1 00:00:00,720 --> 00:00:18,440 Speaker 1: Disgraceland as a production of Double Elvis. The stories about 2 00:00:18,440 --> 00:00:22,279 Speaker 1: Frank Sinatra are crazy. He was once arrested for a 3 00:00:22,360 --> 00:00:27,560 Speaker 1: seduction seduction he sent a tombstone to an unfriendly journalist 4 00:00:27,560 --> 00:00:30,880 Speaker 1: as a warning. He broke into a home to steal 5 00:00:30,880 --> 00:00:33,760 Speaker 1: away at cheating Marilyn Monroe from the arms of her 6 00:00:33,800 --> 00:00:38,040 Speaker 1: lover as a favor to her estranged husband and Frank's powell, 7 00:00:38,280 --> 00:00:42,440 Speaker 1: Joe DiMaggio. Frank Sinatra is rumored to have couriered bags 8 00:00:42,440 --> 00:00:45,040 Speaker 1: of cash for his friends in the mob, and he 9 00:00:45,080 --> 00:00:47,520 Speaker 1: was quoted as saying he'd rather be a mafia don 10 00:00:47,840 --> 00:00:50,880 Speaker 1: than the president of the United States. And of course 11 00:00:51,280 --> 00:00:54,360 Speaker 1: he acted as a pimp for his friend John F. Kennedy. 12 00:00:55,760 --> 00:01:00,000 Speaker 1: Francis Albert Sinatra, old Blue Eyes, the son of Italian immigrants, 13 00:01:00,160 --> 00:01:02,320 Speaker 1: pulled himself up from the streets of Hoboke in New 14 00:01:02,400 --> 00:01:05,720 Speaker 1: Jersey to the top of the entertainment world to become 15 00:01:06,080 --> 00:01:10,759 Speaker 1: quote unquote chairman of the Board. Along the way, he 16 00:01:10,840 --> 00:01:16,160 Speaker 1: made and relied on some interesting friends, entertainers, politicians, and gangsters, 17 00:01:16,760 --> 00:01:20,960 Speaker 1: friends whose power mixed with Frank's inherent confidence, made Frank 18 00:01:21,040 --> 00:01:24,000 Speaker 1: believe he was ten feet tall and could accomplish whatever 19 00:01:24,040 --> 00:01:26,880 Speaker 1: he set his mind to. And one of the things 20 00:01:26,959 --> 00:01:29,640 Speaker 1: Frank Sinatra accomplished was the making of some of the 21 00:01:29,680 --> 00:01:33,200 Speaker 1: greatest music ever recorded. And that music you heard at 22 00:01:33,240 --> 00:01:35,679 Speaker 1: the top of the show, and that wasn't great music. 23 00:01:36,160 --> 00:01:39,199 Speaker 1: That was a preset loop from my melotron called moving 24 00:01:39,240 --> 00:01:44,319 Speaker 1: Bass Piano, Moving Strings MK two. And I played you 25 00:01:44,360 --> 00:01:47,240 Speaker 1: that loop because I can't afford the license for I'm 26 00:01:47,319 --> 00:01:50,280 Speaker 1: leaving it up to you by Dale and Grace. And 27 00:01:50,280 --> 00:01:52,920 Speaker 1: why would I play you that specific slice of greasy 28 00:01:53,000 --> 00:01:56,520 Speaker 1: duet cheese? Could I afford it? Because that was the 29 00:01:56,600 --> 00:02:01,040 Speaker 1: number one song in America on November twenty secondnineteen sixty three, 30 00:02:01,440 --> 00:02:05,320 Speaker 1: And that was the day that Frank Sinatra's pal, John F. Kennedy, 31 00:02:05,600 --> 00:02:09,760 Speaker 1: President of the United States, was assassinated, an act that 32 00:02:09,840 --> 00:02:15,000 Speaker 1: Frank's confidence turned. Hubris was partly responsible for. On this 33 00:02:15,080 --> 00:02:21,640 Speaker 1: episode JFK Moving String Cheese, the Mafia Hubris and Frank Sinatra. 34 00:02:22,400 --> 00:02:50,280 Speaker 1: I'm Jake Brennan and miss this disgrace. Lad to understand 35 00:02:50,360 --> 00:02:55,280 Speaker 1: Frank Sinatra, man, you have to understand Frank Sinatra the performer. 36 00:02:56,160 --> 00:02:58,560 Speaker 1: He was the first teen idol, he was the first 37 00:02:58,600 --> 00:03:02,080 Speaker 1: pop star, and he was unlike anything anybody had heard 38 00:03:02,240 --> 00:03:06,560 Speaker 1: or seen before. His command of his voice, stage and 39 00:03:06,680 --> 00:03:11,240 Speaker 1: camera was entirely unique. Sure, Bing Crosby paved the way, 40 00:03:11,480 --> 00:03:14,480 Speaker 1: but Frank blazed a new path, and the sound of 41 00:03:14,480 --> 00:03:18,520 Speaker 1: his voice conveyed vulnerability and absolute authority all at once. 42 00:03:19,400 --> 00:03:22,960 Speaker 1: The result a level of intimacy and relatability that worked 43 00:03:22,960 --> 00:03:25,960 Speaker 1: on women and men alike. And we've worn out the 44 00:03:25,960 --> 00:03:29,360 Speaker 1: old Schopiz descriptor. Men wanted to be him and women 45 00:03:29,440 --> 00:03:31,920 Speaker 1: wanted to sleep with him. But it was invented to 46 00:03:32,000 --> 00:03:36,800 Speaker 1: describe Frank Sinatra. Watch any of his live performances from 47 00:03:36,800 --> 00:03:39,560 Speaker 1: his early days with the Tommy Dorsey Orchestra to his 48 00:03:39,680 --> 00:03:43,360 Speaker 1: retirement concert in Los Angeles in nineteen seventy one, and 49 00:03:43,440 --> 00:03:48,960 Speaker 1: you'll notice an undeniable confidence in electric masculinity. We hear 50 00:03:49,000 --> 00:03:51,280 Speaker 1: what it is to be a man, the good and 51 00:03:51,360 --> 00:03:55,840 Speaker 1: the bad. To me personally, when Sinatra speaks, I hear 52 