaker 3>On which was Paul's studio where he was working.

2:56:46.080 --> 2:56:48.360
<v Speaker 5>And rest of his Don Newkirk was in the studio

2:56:48.440 --> 2:56:52.080
<v Speaker 5>with Paul, just hanging out and it was all spontaneous.

2:56:52.120 --> 2:56:54.560
<v Speaker 5>The hold that when you hear the outtakes with Hammer

2:56:54.600 --> 2:56:57.720
<v Speaker 5>and all that shit, all improvised, like off the top

2:56:57.720 --> 2:56:59.800
<v Speaker 5>of the head, not even playing like Doohm had.

2:57:00.160 --> 2:57:00.280
<v Speaker 3>Now.

2:57:00.640 --> 2:57:04.320
<v Speaker 5>The only thing that we planned was that Doom wanted

2:57:04.400 --> 2:57:06.880
<v Speaker 5>us introduced a certain way, like the Prime Minister.

2:57:07.280 --> 2:57:10.160
<v Speaker 3>Now everybody mc search. So he dictated that he actually

2:57:10.200 --> 2:57:13.480
<v Speaker 3>wrote it out. I have Search. We all dropped the

2:57:13.560 --> 2:57:15.000
<v Speaker 3>lyrics on the floor. I picked him.

2:57:15.000 --> 2:57:16.920
<v Speaker 5>I still have the lyrics to this day, and I

2:57:17.000 --> 2:57:19.800
<v Speaker 5>have Dooms handwritten handwritten instructure.

2:57:21.640 --> 2:57:24.360
<v Speaker 3>Okay, you have the actual the actual search is lyrics

2:57:24.400 --> 2:57:25.599
<v Speaker 3>where he crushed.

2:57:25.280 --> 2:57:28.080
<v Speaker 5>It out my lyrics and we don't have Dooms because

2:57:28.160 --> 2:57:31.920
<v Speaker 5>Dunes was in his one of his like Marvel rhyme books.

2:57:32.600 --> 2:57:33.720
<v Speaker 3>And that's how it happened.

2:57:33.760 --> 2:57:37.480
<v Speaker 5>And Don Nukirk kicked the intros and then we just

2:57:37.560 --> 2:57:39.560
<v Speaker 5>went nuts and the whole Hammer thing came in there

2:57:39.640 --> 2:57:41.520
<v Speaker 5>and the rest is history.

2:57:41.720 --> 2:57:45.840
<v Speaker 3>I know it's not I mean, so so basically, you

2:57:45.879 --> 2:57:51.320
<v Speaker 3>ain't gonna you gotta take a shot for that. It's

2:57:51.360 --> 2:57:53.560
<v Speaker 3>get it. Hold on, let's wait, let's.

2:57:53.440 --> 2:57:58.160
<v Speaker 1>Goin anyway, So after the record comes out, Dante, who

2:57:58.240 --> 2:58:01.920
<v Speaker 1>is working with us, tss sorry Dante Ross.

2:58:01.800 --> 2:58:03.920
<v Speaker 3>He got the gas base did you give him the gas? No,

2:58:04.080 --> 2:58:04.840
<v Speaker 3>he didn't get the gas.

2:58:05.280 --> 2:58:08.400
<v Speaker 1>So Dante went to Electro and we were like yo,

2:58:09.680 --> 2:58:11.959
<v Speaker 1>we started a production company called Ramen.

2:58:12.000 --> 2:58:16.320
<v Speaker 3>It's fundamental Riff. But before that we had leor.

2:58:17.480 --> 2:58:20.800
<v Speaker 5>De signed to manage KMD with us with riff really,

2:58:23.160 --> 2:58:27.880
<v Speaker 5>so we already had doing them right now solo solo,

2:58:28.360 --> 2:58:30.680
<v Speaker 5>So we the first part was to try to get

2:58:30.720 --> 2:58:35.480
<v Speaker 5>him on deaf Jam and Russell wasn't feeling.

2:58:37.000 --> 2:58:39.080
<v Speaker 3>But cam D was considered like Edgy at that time,

2:58:39.200 --> 2:58:39.959
<v Speaker 3>right well, they weren't.

