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Speaker 1: Yo house yo, yo in the house ahead.

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Speaker 2: Oh my god, so much to say. I don't even

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Speaker 2: know where to begin with you. There's so much to say.

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Speaker 1: What are you talking about?

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Speaker 2: I mean, first of all, I think this is one

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Speaker 2: of the best fucking episodes on this funking show.

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Speaker 1: You love this season so far? Dude, Well, dude, this

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Speaker 1: this favorite.

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Speaker 2: Well, this episode I think is one of the best

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Speaker 2: of season one and two so far. Dude. This is

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Speaker 2: I fucking laughed my ass off of this episode.

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Speaker 1: I laughed a lot in this episode.

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Speaker 2: There's so much funny shit in this episode. I'm so

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Speaker 2: glad Bill's coming on today.

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Speaker 1: Yeah, we have Bill Lawrence on the show today. Guys,

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Speaker 1: surprisedly is he here?

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Speaker 2: Uh? Daniel, Okay, Well you can let him in when

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Speaker 2: he comes here. Bill's one of the only guests we

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Speaker 2: won't put in a virtual green room.

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Speaker 1: No, we would. Nobody puts Bill, and nobody puts baby

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Speaker 1: old Billy in the corner.

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Speaker 2: Oh my god. Yeah, I really thought this episode. I

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Speaker 2: I you know, I usually I pause when I want

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Speaker 2: to write something and make a note to talk about,

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Speaker 2: and I was pausing every other sentence. I just thought

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Speaker 2: it was so funny.

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Speaker 1: Has a lot of funny moments, and there's.

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Speaker 2: A lot of stunts in it. There's a lot of

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Speaker 2: funny gags. Rob is hilarious.

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Speaker 1: Rob is hilarious, and Rob well.

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Speaker 2: We will save it for when Bill gets on him.

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Speaker 2: How are you?

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Speaker 1: I'm well, how are you?

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Speaker 3: Good?

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Speaker 4: Good? Good?

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Speaker 2: A lot of people loving Deservant. I mean, if we

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Speaker 2: if we had merch, if I gotta tell you, if

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Speaker 2: if I heard could figure out, if the giant conglomerate

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Speaker 2: of my heart could figure out how to get us merch,

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Speaker 2: Deservant would be on a mug.

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Speaker 1: Deservant would be the picture of the tea on the

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Speaker 1: T shirt. It would be on a T shirt.

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Speaker 2: My I laughed out loud someone on my Instagram when

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Speaker 2: I promoted today's show. We record this a little bit

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Speaker 2: before you guys. So this is Tuesday the Sorry, this

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Speaker 2: is Thursday the sixth. Someone wrote this one's gonna be

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Speaker 2: deservant of a listen.

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Speaker 1: I love it. I love it.

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Speaker 4: Our fans are.

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Speaker 2: So fucking awesome and funny.

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Speaker 1: They're so witty, man, They're so witty.

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Speaker 2: Very funny people that listen. Well, obviously, if you like

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Speaker 2: a show this good, you must be a funny person.

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Speaker 1: They are savvy. They are savvy and with it.

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Speaker 2: They love our songs. Did you see that thing I

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Speaker 2: sent you of the woman who on Twitter who edited

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Speaker 2: together a little quick video to the ramp song.

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Speaker 1: I Ran Down the Ramp song.

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Speaker 2: Yeah, I ran down the ramp. She cut together footage

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Speaker 2: of JD running around down the scrubs ramp.

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Speaker 1: Down the scrubs ramp and several different Yeah, several different

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Speaker 1: ways he ran down. One time he goes down on

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Speaker 1: his back.

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Speaker 2: Joell, you might have to reward that woman with letting

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Speaker 2: her ask a question. She fucking cut a video for us.

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Speaker 1: Dude, No, listen, man, all right, and that's very nice.

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Speaker 2: She spent a lot of time on that. I wish

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Speaker 2: it was longer.

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Speaker 1: If you're listening, Nobody has done what Shay is done.

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Speaker 1: Nobody has done what Shay has done.

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Speaker 2: She's coming up. He's on a little bit.

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Speaker 1: That's what I'm trying to say. If you are, If

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Speaker 1: you we're not. We've been giving it away a little

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Speaker 1: too easily.

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Speaker 2: Oh so you're saying the only way to get on

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Speaker 2: is to is to self publish.

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Speaker 1: I'm saying, at least get close to the level of

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Speaker 1: fandom that Shay has has has shown. Man, that's like

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Speaker 1: he trumps everybody, this young everybody, This.

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Speaker 2: Young lady spent one or a lot of time. Think

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Speaker 2: how much time she's searched the whole fucking show for

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Speaker 2: shots of JD running down the ramp.

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Speaker 1: She went to YouTube and was like scrubs ramp and

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Speaker 1: what she did?

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Speaker 2: Oh man, anyway, I laughed that song. I cannot get

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Speaker 2: that fucking song out of my head. I sing it

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Speaker 2: all day long.

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Speaker 1: You know what song I can't get out of my

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Speaker 1: fucking head. What what you're trying to get into ideo shoon?

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Speaker 1: What you're trying to do?

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Speaker 2: I agree, it's fire. I'm not gonna lie and.

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Speaker 1: Shit, you're trying to get into ideo shoon? What is it?

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Speaker 2: What is it? Well, don't forget everybody. That's a ring

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Speaker 2: tone that you can have on your phone. I know again, Joe,

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Speaker 2: is there a max to how many ring tones we have?

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Speaker 2: Because when I read my comments, everyone's like asking lots

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Speaker 2: of questions. They want another one.

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Speaker 1: We can't do another one?

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Speaker 2: We can, DJ Collins said. On the last episode. DJ

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Speaker 2: Collin said, we could.

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Speaker 1: I know he did, but that's an I mean, listen,

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Speaker 1: he was just trying to be nice.

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Speaker 2: We did our we did our new favorite segment, asked

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Speaker 2: DJ Collin and he gave us permission.

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Speaker 1: I know, but no, dude, no man.

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Speaker 2: If I had the bandwidth in my brain, I would,

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Speaker 2: I would. I would just take over the whole merch

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Speaker 2: thing and do it myself.

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Speaker 1: But I don't.

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Speaker 2: I know that I care enough. But I have so

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Speaker 2: many funny ideas, and our fans and listeners are suggesting

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Speaker 2: so many funny ideas, like it would be a whole

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Speaker 2: little side career for me.

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Speaker 1: I love that everybody's involved, man, everybody wants to be

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Speaker 1: involved in it, and I like, well.

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Speaker 2: You know, GQ British GQ says it's the second best

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Speaker 2: podcast of the year.

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Speaker 1: Wow, you know.

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Speaker 2: And they're the British are wise. They're very wise.

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Speaker 1: They're wise, they're very very wise.

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Speaker 2: We have good taste. Let's be honest, Well, you know,

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Speaker 2: British people have good taste.

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Speaker 1: Let's let's let's let's call it what it is. They're

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Speaker 1: right is right.

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Speaker 2: Like in my beard, I'm trying to catch up with you.

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Speaker 1: I do like it. I like that you're letting the

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Speaker 1: gray grow out a little bits.

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Speaker 2: A little bit. Yeah, I can't get as bushy as yours. Ever,

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Speaker 2: it just won't happen. It would take song for me.

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Speaker 1: This is this is all quarantine.

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Speaker 2: Oh, the whole quarantine. But I feel like even if

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Speaker 2: I guess, maybe if I did four months. Yeah, it

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Speaker 2: looks nice. I like it on you. It's a new look.

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Speaker 1: It is a new look. I like it too.

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Speaker 2: How's Casey putting up with it? Does she complain about it?

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Speaker 3: No?

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Speaker 1: She doesn't complain about my beard. She doesn't complain. She

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Speaker 1: complains about other things, you know, like my lack of

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Speaker 1: uh support in the house when it comes to the children.

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Speaker 2: Are you not helping? Are you being the horrible husband

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Speaker 2: that lies on the couch and plays video games?

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Speaker 1: No, I'm not being that person. But you know, my wife,

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Speaker 1: if there's nothing to do, she's gonna find something to

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Speaker 1: do in the form of cleaning or something like that.

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Speaker 1: That's just her and I don't think she's always been

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Speaker 1: like that, but I think ever since she's had kids,

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Speaker 1: a way to get away from everybody is to clean,

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Speaker 1: I guess, because she'll find things that aren't even dirty.

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Speaker 1: And it's really weird because she's never been that type

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Speaker 1: of person, but she'll find things that are dirty and

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Speaker 1: just be like I gotta clean this right now and then.

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Speaker 1: But it's a way. I think it's a way for

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Speaker 1: her to spend time away from us without being like

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Speaker 1: I can't be around y'all.

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Speaker 2: Don't you feel like in quarantine? This fucking deep into quarantine,

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Speaker 2: people are just starting to lose their minds a little

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Speaker 2: bit and they're like, what can I do? I know,

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Speaker 2: I'm going to clean the freezer like people are. I

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Speaker 2: think people are going a little batty.

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Speaker 1: Yeah, you know.

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Speaker 5: Uh.

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Speaker 1: She she got out the house today, which I'm very

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Speaker 1: happy for.

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Speaker 2: She let her out.

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Speaker 1: I let her out.

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Speaker 2: I let her as you're so strict with letting me. Lou,

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Speaker 2: did you like a padlock on the front door?

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Speaker 1: She was like, can I go out? I was like

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Speaker 1: one second, click click click, let me undo the chain

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Speaker 1: under the chain, underdo of the chain. And then I

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Speaker 1: opened the door and it's.

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Speaker 2: Like bright sunlight hits her face right.

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Speaker 1: And she's like blind for a second. When it hits her,

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Speaker 1: She's like, oh, so bright. And then I let her out.

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Speaker 2: Where did she go?

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Speaker 1: She went to play tennis, oh with Chris Crab, with

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Speaker 1: Christopher Crab.

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Speaker 2: She went, that's our old Donald and I we spoke

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Speaker 2: about him once he was our old tennis coach when

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Speaker 2: we were allowed to go to tennis.

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Speaker 1: Yeah, she took a tennis lesson.

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Speaker 2: Oh look who it is? Everybody? Thunderous applause, gentleman, burn

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Speaker 2: your key, Donald thunder give it up, turn, give it

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Speaker 2: up for Bill, America's favorite show runner is here, everybody.

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Speaker 3: I'm sure I have a lot of complaints today. I

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Speaker 3: a lot of issues today.

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Speaker 2: Bill, Why is your camera not on?

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Speaker 6: I got a lot of today I'm bringing I'm bringing

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Speaker 6: up complaints and stuff.

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Speaker 4: I'm ready.

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Speaker 2: All right, go we want to hear it all. Let's

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Speaker 2: go this such this is this called Bill bitches.

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Speaker 3: See, that's what it is.

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Speaker 6: That's what There's a new segment we're looking I mean

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Speaker 6: it is the second season of the show. Congratulations. By

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Speaker 6: the way, guys, I saw something that like a podcast

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Speaker 6: you have to listen to. I've run into people that

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Speaker 6: talk about the podcast independently of you two.

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Speaker 3: Its success makes me very happy.

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Speaker 6: The only thing that makes me happier is there are

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Speaker 6: some people that feel that I'm some way involved or

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Speaker 6: behind it, and I am not changing that narrative.

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Speaker 3: If I can take credit, I am are behind it.

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Speaker 2: Bill, You are this whole thing if it's worn't for you,

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Speaker 2: I wouldn't know Donald Donald would be I'd be like,

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Speaker 2: I don't know what I'd be doing porn you Donald

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Speaker 2: would be doing Clueless seven.

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Speaker 1: Right, dude. Every time they bring up do you want

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Speaker 1: to produce? I'm the one that's the holdout when it

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Speaker 1: comes to the Clueless remake. Every time they're like, do

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Speaker 1: you want to make it? Do you want to do

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Speaker 1: the remake? Do you want to do the remake? And

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Speaker 1: I'm like, no, no, no, no, not down. I'm still

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Speaker 1: spending that Scrubs money.

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Speaker 2: Wait a second, are you kidding? Are you serious? Alicia's

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Speaker 2: down to doing it? Okay, you should do it. Where

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Speaker 2: are they now?

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Speaker 1: It would be great if we could do a Clueless sequel,

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Speaker 1: that would be awesome. Do I think it's gonna happen?

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Speaker 1: I think nowadays more people are open to it. I

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Speaker 1: think ten years ago everybody was like, get the heck

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Speaker 1: out in here.

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Speaker 2: I mean, like a Netflix move, a Netflix movie would

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Speaker 2: be hilarious. I'd watch the hell out of that. Sorry, Bill,

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Speaker 2: go on, I didn't mean to interrupt the Wait. We

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Speaker 2: didn't count in, Bill, And since it's your favorite thing

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Speaker 2: to do, do you want to count a send to

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Speaker 2: America's favorite song.

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Speaker 6: Yeah, this might be the last time I ever do

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Speaker 6: it because we're looking for a new gig.

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Speaker 2: You're right, you're ready, right, But by the way, people

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Speaker 2: love it when you do it when you're not supposed to.

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Speaker 2: But now we're giving you permission to do it.

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Speaker 3: Bill, I don't want to.

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Speaker 2: All right, Bill, Please don't count into the theme song.

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Speaker 2: Please don't.

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Speaker 1: Whatever you do, Bill, just don't count into the themes

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Speaker 1: we asked you.

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Speaker 3: You guys think, but I know what.

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Speaker 7: Stories about show we made about a bunch of dogs

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Speaker 7: and nurses, Sana.

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Speaker 8: I said, he's the stories natural. So YadA ra here, YadA,

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Speaker 8: here is.

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Speaker 2: Bill. I have so many questions for you. I want

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Speaker 2: to tell you that I I think this is one

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Speaker 2: of the best episodes of season one and two thus far.

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Speaker 2: I laughed my ass off, and it's also moving, and

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Speaker 2: I just I'm so cool glad that coincidentally we were

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Speaker 2: having you on today because as I was watching it,

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Speaker 2: I thought it was fucking really one of the better

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Speaker 2: ones so far.

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Speaker 6: It's one of my favorite ones for everybody. But we're

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Speaker 6: gonna start with my grievances.

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Speaker 2: Yeah, go sorry, Bill, bitches all right, maybe maybe maybe

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Speaker 2: they shouldn't.

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Speaker 1: Be a little Dan just just give him little music,

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Speaker 1: just some little music, no well no.

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Speaker 2: Just like not not during this thing, just a little

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Speaker 2: to just figure out a little intro into the new segment.

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Speaker 2: Bill bitches, we're not.

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Speaker 3: We're not agreed that that's the new segment.

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Speaker 6: But if you're if you're coming up with what the

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Speaker 6: music would be for the segment, it should be something like.

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Speaker 2: This is a problem.

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Speaker 1: We give you, We give you an and you take

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Speaker 1: a foots.

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Speaker 2: You said you were going to come up with the

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Speaker 2: new season.

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Speaker 3: That would maybe be happy.

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Speaker 6: Okay, So here's here's my tiny grievances is when you

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Speaker 6: guys ask me quite, I don't want to be in

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Speaker 6: the same camp.

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Speaker 3: As wiki Kevin or Derek or whatever that guy's name is.

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Speaker 2: What's Wiky Trevor Trevor Wiki Wiky.

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Speaker 6: I'm not I'm not ever gonna call him that because

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Speaker 6: even though he seems nice, he's an enemy now because

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Speaker 6: he because.

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Speaker 2: He don't want to do it, he problematic. I'm not

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Speaker 2: gonna lie.

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Speaker 6: Have you guys noticed how you put me down and

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Speaker 6: make me feel like he does and knows the stuff

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Speaker 6: better than me. Have you noticed that through line it's

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Speaker 6: underneath He doesn't say it, but it's underneath it, and

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Speaker 6: underneath it is that he knows more about the show

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Speaker 6: than me.

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Speaker 2: I can him on. I just wait, we just signed

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Speaker 2: fucking Funko pops for the guy.

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Speaker 3: Maybe no funk pops, No Funko pops for Trevor.

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Speaker 1: Okay, Trevor is a big fucking know it all dude.

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Speaker 1: He's too much of a know it all just doesn't know.

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Speaker 1: Are you know how we feel about know it all? Zach?

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Speaker 1: You know how we feel about.

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Speaker 3: I actually like Trevor.

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Speaker 6: I just don't like feeling like on level playing field

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Speaker 6: with anybody.

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Speaker 3: It makes me upset. The So here's the here's my

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Speaker 3: here's my grievance.

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Speaker 6: My number one grievance is when you guys asked me questions,

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Speaker 6: I answer them after you've recorded it, so you can't

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Speaker 6: respond to the answer and so there's no real discourse.

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Speaker 6: I'm just like WICKI Trevor. So I want to think

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Speaker 6: of something that you can that I can record before

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Speaker 6: you do an episode in some cool way that you

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Speaker 6: could listen to and be prompted and then hear like

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Speaker 6: a response later.

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Speaker 3: Do you know what I mean? Something that I can

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Speaker 3: be Yeah, yes, we'd love that. So like it's even something,

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Speaker 3: go ahead, you go, you go.

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Speaker 2: People love it when you're on the show, and people

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Speaker 2: love your your your contributions, even when you start our

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Speaker 2: theme song without permission. And I think any way that

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Speaker 2: you want to be more. You're just a very busy man.

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Speaker 2: We don't want to cut into your time. Donald and

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Speaker 2: I are sitting around in quarantine staring at the walls,

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Speaker 2: whereas you're like writing eleven shows. So as much time

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Speaker 2: as you have, you can, please do it.

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Speaker 3: Well, here's what I want us to think of. It's quick,

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Speaker 3: it's there's only two requests I have. One is that.

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Speaker 6: We think of anything that I give you guys, something

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Speaker 6: that you can have Daniel press play on during the episode.

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Speaker 3: Because what I miss is I listened.

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Speaker 6: To these shows religiously. I listened to them the nights

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Speaker 6: they come out. I put my earphones on and listen

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Speaker 6: to them when I go to bed that night. It's awesome.

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Speaker 6: But what bums me out is when I do answer

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Speaker 6: your question, I don't get to hear your reaction or response.

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Speaker 3: To it, you know what I mean, because it happened

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Speaker 3: after the fact. So I think maybe when I know

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Speaker 3: what episode's coming.

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Speaker 6: If you ever like, oh, we'd like it, I can

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Speaker 6: either go uh ask you a question like what do

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Speaker 6: you think the writing room's favorite choke was in this episode?

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Speaker 6: And you can play the ending at the end if

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Speaker 6: you guys riff on it, or I can ask you

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Speaker 6: a question you all question about the episode based on

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Speaker 6: some kind of trivia or where it came from.

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Speaker 3: That might we do into a discussion. So I want

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Speaker 3: to I want to be I want to flip it.

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Speaker 6: And then the other thing is when you do have

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Speaker 6: me on, I want permission to bring a mystery guest

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Speaker 6: that you guys aren't allowed to know us.

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Speaker 1: That whatever you want? Bill, Bill, what those are?

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Speaker 6: Those are my only two contract demands?

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Speaker 2: Miss you make it happen? Do we have the best

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Speaker 2: producer in the podcast world and she's gonna make it

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Speaker 2: all happen.

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Speaker 3: I'm gonna steal Joel from you.

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Speaker 2: By the way, now that was gonna happen. I knew

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Speaker 2: that was gonna happen. Although Joel's like Joel's like produce

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Speaker 2: a podcast or work for Bill Lawrence in comedy writing.

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Speaker 1: Later the next episode, the next episode, that'll just be

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Speaker 1: some new person and yeah.

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Speaker 2: I can make Remember when Joel cut out, Remember when

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Speaker 2: you put up he cut out. It'll be like weekend

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Speaker 2: at Bernie's. It'll just be like just a Joel doll

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Speaker 2: sitting there.

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Speaker 6: I want I want Joel and Dan All to leave

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Speaker 6: right before your tour starts. So and they're.

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Speaker 2: Coming with Bill. You might come on the tour bus.

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Speaker 2: I think you might enjoy when we do the tour,

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Speaker 2: coming on our on our tour bus.

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Speaker 3: I'll probably take a plane from place to place.

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Speaker 2: But I like you, well, you'll be missing all the

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Speaker 2: fun on the We'll be missing all of the beautiful you.

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Speaker 6: By the way, nobody over eighteen has said you'll be

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Speaker 6: missing all the fun on the bus.

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Speaker 3: Guys, no fun on the bus.

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Speaker 2: Bill Donald and I have always wanted to tous We

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Speaker 2: always wanted to be We always wanted to live the

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Speaker 2: life of a tour bus rock band. And since we

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Speaker 2: don't play instruments and we're going to live that tour

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Speaker 2: bus life, we're gonna have a ROADI yeah, we should

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Speaker 2: bring up.

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Speaker 3: I gotta tell you, I I went, I saw Charlotte.

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Speaker 2: You know you're the producer, You're not the roady. We're

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Speaker 2: gonna we're gonna we need I don't know. No, no,

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Speaker 2: I would never we need a roady. I need someone

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Speaker 2: who tunes our instruments.

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Speaker 3: Thank you so much.

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Speaker 6: Uh uh, by the way for playing charlotte song, you guys.

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Speaker 6: That was so cool and uh uh you know she

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Speaker 6: loves you guys so much. She was so grateful, but

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Speaker 6: it was so neat for me. And I say that

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Speaker 6: because Charlotte's tour bus on her last tour was so

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Speaker 6: cool and I saw pictures of it, but I was

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Speaker 6: never allowed on it because that's.

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Speaker 3: Where she had parties after shows and stuff.

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Speaker 2: And so yeah, we don't on the tour bus, but

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Speaker 2: you can request.

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Speaker 3: That's other request.

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Speaker 6: If I'm allowed on your tour bus, I would like

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Speaker 6: my daughter to not be allowed on your tour bus.

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Speaker 2: Yeah, yeah, done, Sorry, no, Charlotte's allowed. I gotta tell

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Speaker 2: you that song is really good. Bill. I'm not just

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Speaker 2: saying this because I love you and I love Charlotte.

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Speaker 2: I actually played the pod the end of the podcast

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Speaker 2: a few times because I love the song and I

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Speaker 2: also really thought my talk up into it was spectacular

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Speaker 2: and no, but it's a really good song. I put it.

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Speaker 2: I added it to my workout playlist.

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Speaker 6: Dude, she's killing it. I would drop everything to be

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Speaker 6: a roadie for her or for you guys. You know,

403
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Speaker 6: it's just so fun being around music and being around

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Speaker 6: all that stuff.

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Speaker 2: Should we talk for a second about your new show.

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Speaker 2: I want to. I feel like we should promote ted

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Speaker 2: Lasso Bill.

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Speaker 3: We can't.

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Speaker 6: I just want at the end of the mystery guest thing,

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Speaker 6: and the reason I'm going to do it and you

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00:17:48,640 --> 00:17:51,280
Speaker 6: guys will like it is even though some mystery guests

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00:17:51,320 --> 00:17:53,960
Speaker 6: will freak you out, a couple of them will be writers.

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00:17:54,000 --> 00:17:57,399
Speaker 6: Because you guys are doing such interesting things talking about

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00:17:57,440 --> 00:18:00,280
Speaker 6: the craft of acting and your experiences on it, to

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00:18:00,359 --> 00:18:02,520
Speaker 6: occasionally throw another writer in the mix of this stuff,

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Speaker 6: and I really like it.

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00:18:03,400 --> 00:18:04,000
Speaker 2: We'd love that.

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00:18:04,080 --> 00:18:05,920
Speaker 1: We would really love that. You know, people, we were

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00:18:05,960 --> 00:18:08,560
Speaker 1: talking about that on the on the last podcast. We're

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Speaker 1: actually talking about that, like it's really important to us

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Speaker 1: that we bring other people from the show because everybody

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Speaker 1: has a story to tell, and everybody has it. You know,

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00:18:16,920 --> 00:18:19,119
Speaker 1: it was ten years of a lot of people's lives,

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00:18:19,200 --> 00:18:21,800
Speaker 1: nine years at people's lives, so I know that there's

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00:18:21,800 --> 00:18:24,080
Speaker 1: so many stories, like people got married.

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00:18:24,320 --> 00:18:26,680
Speaker 6: Oh didn't we had account of how many of how

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00:18:26,680 --> 00:18:28,520
Speaker 6: many babies were born during that show, and I think

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00:18:28,520 --> 00:18:30,639
Speaker 6: it was up to something like thirty something between all

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Speaker 6: the actors, crew and writers and stuff.

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Speaker 3: It was crazy.

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00:18:33,760 --> 00:18:38,440
Speaker 1: Yeah, so we we we asked, we asked our audience

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Speaker 1: and they were like, yes please, Yeah, we got.

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Speaker 2: Crew members, well, crew members, I mean we gotta we

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Speaker 2: we we said, hey, should we bring on crew people?

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00:18:45,480 --> 00:18:48,400
Speaker 2: And people overwhelmingly said yes, So we got to think

436
00:18:48,400 --> 00:18:50,439
Speaker 2: of like that. I mean, we definitely want Patrick Bolton

437
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Speaker 2: because he has his own song.

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Speaker 6: But of course, you know, by the way, uh, Neil

439
00:18:55,040 --> 00:18:57,480
Speaker 6: Goldman keeps count of how many times you've mentioned his

440
00:18:57,560 --> 00:18:59,880
Speaker 6: name on your podcast, so whenever you say Neil Goldman,

441
00:19:00,200 --> 00:19:02,360
Speaker 6: I'll get a text from him that just says forementioned.

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00:19:02,400 --> 00:19:06,840
Speaker 2: So far, Neil was one of the writers. Yeah, I

443
00:19:06,840 --> 00:19:08,720
Speaker 2: think we should have some writers on because also writers

444
00:19:08,720 --> 00:19:11,520
Speaker 2: are funny too. So Bill Mike Schwartz is in this episode.

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Speaker 2: He puts his penis in a flashlight.

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00:19:13,600 --> 00:19:16,359
Speaker 3: Yes, it was before he was Lloyd. So he's not

447
00:19:16,440 --> 00:19:20,080
Speaker 3: Lloyd in this Oh no he's no, he's not. Remember

448
00:19:20,160 --> 00:19:21,600
Speaker 3: Lloyd started as a delivery man.

449
00:19:21,720 --> 00:19:24,320
Speaker 1: Lloyd shows up with the bricks, a ton of bricks.

450
00:19:24,480 --> 00:19:27,240
Speaker 6: Right, Lloyd's the delivery man, and then we just let

451
00:19:27,320 --> 00:19:30,560
Speaker 6: Mike do the flashlight thing, and then Lloyd continues to

452
00:19:30,560 --> 00:19:32,679
Speaker 6: be a delivery man that loves heavy metal, and then

453
00:19:32,720 --> 00:19:35,080
Speaker 6: Lloyd eventually comes to be part of the brain Trust.

454
00:19:35,160 --> 00:19:38,600
Speaker 2: Yes, now, Bill, are you sure that it's in your

455
00:19:38,680 --> 00:19:41,919
Speaker 2: mind that that's not Lloyd? Because why why is it not?

456
00:19:42,000 --> 00:19:43,679
Speaker 2: He ever says I'm Jim or anything.

457
00:19:44,520 --> 00:19:47,640
Speaker 6: I think he was acting. Maybe he is in his head,

458
00:19:47,680 --> 00:19:51,480
Speaker 6: but I didn't. I remember us arguing in the writer's

459
00:19:51,600 --> 00:19:54,159
Speaker 6: room if he was allowed to do that, and I

460
00:19:54,200 --> 00:19:56,760
Speaker 6: said yes, because at that point, by that point, I

461
00:19:56,800 --> 00:20:00,400
Speaker 6: think I'd put myself in the show three different times

462
00:20:00,600 --> 00:20:01,240
Speaker 6: once getting it.

463
00:20:01,400 --> 00:20:02,880
Speaker 3: You know, I whenever I was bored.

464
00:20:02,920 --> 00:20:04,200
Speaker 6: I don't know if you guys remembered, I used to

465
00:20:04,240 --> 00:20:06,560
Speaker 6: go put myself on the show and occasionally give myself

466
00:20:06,800 --> 00:20:09,600
Speaker 6: a line or reaction until I finally gave myself a

467
00:20:09,640 --> 00:20:11,720
Speaker 6: part as a minister that lived in the Bahamas and

468
00:20:11,760 --> 00:20:14,520
Speaker 6: then a janitor that also works at the hospital.

469
00:20:14,920 --> 00:20:17,399
Speaker 3: So I didn't have any ground to stand on. I

470
00:20:17,440 --> 00:20:21,080
Speaker 3: eventually just had to let people do it. But yeah,

471
00:20:21,119 --> 00:20:21,880
Speaker 3: let's say he's Wood.

472
00:20:22,520 --> 00:20:25,200
Speaker 1: Okay, But because that's the thing, we always joked that

473
00:20:25,480 --> 00:20:28,000
Speaker 1: the janitor didn't have any kids. But in this episode

474
00:20:28,480 --> 00:20:30,400
Speaker 1: at the end he's in front of a class. Now

475
00:20:30,440 --> 00:20:31,080
Speaker 1: my question is.

476
00:20:31,040 --> 00:20:32,320
Speaker 2: No, he's lying. He's lying.

477
00:20:32,400 --> 00:20:34,040
Speaker 3: Yeah, well he doesn't have any kids.

478
00:20:34,160 --> 00:20:35,760
Speaker 1: Yeah, So it is a it is a fantasy, and

479
00:20:35,760 --> 00:20:38,240
Speaker 1: this is something that JD dreams.

480
00:20:38,280 --> 00:20:40,359
Speaker 2: Okay, cool, Oh my god, we gotta get an episode.

481
00:20:40,359 --> 00:20:41,840
Speaker 2: It's so good. Before we do, I just want to

482
00:20:41,880 --> 00:20:44,879
Speaker 2: say Bill is too modest to talk about this, but

483
00:20:44,880 --> 00:20:48,560
Speaker 2: he has a new show with Jason Sidecz. It's it's

484
00:20:48,600 --> 00:20:54,160
Speaker 2: on Apple. It's called ted Lasso, and it's getting extraordinary reviews.