00:03:55,880 --> 00:03:59,240 Speaker 1: in his slang a lack of self awareness, a neighborhood 53 00:03:59,240 --> 00:04:02,560 Speaker 1: tough guy with a big heart. More specifically, I hear 54 00:04:02,560 --> 00:04:07,120 Speaker 1: the unrefined toughness and emotional generosity of my stepfather, someone 55 00:04:07,280 --> 00:04:11,000 Speaker 1: strong enough to let you in, unafraid, comfortable in his 56 00:04:11,040 --> 00:04:15,040 Speaker 1: own skin, and in Sinatra's voice. I also hear the 57 00:04:15,120 --> 00:04:18,880 Speaker 1: contrived eloquence, the street kid who muscled his way into 58 00:04:18,880 --> 00:04:22,360 Speaker 1: the smart set. I hear my biological father, a man 59 00:04:22,440 --> 00:04:26,000 Speaker 1: who likes Sinatra, had the intellectual sand to surround himself 60 00:04:26,040 --> 00:04:29,640 Speaker 1: with educated men, even though he himself was never schooled 61 00:04:29,640 --> 00:04:32,640 Speaker 1: beyond the twelfth grade, but who no matter how many 62 00:04:32,640 --> 00:04:35,599 Speaker 1: books he reads, when he speaks, will always sound like 63 00:04:35,640 --> 00:04:39,040 Speaker 1: he's reaching, and will thus box you out and make 64 00:04:39,120 --> 00:04:41,719 Speaker 1: you feel like you need to continuously do better to 65 00:04:41,760 --> 00:04:46,320 Speaker 1: gain his approval. And the voice sounds slightly uncomfortable, afraid 66 00:04:46,360 --> 00:04:48,720 Speaker 1: of being found out that he's snuck into the party. 67 00:04:49,880 --> 00:04:53,280 Speaker 1: And through all of Frank's music you hear a loneliness, 68 00:04:53,279 --> 00:04:56,839 Speaker 1: something we can all relate to, and something Frank used 69 00:04:56,880 --> 00:04:59,960 Speaker 1: humor to mask. He would have been the class clown 70 00:05:00,560 --> 00:05:03,039 Speaker 1: had he ever gone to class. So it was no 71 00:05:03,160 --> 00:05:06,120 Speaker 1: surprise that it was a wise ass comment in nineteen 72 00:05:06,240 --> 00:05:10,320 Speaker 1: fifty about MGM's studio head Louis B. Mayer that got 73 00:05:10,360 --> 00:05:13,279 Speaker 1: Frank fired from MGM and spelled the end of his 74 00:05:13,400 --> 00:05:16,560 Speaker 1: career well. The wise ass comment on top of poor 75 00:05:16,600 --> 00:05:19,760 Speaker 1: film reviews, lagging record sales, a voice that was failing 76 00:05:19,800 --> 00:05:22,560 Speaker 1: from overuse, and a decade of bad press due to 77 00:05:22,560 --> 00:05:27,719 Speaker 1: his body and sometimes violent public behavior. By nineteen fifty one, 78 00:05:28,160 --> 00:05:31,039 Speaker 1: Sinatra was out. He went from being a street kid 79 00:05:31,040 --> 00:05:33,919 Speaker 1: from Hoboken, New Jersey, to the first teen idol, to 80 00:05:34,000 --> 00:05:39,000 Speaker 1: being one of MGM's biggest Hollywood stars, to being broke, busted, 81 00:05:39,279 --> 00:05:42,839 Speaker 1: divorced from his first wife Nancy, perpetually at odds with 82 00:05:42,880 --> 00:05:46,320 Speaker 1: his tempestuous lover, Ava Gardner, and right back where we 83 00:05:46,400 --> 00:05:50,760 Speaker 1: started at the bottom. It got so bad that Sinatra, 84 00:05:51,000 --> 00:05:54,359 Speaker 1: who a few years earlier couldn't go anywhere without mobs 85 00:05:54,400 --> 00:05:57,600 Speaker 1: of screaming girls chasing him down, could now be seen 86 00:05:57,720 --> 00:06:01,800 Speaker 1: roaming around Times Square at four am, alone and drunk. 87 00:06:02,800 --> 00:06:05,200 Speaker 1: Beat Cops would find him passed out in the doorways 88 00:06:05,200 --> 00:06:07,400 Speaker 1: and try to move him along, and he couldn't even 89 00:06:07,400 --> 00:06:11,360 Speaker 1: get arrested, literally, and something had to give. Frank knew 90 00:06:11,400 --> 00:06:14,040 Speaker 1: he wasn't over. He might not have had any cash, 91 00:06:14,120 --> 00:06:17,119 Speaker 1: but he still had confidence, and just like every woman 92 00:06:17,160 --> 00:06:20,839 Speaker 1: he'd ever met, except for maybe Ava, Frank knew America 93 00:06:20,880 --> 00:06:26,640 Speaker 1: would take him back. Hollywood was a buzz about the 94 00:06:26,640 --> 00:06:30,320 Speaker 1: script adaptation of the best selling novel From Here to Eternity, 95 00:06:30,760 --> 00:06:33,360 Speaker 1: and there was one role that Frank knew would reignite 96 00:06:33,360 --> 00:06:37,159 Speaker 1: his career. Maggio the Skinny Guinea with the Chip on 97 00:06:37,160 --> 00:06:40,760 Speaker 1: his shoulder from Brooklyn, which, like Frank's Hoboken was at 98 00:06:40,800 --> 00:06:45,400 Speaker 1: the time, a world away from Manhattan. Maggio's outsider status, 99 00:06:45,560 --> 00:06:50,200 Speaker 1: his insecurities. They were characteristics that Frank Sinatra understood on 100 00:06:50,240 --> 00:06:54,480 Speaker 1: a molecular level. But Columbia Pictures was producing the film 101 00:06:54,680 --> 00:07:00,000 Speaker 1: in studio boss Harry Khane hated Frank Sinatra wouldn't be deterred. 