1 00:00:00,920 --> 00:00:05,120 Speaker 1: Look man, oh, I see you? Why and look over there? 2 00:00:05,160 --> 00:00:14,079 Speaker 1: How is that culture? Yes? Goodness, last culture calling in. 3 00:00:14,960 --> 00:00:17,640 Speaker 1: I think we have a new youthhemism for a gay 4 00:00:17,680 --> 00:00:21,200 Speaker 1: man go, which is someone who knows how to pair 5 00:00:21,320 --> 00:00:25,520 Speaker 1: rabbit with bojoli. Oh my god, you must be fresh 6 00:00:25,560 --> 00:00:28,440 Speaker 1: from the fight, because let me tell you something. Let 7 00:00:28,440 --> 00:00:30,040 Speaker 1: me tell you what I did not think was going 8 00:00:30,080 --> 00:00:34,280 Speaker 1: to happen this morning, This Monday, January, the day before 9 00:00:34,360 --> 00:00:37,960 Speaker 1: Katrina Rodgers is goddamn birthday. Okay, so happy birthday. Mother 10 00:00:39,080 --> 00:00:41,200 Speaker 1: comes out on Wednesday. You will be a year older 11 00:00:41,200 --> 00:00:44,120 Speaker 1: and we celebrate you. Thank you, Katrina, Thank you Katrina. 12 00:00:44,280 --> 00:00:46,720 Speaker 1: But stepping aside from that, I did not think this 13 00:00:46,760 --> 00:00:49,320 Speaker 1: morning i'd wake up to Twitter dot com with every 14 00:00:49,440 --> 00:00:55,040 Speaker 1: queer person screaming, sobbing in a state because of this 15 00:00:55,160 --> 00:00:58,360 Speaker 1: zombie show, The Last of Us, which I had heard. 16 00:00:58,440 --> 00:01:01,280 Speaker 1: I had to be watching the show. Hold on home, 17 00:01:01,320 --> 00:01:03,279 Speaker 1: what is it? Go ahead? Set the scene and why 18 00:01:03,320 --> 00:01:06,360 Speaker 1: we're crying. It is based off of the seminal video 19 00:01:06,360 --> 00:01:08,440 Speaker 1: game The Last of Us, which has been described as 20 00:01:08,480 --> 00:01:12,000 Speaker 1: a citizen Kane of video games, acheating heights of storytelling. 21 00:01:13,040 --> 00:01:17,120 Speaker 1: It's Rosebud that's on a zombie story because these are 22 00:01:17,120 --> 00:01:19,600 Speaker 1: not zombies. What would you call those girls? Then running 23 00:01:19,600 --> 00:01:24,840 Speaker 1: around trying to kill infected Court accepts fungally infected freaks clickers, 24 00:01:24,840 --> 00:01:28,039 Speaker 1: the fungally challenge. You'll see you saw some clickers at 25 00:01:28,040 --> 00:01:32,160 Speaker 1: the end of episode two. You're gonna like that at all? 26 00:01:32,200 --> 00:01:34,440 Speaker 1: And I won't be watching the show only when there's 27 00:01:34,480 --> 00:01:36,840 Speaker 1: a queer love story at the center of that Twitter 28 00:01:36,880 --> 00:01:38,919 Speaker 1: dot com yells. I mean, I absolutely have to watch, 29 00:01:39,040 --> 00:01:41,800 Speaker 1: but other than that, it's gonna be and I don't 30 00:01:41,840 --> 00:01:44,240 Speaker 1: think so, honey. I believe they said, did you watch 31 00:01:44,319 --> 00:01:47,039 Speaker 1: this independent of the first two episodes? I had sort 32 00:01:47,080 --> 00:01:50,800 Speaker 1: of done the cursory skimming of the first two episodes 33 00:01:51,120 --> 00:01:53,400 Speaker 1: to know what I needed to know. Our guests are 34 00:01:53,400 --> 00:01:56,080 Speaker 1: like buzzing, giggling on mute. We're gonna bring them in 35 00:01:56,200 --> 00:01:57,800 Speaker 1: a second. We're gonna bring them in a second. But 36 00:01:57,840 --> 00:02:00,160 Speaker 1: I have to tell you watching this third episode out 37 00:02:00,160 --> 00:02:02,240 Speaker 1: of the Last of Us, which started in very much 38 00:02:02,280 --> 00:02:04,559 Speaker 1: a bottle episode fashion, and we love a bottle episode. 39 00:02:04,560 --> 00:02:08,920 Speaker 1: It's actually recal you number nine. We love the bottle episode. 40 00:02:09,880 --> 00:02:14,520 Speaker 1: So these two actors, Marie Bartlett and Nick Offerman, gave 41 00:02:14,600 --> 00:02:19,399 Speaker 1: us sort of a gorgeous gorgeous tale of these two 42 00:02:19,400 --> 00:02:22,520 Speaker 1: men living in this dystopian society, and it covers many 43 00:02:22,600 --> 00:02:27,520 Speaker 1: decay up gay away from her. It was getting gay 44 00:02:27,560 --> 00:02:30,600 Speaker 1: away from her and what's an iconic reference. Both good 45 00:02:30,639 --> 00:02:34,560 Speaker 1: for you and I have to say, I've been sobbing 46 00:02:34,600 --> 00:02:36,679 Speaker 1: all morning. You need to brush up on the Lord. 47 00:02:36,800 --> 00:02:40,080 Speaker 1: This is truly an important piece of television. It was 48 00:02:40,120 --> 00:02:43,440 Speaker 1: so beautiful. My confession is that I'm still You begged 49 00:02:43,440 --> 00:02:44,680 Speaker 1: me to what I was going to save it for 50 00:02:44,680 --> 00:02:46,280 Speaker 1: the plane, right for the flight back to New York, 51 00:02:47,080 --> 00:02:48,959 Speaker 1: and I still have twenty minutes left, but the sad 52 00:02:49,000 --> 00:02:53,720 Speaker 1: thing has already happened. Oh I'm sobbing. I'm a mess, 53 00:02:54,120 --> 00:02:56,800 Speaker 1: And thank god I had the palate cleanser of the 54 00:02:56,880 --> 00:02:59,560 Speaker 1: show that our two guests are. Let's just say on, 55 00:03:00,200 --> 00:03:03,519 Speaker 1: let's just say they're on this television program renewed for 56 00:03:03,600 --> 00:03:09,480 Speaker 1: season three, The Sex Lives of College Girls. We love 57 00:03:09,560 --> 00:03:16,799 Speaker 1: to see some shows out there getting renewed waits. Sometimes 58 00:03:16,840 --> 00:03:18,519 Speaker 1: they don't have to be our own shows. Sometimes it 59 00:03:18,560 --> 00:03:19,960 Speaker 1: doesn't even have to be on our own show that 60 00:03:19,960 --> 00:03:22,160 Speaker 1: gets renewed. To be happy, sometimes you can be in 61 00:03:22,200 --> 00:03:24,120 Speaker 1: a state of what the fund is happening with the 62 00:03:24,120 --> 00:03:26,760 Speaker 1: show that I'm on, you know what I mean. And 63 00:03:26,840 --> 00:03:29,080 Speaker 1: to know that other girls out there are getting renewed, 64 00:03:29,400 --> 00:03:34,079 Speaker 1: it's beautiful. This show deserves renewal. Do you know what 65 00:03:34,160 --> 00:03:38,440 Speaker 1: I'm saying. This show is an iconic show that honestly, like, 66 00:03:38,560 --> 00:03:41,520 Speaker 1: I hope goes ten seasons because I'm seeing myself in 67 00:03:41,560 --> 00:03:45,360 Speaker 1: the show. That's what I'm saying. I'm men that you 68 00:03:45,440 --> 00:03:51,720 Speaker 1: just heard a voice. We met these two girls in Miami, Florida, 69 00:03:53,480 --> 00:03:59,440 Speaker 1: Rhonda Santis Country of all places, and it was truly Matt, 70 00:03:59,480 --> 00:04:01,040 Speaker 1: do you agree with us? We were at Miley and 71 00:04:01,080 --> 00:04:04,800 Speaker 1: Dollies New Year's party, so fun. You had your fucking 72 00:04:05,240 --> 00:04:08,320 Speaker 1: Mercy Thomas, your Paris Hilton's, You're There was a lot 73 00:04:08,360 --> 00:04:13,120 Speaker 1: of star Wars. There was the star wat was through 74 00:04:13,160 --> 00:04:15,880 Speaker 1: the roof, out of control. But when I saw our 75 00:04:15,920 --> 00:04:19,160 Speaker 1: guests from across the way, first of all, these two people, 76 00:04:19,200 --> 00:04:20,680 Speaker 1: I'm like, there are people that I'm like, I'm not 77 00:04:20,720 --> 00:04:22,400 Speaker 1: going to take a picture with them. I'm not going 78 00:04:22,440 --> 00:04:24,400 Speaker 1: to take a picture with them. I need them to 79 00:04:24,400 --> 00:04:27,239 Speaker 1: think that we're cool. You wanted to express being cool. 80 00:04:27,400 --> 00:04:28,800 Speaker 1: I want them to think we're cool. I want to 81 00:04:28,839 --> 00:04:32,080 Speaker 1: potentially be friends with them, even sometime in the near future. 82 00:04:32,960 --> 00:04:35,400 Speaker 1: I don't want to screw this up. I'm sort of 83 00:04:35,520 --> 00:04:38,120 Speaker 1: less like that. I'm sort of like ambling over to 84 00:04:38,160 --> 00:04:40,360 Speaker 1: the bar, being like, we're gonna say hi, and you're 85 00:04:40,400 --> 00:04:43,239 Speaker 1: sort of like no. This reminds me of the iconic 86 00:04:43,240 --> 00:04:45,400 Speaker 1: time we saw Meredith Marks at the red carpet of 87 00:04:45,400 --> 00:04:48,640 Speaker 1: the Fire Island premiere and I left the carpet' gonna 88 00:04:48,640 --> 00:04:50,120 Speaker 1: say hello to Meredith Marks And I said, bow and 89 00:04:50,120 --> 00:04:51,960 Speaker 1: get over here, and you said, I'm too scared. I 90 00:04:52,040 --> 00:04:53,840 Speaker 1: was too scared. I was too scared to go talk 91 00:04:53,839 --> 00:04:55,960 Speaker 1: to Meredith. And now you struck up a lifelong friendship 92 00:04:56,000 --> 00:04:59,000 Speaker 1: with her. Listen, roll out the red carpet for the friends, Jip. 93 00:04:59,040 --> 00:05:01,320 Speaker 1: You guys hung out at sun Dance. Oh my god, 94 00:05:01,360 --> 00:05:03,840 Speaker 1: we have to talk about Sunday. Kind of mentioned Sundance. 95 00:05:03,839 --> 00:05:06,320 Speaker 1: I saw a Meredith Sundance. It's not as exciting as 96 00:05:06,800 --> 00:05:09,960 Speaker 1: you saw Seth at Sundance. I rallied with Seth Marks 97 00:05:09,960 --> 00:05:13,080 Speaker 1: at Sundance. Okay, Seth Marks. Can we just say Seth 98 00:05:13,080 --> 00:05:16,679 Speaker 1: Marks's favorite film? Fire? He said, He laughed, he cried, 99 00:05:17,160 --> 00:05:19,200 Speaker 1: he was getting down with it. He said. It was 100 00:05:19,240 --> 00:05:21,880 Speaker 1: amazing to sort of get to know the culture, and 101 00:05:21,920 --> 00:05:25,279 Speaker 1: he was screaming and Meredith Marks's boutique in Park City 102 00:05:25,400 --> 00:05:28,960 Speaker 1: how much he loved Fire Island and I was receptive 103 00:05:29,880 --> 00:05:33,440 Speaker 1: and I will continue to be receptive. And then his 104 00:05:33,640 --> 00:05:44,240 Speaker 1: hand flicked. Can I just about your introduction or you're 105 00:05:44,520 --> 00:05:46,840 Speaker 1: walking up to your name at Miami is like now 106 00:05:46,880 --> 00:05:48,840 Speaker 1: one of our friend groups, Like, it's our bit. It's 107 00:05:48,839 --> 00:05:54,200 Speaker 1: our bit because I said to me, and it was 108 00:05:54,400 --> 00:05:58,760 Speaker 1: so funny, it was hot. It goes like, no, not here, 109 00:05:58,880 --> 00:06:07,200 Speaker 1: not right now. You said that about funny. I'm not here, 110 00:06:07,640 --> 00:06:12,880 Speaker 1: I'm not right now, and and was I wrong? You're 111 00:06:13,960 --> 00:06:16,520 Speaker 1: you're absolutely no. But but the thing was it had 112 00:06:16,600 --> 00:06:18,520 Speaker 1: to be right here, right now, and then it was. 113 00:06:18,720 --> 00:06:21,560 Speaker 1: And it was gorgeous because when we told y'all that 114 00:06:21,640 --> 00:06:24,919 Speaker 1: a scala was there, we saw you light up because 115 00:06:24,960 --> 00:06:27,800 Speaker 1: you understood what it meant for a scala to be there. 116 00:06:30,240 --> 00:06:33,400 Speaker 1: And that's sister, huge night. But we have to introduce formula, okay, 117 00:06:33,480 --> 00:06:36,920 Speaker 1: because that's it's getting too loose. Our guests are on 118 00:06:37,279 --> 00:06:40,000 Speaker 1: the sex slights of college girls. Between them, they share 119 00:06:40,080 --> 00:06:44,760 Speaker 1: so many credits Jimmy Award Winners reboots with Rachel Bloom 120 00:06:45,000 --> 00:06:51,279 Speaker 1: period period. Hello, these are stars and they play wealthy 121 00:06:51,400 --> 00:06:54,520 Speaker 1: girls that are sympathetic and likable. Very hard to pull 122 00:06:54,560 --> 00:06:58,880 Speaker 1: off and not for nothing. But vocalists, vocalists hear me 123 00:06:58,960 --> 00:07:02,720 Speaker 1: when I say it, Boca lists, and we're gonna get it. 124 00:07:02,760 --> 00:07:05,360 Speaker 1: We're gonna get into it a little something like like 125 00:07:05,640 --> 00:07:11,840 Speaker 1: if you want to harmonize on three, like one to three. Yeah, sorry, 126 00:07:11,920 --> 00:07:15,000 Speaker 1: I just wanted to get out. You just had to 127 00:07:15,080 --> 00:07:19,160 Speaker 1: let everyone know what we're dealing with. Yeah, so if 128 00:07:19,200 --> 00:07:23,520 Speaker 1: you didn't know, now you know, and you must simply 129 00:07:23,920 --> 00:07:33,600 Speaker 1: welcome our guests today. Welcome to the arena. These two 130 00:07:34,200 --> 00:07:36,360 Speaker 1: they showed up. They're giving like what that's how you 131 00:07:36,440 --> 00:07:44,120 Speaker 1: clap like without making noise. We're feeling amazing today. We 132 00:07:44,240 --> 00:07:46,280 Speaker 1: are feeling amazing. We're the world to be here. We 133 00:07:46,440 --> 00:07:49,000 Speaker 1: love you both. We're just so you said you're in bus. 134 00:07:51,240 --> 00:07:55,240 Speaker 1: Do we like it? We love We're valley girls through 135 00:07:55,280 --> 00:07:57,160 Speaker 1: and three. We are real. Don't thinking about us. We 136 00:07:57,280 --> 00:08:03,120 Speaker 1: love parking. Okay, get at it. I am renne. Okay. 137 00:08:03,320 --> 00:08:08,280 Speaker 1: So we started Passenger here early title about I'm actually 138 00:08:08,280 --> 00:08:12,960 Speaker 1: not allowed to drive. Really basically everybody's like reviews, which 139 00:08:13,000 --> 00:08:16,880 Speaker 1: I think is we get homophobic. But that being said, 140 00:08:17,560 --> 00:08:26,440 Speaker 1: mommy parks well Valet because Park it's giving Laton. Yeah, 141 00:08:26,800 --> 00:08:32,920 Speaker 1: it's actually a lot of crossover. People aren't talking about it. Well, 142 00:08:33,000 --> 00:08:35,520 Speaker 1: that's what we're here to talk about. That's what we're 143 00:08:35,520 --> 00:08:37,600 Speaker 1: here to talk about, the things people don't talk about enough. 144 00:08:37,640 --> 00:08:40,680 Speaker 1: And Whitney being a good driver. It's also giving Whitney. Yeah, 145 00:08:40,840 --> 00:08:44,480 Speaker 1: it's on brand for sure. The dynamics are all thrown off. 146 00:08:44,520 --> 00:08:46,120 Speaker 1: At the end of season two, I have to say, 147 00:08:46,520 --> 00:08:49,360 Speaker 1: I mean we are thrust forward into a show that 148 00:08:49,920 --> 00:08:52,439 Speaker 1: I mean honestly, and also congrats on the renewal. That's 149 00:08:52,440 --> 00:08:55,520 Speaker 1: amazing and I honestly the show is a blast to watch. 150 00:08:56,000 --> 00:09:01,079 Speaker 1: It's so funny. I love like performance, very clear closeness 151 00:09:01,160 --> 00:09:04,400 Speaker 1: between you guys, Like it's really really fun. Is it 152 00:09:04,600 --> 00:09:06,840 Speaker 1: fun to do? It must be. I mean, look at 153 00:09:06,880 --> 00:09:12,079 Speaker 1: the two of you glowing. We don't well trust first 154 00:09:12,120 --> 00:09:15,840 Speaker 1: of all threats tell yeah, it's super fun. We also 155 00:09:16,000 --> 00:09:21,880 Speaker 1: just like get to hang out all day, which is ideal. Um. Yeah, 156 00:09:21,960 --> 00:09:24,400 Speaker 1: and we we just have a silly goofy time. We 157 00:09:24,520 --> 00:09:31,160 Speaker 1: really did you hang out in cute outfits? Your costume 158 00:09:31,240 --> 00:09:36,160 Speaker 1: designer is sorry, that was actually just as harmonizing. Again, 159 00:09:36,200 --> 00:09:41,559 Speaker 1: that didn't mean anything, No, no, yeah, that's true. Not 160 00:09:41,720 --> 00:09:46,160 Speaker 1: much true. Did y'all meet on the show. Yes, this 161 00:09:46,520 --> 00:09:49,719 Speaker 1: is really special because there is such an energy. I 162 00:09:49,800 --> 00:09:53,120 Speaker 1: can feel it through the screen. Girls. Don't lose that, 163 00:09:53,679 --> 00:09:55,960 Speaker 1: don't lose that. Don't lose that in this town. Don't 164 00:09:55,960 --> 00:10:00,199 Speaker 1: you lose that. We had many bits realizing the all 165 00:10:00,360 --> 00:10:03,199 Speaker 1: very visual. So I don't know, I don't know. I 166 00:10:03,280 --> 00:10:06,400 Speaker 1: don't read on the podcast, podcast our visual medium. We've 167 00:10:06,400 --> 00:10:08,920 Speaker 1: been we say podcast our visual medium. Okay, okay, so 168 00:10:09,000 --> 00:10:11,480 Speaker 1: they're kind of geting limp wristed, sort of fist up. 169 00:10:12,600 --> 00:10:15,120 Speaker 1: Is that queer girl power? I stand with your sister. 