485
00:20:54,480 --> 00:20:59,240
Speaker 2: And I directed episode two and it's really fucking good

486
00:20:59,280 --> 00:21:01,040
Speaker 2: and I'm happy for you Bill. And if you're a

487
00:21:01,080 --> 00:21:02,560
Speaker 2: fan of it, and if you're a fan of this,

488
00:21:02,600 --> 00:21:05,160
Speaker 2: shhow you're gonna like it because it's very, very funny.

489
00:21:05,160 --> 00:21:08,240
Speaker 2: It's a similar well it's not fantasies and stuff. But Bill,

490
00:21:08,280 --> 00:21:10,640
Speaker 2: talk about it for a second. Plug yourself for God's sake.

491
00:21:10,840 --> 00:21:11,320
Speaker 5: Ah.

492
00:21:11,359 --> 00:21:15,919
Speaker 6: Look, Jasis Sudeikis is a very funny performer, a great actor.

493
00:21:15,960 --> 00:21:17,920
Speaker 6: But he's also was a writer on SNL first and

494
00:21:18,520 --> 00:21:20,560
Speaker 6: he wrote and came up with his character long ago.

495
00:21:20,800 --> 00:21:25,000
Speaker 6: And it's about a transplanted American college football coach that

496
00:21:25,080 --> 00:21:27,080
Speaker 6: goes over to the UK to coach a Premier league

497
00:21:27,119 --> 00:21:29,479
Speaker 6: soccer team. It's a fish out of water thing, but

498
00:21:29,600 --> 00:21:31,320
Speaker 6: you know me and man, I'm a sucker for heart

499
00:21:31,440 --> 00:21:36,600
Speaker 6: and emotions, and most importantly, I think, besides being kind

500
00:21:36,640 --> 00:21:39,920
Speaker 6: of a fun sports movie, if people could use maybe

501
00:21:40,000 --> 00:21:42,040
Speaker 6: an optimistic, hopeful show.

502
00:21:42,520 --> 00:21:42,919
Speaker 3: It is that.

503
00:21:43,280 --> 00:21:47,040
Speaker 6: And I certainly needed to work on something like that

504
00:21:47,600 --> 00:21:49,399
Speaker 6: for a change, and I'm.

505
00:21:49,240 --> 00:21:49,800
Speaker 3: Really proud of it.

506
00:21:49,840 --> 00:21:51,560
Speaker 6: You did great work, man, as I was lucky that

507
00:21:51,640 --> 00:21:53,919
Speaker 6: Zach was there and had nothing else to do that

508
00:21:53,960 --> 00:21:55,439
Speaker 6: I could kind of shang hi him and make him

509
00:21:55,480 --> 00:21:56,119
Speaker 6: direct an episode.

510
00:21:56,160 --> 00:21:56,640
Speaker 2: Well, it's funny.

511
00:21:56,680 --> 00:21:56,800
Speaker 1: I was.

512
00:21:56,920 --> 00:21:59,760
Speaker 2: I was in the UK because my girlfriend was working there,

513
00:21:59,800 --> 00:22:02,520
Speaker 2: and Bill was like, oh my god, this is perfect.

514
00:22:02,560 --> 00:22:04,080
Speaker 2: Do you want to direct an episode of the show.

515
00:22:04,160 --> 00:22:06,080
Speaker 2: And I said, oh my god, please, I'm sitting here,

516
00:22:06,080 --> 00:22:08,720
Speaker 2: I got nothing to do. I should be writing something,

517
00:22:08,760 --> 00:22:11,720
Speaker 2: but I'm just fucking around and not writing. And I

518
00:22:11,840 --> 00:22:14,040
Speaker 2: came and it was so cool because, as we've told

519
00:22:14,080 --> 00:22:16,040
Speaker 2: you on the show, when you when episode, if you know,

520
00:22:16,280 --> 00:22:18,720
Speaker 2: after the pilot, the first few episodes, you're still kind

521
00:22:18,720 --> 00:22:20,560
Speaker 2: of kind of developing the tone of the show and

522
00:22:20,600 --> 00:22:23,719
Speaker 2: figuring out the way the camera moves and and and

523
00:22:23,760 --> 00:22:25,960
Speaker 2: I was just awesome to be back on a set

524
00:22:26,000 --> 00:22:30,720
Speaker 2: with Bill so surreal this time in London. Uh and Sadeikis,

525
00:22:30,760 --> 00:22:33,600
Speaker 2: who I think is so fucking funny and talented and

526
00:22:33,640 --> 00:22:37,679
Speaker 2: a really really funny group of people. And and I I,

527
00:22:37,760 --> 00:22:39,320
Speaker 2: you know, I delivered my cut. I don't know how

528
00:22:39,400 --> 00:22:40,520
Speaker 2: much you changed my cut.

529
00:22:40,840 --> 00:22:44,120
Speaker 6: Bill, Well, no, look, stuff always changes, that's me saying

530
00:22:44,119 --> 00:22:44,640
Speaker 6: in a nice way.

531
00:22:44,680 --> 00:22:45,360
Speaker 3: We changed it some.

532
00:22:45,640 --> 00:22:49,760
Speaker 6: But Zach, but that you did establish a visual, you know,

533
00:22:49,960 --> 00:22:53,399
Speaker 6: look of the show, which was you know, and we

534
00:22:53,480 --> 00:22:55,240
Speaker 6: hadn't really even thought about it. If you're in the

535
00:22:55,320 --> 00:22:58,600
Speaker 6: UK as an American TV show, shooting these kind of

536
00:22:58,680 --> 00:23:01,560
Speaker 6: great kind of visual of where you actually are would

537
00:23:01,560 --> 00:23:03,399
Speaker 6: be silly not to do it. And you did it

538
00:23:03,400 --> 00:23:07,440
Speaker 6: in yours in Richmond and what is unbelievably beautiful site,

539
00:23:07,480 --> 00:23:09,199
Speaker 6: you know where you shot that photo shoot. You did

540
00:23:09,240 --> 00:23:12,320
Speaker 6: it with the guy walking his dogs in the town green,

541
00:23:12,400 --> 00:23:15,399
Speaker 6: which was amazing, And you kind of set a visual

542
00:23:15,440 --> 00:23:18,960
Speaker 6: style for showing big and beautiful landscapes and stuff that

543
00:23:19,000 --> 00:23:20,359
Speaker 6: we kind of continued to wrap.

544
00:23:20,640 --> 00:23:22,000
Speaker 2: Yeah, it was a lot of fun. And I had

545
00:23:22,000 --> 00:23:25,399
Speaker 2: to figure ironically, I had to figure something sportsy out. Donald,

546
00:23:25,400 --> 00:23:27,320
Speaker 2: you'll be proud of me because the show is about

547
00:23:27,359 --> 00:23:31,120
Speaker 2: a soccer team or football as we say over there,

548
00:23:32,880 --> 00:23:35,679
Speaker 2: and these these gentlemen who take care of the pitch

549
00:23:35,760 --> 00:23:38,679
Speaker 2: that's what they call the field. Donald, are so proud

550
00:23:38,720 --> 00:23:40,960
Speaker 2: of it that and of course it's beautiful. It's like

551
00:23:41,000 --> 00:23:44,000
Speaker 2: perfect that you can't run. They don't want gear on

552
00:23:44,119 --> 00:23:45,040
Speaker 2: the on the pitch.

553
00:23:45,040 --> 00:23:49,040
Speaker 6: They don't want no no, Dolly's no, no, no, no anything.

554
00:23:49,080 --> 00:23:51,840
Speaker 2: So I had to come up with the amazing key grip.

555
00:23:51,920 --> 00:23:53,399
Speaker 2: I had to come up with, and I was like,

556
00:23:53,440 --> 00:23:55,359
Speaker 2: cause I had all these shots of these guys playing

557
00:23:55,560 --> 00:23:58,320
Speaker 2: soccer like in and in and around in the game,

558
00:23:58,480 --> 00:24:00,760
Speaker 2: around them and everything, and we came up with this

559
00:24:00,840 --> 00:24:05,320
Speaker 2: amazing rig that had these big inflatable tires. It's basically

560
00:24:05,600 --> 00:24:11,359
Speaker 2: often more used for dollying on sand, but it didn't

561
00:24:11,359 --> 00:24:14,320
Speaker 2: make any imprint on the grass. And then we put

562
00:24:14,320 --> 00:24:16,520
Speaker 2: a remote head on it and these guys the grips

563
00:24:16,520 --> 00:24:19,120
Speaker 2: would run all around with it and the camera operator

564
00:24:19,160 --> 00:24:21,360
Speaker 2: was controlling it from the remote head by on the side,

565
00:24:21,760 --> 00:24:24,560
Speaker 2: and it was like approved by the greensman to be

566
00:24:24,600 --> 00:24:26,600
Speaker 2: able to be used. And I was really proud of that.

567
00:24:27,200 --> 00:24:28,560
Speaker 2: It was really cool, and.

568
00:24:28,480 --> 00:24:29,760
Speaker 3: We used it in every episode.

569
00:24:29,920 --> 00:24:32,639
Speaker 6: And when someone asked me, literally in an interview the

570
00:24:32,640 --> 00:24:35,720
Speaker 6: other day, who came up with that, I admitted that

571
00:24:35,760 --> 00:24:36,240
Speaker 6: it was me that.

572
00:24:42,359 --> 00:24:44,320
Speaker 2: You already told me. He already broke it to me

573
00:24:44,359 --> 00:24:46,880
Speaker 2: that one of my favorite shots was cut. And I'm

574
00:24:46,920 --> 00:24:49,760
Speaker 2: really sad because it was fucking such a cool shot.

575
00:24:49,800 --> 00:24:51,760
Speaker 2: But hey, this is what happens when you're a director

576
00:24:51,880 --> 00:24:54,320
Speaker 2: for a TV show. You just do all you can

577
00:24:54,359 --> 00:24:57,200
Speaker 2: and then you hand it off to a showrunner like Bill,

578
00:24:57,359 --> 00:24:59,800
Speaker 2: and sometimes you lose dope shots.

579
00:25:01,080 --> 00:25:03,159
Speaker 6: I'm going to segue into what you said about this episode,

580
00:25:03,200 --> 00:25:06,080
Speaker 6: and I'm going to compliment you guys both because what's

581
00:25:06,119 --> 00:25:09,960
Speaker 6: hard for me sometimes to watch episodes and I hadn't

582
00:25:09,960 --> 00:25:12,359
Speaker 6: watched any of these Scrubs episodes for years until you

583
00:25:12,400 --> 00:25:16,280
Speaker 6: guys started doing this is when you go back and

584
00:25:16,320 --> 00:25:18,560
Speaker 6: look at him, if you were involved in him, you always,

585
00:25:19,040 --> 00:25:20,760
Speaker 6: I do anyways, get stuck and be like, oh, I

586
00:25:20,760 --> 00:25:22,840
Speaker 6: could have done this better, and you guys have had.

587
00:25:22,880 --> 00:25:23,800
Speaker 3: You guys are so candid.

588
00:25:23,800 --> 00:25:26,479
Speaker 6: Sometimes you're like, ah, this isn't my favorite episode, you know,

589
00:25:26,640 --> 00:25:29,200
Speaker 6: And for me, what's so hard is you sometimes watch

590
00:25:29,200 --> 00:25:30,240
Speaker 6: an episode that even if.

591
00:25:30,160 --> 00:25:31,160
Speaker 3: It's one of your favorites.

592
00:25:31,240 --> 00:25:33,479
Speaker 6: You'll go, oh, it's one of my favorites because this

593
00:25:33,560 --> 00:25:37,240
Speaker 6: A story is awesome, and this B story is okay,

594
00:25:37,320 --> 00:25:39,760
Speaker 6: the C story sucks or the B story is amazing.

595
00:25:40,040 --> 00:25:40,679
Speaker 3: A story is not.

596
00:25:40,920 --> 00:25:43,639
Speaker 6: This episode I really like because I actually watched it

597
00:25:43,680 --> 00:25:45,840
Speaker 6: and liked every single story and thought it was great

598
00:25:45,880 --> 00:25:46,960
Speaker 6: for every single performer.

599
00:25:47,320 --> 00:25:49,000
Speaker 3: So I was excited that you guys, let me do

600
00:25:49,040 --> 00:25:49,639
Speaker 3: this one with you.

601
00:25:49,960 --> 00:25:51,720
Speaker 2: By the way, it was a total accident because I

602
00:25:52,080 --> 00:25:54,160
Speaker 2: just said I missed having you on, and Donald missed

603
00:25:54,200 --> 00:25:55,719
Speaker 2: having you on, and the fans always like it when

604
00:25:55,720 --> 00:25:57,280
Speaker 2: you're on, and I was like, hey, come, do come

605
00:25:57,320 --> 00:25:58,800
Speaker 2: do this one. And then I watch it today and

606
00:25:58,840 --> 00:26:00,359
Speaker 2: I was like, oh, I'm so happy we have you

607
00:26:00,400 --> 00:26:03,320
Speaker 2: because I literally stopped every ten seconds and was writing

608
00:26:03,359 --> 00:26:03,920
Speaker 2: something down.

609
00:26:04,359 --> 00:26:07,480
Speaker 1: There are a lot of great jokes in this one.

610
00:26:07,480 --> 00:26:08,359
Speaker 2: A lot of good stunts.

611
00:26:08,440 --> 00:26:10,720
Speaker 1: I gotta say, this guy great stunts.

612
00:26:10,760 --> 00:26:13,960
Speaker 2: This guy who plays JD is a fucking really good

613
00:26:14,680 --> 00:26:15,399
Speaker 2: comic stunt.

614
00:26:15,440 --> 00:26:17,199
Speaker 1: Where we get into all of that ship. Let's do

615
00:26:17,320 --> 00:26:18,200
Speaker 1: the recap.

616
00:26:18,359 --> 00:26:21,879
Speaker 2: Oh, sorry for this. As you know, we have a

617
00:26:21,920 --> 00:26:26,000
Speaker 2: new segment where Donald sums up the episode, sometimes elegantly,

618
00:26:26,040 --> 00:26:28,520
Speaker 2: sometimes horribly we'll see what's gonna happen today.

619
00:26:29,640 --> 00:26:33,240
Speaker 3: I have not heard him do one horrible and I

620
00:26:33,240 --> 00:26:34,200
Speaker 3: think I have a question.

621
00:26:34,440 --> 00:26:37,159
Speaker 6: When it's like thirty six seconds, you act disappointed?

622
00:26:37,400 --> 00:26:39,879
Speaker 2: Well, sometimes sometimes he does. He gets lazy about it.

623
00:26:40,000 --> 00:26:42,119
Speaker 2: He only comes up with like ten seconds of material

624
00:26:42,160 --> 00:26:45,600
Speaker 2: and then he stretches it out. He's like, this episode,

625
00:26:50,520 --> 00:26:53,960
Speaker 2: that's funny. Are you ready? Donald, Let's go and go.

626
00:26:54,840 --> 00:26:57,639
Speaker 1: A new character is introduced, played by Richard Kine, and

627
00:26:57,720 --> 00:27:00,600
Speaker 1: much like the Core seven, he's trying to find something.

628
00:27:00,920 --> 00:27:03,119
Speaker 1: Cox is trying to get Richard's character out of the

629
00:27:03,160 --> 00:27:06,920
Speaker 1: hospital because he feels he's wasting everyone's time. Jad's trying

630
00:27:06,960 --> 00:27:09,520
Speaker 1: to find a way back into Elliott's heart. Turk is

631
00:27:09,520 --> 00:27:12,080
Speaker 1: trying to find a way to keep an elderly woman

632
00:27:12,119 --> 00:27:15,520
Speaker 1: who just had brain surgery from driving. Elliott's a hot

633
00:27:15,560 --> 00:27:18,199
Speaker 1: mess and needs to find a place to live. The

634
00:27:18,280 --> 00:27:21,840
Speaker 1: thing about searching is it's often followed by discovery, and

635
00:27:21,920 --> 00:27:24,280
Speaker 1: all of our heroes are caught off guard when they

636
00:27:24,320 --> 00:27:25,520
Speaker 1: find what they're looking for.

637
00:27:25,760 --> 00:27:30,800
Speaker 2: Oh shit, whoa, that's the first one.

638
00:27:32,440 --> 00:27:32,640
Speaker 3: Yeah.

639
00:27:33,000 --> 00:27:36,040
Speaker 6: The first thing about searching is it often leads to discovery.

640
00:27:36,200 --> 00:27:38,280
Speaker 3: Is something that I'm going to lift and say that.

641
00:27:38,320 --> 00:27:42,280
Speaker 6: I remember when I first said that.

642
00:27:40,960 --> 00:27:45,919
Speaker 2: That isn't just that's good. I don't know if you're

643
00:27:45,960 --> 00:27:47,879
Speaker 2: just showing off because Bill was on the show today,

644
00:27:47,880 --> 00:27:49,320
Speaker 2: But that was beautiful.

645
00:27:50,640 --> 00:27:52,879
Speaker 1: When we when we when Bill agreed to come on

646
00:27:52,880 --> 00:27:54,960
Speaker 1: the show, I was like, I gotta make the freaking Yeah.

647
00:27:55,119 --> 00:27:56,120
Speaker 1: He kept a little bit better.

648
00:27:56,160 --> 00:27:57,840
Speaker 2: Yeah, he was like, I'm gonna stick the landing with

649
00:27:57,880 --> 00:28:01,720
Speaker 2: a poetic sentence. I, by the way.

650
00:28:01,640 --> 00:28:03,159
Speaker 6: Just see you guys know before the end of this

651
00:28:03,280 --> 00:28:06,280
Speaker 6: I will weave that sentence into a comment without you

652
00:28:06,320 --> 00:28:07,440
Speaker 6: guys ready for it to come.

653
00:28:07,480 --> 00:28:09,679
Speaker 3: I'm sorry going to say that. The thing about searching

654
00:28:09,760 --> 00:28:11,400
Speaker 3: is it also often leads to discovery.

655
00:28:11,520 --> 00:28:14,480
Speaker 2: And it felt like something JD would say in a

656
00:28:14,560 --> 00:28:15,600
Speaker 2: voiceover and the show.

657
00:28:16,160 --> 00:28:17,879
Speaker 3: Well, you'd say at the end of the day. First,

658
00:28:18,240 --> 00:28:18,919
Speaker 3: you'd say the.

659
00:28:18,960 --> 00:28:21,919
Speaker 1: Day, at the end of the day, at the end

660
00:28:21,960 --> 00:28:22,520
Speaker 1: of the day.

661
00:28:23,040 --> 00:28:25,360
Speaker 3: Did you guys ever tell that piece of trivia?

662
00:28:25,440 --> 00:28:27,720
Speaker 6: It's one of my favorite things that I don't know

663
00:28:27,880 --> 00:28:30,440
Speaker 6: if you both know or remember, is when our show

664
00:28:30,520 --> 00:28:35,680
Speaker 6: was at its hottest, a small publishing company said, hey,

665
00:28:36,040 --> 00:28:38,400
Speaker 6: we'd like to give you some money, which is always

666
00:28:38,440 --> 00:28:41,600
Speaker 6: interesting and money in advances. We want to do a

667
00:28:41,640 --> 00:28:45,880
Speaker 6: book of all those kind of inspirational life guidance scrubs quotes,

668
00:28:46,000 --> 00:28:49,760
Speaker 6: JD voiceovers at the end. And we initially ran on

669
00:28:49,800 --> 00:28:52,800
Speaker 6: and I were like, oh, we're definitely doing that. Of course,

670
00:28:52,960 --> 00:28:55,160
Speaker 6: you know, it'll be do, it'll be whatever, it'll be great.

671
00:28:55,560 --> 00:28:57,800
Speaker 6: And some of them are really good. But then when

672
00:28:57,880 --> 00:29:02,400
Speaker 6: you take all the manipulative indie music out, guys, and

673
00:29:02,440 --> 00:29:05,760
Speaker 6: you remove your performances, some of them literally are like

674
00:29:06,120 --> 00:29:07,960
Speaker 6: at the end of the day, things.

675
00:29:07,680 --> 00:29:10,200
Speaker 3: Happen, and then other things happen.

676
00:29:10,360 --> 00:29:14,120
Speaker 6: And sometimes the things make you sad, and sometimes the

677
00:29:14,200 --> 00:29:18,000
Speaker 6: things make you happy. And and we were, by the way,

678
00:29:18,000 --> 00:29:20,040
Speaker 6: we were immediately looking at him going, oh, we can't

679
00:29:20,080 --> 00:29:20,400
Speaker 6: do this.

680
00:29:20,520 --> 00:29:26,360
Speaker 2: Ever, I remember sometimes I remember sometimes recording him being

681
00:29:26,400 --> 00:29:29,600
Speaker 2: like this makes no fucking sense. But then you slap,

682
00:29:29,760 --> 00:29:31,840
Speaker 2: you slap the little indie music gone in and do

683
00:29:31,920 --> 00:29:34,520
Speaker 2: a cool slow motion crane shot and bam, you're there.

684
00:29:36,600 --> 00:29:39,240
Speaker 6: When you when when push comes to shoves, sometimes your

685
00:29:39,240 --> 00:29:42,800
Speaker 6: friends are your friends, and sometimes your enemies or your enemies.

686
00:29:43,280 --> 00:29:44,520
Speaker 3: Bomb bomb bomb.

687
00:29:44,560 --> 00:29:52,640
Speaker 9: But in the end, but in the end, he's gonna

688
00:29:52,640 --> 00:29:54,720
Speaker 9: add with like a meaningful word like and in the end,

689
00:29:54,760 --> 00:29:56,520
Speaker 9: it all comes down to friendship.

690
00:29:58,960 --> 00:30:04,400
Speaker 3: Dude, ude, do do you so cheap?

691
00:30:04,440 --> 00:30:04,640
Speaker 4: Mess?

692
00:30:04,920 --> 00:30:05,200
Speaker 3: Sorry?

693
00:30:05,240 --> 00:30:10,200
Speaker 2: All right? So the episode opens with JD talking about

694
00:30:10,680 --> 00:30:14,880
Speaker 2: black people in movie theaters yelling at the screen. Yeah,

695
00:30:15,000 --> 00:30:16,920
Speaker 2: I don't know if we're allowed to make that joke anymore.

696
00:30:17,080 --> 00:30:20,840
Speaker 2: I apologize if it's a cancer, it's that Joelle.

697
00:30:20,480 --> 00:30:22,200
Speaker 1: And so dude, we make fun of that.

698
00:30:22,560 --> 00:30:22,880
Speaker 4: Listen.

699
00:30:23,080 --> 00:30:25,360
Speaker 5: I understand why why people feel like they can't do

700
00:30:25,440 --> 00:30:28,680
Speaker 5: it because your culture doesn't allow it. Our culture does

701
00:30:28,720 --> 00:30:30,440
Speaker 5: allow it. And it's the best part of being black,

702
00:30:30,480 --> 00:30:32,400
Speaker 5: and to react to the screen.

703
00:30:32,400 --> 00:30:34,040
Speaker 1: It's one of the best things ever.

704
00:30:34,120 --> 00:30:34,160
Speaker 4: Do.

705
00:30:34,520 --> 00:30:37,480
Speaker 5: See a movie on the South Side of Chicago, blow

706
00:30:37,520 --> 00:30:40,080
Speaker 5: your mind. You're like a totally different experience.

707
00:30:40,720 --> 00:30:45,200
Speaker 1: Who you going in that room?

708
00:30:45,480 --> 00:30:45,800
Speaker 3: Donald?

709
00:30:45,800 --> 00:30:50,840
Speaker 6: Do you remember uh Eddie Murphy's Amityville horror bit when

710
00:30:50,880 --> 00:30:52,320
Speaker 6: he was kind of doing he was doing a bit

711
00:30:52,360 --> 00:30:55,400
Speaker 6: about talking to the movie theater, and then he also

712
00:30:55,440 --> 00:30:59,080
Speaker 6: segued into how white people in the horror movies don't

713
00:30:59,080 --> 00:31:02,160
Speaker 6: listen to the ghosts, you know, like in amity Little

714
00:31:02,200 --> 00:31:02,760
Speaker 6: Horror like.

715
00:31:03,000 --> 00:31:09,040
Speaker 1: It right, I went something like I went to see

716
00:31:09,080 --> 00:31:12,280
Speaker 1: the horror movie and you know, the ghast goes get

717
00:31:12,280 --> 00:31:15,120
Speaker 1: out right and and the people stayed in the house.

718
00:31:15,280 --> 00:31:16,880
Speaker 1: If it was a black family, they'd be like, Wow,

719
00:31:16,920 --> 00:31:18,920
Speaker 1: look at this beautiful house. Look at the lovely furniture.

720
00:31:19,280 --> 00:31:21,040
Speaker 1: It's got a pool in the back of Oh my God,

721
00:31:21,160 --> 00:31:24,080
Speaker 1: leads to a lake. This is great. Ge't out too bad.

722
00:31:24,120 --> 00:31:25,920
Speaker 1: We can't stay.

723
00:31:30,160 --> 00:31:32,560
Speaker 3: But by the way, Zach, you just stumbled onto something

724
00:31:32,600 --> 00:31:34,320
Speaker 3: that we talked about in the writer's room a lot.

725
00:31:34,720 --> 00:31:36,560
Speaker 3: And why I'm.

726
00:31:36,440 --> 00:31:40,800
Speaker 6: Grateful for Joelle chiming in is there's one It's that's

727
00:31:40,800 --> 00:31:43,040
Speaker 6: the line you have to find in these writers rooms.

728
00:31:43,080 --> 00:31:43,280
Speaker 3: Man.

729
00:31:43,600 --> 00:31:46,640
Speaker 6: Is it would be one thing for JD to make

730
00:31:46,760 --> 00:31:50,160
Speaker 6: fun of, Oh, Turk, you and other black people talk

731
00:31:50,200 --> 00:31:53,000
Speaker 6: in the movie theater. The other thing is when you

732
00:31:53,000 --> 00:31:55,400
Speaker 6: get to an endpoint of what Joelle just said, which

733
00:31:55,480 --> 00:31:58,120
Speaker 6: was true for me, is turk going to you?

734
00:31:58,120 --> 00:32:01,080
Speaker 3: You wish you could talk during the movie? Is you

735
00:32:01,080 --> 00:32:03,000
Speaker 3: know what I mean to me? That's that's what I love.

736
00:32:03,200 --> 00:32:05,000
Speaker 3: I have anxiety such a friendship moment.

737
00:32:05,200 --> 00:32:08,920
Speaker 2: My father was fucking nuts about people talking in the

738
00:32:08,920 --> 00:32:13,840
Speaker 2: movie theater, and I have anxiety about it because he

739
00:32:13,880 --> 00:32:16,200
Speaker 2: would often confront people. I'm not we didn't go to

740
00:32:16,240 --> 00:32:18,280
Speaker 2: a movie theater like you know, like you're saying, Joel

741
00:32:18,360 --> 00:32:20,360
Speaker 2: on the South Side of Chicago or what. But we

742
00:32:20,360 --> 00:32:23,040
Speaker 2: were going in the suburbs and not just black people,

743
00:32:23,080 --> 00:32:25,160
Speaker 2: white people. People would talk during the movie and he

744
00:32:25,680 --> 00:32:28,920
Speaker 2: would confront them, and I get like anxiety thinking about

745
00:32:28,960 --> 00:32:32,000
Speaker 2: it now because it was so embarrassing, and I just

746
00:32:32,080 --> 00:32:34,840
Speaker 2: I don't know. I whenever I go to the movie

747
00:32:34,840 --> 00:32:38,120
Speaker 2: theater and someone's talking, I get all stressed about it.

748
00:32:38,120 --> 00:32:40,920
Speaker 6: That's why the amount of times I've heard my wife

749
00:32:41,360 --> 00:32:44,520
Speaker 6: say just open your candy to somebody, because you know

750
00:32:44,560 --> 00:32:46,120
Speaker 6: how people, I'm one of these people.

751
00:32:47,160 --> 00:32:47,680
Speaker 3: It's better.

752
00:32:47,840 --> 00:32:50,840
Speaker 6: It's better to open your candy slow, you know, But

753
00:32:50,880 --> 00:32:53,400
Speaker 6: then the crinkle just lasts longer rather than just to

754
00:32:53,480 --> 00:32:56,040
Speaker 6: rip it open. So if someone is crinkling their little

755
00:32:56,080 --> 00:32:59,200
Speaker 6: bag of sour gut, Chris is like, just open your candy,

756
00:32:59,360 --> 00:32:59,920
Speaker 6: open your can.

757
00:33:00,160 --> 00:33:00,520
Speaker 2: God.

758
00:33:00,840 --> 00:33:03,280
Speaker 1: I used to love going to the movie theaters and

759
00:33:03,600 --> 00:33:07,120
Speaker 1: to the movie and seeing a movie and hearing not

760
00:33:07,160 --> 00:33:11,320
Speaker 1: people talk like amongst themselves, but talk with the movie theater.

761
00:33:11,680 --> 00:33:11,880
Speaker 6: You know.

762
00:33:12,400 --> 00:33:15,920
Speaker 1: I grew up in New York City. My parents belonged

763
00:33:15,960 --> 00:33:18,640
Speaker 1: to a theater in Harlem, and so the Apollo Theater

764
00:33:18,800 --> 00:33:20,800
Speaker 1: was up the block, and there was a movie theater

765
00:33:20,920 --> 00:33:24,960
Speaker 1: right next to the Apollo Theater, and I remember going

766
00:33:24,960 --> 00:33:28,120
Speaker 1: and seeing School Days in that movie theater, and it's

767
00:33:28,120 --> 00:33:32,640
Speaker 1: a Spike Lee movie about college rushing, Black college rushing,

768
00:33:33,120 --> 00:33:35,680
Speaker 1: and so they would have step shows and all of

769
00:33:35,680 --> 00:33:38,080
Speaker 1: these things, and I remember they had a step there's

770
00:33:38,080 --> 00:33:43,040
Speaker 1: a step show in the movie, and this fraternity is

771
00:33:43,080 --> 00:33:46,120
Speaker 1: going hard. And I remember sitting in the audience with

772
00:33:47,440 --> 00:33:50,640
Speaker 1: my best friend and his dad and looking over and

773
00:33:50,760 --> 00:33:53,960
Speaker 1: people were in the aisle stepping.