102 00:07:00,520 --> 00:07:04,000 Speaker 1: He wrote Cone countless letters detailing the many reasons why 103 00:07:04,000 --> 00:07:07,080 Speaker 1: he was perfect for the role, signing them all Maggio, 104 00:07:07,600 --> 00:07:11,800 Speaker 1: but Cone wouldn't budge. Cohne's authoritarian approach to running one 105 00:07:11,840 --> 00:07:15,080 Speaker 1: of the biggest movie studios on the planet was modeled 106 00:07:15,080 --> 00:07:19,760 Speaker 1: after Fascist dictator Benito Mussolini's approach to running Italy. Cohne 107 00:07:19,800 --> 00:07:22,880 Speaker 1: had met Mussolini years earlier, before the outbreak of World 108 00:07:22,960 --> 00:07:25,760 Speaker 1: War Two, and was so impressed by him that he 109 00:07:25,800 --> 00:07:30,200 Speaker 1: remodeled his own office to match the dictators. Designed to 110 00:07:30,240 --> 00:07:33,520 Speaker 1: achieve maximum leverage over his guests. His desk sat up 111 00:07:33,600 --> 00:07:37,360 Speaker 1: high on a dais to intimidate, but the man sitting 112 00:07:37,360 --> 00:07:41,360 Speaker 1: across from Cone was anything but intimidated. Quite the opposite. 113 00:07:41,440 --> 00:07:45,320 Speaker 1: Actually he was the intimidator. He was Johnny Rosselli, a 114 00:07:45,360 --> 00:07:49,400 Speaker 1: fearsome mafia enforcer for the Chicago outfit. Sinatra had a 115 00:07:49,440 --> 00:07:52,320 Speaker 1: friend with high level mob connections appealed to his boss's 116 00:07:52,400 --> 00:07:56,000 Speaker 1: higher up the mafia food chain, sensing a future as 117 00:07:56,040 --> 00:07:59,880 Speaker 1: of yet unknown opportunity and perhaps that of genuine affection 118 00:08:00,080 --> 00:08:03,360 Speaker 1: for old blue Eyes the mafia via the boss himself, 119 00:08:03,360 --> 00:08:06,440 Speaker 1: Frank Costello decided to bet on Frank when no one 120 00:08:06,520 --> 00:08:10,040 Speaker 1: else would, to buy low as it were, and so 121 00:08:10,480 --> 00:08:14,760 Speaker 1: Johnny Rosselli was dispatched to help sort out the Sinatra situation. 122 00:08:15,680 --> 00:08:20,280 Speaker 1: Roselli spoke with authority, Harry, give Frank the part. It's 123 00:08:20,360 --> 00:08:24,880 Speaker 1: perfect for him. Cone wasn't easily cowed. I know it's 124 00:08:24,920 --> 00:08:27,160 Speaker 1: perfect for him, which is why he ain't getting it. 125 00:08:27,400 --> 00:08:30,400 Speaker 1: Sinatra is washed up and he's gonna stay washed up. 126 00:08:31,360 --> 00:08:35,000 Speaker 1: Roselli figured he'd tried the soft touch once more. Harry, 127 00:08:35,280 --> 00:08:37,800 Speaker 1: give the kid a chance. Remember not so long ago, 128 00:08:37,840 --> 00:08:40,440 Speaker 1: when you needed a second chance, who was there for you? 129 00:08:40,800 --> 00:08:45,199 Speaker 1: We was there for you. Cohane was losing patience. John. 130 00:08:45,600 --> 00:08:47,680 Speaker 1: If we have a problem here, I'm gonna have to 131 00:08:47,679 --> 00:08:52,080 Speaker 1: make some phone calls. Johnny Roselli stood up, hopped up 132 00:08:52,120 --> 00:08:55,240 Speaker 1: on the dais, put both hands on Cone's shoulders, leaned 133 00:08:55,280 --> 00:08:57,200 Speaker 1: over into an inch of his face, and let it 134 00:08:57,200 --> 00:09:00,640 Speaker 1: be known that he was through dicking around. Harry. If 135 00:09:00,679 --> 00:09:03,839 Speaker 1: we have a problem here, you're a fucking dead man. 136 00:09:07,720 --> 00:09:10,560 Speaker 1: In a little over twenty four months, Frank Sinatra could 137 00:09:10,559 --> 00:09:13,360 Speaker 1: be seen sprinting down the aisle of Pantagious Theater at 138 00:09:13,360 --> 00:09:16,720 Speaker 1: the twenty sixth Annual Academy Awards to accept the Oscar 139 00:09:16,760 --> 00:09:19,880 Speaker 1: for Best Supporting Actor for his portrayal of Maggio and 140 00:09:19,920 --> 00:09:24,400 Speaker 1: the Harry Combe produced From Here to Eternity. Frank Sinatra 141 00:09:24,880 --> 00:09:45,320 Speaker 1: was back. Frank Sinatra was never wanting in the confidence department, 142 00:09:45,880 --> 00:09:48,360 Speaker 1: even when his career was over, even when he was 143 00:09:48,400 --> 00:09:52,280 Speaker 1: suicidal over the only woman to really reject him, Ava Gardner. 144 00:09:52,600 --> 00:09:56,480 Speaker 1: Even then, the too short, too skinny son of Italian 145 00:09:56,480 --> 00:10:00,680 Speaker 1: immigrants from Hoboken had confidence to spare. So when he 146 00:10:00,760 --> 00:10:03,800 Speaker 1: came back, when he raised that Oscar over his head 147 00:10:03,840 --> 00:10:05,640 Speaker 1: and proved to the world that he could do what 148 00:10:05,760 --> 00:10:08,839 Speaker 1: only one man before him, Jesus H. Christ, had been 149 00:10:08,880 --> 00:10:12,600 Speaker 1: able to do, come back from the dead, well he 150 00:10:12,679 --> 00:10:17,800 Speaker 1: felt invincible, like he could do anything. Hubris. It's a 151 00:10:17,840 --> 00:10:22,559 Speaker 1: funny thing. It's only really hubris if you fail. Otherwise 152 00:10:22,960 --> 00:10:27,559 Speaker 1: it's just called confidence. But Frank Sinatra was no longer failing. 