170 00:10:16,400 --> 00:10:20,319 Speaker 1: Someone's calling calling? Is it? Hollywood? Was another role? It 171 00:10:20,480 --> 00:10:24,439 Speaker 1: was God? It was God God. Yeah, he said, do 172 00:10:24,559 --> 00:10:29,199 Speaker 1: you need me? God? Is he? God? Is he? They 173 00:10:29,920 --> 00:10:32,839 Speaker 1: described what what was the first because Matt and I 174 00:10:32,960 --> 00:10:35,400 Speaker 1: remember the first moment of our friendship when we were 175 00:10:35,480 --> 00:10:39,400 Speaker 1: like wow, like who is this? Is there an indelible 176 00:10:39,440 --> 00:10:44,680 Speaker 1: memory for you to describe it? Wait? Two words? Okay, 177 00:10:45,520 --> 00:10:50,480 Speaker 1: one to three? Hotel? I was gonna say, Okay, so 178 00:10:50,640 --> 00:10:53,920 Speaker 1: there was a residence in, and the residence in is 179 00:10:54,080 --> 00:10:56,640 Speaker 1: a huge part of culture. I mean, we have all 180 00:10:56,760 --> 00:10:59,679 Speaker 1: stayed there. So when you say residents in, everyone listening 181 00:10:59,760 --> 00:11:02,320 Speaker 1: knows that exactly. We can see it, we can feel, 182 00:11:02,360 --> 00:11:04,920 Speaker 1: we can almost taste it. So what's happening? Fill in 183 00:11:04,960 --> 00:11:07,880 Speaker 1: the scene. The scene is he's like, Hey, do you 184 00:11:07,920 --> 00:11:09,360 Speaker 1: want to come over? Do you want to hang out? 185 00:11:09,559 --> 00:11:12,320 Speaker 1: And mind you, I'm a fan, right, I'm a Broadway girl, 186 00:11:12,360 --> 00:11:16,160 Speaker 1: throw and through, So I'm like, okay, great, let's do 187 00:11:16,280 --> 00:11:19,679 Speaker 1: it out. Not that I know that when I was 188 00:11:19,720 --> 00:11:21,319 Speaker 1: coming over to her hotel room, it was going to 189 00:11:21,400 --> 00:11:25,440 Speaker 1: be her crying for three hours and telling me every 190 00:11:25,480 --> 00:11:32,480 Speaker 1: traumatic thing that's ever happened to her. And that was 191 00:11:32,880 --> 00:11:35,480 Speaker 1: that was that. Yeah, it really was because also like 192 00:11:35,559 --> 00:11:37,360 Speaker 1: we were so we were in this hotel and this 193 00:11:37,559 --> 00:11:42,760 Speaker 1: was December and we're actually technically like we're breaking by 194 00:11:42,800 --> 00:11:46,199 Speaker 1: seeing each other. And I was so fucking scared to 195 00:11:46,360 --> 00:11:50,120 Speaker 1: be here. We both moved to l A for the show. 196 00:11:50,360 --> 00:11:52,400 Speaker 1: It was just like anxiety. So it was like a 197 00:11:52,520 --> 00:11:55,560 Speaker 1: new experience because you guys are it's like the first 198 00:11:55,880 --> 00:11:57,720 Speaker 1: big show for you guys, you know what I mean, 199 00:11:57,800 --> 00:11:59,520 Speaker 1: Like you're putting it out there in a major way 200 00:11:59,600 --> 00:12:00,959 Speaker 1: and like it was going to be a breakthrough and 201 00:12:01,000 --> 00:12:03,040 Speaker 1: you guys knew it because it's Mindy Kaling. It's like 202 00:12:03,120 --> 00:12:05,439 Speaker 1: big budget tbh, you know what I mean. There's a 203 00:12:05,440 --> 00:12:08,400 Speaker 1: lot going on at HBO Max like etcetera. So that's 204 00:12:08,480 --> 00:12:12,679 Speaker 1: like all happening. Yeah, and then there was also the 205 00:12:12,920 --> 00:12:16,120 Speaker 1: out of respect of like COVID, and those were like 206 00:12:16,240 --> 00:12:18,400 Speaker 1: getting canceled up in right SHOs, we're not happening, and 207 00:12:18,480 --> 00:12:20,560 Speaker 1: so we fully believe that we weren't actually even going 208 00:12:20,640 --> 00:12:22,679 Speaker 1: to make a show until we showed up, you know, 209 00:12:22,800 --> 00:12:25,120 Speaker 1: on day one, and they were putting us in costumes work. Okay, 210 00:12:25,120 --> 00:12:27,120 Speaker 1: I guess it is happening. Um, So there are a 211 00:12:27,160 --> 00:12:30,480 Speaker 1: lot of variables there. Yeah. Sure, the costumes what you love? 212 00:12:32,080 --> 00:12:34,760 Speaker 1: Obsessed with them? Jesus, Oh my god. If I could 213 00:12:34,840 --> 00:12:39,080 Speaker 1: knit anything, it would be a two we'd set girl. 214 00:12:40,320 --> 00:12:46,160 Speaker 1: I couldn't ye say it again but away though in 215 00:12:46,280 --> 00:12:48,560 Speaker 1: a way though, if you want to say it again, 216 00:12:48,640 --> 00:12:51,400 Speaker 1: please do but but but I would say that in 217 00:12:51,480 --> 00:12:54,439 Speaker 1: a way. Is this sort of a college experience for 218 00:12:54,559 --> 00:12:58,079 Speaker 1: you guys? I mean this is Rene's like full college experience. 219 00:12:58,160 --> 00:13:01,840 Speaker 1: This is like, yeah, I mean educated now. I said 220 00:13:01,880 --> 00:13:05,120 Speaker 1: this to you in Miami. But Joel can Booster, Brandon, 221 00:13:05,160 --> 00:13:07,240 Speaker 1: Scott Jones and I were at the Jimmy Awards that 222 00:13:07,320 --> 00:13:20,559 Speaker 1: Renee was at really was I'm sorry. Yeah, winner, it does. 223 00:13:20,679 --> 00:13:22,439 Speaker 1: It does kind of make you like an instant like 224 00:13:22,840 --> 00:13:25,840 Speaker 1: celebrity in the world of like Broadway theater. Though, wouldn't 225 00:13:25,840 --> 00:13:30,000 Speaker 1: you say it is so wild? It's a cult. I've 226 00:13:30,040 --> 00:13:31,920 Speaker 1: said it before. I'll say it again. It's a cult. 227 00:13:33,280 --> 00:13:35,080 Speaker 1: It's a cult. But do you draw a straight line 228 00:13:35,080 --> 00:13:39,880 Speaker 1: from Okay, so here you are this North Carolinian slay 229 00:13:41,440 --> 00:13:44,800 Speaker 1: as slay first of all, a tar heel through and through, 230 00:13:45,240 --> 00:13:48,720 Speaker 1: a tar heel through and through you. Jimmy it up. 231 00:13:51,320 --> 00:13:54,880 Speaker 1: You blank your mean girls, you blank, there's COVID, you 232 00:13:55,000 --> 00:13:59,000 Speaker 1: blank your on sex lives you meet Aliah. Yeah, that's amazing. 233 00:13:59,120 --> 00:14:01,880 Speaker 1: I believe in the unit birds. I believe in the universe, 234 00:14:01,960 --> 00:14:05,640 Speaker 1: and I think that somewhere along the lines, two people 235 00:14:05,679 --> 00:14:09,880 Speaker 1: were born, right, one of those people was born and 236 00:14:13,120 --> 00:14:16,240 Speaker 1: and the other one of those people was born in 237 00:14:16,320 --> 00:14:18,800 Speaker 1: the year two thousand, So you were two thousand and 238 00:14:18,840 --> 00:14:22,040 Speaker 1: you were Okay, So basically we're talking to people that 239 00:14:22,120 --> 00:14:25,240 Speaker 1: are the same age as Titanic, and like, what's a 240 00:14:25,280 --> 00:14:32,320 Speaker 1: two thousand film? It's that sort of Titanic crouching tiger 241 00:14:32,640 --> 00:14:37,560 Speaker 1: meeting that we all have that Yeah, what do you 242 00:14:37,560 --> 00:14:39,160 Speaker 1: mean what does that mean? I think it just really 243 00:14:39,320 --> 00:14:43,400 Speaker 1: sinks in to the soul for me. Do you want 244 00:14:43,440 --> 00:14:46,400 Speaker 1: to explain though? So what year is which that you're 245 00:14:46,440 --> 00:14:51,960 Speaker 1: talking about? This is gen z of it all. I'm 246 00:14:54,360 --> 00:14:56,760 Speaker 1: I'm cussed, I'm not, but you're but you're getting Z. 247 00:14:57,880 --> 00:15:00,080 Speaker 1: You ask because I thought I was in the Some 248 00:15:00,160 --> 00:15:02,240 Speaker 1: people were like, no, you're not. You're giving millennial and 249 00:15:02,280 --> 00:15:04,920 Speaker 1: I was like, what bad? But I don't know. No, 250 00:15:05,360 --> 00:15:09,840 Speaker 1: you're you're Z. But you're also a grandmother. Becca has 251 00:15:09,880 --> 00:15:16,320 Speaker 1: corrected us and said, I feel that you're so gen Z. 252 00:15:16,640 --> 00:15:20,000 Speaker 1: You just are like that's why, grandma. Yeah. But the 253 00:15:20,040 --> 00:15:23,360 Speaker 1: way Leah was talking to Doug was very gen Z, 254 00:15:23,840 --> 00:15:26,880 Speaker 1: being like, look, we don't have a microphone, we don't 255 00:15:26,920 --> 00:15:29,120 Speaker 1: have headphones like this is and it was. It was 256 00:15:29,160 --> 00:15:32,960 Speaker 1: the coolest thing I've ever seen. Take me, that's actually true. 257 00:15:33,200 --> 00:15:36,200 Speaker 1: No I didn't read it that way, No, no, no, no, 258 00:15:36,880 --> 00:15:40,760 Speaker 1: it was inspiring. I'm awestrack. Oh thanks, I can teach you. 259 00:15:41,000 --> 00:15:45,680 Speaker 1: Because Bowen and I asked millennials are big apologizers were like, sorry, sorry, sorry, 260 00:15:46,640 --> 00:15:49,680 Speaker 1: honest I was before I met Renee. Renee will walk 261 00:15:49,720 --> 00:15:53,160 Speaker 1: into anything and look at like the head exact of HB. 262 00:15:53,240 --> 00:15:56,400 Speaker 1: And be like, hey, bitch, what's up? And I'm like, oh, dear, 263 00:15:57,440 --> 00:16:00,400 Speaker 1: I understand or should just be like, oh dad, what's 264 00:16:00,440 --> 00:16:03,120 Speaker 1: going on? Yeah? It will serve you well, It will 265 00:16:03,160 --> 00:16:07,520 Speaker 1: serve you very well. Fun. It's fun, especially because like 266 00:16:07,680 --> 00:16:10,680 Speaker 1: I just like, I don't know, man, I think like 267 00:16:11,960 --> 00:16:14,320 Speaker 1: I don't know even that even that, you know what 268 00:16:14,400 --> 00:16:18,000 Speaker 1: I mean, even that what is that energy? And I 269 00:16:18,320 --> 00:16:21,600 Speaker 1: could never and Bowen could never Bowen and I could 270 00:16:21,720 --> 00:16:24,800 Speaker 1: never have I don't know man energy about someone in 271 00:16:24,880 --> 00:16:27,360 Speaker 1: a position of power, I don't know man energy is 272 00:16:27,400 --> 00:16:30,360 Speaker 1: a front runner for title of up at this point. Yeah, 273 00:16:31,480 --> 00:16:34,200 Speaker 1: here's the thing. Okay, if you like walk up to 274 00:16:34,320 --> 00:16:36,800 Speaker 1: like I don't know who is daddy of HBO, right, 275 00:16:37,280 --> 00:16:42,080 Speaker 1: but like whoever is daddy HBO? Like okay, you got 276 00:16:42,160 --> 00:16:46,200 Speaker 1: there and we can get here. Hey, girl, like playing field, 277 00:16:46,440 --> 00:16:49,000 Speaker 1: be realistic. What did you do this morning? You woke 278 00:16:49,120 --> 00:16:52,040 Speaker 1: up just the same as me. You woke up Stobs 279 00:16:52,080 --> 00:16:56,080 Speaker 1: to an episode of zombie television that he actually put 280 00:16:56,200 --> 00:17:00,680 Speaker 1: on the air. By the way, this is energy synergy. Yeah, 281 00:17:01,760 --> 00:17:12,960 Speaker 1: this is network's energy and we love it. So you 282 00:17:13,080 --> 00:17:16,479 Speaker 1: meet basically trauma bonding in a hotel room. Yeah, did 283 00:17:16,520 --> 00:17:18,960 Speaker 1: you sort of speak the language that Renee was speaking 284 00:17:19,000 --> 00:17:21,000 Speaker 1: when she was sobbing. Were you ready to receive that? 285 00:17:21,040 --> 00:17:26,640 Speaker 1: Are you sort of open to that? Astrologically? What's happening here? Oh? Interesting? Yeah? 286 00:17:26,840 --> 00:17:33,479 Speaker 1: Well I'm a cancer. I'm Capricorn. Yeah, so capricorn. You're right? Um, 287 00:17:33,880 --> 00:17:36,600 Speaker 1: And I am often the like therapist friends like, I'm 288 00:17:36,640 --> 00:17:39,960 Speaker 1: often and I encourage it. Honestly, I do, really do. 289 00:17:40,200 --> 00:17:42,240 Speaker 1: I do dig sometimes, but I'm the friend that's like 290 00:17:42,280 --> 00:17:44,520 Speaker 1: to tell me, what are you actually happy? Yeah, and 291 00:17:44,600 --> 00:17:46,520 Speaker 1: then we'll go in, Oh my god, but you take 292 00:17:46,560 --> 00:17:50,480 Speaker 1: care of you? Right? Well, who's taking care of you? 293 00:17:51,040 --> 00:17:54,320 Speaker 1: I have started going to pottery and that has been 294 00:17:54,400 --> 00:17:56,960 Speaker 1: my new way of taking care of myself. Although my 295 00:17:56,960 --> 00:17:59,520 Speaker 1: friends would disagree that that's not an actual thing. No, 296 00:17:59,760 --> 00:18:02,479 Speaker 1: I agree, I disagree, Yeah, I think it is an 297 00:18:02,480 --> 00:18:05,640 Speaker 1: actual thing. Macky on the other hand, literally, our friend Mackey, 298 00:18:05,720 --> 00:18:07,520 Speaker 1: he was also on College Girls, literally went up to 299 00:18:07,560 --> 00:18:09,800 Speaker 1: Alia talking about pottery and he was like, so, what 300 00:18:09,880 --> 00:18:13,679 Speaker 1: are you running from? Even see friends that you've been 301 00:18:13,680 --> 00:18:15,240 Speaker 1: in the pottery studio a lot, do you think you're 302 00:18:15,280 --> 00:18:21,320 Speaker 1: running from something? Me? But you're correct, he was right, 303 00:18:21,440 --> 00:18:23,480 Speaker 1: He was right. No, No, he's not and he's not 304 00:18:23,640 --> 00:18:25,840 Speaker 1: a good form of therapy. Also, I think you take 305 00:18:25,920 --> 00:18:28,639 Speaker 1: care of yourself super well. Thanks, I actually really do. 306 00:18:29,119 --> 00:18:33,080 Speaker 1: It's productive and creative. You're making something. Yeah, yeah, it's great. 307 00:18:33,119 --> 00:18:35,240 Speaker 1: And I can listen to law school treoths as well. 308 00:18:35,280 --> 00:18:38,720 Speaker 1: I do pottery stop it it's my favorite stop. That 309 00:18:39,280 --> 00:18:41,560 Speaker 1: I would be in the pottery like laughing to myself 310 00:18:41,640 --> 00:18:44,920 Speaker 1: and I realized, I'm like, I look like I'm I'm 311 00:18:45,000 --> 00:18:49,119 Speaker 1: cracking up at the wheel and like at the wheel 312 00:18:52,000 --> 00:18:55,720 Speaker 1: we are talking to the drug. Right, Well that's fucking huge. Okay, 313 00:18:55,800 --> 00:18:58,320 Speaker 1: So you meet because of the show. It's an instant 314 00:18:58,400 --> 00:19:00,639 Speaker 1: fast friendship because of a trauma. Well, I feel like 315 00:19:00,760 --> 00:19:04,200 Speaker 1: Layton's story in terms of her coming out journey is 316 00:19:04,320 --> 00:19:09,440 Speaker 1: like very death the way both of you were able 317 00:19:09,480 --> 00:19:13,880 Speaker 1: to perform that aspect of that time in your life 318 00:19:14,040 --> 00:19:16,920 Speaker 1: where someone's figuring out in identity and then another person 319 00:19:17,080 --> 00:19:22,280 Speaker 1: is present as a friend, like light touch but very powerful. 320 00:19:22,960 --> 00:19:26,840 Speaker 1: And then for Whitney, it's like fuck this girl like 321 00:19:27,040 --> 00:19:30,840 Speaker 1: got fully fucking like preyed upon or just taken advantage 322 00:19:30,880 --> 00:19:33,879 Speaker 1: of by this like fun up dynamic. Yeah. Yeah. The 323 00:19:34,000 --> 00:19:36,280 Speaker 1: thing that I like about it is that, like I 324 00:19:36,520 --> 00:19:42,479 Speaker 1: genuinely feel like we literally just show up. That's it. Um, 325 00:19:42,600 --> 00:19:46,280 Speaker 1: we literally just show them up and just like like 326 00:19:46,840 --> 00:19:50,000 Speaker 1: take things from like our friendship that could like kind 327 00:19:50,080 --> 00:19:53,200 Speaker 1: of tie into what we're doing, and just like put right, 328 00:19:53,400 --> 00:19:56,439 Speaker 1: like our storyline is kind of tied into our lives, 329 00:19:56,680 --> 00:19:58,960 Speaker 1: which I don't know if that's like intentional of the 330 00:19:59,000 --> 00:20:00,480 Speaker 1: writers being like oh I heard when they say that 331 00:20:00,600 --> 00:20:05,920 Speaker 1: she but like literally like that feels like when we'll 332 00:20:05,920 --> 00:20:07,600 Speaker 1: show up and get the table draft and be like, oh, 333 00:20:07,960 --> 00:20:10,840 Speaker 1: this is triggering Hunter, but in the best way, and 334 00:20:10,920 --> 00:20:12,520 Speaker 1: in a way that feels like we have enough space 335 00:20:12,960 --> 00:20:15,359 Speaker 1: from the trauma to like reenact it in a way 336 00:20:15,400 --> 00:20:16,879 Speaker 1: that feels you know what I mean, that feels like 337 00:20:16,920 --> 00:20:20,080 Speaker 1: it's a light touch enough, but also that we have 338 00:20:20,160 --> 00:20:21,760 Speaker 1: a friend there. So like if there's ever a day 339 00:20:21,840 --> 00:20:23,840 Speaker 1: we're like, we're having a tough time, which is very 340 00:20:23,920 --> 00:20:26,160 Speaker 1: rare because we're in a comedy. It's like not we're 341 00:20:26,200 --> 00:20:28,959 Speaker 1: not saving lives, um, But if there's ever a day 342 00:20:29,000 --> 00:20:30,480 Speaker 1: we're like, that was a lot, girl. I just like 343 00:20:30,520 --> 00:20:32,880 Speaker 1: look at a and we're you know, we're both there. 