WEBVTT - Selects: How Champagne Works

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<v Speaker 1>M Hey everyone, it's Josh and for this week's select,

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<v Speaker 1>I've chosen our two thousand seventeen episode, How Champagne Works.

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<v Speaker 1>It's a charming little episode that fair warning will almost

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<v Speaker 1>certainly make you want a glass of champagne, unless you're Chuck,

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<v Speaker 1>though I suspect he secretly did too. Enjoy Welcome to

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<v Speaker 1>Stuff You Should Know, a production of I Heart Radio. Hey,

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<v Speaker 1>and welcome to the podcast. I'm Josh, Pierre Clark. There's

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<v Speaker 1>Charles Jacques Ryant. Jerry. Oh nice rolling. Are we allowed

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<v Speaker 1>to tell everyone your last name? Jerry? We've done it before. Okay,

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<v Speaker 1>what if they go try to find on Facebook and

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<v Speaker 1>find out she doesn't actually exist? It's all just a plant,

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<v Speaker 1>fake Facebook page that we've created. I know that she

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<v Speaker 1>she is an actual plant, right that crows in the

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<v Speaker 1>corner feed me. I am worried about this one. I'm

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<v Speaker 1>just gonna go ahead and say it. Oh, why you

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<v Speaker 1>were worried about the wine one, for the same reasons

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<v Speaker 1>we didn't do the wine one. I know. That's why.

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<v Speaker 1>That's exactly why, exactly for those reasons. No one knows

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<v Speaker 1>anything about champagne. People spend lifetimes learning the stuff. Yes,

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<v Speaker 1>but we have a show, and everyone knows that we

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<v Speaker 1>don't spend a lifetime learning about all we talk about that.

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<v Speaker 1>We just do our research and we try to find

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<v Speaker 1>the most interesting stuff to explain how something works. I know,

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<v Speaker 1>but these with anytime it's something where someone is like

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<v Speaker 1>such a huge like where it's such a big thing

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<v Speaker 1>for so many people. Uh, I just know we're gonna

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<v Speaker 1>mess up pronunciations. It's French, so champagne, right, Champagne. I

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<v Speaker 1>think that's how bugs Bunny always pronounced it. Yeah, so

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<v Speaker 1>you're you're following a grand tradition. I didn't know he

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<v Speaker 1>was a drinker. Well we are going to talk about

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<v Speaker 1>champagne's a little late. Now. Do you like champagne? I

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<v Speaker 1>love champagne? Okay, I love it. I don't I mainly

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<v Speaker 1>drink sparkling wine and I don't really drink champagne itself.

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<v Speaker 1>But buddy, this article made me want to drink some champagne. Well,

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<v Speaker 1>you do a little proseccolla. Sure, I don't really discriminate, Okay,

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<v Speaker 1>I do. I don't drink any of it. You don't

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<v Speaker 1>like champagne, huh nah, I don't like sparkling wine. It's

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<v Speaker 1>not just not it's not for chuck it save love

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<v Speaker 1>it man um. I particularly love Shandon out in California.

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<v Speaker 1>I will say, one time, at a party, though many

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<v Speaker 1>years ago, like in the nineties, I drank a lot

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<v Speaker 1>of just champagne, only champagne. This might be why you

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<v Speaker 1>don't like champagne. The only time in my life. No,

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<v Speaker 1>I actually, uh, I felt like a twelve year old girl.

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<v Speaker 1>That was wonderful. That's your problem. No, champagne is no know,

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<v Speaker 1>I mean silly and bubbly. It's fun like I played

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<v Speaker 1>hop scotch and stuff like that. Yeah, I know, that's terrible.

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<v Speaker 1>Why would you ever want to do that again. I

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<v Speaker 1>don't mean I felt like a girl because I was

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<v Speaker 1>drinking champagne. That's what I thought. You meant, like, well,

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<v Speaker 1>there's your problem. Champagne is not a girly drink. No.

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<v Speaker 1>I'm sure there's plenty of people out there who do

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<v Speaker 1>think that. Buddy, I will drink pink champagne at with

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<v Speaker 1>your finger up at a bull fight. Oh gross. Yeah,

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<v Speaker 1>you gotta do something to wash the pain away. Uh. Yeah,

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<v Speaker 1>it's just not for me. Uh. And that gave me

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<v Speaker 1>a such a bad headache. The next day, I didn't

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<v Speaker 1>go back to the well, I'll have you know, I

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<v Speaker 1>have someone if someone wants to toast me, yeah, I

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<v Speaker 1>won't go. No, I'm not drinking that. Well, you were

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<v Speaker 1>probably drinking pretty sweet, Champagne, weren't you. Usually the higher

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<v Speaker 1>the sugar content and anything, that the more um of

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<v Speaker 1>a hangover you're gonna have. Yeah, I don't know. Huh, Well,

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<v Speaker 1>I love it good. You mean I've been to shand

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<v Speaker 1>on twice. Okay, when on Shandon cruise once, big fans

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<v Speaker 1>of Shandon. Where is that? Hint? Hint, It's out in

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<v Speaker 1>um Napa Napa Valley. It's famously attached to Mowett and Shandon.

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<v Speaker 1>And then Shandon went and said, hey, we're gonna open

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<v Speaker 1>up something in California too. You just like cool because

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<v Speaker 1>their tear war is it's got a good tar war.

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<v Speaker 1>And that's another thing too. This is what I'm nervous about.

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<v Speaker 1>I'm not nervous about getting it wrong. I'm nervous about

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<v Speaker 1>coming across like it's just a complete jackass sophisticate. You know,

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<v Speaker 1>I'm not at all. I just like Champagne. I'm I

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<v Speaker 1>know more now about Champagne doing this research for the

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<v Speaker 1>last couple of days than I ever had before, so

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<v Speaker 1>I definitely don't put myself out there. It's like a

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<v Speaker 1>UM an expert in any way, shape or form. All right,

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<v Speaker 1>So that's called everybody put your emails away. Ten minutes

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<v Speaker 1>of caveats by Josh and Chuck. See that was French

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<v Speaker 1>and you pronounced it great? Is that Latin? All right? Well,

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<v Speaker 1>I guess if you don't know anything about Champagne, you

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<v Speaker 1>might have noticed that we already said both the word

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<v Speaker 1>champagne and sparkling wine. And um, I think most people

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<v Speaker 1>probably know this, but some people may not. Um. Champagne

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<v Speaker 1>is a region in France, and uh, technically you were

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<v Speaker 1>only supposed to say Champagne for sparkling wine if it

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<v Speaker 1>comes from that region. So all champagne that's sparkling wine

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<v Speaker 1>is sparkling wine, but all sparkling wine is not Champagne.

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<v Speaker 1>That's right. That that I think that's simplified. Uh. In

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<v Speaker 1>Champagne itself, the region is about hour and a half

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<v Speaker 1>ninety minutes or so northeast of Paris or east, and

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<v Speaker 1>this UM article points out that it's one of the

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<v Speaker 1>least visited regions of France. But I bet, I bet

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<v Speaker 1>they have their fair amount of enthusiasts that go to

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<v Speaker 1>but maybe just not as many. I don't know. It's

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<v Speaker 1>the south of France or other Burgundy maybe right, well,

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<v Speaker 1>Burgundy comes to mind for sure. Apparently Sablie, I didn't

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<v Speaker 1>realize that that was a wine growing region, did you.

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<v Speaker 1>I don't think I did. And the very famous mad

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<v Speaker 1>dog Nutrian so silly, so um so, Champagne is a region.

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<v Speaker 1>It's also a sparkling wine. But yeah, like you said,

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<v Speaker 1>you you can't make sparkling wine outside of this this

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<v Speaker 1>Champagne region. And you can even make sparkling wine inside

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<v Speaker 1>of the Champagne region. And unless you're following a very

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<v Speaker 1>strictly controlled process within this particular region of France, you

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<v Speaker 1>are not allowed anywhere in the world to call your

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<v Speaker 1>sparkling wine Champagne. It's what's what's called an Appalachian applechian.

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<v Speaker 1>Now that's a mountain range. It's what's called a um

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<v Speaker 1>Appalachian trail Appellatian de origine control or AOC is what

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<v Speaker 1>we're gonna call it. But it's basically the same thing

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<v Speaker 1>with um Bourbon here in the United States eights right, Yeah,

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<v Speaker 1>where you have to follow specific rules, and you have

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<v Speaker 1>to make it within a specific region. And the whole

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<v Speaker 1>point is it's you don't want just any schmo making

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<v Speaker 1>something that's similar to your product but not nearly as good,

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<v Speaker 1>that's not going through anywhere near the painstaking amount of

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<v Speaker 1>process um and labor that you're doing and still call

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<v Speaker 1>it the same thing you're calling it. You don't want

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<v Speaker 1>to do that. Yeah, now you have to restrict it,

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<v Speaker 1>especially the French. You know that they're not going to

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<v Speaker 1>be all willy nilly about that. That's their region. Yeah,

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<v Speaker 1>apparently there's something like food acres, which I don't think

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<v Speaker 1>is a lot. And what are those cities? The two

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<v Speaker 1>main cities are rem and Epernay. But uh, we even

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<v Speaker 1>have a thing in here that says if you say M,

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<v Speaker 1>then you're an American city slicker. If you say realms M.

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<v Speaker 1>I've seen plenty wrong, is what they say in the

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<v Speaker 1>in that help me out article that we got. I

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<v Speaker 1>think you just are in some fans in France with

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<v Speaker 1>that one. Well, by any other name, it is still Champagne.

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<v Speaker 1>And those are the cities, and there are but three

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<v Speaker 1>grapes that you can use to make champagne. You can't

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<v Speaker 1>just say oh, that that muscadine looks nice. They do

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<v Speaker 1>here in Georgia. Let's throw it in a bottle in

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<v Speaker 1>fer minute. Uh, pete, put this in your mouth to

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<v Speaker 1>spit it up in the bottle. There are three grapes

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<v Speaker 1>and they are the pinot noir grape, the Chardonnay grape,

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<v Speaker 1>and um, how do you pronounce that last one? Peanut

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<v Speaker 1>mon okay, which is another dark grape or red grape

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<v Speaker 1>or black grape I think is what they call it. Yeah,

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<v Speaker 1>if you ever talked to a real wine person, you

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<v Speaker 1>don't know the lingo, you're gonna be confused quick when

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<v Speaker 1>they say things like black grapes, right, I mean, like,

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<v Speaker 1>what the heck is a black grape? But if you

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<v Speaker 1>dig into it, you start to find that there's a

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<v Speaker 1>lot of overlapping words. There's a lot of multiple terms

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<v Speaker 1>that describe the same thing. Yeah, black grape, red grape,

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<v Speaker 1>same thing. Yeah, you know, purple grape. Well not if

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<v Speaker 1>you say that, you're gonna get laughed out of nava, Right,

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<v Speaker 1>I like the purple grapes concorde, I think is what

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<v Speaker 1>they're calling. But chardon Ay is um of those three

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<v Speaker 1>is the only all white grape. So um. And you

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<v Speaker 1>know a lot of people might not know this. It's

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<v Speaker 1>the same with uh still wine. But you know inside

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<v Speaker 1>that black skin is white pulp. Yeah, depending on when

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<v Speaker 1>you pick the grape. So if you pick it early,

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<v Speaker 1>before it has a chance to turn reddish, you can

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<v Speaker 1>conceivably squeeze clear or white grape juice from red or

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<v Speaker 1>black grapes. That's right, And that's what's happening in the

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<v Speaker 1>case of Champagne. Yeah, because if you look at it,

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<v Speaker 1>you're like, well, I mean, this is this is clear?

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<v Speaker 1>How is this made from red grapes? Well, as we'll

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<v Speaker 1>see later on, you have dompering. You want to think

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<v Speaker 1>I should well, we should go ahead and talk about that.

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<v Speaker 1>I guess. Well, let's talk about Champagne a little bit

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<v Speaker 1>for first, and then we'll get to Domparing. So the

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<v Speaker 1>region itself is pretty ancient. Um. The first vineyards in

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<v Speaker 1>Champagne were planted by the Romans, who also mine chalk

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<v Speaker 1>in the area, and there's extensive chalk quarries that are

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<v Speaker 1>underground that have served as Champagne sellers for generations. So

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<v Speaker 1>the place has been making wine. The region has been

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<v Speaker 1>making wine for millennia. UM. But it wasn't until about

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<v Speaker 1>the sixteen seventeen hundreds when they really kind of took

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<v Speaker 1>what was a naturally occurring problem, which was carbonation happening

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<v Speaker 1>in their wine, and went to town with it. They said,

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<v Speaker 1>if you can't beat them, join them. So they took

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<v Speaker 1>this thing that was viewed as a flaw in their wine,

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<v Speaker 1>carbonation sparkling wine, and they figured out how to make

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<v Speaker 1>it even more so and made it its own thing. Yeah,

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<v Speaker 1>and that um in that region, that chalk is very

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<v Speaker 1>key to uh what you end up getting because it's

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<v Speaker 1>very reflective because it's white. It is so it reflects

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<v Speaker 1>the sun light from the ground back up to the leaves. Right. Yeah,

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<v Speaker 1>it's a very unique region. Like and apparently it's uh like,

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<v Speaker 1>if you stumbled upon that region today in our advanced

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<v Speaker 1>wine making techniques and sparkling wine techniques, you probably wouldn't say, hey,

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<v Speaker 1>this is a great place to have a vineyard, right

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<v Speaker 1>you go, Sacra blue. This soil is terrible. Uh, well

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<v Speaker 1>you might um because it's I think it's a little

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<v Speaker 1>tougher to grow like it. It's a very fine line

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<v Speaker 1>between getting a successful uh harvest in that region, which

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<v Speaker 1>makes it I think very special yeah, it does. Like Um.