153 00:10:28,240 --> 00:10:31,120 Speaker 1: He was redefining the meaning of success with one hit 154 00:10:31,160 --> 00:10:37,040 Speaker 1: after another through a diverse portfolio of entertainment projects. Following 155 00:10:37,080 --> 00:10:40,880 Speaker 1: the nineteen fifty three Oscar, Frank poured himself into his work. 156 00:10:41,400 --> 00:10:44,800 Speaker 1: He ripped off a dizzying array of impressive musical releases 157 00:10:44,880 --> 00:10:49,079 Speaker 1: under a new recording contract with Capitol Records. Inspired by 158 00:10:49,120 --> 00:10:53,240 Speaker 1: the genius arrangements of musical director Nelson Riddle, Sinatra took 159 00:10:53,240 --> 00:10:56,480 Speaker 1: control of the charts, minds, and hearts of young lovers 160 00:10:56,559 --> 00:11:00,760 Speaker 1: everywhere with a string of truly great long players, songs 161 00:11:00,760 --> 00:11:04,520 Speaker 1: for young Lovers, Swing Easy, and then, in my opinion, 162 00:11:04,720 --> 00:11:07,800 Speaker 1: his best album in the wee Small Hours of the Morning, 163 00:11:08,240 --> 00:11:11,560 Speaker 1: an album where Frank Sinatra invented the concept of the 164 00:11:11,640 --> 00:11:16,360 Speaker 1: concept album. Subsequent LPs released in the fifties, A Swinging Affair, 165 00:11:16,679 --> 00:11:19,920 Speaker 1: Come Fly with Me, and Frank Sinatra Sings for Only 166 00:11:19,960 --> 00:11:22,840 Speaker 1: the Lonely would all contain songs that would become so 167 00:11:23,040 --> 00:11:26,480 Speaker 1: popular they'd eventually become standards of the American pop Cannon. 168 00:11:28,040 --> 00:11:32,520 Speaker 1: Sinatra's musical output alone was staggeringly prolific, but with his 169 00:11:32,640 --> 00:11:35,679 Speaker 1: Oscar still fresh in the minds of Hollywood producers, he 170 00:11:35,840 --> 00:11:39,080 Speaker 1: also moved quickly to keep his film career moving. He 171 00:11:39,240 --> 00:11:42,800 Speaker 1: starred alongside Doris Day and Young at Heart Grace Kelly 172 00:11:42,840 --> 00:11:46,400 Speaker 1: in High Society, Marlon Brando, and Guys and Dolls, and 173 00:11:46,520 --> 00:11:49,240 Speaker 1: was nominated for another Oscar for his portrayal of a 174 00:11:49,280 --> 00:11:53,079 Speaker 1: heroin addict in The Man with the Golden Arm. Before long, 175 00:11:53,360 --> 00:11:56,440 Speaker 1: he was the highest paid actor in Hollywood, and he 176 00:11:56,520 --> 00:11:59,640 Speaker 1: kept moving like a shark and a side divors suit. 177 00:12:00,240 --> 00:12:03,120 Speaker 1: Slowing down meant looking in the mirror and facing that 178 00:12:03,320 --> 00:12:09,280 Speaker 1: ever present loneliness. So work, work, and more work. Frank 179 00:12:09,320 --> 00:12:12,120 Speaker 1: took part of his earnings and bought a plane, using 180 00:12:12,120 --> 00:12:15,319 Speaker 1: it to charter him and his friends Dean Martin, Shirley McLean, 181 00:12:15,440 --> 00:12:19,480 Speaker 1: Humphrey Boger to his new playground in the desert, Las Vegas, 182 00:12:19,920 --> 00:12:22,800 Speaker 1: where Frank took another piece of his bread and invested 183 00:12:22,840 --> 00:12:27,000 Speaker 1: in the Sands Hotel and casino property whose majority share 184 00:12:27,480 --> 00:12:31,679 Speaker 1: was owned by Frank's old friend, mob boss Frank Costello, 185 00:12:32,160 --> 00:12:35,760 Speaker 1: the same mafioso who pulled Harry Cohen's Strings via Johnny 186 00:12:35,840 --> 00:12:39,400 Speaker 1: Rosselli to get Frank the Oscar winning role in From 187 00:12:39,400 --> 00:12:44,079 Speaker 1: Here to Eternity. Hanging out with mobsters was old hat 188 00:12:44,120 --> 00:12:47,640 Speaker 1: for Sinatra. Back in Hoboken, his father made ends meet 189 00:12:47,679 --> 00:12:50,280 Speaker 1: as half a wise guy. Frank had long referred to 190 00:12:50,320 --> 00:12:52,920 Speaker 1: them as the boys, and by the time he entered 191 00:12:52,960 --> 00:12:56,520 Speaker 1: the entertainment industry where the nightclubs, dance halls, and concert 192 00:12:56,559 --> 00:12:59,440 Speaker 1: vendues were controlled by the mafia, Frank was used to 193 00:12:59,480 --> 00:13:02,760 Speaker 1: hanging around was gangsters and not shy about asking for 194 00:13:03,120 --> 00:13:07,000 Speaker 1: or returning favors for them. Frank was enamored of them. 195 00:13:07,160 --> 00:13:10,240 Speaker 1: Gangsters had real power and they were a lot of fun, 196 00:13:10,559 --> 00:13:13,640 Speaker 1: and Frank was no stranger to a good time, which 197 00:13:13,679 --> 00:13:16,959 Speaker 1: is why the investment in the Sands made sense. Plus, 198 00:13:17,120 --> 00:13:20,520 Speaker 1: the gangsters really did like Frank. He was like them, 199 00:13:20,640 --> 00:13:23,320 Speaker 1: Italian from the streets and he didn't take shit off 200 00:13:23,360 --> 00:13:26,160 Speaker 1: no one. Plus that voice, those eyes. Dude was a 201 00:13:26,160 --> 00:13:30,200 Speaker 1: pussy magnet, but he attracted more than just women. Everyone 202 00:13:30,280 --> 00:13:33,120 Speaker 1: wanted to be around Frank. He was a star star. 203 00:13:33,720 --> 00:13:36,080 Speaker 1: With Frank owning a piece of the Sands with his 204 00:13:36,160 --> 00:13:40,840 Speaker 1: name association, the joint was packed every night. Money poured 205 00:13:40,880 --> 00:13:43,480 Speaker 1: in sure, every once in a while Frank had to 206 00:13:43,480 --> 00:13:45,120 Speaker 1: do a little favor for one of the boys, but 207 00:13:45,280 --> 00:13:48,559 Speaker 1: it wasn't bad. Deliver a message here or there, convince 208 00:13:48,600 --> 00:13:50,640 Speaker 1: the fellow star to join him at the sands for 209 00:13:50,720 --> 00:13:54,240 Speaker 1: a reduced rate. None of it seemed extraordinary because Frank 210 00:13:54,280 --> 00:13:58,480 Speaker 1: Sinatra himself was extraordinary. And if Frank had to jump 211 00:13:58,480 --> 00:14:00,760 Speaker 1: on a plane to Havana with a case full of 212 00:14:00,800 --> 00:14:02,640 Speaker 1: cash from one of the boys to make sure it 213 00:14:02,720 --> 00:14:06,360 Speaker 1: landed in the right greasy hand, well that wasn't hubris. 214 00:14:06,880 --> 00:14:09,439 Speaker 1: That was just Frank having the confidence to take care 215 00:14:09,480 --> 00:14:15,280 Speaker 1: of business. We'll be right back after this word word 216 00:14:15,400 --> 00:14:21,440 Speaker 1: word in the mafia, getting sent for is nerve wracking. 217 00:14:22,240 --> 00:14:25,320 Speaker 1: It usually means you're being deployed to whack someone, or 218 00:14:25,360 --> 00:14:29,600 Speaker 1: you yourself are about to get whacked. In politics, getting 219 00:14:29,600 --> 00:14:32,440 Speaker 1: sent for usually means you're being deployed to kiss someone's 220 00:14:32,480 --> 00:14:35,360 Speaker 1: ass or you yourself are about to get your ass kissed, 221 00:14:35,440 --> 00:14:39,680 Speaker 1: which never comes without strings, which is why when the 222 00:14:39,760 --> 00:14:44,600 Speaker 1: half politician, half gangster Joseph P. Kennedy, father of Senator 223 00:14:44,840 --> 00:14:48,360 Speaker 1: and candidate for President of the United States John F. Kennedy, 224 00:14:48,760 --> 00:14:53,520 Speaker 1: sent for Frank Sinatra, Frank was doubly concerned. What did 225 00:14:53,520 --> 00:14:56,880 Speaker 1: the old man want? Frank didn't know. All he knew 226 00:14:57,000 --> 00:15:01,120 Speaker 1: was that he was an admirer of the son Jack Yon. Articulate, 227 00:15:01,520 --> 00:15:04,400 Speaker 1: good looking, and that had a hair and that smile 228 00:15:04,480 --> 00:15:10,360 Speaker 1: you could see from space, charisma for days. Unlike Frank catholic, 229 00:15:11,120 --> 00:15:13,640 Speaker 1: just think a non wasp with a legit shot at 230 00:15:13,640 --> 00:15:17,360 Speaker 1: the White House. In nineteen sixty, Frank borded his jet 231 00:15:17,360 --> 00:15:20,760 Speaker 1: and took off with the Kennedy compound in Hyennasport, Massachusetts. 232 00:15:23,360 --> 00:15:26,600 Speaker 1: Frank was in awe of the senator's father. Sinatra's own 233 00:15:26,640 --> 00:15:29,680 Speaker 1: father worked for JFK's dad back in the day, running 234 00:15:29,760 --> 00:15:33,240 Speaker 1: rum through the swamps of Jersey during the Prohibition. And 235 00:15:33,320 --> 00:15:36,320 Speaker 1: so here Frank sat looking up at the bootlegger turned 236 00:15:36,360 --> 00:15:39,760 Speaker 1: ambassador from across the desk, like a common laborer being 237 00:15:39,760 --> 00:15:44,320 Speaker 1: put to task by management. There's power and then there's power, 238 00:15:44,640 --> 00:15:48,200 Speaker 1: and the Kennedys had it. Sinatra wanted it, and what 239 00:15:48,320 --> 00:15:51,760 Speaker 1: Joe Kennedy wanted was a favor. The message was direct. 240 00:15:52,280 --> 00:15:54,680 Speaker 1: His son was going to lose the West Virginia primary 241 00:15:54,720 --> 00:15:58,440 Speaker 1: to Democratic star wart Hubert Humphrey, and that couldn't happen. 242 00:15:59,000 --> 00:16:02,640 Speaker 1: Losing West Virginia meant losing the nomination, and the Kennedys 243 00:16:02,640 --> 00:16:06,080 Speaker 1: weren't in the business of losing. Joe needed Frank to 244 00:16:06,120 --> 00:16:09,120 Speaker 1: get Frank's mafia palace to roust up enough votes in 245 00:16:09,160 --> 00:16:14,240 Speaker 1: West Virginia to deliver a win for Jack. Sure, Ambassador, 246 00:16:14,640 --> 00:16:17,400 Speaker 1: no problem, I'm sure the boys would be happy to help. 247 00:16:18,880 --> 00:16:21,400 Speaker 1: Frank high tailed it to Miami for a round of golf. 248 00:16:21,440 --> 00:16:25,480 Speaker 1: That Sam g and Kanna aka Momo aka the ruthless 249 00:16:25,560 --> 00:16:29,760 Speaker 1: Chicago mobster who controlled the Midwest and West Virginia, a 250 00:16:29,920 --> 00:16:32,360 Speaker 1: SANS regular and a friend of Frank's, who at the 251 00:16:32,400 --> 00:16:35,000 Speaker 1: time was renting out space way up as ass to 252 00:16:35,080 --> 00:16:38,880 Speaker 1: the Ambassador's other son, Senator Robert F. Kennedy, who'd been 253 00:16:38,880 --> 00:16:41,840 Speaker 1: making it his business to crack down on organized crime. 