2:58:41.000 --> 2:58:44.000
<v Speaker 1>They were just unknown because it was just Zebelo Vex's

2:58:44.080 --> 2:58:45.039
<v Speaker 1>verse on gas face.

2:58:45.480 --> 2:58:48.840
<v Speaker 5>So everybody was like, you can't understate that because we're

2:58:48.879 --> 2:58:50.960
<v Speaker 5>taking them on our senio, we're taking them on the

2:58:51.040 --> 2:58:53.280
<v Speaker 5>road with cane Like Doom is out there, you know,

2:58:53.440 --> 2:58:55.520
<v Speaker 5>like as a young kid like sub Rock would come

2:58:55.560 --> 2:58:58.119
<v Speaker 5>out sometimes because he was still they were both still

2:58:58.160 --> 2:59:00.920
<v Speaker 5>in school, but someone was like about two years younger

2:59:01.120 --> 2:59:04.040
<v Speaker 5>and he was yeah, so Doom, Doom was out there

2:59:04.120 --> 2:59:06.800
<v Speaker 5>more with us, and he experienced things that a kid

2:59:06.920 --> 2:59:08.680
<v Speaker 5>his age would never experience.

2:59:10.200 --> 2:59:12.480
<v Speaker 13>He was with Tupac on the tour. On the tour,

2:59:12.720 --> 2:59:17.200
<v Speaker 13>he was with Tupac Yeah, yeah, Doom, Yeah, because we

2:59:17.280 --> 2:59:19.760
<v Speaker 13>had zebel x on so with third Base. So when

2:59:19.760 --> 2:59:22.600
<v Speaker 13>every time he did gas face, he came out.

2:59:24.080 --> 2:59:26.640
<v Speaker 10>So how does that feel to see the way that

2:59:26.800 --> 2:59:28.960
<v Speaker 10>Tyler revered him in this?

2:59:29.200 --> 2:59:31.280
<v Speaker 1>And I mean it's incredible. I mean, you know, but

2:59:32.560 --> 2:59:37.840
<v Speaker 1>the thing that no, it's not even weird. But here's

2:59:37.920 --> 2:59:38.200
<v Speaker 1>the thing.

2:59:39.320 --> 2:59:41.840
<v Speaker 3>If his brother, sub Rock didn't die, there is no Doom.

2:59:42.920 --> 2:59:44.520
<v Speaker 3>That's terrible.

2:59:44.760 --> 2:59:48.760
<v Speaker 5>Yeah, I mean the point that Subrock passed, Like you say,

2:59:48.840 --> 2:59:53.040
<v Speaker 5>that's why he donned the duom. Doom was depressed. I

2:59:53.080 --> 2:59:54.320
<v Speaker 5>mean his he lost his brother.

2:59:54.520 --> 2:59:57.920
<v Speaker 3>And the album Black Bass.

2:59:57.600 --> 2:59:59.840
<v Speaker 5>Black Basterds, which you know, we we kind of split

2:59:59.920 --> 3:00:00.800
<v Speaker 5>up up at that time.

3:00:01.320 --> 3:00:04.920
<v Speaker 3>I was managing KMD with Yeah and.

3:00:07.600 --> 3:00:10.879
<v Speaker 5>Created the cover and it was they had the iconic

3:00:11.000 --> 3:00:15.720
<v Speaker 5>like Sambo character which was a whole message, which was

3:00:15.760 --> 3:00:18.760
<v Speaker 5>anti Sambo. That was the whole message. So he did

3:00:18.840 --> 3:00:21.800
<v Speaker 5>this artwork where he had a hangman game.

3:00:21.879 --> 3:00:22.320
<v Speaker 10>I remember that.

3:00:23.120 --> 3:00:24.320
<v Speaker 1>Let me tell you, let me tell you a great

3:00:24.320 --> 3:00:26.880
<v Speaker 1>story I'm sorry, Please hold your spot because I love

3:00:26.959 --> 3:00:31.160
<v Speaker 1>this story. When we were doing the video for gas Face,

3:00:32.040 --> 3:00:37.560
<v Speaker 1>Doom and and sub Rock made k MD shirts.

3:00:37.440 --> 3:00:40.600
<v Speaker 3>A handmaid like with a marker with the sambo.