774
00:33:54,000 --> 00:33:56,040
Speaker 2: To the freaking movies.

775
00:33:56,800 --> 00:34:00,120
Speaker 1: And you know, if you're not, if you're listen, and

776
00:34:00,160 --> 00:34:02,280
Speaker 1: if you don't know better, you'd be like, oh, this

777
00:34:02,320 --> 00:34:04,120
Speaker 1: is part of the show. But I knew it wasn't

778
00:34:04,120 --> 00:34:05,720
Speaker 1: a part of the show. I knew these people caught

779
00:34:06,080 --> 00:34:08,000
Speaker 1: feelings for the moment that was going on. And so

780
00:34:08,080 --> 00:34:10,360
Speaker 1: now we're not even watching the movie anymore. We're watching

781
00:34:10,400 --> 00:34:12,839
Speaker 1: the people in the aisle dance and everything like that.

782
00:34:13,200 --> 00:34:15,000
Speaker 1: And I get a kick out of I get a

783
00:34:15,080 --> 00:34:16,680
Speaker 1: kick out of stuff like that. If you can say

784
00:34:16,680 --> 00:34:19,960
Speaker 1: something in a movie and it's funny and it and

785
00:34:20,000 --> 00:34:24,279
Speaker 1: it's a moment where it needs, you know, where a

786
00:34:24,400 --> 00:34:27,000
Speaker 1: joke is lacking or something like that, I kudos, man,

787
00:34:27,000 --> 00:34:27,600
Speaker 1: if you could do that.

788
00:34:27,640 --> 00:34:29,120
Speaker 2: And I'm in a theater, so you like it when

789
00:34:29,160 --> 00:34:31,360
Speaker 2: you when you go to like a movie theater and

790
00:34:31,520 --> 00:34:33,840
Speaker 2: everyone's like making wise cracks at the movie.

791
00:34:33,880 --> 00:34:34,400
Speaker 4: You don't mind it.

792
00:34:34,440 --> 00:34:35,160
Speaker 2: You think it's funny.

793
00:34:35,560 --> 00:34:38,320
Speaker 1: I mean, they made TV shows about this ship Mystery

794
00:34:38,400 --> 00:34:39,040
Speaker 1: Science Theater.

795
00:34:39,360 --> 00:34:41,000
Speaker 2: I know, but those people are funny, I'm sure not

796
00:34:41,040 --> 00:34:42,800
Speaker 2: everyone yelling shit at the movie theater.

797
00:34:42,719 --> 00:34:44,440
Speaker 1: Right, I can't like. Look if you if you if

798
00:34:44,440 --> 00:34:46,280
Speaker 1: the ship that you're saying at the screen is not funny,

799
00:34:46,320 --> 00:34:48,319
Speaker 1: then we got a problem. And you know, please, you

800
00:34:48,360 --> 00:34:51,120
Speaker 1: better keep it to your seat, you better, you bet right,

801
00:34:51,160 --> 00:34:53,280
Speaker 1: that's one of those things. If you're gonna interrupt the movie,

802
00:34:53,680 --> 00:34:58,720
Speaker 1: you better say something funny. Don't say it falls flat.

803
00:35:00,000 --> 00:35:03,240
Speaker 6: Don't you think this divides people as far as movie

804
00:35:03,280 --> 00:35:08,040
Speaker 6: fans like I have some friends that are happy to

805
00:35:08,120 --> 00:35:10,399
Speaker 6: never go to a movie theater again and to say,

806
00:35:10,440 --> 00:35:12,560
Speaker 6: oh my gosh, I hope movies are always released into

807
00:35:12,560 --> 00:35:16,000
Speaker 6: your house. And there's something for me about the community

808
00:35:16,080 --> 00:35:17,960
Speaker 6: experience of it all that I would I would miss

809
00:35:17,960 --> 00:35:18,840
Speaker 6: it forever, you know.

810
00:35:18,920 --> 00:35:22,560
Speaker 2: I agree with that, especially Spectacle And you know, don't

811
00:35:22,560 --> 00:35:25,479
Speaker 2: get Donald starting it on Marvel movies and Star Wars,

812
00:35:25,560 --> 00:35:27,520
Speaker 2: but for me, like Donald likes Star Wars, no he

813
00:35:27,560 --> 00:35:30,319
Speaker 2: hates it. I don't know. I don't know. I don't

814
00:35:30,320 --> 00:35:32,480
Speaker 2: know if you've heard, but he's been cast as Chubaka's

815
00:35:32,560 --> 00:35:33,520
Speaker 2: cousin who can talk.

816
00:35:34,480 --> 00:35:36,120
Speaker 3: By the way, is there a way?

817
00:35:36,440 --> 00:35:41,160
Speaker 6: There has to be a way that we can, you know, Oprah,

818
00:35:41,200 --> 00:35:43,839
Speaker 6: this into reality because you guys have been talking about

819
00:35:43,880 --> 00:35:44,720
Speaker 6: it so very much.

820
00:35:44,800 --> 00:35:45,319
Speaker 3: We have to.

821
00:35:45,840 --> 00:35:48,799
Speaker 1: I've been trying to see someone with thet I've been

822
00:35:48,800 --> 00:35:53,359
Speaker 1: trying to secret this shit for like thirty forty six years, dude,

823
00:35:53,400 --> 00:35:56,080
Speaker 1: since I when does Star Wars come out? I've been

824
00:35:56,080 --> 00:35:57,840
Speaker 1: trying to secret this shit. I'm gonna be in a

825
00:35:57,880 --> 00:36:00,800
Speaker 1: Star Wars movie one day. I'm gotten close up and

826
00:36:00,840 --> 00:36:02,479
Speaker 1: on the Star Wars television show.

827
00:36:02,840 --> 00:36:05,080
Speaker 2: Yeah, the only way it happens, the only way it

828
00:36:05,120 --> 00:36:08,120
Speaker 2: happens if someone we know well gets to direct one

829
00:36:08,120 --> 00:36:09,080
Speaker 2: of them.

830
00:36:09,520 --> 00:36:11,400
Speaker 1: And no, that's not the only way it happens.

831
00:36:11,840 --> 00:36:15,480
Speaker 6: No, there's a there's uh, there's three degrees of JJ

832
00:36:15,600 --> 00:36:16,160
Speaker 6: out there too.

833
00:36:16,280 --> 00:36:17,359
Speaker 3: We just got to figure it out.

834
00:36:17,760 --> 00:36:21,000
Speaker 1: JJ ain't hiring me. JJ hired me a long time ago.

835
00:36:21,040 --> 00:36:22,840
Speaker 1: He ain't hired me since. I remember I had a

836
00:36:22,880 --> 00:36:24,880
Speaker 1: meeting with JJ. I remember I had a meeting with

837
00:36:24,960 --> 00:36:27,040
Speaker 1: JJ and he was talking about Star Trek right, and

838
00:36:27,080 --> 00:36:29,000
Speaker 1: he didn't want to give it away, and I was like, well,

839
00:36:29,080 --> 00:36:30,640
Speaker 1: is there a part for me? He was like, no,

840
00:36:30,760 --> 00:36:32,879
Speaker 1: there's no part for you in this one. But the

841
00:36:32,920 --> 00:36:35,920
Speaker 1: next one, Donald, And then I was like, oh yeah, okay,

842
00:36:35,960 --> 00:36:40,160
Speaker 1: bet freaking they made three Star Trek movies. I'm not

843
00:36:40,239 --> 00:36:42,640
Speaker 1: in any of them. Then he gets Star Wars and

844
00:36:42,680 --> 00:36:45,360
Speaker 1: he goes and hires John Boyega instead of me.

845
00:36:45,920 --> 00:36:50,560
Speaker 2: Listen man, for me, it was supposed to be forty six.

846
00:36:51,560 --> 00:36:53,560
Speaker 2: I don't think that Stormbrober was supposed to be forty six.

847
00:36:53,719 --> 00:36:56,319
Speaker 1: No offense, I was listen man, listen man.

848
00:36:58,239 --> 00:37:00,759
Speaker 2: By the way, in all that, why is that old

849
00:37:00,800 --> 00:37:01,880
Speaker 2: stormtrooper limping?

850
00:37:02,600 --> 00:37:05,360
Speaker 6: By the way, every appearance I've had on this podcast,

851
00:37:05,400 --> 00:37:07,439
Speaker 6: that's the most offended that Donald ever looked.

852
00:37:07,520 --> 00:37:10,480
Speaker 3: That moment right there. I saw pure actual anger.

853
00:37:10,719 --> 00:37:14,520
Speaker 2: Sudden before before before the black Stormtrooper takes off his helmet,

854
00:37:14,560 --> 00:37:16,480
Speaker 2: you see him like holding his back and limping.

855
00:37:16,560 --> 00:37:22,400
Speaker 1: And they're like, I'm just saying, man, stormtroopers can be

856
00:37:22,480 --> 00:37:25,040
Speaker 1: old or they could be young. They are military.

857
00:37:25,040 --> 00:37:26,919
Speaker 2: I don't think there's any old Stormtroopers.

858
00:37:26,960 --> 00:37:30,000
Speaker 6: How funny would that be if the Stormtroopers were all

859
00:37:30,040 --> 00:37:31,960
Speaker 6: the original Stormtroopers and they take the.

860
00:37:36,560 --> 00:37:36,759
Speaker 1: Later.

861
00:37:39,120 --> 00:37:40,920
Speaker 2: Bill, one of my life goals is to try and

862
00:37:40,960 --> 00:37:43,640
Speaker 2: get him in one of the movies. I'll do anything.

863
00:37:43,680 --> 00:37:45,680
Speaker 2: I'll turn tricks whatever JJ needs.

864
00:37:45,840 --> 00:37:46,719
Speaker 1: Will you turns?

865
00:37:46,800 --> 00:37:50,680
Speaker 2: I'll turn a trick for JJA whatever he needs.

866
00:37:51,200 --> 00:37:54,400
Speaker 1: No, no, no, no, okay, hold on, let's not concentrate

867
00:37:54,440 --> 00:37:59,560
Speaker 1: on JJJ is great, right, Let's focus on what you want. Meloney.

868
00:38:00,160 --> 00:38:02,080
Speaker 2: Oh, I remember I hit up Dave Filoni when you

869
00:38:02,080 --> 00:38:04,080
Speaker 2: were at the premiere. I said directly, you've got to

870
00:38:04,120 --> 00:38:05,880
Speaker 2: hire this and he did. He put you in the cartoon.

871
00:38:06,160 --> 00:38:10,239
Speaker 3: And Jon Favreau, John Favreau, good guy, you know what

872
00:38:10,360 --> 00:38:10,480
Speaker 3: you know?

873
00:38:10,520 --> 00:38:14,040
Speaker 6: In Another Angle is one of Charlotte's best friends, and

874
00:38:14,160 --> 00:38:14,759
Speaker 6: Zach and Don.

875
00:38:14,880 --> 00:38:16,680
Speaker 3: You guys will love her music. She was just on

876
00:38:16,800 --> 00:38:17,520
Speaker 3: foul the other night.

877
00:38:17,560 --> 00:38:22,040
Speaker 6: Gracie Abrams, who is another young female singer songwriter. You guys,

878
00:38:23,120 --> 00:38:25,560
Speaker 6: when you embrace that music, how organic?

879
00:38:25,680 --> 00:38:26,200
Speaker 3: Is it?

880
00:38:26,320 --> 00:38:29,440
Speaker 6: Just too because she's so talented to suddenly play her

881
00:38:29,520 --> 00:38:31,280
Speaker 6: song have her as a guest.

882
00:38:31,480 --> 00:38:32,160
Speaker 3: See what I did?

883
00:38:32,239 --> 00:38:35,040
Speaker 2: Bill, I'm sorry we only play one young woman's pop

884
00:38:35,120 --> 00:38:36,440
Speaker 2: music on the show Shot at Lin.

885
00:38:36,480 --> 00:38:37,640
Speaker 3: As it should be as it should be?

886
00:38:37,719 --> 00:38:38,000
Speaker 6: Thank you?

887
00:38:38,000 --> 00:38:40,480
Speaker 3: All right?

888
00:38:40,480 --> 00:38:43,480
Speaker 2: Should we talk about why is Elliott wearing a very

889
00:38:43,520 --> 00:38:46,480
Speaker 2: cute nighty on the first night of Friend night She's on.

890
00:38:48,120 --> 00:38:49,160
Speaker 3: I saw that as a moment.

891
00:38:49,880 --> 00:38:52,200
Speaker 6: Is that you, as a producer, you get mad when

892
00:38:52,239 --> 00:38:56,440
Speaker 6: you occasionally see moments in shows where you go an

893
00:38:56,480 --> 00:39:00,440
Speaker 6: actor actress decision happened that maybe wasn't the best of

894
00:39:00,480 --> 00:39:00,880
Speaker 6: the show.

895
00:39:01,160 --> 00:39:02,399
Speaker 3: So like one of them was.

896
00:39:02,400 --> 00:39:04,640
Speaker 6: Every time that I would go down into dailies and

897
00:39:05,360 --> 00:39:07,080
Speaker 6: I would be like, why are we digging through so

898
00:39:07,160 --> 00:39:09,560
Speaker 6: many takes? And the editor would be like, oh, because

899
00:39:09,760 --> 00:39:12,040
Speaker 6: Johnny McGinley decided you wanted to juggle, why you said

900
00:39:12,040 --> 00:39:17,839
Speaker 6: this line? Oh my god? And this is one if

901
00:39:17,880 --> 00:39:21,320
Speaker 6: I were to bet, I would say that it said Sarah,

902
00:39:21,480 --> 00:39:24,200
Speaker 6: you know, Elliott wakes up and that Sarah with wardrobe.

903
00:39:24,200 --> 00:39:26,359
Speaker 6: Because you guys were able to control your characters, would

904
00:39:26,360 --> 00:39:28,520
Speaker 6: be like, I think I would wake up in an

905
00:39:28,520 --> 00:39:33,359
Speaker 6: incredibly adorable nightie. And even in an episode that I

906
00:39:33,400 --> 00:39:35,720
Speaker 6: was trying to say I'm moving on from the romantic

907
00:39:35,760 --> 00:39:37,080
Speaker 6: relationship with my friend.

908
00:39:37,280 --> 00:39:39,839
Speaker 2: It does feel like a bit of a teasing thing

909
00:39:39,960 --> 00:39:42,719
Speaker 2: because like, if this were real life and then she

910
00:39:42,800 --> 00:39:45,080
Speaker 2: had really cut it off and said no more sex,

911
00:39:45,120 --> 00:39:49,279
Speaker 2: I'm going to see sweat sweatshirt. Yeah, sweatshirt, sweatpants. She's

912
00:39:49,320 --> 00:39:52,320
Speaker 2: wearing like a super little sexy little number.

913
00:39:54,080 --> 00:39:55,439
Speaker 3: But I think that's guys and girls.

914
00:39:55,480 --> 00:39:57,920
Speaker 6: You guys all made some decisions for yourself on how

915
00:39:57,920 --> 00:39:58,840
Speaker 6: your hair would.

916
00:39:58,560 --> 00:40:00,640
Speaker 3: Look, what you wear. You guys were all pretty. I

917
00:40:00,640 --> 00:40:01,160
Speaker 3: mean the shoes.

918
00:40:01,239 --> 00:40:03,640
Speaker 1: You remember when Johnny came back with a bald head?

919
00:40:04,239 --> 00:40:07,759
Speaker 6: Yeah, yeah, no, yeah, Donald, I do.

920
00:40:09,120 --> 00:40:11,160
Speaker 3: I remember that. I remember when Johnny he just talked

921
00:40:11,160 --> 00:40:11,440
Speaker 3: about it.

922
00:40:11,440 --> 00:40:13,680
Speaker 6: I remember when he said, maybe I'm gonna experiment with

923
00:40:13,719 --> 00:40:15,880
Speaker 6: how words sound.

924
00:40:17,920 --> 00:40:19,240
Speaker 3: It was also super fun.

925
00:40:20,880 --> 00:40:23,880
Speaker 2: Anyway, I was proud of my my first of many

926
00:40:23,920 --> 00:40:28,920
Speaker 2: stunts hits in this episode on that lamp lamp. That

927
00:40:29,040 --> 00:40:30,759
Speaker 2: lamp hit is gorgeous, very good.

928
00:40:30,800 --> 00:40:33,320
Speaker 1: I broke I did not I did not fall into lamp.

929
00:40:34,200 --> 00:40:35,719
Speaker 3: I did not mark the lamp down.

930
00:40:35,800 --> 00:40:37,839
Speaker 6: But I will tell you and you guys can say

931
00:40:37,840 --> 00:40:42,120
Speaker 6: that we in the writer's room had Zach's five best pratfalls,

932
00:40:42,200 --> 00:40:44,680
Speaker 6: and two of the top five are in this episode.

933
00:40:45,120 --> 00:40:47,440
Speaker 2: Yeah, there's some good ones and we'll get to them.

934
00:40:47,440 --> 00:40:50,480
Speaker 2: But I gotta say the lamp. The thing that makes

935
00:40:50,480 --> 00:40:52,640
Speaker 2: the lamp extra funny is that it swings when I

936
00:40:52,719 --> 00:40:54,879
Speaker 2: hit it. And then also the sound effect that's on it,

937
00:40:55,239 --> 00:40:59,200
Speaker 2: but it's which which always sort of sweetened the comedic pratfall.

938
00:40:59,239 --> 00:41:00,120
Speaker 2: But that that's a good one.

939
00:41:01,440 --> 00:41:02,360
Speaker 1: That was a great one.

940
00:41:02,840 --> 00:41:04,920
Speaker 2: And then of course when I the next one right

941
00:41:04,920 --> 00:41:07,840
Speaker 2: away is when I I Sarah parks her truck so

942
00:41:07,960 --> 00:41:11,040
Speaker 2: tightly and I have to squeeze out of the of

943
00:41:11,080 --> 00:41:13,080
Speaker 2: the passenger side and then I fall on the ground.

944
00:41:13,120 --> 00:41:14,120
Speaker 2: That was a good one too.

945
00:41:14,800 --> 00:41:16,319
Speaker 3: Yeah, that's one of your top three.

946
00:41:16,520 --> 00:41:17,440
Speaker 2: And that one comes with.

947
00:41:19,360 --> 00:41:20,200
Speaker 3: There's there's a.

948
00:41:20,239 --> 00:41:23,879
Speaker 6: Chance, there is a chance, and I'm I don't want

949
00:41:23,880 --> 00:41:25,600
Speaker 6: to say it definitively. You have to go back and

950
00:41:25,640 --> 00:41:27,760
Speaker 6: listen to it that I added the noise.

951
00:41:28,480 --> 00:41:34,040
Speaker 3: No, yes, I did, because often in editing.

952
00:41:33,800 --> 00:41:36,839
Speaker 6: I would go I would do it for you when

953
00:41:36,840 --> 00:41:39,640
Speaker 6: it didn't exist on the track, I would.

954
00:41:39,719 --> 00:41:42,279
Speaker 2: I would think, this far into scrubs, you had like

955
00:41:42,320 --> 00:41:43,480
Speaker 2: a whole library of.

956
00:41:46,320 --> 00:41:49,560
Speaker 1: Isn't the first, No, No.

957
00:41:49,480 --> 00:41:51,080
Speaker 3: I think there's been a bunch.

958
00:41:51,120 --> 00:41:53,359
Speaker 6: But Donald, we reached a point that if we didn't

959
00:41:53,400 --> 00:41:55,319
Speaker 6: have other looping for Zach to do, and I was

960
00:41:55,440 --> 00:41:57,400
Speaker 6: editing late, I would just put up a microphone and

961
00:41:57,440 --> 00:41:59,319
Speaker 6: add it, because it's no noise that we could all.

962
00:42:02,120 --> 00:42:04,160
Speaker 2: All right, we need to we need to take a break,

963
00:42:04,200 --> 00:42:05,200
Speaker 2: We'll be right back.

964
00:42:11,600 --> 00:42:11,680
Speaker 4: And.

965
00:42:14,760 --> 00:42:16,200
Speaker 1: We're back.

966
00:42:16,840 --> 00:42:19,480
Speaker 2: So basically one of the themes of this episode seems

967
00:42:19,480 --> 00:42:20,759
Speaker 2: to be, and I don't know if it's true. We

968
00:42:20,760 --> 00:42:22,920
Speaker 2: can have Joel way In as the as the female

969
00:42:23,000 --> 00:42:27,120
Speaker 2: voice of the podcast, but Elliott or Bill or I

970
00:42:27,160 --> 00:42:30,800
Speaker 2: guess the writer or who was Gabby Allen, I believe

971
00:42:30,960 --> 00:42:34,840
Speaker 2: is saying women can move on from this sort of

972
00:42:34,880 --> 00:42:37,840
Speaker 2: thing quicker than men. I don't know if that's a.

973
00:42:37,920 --> 00:42:41,799
Speaker 1: Universal truths so we think that's true. I think that's true.

974
00:42:41,840 --> 00:42:46,200
Speaker 1: I think women are very and this is speaking as

975
00:42:46,200 --> 00:42:49,640
Speaker 1: a man, so obviously take it with a grain of salt. Uh.

976
00:42:49,960 --> 00:42:53,759
Speaker 1: I think women are easier to say no, I don't

977
00:42:53,760 --> 00:42:56,279
Speaker 1: want to do that anymore, even if they do want

978
00:42:56,320 --> 00:42:58,239
Speaker 1: to do that and they know it's bad for them,

979
00:42:58,480 --> 00:43:02,680
Speaker 1: whereas a man, whereas JD's running around thinking about his

980
00:43:03,719 --> 00:43:08,200
Speaker 1: privates and what Elliott did to his privates and not

981
00:43:08,239 --> 00:43:12,040
Speaker 1: necessarily what the relationship was, where As Elliott was like,

982
00:43:12,120 --> 00:43:14,400
Speaker 1: if I continue doing this, I'm going to get in

983
00:43:14,440 --> 00:43:15,759
Speaker 1: a relationship with this guy.

984
00:43:15,880 --> 00:43:18,960
Speaker 2: So what you're saying is women maybe have the ability

985
00:43:19,000 --> 00:43:22,319
Speaker 2: to control their urges more and say this is bad

986
00:43:22,440 --> 00:43:26,480
Speaker 2: long term I'm going to stop. Whereas a man stereotypically

987
00:43:26,680 --> 00:43:29,719
Speaker 2: would be like, fuck it all, I just want to

988
00:43:29,719 --> 00:43:31,920
Speaker 2: be with you. Let's be impulsive and do it now.

989
00:43:32,320 --> 00:43:34,359
Speaker 1: Right, Let's do it now. Fuck the consequences.

990
00:43:35,160 --> 00:43:37,399
Speaker 6: I would only tell you, guys that even though you're

991
00:43:37,400 --> 00:43:40,400
Speaker 6: doing it gender based, I think these things are character based.

992
00:43:40,600 --> 00:43:41,440
Speaker 3: And we would.

993
00:43:41,239 --> 00:43:45,000
Speaker 6: Say that we established Elliott on this show as someone

994
00:43:45,000 --> 00:43:48,480
Speaker 6: that is able to compartmentalize things and take emotions out

995
00:43:48,520 --> 00:43:48,719
Speaker 6: of it.

996
00:43:49,040 --> 00:43:50,400
Speaker 3: Like you guys remember with Scott.

997
00:43:50,160 --> 00:43:52,239
Speaker 6: Foley that she was able to be like I really

998
00:43:52,239 --> 00:43:53,960
Speaker 6: dig you, but it doesn't work right now. I'm trying

999
00:43:53,960 --> 00:43:55,920
Speaker 6: to do medicine, so this is over. And he was

1000
00:43:55,960 --> 00:43:57,480
Speaker 6: like a head of her heels in love with her

1001
00:43:57,719 --> 00:44:00,560
Speaker 6: in our heads. She is somebody that right or wrong,

1002
00:44:00,680 --> 00:44:02,279
Speaker 6: is able to go. I'm going to focus on this

1003
00:44:02,360 --> 00:44:04,279
Speaker 6: now and that's over. I'm going to focus on this

1004
00:44:04,360 --> 00:44:07,440
Speaker 6: now and that's over. And j D is a character

1005
00:44:07,600 --> 00:44:09,919
Speaker 6: that lives in the emotional world and never being able

1006
00:44:09,960 --> 00:44:11,360
Speaker 6: to let go of that stuff and noting.

1007
00:44:11,880 --> 00:44:13,839
Speaker 2: But Bill, I think you had her say. I mean, again,

1008
00:44:13,880 --> 00:44:15,799
Speaker 2: it's herb Elliot's point of view, but I think she

1009
00:44:15,920 --> 00:44:20,240
Speaker 2: said something like, oh, your guys can women doesn't someone

1010
00:44:20,320 --> 00:44:22,040
Speaker 2: make it about gender in the show? Am I wrong?

1011
00:44:23,280 --> 00:44:26,640
Speaker 6: I don't remember, but if we, if we did, it

1012
00:44:26,640 --> 00:44:28,719
Speaker 6: would be because Gabby Allen, who is one of the

1013
00:44:28,760 --> 00:44:32,719
Speaker 6: dominant you know, not only female voices, but voices on

1014
00:44:32,760 --> 00:44:37,080
Speaker 6: the show, is without a doubt that type of very strong,

1015
00:44:37,360 --> 00:44:37,759
Speaker 6: kind of.

1016
00:44:39,800 --> 00:44:42,320
Speaker 3: Altogether woman as far as she is mentally such.

1017
00:44:42,280 --> 00:44:43,239
Speaker 2: Well, what do you think about it?

1018
00:44:43,640 --> 00:44:46,080
Speaker 1: I lean toward the JD side of things, where I'm

1019
00:44:46,120 --> 00:44:48,880
Speaker 1: like when and Joel, I'll let you answer this, but

1020
00:44:48,920 --> 00:44:52,000
Speaker 1: I feel like I'm like the person like my wife

1021
00:44:52,000 --> 00:44:53,440
Speaker 1: will be like, that's it, there's no more of that.

1022
00:44:53,480 --> 00:44:55,799
Speaker 1: We're not doing that anymore. And I'll be I'm the

1023
00:44:55,800 --> 00:44:59,000
Speaker 1: one that says, please, let's just try one more time.

1024
00:44:59,760 --> 00:45:02,960
Speaker 1: You know what I mean, Joelle, I'm sorry to cut

1025
00:45:03,000 --> 00:45:03,200
Speaker 1: you off.

1026
00:45:03,480 --> 00:45:08,920
Speaker 5: I liked Bill's description of it's person specific because I

1027
00:45:08,960 --> 00:45:11,879
Speaker 5: am definitely not the person who's gonna I can't compartmentalize.

1028
00:45:11,880 --> 00:45:14,040
Speaker 5: It's all happening at once, all the time, always, and

1029
00:45:14,120 --> 00:45:16,080
Speaker 5: I have to see everything from all the different angles.

1030
00:45:16,160 --> 00:45:18,640
Speaker 1: The ability to just be like no, but.

1031
00:45:18,600 --> 00:45:20,680
Speaker 5: We're still for to be like I don't. I can't

1032
00:45:20,680 --> 00:45:22,400
Speaker 5: switch emotionally that fast.

1033
00:45:22,680 --> 00:45:23,359
Speaker 3: It's too much.

1034
00:45:24,080 --> 00:45:27,359
Speaker 1: But but if you knew somebody was wrong for you

1035
00:45:28,040 --> 00:45:30,480
Speaker 1: or right for you, but you needed to focus on

1036
00:45:30,560 --> 00:45:31,160
Speaker 1: your job.

1037
00:45:31,320 --> 00:45:33,440
Speaker 5: You're about to make me reveal so much about myself.

1038
00:45:33,560 --> 00:45:37,640
Speaker 2: Oh good, this is how Oprah does it.

1039
00:45:37,800 --> 00:45:43,120
Speaker 1: This just end, Joe. Ladies and gentlemen, please welcome to

1040
00:45:43,200 --> 00:45:44,040
Speaker 1: the show. Joe.

1041
00:45:44,200 --> 00:45:44,439
Speaker 2: Wow.

1042
00:45:48,520 --> 00:45:54,520
Speaker 1: When dealing with relationships and breaking up, you find it

1043
00:45:54,719 --> 00:45:58,600
Speaker 1: easier to still like this is what this is how

1044
00:45:58,680 --> 00:46:01,360
Speaker 1: I look at it. Like, you break up with somebody

1045
00:46:01,680 --> 00:46:04,360
Speaker 1: and then there's that little bit of excess that happens

1046
00:46:04,520 --> 00:46:06,480
Speaker 1: right before you. Guys are like, you know what, that's it,

1047
00:46:06,600 --> 00:46:10,800
Speaker 1: We're done right. The trickle right, that's that little trickle

1048
00:46:10,840 --> 00:46:12,919
Speaker 1: which is usually brought on by the dude. The dude

1049
00:46:13,320 --> 00:46:15,840
Speaker 1: from my opinion, as I said, I'm speaking for self

1050
00:46:16,360 --> 00:46:19,200
Speaker 1: from my side of things, usually when I broke up

1051
00:46:19,239 --> 00:46:22,480
Speaker 1: with somebody, there was that extra trickle that I pushed

1052
00:46:22,560 --> 00:46:26,120
Speaker 1: forward even though I knew this could go the wrong way.

1053
00:46:26,760 --> 00:46:30,759
Speaker 1: And then it was finally the lady that I was

1054
00:46:30,920 --> 00:46:33,640
Speaker 1: doing this too, that was like, you need to either

1055
00:46:33,640 --> 00:46:38,920
Speaker 1: shit or get off the pot. One two. You know what,

1056
00:46:39,080 --> 00:46:40,880
Speaker 1: do you think I am a toy that you can

1057
00:46:41,040 --> 00:46:42,520
Speaker 1: just come and do what you want to do? You

1058
00:46:42,600 --> 00:46:43,000
Speaker 1: know what I mean.