254 00:16:42,400 --> 00:16:45,720 Speaker 1: So g and Kanna saw the obvious play, helped Jack 255 00:16:45,760 --> 00:16:48,720 Speaker 1: the Haircut win West Virginia and evict Bobby the pit 256 00:16:48,800 --> 00:16:52,600 Speaker 1: Bull from out his foot, and with that it was done. 257 00:16:53,480 --> 00:16:56,520 Speaker 1: Sort of. The election was a nail better. Jack had 258 00:16:56,560 --> 00:17:00,520 Speaker 1: secured the nomination, but the Republican nominee, Richard M. Nixon, 259 00:17:00,720 --> 00:17:04,679 Speaker 1: was a formidable candidate and almost as dirty as the Kennedys. 260 00:17:05,240 --> 00:17:09,520 Speaker 1: Almost it all came down to Illinois, Giancanna's home state. 261 00:17:10,080 --> 00:17:13,960 Speaker 1: Rich with electoral votes and rife with corruption, it was easy. 262 00:17:14,240 --> 00:17:16,960 Speaker 1: In the end, a couple thousand dead Democrats managed to 263 00:17:17,000 --> 00:17:19,919 Speaker 1: crawl out of the Illinois cemeteries and into voting boosts 264 00:17:19,960 --> 00:17:22,880 Speaker 1: to cast their votes for Jack. The Kennedys were going 265 00:17:22,920 --> 00:17:26,200 Speaker 1: to the White House, and Sinatra helped put them there. 266 00:17:27,080 --> 00:17:31,800 Speaker 1: What couldn't Frank do? Take it easy, That's what the 267 00:17:31,880 --> 00:17:37,440 Speaker 1: party was on. There was one man in America who 268 00:17:37,480 --> 00:17:40,520 Speaker 1: was a bigger pussy hound than Frank Sinatra, and that 269 00:17:40,760 --> 00:17:44,119 Speaker 1: was Jack Kennedy. The two were a formidable pair. Frank 270 00:17:44,160 --> 00:17:46,919 Speaker 1: hosted Jack and his Palm Springs residents and stocked the 271 00:17:46,920 --> 00:17:50,920 Speaker 1: place with hookers, booze, gourmet foods, celebrity friends, whatever else 272 00:17:50,960 --> 00:17:54,480 Speaker 1: he thought his new politician pale wanted. And Jack loved it. 273 00:17:54,840 --> 00:17:58,159 Speaker 1: And the remote location, far beyond the judgy eyes of 274 00:17:58,160 --> 00:18:01,440 Speaker 1: the press or his wife, meant he relax, hang out 275 00:18:01,440 --> 00:18:04,600 Speaker 1: by the pool, gossip with showgirls, smoke a joint, or 276 00:18:04,640 --> 00:18:09,359 Speaker 1: to get laid whenever. It was great, But when Jack 277 00:18:09,480 --> 00:18:12,400 Speaker 1: entered the White House, Sinatra was starting to be seen 278 00:18:12,440 --> 00:18:17,120 Speaker 1: as a liability Jackie. Jack's wife hated him. I mean, 279 00:18:17,240 --> 00:18:21,120 Speaker 1: why wouldn't she Frank was basically her husband's pimp. But 280 00:18:21,160 --> 00:18:25,520 Speaker 1: more damning was the wrath of Jack's brother, now Attorney General, 281 00:18:25,760 --> 00:18:29,879 Speaker 1: Bobby Kennedy, who learned that Jack, by introduction of Frank, 282 00:18:30,320 --> 00:18:34,159 Speaker 1: was sleeping with Judith Campbell, girlfriend of mobster Sam g 283 00:18:34,359 --> 00:18:40,879 Speaker 1: and Conna, Bobby's nemesis. Talk about Hubris, You're president, you're married, 284 00:18:41,119 --> 00:18:44,280 Speaker 1: you're sleeping with any woman you want, and you decide 285 00:18:44,320 --> 00:18:47,040 Speaker 1: to shack up with the girlfriend of the most powerful 286 00:18:47,160 --> 00:18:50,399 Speaker 1: mob boss in the country who is also the sworn 287 00:18:50,600 --> 00:18:54,720 Speaker 1: enemy of your brother, the Attorney General aka the top 288 00:18:54,800 --> 00:18:59,440 Speaker 1: cop in the land. Yikes. And despite Frank's efforts and 289 00:18:59,520 --> 00:19:04,360 Speaker 1: helping a JFK, the Kennedys cut him off. Frank was devastated. 290 00:19:04,680 --> 00:19:08,320 Speaker 1: He loved Jack, he didn't blame him, though he blamed Bobby. 291 00:19:09,000 --> 00:19:12,560 Speaker 1: Frank was hurt, angry, but you know it was even 292 00:19:12,600 --> 00:19:16,560 Speaker 1: more angry sam Gy and Conna. G and Conna thought 293 00:19:16,560 --> 00:19:19,440 Speaker 1: that helping the Kennedys would get authorities out of his hair, 294 00:19:20,080 --> 00:19:23,520 Speaker 1: but no. Since Jack the haircut became president, the heat 295 00:19:23,560 --> 00:19:27,719 Speaker 1: got hotter and the mafia felt it everywhere. Tails raids, 296 00:19:27,800 --> 00:19:31,080 Speaker 1: wire taps, and gi and Conna was losing face. After all, 297 00:19:31,160 --> 00:19:34,000 Speaker 1: he helped get these snot nosed Irish punks into office, 298 00:19:34,040 --> 00:19:37,320 Speaker 1: and here they were endlessly harassing him, making him look 299 00:19:37,320 --> 00:19:41,600 Speaker 1: like a jerkof sleeping with his woman. But somehow the 300 00:19:41,680 --> 00:19:45,639 Speaker 1: mafia had an even bigger problem. All the casinos they 301 00:19:45,680 --> 00:19:49,360 Speaker 1: owned in Havana, Cuba, had just been shut down abruptly 302 00:19:49,480 --> 00:19:53,760 Speaker 1: nationalized by the communist Fidel Castro during his recent rise 303 00:19:53,840 --> 00:19:57,000 Speaker 1: to power, and this meant a massive portion of the 304 00:19:57,040 --> 00:20:01,760 Speaker 1: mob's revenue had vanished overnight, and true to form, the 305 00:20:01,840 --> 00:20:05,640 Speaker 1: Kennedys were no help. They'd botched the Bay of Pigs Invasions, 306 00:20:05,920 --> 00:20:09,720 Speaker 1: a CIA backed military effort to oust Castro from power, 307 00:20:10,080 --> 00:20:13,400 Speaker 1: root the Kamis from the Western Hemisphere and restored democracy 308 00:20:13,560 --> 00:20:16,960 Speaker 1: and the mafia's reign in Cuba. But of course Kennedy 309 00:20:17,000 --> 00:20:19,480 Speaker 1: would only commit to sticking his dick in halfway, a 310 00:20:19,560 --> 00:20:23,119 Speaker 1: how out of character, and the invasion failed. But the 311 00:20:23,200 --> 00:20:26,639 Speaker 1: Kennedys didn't care. They thought, as did Sinatra, that they 312 00:20:26,640 --> 00:20:29,760 Speaker 1: had the world on the string. But some very dangerous 313 00:20:29,800 --> 00:20:33,679 Speaker 1: people were starting to get dangerously upset and their confidence 314 00:20:34,040 --> 00:20:52,520 Speaker 1: was about to turn to hubris. Johnny Rozselli couldn't believe 315 00:20:52,560 --> 00:20:56,200 Speaker 1: his life. Never a dull moment For a mid level 316 00:20:56,200 --> 00:21:00,359 Speaker 1: hood like Roselli, the action was NonStop. The girl girls, 317 00:21:00,440 --> 00:21:05,399 Speaker 1: the gambling, the graft. It got to be ordinary. But this, 318 00:21:05,400 --> 00:21:10,120 Speaker 1: this was very much extraordinary. Roselli was seated across from 319 00:21:10,160 --> 00:21:13,600 Speaker 1: two CIA spooks who are offering him and the syndicate 320 00:21:13,720 --> 00:21:18,240 Speaker 1: the American Mafia, cold hard cash to whack out Fidel Castro. 321 00:21:19,000 --> 00:21:22,399 Speaker 1: Who'd have thunk the United States government wanted Castro gone 322 00:21:22,520 --> 00:21:25,040 Speaker 1: just as badly as the mob did, so here it 323 00:21:25,240 --> 00:21:29,280 Speaker 1: was taking out a contract on the beard. Uncle Sam 324 00:21:29,600 --> 00:21:46,720 Speaker 1: no joke, gangster as fucker. But try as they would, 325 00:21:47,000 --> 00:21:51,520 Speaker 1: Rosselli and his American mob cohorts Santo Trafficante, Frank Costello 326 00:21:51,560 --> 00:21:55,040 Speaker 1: and Sam Giancana could not get to Fidel. And every 327 00:21:55,119 --> 00:21:58,400 Speaker 1: day that communist bastard stayed in power was another day 328 00:21:58,400 --> 00:22:01,960 Speaker 1: of lost millions for the boy and making matters worse, 329 00:22:02,280 --> 00:22:06,200 Speaker 1: the Kennedy administration, through the efforts of Bobby's Justice Department, 330 00:22:06,359 --> 00:22:09,600 Speaker 1: kept the heat upon organized crime, and the mafia was 331 00:22:09,640 --> 00:22:14,520 Speaker 1: getting shafted both ways, coming and going. And after the 332 00:22:14,560 --> 00:22:17,639 Speaker 1: Bay of Pigs debacle, President Kennedy had the balls to 333 00:22:17,640 --> 00:22:21,120 Speaker 1: declare war on his own CIA. He felt the CIA 334 00:22:21,240 --> 00:22:23,720 Speaker 1: hung him out to dry with the botched invasion, and 335 00:22:23,840 --> 00:22:26,800 Speaker 1: now seemed content to let Castro remain in power so 336 00:22:26,880 --> 00:22:29,360 Speaker 1: long as the Soviets were kept out of the hemisphere. 337 00:22:30,280 --> 00:22:35,720 Speaker 1: The Soviets, Communist Cubans, the anti Castro Cubans, the CIA, 338 00:22:36,240 --> 00:22:41,480 Speaker 1: the Mafia, not to mention, capitalist industrialists, Republicans, and papal 339 00:22:41,520 --> 00:22:45,720 Speaker 1: fearing loss and racist from the American South, all suddenly 340 00:22:46,000 --> 00:22:49,840 Speaker 1: found their own self interests coalescing around their mutual hatred 341 00:22:49,920 --> 00:22:54,160 Speaker 1: of the Kennedys. What an epic buck show. Frank Sinatra 342 00:22:54,240 --> 00:22:57,000 Speaker 1: watched it all from the sidelines while as mafioso, but 343 00:22:57,160 --> 00:23:00,159 Speaker 1: his tried unsuccessfully to get him to get it is 344 00:23:00,280 --> 00:23:03,400 Speaker 1: so called friend the president to call off his dogs, 345 00:23:03,800 --> 00:23:07,359 Speaker 1: but it was useless. Frank was out. The Kennedy's didn't 346 00:23:07,359 --> 00:23:11,359 Speaker 1: need him, or so they thought, and so they pressed on, 347 00:23:12,000 --> 00:23:14,600 Speaker 1: kept the heat up on the Mafia, kept Castor on 348 00:23:14,880 --> 00:23:18,520 Speaker 1: power through their inaction, kept up their pledge to dismantle 349 00:23:18,600 --> 00:23:23,399 Speaker 1: the CIA, and kept Frank Sinatra at bay, which was 350 00:23:23,640 --> 00:23:27,359 Speaker 1: likely their biggest mistake. Had they kept Frank in the loop, 351 00:23:27,680 --> 00:23:29,959 Speaker 1: Frank would have been able to impress upon them just 352 00:23:30,000 --> 00:23:34,040 Speaker 1: how angry they were making the Mob and the CIA. 353 00:23:34,200 --> 00:23:38,240 Speaker 1: But when you're young, rich, beautiful, powerful and can have 354 00:23:38,320 --> 00:23:41,280 Speaker 1: anyone you want, do anything you want, and you believe 355 00:23:41,280 --> 00:23:44,600 Speaker 1: in your own bullshit. At some point it became clear 