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<v Speaker 1>Apparently they have cold, short, wet growing seasons, and apparently

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<v Speaker 1>that's where the original Um sparkling wine and Champagne came from.

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<v Speaker 1>It was a freak of natural um, natural climate, and

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<v Speaker 1>natural conditions growing conditions right, because as we'll see, a

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<v Speaker 1>second um fermentation is what creates the carbonation, and that

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<v Speaker 1>would happen naturally because they would harvest the wine, make wine,

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<v Speaker 1>store it, and then it would get um cold all

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<v Speaker 1>of a sudden, like early before the fermentation process was done,

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<v Speaker 1>so fermentation would basically stop, but then there'd be a

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<v Speaker 1>lot of sugar and yeasts left in their wine that

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<v Speaker 1>hadn't fermented when they started it. So when Um spring

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<v Speaker 1>came around again and things started to warm up, a

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<v Speaker 1>second fermentation process started, and that's really what kicked off

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<v Speaker 1>the bubbles. But for a long time the people in

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<v Speaker 1>in Um Champagne and the Champagne region were tearing their

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<v Speaker 1>hair out because they didn't want this. It was a

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<v Speaker 1>sign that their wine was terrible, poorly made. And like

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<v Speaker 1>I said, it wasn't until Don Perann Young came along

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<v Speaker 1>Um who didn't like it himself, uh, but was one

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<v Speaker 1>of the people who created a lot of the techniques

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<v Speaker 1>that helped um established Champagne as the sparkling wine capital

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<v Speaker 1>of the world. So he didn't care for it, No,

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<v Speaker 1>he didn't. He didn't, Um he could. He called it

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<v Speaker 1>mad wine, I think, is what he calls. Yeah. He

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<v Speaker 1>was a Benedictine monk in the area. And and and

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<v Speaker 1>he was the seller master, which is um. If you

0:13:08.679 --> 0:13:12.720
<v Speaker 1>are a seller master, you are in charge as far

0:13:12.760 --> 0:13:16.760
<v Speaker 1>as Champagne goes with basically making the master blend of

0:13:16.760 --> 0:13:21.120
<v Speaker 1>the Champagne are talking, yes, the cove and when you

0:13:21.160 --> 0:13:25.439
<v Speaker 1>put it together, that's the assemblange, right, So Don Perignon

0:13:25.559 --> 0:13:27.080
<v Speaker 1>was the guy in charge of that for this abbey.

0:13:27.080 --> 0:13:30.040
<v Speaker 1>He was a monk. His name was Pierre Parignon. Dom

0:13:30.080 --> 0:13:34.360
<v Speaker 1>is like you knowes you're a monk, Benedictine monk. And

0:13:35.280 --> 0:13:38.800
<v Speaker 1>he was one of the ones who established a lot

0:13:38.840 --> 0:13:43.840
<v Speaker 1>of the groundwork for creating sparkling wine, creating Champagne very

0:13:43.920 --> 0:13:46.760
<v Speaker 1>interesting like um up to that point you would have

0:13:47.360 --> 0:13:51.320
<v Speaker 1>um sparkling wines in your cellar. But they were using

0:13:51.400 --> 0:13:55.520
<v Speaker 1>like wood and hemp to like stop these bottles. Well,

0:13:55.559 --> 0:13:58.360
<v Speaker 1>that didn't work all that well. Bottles were very frequently

0:13:58.360 --> 0:14:02.040
<v Speaker 1>explode and sells were very dangerous places to be because

0:14:02.080 --> 0:14:05.160
<v Speaker 1>one one of these stoppers came out, it shoot across

0:14:05.160 --> 0:14:07.720
<v Speaker 1>the room, hit another bottle, and that bottle stopped would

0:14:07.720 --> 0:14:08.719
<v Speaker 1>come out, and all of a sudden you have a

0:14:08.800 --> 0:14:13.559
<v Speaker 1>chain reaction of these wooden stoppers like flying at your head. Yeah,

0:14:13.720 --> 0:14:17.560
<v Speaker 1>three stooges or something. Right, So, um, dom Perignon came

0:14:17.640 --> 0:14:21.640
<v Speaker 1>up with the idea of using cork stoppers in thicker

0:14:22.000 --> 0:14:26.680
<v Speaker 1>English type bottles that could withstand the pressure, um holding

0:14:26.720 --> 0:14:29.880
<v Speaker 1>them down with little rope muzzles. Now we use foil

0:14:29.920 --> 0:14:33.560
<v Speaker 1>and wire. What's that called a muzzle? Yeah, a muzzle.

0:14:33.640 --> 0:14:35.680
<v Speaker 1>There's a French word for it, but I can't find

0:14:35.680 --> 0:14:39.560
<v Speaker 1>it my note, something like that. So he came up

0:14:39.560 --> 0:14:41.040
<v Speaker 1>with a bunch of stuff. He also was the first

0:14:41.040 --> 0:14:44.240
<v Speaker 1>one to start blending wines from the region, and as

0:14:44.280 --> 0:14:47.360
<v Speaker 1>we'll talk about in a few Um, that's the basis

0:14:47.360 --> 0:14:50.440
<v Speaker 1>of champagne. It's a blend champagne. Champagne is a blend

0:14:50.480 --> 0:14:55.080
<v Speaker 1>of wine. That's right. Should we take a break ourselves? Yeah,

0:14:55.120 --> 0:15:28.480
<v Speaker 1>I'm getting excited. Don't you want some champagne? Sorry? Really no,

0:15:28.600 --> 0:15:30.600
<v Speaker 1>I mean if you opened a bottle of champagne in here,

0:15:30.640 --> 0:15:33.960
<v Speaker 1>I would I would drink a flute. Yeah, because uh, hey,

0:15:34.040 --> 0:15:36.640
<v Speaker 1>it's rude when you're offered something to turn your nose

0:15:36.680 --> 0:15:39.720
<v Speaker 1>about it unless you're under twenty one and be it

0:15:39.800 --> 0:15:43.080
<v Speaker 1>might help me to relax a little bit. Yeah, it

0:15:43.200 --> 0:15:47.200
<v Speaker 1>really would about this thing, you'd feel great. Um. Should

0:15:47.200 --> 0:15:51.440
<v Speaker 1>we talk a little bit about uh the champagne method. Yes,

0:15:51.960 --> 0:16:00.000
<v Speaker 1>what the French call method champagne? Was okay, method champagne,

0:16:00.880 --> 0:16:05.920
<v Speaker 1>so to say, if the closures set them. Um, this

0:16:06.000 --> 0:16:09.040
<v Speaker 1>is one reason why champagne is a bit more expensive,

0:16:09.720 --> 0:16:13.120
<v Speaker 1>or can be a bit more expensive. Um is because

0:16:13.800 --> 0:16:17.160
<v Speaker 1>there's there's a lot of processes involved, and not like

0:16:17.200 --> 0:16:20.040
<v Speaker 1>there's not with still wine, but champagne kind of takes

0:16:20.040 --> 0:16:23.720
<v Speaker 1>it a step further. It's time consuming and it there

0:16:23.720 --> 0:16:27.640
<v Speaker 1>are people's hands and feet involved a lot of times.

0:16:28.520 --> 0:16:31.120
<v Speaker 1>And like you said, it's it is. It starts with

0:16:31.200 --> 0:16:34.360
<v Speaker 1>making wine. Actually it starts even further back to that.

0:16:34.440 --> 0:16:39.000
<v Speaker 1>It starts with growing great, that's right. Uh. But fermentation

0:16:39.040 --> 0:16:40.680
<v Speaker 1>you know all wines are for a minute of course,

0:16:40.680 --> 0:16:44.000
<v Speaker 1>and that's the um. That's when sugar breaks down from

0:16:44.000 --> 0:16:47.600
<v Speaker 1>the grape juice turns it into alcohol, delicious delicious alcohol,

0:16:48.320 --> 0:16:52.920
<v Speaker 1>and that is called wine. Um. And just like regular

0:16:52.920 --> 0:16:55.680
<v Speaker 1>wine still wine. Like you said, I guess we shouldn't

0:16:55.680 --> 0:16:59.680
<v Speaker 1>call it regular wine, just still wine. Um. They start basic,

0:17:00.200 --> 0:17:03.160
<v Speaker 1>they start with those grapes. Uh. And in the case

0:17:03.240 --> 0:17:10.960
<v Speaker 1>of Champagne, they are pressed with human feet, which still happens.

0:17:11.400 --> 0:17:13.160
<v Speaker 1>And I can't help but think of that video still

0:17:13.200 --> 0:17:18.719
<v Speaker 1>after all these years, that poor lady h and uh

0:17:19.560 --> 0:17:22.960
<v Speaker 1>chateau a lawn? Right was that in Georgia? Yeah? I

0:17:23.000 --> 0:17:25.639
<v Speaker 1>don't think I knew that it was Georgia, like Morning

0:17:25.680 --> 0:17:28.040
<v Speaker 1>show Atlanta Morning, So I think it was like Box

0:17:28.119 --> 0:17:30.720
<v Speaker 1>Live or something like that. I just I can still

0:17:30.760 --> 0:17:32.520
<v Speaker 1>hear it. I haven't seen it in years. But if

0:17:32.520 --> 0:17:34.280
<v Speaker 1>you don't know what we're talking about, there was a

0:17:34.320 --> 0:17:37.720
<v Speaker 1>one of the early viral videos of this uh of

0:17:37.800 --> 0:17:42.359
<v Speaker 1>this woman on location doing a story about wine in Georgia,

0:17:42.400 --> 0:17:45.280
<v Speaker 1>and she was stomping on the wine and uh fell

0:17:45.359 --> 0:17:47.800
<v Speaker 1>on a platform for some reason. Yeah, and she fell

0:17:47.880 --> 0:17:51.760
<v Speaker 1>out of the barrel and and hurt herself. But it

0:17:51.800 --> 0:17:57.240
<v Speaker 1>sounded like she was in very much heavy distress, like

0:17:57.359 --> 0:18:00.480
<v Speaker 1>new dimensions of pain. Yeah, are this ounds that the

0:18:00.520 --> 0:18:02.879
<v Speaker 1>woman made? I've never heard anything like it before or

0:18:02.920 --> 0:18:07.280
<v Speaker 1>since neither. Um. Yeah, I'm very sure she's okay. Yeah,

0:18:07.320 --> 0:18:09.199
<v Speaker 1>that's why I don't mind talking about it now. It's

0:18:09.240 --> 0:18:11.359
<v Speaker 1>not like she was, you know, named for life or

0:18:11.359 --> 0:18:13.720
<v Speaker 1>anything like that. I was thinking I Love Lucy too.

0:18:14.320 --> 0:18:17.359
<v Speaker 1>Oh yeah, they're very famous grape stompings. Yeah, you know,

0:18:17.560 --> 0:18:19.359
<v Speaker 1>or she gets in like a grape throwing fight with

0:18:19.400 --> 0:18:21.960
<v Speaker 1>the lady and Lucy she was always getting into trouble.

0:18:21.960 --> 0:18:25.760
<v Speaker 1>When I was shot in the studio where they film

0:18:25.840 --> 0:18:28.480
<v Speaker 1>that show one time in California, right there in Hollywood, Yeah,

0:18:28.480 --> 0:18:30.119
<v Speaker 1>it was kind of neat. Yeah, one of the grips

0:18:30.119 --> 0:18:31.280
<v Speaker 1>just came over. He's like, you know, this is the

0:18:31.320 --> 0:18:37.159
<v Speaker 1>I Love Lucy studio. I smelled the grapes. Uh, all right,

0:18:37.200 --> 0:18:40.920
<v Speaker 1>so where were we? Um feet feet? Yeah? Which is

0:18:41.000 --> 0:18:44.199
<v Speaker 1>this wonderful old world technique that I didn't know this.

0:18:44.240 --> 0:18:46.520
<v Speaker 1>I didn't know that you have to do that for champagne.

