1 00:00:00,080 --> 00:00:04,960 Speaker 1: Hello the Internet, and welcome to the special bonus episode 2 00:00:05,200 --> 00:00:11,080 Speaker 1: of Oh you know who it is? You know what 3 00:00:11,280 --> 00:00:19,319 Speaker 1: it is? It is? It is the fifth of July, Sarah, Yeah, 4 00:00:19,640 --> 00:00:21,959 Speaker 1: but why do you haven't come in here? What on 5 00:00:22,000 --> 00:00:25,919 Speaker 1: the fourth of July? Fifth? Yeah, that's coming out the Okay, Well, 6 00:00:26,480 --> 00:00:29,360 Speaker 1: I'm spos be playing with fireworks, I know, but I 7 00:00:30,360 --> 00:00:34,680 Speaker 1: wasn't invited to your barbecue. So I real quick scheduled 8 00:00:34,720 --> 00:00:38,960 Speaker 1: a passive aggressive recording session to you know, break up, 9 00:00:39,400 --> 00:00:44,279 Speaker 1: break up the phone. And I also invited two of 10 00:00:44,280 --> 00:00:48,360 Speaker 1: our co workers who were invited. By the way, what's 11 00:00:48,360 --> 00:00:51,400 Speaker 1: your name? Who are you? My co host Muster Miles 12 00:00:51,400 --> 00:00:58,840 Speaker 1: Greg Yeah, cool, that's me nailing it. Um a K. 13 00:01:00,200 --> 00:01:03,280 Speaker 1: Why did you do this to me? Okay? And we're 14 00:01:03,280 --> 00:01:06,560 Speaker 1: throwed to be joined in our third seat by the 15 00:01:06,600 --> 00:01:10,280 Speaker 1: man behind the boards, the finger behind the bomb drops. 16 00:01:11,280 --> 00:01:14,920 Speaker 1: Uh he is. We wanted to let you guys get 17 00:01:14,920 --> 00:01:19,640 Speaker 1: to know the man, the myth, the beard d J 18 00:01:20,440 --> 00:01:23,000 Speaker 1: Daniel Goodness and would actually have an a k A 19 00:01:23,200 --> 00:01:27,880 Speaker 1: from Trite Gang themselves t d Zy baby air horny 20 00:01:28,040 --> 00:01:30,960 Speaker 1: like Dani. Also, let's smoke up like a bomb drop 21 00:01:31,000 --> 00:01:35,759 Speaker 1: on this buck or re channel. That's right, your boy, 22 00:01:35,800 --> 00:01:39,560 Speaker 1: DJ Daniel, how's everybody doing this? It is your What 23 00:01:39,720 --> 00:01:42,119 Speaker 1: was that a Bloodhound Gang? It was Bloodhound Gang from 24 00:01:42,160 --> 00:01:43,840 Speaker 1: trit Gang. And there was two other ones that were 25 00:01:43,920 --> 00:01:46,680 Speaker 1: very sweet. I appreciate them from breast the best. Tread 26 00:01:48,240 --> 00:01:51,040 Speaker 1: to your standards, Andrew, I don't know. I couldn't like 27 00:01:51,800 --> 00:01:53,440 Speaker 1: I could read them both of you'd like me too, 28 00:01:53,520 --> 00:01:55,440 Speaker 1: But it's just so honorable that I got one from 29 00:01:55,480 --> 00:01:58,800 Speaker 1: just t d z a K Gang. It's like legendary stuff. 30 00:01:58,800 --> 00:02:00,680 Speaker 1: So I was like, oh, grad name. You always know 31 00:02:00,720 --> 00:02:03,080 Speaker 1: it's good when it's coming from trade game, and that's 32 00:02:03,080 --> 00:02:04,840 Speaker 1: how I feel bad And we are thrilled to be 33 00:02:04,920 --> 00:02:07,640 Speaker 1: joined in our fourth seat. That's right, you're getting to 34 00:02:07,680 --> 00:02:12,920 Speaker 1: know the whole office. Wow, we're six d At this point, 35 00:02:12,960 --> 00:02:16,079 Speaker 1: nobody has not been on mic Coffin. I know, uh 36 00:02:16,280 --> 00:02:18,679 Speaker 1: is that should? Should that be just all we say 37 00:02:18,720 --> 00:02:22,760 Speaker 1: to introduce her at this point. At this point we 38 00:02:22,919 --> 00:02:26,240 Speaker 1: put everyone on the air. The building manager right here, 39 00:02:26,240 --> 00:02:30,760 Speaker 1: fans of fans of other podcasts on this network, No 40 00:02:31,520 --> 00:02:37,040 Speaker 1: molist fluent uh voice from the background and the foreground 41 00:02:37,400 --> 00:02:41,560 Speaker 1: of Behind the Bastards and many many other podcast She 42 00:02:42,080 --> 00:02:46,919 Speaker 1: is producer, super producer in fact, Sophie licked herman. What's 43 00:02:46,960 --> 00:02:51,000 Speaker 1: up Sophie better than Miles is Yeah, what I say 44 00:02:51,840 --> 00:02:54,720 Speaker 1: at this point, shit, well you know what. This is 45 00:02:54,760 --> 00:02:56,880 Speaker 1: what happens when you had a six fourth the July 46 00:02:56,960 --> 00:03:00,000 Speaker 1: party planned and then you're like, hey, emergency recording. Really, 47 00:03:00,360 --> 00:03:04,520 Speaker 1: oh ship, we forgot. I have a brisket smoking right now. Yeah, 48 00:03:04,680 --> 00:03:07,720 Speaker 1: and if it's fucked up, I'm well I should have 49 00:03:07,720 --> 00:03:10,680 Speaker 1: thought of that, like super cool like meat smoker. Did 50 00:03:10,680 --> 00:03:13,359 Speaker 1: you cook it with like weird Italian spices? We'll get 51 00:03:13,360 --> 00:03:15,440 Speaker 1: to that. Yeah, I want the I want the hot takes. 52 00:03:15,480 --> 00:03:19,560 Speaker 1: We'll get to that. These takes are very medium to mild, 53 00:03:20,120 --> 00:03:23,000 Speaker 1: just so that everybody gets a picture. Miles does have 54 00:03:23,040 --> 00:03:27,240 Speaker 1: a chef's hat on, and Daniel and Sophie are wearing 55 00:03:27,360 --> 00:03:33,239 Speaker 1: bathing suits with those with like rubber ducky uh waste 56 00:03:33,240 --> 00:03:36,520 Speaker 1: floatation devices. Actually turned this one from I'm sorry, but 57 00:03:36,640 --> 00:03:38,960 Speaker 1: I can't swim, so that makes sense that he doesn't 58 00:03:38,960 --> 00:03:42,800 Speaker 1: swim for real. Yeah happened well when I was I 59 00:03:42,800 --> 00:03:45,960 Speaker 1: mean not anymore. That's myth. When I when I was 60 00:03:46,000 --> 00:03:47,840 Speaker 1: a kid, I was a really allergy to chlarine, so 61 00:03:48,040 --> 00:03:50,520 Speaker 1: and like saltwater pools weren't a thing at that point, 62 00:03:50,880 --> 00:03:54,800 Speaker 1: so I couldn't take lessons. Wow, damn I can like 63 00:03:54,400 --> 00:03:59,160 Speaker 1: I can like float and stuff. All right, So our 64 00:03:59,240 --> 00:04:03,400 Speaker 1: format for today, guys, is going to be your standard 65 00:04:03,440 --> 00:04:08,360 Speaker 1: format from the beginning of the Daily Zigeist. We're gonna 66 00:04:08,400 --> 00:04:14,560 Speaker 1: do a search history overrated, underrated, and a myth and shit, 67 00:04:16,440 --> 00:04:18,200 Speaker 1: but we're gonna do it from all four of us, 68 00:04:18,440 --> 00:04:24,279 Speaker 1: and we're gonna start with everybody's search history, and in 69 00:04:24,400 --> 00:04:29,279 Speaker 1: tradition of the dailies, like I have not actually looked 70 00:04:29,320 --> 00:04:32,359 Speaker 1: mine up yet, like many of our guests do you guys, 71 00:04:32,360 --> 00:04:35,320 Speaker 1: probably don't even uh don't even hear that because we 72 00:04:35,480 --> 00:04:38,080 Speaker 1: edited out. But almost every time we say and what 73 00:04:38,240 --> 00:04:40,400 Speaker 1: is something from your search history that's revealing about who 74 00:04:40,400 --> 00:04:44,320 Speaker 1: you are? The guest goes, oh, that is a good question, 75 00:04:44,600 --> 00:04:48,200 Speaker 1: and then uh, take a little and then I'm so sorry, 76 00:04:48,279 --> 00:04:50,440 Speaker 1: but I'm so sorry, and we say, don't worry, we 77 00:04:50,600 --> 00:04:54,280 Speaker 1: edit this, but really we are judging the ship out 78 00:04:54,360 --> 00:05:00,160 Speaker 1: of them. But first we're gonna ask DJ Daniel, what 79 00:05:00,279 --> 00:05:02,440 Speaker 1: is something from your search history that revealing about who 80 00:05:02,440 --> 00:05:04,279 Speaker 1: you are? That was like an eight month pregnant pause 81 00:05:04,400 --> 00:05:10,120 Speaker 1: right there. Um, it's a little still pre premature birth, 82 00:05:10,760 --> 00:05:15,120 Speaker 1: eight months, pregnant, very pregnant, super pregnant, and this is 83 00:05:15,120 --> 00:05:19,279 Speaker 1: revealing about my self esteem. I will often search words 84 00:05:19,360 --> 00:05:21,400 Speaker 1: that I say right after I say them to make 85 00:05:21,480 --> 00:05:28,000 Speaker 1: sure that I was saying the right words, words correct. Do. 86 00:05:28,080 --> 00:05:33,760 Speaker 1: I appreciate that, But sometimes I say that, my God, 87 00:05:33,600 --> 00:05:38,120 Speaker 1: I appreciate that. I was with my parents in the 88 00:05:38,160 --> 00:05:40,560 Speaker 1: airport and I said that we were on the precipice 89 00:05:40,600 --> 00:05:42,880 Speaker 1: of change, and I was like, wait, was precipice the 90 00:05:42,960 --> 00:05:45,239 Speaker 1: right word? Damn? Were you like giving a speech about 91 00:05:45,960 --> 00:05:47,280 Speaker 1: up in your head that you had to do your 92 00:05:47,279 --> 00:05:51,280 Speaker 1: second guess your words? I did myself when you said, like, 93 00:05:51,360 --> 00:05:54,040 Speaker 1: my sister is revealing about myself? Seems I think it 94 00:05:54,040 --> 00:06:01,960 Speaker 1: would be like Daniel Hot Engineer, Daniel background DJ, Daniel 95 00:06:02,000 --> 00:06:07,520 Speaker 1: Wicky feet, WI feet. What your feet look like? Fine? 96 00:06:07,600 --> 00:06:09,480 Speaker 1: I don't know how long are your toneils? Right now? 97 00:06:09,720 --> 00:06:11,920 Speaker 1: They're very normal? Like, thank you very much? Are you 98 00:06:12,080 --> 00:06:14,839 Speaker 1: pretty good about being on top of your toneils? Yes? Okay, 99 00:06:14,920 --> 00:06:18,920 Speaker 1: that's good to specially what about you, Sophie? What about me? Oh? 100 00:06:19,000 --> 00:06:30,400 Speaker 1: You right foot surgery? Thanks Miles, literally our subjects. I 101 00:06:30,440 --> 00:06:32,880 Speaker 1: really stepped in at that time. It's sort of like, 102 00:06:32,960 --> 00:06:46,599 Speaker 1: you know what that means blow. So, Sophie, sir, what 103 00:06:47,440 --> 00:06:50,560 Speaker 1: from your search history? I got two they're very different. 104 00:06:50,680 --> 00:06:54,520 Speaker 1: The first one is bacteria and bathrooms, like how to 105 00:06:54,960 --> 00:06:58,680 Speaker 1: reduce your German bacteria in taking your bathroom. I got 106 00:06:58,760 --> 00:07:02,080 Speaker 1: like an Instagram ad for some sort of like Lufa 107 00:07:02,279 --> 00:07:07,080 Speaker 1: alternative because it's like a micro type thing because apparently 108 00:07:07,120 --> 00:07:11,440 Speaker 1: those like really lovely lufa sponges are just cesspools, and 109 00:07:12,920 --> 00:07:15,680 Speaker 1: like I was like, no, I mean, do you ever 110 00:07:15,680 --> 00:07:19,360 Speaker 1: watch it's like this. It's made by a company that's 111 00:07:19,360 --> 00:07:23,000 Speaker 1: like it's like washing sponges called Bowie USA or something 112 00:07:23,080 --> 00:07:26,120 Speaker 1: like that. Well, so sponges. I've like done some research 113 00:07:26,160 --> 00:07:30,000 Speaker 1: into washing sponges, and basically ultimately what I learned is 114 00:07:30,040 --> 00:07:33,440 Speaker 1: like just throw your sponge away after like three weeks. Yeah, 115 00:07:33,440 --> 00:07:36,000 Speaker 1: it's not even worth You're just like ringing out that 116 00:07:36,080 --> 00:07:39,400 Speaker 1: even the microwaving it doesn't fix it. This is like 117 00:07:39,440 --> 00:07:43,800 Speaker 1: the alternative tastes a body scrubber. It's kind of weird looking. 118 00:07:43,800 --> 00:07:48,960 Speaker 1: I just ordered it. Oh yeah, I think on Instagram. Yeah, 119 00:07:49,000 --> 00:07:52,720 Speaker 1: it looks like a UFO, but it's like patented. I'm hyped. 120 00:07:52,960 --> 00:07:56,720 Speaker 1: It's just like a disc of plastic. It's it's like 121 00:07:56,840 --> 00:08:02,560 Speaker 1: it's a soft seamless bristles, is how it's described. I 122 00:08:02,600 --> 00:08:07,000 Speaker 1: don't know. That's one of my ak seamless bristles, right. 123 00:08:07,440 --> 00:08:12,400 Speaker 1: Um My my other thing for my search search histories. 