1059
00:46:45,080 --> 00:46:45,960
Speaker 2: This was me by the way.

1060
00:46:46,239 --> 00:46:51,560
Speaker 3: Yeah, by the way, is Zach Zach just survey knows?

1061
00:46:51,640 --> 00:46:53,600
Speaker 3: Can I hear you say? What do you think I'm

1062
00:46:53,640 --> 00:46:55,000
Speaker 3: a toy that you just do what you want to do?

1063
00:46:56,239 --> 00:46:57,719
Speaker 2: What do you think I'm a toy that you can

1064
00:46:57,840 --> 00:47:00,400
Speaker 2: just do what you want to do? You go, you

1065
00:47:00,560 --> 00:47:02,799
Speaker 2: go and play your sports and then you just come

1066
00:47:02,880 --> 00:47:03,880
Speaker 2: and use me.

1067
00:47:04,280 --> 00:47:08,040
Speaker 1: No, that's exactly what you said. That is exactly.

1068
00:47:09,239 --> 00:47:10,040
Speaker 2: But you know what I mean.

1069
00:47:10,920 --> 00:47:13,359
Speaker 1: Are you don't You don't fall into that category. You're

1070
00:47:13,400 --> 00:47:15,919
Speaker 1: not the person I mean I'm I'm totally the person

1071
00:47:16,000 --> 00:47:17,600
Speaker 1: that's like I'm gonna try and have my cake and

1072
00:47:17,600 --> 00:47:18,600
Speaker 1: I'm gonna try and eat it too.

1073
00:47:19,200 --> 00:47:20,560
Speaker 5: Yeah, this is why I don't do a lot of dating.

1074
00:47:21,080 --> 00:47:22,879
Speaker 5: People are terrible for me, and people are like, why

1075
00:47:22,880 --> 00:47:23,480
Speaker 5: are you with this person?

1076
00:47:23,640 --> 00:47:24,000
Speaker 1: I don't know.

1077
00:47:25,719 --> 00:47:28,280
Speaker 5: You never like anybody who's necessarily a good person.

1078
00:47:28,920 --> 00:47:32,640
Speaker 3: It's just a long stream of life. You stick with

1079
00:47:32,800 --> 00:47:33,880
Speaker 3: that that's gonna work out for you.

1080
00:47:34,040 --> 00:47:34,799
Speaker 2: I definitely.

1081
00:47:40,600 --> 00:47:40,840
Speaker 7: I was.

1082
00:47:41,440 --> 00:47:44,439
Speaker 2: I was in a relationship once where the girl ended

1083
00:47:44,480 --> 00:47:47,719
Speaker 2: it and it was so cut off so quickly. It

1084
00:47:47,800 --> 00:47:49,480
Speaker 2: wasn't let anything happen. It was just kind of like

1085
00:47:50,000 --> 00:47:52,560
Speaker 2: she didn't give any trickle. There was no dot dot dot.

1086
00:47:52,960 --> 00:47:55,560
Speaker 6: This this episode is based on that. Do you know

1087
00:47:55,680 --> 00:47:59,400
Speaker 6: that what that that thing from your real life? This

1088
00:47:59,480 --> 00:48:00,520
Speaker 6: episode is based on it.

1089
00:48:00,760 --> 00:48:04,000
Speaker 2: Oh well yeah, this particular person kind of just basically

1090
00:48:04,080 --> 00:48:06,680
Speaker 2: put their handout and was like, buddy.

1091
00:48:06,480 --> 00:48:09,680
Speaker 3: Buy because it brings up, it brings up.

1092
00:48:10,800 --> 00:48:14,760
Speaker 2: I was like, buddies. And again, it wasn't like obviously

1093
00:48:14,840 --> 00:48:17,880
Speaker 2: if someone if something happened, then then there's more, you know,

1094
00:48:17,920 --> 00:48:19,960
Speaker 2: if someone was unfaithful or someone or if there was

1095
00:48:20,000 --> 00:48:21,800
Speaker 2: a big argument. This was none of that. This is

1096
00:48:21,880 --> 00:48:24,800
Speaker 2: like a should we be friends? Yeah? And then I

1097
00:48:25,040 --> 00:48:28,759
Speaker 2: had such feelings of like I'm unsure and dot dot

1098
00:48:28,880 --> 00:48:33,200
Speaker 2: DoD and trickle trickle trickle, and she's like paths with

1099
00:48:33,320 --> 00:48:34,759
Speaker 2: her handout, and I was like, what now.

1100
00:48:35,360 --> 00:48:36,919
Speaker 6: This is one of my favorite things that I wanted

1101
00:48:36,920 --> 00:48:38,759
Speaker 6: to talk about because this is one of the first

1102
00:48:38,800 --> 00:48:41,880
Speaker 6: times I remember the advantage of becoming really close with

1103
00:48:41,960 --> 00:48:45,120
Speaker 6: the cast and crew and writers on a TV show

1104
00:48:45,760 --> 00:48:47,520
Speaker 6: is I didn't know if you'd bring it up, Zach,

1105
00:48:47,600 --> 00:48:51,560
Speaker 6: but you and I were getting you know, we're hanging

1106
00:48:51,600 --> 00:48:53,520
Speaker 6: out and being friends, and you told me about this

1107
00:48:53,640 --> 00:48:55,120
Speaker 6: in your life in a way that you know, it

1108
00:48:55,239 --> 00:48:57,880
Speaker 6: was obviously affecting you emostly, and you were hurt. And

1109
00:48:58,360 --> 00:48:59,920
Speaker 6: I think I was a decent friend when you talk

1110
00:49:00,040 --> 00:49:02,480
Speaker 6: about it. But then when I left, I'm like, this

1111
00:49:02,520 --> 00:49:03,600
Speaker 6: will be a pretty good episode.

1112
00:49:10,680 --> 00:49:12,920
Speaker 2: That shit happened all over the place, dude, And it's

1113
00:49:12,960 --> 00:49:16,040
Speaker 2: funny now rewatching the show twenty years later, Donald and

1114
00:49:16,040 --> 00:49:18,000
Speaker 2: I are both seeing things, were like, wait, that was

1115
00:49:18,360 --> 00:49:20,960
Speaker 2: us that weekend, you remember, Like I think at the

1116
00:49:21,040 --> 00:49:23,040
Speaker 2: time we at the time we didn't notice. But a

1117
00:49:23,080 --> 00:49:25,960
Speaker 2: little by a little, it became our lives. You were going,

1118
00:49:26,280 --> 00:49:27,600
Speaker 2: you were going like, oh, I don't know what we're

1119
00:49:27,600 --> 00:49:29,600
Speaker 2: gonna write this week. Oh I have an idea.

1120
00:49:31,560 --> 00:49:33,239
Speaker 3: Yeah, it's like, Donald, anything going on in your life,

1121
00:49:33,239 --> 00:49:34,640
Speaker 3: you want to tell me about real quick, because we're

1122
00:49:34,680 --> 00:49:35,320
Speaker 3: all stuck.

1123
00:49:37,640 --> 00:49:42,480
Speaker 1: You know, what really became true was after Scrubs was

1124
00:49:42,680 --> 00:49:48,360
Speaker 1: over and I met my wife. It really became Turk,

1125
00:49:48,800 --> 00:49:52,840
Speaker 1: Carla and JD in my life in real life, like

1126
00:49:53,440 --> 00:49:55,239
Speaker 1: I would go out, Casey and I would go out,

1127
00:49:55,880 --> 00:49:59,040
Speaker 1: and our partner for everything that we did was always

1128
00:49:59,480 --> 00:50:01,799
Speaker 1: Zach and it would be like, let's bring him out

1129
00:50:01,840 --> 00:50:05,080
Speaker 1: so he could meet someone, and yeah, that's a that's

1130
00:50:05,120 --> 00:50:07,520
Speaker 1: a that's a weird, dynastic. Take care of him, right,

1131
00:50:07,880 --> 00:50:09,680
Speaker 1: let's take care of him. But part of it is

1132
00:50:09,719 --> 00:50:12,400
Speaker 1: also let's bring some entertainment so that you and I

1133
00:50:12,480 --> 00:50:14,560
Speaker 1: aren't just staring at each other at the table, looking

1134
00:50:14,600 --> 00:50:16,600
Speaker 1: at each other. You know, we'll talk about a couple

1135
00:50:16,680 --> 00:50:18,000
Speaker 1: of things and then like.

1136
00:50:18,840 --> 00:50:20,520
Speaker 2: I was like, I was like the court gesture that

1137
00:50:20,560 --> 00:50:21,040
Speaker 2: you brought out.

1138
00:50:21,160 --> 00:50:23,680
Speaker 6: It's also super fun for Donald and Casey be like,

1139
00:50:23,760 --> 00:50:25,200
Speaker 6: also at the end of the night, we get to

1140
00:50:25,239 --> 00:50:27,080
Speaker 6: decide if he gets to have sex with someone or not.

1141
00:50:29,480 --> 00:50:31,399
Speaker 3: Case handles if he did.

1142
00:50:31,440 --> 00:50:33,239
Speaker 1: Meet someone, we'd be like, no, she's not for you,

1143
00:50:33,600 --> 00:50:37,160
Speaker 1: or it's totally for you, or right, you're absolutely right, bro.

1144
00:50:37,480 --> 00:50:38,239
Speaker 3: That's super fun.

1145
00:50:38,960 --> 00:50:40,800
Speaker 1: It is a lot of fun. I'll show you and

1146
00:50:40,920 --> 00:50:42,600
Speaker 1: christ have done that a couple of times with him

1147
00:50:42,640 --> 00:50:42,920
Speaker 1: as well.

1148
00:50:43,000 --> 00:50:46,080
Speaker 3: Yeah. Also a Zach Yes, oh yeah, I was forever

1149
00:50:46,160 --> 00:50:47,640
Speaker 3: a bride'smaid, never a bride.

1150
00:50:48,320 --> 00:50:50,080
Speaker 1: Well those days are overbuddy, maybe those.

1151
00:50:50,040 --> 00:50:53,239
Speaker 2: Days are We'll see. Hey, Nurse Roberts says, if he

1152
00:50:53,560 --> 00:50:55,960
Speaker 2: turns out to be her brother, this is better than

1153
00:50:56,000 --> 00:51:02,560
Speaker 2: my story. Yeah, Nurse Roberts had something.

1154
00:51:03,960 --> 00:51:07,520
Speaker 1: Yeah, she's slaves every time, man, Alona dude, every time.

1155
00:51:07,880 --> 00:51:12,239
Speaker 6: Now, now, he's Now he's all mad, yeah, mad, Oh

1156
00:51:12,320 --> 00:51:14,120
Speaker 6: my god, I laughed so hard.

1157
00:51:14,280 --> 00:51:16,719
Speaker 2: Now he's all mad. But also I go, I go,

1158
00:51:16,800 --> 00:51:18,560
Speaker 2: I don't feel weird, and Sarah goes, I don't feel weird,

1159
00:51:18,600 --> 00:51:19,759
Speaker 2: and she goes, I feel weird.

1160
00:51:21,719 --> 00:51:23,640
Speaker 6: Well, you guys realize we're about to get to well

1161
00:51:23,680 --> 00:51:25,120
Speaker 6: you passed by the way the too minute. One of

1162
00:51:25,160 --> 00:51:28,440
Speaker 6: the first Johnny was he did experiment with the word naughty. Yeah,

1163
00:51:28,440 --> 00:51:30,200
Speaker 6: and I said, I think he says it is kanatei

1164
00:51:30,360 --> 00:51:36,799
Speaker 6: or something, not Tai, not ti. I love Johnny c Man.

1165
00:51:36,840 --> 00:51:39,080
Speaker 6: That guy is so prepared and so good. But for

1166
00:51:39,239 --> 00:51:41,320
Speaker 6: me this I was so happy, and I want to

1167
00:51:41,400 --> 00:51:43,000
Speaker 6: lead you guys in because you can tell I don't

1168
00:51:43,000 --> 00:51:45,040
Speaker 6: even know how it came to be. But at three

1169
00:51:45,200 --> 00:51:47,200
Speaker 6: forty or Richard Kind is on the show, and I

1170
00:51:47,280 --> 00:51:48,279
Speaker 6: think this is his uh.

1171
00:51:48,680 --> 00:51:52,680
Speaker 3: I believe it's his first appearance as a hypochondriac. And

1172
00:51:53,120 --> 00:51:55,719
Speaker 3: for whatever reason, on our show, the.

1173
00:51:55,880 --> 00:52:00,120
Speaker 6: Cast, sometimes the oddest lions would become iconic for our

1174
00:52:00,200 --> 00:52:02,480
Speaker 6: group of things that you guys said for years and years,

1175
00:52:02,920 --> 00:52:05,040
Speaker 6: and I never understood why.

1176
00:52:05,160 --> 00:52:08,360
Speaker 3: One of them was I have yabah. It was just

1177
00:52:08,719 --> 00:52:09,560
Speaker 3: to hear that again.

1178
00:52:09,920 --> 00:52:11,959
Speaker 6: Oh it wasn't about that that made all you guys

1179
00:52:12,040 --> 00:52:13,440
Speaker 6: so you guys all said it for years.

1180
00:52:14,960 --> 00:52:16,879
Speaker 1: Yeah, you go ahead, Zach.

1181
00:52:16,960 --> 00:52:20,120
Speaker 2: I just think Richard Kind is so fucking funny, and

1182
00:52:20,520 --> 00:52:23,520
Speaker 2: everything he says makes me laugh. He's like, he looks

1183
00:52:23,600 --> 00:52:25,600
Speaker 2: like he's like a he's like a muppet, like he's

1184
00:52:25,600 --> 00:52:28,640
Speaker 2: got this giant mouth. And he's a really good actor.

1185
00:52:29,080 --> 00:52:32,040
Speaker 2: One of the things about great comedic actors is that

1186
00:52:32,239 --> 00:52:35,560
Speaker 2: they're often really good dramatic actors as well. Richard Kind

1187
00:52:35,680 --> 00:52:37,480
Speaker 2: has a little short monologue at the end of this

1188
00:52:37,560 --> 00:52:41,560
Speaker 2: episode that gave me goosebumps, and he spends so poignant yes,

1189
00:52:41,920 --> 00:52:43,880
Speaker 2: and he spends the whole first part of the episode

1190
00:52:43,960 --> 00:52:44,799
Speaker 2: being hysterical.

1191
00:52:45,200 --> 00:52:46,799
Speaker 3: Oh and have you ever Yeah, have you ever had

1192
00:52:46,880 --> 00:52:48,320
Speaker 3: sex with a chimp? If you have, yeah, I have

1193
00:52:48,400 --> 00:52:49,160
Speaker 3: been to the zoo.

1194
00:52:49,320 --> 00:52:52,799
Speaker 2: Yes, it wasn't sex with the chimp.

1195
00:52:52,840 --> 00:52:55,640
Speaker 1: It's like, have you have you have you been around primeates?

1196
00:52:55,920 --> 00:53:00,560
Speaker 2: Exotic primates? I had been to the zoo. Continue. But

1197
00:53:00,760 --> 00:53:03,160
Speaker 2: also he's just so funny. In fact, every time I

1198
00:53:03,239 --> 00:53:05,640
Speaker 2: run into him for the last twenty years, which is

1199
00:53:05,880 --> 00:53:07,879
Speaker 2: probably once a year, I always go I have yah

1200
00:53:07,960 --> 00:53:08,959
Speaker 2: bah and he starts laughing.

1201
00:53:09,840 --> 00:53:12,719
Speaker 1: Well, he has one line in the show that we

1202
00:53:12,880 --> 00:53:16,440
Speaker 1: don't talk about that made me laugh so hard, and

1203
00:53:16,520 --> 00:53:19,400
Speaker 1: I and and and I'm gonna do a bad line reading.

1204
00:53:19,920 --> 00:53:22,680
Speaker 1: But Johnny Cock says to him, so how was your day?

1205
00:53:22,920 --> 00:53:26,840
Speaker 1: He goes, it was horrible, horrible, It was horrible, and

1206
00:53:26,920 --> 00:53:32,239
Speaker 1: it made sounds like a dolphin giving birth. I it

1207
00:53:32,440 --> 00:53:33,520
Speaker 1: sounds like a dolphin.

1208
00:53:34,320 --> 00:53:35,800
Speaker 2: It was horrible, horrible.

1209
00:53:37,280 --> 00:53:39,239
Speaker 1: It may sounds like a dolphin.

1210
00:53:38,960 --> 00:53:41,319
Speaker 2: By the way, and you have Zeltzer come in now.

1211
00:53:41,360 --> 00:53:46,040
Speaker 2: This is I believe Zeltzer's Bob Clendennan's second episode and

1212
00:53:46,280 --> 00:53:49,239
Speaker 2: he just I just sorry. I wrote down Bill, you

1213
00:53:49,400 --> 00:53:51,439
Speaker 2: have to come up with the show for for Bob

1214
00:53:51,520 --> 00:53:53,680
Speaker 2: Clindennon and Richard Kine because I would watch this shit

1215
00:53:53,719 --> 00:53:56,320
Speaker 2: out of it. Two of them together are so funny.

1216
00:53:57,160 --> 00:53:59,000
Speaker 6: Well, I look, you guys. I gotta give you guys

1217
00:53:59,000 --> 00:54:02,000
Speaker 6: a compliment. Sometimes I get grief. But as doing an

1218
00:54:02,000 --> 00:54:05,799
Speaker 6: interview the other day that somebody said about Ted Lasso, oh,

1219
00:54:06,040 --> 00:54:08,160
Speaker 6: it'll be weird seeing a show of yours without the

1220
00:54:08,239 --> 00:54:09,640
Speaker 6: Bill Lawrence players in it.

1221
00:54:09,800 --> 00:54:13,920
Speaker 3: And what they sometimes criticized was like every cast.

1222
00:54:13,760 --> 00:54:15,480
Speaker 6: Member of Spin City, for the most part, you know

1223
00:54:15,520 --> 00:54:18,520
Speaker 6: that was available, came and did Scrubs, and now you

1224
00:54:18,640 --> 00:54:22,000
Speaker 6: and Donald and Sarah and everybody you know on Scrubs

1225
00:54:22,120 --> 00:54:24,920
Speaker 6: is doing whenever they could other shows of mine, and

1226
00:54:25,000 --> 00:54:29,359
Speaker 6: then everybody on Cougartown has done you know, Bob's Bob

1227
00:54:29,440 --> 00:54:32,120
Speaker 6: Guindan and ended up being on Cougartown. It's for me

1228
00:54:32,480 --> 00:54:35,080
Speaker 6: such a gift that you guys will keep working with me,

1229
00:54:35,520 --> 00:54:38,200
Speaker 6: but also that you guys rich always talked about it,

1230
00:54:38,320 --> 00:54:40,879
Speaker 6: how kind and Barry Boswick talked about it, how kind

1231
00:54:40,920 --> 00:54:43,640
Speaker 6: you guys were to the you know, the previous gang

1232
00:54:43,719 --> 00:54:45,000
Speaker 6: that came in to be on your show.

1233
00:54:45,080 --> 00:54:46,279
Speaker 3: You know what I mean. He loved it there.

1234
00:54:46,560 --> 00:54:49,439
Speaker 2: Well, dude, I mean from our point, dude, we're working

1235
00:54:49,480 --> 00:54:50,000
Speaker 2: with stars.

1236
00:54:50,120 --> 00:54:53,760
Speaker 1: Dude, you're working with freaking big time comedians who crushed

1237
00:54:53,760 --> 00:54:54,560
Speaker 1: Go ahead, zachly Well.

1238
00:54:54,600 --> 00:54:56,520
Speaker 2: I was going to say the exact same thing for us. Bill.

1239
00:54:56,560 --> 00:54:58,799
Speaker 2: It was just like we we Donald and I as

1240
00:54:58,880 --> 00:55:01,560
Speaker 2: anyone who listens to this, no, grew up on sitcoms,

1241
00:55:01,640 --> 00:55:04,920
Speaker 2: grew up on loving TV comedy, and you're bringing Barry

1242
00:55:04,960 --> 00:55:07,520
Speaker 2: Boswick and Richard Kind. I mean, these are guys who

1243
00:55:07,680 --> 00:55:11,000
Speaker 2: we just always thought were so funny, and it wasn't like,

1244
00:55:11,840 --> 00:55:13,680
Speaker 2: you know, it was a favorite we were just happy

1245
00:55:13,719 --> 00:55:15,799
Speaker 2: to be, you know, bouncing the ball back and forth

1246
00:55:15,840 --> 00:55:18,000
Speaker 2: with them to use. That's a sports analogy, Billy, because

1247
00:55:18,000 --> 00:55:20,319
Speaker 2: you often bounce a ball back and forth when you're playing.

1248
00:55:20,360 --> 00:55:22,320
Speaker 3: Sure, I mean it's the way you score in a

1249
00:55:22,360 --> 00:55:23,080
Speaker 3: lot of different games.

1250
00:55:23,400 --> 00:55:25,040
Speaker 2: Yes, you just got to get the ball in the hole.

1251
00:55:25,520 --> 00:55:27,040
Speaker 2: Get the ball in the hole.

1252
00:55:27,880 --> 00:55:28,800
Speaker 3: I have yahba.

1253
00:55:29,680 --> 00:55:31,520
Speaker 6: Can I tell you a weird time thing that I

1254
00:55:31,600 --> 00:55:34,239
Speaker 6: really liked and you guys will remember how often he

1255
00:55:34,320 --> 00:55:39,160
Speaker 6: did this? At five sixteen, I remember telling Ken Jenkins

1256
00:55:39,280 --> 00:55:42,360
Speaker 6: early and Scrubs that one of my favorite things that

1257
00:55:42,520 --> 00:55:45,080
Speaker 6: he was great at doing. I think an actor had

1258
00:55:45,120 --> 00:55:48,319
Speaker 6: told me once that it's very hard to fake laugh,

1259
00:55:48,640 --> 00:55:52,879
Speaker 6: you know sometimes, you know, and Ken was so good

1260
00:55:53,320 --> 00:55:56,640
Speaker 6: at doing a raucous, believable laugh that when he turned.

1261
00:55:56,440 --> 00:56:00,320
Speaker 3: Away, it immediately stops, and you know how you know,

1262
00:56:00,440 --> 00:56:01,080
Speaker 3: how fake it was.

1263
00:56:01,160 --> 00:56:05,080
Speaker 6: Just My favorite one ever was when you guys changed

1264
00:56:05,120 --> 00:56:07,160
Speaker 6: the sign of sacred heart to sacred fart in a

1265
00:56:07,239 --> 00:56:10,800
Speaker 6: different episodes and Ken, by the way, and Ken Jenkins

1266
00:56:11,080 --> 00:56:12,880
Speaker 6: is able to go, have you guys.

1267
00:56:12,760 --> 00:56:13,439
Speaker 2: Seen the sign?

1268
00:56:15,920 --> 00:56:22,239
Speaker 3: But seriously, but seriously, you shouldn't analyze And this was

1269
00:56:22,280 --> 00:56:23,360
Speaker 3: one of the first ones.

1270
00:56:23,160 --> 00:56:25,280
Speaker 6: That he did that because I said, Ken, my favorite

1271
00:56:25,320 --> 00:56:28,479
Speaker 6: thing is when you rat laugh raucously and it's obviously fake,

1272
00:56:28,800 --> 00:56:30,680
Speaker 6: and then you turn and lecture one of these guys

1273
00:56:30,920 --> 00:56:33,600
Speaker 6: and he turns and immediately lectures Donald about that older

1274
00:56:33,640 --> 00:56:35,600
Speaker 6: woman in there by the way.

1275
00:56:35,760 --> 00:56:38,680
Speaker 1: I have a question. I have a sincere question about Ken.

1276
00:56:39,320 --> 00:56:41,480
Speaker 1: When you when when you put him on the show,

1277
00:56:41,560 --> 00:56:45,399
Speaker 1: were you aware of how funny he could be? No, man,

1278
00:56:45,960 --> 00:56:49,000
Speaker 1: you had no right, okay, because he was Mary boss Ware.

1279
00:56:49,880 --> 00:56:52,000
Speaker 6: Because when we hired Barry Bosswick, he was known as

1280
00:56:52,000 --> 00:56:54,960
Speaker 6: a dramatic actor on Spin City, and I thought, Ken,

1281
00:56:55,400 --> 00:56:57,439
Speaker 6: he has been on Home Front and in these great

1282
00:56:57,480 --> 00:57:01,280
Speaker 6: giant John Sales movies and allays as a judge, always

1283
00:57:01,320 --> 00:57:02,440
Speaker 6: as a Colonel Hiroshima.

1284
00:57:03,080 --> 00:57:05,560
Speaker 3: He would explode your DVR and I go, what a

1285
00:57:05,600 --> 00:57:06,480
Speaker 3: good bad guy.

1286
00:57:06,600 --> 00:57:09,239
Speaker 6: And he'll just be an amazing dramatic actor and he'll say,

1287
00:57:09,840 --> 00:57:13,080
Speaker 6: you know, ridiculous stuff, very straight like Barry did. But

1288
00:57:13,200 --> 00:57:16,960
Speaker 6: then he was so funny and so clever and such

1289
00:57:17,000 --> 00:57:19,200
Speaker 6: a good actor that he was the character that we

1290
00:57:19,240 --> 00:57:22,000
Speaker 6: had to change the most because we were under utilizing him,

1291
00:57:22,920 --> 00:57:24,560
Speaker 6: you know, we had him as a clichet, and then

1292
00:57:24,600 --> 00:57:25,960
Speaker 6: he became more kind of rounded out.

1293
00:57:26,800 --> 00:57:28,520
Speaker 1: We looked back and he looked back at the show

1294
00:57:28,640 --> 00:57:31,760
Speaker 1: now and we you know, there are there are three

1295
00:57:31,880 --> 00:57:34,040
Speaker 1: characters that really stick out for me, and maybe because

1296
00:57:34,400 --> 00:57:38,400
Speaker 1: they were always in my peripheral and not necessarily people

1297
00:57:38,440 --> 00:57:40,600
Speaker 1: who and I take that back. I worked with Judy

1298
00:57:40,640 --> 00:57:46,200
Speaker 1: a lot, but Judy Ken and Sarah, Holy shit, dude,

1299
00:57:47,120 --> 00:57:51,880
Speaker 1: I watched the show now and I'm blown away. Every

1300
00:57:52,080 --> 00:57:56,360
Speaker 1: fucking episode Sarah, look, I would have. I I get

1301
00:57:56,520 --> 00:57:59,800
Speaker 1: why freaking dudes would be like, so, what's up with

1302
00:58:00,080 --> 00:58:03,440
Speaker 1: what's with Sarah? Chuck uh and called the set to

1303
00:58:03,560 --> 00:58:04,840
Speaker 1: try and come by. Dude.

1304
00:58:04,880 --> 00:58:07,760
Speaker 2: I hadn't noline we were making it.

1305
00:58:07,960 --> 00:58:11,200
Speaker 1: But when we were making the show, I had no clue.

1306
00:58:11,560 --> 00:58:14,160
Speaker 1: I had no I didn't pay attention to any of

1307
00:58:14,240 --> 00:58:16,600
Speaker 1: this stuff. I didn't pay attention to what Ken was doing.

1308
00:58:17,240 --> 00:58:20,240
Speaker 1: I'm in scenes with Judy and I'm not thinking about

1309
00:58:20,760 --> 00:58:24,120
Speaker 1: Holy shit, this girl is fucking running circles around me

1310
00:58:24,480 --> 00:58:26,600
Speaker 1: and I'm sitting here. I'm sitting there just trying to

1311
00:58:26,680 --> 00:58:29,800
Speaker 1: freaking up. I'm gonna I'm gonna hit show. I'm doing

1312
00:58:29,880 --> 00:58:32,280
Speaker 1: my thing, you know what I mean? Yeah, the three

1313
00:58:32,400 --> 00:58:35,200
Speaker 1: of them, Oh my gosh. I had when I look

1314
00:58:35,280 --> 00:58:38,080
Speaker 1: back at it now. I'm like, I really wish I

1315
00:58:38,120 --> 00:58:40,720
Speaker 1: would have paid attention because there are so many great

1316
00:58:40,800 --> 00:58:42,160
Speaker 1: lessons to be learned from them.

1317
00:58:42,720 --> 00:58:45,880
Speaker 3: All you guys were assassins. Man, it's uh. You know

1318
00:58:46,080 --> 00:58:48,240
Speaker 3: you're selling yourself shirt, Donald, No, I.

1319
00:58:49,920 --> 00:58:52,520
Speaker 2: Am well aware of the I'm well aware about how

1320
00:58:52,560 --> 00:58:53,080
Speaker 2: good I am.

1321
00:58:53,280 --> 00:58:55,760
Speaker 1: Of what's happened. Because I've been on scrubs. I'm well

1322
00:58:55,800 --> 00:58:58,160
Speaker 1: aware of you know what I mean, and and I've

1323
00:58:58,240 --> 00:59:00,240
Speaker 1: learned how to you know, I've learned a lot from

1324
00:59:00,280 --> 00:59:02,080
Speaker 1: doing the show. I think I could have learned a

1325
00:59:02,080 --> 00:59:04,040
Speaker 1: little bit more if I would have just been a

1326
00:59:05,240 --> 00:59:11,040
Speaker 1: less egotistic, less egotistical and paid attention to my cast.

1327
00:59:11,160 --> 00:59:14,680
Speaker 1: Makes because those three, just like I paid attention to Johnny,

1328
00:59:14,840 --> 00:59:17,360
Speaker 1: I paid attention to Zach, and I paid attention to myself,

1329
00:59:17,400 --> 00:59:20,600
Speaker 1: but I didn't pay attention to those three.