3:00:41.560 --> 3:00:44.800
<v Speaker 1>Lionel Martin from Classic Concepts was the video director, and

3:00:44.879 --> 3:00:49.400
<v Speaker 1>Ralph McDaniels from Video Music Box. When they see it,

3:00:50.400 --> 3:00:54.200
<v Speaker 1>they cut lights up and they're like, get the fuck

3:00:54.280 --> 3:00:54.840
<v Speaker 1>out of here with that.

3:00:54.840 --> 3:00:57.600
<v Speaker 3>Bullshit on your fucking face. Fucking samble, get that ship

3:00:57.680 --> 3:00:58.080
<v Speaker 3>out of here.

3:00:59.480 --> 3:01:03.680
<v Speaker 1>This young man is talking to a grown man, educating

3:01:03.760 --> 3:01:06.720
<v Speaker 1>him on what this face is, and within five minutes

3:01:06.760 --> 3:01:10.200
<v Speaker 1>he was like, yay, you casta. But that was like

3:01:10.320 --> 3:01:13.960
<v Speaker 1>the level that they both were on in terms of

3:01:14.040 --> 3:01:17.080
<v Speaker 1>their frequency, like how they would put positive ions in

3:01:17.160 --> 3:01:20.199
<v Speaker 1>the world, like how they would understand how to break

3:01:20.240 --> 3:01:23.760
<v Speaker 1>down answer a lass stuff where you wouldn't feel like.

3:01:23.920 --> 3:01:27.720
<v Speaker 3>A villain, right yeah, I mean like the way the villain.

3:01:28.040 --> 3:01:28.680
<v Speaker 3>Yeah right.

3:01:28.720 --> 3:01:31.400
<v Speaker 5>And at the time they're they're selling oils on the

3:01:32.080 --> 3:01:35.720
<v Speaker 5>on the street with Doctor York and uh, you know,

3:01:35.840 --> 3:01:39.720
<v Speaker 5>they're they're on that whole mindset, and you know, Doom

3:01:39.920 --> 3:01:45.680
<v Speaker 5>coming up in that environment, you know, he just he

3:01:46.040 --> 3:01:49.480
<v Speaker 5>was a deep thinker and when he made that album cover.

3:01:49.560 --> 3:01:52.640
<v Speaker 5>There was so much thought behind it. So Havoc Nelson

3:01:52.720 --> 3:01:56.120
<v Speaker 5>a Billboard looked at it and he didn't get it,

3:01:56.800 --> 3:02:00.240
<v Speaker 5>and he wrote an article scathing, scathing, saying that this

3:02:00.440 --> 3:02:05.480
<v Speaker 5>was disrespectful to black people and ice teas cop killer

3:02:05.640 --> 3:02:08.960
<v Speaker 5>controversy had just happened with Warner and elections under Warner.

3:02:09.360 --> 3:02:11.040
<v Speaker 5>The next thing, you know, it's like an avalanche with

3:02:11.120 --> 3:02:14.000
<v Speaker 5>Sylvia Ron and all these people are against it. Next thing,

3:02:14.000 --> 3:02:18.680
<v Speaker 5>you know, Bob kras was telling Dante the album, we

3:02:18.920 --> 3:02:23.000
<v Speaker 5>just mastered the album. They already paid all the money

3:02:23.840 --> 3:02:25.960
<v Speaker 5>and it's ready to go. The single is already out.

3:02:26.200 --> 3:02:29.480
<v Speaker 5>What a niggy know, it's already been released promo and

3:02:29.520 --> 3:02:30.320
<v Speaker 5>it's already.

3:02:30.040 --> 3:02:32.560
<v Speaker 3>Out on the radio. And they dropped the whole shit,

3:02:33.400 --> 3:02:34.240
<v Speaker 3>so dropped them.

3:02:35.080 --> 3:02:37.360
<v Speaker 5>Sub Rock had already passed away, So this was almost

3:02:37.440 --> 3:02:39.000
<v Speaker 5>like a tribute to sub Rock because he had done

3:02:39.040 --> 3:02:42.039
<v Speaker 5>so much of the production. He came into his own

3:02:42.040 --> 3:02:44.640
<v Speaker 5>as an MC on the album. And I remember just

3:02:44.720 --> 3:02:49.560
<v Speaker 5>being at uh the memorial service, you know, where Doom

3:02:49.720 --> 3:02:53.640
<v Speaker 5>was playing the album like next to Subrock's casket. Wow,

3:02:54.080 --> 3:02:58.080
<v Speaker 5>and it was it was deep and the fact that

3:02:58.240 --> 3:03:02.400
<v Speaker 5>Doom lost his brother, lost his career. Like I tried

3:03:02.440 --> 3:03:05.200
<v Speaker 5>to get that album signed to Death Jam Tommy Boy,

3:03:05.760 --> 3:03:06.360
<v Speaker 5>no one would touch.