344 00:20:33,920 --> 00:20:36,080 Speaker 1: I have tough days often it has nothing to do 345 00:20:36,240 --> 00:20:39,119 Speaker 1: with the writing, but I have tough days and then 346 00:20:39,800 --> 00:20:42,560 Speaker 1: there yeah, that's fair. The way that everyone supports each 347 00:20:42,600 --> 00:20:45,080 Speaker 1: other as a unit, like that feels like my unit, 348 00:20:45,280 --> 00:20:47,800 Speaker 1: or it feels like and the conflicts are also like 349 00:20:48,280 --> 00:20:51,240 Speaker 1: I'm never like, oh, that friendship is doomed. I'm like, no, 350 00:20:51,440 --> 00:20:54,520 Speaker 1: you know what, like this is working as a unit 351 00:20:54,560 --> 00:20:56,800 Speaker 1: and they're having a moment. But it did get me 352 00:20:56,920 --> 00:20:59,320 Speaker 1: to think about like my own college experience and like 353 00:21:00,040 --> 00:21:02,479 Speaker 1: I don't think I have any friends from freshman year, 354 00:21:02,560 --> 00:21:06,000 Speaker 1: but do you have any friends from freshman year? Still? Um, 355 00:21:06,560 --> 00:21:09,480 Speaker 1: like I said, thirty two year old, I have friends 356 00:21:09,560 --> 00:21:12,280 Speaker 1: from like doing comedy obviously, but they were they were 357 00:21:12,359 --> 00:21:16,320 Speaker 1: upper classmen. No one from freshman year. No one really, 358 00:21:16,400 --> 00:21:18,879 Speaker 1: no one from freshman year. But wait yeah, yah is 359 00:21:18,960 --> 00:21:23,800 Speaker 1: completely like the opposite. Yeah really Yes, I went to 360 00:21:24,160 --> 00:21:28,160 Speaker 1: Michigan for musical theater, so that's just like that there, yes, there, 361 00:21:29,480 --> 00:21:35,600 Speaker 1: let's just drop that in the ether. Yeah. So there 362 00:21:35,680 --> 00:21:37,960 Speaker 1: was only twenty of us in the class in Michigan 363 00:21:38,200 --> 00:21:41,840 Speaker 1: at the time. Where I entered was still very like 364 00:21:42,359 --> 00:21:44,640 Speaker 1: an episode of Glee, Like you have the upper classman, 365 00:21:44,680 --> 00:21:46,680 Speaker 1: you have the juniors, like every class has a role, 366 00:21:46,920 --> 00:21:49,200 Speaker 1: and when you are freshman, you are nothing, you know 367 00:21:49,240 --> 00:21:51,160 Speaker 1: what I mean? So we all kind of like looking 368 00:21:51,200 --> 00:21:54,720 Speaker 1: to each other like, you know, should we be here, 369 00:21:54,840 --> 00:21:57,960 Speaker 1: Like what's going on? Um? And then we became sophomorees together, 370 00:21:58,000 --> 00:21:59,320 Speaker 1: and then we became you know what I mean, so 371 00:21:59,359 --> 00:22:01,440 Speaker 1: like we kind of enmed up the ranks of the Yeah, 372 00:22:01,480 --> 00:22:06,760 Speaker 1: that's like a totally different experience, experience, very specific and unique. 373 00:22:06,800 --> 00:22:08,400 Speaker 1: So I have a lot of friends for my freshman year. 374 00:22:09,040 --> 00:22:12,000 Speaker 1: So like one of our best friends I grew up 375 00:22:12,080 --> 00:22:17,080 Speaker 1: with doing theater. Caroline's weird, a weird sort of thing 376 00:22:17,160 --> 00:22:19,920 Speaker 1: that happened, which act how we were technically introduced to 377 00:22:19,960 --> 00:22:24,240 Speaker 1: each other. Yes, okay, let's I went to college with 378 00:22:24,320 --> 00:22:25,920 Speaker 1: a friend of mine who is now my producing partner. 379 00:22:26,359 --> 00:22:28,600 Speaker 1: His name is Thomas. We were classmates and then very 380 00:22:28,680 --> 00:22:30,360 Speaker 1: quickly he was like, oh, I'm not gonna be an actor. 381 00:22:30,359 --> 00:22:32,200 Speaker 1: I'm gonna be a producer. And I was like what 382 00:22:32,400 --> 00:22:35,080 Speaker 1: is that? Um? And went through the whole thing together 383 00:22:35,240 --> 00:22:38,080 Speaker 1: and then graduated and I booked college girls and enabled 384 00:22:38,080 --> 00:22:41,080 Speaker 1: to college girls, and weirdly he was like, oh hey, 385 00:22:41,280 --> 00:22:42,720 Speaker 1: he told Renee was like, Okay, my one of my 386 00:22:42,720 --> 00:22:44,399 Speaker 1: classmate's gonna be in your show. You're gonna love her. 387 00:22:44,880 --> 00:22:47,159 Speaker 1: And then he was up staying at my house in 388 00:22:47,320 --> 00:22:48,639 Speaker 1: l A while we were working on the show, and 389 00:22:48,680 --> 00:22:50,240 Speaker 1: I was like, Oh, Renee's gonna come over for dinner. 390 00:22:50,720 --> 00:22:52,399 Speaker 1: And I was like, oh, my friend Thomas is here. 391 00:22:52,480 --> 00:22:54,200 Speaker 1: She was like Thomas loud and I was like yeah. 392 00:22:54,480 --> 00:22:57,040 Speaker 1: And then the entire night they just like chatted about 393 00:22:57,119 --> 00:23:02,040 Speaker 1: high school like North Carolina and oh my gotten, which, 394 00:23:02,119 --> 00:23:06,760 Speaker 1: to be clear, let's talk about a cult that's I've 395 00:23:06,920 --> 00:23:11,840 Speaker 1: never been with more ship in my life than I 396 00:23:12,040 --> 00:23:16,359 Speaker 1: was in the Charlotte theater scene speaking out about it 397 00:23:16,400 --> 00:23:19,520 Speaker 1: and speaking out about it now because justice, O, God, 398 00:23:19,880 --> 00:23:22,159 Speaker 1: it's crazy. Is that the Tommy two Awards or No, 399 00:23:22,600 --> 00:23:26,960 Speaker 1: that's not, That's Houston. I guess I have questions about, like, 400 00:23:27,040 --> 00:23:29,840 Speaker 1: so when you refer to it as this like high octane, 401 00:23:30,000 --> 00:23:33,280 Speaker 1: intense thing like and the where you have put through 402 00:23:33,320 --> 00:23:36,280 Speaker 1: a lot, like I was always wondering, like how a 403 00:23:36,400 --> 00:23:40,120 Speaker 1: high school like funnels someone even into the Jimmy Awards. 404 00:23:40,200 --> 00:23:43,359 Speaker 1: Is that because it starts as a really intense atmosphere 405 00:23:43,400 --> 00:23:45,399 Speaker 1: like and those are like the people that we're seeing 406 00:23:45,440 --> 00:23:47,879 Speaker 1: at the Jimmy Awards who have been through like a 407 00:23:48,040 --> 00:23:50,680 Speaker 1: theater boot camp. In a way, I think it's all 408 00:23:50,760 --> 00:23:52,840 Speaker 1: over the place. The reason that Charlotte was so intense 409 00:23:52,920 --> 00:23:57,280 Speaker 1: for me. Specifically was the mother's literally there there were yeah, no, 410 00:23:57,480 --> 00:24:00,880 Speaker 1: and let's let's get into it. Okay, because let's get 411 00:24:00,960 --> 00:24:03,440 Speaker 1: into it. I was I was a you know, I 412 00:24:03,520 --> 00:24:06,040 Speaker 1: was a junior in high school and we were doing 413 00:24:06,160 --> 00:24:08,760 Speaker 1: this like musical and I had a friend come to 414 00:24:08,880 --> 00:24:11,800 Speaker 1: me and say that there were these three girls moms 415 00:24:11,920 --> 00:24:15,639 Speaker 1: who had a running group chat talking shit about me 416 00:24:15,880 --> 00:24:19,119 Speaker 1: coming to this school and being in the show. So 417 00:24:19,280 --> 00:24:23,320 Speaker 1: I was like, Okay, it's on, let's go. So basically 418 00:24:23,400 --> 00:24:25,920 Speaker 1: what happened was I transferred to this musical theater high 419 00:24:25,960 --> 00:24:29,160 Speaker 1: school because I knew a Broadway actor and an amazing 420 00:24:29,280 --> 00:24:36,920 Speaker 1: fucking being. Eva Nobles had gone Star Star Star, He 421 00:24:37,040 --> 00:24:40,280 Speaker 1: had gone to this high school, and so I wanted 422 00:24:40,320 --> 00:24:41,840 Speaker 1: to do the same thing because I didn't want to 423 00:24:41,840 --> 00:24:43,439 Speaker 1: go to college and I wanted to live in New 424 00:24:43,520 --> 00:24:47,000 Speaker 1: York and do me. So then the Jimmy's became a thing. 425 00:24:47,119 --> 00:24:51,080 Speaker 1: But yeah, theater's crazy. Yeah the moms, though, did moms 426 00:24:51,160 --> 00:24:53,159 Speaker 1: motivate anything? Is that how they fit into this? Like 427 00:24:53,400 --> 00:24:55,760 Speaker 1: I fucking sometimes moms can be the worst. I wish 428 00:24:55,840 --> 00:24:58,080 Speaker 1: you could see my face right now because I'm snarling 429 00:24:59,200 --> 00:25:01,879 Speaker 1: on the podcast. I wish you could see my um. 430 00:25:03,400 --> 00:25:08,080 Speaker 1: I don't know. Can we all just like take a moment, 431 00:25:08,160 --> 00:25:09,680 Speaker 1: because I know we all want to get this out. 432 00:25:10,000 --> 00:25:13,200 Speaker 1: We've all had tough mornings. We need to snarl, and 433 00:25:13,400 --> 00:25:15,320 Speaker 1: we all just let's just take three seconds to just 434 00:25:15,400 --> 00:25:22,880 Speaker 1: snow already go. That did something for me. I want 435 00:25:23,000 --> 00:25:26,119 Speaker 1: that felt good? Right? Feel better? My pulse is racing 436 00:25:26,200 --> 00:25:29,000 Speaker 1: and I don't know what I've heard Kimberly A Kimbell better. 437 00:25:29,440 --> 00:25:31,920 Speaker 1: Oh my god, the way it's been theater on theater. 438 00:25:31,960 --> 00:25:34,080 Speaker 1: We had Bonnie Milligan on last week. We have y'all 439 00:25:34,160 --> 00:25:38,560 Speaker 1: too now. They love her, incredible theater moms. I don't 440 00:25:38,560 --> 00:25:40,400 Speaker 1: know if it's that they motivated me. I think it's 441 00:25:40,440 --> 00:25:42,200 Speaker 1: that I was like, oh my god, not these like 442 00:25:42,280 --> 00:25:45,960 Speaker 1: forty plus year old women being mad at a teenager. Okay, bitch, fine, 443 00:25:46,520 --> 00:25:49,280 Speaker 1: come on. Because that's also when you get the idea 444 00:25:49,720 --> 00:25:52,320 Speaker 1: that just because someone is an adult and should know better, 445 00:25:52,720 --> 00:25:55,680 Speaker 1: they don't. And it's like that in the industry. It's 446 00:25:55,720 --> 00:25:59,800 Speaker 1: like that amongst people, and it's it's actually good and formative. 447 00:26:00,080 --> 00:26:03,280 Speaker 1: A smart team can look around and be like, oh, 448 00:26:03,560 --> 00:26:05,280 Speaker 1: I had that moment in high school. I'm sure that 449 00:26:05,320 --> 00:26:07,480 Speaker 1: we all have people readers listening. Are all like the 450 00:26:07,600 --> 00:26:10,560 Speaker 1: first time you realized that an adult was a funk 451 00:26:10,680 --> 00:26:15,359 Speaker 1: up and you in front of a train. That's a 452 00:26:15,400 --> 00:26:20,000 Speaker 1: big moment because, let me tell you, age doesn't mean 453 00:26:20,119 --> 00:26:24,720 Speaker 1: you're mature. Times you end up being the kid. We're 454 00:26:24,720 --> 00:26:28,480 Speaker 1: gonna at least some real trauma right now. So he's 455 00:26:28,480 --> 00:26:31,560 Speaker 1: going to ran it back in. We're pulling it out. 456 00:26:31,800 --> 00:26:33,400 Speaker 1: This is what both of you are giving right now. 457 00:26:34,000 --> 00:26:38,760 Speaker 1: I don't know, man, it's I don't know, man. Oh yeah, 458 00:26:39,160 --> 00:26:42,800 Speaker 1: it's so aspirational. I hear like, oh my god, who 459 00:26:42,880 --> 00:26:48,960 Speaker 1: is h's at at a girl? How are you coming 460 00:26:49,000 --> 00:26:52,240 Speaker 1: to the stage? I don't know, man. Wait, Okay, So 461 00:26:52,400 --> 00:26:54,720 Speaker 1: as we sort of transport back in time, I feel 462 00:26:54,760 --> 00:26:58,280 Speaker 1: it's appropriate to ask the question. Yes, it's appropriate. Are 463 00:26:58,320 --> 00:27:00,880 Speaker 1: we calling you yahya? Is not just a you guys. 464 00:27:01,440 --> 00:27:04,360 Speaker 1: It is the thing that Renee has made a thing. Yeah. 465 00:27:04,560 --> 00:27:06,080 Speaker 1: I'm not sure how I feel about it, to be 466 00:27:06,200 --> 00:27:08,720 Speaker 1: perfectly frank, Okay, So thank you for giving me a 467 00:27:08,760 --> 00:27:11,320 Speaker 1: platform I've never been asked. There is no bigger play 468 00:27:11,560 --> 00:27:14,160 Speaker 1: there there was no consent, and then there was never 469 00:27:14,240 --> 00:27:17,720 Speaker 1: consent to use yaya, no send me to be named 470 00:27:18,280 --> 00:27:25,119 Speaker 1: Telly Tubby, incredible friend and you and your identity has 471 00:27:25,240 --> 00:27:29,800 Speaker 1: changed and the shifted. Wait, Renee, are you the nickname friend, 472 00:27:29,840 --> 00:27:32,000 Speaker 1: because that's how I am with this one. Renee's the 473 00:27:32,080 --> 00:27:36,320 Speaker 1: mad alias Bowen. Yeah, it's a heavy burden, but just 474 00:27:36,440 --> 00:27:41,080 Speaker 1: so you know, it's joyful life. Rene my back, it's like, 475 00:27:41,840 --> 00:27:44,560 Speaker 1: oh my god, Like you know, sometimes I like say 476 00:27:44,720 --> 00:27:47,200 Speaker 1: nick names from other people though you do? Yeah, yeah, 477 00:27:47,240 --> 00:27:50,600 Speaker 1: I actually stole you stole that one, did, Yeah, from 478 00:27:50,640 --> 00:27:53,280 Speaker 1: my best friend from from the Sisterhood. That's a real 479 00:27:53,359 --> 00:27:57,560 Speaker 1: millennial joke. Yeah, that's the millennial joke now, and don't 480 00:27:57,560 --> 00:28:03,280 Speaker 1: worry about it anyway, don't worry. I loved it, Sisterhood. 481 00:28:04,400 --> 00:28:06,760 Speaker 1: I love the joke. I love the reference. I loved 482 00:28:08,640 --> 00:28:13,760 Speaker 1: And now there's multiple ones though, can I bring up 483 00:28:13,760 --> 00:28:16,640 Speaker 1: the other one? What's the other one? Yes? Oh yeah, 484 00:28:16,680 --> 00:28:24,040 Speaker 1: there's a little yet, yeh. I say, y'all, when you 485 00:28:24,200 --> 00:28:28,399 Speaker 1: love someone, you can call them anything that's not like me, 486 00:28:28,800 --> 00:28:30,000 Speaker 1: you know what I mean? When you love some one 487 00:28:30,080 --> 00:28:33,680 Speaker 1: like both Bowen will be bobis bobiseet. Sometimes he'll just 488 00:28:33,720 --> 00:28:37,880 Speaker 1: be another name like Cheryl or Lauren, and then sometimes 489 00:28:37,920 --> 00:28:43,280 Speaker 1: he'll be Ritaina, Trina. That's just my mom's name of Regina. 490 00:28:43,520 --> 00:28:46,200 Speaker 1: Something I like for about when is Collette. I love 491 00:28:46,400 --> 00:28:50,680 Speaker 1: to reard to bonas Collette's. Yeah, and so there's just 492 00:28:50,800 --> 00:28:53,040 Speaker 1: many different things you can call someone that you love. 493 00:28:53,560 --> 00:28:55,640 Speaker 1: We have a friend named Leanne who's my best one 494 00:28:55,680 --> 00:28:58,360 Speaker 1: from college, who we referred to as Vivian just because 495 00:28:58,760 --> 00:29:04,239 Speaker 1: you know, my good But when when we wake up 496 00:29:04,240 --> 00:29:06,640 Speaker 1: in the morning, I like some it depends on how 497 00:29:06,760 --> 00:29:10,000 Speaker 1: good we're feeling. Like. I'll usually like hit Leah, I'll 498 00:29:10,040 --> 00:29:12,920 Speaker 1: be like, good morning, my little muffin pussy princess. How 499 00:29:13,200 --> 00:29:17,320 Speaker 1: I'm like, let let's start go baby clean? So much? Yes, yes, 500 00:29:18,160 --> 00:29:21,440 Speaker 1: it truly communicates so many ideas, like what if Matt 501 00:29:21,480 --> 00:29:23,680 Speaker 1: text me and goes hi Grisha, I'm like, I know 502 00:29:23,800 --> 00:29:29,200 Speaker 1: what mood he is, g r e C I a 503 00:29:29,400 --> 00:29:35,240 Speaker 1: Grisa and I don't know that, but I know that. Yeah, 504 00:29:35,320 --> 00:29:37,760 Speaker 1: well you know, let's I want to like really like 505 00:29:37,920 --> 00:29:40,320 Speaker 1: comfiently for a second. You do know that, babe, I 506 00:29:40,480 --> 00:29:48,400 Speaker 1: know that I don't know that. Oh yeah, what was 507 00:29:48,520 --> 00:29:51,320 Speaker 1: the and this is this is a big moment. What 508 00:29:51,520 --> 00:29:55,040 Speaker 1: was the culture that made you say culture was for you? 509 00:29:55,240 --> 00:29:58,360 Speaker 1: It is your time to answer the question. Oh my gosh, Okay, 510 00:29:58,400 --> 00:30:01,040 Speaker 1: there were many things I'm trying to down. I I 511 00:30:01,440 --> 00:30:04,320 Speaker 1: really have thought about this a lot. Okay, there's two things. 512 00:30:04,720 --> 00:30:09,120 Speaker 1: The first thing, you know me. The first is extreme 513 00:30:09,160 --> 00:30:15,000 Speaker 1: makeover home edition. Move that bus. People lives were changed 514 00:30:15,440 --> 00:30:18,040 Speaker 1: because people don't say that, and that's a real culture. 