WEBVTT - It's So Hard To Say Goodbye

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<v Speaker 1>Brought to you by Toyota. Let's go places. Welcome to

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<v Speaker 1>Forward Thinking, Taylor, and welcome to Forward Thinking, love podcast

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<v Speaker 1>that looks in the future and says it's so hard

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<v Speaker 1>to say goodbye to tomorrow. I'm Jonathan Stripling and I'm

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<v Speaker 1>Joe McCormick. So, guys, this is it. Um. This is

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<v Speaker 1>our final episode of the audio podcast format for Forward Thinking.

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<v Speaker 1>And uh, this was not something that we were uh

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<v Speaker 1>pushing for. It's something that kind of happened. The video

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<v Speaker 1>series is going to continue on. We really appreciate all

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<v Speaker 1>you fans out there who have been sending us messages

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<v Speaker 1>all this time. Uh, And we didn't want to just

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<v Speaker 1>leave with like an episode and then have nothing happened.

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<v Speaker 1>So this is kind of our goodbye episode. We wanted

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<v Speaker 1>to spend a little time thinking about some of the

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<v Speaker 1>topics that we talked about in the past and kind

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<v Speaker 1>of just going a little bit stuff about the episodes

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<v Speaker 1>we've done so far. First, before we even get started,

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<v Speaker 1>I want to play this tiny clip from the very

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<v Speaker 1>first episode of Forward Thinking's audio podcast called forward Momentum.

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<v Speaker 1>Welcome to Forward Thinking. This is how we introduced ourselves

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<v Speaker 1>in that very first episode. Greetings, everyone, Welcome to the

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<v Speaker 1>very first episode of Forward Thinking. I am your host,

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<v Speaker 1>Jonathan Strickland, and I am joined by two phenomenal people,

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<v Speaker 1>two of my favorite people the whole wide world. And

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<v Speaker 1>I'm going to have the first one introduce herself to

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<v Speaker 1>you right now. Hey, I'm Lauren Vocalbon. I'm the co

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<v Speaker 1>host of another technology podcast called tech Stuff. I am

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<v Speaker 1>Joe McCormick, and I'm a writer for the Forward Thinking

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<v Speaker 1>video series Excellent and so this audio pod. Okay, so

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<v Speaker 1>we livened up a bit since then, did Yeah, it

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<v Speaker 1>was my very reserved You were a little reserved, but

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<v Speaker 1>I mean you were. Joe had just started podcasting when

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<v Speaker 1>he joined UH and we started doing the Forward Thinking

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<v Speaker 1>Audio podcast and now you're a pro. So, yeah, that

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<v Speaker 1>was year. That was your first time podcasting ever for

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<v Speaker 1>that first episode, was it? Yes? It was. So. I

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<v Speaker 1>thought we could touch a little bit on some of

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<v Speaker 1>the topics that we've covered, talk about some of our favorites,

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<v Speaker 1>and just some other like behind the scenes type stuff

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<v Speaker 1>in a very short kind of farewell to the fans episode. Now,

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<v Speaker 1>we've recently done episodes where we talked about three D

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<v Speaker 1>printers again and driverless cars, We talked about that in

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<v Speaker 1>an episode like two back, so I don't want to

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<v Speaker 1>even touch on those because we've already just covered them.

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<v Speaker 1>But the very first topic we covered on Forward Thinking

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<v Speaker 1>was the Internet of Things, which is no big surprise.

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<v Speaker 1>It's a huge topic, very buzzy. It was especially buzzy

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<v Speaker 1>right that very moment. Yes, it's still still buzzing right now,

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<v Speaker 1>but it was one of those things where there was

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<v Speaker 1>the topic was just starting to get some momentum in

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<v Speaker 1>the public consciousness. Although I think there are still a

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<v Speaker 1>lot of people who don't know what the Internet of

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<v Speaker 1>things means. But recent stories have you know, been uh

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<v Speaker 1>continuing to develop around the Internet of things. The basic

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<v Speaker 1>idea being that you have all these different devices that

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<v Speaker 1>can connect to the Internet and share information in some

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<v Speaker 1>way or enact change in your environment in some way. Um.

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<v Speaker 1>But one of the stories I wanted to mention is

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<v Speaker 1>that apparently that also means creating lots more security vulnerabilities. Yeah. Yeah,

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<v Speaker 1>You've got a ton of stuff connected to the Internet,

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<v Speaker 1>to make sense, Yeah, and not all of it is

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<v Speaker 1>as protected as your notebook or yes, and you're less

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<v Speaker 1>protected items. People are still terrible at passwords, right, So

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<v Speaker 1>One problem is that you've got a lot of Internet

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<v Speaker 1>of Things devices that don't have any password protection at all.

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<v Speaker 1>Another problem is that some of them have hard coded passwords,

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<v Speaker 1>meaning that if you get access to what a company

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<v Speaker 1>uses as the hard code password for that particular product,

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<v Speaker 1>it's open season. And then a lot of people just

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<v Speaker 1>never bother changing the the standard password that comes like

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<v Speaker 1>with a router. For example, I got a new router,

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<v Speaker 1>and so I went in and changed the password because

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<v Speaker 1>the default password was password. Do you remember when we

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<v Speaker 1>did the story about the baby monitors that we're being

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<v Speaker 1>taken over by hackers from all over the world to

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<v Speaker 1>watch it on other people's babies and talk to them

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<v Speaker 1>and like yell at them and tell them to start crying. Yep,

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<v Speaker 1>that's not not cool. Uh. And I think that was

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<v Speaker 1>because of unchanged default passwords. Yeah, yeah, it exactly was.

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<v Speaker 1>What What wasn't there a story about like like utility centers,

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<v Speaker 1>like like river dams or something like that having the

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<v Speaker 1>software in them that had unchanged passwords. There were there

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<v Speaker 1>were stories of there were stories of they were using

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<v Speaker 1>baby monitors to control the damns. There were stories of

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<v Speaker 1>of code found in some of those systems where it

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<v Speaker 1>was clear that foreign agents had managed to infiltrate the

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<v Speaker 1>systems of various important utility companies across the United States

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<v Speaker 1>and put in code that was not meant to be there,

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<v Speaker 1>uh through whatever. Who knows how it got there. It

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<v Speaker 1>could have gotten there by a thumb drive or you

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<v Speaker 1>know anything. But the reason why I bring up Internet

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<v Speaker 1>things in particular is that recently there was a story

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<v Speaker 1>that I saw in tech Dirt about a security researcher

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<v Speaker 1>named Brian Krebs who was the target of a directed

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<v Speaker 1>denial of service attack a di DOS attack, where apparently

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<v Speaker 1>he was being hit by a six twenty gigabits per

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<v Speaker 1>second of traffic to the website that he he has.

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<v Speaker 1>That's a lot of gigabits. Gigabits, Yeah, when a Google

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<v Speaker 1>Fiber connection is one gigabit per second and that's way

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<v Speaker 1>faster than anything I have. Six twenty is massive. And

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<v Speaker 1>the they suspect that the a lot of this traffic

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<v Speaker 1>came from Internet of Things devices like digital video recorders

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<v Speaker 1>and routers. This means that the hacker who was perpetrating

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<v Speaker 1>the attack and captured lots of devices out in the

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<v Speaker 1>wild essentially made them work for him. Or her. Yeah, yeah, yeah,

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<v Speaker 1>very much. So. Uh, there are other issues with Internet things,

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<v Speaker 1>like the concept of privacy. We've talked about this before,

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<v Speaker 1>the idea that if you have an environment that's going

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<v Speaker 1>to react to you and change according to your preferences,

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<v Speaker 1>it has to know about you in order to do that,

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<v Speaker 1>which means you give up some of your private to see,

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<v Speaker 1>even if it's not your name or any other kind

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<v Speaker 1>of demographic information about you, it starts to learn your preferences,

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<v Speaker 1>which alone is a very valuable database of information for

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<v Speaker 1>lots of different companies. And as it turns out, just

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<v Speaker 1>if you want an Internet of things that is customizable

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<v Speaker 1>and personalized, then you have to Yeah. Yeah, so that's

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<v Speaker 1>growing concern. All that being said, I still think the

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<v Speaker 1>Internet of things concept is really cool, but um, you know,

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<v Speaker 1>it's we we need to be really aware of how

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<v Speaker 1>we develop and implement that technology in order to do

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<v Speaker 1>it responsibly. Some of the other cool things we talked

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<v Speaker 1>about in those early episodes. So I was going back

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<v Speaker 1>through and I was looking at all the different titles

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<v Speaker 1>and stuff. I reminded I was reminded that how much

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<v Speaker 1>I loved the episodes we did about time. Oh that

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<v Speaker 1>was fun. Yeah, talking about how time is dependent upon

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<v Speaker 1>your context, right, your frame of reference. So if you're

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<v Speaker 1>traveling super fast and and some one else is on

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<v Speaker 1>is not traveling super fast. From your perspective, traveling super fast,

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<v Speaker 1>it looks like their life is just whishing by, and

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<v Speaker 1>from their perspective, it would look like you are barely

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<v Speaker 1>moving at all within the frame of one. Yeah, that

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<v Speaker 1>that episode gave me a headache, I remember, because it

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<v Speaker 1>was all like time is relative, literally relative to your

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<v Speaker 1>frame of reference. That's why we say that. I know

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<v Speaker 1>some people take that to mean that time does not exist,

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<v Speaker 1>to which I disagree. Yeah, I saw a recent article

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<v Speaker 1>about people suggesting that time was merely a construct in

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<v Speaker 1>our minds. It was essentially our brain's way of making

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<v Speaker 1>sense of things, and that times arrow doesn't point in

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<v Speaker 1>one direction because if you start looking at massive calculations

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<v Speaker 1>on the galactic scale, they are reversible, whether time travels

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<v Speaker 1>in one direction or the other. So it may just

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<v Speaker 1>be that at our very tiny local level, we have

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<v Speaker 1>to have time going in a specific way or else

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<v Speaker 1>things don't make sense. And like what but what I think?

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<v Speaker 1>Time definitely does exist, but it's possible that the present

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<v Speaker 1>does not exist. I get presents all the time. We

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<v Speaker 1>also talked about some pop culture stuff. Two of my

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<v Speaker 1>favorite episodes We've ever done. Yeah, those back to Back

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<v Speaker 1>to the Future part two, parts one and two where

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<v Speaker 1>it was back to Back to the Future to part two.

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<v Speaker 1>That was my favorite title ever. Those those were some

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<v Speaker 1>great episodes. Yeah, that's where we learned that everyone will

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<v Speaker 1>have a fax machine in every room of their house. Yes,

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<v Speaker 1>many people would be Michael J. Fox. Did we rate

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<v Speaker 1>that true? I think we said that was a good one, right,

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<v Speaker 1>it might have been. I it's been a long time.

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<v Speaker 1>The what's the pizza disc where they stick a little

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<v Speaker 1>pizza disk? You really know how to hydrated pizza? Yeah? Yeah,

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<v Speaker 1>and half of the pizza had just had bell peppers

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<v Speaker 1>on it, and I was like, what is wrong with you?

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<v Speaker 1>You know? One of my favorite episodes we ever did

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<v Speaker 1>was the one about the future of talking, the future

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<v Speaker 1>of speech. Maybe not the future of talk. That's not

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<v Speaker 1>how should put it? Language the languages that we speak,

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<v Speaker 1>because languages change over time. They evolve over time just

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<v Speaker 1>like organisms do, but on much shorter time scales and

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<v Speaker 1>in very interesting ways. One of my favorite classes I

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<v Speaker 1>took in college was the history of the English language,

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<v Speaker 1>learning about how English has changed since you know, the

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<v Speaker 1>year eight hundred, and it has changed dramatically since then,

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<v Speaker 1>it very much. Yeah, an English speaker today without a

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<v Speaker 1>lot of training could not read Old English Anglo Saxon

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<v Speaker 1>would need to have You would sit there and say like,

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<v Speaker 1>I'm pretty sure this is Germany. Yeah, yeah, And and

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<v Speaker 1>we we also got to to read a bunch of

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<v Speaker 1>of of different bits of language from from uh, like

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<v Speaker 1>a hundred years in the past, each time like seventy

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<v Speaker 1>years in the past, something like that. We jumped back

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<v Speaker 1>and back and back until the old English thought yeah, yeah, yeah,

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<v Speaker 1>it's my favorite. Hailing did the h for the Middle English?