0:18:47.040 --> 0:18:49.680
<v Speaker 1>Is it just because it's so delicate? Yeah, I think

0:18:49.720 --> 0:18:51.840
<v Speaker 1>that's part of it. But also they kind of shy

0:18:51.880 --> 0:18:56.320
<v Speaker 1>away from machinery and the method champagne was really yes,

0:18:57.040 --> 0:18:59.600
<v Speaker 1>all right, it's a it's a traditional method, even though

0:18:59.640 --> 0:19:01.600
<v Speaker 1>if you look back at the history of wine making,

0:19:01.760 --> 0:19:07.320
<v Speaker 1>champagne is very relatively new. Like we're talking six hundreds. Right,

0:19:08.280 --> 0:19:12.119
<v Speaker 1>they've been making wine for many thousands of years, so

0:19:12.160 --> 0:19:15.080
<v Speaker 1>this is a fairly new invention, but it was still

0:19:15.160 --> 0:19:19.639
<v Speaker 1>invented at a time where you mainly used human labor

0:19:19.720 --> 0:19:22.399
<v Speaker 1>for for things like this. So yeah, they've they've tended

0:19:22.440 --> 0:19:26.240
<v Speaker 1>to preserve that as much as possible. All Right, Well,

0:19:26.359 --> 0:19:31.400
<v Speaker 1>you've got your juice, your white juice, and um, well

0:19:31.440 --> 0:19:34.800
<v Speaker 1>they put it in stainless steel. That's unless you're super

0:19:34.800 --> 0:19:38.480
<v Speaker 1>old world. I guess, uh, some people do use wood still,

0:19:38.520 --> 0:19:40.280
<v Speaker 1>but yeah, that you're allowed to use for the for

0:19:40.320 --> 0:19:42.800
<v Speaker 1>the initial fermentation where you're like you're just making the

0:19:42.840 --> 0:19:46.080
<v Speaker 1>basic wine, you can use Yeah, so there it sits

0:19:46.119 --> 0:19:50.479
<v Speaker 1>for a long time, ferments becomes still wine and uh,

0:19:50.640 --> 0:19:53.280
<v Speaker 1>like we said, this is just the first fermentation and

0:19:53.320 --> 0:19:55.920
<v Speaker 1>then you move on to the blending, which is where

0:19:55.920 --> 0:19:58.600
<v Speaker 1>that all important seller master comes in. Right, So if

0:19:58.600 --> 0:20:03.000
<v Speaker 1>you're seller master for a champagne house, you are unless

0:20:03.000 --> 0:20:05.880
<v Speaker 1>you're very specific type of champagne house where you actually

0:20:06.400 --> 0:20:10.920
<v Speaker 1>make champagne from growing the grapes to the finished product. Um,

0:20:11.000 --> 0:20:15.760
<v Speaker 1>you were probably going around the champagne region trying different champagne's,

0:20:15.760 --> 0:20:19.000
<v Speaker 1>are trying different wines still wines, and you're coming up

0:20:19.200 --> 0:20:22.959
<v Speaker 1>within your head a blend of all these different wines,

0:20:23.359 --> 0:20:25.760
<v Speaker 1>and that blend, as we said before, it is called

0:20:25.800 --> 0:20:29.680
<v Speaker 1>the couve a, and the couve a is it's just

0:20:29.760 --> 0:20:32.119
<v Speaker 1>that it's a blend of wine and it has mainly

0:20:32.200 --> 0:20:35.520
<v Speaker 1>three different factors involved that you have to take any consideration.

0:20:35.560 --> 0:20:38.720
<v Speaker 1>If you're the seller master, right, if it's a vintage

0:20:39.000 --> 0:20:41.920
<v Speaker 1>cuve a vintage blend of wines, then that means it's

0:20:42.000 --> 0:20:44.640
<v Speaker 1>using grapes that we're all grown in the same year,

0:20:44.720 --> 0:20:47.800
<v Speaker 1>the same growing season. Yeah, and I imagine these seller masters,

0:20:47.880 --> 0:20:49.960
<v Speaker 1>I mean he said they're tasting things. I'm sure they are,

0:20:49.960 --> 0:20:52.920
<v Speaker 1>but I imagine these seller masters in Champagne also kind

0:20:52.920 --> 0:20:56.240
<v Speaker 1>of know exactly where they're gonna go for most of

0:20:56.240 --> 0:20:59.680
<v Speaker 1>these sure, and they also would know like, well, if

0:20:59.720 --> 0:21:03.000
<v Speaker 1>you as have two thousand seven vintage wine that was

0:21:03.040 --> 0:21:06.760
<v Speaker 1>a great year, or um that year was kind of rough,

0:21:06.840 --> 0:21:09.159
<v Speaker 1>it might take a at a neat edge to it

0:21:09.760 --> 0:21:12.679
<v Speaker 1>some other two thousand nine grapes. I'm using too, Right,

0:21:12.880 --> 0:21:15.720
<v Speaker 1>these are what these people are walking around within their heads,

0:21:15.720 --> 0:21:18.680
<v Speaker 1>that kind of that level of information. So they're putting

0:21:18.680 --> 0:21:20.800
<v Speaker 1>it all together. They come up with these clever little

0:21:20.800 --> 0:21:24.320
<v Speaker 1>blends and each blends a cue a. Again, one of

0:21:24.400 --> 0:21:26.840
<v Speaker 1>the things they can take into account is the vintage

0:21:26.920 --> 0:21:29.280
<v Speaker 1>the years. Yeah, Like you said that, if it's a

0:21:29.359 --> 0:21:31.639
<v Speaker 1>vintage wine, it's just from the one year growing season.

0:21:31.720 --> 0:21:34.440
<v Speaker 1>If it's non vintage, that means you can you're combining

0:21:34.520 --> 0:21:38.200
<v Speaker 1>various years, right. And typically vintage wines I think tend

0:21:38.240 --> 0:21:42.080
<v Speaker 1>to be more expensive, I have. I get the impression

0:21:42.119 --> 0:21:43.800
<v Speaker 1>that they tend to be a little more revered. They

0:21:43.840 --> 0:21:47.760
<v Speaker 1>definitely take longer to mature. Yeah, the fermentation process is

0:21:47.800 --> 0:21:51.199
<v Speaker 1>longer than the non vintage. And you'll see this on

0:21:51.240 --> 0:21:53.680
<v Speaker 1>the label. It'll say vintage, else it will say envy

0:21:53.840 --> 0:21:57.119
<v Speaker 1>a lot of times. Um. The two other things for

0:21:57.200 --> 0:22:02.400
<v Speaker 1>a seller master to take into account are um, the varietals, Yeah,

0:22:03.480 --> 0:22:08.600
<v Speaker 1>and the crew right yeah, c R you so crew

0:22:08.880 --> 0:22:11.680
<v Speaker 1>is the c R E W or the c R

0:22:11.800 --> 0:22:17.040
<v Speaker 1>U E with an umla over the yes. Um, the

0:22:17.119 --> 0:22:20.760
<v Speaker 1>crew is it's a vineyard basically, So you can have

0:22:21.000 --> 0:22:25.080
<v Speaker 1>grapes all from one vineyard, from different years and different riotals, um,

0:22:25.119 --> 0:22:27.639
<v Speaker 1>and that'd still be what's called a single crew, or

0:22:27.720 --> 0:22:32.240
<v Speaker 1>you could mix different crews, different vineyards grapes um to

0:22:32.240 --> 0:22:35.480
<v Speaker 1>to create a couve. Yeah. And the Grand Crew. You

0:22:35.560 --> 0:22:38.280
<v Speaker 1>might have seen that before on a bottle. Um that's

0:22:38.280 --> 0:22:40.560
<v Speaker 1>a if you get the grand Crew status, then you're

0:22:40.560 --> 0:22:44.600
<v Speaker 1>really cooking with gases. My dad used to say, uh.

0:22:44.640 --> 0:22:47.600
<v Speaker 1>In the mid nineteen eighties, Um, well, initially there were

0:22:47.600 --> 0:22:50.480
<v Speaker 1>only twelve villages that had that Grand Crew status, and

0:22:50.480 --> 0:22:56.800
<v Speaker 1>then they expanded at the seventeen um because five more

0:22:56.880 --> 0:22:58.600
<v Speaker 1>villages and I'm not going to try and pronounce all

0:22:58.600 --> 0:23:01.920
<v Speaker 1>those were added to the list. And um, it says

0:23:01.960 --> 0:23:05.680
<v Speaker 1>here that less than nine it's incredibly low. Of all

0:23:05.720 --> 0:23:09.800
<v Speaker 1>the vineyard land in Champagne has Grand Crew rating, right,

0:23:09.840 --> 0:23:14.560
<v Speaker 1>So again acres only nine percent of that is the

0:23:14.600 --> 0:23:18.520
<v Speaker 1>top rated. Basically, it's saying this land is the primo

0:23:18.720 --> 0:23:22.119
<v Speaker 1>land for growing Champagne grapes. So if you get grapes

0:23:22.160 --> 0:23:24.560
<v Speaker 1>that are grown there by these people who really know

0:23:24.600 --> 0:23:27.440
<v Speaker 1>what they're doing, it's you're gonna pay through the nose

0:23:27.520 --> 0:23:31.240
<v Speaker 1>for it. So a Grand crew Um, Champagne is going

0:23:31.280 --> 0:23:34.600
<v Speaker 1>to be pretty expensive. But there's a there's a reason

0:23:34.640 --> 0:23:39.000
<v Speaker 1>behind it. It's not just marketing and varietals too. Like

0:23:39.000 --> 0:23:42.240
<v Speaker 1>you said, there's three grapes, right, just those three, and

0:23:42.600 --> 0:23:44.920
<v Speaker 1>depending on how you put them together, you can come

0:23:45.040 --> 0:23:47.800
<v Speaker 1>up with a type of cuve as well. Right, So

0:23:48.080 --> 0:23:51.400
<v Speaker 1>blanc to blanc means white of whites. That's made just

0:23:51.560 --> 0:23:56.000
<v Speaker 1>with Chardonnay grapes blocked and no air is made with um,

0:23:56.040 --> 0:23:58.520
<v Speaker 1>just one of the other black grapes, either the peanot

0:23:58.600 --> 0:24:02.760
<v Speaker 1>moonier or the pen know noir. That's right, um. But

0:24:02.920 --> 0:24:06.320
<v Speaker 1>all those three things are factored together to create a

0:24:06.359 --> 0:24:08.720
<v Speaker 1>specific cuve. A. Well, and then you've got your rose

0:24:08.840 --> 0:24:12.040
<v Speaker 1>that you mentioned earlier, your pink wine or is My

0:24:12.080 --> 0:24:15.080
<v Speaker 1>friend Stacy calls it pink crack. It's good stuff. She

0:24:15.160 --> 0:24:19.040
<v Speaker 1>gets ahold of that stuff. Watch out, yeah, um, and

0:24:19.080 --> 0:24:21.440
<v Speaker 1>that is uh, well, they there's a couple of ways

0:24:21.440 --> 0:24:25.520
<v Speaker 1>you can do this. Um. Sometimes you leave some of

0:24:25.560 --> 0:24:28.320
<v Speaker 1>the skin for a little bit of time, but these

0:24:28.359 --> 0:24:30.840
<v Speaker 1>days more or less you're gonna be adding a little

0:24:30.840 --> 0:24:35.480
<v Speaker 1>bit of the red wine, um, peanut noir red wine

0:24:35.520 --> 0:24:38.040
<v Speaker 1>to the couve. So I think there are still a

0:24:38.119 --> 0:24:40.000
<v Speaker 1>wine that's different. If you leave the grapes on a

0:24:40.080 --> 0:24:43.040
<v Speaker 1>little bit, you're gonna have pink champagne. If you actually

0:24:43.080 --> 0:24:46.440
<v Speaker 1>add red wine afterwards, you're gonna have rose champagne. What's

0:24:46.440 --> 0:24:49.560
<v Speaker 1>the difference? Says here. Rose is also known as pink champagne.

0:24:49.560 --> 0:24:51.439
<v Speaker 1>I've seem I know this is what I'm saying. So

0:24:51.600 --> 0:24:54.880
<v Speaker 1>it gets confusing because you definitely get different things from

0:24:54.920 --> 0:24:57.720
<v Speaker 1>different sources. But I have seen in multiple places that

0:24:58.040 --> 0:25:01.000
<v Speaker 1>when you add red wine, that's rose, and that keeping

0:25:01.000 --> 0:25:05.040
<v Speaker 1>the grapes in his pink champagne interesting. But um, apparently

0:25:05.080 --> 0:25:09.000
<v Speaker 1>there's something like three million bottles of red wine or

0:25:09.040 --> 0:25:12.600
<v Speaker 1>set aside every year just to make rose champagne. What

0:25:12.720 --> 0:25:18.680
<v Speaker 1>a waste, man, I'm really I'm changing your mind about champagne.