1330
00:59:20,800 --> 00:59:23,320
Speaker 2: I agree with Donald in that in that going back

1331
00:59:23,360 --> 00:59:25,480
Speaker 2: twenty years later and watching this, you see things you

1332
00:59:25,800 --> 00:59:27,880
Speaker 2: didn't see at all. And I and I totally agree

1333
00:59:27,960 --> 00:59:30,280
Speaker 2: that you you know, we watched the episode, you know,

1334
00:59:30,400 --> 00:59:32,840
Speaker 2: if you weren't in a scene with someone. I don't

1335
00:59:32,840 --> 00:59:34,520
Speaker 2: know how many times you watched, Donald, but I probably

1336
00:59:34,520 --> 00:59:36,360
Speaker 2: only watched the episode once when it when it aired.

1337
00:59:36,480 --> 00:59:38,600
Speaker 2: When it aired, I would I would, you know, and

1338
00:59:38,800 --> 00:59:41,760
Speaker 2: so you never really studied it. And now kind of

1339
00:59:41,800 --> 00:59:45,120
Speaker 2: going back with this podcast being the purpose of it,

1340
00:59:45,880 --> 00:59:48,640
Speaker 2: you see like, holy shit, look what Sarah's doing, Like well,

1341
00:59:48,720 --> 00:59:51,520
Speaker 2: like she's really good. She's really good in this episode too.

1342
00:59:51,960 --> 00:59:54,000
Speaker 6: I would even extend it to one of the coolest

1343
00:59:54,000 --> 00:59:56,160
Speaker 6: things about doing a hospital show, as you guys have

1344
00:59:56,280 --> 00:59:57,520
Speaker 6: made me look at it again and you set up

1345
00:59:57,560 --> 01:00:01,280
Speaker 6: with rich kind was the opportunity for actors and actresses

1346
01:00:01,360 --> 01:00:03,720
Speaker 6: to come in and be patients and know that they

1347
01:00:03,800 --> 01:00:05,560
Speaker 6: had one scene that they were going to get to

1348
01:00:05,600 --> 01:00:07,760
Speaker 6: try and knock something out of the park. And as

1349
01:00:07,840 --> 01:00:10,440
Speaker 6: you guys have made me revisit this, the amount of

1350
01:00:10,520 --> 01:00:14,000
Speaker 6: people that absolutely surprised me, do you know what I

1351
01:00:14,040 --> 01:00:16,880
Speaker 6: mean in an individual scene when it's like, hey, you're

1352
01:00:16,920 --> 01:00:19,400
Speaker 6: not really even part of the cast. But even that

1353
01:00:19,800 --> 01:00:22,320
Speaker 6: kid that ended up getting a sitcom in the finale

1354
01:00:22,480 --> 01:00:24,680
Speaker 6: when you tell him he had Huntington's disease, Zach. You

1355
01:00:24,720 --> 01:00:28,560
Speaker 6: know his name is Josh something. You know, Josh Cook,

1356
01:00:28,680 --> 01:00:32,160
Speaker 6: Josh I don't know, but yeah, there's just so so many.

1357
01:00:32,000 --> 01:00:34,520
Speaker 2: Patients well furious, which means we'll know soon.

1358
01:00:35,200 --> 01:00:37,960
Speaker 6: There's so many patients, you know, rich being one of them,

1359
01:00:38,000 --> 01:00:41,160
Speaker 6: Like Donald pointed it out, when it's like, oh, funny, funny, funny.

1360
01:00:41,400 --> 01:00:44,800
Speaker 6: And then when Richard Kaine goes, you can say what

1361
01:00:44,880 --> 01:00:46,480
Speaker 6: you want, but I knew you were messing with me,

1362
01:00:46,880 --> 01:00:48,080
Speaker 6: and you were you know, you know what I mean,

1363
01:00:48,240 --> 01:00:51,280
Speaker 6: And it's so poignant. You're like, oh, that was one

1364
01:00:51,280 --> 01:00:52,560
Speaker 6: of my favorite things about this show.

1365
01:00:52,600 --> 01:00:52,720
Speaker 4: Man.

1366
01:00:52,760 --> 01:00:55,240
Speaker 2: Well, one of my favorite point moments Bill is when

1367
01:00:55,360 --> 01:00:57,400
Speaker 2: Rob says, dude, what were her boobs like?

1368
01:00:57,880 --> 01:00:59,959
Speaker 1: Todd? I'm standing right here, goes.

1369
01:01:00,160 --> 01:01:01,600
Speaker 2: Sorry, what were your boobs like.

1370
01:01:03,080 --> 01:01:03,120
Speaker 4: You?

1371
01:01:04,040 --> 01:01:06,880
Speaker 2: That he goes, sorry, what are your boobs like you?

1372
01:01:07,000 --> 01:01:10,800
Speaker 6: Guys have to know that this episode, and I wanted

1373
01:01:10,840 --> 01:01:15,080
Speaker 6: to give you some trivia, was the absolute most debate

1374
01:01:15,240 --> 01:01:18,240
Speaker 6: we ever had about you know, how do we have

1375
01:01:18,360 --> 01:01:21,960
Speaker 6: to define Todd as a real character in the writer's room?

1376
01:01:22,200 --> 01:01:28,040
Speaker 3: Okay, And I'll tell you why, because he becomes a dog.

1377
01:01:28,320 --> 01:01:32,320
Speaker 2: Yes, he's supposedly the best surgeon in the hospital, but

1378
01:01:32,400 --> 01:01:33,880
Speaker 2: he chases an invisible ball.

1379
01:01:34,520 --> 01:01:36,400
Speaker 6: And by the way, and it was already a problem

1380
01:01:36,480 --> 01:01:39,560
Speaker 6: because he in your fantasy when he's fighting that older woman.

1381
01:01:40,120 --> 01:01:44,120
Speaker 3: He then said, and as Todd is always horny.

1382
01:01:44,080 --> 01:01:46,560
Speaker 6: That should end with them furiously making out, which is

1383
01:01:46,680 --> 01:01:50,800
Speaker 6: also so it's it's to me in this episode, he's

1384
01:01:50,880 --> 01:01:55,360
Speaker 6: going to be a sexual harassment pre me too. He's

1385
01:01:55,440 --> 01:01:59,800
Speaker 6: going to have a intense sexual relationship in a fan

1386
01:01:59,880 --> 01:02:02,919
Speaker 6: of see with an older woman, and then he's going

1387
01:02:03,000 --> 01:02:06,480
Speaker 6: to be a competent surgeon that also fetches tennis balls.

1388
01:02:06,840 --> 01:02:07,040
Speaker 1: Yeah.

1389
01:02:08,560 --> 01:02:13,400
Speaker 2: But Bill, when he wrestles that woman, I laugh, I

1390
01:02:13,520 --> 01:02:17,400
Speaker 2: was belly laughing. It was so fucking funny. Again, I'm assuming.

1391
01:02:17,640 --> 01:02:21,120
Speaker 2: I'm assuming she was a senior citizens stunt woman because

1392
01:02:21,200 --> 01:02:24,280
Speaker 2: they're really wrestling, like he was throwing her around.

1393
01:02:24,920 --> 01:02:27,520
Speaker 1: Yes, I don't know. Well, yeah, because she does the

1394
01:02:27,600 --> 01:02:29,000
Speaker 1: car smash and everything.

1395
01:02:29,080 --> 01:02:31,040
Speaker 2: Yeah, she definitely, and then they made out. We should

1396
01:02:31,080 --> 01:02:33,800
Speaker 2: ask Rob if there was tongue involved in that or.

1397
01:02:36,280 --> 01:02:36,760
Speaker 4: This This is.

1398
01:02:38,360 --> 01:02:38,560
Speaker 6: Rob.

1399
01:02:38,920 --> 01:02:41,720
Speaker 2: It's time for another segment of Ask Rob Rob.

1400
01:02:41,840 --> 01:02:43,080
Speaker 1: No talk to talk.

1401
01:02:43,320 --> 01:02:46,800
Speaker 2: Oh, time for another episode of Todd Talk Dan. Some

1402
01:02:46,960 --> 01:02:50,919
Speaker 2: little jingle that you come up with Todd Talk Rob.

1403
01:02:51,760 --> 01:02:54,720
Speaker 2: What was it like making out with that senior citizen

1404
01:02:54,960 --> 01:02:57,960
Speaker 2: and was their tongue involved? Was her breath?

1405
01:02:58,120 --> 01:02:58,400
Speaker 1: Nice?

1406
01:02:58,760 --> 01:03:01,360
Speaker 2: Tell us what that scene? Did you did you did

1407
01:03:01,440 --> 01:03:05,000
Speaker 2: you sort of summon? Okay, the angst of wrestling her

1408
01:03:05,160 --> 01:03:06,160
Speaker 2: into a kiss.

1409
01:03:10,320 --> 01:03:14,520
Speaker 10: To wrestle the old lady. It felt good, natural, just

1410
01:03:14,600 --> 01:03:18,320
Speaker 10: felt right. You haven't really lived until you wrestled the

1411
01:03:18,400 --> 01:03:21,919
Speaker 10: guilt to the ground and gilded her lily, nice little

1412
01:03:21,960 --> 01:03:24,160
Speaker 10: open mouth smooch there at the end to seal the deal.

1413
01:03:25,080 --> 01:03:27,480
Speaker 10: Guilt five the Todd.

1414
01:03:27,320 --> 01:03:31,680
Speaker 6: Of Pruz, Thank you, Rob, Thank you, and Rob thanks

1415
01:03:31,760 --> 01:03:34,360
Speaker 6: for obviously preparing that, because it felt like you worked

1416
01:03:34,400 --> 01:03:35,720
Speaker 6: on it, that you wrote it out ahead of time.

1417
01:03:35,760 --> 01:03:36,160
Speaker 1: I loved it.

1418
01:03:39,800 --> 01:03:42,240
Speaker 2: I know he writes out of answers, but maybe you

1419
01:03:42,280 --> 01:03:43,200
Speaker 2: know he's doing his best.

1420
01:03:43,760 --> 01:03:46,720
Speaker 3: I will tell you I'm jumping ahead. I'm jumping ahead.

1421
01:03:46,760 --> 01:03:50,480
Speaker 6: But the argument started Zach with Originally the scene with

1422
01:03:50,720 --> 01:03:56,240
Speaker 6: Todd uh is you had a tennis ball in your

1423
01:03:56,280 --> 01:03:59,880
Speaker 6: hand anyways, and you threw it, and that's how you

1424
01:04:00,200 --> 01:04:02,560
Speaker 6: rid of him, and then somebody it's not me. I

1425
01:04:02,600 --> 01:04:04,200
Speaker 6: wish I could take credit for it. One of the

1426
01:04:04,240 --> 01:04:06,800
Speaker 6: writers said, no, JD should pretend to have a ball

1427
01:04:07,880 --> 01:04:11,160
Speaker 6: throw it, and that Todd goes, and then Todd brings

1428
01:04:11,240 --> 01:04:12,280
Speaker 6: back a tennis ball and he.

1429
01:04:12,280 --> 01:04:13,280
Speaker 3: Found somewhere.

1430
01:04:14,480 --> 01:04:17,680
Speaker 6: Somewhere in the hospital, and that became there's a writer's

1431
01:04:17,760 --> 01:04:19,760
Speaker 6: room that became like a two hour fight of going

1432
01:04:20,240 --> 01:04:24,640
Speaker 6: it's too dumb that JD throws an imaginary ball, and

1433
01:04:24,720 --> 01:04:26,840
Speaker 6: that writer was like, but that's what's so funny about dogs.

1434
01:04:26,840 --> 01:04:29,840
Speaker 3: You can throw an imaginary go look for it. Well, yeah,

1435
01:04:29,880 --> 01:04:30,920
Speaker 3: but he's a surgeon.

1436
01:04:31,360 --> 01:04:33,800
Speaker 2: And then you call it back later in the in

1437
01:04:33,880 --> 01:04:36,520
Speaker 2: the lobby, he goes and chases the ball again, right

1438
01:04:37,040 --> 01:04:42,920
Speaker 2: to the janitor. You know what's funny. Rob does this

1439
01:04:43,320 --> 01:04:46,480
Speaker 2: this subtle thing when I'm holding the ball, but he's

1440
01:04:46,560 --> 01:04:48,760
Speaker 2: just kind of like bouncing like a dogwood.

1441
01:04:52,320 --> 01:04:52,480
Speaker 5: Head.

1442
01:04:53,400 --> 01:04:54,400
Speaker 3: Yeah, he's just ready for it.

1443
01:04:55,040 --> 01:04:57,919
Speaker 2: Josh cook he's correct, Bill, Josh Cooking was the actor

1444
01:04:57,960 --> 01:04:58,240
Speaker 2: there you.

1445
01:04:58,280 --> 01:05:00,960
Speaker 3: Go so at seven oh four or this is really interesting.

1446
01:05:01,000 --> 01:05:03,360
Speaker 3: And she was a Sarah Lancaster guest.

1447
01:05:03,560 --> 01:05:05,520
Speaker 2: I know she was back. We were no one. No

1448
01:05:05,600 --> 01:05:08,080
Speaker 2: one answered me, but I said, Sarah Lancaster was back.

1449
01:05:08,400 --> 01:05:08,640
Speaker 4: Bill.

1450
01:05:08,720 --> 01:05:11,160
Speaker 2: This is I have decided in the eight and a

1451
01:05:11,200 --> 01:05:13,720
Speaker 2: half years that I was on this program, it's the

1452
01:05:13,760 --> 01:05:16,840
Speaker 2: most unrealistic thing that you ever wrote, was that JD

1453
01:05:17,640 --> 01:05:20,000
Speaker 2: can't seem to get it up to give a shop girl.

1454
01:05:20,920 --> 01:05:23,240
Speaker 3: I feel it's the opposite of that.

1455
01:05:23,400 --> 01:05:27,400
Speaker 6: I feel that you're just awkward around her because she's stunning,

1456
01:05:27,480 --> 01:05:29,520
Speaker 6: and that you just can't you just can't put your

1457
01:05:29,560 --> 01:05:29,880
Speaker 6: game on.

1458
01:05:30,080 --> 01:05:30,560
Speaker 3: That's why.

1459
01:05:33,160 --> 01:05:35,440
Speaker 2: That makes That makes a tiny bit of sense.

1460
01:05:35,720 --> 01:05:38,160
Speaker 1: That makes a lot of sense. That makes way more

1461
01:05:38,280 --> 01:05:40,560
Speaker 1: sense than you being like you want to do what

1462
01:05:42,760 --> 01:05:43,840
Speaker 1: I don't think I could do that.

1463
01:05:46,040 --> 01:05:48,520
Speaker 6: The sauce thing killed me, by the way, Zach, what

1464
01:05:49,440 --> 01:05:52,000
Speaker 6: I think it was. I really I love Italian food.

1465
01:05:53,040 --> 01:05:54,840
Speaker 3: I love so good with sauce.

1466
01:05:55,080 --> 01:05:58,160
Speaker 2: Italian Italian people are so good at making sauce.

1467
01:06:01,280 --> 01:06:02,440
Speaker 3: Was so bad on a date.

1468
01:06:02,680 --> 01:06:04,320
Speaker 2: He has nothing to say on the day. That's what

1469
01:06:04,400 --> 01:06:05,120
Speaker 2: he That's what he's got.

1470
01:06:05,600 --> 01:06:08,600
Speaker 3: There's a good tribute thing with her. Here's a good tribute.

1471
01:06:08,800 --> 01:06:09,800
Speaker 3: Oh I know, I like him.

1472
01:06:09,920 --> 01:06:12,280
Speaker 2: Gift Shop Girl is very patient with this guy because

1473
01:06:12,760 --> 01:06:16,680
Speaker 2: he's just he's boring conversation. He doesn't want to make

1474
01:06:16,760 --> 01:06:19,640
Speaker 2: out she's really she's really poor. Poor gift shop girl.

1475
01:06:20,080 --> 01:06:22,240
Speaker 3: Well she you know, by the way, this is how

1476
01:06:22,320 --> 01:06:22,959
Speaker 3: TV works.

1477
01:06:23,040 --> 01:06:26,080
Speaker 6: She was one of the only actor actresses that we

1478
01:06:26,240 --> 01:06:28,680
Speaker 6: wanted in the Hallway and the finale that said yes

1479
01:06:29,280 --> 01:06:33,000
Speaker 6: that then the network NBC, since we had left NBC, would.

1480
01:06:32,840 --> 01:06:35,760
Speaker 3: Not allow her to come do that one line in

1481
01:06:35,840 --> 01:06:38,880
Speaker 3: the hallway because she was a regular on Chuck.

1482
01:06:40,000 --> 01:06:40,840
Speaker 1: Are you serious?

1483
01:06:41,360 --> 01:06:42,000
Speaker 3: I'm serious.

1484
01:06:42,840 --> 01:06:46,800
Speaker 6: They didn't allow her or Masioca to be in our finale, remember,

1485
01:06:47,000 --> 01:06:49,520
Speaker 6: so Frank was because they were both one was Chuck

1486
01:06:49,560 --> 01:06:52,320
Speaker 6: and one was Heroes and and and we had left

1487
01:06:52,440 --> 01:06:54,680
Speaker 6: NBC and gone to a different network, so they're like, nope,

1488
01:06:54,840 --> 01:06:56,400
Speaker 6: can't even be there to wave goodbye.

1489
01:06:56,920 --> 01:07:01,880
Speaker 2: So I remember early on, well, when Jason Bateman was

1490
01:07:01,920 --> 01:07:05,400
Speaker 2: on Arrested Development and I saw on Scrubs. We were

1491
01:07:05,480 --> 01:07:09,640
Speaker 2: all at some fancy event, Bill and the presidents of

1492
01:07:09,720 --> 01:07:12,560
Speaker 2: the networks were there, and we were all drinking heavily,

1493
01:07:14,440 --> 01:07:17,200
Speaker 2: and well, not Jason, but you and I and I

1494
01:07:17,280 --> 01:07:19,680
Speaker 2: think the presidents of the networks were and we were like,

1495
01:07:20,040 --> 01:07:22,640
Speaker 2: let's just go negotiate this right now. And and I

1496
01:07:22,720 --> 01:07:25,280
Speaker 2: think we like went to the Fox guy like can

1497
01:07:25,400 --> 01:07:27,800
Speaker 2: Jason come on do a spot on Scrubs? And he

1498
01:07:27,880 --> 01:07:29,680
Speaker 2: was like sure. And then we're like, okay, good, Let's

1499
01:07:29,680 --> 01:07:31,800
Speaker 2: go to the NBC guy, Can I go do this

1500
01:07:31,920 --> 01:07:33,920
Speaker 2: little spot on rest Development? They're like sure, They're like

1501
01:07:33,960 --> 01:07:35,920
Speaker 2: all right, done, And that's.

1502
01:07:35,760 --> 01:07:37,560
Speaker 3: Always asked when people have drinks in their hands.

1503
01:07:37,560 --> 01:07:40,240
Speaker 2: That's we both ended up being able to do cameos

1504
01:07:40,280 --> 01:07:41,360
Speaker 2: on each other's shows.

1505
01:07:41,400 --> 01:07:43,320
Speaker 1: That can go but bill that could go bad. That

1506
01:07:43,360 --> 01:07:45,040
Speaker 1: could go good, or it could go bad.

1507
01:07:45,240 --> 01:07:47,400
Speaker 3: Yeah, oh yeah. You also sometimes get a very quick no.

1508
01:07:47,840 --> 01:07:51,640
Speaker 2: Right no, or you can end up getting hammered and

1509
01:07:51,720 --> 01:07:54,520
Speaker 2: nugging him, like and nugging the head of the network.

1510
01:07:54,600 --> 01:07:54,800
Speaker 1: Yeah.

1511
01:07:55,400 --> 01:07:58,160
Speaker 6: You know. The the most I ever got in trouble

1512
01:07:58,200 --> 01:08:00,280
Speaker 6: for something like that was, you know, I think you

1513
01:08:00,320 --> 01:08:02,040
Speaker 6: guys know, you're both actors. You're allowed to do like

1514
01:08:02,320 --> 01:08:05,080
Speaker 6: three guest spots or something by contract on other shows,

1515
01:08:05,120 --> 01:08:06,040
Speaker 6: and you always have to ask.

1516
01:08:06,560 --> 01:08:08,560
Speaker 3: And Sarah had done a ton already on How I

1517
01:08:08,640 --> 01:08:08,960
Speaker 3: Met Your.

1518
01:08:08,920 --> 01:08:11,200
Speaker 6: Mother because she played Stella, this character that people thought

1519
01:08:11,280 --> 01:08:13,919
Speaker 6: might be the mom. And Carter and Craig, who loved

1520
01:08:13,960 --> 01:08:16,519
Speaker 6: Scrubs and who in fact probably would have been writing

1521
01:08:16,600 --> 01:08:19,000
Speaker 6: on it, but they created their own show, you know,

1522
01:08:19,160 --> 01:08:20,920
Speaker 6: right when you know we were kind of trying to

1523
01:08:21,200 --> 01:08:24,519
Speaker 6: bring them over, called up and said, hey, can Sarah

1524
01:08:24,560 --> 01:08:26,640
Speaker 6: come back on the show and do a bunch of episodes?

1525
01:08:27,200 --> 01:08:29,439
Speaker 6: And I'm like, contractually, I don't think she could be

1526
01:08:29,479 --> 01:08:31,400
Speaker 6: allowed to do it. They're like, well, we've written them

1527
01:08:31,479 --> 01:08:33,320
Speaker 6: and we got to do it. What's the best angle?

1528
01:08:33,680 --> 01:08:36,439
Speaker 6: And I said, the best angle is to say I

1529
01:08:36,600 --> 01:08:38,880
Speaker 6: said yes, but to tell no one and just have

1530
01:08:39,000 --> 01:08:44,000
Speaker 6: her do them. Yes, And she when she went and

1531
01:08:44,040 --> 01:08:45,519
Speaker 6: did them, and we got a call kind of in

1532
01:08:45,560 --> 01:08:47,960
Speaker 6: the middle of it, you know that, I was like, oh, yeah,

1533
01:08:48,120 --> 01:08:49,559
Speaker 6: I didn't really you know, I had to play dumb

1534
01:08:49,640 --> 01:08:50,920
Speaker 6: and go like guy said, it was fine because it

1535
01:08:50,920 --> 01:08:53,240
Speaker 6: didn't upset our production schedule and blah blah blah.

1536
01:08:53,680 --> 01:08:55,559
Speaker 3: But she wouldn't have been allowed otherwise.

1537
01:08:55,640 --> 01:08:57,759
Speaker 2: Yeah, but that was a different that was a different network,

1538
01:08:57,840 --> 01:08:58,559
Speaker 2: right right.

1539
01:08:58,640 --> 01:09:01,120
Speaker 6: How I met your mother's on CBS and she ended

1540
01:09:01,160 --> 01:09:02,960
Speaker 6: up doing like you're allowed to do three on a show,

1541
01:09:03,280 --> 01:09:05,160
Speaker 6: but you're not allowed to be a recurt like it.

1542
01:09:05,240 --> 01:09:08,080
Speaker 2: When she was making out with Radner, I felt it

1543
01:09:08,240 --> 01:09:10,760
Speaker 2: just didn't feel right to me. We Josh and I

1544
01:09:10,920 --> 01:09:12,960
Speaker 2: look a little bit alike, and I just felt like

1545
01:09:13,479 --> 01:09:14,960
Speaker 2: her character was cheating on JD.

1546
01:09:15,680 --> 01:09:17,600
Speaker 3: He's Shazam now, you know, he's he got to be

1547
01:09:17,600 --> 01:09:20,920
Speaker 3: a superhero. He should No, no, no, that's that's no,

1548
01:09:21,040 --> 01:09:22,280
Speaker 3: that's zach Levy.

1549
01:09:22,479 --> 01:09:23,360
Speaker 1: That's Zachary Levi.

1550
01:09:23,600 --> 01:09:27,360
Speaker 2: Oh yeah, exactly. I mentioned jo were talking about girl

1551
01:09:27,640 --> 01:09:31,160
Speaker 2: hooked up with exactly Sarah Chalk hooked up with Josh Radner,

1552
01:09:31,439 --> 01:09:33,640
Speaker 2: whose character I don't even know his name because I

1553
01:09:33,760 --> 01:09:36,160
Speaker 2: never saw how I met your mother? Did you you

1554
01:09:36,240 --> 01:09:37,040
Speaker 2: watched it? Donald?

1555
01:09:37,520 --> 01:09:38,600
Speaker 4: No, I do it.

1556
01:09:38,600 --> 01:09:39,640
Speaker 1: I don't watch TV like that.

1557
01:09:39,880 --> 01:09:43,240
Speaker 3: Okay, Oh A lot on it all right?

1558
01:09:43,320 --> 01:09:46,200
Speaker 6: Eleven twenty nine, Zach, eleven twenty nine is your is

1559
01:09:46,320 --> 01:09:48,720
Speaker 6: also in your top three pratfalls because you mentioned her

1560
01:09:48,760 --> 01:09:49,479
Speaker 6: as sliding over.

1561
01:09:50,080 --> 01:09:51,760
Speaker 3: My favorite thing about that, can I tell you?

1562
01:09:52,000 --> 01:09:55,120
Speaker 6: Is so we thought you could do it anyways, but

1563
01:09:55,240 --> 01:09:57,559
Speaker 6: you did it once in rehearsal and it was good

1564
01:09:57,640 --> 01:09:59,000
Speaker 6: looking but a little slower.

1565
01:09:59,360 --> 01:10:02,040
Speaker 3: And I don't know if you're remember this, uh the hood,

1566
01:10:02,200 --> 01:10:04,240
Speaker 3: I said, I said, what I think I'd like to

1567
01:10:04,360 --> 01:10:06,680
Speaker 3: do is wax the hood. Yeah, And they're like and

1568
01:10:07,920 --> 01:10:09,760
Speaker 3: they're like that, you know that could be that could

1569
01:10:09,760 --> 01:10:12,719
Speaker 3: really hurt Zach. And I'm feeling good about waxing the hood.

1570
01:10:15,160 --> 01:10:17,280
Speaker 2: I remember that. I remember I did it. I don't

1571
01:10:17,280 --> 01:10:18,600
Speaker 2: even know if it was written, but you and I

1572
01:10:18,800 --> 01:10:21,639
Speaker 2: came up with it as a funny thing, like in rehearsal,

1573
01:10:21,720 --> 01:10:23,840
Speaker 2: I think, And then you were like, you know, it'd

1574
01:10:23,880 --> 01:10:25,960
Speaker 2: be really funny if we if we wax the hood.

1575
01:10:26,439 --> 01:10:28,479
Speaker 2: And I think the stunt guys are like, yeah, but dude,

1576
01:10:28,520 --> 01:10:29,400
Speaker 2: he can go flying and.

1577
01:10:30,040 --> 01:10:30,760
Speaker 3: Go like twenty feet.

1578
01:10:30,920 --> 01:10:32,519
Speaker 2: Yeah, I feel good about it.

1579
01:10:35,479 --> 01:10:38,160
Speaker 1: I'm gonna tell you something right now, that moment reminds

1580
01:10:38,240 --> 01:10:40,960
Speaker 1: me of like, you know, your favorite movie, Like in

1581
01:10:41,080 --> 01:10:43,479
Speaker 1: your favorite movies at the end of the movie the

1582
01:10:43,600 --> 01:10:47,400
Speaker 1: hero runs and jumps over the door and jumps into

1583
01:10:47,520 --> 01:10:50,599
Speaker 1: the car and stuff like that, And it really looked

1584
01:10:50,640 --> 01:10:52,280
Speaker 1: like it was gonna be one of those moments. The

1585
01:10:52,400 --> 01:10:54,479
Speaker 1: only problem with it was was the pad was just

1586
01:10:54,560 --> 01:10:58,599
Speaker 1: a little too high, kind of see you see him bounce? Yeah,

1587
01:10:58,640 --> 01:10:59,479
Speaker 1: you see you bounce.

1588
01:10:59,640 --> 01:11:01,400
Speaker 2: Well, not if you're not looking for it. I mean,

1589
01:11:01,479 --> 01:11:04,479
Speaker 2: I cannot I can't do that. I couldn't have done

1590
01:11:04,479 --> 01:11:07,439
Speaker 2: that without a pad. Dude in my head, in.

1591
01:11:07,560 --> 01:11:09,120
Speaker 3: My head, and it would have been great, So we

1592
01:11:09,120 --> 01:11:09,680
Speaker 3: would have used it.

1593
01:11:09,720 --> 01:11:12,200
Speaker 6: There was a small chance that he was gonna with

1594
01:11:12,320 --> 01:11:14,040
Speaker 6: the wax overshoot the pad.

1595
01:11:17,520 --> 01:11:17,880
Speaker 3: And just.

1596
01:11:20,960 --> 01:11:25,920
Speaker 2: Because I yell, I go Telly ho. What's so funny

1597
01:11:25,960 --> 01:11:28,719
Speaker 2: about it is a I'm trying to make Elliott jealous

1598
01:11:29,200 --> 01:11:31,120
Speaker 2: and I'm trying to look good for give shop girl,

1599
01:11:31,680 --> 01:11:34,320
Speaker 2: and I just humiliate myself in front of both. I

1600
01:11:34,439 --> 01:11:35,519
Speaker 2: love that. It's so funny.

1601
01:11:35,560 --> 01:11:36,719
Speaker 3: It made me so happy.

1602
01:11:37,240 --> 01:11:40,240
Speaker 6: You guys mentioned as Oh, by the way, there's one

1603
01:11:40,280 --> 01:11:43,240
Speaker 6: of our best cowboy switches at the twelve minute mark

1604
01:11:43,320 --> 01:11:45,680
Speaker 6: when Kelso stuntman rolls out of the car.

1605
01:11:46,160 --> 01:11:48,360
Speaker 2: Yeah, you're going to fast, You're going to fast.

1606
01:11:48,760 --> 01:11:50,840
Speaker 3: I'm sorry, I got excited. I did a lot of

1607
01:11:50,920 --> 01:11:51,960
Speaker 3: time checks on this one.