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<v Speaker 1>Yeah yeah, okay, fair enough, Okay, No, So we we

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<v Speaker 1>talked about how language changes over time, and we tried

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<v Speaker 1>to think, okay, well, looking at how language has changed

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<v Speaker 1>in the past, can we make predictions about the future.

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<v Speaker 1>We made a few, but but we weren't able to

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<v Speaker 1>make all that many predictions about how English is going

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<v Speaker 1>to change in the future, because I don't know, it's

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<v Speaker 1>hard to predict things like this. But I went back

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<v Speaker 1>to see if there had been anything interesting published on

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<v Speaker 1>this topic since our podcast came out. And Son of

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<v Speaker 1>a Gun. One really interesting article I read was from

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<v Speaker 1>The Economist and it was published just about a month

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<v Speaker 1>after our podcast came out. This is the problem there,

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<v Speaker 1>and it would have been a great resource for us

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<v Speaker 1>because it was really interested interesting. So it pointed out

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<v Speaker 1>one thing about English that is going to be highly

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<v Speaker 1>determinative of how it changes in the future, which is

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<v Speaker 1>that about two thirds of the people who speak English

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<v Speaker 1>in the world are not native English speakers. More people

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<v Speaker 1>speak English as a non native language than as a

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<v Speaker 1>native language, and so it's possible that English has actually

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<v Speaker 1>used more as a kind of lingua franca around the

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<v Speaker 1>world then it is as somebody's default speaking language. And

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<v Speaker 1>there's no real sign of this reversing. So what does

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<v Speaker 1>this mean for the future of English and uh And

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<v Speaker 1>the article pointed out that linguistics researchers have short they've

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<v Speaker 1>sort of shown that bigger languages that you know, incorporate

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<v Speaker 1>more speakers, tend to become simpler. As a language is

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<v Speaker 1>spoken by more non native adults, it's likely to lose

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<v Speaker 1>unnecessary bits and rules such as grammatical inflection. Jonathan, you

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<v Speaker 1>know this from the history of English. English used to

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<v Speaker 1>have different versions of the same word depending on what

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<v Speaker 1>grammatical role that word played in English, and some languages

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<v Speaker 1>are still like this. Well yeah, like English used to

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<v Speaker 1>have different words or you as a singular you, and

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<v Speaker 1>you as in a group of people you. In fact,

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<v Speaker 1>if you get down to it, it had you you

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<v Speaker 1>too and all of you guys, which we we in

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<v Speaker 1>the South still have because we have y'all, and that

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<v Speaker 1>that's a totally different type of that's true all y'all,

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<v Speaker 1>which is way more people than just y'all. Oh man,

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<v Speaker 1>I love all y'all. Y'all is a good word. I

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<v Speaker 1>think all English speakers should adopt y'all. But but anyway,

0:12:28.320 --> 0:12:31.440
<v Speaker 1>so the example that that is given in the article

0:12:31.600 --> 0:12:36.880
<v Speaker 1>of the grammatical inflection changing would be who versus whom.

0:12:36.920 --> 0:12:40.000
<v Speaker 1>So it's the same word, but it changes whether based

0:12:40.000 --> 0:12:42.120
<v Speaker 1>on whether you're using it is the subject or the

0:12:42.200 --> 0:12:44.800
<v Speaker 1>object and the sentence. English used to have this kind

0:12:44.800 --> 0:12:47.680
<v Speaker 1>of thing for all kinds of words, and most of

0:12:47.720 --> 0:12:50.320
<v Speaker 1>these have already gone away, and whom is probably going

0:12:50.360 --> 0:12:53.120
<v Speaker 1>to disappear as well. But we can expect similar types

0:12:53.160 --> 0:12:56.920
<v Speaker 1>of streamlining of the rules of language. And in a

0:12:56.960 --> 0:12:59.720
<v Speaker 1>good way to figure this out is to listen to

0:12:59.800 --> 0:13:03.760
<v Speaker 1>a adults trying to learn to speak English. Whatever is

0:13:03.840 --> 0:13:08.440
<v Speaker 1>tripping them up the most, say like verb tense aspect,

0:13:08.600 --> 0:13:11.640
<v Speaker 1>which is where there are three different forms of the

0:13:11.679 --> 0:13:15.600
<v Speaker 1>present tense. So like, uh, let's say you know you've

0:13:15.640 --> 0:13:18.160
<v Speaker 1>got a saw and you're sawing a board, so you

0:13:18.240 --> 0:13:22.120
<v Speaker 1>say I saw. You can also say I am sawing.

0:13:22.720 --> 0:13:26.480
<v Speaker 1>You can also say I do saw. You're no matter

0:13:26.559 --> 0:13:28.880
<v Speaker 1>what you're sawing? All the what? What is with all

0:13:28.920 --> 0:13:32.560
<v Speaker 1>these different tense cases? This is stupid. We're probably going

0:13:32.600 --> 0:13:36.880
<v Speaker 1>to lose stuff like that. I'm okay with most of that. Yeah,

0:13:36.960 --> 0:13:40.800
<v Speaker 1>we we can also expect dialects and pronunciation to continue

0:13:40.800 --> 0:13:43.960
<v Speaker 1>to change. All the Northern cities shift in how we

0:13:44.040 --> 0:13:48.200
<v Speaker 1>pronounce American vowels that we mentioned that in our old episode.

0:13:48.640 --> 0:13:51.440
<v Speaker 1>And another interesting thing they pointed out in this article

0:13:51.559 --> 0:13:55.800
<v Speaker 1>is is sort of eui isms, which is how we're

0:13:55.920 --> 0:14:01.199
<v Speaker 1>the meanings of words changing based on words in English

0:14:01.240 --> 0:14:05.760
<v Speaker 1>being misused because similar sounding words means something different in

0:14:05.800 --> 0:14:10.240
<v Speaker 1>another language. Yes, so they give a great example of this.

0:14:10.280 --> 0:14:12.320
<v Speaker 1>I'm just going to read a quote from the article. Quote.

0:14:12.760 --> 0:14:16.840
<v Speaker 1>For example, European Union bureaucrats are likely to use the

0:14:16.880 --> 0:14:23.360
<v Speaker 1>English control to mean monitor or verify because controller or

0:14:23.480 --> 0:14:28.200
<v Speaker 1>controllery in have this meaning. In French and German. Other

0:14:28.280 --> 0:14:34.320
<v Speaker 1>examples are assist for attend and actual for current. Yeah,

0:14:34.360 --> 0:14:37.240
<v Speaker 1>control being used to mean monitor a verif I could

0:14:37.240 --> 0:14:41.280
<v Speaker 1>cause some real confusion right now, Yeah, yeah, because you

0:14:41.400 --> 0:14:43.800
<v Speaker 1>use that in just the you know you're talking about

0:14:43.840 --> 0:14:46.080
<v Speaker 1>like let's say, let's say that you're talking about monitoring

0:14:46.080 --> 0:14:48.280
<v Speaker 1>the behavior of a crowd. If you're talking about controlling

0:14:48.320 --> 0:14:50.600
<v Speaker 1>the behavior of a crowd, that has a totally different meaning,

0:14:50.680 --> 0:14:52.800
<v Speaker 1>right yeah, yeah, And I'm sure it could lead to

0:14:52.840 --> 0:14:55.840
<v Speaker 1>those kinds of confusions. But but yeah, I don't know

0:14:55.920 --> 0:14:57.600
<v Speaker 1>that that was really interesting to me. I don't know,

0:14:57.640 --> 0:14:59.600
<v Speaker 1>maybe this is more interesting to me than it is

0:14:59.600 --> 0:15:03.320
<v Speaker 1>to other but trying to imagine just how the very

0:15:03.360 --> 0:15:06.120
<v Speaker 1>words we speak will be different. Well, and we had

0:15:06.160 --> 0:15:10.240
<v Speaker 1>so many episodes that kind of we're spokes connected to

0:15:10.280 --> 0:15:12.800
<v Speaker 1>this concept, right. We had the ones where we said, well,

0:15:12.800 --> 0:15:15.280
<v Speaker 1>how do you create a language that people will be

0:15:15.320 --> 0:15:17.920
<v Speaker 1>able to understand ten thousand years from now? Right? How

0:15:17.920 --> 0:15:22.360
<v Speaker 1>do you create ways of alerting people to your intent

0:15:22.800 --> 0:15:24.560
<v Speaker 1>when you have no way of knowing how how the

0:15:24.640 --> 0:15:27.520
<v Speaker 1>language is going to evolve change, Maybe even the language

0:15:27.520 --> 0:15:30.760
<v Speaker 1>you're using is completely eradicated by the time, and and

0:15:31.040 --> 0:15:33.760
<v Speaker 1>you need that for certain things like telling people, hey,

0:15:33.800 --> 0:15:35.840
<v Speaker 1>this is where we stored all our nuclear waste. Don't

0:15:35.880 --> 0:15:38.000
<v Speaker 1>go in here, exactly touch it, don't put it in

0:15:38.000 --> 0:15:40.680
<v Speaker 1>your eyeballs. It's going to be dangerous for longer than

0:15:40.720 --> 0:15:46.200
<v Speaker 1>your language exists, and exactly on eyestalks. That's a great

0:15:46.240 --> 0:15:48.600
<v Speaker 1>way of saying that. We also had an episode about

0:15:48.640 --> 0:15:51.800
<v Speaker 1>how would we talk to aliens? Like, we really did

0:15:51.840 --> 0:15:54.240
<v Speaker 1>focus on language in quite a few episodes. And and

0:15:54.320 --> 0:15:56.800
<v Speaker 1>possibly because we're in English major, I was about to

0:15:56.840 --> 0:15:59.360
<v Speaker 1>make the same reference. Yes, the fact that we're English

0:15:59.360 --> 0:16:01.840
<v Speaker 1>majors probably had something to do with that, but it's

0:16:01.960 --> 0:16:04.200
<v Speaker 1>it is a really interesting to think about, the thing

0:16:04.280 --> 0:16:06.720
<v Speaker 1>to think about. I don't think we're ever going to

0:16:06.760 --> 0:16:09.960
<v Speaker 1>get to the point where we only uh communicate in

0:16:10.640 --> 0:16:13.760
<v Speaker 1>references and metaphor the way that Star Trek Next Generation

0:16:13.760 --> 0:16:17.920
<v Speaker 1>episode everyone likes but is actually secretly terrible um dead

0:16:19.600 --> 0:16:25.280
<v Speaker 1>the Star Trek episodes, Yes, Darmak so Picard beams down

0:16:25.320 --> 0:16:28.840
<v Speaker 1>to a planet he's down with an alien leader. They

0:16:28.960 --> 0:16:32.360
<v Speaker 1>do not the universal translator will not translate what the

0:16:32.400 --> 0:16:35.640
<v Speaker 1>guy is saying, and the guy only speaks in um

0:16:35.720 --> 0:16:40.240
<v Speaker 1>in in references to things that are relevant in his culture.

0:16:40.640 --> 0:16:44.360
<v Speaker 1>So like if he wants to say right if well,

0:16:44.360 --> 0:16:47.080
<v Speaker 1>sadly no, or interpretive dance would have been great too,

0:16:47.160 --> 0:16:49.920
<v Speaker 1>but neither is true. So so if he wanted to say,

0:16:50.040 --> 0:16:51.640
<v Speaker 1>you and I need to work together in order to

0:16:51.680 --> 0:16:54.080
<v Speaker 1>overcome this challenge, instead he would say like Darmak and

0:16:54.160 --> 0:16:57.360
<v Speaker 1>jannad at Tanagra, that would be because in his culture

0:16:57.440 --> 0:17:01.160
<v Speaker 1>that references a story of two powl who used to

0:17:01.240 --> 0:17:03.880
<v Speaker 1>be at cross purposes, but who then work together to

0:17:04.000 --> 0:17:08.080
<v Speaker 1>overcome a third problem. Uh, that would be. But the

0:17:08.280 --> 0:17:10.440
<v Speaker 1>issue I have there is that unless you have a language,

0:17:10.440 --> 0:17:13.199
<v Speaker 1>you cannot build the stories that you then use as

0:17:13.280 --> 0:17:16.159
<v Speaker 1>reference to communicate your ideas. Well, maybe they had a

0:17:16.240 --> 0:17:19.280
<v Speaker 1>language and they forgotten and now, but how do you

0:17:19.800 --> 0:17:21.960
<v Speaker 1>That seems like a really inefficient way to teach people

0:17:22.000 --> 0:17:25.600
<v Speaker 1>how to communicate, like talking you to a baby, like

0:17:25.640 --> 0:17:27.840
<v Speaker 1>once they get to the point where they are beyond

0:17:27.960 --> 0:17:30.359
<v Speaker 1>making the actual sounds like all right, now, I gotta

0:17:30.359 --> 0:17:35.320
<v Speaker 1>teach you an entire sentence to mean this general idea

0:17:35.600 --> 0:17:38.560
<v Speaker 1>that that can be applied to anything that falls within

0:17:38.600 --> 0:17:42.600
<v Speaker 1>that general idea. I can imagine that maybe if all

0:17:42.720 --> 0:17:45.560
<v Speaker 1>teaching of language is done with visual aids, like if

0:17:45.560 --> 0:17:48.040
<v Speaker 1>they don't just have books that are just text, but

0:17:48.160 --> 0:17:53.080
<v Speaker 1>everything is like captions accompanying images. Yeah, maybe, sure, Sure.