515 00:30:18,200 --> 00:30:23,800 Speaker 1: That's really what was that again? When that bus moved, 516 00:30:24,000 --> 00:30:27,400 Speaker 1: people with lives were changed. I completely agree, could not 517 00:30:27,480 --> 00:30:29,680 Speaker 1: agree more. My life has changed when that bus moved 518 00:30:30,000 --> 00:30:32,200 Speaker 1: every single time, every time, and now that's how I 519 00:30:32,240 --> 00:30:34,120 Speaker 1: see the world. I'm like, oh, there's a problem. Just 520 00:30:34,200 --> 00:30:37,760 Speaker 1: move that bus. Yeah, just move that bus. Well, if 521 00:30:37,800 --> 00:30:40,040 Speaker 1: you do the work, you can move the bus. But 522 00:30:40,120 --> 00:30:42,000 Speaker 1: if you haven't done the work and you move the bus, 523 00:30:42,080 --> 00:30:44,120 Speaker 1: it's going to be the same image, the same old 524 00:30:44,240 --> 00:30:47,520 Speaker 1: shabby house. It takes a community, it takes a community 525 00:30:47,560 --> 00:30:52,400 Speaker 1: coming together, right. So that's the first thing that person 526 00:30:52,520 --> 00:30:56,440 Speaker 1: that can actually I'm sick. The second would be, um, 527 00:30:56,560 --> 00:30:58,400 Speaker 1: there's a mode that I was gifted when I was 528 00:30:58,520 --> 00:31:02,720 Speaker 1: ten and it was beyond says uh. The Beyonce Experience 529 00:31:02,800 --> 00:31:05,640 Speaker 1: live her performance on her birthday at what was formerly 530 00:31:05,680 --> 00:31:07,760 Speaker 1: known as a Staple Center in two thousand and seven. 531 00:31:08,280 --> 00:31:11,040 Speaker 1: That is like a two hour long, just full pro 532 00:31:11,160 --> 00:31:14,800 Speaker 1: shot of her concert. That's about seven costume changes in 533 00:31:15,120 --> 00:31:18,440 Speaker 1: there's a dream Girls section. Jay Z comes out, Michelle 534 00:31:18,480 --> 00:31:20,760 Speaker 1: and Kelly come out, like it just when I tell you, 535 00:31:20,880 --> 00:31:23,800 Speaker 1: ten year old me watched that on a loop maybe 536 00:31:23,880 --> 00:31:27,560 Speaker 1: once a week, impossitive. I remember this one because this 537 00:31:27,680 --> 00:31:29,400 Speaker 1: was this was when dream Girls was like just the 538 00:31:29,480 --> 00:31:31,080 Speaker 1: year before, and it was like a moment and it 539 00:31:31,200 --> 00:31:33,440 Speaker 1: was like, I remember she was referring to referring to 540 00:31:33,520 --> 00:31:36,080 Speaker 1: it at the time as the role of her career. Yes, 541 00:31:36,920 --> 00:31:40,400 Speaker 1: and he turned twenty six. Can you think about that? 542 00:31:42,360 --> 00:31:44,520 Speaker 1: And that just that made me who I am? I 543 00:31:44,560 --> 00:31:46,920 Speaker 1: think that's crazy? Yeah, I mean, that's that. The thing 544 00:31:47,000 --> 00:31:50,400 Speaker 1: about that era is that when it was truly leveling 545 00:31:50,480 --> 00:31:52,640 Speaker 1: up and we did not know how many times it would, 546 00:31:53,080 --> 00:31:55,600 Speaker 1: but that was like we've been calling her like the 547 00:31:55,720 --> 00:32:00,360 Speaker 1: greatest entertainer that's alive since even before that, like like 548 00:32:00,760 --> 00:32:03,760 Speaker 1: two six, it really started and then it was like 549 00:32:07,480 --> 00:32:11,560 Speaker 1: gets disrespected, disrespected? It does? It does The new discography 550 00:32:11,640 --> 00:32:13,360 Speaker 1: like kind of makes people think that the day is 551 00:32:13,400 --> 00:32:15,600 Speaker 1: not number one and they will always one, which is 552 00:32:15,640 --> 00:32:18,480 Speaker 1: they forget about ringing the alarm, they forget they forget 553 00:32:18,480 --> 00:32:22,960 Speaker 1: about freakum dress. They forget, they forget. Get me body, 554 00:32:23,360 --> 00:32:29,400 Speaker 1: Get me body body. Yeah, the extended version also the 555 00:32:29,720 --> 00:32:33,520 Speaker 1: one on on the live recorded like two thousand and 556 00:32:33,680 --> 00:32:37,120 Speaker 1: one year was that eleven? I think, Okay, I'm from Houston. 557 00:32:37,160 --> 00:32:41,920 Speaker 1: Beyonce is like my god, so I don't imagine that's 558 00:32:41,960 --> 00:32:43,800 Speaker 1: my thing. And I was in Dubai, but I won't 559 00:32:43,800 --> 00:32:46,600 Speaker 1: go into that. I won't speak on that for the record. 560 00:32:46,640 --> 00:32:48,840 Speaker 1: I was in Dubai. You you were in Dubai for 561 00:32:48,880 --> 00:32:56,240 Speaker 1: the performance I was, baby, you were in concert? Was there? 562 00:32:56,960 --> 00:32:59,520 Speaker 1: But you can you can't talk about it? No, I 563 00:32:59,560 --> 00:33:03,280 Speaker 1: mean it's controversy. What do you mean to talk about 564 00:33:03,320 --> 00:33:06,160 Speaker 1: it because of the controversial Okay, here's the deal here. 565 00:33:06,200 --> 00:33:08,160 Speaker 1: Of course, I thought we were going to mention all 566 00:33:08,240 --> 00:33:12,080 Speaker 1: on lost Coach. I guess not. I guess even gets afraid. 567 00:33:13,200 --> 00:33:15,320 Speaker 1: I guess. I guess you will never walk up to 568 00:33:15,520 --> 00:33:17,960 Speaker 1: HBO exact and say I don't know man, because you 569 00:33:18,000 --> 00:33:26,240 Speaker 1: couldn't even walk up too. I could do it. I could. 570 00:33:27,200 --> 00:33:30,400 Speaker 1: We'd be here all day, baby, strip away that come on. 571 00:33:31,320 --> 00:33:34,520 Speaker 1: Here's the deal, the no phones rule. I have a 572 00:33:34,560 --> 00:33:38,400 Speaker 1: theory about it, Okay. My theory is that there was 573 00:33:38,440 --> 00:33:40,960 Speaker 1: an intentional. What they gave you to put your phone 574 00:33:41,000 --> 00:33:42,840 Speaker 1: in was a zipper pouch, like a pencil pouch that 575 00:33:42,840 --> 00:33:45,400 Speaker 1: you would use in middle school. Right. There was no lock. 576 00:33:45,480 --> 00:33:48,200 Speaker 1: There was no yonder, no blue, no nothing. It was 577 00:33:48,360 --> 00:33:50,120 Speaker 1: a ziplock bag that said, hey, put your phone in 578 00:33:50,120 --> 00:33:51,600 Speaker 1: there for the show. Of course you're not going to 579 00:33:51,720 --> 00:33:53,959 Speaker 1: keep your it was it was it was to give 580 00:33:54,000 --> 00:33:56,200 Speaker 1: people talk. No, no, it was a fabric. It was 581 00:33:56,720 --> 00:34:00,160 Speaker 1: either the hotel was like leak it girl at a 582 00:34:00,200 --> 00:34:03,640 Speaker 1: press for us, or yourself was like this will be 583 00:34:03,760 --> 00:34:06,120 Speaker 1: good for because I'm not doing any renaissance babe, like 584 00:34:06,200 --> 00:34:09,600 Speaker 1: build up the hype for the tour. Both are so true. 585 00:34:10,400 --> 00:34:13,359 Speaker 1: It was when you will not be silenced. No, I'm 586 00:34:13,400 --> 00:34:15,920 Speaker 1: really glad that you're taking this opportunity. And that's all 587 00:34:15,920 --> 00:34:18,640 Speaker 1: I say about I didn't know there. I did not 588 00:34:18,760 --> 00:34:20,960 Speaker 1: know that. Yeah, there was. They had like a letter 589 00:34:21,040 --> 00:34:24,239 Speaker 1: in your rooms that said, like for tonight's VIP performance, 590 00:34:24,320 --> 00:34:26,520 Speaker 1: like please be your phone's way, and then on the 591 00:34:26,640 --> 00:34:28,880 Speaker 1: night you're sitting in like a restaurant dud. I was 592 00:34:28,920 --> 00:34:31,160 Speaker 1: the craziest experience in my life and I'll never forget. 593 00:34:31,320 --> 00:34:33,839 Speaker 1: It was just weird. Go put at a table at 594 00:34:33,920 --> 00:34:39,359 Speaker 1: dinner with Tassia the bachelorette for her mother. Like they 595 00:34:39,440 --> 00:34:41,400 Speaker 1: just paired us with two random people and it happened 596 00:34:41,400 --> 00:34:47,960 Speaker 1: to be Tasia and her mother. So imagine imagine being 597 00:34:48,080 --> 00:34:56,919 Speaker 1: me in center myself really quick. No, imagine the white 598 00:34:56,960 --> 00:35:01,560 Speaker 1: bisexual speak. I was, so, I'm in Europe and I'm 599 00:35:01,600 --> 00:35:05,799 Speaker 1: getting like real time updates from Leia and like every 600 00:35:05,880 --> 00:35:07,960 Speaker 1: now and again, like I would get updates, and I 601 00:35:08,080 --> 00:35:11,120 Speaker 1: was like, I wonder if I should call someone, like 602 00:35:11,239 --> 00:35:13,399 Speaker 1: if this is a call for help. But I knew 603 00:35:13,480 --> 00:35:16,360 Speaker 1: things were okay. When I got a video of Aliah 604 00:35:16,400 --> 00:35:24,480 Speaker 1: and Taitia, I was like, oh, yeah, anything I could 605 00:35:24,480 --> 00:35:28,000 Speaker 1: have ever met. It was so unbelievably fancy for no reason. 606 00:35:28,040 --> 00:35:30,320 Speaker 1: Like you're sitting at dinner, it's me, Thomas, Tashia and 607 00:35:30,360 --> 00:35:32,520 Speaker 1: her mother. A man walks up and he's like, I 608 00:35:32,560 --> 00:35:35,840 Speaker 1: will escort you to the performance now, and we're like, okay, 609 00:35:36,440 --> 00:35:39,000 Speaker 1: follow us. We follow this man through a quarter down 610 00:35:39,040 --> 00:35:41,360 Speaker 1: a hall. We're outside, we're inside, we're in an elevator, 611 00:35:41,400 --> 00:35:43,200 Speaker 1: we're up some stairs, like we don't know where we're going. 612 00:35:43,560 --> 00:35:45,880 Speaker 1: They hand us these like blue or pink pins that 613 00:35:45,960 --> 00:35:48,279 Speaker 1: we put on our lapels, and then a little bag 614 00:35:48,320 --> 00:35:50,600 Speaker 1: and they say put your phones away now, and they 615 00:35:50,680 --> 00:35:53,640 Speaker 1: walk us over and we're just sitting there. There's a 616 00:35:53,760 --> 00:35:56,440 Speaker 1: full stage obviously the phones have come out of the pouch, 617 00:35:56,480 --> 00:36:00,880 Speaker 1: like we're not right, but I have to make it 618 00:36:01,080 --> 00:36:04,400 Speaker 1: to the show my life Wow. And it was. It 619 00:36:04,480 --> 00:36:07,640 Speaker 1: was a great performance. It was incredible, and I personally 620 00:36:07,680 --> 00:36:09,360 Speaker 1: am such a fan that there was no renaissance, like 621 00:36:09,480 --> 00:36:11,960 Speaker 1: I want to see renaissance when I see Yeah, I agree, 622 00:36:12,760 --> 00:36:16,040 Speaker 1: agree saying I care, I want to hear. I want 623 00:36:16,040 --> 00:36:19,400 Speaker 1: to hear thank you. I want to thank you. And 624 00:36:19,520 --> 00:36:22,560 Speaker 1: she's not gonna sing like a queer ass motherfucking album 625 00:36:22,760 --> 00:36:26,759 Speaker 1: in du bob, you know what I'm saying. Yeah, Yeah, 626 00:36:27,080 --> 00:36:31,160 Speaker 1: she knew, she knew. And there's something about just seeing 627 00:36:31,280 --> 00:36:36,920 Speaker 1: that woman live truly, you are fucking floating above yourself 628 00:36:37,000 --> 00:36:41,080 Speaker 1: the entire damn time. How many times have you seen her? Like? 629 00:36:41,239 --> 00:36:43,960 Speaker 1: What was this in the grand scheme of like Beyonce 630 00:36:44,160 --> 00:36:48,880 Speaker 1: Live for You? This was for I'm refused in girls 631 00:36:49,000 --> 00:36:52,120 Speaker 1: like her album? Yeah no, no, no, Like how many 632 00:36:52,160 --> 00:36:53,560 Speaker 1: times I've seen that? I know, I know, but I'm 633 00:36:53,600 --> 00:36:56,760 Speaker 1: saying the same number as her album Also A second 634 00:36:56,880 --> 00:37:00,760 Speaker 1: to be Day for me? Actually before from it's Beyonce 635 00:37:00,960 --> 00:37:04,880 Speaker 1: self titled for and then I do. I am a 636 00:37:04,960 --> 00:37:08,000 Speaker 1: Lemonade fan like, but it gets hard because the thing 637 00:37:08,080 --> 00:37:12,640 Speaker 1: is like I love b Day, but does it does 638 00:37:12,719 --> 00:37:15,000 Speaker 1: exist to the bottom for me, not because any disrespect 639 00:37:15,040 --> 00:37:17,279 Speaker 1: to be there, but because our other work is so 640 00:37:17,440 --> 00:37:24,480 Speaker 1: fucking good. Wow, that's that's that's interesting. There's not a 641 00:37:24,520 --> 00:37:27,920 Speaker 1: disrespectful word. And what I said, you look for it 642 00:37:28,000 --> 00:37:40,600 Speaker 1: with the biggest magnifying glass and America disrespecting. No, I didn't. Okay, 643 00:37:40,760 --> 00:37:43,239 Speaker 1: before we ask Garna the question, congrats on this tour. 644 00:37:43,960 --> 00:37:47,000 Speaker 1: How has it been? These shows look incredible and of 645 00:37:47,080 --> 00:37:51,839 Speaker 1: course because the songs are stunning, Oh my god, it's 646 00:37:51,840 --> 00:37:54,400 Speaker 1: been so much fun. I kind of always have imagined 647 00:37:54,560 --> 00:37:58,600 Speaker 1: like what like live shows and performances in my body 648 00:37:58,680 --> 00:38:02,320 Speaker 1: of work would look like, but um, actually doing it 649 00:38:02,600 --> 00:38:07,160 Speaker 1: is a completely different fucking beast because A I like 650 00:38:07,480 --> 00:38:11,120 Speaker 1: overheat like really often, and I wasn't really thinking about that. 651 00:38:11,400 --> 00:38:14,400 Speaker 1: It was like a fashion over comfort like sort of 652 00:38:14,480 --> 00:38:17,759 Speaker 1: tour for me. A lot of trench coats, a lot 653 00:38:17,840 --> 00:38:21,120 Speaker 1: of sweater. Yeah, and like there was a sweater in Boston. 654 00:38:21,120 --> 00:38:22,960 Speaker 1: I know this isn't interact with the question, but like, 655 00:38:24,200 --> 00:38:28,080 Speaker 1: this is like a specific it's giving having been styled yes, 656 00:38:28,239 --> 00:38:32,200 Speaker 1: and the sweater in Boston actually blinded me and then 657 00:38:32,280 --> 00:38:34,880 Speaker 1: I started choking on it because it was it was 658 00:38:35,080 --> 00:38:38,320 Speaker 1: shedding and it was shedding, and I actually I was 659 00:38:38,400 --> 00:38:41,879 Speaker 1: like if I pass out right now, that I kind 660 00:38:41,920 --> 00:38:44,759 Speaker 1: of a moment, and so I kept going because I 661 00:38:44,760 --> 00:38:52,040 Speaker 1: would have been concerned dead on the stage. Didn't be dead? 662 00:38:52,160 --> 00:38:55,960 Speaker 1: How is she like own iconic post And this was 663 00:38:56,040 --> 00:38:58,120 Speaker 1: my moment, Like I was like, I have to pass out. 664 00:38:58,200 --> 00:38:59,840 Speaker 1: So I was like, let me keep going. But I 665 00:39:00,000 --> 00:39:03,320 Speaker 1: also has a live standing witnessing this happened. Yeah, I 666 00:39:03,480 --> 00:39:05,320 Speaker 1: was concerned. No, well, and then so I brought a 667 00:39:05,400 --> 00:39:07,759 Speaker 1: Leah up on stage with me because you know, at 668 00:39:07,880 --> 00:39:11,160 Speaker 1: the point, I'm like how much more can I go? Right? 669 00:39:11,400 --> 00:39:15,080 Speaker 1: And also would it be even cuntier if like I 670 00:39:15,200 --> 00:39:17,359 Speaker 1: pass out on stage and you witness my best friend 671 00:39:17,480 --> 00:39:20,719 Speaker 1: maybe watch me like potentially lose my life like you 672 00:39:21,520 --> 00:39:24,399 Speaker 1: would have cried upon? No, it was upon and a ploy. 673 00:39:24,760 --> 00:39:27,040 Speaker 1: I do agree that I do agree that if I 674 00:39:27,160 --> 00:39:29,399 Speaker 1: ever start to die, bow and should be there because 675 00:39:29,440 --> 00:39:30,920 Speaker 1: they can get it on tape and that can go 676 00:39:31,520 --> 00:39:35,840 Speaker 1: the other way. But it also would have been iconic. 