356 00:23:44,680 --> 00:23:48,040 Speaker 1: to both the Mafia and the CIA that if they 357 00:23:48,080 --> 00:23:51,000 Speaker 1: couldn't use their combined efforts to get rid of the beard, 358 00:23:51,800 --> 00:23:54,720 Speaker 1: then they should use their combined efforts to instead get 359 00:23:54,800 --> 00:23:58,280 Speaker 1: rid of the haircut. There is an old Sicilian saying 360 00:23:58,600 --> 00:24:00,600 Speaker 1: that if you want to kill a dog, you don't 361 00:24:00,640 --> 00:24:04,520 Speaker 1: cut off his tail and cut off his head. Great 362 00:24:04,600 --> 00:24:09,320 Speaker 1: plots conspiracies take time to develop, but in the end 363 00:24:09,440 --> 00:24:13,159 Speaker 1: come together shockingly quick, so quick that the players in 364 00:24:13,200 --> 00:24:17,080 Speaker 1: the scheme seldom know that they're even playing. Conspiracies are 365 00:24:17,080 --> 00:24:19,920 Speaker 1: thought to be vast plots conducted from on high by 366 00:24:19,960 --> 00:24:24,480 Speaker 1: evil villains and schemers, but in reality, conspiracies happen. We 367 00:24:24,680 --> 00:24:28,720 Speaker 1: mutually aggrieve groups of people simultaneous. They lock into one 368 00:24:28,960 --> 00:24:33,480 Speaker 1: powerful shared sentiment, usually greed or vengeance, and are so 369 00:24:33,720 --> 00:24:37,399 Speaker 1: compelled by their own self interests that their destinies become 370 00:24:37,480 --> 00:24:41,840 Speaker 1: self fulfilling enough to propel them all collectively toward a 371 00:24:41,920 --> 00:24:46,879 Speaker 1: singular goal. In this case, for the Mafia and the CIA, 372 00:24:47,280 --> 00:24:50,840 Speaker 1: it was the elimination of an existential threat to their survival, 373 00:24:51,480 --> 00:24:55,000 Speaker 1: the Kennedys. If the mafia was going to survive, if 374 00:24:55,000 --> 00:24:59,280 Speaker 1: the CIA was going to survive, JFK had to go 375 00:25:00,760 --> 00:25:07,359 Speaker 1: kill the President of the United States. Now that's hubris, unless, 376 00:25:07,359 --> 00:25:14,920 Speaker 1: of course, you get away with it, then it's just confidence. Dallas, 377 00:25:15,119 --> 00:25:20,160 Speaker 1: November twenty second, nineteen sixty three, Game Day. It had 378 00:25:20,160 --> 00:25:23,399 Speaker 1: been a long time coming. No one, even those involved, 379 00:25:23,440 --> 00:25:26,879 Speaker 1: truly knew what was happening. They just knew they had 380 00:25:26,880 --> 00:25:29,920 Speaker 1: a part to play, and then later, if everyone moved 381 00:25:29,920 --> 00:25:33,199 Speaker 1: in the right direction at the right time, their problems 382 00:25:33,520 --> 00:25:46,040 Speaker 1: would go away. And that's what happened. When Frank Sinatra 383 00:25:46,119 --> 00:25:48,600 Speaker 1: got word that his friend, the President of the United 384 00:25:48,640 --> 00:25:52,640 Speaker 1: States was murdered, he instantly knew why, and he realized 385 00:25:52,680 --> 00:25:56,439 Speaker 1: then that despite his clout, his friends, his confidence, he 386 00:25:56,520 --> 00:26:00,520 Speaker 1: had been powerless to prevent it. After the ass fascination, 387 00:26:01,040 --> 00:26:04,480 Speaker 1: Frank crawled into an endless bottle of Jack Daniels and 388 00:26:04,640 --> 00:26:08,360 Speaker 1: sunk into a deep depression. He became one of those 389 00:26:08,400 --> 00:26:12,159 Speaker 1: sad sack characters in one of his songs, What was 390 00:26:12,200 --> 00:26:15,000 Speaker 1: it that had brought him to this point? This lowest 391 00:26:15,040 --> 00:26:19,119 Speaker 1: of Low's hubris mourning the loss of a man he 392 00:26:19,240 --> 00:26:24,879 Speaker 1: deeply admired encountered as a friend despite his recent estrangement. Yes, 393 00:26:25,080 --> 00:26:27,199 Speaker 1: Hubris was to blame for this, just as it was 394 00:26:27,240 --> 00:26:30,320 Speaker 1: to blame for the demise of Jack Kennedy, a man 395 00:26:30,440 --> 00:26:32,679 Speaker 1: who could not see through the blinding light of his 396 00:26:32,760 --> 00:26:38,200 Speaker 1: own powerful entitlement and buffer Sinatra, this pit of grief, guilt, 397 00:26:38,560 --> 00:26:42,639 Speaker 1: self doubt, and oh too familiar loneliness could only be 398 00:26:42,760 --> 00:26:48,480 Speaker 1: vanquished by real inner strength, real confidence, or maybe all 399 00:26:48,520 --> 00:26:50,919 Speaker 1: it would take and be a favor from one of 400 00:26:50,920 --> 00:27:05,399 Speaker 1: the boys. I'm Jake Brennan and this disgrace laugh. Disgraceland 401 00:27:05,440 --> 00:27:08,000 Speaker 1: was created by Yours Truly and is produced in partnership 402 00:27:08,040 --> 00:27:11,160 Speaker 1: with Double Elvis. Credits for this episode can be found 403 00:27:11,200 --> 00:27:14,719 Speaker 1: on the show notes page at disgracelampod dot com. If 404 00:27:14,720 --> 00:27:17,800 Speaker 1: you're listening as a Disgraceland All Access member, thank you 405 00:27:17,800 --> 00:27:20,760 Speaker 1: for supporting the show. We really appreciate it. 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