0:17:53.920 --> 0:17:56.639
<v Speaker 1>There was an interesting play by by Johnny Drago that

0:17:56.680 --> 0:18:00.280
<v Speaker 1>happened here in Atlanta that positive um that that in

0:18:00.359 --> 0:18:04.520
<v Speaker 1>some not too distant future are archaeologists would would find

0:18:05.000 --> 0:18:07.960
<v Speaker 1>scraps of of of what we know today's human language

0:18:07.960 --> 0:18:13.439
<v Speaker 1>and call it proto emoji. I both love it and

0:18:13.520 --> 0:18:18.000
<v Speaker 1>hate it at the same time. That's fantastic, Jonathan, what's

0:18:18.000 --> 0:18:21.960
<v Speaker 1>your favorite emoji? I mean, poop, It's always going to

0:18:22.040 --> 0:18:24.680
<v Speaker 1>be the answer. I'm a big fan of the alligator.

0:18:24.720 --> 0:18:26.920
<v Speaker 1>I don't know why. Sometimes I just send my wife

0:18:26.920 --> 0:18:30.600
<v Speaker 1>an alligator, very very rarely. I mean the closest I

0:18:30.600 --> 0:18:32.879
<v Speaker 1>I use are still emoticons. I don't tend to use

0:18:32.920 --> 0:18:36.000
<v Speaker 1>a lot of emojis. Some some of the chat stuff

0:18:36.040 --> 0:18:39.480
<v Speaker 1>will automatically translate an emoticon into an emoji. Was so

0:18:39.520 --> 0:18:41.760
<v Speaker 1>mad about that, Like, if I wanted an emoji, I

0:18:41.800 --> 0:18:43.199
<v Speaker 1>would have put it in there. I just wanted to

0:18:43.359 --> 0:18:46.359
<v Speaker 1>colon end up, you know, a closed parentheses. I didn't

0:18:46.400 --> 0:18:51.560
<v Speaker 1>want it to be like this weird gaping smiling thing. Uh,

0:18:51.920 --> 0:18:55.960
<v Speaker 1>but I'm old So, okay, I've got another favorite episode. Okay,

0:18:55.960 --> 0:18:57.600
<v Speaker 1>you don't want to tell us about your favorite emoji?

0:18:57.720 --> 0:19:00.320
<v Speaker 1>Oh you did? You did? Alligator? Like alg it? And

0:19:00.359 --> 0:19:03.480
<v Speaker 1>I like the devil. I like I like the I

0:19:03.520 --> 0:19:05.919
<v Speaker 1>like the cat, not the cat face, the kind of

0:19:06.400 --> 0:19:11.639
<v Speaker 1>disdainful cat. Yeah, yeah, cat frowning upon you. Yeah. I

0:19:11.640 --> 0:19:13.199
<v Speaker 1>don't know how a cat that's like less than a

0:19:13.200 --> 0:19:16.560
<v Speaker 1>centimeter manages to still look disdainful. It's like a cat's superpower,

0:19:16.680 --> 0:19:20.119
<v Speaker 1>pretty sure. Disdainful cat and devil or suck it petting?

0:19:20.400 --> 0:19:25.240
<v Speaker 1>All right, what any other favorite episodes you want to cover? Yeah?

0:19:25.359 --> 0:19:27.240
<v Speaker 1>There was one I remembered that I had a lot

0:19:27.280 --> 0:19:29.359
<v Speaker 1>of fun thinking about, and it was the one about

0:19:29.560 --> 0:19:32.480
<v Speaker 1>what happens when a robot breaks the law? Where we

0:19:32.480 --> 0:19:36.600
<v Speaker 1>were covering a couple of stories about computer programs that

0:19:36.840 --> 0:19:42.720
<v Speaker 1>had had had done something autonomously that required the attention

0:19:42.720 --> 0:19:46.639
<v Speaker 1>of law enforcement. Now, it's not any big problem to

0:19:46.720 --> 0:19:50.840
<v Speaker 1>imagine what should be done when a robot does a

0:19:51.600 --> 0:19:55.480
<v Speaker 1>essentially performs a directed action that it was program to do,

0:19:56.200 --> 0:19:58.080
<v Speaker 1>and then it breaks the law. Right then you would

0:19:58.080 --> 0:20:01.840
<v Speaker 1>you would argue whoever, whomever programmed the robot would be

0:20:01.880 --> 0:20:04.840
<v Speaker 1>at fault. Yeah, but what about when when robots or

0:20:04.840 --> 0:20:10.760
<v Speaker 1>computer programs autonomously do something that has harmful legal repercussions,

0:20:11.200 --> 0:20:13.560
<v Speaker 1>but nobody directly told it to do that, It's just

0:20:13.680 --> 0:20:19.359
<v Speaker 1>emergent behavior. Uh. And so I really remember thinking that

0:20:19.440 --> 0:20:22.880
<v Speaker 1>was a very interesting problem problem to think about, like

0:20:23.160 --> 0:20:26.159
<v Speaker 1>what it makes you consider, what is the nature of

0:20:26.280 --> 0:20:30.040
<v Speaker 1>legal and moral responsibility? Who really should bear it? And

0:20:30.080 --> 0:20:32.400
<v Speaker 1>then also I know that you guys did an episode

0:20:32.480 --> 0:20:36.399
<v Speaker 1>without me about robot personhood, which I think sort of

0:20:36.440 --> 0:20:40.159
<v Speaker 1>revisited this topic, didn't. Yeah, definitely, it wasn't on purpose.

0:20:40.240 --> 0:20:42.120
<v Speaker 1>We wanted you to be there. You just weren't there

0:20:42.119 --> 0:20:44.240
<v Speaker 1>for whatever personal reason you had for not being there

0:20:44.280 --> 0:20:46.520
<v Speaker 1>that day. We weren't like, let us exclude Joe from

0:20:46.520 --> 0:20:49.119
<v Speaker 1>this episode. That's when I was out of town for

0:20:49.240 --> 0:20:52.400
<v Speaker 1>something I would imagine so um but but yeah, yeah,

0:20:52.440 --> 0:20:55.960
<v Speaker 1>the episode was called Our Robots Electronic Persons. It was

0:20:56.000 --> 0:21:00.199
<v Speaker 1>from July of this year. Um, And we did it

0:21:00.240 --> 0:21:04.200
<v Speaker 1>because the European Parliament had released a proposal for civil

0:21:04.320 --> 0:21:08.760
<v Speaker 1>laws that relate to robotics um and very much so

0:21:08.840 --> 0:21:12.639
<v Speaker 1>talked about section of this proposal discussed possibilities for robot

0:21:12.640 --> 0:21:16.199
<v Speaker 1>person right. Essentially, this was a committee that said, we

0:21:16.280 --> 0:21:18.399
<v Speaker 1>got together to think about these things that we've been

0:21:18.440 --> 0:21:20.679
<v Speaker 1>saying we should think about for quite some time, and

0:21:20.720 --> 0:21:23.560
<v Speaker 1>here's what we concluded. And they had some suggestions, but

0:21:23.640 --> 0:21:26.199
<v Speaker 1>nothing that was definitive. Right. It wasn't like this was

0:21:26.200 --> 0:21:28.520
<v Speaker 1>going to be enacted into law. Yeah, it was more like,

0:21:28.560 --> 0:21:31.080
<v Speaker 1>we really should have a committee that's thinking about this thing,

0:21:31.160 --> 0:21:33.679
<v Speaker 1>that can create something that can be enacted into Right,

0:21:33.800 --> 0:21:36.639
<v Speaker 1>here's here's a here are some basic ideas that we

0:21:36.640 --> 0:21:38.959
<v Speaker 1>could head toward. But we're not suggesting this is the

0:21:39.080 --> 0:21:41.600
<v Speaker 1>end goal. Rather, these are the sort of things that

0:21:41.840 --> 0:21:44.520
<v Speaker 1>these dedicated committees should talk about. It was a meeting

0:21:44.560 --> 0:21:46.840
<v Speaker 1>calling for more meetings, yeah, but they were also being

0:21:46.840 --> 0:21:50.320
<v Speaker 1>more They're also calling for people who were experts not

0:21:50.440 --> 0:21:54.400
<v Speaker 1>just in the technology, but also in social social law,

0:21:54.560 --> 0:21:58.400
<v Speaker 1>things that would be important to make sure they could

0:21:58.480 --> 0:22:01.080
<v Speaker 1>roll out also throughout the entire European Union and not

0:22:01.440 --> 0:22:04.800
<v Speaker 1>They didn't want to see a future where various countries

0:22:04.800 --> 0:22:08.080
<v Speaker 1>were taking their own approaches to this and creating an

0:22:08.119 --> 0:22:11.480
<v Speaker 1>incompatible system within the European Union. So it was actually

0:22:11.520 --> 0:22:14.840
<v Speaker 1>a very a very forward thinking proposal. There were some

0:22:15.040 --> 0:22:17.439
<v Speaker 1>segments in it that did kind of lend themselves to

0:22:17.960 --> 0:22:21.560
<v Speaker 1>at least some simple jokes about the idea of robots,

0:22:21.560 --> 0:22:24.760
<v Speaker 1>like robots getting paid a salary, for example, But the

0:22:24.760 --> 0:22:27.399
<v Speaker 1>whole purpose of that was not to pay a robot

0:22:27.480 --> 0:22:30.400
<v Speaker 1>so that the robot is motivated to do a good job,

0:22:30.400 --> 0:22:33.119
<v Speaker 1>but rather to have a fund so that if that

0:22:33.200 --> 0:22:36.240
<v Speaker 1>robot ever were to do something that would cause harm

0:22:36.320 --> 0:22:39.919
<v Speaker 1>or damage, then money from that fund could go towards

0:22:39.960 --> 0:22:43.439
<v Speaker 1>compensating the injured party. That sort of idea, So it

0:22:43.480 --> 0:22:45.960
<v Speaker 1>was really an interesting thing to look into. I really,

0:22:46.200 --> 0:22:49.680
<v Speaker 1>I really enjoyed that episode. Both of those episodes yeah yeah, UM.

0:22:49.920 --> 0:22:52.240
<v Speaker 1>A lot of my favorite ones over the years have

0:22:52.240 --> 0:22:54.040
<v Speaker 1>have of course been the medical ones. That's kind of

0:22:54.080 --> 0:22:56.600
<v Speaker 1>one of my beats, Like I'm I'm so excited whenever

0:22:56.640 --> 0:22:59.200
<v Speaker 1>we get to talk about things like vaccines or pain,

0:22:59.720 --> 0:23:03.080
<v Speaker 1>or blood or bacteria. Um. I was not in a

0:23:03.119 --> 0:23:05.159
<v Speaker 1>few of these. I know that because I listened to

0:23:05.200 --> 0:23:09.120
<v Speaker 1>so many in preparation for this episode. Uh so so

0:23:09.119 --> 0:23:10.840
<v Speaker 1>so those those have been some of my favorites, and

0:23:10.880 --> 0:23:13.600
<v Speaker 1>of course medical technology is advancing all the time. I

0:23:13.680 --> 0:23:16.840
<v Speaker 1>honestly didn't check to see what exactly we said about

0:23:17.119 --> 0:23:19.040
<v Speaker 1>things in all of those episodes. I just wanted to

0:23:19.080 --> 0:23:20.760
<v Speaker 1>be like, oh, man, wasn't it great when we talked

0:23:20.760 --> 0:23:23.800
<v Speaker 1>about the future of Blood. Wasn't it Blood was fun?