677 00:39:36,040 --> 00:39:39,440 Speaker 1: Renee how do you like lost your life there on 678 00:39:39,560 --> 00:39:42,279 Speaker 1: stage and there's a moment of Aliyah sort of having 679 00:39:42,320 --> 00:39:44,440 Speaker 1: intense grief and then she goes over to the mic 680 00:39:44,520 --> 00:39:51,160 Speaker 1: and just goes, don't tell mamma, and to be clear, yeah, 681 00:39:53,239 --> 00:39:55,960 Speaker 1: starts acoustic and everyone's sort of like, oh my god. 682 00:39:56,040 --> 00:39:59,920 Speaker 1: Wait yeah, but also to because I also would have 683 00:40:00,120 --> 00:40:05,200 Speaker 1: left on the state like I would I would do. 684 00:40:05,960 --> 00:40:15,160 Speaker 1: It's given the last of us, Like it's like I 685 00:40:15,280 --> 00:40:17,360 Speaker 1: want to be there, you know, like put me in 686 00:40:17,400 --> 00:40:22,520 Speaker 1: a little coma. Oh my god. So anyway, you're slaying 687 00:40:22,600 --> 00:40:27,360 Speaker 1: the tour. The EP is fucking great. I mean Colorado is, 688 00:40:27,440 --> 00:40:30,120 Speaker 1: like I think, maybe my favorite. But that in Colorado 689 00:40:31,440 --> 00:40:33,239 Speaker 1: Bone came out from my show that I was doing 690 00:40:33,280 --> 00:40:36,239 Speaker 1: in Colorado and we were spending Colorado. We really were. 691 00:40:38,920 --> 00:40:41,759 Speaker 1: But what was the culture that made you were? N 692 00:40:41,960 --> 00:40:44,520 Speaker 1: raps aid culture was for you. I attribute so much 693 00:40:44,600 --> 00:40:50,600 Speaker 1: of my personality, my empathy, my lack thereof my cunt, 694 00:40:50,960 --> 00:40:57,640 Speaker 1: my obsessive everything is about me nature to this specifically 695 00:40:57,840 --> 00:41:01,279 Speaker 1: as a kid. Two moments for me, they're both going 696 00:41:01,320 --> 00:41:06,600 Speaker 1: to be housewives, franchise moment love and go off before 697 00:41:06,680 --> 00:41:10,920 Speaker 1: you go there, No, thank you again for giving me 698 00:41:11,000 --> 00:41:14,000 Speaker 1: the space, permission to go off the first big moment 699 00:41:14,200 --> 00:41:17,200 Speaker 1: because I, as a kid with anger issues, used to 700 00:41:17,280 --> 00:41:22,279 Speaker 1: throw a lot of ship and really, yeah, was everybody sure? Um? 701 00:41:23,600 --> 00:41:26,520 Speaker 1: Did anybody fight me back? Yeah? They did, Yeah they did. 702 00:41:26,800 --> 00:41:29,640 Speaker 1: So never forget where I was or how I felt 703 00:41:29,800 --> 00:41:36,680 Speaker 1: when Teresa Judy cha table, Yeah that was that was 704 00:41:36,880 --> 00:41:40,320 Speaker 1: the conversation in the rap household, the whole family talking 705 00:41:40,360 --> 00:41:43,000 Speaker 1: about it, the whole family, because it was like it 706 00:41:43,080 --> 00:41:45,640 Speaker 1: was a family there, like such a big moment because 707 00:41:45,640 --> 00:41:48,719 Speaker 1: I was like internally like young Renee is like wow, 708 00:41:48,800 --> 00:41:55,680 Speaker 1: that must have been such a relief, like unbridled physicalization 709 00:41:55,880 --> 00:42:02,120 Speaker 1: of your anger. Ala taught me unbridled and bridle. I 710 00:42:02,200 --> 00:42:05,680 Speaker 1: love when I hear it, no bridle, no zero briden. 711 00:42:08,000 --> 00:42:13,839 Speaker 1: And then the other one is madam okay keny more 712 00:42:16,440 --> 00:42:19,279 Speaker 1: and it's the twirl, It's the gone with the wind 713 00:42:19,360 --> 00:42:22,640 Speaker 1: facil It's always going to sit with me like that, 714 00:42:22,800 --> 00:42:26,240 Speaker 1: because again, these I understand, these are both like fighting moments. 715 00:42:26,320 --> 00:42:28,880 Speaker 1: I don't know what that is saying about me. I 716 00:42:28,920 --> 00:42:31,239 Speaker 1: don't know what it's not saying. I think it's more 717 00:42:31,320 --> 00:42:35,320 Speaker 1: like what's between the lines here. People were taking their space. 718 00:42:35,520 --> 00:42:38,880 Speaker 1: They were and hello, I was throwing things. Okay, she 719 00:42:38,920 --> 00:42:40,480 Speaker 1: said she was gone with the wind fibulars, and I 720 00:42:40,600 --> 00:42:44,320 Speaker 1: was like, you're so like ridiculous and also like really 721 00:42:44,480 --> 00:42:51,320 Speaker 1: anti what you're saying. Yet perfect and years later still 722 00:42:51,680 --> 00:42:55,279 Speaker 1: I think maybe the bar setter for maybe even what 723 00:42:55,400 --> 00:42:57,319 Speaker 1: it means to be a housewife. I would say Keny 724 00:42:57,400 --> 00:43:00,600 Speaker 1: Moore isn't top ten. I agree, she really has sucking 725 00:43:00,920 --> 00:43:03,160 Speaker 1: And I was, I wasn't like a super big like 726 00:43:03,280 --> 00:43:08,480 Speaker 1: Kenya person in the beginning because very specific, like I'm 727 00:43:08,600 --> 00:43:10,839 Speaker 1: like an o G person like when new people come 728 00:43:10,880 --> 00:43:15,080 Speaker 1: in and I'm like, yeah, yeah, she really ate speaking 729 00:43:15,160 --> 00:43:18,600 Speaker 1: of new people. And you're going we briefly touched on 730 00:43:18,640 --> 00:43:20,719 Speaker 1: the watch What Happens Live of it All where you 731 00:43:21,160 --> 00:43:24,520 Speaker 1: were sitting next to Mia fucking Thornton herself had to 732 00:43:24,560 --> 00:43:28,160 Speaker 1: give you your problem because and I actually I was. 733 00:43:28,239 --> 00:43:31,040 Speaker 1: I was on it like two weeks after you with Candy, 734 00:43:31,719 --> 00:43:35,319 Speaker 1: and I literally I meant to say on the show, 735 00:43:35,880 --> 00:43:39,040 Speaker 1: shout out to Renee rap who deserves an Emmy for 736 00:43:39,239 --> 00:43:44,719 Speaker 1: Best Guests in a Drama for her performance pretending that 737 00:43:44,920 --> 00:43:47,840 Speaker 1: she was down with me a Thornton's antics. Thank you 738 00:43:47,960 --> 00:43:51,239 Speaker 1: so much, because let me motherfucking tell you Okay, get 739 00:43:51,360 --> 00:43:53,600 Speaker 1: this is what I'm saying. This is your Dubai moment, 740 00:43:53,719 --> 00:43:59,719 Speaker 1: this is your The NBA has been removed. Girl. Hi, 741 00:44:00,320 --> 00:44:04,520 Speaker 1: so girl, I literally like when we were talking about 742 00:44:04,560 --> 00:44:07,400 Speaker 1: doing Housewives, that was like doing housewives, doing Watch what 743 00:44:07,480 --> 00:44:11,560 Speaker 1: Happens Life? Right, that was like my my dream the 744 00:44:11,640 --> 00:44:14,440 Speaker 1: whole life, Like there's for me. There's like a ego 745 00:44:14,600 --> 00:44:20,200 Speaker 1: to it, and the w is watch what it's and 746 00:44:20,280 --> 00:44:24,480 Speaker 1: so it's a go I'm sorry, type back out, I misspoke, 747 00:44:24,640 --> 00:44:27,919 Speaker 1: You're right. I really wanted to do it so bad 748 00:44:28,000 --> 00:44:30,080 Speaker 1: and they were like at first it was supposed to 749 00:44:30,160 --> 00:44:33,320 Speaker 1: be canvas Matt, and I was like, oh no, I 750 00:44:33,400 --> 00:44:34,919 Speaker 1: swear to god. I was like, well that's my bitch, 751 00:44:35,040 --> 00:44:38,120 Speaker 1: like done. Like also like hello, the music industry on 752 00:44:38,239 --> 00:44:46,200 Speaker 1: her shoulders, let's be really drive back. So the box 753 00:44:46,320 --> 00:44:48,920 Speaker 1: of the year, the record of the year. Hello, And 754 00:44:49,080 --> 00:44:50,920 Speaker 1: so I was like, okay, well, what's gonna be me? 755 00:44:50,960 --> 00:44:52,200 Speaker 1: And can't it is amazing? And then there was like 756 00:44:52,280 --> 00:44:55,480 Speaker 1: a change, there was a shift, a shift in the 757 00:44:55,520 --> 00:44:58,600 Speaker 1: fucking set well and then all of us like, oh, 758 00:44:58,640 --> 00:44:59,800 Speaker 1: well who is it and they're like it's me a 759 00:44:59,840 --> 00:45:04,360 Speaker 1: thor now like radio silence, radio science. I think I 760 00:45:04,440 --> 00:45:07,239 Speaker 1: forbade him said. I was like, there's no fun, but 761 00:45:10,080 --> 00:45:15,399 Speaker 1: because like I again, I'm very actually didn't say that yet, 762 00:45:15,440 --> 00:45:17,160 Speaker 1: but I'll bring it up again. I feel like I'm 763 00:45:17,280 --> 00:45:20,680 Speaker 1: very judgmental, especially the housewives, right, well that's kind of 764 00:45:20,840 --> 00:45:25,400 Speaker 1: part and Parcel I didn't die and breathe for these women, 765 00:45:26,160 --> 00:45:30,360 Speaker 1: and I don't fucking like her on the show, to 766 00:45:30,560 --> 00:45:32,440 Speaker 1: be clear, And so the whole night, I'm like, what 767 00:45:32,560 --> 00:45:34,239 Speaker 1: am I about to say? Because although I don't want 768 00:45:34,239 --> 00:45:37,080 Speaker 1: to disrespect you, like in a working environment, like I'm sure, 769 00:45:38,520 --> 00:45:41,439 Speaker 1: yeah I am, so I ask anybody one thing they'll 770 00:45:41,440 --> 00:45:45,600 Speaker 1: tell you about me is I'm rational. And we found 771 00:45:45,640 --> 00:45:47,560 Speaker 1: that out really when you were like we show up, 772 00:45:48,200 --> 00:45:53,200 Speaker 1: that's it. That's it there. And also this is something 773 00:45:53,280 --> 00:45:55,080 Speaker 1: that I said that actually was so true. And this 774 00:45:55,280 --> 00:45:57,360 Speaker 1: was like my recurring thing throughout the night, like this 775 00:45:57,520 --> 00:45:59,520 Speaker 1: is all I said in different fonts. I was like, 776 00:46:00,120 --> 00:46:04,040 Speaker 1: I love your kids. Yeah, yeah, so cute, and you 777 00:46:04,080 --> 00:46:06,320 Speaker 1: know what, not you didn't tell a lie. And I 778 00:46:06,400 --> 00:46:08,759 Speaker 1: will say the one thing and I even said that 779 00:46:08,800 --> 00:46:10,239 Speaker 1: I think bow When I was texting, I was like, 780 00:46:10,600 --> 00:46:13,960 Speaker 1: Renee Wrap is sort of slaying at sort of letting 781 00:46:14,120 --> 00:46:17,759 Speaker 1: us think maybe she's down with me because but I 782 00:46:17,840 --> 00:46:21,160 Speaker 1: knew intrinsically you can't be because I didn't. You didn't 783 00:46:21,200 --> 00:46:25,759 Speaker 1: seem to me like a crazy person. You don't know that. Also, 784 00:46:25,880 --> 00:46:27,799 Speaker 1: there's like there's like a part on the show where 785 00:46:27,840 --> 00:46:30,439 Speaker 1: like I was really trying to like be like chill 786 00:46:30,640 --> 00:46:33,200 Speaker 1: or whatever, and it doesn't cut to my face in 787 00:46:33,280 --> 00:46:36,360 Speaker 1: this moment. But she said on the show she basically 788 00:46:36,440 --> 00:46:40,640 Speaker 1: started like body shaming Robin, and I got I got 789 00:46:40,719 --> 00:46:42,400 Speaker 1: piste off. She said something about like she was like, well, 790 00:46:42,400 --> 00:46:44,840 Speaker 1: you know, Robin is built like Dada, And I was like, 791 00:46:46,640 --> 00:46:49,520 Speaker 1: remember she said this, like you just became scum of 792 00:46:49,560 --> 00:46:55,200 Speaker 1: the earth to me, bitch, she's all became. She's done. Beniah, 793 00:46:55,239 --> 00:46:58,800 Speaker 1: do you agree with this? Listen? I like PiZZ personally, 794 00:46:59,760 --> 00:47:02,600 Speaker 1: so not me. Not me. This also makes me the 795 00:47:02,640 --> 00:47:05,120 Speaker 1: renee because I was on there all week after being 796 00:47:05,200 --> 00:47:08,640 Speaker 1: like I was burning Robin's family fun party down, the 797 00:47:08,719 --> 00:47:12,320 Speaker 1: family fun party. Yeah, Like I understand you. It was 798 00:47:12,360 --> 00:47:14,319 Speaker 1: just so mean. I was like, that's just like, ah, 799 00:47:15,120 --> 00:47:18,880 Speaker 1: that was sucked up. It was probably sucked up in 800 00:47:18,960 --> 00:47:23,359 Speaker 1: my presence. I was like yeah. I was like yeah, 801 00:47:23,640 --> 00:47:25,759 Speaker 1: and you know what, they probably they probably knew they 802 00:47:25,800 --> 00:47:27,120 Speaker 1: were looking in the control and when they were like, 803 00:47:27,160 --> 00:47:29,919 Speaker 1: oh that pisted Renee off, don't cut to Renee also 804 00:47:29,960 --> 00:47:31,759 Speaker 1: like it also like t like it would have been 805 00:47:31,840 --> 00:47:36,799 Speaker 1: funnier if you catch me, I think, but absolutely looking 806 00:47:36,840 --> 00:47:40,439 Speaker 1: for comedy. He's got the reactions. These are all great 807 00:47:40,440 --> 00:47:42,960 Speaker 1: answers from both of you. I feel like there is 808 00:47:43,040 --> 00:47:46,920 Speaker 1: an interesting moment with these housewives, moments being sort of 809 00:47:47,000 --> 00:47:49,919 Speaker 1: anger centered. Can I ask what your relationship with anger 810 00:47:50,040 --> 00:48:02,360 Speaker 1: is now? Question? So I it's important because because I'll go, 811 00:48:02,480 --> 00:48:04,560 Speaker 1: I'll go. I was kind of I have like some 812 00:48:04,680 --> 00:48:08,480 Speaker 1: anger set for sure. There are shouting matches with the 813 00:48:08,560 --> 00:48:12,360 Speaker 1: family that would make your head spinet all three of you. 814 00:48:13,040 --> 00:48:16,879 Speaker 1: I get that, like truly, like I kind of don't 815 00:48:16,920 --> 00:48:20,000 Speaker 1: recognize myself and I get and Matt's seen me and 816 00:48:20,120 --> 00:48:23,719 Speaker 1: like you know, the Veneer crack, but like it's really 817 00:48:23,840 --> 00:48:27,399 Speaker 1: taken a lot of work to like fully move past. 818 00:48:27,560 --> 00:48:30,719 Speaker 1: I think I am mostly like beyond it. I don't know. 819 00:48:31,560 --> 00:48:34,879 Speaker 1: I can't like fully say that for myself, but I'm 820 00:48:35,080 --> 00:48:39,760 Speaker 1: curious about people who identify as having been angry maybe 821 00:48:39,800 --> 00:48:43,040 Speaker 1: in the past, and like how they have maybe progressed 822 00:48:43,080 --> 00:48:45,960 Speaker 1: from that if they want, if they would, like I'm 823 00:48:46,000 --> 00:48:49,680 Speaker 1: in the thick of it. I think so like my choice, 824 00:48:50,040 --> 00:48:53,720 Speaker 1: that's that's great, that's great. But yes, um, it's shifted 825 00:48:53,760 --> 00:48:56,000 Speaker 1: from the things that I get angry about. Right like 826 00:48:56,120 --> 00:48:59,279 Speaker 1: when I was a kid, I really really really frustrated, 827 00:48:59,480 --> 00:49:03,360 Speaker 1: and I like struggling a lot mentally, right and so like, 828 00:49:03,560 --> 00:49:07,160 Speaker 1: I have different areas of where my anger goes now. 829 00:49:07,239 --> 00:49:10,160 Speaker 1: My anger used to come like internally and then go externally. 830 00:49:10,640 --> 00:49:13,160 Speaker 1: Now I get an. This is also why Leah and 831 00:49:13,160 --> 00:49:15,839 Speaker 1: I are so good together. The story of it all 832 00:49:16,280 --> 00:49:20,759 Speaker 1: is going to be one of two things. One if 833 00:49:20,800 --> 00:49:24,680 Speaker 1: you disrespect someone I love, or you disrespect me, or 834 00:49:24,800 --> 00:49:27,319 Speaker 1: you think that you have any sort of agency over 835 00:49:27,440 --> 00:49:30,919 Speaker 1: my friend space or my space, you will you will 836 00:49:30,960 --> 00:49:34,000 Speaker 1: fucking hear about it. I don't care what space I'm in. 837 00:49:34,040 --> 00:49:36,959 Speaker 1: I don't care. Be it professional, be it familial, I don't. 838 00:49:37,000 --> 00:49:40,000 Speaker 1: I do not care. I love it, I love I 839 00:49:40,120 --> 00:49:42,279 Speaker 1: don't like. I don't like the sort of like, oh, 840 00:49:42,440 --> 00:49:45,440 Speaker 1: let's like keep it you know kosher here. Nope, that's 841 00:49:45,440 --> 00:49:47,759 Speaker 1: not working for me. So if that's the one way, 842 00:49:48,360 --> 00:49:52,319 Speaker 1: and Aliyah usually is, even if it's like, even if 843 00:49:52,360 --> 00:49:55,239 Speaker 1: it's something that has happened like to you or to 844 00:49:55,440 --> 00:49:59,880 Speaker 1: like one of our friends and like Elijah's like okay, okay, 845 00:50:00,360 --> 00:50:02,520 Speaker 1: like mother will send to me and bring me back down. 846 00:50:02,880 --> 00:50:05,480 Speaker 1: Now the b side of this, Elean, I like to 847 00:50:05,560 --> 00:50:09,759 Speaker 1: go out. We need to go out. Okay, when a 848 00:50:09,840 --> 00:50:15,000 Speaker 1: Lee and I go out, we do fight anyone I'm 849 00:50:15,080 --> 00:50:18,600 Speaker 1: having I'm talking to range, right, what fights, Let's go 850 00:50:18,640 --> 00:50:20,279 Speaker 1: to the range. Okay. There was an old woman in 851 00:50:21,000 --> 00:50:23,560 Speaker 1: oh she had a coming. She was in Chicago style, 852 00:50:23,800 --> 00:50:27,759 Speaker 1: she had a coming. Yeah, she was old Chicago. This 853 00:50:27,920 --> 00:50:30,680 Speaker 1: just happened to me. A Kimberly, a Kimbo Kimlia Kimbo. 854 00:50:30,760 --> 00:50:32,400 Speaker 1: The woman in front of me turned around. Me and 855 00:50:32,480 --> 00:50:35,280 Speaker 1: my friend Patrick were laughing because it was a funny, 856 00:50:35,320 --> 00:50:39,800 Speaker 1: fucking comedy musical comedy show. God for fucking bib and 857 00:50:39,920 --> 00:50:42,480 Speaker 1: she turns around and scolds us, and I honestly had 858 00:50:42,560 --> 00:50:45,200 Speaker 1: to like. It was a moment where I was like, look, 859 00:50:45,280 --> 00:50:47,440 Speaker 1: I understand there's like the respect your elders of it all, 860 00:50:47,520 --> 00:50:50,040 Speaker 1: but like, this is not tenable. This is not going 861 00:50:50,080 --> 00:50:56,680 Speaker 1: to be tenable in the world. I'm very publicly I 862 00:50:56,719 --> 00:51:01,600 Speaker 1: don't I don't respect your elders in me, neither any 863 00:51:01,760 --> 00:51:04,680 Speaker 1: sort of things surrounding me. You're done, So it ranges 864 00:51:04,719 --> 00:51:06,919 Speaker 1: from them. It's the moms. It's the moms. It's the moms. 865 00:51:07,880 --> 00:51:11,000 Speaker 1: That's what it is. Just became mother in that moment 866 00:51:11,080 --> 00:51:15,719 Speaker 1: with that therapy. Well was so mother now there, I 867 00:51:16,360 --> 00:51:19,120 Speaker 1: was sorry. I did not mean to cut you off 868 00:51:19,239 --> 00:51:22,520 Speaker 1: because these mothers didn't have it like you have it, Bowen. 