124 00:08:12,520 --> 00:08:16,800 Speaker 1: Why is Justin Bobby still hot? Why is Justin Bobby 125 00:08:17,520 --> 00:08:21,920 Speaker 1: still who's Justin Bobby? The Hills come on? Oh yeah 126 00:08:22,000 --> 00:08:24,880 Speaker 1: they do with the long hair dude that like with Adrina. 127 00:08:25,000 --> 00:08:27,600 Speaker 1: Yeah we'll combat boost the beach, bro. But that was 128 00:08:27,640 --> 00:08:30,360 Speaker 1: a dude who was Danny Adrina, the captain of like 129 00:08:30,480 --> 00:08:33,240 Speaker 1: all fun Boys there is captain of the s S. 130 00:08:33,520 --> 00:08:38,560 Speaker 1: He's like, he's like very like, yeah that's yeah, yeah, yeah, yeah. 131 00:08:38,640 --> 00:08:43,200 Speaker 1: He looks like Zac Efron cosplaying as no Jason momoas. 132 00:08:45,080 --> 00:08:47,640 Speaker 1: But I was like, I mean I'm a fan, and 133 00:08:47,679 --> 00:08:50,360 Speaker 1: so I was like, I was like I watched The 134 00:08:50,400 --> 00:08:52,360 Speaker 1: Hills and I don't remember that dude at all. Dude 135 00:08:52,400 --> 00:08:55,920 Speaker 1: he was in were like fucking like a Cowbuca hat 136 00:08:56,000 --> 00:08:58,480 Speaker 1: and ship. He looked all like a fucking weird hipsters 137 00:08:58,720 --> 00:09:00,920 Speaker 1: like he was always on a motorcycle. He had like 138 00:09:01,120 --> 00:09:03,400 Speaker 1: the like motorcycle with and he would just yeah, I 139 00:09:03,520 --> 00:09:06,960 Speaker 1: never watched the show. He had the motorcycle a fucking 140 00:09:06,960 --> 00:09:13,559 Speaker 1: white woman. I mean, you do watch the Bachelortte and 141 00:09:13,640 --> 00:09:16,079 Speaker 1: you just wait until August rolls around and I'm completely 142 00:09:16,080 --> 00:09:19,040 Speaker 1: back on my pumpkin spice bullshit, It'll be Oh, I 143 00:09:19,120 --> 00:09:22,640 Speaker 1: forgot it's coming back, baby, You just wait. People don't 144 00:09:22,679 --> 00:09:26,200 Speaker 1: know this about him. There is a shadow history of 145 00:09:26,280 --> 00:09:30,559 Speaker 1: the Daily Zigeist that is produced by Sophie Lichterman because 146 00:09:30,559 --> 00:09:33,920 Speaker 1: she pitches me stories every morning that are the hills? 147 00:09:34,000 --> 00:09:36,600 Speaker 1: Did you talk about what happened on the hills last night? 148 00:09:36,800 --> 00:09:42,240 Speaker 1: Did you talk about extremely gen y young millennial ship 149 00:09:42,360 --> 00:09:44,280 Speaker 1: that I that I pay attention to. Do you see 150 00:09:44,320 --> 00:09:46,280 Speaker 1: how you don't have like a lot of wrinkles right now? 151 00:09:46,880 --> 00:09:51,920 Speaker 1: You're welcome? Yeah, that's why. That's exactly that's the secret. 152 00:09:52,679 --> 00:09:56,400 Speaker 1: Secret is Google stuff, kids, secret is TMZ dot com 153 00:09:56,480 --> 00:09:58,600 Speaker 1: and e online. There you go. Did you see this 154 00:09:58,679 --> 00:10:03,320 Speaker 1: story about Kobe's at cuse it? No, I won't say that. Alright. 155 00:10:04,280 --> 00:10:09,559 Speaker 1: How many minutes? Okay we lost it? Ten minutes? Um, alright, Sophie, 156 00:10:10,120 --> 00:10:13,000 Speaker 1: great search histories, miles. Do you have a search history? 157 00:10:13,000 --> 00:10:15,320 Speaker 1: I still don't have? All right, Well, sarched a couple 158 00:10:15,320 --> 00:10:21,920 Speaker 1: of things up. First, was just Marian Williamson. Yeah, because um, 159 00:10:22,040 --> 00:10:25,040 Speaker 1: I think she's tight in the when in the most 160 00:10:25,040 --> 00:10:28,400 Speaker 1: opposite terrible way. Um. And then also I was searching 161 00:10:28,440 --> 00:10:32,559 Speaker 1: about hip paint. Hip paint, Yeah it's been causing your hip. 162 00:10:32,640 --> 00:10:35,320 Speaker 1: I don't know, man. I was like, because I've fucking 163 00:10:35,360 --> 00:10:39,320 Speaker 1: podcasting and ship being in office, Like you're I need 164 00:10:39,320 --> 00:10:41,400 Speaker 1: to strengthen my hips. Is what I realized that your 165 00:10:41,440 --> 00:10:43,520 Speaker 1: dog like pulls you too hard or something or no, 166 00:10:43,600 --> 00:10:45,480 Speaker 1: that's you. Sorry, you know you need to hit the 167 00:10:45,480 --> 00:10:48,439 Speaker 1: tennis court in me and Nick, Oh yeah, being superproducer, 168 00:10:48,520 --> 00:10:53,840 Speaker 1: Nick stumps, Oh yeah, maybe when you're all going okay, yeah, 169 00:10:53,840 --> 00:11:00,000 Speaker 1: maybe we should do like a group that's not tennis. 170 00:11:00,040 --> 00:11:03,080 Speaker 1: We should do like a group sorry basketball. That's like 171 00:11:03,080 --> 00:11:04,920 Speaker 1: like one of those like let's go for a hike, 172 00:11:05,040 --> 00:11:07,240 Speaker 1: let's go to the kawanga pe. I wasn't thinking hike, 173 00:11:07,320 --> 00:11:08,800 Speaker 1: but I was thinking you should do one of those. 174 00:11:09,080 --> 00:11:11,360 Speaker 1: But I do hiking is great. Um, at least that's 175 00:11:11,360 --> 00:11:16,040 Speaker 1: what I say in my bumble profile. But the stretching, 176 00:11:16,600 --> 00:11:18,440 Speaker 1: like these stretching class things that I'm talking, you know, 177 00:11:18,440 --> 00:11:20,840 Speaker 1: the stretching classes, I need a little more than stretching. 178 00:11:21,920 --> 00:11:24,120 Speaker 1: It's like yoga, but for like people that are like 179 00:11:24,360 --> 00:11:28,120 Speaker 1: injured sedentary. Yeah, oh, injured. Like it's like physical therapy. 180 00:11:28,200 --> 00:11:30,160 Speaker 1: It's almost like physics, Like it's like watching me the 181 00:11:30,160 --> 00:11:33,680 Speaker 1: youngest person, and the people are like it's really cool. 182 00:11:33,720 --> 00:11:36,880 Speaker 1: Actually like yeah it's cool. Yeah, yeah, I can almost 183 00:11:36,880 --> 00:11:38,880 Speaker 1: the costs well, I don't know off the top of 184 00:11:38,920 --> 00:11:42,400 Speaker 1: my cost money. It definitely that's a joke. You have 185 00:11:42,440 --> 00:11:45,080 Speaker 1: a stretch. But I was thinking if we could do 186 00:11:45,120 --> 00:11:47,240 Speaker 1: like a YouTube workout as a team, like once a week. 187 00:11:48,080 --> 00:11:50,559 Speaker 1: Don't think about space. We have space. We just need 188 00:11:50,559 --> 00:11:54,760 Speaker 1: a sponsor. Sponsor man, Billy Blanks. Let's get Billy Blank 189 00:11:54,800 --> 00:11:56,920 Speaker 1: in My high school girlfriend's mom used to personally train 190 00:11:56,920 --> 00:11:59,080 Speaker 1: with Billy Blanks. Really yeah, he was at like a 191 00:11:59,120 --> 00:12:01,040 Speaker 1: house party and I thought I was tripping. That's pretty 192 00:12:01,080 --> 00:12:04,760 Speaker 1: deep connection, Tibo, dude doing here? What's the other girl 193 00:12:04,800 --> 00:12:07,959 Speaker 1: from high school who had like a tenuous claim to celebrity? 194 00:12:08,080 --> 00:12:12,000 Speaker 1: Oh mother, the other homegirl who's her godmother's house was 195 00:12:12,120 --> 00:12:15,600 Speaker 1: using the fly video by Sugardo? Is that is that 196 00:12:15,679 --> 00:12:20,199 Speaker 1: the most circuitous celebrity connection that you have, dud. I'm 197 00:12:20,200 --> 00:12:24,320 Speaker 1: in the background of He Got Game? You are? Yeah? Really? 198 00:12:24,320 --> 00:12:29,319 Speaker 1: When they interview uh Rick Patino, are you in the 199 00:12:29,360 --> 00:12:32,600 Speaker 1: background shooting and you can tell us me because I 200 00:12:32,600 --> 00:12:36,000 Speaker 1: have a really fucked up shooting, and so everyone was like, yeah, 201 00:12:37,200 --> 00:12:41,880 Speaker 1: prepared to be gift. But funny, get on that zeking 202 00:12:41,920 --> 00:12:44,240 Speaker 1: that's all you were in. Now Jack's wetty jump shot 203 00:12:44,240 --> 00:12:48,880 Speaker 1: in the back of he got game big? What about you? 204 00:12:48,960 --> 00:12:52,760 Speaker 1: Do you finally find some of your Yeah, Mexico hail storm. 205 00:12:54,040 --> 00:12:56,360 Speaker 1: Did you see that ship? No? It was like six 206 00:12:56,520 --> 00:12:59,679 Speaker 1: it was like multiple feet of hail. Whoa what that 207 00:12:59,840 --> 00:13:02,520 Speaker 1: just came out of nowhere in Mexico A couple of 208 00:13:02,559 --> 00:13:05,520 Speaker 1: days ago. I found this ship as I was talking 209 00:13:05,679 --> 00:13:09,440 Speaker 1: on the Daily Zeitgeist about how good weather forecasting had gotten. 210 00:13:09,800 --> 00:13:12,800 Speaker 1: And then I like, it, isn't that a crazy amount 211 00:13:12,800 --> 00:13:16,600 Speaker 1: of hal It's like up to the second Yeah, it's like, well, 212 00:13:16,640 --> 00:13:22,520 Speaker 1: I don't know meters, it's wild with Mexico hail storm. Yeah, 213 00:13:22,559 --> 00:13:31,560 Speaker 1: Mexico hail storm. Waaharaha. Does your insurance go up? That's 214 00:13:31,600 --> 00:13:34,400 Speaker 1: my like, do you have hail insurance? I mean I 215 00:13:34,400 --> 00:13:37,280 Speaker 1: don't know. I well, then who's fallows it from up? 216 00:13:37,840 --> 00:13:40,680 Speaker 1: I mean mine? But like, car insurance is not a 217 00:13:40,720 --> 00:13:45,839 Speaker 1: hobby anyways, that ship is wild. People should google it themselves. 218 00:13:45,960 --> 00:13:49,240 Speaker 1: But it turns out there are only so many things. 219 00:13:49,240 --> 00:13:53,200 Speaker 1: The weather come forecast because nobody saw this ship coming. Uh, 220 00:13:53,200 --> 00:13:57,200 Speaker 1: and it's yeah, beat the ship out of an entire 221 00:13:57,520 --> 00:14:02,040 Speaker 1: town known as Yeah. I want to go to Mexico though, 222 00:14:02,040 --> 00:14:04,280 Speaker 1: I was just talking to a couple who was living 223 00:14:04,320 --> 00:14:06,160 Speaker 1: down there for a couple of years. You simply must. 224 00:14:06,320 --> 00:14:09,760 Speaker 1: They gave me some secret towns that I gotta travel to, 225 00:14:10,040 --> 00:14:13,840 Speaker 1: and I won't tell any of you guys about George Bush. 226 00:14:15,120 --> 00:14:18,679 Speaker 1: So I went to to Loom like seven years ago 227 00:14:19,200 --> 00:14:23,480 Speaker 1: before the wave came. Yeah. Uh. Sophie is getting sued 228 00:14:23,560 --> 00:14:26,520 Speaker 1: multiple times for her use of Cardi B's I did 229 00:14:26,520 --> 00:14:31,120 Speaker 1: Not Go. I said very different. It's that's the less 230 00:14:31,160 --> 00:14:35,000 Speaker 1: cool version, more of a homage. It's my take on it. 231 00:14:35,680 --> 00:14:38,440 Speaker 1: All right, we're gonna take a quick break and we'll 232 00:14:38,480 --> 00:14:41,960 Speaker 1: be back with some over under. Sorry I get choked up. 233 00:14:43,320 --> 00:14:49,560 Speaker 1: We're gonna be back with some over We will be 234 00:14:49,640 --> 00:15:05,960 Speaker 1: back right after this, and we're bad, and uh, it's 235 00:15:05,960 --> 00:15:08,920 Speaker 1: time for some over unders. Guys. Do you guys want 236 00:15:08,920 --> 00:15:11,600 Speaker 1: to start with overs unders? I'm down for either. I 237 00:15:11,600 --> 00:15:19,080 Speaker 1: got them already, all right, let's do unders underrated underrated Tuscany. Oh, 238 00:15:19,120 --> 00:15:22,920 Speaker 1: you mother, simply you simply must. I mean you simply 239 00:15:23,040 --> 00:15:29,200 Speaker 1: must go cheap. Uh, No, underrated. I wrote down, uh 240 00:15:31,560 --> 00:15:36,040 Speaker 1: the official sandwich of Florence, Italy. It's made of tripe, 241 00:15:36,560 --> 00:15:39,600 Speaker 1: stewed tripe. And I'm not the I mean, I'll eat 242 00:15:39,640 --> 00:15:41,920 Speaker 1: tripe yet in certain context, but I'm not. I don't 243 00:15:41,960 --> 00:15:46,680 Speaker 1: gravitate towards it because it is stomach, the stomach, stomach 244 00:15:46,720 --> 00:15:49,640 Speaker 1: lin alright, it's intesting. Yeah, well if you don't, if 245 00:15:49,640 --> 00:15:52,160 Speaker 1: you don't, if you don't wash it out, it tastes terrible. Right, 246 00:15:52,200 --> 00:15:56,680 Speaker 1: So this sandwich, it's fucking immaculately clean, and then it's 247 00:15:56,760 --> 00:16:00,240 Speaker 1: stewed and it just has this texture on this read 248 00:16:00,440 --> 00:16:03,040 Speaker 1: I've I didn't know I had. There were still sandwiches 249 00:16:03,080 --> 00:16:05,400 Speaker 1: that I did not know about, you know, like i've 250 00:16:05,560 --> 00:16:09,040 Speaker 1: I know most cold cuts of meat and other constructions 251 00:16:09,040 --> 00:16:11,320 Speaker 1: of things between two breads. But when I had this, 252 00:16:11,920 --> 00:16:16,200 Speaker 1: my goodness, Uh yes, most of my things gonna be 253 00:16:16,240 --> 00:16:19,080 Speaker 1: food related. I mean mine kind of piggybacks off of 254 00:16:19,120 --> 00:16:35,960 Speaker 1: that one. My underrated is it's perfecting something simple. And 255 00:16:36,040 --> 00:16:41,680 Speaker 1: this goes out to many different things, namely zen like 256 00:16:41,800 --> 00:16:44,800 Speaker 1: this got I got one shot. I got one shot, right. 