3:03:06.440 --> 3:03:09.119
<v Speaker 3>He wasn't wearing the mask yet, no no mask whatsoever.

3:03:09.280 --> 3:03:12.520
<v Speaker 5>And you know, Doom went to d C, he went

3:03:12.600 --> 3:03:15.080
<v Speaker 5>down South, he went, he was all over the place

3:03:15.120 --> 3:03:17.120
<v Speaker 5>and he disappeared for a while. Like there were a

3:03:17.240 --> 3:03:19.360
<v Speaker 5>number of different He was hanging out a lot with

3:03:19.520 --> 3:03:24.560
<v Speaker 5>cm CM Curious, Georgie and all them, and at some point,

3:03:25.320 --> 3:03:27.400
<v Speaker 5>you know, he re emerged back at the you know,

3:03:27.840 --> 3:03:33.480
<v Speaker 5>the new a Rican uh you knows cafe, and that's

3:03:33.520 --> 3:03:35.840
<v Speaker 5>where he came with the sock over his head.

3:03:35.959 --> 3:03:37.960
<v Speaker 1>That's that was the start of him. Remember the white

3:03:38.800 --> 3:03:41.400
<v Speaker 1>to the very first white m see Vanilla b in Kio.

3:03:41.920 --> 3:03:45.360
<v Speaker 1>He designed the mask really and Doom.

3:03:45.800 --> 3:03:49.040
<v Speaker 5>But it's crazy, this is the whole like journey, like

3:03:50.240 --> 3:03:54.480
<v Speaker 5>he met Suburck through Doom through Babito, like you know,

3:03:54.720 --> 3:03:57.640
<v Speaker 5>Babito went on to Death Jam through us. It was

3:03:57.760 --> 3:04:01.360
<v Speaker 5>just this whole circle. And then Blake actually designed the

3:04:01.400 --> 3:04:04.840
<v Speaker 5>first mask for doing which was I think it was

3:04:04.959 --> 3:04:06.199
<v Speaker 5>going to the wrestler.

3:04:07.080 --> 3:04:10.039
<v Speaker 3>From the Yeah, something from the wrestler, Yeah, and then.

3:04:09.959 --> 3:04:12.920
<v Speaker 5>He like customized it. That was the first mask which

3:04:12.920 --> 3:04:15.160
<v Speaker 5>I think when they somebody sat on and broke it.

3:04:15.879 --> 3:04:18.960
<v Speaker 3>Operation Doomsday came out, and that's that's the start of

3:04:19.160 --> 3:04:19.640
<v Speaker 3>m F. Doom.

3:04:20.240 --> 3:04:24.160
<v Speaker 5>So then reinvented his whole persona and just lyric lyrically,

3:04:24.800 --> 3:04:27.600
<v Speaker 5>you know, he was always way above, always the grade,

3:04:27.680 --> 3:04:29.800
<v Speaker 5>and then he just took it to a level.

3:04:30.160 --> 3:04:35.720
<v Speaker 3>And then that was signed up. Having the mask came

3:04:35.760 --> 3:04:37.320
<v Speaker 3>from him losing his brother.

3:04:38.600 --> 3:04:40.840
<v Speaker 1>Part of it, I think, again my perspective, it was

3:04:40.959 --> 3:04:41.920
<v Speaker 1>just my perspective, right.

3:04:42.240 --> 3:04:44.000
<v Speaker 2>A lot of people, let me just ask you, a

3:04:44.040 --> 3:04:45.840
<v Speaker 2>lot of people thought that when they went to an

3:04:46.480 --> 3:04:48.560
<v Speaker 2>Doom concert they didn't know if.

3:04:50.040 --> 3:04:51.280
<v Speaker 3>Or not if that was him or not.