869 00:51:22,719 --> 00:51:24,560 Speaker 1: No one's ever made that connection until right now. So 870 00:51:24,640 --> 00:51:26,239 Speaker 1: what the fuck? It's because Bowen is one of the 871 00:51:26,280 --> 00:51:34,360 Speaker 1: smartest women in America. That's so true. What I do, 872 00:51:34,560 --> 00:51:44,720 Speaker 1: Like Jackson Jordan herself, where are we going? Tonight's good series? 873 00:51:44,760 --> 00:51:49,480 Speaker 1: I couldn't remember. You said, what was it? Trina Truce? 874 00:51:49,680 --> 00:51:58,080 Speaker 1: Oh I love shar Truce, could be anything. Sharna cardamomu Sharna. Wait, 875 00:51:58,520 --> 00:52:01,200 Speaker 1: so the range is okay? There was an old woman. Yeahah, 876 00:52:01,320 --> 00:52:04,600 Speaker 1: she was just honestly, she just yeah, she was just right. 877 00:52:06,440 --> 00:52:08,640 Speaker 1: And just the girls at the club, you know what 878 00:52:08,719 --> 00:52:10,840 Speaker 1: I mean, like, oh my god, the girls at the 879 00:52:10,840 --> 00:52:13,160 Speaker 1: club that sometimes I don't have the patience that man 880 00:52:13,239 --> 00:52:18,479 Speaker 1: in Taco Bell in New York. Oh right, that's the club. Now, okay, 881 00:52:18,520 --> 00:52:21,040 Speaker 1: you're not talking about Canty. Another one in New York, 882 00:52:25,040 --> 00:52:26,840 Speaker 1: the one where you can get a cocky is Marisol 883 00:52:26,880 --> 00:52:31,080 Speaker 1: would say sure, a cocky, you know, like a cocktail. 884 00:52:31,120 --> 00:52:33,919 Speaker 1: What do you guys watch? You guys need to watch 885 00:52:34,320 --> 00:52:37,839 Speaker 1: with Miami. I don't want to talk to you guys. 886 00:52:37,920 --> 00:52:41,239 Speaker 1: I'm sorry. I don't think I can say I don't 887 00:52:41,320 --> 00:52:52,120 Speaker 1: like that cocky. You can't, my god, in my cock era, 888 00:52:53,000 --> 00:52:56,640 Speaker 1: if you're buying, you say cock you're not by No, 889 00:52:56,920 --> 00:52:59,839 Speaker 1: you're not by I actually by people don't say cop 890 00:53:00,040 --> 00:53:02,680 Speaker 1: You're so right, Thank you for bringing that up. I 891 00:53:02,719 --> 00:53:03,960 Speaker 1: want to come out right now. I want to come 892 00:53:03,960 --> 00:53:08,280 Speaker 1: out publicly. I want to come out as straight straight 893 00:53:08,960 --> 00:53:13,839 Speaker 1: no because you stay cough. Oh, I have a good thing. 894 00:53:13,920 --> 00:53:19,040 Speaker 1: They're going right, I know, I know. Back, I'm sorry. 895 00:53:19,360 --> 00:53:21,400 Speaker 1: I think it's just going to be that with zero 896 00:53:21,840 --> 00:53:34,040 Speaker 1: cock please, so that work straight with no car okay, okay, wait, 897 00:53:34,200 --> 00:53:35,719 Speaker 1: so you two like to go out, So then to 898 00:53:35,760 --> 00:53:38,080 Speaker 1: bring this full circle, you throw hands for each other. 899 00:53:38,120 --> 00:53:40,239 Speaker 1: You throw hands for each other, which I respect. I 900 00:53:40,480 --> 00:53:44,120 Speaker 1: would fight for Matt. I literally like, there's some guys 901 00:53:44,160 --> 00:53:50,479 Speaker 1: in bones life who if they ever if they ever 902 00:53:50,719 --> 00:53:53,080 Speaker 1: act away, they've acted in the past, They're going to 903 00:53:53,120 --> 00:53:56,200 Speaker 1: see Long Island pop all the way out. And when 904 00:53:56,239 --> 00:53:58,440 Speaker 1: I say Long Island pop all the way out, I 905 00:53:58,560 --> 00:54:00,960 Speaker 1: mean real male me. And then when it's about to 906 00:54:00,960 --> 00:54:09,200 Speaker 1: get physical, eyeback off. But you're just like immediately physical. 907 00:54:10,040 --> 00:54:12,320 Speaker 1: Oh my god, Nicky, I forgot about nick Well you 908 00:54:12,440 --> 00:54:15,359 Speaker 1: have time, it'll it'll come, Your chance will come. That's 909 00:54:15,360 --> 00:54:17,520 Speaker 1: gonna be her. I don't think so. Oh ship some 910 00:54:17,640 --> 00:54:23,360 Speaker 1: girl named went down in Miami tell us. Yeah, this 911 00:54:23,600 --> 00:54:27,359 Speaker 1: was not even We weren't out. We weren't We were 912 00:54:27,400 --> 00:54:29,520 Speaker 1: getting a car. We were getting a rental car. Mind 913 00:54:29,560 --> 00:54:32,680 Speaker 1: you at the Herb. Yeah, we were at the Herb. Yeah. 914 00:54:32,760 --> 00:54:37,080 Speaker 1: I want to Nicky. Nikki, if you're listening there, fucking 915 00:54:37,160 --> 00:54:40,759 Speaker 1: tune in. We're still not it. And I hope you 916 00:54:40,880 --> 00:54:43,160 Speaker 1: had a happy fucking New Year. So Nikki at the 917 00:54:43,239 --> 00:54:46,040 Speaker 1: Miami hurts something. One thing we've done on this podcast 918 00:54:46,120 --> 00:54:49,080 Speaker 1: many times is named people and their place of work. Yeah, 919 00:54:49,520 --> 00:54:52,960 Speaker 1: we have gotten for it. So just so Nikki at 920 00:54:52,960 --> 00:54:56,520 Speaker 1: the Miami hurts, how could she improve? No, they deserve this. Well, 921 00:54:56,960 --> 00:54:58,839 Speaker 1: there was an altercation that went on. There were quite 922 00:54:58,840 --> 00:55:01,480 Speaker 1: a few applications and we took different approaches. So different 923 00:55:01,560 --> 00:55:04,720 Speaker 1: here is our tactic as active. Okay, when one tactic 924 00:55:04,760 --> 00:55:09,239 Speaker 1: doesn't work, you choose another. Yeah, and you've got to 925 00:55:09,320 --> 00:55:12,000 Speaker 1: keep it going. So Nikki had a problem with the car. 926 00:55:12,080 --> 00:55:14,759 Speaker 1: We decided to drive often. She said, you can't take 927 00:55:14,840 --> 00:55:18,480 Speaker 1: that one. We said why, and she didn't really have 928 00:55:18,480 --> 00:55:21,920 Speaker 1: a reason. She had no real reason. She was just like, um, 929 00:55:22,160 --> 00:55:24,359 Speaker 1: that's not one that you can take. I said, that's 930 00:55:24,360 --> 00:55:25,839 Speaker 1: not gonna work for me. Girl. We're already in the car, 931 00:55:26,080 --> 00:55:28,000 Speaker 1: we're already pull we're trying to pull out. We're at 932 00:55:28,080 --> 00:55:30,400 Speaker 1: the gate. You know, all she've got to do is 933 00:55:30,520 --> 00:55:32,400 Speaker 1: press the button, lift the lever, and we're on our 934 00:55:32,440 --> 00:55:38,080 Speaker 1: merry way right. Yeah, she decides to halt traffic. There's 935 00:55:38,080 --> 00:55:40,799 Speaker 1: a line building up behind us. She said, I gotta 936 00:55:40,840 --> 00:55:44,200 Speaker 1: call my supervisor. You can't take the car. We decide 937 00:55:44,239 --> 00:55:48,439 Speaker 1: in that moment, literally with our friends, we decide, let's 938 00:55:48,480 --> 00:55:50,839 Speaker 1: employ every every pull every trick out of the bag. 939 00:55:51,080 --> 00:55:54,239 Speaker 1: Because also, I feel like most times, like I go 940 00:55:54,360 --> 00:55:56,360 Speaker 1: from zero to tend so quickly. And I was like, 941 00:55:56,480 --> 00:55:58,200 Speaker 1: I'm trying to be like a bit mature, like I'm 942 00:55:58,239 --> 00:56:00,040 Speaker 1: on a trip with my friends right now. Like I 943 00:56:00,160 --> 00:56:02,680 Speaker 1: was like, let me like until y'all are ready for 944 00:56:02,840 --> 00:56:05,879 Speaker 1: me to go, And that was the words that was used. 945 00:56:05,920 --> 00:56:07,239 Speaker 1: Renee was in the back seat. I was in the 946 00:56:07,280 --> 00:56:09,960 Speaker 1: front seat. Our friend Thomas was He's so he was 947 00:56:10,000 --> 00:56:12,239 Speaker 1: negotiating right like he was giving her, well, you know, 948 00:56:12,320 --> 00:56:14,279 Speaker 1: I have the receipt right here, like I've already paid 949 00:56:14,280 --> 00:56:17,360 Speaker 1: for the car. Just he was giving that. I decide 950 00:56:17,880 --> 00:56:19,880 Speaker 1: my attact is gonna be tears here. I'm gonna give 951 00:56:19,880 --> 00:56:22,320 Speaker 1: you cry. I'm gonna give you like this, mind you. 952 00:56:22,440 --> 00:56:24,400 Speaker 1: This is going on like fifteen minutes, and you know 953 00:56:24,520 --> 00:56:28,160 Speaker 1: it's like a long time. She's directed traffic around us 954 00:56:28,760 --> 00:56:30,440 Speaker 1: because she wants us to get out of this car. 955 00:56:31,280 --> 00:56:33,040 Speaker 1: All of our luggage is in the car. We are 956 00:56:33,080 --> 00:56:34,480 Speaker 1: in the car. So I decide, I'm gonna give you 957 00:56:34,560 --> 00:56:36,880 Speaker 1: so stressed out, like I just can't handle conflicts like whatever, 958 00:56:37,080 --> 00:56:39,040 Speaker 1: Renee in the backseat goes, just let me know when 959 00:56:39,080 --> 00:56:41,640 Speaker 1: you'll want me to go, and I'll go. That's all 960 00:56:41,680 --> 00:56:44,760 Speaker 1: that was said. And I look at her as nicky 961 00:56:44,840 --> 00:56:46,480 Speaker 1: As walked off to get her manager, and I was like, 962 00:56:46,600 --> 00:56:52,360 Speaker 1: all right, Renee go in that moment. Renee, she's impulsive, 963 00:56:52,400 --> 00:56:54,279 Speaker 1: but she's smart. She throws a hood over her head. 964 00:56:54,320 --> 00:56:56,239 Speaker 1: She said, I'm incognita. I was like, I was like, 965 00:56:56,320 --> 00:56:59,000 Speaker 1: Jama will not get me here, No, not today, not 966 00:56:59,120 --> 00:57:04,200 Speaker 1: in Miami. At the hurts Nonna like Renee wrappit the 967 00:57:04,280 --> 00:57:09,480 Speaker 1: hurts absolutely acting violence a non plays a non place, 968 00:57:11,200 --> 00:57:13,000 Speaker 1: and it was just that Renee hops out of the 969 00:57:13,080 --> 00:57:16,840 Speaker 1: car and I think with the breeze, like pops out 970 00:57:16,840 --> 00:57:19,240 Speaker 1: of the car. Within three seconds. All I remember was 971 00:57:19,320 --> 00:57:21,040 Speaker 1: Nicky saying, whoa, why are you pulling up on me? 972 00:57:21,160 --> 00:57:23,120 Speaker 1: And Renee said, I'm gonna pull him up on you, bitch, 973 00:57:23,640 --> 00:57:28,200 Speaker 1: and then my vision went black. I immediately was in 974 00:57:28,280 --> 00:57:31,360 Speaker 1: crisis mode. I thought, sure and this would be thrown 975 00:57:32,720 --> 00:57:35,800 Speaker 1: Nicky did. And then we got out. So this is 976 00:57:35,840 --> 00:57:41,200 Speaker 1: what happened. I said, why are you in their? Babe 977 00:57:42,880 --> 00:57:45,720 Speaker 1: outside going okay, you want to be in there? It 978 00:57:45,840 --> 00:57:49,919 Speaker 1: got really cut out of the park, was everything paperwork wise, 979 00:57:50,240 --> 00:57:51,680 Speaker 1: and we got the car. We got the car, and 980 00:57:51,720 --> 00:57:56,000 Speaker 1: then we went to Disney World. Oh my god, happy ending, 981 00:57:56,360 --> 00:57:58,480 Speaker 1: a literal happy ending at the happiest place on earth. 982 00:57:58,560 --> 00:58:01,800 Speaker 1: What was the favorite ride at Disney World of the Galaxy? 983 00:58:01,920 --> 00:58:04,240 Speaker 1: Bitch the way I just did it? Oh my god, 984 00:58:04,720 --> 00:58:09,160 Speaker 1: Oh my god. The Guardians. It used to be Avatar, 985 00:58:09,280 --> 00:58:11,040 Speaker 1: but she's she's not hitting the way she used to. 986 00:58:12,440 --> 00:58:14,840 Speaker 1: It's because now the Guardians, Cosmic Rewind is there, and 987 00:58:14,920 --> 00:58:16,320 Speaker 1: so how can you go do that and then go 988 00:58:16,400 --> 00:58:18,360 Speaker 1: to Avatar and like it hit the same it well 989 00:58:18,440 --> 00:58:20,800 Speaker 1: it will hit. So Bowen has not been down to 990 00:58:21,200 --> 00:58:23,120 Speaker 1: go to Epcot to go do the Guardians of the 991 00:58:23,160 --> 00:58:26,240 Speaker 1: Galaxy cosmic rewine, but we have had a very sort 992 00:58:26,240 --> 00:58:29,160 Speaker 1: of cathartic experience on a metric ton of edibles on 993 00:58:29,200 --> 00:58:33,360 Speaker 1: Avatar Flight of Passive. Me and it's ober okay. When 994 00:58:33,400 --> 00:58:35,240 Speaker 1: I first went, it's like right when they had first 995 00:58:35,280 --> 00:58:37,760 Speaker 1: opened it. Me and my friend Dylany, who you need 996 00:58:37,840 --> 00:58:43,720 Speaker 1: to meet, and we'll love to wake up at the 997 00:58:43,880 --> 00:58:47,000 Speaker 1: aspract John wait outside the gate, take like two full 998 00:58:47,080 --> 00:58:49,040 Speaker 1: like ten milli grand edibles and wait in the line. 999 00:58:49,480 --> 00:58:51,400 Speaker 1: At this point we were just like girls waiting in lines, 1000 00:58:51,480 --> 00:58:54,240 Speaker 1: you know, like we used to do um and we're 1001 00:58:54,280 --> 00:58:57,120 Speaker 1: in that line for like three hours. High as hell. 1002 00:58:57,240 --> 00:59:02,600 Speaker 1: I've never been under my life, Right was everything? Did 1003 00:59:02,640 --> 00:59:09,440 Speaker 1: you cry? I have a video off after and our 1004 00:59:09,520 --> 00:59:12,720 Speaker 1: manager Olivia cried. It was so pretty that moment when 1005 00:59:12,760 --> 00:59:16,640 Speaker 1: you sit in the cave, think about that an Avatar, 1006 00:59:17,400 --> 00:59:20,120 Speaker 1: an Avatar flight of passage, you get in the cave, 1007 00:59:21,280 --> 00:59:23,400 Speaker 1: there's a moment where you pull up into the cave 1008 00:59:23,920 --> 00:59:25,480 Speaker 1: and you sort of sit in the cave, and there's 1009 00:59:25,520 --> 00:59:27,480 Speaker 1: just a moment where you're on a Disney ride that's 1010 00:59:27,480 --> 00:59:31,040 Speaker 1: supposed to do things, but you're just really, quite frankly, 1011 00:59:31,120 --> 00:59:33,080 Speaker 1: just sitting in the cave. But you pulled up in 1012 00:59:33,120 --> 00:59:35,040 Speaker 1: the cave and then you see Renee rapid Hood going, 1013 00:59:35,400 --> 00:59:39,680 Speaker 1: I'm not pulling up on your bitch. It was the 1014 00:59:39,760 --> 00:59:44,320 Speaker 1: height of the ride that was missing, screaming Nicky in 1015 00:59:44,440 --> 00:59:50,640 Speaker 1: the cave, Nicky oh Man, Nicky's not Nikki? Why though, 1016 00:59:50,880 --> 00:59:54,520 Speaker 1: I need to understand why why did you have to 1017 00:59:54,560 --> 00:59:57,560 Speaker 1: become a villain on Lost Culture? It's worse than what 1018 00:59:57,720 --> 00:59:58,640 Speaker 1: you have? What do you have to say? What do 1019 00:59:58,680 --> 01:00:01,360 Speaker 1: you have to say? Leah, people hurt people? And Nikki 1020 01:00:02,400 --> 01:00:05,520 Speaker 1: she was having a bad day and she projected I 1021 01:00:05,560 --> 01:00:10,000 Speaker 1: have empathy now in space. I actually was likely projecting something. 