257 00:16:46,200 --> 00:16:49,800 Speaker 1: This opportunity comes in once in lifetime, you better so 258 00:16:49,960 --> 00:16:52,000 Speaker 1: perfecting something simple and it goes to what you're saying 259 00:16:52,080 --> 00:16:54,160 Speaker 1: right here. And I find that with a lot of foods, 260 00:16:54,280 --> 00:16:56,560 Speaker 1: the simpler the preparation, the more it's down to like 261 00:16:56,640 --> 00:16:59,120 Speaker 1: the one thing being done well, the better it is. 262 00:16:59,680 --> 00:17:01,680 Speaker 1: You could go back, way, way way back to like 263 00:17:01,720 --> 00:17:04,159 Speaker 1: a good old Strativarius violin right there. It's like that 264 00:17:04,200 --> 00:17:08,560 Speaker 1: thing has been the same for years. Antiques Road Show, 265 00:17:08,600 --> 00:17:12,480 Speaker 1: I like this Strativarius. Have you gone to sharper Image 266 00:17:12,520 --> 00:17:15,359 Speaker 1: and tried their strativarius? Man, that ship is dope. It 267 00:17:15,440 --> 00:17:18,320 Speaker 1: has glowing LEDs on it and which usually appeals to me. 268 00:17:18,320 --> 00:17:21,480 Speaker 1: Wait there's a sharper Image version of a stratus. Yeah, dude, 269 00:17:21,560 --> 00:17:26,200 Speaker 1: I thought no, I'm totally Also, Jake Beau was playing 270 00:17:26,240 --> 00:17:29,679 Speaker 1: Starship Troopers. I will always talk about love that movie, 271 00:17:29,720 --> 00:17:31,080 Speaker 1: that that's a good movie. And I saw The Moon. 272 00:17:31,160 --> 00:17:32,640 Speaker 1: I was way too young. My sister saw that movie 273 00:17:32,640 --> 00:17:34,360 Speaker 1: at the same time when she my sister's nine years 274 00:17:34,359 --> 00:17:35,760 Speaker 1: younger than me, when she saw that when she was like, 275 00:17:35,800 --> 00:17:37,760 Speaker 1: I like the bug movie and I'm sitting there like crying, 276 00:17:37,800 --> 00:17:40,200 Speaker 1: be like I can't want to the dudes face melting. No, 277 00:17:40,320 --> 00:17:42,199 Speaker 1: but like you know this. This goes out to the 278 00:17:42,240 --> 00:17:43,920 Speaker 1: burgers that I love so much. Burgers never said I 279 00:17:43,960 --> 00:17:45,720 Speaker 1: go check it out. It's great smash burgers. But like 280 00:17:45,760 --> 00:17:48,560 Speaker 1: the whole idea is that it's just meat and a 281 00:17:48,600 --> 00:17:50,480 Speaker 1: little salt, little pepper. You smash it on the grill 282 00:17:50,640 --> 00:17:52,560 Speaker 1: and it's perfect. It's done perfectly. You don't need a 283 00:17:52,600 --> 00:17:58,919 Speaker 1: lot of ship animalism. But also just like nailing the 284 00:17:58,960 --> 00:18:02,800 Speaker 1: one thing, perfecting something simple. Sure smash that name is 285 00:18:02,800 --> 00:18:04,880 Speaker 1: what I say. You didn't react, So I just wanted 286 00:18:04,880 --> 00:18:11,199 Speaker 1: to talk about, you know about burgers. Never died. But 287 00:18:11,359 --> 00:18:13,000 Speaker 1: I guess the burgers are good. I mean, it does 288 00:18:13,040 --> 00:18:14,200 Speaker 1: sound like one of those who was it was it 289 00:18:14,200 --> 00:18:16,240 Speaker 1: Billy Wayne Davids who was talking about like a Portland 290 00:18:16,320 --> 00:18:19,000 Speaker 1: bar that's named like you know, I met her over 291 00:18:19,040 --> 00:18:23,520 Speaker 1: there on a Tuesday. It does kind of fall into 292 00:18:23,520 --> 00:18:29,120 Speaker 1: that category. Yeah. Uh, Sophie Lichtorman, what is something you 293 00:18:29,200 --> 00:18:33,800 Speaker 1: think is underrated? So I got several, most of which 294 00:18:33,800 --> 00:18:36,680 Speaker 1: are women, and then one is an app. Which would 295 00:18:36,680 --> 00:18:40,399 Speaker 1: you like me to start with? You do it? Obviously, 296 00:18:40,440 --> 00:18:44,200 Speaker 1: I'm starting with the women's um. Wendy Williams super underrated 297 00:18:44,320 --> 00:18:47,680 Speaker 1: in one way. She had her husband had a whole 298 00:18:47,720 --> 00:18:49,639 Speaker 1: baby on her and look at her host in her 299 00:18:49,640 --> 00:18:53,000 Speaker 1: show had a baby on her. How did he do that? Physically? You? 300 00:18:54,440 --> 00:18:58,680 Speaker 1: And she's just out here living like like she literally 301 00:18:58,720 --> 00:19:03,600 Speaker 1: looks like a snack and a half. So she's out 302 00:19:03,600 --> 00:19:07,000 Speaker 1: here hosting her own She took him off the producing credit, 303 00:19:07,240 --> 00:19:10,360 Speaker 1: but but bye bye, and it's just out here. I 304 00:19:10,400 --> 00:19:14,520 Speaker 1: love her? How you doing? How you doing? I mean 305 00:19:14,560 --> 00:19:17,560 Speaker 1: that was a way about her innotation. Yeah, I feel 306 00:19:17,600 --> 00:19:22,440 Speaker 1: like she's properly rated, but okay, down like she's underrated. Okay, 307 00:19:22,520 --> 00:19:26,399 Speaker 1: next up, Genie bus underrated, super underrated. She can't she 308 00:19:26,480 --> 00:19:29,800 Speaker 1: always she she lived on her don't even make that face, 309 00:19:29,880 --> 00:19:32,240 Speaker 1: Jack O'Brien. She had to live under her dad's shadow 310 00:19:32,400 --> 00:19:34,080 Speaker 1: and then she had to come in and her brother 311 00:19:34,160 --> 00:19:37,120 Speaker 1: fucked all this ship up, and now she's out here 312 00:19:37,280 --> 00:19:38,919 Speaker 1: holding her own and has to deal with all these 313 00:19:38,920 --> 00:19:43,840 Speaker 1: problematic men all the time. Um, should we just move on? Yeah? 314 00:19:46,640 --> 00:19:50,919 Speaker 1: All right? Next next is uh does from the day? Okay, 315 00:19:51,000 --> 00:19:54,040 Speaker 1: we're not okay whatever, I'm not. We're not going there. 316 00:19:54,080 --> 00:19:57,400 Speaker 1: We're not going there. Next right now, are you sure 317 00:20:00,720 --> 00:20:04,000 Speaker 1: you want to go here? I don't want to go here. 318 00:20:05,000 --> 00:20:08,239 Speaker 1: She doesn't even go here. Mac next is Dasiltic from 319 00:20:08,240 --> 00:20:11,760 Speaker 1: the Daily Show. She did that special abroad that was 320 00:20:11,800 --> 00:20:14,320 Speaker 1: really good on Comedy Central. She also does Jessie Letic. 321 00:20:14,400 --> 00:20:18,639 Speaker 1: Woman splains all the time on the Daily Show. She's awesome. Uh, 322 00:20:19,800 --> 00:20:22,240 Speaker 1: all the female presidential candidates, even if you don't like 323 00:20:22,280 --> 00:20:37,960 Speaker 1: their politics, shout out, I mean everybody, but you know, Kirsten, 324 00:20:40,040 --> 00:20:45,600 Speaker 1: do your thing. Okay, Yeah, like Kamala. The way to 325 00:20:45,920 --> 00:20:47,800 Speaker 1: here's a here's a little tip for you guys. The 326 00:20:47,840 --> 00:20:51,600 Speaker 1: way to remember how to pronounce Kamala. Harris's name is 327 00:20:52,080 --> 00:20:57,480 Speaker 1: common law, common law like common law wafe. Actually, cuter 328 00:20:57,640 --> 00:20:59,840 Speaker 1: way to remember her name is that her stepchildren call 329 00:20:59,880 --> 00:21:06,080 Speaker 1: her Mamala. Mamala Yeah wow, Yeah she got step children. Yeah? 330 00:21:06,280 --> 00:21:08,520 Speaker 1: Does she have her own children from so she has 331 00:21:09,080 --> 00:21:12,240 Speaker 1: from her husband from her children are her own children. 332 00:21:13,000 --> 00:21:16,840 Speaker 1: She does my stepmom and mom. She doesn't believe the 333 00:21:16,840 --> 00:21:18,719 Speaker 1: word is step children. Tys to believe the word stepmom. 334 00:21:18,720 --> 00:21:21,800 Speaker 1: That's where they call her mamlay just like a little 335 00:21:21,800 --> 00:21:24,960 Speaker 1: fun fact. And then the last thing that I mean 336 00:21:25,000 --> 00:21:28,359 Speaker 1: that could also be a dick move where they're they're like, alright, 337 00:21:28,400 --> 00:21:31,720 Speaker 1: I love you, mom Maala like that. She thinks she's 338 00:21:31,760 --> 00:21:34,680 Speaker 1: getting the mom, and then they complete it with the 339 00:21:36,359 --> 00:21:39,080 Speaker 1: I just feel like that's coming from inside your heart 340 00:21:39,119 --> 00:21:41,520 Speaker 1: and not they're like how times call people a Mama, 341 00:21:41,560 --> 00:21:47,439 Speaker 1: Luke Italy one more time it's like Italian American um. 342 00:21:47,480 --> 00:21:50,280 Speaker 1: And then lastly, shout out to the target app. Okay, 343 00:21:51,400 --> 00:21:55,959 Speaker 1: target app. That sounds really fucking weird but amazing shout 344 00:21:56,000 --> 00:21:59,640 Speaker 1: out because targets literally, if you are anywhere and there's 345 00:21:59,640 --> 00:22:01,439 Speaker 1: a tar get, you can get around that ship by 346 00:22:01,520 --> 00:22:03,520 Speaker 1: using the target apt because it tells you where everything 347 00:22:03,640 --> 00:22:06,119 Speaker 1: is in each aisland. It's numbered and it's amazing and 348 00:22:06,160 --> 00:22:08,720 Speaker 1: you get codes. Yes down, Okay, total question about that. 349 00:22:08,840 --> 00:22:10,800 Speaker 1: So like codes thing, do you also get to like 350 00:22:10,840 --> 00:22:13,639 Speaker 1: build up target points where you can get shipped for 351 00:22:13,960 --> 00:22:16,679 Speaker 1: cheaper or something. I'm actually not just like that's what 352 00:22:16,840 --> 00:22:20,960 Speaker 1: starbusb Alright, we're really interested in that. Huh. Well, I'm 353 00:22:21,000 --> 00:22:23,800 Speaker 1: just saying. You know what I was gonna say though, 354 00:22:23,880 --> 00:22:25,800 Speaker 1: is that like this whole apping is similar, like what's 355 00:22:25,800 --> 00:22:27,840 Speaker 1: happening with Netflix and all of these whatever things is 356 00:22:27,880 --> 00:22:30,359 Speaker 1: just trying to get everybody like locked into their service 357 00:22:30,359 --> 00:22:32,600 Speaker 1: where it's like, oh, if I go to Starbucks seventeen 358 00:22:32,600 --> 00:22:35,840 Speaker 1: more times, I might get one free lot to targets 359 00:22:35,840 --> 00:22:37,879 Speaker 1: like that, but you can't get access to like coupons 360 00:22:37,920 --> 00:22:39,920 Speaker 1: and there's like cartwheel deals and I don't know why 361 00:22:39,920 --> 00:22:42,239 Speaker 1: I can't. If you like that, the Ralph's does that, 362 00:22:42,320 --> 00:22:44,760 Speaker 1: and it totally makes me go back to Ralphs Club, 363 00:22:44,880 --> 00:22:52,760 Speaker 1: Superior warehouse, sort of superior grocery outlets. There you go. 364 00:22:52,880 --> 00:22:55,280 Speaker 1: I mean, I'm getting jumped in right here. So also 365 00:22:55,320 --> 00:23:01,240 Speaker 1: speaking of Starbucks, Starbucks refreshers, strawberry lemonade underrated. Hell, yeah, 366 00:23:02,000 --> 00:23:08,159 Speaker 1: I hope that check is good. You're welcome Target. Actually 367 00:23:08,160 --> 00:23:10,920 Speaker 1: all that ship is housed in a Target. Yeah is 368 00:23:10,920 --> 