0:23:24.320 --> 0:23:27.440
<v Speaker 1>I think I think Blood the Blood was the one

0:23:27.520 --> 0:23:30.280
<v Speaker 1>that I think we released it with a technical error

0:23:30.480 --> 0:23:34.720
<v Speaker 1>where my microphone was turned off and they were hearing

0:23:34.760 --> 0:23:37.679
<v Speaker 1>me through y'all's microphones. We had to re release it.

0:23:38.640 --> 0:23:42.359
<v Speaker 1>That sometimes happens. Yeah, sure, technical difficulties do in fact occur,

0:23:42.440 --> 0:23:45.640
<v Speaker 1>although for for the for for very much the most part,

0:23:46.119 --> 0:23:50.200
<v Speaker 1>Mr Noel Brown and Mr Dilan Fagan do excellent work. Yeah,

0:23:50.240 --> 0:23:52.720
<v Speaker 1>he is waving at us right now. Another one, as

0:23:52.760 --> 0:23:55.520
<v Speaker 1>I was scrolling through archive, was the one about US

0:23:55.560 --> 0:24:00.800
<v Speaker 1>search results in swaying elections, because that was one that

0:24:00.920 --> 0:24:04.280
<v Speaker 1>I I love it when I'm completely flabbergasted by things

0:24:04.280 --> 0:24:06.679
<v Speaker 1>that I learned here around the house to works offices,

0:24:06.800 --> 0:24:09.040
<v Speaker 1>and and that was one that I had no idea

0:24:09.040 --> 0:24:11.119
<v Speaker 1>about and it was so surprising to me. And the

0:24:12.000 --> 0:24:16.520
<v Speaker 1>concept is that we all rely on Google so so

0:24:16.600 --> 0:24:20.240
<v Speaker 1>much and so trustfully that um that the first what

0:24:20.359 --> 0:24:22.480
<v Speaker 1>is it for search results or I mean, depending on

0:24:22.520 --> 0:24:24.440
<v Speaker 1>the size of your screen, I suppose that show up

0:24:24.440 --> 0:24:27.439
<v Speaker 1>in your immediate field of vision are basically what what

0:24:27.560 --> 0:24:30.280
<v Speaker 1>opinion you draw about something that you don't know about, right,

0:24:30.320 --> 0:24:33.520
<v Speaker 1>you don't, You don't. Very few people go beyond even

0:24:33.720 --> 0:24:36.880
<v Speaker 1>what is above the fold. If they do scroll down,

0:24:36.960 --> 0:24:40.040
<v Speaker 1>they even fewer will go to page two for example

0:24:40.119 --> 0:24:43.000
<v Speaker 1>of results, and and to go beyond that is essentially

0:24:43.080 --> 0:24:46.920
<v Speaker 1>unheard of. So uh, if you are able to position

0:24:47.280 --> 0:24:49.960
<v Speaker 1>your results so that they appear in those first couple

0:24:50.040 --> 0:24:52.600
<v Speaker 1>of links, you are in really good position to have

0:24:52.640 --> 0:24:55.879
<v Speaker 1>people check your stuff out. So if you have to

0:24:55.920 --> 0:24:57.840
<v Speaker 1>believe it to to to believe that because it is

0:24:57.840 --> 0:25:00.760
<v Speaker 1>that high in the Google search, also that of worthwhile

0:25:00.840 --> 0:25:03.359
<v Speaker 1>news sources. Yeah, Google has built its reputation on having

0:25:03.440 --> 0:25:06.640
<v Speaker 1>very reliable search results. So part of that then lens

0:25:06.680 --> 0:25:10.600
<v Speaker 1>this idea that whatever links you see have inherent credibility

0:25:10.600 --> 0:25:13.199
<v Speaker 1>to Yeah. Yeah, so yeah, and and this is a

0:25:13.240 --> 0:25:16.760
<v Speaker 1>story that we've seen resurface as we lead up to

0:25:16.800 --> 0:25:19.919
<v Speaker 1>the elections here in the United States. Uh, just a

0:25:19.960 --> 0:25:22.280
<v Speaker 1>couple of weeks ago, I saw a story where the

0:25:22.440 --> 0:25:24.200
<v Speaker 1>same sort of idea was being brought up. In fact,

0:25:24.240 --> 0:25:26.760
<v Speaker 1>I think one of our pitch meetings for How Stuff Works,

0:25:26.800 --> 0:25:30.399
<v Speaker 1>someone brought it up on a Monday editorial brainstorming. And

0:25:30.440 --> 0:25:32.280
<v Speaker 1>when I heard them, like, I'm pretty sure we covered

0:25:32.320 --> 0:25:36.000
<v Speaker 1>that like a year ago. Yeah, yeah, so so I

0:25:36.040 --> 0:25:38.960
<v Speaker 1>guess as the elections are coming up as of this recording,

0:25:39.160 --> 0:25:43.120
<v Speaker 1>do do actual research, don't do Google researches. What dive

0:25:43.200 --> 0:25:47.040
<v Speaker 1>into at this point is anybody still forming their opinions

0:25:47.080 --> 0:25:50.000
<v Speaker 1>of the candidates though, well, the presidential candidates maybe not,

0:25:50.080 --> 0:25:53.040
<v Speaker 1>but local local candidates. Yeah, good point. There are many

0:25:53.080 --> 0:25:55.879
<v Speaker 1>local candidates to be to to take into consideration. I

0:25:56.160 --> 0:25:58.800
<v Speaker 1>think I think a majority of Congress members are up

0:25:58.800 --> 0:26:02.600
<v Speaker 1>for reelection here, so uh, I don't know. Maybe if

0:26:02.640 --> 0:26:04.600
<v Speaker 1>y'all have some opinions about how things have been happening

0:26:04.640 --> 0:26:07.720
<v Speaker 1>in this country, check that up. Rock the vote. Don't

0:26:07.760 --> 0:26:11.000
<v Speaker 1>write my name in for anything. I don't need that

0:26:11.080 --> 0:26:17.080
<v Speaker 1>level of response to everything. Luckily, not every state is

0:26:17.080 --> 0:26:19.160
<v Speaker 1>allowed to do that, so I'm not going to become

0:26:19.200 --> 0:26:23.920
<v Speaker 1>the governor of everywhere. That would be real awkward. Yeah,

0:26:23.960 --> 0:26:27.400
<v Speaker 1>I can't split my time like that. Other other favorite

0:26:27.400 --> 0:26:29.800
<v Speaker 1>episodes are, of course the food episodes, and we've had

0:26:29.840 --> 0:26:33.359
<v Speaker 1>some great episodes about food um uh. We had that

0:26:33.400 --> 0:26:36.280
<v Speaker 1>really early couple of episodes about the future of protein

0:26:36.880 --> 0:26:40.520
<v Speaker 1>um in which we mentioned that we mentioned that lab

0:26:40.520 --> 0:26:44.080
<v Speaker 1>grown burger. This was and and at the time carried

0:26:44.119 --> 0:26:49.080
<v Speaker 1>a thousand dollar price tech um, which we all agreed

0:26:49.240 --> 0:26:51.960
<v Speaker 1>was a bit steep for a burger. Yeah, even even

0:26:52.000 --> 0:26:53.720
<v Speaker 1>for one grown in a lab. I think that'd be

0:26:53.760 --> 0:26:59.160
<v Speaker 1>a bit dear for me, as just just three years later,

0:26:59.560 --> 0:27:03.639
<v Speaker 1>these things cost eleven dollars and thirty six cents to produce. Phenomenal.

0:27:04.160 --> 0:27:08.280
<v Speaker 1>Now you're talking about Atlanta high end burger joint price ranges.

0:27:08.480 --> 0:27:11.680
<v Speaker 1>Oh yeah, yeah, there are burgers sold in the building

0:27:11.760 --> 0:27:14.360
<v Speaker 1>we're in right now that cost more than that. Yeah,

0:27:14.480 --> 0:27:18.480
<v Speaker 1>that's true right downstairs. Yep. But so that was fascinating

0:27:18.520 --> 0:27:22.119
<v Speaker 1>the borg chef y'all, uh, including our very like I

0:27:22.160 --> 0:27:24.679
<v Speaker 1>think still our favorite moment and all a forward thinking

0:27:24.720 --> 0:27:28.720
<v Speaker 1>when you guys looked up recipes, Um, you never did

0:27:28.960 --> 0:27:32.720
<v Speaker 1>cook and we still can just not just not on

0:27:32.760 --> 0:27:37.240
<v Speaker 1>this audio show. Snack stuff sometimes snack stuff two, Yes,

0:27:38.280 --> 0:27:40.520
<v Speaker 1>that was it that on a cooking show. There was

0:27:40.600 --> 0:27:44.440
<v Speaker 1>some like some like dumpling that just mustard green dumplings.

0:27:45.119 --> 0:27:48.560
<v Speaker 1>Actually the filling for the dumplings was just pure olives.

0:27:49.600 --> 0:27:54.360
<v Speaker 1>It's going to be the saltiest salties. Mustard greens were

0:27:54.720 --> 0:27:58.720
<v Speaker 1>used to line the bamboo steamer. When you right, we

0:27:58.760 --> 0:28:02.800
<v Speaker 1>talked about how often whatever the identified main ingredient was

0:28:02.920 --> 0:28:06.280
<v Speaker 1>sometimes didn't appear in the dish or was listed as optional.

0:28:07.200 --> 0:28:09.760
<v Speaker 1>Oh I love you, Chef Watson, You're you're, You're the

0:28:09.840 --> 0:28:13.960
<v Speaker 1>very best chef ever um and uh and then oh

0:28:13.960 --> 0:28:16.240
<v Speaker 1>it's speaking of Star Trek. Is I feel like we

0:28:16.320 --> 0:28:19.119
<v Speaker 1>have a whole bunch over the past couple episodes here? Uh,

0:28:19.320 --> 0:28:23.439
<v Speaker 1>Star Trek Economy from way back in December. Yeah, that

0:28:23.560 --> 0:28:27.920
<v Speaker 1>was usually economic topics aren't the thing that I'm psyched about.

0:28:28.400 --> 0:28:30.880
<v Speaker 1>I think that was one of our most popular podcast

0:28:30.920 --> 0:28:34.200
<v Speaker 1>episodes ever. It was fun to talk about, largely because

0:28:34.800 --> 0:28:37.120
<v Speaker 1>first we got to address the fact that Star Trek

0:28:37.160 --> 0:28:39.600
<v Speaker 1>has not been consistent with the way that it's treated

0:28:39.600 --> 0:28:42.480
<v Speaker 1>its economy. Like essentially, in Star Trek it says money

0:28:42.520 --> 0:28:45.760
<v Speaker 1>doesn't exist unless the plot requires it too. Um. But

0:28:45.880 --> 0:28:48.480
<v Speaker 1>it was also just funny fun to talk about, Well,

0:28:48.520 --> 0:28:50.960
<v Speaker 1>how would we would it be possible to get to

0:28:51.160 --> 0:28:55.720
<v Speaker 1>a time when currency and wealth are no longer really

0:28:55.800 --> 0:28:58.640
<v Speaker 1>a thing, or at least personal wealth isn't. Maybe you know,

0:28:58.960 --> 0:29:02.680
<v Speaker 1>species wealth idea of having enough resources of energy and

0:29:02.720 --> 0:29:06.680
<v Speaker 1>all the other needs to distribute to everybody so that

0:29:06.720 --> 0:29:13.200
<v Speaker 1>there's no want or or wanting of things. Then um, maybe,

0:29:13.440 --> 0:29:15.600
<v Speaker 1>but yeah, that was a fun one to talk about, really,

0:29:15.640 --> 0:29:17.480
<v Speaker 1>to to kind of wrap your head around what would

0:29:17.480 --> 0:29:20.400
<v Speaker 1>it take for us to get to that point? Uh,

0:29:20.440 --> 0:29:23.760
<v Speaker 1>And it's it's mostly boils down to lots and lots

0:29:23.800 --> 0:29:27.320
<v Speaker 1>of energy and jumpsuits. Jumpsuits as well. Yes, and the

0:29:27.320 --> 0:29:29.720
<v Speaker 1>Picard maneuver where you stand up and then you you know,

0:29:29.840 --> 0:29:32.720
<v Speaker 1>or you sit down and then you tug your Also

0:29:33.040 --> 0:29:35.920
<v Speaker 1>the Riker maneuver, which involves sitting in chairs by swinging

0:29:35.960 --> 0:29:37.640
<v Speaker 1>your leg over the back of the chair and then

0:29:37.680 --> 0:29:39.920
<v Speaker 1>sitting down and sometimes getting up the same way but

0:29:40.000 --> 0:29:44.200
<v Speaker 1>in reverse. It's amazing how often he does that. Yeah,

0:29:44.240 --> 0:29:47.680
<v Speaker 1>there's or or or rests the rests the foot on

0:29:47.720 --> 0:29:49.840
<v Speaker 1>the top of a chair, like like not on the

0:29:49.880 --> 0:29:51.440
<v Speaker 1>seat of a chair, like on the top of the

0:29:51.480 --> 0:29:55.320
<v Speaker 1>back like I mean, I understand he's tall, right, Well

0:29:55.760 --> 0:29:57.960
<v Speaker 1>he needs it's it's a it's a form of dominance.