0:25:19.119 --> 0:25:24.040
<v Speaker 1>Uh No, you're not going to Emily likes rose rose champagne. No,

0:25:24.119 --> 0:25:27.400
<v Speaker 1>I mean she'll have that, but just still rose. There's

0:25:27.400 --> 0:25:30.280
<v Speaker 1>also rose with gas that's not champagne. It's just a

0:25:30.280 --> 0:25:34.760
<v Speaker 1>little gassie. It's it's kind of different all that stuff. Yeah,

0:25:34.760 --> 0:25:37.760
<v Speaker 1>I love it. Yeah, And it's not like I discriminate

0:25:37.800 --> 0:25:43.639
<v Speaker 1>against wines either, but um, I'm I'm definitely prefer Champagne's

0:25:43.640 --> 0:25:46.440
<v Speaker 1>are sparkling wines over still wine, like any day of

0:25:46.480 --> 0:25:49.920
<v Speaker 1>the week. Yeah. Yeah, we're the opposite in more ways

0:25:49.960 --> 0:25:53.600
<v Speaker 1>than one. Uh are we at the Riddler yet? Because

0:25:53.600 --> 0:25:56.639
<v Speaker 1>this is my favorite part. Uh So we've got the

0:25:56.640 --> 0:26:00.199
<v Speaker 1>blend and once you once you blend it. You have

0:26:00.240 --> 0:26:01.720
<v Speaker 1>to put it in bottles. And one of the things

0:26:01.840 --> 0:26:07.280
<v Speaker 1>chuck about the ao C this method champagne noise, is

0:26:07.560 --> 0:26:09.840
<v Speaker 1>once you put in that bottle, it stays in there

0:26:09.920 --> 0:26:12.480
<v Speaker 1>until the person who buys it and drinks it takes

0:26:12.480 --> 0:26:15.199
<v Speaker 1>it out. You have to keep it in the same bottle,

0:26:16.080 --> 0:26:18.760
<v Speaker 1>all right, Yeah, why would you switch a bottle so

0:26:18.760 --> 0:26:21.639
<v Speaker 1>it'd be weird anyway? Um, well you you used to

0:26:21.680 --> 0:26:25.120
<v Speaker 1>want to decan it to get sentiment out. Um you

0:26:25.200 --> 0:26:27.800
<v Speaker 1>might just put it in one bottle to reuse the bottles.

0:26:27.840 --> 0:26:31.240
<v Speaker 1>Who knows, but you you. Once you put in the bottle,

0:26:31.320 --> 0:26:33.000
<v Speaker 1>it's got to stay in the bottle. And after that

0:26:33.080 --> 0:26:36.240
<v Speaker 1>initial que is blended, they put it in the bottle

0:26:36.560 --> 0:26:39.480
<v Speaker 1>and they let it sit and depending on what kind

0:26:40.080 --> 0:26:42.840
<v Speaker 1>um what kind of is if it's non vintage, it's

0:26:42.840 --> 0:26:45.320
<v Speaker 1>gonna sit there for twelve more months for a total

0:26:45.400 --> 0:26:48.719
<v Speaker 1>of a minimum of fifteen If if it's vintage, it's

0:26:48.720 --> 0:26:53.159
<v Speaker 1>gonna sit there for another three years and just age

0:26:53.160 --> 0:26:56.240
<v Speaker 1>in the bottle. That's right. And so at this point

0:26:56.240 --> 0:26:59.160
<v Speaker 1>you're gonna start you want the bubbles, so you're gonna

0:26:59.160 --> 0:27:03.200
<v Speaker 1>start that second for amentation process by adding sugar and yeast.

0:27:03.840 --> 0:27:06.879
<v Speaker 1>Then you drop the temperature on your cooler uh to

0:27:06.960 --> 0:27:10.119
<v Speaker 1>about fifty to sixty, which is cooler than the initial

0:27:10.200 --> 0:27:16.480
<v Speaker 1>fermentation process. And um, well you can also do this

0:27:16.520 --> 0:27:19.280
<v Speaker 1>in the tank. Like they're different methods, but right, that's

0:27:19.320 --> 0:27:26.080
<v Speaker 1>the that's called the Charmett method, the tanks. Yeah, but

0:27:26.200 --> 0:27:28.480
<v Speaker 1>I think the Old World method is well Jesus, you

0:27:28.520 --> 0:27:30.440
<v Speaker 1>can't use tanks. You gotta use bottles. And I I don't

0:27:30.440 --> 0:27:33.560
<v Speaker 1>you think old world is the right term. That's old ish.

0:27:33.720 --> 0:27:35.480
<v Speaker 1>I'll just say old But I think old world means

0:27:35.480 --> 0:27:38.840
<v Speaker 1>something very specific with wine. Oh yeah, I can see that.

0:27:38.920 --> 0:27:43.320
<v Speaker 1>I think it means non Californian. See, this is where

0:27:43.320 --> 0:27:46.359
<v Speaker 1>we get in trouble. Uh So this is a very

0:27:46.359 --> 0:27:50.840
<v Speaker 1>slow fermentation process, the second one. And um, the yeast

0:27:50.920 --> 0:27:55.320
<v Speaker 1>is is living and dying and those cells are breaking apart,

0:27:55.359 --> 0:27:58.919
<v Speaker 1>and it's this really interesting process is going on inside

0:27:58.920 --> 0:28:01.119
<v Speaker 1>that bottle. Yeah, it's eating up all that sugar that

0:28:01.160 --> 0:28:04.440
<v Speaker 1>you added and what's called the liquor to tarage, right,

0:28:04.920 --> 0:28:06.639
<v Speaker 1>and when you add that in and you add the

0:28:06.720 --> 0:28:08.920
<v Speaker 1>yeast in the yeaster, like this is great. We're gonna

0:28:08.920 --> 0:28:13.520
<v Speaker 1>live here for generations eons by our time table. Yeah,

0:28:13.560 --> 0:28:15.960
<v Speaker 1>Like look at all this delicious sugar that we can eat,

0:28:16.040 --> 0:28:17.600
<v Speaker 1>and they eat it and eat it, and they eat

0:28:17.640 --> 0:28:21.080
<v Speaker 1>all of the sugar and the second fermentation process, and

0:28:21.160 --> 0:28:24.480
<v Speaker 1>what we're doing here now is recreating those that natural

0:28:24.560 --> 0:28:27.879
<v Speaker 1>fluke of a condition where it would get cold and

0:28:27.880 --> 0:28:31.040
<v Speaker 1>then warm up again and that second fermentation process would

0:28:31.040 --> 0:28:34.200
<v Speaker 1>start to make the CEO. Two same things happening here,

0:28:34.240 --> 0:28:37.720
<v Speaker 1>but this is a very controlled version of that. So

0:28:37.760 --> 0:28:39.440
<v Speaker 1>the use is eating it and like you said, they're

0:28:39.480 --> 0:28:43.680
<v Speaker 1>dying and breaking open. And so when you're drinking champagne,

0:28:44.000 --> 0:28:48.840
<v Speaker 1>part of what you're drinking are the the internal remnants

0:28:48.960 --> 0:28:53.320
<v Speaker 1>of yeast cells that have spilled their contents into the champagne.

0:28:53.560 --> 0:28:56.080
<v Speaker 1>That's why I don't drink it. But they also leave

0:28:56.120 --> 0:28:58.200
<v Speaker 1>behind some stuff you don't want to drink, which are

0:28:58.200 --> 0:29:01.160
<v Speaker 1>the cell structures, and that creates it's called sentiment. It's

0:29:01.160 --> 0:29:05.280
<v Speaker 1>basically leftover cellular structure of yeast cells. And you want

0:29:05.280 --> 0:29:07.840
<v Speaker 1>to get that out. Yeah, and that's through a process

0:29:07.880 --> 0:29:10.360
<v Speaker 1>called riddling. And I mentioned the riddler is my favorite

0:29:11.040 --> 0:29:15.600
<v Speaker 1>person in this process. It's a pretty thankless job to

0:29:15.680 --> 0:29:18.400
<v Speaker 1>be the riddler, is it, I think? So I'll bet

0:29:18.400 --> 0:29:22.480
<v Speaker 1>you get a lot of free champagne. Well sure, that's thanks. Yeah,

0:29:22.480 --> 0:29:27.840
<v Speaker 1>but it's it's very solitary and redundant. Yeah yeah, repetitive.

0:29:28.840 --> 0:29:32.160
<v Speaker 1>Uh So this riddler, they the wine at this point

0:29:32.240 --> 0:29:34.760
<v Speaker 1>is stored upside down at a seventy five degree angle

0:29:35.400 --> 0:29:38.440
<v Speaker 1>and that is allowing all this, all these dead yeast

0:29:38.440 --> 0:29:44.440
<v Speaker 1>cells to collect down near the neck. Um. They by

0:29:44.520 --> 0:29:48.520
<v Speaker 1>hand go in every day and turn these bottles one

0:29:48.560 --> 0:29:55.959
<v Speaker 1>eighth the baturn, twenty thousand thirty day. They do this

0:29:56.040 --> 0:30:01.640
<v Speaker 1>by hand, and they're just rotating these Uh it's I

0:30:01.680 --> 0:30:04.480
<v Speaker 1>can't imagine doing this. I mean that your life's work.

0:30:04.480 --> 0:30:07.840
<v Speaker 1>You've got to really be dedicated to your craft. Riddler,

0:30:08.240 --> 0:30:12.280
<v Speaker 1>and it takes about four to six weeks of this

0:30:12.280 --> 0:30:17.320
<v Speaker 1>this um dedicated attention. It's very fast process though, if

0:30:17.360 --> 0:30:19.640
<v Speaker 1>you've ever seen a riddler at work, oh yeah, you know.

0:30:19.840 --> 0:30:21.640
<v Speaker 1>But they have to remember that they turn the bottle,

0:30:21.640 --> 0:30:24.160
<v Speaker 1>so they make a little chalk mark on each one

0:30:25.120 --> 0:30:27.880
<v Speaker 1>times in a day. Yeah, man, it's amazing. So they

0:30:28.000 --> 0:30:29.840
<v Speaker 1>they they're turning the bottle and like you said, it's

0:30:29.880 --> 0:30:31.560
<v Speaker 1>turned up in an angle. And the whole point of

0:30:31.600 --> 0:30:34.400
<v Speaker 1>this is that you're slowly because you don't want to

0:30:34.400 --> 0:30:39.000
<v Speaker 1>disturb the champagne. It's still it's still maturing, right, Um,

0:30:39.040 --> 0:30:41.080
<v Speaker 1>but this is towards the end of that maturation phase,

0:30:41.120 --> 0:30:43.960
<v Speaker 1>either that twelve month or that thirty six month minimum.

0:30:44.040 --> 0:30:46.840
<v Speaker 1>And as you're turning it, what you're doing is kind

0:30:46.880 --> 0:30:49.000
<v Speaker 1>of shaking the bottle a little bit too, and you're

0:30:49.040 --> 0:30:52.040
<v Speaker 1>just trying to get the yeast cells what's left of

0:30:52.080 --> 0:30:55.760
<v Speaker 1>them to move towards the neck, right. And the whole

0:30:55.760 --> 0:30:58.520
<v Speaker 1>point is this is called maturing on the leaves, and

0:30:58.560 --> 0:31:01.360
<v Speaker 1>the leaves I think are what the sediment is called,

0:31:01.360 --> 0:31:04.600
<v Speaker 1>possibly or else what the Yeah, I think that's what

0:31:04.680 --> 0:31:07.840
<v Speaker 1>it is. I think. And as it goes down and

0:31:07.880 --> 0:31:10.640
<v Speaker 1>accumulates at the towards the front of the neck, you

0:31:10.680 --> 0:31:14.560
<v Speaker 1>now have one of the last steps called gourge mont

0:31:15.040 --> 0:31:18.560
<v Speaker 1>or disgorgement. Yes, And what you have is it's just

0:31:18.640 --> 0:31:21.880
<v Speaker 1>a thing of sediment. Is it's accumulated at the neck

0:31:21.920 --> 0:31:23.960
<v Speaker 1>and you put it in an ice bath. It's really

0:31:24.000 --> 0:31:26.360
<v Speaker 1>amazing how they do this. Yeah. And then what they

0:31:26.440 --> 0:31:28.320
<v Speaker 1>used to have to do is they would pop open

0:31:28.480 --> 0:31:34.560
<v Speaker 1>a bottle, decant it, filter it, and um, they would

0:31:35.400 --> 0:31:38.320
<v Speaker 1>pour it back so it's filtered. Because one of the

0:31:38.360 --> 0:31:41.160
<v Speaker 1>things you'll note about champagne is it's very clear and

0:31:41.160 --> 0:31:43.920
<v Speaker 1>it undergoes several different clarification steps, but that would have

0:31:43.960 --> 0:31:45.800
<v Speaker 1>been one of them. This is the same thing, but

0:31:45.880 --> 0:31:48.600
<v Speaker 1>this one is way cooler. They put the neck in

0:31:48.640 --> 0:31:50.840
<v Speaker 1>an ice bath, a salt ice bath, so you know

0:31:50.920 --> 0:31:54.160
<v Speaker 1>it's really cold because you know, salt lowers the freezing

0:31:54.200 --> 0:31:57.040
<v Speaker 1>point of ice water. Yeah, and at this point that's

0:31:57.040 --> 0:32:02.440
<v Speaker 1>going to create a little yeast plug. It's so cross

0:32:03.480 --> 0:32:05.920
<v Speaker 1>up there towards the neck. And what they have to

0:32:05.960 --> 0:32:09.160
<v Speaker 1>do then is get that plug out of there while

0:32:09.200 --> 0:32:13.360
<v Speaker 1>maintaining the integrity of the rest of the wine that's inside. Yeah,

0:32:13.480 --> 0:32:17.240
<v Speaker 1>like you're gonna lose some champagne. It's been a perfect procedure.

0:32:17.400 --> 0:32:19.480
<v Speaker 1>Well yeah, I mean that's part of the process, is

0:32:19.560 --> 0:32:21.800
<v Speaker 1>to lose some because then they add stuff back in, right,

0:32:21.880 --> 0:32:25.000
<v Speaker 1>which we'll get to. But um, so they remove while

0:32:25.040 --> 0:32:27.800
<v Speaker 1>it says in here the cork. But these days I

0:32:27.840 --> 0:32:29.640
<v Speaker 1>think that initial one is is a cap like a

0:32:29.640 --> 0:32:32.960
<v Speaker 1>bottle cap, bottle cap can, that old world bottle cap.