00:23:15,440 Speaker 1: your blood type Target? It's nordstromp but thank you. Yeah. 369 00:23:15,760 --> 00:23:18,920 Speaker 1: It's funny because in Italy they don't have Target. Yeah, 370 00:23:19,160 --> 00:23:22,080 Speaker 1: they have this thing called co Op. That's really cool too. 371 00:23:22,600 --> 00:23:24,480 Speaker 1: Let it fans. Let us know how many times Miles 372 00:23:24,600 --> 00:23:27,760 Speaker 1: mentioned Italy in this episode. Ship Daniald just jumped off 373 00:23:27,800 --> 00:23:31,000 Speaker 1: the building. He left us. I can't jump through the 374 00:23:31,000 --> 00:23:34,040 Speaker 1: poison window. Oh yeah, people know about our poison wind. 375 00:23:35,400 --> 00:23:37,240 Speaker 1: That was probably the funniest thing ever was in when 376 00:23:37,240 --> 00:23:41,280 Speaker 1: eger mom pussy doubt about it. He almost left. What's 377 00:23:41,280 --> 00:23:43,960 Speaker 1: the poison window? It's just that so when they when 378 00:23:43,960 --> 00:23:45,880 Speaker 1: they glue. They had to glue all this in right here. 379 00:23:45,920 --> 00:23:48,040 Speaker 1: And it's like some of those doors are not necessarily 380 00:23:48,080 --> 00:23:50,080 Speaker 1: like super safe and whatnot and just kind of all 381 00:23:50,160 --> 00:23:58,000 Speaker 1: sealed in there, so you know, and they died in there. Yeah, 382 00:23:58,119 --> 00:24:02,159 Speaker 1: it's crazy old bones. We called, you know, all the 383 00:24:02,200 --> 00:24:04,440 Speaker 1: apps and not all the apps, but like most of 384 00:24:04,440 --> 00:24:07,119 Speaker 1: the popular apps in China are like super apps, where 385 00:24:07,880 --> 00:24:12,160 Speaker 1: like KFC has like an Uber application inside their app, 386 00:24:12,480 --> 00:24:16,919 Speaker 1: so like you like to go into the KFC and 387 00:24:16,960 --> 00:24:19,480 Speaker 1: then you can order a car to take you to 388 00:24:19,560 --> 00:24:23,960 Speaker 1: the KFC or anywhere. Yeah, that's how apps are. And 389 00:24:24,080 --> 00:24:26,480 Speaker 1: the other thing puper integrated. Yeah. And the other thing 390 00:24:26,560 --> 00:24:30,959 Speaker 1: I've had China is like this alternate version of America's 391 00:24:30,960 --> 00:24:35,680 Speaker 1: economy where things are different. But uh, that was very 392 00:24:35,840 --> 00:24:40,040 Speaker 1: well put, thank you. But even if that's not, I 393 00:24:40,080 --> 00:24:46,160 Speaker 1: like it don't have to be over there. All podcasts 394 00:24:46,240 --> 00:24:50,760 Speaker 1: are subscription based and uh best why it's not taken 395 00:24:50,800 --> 00:24:52,600 Speaker 1: off on it? No, it's like a two point five 396 00:24:52,640 --> 00:25:01,080 Speaker 1: billion dollars okay me how how That's what Creed says 397 00:25:01,119 --> 00:25:02,639 Speaker 1: in the office when he says, I want to give 398 00:25:02,640 --> 00:25:04,560 Speaker 1: a shout out to my friends in Hong Kong, and 399 00:25:04,640 --> 00:25:11,560 Speaker 1: he goes understand Miles, is uh memory of office ship 400 00:25:11,760 --> 00:25:17,280 Speaker 1: you already gave you Uh yeah. Other videos of Brett Weinbach. 401 00:25:18,160 --> 00:25:22,080 Speaker 1: We're talking about man giving birth all over drum technique 402 00:25:22,160 --> 00:25:30,000 Speaker 1: and also giving birth and my backup Underrata's time fluctuation 403 00:25:30,080 --> 00:25:34,520 Speaker 1: because having kids, I have realized that time is different 404 00:25:34,720 --> 00:25:40,080 Speaker 1: for them because they have fewer experiences. So every experience 405 00:25:40,160 --> 00:25:43,880 Speaker 1: is like one of a hundred as opposed to one 406 00:25:43,960 --> 00:25:48,720 Speaker 1: of a million. Uh and so yeah, that that's why 407 00:25:49,119 --> 00:25:53,040 Speaker 1: you know, when there's something they want and they can't 408 00:25:53,080 --> 00:25:56,879 Speaker 1: get it, they start losing their ship because uh, you know, 409 00:25:57,119 --> 00:26:01,280 Speaker 1: it feels like it's lasting forever to them. Underrated at Wisdom, 410 00:26:01,600 --> 00:26:08,440 Speaker 1: it's time fluctuation, Miles experience. That's right, because baby's like 411 00:26:08,440 --> 00:26:11,840 Speaker 1: they're on ship, you know. I mean, I don't know 412 00:26:11,840 --> 00:26:13,959 Speaker 1: why it just didn't let you do it, because I mean, 413 00:26:14,240 --> 00:26:20,200 Speaker 1: you can learn something, man, I'm tired of teaching y'all. Well. Also, 414 00:26:20,480 --> 00:26:23,960 Speaker 1: I guess because looking at the number of people who 415 00:26:23,960 --> 00:26:27,639 Speaker 1: have use drugs. We were talking while you were gone, Miles, 416 00:26:27,680 --> 00:26:31,440 Speaker 1: how it's a very small portion of the population who 417 00:26:31,440 --> 00:26:34,760 Speaker 1: has used drugs. Most of the population doesn't realize how 418 00:26:34,800 --> 00:26:39,879 Speaker 1: much time dilates and stretches out when you're on various drugs. Yeah, 419 00:26:40,160 --> 00:26:44,000 Speaker 1: so I'm living in slow motion, that's right. Um so 420 00:26:44,080 --> 00:26:47,760 Speaker 1: my reaction is so quick. Time is like a concept man, 421 00:26:48,520 --> 00:26:53,560 Speaker 1: um cool, nailed it. And moving on to overrated or 422 00:26:53,680 --> 00:26:56,440 Speaker 1: I guess we got overrated a myth? We got overrated 423 00:26:56,440 --> 00:27:00,480 Speaker 1: a myth. We're at thirty minutes, Holy ship it. I 424 00:27:00,520 --> 00:27:04,520 Speaker 1: feel like we're at like, right, holy sh it, we're 425 00:27:04,560 --> 00:27:12,359 Speaker 1: at minutes. What is something you think is overrated? Ma'am overrated? 426 00:27:12,400 --> 00:27:15,400 Speaker 1: I said good graphics. Now what I mean by this 427 00:27:15,560 --> 00:27:20,160 Speaker 1: is that too many things franchises are holding their weight 428 00:27:20,200 --> 00:27:23,399 Speaker 1: on something looking good. And I want to preface this 429 00:27:23,480 --> 00:27:26,040 Speaker 1: by saying that I think people who do VFX art, 430 00:27:26,240 --> 00:27:29,200 Speaker 1: people who do like, you know, animation and that kind 431 00:27:29,200 --> 00:27:32,160 Speaker 1: of stuff, are incredibly talented and what they do is amazing. 432 00:27:32,600 --> 00:27:36,479 Speaker 1: But like a movie resting its laurels on something looking 433 00:27:36,600 --> 00:27:42,080 Speaker 1: good or amazing, I think is not valid anymore. That's 434 00:27:42,080 --> 00:27:44,200 Speaker 1: where I'm That kind of is part of my overrated 435 00:27:44,880 --> 00:27:47,879 Speaker 1: Yeah crazy, but yeah, it's just like we keep you know, 436 00:27:48,000 --> 00:27:50,320 Speaker 1: we Miles talks about the Division two a lot, and 437 00:27:50,320 --> 00:27:52,160 Speaker 1: I played that game a lot as well, and it 438 00:27:52,200 --> 00:27:56,000 Speaker 1: looks amazing after it plays like ship and there's a 439 00:27:56,040 --> 00:27:57,879 Speaker 1: lot of things that are wrong with it outside of 440 00:27:57,880 --> 00:28:00,199 Speaker 1: it looking good. But so many people are just like, 441 00:28:00,840 --> 00:28:06,040 Speaker 1: just look, it's like d C like exactly, and that's awesome. 442 00:28:06,080 --> 00:28:09,040 Speaker 1: That's fantastic. And the fact that Ubisoft had enough money 443 00:28:09,040 --> 00:28:11,240 Speaker 1: and resources to pour into it to make that happen, 444 00:28:11,400 --> 00:28:16,080 Speaker 1: it's fantastic. Se Like Washington, why would that be something 445 00:28:16,119 --> 00:28:19,239 Speaker 1: that you would want to replicate. I don't know, talk 446 00:28:19,320 --> 00:28:25,160 Speaker 1: to the people who produced Division two. Aesthetics are overrated 447 00:28:25,359 --> 00:28:28,640 Speaker 1: because we're also living in a world where we have 448 00:28:28,840 --> 00:28:32,360 Speaker 1: people who are fucking evil that look good on camera. Yes, 449 00:28:32,480 --> 00:28:35,720 Speaker 1: that isn't quite connecting the dots and people's brains where 450 00:28:35,720 --> 00:28:40,840 Speaker 1: they're like, oh, but this person looks nice. That's my manager. 451 00:28:41,880 --> 00:28:49,480 Speaker 1: Can you I just missed my shift at Subway again? Fire? Um, 452 00:28:49,640 --> 00:28:51,840 Speaker 1: Like you know, like you look at like Ivanka Trump 453 00:28:51,920 --> 00:28:54,680 Speaker 1: for example, You know what I mean, she looks nice. 454 00:28:55,000 --> 00:28:58,480 Speaker 1: She doesn't look like a fucking goon or something, even 455 00:28:58,480 --> 00:29:01,880 Speaker 1: though she is on the side of absolute evil. Hey 456 00:29:01,880 --> 00:29:05,920 Speaker 1: wait a second, yeah, yeah, hold, And just like even 457 00:29:05,960 --> 00:29:09,600 Speaker 1: when you look at like what we were talking about, 458 00:29:09,680 --> 00:29:12,440 Speaker 1: the like Trump ads that have like these models in it, 459 00:29:12,760 --> 00:29:15,479 Speaker 1: like it's people are very disarmed by things that are 460 00:29:15,560 --> 00:29:18,840 Speaker 1: esthetically pleasing, and I think in terms of like when 461 00:29:18,840 --> 00:29:21,400 Speaker 1: we're showing this like government for what it is, like, 462 00:29:21,440 --> 00:29:23,680 Speaker 1: they're getting away with a lot too, because I think 463 00:29:24,160 --> 00:29:26,920 Speaker 1: we live in this like TV aesthetic focused era where 464 00:29:27,000 --> 00:29:29,920 Speaker 1: like yeah, well, like you know if like Ivanka doesn't 465 00:29:29,960 --> 00:29:35,680 Speaker 1: have a hunchback and like fangs coming out, so she 466 00:29:35,760 --> 00:29:38,120 Speaker 1: got that chin and plant, but she's a monster and 467 00:29:38,120 --> 00:29:40,280 Speaker 1: all these people are monsters and don't be fooled by 468 00:29:40,400 --> 00:29:43,920 Speaker 1: ship that looks good. Also because it's I think a 469 00:29:43,960 --> 00:29:45,920 Speaker 1: lot of the times we take oh look good for 470 00:29:46,120 --> 00:29:50,200 Speaker 1: it is good or like moral but you know, shout 471 00:29:50,200 --> 00:29:54,960 Speaker 1: out tell the beautiful. My overrated is ugly people. Uh, 472 00:29:55,320 --> 00:30:00,560 Speaker 1: try it harder, pay attention to yourself. You not have 473 00:30:00,640 --> 00:30:04,120 Speaker 1: a mirror, get your ship together? What are you doing? 