0:29:57.960 --> 0:30:00.920
<v Speaker 1>He's called number two and he has to constantly prove

0:30:01.000 --> 0:30:04.640
<v Speaker 1>himself to everybody else because he's not number one. Ricker

0:30:04.720 --> 0:30:06.800
<v Speaker 1>doesn't have to prove anything to you. He had to

0:30:06.800 --> 0:30:09.920
<v Speaker 1>grow a beard. It was from season one to season two,

0:30:09.960 --> 0:30:12.400
<v Speaker 1>and it proved to me that he could grow facial hair.

0:30:13.000 --> 0:30:16.680
<v Speaker 1>He can very nice facial hair. Jonathan preferred him with

0:30:16.720 --> 0:30:22.360
<v Speaker 1>the beard. Yeah. Also also one of the episodes that

0:30:22.400 --> 0:30:24.600
<v Speaker 1>you that you were not here with us for Jonathan

0:30:25.360 --> 0:30:32.680
<v Speaker 1>Bees Future of Bees. What was in my eyes? I'm

0:30:32.720 --> 0:30:34.560
<v Speaker 1>forgetting Oh man, I wish I had looked this up.

0:30:35.200 --> 0:30:37.200
<v Speaker 1>I think I think I have the notes open. Maybe

0:30:37.200 --> 0:30:38.480
<v Speaker 1>I can go check it out. There. There was some

0:30:38.560 --> 0:30:44.040
<v Speaker 1>kind of terrible wonderful word that we discovered. Uh, that

0:30:44.560 --> 0:30:47.360
<v Speaker 1>we discovered a lot of maybe maybe it was just robobies.

0:30:48.160 --> 0:30:50.440
<v Speaker 1>There were robbies. There was some kind of there was

0:30:50.680 --> 0:30:56.240
<v Speaker 1>kind of be vitamin. There was a thing they fed bees. No,

0:30:58.120 --> 0:31:01.680
<v Speaker 1>I mean some kind of like like be steroids to

0:31:01.680 --> 0:31:06.640
<v Speaker 1>give them powers, give them. Missed out on that one. No,

0:31:06.840 --> 0:31:11.760
<v Speaker 1>that was that was megabe Megabe. It was called megabee Megabee.

0:31:11.760 --> 0:31:13.640
<v Speaker 1>What was megabee? Was that the stuff? Yeah? It was

0:31:13.680 --> 0:31:17.040
<v Speaker 1>like a little like be like protein shaken kind of Yeah,

0:31:17.520 --> 0:31:19.800
<v Speaker 1>that you feed, you feed bees to to help keep

0:31:19.840 --> 0:31:24.040
<v Speaker 1>them through through the winter. Yeah. That and uh, I

0:31:24.080 --> 0:31:26.720
<v Speaker 1>remember we did a commercial for it. Didn't me it

0:31:26.840 --> 0:31:33.600
<v Speaker 1>was beef up your nice. Well, I'm sad I missed

0:31:33.600 --> 0:31:36.000
<v Speaker 1>all the being activity. I'm sad that you missed it

0:31:36.040 --> 0:31:39.960
<v Speaker 1>to um also, and this is a visual reference because

0:31:39.960 --> 0:31:44.240
<v Speaker 1>I don't remember how how good the actual episode was,

0:31:44.320 --> 0:31:46.920
<v Speaker 1>but we did. We did a spider episode, I think

0:31:47.000 --> 0:31:51.560
<v Speaker 1>also were you okay okay, But Joe added this amazing

0:31:51.840 --> 0:31:55.360
<v Speaker 1>photograph into into the notes and let me explain it

0:31:55.400 --> 0:31:56.640
<v Speaker 1>to you, and then I'm going to show it to

0:31:56.680 --> 0:31:59.440
<v Speaker 1>the guys for for visual reference. Um. It's it's a

0:31:59.480 --> 0:32:00.920
<v Speaker 1>it's a kind of like a close up of the

0:32:01.040 --> 0:32:05.000
<v Speaker 1>spider with like really pretty blue beady eyes and it's

0:32:05.080 --> 0:32:07.520
<v Speaker 1>it's like little mandibles and and so it's it's it's

0:32:07.640 --> 0:32:09.640
<v Speaker 1>very it's sort of like like fish islands, like when

0:32:09.640 --> 0:32:11.040
<v Speaker 1>you have like a dog that's like right up in

0:32:11.080 --> 0:32:15.520
<v Speaker 1>a camera and the and the caption plastered across it

0:32:15.600 --> 0:32:22.520
<v Speaker 1>is Spiber, Spiper, Spiber and this is what it looks like. Dudes. Yeah,

0:32:22.560 --> 0:32:28.280
<v Speaker 1>that's that's what I'm nearly. I didn't make it, uh,

0:32:28.320 --> 0:32:31.440
<v Speaker 1>and and it just it brings me such joy occasionally

0:32:31.440 --> 0:32:33.600
<v Speaker 1>I just think about it and a giggle. Rarely do

0:32:33.680 --> 0:32:36.520
<v Speaker 1>we include images in our notes, but once in a

0:32:36.560 --> 0:32:40.000
<v Speaker 1>while that does happen, and it's typically for our benefit

0:32:40.040 --> 0:32:42.840
<v Speaker 1>and not for yours. But one thing we have done

0:32:42.960 --> 0:32:46.640
<v Speaker 1>for your benefit is. While most of the episodes have

0:32:47.080 --> 0:32:49.480
<v Speaker 1>at least some combination of the three of us in them,

0:32:49.640 --> 0:32:52.320
<v Speaker 1>we've also had some other folks on our show as well.

0:32:52.360 --> 0:32:54.160
<v Speaker 1>Oh yeah, we should give them all a shout out.

0:32:54.560 --> 0:32:58.720
<v Speaker 1>We've appreciated all of our wonderful co hosts, or get

0:32:58.840 --> 0:33:02.160
<v Speaker 1>our wonderful guests. Yes, yes, we we had Holly Fry

0:33:02.320 --> 0:33:05.320
<v Speaker 1>come on and talk about the future of fashion. That

0:33:05.400 --> 0:33:07.480
<v Speaker 1>one lovely time that Julie joined us for a couple

0:33:07.520 --> 0:33:12.680
<v Speaker 1>episodes about weather control Julie Douglas. That is um, Raquel

0:33:12.760 --> 0:33:18.040
<v Speaker 1>Willis talking about gender. Uh. Scott Benjamin and Benjamin Bolan

0:33:18.960 --> 0:33:22.400
<v Speaker 1>talking about car computerization. I think it's just called Scott

0:33:22.440 --> 0:33:28.800
<v Speaker 1>Benjamin Bolan Yes, um, Christian Sager talking about superheroes, also

0:33:28.840 --> 0:33:32.240
<v Speaker 1>about ruins, the ruins of the future, Oh yeah, yeah

0:33:32.320 --> 0:33:36.719
<v Speaker 1>yeah um. And also Robert Liam talking about monsters, the

0:33:36.720 --> 0:33:39.560
<v Speaker 1>future of monsters, like what monsters will inhabit our future.

0:33:39.720 --> 0:33:42.520
<v Speaker 1>So thanks to all of them for lending their talent

0:33:42.600 --> 0:33:46.080
<v Speaker 1>and expertise and making our show better and giving us,

0:33:46.080 --> 0:33:49.240
<v Speaker 1>giving us the opportunity to talk about subjects that aren't

0:33:49.280 --> 0:33:53.000
<v Speaker 1>necessarily within our own wheelhouses. But we have so much

0:33:53.640 --> 0:33:57.200
<v Speaker 1>knowledge available here at how Stuff works. It's actually pretty humbling.

0:33:57.320 --> 0:34:00.560
<v Speaker 1>It's intimidating as heck. Yeah, that's absolutely a thing that

0:34:00.640 --> 0:34:04.479
<v Speaker 1>Jonathan you have added to this show is ridiculously penny

0:34:04.520 --> 0:34:07.440
<v Speaker 1>title honey, titles and references. So I decided to just

0:34:07.480 --> 0:34:09.759
<v Speaker 1>get a collection of some of the best of the

0:34:09.800 --> 0:34:11.799
<v Speaker 1>worst or worst of the best, or however you want

0:34:11.840 --> 0:34:14.640
<v Speaker 1>to define it. And I haven't shared this with the

0:34:15.080 --> 0:34:17.000
<v Speaker 1>with Joe and Lauren, although I'm sure you both were

0:34:17.200 --> 0:34:19.960
<v Speaker 1>scrolling through the episodes and everything. Here's some of the

0:34:19.960 --> 0:34:22.040
<v Speaker 1>titles that we have used in past episodes. I'm just

0:34:22.040 --> 0:34:23.960
<v Speaker 1>gonna go through them. We're not going to talk about

0:34:24.120 --> 0:34:26.719
<v Speaker 1>necessarily what the subjects were. But there was my so

0:34:26.880 --> 0:34:30.799
<v Speaker 1>called life casting. It's for that MTV generation out there. Uh,

0:34:30.920 --> 0:34:33.200
<v Speaker 1>no more waking up in a bathtub full of ice

0:34:34.800 --> 0:34:38.880
<v Speaker 1>artificial organs. Yep ye, your brother, brother, Can you spare

0:34:38.920 --> 0:34:42.799
<v Speaker 1>a zero one one zero zero one zero zero? Who

0:34:42.840 --> 0:34:51.320
<v Speaker 1>wants to live forever? Shades of degray? Uh, it's coming

0:34:51.400 --> 0:34:54.000
<v Speaker 1>right for us. That was another one. That was the

0:34:54.040 --> 0:34:58.520
<v Speaker 1>autonomous car trolley problem episode. Oh not not about an asteroid?

0:34:58.640 --> 0:35:01.520
<v Speaker 1>Oh no, no, you're right. That one was the asteroid one. Yeah.

0:35:01.560 --> 0:35:03.920
<v Speaker 1>Then there's a four D printing is one d better?

0:35:04.560 --> 0:35:08.880
<v Speaker 1>Uh do robots rite of electric sheep? Uh play that

0:35:08.920 --> 0:35:13.920
<v Speaker 1>funky music Android send in the clones. That's the best

0:35:15.239 --> 0:35:21.000
<v Speaker 1>Babies in Space Inconceivable, and that was about conception. And

0:35:21.000 --> 0:35:24.320
<v Speaker 1>and then there was there was Babies in Space That's Heavy,

0:35:24.400 --> 0:35:28.040
<v Speaker 1>which was about microgravity effects on babies. Uh Quick to

0:35:28.120 --> 0:35:31.040
<v Speaker 1>the Zeppelin. I just think that's an awesome title. Also,

0:35:31.239 --> 0:35:35.200
<v Speaker 1>Uh Pew pew laser. Uh. And then there's a That's

0:35:35.239 --> 0:35:40.600
<v Speaker 1>so random parentheses number generator in parentheses. Uh. Then Finding

0:35:40.640 --> 0:35:43.759
<v Speaker 1>Nemo that's in E E M O, which was about

0:35:43.800 --> 0:35:47.960
<v Speaker 1>a nautical facility. There was where we're going we do

0:35:48.120 --> 0:35:52.479
<v Speaker 1>need roads. Uh, computers know if you're sarcastic, Yeah, right,

0:35:53.600 --> 0:35:59.960
<v Speaker 1>our cryonics cool and you have twenty seconds to comply. Uh.

0:36:00.120 --> 0:36:02.960
<v Speaker 1>Those are Yeah, it's a RoboCop because we did one

0:36:03.000 --> 0:36:05.759
<v Speaker 1>about robo security. And so that was the quote I

0:36:05.840 --> 0:36:07.960
<v Speaker 1>used as or the reference I used as the title.