0:32:33.840 --> 0:32:36.040
<v Speaker 1>And you know, go on YouTube and look at a

0:32:36.120 --> 0:32:39.320
<v Speaker 1>riddler at work and and just check this out. It's

0:32:39.360 --> 0:32:43.040
<v Speaker 1>it's pretty neat. Like it's a fast process as well. Um,

0:32:43.840 --> 0:32:46.800
<v Speaker 1>did you see the how it's made on that they

0:32:46.880 --> 0:32:50.280
<v Speaker 1>pop it out and a surprisingly small amount comes out.

0:32:50.760 --> 0:32:52.800
<v Speaker 1>Like I thought it'd just they'd be like, oh god,

0:32:52.800 --> 0:32:55.480
<v Speaker 1>oh jeez, like it could be the most stressful job

0:32:55.520 --> 0:32:58.120
<v Speaker 1>in the world. But you know, enough comes out. It's

0:32:58.120 --> 0:33:01.000
<v Speaker 1>foaming over, but um, it's not like a just a

0:33:01.040 --> 0:33:03.080
<v Speaker 1>tremendous amount, and then they smell it to make sure

0:33:03.080 --> 0:33:05.480
<v Speaker 1>it's not. The dude I saw put his thumb over

0:33:05.480 --> 0:33:07.840
<v Speaker 1>it real quick, so like it wasn't foaming over at all.

0:33:07.880 --> 0:33:10.240
<v Speaker 1>Maybe that's what I saw or maybe that's what he

0:33:10.320 --> 0:33:13.000
<v Speaker 1>was doing. I didn't catch it. Yeah, pretty interesting though.

0:33:13.040 --> 0:33:16.360
<v Speaker 1>So the riddlers is doing this by hand, uh, because

0:33:16.360 --> 0:33:18.760
<v Speaker 1>there's you know, carbon dioxide gas in there at this point,

0:33:19.440 --> 0:33:21.880
<v Speaker 1>and it forces that plug out and like you said,

0:33:21.920 --> 0:33:26.080
<v Speaker 1>you lose just a little bit. Then you add, uh,

0:33:26.200 --> 0:33:28.200
<v Speaker 1>maybe a little brandy, little sugar, a little white wine

0:33:28.960 --> 0:33:31.960
<v Speaker 1>back in to get the you know, the proper amount

0:33:31.960 --> 0:33:34.800
<v Speaker 1>of liquid inside the bottle. Right, that's called the dosage

0:33:34.960 --> 0:33:39.280
<v Speaker 1>or the liquor dosage. Don't call it dosage because I

0:33:39.320 --> 0:33:42.280
<v Speaker 1>did in my head for like half of this research. Yeah,

0:33:42.280 --> 0:33:44.800
<v Speaker 1>and then you oh, well that's dosage. Well that's when

0:33:44.800 --> 0:33:48.920
<v Speaker 1>it helps to watch videos, um, and then they put

0:33:48.920 --> 0:33:51.240
<v Speaker 1>that final cork in place. Is when that's going to

0:33:51.320 --> 0:33:54.400
<v Speaker 1>stay in there until you uncork it and they tighten

0:33:54.440 --> 0:33:59.320
<v Speaker 1>it down with that wire as are not so great

0:33:59.400 --> 0:34:03.280
<v Speaker 1>article points that you can make into a little chair afterwards.

0:34:03.760 --> 0:34:06.640
<v Speaker 1>That's what people do, right Uh. And you know you

0:34:06.680 --> 0:34:08.840
<v Speaker 1>have to have that thing on there because it's like

0:34:09.920 --> 0:34:11.759
<v Speaker 1>there's a lot of pressure still building up in that thing,

0:34:12.080 --> 0:34:17.080
<v Speaker 1>right um. And they've actually thanks to a eighteenth century

0:34:17.360 --> 0:34:21.480
<v Speaker 1>French pharmacist named Antoine Beaumet, he came up with a

0:34:21.520 --> 0:34:24.600
<v Speaker 1>device to measure the sugar content and wine. So now

0:34:24.640 --> 0:34:27.920
<v Speaker 1>they know exactly how much sugar to put into the

0:34:28.040 --> 0:34:31.680
<v Speaker 1>champagne to raise the pressure back up, because you want

0:34:31.680 --> 0:34:34.840
<v Speaker 1>about five or six atmospheres of pressure or about I

0:34:34.840 --> 0:34:39.359
<v Speaker 1>think sixty to seventy square or pounds per square inch

0:34:39.840 --> 0:34:43.880
<v Speaker 1>of pressure in a bottle of wine. How much fifties

0:34:44.160 --> 0:34:47.520
<v Speaker 1>seventy I think, or fifty to ninety, but it's definitely

0:34:47.640 --> 0:34:53.000
<v Speaker 1>five or six atmospheres of pressure kind of average. Okay,

0:34:53.120 --> 0:34:56.640
<v Speaker 1>So um, they know how much of that liqueur de

0:34:57.080 --> 0:35:00.040
<v Speaker 1>dosage to put in, how much sugar to put I

0:35:00.120 --> 0:35:03.120
<v Speaker 1>can to raise the the atmosphere back up and the

0:35:03.160 --> 0:35:05.040
<v Speaker 1>other reason you want to do that to chuck is

0:35:05.440 --> 0:35:08.520
<v Speaker 1>when you're adding that that sugar back in that yeast,

0:35:08.520 --> 0:35:11.360
<v Speaker 1>all the sugar that was in there, and turn it

0:35:11.360 --> 0:35:14.279
<v Speaker 1>into carbon dioxide that you put in for the second fermentation.

0:35:15.120 --> 0:35:19.040
<v Speaker 1>And when they did, they made this champagne as dry

0:35:19.120 --> 0:35:23.160
<v Speaker 1>as a bone an extra brute, so the amount of sure,

0:35:23.239 --> 0:35:26.319
<v Speaker 1>it's actually more than that. It's brute natural well, I

0:35:26.360 --> 0:35:29.839
<v Speaker 1>call it a double X brute. It's crazy dry. I've

0:35:29.880 --> 0:35:33.520
<v Speaker 1>never had it, but I can only imagine how. Yeah,

0:35:34.239 --> 0:35:37.560
<v Speaker 1>there's there's one where they don't put in any dossage.

0:35:37.719 --> 0:35:40.600
<v Speaker 1>They don't add any sugar afterward, so it's bone dry,

0:35:40.840 --> 0:35:43.319
<v Speaker 1>and that's just for people who really prefer that, because yes,

0:35:43.760 --> 0:35:47.880
<v Speaker 1>apparently the extra brute is the least popular. Yeah, I

0:35:47.920 --> 0:35:51.440
<v Speaker 1>can imagine, and I think I think the best selling

0:35:52.160 --> 0:35:53.799
<v Speaker 1>is sort of that brute, which is sort of in

0:35:53.840 --> 0:35:58.319
<v Speaker 1>the middle of dry and sweet or sec or demi sec,

0:35:58.600 --> 0:36:00.239
<v Speaker 1>and then I think the last one is due d

0:36:00.400 --> 0:36:04.320
<v Speaker 1>o u X is the sweetest of all non brute. Yeah,

0:36:04.360 --> 0:36:08.239
<v Speaker 1>but brute is drier than extra dry, which is kind

0:36:08.239 --> 0:36:11.840
<v Speaker 1>of surprising. But if you ever, it's pretty easy to

0:36:11.880 --> 0:36:14.720
<v Speaker 1>pick up, if you just read it once or twice

0:36:14.760 --> 0:36:17.719
<v Speaker 1>You're like, Okay, that's that's how it's denoted. But all

0:36:17.880 --> 0:36:20.520
<v Speaker 1>that is based on how much dosage you put in

0:36:20.880 --> 0:36:26.040
<v Speaker 1>after you just just uh and go disgorge the yeast

0:36:26.080 --> 0:36:29.680
<v Speaker 1>plug gorge. Yeah. Uh one of my least favorite words.

0:36:29.719 --> 0:36:32.120
<v Speaker 1>By the way, that's a bad one. Um. Is this

0:36:32.160 --> 0:36:35.680
<v Speaker 1>true about Madame Clique from what I saw? Yeah, Um,

0:36:35.760 --> 0:36:39.680
<v Speaker 1>she was an entrepreneur famously. In fact, she's called Widow

0:36:39.920 --> 0:36:43.040
<v Speaker 1>Cliquo at times. She's widowed at a very young age,

0:36:43.080 --> 0:36:47.440
<v Speaker 1>sadly and took over her husband's wine business and supposedly

0:36:47.480 --> 0:36:53.360
<v Speaker 1>invented that disgorging process herself, which is uh. I mean,

0:36:53.360 --> 0:36:54.759
<v Speaker 1>it's kind of simple when you look at it, but

0:36:55.160 --> 0:36:58.360
<v Speaker 1>I wouldn't have thought to do it. No again, I

0:36:58.400 --> 0:37:01.040
<v Speaker 1>mean they were decanning I'm back then and filtering it out.

0:37:01.160 --> 0:37:03.840
<v Speaker 1>So and this was I think eighteen thirteen when the

0:37:03.960 --> 0:37:07.400
<v Speaker 1>Widow Clicko came up with it. And about then is

0:37:07.440 --> 0:37:12.520
<v Speaker 1>when Champagne the drink took off, at least in France

0:37:12.520 --> 0:37:14.920
<v Speaker 1>and started to spread very quickly around the world. Yeah,

0:37:15.040 --> 0:37:16.560
<v Speaker 1>Napoleon had a lot to do with that, right, I

0:37:16.600 --> 0:37:20.360
<v Speaker 1>think Napoleon did. By World War One, Winston Churchill reminded

0:37:20.400 --> 0:37:24.680
<v Speaker 1>everyone we're not fighting to save just France. Boys were

0:37:24.680 --> 0:37:30.640
<v Speaker 1>fighting to save Champagne. Hurrah, Um, should we take another break?

0:37:30.840 --> 0:37:33.160
<v Speaker 1>I think so? All right, we're gonna talk a little

0:37:33.160 --> 0:37:36.960
<v Speaker 1>bit about what the fuss is with this stuff after this?

0:38:05.360 --> 0:38:09.440
<v Speaker 1>All right, So Josh the master wine maker seller master

0:38:09.640 --> 0:38:12.240
<v Speaker 1>has uh walked us through the process. What a great

0:38:12.320 --> 0:38:16.400
<v Speaker 1>job that would be? Yeah, I have a you know,

0:38:16.440 --> 0:38:18.319
<v Speaker 1>my friend Robbie is a kind of a rock star

0:38:18.360 --> 0:38:23.319
<v Speaker 1>winemaker and NAPA. Yeah, it's pretty great. He's he's like

0:38:23.640 --> 0:38:26.440
<v Speaker 1>he's living the good life. In fact, he got in

0:38:26.480 --> 0:38:27.880
<v Speaker 1>touch at one point because he wanted to start a

0:38:27.880 --> 0:38:32.400
<v Speaker 1>wine podcast. Uh, and we just sort of email back

0:38:32.440 --> 0:38:34.560
<v Speaker 1>and forth, and it just never like he just wanted

0:38:34.600 --> 0:38:36.640
<v Speaker 1>advice and stuff, not like he wanted to start one

0:38:36.640 --> 0:38:39.440
<v Speaker 1>with me, because that would be, Um, what are those

0:38:39.440 --> 0:38:41.840
<v Speaker 1>podcasts called when like someone's super expert and then you

0:38:41.880 --> 0:38:50.600
<v Speaker 1>got a big dummy. Uh uh I can't think of anything.

0:38:50.680 --> 0:38:53.239
<v Speaker 1>That's what that would have been. Man, there was like

0:38:53.280 --> 0:38:55.520
<v Speaker 1>that was just ripe for jokes. I would have been

0:38:55.600 --> 0:39:00.560
<v Speaker 1>that Thomas Satan Church to his Uh. Paul Giamatti, Oh

0:39:00.600 --> 0:39:02.640
<v Speaker 1>you're talking about sideways. I thought you were talking about

0:39:02.680 --> 0:39:04.560
<v Speaker 1>wings for a second. I would have been like, when

0:39:04.600 --> 0:39:07.400
<v Speaker 1>are we gonna drink it? Tastes good to me, yeah,

0:39:07.440 --> 0:39:11.200
<v Speaker 1>and Robbie'd be spitting it out. Um. I don't think

0:39:12.680 --> 0:39:17.120
<v Speaker 1>he's very talented, and you know does quite well like

0:39:17.520 --> 0:39:20.040
<v Speaker 1>making wine for other people. And he also has his

0:39:20.080 --> 0:39:23.240
<v Speaker 1>own label uh linge Vane and Pearce and Meyer Wines

0:39:23.440 --> 0:39:26.279
<v Speaker 1>plug plug uh. And when you go to his house

0:39:26.320 --> 0:39:29.480
<v Speaker 1>and stay with him in his awesome guest house at

0:39:29.520 --> 0:39:34.359
<v Speaker 1>the top of how Mountain, you get drunk on like

0:39:34.680 --> 0:39:39.920
<v Speaker 1>amazing expensive wines that he opens, Like you're drinking that peria.