3:04:51.440 --> 3:04:53.960
<v Speaker 5>Well, because because it was somebody else at different times.

3:04:54.000 --> 3:04:55.680
<v Speaker 5>I even had a couple of guys from Guy P

3:04:56.320 --> 3:04:59.240
<v Speaker 5>I think they went to Sony, I mean that's Sony

3:04:59.320 --> 3:05:02.600
<v Speaker 5>Theater and Doom walked by him with the mask and

3:05:02.680 --> 3:05:05.320
<v Speaker 5>didn't even acknowledge him. And I said to him, well,

3:05:05.480 --> 3:05:07.880
<v Speaker 5>that may not have been actual Doom, you know, it

3:05:07.959 --> 3:05:08.400
<v Speaker 5>could have been.

3:05:08.879 --> 3:05:09.720
<v Speaker 3>It could have been the cover.

3:05:09.879 --> 3:05:13.360
<v Speaker 5>Now, the other full circle story is Rich called me

3:05:13.600 --> 3:05:17.480
<v Speaker 5>like what two thousand and twelve or ten or eleven,

3:05:17.720 --> 3:05:18.840
<v Speaker 5>with the mask.

3:05:19.680 --> 3:05:24.120
<v Speaker 15>I had started battling the game under persona called Lord Raven.

3:05:24.320 --> 3:05:27.680
<v Speaker 15>And I remember when I went to Atlanta and I

3:05:27.800 --> 3:05:30.480
<v Speaker 15>did this party. I was with Doom and I told

3:05:30.560 --> 3:05:33.440
<v Speaker 15>him about the mask and stuff, and after that he

3:05:33.520 --> 3:05:34.200
<v Speaker 15>started doing it.

3:05:34.760 --> 3:05:37.120
<v Speaker 3>And so he asked Rich to.

3:05:37.240 --> 3:05:39.880
<v Speaker 5>DJ for him on tour on a I think a

3:05:39.920 --> 3:05:42.200
<v Speaker 5>world tour, right, yeah, something like that. And then I

3:05:42.240 --> 3:05:45.360
<v Speaker 5>think he had a problem with you know, passport stuff

3:05:45.400 --> 3:05:48.320
<v Speaker 5>like that, because Doom even when he traveled with us. Yeah,

3:05:48.400 --> 3:05:51.160
<v Speaker 5>and he was born in England, so he still had

3:05:51.200 --> 3:05:53.520
<v Speaker 5>the English passport. You guys used to get detained all

3:05:53.600 --> 3:05:56.640
<v Speaker 5>the time when we would go. So doing was British

3:05:57.959 --> 3:05:58.959
<v Speaker 5>doing was born in Vergine.

3:05:59.000 --> 3:06:04.680
<v Speaker 3>Find out bro learning some ship, learned some ship. So

3:06:04.840 --> 3:06:08.160
<v Speaker 3>rest peace doing. But how dope is it to see?

3:06:08.560 --> 3:06:09.240
<v Speaker 3>It's incredible?

3:06:09.320 --> 3:06:13.200
<v Speaker 10>Ty, the creator pay Homage said everybody, I mean, there's

3:06:13.200 --> 3:06:14.480
<v Speaker 10>so many people this.

3:06:14.640 --> 3:06:20.480
<v Speaker 3>Is I mean, but like your you know ahead, no, no, no,

3:06:20.720 --> 3:06:25.160
<v Speaker 3>he's revered. It's crazy. But recently, like in recent time

3:06:25.200 --> 3:06:33.720
<v Speaker 3>he died. There were fifteen full train burners that when

3:06:33.840 --> 3:06:37.199
<v Speaker 3>in countries that would never even allow graffiti to leave.

3:06:37.720 --> 3:06:45.840
<v Speaker 1>The fucking tunnel that rocked for weeks, France, Shanghai, Tokyo,

3:06:46.640 --> 3:06:51.640
<v Speaker 1>places that they buffer for the ship even leaves the tunnel.

3:06:53.200 --> 3:06:58.000
<v Speaker 3>People that get caned killed put in jail them, ships

3:06:58.120 --> 3:07:04.879
<v Speaker 3>rocked for weeks. That's the impact of man in Peace.