0:36:08.560 --> 0:36:11.200
<v Speaker 1>And finally, let's let's kind of conclude this with a

0:36:11.239 --> 0:36:14.360
<v Speaker 1>discussion about one of the most irritating things about this

0:36:14.440 --> 0:36:18.120
<v Speaker 1>show that I introduced fairly early on, opening up episodes

0:36:18.160 --> 0:36:21.320
<v Speaker 1>with song quotes. Why do you say irritating, because whenever

0:36:21.360 --> 0:36:24.200
<v Speaker 1>I wasn't here. You had to do it, and based

0:36:24.280 --> 0:36:27.600
<v Speaker 1>upon the entries you guys made, I'm guessing it wasn't

0:36:27.600 --> 0:36:35.200
<v Speaker 1>necessarily fun. We we enjoy it when you do it,

0:36:36.760 --> 0:36:38.960
<v Speaker 1>do we always forget until we were literally right in

0:36:39.000 --> 0:36:40.879
<v Speaker 1>the studio And that happened to me on a few

0:36:40.880 --> 0:36:43.520
<v Speaker 1>occasions too, as will be apparent when I go through

0:36:43.560 --> 0:36:45.399
<v Speaker 1>some of the stats. But first I want to say

0:36:45.400 --> 0:36:47.719
<v Speaker 1>that we when we started the show, we didn't do

0:36:47.800 --> 0:36:50.080
<v Speaker 1>that right. That wasn't something that I just did from

0:36:50.120 --> 0:36:52.720
<v Speaker 1>the very beginning, although it didn't take too long into

0:36:52.800 --> 0:36:55.799
<v Speaker 1>the existence of the show before I introduced it, but

0:36:55.920 --> 0:36:58.960
<v Speaker 1>I was. I started by just introducing silly comments about

0:36:58.960 --> 0:37:02.880
<v Speaker 1>the future in general, starting in the spring, and I

0:37:02.880 --> 0:37:04.799
<v Speaker 1>would say things like this is an actual quote, welcome

0:37:04.840 --> 0:37:06.480
<v Speaker 1>to forward Thinking, the show where we look at the

0:37:06.480 --> 0:37:10.040
<v Speaker 1>future and say can we hear you? And well, that

0:37:10.160 --> 0:37:12.080
<v Speaker 1>is kind of what we do, isn't it. Yeah. There

0:37:12.120 --> 0:37:13.680
<v Speaker 1>was another one where it's like how are you doing?

0:37:13.920 --> 0:37:15.440
<v Speaker 1>That was we look at the future and say, how

0:37:15.440 --> 0:37:18.120
<v Speaker 1>are you doing? We're not like Ray Bradberry who want

0:37:18.200 --> 0:37:21.839
<v Speaker 1>to prevent the future from happening. So, but the one

0:37:21.880 --> 0:37:25.440
<v Speaker 1>I just referred to the camere year that one came

0:37:25.480 --> 0:37:29.520
<v Speaker 1>from Hollywood Ruined Holograms that episode, but I hadn't started

0:37:29.560 --> 0:37:31.880
<v Speaker 1>quoting songs yet. And when I did start quoting songs,

0:37:32.360 --> 0:37:35.279
<v Speaker 1>I didn't go all in like another episode. I might

0:37:35.320 --> 0:37:38.120
<v Speaker 1>just say something weird. I wouldn't necessarily quote a song

0:37:38.200 --> 0:37:40.880
<v Speaker 1>or might quote a movie. It wasn't until later that

0:37:40.920 --> 0:37:43.960
<v Speaker 1>I got into doing it frequently, but those early ones,

0:37:44.040 --> 0:37:48.400
<v Speaker 1>like I was quoting some really uh wonderful pieces of

0:37:48.480 --> 0:37:52.640
<v Speaker 1>music like Rebecca Black's Friday or they Carli ray Jefson's

0:37:52.640 --> 0:37:54.600
<v Speaker 1>song called Me Maybe that was one, And I remember

0:37:54.680 --> 0:37:56.920
<v Speaker 1>when I did that one, I started getting judged by

0:37:56.960 --> 0:37:58.839
<v Speaker 1>you two. And that's I think what drove me into

0:37:58.920 --> 0:38:02.440
<v Speaker 1>doing it more free quickly, because it was the trolling

0:38:02.440 --> 0:38:07.399
<v Speaker 1>aspect in about half of the episodes early on. I'm

0:38:07.400 --> 0:38:09.480
<v Speaker 1>like that sounds you're hearing is Lauren shaking her head

0:38:09.480 --> 0:38:13.719
<v Speaker 1>and me but um uh. The from what I can tell,

0:38:13.760 --> 0:38:16.200
<v Speaker 1>the first song lyric I ever referenced was put Me

0:38:16.239 --> 0:38:18.040
<v Speaker 1>in a Wheelchair and Get Me to the Show, which

0:38:18.040 --> 0:38:20.040
<v Speaker 1>is from the Ramones song I Want to Be Sedated.

0:38:20.800 --> 0:38:23.239
<v Speaker 1>I'm a big fan of punk rock in general, the

0:38:23.280 --> 0:38:26.000
<v Speaker 1>Ramons in particular, and other stuff like rockabilly, surf rock,

0:38:26.080 --> 0:38:28.680
<v Speaker 1>and garage rock, so as well as glam and new wave.

0:38:28.840 --> 0:38:31.239
<v Speaker 1>Like a lot of those songs have representation if you

0:38:31.280 --> 0:38:34.400
<v Speaker 1>look at the full list. Um, that episode that I

0:38:34.520 --> 0:38:37.560
<v Speaker 1>quoted that song in was Building with Bacteria, which published May.

0:38:39.520 --> 0:38:41.400
<v Speaker 1>By the time we got two Shades of Degree, I

0:38:41.440 --> 0:38:43.960
<v Speaker 1>was quoting songs pretty much with every episode. There were

0:38:43.960 --> 0:38:47.239
<v Speaker 1>a couple of exceptions, but um, there was a time

0:38:47.280 --> 0:38:49.680
<v Speaker 1>in the summer, late summer of that I kind of

0:38:49.680 --> 0:38:51.680
<v Speaker 1>stopped and I was doing other stuff. But then I

0:38:51.719 --> 0:38:54.280
<v Speaker 1>came back to songs, so I decided to do some

0:38:54.280 --> 0:38:57.640
<v Speaker 1>something insane. Leaving up to this episode. I did not

0:38:57.719 --> 0:39:01.920
<v Speaker 1>get a chance to listen to every single entry or

0:39:02.000 --> 0:39:04.440
<v Speaker 1>intro rather, but I listened to two hundred and seventy

0:39:04.480 --> 0:39:07.680
<v Speaker 1>seven of them home dang, So it's just a whole

0:39:07.719 --> 0:39:11.120
<v Speaker 1>bunch o buddy, or your ears hurting. Let me tell

0:39:11.160 --> 0:39:13.000
<v Speaker 1>you this. I could stand to go the rest of

0:39:13.040 --> 0:39:16.160
<v Speaker 1>my life without hearing Ben Boland say welcome to forward Thinking,

0:39:16.480 --> 0:39:19.239
<v Speaker 1>because I heard it. I heard it two hundred and

0:39:19.280 --> 0:39:22.719
<v Speaker 1>seventy seven times. Uh So, here here's some stats for

0:39:22.800 --> 0:39:25.880
<v Speaker 1>you guys. First of all, we know which band I

0:39:25.960 --> 0:39:29.759
<v Speaker 1>referenced the most frequently they might be giants. It's exactly right.

0:39:30.560 --> 0:39:33.200
<v Speaker 1>So out of those two seventy seven song entries, which

0:39:33.239 --> 0:39:35.200
<v Speaker 1>by the way, that that does not correspond to two

0:39:35.480 --> 0:39:37.600
<v Speaker 1>d seventy seven episodes, there was one episode where I

0:39:37.640 --> 0:39:40.480
<v Speaker 1>did three song quotes in a go, so that's a

0:39:40.480 --> 0:39:43.600
<v Speaker 1>little different. Also, there's at least twenty year thirty that

0:39:43.640 --> 0:39:46.759
<v Speaker 1>I didn't get to. But out of the two seven

0:39:46.800 --> 0:39:49.560
<v Speaker 1>I listened to, I quoted that they might be giants

0:39:49.560 --> 0:39:53.480
<v Speaker 1>song sixteen times, by far by by twice as much

0:39:53.520 --> 0:39:56.879
<v Speaker 1>as the next leading artist. But I bet you won't

0:39:56.880 --> 0:40:00.879
<v Speaker 1>guess who the second highest are are. The second most

0:40:00.880 --> 0:40:05.360
<v Speaker 1>frequent artist would be Prince, not not really Prince. Actually

0:40:05.560 --> 0:40:09.560
<v Speaker 1>a little bit further down the list, Prince had five total. Okay,

0:40:09.600 --> 0:40:11.920
<v Speaker 1>I know I did Prince at least twice. Yeah, you

0:40:11.960 --> 0:40:14.759
<v Speaker 1>did the same song twice, did couple Rain twice in

0:40:14.760 --> 0:40:20.160
<v Speaker 1>a row. But uh, you know the Beatles, and we

0:40:20.239 --> 0:40:23.399
<v Speaker 1>both did Fixing the Hole. We both quoted fixing the Hole, Joe, Um,

0:40:24.080 --> 0:40:25.839
<v Speaker 1>you and I. So that was why. And I'll talk

0:40:25.880 --> 0:40:27.839
<v Speaker 1>more about some of the songs that were listed more

0:40:27.840 --> 0:40:31.040
<v Speaker 1>than once in just a second. Talking Heads and uh

0:40:31.040 --> 0:40:33.880
<v Speaker 1>Weird Al Yankovic were next at seven songs each. This

0:40:33.960 --> 0:40:37.319
<v Speaker 1>is not my surprised face. Yeah. Jonathan Colton followed up

0:40:37.360 --> 0:40:40.800
<v Speaker 1>with six to be fair. Actually, I guess technically it's no,

0:40:40.960 --> 0:40:43.239
<v Speaker 1>it's is six because I I quoted him in that

0:40:43.320 --> 0:40:44.960
<v Speaker 1>last episode last week and I went ahead through that

0:40:44.960 --> 0:40:48.160
<v Speaker 1>one in Prince would be five as well as Rocky

0:40:48.200 --> 0:40:51.920
<v Speaker 1>Horror Picture Show songs were done five times, David Bowie

0:40:52.160 --> 0:40:57.720
<v Speaker 1>five times, Huey Lewis and The News five times. Uh.

0:40:57.760 --> 0:41:02.640
<v Speaker 1>And there's one artist that we did four times, and

0:41:02.680 --> 0:41:06.360
<v Speaker 1>it was the same song every single time Game Sticks

0:41:06.960 --> 0:41:10.600
<v Speaker 1>Mr Roboto. Um, So every time I did a Sticks

0:41:10.600 --> 0:41:13.480
<v Speaker 1>song it ended up being Mr. Not necessarily the same line.

0:41:13.520 --> 0:41:15.920
<v Speaker 1>Did you just forget that you've done it? Yeah? Because

0:41:15.920 --> 0:41:17.879
<v Speaker 1>I didn't. Here's the thing, this show has been going

0:41:17.920 --> 0:41:20.200
<v Speaker 1>on a while. The reason why I had to listen

0:41:20.280 --> 0:41:23.080
<v Speaker 1>to these is because I didn't keep a sheet of

0:41:23.160 --> 0:41:26.680
<v Speaker 1>what I had used. I didn't have a list, so

0:41:26.800 --> 0:41:29.000
<v Speaker 1>I had to go back and make a list because

0:41:29.000 --> 0:41:31.239
<v Speaker 1>I didn't I didn't have All I was doing was

0:41:31.400 --> 0:41:34.200
<v Speaker 1>listening for a lyric that I Typically I wanted to

0:41:34.200 --> 0:41:37.120
<v Speaker 1>try to find find something that was relevant to the topic,

0:41:37.160 --> 0:41:41.040
<v Speaker 1>although that was not always the case. UM and and

0:41:41.280 --> 0:41:43.279
<v Speaker 1>when we've been we've been doing this for three and

0:41:43.320 --> 0:41:46.520
<v Speaker 1>a half years, about a hundred episodes a year. Yeah, yeah,

0:41:46.560 --> 0:41:49.000
<v Speaker 1>so yeah, they add up pretty quickly. So here's a

0:41:49.040 --> 0:41:51.360
<v Speaker 1>couple of other little stats, and then we'll conclude and

0:41:51.400 --> 0:41:55.040
<v Speaker 1>say goodbye to everybody. About the songs. Uh, if you

0:41:55.080 --> 0:41:58.400
<v Speaker 1>wanted to know what trend was the biggest in besides

0:41:58.440 --> 0:42:01.680
<v Speaker 1>you know, the individual artists that were on the most musicals.