1608
01:11:52,800 --> 01:11:54,880
Speaker 2: To remind the audience what a cowboy switches. It's when

1609
01:11:55,600 --> 01:11:59,360
Speaker 2: we creatively, without cutting the camera, switch between the stuntman

1610
01:11:59,439 --> 01:12:02,400
Speaker 2: and the real So if you look at that car stunt,

1611
01:12:03,160 --> 01:12:06,040
Speaker 2: the stuntman comes rolling out of a moving car and

1612
01:12:06,120 --> 01:12:08,080
Speaker 2: he comes far enough towards the camera that he goes

1613
01:12:08,160 --> 01:12:10,840
Speaker 2: off screen, and then where Ken was crouching and able

1614
01:12:10,880 --> 01:12:13,120
Speaker 2: to pop right up and it seamlessly looks like Ken

1615
01:12:13,280 --> 01:12:15,439
Speaker 2: did the stunt, and that was really good. I don't

1616
01:12:15,439 --> 01:12:17,479
Speaker 2: know if that was Chris Kocher or well, this is

1617
01:12:17,560 --> 01:12:20,280
Speaker 2: Chris Kotcher's first episode. He directed, and he did a

1618
01:12:20,360 --> 01:12:20,920
Speaker 2: really good job.

1619
01:12:21,240 --> 01:12:21,400
Speaker 1: Chris.

1620
01:12:21,840 --> 01:12:26,679
Speaker 2: He's I wanted to mention I got goosebumps when Johnny

1621
01:12:26,760 --> 01:12:31,280
Speaker 2: c tells Richard Kine that he's sick. I thought that

1622
01:12:31,400 --> 01:12:33,720
Speaker 2: was so powerful and he kind of has to eat

1623
01:12:33,800 --> 01:12:37,559
Speaker 2: crow and go, holy shit, look at this chart. You're sick.

1624
01:12:38,280 --> 01:12:40,720
Speaker 6: And Richard kin with a really interesting moment that you

1625
01:12:40,800 --> 01:12:43,400
Speaker 6: can tell he probably secretly didn't want to be sick.

1626
01:12:43,960 --> 01:12:46,400
Speaker 6: He likes you know, he likes the attention of being

1627
01:12:46,400 --> 01:12:49,360
Speaker 6: a hypochondrict, but he's never looks forward to being sick.

1628
01:12:49,479 --> 01:12:51,240
Speaker 3: You know. Yeah, I really like that.

1629
01:12:52,080 --> 01:12:59,160
Speaker 1: Yeah, that was to watch Richard is a lot of

1630
01:12:59,200 --> 01:13:01,280
Speaker 1: fun because you don't know when it's coming. You really

1631
01:13:01,439 --> 01:13:04,280
Speaker 1: really don't know when it's coming. Like on the show,

1632
01:13:04,320 --> 01:13:06,479
Speaker 1: we've gotten to the point where we're gonna you know,

1633
01:13:06,600 --> 01:13:09,720
Speaker 1: there's a setup coming. You know, something's gonna happen. And

1634
01:13:10,360 --> 01:13:14,040
Speaker 1: when it happens, Richard even plays it off like oh okay,

1635
01:13:14,720 --> 01:13:18,760
Speaker 1: and then it sinks in and it hurts and he's like,

1636
01:13:18,840 --> 01:13:23,720
Speaker 1: oh shit, I'm a I'm sick. Yeah, and you know,

1637
01:13:24,680 --> 01:13:27,240
Speaker 1: his his fake outs, his fake outs in the show

1638
01:13:27,280 --> 01:13:29,519
Speaker 1: are great, Like later on he'll come back and he

1639
01:13:29,640 --> 01:13:31,599
Speaker 1: and I have like two episodes I think together.

1640
01:13:31,760 --> 01:13:34,160
Speaker 3: Yeah. And I love that courtroom scene.

1641
01:13:34,439 --> 01:13:36,439
Speaker 6: Yeah, I mean, I mean, you know the scene in

1642
01:13:36,439 --> 01:13:39,320
Speaker 6: the around the table where Sam Lloyd Rip you know,

1643
01:13:39,400 --> 01:13:42,160
Speaker 6: has what I think is the greatest pratfall. Even kudos

1644
01:13:42,160 --> 01:13:44,200
Speaker 6: to Zach and Scrubs history on that one. That one's

1645
01:13:44,240 --> 01:13:44,840
Speaker 6: pretty amazing.

1646
01:13:45,080 --> 01:13:45,680
Speaker 2: What's that one?

1647
01:13:46,280 --> 01:13:48,720
Speaker 6: That's one's when Sam Lloyd is so hard to do

1648
01:13:49,600 --> 01:13:52,599
Speaker 6: is arguing that Joanna Marguis and Donald and he gets

1649
01:13:52,720 --> 01:13:55,800
Speaker 6: very sweaty, and he said, I said, you have to

1650
01:13:55,800 --> 01:13:58,559
Speaker 6: figure out a way to knock yourself out. And Sam said,

1651
01:13:59,040 --> 01:14:01,040
Speaker 6: my hand sweat is gonna make me slip on the

1652
01:14:01,120 --> 01:14:03,439
Speaker 6: table and I'm gonna slam the side of my face

1653
01:14:03,479 --> 01:14:05,759
Speaker 6: into this table and then fall off screen.

1654
01:14:06,240 --> 01:14:07,960
Speaker 3: And he there was no pad. He just did it.

1655
01:14:08,080 --> 01:14:09,240
Speaker 3: It was It's fantastic.

1656
01:14:09,400 --> 01:14:12,640
Speaker 2: He rushed that. I assumed that there was some some

1657
01:14:12,960 --> 01:14:14,120
Speaker 2: trick to that. I didn't know he did.

1658
01:14:14,280 --> 01:14:17,000
Speaker 6: There is no trick except we said you have to

1659
01:14:17,040 --> 01:14:19,200
Speaker 6: do it hard enough that when we had the sound effect,

1660
01:14:19,320 --> 01:14:20,200
Speaker 6: it looks painful.

1661
01:14:20,400 --> 01:14:21,200
Speaker 3: And he's like, I got this.

1662
01:14:25,600 --> 01:14:27,160
Speaker 2: Hey, We're gonna go to a quick break and when

1663
01:14:27,240 --> 01:14:28,960
Speaker 2: we come back, we will have a guest and I

1664
01:14:29,000 --> 01:14:30,160
Speaker 2: will have a genius question.

1665
01:14:30,280 --> 01:14:39,000
Speaker 1: We'll be right back, and our guest is here giving

1666
01:14:39,120 --> 01:14:41,320
Speaker 1: up for Anthony, who wore a suit.

1667
01:14:43,800 --> 01:14:44,479
Speaker 3: Makes me happy.

1668
01:14:45,360 --> 01:14:47,479
Speaker 2: There's applause, Damn thunders all. Nice.

1669
01:14:48,000 --> 01:14:53,120
Speaker 1: Hey, I was I thought that Oprah didn't do the

1670
01:14:53,200 --> 01:14:56,080
Speaker 1: Oprah voice anymore, and therefore I thought it was funny

1671
01:14:56,120 --> 01:14:58,559
Speaker 1: that I was bringing the Oprah Winfrey Show voice back.

1672
01:14:59,400 --> 01:15:00,840
Speaker 2: When did you just she does it? When did you

1673
01:15:01,000 --> 01:15:03,920
Speaker 2: decide to not do the Oprah voice? What are you

1674
01:15:03,960 --> 01:15:04,479
Speaker 2: talking about?

1675
01:15:04,479 --> 01:15:05,640
Speaker 1: No, I'm not saying I'm not.

1676
01:15:05,720 --> 01:15:05,760
Speaker 4: No.

1677
01:15:05,880 --> 01:15:08,000
Speaker 3: He thought he was paying homage to something that's over.

1678
01:15:08,120 --> 01:15:09,720
Speaker 3: But she still does she still does it.

1679
01:15:10,000 --> 01:15:12,080
Speaker 2: Oh yeah, I haven't. Where have you heard her? Oprah?

1680
01:15:12,200 --> 01:15:14,880
Speaker 1: So I watched CBS this morning in the morning, I

1681
01:15:14,960 --> 01:15:17,400
Speaker 1: watched CBS in the morning and Gail King's on it,

1682
01:15:17,520 --> 01:15:20,559
Speaker 1: and Gail King and Oprah are best friends and they

1683
01:15:20,680 --> 01:15:23,960
Speaker 1: just had a book club. Think like they still continue

1684
01:15:24,000 --> 01:15:25,679
Speaker 1: some of the things that Oprah did on her show.

1685
01:15:26,160 --> 01:15:30,320
Speaker 1: And Oprah had a book club segment on CBS this

1686
01:15:30,479 --> 01:15:33,760
Speaker 1: morning and she did it and I was like, holy shit,

1687
01:15:34,280 --> 01:15:37,280
Speaker 1: I sound like Oprah. So, ladies and gentlemen, give it

1688
01:15:37,400 --> 01:15:38,840
Speaker 1: up for any.

1689
01:15:41,360 --> 01:15:42,160
Speaker 2: Anthony. How are you?

1690
01:15:42,200 --> 01:15:42,880
Speaker 3: Welk you so much.

1691
01:15:42,960 --> 01:15:44,719
Speaker 2: Welcome to Fake Doctor's Real Friends.

1692
01:15:45,200 --> 01:15:47,040
Speaker 4: Thank you, Zach. It's such an honor to be on.

1693
01:15:47,360 --> 01:15:50,080
Speaker 4: We really appreciate you, know, you having us on, and

1694
01:15:50,280 --> 01:15:51,880
Speaker 4: it's such a great opportunity.

1695
01:15:52,320 --> 01:15:53,920
Speaker 2: Are you saying we are you? Is it a royal

1696
01:15:54,000 --> 01:15:54,519
Speaker 2: we are you?

1697
01:15:54,640 --> 01:15:54,840
Speaker 1: Are you?

1698
01:15:54,920 --> 01:15:55,679
Speaker 2: Are you royal?

1699
01:15:56,640 --> 01:15:59,840
Speaker 4: No? No, my apologies, my apologies. My wife is up

1700
01:16:00,040 --> 01:16:02,680
Speaker 4: stairs and you know, of course I share everything with her,

1701
01:16:02,800 --> 01:16:03,599
Speaker 4: so you should.

1702
01:16:05,560 --> 01:16:09,599
Speaker 2: They don't, they don't know your story, so any was exciting.

1703
01:16:09,840 --> 01:16:12,479
Speaker 4: Thank you, thank you, and it's it's something that's great

1704
01:16:13,520 --> 01:16:16,840
Speaker 4: in part other ways it's it's not. But you know,

1705
01:16:17,640 --> 01:16:21,160
Speaker 4: part of the reason we reached out was we really

1706
01:16:21,320 --> 01:16:25,240
Speaker 4: loved how authentic Scrubs was and how you made all

1707
01:16:25,280 --> 01:16:28,560
Speaker 4: of the characters you know, your own, each of you

1708
01:16:28,960 --> 01:16:33,840
Speaker 4: did in such a great way that you know, last year,

1709
01:16:33,920 --> 01:16:36,880
Speaker 4: my wife and I actually lost a little girl a

1710
01:16:36,960 --> 01:16:40,479
Speaker 4: couple of weeks before she was due, and we had

1711
01:16:40,800 --> 01:16:46,120
Speaker 4: a tremendous experience with the doctors and nurses that were

1712
01:16:46,720 --> 01:16:49,519
Speaker 4: at the hospital and helped us through that whole process

1713
01:16:50,360 --> 01:16:54,600
Speaker 4: that we started, you know, working on a project and

1714
01:16:54,920 --> 01:16:57,960
Speaker 4: actually are are working on what's called a bereavement room

1715
01:16:58,360 --> 01:17:01,080
Speaker 4: right now with the hospital that we lost our little

1716
01:17:01,120 --> 01:17:05,800
Speaker 4: girl in in the Cleveland, Ohio area. And so from

1717
01:17:05,880 --> 01:17:09,559
Speaker 4: that respect, you know, when I rewatched all of Scrubs,

1718
01:17:09,760 --> 01:17:11,080
Speaker 4: I went through it in about a week and a

1719
01:17:11,120 --> 01:17:15,080
Speaker 4: half earlier this year, it just made me think about how,

1720
01:17:15,680 --> 01:17:18,880
Speaker 4: you know, how much we appreciated all that the doctors did,

1721
01:17:19,000 --> 01:17:23,320
Speaker 4: and again that authenticity that you all brought to all

1722
01:17:23,400 --> 01:17:27,479
Speaker 4: of the show, and you know we are. We're thankful

1723
01:17:27,560 --> 01:17:31,760
Speaker 4: for that. We really appreciate being able to come on

1724
01:17:31,880 --> 01:17:34,920
Speaker 4: to the show here today, if it's okay to plug

1725
01:17:35,479 --> 01:17:38,759
Speaker 4: you know, the fundraiser that we're working on with Cleveland

1726
01:17:38,800 --> 01:17:41,639
Speaker 4: Clinic to kind of do this initial room.

1727
01:17:41,920 --> 01:17:46,320
Speaker 2: Yeah, tell us. Wow, I think you caught us all speechless.

1728
01:17:46,720 --> 01:17:50,640
Speaker 2: We're so sorry for your loss, but please tell us

1729
01:17:50,760 --> 01:17:55,040
Speaker 2: more about it, because I think everyone's interested to know

1730
01:17:55,120 --> 01:17:57,320
Speaker 2: what you mean by I think I know, but just

1731
01:17:57,360 --> 01:17:59,080
Speaker 2: tell everyone what the cause is and what a breavement

1732
01:17:59,160 --> 01:17:59,479
Speaker 2: room is.

1733
01:18:01,160 --> 01:18:04,759
Speaker 4: Yeah, yeah, no, thank you, thank you. So the cause

1734
01:18:05,240 --> 01:18:09,880
Speaker 4: is for parents who have what we call still births,

1735
01:18:09,960 --> 01:18:13,880
Speaker 4: which is generally anybody who loses a child after twenty weeks.

1736
01:18:13,920 --> 01:18:16,720
Speaker 4: But in any case, anybody who loses a child is

1737
01:18:16,760 --> 01:18:20,479
Speaker 4: obviously a tough thing, or any family member, which is

1738
01:18:20,520 --> 01:18:23,400
Speaker 4: why again, we've appreciated everything, and I know I keep

1739
01:18:23,479 --> 01:18:27,200
Speaker 4: saying we, but my wife and I have appreciated listening

1740
01:18:27,280 --> 01:18:29,760
Speaker 4: to this show and how much you've shown caring for

1741
01:18:29,920 --> 01:18:33,360
Speaker 4: the essential workers, all the people out there who are

1742
01:18:33,800 --> 01:18:36,639
Speaker 4: trying to help support each other in this tough time.

1743
01:18:37,640 --> 01:18:41,160
Speaker 4: But for our bereavement room specifically, it's meant for people

1744
01:18:41,280 --> 01:18:44,120
Speaker 4: who go through a similar loss to our own, where

1745
01:18:44,160 --> 01:18:48,800
Speaker 4: it creates a home like space for parents. So that way,

1746
01:18:49,000 --> 01:18:51,200
Speaker 4: for the little time that they get to hold their

1747
01:18:51,280 --> 01:18:54,280
Speaker 4: little ones, they get to make it feel a little

1748
01:18:54,320 --> 01:18:57,479
Speaker 4: bit more like home and have bonding moments that just

1749
01:18:57,600 --> 01:19:00,840
Speaker 4: get to I think, emphasize even more or the great

1750
01:19:00,920 --> 01:19:03,200
Speaker 4: care that they get from the doctors and the nurses

1751
01:19:03,240 --> 01:19:06,519
Speaker 4: who help them go through that. And so our goal

1752
01:19:06,680 --> 01:19:10,320
Speaker 4: is to create that space in the hospital and do

1753
01:19:10,479 --> 01:19:15,920
Speaker 4: it through a website called give dot CCF dot org backslash.

1754
01:19:16,040 --> 01:19:20,200
Speaker 4: The Butterfly Suite and the Butterfly Sweet is the concept

1755
01:19:20,240 --> 01:19:21,920
Speaker 4: that my wife and I came up with that we're

1756
01:19:21,960 --> 01:19:26,400
Speaker 4: hoping starts at this hospital and can expand nationwide because

1757
01:19:26,400 --> 01:19:30,799
Speaker 4: it's not something that really gets too too much press

1758
01:19:30,920 --> 01:19:34,759
Speaker 4: or notice when people lose children, but it is something

1759
01:19:34,880 --> 01:19:39,080
Speaker 4: that we know, you know, happens more often than anybody

1760
01:19:39,160 --> 01:19:41,200
Speaker 4: cares to really recognize.

1761
01:19:41,920 --> 01:19:46,519
Speaker 2: So Anthony, my understand because I've never heard this before.

1762
01:19:47,520 --> 01:19:51,280
Speaker 2: When parents have a stillborn are they are they usually

1763
01:19:51,840 --> 01:19:54,920
Speaker 2: given the opportunity to spend some time with the baby.

1764
01:19:56,000 --> 01:19:59,280
Speaker 4: It's actually changed a lot in the last few years, thankfully.

1765
01:20:00,160 --> 01:20:03,040
Speaker 4: Used to be that no, most of the time a

1766
01:20:03,160 --> 01:20:05,680
Speaker 4: mother and father would never even hold or get to

1767
01:20:05,800 --> 01:20:08,920
Speaker 4: know their child. It would just kind of be taken

1768
01:20:08,960 --> 01:20:12,000
Speaker 4: out of the room and you know, go through whatever

1769
01:20:12,200 --> 01:20:16,920
Speaker 4: burial a parents wanted to do. But now, thankfully they

1770
01:20:17,000 --> 01:20:21,000
Speaker 4: have something called cocots which help keep the child cool

1771
01:20:21,160 --> 01:20:25,160
Speaker 4: and keep off some of that process that happens after

1772
01:20:25,280 --> 01:20:28,720
Speaker 4: you pass. And in our case, we spent about eight

1773
01:20:28,840 --> 01:20:32,200
Speaker 4: or ten hours with our daughter before we kind of

1774
01:20:32,280 --> 01:20:35,439
Speaker 4: gave her over, and we were very thankful for that.

1775
01:20:35,520 --> 01:20:39,040
Speaker 4: We even got family photos and other things that organizations

1776
01:20:39,720 --> 01:20:42,599
Speaker 4: are now coming out and helping out with a lot

1777
01:20:42,680 --> 01:20:45,280
Speaker 4: of that stuff, where a few years ago even you

1778
01:20:45,400 --> 01:20:47,160
Speaker 4: might not have spent any time with your child.

1779
01:20:48,840 --> 01:20:52,479
Speaker 2: Wow, was that I'm sorry, I'm just I'm so moved

1780
01:20:52,560 --> 01:20:55,360
Speaker 2: by this. I've got tears in my eyes. I don't

1781
01:20:55,360 --> 01:20:57,639
Speaker 2: even know what to say, But I was that something

1782
01:20:57,680 --> 01:21:02,640
Speaker 2: that you and your wife had to quickly discuss if

1783
01:21:02,720 --> 01:21:05,120
Speaker 2: you wanted to do that. I imagine it would be

1784
01:21:05,360 --> 01:21:07,240
Speaker 2: hard for some people. They would say, I don't know

1785
01:21:07,320 --> 01:21:10,200
Speaker 2: if I could if I could handle that. I mean,

1786
01:21:10,479 --> 01:21:12,760
Speaker 2: as I'm listening to I'm thinking, like, gosh, would I

1787
01:21:12,840 --> 01:21:13,920
Speaker 2: be able to handle that?

1788
01:21:15,320 --> 01:21:19,840
Speaker 4: Yeah, it's definitely a whirlwind, but Thankfully we were able

1789
01:21:19,960 --> 01:21:25,479
Speaker 4: to have some time through the delivery process. It still

1790
01:21:25,520 --> 01:21:27,760
Speaker 4: took us about a day to have our daughter, that

1791
01:21:27,960 --> 01:21:30,280
Speaker 4: we were able to think through some of those things.

1792
01:21:30,680 --> 01:21:33,639
Speaker 4: And the nurses that's where I say we had terrific

1793
01:21:33,800 --> 01:21:38,280
Speaker 4: care where the original resident that we had, he was

1794
01:21:38,400 --> 01:21:42,719
Speaker 4: the head resident, but he, you know, came in asked

1795
01:21:43,120 --> 01:21:47,800
Speaker 4: us our daughter's name and would constantly repeat her name

1796
01:21:47,800 --> 01:21:50,880
Speaker 4: anytime we were talking about delivering her. The nurses helped

1797
01:21:50,920 --> 01:21:53,160
Speaker 4: us through that whole process that they asked us, you know,

1798
01:21:53,280 --> 01:21:54,840
Speaker 4: do you want to do this or do you not?

1799
01:21:55,479 --> 01:21:58,639
Speaker 4: And they kind of helped give us guidance and get

1800
01:21:58,720 --> 01:22:01,000
Speaker 4: us a lot of momento and other things that we

1801
01:22:01,120 --> 01:22:04,360
Speaker 4: will cherish for the rest of our lives. So it

1802
01:22:04,520 --> 01:22:09,559
Speaker 4: is an interesting item that, yes, it happens very quickly,

1803
01:22:09,680 --> 01:22:13,600
Speaker 4: but through the care and support of those people that

1804
01:22:13,720 --> 01:22:18,120
Speaker 4: we've mentioned, they absolutely helped us do that as best

1805
01:22:18,160 --> 01:22:18,599
Speaker 4: as we could.

1806
01:22:20,120 --> 01:22:22,760
Speaker 3: Anthony man, I, I'm bill nice to meet you.

1807
01:22:24,280 --> 01:22:28,040
Speaker 6: How you doing look the coolest thing and why I

1808
01:22:28,160 --> 01:22:32,519
Speaker 6: find you so inspiring is the main reason that we

1809
01:22:32,680 --> 01:22:35,960
Speaker 6: wanted to do this show was because I'm much older

1810
01:22:36,000 --> 01:22:37,880
Speaker 6: than you. Those of you that can't see Anthony is

1811
01:22:37,920 --> 01:22:42,040
Speaker 6: a very young, handsome man. It's annoying, and that's good.

1812
01:22:42,680 --> 01:22:43,439
Speaker 3: He looks sharp.

1813
01:22:43,800 --> 01:22:44,080
Speaker 4: But the.

1814
01:22:46,280 --> 01:22:48,720
Speaker 6: Is that, you know, when I was a kid, used

1815
01:22:48,760 --> 01:22:52,160
Speaker 6: to have a cliche that doctors and nurses, you know,

1816
01:22:52,320 --> 01:22:54,120
Speaker 6: your parents would want you to be a doctor to

1817
01:22:54,200 --> 01:22:55,800
Speaker 6: be rich because you can golf all the time and

1818
01:22:55,840 --> 01:22:56,559
Speaker 6: make tons of money.

1819
01:22:57,120 --> 01:22:59,880
Speaker 3: And when we started this show, it wasn't about being

1820
01:22:59,880 --> 01:23:01,160
Speaker 3: a doctor to be rich anymore.

1821
01:23:01,200 --> 01:23:04,200
Speaker 6: It was too If you went into that industry, being

1822
01:23:04,240 --> 01:23:05,920
Speaker 6: a nurse or a doctor is because you wanted to

1823
01:23:06,000 --> 01:23:08,120
Speaker 6: be of service to people, you know. And one of

1824
01:23:08,120 --> 01:23:10,559
Speaker 6: the things I'm witnessing right now that I find inspiring

1825
01:23:10,600 --> 01:23:15,599
Speaker 6: in a very cynical time are I don't begrudge anybody

1826
01:23:15,680 --> 01:23:19,400
Speaker 6: that's feeling beaten down right now or that is very

1827
01:23:19,479 --> 01:23:21,240
Speaker 6: close to feeling like they should give up.

1828
01:23:21,680 --> 01:23:23,160
Speaker 3: But what's amazing is when you meet.

1829
01:23:23,040 --> 01:23:26,519
Speaker 6: Someone like you that goes through something with your wife

1830
01:23:26,760 --> 01:23:30,680
Speaker 6: and then decides to be of service to others, you know.

1831
01:23:30,920 --> 01:23:35,880
Speaker 6: And I find that very inspiring amongst people, and specifically

1832
01:23:36,000 --> 01:23:39,639
Speaker 6: young people like yourself. It gives me optimism in ways

1833
01:23:39,680 --> 01:23:41,160
Speaker 6: that I don't otherwise always have it.

1834
01:23:41,280 --> 01:23:42,760
Speaker 3: So thanks man, it's very very cool.

1835
01:23:42,800 --> 01:23:45,200
Speaker 6: Make sure you mentioned the website again at the end,

1836
01:23:45,280 --> 01:23:46,599
Speaker 6: because it's a tough one to remember.

1837
01:23:46,840 --> 01:23:49,960
Speaker 2: We will and Joelle will put it on our page

1838
01:23:50,040 --> 01:23:51,160
Speaker 2: so people can click on it.

1839
01:23:52,960 --> 01:23:56,639
Speaker 1: I'm so sorry, man, you just caught me so off guard.

1840
01:23:56,680 --> 01:23:59,439
Speaker 4: Man, No, I apologize. You guys were having a good

1841
01:23:59,479 --> 01:24:03,919
Speaker 4: time and I no, no, no, it's important.

1842
01:24:04,040 --> 01:24:05,400
Speaker 2: It's important. It's sobering.

1843
01:24:05,560 --> 01:24:10,160
Speaker 5: Like Donald said, positive you some positive news, Anthony, do

1844
01:24:10,240 --> 01:24:13,000
Speaker 5: you want to get well one means of news? How

1845
01:24:13,040 --> 01:24:15,280
Speaker 5: close are you to your goal for the briefment room.

1846
01:24:16,080 --> 01:24:18,720
Speaker 4: Well, we're very close. So we were aiming to raise

1847
01:24:18,760 --> 01:24:21,479
Speaker 4: about twenty five thousand dollars and we're a little over

1848
01:24:21,600 --> 01:24:25,919
Speaker 4: twenty one thousand raised already, and so we're very thankful

1849
01:24:26,000 --> 01:24:28,160
Speaker 4: for all the support that people have provided.

1850
01:24:28,400 --> 01:24:30,080
Speaker 1: As it is, well, let's get it over there.

1851
01:24:30,640 --> 01:24:32,639
Speaker 2: I think we'll get it over that. Wa Anthony, will

1852
01:24:32,680 --> 01:24:37,040
Speaker 2: you be turning? I assume the hospital has said yes

1853
01:24:37,160 --> 01:24:39,680
Speaker 2: to this and there's a room for it, but it's

1854
01:24:39,720 --> 01:24:41,960
Speaker 2: going to cost roughly that to convert the room. Is

1855
01:24:42,000 --> 01:24:42,439
Speaker 2: that what it is?

1856
01:24:43,400 --> 01:24:45,800
Speaker 4: Yeah? So it's that plus what we're aiming to do

1857
01:24:46,080 --> 01:24:48,800
Speaker 4: is getting like a full sized bed versus kind of

1858
01:24:49,120 --> 01:24:52,000
Speaker 4: a twin sized hospital bed in there, so that way,

1859
01:24:52,280 --> 01:24:54,960
Speaker 4: you know, mom and dad can sleep together, or mom

1860
01:24:55,040 --> 01:24:58,439
Speaker 4: and mom, how dad and dad. However it is is

1861
01:24:58,520 --> 01:25:01,240
Speaker 4: set up. But you know in a day, having a

1862
01:25:01,400 --> 01:25:04,880
Speaker 4: music player, a crib, certain types of things that again

1863
01:25:04,960 --> 01:25:07,160
Speaker 4: make it feel like home. And yes, there is a

1864
01:25:07,200 --> 01:25:11,599
Speaker 4: space already at the hospital that parents will be able

1865
01:25:11,800 --> 01:25:15,040
Speaker 4: they'll be able to convert right now and utilize because

1866
01:25:15,320 --> 01:25:18,439
Speaker 4: we talked longer term about building a space. But this

1867
01:25:18,600 --> 01:25:21,160
Speaker 4: is maybe a good happy medium for the time being.

1868
01:25:21,360 --> 01:25:24,240
Speaker 1: All Right, well, let's let's give that website another shout

1869
01:25:24,280 --> 01:25:25,479
Speaker 1: out again.

1870
01:25:27,120 --> 01:25:29,960
Speaker 4: Yeah, thank you, thank you. It's give dot c c

1871
01:25:30,240 --> 01:25:34,000
Speaker 4: F dot org backslash the butterfly. Sweet.

1872
01:25:35,400 --> 01:25:37,519
Speaker 5: Okay, you have one last piece of information, but I

1873
01:25:37,520 --> 01:25:38,880
Speaker 5: don't know if you want us to share to all

1874
01:25:38,880 --> 01:25:42,800
Speaker 5: of our listeners or Okay.

1875
01:25:41,439 --> 01:25:46,280
Speaker 4: Are thankful that my wife and I are expecting again

1876
01:25:46,360 --> 01:25:46,879
Speaker 4: and we'll.

1877
01:25:48,720 --> 01:25:52,919
Speaker 2: Wait when do you do towards the end of October?

1878
01:25:53,600 --> 01:25:54,160
Speaker 3: That's awesome.

1879
01:25:54,240 --> 01:25:56,000
Speaker 2: Congratulations dude.

1880
01:25:56,040 --> 01:25:58,120
Speaker 3: It will not change your life at all. I promise

1881
01:25:59,720 --> 01:26:03,200
Speaker 3: it's the exact same for you guys as a couple.

1882
01:26:03,360 --> 01:26:04,679
Speaker 3: It's gonna be no difference.

1883
01:26:05,720 --> 01:26:07,479
Speaker 1: You know how you guys go all the time and

1884
01:26:08,880 --> 01:26:10,760
Speaker 1: cod But to know how you guys have all of

1885
01:26:10,840 --> 01:26:13,280
Speaker 1: this time to yourself and stuff like that. It'll stay

1886
01:26:13,320 --> 01:26:13,599
Speaker 1: that way.