0:39:40.360 --> 0:39:44.600
<v Speaker 1>I'm sorry, this is Pellegrina. Oh excuse me. That's the

0:39:44.600 --> 0:39:50.480
<v Speaker 1>Italian version of Perrier. It is. It's like the likersecco.

0:39:51.120 --> 0:39:55.600
<v Speaker 1>What spumantepumante is Italian? Is it? It's sparkling right, Yeah,

0:39:55.960 --> 0:39:58.480
<v Speaker 1>I guess prosecco is Italian as well. I just remember

0:39:58.560 --> 0:40:00.439
<v Speaker 1>that from when I was a kid, Martine and ROSSI.

0:40:02.840 --> 0:40:07.440
<v Speaker 1>It's amazing. That's drilled in my brain Martini and Rossie,

0:40:08.560 --> 0:40:13.040
<v Speaker 1>which probably is like crap, sparkling wine, isn't it. I

0:40:13.080 --> 0:40:15.960
<v Speaker 1>don't know that it's good. I don't know. I mean,

0:40:16.200 --> 0:40:19.040
<v Speaker 1>I think it's I think that's probably what gave me

0:40:19.080 --> 0:40:23.400
<v Speaker 1>your headache. That and all the low and brow Yeah,

0:40:24.239 --> 0:40:26.720
<v Speaker 1>is that still around? I don't know. And though Bob

0:40:26.719 --> 0:40:32.000
<v Speaker 1>and Doug drank now they drank some sort of was

0:40:32.040 --> 0:40:38.560
<v Speaker 1>it made up? No, they drank Molson? Well is it

0:40:38.680 --> 0:40:40.359
<v Speaker 1>the bats? I mean it was probably some Canadian beer.

0:40:40.360 --> 0:40:43.120
<v Speaker 1>We're gonna get killed over this. We are sorry, everybody,

0:40:43.160 --> 0:40:46.160
<v Speaker 1>all right, So let's move on then to what makes

0:40:46.239 --> 0:40:51.080
<v Speaker 1>champagne so so expensive and so fancy, Like it has

0:40:51.120 --> 0:40:55.239
<v Speaker 1>this um there's this notion you know that you drink

0:40:55.239 --> 0:40:57.960
<v Speaker 1>it for celebrations or that you're like sort of the

0:40:58.040 --> 0:41:02.520
<v Speaker 1>upper crust of society. I d if you're drinking champagne. Well, supposedly,

0:41:02.560 --> 0:41:05.799
<v Speaker 1>there is an actual reason why champagne is associated with

0:41:05.880 --> 0:41:11.040
<v Speaker 1>toasting the big events in life. Because for a thousand years,

0:41:11.120 --> 0:41:14.000
<v Speaker 1>from about the ninth century to the nineteenth century, they

0:41:14.000 --> 0:41:18.120
<v Speaker 1>had no champagne. The kings of France were coronated in champagne,

0:41:18.400 --> 0:41:22.120
<v Speaker 1>so it was like a celebration town for the whole country.

0:41:22.400 --> 0:41:26.760
<v Speaker 1>So toasting with even before they were sparkling wines, um,

0:41:26.800 --> 0:41:30.719
<v Speaker 1>toasting with champagne wine was traditional. So have you ever

0:41:30.760 --> 0:41:37.800
<v Speaker 1>been in a restaurant and like gotten good news and said, waiter, champagne,

0:41:38.280 --> 0:41:42.120
<v Speaker 1>has anyone ever done that? Uh, besides in movies. I

0:41:42.160 --> 0:41:48.200
<v Speaker 1>don't know. Maybe it's funny like I was watching, Uh,

0:41:48.360 --> 0:41:52.520
<v Speaker 1>I was watching McConaughey act, and it was I was

0:41:52.560 --> 0:41:55.920
<v Speaker 1>watching a movie on somebody else's seat back on a flight,

0:41:56.600 --> 0:41:58.640
<v Speaker 1>so I wasn't hearing it, so I was really just

0:41:58.719 --> 0:42:03.920
<v Speaker 1>watching the movie. And um, I was like, I imagine

0:42:04.040 --> 0:42:08.120
<v Speaker 1>if you were in real life around Matthew McConaughey, like

0:42:08.200 --> 0:42:11.200
<v Speaker 1>in a room with one of his characters, and just

0:42:11.280 --> 0:42:16.080
<v Speaker 1>how off putting in bizarre that experience would be. You know,

0:42:16.719 --> 0:42:19.120
<v Speaker 1>because he's just said he just choose the scenery and

0:42:19.160 --> 0:42:23.040
<v Speaker 1>everything he does. It's just so big that in real life,

0:42:23.040 --> 0:42:25.600
<v Speaker 1>if you were interacting with that character, you'd be like,

0:42:25.920 --> 0:42:29.080
<v Speaker 1>calm down, man, you're freaking me out. Well Watterson was

0:42:29.120 --> 0:42:33.480
<v Speaker 1>pretty chill. Yeah, yeah, okay, but everybody since Waterson pretty

0:42:33.560 --> 0:42:36.400
<v Speaker 1>much alright, boy, that's an interesting thing to think on

0:42:36.400 --> 0:42:39.160
<v Speaker 1>a plane. Just hit me, hit me on the plane.

0:42:39.360 --> 0:42:41.960
<v Speaker 1>I think if I was in a restaurant and something

0:42:42.000 --> 0:42:45.000
<v Speaker 1>great happened, I would say waiter, another Gen and Tonic

0:42:45.560 --> 0:42:50.840
<v Speaker 1>and they would go huh, They probably say you got it. Actually,

0:42:50.880 --> 0:42:53.319
<v Speaker 1>I started calling those lime salads at my house. Nice,

0:42:53.840 --> 0:42:56.720
<v Speaker 1>you're on the gin and tonic. Yeah, yeah, that usually

0:42:56.719 --> 0:43:02.560
<v Speaker 1>happens around around April. Oh yeah, April two, you know, September.

0:43:02.760 --> 0:43:06.040
<v Speaker 1>I got one for you. Um, gin and bitter lemon

0:43:06.840 --> 0:43:10.040
<v Speaker 1>is a nice combo. Yeah yeah, And I thought bitter

0:43:10.080 --> 0:43:13.120
<v Speaker 1>lemon was just like a fever tree drink that they

0:43:13.160 --> 0:43:15.160
<v Speaker 1>make them. They make a good one, but everybody from

0:43:15.200 --> 0:43:18.520
<v Speaker 1>like Canada dry to whoever else makes bitter lemon as well.

0:43:19.040 --> 0:43:22.120
<v Speaker 1>So just give yourself a good bitter lemon and some gin.

0:43:22.880 --> 0:43:28.600
<v Speaker 1>You can't love it? Um, we should do it. But

0:43:28.680 --> 0:43:30.760
<v Speaker 1>we'll definitely do a podcast on gin at some point.

0:43:31.360 --> 0:43:40.080
<v Speaker 1>Very interesting liquor complex. Can be sure. I got another

0:43:40.080 --> 0:43:42.600
<v Speaker 1>one for you with that better lemon. If you want

0:43:42.600 --> 0:43:47.879
<v Speaker 1>to get really fancy, get some St. George Terror terroir. Yeah,

0:43:47.880 --> 0:43:51.480
<v Speaker 1>I'm not a fan. You had the dry rye, now

0:43:51.680 --> 0:43:54.279
<v Speaker 1>you did you? You tried the terroar one, Yeah, the

0:43:54.320 --> 0:43:56.960
<v Speaker 1>one that tastes like feet. No, that's the dry rye.

0:43:58.000 --> 0:44:00.000
<v Speaker 1>I've tried all three of those St. George's and I'm

0:44:00.120 --> 0:44:04.080
<v Speaker 1>like any of them. I'm a London dry guy. Well, anyway,

0:44:04.120 --> 0:44:06.400
<v Speaker 1>you'll still like it with bitter lemon. All right, everyone

0:44:06.480 --> 0:44:10.480
<v Speaker 1>else you would like the Tara war St George with

0:44:10.719 --> 0:44:15.040
<v Speaker 1>a bitter lemon, everyone else on the planet. Because all right,

0:44:15.280 --> 0:44:17.360
<v Speaker 1>and I figured out what was up with the dry rye.

0:44:17.400 --> 0:44:20.480
<v Speaker 1>You're absolutely right. You can't make a martini out of

0:44:20.480 --> 0:44:23.239
<v Speaker 1>that stuff. It kill you. It's not made for it.

0:44:23.239 --> 0:44:25.200
<v Speaker 1>It's made for things like the gronies. It makes a

0:44:25.280 --> 0:44:29.399
<v Speaker 1>killer negroni. It's really good. Yeah, I'm a I stick

0:44:29.440 --> 0:44:31.160
<v Speaker 1>to my lime salad, you know. Okay, you know me

0:44:31.200 --> 0:44:33.600
<v Speaker 1>and my basic names. But try the bitter lemon sometime

0:44:34.000 --> 0:44:37.920
<v Speaker 1>with gin. Okay, you're you're dry limon. It's fine, all right, okay,

0:44:37.960 --> 0:44:40.560
<v Speaker 1>but with with the bitter lemon instead of tonic. Okay,

0:44:40.640 --> 0:44:43.520
<v Speaker 1>I'll give it a dry And if I don't like it,

0:44:43.600 --> 0:44:45.799
<v Speaker 1>then I'm just weird because everyone else in the world

0:44:45.800 --> 0:44:48.719
<v Speaker 1>loves it. That I'm not saying that. You said that,

0:44:49.480 --> 0:44:51.680
<v Speaker 1>Uh all right, where in the world worry? So we

0:44:51.680 --> 0:44:55.680
<v Speaker 1>were talking about, um, what makes champagne so fancy? Yeah?

0:44:56.520 --> 0:45:00.400
<v Speaker 1>Uh well, like we said earlier, it's um you know,

0:45:00.440 --> 0:45:04.480
<v Speaker 1>it's a very small region comparatively speaking. Uh so that

0:45:04.560 --> 0:45:07.799
<v Speaker 1>will lend to the price and all these hand processes

0:45:07.840 --> 0:45:09.840
<v Speaker 1>that they still might use or foot processes. It's a

0:45:09.880 --> 0:45:12.840
<v Speaker 1>big one is gonna make it more expensive, and anytime

0:45:12.880 --> 0:45:16.560
<v Speaker 1>the price is being driven up, uh, it's gonna have

0:45:16.680 --> 0:45:20.600
<v Speaker 1>that sort of air of sophistication. Uh. And then, of

0:45:20.600 --> 0:45:25.560
<v Speaker 1>course when the hip hop scene started kind of a

0:45:26.520 --> 0:45:29.840
<v Speaker 1>using that in lyrics and popping Champagne on the yacht

0:45:29.880 --> 0:45:33.840
<v Speaker 1>and the videos I'm on a boat, what was that

0:45:35.320 --> 0:45:38.520
<v Speaker 1>okay with? Oh? I think I remember that. I don't

0:45:38.520 --> 0:45:41.719
<v Speaker 1>remember who it was, but I don't think it was got.

0:45:41.760 --> 0:45:45.319
<v Speaker 1>It was one of those Andy Sandberg shorts. Not little Wayne,

0:45:45.320 --> 0:45:49.120
<v Speaker 1>who's the other little little bow Wow? No, he's just

0:45:49.360 --> 0:45:54.480
<v Speaker 1>wow now really yeah, grows up man, the guy who

0:45:54.520 --> 0:45:57.919
<v Speaker 1>was like, yeah, yeah, that guy. I have no idea

0:45:58.120 --> 0:46:06.560
<v Speaker 1>you do little ones John? Yeah? Uh yeah, I'm not.

0:46:07.360 --> 0:46:10.120
<v Speaker 1>But yes, it was a Andy Sandberg short. Yeah I do.

0:46:10.239 --> 0:46:12.600
<v Speaker 1>I think I do remember that. But that definitely, um

0:46:13.760 --> 0:46:19.920
<v Speaker 1>kind of solidified the sort of you know status. Yeah, sure,

0:46:20.000 --> 0:46:23.120
<v Speaker 1>that's exactly the word I would I would suggest it

0:46:23.200 --> 0:46:28.000
<v Speaker 1>was already right solidified, But it definitely didn't hurt, especially

0:46:28.000 --> 0:46:30.040
<v Speaker 1>in the States here and with a whole new generation

0:46:30.120 --> 0:46:33.680
<v Speaker 1>of people right right, like the younger generation, it's like

0:46:34.239 --> 0:46:38.439
<v Speaker 1>Champagne human, right, But then all of a sudden little

0:46:38.520 --> 0:46:41.120
<v Speaker 1>John's like, I got some champagne for real. I'm sure

0:46:41.120 --> 0:46:44.799
<v Speaker 1>the champagne industry was like, seriously, keep doing it. Sure. So.