474 00:30:05,040 --> 00:30:09,280 Speaker 1: Let me do this? Okay, yeah, of being five. My 475 00:30:09,400 --> 00:30:16,960 Speaker 1: overrated is fireworks because uh, they don't last very long 476 00:30:17,200 --> 00:30:20,600 Speaker 1: and you never know when they're coming. Like men, oh ship, 477 00:30:22,880 --> 00:30:25,720 Speaker 1: but don't you know when they're coming? Not always because 478 00:30:25,720 --> 00:30:27,200 Speaker 1: people just to do them in the middle of the 479 00:30:27,320 --> 00:30:30,400 Speaker 1: night and earth and just upset all the dogs in 480 00:30:30,440 --> 00:30:32,760 Speaker 1: the neighborhood. People do them in the middle of the 481 00:30:32,880 --> 00:30:36,400 Speaker 1: night like men like men, Hey, when are you opening 482 00:30:36,400 --> 00:30:41,920 Speaker 1: for Chelsea? Shout out to Chelsea? And they listened to 483 00:30:41,920 --> 00:30:47,280 Speaker 1: our podcast I produced also over it is victorious, secret trap. 484 00:30:49,600 --> 00:30:53,719 Speaker 1: Nothing literally nothing fits. It's overpriced and you go in there, 485 00:30:53,720 --> 00:30:57,000 Speaker 1: you get measured. They always measure you wrong. It's it's yeah, 486 00:30:57,320 --> 00:30:59,360 Speaker 1: it's black. They never have your size and store they 487 00:30:59,400 --> 00:31:04,200 Speaker 1: don't do half sizes. It's messed up. Yeah, the note 488 00:31:04,200 --> 00:31:11,520 Speaker 1: of room in the crotch. According to some message boards, 489 00:31:11,520 --> 00:31:14,920 Speaker 1: I go on, um, what else was I gonna? Oh? 490 00:31:15,000 --> 00:31:16,520 Speaker 1: You know, do you think I was gonna say? The 491 00:31:16,560 --> 00:31:20,200 Speaker 1: NBA is has become overrated? I agree, it's not a 492 00:31:20,360 --> 00:31:23,200 Speaker 1: it's not a competitively, it's not a fucking sports mean, 493 00:31:24,360 --> 00:31:28,040 Speaker 1: it's entertainment. It's entertainment. It's very Hollywood that social media 494 00:31:28,440 --> 00:31:31,000 Speaker 1: is a bit has a big impact on it. I mean, 495 00:31:31,840 --> 00:31:34,440 Speaker 1: but I still enjoy watching it. I enjoy watching it, 496 00:31:34,440 --> 00:31:38,640 Speaker 1: but I don't it's taken on social media thing, not 497 00:31:38,720 --> 00:31:40,959 Speaker 1: even as a social media thing, like as a like, 498 00:31:41,000 --> 00:31:44,040 Speaker 1: as a as a sports league. So many actually, you know, 499 00:31:44,080 --> 00:31:46,720 Speaker 1: and this goes along with many other team sports, professional 500 00:31:46,760 --> 00:31:49,960 Speaker 1: sports completely just the concentration of talent and money is 501 00:31:50,000 --> 00:31:52,680 Speaker 1: like so lopsided in certain areas where it's like, yeah, 502 00:31:52,720 --> 00:31:54,520 Speaker 1: I mean there are these other teams, but we're really 503 00:31:54,600 --> 00:31:56,800 Speaker 1: just talking about these three teams, or talking about these 504 00:31:56,840 --> 00:31:58,960 Speaker 1: two teams or in some like I mean the Hollywood 505 00:31:58,960 --> 00:32:02,160 Speaker 1: aspect of it is. It's a lot, sure, but I 506 00:32:02,160 --> 00:32:04,760 Speaker 1: guess even just from like you know, the days are 507 00:32:04,800 --> 00:32:07,680 Speaker 1: gone of like there were many competitive teams. It's like 508 00:32:07,760 --> 00:32:10,400 Speaker 1: if you want to win, you have to competition anymore. Yeah, 509 00:32:10,400 --> 00:32:12,920 Speaker 1: you have to be very intentional about like where where 510 00:32:12,960 --> 00:32:15,240 Speaker 1: you're going, where with the teams are being put together, 511 00:32:15,760 --> 00:32:17,760 Speaker 1: and you know who knows it By the time we 512 00:32:17,760 --> 00:32:19,760 Speaker 1: record this, Kawhi Leonard could be a laker. I don't know, 513 00:32:20,000 --> 00:32:22,320 Speaker 1: which would only then everything is fair, which no, not 514 00:32:22,360 --> 00:32:25,960 Speaker 1: even and I'm kind of like fine, but like you 515 00:32:26,000 --> 00:32:30,680 Speaker 1: know my anxiety. Yeah, do you think I don't know 516 00:32:30,720 --> 00:32:33,000 Speaker 1: as we record this. Do you think there is a 517 00:32:33,040 --> 00:32:37,080 Speaker 1: sport or activity that is balanced for for competition? Is 518 00:32:37,120 --> 00:32:42,080 Speaker 1: there any activity out there like individual sports like tennis? Yes, 519 00:32:42,120 --> 00:32:43,360 Speaker 1: you know what I mean, like you just you're that 520 00:32:43,400 --> 00:32:46,240 Speaker 1: one person. Although man, there was there was that time 521 00:32:46,720 --> 00:32:49,800 Speaker 1: when tennis, like when Pete Sampras was always winning and 522 00:32:49,800 --> 00:32:54,040 Speaker 1: he was like the most boring athlete or like it. 523 00:32:54,440 --> 00:32:56,320 Speaker 1: But I guess in turns and yeah, but I guess 524 00:32:56,360 --> 00:32:58,840 Speaker 1: it may can be lopsided because one person may be 525 00:32:58,960 --> 00:33:01,360 Speaker 1: so talented. But it's like when you have super teams, 526 00:33:01,400 --> 00:33:03,280 Speaker 1: you're like, well, of course they're gonna suck it exactly 527 00:33:03,320 --> 00:33:06,080 Speaker 1: because they just don't bother me at all. It bothered 528 00:33:06,080 --> 00:33:09,200 Speaker 1: me when Durant went to the Warriors after they won 529 00:33:09,360 --> 00:33:13,000 Speaker 1: the most games ever. Doing that Miami bothered me. That 530 00:33:13,040 --> 00:33:15,040 Speaker 1: didn't bother me at all. The decision bothered me. That 531 00:33:15,160 --> 00:33:19,400 Speaker 1: special the decision, Yeah, that was bad, but the spectacle 532 00:33:19,440 --> 00:33:21,280 Speaker 1: of him going to Miami didn't bother me. I was 533 00:33:21,320 --> 00:33:26,120 Speaker 1: tired of seeing him have to lose on Cleveland teams 534 00:33:26,240 --> 00:33:28,440 Speaker 1: that didn't give him anything to work with. I mean, 535 00:33:28,600 --> 00:33:31,120 Speaker 1: speaking of the spectacle in Hollywood all that. I'm also 536 00:33:31,440 --> 00:33:35,360 Speaker 1: a little bit over remakes like like Space Tram too, 537 00:33:35,440 --> 00:33:39,920 Speaker 1: Like I mean, obviously that's a sequel park that outside, 538 00:33:39,960 --> 00:33:41,400 Speaker 1: but you know what I mean, Like that's all that 539 00:33:41,440 --> 00:33:45,360 Speaker 1: they're doing right now. Okay, this is a take from 540 00:33:45,360 --> 00:33:48,960 Speaker 1: Okay whatever. I'm kind of hype that they to take 541 00:33:49,000 --> 00:33:50,880 Speaker 1: from the six. I mean I'm hyped that they Like 542 00:33:50,920 --> 00:33:54,560 Speaker 1: they announced this week that um Holle Bailey of Chloe 543 00:33:54,560 --> 00:33:57,520 Speaker 1: and Hollie is going to be aerial little Mabe Like 544 00:33:57,560 --> 00:34:01,160 Speaker 1: that sounds cool live action remake. Yeah, but did we 545 00:34:01,200 --> 00:34:04,719 Speaker 1: have to do like Dumbo? Did we like? Did we 546 00:34:04,760 --> 00:34:06,760 Speaker 1: have to like there's just so many we just ask 547 00:34:06,840 --> 00:34:08,960 Speaker 1: the marketing people who are at the studios who basically 548 00:34:09,040 --> 00:34:10,800 Speaker 1: decide what needs to be made, because you're like, I 549 00:34:10,800 --> 00:34:12,560 Speaker 1: think this is gonna be profitable, so we'll make it 550 00:34:13,480 --> 00:34:18,399 Speaker 1: like another Men in Black. No, No, I didn't even 551 00:34:18,400 --> 00:34:20,160 Speaker 1: need Men in Black too, But I was gonna say, 552 00:34:20,200 --> 00:34:22,080 Speaker 1: I mean, so there was a time when I was 553 00:34:22,400 --> 00:34:33,440 Speaker 1: your age, young woman when all sequels sucked, General Jerry Ford. No, 554 00:34:33,640 --> 00:34:36,239 Speaker 1: there there was a like I think it started with 555 00:34:36,960 --> 00:34:40,480 Speaker 1: the Fast and Furious franchise when like all of a sudden, 556 00:34:40,520 --> 00:34:42,840 Speaker 1: the fifth one was like the best one in the franchise, 557 00:34:42,960 --> 00:34:44,920 Speaker 1: like and it was way better than any of the 558 00:34:44,960 --> 00:34:47,080 Speaker 1: other movies in the franchise, and it was just like, wait, 559 00:34:47,120 --> 00:34:49,640 Speaker 1: what what just happened? That never happened? And Toy Story 560 00:34:49,680 --> 00:34:52,520 Speaker 1: movies just keep getting progressively better as well. I agree, 561 00:34:53,600 --> 00:34:55,319 Speaker 1: So this is a flawed take that I had. Well, 562 00:34:55,320 --> 00:34:59,040 Speaker 1: I get what you're saying, just like we need dumb wow, Okay, 563 00:34:59,040 --> 00:35:00,600 Speaker 1: are you really out of vendor it against him? I 564 00:35:00,640 --> 00:35:02,920 Speaker 1: mean it was on pay per view before, like I 565 00:35:03,239 --> 00:35:04,759 Speaker 1: didn't even know it was in theaters. I do think 566 00:35:04,800 --> 00:35:08,960 Speaker 1: the live action remakes of animated classics are probably not 567 00:35:09,000 --> 00:35:11,080 Speaker 1: going to stand the test of time. Like that's how 568 00:35:11,120 --> 00:35:14,240 Speaker 1: I feel as well. I'm curious how Lion King goods. 569 00:35:14,360 --> 00:35:18,160 Speaker 1: I'm anti Lion King? Yeah, well, look Dumbo fine. I 570 00:35:18,200 --> 00:35:20,040 Speaker 1: think after a while, though, the nostalgia is just gonna 571 00:35:20,080 --> 00:35:22,920 Speaker 1: wear thin, and like you've already you can only circle 572 00:35:22,960 --> 00:35:27,560 Speaker 1: back on these time honored, beloved films where we're like, yo, 573 00:35:27,719 --> 00:35:32,560 Speaker 1: like now we need acclaimation. Lion King. Yeah, I don't know. Also, 574 00:35:32,719 --> 00:35:36,640 Speaker 1: how come your anti uh Lion King? Well, this, I mean, 575 00:35:36,680 --> 00:35:39,759 Speaker 1: this goes back. I love Beyonce, and I think the 576 00:35:39,840 --> 00:35:41,720 Speaker 1: music that's going to come out of that is probably 577 00:35:41,760 --> 00:35:44,920 Speaker 1: gonna be great. It will be a bunch of what 578 00:35:45,080 --> 00:35:48,239 Speaker 1: is this flawless? First of all, I'm not even when 579 00:35:48,280 --> 00:35:50,480 Speaker 1: I'm doing this, but flass maybe single last, we're not 580 00:35:50,520 --> 00:35:54,480 Speaker 1: even doing this. I'm not doing this. I can we 581 00:35:54,480 --> 00:35:58,600 Speaker 1: do it together sometimes? Sure? Um? Anyway, so Lion King, 582 00:35:59,400 --> 00:36:02,560 Speaker 1: oh my god, Sophie, this goes back to the whole 583 00:36:02,560 --> 00:36:06,560 Speaker 1: practical thing where it's like, that movie is the same 584 00:36:06,600 --> 00:36:08,360 Speaker 1: movie as the original Lion King. A lot of the 585 00:36:08,360 --> 00:36:11,160 Speaker 1: original story boarders and writers are not getting paid all 586 00:36:11,200 --> 00:36:13,719 Speaker 1: of that all. Yeah, and it's like that's the kind 587 00:36:13,719 --> 00:36:15,759 Speaker 1: of thing where it's that movie is going to be 588 00:36:15,840 --> 00:36:18,680 Speaker 1: the same movie. Also, in my personal opinion, the Disney movies, 589 00:36:19,000 --> 00:36:22,040 Speaker 1: they got all of that personality from the way that 590 00:36:22,080 --> 00:36:26,600 Speaker 1: they animate the faces of these creatures, not from them 591 00:36:26,600 --> 00:36:29,440 Speaker 1: looking like animals, right, and that is not going to 592 00:36:29,520 --> 00:36:32,760 Speaker 1: make me be like, oh cool. Zazoo is like totally 593 00:36:32,800 --> 00:36:38,279 Speaker 1: funny and quirky, expressive exactly, just non expressive birds. That's 594 00:36:39,239 --> 00:36:42,160 Speaker 1: Oliver Seth Brogan. That's all. I'm just gonna throw it 595 00:36:42,160 --> 00:36:45,759 Speaker 1: out there. What about him, Yes, he plays a to 596 00:36:46,160 --> 00:36:48,520 Speaker 1: mow or Pumba, he's Puma. Probably he's Puma. I think 597 00:36:48,520 --> 00:36:51,879 Speaker 1: Billy Eichner is Tom like that. Yeah, but but still 598 00:36:51,920 --> 00:36:55,239 Speaker 1: it's like, but it's just they're just animals. They're just 599 00:36:55,320 --> 00:36:59,960 Speaker 1: animals with the voice. Shame, they're just animals with the voices. 600 00:37:00,200 --> 00:37:02,760 Speaker 1: You're not going to have the same kind of emotional connection. 