3:07:04.959 --> 3:07:13.840
<v Speaker 3>Broe Peace got that with Amanda.

3:07:18.879 --> 3:07:22.760
<v Speaker 2>Going through You guys disciography is a song called Brooklyn

3:07:22.879 --> 3:07:25.240
<v Speaker 2>Queens Right now, I can't.

3:07:26.840 --> 3:07:32.560
<v Speaker 3>Tell was that something that was dedicated to Brooklyn Queen's Day.

3:07:34.280 --> 3:07:35.120
<v Speaker 3>You remember that.

3:07:37.440 --> 3:07:40.520
<v Speaker 2>Fresh Meadow Park and it was called Brooklyn Queen's Day.

3:07:40.560 --> 3:07:43.160
<v Speaker 2>But it was a bunch of Queens dudes. I don't

3:07:43.200 --> 3:07:46.600
<v Speaker 2>think Brooklyn never came out, but it was called Brooklyn

3:07:46.680 --> 3:07:50.320
<v Speaker 2>Queen's Day in Queens? Was that record a homage to that?

3:07:51.120 --> 3:07:55.000
<v Speaker 5>So when me and Search first signed to Rush, Search

3:07:55.120 --> 3:07:58.600
<v Speaker 5>was in the studio working with Sam Sever. I was

3:07:58.680 --> 3:08:01.480
<v Speaker 5>working by myself. Rich was in farming Dale was trying

3:08:01.520 --> 3:08:05.560
<v Speaker 5>to get Rich to come in. Dante called up Sam Sever.

3:08:06.240 --> 3:08:08.920
<v Speaker 5>I was I wasn't a producer. I needed some help

3:08:08.959 --> 3:08:10.840
<v Speaker 5>on the beat. Sam sever came in to help me.

3:08:11.840 --> 3:08:14.400
<v Speaker 5>So Brooklyn Queens was one of the songs that me

3:08:14.480 --> 3:08:15.520
<v Speaker 5>and Rich had done first.

3:08:15.760 --> 3:08:18.160
<v Speaker 1>Okay, wow, we did the first demo with Functions Lives

3:08:18.280 --> 3:08:19.320
<v Speaker 1>didn't sound anything like.

3:08:19.640 --> 3:08:23.480
<v Speaker 5>Exactly so, but then as you know, Private the environment

3:08:23.600 --> 3:08:26.440
<v Speaker 5>was on Search's original demo, So we kind of like

3:08:26.600 --> 3:08:30.680
<v Speaker 5>brought each of our catalogs of songs together and then

3:08:30.920 --> 3:08:33.080
<v Speaker 5>we flipped Brooklyn Queens as you know.

3:08:34.760 --> 3:08:37.000
<v Speaker 3>Yeah, that's what it always kind of felt like it was.

3:08:37.440 --> 3:08:39.160
<v Speaker 3>Remember that was one of the biggest things.

3:08:39.320 --> 3:08:39.480
<v Speaker 5>You know.

3:08:40.280 --> 3:08:42.800
<v Speaker 2>That was the first time I ever seen Akanelly and

3:08:43.000 --> 3:08:46.600
<v Speaker 2>Nas performed together. There was a thing called Brooklyn Queen's Day,

3:08:46.920 --> 3:08:48.680
<v Speaker 2>and I went and I seen them and I was

3:08:48.720 --> 3:08:50.959
<v Speaker 2>like I had seen them in the neighborhood so many

3:08:51.000 --> 3:08:53.920
<v Speaker 2>different times. I was like, Oh, these guys rap and

3:08:54.120 --> 3:08:57.119
<v Speaker 2>I was like, oh shit, that's where the fuck these

3:08:57.160 --> 3:08:58.160
<v Speaker 2>people are, right.

3:08:58.120 --> 3:09:01.240
<v Speaker 5>And it was kind of more even about like LaToya

3:09:01.320 --> 3:09:04.680
<v Speaker 5>by just nice, like yeah, Brooklyn Queens.

3:09:04.720 --> 3:09:04.880
<v Speaker 1>It was.

3:09:05.200 --> 3:09:06.840
<v Speaker 3>It was like one of those yeah, like we were

3:09:06.959 --> 3:09:09.600
<v Speaker 3>kind of doing females. Yeah, that's exactly right.