0:46:46.840 --> 0:46:53.240
<v Speaker 1>The thing though, is there's um actual reason behind champagne

0:46:53.320 --> 0:46:56.560
<v Speaker 1>being more expensive than your typical wine. But that doesn't

0:46:56.600 --> 0:47:01.759
<v Speaker 1>mean that all champagne or all sparkling lines are like

0:47:01.840 --> 0:47:03.680
<v Speaker 1>out of your price range. No. I mean you can

0:47:03.680 --> 0:47:07.480
<v Speaker 1>get some cheap sparkling wine that'll get good headache. No, No,

0:47:07.719 --> 0:47:10.600
<v Speaker 1>that's not true. Like you can get Shandon wines for

0:47:12.200 --> 0:47:14.720
<v Speaker 1>bucks and it's not going to give you a headache.

0:47:14.800 --> 0:47:17.000
<v Speaker 1>I was talking about the six dollar good stuff. Yeah,

0:47:17.360 --> 0:47:19.840
<v Speaker 1>but twenty bucks. I mean, if you're gonna spring for

0:47:19.880 --> 0:47:22.879
<v Speaker 1>a decent bottle of wine if it's New Year's Eve,

0:47:24.480 --> 0:47:30.239
<v Speaker 1>why not, That's when I'll toast it. Uh. Alright, So

0:47:30.320 --> 0:47:34.880
<v Speaker 1>twenty bucks will get you a good bottle of decent champagne,

0:47:34.960 --> 0:47:37.640
<v Speaker 1>is what you're saying. Yes, not bad. Or you can

0:47:37.680 --> 0:47:42.680
<v Speaker 1>spend hundreds of dollars, thousands, tens of thousands at auction,

0:47:43.760 --> 0:47:47.680
<v Speaker 1>just like wine. If you want some super rare collectible wine,

0:47:48.080 --> 0:47:50.920
<v Speaker 1>Champion apparently a quarter of a million dollars for a

0:47:51.000 --> 0:47:54.960
<v Speaker 1>bottle at the Moscow Ritz Carlton, And that's not even

0:47:55.000 --> 0:47:58.480
<v Speaker 1>something you drink, right, if you're a jackass, sure, but

0:47:58.560 --> 0:48:00.160
<v Speaker 1>I mean, if you're you have to be a pack

0:48:00.239 --> 0:48:02.000
<v Speaker 1>has to spend a quarter of a million dollars on

0:48:02.000 --> 0:48:05.520
<v Speaker 1>a bottle of champagne anyway, you better drink it, frankly.

0:48:05.840 --> 0:48:10.120
<v Speaker 1>But champagne you don't keep, you can you can, And

0:48:10.160 --> 0:48:12.719
<v Speaker 1>so there's a lot of misunderstanding about it. Right, So

0:48:12.800 --> 0:48:15.520
<v Speaker 1>a lot of people think that you keep champagne standing up.

0:48:15.920 --> 0:48:17.680
<v Speaker 1>You do for about the first month. But if you're

0:48:17.719 --> 0:48:19.960
<v Speaker 1>keeping in a seller, you want to keep it on

0:48:19.960 --> 0:48:21.920
<v Speaker 1>its side. Like any bottle of wine, you want the

0:48:22.480 --> 0:48:25.480
<v Speaker 1>wine touching the cork. But the reason that champagne actually

0:48:25.520 --> 0:48:28.800
<v Speaker 1>ages in the bottle. It's just like wine that that cork.

0:48:28.960 --> 0:48:31.320
<v Speaker 1>It's in there pretty good, but it's not air tight.

0:48:31.560 --> 0:48:34.920
<v Speaker 1>There's a minimal amount of gas exchange going on, so

0:48:34.960 --> 0:48:38.880
<v Speaker 1>that the wine, the champagne, continues to mature over the

0:48:38.880 --> 0:48:41.480
<v Speaker 1>course of ten thirty years if you keep it. If

0:48:41.520 --> 0:48:45.080
<v Speaker 1>you keep it, the key to champagne, apparently storing it

0:48:45.160 --> 0:48:48.160
<v Speaker 1>is you want to avoid temperature fluctuations. You want to

0:48:48.239 --> 0:48:50.239
<v Speaker 1>keep it at about the same temperature for the whole

0:48:50.280 --> 0:48:52.360
<v Speaker 1>time you have it. Stored. To bury it in your backyard,

0:48:52.640 --> 0:48:57.000
<v Speaker 1>sure is on its side deep and leave it there. Yeah, uh,

0:48:57.040 --> 0:48:59.360
<v Speaker 1>and it will. You will find that all the worms

0:48:59.400 --> 0:49:02.480
<v Speaker 1>drank it and be like worms. Bury it under the

0:49:02.520 --> 0:49:04.239
<v Speaker 1>frost line, and you want to keep it out of

0:49:04.280 --> 0:49:07.480
<v Speaker 1>the sunlight too well underground. But apparently as it ages,

0:49:07.480 --> 0:49:10.319
<v Speaker 1>they've never had old champagne. But as it ages, its

0:49:10.360 --> 0:49:15.440
<v Speaker 1>taste starts to mellow um and it takes on dried fruit, nutty,

0:49:15.560 --> 0:49:19.560
<v Speaker 1>toasty honey notes are like the main notes that it hits. Yeah,

0:49:19.560 --> 0:49:22.360
<v Speaker 1>we had a bottle of don peregnon that was awful

0:49:22.400 --> 0:49:25.200
<v Speaker 1>when we opened it, but we didn't It was every

0:49:25.239 --> 0:49:28.960
<v Speaker 1>improper thing you could do, we did, including moving it

0:49:29.000 --> 0:49:33.160
<v Speaker 1>in a hot truck from l A to Atlanta, hot

0:49:33.160 --> 0:49:35.799
<v Speaker 1>moving truck. I don't know. I mean, we just don't

0:49:35.840 --> 0:49:37.239
<v Speaker 1>drink it much. So we just had it and we

0:49:37.280 --> 0:49:39.120
<v Speaker 1>got it as a gift. If that happens, you just

0:49:39.120 --> 0:49:42.680
<v Speaker 1>just put some fresh squeeze orange juice in there. It's fine, boom,

0:49:42.719 --> 0:49:46.400
<v Speaker 1>then you've got a mimosa. I'll have a mimosa occasionally.

0:49:47.080 --> 0:49:51.360
<v Speaker 1>That's champagne, I know, in orange juice. Yeah, that's the

0:49:51.440 --> 0:49:54.719
<v Speaker 1>key with the orange juice. Well, I mean, I enjoy

0:49:54.840 --> 0:49:57.759
<v Speaker 1>mimosa more than just regular champagne. It's like a whole.

0:49:57.800 --> 0:49:59.600
<v Speaker 1>It's definitely one of those things that's greater than the

0:49:59.640 --> 0:50:02.279
<v Speaker 1>sum of parts. Yeah, you know, I don't think I

0:50:02.320 --> 0:50:05.239
<v Speaker 1>ever said, chuck that. Um. Those two quarter of a

0:50:05.280 --> 0:50:09.200
<v Speaker 1>million dollar bottles of champagne were from a shipwreck that

0:50:09.320 --> 0:50:14.280
<v Speaker 1>was headed to Russia to bring champagne to the tsar's family,

0:50:14.800 --> 0:50:18.080
<v Speaker 1>and it's all the shipwrecked and they discovered it in

0:50:18.080 --> 0:50:20.040
<v Speaker 1>the nineties and now they're selling it at the Ritz

0:50:20.120 --> 0:50:26.440
<v Speaker 1>Carlton too. What did you say? And I think that's

0:50:26.440 --> 0:50:29.439
<v Speaker 1>the one that's like a collector's piece, right, I don't

0:50:29.440 --> 0:50:31.399
<v Speaker 1>know you like to put it on your wall. That's

0:50:31.440 --> 0:50:34.160
<v Speaker 1>not from what I I don't know. I don't know

0:50:34.320 --> 0:50:37.200
<v Speaker 1>what you do with that besides just drink it and

0:50:37.200 --> 0:50:39.520
<v Speaker 1>hope for the best. Well, should we talk about drinking

0:50:39.520 --> 0:50:42.800
<v Speaker 1>it in the proper way, to open it in, to

0:50:43.440 --> 0:50:48.600
<v Speaker 1>pour it, consume it, because uh, if you if you

0:50:48.640 --> 0:50:51.680
<v Speaker 1>don't know what you're doing and you've seen too many movies,

0:50:53.160 --> 0:50:55.520
<v Speaker 1>you might try and pop that cork out across the room.

0:50:55.600 --> 0:50:59.640
<v Speaker 1>It's very dangerous. It is very dangerous and people get injured. Right,

0:50:59.680 --> 0:51:01.920
<v Speaker 1>are there deaths. I think I didn't see it, or

0:51:01.920 --> 0:51:04.440
<v Speaker 1>is that like an urban legend. I would guess an

0:51:04.520 --> 0:51:06.920
<v Speaker 1>urban legend. I could be wrong. I'm thinking if you

0:51:07.080 --> 0:51:09.120
<v Speaker 1>died from getting hit with a cork, you had a

0:51:09.120 --> 0:51:13.920
<v Speaker 1>pre existing condition. M Is that covered? I don't know

0:51:14.719 --> 0:51:18.200
<v Speaker 1>under Obamacare. Sure, I guess we'll see. So. Uh, you'll

0:51:18.239 --> 0:51:21.279
<v Speaker 1>get about six flutes if you're pouring properly out of

0:51:21.320 --> 0:51:24.240
<v Speaker 1>a bottle of champagne. I want to serve it between

0:51:24.280 --> 0:51:29.120
<v Speaker 1>forty and forty five degrees celsius or fahrenheit. That's fahrenheit, right,

0:51:29.239 --> 0:51:31.920
<v Speaker 1>I don't know. Uh. If you are caught with your

0:51:31.960 --> 0:51:36.600
<v Speaker 1>pants down at a party, just go champagne and it'll

0:51:36.600 --> 0:51:40.200
<v Speaker 1>get you out of it. Um. And you want to

0:51:40.280 --> 0:51:42.439
<v Speaker 1>chill it very quickly, you can put it in an

0:51:42.440 --> 0:51:45.400
<v Speaker 1>ice bath and not to get out that yeast plug,

0:51:45.880 --> 0:51:48.160
<v Speaker 1>but just to make it cold fast, just like you

0:51:48.160 --> 0:51:51.840
<v Speaker 1>would beer or something. All Right, the neck, you mean, no, no, no,

0:51:51.880 --> 0:51:54.160
<v Speaker 1>the whole bottle. If you want to serve it. You

0:51:54.239 --> 0:51:56.560
<v Speaker 1>got a hot bottle of champagne and you're moving truck,

0:51:57.719 --> 0:51:59.640
<v Speaker 1>throw it in an ice bath for about twenty minutes

0:51:59.680 --> 0:52:01.279
<v Speaker 1>and you should be good to go. Yeah, if you

0:52:01.520 --> 0:52:03.719
<v Speaker 1>there's a party trick. You can do too, where if

0:52:03.760 --> 0:52:06.640
<v Speaker 1>you put just the neck in the ice bath, you

0:52:06.640 --> 0:52:09.359
<v Speaker 1>can use what's called a saber. You can actually use anything.

0:52:09.400 --> 0:52:12.439
<v Speaker 1>I've seen somebody do it on on video with a shoe. Yeah.

0:52:12.480 --> 0:52:14.400
<v Speaker 1>You don't even have to freeze it if you're a

0:52:14.440 --> 0:52:18.120
<v Speaker 1>good saber or yeah, but you you kind of want to.

0:52:18.280 --> 0:52:20.440
<v Speaker 1>You want the neck very very cold because you want

0:52:20.440 --> 0:52:23.480
<v Speaker 1>the glass to just crack off cleanly. Yeah. And what

0:52:23.560 --> 0:52:29.080
<v Speaker 1>the deal is, if you've ever seen someone, it's called sabridge. Um.

0:52:29.320 --> 0:52:31.480
<v Speaker 1>We mentioned earlier that the champagne bottle is very thick

0:52:32.200 --> 0:52:34.880
<v Speaker 1>because it's in there at about nine p s I

0:52:35.560 --> 0:52:39.560
<v Speaker 1>where the scene meets the lip, it's about less glass

0:52:40.440 --> 0:52:43.440
<v Speaker 1>and so that's a vulnerable area. And that's what makes

0:52:43.480 --> 0:52:47.719
<v Speaker 1>sabering possible. And so you use well, like you said,

0:52:47.760 --> 0:52:49.600
<v Speaker 1>you could use a shoe. I guess if you're you know,

0:52:50.280 --> 0:52:54.960
<v Speaker 1>if you're that guy, right, But there's traditional sabers there there.

0:52:55.000 --> 0:52:57.600
<v Speaker 1>They look like a little sword. They are a little sword.

0:52:58.000 --> 0:53:01.000
<v Speaker 1>They just aren't ground to a point or an edge.