601 00:37:02,800 --> 00:37:04,359 Speaker 1: I didn't see Jungle Book, but I was like, man, 602 00:37:04,400 --> 00:37:09,560 Speaker 1: the New Jungle Book act. You get it. You like 603 00:37:09,600 --> 00:37:13,680 Speaker 1: in theaters. No, I did not, it's not worth it. Uh, 604 00:37:13,960 --> 00:37:16,680 Speaker 1: like that's not how animals. That's animals actually don't talk. 605 00:37:16,719 --> 00:37:20,200 Speaker 1: So I was completely checked out. They just don't. There's 606 00:37:20,200 --> 00:37:23,359 Speaker 1: no expression there. Yeah, that's the thing animals are not. 607 00:37:23,480 --> 00:37:28,160 Speaker 1: They don't have that. And also someone color graded the 608 00:37:28,200 --> 00:37:30,879 Speaker 1: shots from the live action Lion King to mimic more 609 00:37:30,960 --> 00:37:35,799 Speaker 1: the colors colors of the animated version, and I was like, damn, Like, 610 00:37:35,840 --> 00:37:38,239 Speaker 1: even if you just color graded it differently, it would 611 00:37:38,239 --> 00:37:40,239 Speaker 1: look better rather than like trying to keep a So 612 00:37:40,440 --> 00:37:46,440 Speaker 1: like this is what the Sun said. Yeah, my overrated 613 00:37:46,560 --> 00:37:49,600 Speaker 1: is conventional wisdom. I already hate it by the end 614 00:37:49,600 --> 00:37:53,040 Speaker 1: of those two words, I hated it. But uh, yeah, 615 00:37:53,520 --> 00:38:00,479 Speaker 1: did you take a philosophy because yeah, time were you? Yeah, 616 00:38:01,200 --> 00:38:07,640 Speaker 1: Uh that's it conventional. What do you mean sick? Nope, No, 617 00:38:07,840 --> 00:38:09,440 Speaker 1: I mean I was thinking about it because we were 618 00:38:09,440 --> 00:38:13,520 Speaker 1: talking about UFOs and like just the idea like that 619 00:38:13,640 --> 00:38:15,920 Speaker 1: I have lived with my whole life that there's no 620 00:38:15,960 --> 00:38:19,080 Speaker 1: way UFOs are real, and that they haven't visited us, 621 00:38:19,120 --> 00:38:23,279 Speaker 1: and that it would be wild. Truth is out there 622 00:38:23,320 --> 00:38:26,839 Speaker 1: dog now the air forces like we don't know what 623 00:38:26,880 --> 00:38:30,000 Speaker 1: this ship is and yeah, I don't know, man, after 624 00:38:30,120 --> 00:38:35,319 Speaker 1: two thousand and sixteen election, obviously, I think people were like, 625 00:38:35,800 --> 00:38:39,120 Speaker 1: your conventional wisdom's bullshit. But then they're still writing the 626 00:38:39,160 --> 00:38:42,479 Speaker 1: same articles this time around that they wrote in two 627 00:38:42,480 --> 00:38:48,960 Speaker 1: thousand and sixteen. Things aren't looking good for Trump, Yeah, yeah, 628 00:38:49,000 --> 00:38:52,480 Speaker 1: and like the same like takes by the same political 629 00:38:52,560 --> 00:38:56,120 Speaker 1: strategists about like how it's all about personalities and like 630 00:38:56,160 --> 00:39:00,480 Speaker 1: people don't really pay attention to the policies and ship. 631 00:39:00,640 --> 00:39:03,680 Speaker 1: Like it's just I think there's a conventional wisdom that 632 00:39:03,760 --> 00:39:07,759 Speaker 1: everybody else is stupid. Like people just like to think 633 00:39:07,800 --> 00:39:10,759 Speaker 1: that all the faceless masses are stupid, and like that's 634 00:39:10,800 --> 00:39:14,160 Speaker 1: that's how like media professionals think. They're just like yeah, 635 00:39:14,200 --> 00:39:16,360 Speaker 1: they they're all they care about is like the Trump 636 00:39:16,440 --> 00:39:20,640 Speaker 1: is funny and it's like, no, he was lying about 637 00:39:20,680 --> 00:39:24,120 Speaker 1: the ship and being like taking advantage of the racism, 638 00:39:24,360 --> 00:39:28,080 Speaker 1: but yeah, he was also lying and saying he was 639 00:39:28,080 --> 00:39:31,080 Speaker 1: going to do the thing that no politicians been able 640 00:39:31,120 --> 00:39:34,240 Speaker 1: to do, which is, you know, give money and power 641 00:39:34,320 --> 00:39:38,480 Speaker 1: back to the poor in the country. Um. But people 642 00:39:38,480 --> 00:39:42,000 Speaker 1: are like, no, it's it's that he's cool and funny 643 00:39:42,040 --> 00:39:46,000 Speaker 1: and a reality star. Um. And then go to gold 644 00:39:46,000 --> 00:39:47,880 Speaker 1: toilet and then Pete Holmes had this thing on his 645 00:39:47,960 --> 00:39:51,320 Speaker 1: stand up special Why. He was talking about how people 646 00:39:51,360 --> 00:39:53,359 Speaker 1: who talk about how there's no way there's such thing 647 00:39:53,400 --> 00:39:57,160 Speaker 1: as an afterlife because like, come on, that would be weird, 648 00:39:57,280 --> 00:40:01,560 Speaker 1: and uh, he was saying, how how weird life is, 649 00:40:01,880 --> 00:40:03,799 Speaker 1: like if you just think about it. Have you guys 650 00:40:03,840 --> 00:40:05,600 Speaker 1: ever had the thing that's kind of an aside, but 651 00:40:05,640 --> 00:40:07,480 Speaker 1: have you ever been looking at someone at a certain 652 00:40:07,520 --> 00:40:14,080 Speaker 1: angle and suddenly their face looks totally like alien or something? Yeah, 653 00:40:14,239 --> 00:40:19,040 Speaker 1: I don't know, like when they're facial features like start, no, no, no, 654 00:40:19,080 --> 00:40:22,480 Speaker 1: not like he looks like an alien, like their facial feature. 655 00:40:22,560 --> 00:40:25,359 Speaker 1: Like sometimes it happens when somebody's like I'm looking at 656 00:40:25,360 --> 00:40:29,480 Speaker 1: somebody's profile, like it just looks like their face isn't 657 00:40:29,520 --> 00:40:31,880 Speaker 1: in the right shape or sorry, what kind of profile 658 00:40:31,880 --> 00:40:38,000 Speaker 1: are you looking at? You? No, Like somebody's talking um 659 00:40:39,320 --> 00:40:44,719 Speaker 1: profiles done. Sometimes people look like Picasso paintings to me, 660 00:40:44,960 --> 00:40:49,120 Speaker 1: and it just makes me think about like you're taken 661 00:40:49,200 --> 00:40:52,040 Speaker 1: out of it and like I'm able to see what 662 00:40:52,120 --> 00:40:54,160 Speaker 1: it would look like to see a human being for 663 00:40:54,200 --> 00:40:57,240 Speaker 1: the first time, to like somebody who's like an alien, 664 00:40:57,320 --> 00:40:59,439 Speaker 1: or like seeing a human face for the first time. 665 00:41:00,160 --> 00:41:03,719 Speaker 1: And it's really weird, and it also just gives you 666 00:41:03,920 --> 00:41:09,920 Speaker 1: some perspective on how weird our day to day life is. Yeah, 667 00:41:09,960 --> 00:41:11,640 Speaker 1: I mean, who's to say that what we're living right 668 00:41:11,640 --> 00:41:15,799 Speaker 1: now isn't hell? Okay, I'm serious, Like, depending on how 669 00:41:15,800 --> 00:41:17,520 Speaker 1: you look, this could be purgatory. I mean, it all 670 00:41:17,600 --> 00:41:20,640 Speaker 1: depends on how you're trying to contextualize, like the human experience. 671 00:41:20,680 --> 00:41:22,440 Speaker 1: If it's like, if you believe in after like, you 672 00:41:22,440 --> 00:41:24,799 Speaker 1: could argue maybe this is heaven. Don't. I don't even 673 00:41:24,840 --> 00:41:26,759 Speaker 1: I don't understand how you can look at where we 674 00:41:26,800 --> 00:41:29,400 Speaker 1: are now and not think that anything is possible in 675 00:41:29,440 --> 00:41:36,320 Speaker 1: this universe. Anything. You smash a bunch of rocks together, 676 00:41:36,440 --> 00:41:38,000 Speaker 1: and all of a sudden we were four people in 677 00:41:38,040 --> 00:41:40,560 Speaker 1: a room on microphones recording a podcast. I mean, that's 678 00:41:40,600 --> 00:41:46,239 Speaker 1: not how it happened. Dan, alright, Ah, can lid in 679 00:41:46,239 --> 00:41:51,720 Speaker 1: the alley behind on a street light? Hello? Um alright guys, 680 00:41:51,920 --> 00:41:59,080 Speaker 1: we uh should we do myths? Alright? I prepared another breaker. 681 00:41:59,200 --> 00:42:11,799 Speaker 1: Let's do another break real quick. Take a break and 682 00:42:11,880 --> 00:42:15,560 Speaker 1: we're back. All right. I'm gonna start the myths out 683 00:42:16,960 --> 00:42:19,239 Speaker 1: with the fact that so my myth is that we 684 00:42:19,239 --> 00:42:23,520 Speaker 1: don't know what happened to that plane, which one from 685 00:42:23,520 --> 00:42:28,719 Speaker 1: like four years ago. Yeah, yeah, we know, we do know. Yeah, 686 00:42:28,719 --> 00:42:31,600 Speaker 1: we basically know what happened. So what happened, So it 687 00:42:31,680 --> 00:42:36,120 Speaker 1: was the pilot, So yeah, so um, you're talking about 688 00:42:36,120 --> 00:42:42,920 Speaker 1: Ocean the Malaysian air that disappeared, so we have so 689 00:42:42,960 --> 00:42:45,040 Speaker 1: basically the reason we didn't think I mean, it was 690 00:42:45,080 --> 00:42:48,400 Speaker 1: a very strange event. But the reason that people weren't 691 00:42:48,440 --> 00:42:51,400 Speaker 1: able to put it together pretty quickly was because Malaysia 692 00:42:51,480 --> 00:42:53,799 Speaker 1: is a fairly corrupt country and they didn't want it 693 00:42:53,840 --> 00:42:56,480 Speaker 1: to be pinned on them as like letting this dude 694 00:42:56,520 --> 00:42:58,880 Speaker 1: fly a plane, so he was like made to be 695 00:42:59,160 --> 00:43:03,800 Speaker 1: this like you know, totally stand up person with a record. 696 00:43:04,239 --> 00:43:07,680 Speaker 1: And so the main piece of evidence, like there were 697 00:43:07,719 --> 00:43:11,240 Speaker 1: all these different beacons that showed exactly where the plane 698 00:43:11,239 --> 00:43:14,520 Speaker 1: went and it like made this big turn, and it's 699 00:43:14,560 --> 00:43:18,160 Speaker 1: just it can't have been hijacking, and it can't have 700 00:43:18,280 --> 00:43:21,960 Speaker 1: been them flying like passing out and the plane going 701 00:43:22,000 --> 00:43:24,200 Speaker 1: on autopilot, like it had to have been somebody was 702 00:43:24,239 --> 00:43:26,319 Speaker 1: flying it and the only rational thing is that it 703 00:43:26,360 --> 00:43:29,360 Speaker 1: was a pilot. But the main piece of evidence that 704 00:43:29,640 --> 00:43:32,200 Speaker 1: like kind of nails it for me is the pilot 705 00:43:32,239 --> 00:43:35,920 Speaker 1: had a flight simulator in his house and one of 706 00:43:36,320 --> 00:43:40,440 Speaker 1: the flights that he had taken was this exact route 707 00:43:41,120 --> 00:43:44,560 Speaker 1: crashing into the Antarctic Ocean, like do what he He 708 00:43:44,600 --> 00:43:51,560 Speaker 1: had done that, yes, and it was the only one 709 00:43:51,800 --> 00:43:54,520 Speaker 1: of like a thousand different ones that he had done 710 00:43:54,560 --> 00:43:57,680 Speaker 1: on like sped up. So it's like usually he does 711 00:43:57,719 --> 00:44:00,680 Speaker 1: it for the experience. In practice, at this one, he 712 00:44:00,760 --> 00:44:04,600 Speaker 1: was basically either doing it to see how quickly the 713 00:44:04,640 --> 00:44:07,600 Speaker 1: fuel would run out, or as sort of a clue 714 00:44:07,600 --> 00:44:10,560 Speaker 1: to people, like, yeah, I'm doing this that that's what people. 715 00:44:10,880 --> 00:44:14,239 Speaker 1: But yeah, he had flown basically that exact route in 716 00:44:14,280 --> 00:44:17,200 Speaker 1: a flight simulator, but they had like basically covered it up. 717 00:44:17,239 --> 00:44:20,120 Speaker 1: There's a there's a really interesting magazine article about it 718 00:44:20,120 --> 00:44:25,880 Speaker 1: that people should check out. Anyways, we know did he 719 00:44:25,920 --> 00:44:28,000 Speaker 1: do it, did he do it on purpose? And the 720 00:44:28,080 --> 00:44:31,959 Speaker 1: bread what and the breadcrumbs are that he did that 721 00:44:34,160 --> 00:44:37,360 Speaker 1: practice run on his computer game, And that's not unheard of. 722 00:44:37,400 --> 00:44:39,520 Speaker 1: There was that Egyptian air flight where the dude just 723 00:44:39,600 --> 00:44:43,560 Speaker 1: like no, nosed it into the Atlantic Ocean. There's been 724 00:44:43,600 --> 00:44:46,120 Speaker 1: a couple of flights like that where fun there was 725 00:44:46,160 --> 00:44:50,520 Speaker 1: the German pilot who uh flew into the side of 726 00:44:50,520 --> 00:44:52,919 Speaker 1: a mountain with a bunch of people on board. Yeah, 727 00:44:53,000 --> 00:44:56,799 Speaker 1: so it's really sad, but it is also like I 728 00:44:56,840 --> 00:44:59,960 Speaker 1: feel like the media is somewhat exploiting it because it's 729 00:45:00,040 --> 00:45:02,320 Speaker 1: like a huge mystery and they like talking about it, 730 00:45:02,440 --> 00:45:05,799 Speaker 1: but it's actually just a very sad story it is. 731 00:45:06,280 --> 00:45:11,400 Speaker 1: Let me see, I'll find the magazine both This episode 732 00:45:11,400 --> 00:45:16,320 Speaker 1: brought to you by Greyhound Buses trains and okay, Starbucks 733 00:45:16,320 --> 00:45:21,160 Speaker 1: and Target. Okay, what's yours? Miles? Um, I don't even 734 00:45:21,160 --> 00:45:28,040 Speaker 1: know it's gonna be about Italy? Um No, it's that 