1887
01:26:13,840 --> 01:26:21,680
Speaker 2: No, congratulations, Anthony rests. That's a happy ending. And I

1888
01:26:21,800 --> 01:26:24,320
Speaker 2: just want to say, I'm so moved by people like

1889
01:26:24,520 --> 01:26:28,439
Speaker 2: you and who go through something like this and then

1890
01:26:29,439 --> 01:26:32,160
Speaker 2: turn around and go, how can I make a difference

1891
01:26:32,280 --> 01:26:35,080
Speaker 2: for the next person who has to do this. I

1892
01:26:35,240 --> 01:26:39,000
Speaker 2: just think it's heroic of you to go, Okay, this happened,

1893
01:26:39,720 --> 01:26:42,519
Speaker 2: how can we make a difference for the next couple.

1894
01:26:42,600 --> 01:26:44,400
Speaker 2: I just think that that's that's very moving to me,

1895
01:26:44,439 --> 01:26:47,600
Speaker 2: and I just want to give you accolades for that.

1896
01:26:48,680 --> 01:26:52,120
Speaker 4: And then we know we're not the only ones for sure,

1897
01:26:52,240 --> 01:26:54,839
Speaker 4: and there's been so many people who have helped support

1898
01:26:54,960 --> 01:26:57,920
Speaker 4: us because they've gone through the experience before that we

1899
01:26:58,040 --> 01:27:00,599
Speaker 4: feel it's just that we try to do the same.

1900
01:27:00,800 --> 01:27:04,600
Speaker 4: And again, thank you all for bringing it together a

1901
01:27:04,720 --> 01:27:08,519
Speaker 4: show like you did that gave authenticity that I've heard

1902
01:27:08,600 --> 01:27:11,760
Speaker 4: so many stories of how many people you've inspired to

1903
01:27:11,880 --> 01:27:16,720
Speaker 4: become doctors that it's it's tremendous as well, So thank

1904
01:27:16,760 --> 01:27:17,080
Speaker 4: you all.

1905
01:27:18,560 --> 01:27:18,800
Speaker 1: Anti.

1906
01:27:18,960 --> 01:27:20,840
Speaker 6: I also I want to tell you I feel a

1907
01:27:20,960 --> 01:27:24,040
Speaker 6: connection to you because I can tell by the say

1908
01:27:24,080 --> 01:27:25,840
Speaker 6: the way that you said, we all the time that

1909
01:27:25,920 --> 01:27:27,840
Speaker 6: you're also like me, you're a little afraid of your

1910
01:27:27,880 --> 01:27:33,320
Speaker 6: wife and you would get in massive trouble if you didn't.

1911
01:27:33,360 --> 01:27:35,280
Speaker 6: So tell me what's her Tell me again, what's her name?

1912
01:27:35,400 --> 01:27:36,080
Speaker 3: Just so we remember.

1913
01:27:36,800 --> 01:27:40,080
Speaker 4: Yeah, her name is Megan, and uh, you know we

1914
01:27:40,400 --> 01:27:43,120
Speaker 4: we are a partnership, so we try to do everything together.

1915
01:27:43,200 --> 01:27:46,720
Speaker 4: But you're right, there's always a little bit of fear. Bill, Bill,

1916
01:27:46,760 --> 01:27:47,760
Speaker 4: you might want to try that out.

1917
01:27:47,800 --> 01:27:49,920
Speaker 2: Bill, you might want to try out being a partnership.

1918
01:27:52,160 --> 01:27:53,360
Speaker 3: I have too much fear.

1919
01:27:54,960 --> 01:27:59,240
Speaker 2: At the Both of these men are terrified of their wife.

1920
01:27:59,720 --> 01:28:00,960
Speaker 3: I have a big blanket of fear.

1921
01:28:01,400 --> 01:28:02,759
Speaker 1: Here keeps you married forever?

1922
01:28:03,920 --> 01:28:07,080
Speaker 2: To say, that's a good tea shirt for the show.

1923
01:28:07,720 --> 01:28:11,000
Speaker 6: We have a partnership, like the way that like a

1924
01:28:11,280 --> 01:28:13,200
Speaker 6: police officer and whoever was.

1925
01:28:13,240 --> 01:28:15,240
Speaker 3: In jail have a partnership, you know what I mean,

1926
01:28:15,439 --> 01:28:18,360
Speaker 3: like the kind joking. I think that's awesome. Man. What

1927
01:28:18,400 --> 01:28:19,160
Speaker 3: do you guys do out there?

1928
01:28:19,160 --> 01:28:19,479
Speaker 4: Anthony?

1929
01:28:19,520 --> 01:28:19,840
Speaker 1: What do you in?

1930
01:28:19,960 --> 01:28:20,720
Speaker 3: What do you and Meghan do?

1931
01:28:21,880 --> 01:28:24,880
Speaker 4: So? I'm a financial advisor and I work with people

1932
01:28:25,000 --> 01:28:27,560
Speaker 4: helping them, you know, try to get to secure retirement.

1933
01:28:27,640 --> 01:28:30,719
Speaker 4: And my wife actually runs a non for profit modern

1934
01:28:30,840 --> 01:28:32,599
Speaker 4: dance company here in the Cleveland area.

1935
01:28:33,000 --> 01:28:35,679
Speaker 1: That's what's Meghan got rhythm, y'all.

1936
01:28:38,960 --> 01:28:42,640
Speaker 3: God, by the way, I need to know right now,

1937
01:28:42,720 --> 01:28:43,840
Speaker 3: are you in Maya, Hell Antony?

1938
01:28:44,080 --> 01:28:46,160
Speaker 6: Did you guys have to do a first dance at

1939
01:28:46,160 --> 01:28:48,240
Speaker 6: your wedding that Megan just slaid it, and that you

1940
01:28:48,320 --> 01:28:50,519
Speaker 6: had to take lessons for weeks in advance just to

1941
01:28:50,600 --> 01:28:51,160
Speaker 6: be passable.

1942
01:28:52,160 --> 01:28:55,439
Speaker 4: Luckily she did not want to be over zealous like that.

1943
01:28:55,800 --> 01:29:00,479
Speaker 4: Oh good, chill, you know, everything was good that way.

1944
01:29:00,640 --> 01:29:03,360
Speaker 4: But I did in college. We went to college together.

1945
01:29:03,439 --> 01:29:05,879
Speaker 4: Actually took her ballet class for one of the semesters

1946
01:29:05,920 --> 01:29:07,920
Speaker 4: that we were in there. Fun experience is.

1947
01:29:07,920 --> 01:29:10,519
Speaker 6: That I was about to say, that's very smooth if

1948
01:29:10,560 --> 01:29:11,160
Speaker 6: that's how you met.

1949
01:29:11,880 --> 01:29:13,439
Speaker 4: No, we actually met in high school.

1950
01:29:14,400 --> 01:29:16,479
Speaker 1: Oh man, follow college or she followed you.

1951
01:29:18,000 --> 01:29:20,200
Speaker 4: Uh, it's more I probably followed her.

1952
01:29:20,840 --> 01:29:24,920
Speaker 1: Yeah, yeah, that we had this conversation earlier. We had

1953
01:29:24,960 --> 01:29:28,960
Speaker 1: this conversation about this episode. You know, we talk about

1954
01:29:28,960 --> 01:29:31,760
Speaker 1: it all the time. Guys get heavily invested. Girls are

1955
01:29:31,800 --> 01:29:33,280
Speaker 1: the ones that are like, I'm going to college and

1956
01:29:33,320 --> 01:29:35,120
Speaker 1: I'm going to go do my thing. Maybe I'll see

1957
01:29:35,160 --> 01:29:37,680
Speaker 1: you when I get back. Yeah, you were like, oh no, no, no, no,

1958
01:29:38,080 --> 01:29:40,200
Speaker 1: I can't wait till you get back. I'm going to

1959
01:29:40,280 --> 01:29:40,880
Speaker 1: college with you.

1960
01:29:42,479 --> 01:29:46,640
Speaker 2: You're right on there, Donald, I don't even feel like

1961
01:29:46,680 --> 01:29:48,479
Speaker 2: we should. I don't know if you even have a question.

1962
01:29:50,760 --> 01:29:52,320
Speaker 2: I don't know. I'm tongue tied to Anthony. Do you

1963
01:29:52,400 --> 01:29:52,880
Speaker 2: have a question?

1964
01:29:53,760 --> 01:29:54,559
Speaker 4: You're good, You're good.

1965
01:29:54,600 --> 01:29:54,840
Speaker 1: I did.

1966
01:29:54,960 --> 01:29:57,080
Speaker 4: I had a couple of them. If you guys wouldn't

1967
01:29:57,080 --> 01:29:58,160
Speaker 4: mind go out.

1968
01:29:59,000 --> 01:30:01,200
Speaker 2: The creator of the whole dark thing here, Bill Laurence.

1969
01:30:01,240 --> 01:30:01,920
Speaker 2: So go ahead.

1970
01:30:02,560 --> 01:30:05,120
Speaker 4: Well, the first one I think was similar to how

1971
01:30:05,200 --> 01:30:08,600
Speaker 4: our experience went, where we were so thankful for the

1972
01:30:09,040 --> 01:30:13,400
Speaker 4: hospital staff, and that really I think transformed how we

1973
01:30:13,479 --> 01:30:15,880
Speaker 4: felt about the whole experience. Of course, we still have

1974
01:30:15,920 --> 01:30:18,360
Speaker 4: a lot of feelings, and we just wondered though if

1975
01:30:18,439 --> 01:30:22,200
Speaker 4: each of you maybe had any similar types of experiences

1976
01:30:22,800 --> 01:30:26,240
Speaker 4: that you felt or went through and wanted to share.

1977
01:30:28,400 --> 01:30:30,720
Speaker 3: Uh, you guys, go go first to West you want me,

1978
01:30:31,040 --> 01:30:32,920
Speaker 3: I guess the real one, you guys.

1979
01:30:32,960 --> 01:30:35,559
Speaker 2: Ch I'll go first. I've had a lot of death

1980
01:30:35,600 --> 01:30:39,000
Speaker 2: in my life over the last couple of years. I

1981
01:30:39,200 --> 01:30:42,479
Speaker 2: lost my sister and my father, and and then of

1982
01:30:42,600 --> 01:30:46,880
Speaker 2: course just recently a Nick Cordero. Although because of COVID

1983
01:30:46,920 --> 01:30:48,720
Speaker 2: I wasn't really allowed to be a part of the

1984
01:30:48,800 --> 01:30:54,120
Speaker 2: hospital experience of losing Nick at all, and I just

1985
01:30:54,280 --> 01:30:56,280
Speaker 2: I mean, I could go on for a whole podcast

1986
01:30:56,360 --> 01:31:01,640
Speaker 2: about my feelings about the staff of both in both instances,

1987
01:31:01,840 --> 01:31:08,400
Speaker 2: but I'll just say that I, until I had these experiences,

1988
01:31:08,520 --> 01:31:13,679
Speaker 2: I didn't really realize the difference that a great doctor

1989
01:31:13,720 --> 01:31:15,639
Speaker 2: and a great nurse make. And it's funny to say

1990
01:31:15,680 --> 01:31:17,200
Speaker 2: that because we did a TV show about it for

1991
01:31:17,320 --> 01:31:20,680
Speaker 2: nine years, But until you until you have the experience

1992
01:31:21,320 --> 01:31:23,920
Speaker 2: where a nurse does a subtle thing that makes my

1993
01:31:24,080 --> 01:31:30,439
Speaker 2: dad smile or or or or or puts up with

1994
01:31:30,560 --> 01:31:32,800
Speaker 2: him when he's complaining and then gives me a little

1995
01:31:32,840 --> 01:31:36,200
Speaker 2: bit of a sweet smile. It just makes me still

1996
01:31:36,320 --> 01:31:37,880
Speaker 2: this day when I put my hands on my heart,

1997
01:31:39,360 --> 01:31:43,080
Speaker 2: and I'm blessed that I didn't have that experience before Scrubs,

1998
01:31:43,120 --> 01:31:45,400
Speaker 2: but it would have informed it more because I saw

1999
01:31:45,560 --> 01:31:50,559
Speaker 2: firsthand the difference that that love coming from these people makes.

2000
01:31:50,640 --> 01:31:52,600
Speaker 2: And like what like Bill said that this used to

2001
01:31:52,640 --> 01:31:56,160
Speaker 2: be huge money making jobs, they're not anymore. People aren't

2002
01:31:56,160 --> 01:31:58,760
Speaker 2: doing this for Doe anymore. They're doing it out of

2003
01:31:58,880 --> 01:32:04,120
Speaker 2: service and and of the desire to help people. So yeah,

2004
01:32:04,200 --> 01:32:07,479
Speaker 2: I really, I really and and and so invested. One

2005
01:32:07,520 --> 01:32:09,719
Speaker 2: thing I do know about Nick's case is that Amanda

2006
01:32:09,800 --> 01:32:13,280
Speaker 2: told me that when the doctor when Nick finally passed,

2007
01:32:13,960 --> 01:32:17,360
Speaker 2: his doctor was crying alongside her. That's how invested he

2008
01:32:17,720 --> 01:32:23,240
Speaker 2: was in in in in his well being. And uh so, yeah,

2009
01:32:23,560 --> 01:32:26,520
Speaker 2: those those those in short, those are my my recent experiences.

2010
01:32:26,640 --> 01:32:31,920
Speaker 2: And I'm I'm very very moved by by your story

2011
01:32:32,080 --> 01:32:35,120
Speaker 2: and and I'm I'm just so happy that there are

2012
01:32:35,160 --> 01:32:36,800
Speaker 2: people out there that want to that want to do

2013
01:32:36,880 --> 01:32:37,639
Speaker 2: this with their lives.

2014
01:32:38,439 --> 01:32:40,840
Speaker 1: Yeah, you know, knowing that there are people out there,

2015
01:32:41,479 --> 01:32:44,280
Speaker 1: you know, Zach's right, You know, this was a job.

2016
01:32:44,400 --> 01:32:47,280
Speaker 1: Being a doctor was a job that if you stayed

2017
01:32:47,320 --> 01:32:50,000
Speaker 1: the course and got into private practice, it would make

2018
01:32:50,040 --> 01:32:52,439
Speaker 1: you a lot of money. And knowing that people are

2019
01:32:52,479 --> 01:32:55,760
Speaker 1: still doctors and aren't making money, like when I go

2020
01:32:55,880 --> 01:32:59,640
Speaker 1: to my pediatrician and take my kids to there pediatrician

2021
01:32:59,680 --> 01:33:02,080
Speaker 1: and stuff like that, and knowing that he's not making

2022
01:33:02,600 --> 01:33:04,400
Speaker 1: a lot of money off of us and everything like that,

2023
01:33:04,479 --> 01:33:07,760
Speaker 1: but he cares for my kids so much. It really

2024
01:33:07,840 --> 01:33:10,120
Speaker 1: puts me at ease, you know what I mean. The

2025
01:33:10,240 --> 01:33:12,439
Speaker 1: fact that I can call him whenever I want to

2026
01:33:12,680 --> 01:33:15,040
Speaker 1: and he'll pick up the phone it really puts me

2027
01:33:15,120 --> 01:33:19,519
Speaker 1: at ease and to all everyone in the medical field,

2028
01:33:19,880 --> 01:33:23,720
Speaker 1: that's one thing that's so important. I know that you

2029
01:33:23,800 --> 01:33:26,360
Speaker 1: you know, I know that they deal with traumatic things

2030
01:33:26,520 --> 01:33:28,840
Speaker 1: often and they put up a barrier and a shield

2031
01:33:29,360 --> 01:33:34,000
Speaker 1: to keep them from catching feelings. But to find a

2032
01:33:34,080 --> 01:33:37,120
Speaker 1: doctor like Zach was talking about, who is so invested,

2033
01:33:38,120 --> 01:33:41,240
Speaker 1: it's heartwarming. It's really important. And you know, I've been

2034
01:33:41,360 --> 01:33:44,960
Speaker 1: very lucky in my life to meet people who genuinely

2035
01:33:45,120 --> 01:33:49,080
Speaker 1: cared about myself and my family in the medical field

2036
01:33:49,160 --> 01:33:52,800
Speaker 1: and so field, and so because of that, yeah, I mean,

2037
01:33:52,840 --> 01:33:53,639
Speaker 1: that's my experience.

2038
01:33:55,520 --> 01:34:00,160
Speaker 6: I'll go last Anthony, and I'm always tempted to have

2039
01:34:00,479 --> 01:34:03,880
Speaker 6: the real JD listened to this because he was my

2040
01:34:04,080 --> 01:34:05,479
Speaker 6: best buddy in college.

2041
01:34:06,000 --> 01:34:06,880
Speaker 3: He was a screw up.

2042
01:34:07,040 --> 01:34:09,439
Speaker 6: We drank beers together, and when he decided to do this.

2043
01:34:10,600 --> 01:34:13,040
Speaker 6: He's a much better person than I am. And I'm

2044
01:34:13,080 --> 01:34:14,800
Speaker 6: not saying I'm a bad person, but like a lot

2045
01:34:14,840 --> 01:34:16,680
Speaker 6: of young men, I started pretty shallow. And it's so

2046
01:34:16,760 --> 01:34:20,400
Speaker 6: important to sab someone in your life that is trying

2047
01:34:20,479 --> 01:34:23,040
Speaker 6: to do more important shit. Whether it's being a doctor

2048
01:34:23,120 --> 01:34:25,439
Speaker 6: or a nurse or a teacher, you know, something of

2049
01:34:25,640 --> 01:34:29,320
Speaker 6: service and it meant so much to me that these

2050
01:34:29,360 --> 01:34:32,400
Speaker 6: guys got to know him. And I always remember that

2051
01:34:32,479 --> 01:34:35,040
Speaker 6: when we started this. You know, a guy that I

2052
01:34:35,240 --> 01:34:39,439
Speaker 6: never saw as you know, having the level of depth

2053
01:34:39,520 --> 01:34:43,200
Speaker 6: and integrity and the big heart that he had. He

2054
01:34:43,320 --> 01:34:44,960
Speaker 6: gave us all his real stories. If you watch the

2055
01:34:45,000 --> 01:34:48,960
Speaker 6: pilot of Scrubs, he hid in the closet with a

2056
01:34:49,080 --> 01:34:51,320
Speaker 6: female intern because he didn't want to be the first

2057
01:34:51,360 --> 01:34:56,120
Speaker 6: one into a code. He married another physician named Dolly Klock,

2058
01:34:56,240 --> 01:34:59,240
Speaker 6: who you know he did his residency with.

2059
01:35:00,200 --> 01:35:00,640
Speaker 3: He gave it.

2060
01:35:00,800 --> 01:35:04,560
Speaker 6: He accidentally hit somebody with a needle that caused a

2061
01:35:04,600 --> 01:35:06,439
Speaker 6: whole two big so that it kept leaking out and

2062
01:35:06,520 --> 01:35:08,519
Speaker 6: squirting out, like when Donald put gum on the guy.

2063
01:35:09,080 --> 01:35:12,200
Speaker 3: And he did all those things, and he was always

2064
01:35:12,240 --> 01:35:12,840
Speaker 3: around the set.

2065
01:35:12,960 --> 01:35:15,240
Speaker 6: He's now a cardiologist and a heart surgeon and he

2066
01:35:15,320 --> 01:35:16,640
Speaker 6: runs a COVID command center and.

2067
01:35:16,800 --> 01:35:18,879
Speaker 3: Was feelis himself. He's the CEO of the hospital.

2068
01:35:19,400 --> 01:35:23,160
Speaker 6: And the one rule he had he said, you guys

2069
01:35:23,200 --> 01:35:26,080
Speaker 6: are allowed to do any jokes that you want, but

2070
01:35:26,200 --> 01:35:28,960
Speaker 6: you have to protect one thing or I'll stop working here.

2071
01:35:29,520 --> 01:35:32,120
Speaker 6: It's all these young doctors and nurses want to help,

2072
01:35:32,520 --> 01:35:34,599
Speaker 6: and they have to always want to help and they

2073
01:35:34,680 --> 01:35:38,120
Speaker 6: have to always care about the patients otherwise it'll mess

2074
01:35:38,200 --> 01:35:41,679
Speaker 6: up our friendship. And so I always it's too corny,

2075
01:35:41,720 --> 01:35:43,680
Speaker 6: But I see the show as a love letter to

2076
01:35:43,800 --> 01:35:47,280
Speaker 6: that dude, because we all need that person in your life.

2077
01:35:47,360 --> 01:35:49,679
Speaker 6: You know that when they ask you what you're doing,

2078
01:35:49,800 --> 01:35:52,320
Speaker 6: you're like, Oh, I'm doing this superficial thing. And when

2079
01:35:52,320 --> 01:35:54,840
Speaker 6: you ask them what they're doing, they tell you, and

2080
01:35:54,840 --> 01:35:56,120
Speaker 6: then you're immediately like, oh, I'm.

2081
01:35:55,960 --> 01:35:57,720
Speaker 3: A horrible person. I need to do so much more

2082
01:35:57,760 --> 01:35:58,240
Speaker 3: with my life.

2083
01:35:58,600 --> 01:35:59,080
Speaker 4: And he is.

2084
01:36:00,320 --> 01:36:02,720
Speaker 3: He is that guy for me, Anthony, And uh.

2085
01:36:02,800 --> 01:36:04,599
Speaker 6: That's why it was so inspiring to hear you talk

2086
01:36:04,640 --> 01:36:06,000
Speaker 6: about doing the same type of stuff.

2087
01:36:06,040 --> 01:36:08,640
Speaker 3: Man, You guys gotta have the real JD as a

2088
01:36:08,680 --> 01:36:09,599
Speaker 3: guest on this sometimes.

2089
01:36:09,760 --> 01:36:11,680
Speaker 1: Yeah, we love that, We would love that.

2090
01:36:12,360 --> 01:36:14,360
Speaker 2: We should. We gotta, we gotta move him ahead of

2091
01:36:14,520 --> 01:36:16,880
Speaker 2: uh of other of others except Anthony.

2092
01:36:16,920 --> 01:36:17,680
Speaker 1: Do you have anything else?

2093
01:36:17,880 --> 01:36:18,839
Speaker 2: Anything else? Anthony?

2094
01:36:19,800 --> 01:36:22,400
Speaker 4: I could do a slightly more uplifting.

2095
01:36:21,960 --> 01:36:26,439
Speaker 2: Yeah, and us and us on some on some uplifting this, Anthony.

2096
01:36:26,960 --> 01:36:30,799
Speaker 4: So with that, guys have talked about some great stories

2097
01:36:30,880 --> 01:36:36,599
Speaker 4: of the prop sky Hiding rowdy. You know, the who

2098
01:36:36,760 --> 01:36:40,519
Speaker 4: is your favorite non actor member of the team and

2099
01:36:40,720 --> 01:36:42,920
Speaker 4: maybe what's a fun story about that?

2100
01:36:44,360 --> 01:36:47,240
Speaker 1: Oh shoot, okay, So I have a couple of them.

2101
01:36:47,760 --> 01:36:51,680
Speaker 1: One uh, Bill Lawrence is the best boss that I've

2102
01:36:51,720 --> 01:36:54,439
Speaker 1: ever had in my life, dude, So that he's now

2103
01:36:54,920 --> 01:36:56,960
Speaker 1: I now consider him family, you know what I mean?

2104
01:36:57,040 --> 01:37:02,240
Speaker 1: But catch, but he is the the the one person

2105
01:37:03,080 --> 01:37:04,800
Speaker 1: in my life that I've worked for that I never

2106
01:37:04,960 --> 01:37:07,439
Speaker 1: felt like, you know, and and he's had to be

2107
01:37:07,520 --> 01:37:10,240
Speaker 1: hard on me sometimes, but he never made me feel like,

2108
01:37:10,920 --> 01:37:15,400
Speaker 1: you know, I was an employee and he was my

2109
01:37:15,560 --> 01:37:19,559
Speaker 1: boss and he was making me do my job. He's

2110
01:37:19,600 --> 01:37:23,320
Speaker 1: always made me feel like an equal. So because of that,

2111
01:37:24,040 --> 01:37:27,919
Speaker 1: he's one of the He's one of the most important

2112
01:37:27,920 --> 01:37:32,040
Speaker 1: people in my life as as a man now. And

2113
01:37:32,080 --> 01:37:36,040
Speaker 1: there's my parents And until I met Bill, I feel

2114
01:37:36,080 --> 01:37:38,160
Speaker 1: like I was kind of lost. And then I met Bill,

2115
01:37:38,560 --> 01:37:40,600
Speaker 1: and now I've learned so many things because of it.

2116
01:37:41,000 --> 01:37:43,519
Speaker 2: Your answer is Bill, that's too nice.

2117
01:37:43,600 --> 01:37:45,439
Speaker 3: Man, that's too I'm excited for Zaxon.

2118
01:37:46,920 --> 01:37:54,000
Speaker 2: It's very sweet. But how my answer? So being said,

2119
01:37:55,000 --> 01:37:58,000
Speaker 2: then there's a comma coming. Okay, that being said, there's

2120
01:37:58,240 --> 01:37:59,439
Speaker 2: the teams name Frank.

2121
01:38:01,680 --> 01:38:05,240
Speaker 1: There's one guy on the show who all of us,

2122
01:38:05,439 --> 01:38:08,519
Speaker 1: Bill included and Zach included who we all have a

2123
01:38:08,640 --> 01:38:11,000
Speaker 1: fondness for, and it's this dude, Patrick Bolton. Yeah, we

2124
01:38:11,120 --> 01:38:15,479
Speaker 1: mentioned episode and and and we love everybody that we've

2125
01:38:15,560 --> 01:38:18,360
Speaker 1: worked with, We've I love everybody that I've worked with

2126
01:38:18,479 --> 01:38:21,400
Speaker 1: on Scrubs, but Patrick Bolton has a special place in

2127
01:38:21,520 --> 01:38:24,960
Speaker 1: my heart. Him and Deontay Gordon actually too. Deontay has

2128
01:38:25,000 --> 01:38:27,160
Speaker 1: a special place in my heart. But Patrick has a

2129
01:38:27,200 --> 01:38:30,639
Speaker 1: special place in my heart because when we first started

2130
01:38:30,720 --> 01:38:34,240
Speaker 1: doing the show, he I'm not gonna say he was bullied,

2131
01:38:34,720 --> 01:38:40,439
Speaker 1: but he was the person that was not made fun of.

2132
01:38:40,680 --> 01:38:42,960
Speaker 1: What's the word that, what's the He was the person

2133
01:38:43,040 --> 01:38:46,519
Speaker 1: that was, I guess the most vulnerable to pranks.

2134
01:38:47,720 --> 01:38:49,360
Speaker 2: No, if you think of it like this, like like

2135
01:38:49,439 --> 01:38:51,360
Speaker 2: think of it like a high school and like the

2136
01:38:51,479 --> 01:38:54,479
Speaker 2: grips are like the jock tough guys, right, and like

2137
01:38:54,640 --> 01:38:58,720
Speaker 2: Patrick is like the nerdy British chess player.

2138
01:38:59,160 --> 01:39:05,479
Speaker 1: Right, And these guys tried their hardest to break him,

2139
01:39:06,720 --> 01:39:08,760
Speaker 1: and he always came out on top.

2140
01:39:09,080 --> 01:39:10,439
Speaker 2: Well he became our best friend.

2141
01:39:10,720 --> 01:39:10,840
Speaker 3: Right.

2142
01:39:10,920 --> 01:39:14,000
Speaker 1: Well there's that too, But I remember they they want

2143
01:39:14,200 --> 01:39:18,280
Speaker 1: one time they jelloed his prop cart like in.

2144
01:39:18,320 --> 01:39:20,439
Speaker 2: The show The Office with the drawer, they jeloed his

2145
01:39:20,560 --> 01:39:23,479
Speaker 2: whole cart, the whole thing.

2146
01:39:23,560 --> 01:39:27,719
Speaker 1: Impressive, but he got but he his his comeback.

2147
01:39:28,000 --> 01:39:28,360
Speaker 4: He ate.

2148
01:39:29,880 --> 01:39:33,160
Speaker 1: No, his comeback was better than all of them. He

2149
01:39:33,360 --> 01:39:36,840
Speaker 1: dressed up like the dude who jeloed his ship and

2150
01:39:37,080 --> 01:39:40,559
Speaker 1: clowned this guy so hard. And I think even I think,

2151
01:39:40,720 --> 01:39:43,760
Speaker 1: I think even Sean was like, you know what, I

2152
01:39:43,880 --> 01:39:44,760
Speaker 1: respect you dude.

2153
01:39:44,800 --> 01:39:48,200
Speaker 2: You are He played him all day as all day

2154
01:39:48,360 --> 01:39:51,559
Speaker 2: he got in character and played that guy all day long.

2155
01:39:52,080 --> 01:39:53,320
Speaker 3: Yeah, that's so funny.

2156
01:39:53,600 --> 01:39:56,519
Speaker 1: So if you ask me, you know, we all had

2157
01:39:56,640 --> 01:39:59,920
Speaker 1: great connections. Bill is very important to me. Patrick is

2158
01:40:00,120 --> 01:40:00,800
Speaker 1: very important to me.

2159
01:40:00,920 --> 01:40:04,360
Speaker 2: Well, I'm gonna say the same thing. Uh yeah, everything

2160
01:40:04,400 --> 01:40:05,800
Speaker 2: Donald said about Bill, Bill's great.

2161
01:40:06,479 --> 01:40:08,800
Speaker 6: But I'm just kidding, do you, guys, Zach, are you

2162
01:40:08,880 --> 01:40:11,080
Speaker 6: free after after the podcast is over to tell me

2163
01:40:11,200 --> 01:40:14,719
Speaker 6: your answer? Yeah, in a more foled out way about Yeah, yeah, Donald,

2164
01:40:14,840 --> 01:40:16,080
Speaker 6: it's gonna be as good as Donald.

2165
01:40:16,160 --> 01:40:18,360
Speaker 2: I'm gonna take what Donald I wrote down. I took

2166
01:40:18,400 --> 01:40:20,000
Speaker 2: some notes on what Donald said. I'm gonna say the

2167
01:40:20,000 --> 01:40:21,880
Speaker 2: same thing, but just probably add a few things.