1022 01:00:22,200 --> 01:00:25,680 Speaker 1: I'm gonna say, this has been a long January. We've 1023 01:00:25,760 --> 01:00:30,240 Speaker 1: really definitely been jerked out of There's been a lot 1024 01:00:30,680 --> 01:00:35,040 Speaker 1: going on, and when it comes to venting, frustrations actually 1025 01:00:35,080 --> 01:00:36,920 Speaker 1: come to the right place because we have a segment 1026 01:00:37,000 --> 01:00:39,200 Speaker 1: for that and we have arrived at the time where 1027 01:00:39,240 --> 01:00:42,800 Speaker 1: it's time to expel demons in one minute fashion. Bow, 1028 01:00:43,160 --> 01:00:45,120 Speaker 1: I don't think so, honey, how would you describe it? 1029 01:00:45,680 --> 01:00:47,360 Speaker 1: I can't do a better job than you just said. 1030 01:00:47,400 --> 01:00:51,200 Speaker 1: It is a true exorcism. Your head is spinning, you 1031 01:00:51,560 --> 01:00:55,600 Speaker 1: are croaking in a vocal fry, calling your mother the 1032 01:00:55,680 --> 01:00:59,520 Speaker 1: worst things you can possibly call someone, while priest is, 1033 01:00:59,760 --> 01:01:02,600 Speaker 1: you know, screaming, Well you're really you're going with the 1034 01:01:02,680 --> 01:01:04,880 Speaker 1: exorcist thing. Well I heard you say expelled demons, and 1035 01:01:04,920 --> 01:01:07,360 Speaker 1: I was like, yes, Linda Blair were like, Linda Fag, 1036 01:01:08,320 --> 01:01:14,680 Speaker 1: all right, so let's listen. That's boone, Linda Fag. I 1037 01:01:14,800 --> 01:01:18,760 Speaker 1: have something. I have something. This is Matt Rogers's I 1038 01:01:18,800 --> 01:01:20,680 Speaker 1: don't think so, honey. His time starts it now, I 1039 01:01:20,720 --> 01:01:22,440 Speaker 1: don't think so, honey. How the funk am I supposed 1040 01:01:22,440 --> 01:01:24,520 Speaker 1: to eat mushrooms now after watching The Last of Us? 1041 01:01:24,960 --> 01:01:27,760 Speaker 1: Because everyone's head becomes a fucking mushroom. And let me 1042 01:01:27,800 --> 01:01:30,080 Speaker 1: tell you something, as someone who enjoys us mushroom with 1043 01:01:30,120 --> 01:01:34,320 Speaker 1: a steak dinner, I love mushrooms. And now every time 1044 01:01:34,360 --> 01:01:37,000 Speaker 1: I'm trying to eat a mushroom of the food varietal, 1045 01:01:37,320 --> 01:01:40,480 Speaker 1: not consuming of the drug virietal, I'll be looking down 1046 01:01:40,520 --> 01:01:43,560 Speaker 1: on my plate and I'll be seeing lush gushi zombie 1047 01:01:43,680 --> 01:01:46,080 Speaker 1: villains from the Last of us also the last of 1048 01:01:46,200 --> 01:01:48,080 Speaker 1: us in general. I don't think so, honey, that now 1049 01:01:48,800 --> 01:01:51,520 Speaker 1: to be part of the not only cultural conversation, I 1050 01:01:51,600 --> 01:01:53,880 Speaker 1: have to watch this zombie show that is scary, but 1051 01:01:54,000 --> 01:01:57,760 Speaker 1: now to be part of queer discussion and discourse, I 1052 01:01:57,840 --> 01:02:01,360 Speaker 1: have to watch this. I'm scared. I don't think so, honey. 1053 01:02:01,440 --> 01:02:05,120 Speaker 1: Me ever, not being scared of a TV show lives 1054 01:02:05,160 --> 01:02:08,360 Speaker 1: of college girls, I'm doing jump scares, honey. Sometimes one 1055 01:02:08,360 --> 01:02:10,720 Speaker 1: of these guys will come out, one of these college 1056 01:02:10,800 --> 01:02:12,560 Speaker 1: kids with the body of a thirty two year old 1057 01:02:12,600 --> 01:02:17,840 Speaker 1: man in West Hollywood, and I'll be squooked. She's sucking 1058 01:02:17,880 --> 01:02:19,960 Speaker 1: her neighbor. And the one I might excuse me that 1059 01:02:20,120 --> 01:02:22,600 Speaker 1: is a Shawn Cordy poine store, not anyone at this 1060 01:02:22,760 --> 01:02:25,640 Speaker 1: Ivy League college. I don't think so, honey. And that's 1061 01:02:25,640 --> 01:02:28,560 Speaker 1: one minute. The theatus are all in West Hollywood, They're 1062 01:02:28,560 --> 01:02:33,360 Speaker 1: all living in Hollywood each other. They look like Marvel superheroes, 1063 01:02:33,480 --> 01:02:35,320 Speaker 1: and you know they're all from we he They all 1064 01:02:35,360 --> 01:02:37,240 Speaker 1: be fucking each other and I want to see that 1065 01:02:37,280 --> 01:02:41,160 Speaker 1: show too. Also, yeah, you rose awareness for something very 1066 01:02:41,200 --> 01:02:47,480 Speaker 1: specific there that all all the men at this college 1067 01:02:48,560 --> 01:03:01,800 Speaker 1: look like they're fifty. The important when you're doing a 1068 01:03:01,920 --> 01:03:04,160 Speaker 1: high school or college show. I think too is it's 1069 01:03:04,160 --> 01:03:07,600 Speaker 1: like in order for everyone to like, really, fuck you 1070 01:03:07,720 --> 01:03:11,080 Speaker 1: got a cast thirty two year olds or else what. 1071 01:03:11,560 --> 01:03:14,120 Speaker 1: This is one of the most sexless times in media. 1072 01:03:14,280 --> 01:03:16,919 Speaker 1: And thank god for college girls for being out there 1073 01:03:17,120 --> 01:03:19,720 Speaker 1: showing fucking It's as horny as I was. I used 1074 01:03:19,720 --> 01:03:22,480 Speaker 1: to have to leave class to go jack off when 1075 01:03:22,560 --> 01:03:24,720 Speaker 1: I was in college. When I was a freshman in college, 1076 01:03:24,840 --> 01:03:28,800 Speaker 1: i'd be in physical pain. Not any more, honey, now 1077 01:03:28,880 --> 01:03:32,240 Speaker 1: that kids are yanking it in lectures in front of 1078 01:03:32,280 --> 01:03:39,720 Speaker 1: the teacher ranking crank what your friend? Oh, there's whispering 1079 01:03:39,880 --> 01:03:45,040 Speaker 1: each other's ears it mommy, okay, okay, god, oh my god. 1080 01:03:45,320 --> 01:03:48,080 Speaker 1: And every best friendship is one that's PR and and 1081 01:03:48,160 --> 01:03:50,640 Speaker 1: they say, can we release this information? I think you're 1082 01:03:50,640 --> 01:03:53,480 Speaker 1: a PR. It's just totally fine. I also like I 1083 01:03:53,560 --> 01:03:56,120 Speaker 1: look up to these sort of of people like it's 1084 01:03:56,160 --> 01:03:59,160 Speaker 1: like a it's like an idolizing thing. Our friends um 1085 01:04:00,000 --> 01:04:05,760 Speaker 1: to the Eiffel Tower under the everybody that all the 1086 01:04:05,880 --> 01:04:10,800 Speaker 1: time like they're secret night with me. Yeah, Like that's 1087 01:04:10,840 --> 01:04:13,200 Speaker 1: kind of the biggest torus destinations in the world. People 1088 01:04:13,240 --> 01:04:15,560 Speaker 1: come from far and wide to simply look at that 1089 01:04:15,760 --> 01:04:17,960 Speaker 1: it's a fun right underneath it is an I d 1090 01:04:18,120 --> 01:04:23,080 Speaker 1: G A F energy that is really aspirational. I don't know, man, yeah, 1091 01:04:23,680 --> 01:04:28,000 Speaker 1: I don't know. Man. Let me guess they're hot. Yeah yeah, 1092 01:04:29,160 --> 01:04:35,280 Speaker 1: yeah yeah. Anyway, I can't really eat mushrooms anymore. Um, 1093 01:04:36,000 --> 01:04:38,560 Speaker 1: so that's why I don't think, so honey, Bowen, do 1094 01:04:38,720 --> 01:04:41,479 Speaker 1: you have sort of one? I have one. I wonder 1095 01:04:41,520 --> 01:04:44,439 Speaker 1: if it will resonate. It might just be specific to me. See, 1096 01:04:44,440 --> 01:04:47,400 Speaker 1: I don't want to hear that insecurity, And the next 1097 01:04:47,480 --> 01:04:49,400 Speaker 1: time that comes up, I want you to think, like, 1098 01:04:51,320 --> 01:04:53,160 Speaker 1: why why do I have to voice that? You know 1099 01:04:53,200 --> 01:04:56,000 Speaker 1: what I mean? Because it's yeah, yeah, this is I 1100 01:04:56,000 --> 01:04:58,600 Speaker 1: don't think, so honey, and his time starts now, I 1101 01:04:58,640 --> 01:05:01,400 Speaker 1: don't think so honey reply ying with the heart eyes 1102 01:05:01,440 --> 01:05:04,720 Speaker 1: emoji and nothing else. What does it mean anymore? It's 1103 01:05:04,880 --> 01:05:08,280 Speaker 1: lost it's meaning. If I'm getting a heart eye emoji 1104 01:05:08,400 --> 01:05:12,600 Speaker 1: response to my stories, I can't tell if you're into it, 1105 01:05:12,960 --> 01:05:15,920 Speaker 1: if you're into me, if you're trying to fuck, if 1106 01:05:15,920 --> 01:05:20,640 Speaker 1: you're just being nice. It means nothing anymore. The meaning 1107 01:05:20,720 --> 01:05:24,120 Speaker 1: has collapsed. I don't know what's being communicated anymore. When 1108 01:05:24,120 --> 01:05:27,320 Speaker 1: it's if these are the modern hieroglyphs. Then this one 1109 01:05:27,600 --> 01:05:34,080 Speaker 1: is fucking Anubis, okay, because I'm going, who's that? I 1110 01:05:34,120 --> 01:05:37,880 Speaker 1: don't know her. I don't know that one. That's That's 1111 01:05:37,920 --> 01:05:40,280 Speaker 1: how I'm feeling about the heart eyes emoji now whenever, 1112 01:05:40,400 --> 01:05:42,680 Speaker 1: if you send me herd eys emoji, I'll go, that's 1113 01:05:42,720 --> 01:05:44,760 Speaker 1: a Nubis to me. I don't know who that is. 1114 01:05:45,160 --> 01:05:49,520 Speaker 1: I don't know what you're trying to tell me. I 1115 01:05:49,720 --> 01:05:52,520 Speaker 1: just all to agree as a culture what sis emoji means, 1116 01:05:53,360 --> 01:05:56,400 Speaker 1: regardless of context. I need it right now personally to 1117 01:05:56,480 --> 01:05:58,840 Speaker 1: mean let's have sex. And that's one minute. I'm gonna 1118 01:05:58,880 --> 01:06:00,960 Speaker 1: tell you what the emogis mean in response to stories 1119 01:06:01,080 --> 01:06:03,760 Speaker 1: and girls. Let me know if you agree. Hard eyes 1120 01:06:03,800 --> 01:06:06,560 Speaker 1: emoji means I love this. I think it's so cute 1121 01:06:06,600 --> 01:06:08,800 Speaker 1: what you're doing. Like I'm in supportive in a positive way. 1122 01:06:08,800 --> 01:06:14,720 Speaker 1: I'm here fire emoji. Flame emoji means or if someone 1123 01:06:14,840 --> 01:06:17,320 Speaker 1: just says some of that, good friends do fire emogi 1124 01:06:17,360 --> 01:06:19,840 Speaker 1: and I'm going, I don't know. The lines are being blurred. 1125 01:06:19,960 --> 01:06:21,680 Speaker 1: You need to respond to them and say, hey, listen, 1126 01:06:21,800 --> 01:06:24,240 Speaker 1: unless you're trying to suck me. Find a different emoji 1127 01:06:24,360 --> 01:06:28,480 Speaker 1: hunt because when you flame my story to me it 1128 01:06:28,560 --> 01:06:30,920 Speaker 1: means it's on to be honest, Like I feel like 1129 01:06:31,320 --> 01:06:33,720 Speaker 1: I'm like, do I just mess with like aggressive people? 1130 01:06:33,760 --> 01:06:36,280 Speaker 1: Because I don't really get emojis, nor do I send 1131 01:06:36,440 --> 01:06:39,960 Speaker 1: like it's more like, let's do it. Where are you? 1132 01:06:40,560 --> 01:06:45,600 Speaker 1: Where are you? Let's do it now? Do you use punctuation? No? 1133 01:06:46,000 --> 01:06:48,040 Speaker 1: But I'm talking like I'm like people I don't know, 1134 01:06:48,440 --> 01:06:52,120 Speaker 1: like I'm an emoji sender in a very like sarcastic way, 1135 01:06:52,160 --> 01:06:54,680 Speaker 1: like I fend like sad face, like the hand up 1136 01:06:54,760 --> 01:06:59,320 Speaker 1: all the time, like I do think emojis are sort 1137 01:06:59,320 --> 01:07:02,560 Speaker 1: of the funniest thing. But wait, are you guys like 1138 01:07:02,640 --> 01:07:04,440 Speaker 1: this is just a sidestep. I don't think I need 1139 01:07:04,480 --> 01:07:06,920 Speaker 1: for a second, And I wonder are you guys like 1140 01:07:07,040 --> 01:07:09,480 Speaker 1: people who sort of get flirting in the d M 1141 01:07:09,560 --> 01:07:11,960 Speaker 1: s are you've sort of passed that? Now? One thing 1142 01:07:11,960 --> 01:07:16,960 Speaker 1: about Rene Rapp, that is what her DM are for. Yeah, 1143 01:07:17,520 --> 01:07:20,919 Speaker 1: like that's what my public platform is for. I've really 1144 01:07:21,080 --> 01:07:24,320 Speaker 1: just like I don't I'm a flirtatious person. I think, Yeah, 1145 01:07:24,840 --> 01:07:27,200 Speaker 1: like I flirt with me probably I've done it for years, 1146 01:07:27,440 --> 01:07:34,000 Speaker 1: that's true. Yeah, yeah, yeah, that's nice and renew every 1147 01:07:34,000 --> 01:07:35,800 Speaker 1: now and then I see you post some some d 1148 01:07:35,960 --> 01:07:40,480 Speaker 1: M screenshots, you seem to return an unhinged fan d 1149 01:07:40,720 --> 01:07:45,000 Speaker 1: M with the proper fervor and enthusiasm, and I really 1150 01:07:45,080 --> 01:07:47,960 Speaker 1: respect this. I love to chat. I love to chat 1151 01:07:48,240 --> 01:07:51,360 Speaker 1: because like even sometimes like if somebody says something like mean, 1152 01:07:51,760 --> 01:07:53,880 Speaker 1: I want to go back. I want to go back, right, 1153 01:07:54,040 --> 01:07:58,040 Speaker 1: let's talk about sucking stupid. I'm like, okay, and you 1154 01:07:58,120 --> 01:08:00,440 Speaker 1: actually look like trash, so what I don't know. I 1155 01:08:00,560 --> 01:08:02,960 Speaker 1: love a conversation. Also, like I think my grandma has 1156 01:08:02,960 --> 01:08:04,720 Speaker 1: inspired me. She loves to talk to people on the 1157 01:08:04,800 --> 01:08:09,920 Speaker 1: internet brow like she's obsessed. I used to do the 1158 01:08:10,040 --> 01:08:12,280 Speaker 1: thing of like, um, when someone was nasty to me 1159 01:08:12,320 --> 01:08:14,640 Speaker 1: in a message or a d M or whatever, I 1160 01:08:14,680 --> 01:08:16,960 Speaker 1: would respond and be like, hey, I saw this, and 1161 01:08:17,000 --> 01:08:18,960 Speaker 1: I could tell you didn't think I would respond now 1162 01:08:19,040 --> 01:08:21,400 Speaker 1: that I have, can you explain why you did this? 1163 01:08:22,040 --> 01:08:26,840 Speaker 1: And they literally like, oh my god, yeah, I don't 1164 01:08:26,840 --> 01:08:28,960 Speaker 1: know why I did that, like sorry, I'm a fan, 1165 01:08:29,160 --> 01:08:31,880 Speaker 1: like etcetera. And I'll be like, oh, interesting, But it's 1166 01:08:32,040 --> 01:08:36,600 Speaker 1: never no one has ever doubled down. I've also like 1167 01:08:36,800 --> 01:08:39,200 Speaker 1: done it to someone, like a couple of years ago, 1168 01:08:39,280 --> 01:08:41,720 Speaker 1: there was an episode of the Bachelor. Oh it was 1169 01:08:41,840 --> 01:08:44,920 Speaker 1: Claire's season. I don't know if anybody wants, but long 1170 01:08:44,960 --> 01:08:47,840 Speaker 1: story short, there was a super super super fucking misogynistic 1171 01:08:47,920 --> 01:08:51,240 Speaker 1: guy and I like fully by the way, I mean 1172 01:08:51,320 --> 01:08:53,759 Speaker 1: like this was like probably like I was a public 1173 01:08:53,840 --> 01:08:57,000 Speaker 1: person at this point, and I go into his things 1174 01:08:57,080 --> 01:09:00,479 Speaker 1: and like, motherfucker, you don't deserve check that. And he 1175 01:09:00,560 --> 01:09:04,240 Speaker 1: responded and I was like, and you so you doubled down. 1176 01:09:05,200 --> 01:09:09,160 Speaker 1: I've been on both sides, Joni Mitchell. Respect, you've been 1177 01:09:09,200 --> 01:09:16,280 Speaker 1: on both sides. Now what that was? That's and that 1178 01:09:16,680 --> 01:09:18,320 Speaker 1: what are you just gonna say? And that's what makes 1179 01:09:18,360 --> 01:09:21,479 Speaker 1: you cuspe? And it also just shows that we need 1180 01:09:21,920 --> 01:09:27,000 Speaker 1: to come back in the cultural conversation in some way. Absolutely. Okay, 1181 01:09:27,080 --> 01:09:29,640 Speaker 1: so Aaliyah, I think it might be time for your 1182 01:09:29,640 --> 01:09:31,720 Speaker 1: I don't think so, honey. Oh god, I don't remember 1183 01:09:31,760 --> 01:09:37,519 Speaker 1: gonna do it, but you can, Okay, Okay, Okay, this 1184 01:09:37,760 --> 01:09:39,519 Speaker 1: is Elisha Nell Scott. I don't think so honey, her 1185 01:09:39,560 --> 01:09:43,439 Speaker 1: time starts now. I don't think so, honey. Wicked losing 1186 01:09:43,520 --> 01:09:47,680 Speaker 1: the two thousand four Tony Awards for Best and they 1187 01:09:47,800 --> 01:09:49,880 Speaker 1: lost to I don't think so honey. They lost two 1188 01:09:49,960 --> 01:09:54,439 Speaker 1: Avenue Queue so raised this puppet musical that have white 1189 01:09:54,479 --> 01:09:57,599 Speaker 1: people in the theater running around singing Everybody's a little 1190 01:09:57,600 --> 01:10:02,560 Speaker 1: bit racist. As an ingest fun gave them full permission 1191 01:10:03,520 --> 01:10:06,360 Speaker 1: to look me in my eye and say, have a 1192 01:10:06,400 --> 01:10:09,120 Speaker 1: new cue said, I said, hey wrote Avenue Cube Baby. 1193 01:10:09,640 --> 01:10:13,519 Speaker 1: Although I do love white men with their freaking and 1194 01:10:13,640 --> 01:10:19,719 Speaker 1: horatist character and and Gary Coleman over Wicked the musical 1195 01:10:19,960 --> 01:10:23,840 Speaker 1: of the Center like Wicked. Yeah, we're talking a story 1196 01:10:23,920 --> 01:10:30,320 Speaker 1: that actually truthfully racism about a girl overcoming their skin color. 1197 01:10:31,240 --> 01:10:37,000 Speaker 1: We're talking about female friendship love. We're talking about and 1198 01:10:37,080 --> 01:10:39,719 Speaker 1: you're gonna tell me that the silly racist puppet musical 1199 01:10:39,920 --> 01:10:42,160 Speaker 1: is better. I think we should go back and right 1200 01:10:42,240 --> 01:10:44,040 Speaker 1: that wrong as a community, as a people in the 1201 01:10:44,160 --> 01:10:45,560 Speaker 1: in the theater, I think we need to fix that. 1202 01:10:45,960 --> 01:10:49,040 Speaker 1: Thank you. That was brilliant. First of all that one minute, 1203 01:10:49,120 --> 01:10:51,680 Speaker 1: Oh my god, I can't we have not talked about this, 1204 01:10:52,600 --> 01:10:58,160 Speaker 1: everybody speaking about it like best musical Tony that it 1205 01:10:58,320 --> 01:11:02,200 Speaker 1: is a piece of history that needs correcting. I think 1206 01:11:02,240 --> 01:11:04,280 Speaker 1: we can change this if we can get a petition going, 1207 01:11:04,360 --> 01:11:08,639 Speaker 1: if we can rally enough people. The Tony away from 1208 01:11:08,800 --> 01:11:12,120 Speaker 1: Avenue to It really is so crazy and the thing is, 1209 01:11:12,200 --> 01:11:14,880 Speaker 1: like you have to think maybe it's because they could 1210 01:11:15,040 --> 01:11:18,800 Speaker 1: not have known that Wicked would have the impact that 1211 01:11:18,920 --> 01:11:21,639 Speaker 1: it would have going forward, because had they, they would 1212 01:11:21,640 --> 01:11:23,960 Speaker 1: have been like, oh, yeah, we're obviously going to celebrate 1213 01:11:24,040 --> 01:11:27,519 Speaker 1: this revolutionary, iconic thing that is like changing the culture. 