0:53:01.360 --> 0:53:04.920
<v Speaker 1>They're very blunt. Well, because the point is using blunt

0:53:04.960 --> 0:53:08.000
<v Speaker 1>force on a weak point of the of the neck

0:53:08.080 --> 0:53:10.480
<v Speaker 1>of the bottle. Yeah, but you can use your like

0:53:10.520 --> 0:53:12.680
<v Speaker 1>a saber can be sharp. You just use the other

0:53:12.719 --> 0:53:15.960
<v Speaker 1>side of it, Okay, alright, and um, I mean it's

0:53:16.200 --> 0:53:19.080
<v Speaker 1>it's pretty neat to do because you're not like I

0:53:19.080 --> 0:53:21.240
<v Speaker 1>think for a while I thought you were just knocking

0:53:21.239 --> 0:53:22.960
<v Speaker 1>the cork out. That's what I thought as well. But

0:53:23.000 --> 0:53:25.960
<v Speaker 1>you're you're you're knocking the glass off. Yeah, the top

0:53:26.160 --> 0:53:29.400
<v Speaker 1>the top lip of the of the bottle is coming

0:53:29.560 --> 0:53:33.000
<v Speaker 1>clean off if you're doing it correctly, and it's it's

0:53:33.120 --> 0:53:35.120
<v Speaker 1>that is also dangerous if you don't know what you're doing,

0:53:35.480 --> 0:53:39.319
<v Speaker 1>because that thing will fly or more. Yeah, and that's

0:53:39.360 --> 0:53:41.560
<v Speaker 1>actual glass. What you want to do is have a

0:53:41.600 --> 0:53:43.800
<v Speaker 1>sharp shooter handy to shoot it out of the sky

0:53:43.880 --> 0:53:46.959
<v Speaker 1>before it hurts anybody, that's right, and have everyone staying

0:53:47.000 --> 0:53:51.719
<v Speaker 1>behind you. That's the traditional way. Um, how you really

0:53:51.760 --> 0:53:55.480
<v Speaker 1>open it is and this is a uh even if

0:53:55.480 --> 0:53:58.200
<v Speaker 1>you're not just popping the cork, you might like twist

0:53:58.200 --> 0:54:00.560
<v Speaker 1>the cork off. You want to twist the bottle. That's

0:54:00.560 --> 0:54:04.240
<v Speaker 1>sort of the number one rule to open it cleanly

0:54:04.760 --> 0:54:09.600
<v Speaker 1>and non dangerously and without why champagne, you know, getting

0:54:09.640 --> 0:54:12.200
<v Speaker 1>all over the place, like when you open an a

0:54:12.280 --> 0:54:17.279
<v Speaker 1>tonic bottle. Her soda, anything fizzy. That's one of our

0:54:17.680 --> 0:54:20.320
<v Speaker 1>traditions backstage at Stuff You Should Know shows is Josh

0:54:20.320 --> 0:54:23.640
<v Speaker 1>opens a tonic bottles everywhere and you go, what's the

0:54:23.680 --> 0:54:27.799
<v Speaker 1>deal every single time? Um, I think because I have

0:54:27.800 --> 0:54:29.560
<v Speaker 1>so many lime salads and just I know, you gotta

0:54:29.560 --> 0:54:32.879
<v Speaker 1>go easy with those tonic bottles. I do. And it's

0:54:32.880 --> 0:54:37.839
<v Speaker 1>still spray me. It's it's almost comical. Um No, it's

0:54:37.840 --> 0:54:42.839
<v Speaker 1>pretty funny. Um. So you're twisting the bottle. Uh, if

0:54:43.080 --> 0:54:45.120
<v Speaker 1>you have a towel, you can hold it over the cork,

0:54:45.640 --> 0:54:47.319
<v Speaker 1>but you really don't need it as long as you're

0:54:47.400 --> 0:54:50.520
<v Speaker 1>kind of holding it with your hand and twist that bottle.

0:54:51.239 --> 0:54:53.319
<v Speaker 1>Put your thumb in the punt as they call it,

0:54:53.360 --> 0:54:55.960
<v Speaker 1>which is that the area the bottom of the bottle,

0:54:56.200 --> 0:55:00.040
<v Speaker 1>the div it. Yeah, the punt the concave part of

0:55:00.120 --> 0:55:03.320
<v Speaker 1>the punt. Sure, let's put your thumb in the punt um.

0:55:03.400 --> 0:55:05.719
<v Speaker 1>And then you've got it open and you tilt the

0:55:05.719 --> 0:55:09.040
<v Speaker 1>glass importance a little bit for a little bit more.

0:55:09.880 --> 0:55:13.120
<v Speaker 1>You want about three quarters of a flute and uh,

0:55:13.239 --> 0:55:15.759
<v Speaker 1>put your pinkie up and go to town. Yeah, And

0:55:16.360 --> 0:55:18.959
<v Speaker 1>I did a brain stuff on what the best kind

0:55:18.960 --> 0:55:21.799
<v Speaker 1>of glass for champagne is and apparently the tulip is

0:55:22.160 --> 0:55:25.880
<v Speaker 1>it's a combination between the coupe and the flute um.

0:55:26.000 --> 0:55:28.840
<v Speaker 1>You've probably seen it before. No, I didn't see that one.

0:55:29.000 --> 0:55:33.960
<v Speaker 1>It's I know, the tulip class tulips um. But apparently

0:55:34.000 --> 0:55:37.480
<v Speaker 1>they allow for the most sparkle and if you if

0:55:37.520 --> 0:55:40.120
<v Speaker 1>you have the so the bubbles coming up the French

0:55:40.200 --> 0:55:42.840
<v Speaker 1>call effervescence. And if you look at a glass of

0:55:42.920 --> 0:55:44.640
<v Speaker 1>champagne that you're just holding there in front of you,

0:55:44.880 --> 0:55:47.880
<v Speaker 1>when they bubble up to the top, they accumulate into

0:55:47.880 --> 0:55:52.080
<v Speaker 1>a foam and uh, that is called moose like shock

0:55:52.080 --> 0:55:57.439
<v Speaker 1>a lot moose, remember top secret. Oh yeah, but it's

0:55:57.480 --> 0:56:00.200
<v Speaker 1>not that. It's just moose is what they call. Or

0:56:00.280 --> 0:56:02.359
<v Speaker 1>foam is another way to put it. That's what they

0:56:02.400 --> 0:56:05.440
<v Speaker 1>call it. And so actually when you're creating the um

0:56:05.840 --> 0:56:13.399
<v Speaker 1>second fermentation process of the champagne making what the the

0:56:13.480 --> 0:56:19.000
<v Speaker 1>method champagne was, it's called um the prize demuse or

0:56:19.040 --> 0:56:23.200
<v Speaker 1>the foam creation. Wow, that's why you poured slow too,

0:56:23.200 --> 0:56:25.680
<v Speaker 1>because if you get too fast, it's gonna get everywhere

0:56:26.320 --> 0:56:28.720
<v Speaker 1>like your tonic. And then you pour it three quarters

0:56:28.760 --> 0:56:32.680
<v Speaker 1>full and you toast and say huzzah, huzza huzzah, I

0:56:32.719 --> 0:56:36.239
<v Speaker 1>think is the traditional thing you're supposed to say. So

0:56:36.320 --> 0:56:39.720
<v Speaker 1>you like Champagne, yet it's just not for me. That's fine,

0:56:40.120 --> 0:56:43.000
<v Speaker 1>don't feel bad for me. I want then, uh if

0:56:43.000 --> 0:56:45.040
<v Speaker 1>you want to know more about Champagne, go get you some.

0:56:45.800 --> 0:56:48.080
<v Speaker 1>And in the meantime, you can type that word in

0:56:48.160 --> 0:56:50.839
<v Speaker 1>the search part how stuff works dot com. And since

0:56:50.880 --> 0:56:55.879
<v Speaker 1>I said search bar, it's time for a listener mayo. Alright,

0:56:55.920 --> 0:56:59.880
<v Speaker 1>I'm gonna call this one. Uh well, getting the nomenclature

0:57:00.000 --> 0:57:05.000
<v Speaker 1>corect something we always strive to do and don't always do. Hey, guys,

0:57:05.040 --> 0:57:06.360
<v Speaker 1>let me start by saying, you've been listening to your

0:57:06.360 --> 0:57:08.719
<v Speaker 1>show for two years. That add so much joy, laughter,

0:57:08.800 --> 0:57:12.160
<v Speaker 1>and knowledge to my life. Now. You're always intentional and

0:57:12.200 --> 0:57:14.920
<v Speaker 1>sensitive about the language you used on your show. And

0:57:14.920 --> 0:57:17.800
<v Speaker 1>while listening to the MS episode, I noticed something I've

0:57:17.800 --> 0:57:20.680
<v Speaker 1>heard you two say in the past. I work in

0:57:20.720 --> 0:57:23.920
<v Speaker 1>suicide prevention and hope to change the culture and reduce

0:57:24.000 --> 0:57:26.960
<v Speaker 1>the stigma around suicide. As you know, one of the

0:57:26.960 --> 0:57:29.720
<v Speaker 1>first steps of doing that is examining the language we use.

0:57:30.040 --> 0:57:33.920
<v Speaker 1>The phrase commit suicide. It's very common, of course, and

0:57:34.000 --> 0:57:36.360
<v Speaker 1>has been used for a very long time. However, the

0:57:36.360 --> 0:57:39.960
<v Speaker 1>work commit makes it sound criminal. This perpetuates a stigma

0:57:40.000 --> 0:57:43.160
<v Speaker 1>that there's something bad or wrong with someone who's experiencing

0:57:43.160 --> 0:57:45.880
<v Speaker 1>thoughts of suicide, making it less likely that they will

0:57:45.880 --> 0:57:48.640
<v Speaker 1>reach out and ask for help. I want to encourage

0:57:48.640 --> 0:57:50.480
<v Speaker 1>you guys to use the word died by suicide or

0:57:50.520 --> 0:57:54.400
<v Speaker 1>completed suicide as an alternative and more factual term. UH

0:57:54.440 --> 0:57:57.760
<v Speaker 1>the American Foundation for Suicide Prevention. It's great resource for

0:57:57.760 --> 0:58:00.480
<v Speaker 1>more information. And of course I need to plug my

0:58:00.520 --> 0:58:04.640
<v Speaker 1>own nonprofit. I work for not my kid dot org.

0:58:05.240 --> 0:58:07.400
<v Speaker 1>I appreciate everything you guys do. Please come to Phoenix.

0:58:07.720 --> 0:58:10.560
<v Speaker 1>I guarantee you will sell out a show there. Sincerely

0:58:10.640 --> 0:58:16.160
<v Speaker 1>that as Sarah Tisden a k A hope dealer. Oh wow,

0:58:16.360 --> 0:58:20.640
<v Speaker 1>dealing hope. That's a heck of a k. Yeah, and

0:58:20.680 --> 0:58:22.920
<v Speaker 1>you know what, I never thought about that, But that

0:58:23.080 --> 0:58:26.520
<v Speaker 1>is not true. It's not true. You have because we've

0:58:26.520 --> 0:58:29.320
<v Speaker 1>been called out on this before. Really yes, but I

0:58:29.320 --> 0:58:31.360
<v Speaker 1>think we've been done a listener mail on it before.

0:58:31.400 --> 0:58:35.200
<v Speaker 1>But it's so ingrained. I know, to say commit and

0:58:35.200 --> 0:58:37.880
<v Speaker 1>then complete. It just sounds like they finished their homework

0:58:37.960 --> 0:58:41.120
<v Speaker 1>or something like that, but died by suicide. I could

0:58:41.240 --> 0:58:44.400
<v Speaker 1>I can get behind that. I will try, but it's

0:58:44.440 --> 0:58:47.720
<v Speaker 1>just so hard to not say committed. What though, if

0:58:47.720 --> 0:58:50.680
<v Speaker 1>you're saying if it hasn't happened, you're saying someone was

0:58:50.760 --> 0:58:55.280
<v Speaker 1>going to attempt thinking attempting suicide. Okay, yeah, I think

0:58:55.280 --> 0:58:57.680
<v Speaker 1>that one's kosher. All right, man, I didn't know we've

0:58:57.720 --> 0:59:00.720
<v Speaker 1>covered this, so I feel bad that I still haven't

0:59:00.800 --> 0:59:03.080
<v Speaker 1>gotten over that. Then yeah, same here, All right, I'm

0:59:03.120 --> 0:59:06.120
<v Speaker 1>gonna work on it. Yeah, same here. Thanks for calling

0:59:06.200 --> 0:59:10.080
<v Speaker 1>us out, Hope dealer, appreciate that. Thanks Sarah, keep dealing that, Hope.

0:59:10.760 --> 0:59:12.480
<v Speaker 1>Open up your trench, come and be like this is

0:59:12.480 --> 0:59:16.680
<v Speaker 1>what I got right. Uh. If you want to get

0:59:16.680 --> 0:59:19.880
<v Speaker 1>in touch with us to correct us, prod us whatever,

0:59:20.440 --> 0:59:22.600
<v Speaker 1>um lay it on us, send us an email to

0:59:22.680 --> 0:59:29.360
<v Speaker 1>stuff podcast at iHeart radio dot com. Stuff you Should

0:59:29.440 --> 0:59:32.400
<v Speaker 1>Know is a production of iHeart Radio. For more podcasts

0:59:32.480 --> 0:59:35.880
<v Speaker 1>my heart Radio, visit the iHeart Radio app, Apple Podcasts,

0:59:35.960 --> 0:59:37.840
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