2168
01:40:22,240 --> 01:40:25,879
Speaker 1: Well you probably say with more big with bigger words too, Yes, Mart.

2169
01:40:26,120 --> 01:40:30,880
Speaker 2: I'll use I'll say Bill, you are deserving to Bill,

2170
01:40:30,960 --> 01:40:35,120
Speaker 2: you are Patrick Bolton, I gotta say it's the same answer.

2171
01:40:35,160 --> 01:40:36,439
Speaker 2: He was a set dresser. We mentioned this in the

2172
01:40:36,520 --> 01:40:38,800
Speaker 2: last episode, but for those of you who didn't hear

2173
01:40:38,840 --> 01:40:40,679
Speaker 2: or don't know, a set tresser is the one who's

2174
01:40:41,040 --> 01:40:43,920
Speaker 2: the on set representative of the art department while we're filming.

2175
01:40:44,000 --> 01:40:47,439
Speaker 2: So he's moving set pieces around and moving decor around

2176
01:40:47,920 --> 01:40:50,240
Speaker 2: and uh, so we were. He was always there and

2177
01:40:50,520 --> 01:40:51,960
Speaker 2: uh and we just got really close with him. And

2178
01:40:52,000 --> 01:40:54,040
Speaker 2: he's a very sweet guy and he's very funny and

2179
01:40:54,320 --> 01:40:56,800
Speaker 2: Donald and I took him to Vegas and we we've

2180
01:40:56,840 --> 01:40:58,000
Speaker 2: had a lot of adventures with him.

2181
01:40:58,360 --> 01:41:00,559
Speaker 1: Dude. He worked on a show that I did after

2182
01:41:00,720 --> 01:41:02,960
Speaker 1: and I was trying so hard to get him to

2183
01:41:03,000 --> 01:41:04,679
Speaker 1: be a regular on the show. But he was doing

2184
01:41:04,880 --> 01:41:05,840
Speaker 1: did he do Undateable?

2185
01:41:07,120 --> 01:41:09,920
Speaker 3: Uh? Yeah, he's there for a second. Yeah, he was

2186
01:41:09,960 --> 01:41:10,679
Speaker 3: doing something.

2187
01:41:11,360 --> 01:41:14,080
Speaker 1: He was doing something with Bill that he was like, Oh,

2188
01:41:14,120 --> 01:41:15,840
Speaker 1: I can't do this. I'm just day playing for a day.

2189
01:41:15,880 --> 01:41:20,000
Speaker 1: But yeah, it was one of the best. Like, if

2190
01:41:20,080 --> 01:41:24,519
Speaker 1: I was in a position to hire someone for just

2191
01:41:25,160 --> 01:41:28,040
Speaker 1: to be around, he's one of those people, like he's

2192
01:41:28,080 --> 01:41:30,479
Speaker 1: one of those people that you need, Like he could

2193
01:41:30,520 --> 01:41:32,720
Speaker 1: take it. He could give it like there's just so

2194
01:41:32,880 --> 01:41:36,200
Speaker 1: many ways that he was such an amazing person.

2195
01:41:36,520 --> 01:41:37,680
Speaker 2: Yep, I will.

2196
01:41:37,840 --> 01:41:40,360
Speaker 6: I'll close by going quick and saying that we are

2197
01:41:40,640 --> 01:41:43,920
Speaker 6: very lucky because Rant starts with Randall, my old partner,

2198
01:41:43,960 --> 01:41:46,800
Speaker 6: and you guys love him and he's my first one.

2199
01:41:46,880 --> 01:41:51,080
Speaker 6: But Randall put together a crew that I was used

2200
01:41:51,120 --> 01:41:54,200
Speaker 6: across so many shows, because let's face it, how many

2201
01:41:54,240 --> 01:41:55,240
Speaker 6: shows have you guys worked on?

2202
01:41:55,800 --> 01:41:55,840
Speaker 4: That?

2203
01:41:56,000 --> 01:41:56,320
Speaker 3: Right now?

2204
01:41:56,439 --> 01:42:01,719
Speaker 6: I can go liz Inwood, Sean, the Chung Brothers, Ethan, Tanya,

2205
01:42:02,240 --> 01:42:05,360
Speaker 6: you know, Carrie Bennett, Salvon, you know Richard Well, you

2206
01:42:05,400 --> 01:42:06,719
Speaker 6: guys remember all these.

2207
01:42:06,600 --> 01:42:11,040
Speaker 3: People you know, and it just keeps going and going

2208
01:42:11,160 --> 01:42:11,559
Speaker 3: and going.

2209
01:42:12,479 --> 01:42:14,960
Speaker 6: But for me, the most interesting one, it might surprise

2210
01:42:15,000 --> 01:42:18,600
Speaker 6: you guys, was the editor of Spin City was a

2211
01:42:18,760 --> 01:42:24,880
Speaker 6: very gruff guy named John Michelle, and he he taught

2212
01:42:24,960 --> 01:42:27,879
Speaker 6: me on Spin City. I just remember it. Gary Goldberg,

2213
01:42:27,920 --> 01:42:30,720
Speaker 6: who's my mentor, brought me into editing. He's like, John,

2214
01:42:30,760 --> 01:42:32,280
Speaker 6: I'm not going to be living in New York. You

2215
01:42:32,320 --> 01:42:34,479
Speaker 6: got to teach this kid to edit because I didn't

2216
01:42:34,520 --> 01:42:37,320
Speaker 6: know how to edit anything. And John in front of

2217
01:42:37,360 --> 01:42:39,840
Speaker 6: me said, Jesus fucking Christ, because it's like the last

2218
01:42:39,880 --> 01:42:40,560
Speaker 6: thing he wanted to do.

2219
01:42:41,080 --> 01:42:41,840
Speaker 3: He had won to Emmy.

2220
01:42:41,840 --> 01:42:43,960
Speaker 6: He's for editing the original Cosby Show and all these

2221
01:42:44,000 --> 01:42:45,080
Speaker 6: other things, and.

2222
01:42:45,240 --> 01:42:50,759
Speaker 3: He taught me to Uh. He's very kind of, you know, subdued,

2223
01:42:50,840 --> 01:42:52,719
Speaker 3: quiet dude. He taught me to edit on that show,

2224
01:42:53,560 --> 01:42:55,000
Speaker 3: and he became a mentor of mine.

2225
01:42:55,640 --> 01:42:58,880
Speaker 6: And watching you guys kind of embrace him as part

2226
01:42:58,920 --> 01:43:02,680
Speaker 6: of the family meant so much. And my favorite memory, Uh,

2227
01:43:02,960 --> 01:43:06,000
Speaker 6: as everybody, this happens in a weird way. Everybody calls

2228
01:43:06,120 --> 01:43:08,280
Speaker 6: people by Sometimes you'll into a person that you call

2229
01:43:08,360 --> 01:43:10,240
Speaker 6: him by that first and last name, and I think

2230
01:43:10,280 --> 01:43:11,680
Speaker 6: I can't remember as a cast member of one of

2231
01:43:11,720 --> 01:43:13,680
Speaker 6: the writers, but I always referenced to.

2232
01:43:13,680 --> 01:43:15,000
Speaker 3: Him because there was a John Inwood.

2233
01:43:15,360 --> 01:43:16,880
Speaker 6: I would always say yeah, And I was with John

2234
01:43:16,920 --> 01:43:20,519
Speaker 6: Michelle and a huge group of people on that show.

2235
01:43:21,120 --> 01:43:23,920
Speaker 3: Thought that he must have like French origins, like his

2236
01:43:24,080 --> 01:43:26,160
Speaker 3: name was, like his name was, like his name was

2237
01:43:27,560 --> 01:43:30,240
Speaker 3: I thought his name was, his name.

2238
01:43:30,200 --> 01:43:33,400
Speaker 6: Was, like his name is Jean Michelle Jones. And watching

2239
01:43:33,479 --> 01:43:36,080
Speaker 6: him finally to one of the writers, go ano.

2240
01:43:36,000 --> 01:43:38,120
Speaker 3: This fucking ship. My name is not Jean Michelle. My

2241
01:43:38,200 --> 01:43:39,880
Speaker 3: name is John. My last name is Michelle.

2242
01:43:40,360 --> 01:43:45,000
Speaker 6: Maybe he's like he's like everybody around here has been

2243
01:43:45,000 --> 01:43:46,439
Speaker 6: calling me Jean Michelle for two years.

2244
01:43:46,520 --> 01:43:48,559
Speaker 3: It may be so happy, but he's such a good dude.

2245
01:43:49,040 --> 01:43:51,120
Speaker 1: Zach used to call him Jean Michelle all the time.

2246
01:43:52,400 --> 01:43:56,000
Speaker 2: I thought he was friend. And the funny thing is

2247
01:43:56,040 --> 01:43:57,479
Speaker 2: he's like this, like you you saw him. He was

2248
01:43:57,520 --> 01:43:59,200
Speaker 2: in the show. He was the neighbor that gets mad

2249
01:43:59,520 --> 01:44:01,840
Speaker 2: when when Donald keeps putting a rowdy in front of

2250
01:44:01,880 --> 01:44:04,720
Speaker 2: his door. He's uh, he's uh. He's like this big

2251
01:44:04,840 --> 01:44:07,760
Speaker 2: gruff guy and he does not look like yo.

2252
01:44:07,920 --> 01:44:10,439
Speaker 6: He is a blue collar dude that's an editor man,

2253
01:44:10,520 --> 01:44:12,200
Speaker 6: and it's such a meat and potatoes guy.

2254
01:44:12,280 --> 01:44:12,400
Speaker 4: You know.

2255
01:44:12,880 --> 01:44:16,719
Speaker 1: Well, he directed a couple of episodes Anthony of Scrubs also,

2256
01:44:16,880 --> 01:44:20,040
Speaker 1: and but when he directed, he did every like there

2257
01:44:20,160 --> 01:44:22,840
Speaker 1: was like every take. There would be ten takes for

2258
01:44:22,920 --> 01:44:26,320
Speaker 1: each setup, right, So you would be you would work

2259
01:44:26,520 --> 01:44:29,760
Speaker 1: for because he's an editor, so he wants everything covered, right.

2260
01:44:30,560 --> 01:44:32,240
Speaker 6: He didn't even care what you guys were saying. He's

2261
01:44:32,320 --> 01:44:33,760
Speaker 6: just like, I'm gonna need this, I'm gonna need this,

2262
01:44:33,800 --> 01:44:34,400
Speaker 6: i gonna need this.

2263
01:44:34,560 --> 01:44:34,760
Speaker 2: Yet.

2264
01:44:34,880 --> 01:44:38,000
Speaker 1: Now, normally if a director comes in and says that ship,

2265
01:44:38,520 --> 01:44:41,320
Speaker 1: you're like, all right, hold on now, okay, I understand

2266
01:44:42,600 --> 01:44:44,560
Speaker 1: you wanna you wanna shoot the ship out of this,

2267
01:44:45,120 --> 01:44:47,720
Speaker 1: but we gotta have No one would stand up to

2268
01:44:47,840 --> 01:44:51,160
Speaker 1: Jean Michelle. John Michelle would be like, this is what

2269
01:44:51,240 --> 01:44:53,679
Speaker 1: we're doing, and everybody would be like, OK, yeah, yeh yeah, yeah,

2270
01:44:53,680 --> 01:44:58,080
Speaker 1: that's what you got a dog? Yeah? No, absolutely absolutely.

2271
01:44:59,320 --> 01:45:00,920
Speaker 3: He by the way, he he never had a centement.

2272
01:45:00,960 --> 01:45:02,479
Speaker 6: I'll tell you the last thing. And it's way too

2273
01:45:02,520 --> 01:45:05,320
Speaker 6: many stories. He didn't have a sentimental bone in his body.

2274
01:45:05,360 --> 01:45:07,519
Speaker 6: It seemed he's very gruff and not a sweet guy.

2275
01:45:08,240 --> 01:45:11,280
Speaker 6: And I was married very young, in a marriage that

2276
01:45:11,320 --> 01:45:13,320
Speaker 6: didn't work out as opposed to the one anthemy, you know,

2277
01:45:13,320 --> 01:45:15,120
Speaker 6: and I've been married for twenty years. I got three kids,

2278
01:45:15,560 --> 01:45:17,880
Speaker 6: and on Spin City, I was working there all the time.

2279
01:45:18,000 --> 01:45:19,880
Speaker 6: And I didn't even live in the same state as

2280
01:45:19,960 --> 01:45:21,439
Speaker 6: my wife when you know, we were married when I

2281
01:45:21,520 --> 01:45:23,720
Speaker 6: was like twenty three and she's twenty one. And we

2282
01:45:23,840 --> 01:45:27,479
Speaker 6: split up and I was in a bad place, and

2283
01:45:27,560 --> 01:45:29,880
Speaker 6: I went home to my little studio apartment in New

2284
01:45:29,960 --> 01:45:32,960
Speaker 6: York and there was a knock at the doorbell, and

2285
01:45:33,160 --> 01:45:35,599
Speaker 6: much like it would happen in high school, John Michelle,

2286
01:45:35,640 --> 01:45:38,439
Speaker 6: there was the six pack of beer and He's like yeah,

2287
01:45:38,479 --> 01:45:40,360
Speaker 6: you and I are going to go walk somewhere and drink.

2288
01:45:40,240 --> 01:45:43,920
Speaker 3: Beer, which is his way to say like, are you okay?

2289
01:45:44,400 --> 01:45:44,880
Speaker 1: Do you know what I mean?

2290
01:45:45,120 --> 01:45:47,519
Speaker 3: And he didn't really ask me if I He didn't

2291
01:45:47,520 --> 01:45:48,320
Speaker 3: ask me if I was okay.

2292
01:45:48,400 --> 01:45:51,720
Speaker 6: We literally went out and drank six beers, three each,

2293
01:45:51,800 --> 01:45:54,200
Speaker 6: and he talked about sports, and then at the end

2294
01:45:54,280 --> 01:45:56,479
Speaker 6: he was like, you good, I'm gonna see it work tomorrow.

2295
01:45:56,479 --> 01:45:57,720
Speaker 3: I'm like, yeah, I'm all right. He's like, all right,

2296
01:45:57,720 --> 01:46:00,320
Speaker 3: good night man. And it was so that's why I

2297
01:46:00,400 --> 01:46:02,439
Speaker 3: mentioned his name, so touching and I hope he hears this.

2298
01:46:02,800 --> 01:46:04,519
Speaker 4: I'm forever grateful, very sweet.

2299
01:46:04,800 --> 01:46:08,679
Speaker 2: All Right, we gotta go, Anthony, because we've gone longer

2300
01:46:08,720 --> 01:46:12,840
Speaker 2: than we've ever gone. But what a show. Somebody just

2301
01:46:12,880 --> 01:46:16,880
Speaker 2: went like this, why is that one of the Bengo

2302
01:46:17,000 --> 01:46:17,439
Speaker 2: card things?

2303
01:46:17,560 --> 01:46:19,160
Speaker 1: Yeah, absolutely, we've gone long.

2304
01:46:21,360 --> 01:46:23,599
Speaker 4: Such an honor to meet you all. And if you're

2305
01:46:23,640 --> 01:46:27,000
Speaker 4: doing your European tour sometime in the twenty twenty eight

2306
01:46:27,479 --> 01:46:31,080
Speaker 4: time frame, when COVID's gone and you stop in Cleveland,

2307
01:46:31,160 --> 01:46:32,760
Speaker 4: feel free. You were happy to have you.

2308
01:46:32,840 --> 01:46:35,200
Speaker 2: Guys are going to come to you in Cleveland. Are

2309
01:46:35,280 --> 01:46:36,879
Speaker 2: you in Cleveland? He said, He's in Cleveland.

2310
01:46:37,000 --> 01:46:39,519
Speaker 1: I thought he said it's a Nati. Dude. Have you

2311
01:46:39,640 --> 01:46:46,439
Speaker 1: eaten Marabell's No? Sorry, no, Mabels, Yes, delicious, the best

2312
01:46:46,640 --> 01:46:49,519
Speaker 1: good barbecue, the best barbecue I've ever had in my life. Maybe. Wow,

2313
01:46:50,040 --> 01:46:54,080
Speaker 1: have you ever eaten Slimers? Yeah, I'm is that Limond's

2314
01:46:54,360 --> 01:46:57,400
Speaker 1: Sliman's such. That's the biggest sandwich I've ever eaten in

2315
01:46:57,479 --> 01:46:59,320
Speaker 1: my life. Dude, have you guys ever eaten there?

2316
01:47:00,160 --> 01:47:04,240
Speaker 2: Nope, this show is running long and probably cut what

2317
01:47:04,439 --> 01:47:06,400
Speaker 2: Donald likes to eat in Cincinnati out.

2318
01:47:06,320 --> 01:47:09,080
Speaker 1: Of the show. No, no, no, Cleveland if you're in Cleveland.

2319
01:47:10,000 --> 01:47:15,720
Speaker 1: If you're in Cleveland, Mabels and Sliman's. I promise you

2320
01:47:15,800 --> 01:47:17,680
Speaker 1: you won't go wrong, especially if you like red meat.

2321
01:47:18,320 --> 01:47:19,599
Speaker 4: Okay, thank you guys so much.

2322
01:47:19,640 --> 01:47:21,320
Speaker 2: Any thank you, and we'll put the link to the

2323
01:47:21,400 --> 01:47:24,960
Speaker 2: website on our page, so anyone who wants to contribute canon,

2324
01:47:25,000 --> 01:47:27,920
Speaker 2: thank you so much. And we're all very excited for

2325
01:47:27,960 --> 01:47:29,360
Speaker 2: you and your coming baby.

2326
01:47:30,400 --> 01:47:33,560
Speaker 1: Ladies and gentlemen, give it up for Anthony.

2327
01:47:38,000 --> 01:47:40,720
Speaker 3: Zach. We've been going so he is. What an inspiring guy.

2328
01:47:40,840 --> 01:47:41,519
Speaker 3: We're going so long?

2329
01:47:41,600 --> 01:47:43,479
Speaker 6: Do you want do you want to rattle off a

2330
01:47:43,520 --> 01:47:46,439
Speaker 6: bunch of times a bunch of remaining times of stuff.

2331
01:47:46,479 --> 01:47:47,960
Speaker 2: But I just want to say, you can't not talk

2332
01:47:48,000 --> 01:47:50,519
Speaker 2: about doctor Yanni Tour. It's some people's favorite thing ever.

2333
01:47:51,439 --> 01:47:54,559
Speaker 6: You have to dude eighteen forty five doctor yan etur

2334
01:47:54,840 --> 01:47:55,639
Speaker 6: yan Etour.

2335
01:47:55,800 --> 01:47:57,040
Speaker 3: That's huge, Jehan.

2336
01:47:57,760 --> 01:48:01,280
Speaker 2: And what about he goes, what about how Neil goes, Uh, Look,

2337
01:48:01,320 --> 01:48:03,519
Speaker 2: I borrowed some stuff from your locker, our locker.

2338
01:48:03,840 --> 01:48:03,960
Speaker 6: Uh.

2339
01:48:04,560 --> 01:48:06,839
Speaker 3: That was not script that was not scr scripted.

2340
01:48:06,880 --> 01:48:08,800
Speaker 6: By the way, that's just a classic Neil fan like

2341
01:48:08,840 --> 01:48:12,640
Speaker 6: when Donald says watching other actors, I know that that

2342
01:48:12,720 --> 01:48:14,880
Speaker 6: stuff was just I borrowed some stuff from your locker,

2343
01:48:15,439 --> 01:48:16,840
Speaker 6: which is supposed to be funny because he can get

2344
01:48:16,840 --> 01:48:17,360
Speaker 6: into your locker.

2345
01:48:17,479 --> 01:48:20,400
Speaker 3: That he changed it midline to our locker. It kills me.

2346
01:48:20,920 --> 01:48:23,680
Speaker 2: Yeah. What about when I go when I go, uh,

2347
01:48:24,320 --> 01:48:26,599
Speaker 2: Sarah's is something like, oh, it's it's going great, right,

2348
01:48:26,640 --> 01:48:28,679
Speaker 2: And I go yeah, And then the voiceover goes throw

2349
01:48:28,720 --> 01:48:31,200
Speaker 2: her down on the gurney and mount her like a lion.

2350
01:48:31,479 --> 01:48:33,840
Speaker 3: Like that was a very woody Allen reading. Donald usually

2351
01:48:33,880 --> 01:48:36,600
Speaker 3: points those out, like a lion.

2352
01:48:36,479 --> 01:48:40,559
Speaker 1: Mount like a lion. I I I loved, I loved

2353
01:48:40,880 --> 01:48:43,360
Speaker 1: first time we hear it, chocolate Bear, Why so sad

2354
01:48:43,439 --> 01:48:43,920
Speaker 1: chocolate Bear.

2355
01:48:44,320 --> 01:48:45,120
Speaker 2: Sad chocolate Bear.

2356
01:48:45,840 --> 01:48:45,960
Speaker 6: Uh.

2357
01:48:46,160 --> 01:48:46,519
Speaker 7: And then.

2358
01:48:48,200 --> 01:48:49,439
Speaker 2: Did you consult?

2359
01:48:50,640 --> 01:48:53,240
Speaker 1: I would never consult, Trevor Wiki.

2360
01:48:53,400 --> 01:48:55,080
Speaker 3: I dare Zach, I wouldn't dare.

2361
01:48:55,800 --> 01:48:58,200
Speaker 2: I got that first first time chocolate bear has ever

2362
01:48:58,280 --> 01:49:03,160
Speaker 2: said from from Scrubs Wiki. Yeah, what else you got? Bill?

2363
01:49:03,800 --> 01:49:05,840
Speaker 6: I will tell you that I decided that I was

2364
01:49:05,880 --> 01:49:09,439
Speaker 6: going to work with Bob Clindennon again, and you know,

2365
01:49:09,520 --> 01:49:13,519
Speaker 6: ended up being a regular on Cougartown. When at twelve thirty,

2366
01:49:13,600 --> 01:49:17,200
Speaker 6: when when he's walking out of there with Carla after

2367
01:49:17,360 --> 01:49:21,519
Speaker 6: he you know, after he talked to Richard Kine's character,

2368
01:49:22,400 --> 01:49:25,360
Speaker 6: he says, you know, he's talking about the other cancer

2369
01:49:25,439 --> 01:49:27,519
Speaker 6: doctor and he's like, that guy's a better sense of humor.

2370
01:49:27,640 --> 01:49:28,679
Speaker 3: Everybody likes him more.

2371
01:49:29,040 --> 01:49:31,200
Speaker 6: And then he says, of course he wouldn't be laughing

2372
01:49:31,280 --> 01:49:33,360
Speaker 6: so much if he knew I was sleeping with his wife,

2373
01:49:35,040 --> 01:49:37,000
Speaker 6: you know, And it is the best part. And then

2374
01:49:37,040 --> 01:49:39,280
Speaker 6: in the script he was just supposed to walk away

2375
01:49:39,400 --> 01:49:42,720
Speaker 6: confidently whistling, and then Bob Quinndennon said, I think it

2376
01:49:42,760 --> 01:49:43,800
Speaker 6: would be funnier if.

2377
01:49:43,720 --> 01:49:48,280
Speaker 3: My guy can't whistle. And if you watch, he walks

2378
01:49:48,320 --> 01:49:52,960
Speaker 3: away going barely blowing Aaron whistling.

2379
01:49:53,000 --> 01:49:54,599
Speaker 6: I thought it was the funniest thing I ever seen. Man,

2380
01:49:54,680 --> 01:49:56,960
Speaker 6: that guy is so good as a character actor.

2381
01:49:56,960 --> 01:49:59,559
Speaker 2: I love that guy. I tried everything I do too.

2382
01:50:00,120 --> 01:50:02,320
Speaker 1: I did, I did, I did a I did a

2383
01:50:02,439 --> 01:50:04,920
Speaker 1: sitcom called The Exes, and he came on as a

2384
01:50:05,040 --> 01:50:09,519
Speaker 1: guest star one day. And uh, when I say, from

2385
01:50:10,080 --> 01:50:17,000
Speaker 1: table read toheard every time, every time, I'm surprised they

2386
01:50:17,040 --> 01:50:19,160
Speaker 1: didn't bring him back on that show as well. Man,

2387
01:50:19,600 --> 01:50:23,400
Speaker 1: Like he just always always on fire. When he walked in,

2388
01:50:23,439 --> 01:50:28,400
Speaker 1: I was like, Yo, this dude's gonna be great. Watch well.

2389
01:50:28,520 --> 01:50:32,360
Speaker 2: Thank you, William van Dozer, Lawrence the fourth yep.

2390
01:50:32,600 --> 01:50:32,800
Speaker 1: Yeah.

2391
01:50:32,920 --> 01:50:34,360
Speaker 3: By the way, you know what the most fun about

2392
01:50:34,360 --> 01:50:34,760
Speaker 3: this I.

2393
01:50:34,760 --> 01:50:37,559
Speaker 2: Said, I said that you were the third, and people said, uh, no.

2394
01:50:37,800 --> 01:50:38,160
Speaker 3: The fourth.

2395
01:50:38,280 --> 01:50:38,800
Speaker 2: He's the fourth.

2396
01:50:39,120 --> 01:50:39,920
Speaker 3: Yeah, there's four of them.

2397
01:50:40,520 --> 01:50:42,880
Speaker 6: I gotta say, Man, the coolest thing talking to you

2398
01:50:43,000 --> 01:50:44,720
Speaker 6: guys about this stuff is I never know which way

2399
01:50:44,760 --> 01:50:47,639
Speaker 6: it's gonna go, And often, you know, you come into

2400
01:50:47,680 --> 01:50:50,080
Speaker 6: these things kind of just searching for something, and what

2401
01:50:50,200 --> 01:50:52,040
Speaker 6: you end up doing is discovering things.

2402
01:50:58,040 --> 01:51:02,000
Speaker 1: It was alright, it was alright, bro. I saw it coming.

2403
01:51:02,160 --> 01:51:03,320
Speaker 3: Yeah, I saw it coming.

2404
01:51:03,640 --> 01:51:05,120
Speaker 1: You waited the whole episode.

2405
01:51:05,280 --> 01:51:08,320
Speaker 2: Ladies, and gentlemen, no one does a callback joke better

2406
01:51:08,360 --> 01:51:12,760
Speaker 2: than Bill fucking Lawrence. Come on, come on, it's incredible.

2407
01:51:12,760 --> 01:51:13,280
Speaker 3: It's in there.

2408
01:51:13,960 --> 01:51:17,040
Speaker 1: It was good, but you waited the whole episode to

2409
01:51:17,120 --> 01:51:17,599
Speaker 1: get it there.

2410
01:51:17,680 --> 01:51:19,719
Speaker 2: But that's why he gets paid the big bucks.

2411
01:51:22,640 --> 01:51:25,360
Speaker 1: We're gonna I'm glad you like the recap. I'm glad

2412
01:51:25,400 --> 01:51:27,800
Speaker 1: you like that one was good, dude.

2413
01:51:27,680 --> 01:51:28,400
Speaker 3: That was good.

2414
01:51:29,439 --> 01:51:29,639
Speaker 4: Listen.

2415
01:51:29,720 --> 01:51:31,960
Speaker 2: We're gonna end the show with another song that I

2416
01:51:32,160 --> 01:51:34,960
Speaker 2: found by the Shins. And why are we allowed to

2417
01:51:35,080 --> 01:51:36,599
Speaker 2: use it, you say, Zach, Well, I'll tell you why

2418
01:51:36,600 --> 01:51:38,400
Speaker 2: because it was written for the film Wish I was Here,

2419
01:51:38,800 --> 01:51:41,639
Speaker 2: starring Donald Faison as an Astid Martin dealer.

2420
01:51:44,360 --> 01:51:45,639
Speaker 1: I've been in so many movies.

2421
01:51:45,840 --> 01:51:47,400
Speaker 2: Yeah I was in that one. Yeah you were in

2422
01:51:47,479 --> 01:51:47,760
Speaker 2: that one.

2423
01:51:48,200 --> 01:51:50,080
Speaker 3: Were you in Garden State? Were in Garden State?

2424
01:51:50,120 --> 01:51:50,439
Speaker 2: Dot Com?

2425
01:51:50,520 --> 01:51:50,560
Speaker 5: No?

2426
01:51:50,680 --> 01:51:54,479
Speaker 3: No, no, no, no, no, oh that's right, that's right,

2427
01:51:54,600 --> 01:51:54,960
Speaker 3: that's right.

2428
01:51:55,640 --> 01:51:59,760
Speaker 2: Listen, we love you all. This was an original song.

2429
01:52:00,120 --> 01:52:01,960
Speaker 2: Uh the ship. I'm ready to talk it up, Danny,

2430
01:52:01,960 --> 01:52:03,519
Speaker 2: you ready with the talk up button? Ready?

2431
01:52:04,360 --> 01:52:04,479
Speaker 6: Uh?

2432
01:52:04,640 --> 01:52:06,559
Speaker 2: We love you all. Listen to the show. Tell your

2433
01:52:06,600 --> 01:52:10,120
Speaker 2: friends and uh subscribe and and what do you do?

2434
01:52:10,240 --> 01:52:13,920
Speaker 2: You rate it? Give it five? Stars and uh and following.

2435
01:52:13,640 --> 01:52:16,520
Speaker 1: Dogs to Bill, Bill Big thanks to Bill Lawrence.

2436
01:52:16,400 --> 01:52:20,000
Speaker 3: Kanksville for so fun guys, Everybody loves you both.

2437
01:52:20,160 --> 01:52:25,719
Speaker 7: Here's some stories that show we made about a bunch

2438
01:52:25,800 --> 01:52:28,040
Speaker 7: of talks and nurses and jan.

2439
01:52:29,120 --> 01:52:32,280
Speaker 1: He said, here's the stories natural s.

2440
01:52:32,760 --> 01:52:38,400
Speaker 8: No so yanda round you here, yeada round you here.

2441
01:52:39,000 --> 01:52:40,559
Speaker 8: Show wis