1214 01:11:27,520 --> 01:11:29,120 Speaker 1: I mean, I remember being in high school and like 1215 01:11:29,240 --> 01:11:31,600 Speaker 1: all my girlfriends in high school were like listening to 1216 01:11:31,720 --> 01:11:34,120 Speaker 1: that in their cars on the way to and fro school. 1217 01:11:34,560 --> 01:11:38,080 Speaker 1: It was a culture shaker, right, my only thing. And 1218 01:11:38,160 --> 01:11:40,280 Speaker 1: I love Adina the only thing. The only reason I 1219 01:11:40,320 --> 01:11:42,240 Speaker 1: can think is that it was a hard sing it 1220 01:11:42,360 --> 01:11:45,960 Speaker 1: times a week, and in truth they wore her out, 1221 01:11:46,320 --> 01:11:49,040 Speaker 1: and maybe that for the rest of her life, rest 1222 01:11:49,080 --> 01:11:54,960 Speaker 1: of her life, it was screaming, and maybe that if 1223 01:11:55,000 --> 01:12:01,679 Speaker 1: you do go back and watch it's not it's not good. 1224 01:12:01,920 --> 01:12:04,839 Speaker 1: If you go back and watch the Tony Award performance, 1225 01:12:06,280 --> 01:12:09,439 Speaker 1: you know what I'm it's tough. It's a very hard 1226 01:12:09,520 --> 01:12:12,960 Speaker 1: mountain to scale, is um and the girls have figured 1227 01:12:12,960 --> 01:12:14,360 Speaker 1: it out now now we know that mixing is a 1228 01:12:14,479 --> 01:12:17,760 Speaker 1: thing and we don't pull voice that And that was 1229 01:12:17,840 --> 01:12:19,680 Speaker 1: just a different time, different era, And I mean I 1230 01:12:19,720 --> 01:12:21,840 Speaker 1: could inter forgiving everything she had to it. I really do. 1231 01:12:22,400 --> 01:12:26,000 Speaker 1: He's a better woman than me. I mean, the thing 1232 01:12:26,040 --> 01:12:29,240 Speaker 1: about Adina is and we love Adina, and I've seen 1233 01:12:30,760 --> 01:12:33,120 Speaker 1: on the stage. Now I go, I go see Ladina's plays. 1234 01:12:33,600 --> 01:12:35,639 Speaker 1: I watch all of you, and I went to see 1235 01:12:35,680 --> 01:12:42,120 Speaker 1: skin Tight. Then I saw If then and I thought, okay. 1236 01:12:42,720 --> 01:12:46,840 Speaker 1: But literally all the televised performances of Adina, you can 1237 01:12:46,920 --> 01:12:51,200 Speaker 1: tell she gets nervous because because it's literally it's she 1238 01:12:51,400 --> 01:12:54,760 Speaker 1: obviously has the note. But I wonder if it's just 1239 01:12:54,840 --> 01:12:58,320 Speaker 1: when something is on television she feels nervous and maybe 1240 01:12:58,520 --> 01:13:00,960 Speaker 1: isn't breathing right, or like gets ahead of it, or 1241 01:13:01,080 --> 01:13:04,439 Speaker 1: something happens where it started falls apart on television. But 1242 01:13:04,560 --> 01:13:07,040 Speaker 1: you know, it's also it's it's a lot hard thing 1243 01:13:07,120 --> 01:13:08,920 Speaker 1: to be clear. I could not do it. You totally. 1244 01:13:08,960 --> 01:13:13,320 Speaker 1: You can't wait, thanks girl, I couldn't. I couldn't do that. 1245 01:13:13,360 --> 01:13:17,800 Speaker 1: I can't wait to see Cynthia though. Okay, are you ready? Yeah, yeah, yeah, 1246 01:13:17,800 --> 01:13:21,519 Speaker 1: I knew it. This is Renee Raps. I don't think so, honey, 1247 01:13:21,800 --> 01:13:24,960 Speaker 1: her time starts now. Hi, I don't think so, honey. 1248 01:13:25,080 --> 01:13:27,320 Speaker 1: To that bitch at French customs, you still have me 1249 01:13:27,400 --> 01:13:31,160 Speaker 1: been like two weeks later. Here's why I was doing fine. 1250 01:13:31,439 --> 01:13:33,679 Speaker 1: I had all my bags, I had all everything ready 1251 01:13:33,720 --> 01:13:36,439 Speaker 1: to go. When I was going into France. I was like, 1252 01:13:36,680 --> 01:13:38,560 Speaker 1: I was like, let me have all of my information, 1253 01:13:38,960 --> 01:13:40,519 Speaker 1: right okay. And I had to get like a special 1254 01:13:40,560 --> 01:13:43,400 Speaker 1: little stand because I was technically working, well, I'm coming 1255 01:13:43,439 --> 01:13:45,600 Speaker 1: out of France, okay, I'm going into London, and I 1256 01:13:45,720 --> 01:13:47,599 Speaker 1: was working on how to get a little extra stamp 1257 01:13:48,080 --> 01:13:50,960 Speaker 1: right like. She was like, do you know how long 1258 01:13:51,000 --> 01:13:53,679 Speaker 1: you're here? And I said no, because I don't hold 1259 01:13:53,720 --> 01:13:56,040 Speaker 1: that information. I go wherever everybody else goes. I'm not 1260 01:13:56,080 --> 01:13:58,400 Speaker 1: a logistics person. We all know the shows on my face. 1261 01:13:58,479 --> 01:14:00,560 Speaker 1: It's a very very clear to day bitch. Ok So 1262 01:14:01,080 --> 01:14:03,200 Speaker 1: I was like, fine, we get into a little tuft 1263 01:14:03,520 --> 01:14:07,519 Speaker 1: tiffed whatever, and she's immediately not sucking with me. And 1264 01:14:07,560 --> 01:14:09,280 Speaker 1: then next I go to the conveyor belt. These two 1265 01:14:09,360 --> 01:14:12,479 Speaker 1: girls are just next to each other the conveyor belt. 1266 01:14:12,560 --> 01:14:13,960 Speaker 1: They're like, put your bags in here. I'm like, this 1267 01:14:14,040 --> 01:14:16,040 Speaker 1: bag doesn't close. Put your bags in here. I'm like, 1268 01:14:16,080 --> 01:14:18,840 Speaker 1: it doesn't close, it's going to fall out. They're like, okay, 1269 01:14:18,880 --> 01:14:21,080 Speaker 1: put it in anyway, and I was like no. I 1270 01:14:21,160 --> 01:14:23,639 Speaker 1: took the bag with me through and then started breaking 1271 01:14:23,680 --> 01:14:25,439 Speaker 1: the funk out because I was like I fucking hate 1272 01:14:25,479 --> 01:14:28,320 Speaker 1: French customs, and I've always been a little bit skeptical 1273 01:14:28,439 --> 01:14:38,280 Speaker 1: of French people. I think I've seen too much. I 1274 01:14:38,439 --> 01:14:41,160 Speaker 1: was like, let me just fucking give everybody the benefit 1275 01:14:41,200 --> 01:14:43,400 Speaker 1: of the doubt. No, I actually didn't, because then a 1276 01:14:43,479 --> 01:14:46,240 Speaker 1: bald man afterward tried to get in our fucking way 1277 01:14:46,320 --> 01:14:49,160 Speaker 1: and apparently with yelling at my mother and don't yell 1278 01:14:49,200 --> 01:14:54,360 Speaker 1: at my mother. No, I don't think this was one 1279 01:14:54,439 --> 01:14:56,840 Speaker 1: minute and forty seconds. Wait, I have to say, but 1280 01:14:57,120 --> 01:15:00,479 Speaker 1: we have to we have to know what happened. Did 1281 01:15:00,560 --> 01:15:03,720 Speaker 1: you eventually get through? Like? What? Was it easy? Was 1282 01:15:03,760 --> 01:15:08,840 Speaker 1: it a hard process? Absolutely did get through. But so 1283 01:15:09,040 --> 01:15:11,880 Speaker 1: she was like, how long will you be here? You said, 1284 01:15:11,920 --> 01:15:15,120 Speaker 1: I don't fucking know. Yeah, well, because she had an 1285 01:15:15,120 --> 01:15:17,519 Speaker 1: attitude about her, and I was like, well, I don't. 1286 01:15:17,560 --> 01:15:19,280 Speaker 1: I don't really, I was honestly, I was just being 1287 01:15:19,320 --> 01:15:23,200 Speaker 1: super transparent because I'm all aboutransparency. And so I was 1288 01:15:23,320 --> 01:15:25,280 Speaker 1: like what and she was like, well, what are you 1289 01:15:25,360 --> 01:15:26,800 Speaker 1: here for us? At work? She said, what kind of 1290 01:15:26,840 --> 01:15:29,160 Speaker 1: work do you do? As in music? She said, okay, 1291 01:15:29,240 --> 01:15:30,920 Speaker 1: do you know what you're She was like, I thought 1292 01:15:30,920 --> 01:15:32,519 Speaker 1: you would have your paper. I was like, what paper? 1293 01:15:32,960 --> 01:15:34,599 Speaker 1: I was like, I gave you two pieces of paper 1294 01:15:34,640 --> 01:15:36,640 Speaker 1: We've got to be on there. She was like, is 1295 01:15:36,720 --> 01:15:39,200 Speaker 1: this you and her? Of course that's me. I was like, 1296 01:15:39,439 --> 01:15:44,479 Speaker 1: it's a pasty, little blonde bitch. It's me, honestly. If 1297 01:15:44,560 --> 01:15:46,840 Speaker 1: someone's going to have an attitude, though, it's the person 1298 01:15:46,960 --> 01:15:51,559 Speaker 1: at French Customs, which also like valid and empathy extended 1299 01:15:51,640 --> 01:15:56,719 Speaker 1: all of that. Yeah, something about I love London, the city, 1300 01:15:57,120 --> 01:15:59,880 Speaker 1: I love the British people, but something about me fly 1301 01:16:00,120 --> 01:16:03,679 Speaker 1: into London the other day yesterday, even this fucking flight 1302 01:16:03,760 --> 01:16:07,960 Speaker 1: attendant on British Airways talking down to me like crazy 1303 01:16:08,040 --> 01:16:09,760 Speaker 1: and then goes and then out of no, I'm just 1304 01:16:09,840 --> 01:16:12,400 Speaker 1: I'm trying to watch the last of us on my 1305 01:16:12,600 --> 01:16:17,240 Speaker 1: damn iPad. She goes, there's a reading like that. I 1306 01:16:17,280 --> 01:16:19,720 Speaker 1: don't know if you know that, which she said, do 1307 01:16:19,840 --> 01:16:21,800 Speaker 1: you know that? The way she asked me, do you 1308 01:16:21,960 --> 01:16:24,439 Speaker 1: know that? I said? I turned her. I go, yeah, 1309 01:16:24,560 --> 01:16:27,960 Speaker 1: I know that, Like, don't fucking talk to me like 1310 01:16:28,160 --> 01:16:31,880 Speaker 1: this ever in any class. I'm in business, thank you 1311 01:16:32,000 --> 01:16:36,760 Speaker 1: very much. Off of Universal Studios is dime. But like 1312 01:16:37,439 --> 01:16:41,439 Speaker 1: something about Heathrow. These fucking customs people don't know how 1313 01:16:41,520 --> 01:16:43,160 Speaker 1: to look at this paper on and have to go 1314 01:16:43,280 --> 01:16:46,640 Speaker 1: through all their their little stamps. It's so weird. You 1315 01:16:46,680 --> 01:16:49,400 Speaker 1: want to know what's fucking crazy? Actually, I was going 1316 01:16:49,479 --> 01:16:53,560 Speaker 1: to Berlin, so I guess German customs. The question that 1317 01:16:53,680 --> 01:16:57,160 Speaker 1: I was asked, he was like, how long are you 1318 01:16:57,240 --> 01:16:59,760 Speaker 1: here for? Again, I'm like, I don't know. Okay, I'm 1319 01:16:59,800 --> 01:17:01,559 Speaker 1: like with the people in front of you say because 1320 01:17:01,560 --> 01:17:05,559 Speaker 1: I'm with them, so and he was like he was like, um. 1321 01:17:05,760 --> 01:17:07,559 Speaker 1: He asked me another question. I was like sure, I'm 1322 01:17:07,640 --> 01:17:09,680 Speaker 1: just really not sure. And then he was like how 1323 01:17:09,800 --> 01:17:11,639 Speaker 1: much money do you have with you? And I said 1324 01:17:12,360 --> 01:17:14,719 Speaker 1: you have I don't really carry cash like that. Again, 1325 01:17:14,760 --> 01:17:17,120 Speaker 1: I'm say, okay, so I'm like I don't really have cash. 1326 01:17:17,160 --> 01:17:19,120 Speaker 1: I was like, I have a credit card. He proceeded 1327 01:17:19,160 --> 01:17:27,519 Speaker 1: to say, how much money is on your credit card? Incorrect? No, yeah, 1328 01:17:27,520 --> 01:17:29,040 Speaker 1: I swear to god. I watched up to my mother 1329 01:17:29,120 --> 01:17:31,120 Speaker 1: and I was like, I I almost got into a 1330 01:17:31,160 --> 01:17:33,040 Speaker 1: tip where I was like about to really like come 1331 01:17:33,080 --> 01:17:36,760 Speaker 1: for somebody and like be yeah, no, I do wonder 1332 01:17:36,800 --> 01:17:41,680 Speaker 1: I didn't go to jail in France because hey, I'm 1333 01:17:41,680 --> 01:17:49,840 Speaker 1: in a French prison and a non but a non place. Soon, yeah, 1334 01:17:52,439 --> 01:17:58,439 Speaker 1: everybody everybody's and you know what one of problems with 1335 01:17:58,520 --> 01:18:00,320 Speaker 1: other people. And you're like, maybe you should look in word. 1336 01:18:00,439 --> 01:18:02,200 Speaker 1: That's something I've been looking in word. No, I just 1337 01:18:02,280 --> 01:18:06,120 Speaker 1: have issues with others. Well, when someone's acting from Hurts 1338 01:18:06,400 --> 01:18:10,080 Speaker 1: like they can't they can't be like surprised when they 1339 01:18:10,160 --> 01:18:14,760 Speaker 1: get treated like Nikki from Hurts. You know what I'm saying. 1340 01:18:15,560 --> 01:18:20,280 Speaker 1: I know, I'm thinking people solicit conflict in order to 1341 01:18:20,400 --> 01:18:24,479 Speaker 1: test a boundary. Period. So Nikki from Hurts is trying 1342 01:18:24,560 --> 01:18:27,400 Speaker 1: to fucking see where the boundary is. Look at the 1343 01:18:27,880 --> 01:18:32,080 Speaker 1: reacting to that. And you've you've been mother on this. 1344 01:18:33,720 --> 01:18:37,600 Speaker 1: You just spoke, period. I've never heard a statement. You 1345 01:18:37,680 --> 01:18:41,160 Speaker 1: really just spoke. Wow, y'all any of us would break 1346 01:18:41,200 --> 01:18:43,439 Speaker 1: reade out of a French prison or a German one. 1347 01:18:43,520 --> 01:18:45,799 Speaker 1: I mean, we've been speaking so much on this episode. 1348 01:18:45,840 --> 01:18:48,640 Speaker 1: You might call it the film women Talking. We've been 1349 01:18:48,720 --> 01:18:52,439 Speaker 1: speaking so much. This was almost the movie Women Talking 1350 01:18:52,720 --> 01:18:55,720 Speaker 1: with how much women talked on this episode. And I 1351 01:18:55,920 --> 01:18:59,120 Speaker 1: feel as though a word was said many times. And 1352 01:18:59,240 --> 01:19:03,320 Speaker 1: I feel that we have been blessed as as what 1353 01:19:03,479 --> 01:19:06,360 Speaker 1: we can really call ourselves about in a duo by 1354 01:19:06,439 --> 01:19:08,840 Speaker 1: this duo. And I see the future and it is bright. 1355 01:19:09,320 --> 01:19:14,360 Speaker 1: It is very bright. These are stars. They're among us stars, 1356 01:19:15,280 --> 01:19:23,720 Speaker 1: so many stars, too much? Right? You ate? Sorry you 1357 01:19:24,000 --> 01:19:33,960 Speaker 1: could make diamonds though, are so beautiflful. I can't even 1358 01:19:34,160 --> 01:19:40,080 Speaker 1: I can't even sing more. Isn't too emotional because this 1359 01:19:40,160 --> 01:19:42,080 Speaker 1: has been such an amazing app when you said about this, 1360 01:19:42,520 --> 01:19:46,679 Speaker 1: this has been an amazing episode. The energy is off 1361 01:19:46,920 --> 01:19:50,920 Speaker 1: the charts. I'm telling you, I see stars tonight. I 1362 01:19:51,000 --> 01:19:53,840 Speaker 1: see stars tonight. Thank you so much for Annaliah. We 1363 01:19:54,000 --> 01:19:58,680 Speaker 1: love you so much. We love you both. Thank you 1364 01:19:58,760 --> 01:20:02,000 Speaker 1: for having us. This is you gotta be streaming the 1365 01:20:02,080 --> 01:20:04,840 Speaker 1: sex Lies of College Grounds everybody. It's really fun and 1366 01:20:05,080 --> 01:20:07,640 Speaker 1: like it'll lift you, especially after an episode of the 1367 01:20:07,720 --> 01:20:10,360 Speaker 1: Last of Us That will destroy you and both on 1368 01:20:10,920 --> 01:20:15,880 Speaker 1: HBO Max. Listen to an e z P. Everything that 1369 01:20:15,920 --> 01:20:22,080 Speaker 1: every everything, Everyone, It's but you're not on it? Get 1370 01:20:22,160 --> 01:20:25,599 Speaker 1: on it if you're not obsessed with the way she sings, 1371 01:20:25,680 --> 01:20:28,759 Speaker 1: with the tambre her voice. When she sings, it's easier 1372 01:20:28,800 --> 01:20:33,280 Speaker 1: to holding a grudge. You haven't really lived, okay, And 1373 01:20:33,479 --> 01:20:38,520 Speaker 1: we end every episode with the song I see starts 1374 01:20:39,640 --> 01:20:50,479 Speaker 1: so many so soon night. You you so beautive, We're 1375 01:20:50,600 --> 01:21:03,280 Speaker 1: all star. Actually never learned like look for that one 1376 01:21:03,320 --> 01:21:07,360 Speaker 1: in cinemas in e Leargentina FA