3:09:09.640 --> 3:09:11.600
<v Speaker 1>It was like all about like you know, meeting a

3:09:11.680 --> 3:09:14.600
<v Speaker 1>girl from Brooklyn when you're from Queens, right, like especially

3:09:14.640 --> 3:09:17.760
<v Speaker 1>from for Rockaway, Like that's kind of like a status symbol.

3:09:17.879 --> 3:09:20.360
<v Speaker 1>Like if you if you scoop a girl from downtown Brooklyn,

3:09:20.520 --> 3:09:23.720
<v Speaker 1>like you're doing something, you really doing something. Yeah, Yeah,

3:09:24.520 --> 3:09:26.080
<v Speaker 1>Like we didn't really have it, like you where you

3:09:26.200 --> 3:09:28.640
<v Speaker 1>had daddies in Left Frack like you know, you know,

3:09:31.400 --> 3:09:32.520
<v Speaker 1>you know what I mean, like we you know, we

3:09:32.640 --> 3:09:36.120
<v Speaker 1>had to really troop out and find like you know, and.

3:09:36.240 --> 3:09:37.280
<v Speaker 3>Just the whole name of the song.

3:09:37.400 --> 3:09:40.160
<v Speaker 5>Like I lived in Long Island, I lived in Queens,

3:09:40.360 --> 3:09:41.960
<v Speaker 5>went to school in Brooklyn, So it was just that

3:09:42.080 --> 3:09:43.840
<v Speaker 5>whole context of Brooklyn Queens.

3:09:43.840 --> 3:09:46.920
<v Speaker 24>And I mean it could have been very easy because

3:09:47.040 --> 3:09:53.080
<v Speaker 24>because because Berlin Queens were very compared to hallm and

3:09:53.200 --> 3:09:53.840
<v Speaker 24>the Bronx.

3:09:55.879 --> 3:09:58.920
<v Speaker 5>But at the time Brooklyn and Queens took over hip

3:09:58.920 --> 3:10:01.240
<v Speaker 5>hop with Rudinia Runny mc. So like you had the

3:10:02.200 --> 3:10:04.440
<v Speaker 5>I Love that, that's that that was like the biggest

3:10:04.480 --> 3:10:05.320
<v Speaker 5>shift in hip hop.

3:10:05.560 --> 3:10:06.959
<v Speaker 3>So there wasn't no Harlem and bros.

3:10:07.040 --> 3:10:09.920
<v Speaker 5>Like that, well there was, it was that was that

3:10:10.080 --> 3:10:11.920
<v Speaker 5>was a shift with them and with Rush I mean,

3:10:11.959 --> 3:10:14.920
<v Speaker 5>because that's what Russell did. And Russell started in Harlem

3:10:14.959 --> 3:10:18.400
<v Speaker 5>with Hollywood, like Russell started promoting Hollywood and like DJ

3:10:18.560 --> 3:10:20.800
<v Speaker 5>Hollywood DJ Hollywood nineteen seventy seven.

3:10:21.320 --> 3:10:23.640
<v Speaker 3>It was like the bust cross over hip hop.

3:10:23.600 --> 3:10:26.440
<v Speaker 5>DJ exactly exactly. And you know a lot of people

3:10:26.520 --> 3:10:30.840
<v Speaker 5>say Hollywood isn't hip hop. Hollywood was the biggest rap star.

3:10:32.320 --> 3:10:35.040
<v Speaker 1>I don't want to go step ball night with my honey,

3:10:35.080 --> 3:10:37.800
<v Speaker 1>bum give me some of that yum me young one

3:10:37.879 --> 3:10:39.560
<v Speaker 1>them before I go to way.

3:10:44.080 --> 3:10:49.240
<v Speaker 3>Yeah, tell the fun. He's looking on the Georgia. Georgianamos

3:10:49.280 --> 3:10:50.120
<v Speaker 3>be smashing right now.

3:10:50.200 --> 3:10:53.119
<v Speaker 5>He was getting five hundred dollars a show for maybe

3:10:53.200 --> 3:10:55.000
<v Speaker 5>like a half hour at every club, doing like five

3:10:55.080 --> 3:10:57.040
<v Speaker 5>clubs at night, twenty five hundred dollars a night, and

3:10:57.080 --> 3:10:58.360
<v Speaker 5>we got the contracts to prove it.