735 00:45:28,360 --> 00:45:35,000 Speaker 1: weddings have to be expensive. As someone whose life goes 736 00:45:35,080 --> 00:45:39,399 Speaker 1: on and I'm approaching the marriage phase of my life 737 00:45:39,520 --> 00:45:43,000 Speaker 1: and my relationship with her majesty. Um what was this 738 00:45:43,040 --> 00:45:46,279 Speaker 1: something we talked about? Because Miles proposing on air? Yes, 739 00:45:46,360 --> 00:45:48,400 Speaker 1: we're going to call her right now and I'm going 740 00:45:48,440 --> 00:45:50,400 Speaker 1: to propose. What is that? Get on and you guys 741 00:45:50,480 --> 00:45:53,520 Speaker 1: cheer for me. I'm going to tell you, but look 742 00:45:53,520 --> 00:45:58,840 Speaker 1: behind you, it's my fucking step mom. Is this dude 743 00:46:00,480 --> 00:46:03,799 Speaker 1: that's fucked up? This is the wrong competition? Um No, 744 00:46:04,000 --> 00:46:06,120 Speaker 1: I just it's not even like I don't know if 745 00:46:06,120 --> 00:46:08,480 Speaker 1: it's like a myth. More so that It's something I've 746 00:46:08,520 --> 00:46:11,480 Speaker 1: seen where there are people who are very will gladly 747 00:46:11,600 --> 00:46:18,000 Speaker 1: pay just astronomical sums of money for a wedding um 748 00:46:18,080 --> 00:46:23,640 Speaker 1: and other people who can achieve matrimonial bliss without spending 749 00:46:23,680 --> 00:46:26,320 Speaker 1: so much money. And I'm just like, the whole fucking 750 00:46:26,360 --> 00:46:28,640 Speaker 1: wedding look and this is like like not really even 751 00:46:28,640 --> 00:46:32,480 Speaker 1: a take, but this whole wedding issues fucking sham, and 752 00:46:32,560 --> 00:46:35,239 Speaker 1: like I cannot, like to the point where I'm talking 753 00:46:35,239 --> 00:46:36,440 Speaker 1: to Her Majesty, I'm like, yo, you know what we 754 00:46:36,480 --> 00:46:39,760 Speaker 1: should do. Let's be let's fucking fake out a hotel 755 00:46:40,200 --> 00:46:43,160 Speaker 1: and say we're having a merger of two companies, and 756 00:46:43,200 --> 00:46:45,239 Speaker 1: we get a ballroom and say it's a merger of 757 00:46:45,320 --> 00:46:50,680 Speaker 1: Gray Corp. And Her Majesty uh International, and treat the 758 00:46:50,680 --> 00:46:53,680 Speaker 1: whole thing, the ceremony like a business function. So all 759 00:46:53,719 --> 00:46:56,439 Speaker 1: the people are there, yeah, and they're like, yeah, I see, 760 00:46:56,640 --> 00:46:58,799 Speaker 1: I see the presence. I'm doing a presentation here, because 761 00:46:58,800 --> 00:47:00,960 Speaker 1: the second you do weight, it's like, oh, co times 762 00:47:01,040 --> 00:47:04,240 Speaker 1: sucking more right, funk out of here. So it's almost 763 00:47:04,320 --> 00:47:06,600 Speaker 1: like a myth to me that luckily she's on the 764 00:47:06,600 --> 00:47:09,520 Speaker 1: same page as I am. Like, it just doesn't seem 765 00:47:09,520 --> 00:47:13,280 Speaker 1: appropriate to spend that much money or it almost seems 766 00:47:13,280 --> 00:47:16,560 Speaker 1: like kind of obscene to me to put that concentrate 767 00:47:16,600 --> 00:47:20,799 Speaker 1: that much capital into one thing that is just is 768 00:47:20,840 --> 00:47:22,640 Speaker 1: one moment, and I get like, you know, some people 769 00:47:22,719 --> 00:47:26,919 Speaker 1: want that though, like big weddings the food suffers, yeah, 770 00:47:27,000 --> 00:47:29,320 Speaker 1: or a good size wedding, if it's a good size, 771 00:47:29,640 --> 00:47:32,400 Speaker 1: I mean the gold as long as the food doesn't 772 00:47:32,400 --> 00:47:36,239 Speaker 1: suffer a very important food is super crucial. See, then 773 00:47:36,239 --> 00:47:38,040 Speaker 1: these p be spending more money on that, you know, 774 00:47:38,560 --> 00:47:40,080 Speaker 1: or just make or just make it a thing where 775 00:47:40,080 --> 00:47:43,640 Speaker 1: you get there, you go like, all right, look, just 776 00:47:43,640 --> 00:47:45,399 Speaker 1: have the k barbecue party. And I'm be like, yo, 777 00:47:45,480 --> 00:47:50,360 Speaker 1: don't everybody get guawk the fuck. I'm trying to save money. 778 00:47:50,520 --> 00:47:52,319 Speaker 1: Like you can come my wedding, but if you want clock, 779 00:47:52,360 --> 00:47:55,239 Speaker 1: it's going to be a three dollar exactly B y 780 00:47:55,320 --> 00:47:58,960 Speaker 1: O G. But um yeah, I just feel like there's 781 00:47:59,160 --> 00:48:01,920 Speaker 1: I think it's a I think the assignment, you know, 782 00:48:02,040 --> 00:48:04,319 Speaker 1: the other thing to like even with engagement rings, like 783 00:48:04,320 --> 00:48:06,320 Speaker 1: that's got to be this this this and this be 784 00:48:06,400 --> 00:48:08,240 Speaker 1: this size, it's gotta be this amount of your income. 785 00:48:08,840 --> 00:48:10,719 Speaker 1: And I just feel like, again, these are all just 786 00:48:11,040 --> 00:48:13,480 Speaker 1: terrible marketing things that have been put into people's mind, 787 00:48:13,480 --> 00:48:15,560 Speaker 1: see exactly. No, but what do you But what do 788 00:48:15,600 --> 00:48:17,359 Speaker 1: you mean by that? Like not even trying to come 789 00:48:17,400 --> 00:48:19,520 Speaker 1: at you like in your mind? What does that mean? 790 00:48:19,719 --> 00:48:22,719 Speaker 1: I just don't have to look at it. No, but 791 00:48:22,800 --> 00:48:24,640 Speaker 1: I'm saying you need to have a It doesn't need 792 00:48:24,680 --> 00:48:27,680 Speaker 1: to be a thousand dollars and a twelve thousand dollar ring. 793 00:48:28,080 --> 00:48:32,200 Speaker 1: I know people, you're group. No finger went up fifteen No, no, no, 794 00:48:32,200 --> 00:48:33,719 Speaker 1: I'm not trying to have something that somebody would want 795 00:48:33,719 --> 00:48:40,120 Speaker 1: to like mirk me over, that's anything like an I 796 00:48:40,160 --> 00:48:43,319 Speaker 1: don't I mean lord, but I'm just saying it's something 797 00:48:43,320 --> 00:48:45,080 Speaker 1: that you want to be proud to have. It doesn't 798 00:48:45,080 --> 00:48:48,040 Speaker 1: necessarily it's not a number. Sure. I guess what I'm 799 00:48:48,040 --> 00:48:51,120 Speaker 1: realizing too, is I have I'm realizing how little I'm 800 00:48:51,120 --> 00:48:54,880 Speaker 1: attaching my pride to the like the actual dollar amount 801 00:48:55,000 --> 00:48:57,239 Speaker 1: or something right, And I think and that is more 802 00:48:57,280 --> 00:49:00,040 Speaker 1: of a traditional way of things, like well, I value you. 803 00:49:00,560 --> 00:49:05,040 Speaker 1: I value you at fifteen dollars for one ring, Like 804 00:49:05,080 --> 00:49:07,560 Speaker 1: what the fuck? No, way that's up. I don't know. 805 00:49:07,600 --> 00:49:09,040 Speaker 1: There's part of me too, like when you just look 806 00:49:09,080 --> 00:49:10,600 Speaker 1: at the state of the world and that kind of 807 00:49:10,640 --> 00:49:12,680 Speaker 1: like money that's being thrown around. It's like that just 808 00:49:12,719 --> 00:49:16,600 Speaker 1: seems like an absolute fucking waste to do. So my 809 00:49:16,600 --> 00:49:19,759 Speaker 1: myth is, you know what, dude, funck money, It's about love. 810 00:49:20,520 --> 00:49:24,160 Speaker 1: Wo you know, except I'm doing I'm in the middle 811 00:49:24,200 --> 00:49:26,520 Speaker 1: of the misunderstanding with d w P because I tried 812 00:49:26,520 --> 00:49:30,200 Speaker 1: to pay in Maryann Williamson love and they still shut 813 00:49:30,239 --> 00:49:32,960 Speaker 1: my power off. Wild doctor try to give him the 814 00:49:32,960 --> 00:49:34,520 Speaker 1: same deal they were like kids. I'm like, well, the 815 00:49:34,560 --> 00:49:39,000 Speaker 1: problem is we need to weaponize love. And it's like, okay, 816 00:49:39,080 --> 00:49:41,440 Speaker 1: my whole ship went off. So if you like, what 817 00:49:41,520 --> 00:49:44,319 Speaker 1: is your myth? Uh that when you're in school that 818 00:49:44,360 --> 00:49:50,560 Speaker 1: algebra is important? What okay is important? At what level? 819 00:49:50,600 --> 00:49:53,680 Speaker 1: You're saying like quadratic equations? Like I don't use that ship? 820 00:49:53,840 --> 00:49:58,640 Speaker 1: Do you use that ship? I use sometimes? All right? 821 00:49:58,760 --> 00:50:02,040 Speaker 1: Whatever brag. First of all, I'm just saying, like, why 822 00:50:02,040 --> 00:50:04,480 Speaker 1: why would you not just like teach me how to 823 00:50:04,880 --> 00:50:07,799 Speaker 1: you know, like pay my Like I mean, I have 824 00:50:07,960 --> 00:50:11,120 Speaker 1: a great credit score, but I mean, like I know 825 00:50:11,120 --> 00:50:12,440 Speaker 1: if I heard, but I'm not about to put it 826 00:50:12,480 --> 00:50:18,360 Speaker 1: on there. Um what's the last four your socials? Um? 827 00:50:18,400 --> 00:50:21,399 Speaker 1: But I'm just saying, like, if you learn like statistics 828 00:50:21,880 --> 00:50:24,440 Speaker 1: in like earlier school instead of you know what I mean, 829 00:50:24,480 --> 00:50:27,560 Speaker 1: like but like having to do like algebra one and algebras, 830 00:50:27,640 --> 00:50:31,080 Speaker 1: like what the I think that's good. You're you're You're. 831 00:50:31,239 --> 00:50:34,120 Speaker 1: I think there's value to using your brain even if 832 00:50:34,120 --> 00:50:38,160 Speaker 1: you're not using it. You've actually expanded your brain activity 833 00:50:38,200 --> 00:50:40,560 Speaker 1: by going taking a place as you might not literally know, 834 00:50:40,600 --> 00:50:47,400 Speaker 1: I'd rather have taken advanced edition advanced editions adding like 835 00:50:48,560 --> 00:50:52,600 Speaker 1: plus fifty three plus. I would rather like I would 836 00:50:52,680 --> 00:50:55,640 Speaker 1: rather learn like, okay, if I use my credit card 837 00:50:55,680 --> 00:50:57,680 Speaker 1: on this, how many how many points will I get? 838 00:50:57,960 --> 00:51:01,440 Speaker 1: And what will that like? Like that like I don't 839 00:51:01,440 --> 00:51:04,120 Speaker 1: like A plus B equals sees like I don't care. 840 00:51:04,680 --> 00:51:08,160 Speaker 1: I think you might not care to better Like life skills, 841 00:51:08,640 --> 00:51:10,839 Speaker 1: it doesn't matter, Okay, I don't think it's an either 842 00:51:10,960 --> 00:51:14,719 Speaker 1: or much to say algebra doesn't matter. I don't think 843 00:51:14,960 --> 00:51:18,239 Speaker 1: algebra necessarily, I don't think it's I don't think it's 844 00:51:18,800 --> 00:51:22,120 Speaker 1: like it's a necessary life skill, like you die without it. 845 00:51:22,160 --> 00:51:24,760 Speaker 1: But I don't think you could say that to learn 846 00:51:24,800 --> 00:51:27,640 Speaker 1: it like at some point as a child, isn't like 847 00:51:27,760 --> 00:51:30,520 Speaker 1: it's maybe instead of dare, they could have given us 848 00:51:30,560 --> 00:51:36,880 Speaker 1: a special crash course. Dare matters, but like, look at 849 00:51:36,880 --> 00:51:39,520 Speaker 1: me and tell me dare matters. I mean I'm looking 850 00:51:39,600 --> 00:51:47,680 Speaker 1: at you matters. Sorry, sorry, sorry, not sorry. I'm just 851 00:51:47,680 --> 00:51:49,440 Speaker 1: saying there's like many classes that we were forced to 852 00:51:49,440 --> 00:51:53,000 Speaker 1: take that I'm like, we should have one focus focused 853 00:51:53,000 --> 00:51:57,120 Speaker 1: more on Like I took a class called Ancient Civilizations. 