0:42:01.719 --> 0:42:04.960
<v Speaker 1>I quoted more musicals than any other genre. So here

0:42:04.960 --> 0:42:07.000
<v Speaker 1>are some of the musicals that you may have heard.

0:42:07.200 --> 0:42:11.680
<v Speaker 1>Lyrics from Rocky Horror and its sequel, Shock Treatment, Fame,

0:42:12.080 --> 0:42:16.360
<v Speaker 1>Tommy Mary Poppins, Lame Zaraba, West Side Story, Greece to

0:42:16.880 --> 0:42:22.000
<v Speaker 1>Bye Bye Birdie, Oklahoma a chorus Line, Hair, Wizard of Oz, Cabaret,

0:42:22.320 --> 0:42:26.240
<v Speaker 1>The Producers, Jungle Book, Sunday in the Park, next to Normal,

0:42:26.400 --> 0:42:31.680
<v Speaker 1>and I did Annie last week. So lots of musicals. Uh.

0:42:31.719 --> 0:42:33.920
<v Speaker 1>Then if you want to talk, we also reference some

0:42:33.960 --> 0:42:39.000
<v Speaker 1>television show themes. Joe, on one of the episodes, you said, uh,

0:42:39.040 --> 0:42:41.080
<v Speaker 1>the podcast that looks at the future and humes the

0:42:41.080 --> 0:42:45.000
<v Speaker 1>theme to TV's Night Writer. So I was like that

0:42:45.239 --> 0:42:47.840
<v Speaker 1>that was possibly my favorite because it was the laziest

0:42:47.880 --> 0:42:50.640
<v Speaker 1>and most awesome. At the same time, I forgot about that.

0:42:50.640 --> 0:42:52.480
<v Speaker 1>That was definitely a day that we were like, screw

0:42:52.520 --> 0:42:55.880
<v Speaker 1>this lyric we did. I referenced. I referenced the actual

0:42:55.960 --> 0:43:00.000
<v Speaker 1>lyrics to the Star Trek theme twice, because there are

0:43:00.080 --> 0:43:02.160
<v Speaker 1>lyrics to the Star Trek. How about the lyrics to

0:43:02.280 --> 0:43:05.000
<v Speaker 1>yub Nub the Ewok celebration Z No. But we did

0:43:05.080 --> 0:43:09.759
<v Speaker 1>reference Jedi Rocks okay, for the Lightsaber episode we talked

0:43:09.760 --> 0:43:13.480
<v Speaker 1>about I did the the Alien language for the beginning

0:43:13.480 --> 0:43:15.960
<v Speaker 1>of Jedi Rocks. Lauren, how did you let it happen

0:43:16.000 --> 0:43:18.799
<v Speaker 1>that we never did an episode without Jonathan that did

0:43:18.880 --> 0:43:24.960
<v Speaker 1>yub Nub. I can't. I'm very disappointed. It's not Cannon anymore. Anyway,

0:43:25.000 --> 0:43:27.040
<v Speaker 1>It's not in the end of Return of the Jedi anymore.

0:43:27.360 --> 0:43:31.520
<v Speaker 1>The yub Nub is forever. No one can take yub

0:43:31.600 --> 0:43:34.320
<v Speaker 1>Nub away from us. Other TV show themes we mentioned

0:43:34.320 --> 0:43:37.600
<v Speaker 1>our TV music that we mentioned. We mentioned ep up Or,

0:43:38.160 --> 0:43:41.640
<v Speaker 1>which came from the Jetsons. The Spider Man theme song

0:43:42.040 --> 0:43:45.320
<v Speaker 1>was referenced. The Mickey Mouse Club theme song was referenced.

0:43:45.760 --> 0:43:48.960
<v Speaker 1>For songs that we use more than once, um Mr

0:43:49.040 --> 0:43:53.160
<v Speaker 1>Roboto leads at four, but at three we have. I'm

0:43:53.200 --> 0:43:55.839
<v Speaker 1>so ashamed of this one bad case of Loving You

0:43:56.120 --> 0:43:59.680
<v Speaker 1>by Robert Palmer, and we did that three till I'm sorry.

0:44:00.000 --> 0:44:02.800
<v Speaker 1>Of my mom's favorite songs, I didn't. We did a

0:44:02.880 --> 0:44:05.520
<v Speaker 1>lot of medical stuff, and there's only so many songs

0:44:05.560 --> 0:44:09.800
<v Speaker 1>that have doctor in them that aren't about prescribing drugs

0:44:09.840 --> 0:44:13.480
<v Speaker 1>for the wrong reason or or mistreating patients. And I'm like,

0:44:13.520 --> 0:44:16.560
<v Speaker 1>I don't want to go that route. Um Weird Science

0:44:16.600 --> 0:44:21.960
<v Speaker 1>also three times, Space Oddity three times, Um Marvin I

0:44:22.000 --> 0:44:26.239
<v Speaker 1>Love You from Marvin the Paranoid Android three times. It

0:44:27.440 --> 0:44:30.080
<v Speaker 1>is a sweet song Back in Time by Huey Lewis

0:44:30.080 --> 0:44:33.360
<v Speaker 1>in the News three times, Purple Rain twice, Once in

0:44:33.400 --> 0:44:36.399
<v Speaker 1>a Lifetime by Talking Heads was at least twice. Dr

0:44:36.480 --> 0:44:39.759
<v Speaker 1>Worm was twice from They Might Be Giants uh, and

0:44:39.840 --> 0:44:41.560
<v Speaker 1>a lot of other ones. I mean, we there were

0:44:41.560 --> 0:44:45.120
<v Speaker 1>tons of songs from things like Monty Python, uh, Frank Sinatra.

0:44:45.200 --> 0:44:47.000
<v Speaker 1>We did Come Fly with Me twice, but we also

0:44:47.040 --> 0:44:49.200
<v Speaker 1>did Fly Me to the Moon, but that was only once,

0:44:49.560 --> 0:44:53.239
<v Speaker 1>so Sinatra had some representation. So anyway, Yeah, it was

0:44:53.280 --> 0:44:55.480
<v Speaker 1>fun just to look over these, and again, there's at

0:44:55.560 --> 0:44:58.200
<v Speaker 1>least twenty or thirty that I didn't get to now, Jonathan,

0:44:58.239 --> 0:45:01.799
<v Speaker 1>do you think that these, uh, these talis of song

0:45:01.920 --> 0:45:05.319
<v Speaker 1>lyrics provide some insights about what we've learned doing this show.

0:45:05.400 --> 0:45:09.520
<v Speaker 1>I think mostly the insight is Jonathan is really good

0:45:09.560 --> 0:45:13.879
<v Speaker 1>at searching for lyrics that contain very specific keywords, even

0:45:13.920 --> 0:45:17.920
<v Speaker 1>if he isn't very familiar with the song. I appreciate

0:45:17.960 --> 0:45:21.200
<v Speaker 1>your diligence on this front. I mean there are I

0:45:21.239 --> 0:45:22.719
<v Speaker 1>mean the fact that they might be giants was he

0:45:22.840 --> 0:45:24.920
<v Speaker 1>sixteen times tells you that I'm enormous they might be

0:45:25.000 --> 0:45:28.279
<v Speaker 1>giants fan obviously, and also I used several of their

0:45:28.280 --> 0:45:31.360
<v Speaker 1>songs more than once, like Nanobots, even some songs that

0:45:31.400 --> 0:45:36.879
<v Speaker 1>aren't widely known outside of the dedicated fan base where

0:45:36.880 --> 0:45:40.240
<v Speaker 1>they might be giants. Um. I think it also shows

0:45:40.280 --> 0:45:41.839
<v Speaker 1>that I'm a kid of the eighties because there were

0:45:41.840 --> 0:45:44.560
<v Speaker 1>an awful lot of songs that came from new wave bands,

0:45:44.600 --> 0:45:49.640
<v Speaker 1>from Elton John Uh, from Pink Floyd, Um seventies and

0:45:49.680 --> 0:45:53.000
<v Speaker 1>eighties songs. A lot of those and fewer like two

0:45:53.000 --> 0:45:56.040
<v Speaker 1>of the songs that Joe picked actually the same song

0:45:56.120 --> 0:46:00.520
<v Speaker 1>he picked twice, Toxic by Britney Spears, Um pick that

0:46:00.560 --> 0:46:05.440
<v Speaker 1>two times? Yeah, I actually I color coded uh artists

0:46:05.480 --> 0:46:08.160
<v Speaker 1>that other people picked, which included you know, the Beatles,

0:46:08.200 --> 0:46:12.080
<v Speaker 1>Fixing the Whole, Prince's Purple Rain, Huey Lewis, and the News. Uh.

0:46:12.200 --> 0:46:14.880
<v Speaker 1>Lauren quoted Hip to be Square in an episode I

0:46:14.960 --> 0:46:18.320
<v Speaker 1>did not. I was very proud of you though. Um Joe.

0:46:18.360 --> 0:46:24.080
<v Speaker 1>Twice you referenced Blondie also Fantastic Blondie. Yeah, Rapture and

0:46:24.120 --> 0:46:25.920
<v Speaker 1>Heart of Glass you did both. Oh no, I did

0:46:25.920 --> 0:46:28.879
<v Speaker 1>Heart of Glass. You did Rapture. Um because you did

0:46:28.920 --> 0:46:33.360
<v Speaker 1>the man from Mars who was eating cars. Uh. Lauren.

0:46:33.480 --> 0:46:36.160
<v Speaker 1>You referenced one of the greatest bands of all time,

0:46:36.280 --> 0:46:39.040
<v Speaker 1>Aqua with Barbie Girl, and it wasn't for the Hello

0:46:39.080 --> 0:46:43.959
<v Speaker 1>Barbie episode because I referenced in that one. Uh. Joe.

0:46:44.000 --> 0:46:48.239
<v Speaker 1>You referenced Bobby pick It twice. Um. Yeah, because he's

0:46:48.280 --> 0:46:52.560
<v Speaker 1>the guy who wrote Monster Mash. Uh. You referenced Tracy

0:46:52.640 --> 0:46:57.600
<v Speaker 1>Chapman once. Joe, Um, Lauren, you referenced Jimi Aquai with

0:46:57.680 --> 0:47:01.560
<v Speaker 1>Virtual Insanity for a VR episode. Joe, you reference Madonna

0:47:01.640 --> 0:47:03.920
<v Speaker 1>for a material girl for a material science episode. I

0:47:03.960 --> 0:47:08.319
<v Speaker 1>was so pleased. Lauren. You reference ce low Green with

0:47:09.160 --> 0:47:13.719
<v Speaker 1>Forget You Uh once. Um. We had a couple of

0:47:13.719 --> 0:47:17.360
<v Speaker 1>other things, like nursy rhymes things like or or baby

0:47:17.400 --> 0:47:20.640
<v Speaker 1>songs like rockabye baby, stuff like that, which also on

0:47:20.680 --> 0:47:22.760
<v Speaker 1>top of spaghetti Joe, you're a big fan of those.

0:47:24.880 --> 0:47:28.280
<v Speaker 1>You reference free Falling by Tom Petty Joe. Uh. Steam

0:47:28.320 --> 0:47:33.120
<v Speaker 1>powered giraffes honey Bee for the Bees episode, Lauren, Uh,

0:47:33.440 --> 0:47:35.440
<v Speaker 1>I did not know that. I had never heard of

0:47:35.440 --> 0:47:37.440
<v Speaker 1>steam powered giraffe, and now I know it's a thing.

0:47:38.080 --> 0:47:40.680
<v Speaker 1>So those are just some of the insights. Uh. And

0:47:40.800 --> 0:47:43.799
<v Speaker 1>then I did every pretty much everything else. So I think,

0:47:43.880 --> 0:47:46.799
<v Speaker 1>I think what we've learned here is that, Uh, in

0:47:46.840 --> 0:47:49.560
<v Speaker 1>this journey we have taken together, we all have something

0:47:49.600 --> 0:47:52.600
<v Speaker 1>to be ashamed of. Yes, we all can carry that

0:47:52.680 --> 0:47:54.560
<v Speaker 1>shame with us and now no longer share it with

0:47:54.600 --> 0:47:57.120
<v Speaker 1>the rest of the world, at least not in this format.