3:10:58.760 --> 3:11:05.080
<v Speaker 2>Yoh crazy, that's legendary. I want to take a shot

3:11:05.160 --> 3:11:06.080
<v Speaker 2>just because again.

3:11:06.000 --> 3:11:09.119
<v Speaker 3>Let's go and take the picture. I think. I think

3:11:09.160 --> 3:11:11.480
<v Speaker 3>shots are necessary shots and pictures.

3:11:11.560 --> 3:11:11.960
<v Speaker 5>I like it.

3:11:12.440 --> 3:11:17.760
<v Speaker 2>Yeah, I'm being honest. Hold on, it's so great, man.

3:11:18.879 --> 3:11:22.520
<v Speaker 2>I really enjoy giving you all brothers, yr Flowers. I

3:11:22.720 --> 3:11:26.080
<v Speaker 2>enjoy this man, y'all continue to do this ship.

3:11:26.600 --> 3:11:27.280
<v Speaker 3>And you know what.

3:11:29.400 --> 3:11:32.560
<v Speaker 2>You know in sports and ship like that, you know,

3:11:33.000 --> 3:11:37.560
<v Speaker 2>you blow your achilles hell, blow your fucking knee out

3:11:37.720 --> 3:11:40.439
<v Speaker 2>or elbow, or get a concussion.

3:11:41.640 --> 3:11:43.160
<v Speaker 3>We kind of don't get that as in hip hop.

3:11:44.200 --> 3:11:45.160
<v Speaker 3>We get it mentally.

3:11:46.000 --> 3:11:47.800
<v Speaker 2>If we can overgrow that and we can do this

3:11:47.879 --> 3:11:49.800
<v Speaker 2>ship for the rest of our life, this the rest

3:11:49.840 --> 3:11:54.200
<v Speaker 2>of them life, you know what I mean? Continue to

3:11:54.320 --> 3:11:58.280
<v Speaker 2>be great because the one thing that I noticed with

3:11:58.480 --> 3:12:02.160
<v Speaker 2>me being in my own ship is when I wasn't doing,

3:12:02.320 --> 3:12:05.400
<v Speaker 2>you know, doing certain things, it's people that really have

3:12:05.480 --> 3:12:08.320
<v Speaker 2>that responsibility to want to be a part of us.

3:12:08.959 --> 3:12:12.040
<v Speaker 2>So there's a whole bunch of lost third base fans

3:12:12.080 --> 3:12:14.920
<v Speaker 2>that were happy right now. It was like, oh, right

3:12:15.000 --> 3:12:17.600
<v Speaker 2>back to and they got the same d J like like,

3:12:17.879 --> 3:12:21.320
<v Speaker 2>I'm one of them, I'm one of them. You everybody

3:12:21.360 --> 3:12:23.840
<v Speaker 2>will say, I'm wondering them after that, come on, like,

3:12:25.200 --> 3:12:25.959
<v Speaker 2>are too young.

3:12:28.040 --> 3:12:32.320
<v Speaker 3>In there? One of that Christmas one of them? Like

3:12:32.400 --> 3:12:37.480
<v Speaker 3>all these young started again again said I'm wanted. I'm

3:12:37.520 --> 3:12:46.119
<v Speaker 3>one of them. I know Sonny is one of them.

3:12:47.160 --> 3:12:51.879
<v Speaker 3>Sony is one of them. We all stay together, one

3:12:52.000 --> 3:13:02.400
<v Speaker 3>two three, in a couple of drops.

3:13:06.000 --> 3:13:09.400
<v Speaker 10>Drink Champs is a Drink Champs LLC production hosts and

3:13:09.520 --> 3:13:12.959
<v Speaker 10>executive producers n O r E and dj e FN.

3:13:14.120 --> 3:13:18.240
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3:13:22.200 --> 3:13:24.800
<v Speaker 10>for another episode of Drink Champs hosted by Yours Truly,

3:13:24.959 --> 3:13:27.520
<v Speaker 10>dj e f N and n O r E. Please

3:13:27.560 --> 3:13:29.720
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3:13:29.800 --> 3:13:33.359
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3:13:40.800 --> 3:13:43.360
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3:13:43.760 --> 3:13:46.920
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