854 00:51:57,560 --> 00:52:00,279 Speaker 1: We should have okay, which is really cool, which is 855 00:52:00,320 --> 00:52:02,560 Speaker 1: really cool and I feel like helps me and help 856 00:52:02,560 --> 00:52:03,920 Speaker 1: me think outside of the box. I would have rather 857 00:52:03,960 --> 00:52:08,920 Speaker 1: have taken more of that rather than fucking algebra two. Okay, 858 00:52:11,280 --> 00:52:15,960 Speaker 1: all right, Um, a lot of trigonometry hating here. Yeah. 859 00:52:16,360 --> 00:52:19,320 Speaker 1: See also you know a fox stoycheometry. I mean I 860 00:52:19,360 --> 00:52:23,719 Speaker 1: would have rather have taken like philosophy classes in high 861 00:52:23,719 --> 00:52:25,439 Speaker 1: school and middle school and stuff like that, like things 862 00:52:25,440 --> 00:52:28,560 Speaker 1: that helped you help you think ideologically, and like more 863 00:52:28,560 --> 00:52:30,520 Speaker 1: outside of the box, I mean, the most beneficial classes 864 00:52:30,560 --> 00:52:32,440 Speaker 1: I took in high school, or like more of the 865 00:52:32,520 --> 00:52:36,279 Speaker 1: humanity spaceed classes rather than once again, fucking algebra. Fuck 866 00:52:36,320 --> 00:52:41,399 Speaker 1: you algebra especially. We'll do another whole entire episode where 867 00:52:41,440 --> 00:52:44,160 Speaker 1: we just find out what happened in this algebra, who 868 00:52:44,200 --> 00:52:45,840 Speaker 1: this teacher was, and what it did to your g 869 00:52:45,920 --> 00:52:49,920 Speaker 1: p A. I went to college Dan, Yes, what is 870 00:52:49,920 --> 00:52:52,480 Speaker 1: your myth? I have a couple and I'll blow through 871 00:52:52,480 --> 00:52:55,120 Speaker 1: them really quickly. My first one is that it's lame 872 00:52:55,160 --> 00:52:56,799 Speaker 1: to wear the same clothes as someone else. I don't 873 00:52:56,800 --> 00:52:58,319 Speaker 1: think that's lame. I think it's awesome. I think it's 874 00:52:58,360 --> 00:53:01,399 Speaker 1: really cool. I love to win, I love to twins. 875 00:53:02,280 --> 00:53:05,040 Speaker 1: Another one is that all of those Twitter retweets are 876 00:53:05,080 --> 00:53:06,840 Speaker 1: a conspiracy, and I'll explain what I mean by that. 877 00:53:06,880 --> 00:53:09,080 Speaker 1: You ever see someone who tweets something like can't wait 878 00:53:09,120 --> 00:53:12,520 Speaker 1: to have my cheerios Iowa style, and then it's obviously 879 00:53:12,520 --> 00:53:15,239 Speaker 1: something disgusting and gross where they're eating their cheerios with 880 00:53:15,280 --> 00:53:18,839 Speaker 1: like orange juice or something, and then someone retweets that 881 00:53:18,880 --> 00:53:21,479 Speaker 1: and says, yo, bro, are you kidding me? This looks 882 00:53:21,480 --> 00:53:23,760 Speaker 1: disgusting and gets like a hundred thousand likes in their tweet. 883 00:53:23,840 --> 00:53:27,279 Speaker 1: My conspiracy is those people are working together. When you 884 00:53:27,320 --> 00:53:29,480 Speaker 1: see some bullshit where it's like, ye okay, it's just 885 00:53:29,640 --> 00:53:33,520 Speaker 1: it's someone doing something, it's the social where it's like, 886 00:53:33,560 --> 00:53:36,440 Speaker 1: clearly something is amiss in this picture where it's like, hey, 887 00:53:36,520 --> 00:53:38,600 Speaker 1: check out my new car, and it's like the picture 888 00:53:38,760 --> 00:53:41,000 Speaker 1: has like, well A, it's busted, but b there's like 889 00:53:41,040 --> 00:53:43,399 Speaker 1: a mirror there and they're naked in the mirror or something. 890 00:53:43,400 --> 00:53:45,040 Speaker 1: It's like yo, but look at the mirror, l O L. 891 00:53:45,120 --> 00:53:48,040 Speaker 1: It's like no ship. That's the point the conspiracy is 892 00:53:48,080 --> 00:53:51,359 Speaker 1: that those people are together. Okay, my last, My last 893 00:53:51,400 --> 00:53:54,040 Speaker 1: myth is that the music industry is no different at 894 00:53:54,040 --> 00:53:56,320 Speaker 1: any level. And Miles and I have talked about this before, 895 00:53:56,600 --> 00:53:59,719 Speaker 1: but when it comes to big artists and stuff like that, 896 00:54:00,000 --> 00:54:01,840 Speaker 1: when you think of like your Katy Perry's or your 897 00:54:01,880 --> 00:54:03,960 Speaker 1: Billie eilish is or something like that, and putting those 898 00:54:04,000 --> 00:54:05,800 Speaker 1: two people in the same breath these days a little strange, 899 00:54:05,840 --> 00:54:08,239 Speaker 1: But you don't think that either of those people is 900 00:54:08,280 --> 00:54:11,360 Speaker 1: like involved in every single level of their music making, 901 00:54:11,480 --> 00:54:13,640 Speaker 1: Like do you think that Billie Eilish is also making 902 00:54:13,680 --> 00:54:15,600 Speaker 1: every beat that she's on, or that Katy Perry is 903 00:54:15,600 --> 00:54:19,160 Speaker 1: making every enough about Billie Eilish is your producer? Well? She? 904 00:54:19,280 --> 00:54:22,160 Speaker 1: I mean, my my understanding is that she's a singer. Uh, 905 00:54:22,400 --> 00:54:25,239 Speaker 1: she has some production experience, but like her brother writes 906 00:54:25,280 --> 00:54:27,200 Speaker 1: a lot of her songs as well. She has worked 907 00:54:27,200 --> 00:54:29,840 Speaker 1: with producers in the past and either way, and I 908 00:54:29,840 --> 00:54:31,799 Speaker 1: think with you know rappers as well, Like do you 909 00:54:31,840 --> 00:54:34,680 Speaker 1: think jay Z made all of his beats. In fact, no, 910 00:54:34,960 --> 00:54:37,120 Speaker 1: it's famous that Kanye made a bunch of beats for 911 00:54:37,200 --> 00:54:39,560 Speaker 1: jay Z and even when it comes to and just 912 00:54:39,600 --> 00:54:42,120 Speaker 1: plays exactly as well. All I'm saying is that as 913 00:54:42,160 --> 00:54:44,239 Speaker 1: that goes down and down and down, it's the same 914 00:54:44,280 --> 00:54:46,280 Speaker 1: at every level of the industry. It's like, not every 915 00:54:46,280 --> 00:54:50,200 Speaker 1: single E d M producer DJ is also making all 916 00:54:50,280 --> 00:54:52,880 Speaker 1: of their own ship. They don't direct their own music videos, 917 00:54:52,960 --> 00:54:55,160 Speaker 1: they don't make all the own art for their stuff. 918 00:54:55,200 --> 00:54:58,799 Speaker 1: It's not always this super self contained project. And so 919 00:54:59,360 --> 00:55:01,879 Speaker 1: are some artist though that that that are like that, Yes, 920 00:55:01,920 --> 00:55:04,879 Speaker 1: they're one person totally. People like that. There's even people 921 00:55:04,880 --> 00:55:07,200 Speaker 1: who will record all of their own instruments, and there's 922 00:55:07,200 --> 00:55:09,520 Speaker 1: like Keller Williams and Paul Westerberg who just like you know, 923 00:55:09,760 --> 00:55:12,400 Speaker 1: literally record every instrument on their own, literally do it 924 00:55:12,440 --> 00:55:14,520 Speaker 1: all by themselves. But all I'm saying is that, you know, 925 00:55:14,719 --> 00:55:18,719 Speaker 1: don't be so hurt if you find out that you know, 926 00:55:19,320 --> 00:55:21,880 Speaker 1: someone you know had half of the song produced by 927 00:55:21,920 --> 00:55:25,160 Speaker 1: someone else, or that like some of kashmere Cat's pianos 928 00:55:25,160 --> 00:55:30,040 Speaker 1: were played by Lito, Like Okay, so now I know 929 00:55:30,120 --> 00:55:32,719 Speaker 1: who you're talking about. Look, I love Kashmir Cat is 930 00:55:32,760 --> 00:55:35,160 Speaker 1: one of my favorite producers straight up, hands down and 931 00:55:35,239 --> 00:55:37,480 Speaker 1: an incredible turntable list in DJ. But like you know, 932 00:55:37,520 --> 00:55:39,840 Speaker 1: the pianos on there were produced by Ledo and that's fine, 933 00:55:40,680 --> 00:55:42,960 Speaker 1: that's okay, and I'm not worn with that. No, I'm 934 00:55:42,960 --> 00:55:44,720 Speaker 1: not either. But when some people are like, oh, someone's 935 00:55:44,719 --> 00:55:48,080 Speaker 1: got ghost producers, it's like, yeah, everybody is. Everybody does. 936 00:55:48,200 --> 00:55:51,480 Speaker 1: Get over it. That's my myth. Alright, and that's going 937 00:55:51,520 --> 00:55:58,160 Speaker 1: to do it for today's special bonus episode. Naham, what 938 00:55:58,320 --> 00:56:00,720 Speaker 1: is it? Go right now? Okay? I just it's shout 939 00:56:00,719 --> 00:56:04,800 Speaker 1: out too late, goddamnit. Shout out to uh Alex Morgan 940 00:56:05,680 --> 00:56:09,759 Speaker 1: from the US women's national team for soccer. Uh. This 941 00:56:09,800 --> 00:56:13,160 Speaker 1: person tweeted in reference to her doing the sip the 942 00:56:13,200 --> 00:56:17,160 Speaker 1: team and after she scored the goal number thirteen, which 943 00:56:17,239 --> 00:56:20,120 Speaker 1: is her jersey number on her birthday in honor of 944 00:56:20,160 --> 00:56:27,919 Speaker 1: those thirteen colonies. That's the tet Wow Connies, Betsy Ross 945 00:56:27,960 --> 00:56:33,160 Speaker 1: Flag White Supremacy No. Thirteen stars, Dan Yo, what about 946 00:56:33,200 --> 00:56:38,759 Speaker 1: that six years Jersey had the thirteen stars? About that? Also? 947 00:56:38,760 --> 00:56:41,000 Speaker 1: Shout out to the person that made a Twitter handle 948 00:56:41,040 --> 00:56:45,120 Speaker 1: called Kawai's suv so funny. I love that this generation. 949 00:56:45,800 --> 00:56:48,239 Speaker 1: There's reports that Kauai is in me right now, Kauai 950 00:56:48,360 --> 00:56:51,120 Speaker 1: is inside me, sourced to say update has now coughed 951 00:56:51,120 --> 00:56:52,960 Speaker 1: three times in a row. In the back seat could 952 00:56:52,960 --> 00:56:55,280 Speaker 1: be hinting at creating a super team with three superstars 953 00:56:55,320 --> 00:56:58,680 Speaker 1: in l a more details to come, Dan, do you 954 00:56:58,719 --> 00:57:01,560 Speaker 1: have space? Um, you don't have to have a tweet? 955 00:57:01,560 --> 00:57:04,160 Speaker 1: All right, guys, I's gonna do it for this weekend. 956 00:57:04,800 --> 00:57:09,479 Speaker 1: Uh next weekend? Hey damn hey Dan? Where can people 957 00:57:09,520 --> 00:57:12,200 Speaker 1: find you? Follow you? You can find me on Twitter 958 00:57:12,239 --> 00:57:14,880 Speaker 1: at d J Underscore Daniel. You can find me on Twitter. 959 00:57:16,840 --> 00:57:19,680 Speaker 1: Oh that's no, that's fair. Yeah, DJ Underscore d A 960 00:57:19,920 --> 00:57:21,960 Speaker 1: n L. It's just a nickname. And you can find 961 00:57:21,960 --> 00:57:24,400 Speaker 1: on Instagram and just DJ Daniel if you want hot. 962 00:57:24,480 --> 00:57:27,720 Speaker 1: Video game takes on very tepid opinions, and y'all go, 963 00:57:28,080 --> 00:57:34,480 Speaker 1: really realize. I get all my legends from Marv Albert exactly. 964 00:57:35,320 --> 00:57:37,440 Speaker 1: I wonder where those video game jokes come from, the 965 00:57:37,440 --> 00:57:40,080 Speaker 1: Howard co Sell of l O L. You honor me, 966 00:57:40,400 --> 00:57:43,320 Speaker 1: Sophie Lichtorman. Where can people find you? Follow you? Well? 967 00:57:43,360 --> 00:57:45,640 Speaker 1: I don't have Twitter, but you can follow me on 968 00:57:46,280 --> 00:57:53,400 Speaker 1: You have Twitter? Twitter every day? Uh? Follow you? Can 969 00:57:53,400 --> 00:57:57,560 Speaker 1: follow me on Instagram at Sophie Underscore, Ray Underscore of Underscore, 970 00:57:57,600 --> 00:58:01,240 Speaker 1: Sunshine and are a thank you, thank you for that, 971 00:58:01,560 --> 00:58:06,320 Speaker 1: But most importantly follow the podcast I produce, which are many. 972 00:58:06,400 --> 00:58:08,800 Speaker 1: So yeah. Check out Behind the Bat, how can this 973 00:58:09,280 --> 00:58:11,960 Speaker 1: Chelsea Handler Life, the Death of meets the BacT to cast, 974 00:58:12,000 --> 00:58:16,160 Speaker 1: Hijamie Hi Caitlin ethnically ambiguous. Uh, I'm probably missing things. 975 00:58:16,200 --> 00:58:17,680 Speaker 1: I'm sorry. I love all of you. Oh it could 976 00:58:17,680 --> 00:58:19,840 Speaker 1: have a year. Yeah yeah. Check out All the pot 977 00:58:20,080 --> 00:58:23,919 Speaker 1: check out all the podcasts of Miles of Gray at 978 00:58:24,080 --> 00:58:25,240 Speaker 1: M I L E. S O F g R A 979 00:58:25,400 --> 00:58:29,320 Speaker 1: Y Jack Underscore O'Brien on Twitter. Alright, guys, have a 980 00:58:29,360 --> 00:58:34,120 Speaker 1: great holiday weekend. We miss you and love you all right,