0:47:57.200 --> 0:48:01.160
<v Speaker 1>But we have really appreciated did you guys, you listeners

0:48:01.200 --> 0:48:05.359
<v Speaker 1>out there, We get your your messages whenever we've had

0:48:05.360 --> 0:48:07.800
<v Speaker 1>an issue with the episodes. The fact that people respond

0:48:07.840 --> 0:48:10.799
<v Speaker 1>so quickly tells us that you care. So while it's

0:48:10.800 --> 0:48:13.560
<v Speaker 1>frustrating to have problems, even on our side, like we

0:48:13.600 --> 0:48:15.840
<v Speaker 1>don't like to see that either, but to see that

0:48:16.160 --> 0:48:18.560
<v Speaker 1>it would be awful to have problems and no one

0:48:18.640 --> 0:48:21.880
<v Speaker 1>say anything because that means no one's listening, right, But

0:48:21.960 --> 0:48:24.759
<v Speaker 1>we have dedicated listeners who love the show, and so

0:48:24.880 --> 0:48:26.800
<v Speaker 1>I really appreciate that. And of course there are tons

0:48:26.800 --> 0:48:29.160
<v Speaker 1>of people who reach out and say wonderful positive things

0:48:29.440 --> 0:48:31.840
<v Speaker 1>to us, and we appreciate you guys. Oh yeah, we

0:48:31.880 --> 0:48:35.839
<v Speaker 1>are frequently really bad at answering those messages. Um and

0:48:35.840 --> 0:48:39.280
<v Speaker 1>an apologies that you've never been shouting into avoid um

0:48:39.400 --> 0:48:42.840
<v Speaker 1>or or saying lovely things and to avoid whichever right is. Um.

0:48:42.880 --> 0:48:46.360
<v Speaker 1>But uh uh we we we tend to get really

0:48:46.560 --> 0:48:49.680
<v Speaker 1>very quite busy with with other projects around the office here,

0:48:49.800 --> 0:48:53.080
<v Speaker 1>and uh, many of those projects are going to be continuing. Yeah,

0:48:53.080 --> 0:48:55.720
<v Speaker 1>we should talk about that. So Lauren, first let people

0:48:55.719 --> 0:48:57.960
<v Speaker 1>know what other stuff you work on so that they

0:48:58.000 --> 0:49:02.879
<v Speaker 1>can check that out. Uh now, my hull, what are

0:49:02.960 --> 0:49:05.759
<v Speaker 1>my main projects? That's an interesting question that I haven't

0:49:05.800 --> 0:49:08.440
<v Speaker 1>really thought about the answer to. Um. I'm doing a

0:49:08.520 --> 0:49:13.319
<v Speaker 1>video series and also a podcast, a podcast podcast called

0:49:13.520 --> 0:49:17.160
<v Speaker 1>How Stuff Works Now, which is virtually ungoogle able, but

0:49:17.200 --> 0:49:20.920
<v Speaker 1>I have faith in y'all, um, and I do writing

0:49:21.000 --> 0:49:23.480
<v Speaker 1>in performance for a bunch of other How Stuff Works

0:49:23.560 --> 0:49:26.200
<v Speaker 1>video kind of stuff. So so, so watch the house

0:49:26.239 --> 0:49:29.400
<v Speaker 1>touff works channel in general and and kind of beyond

0:49:29.400 --> 0:49:32.440
<v Speaker 1>the lookout. Hopefully, hopefully, sometime relatively soon, I will have

0:49:32.480 --> 0:49:35.279
<v Speaker 1>a new podcast to talk to you guys about. Oh

0:49:35.280 --> 0:49:38.000
<v Speaker 1>and those live things, the Facebook live stuff. Yes, uh,

0:49:39.640 --> 0:49:43.200
<v Speaker 1>snack stuff and uh and et cetera. Um. Usually happens

0:49:43.239 --> 0:49:48.000
<v Speaker 1>either Monday around three pm Eastern or Friday around three

0:49:48.000 --> 0:49:50.319
<v Speaker 1>pm Eastern. Lauren, what is snack stuff? Is that like

0:49:50.360 --> 0:49:53.400
<v Speaker 1>where you eat those cappuccino flavored potato chips. That is

0:49:53.440 --> 0:49:55.759
<v Speaker 1>exactly what happened sometimes, but we haven't had one of

0:49:55.800 --> 0:50:00.040
<v Speaker 1>the cappuccino flavored ones. Yeah. Mr Ben Bowling and I

0:50:00.360 --> 0:50:03.799
<v Speaker 1>get together on Facebook Live for about forty minutes or so.

0:50:03.840 --> 0:50:06.720
<v Speaker 1>I'll frequently Dylan subjects himself to whatever we have brought

0:50:06.719 --> 0:50:10.120
<v Speaker 1>as well, and um we we yeah, so so yeah

0:50:10.200 --> 0:50:12.319
<v Speaker 1>we we we bring weird snacks and we eat them

0:50:12.320 --> 0:50:15.040
<v Speaker 1>and we talk a little bit a little bit about them. Um,

0:50:15.040 --> 0:50:17.520
<v Speaker 1>it's it's a lovely time. And we get to eat

0:50:17.560 --> 0:50:20.040
<v Speaker 1>on camera, which is a dream of all of ours

0:50:20.160 --> 0:50:22.520
<v Speaker 1>to just have all of those great mouth noises and

0:50:22.680 --> 0:50:26.239
<v Speaker 1>weird expressions that you make when that's occurring broadcast live

0:50:26.280 --> 0:50:29.040
<v Speaker 1>to the world. Joe, what about you, Well, I am

0:50:29.160 --> 0:50:31.520
<v Speaker 1>also one of the hosts of the podcast stuff to

0:50:31.560 --> 0:50:34.680
<v Speaker 1>Blow Your Mind, one of How Stuff Works as other

0:50:34.760 --> 0:50:39.320
<v Speaker 1>podcast with our co workers Robert Lamb and Christian Saga.

0:50:39.480 --> 0:50:48.960
<v Speaker 1>We cover primarily science, but also with a tinge of culture, history, monsters, weirdness,

0:50:50.080 --> 0:50:53.400
<v Speaker 1>anything to make you squirm. And you can find us

0:50:53.440 --> 0:50:55.359
<v Speaker 1>at stuff to Blow your Mind dot com. I also

0:50:55.440 --> 0:50:57.799
<v Speaker 1>write for How Stuff Works videos, So if you keep

0:50:57.800 --> 0:51:00.040
<v Speaker 1>an eye out for House to Works, the House to

0:51:00.120 --> 0:51:02.400
<v Speaker 1>Works video channel where Lauren will be doing things, I

0:51:02.400 --> 0:51:05.279
<v Speaker 1>will be doing them there as well. Yeah, I co

0:51:05.400 --> 0:51:07.719
<v Speaker 1>ho Well now I host a show called tech Stuff,

0:51:07.760 --> 0:51:09.680
<v Speaker 1>occasionally co host because I grab people all the time

0:51:09.719 --> 0:51:13.680
<v Speaker 1>to sit in and join and we talk about technology,

0:51:14.040 --> 0:51:17.120
<v Speaker 1>how it works and how it works on us or

0:51:17.160 --> 0:51:20.920
<v Speaker 1>with us uh, and those topics can be very technical

0:51:21.040 --> 0:51:23.400
<v Speaker 1>or they can be really kind of more like on

0:51:23.440 --> 0:51:25.840
<v Speaker 1>the philosophical side of things. It all depends upon the

0:51:25.840 --> 0:51:28.560
<v Speaker 1>topic at the time. So you can check that episode,

0:51:28.680 --> 0:51:31.040
<v Speaker 1>those episodes out, there's like eight hundred of them. So

0:51:31.440 --> 0:51:34.439
<v Speaker 1>if you haven't listened to Tech Stuff, you've got some

0:51:34.600 --> 0:51:37.640
<v Speaker 1>catching up to do. Big back catalog, including stuff that

0:51:37.800 --> 0:51:41.160
<v Speaker 1>is incredibly out of date, so it's really entertaining. Um,

0:51:41.360 --> 0:51:44.320
<v Speaker 1>you can also find me hosting other videos occasionally, including

0:51:44.320 --> 0:51:46.440
<v Speaker 1>how Stuff Works Now videos. I also write for how

0:51:46.440 --> 0:51:50.600
<v Speaker 1>Stuff Works Now, so check that out. And um, yeah,

0:51:50.920 --> 0:51:52.799
<v Speaker 1>you never know what else will pop up on And

0:51:52.840 --> 0:51:55.600
<v Speaker 1>as we said before, the Forward Thinking video series is

0:51:55.600 --> 0:51:58.200
<v Speaker 1>going to continue. It's just the audio podcast that we're

0:51:58.280 --> 0:52:00.719
<v Speaker 1>kind of uh pulling back from so that we can

0:52:00.760 --> 0:52:04.440
<v Speaker 1>dedicate our time and work on other projects as well. Uh.

0:52:04.520 --> 0:52:06.640
<v Speaker 1>And again it's not that we don't love you, it's

0:52:06.680 --> 0:52:09.359
<v Speaker 1>that we have a limited amount of time and so

0:52:09.440 --> 0:52:12.160
<v Speaker 1>much we want to do. Um. We have had a

0:52:12.200 --> 0:52:14.719
<v Speaker 1>great time exploring these topics. I want to say, it's

0:52:14.719 --> 0:52:18.319
<v Speaker 1>been a really excellent adventure to go on with y'all. Yeah, yeah,

0:52:18.440 --> 0:52:22.960
<v Speaker 1>thank thank both of you for Yeah, it's it's been

0:52:23.000 --> 0:52:25.120
<v Speaker 1>a good time. You know. We really got to explore

0:52:25.120 --> 0:52:28.160
<v Speaker 1>a lot of topics and and look into things that

0:52:28.200 --> 0:52:30.160
<v Speaker 1>will great a lot more depth than we could with

0:52:30.160 --> 0:52:32.600
<v Speaker 1>the video series. Obviously, with the video series, they're about

0:52:32.600 --> 0:52:34.480
<v Speaker 1>three to four minutes long and we really want to

0:52:34.560 --> 0:52:37.840
<v Speaker 1>hit like the the big bullet points. But in the podcast,

0:52:37.840 --> 0:52:39.960
<v Speaker 1>we've been able to dive into some research and learn

0:52:40.040 --> 0:52:44.800
<v Speaker 1>stuff that was fascinating, mind bending, sometimes it was infuriating.

0:52:44.800 --> 0:52:47.120
<v Speaker 1>It all depended on the topic, and we're so glad

0:52:47.160 --> 0:52:50.439
<v Speaker 1>you guys came along with us on that journey. And uh,

0:52:50.800 --> 0:52:54.360
<v Speaker 1>I guess you can continue to follow us on Twitter

0:52:54.400 --> 0:52:57.200
<v Speaker 1>and Facebook. I mean I imagine that both of those

0:52:57.200 --> 0:53:00.880
<v Speaker 1>I'll still be maintaining moving forward. But if you have

0:53:00.880 --> 0:53:06.680
<v Speaker 1>any suggestions for future audio podcasts, um okay, maybe be

0:53:06.760 --> 0:53:09.720
<v Speaker 1>on the lookout for some videos instead. Yeah, quite possible.

0:53:09.760 --> 0:53:12.680
<v Speaker 1>Because this is we were now coming to a conclusion.

0:53:12.719 --> 0:53:14.880
<v Speaker 1>I honestly don't know how to end this because every

0:53:14.880 --> 0:53:16.719
<v Speaker 1>episode I say, we'll talk to you again really soon.

0:53:16.760 --> 0:53:20.600
<v Speaker 1>But uh, I guess I guess that's that's not you

0:53:20.600 --> 0:53:23.239
<v Speaker 1>know what, Go back and start at episode one and

0:53:23.280 --> 0:53:25.640
<v Speaker 1>just work your way through, and if you do that,

0:53:25.760 --> 0:53:33.680
<v Speaker 1>we will talk to you again really. See for more

0:53:33.680 --> 0:53:36.640
<v Speaker 1>on this topic in the future of technology visits Forward

0:53:36.719 --> 0:53:51.360
<v Speaker 1>Thinking dot Com, brought to you by Toyota. Let's go places.