WEBVTT - David Sedaris: Me Write Funny One Day

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<v Speaker 1>This is Alec Baldwin and you're listening to Here's the

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<v Speaker 1>Thing from my Heart Radio. There's really only one way

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<v Speaker 1>to introduce my guest today, and that's with this. Grew

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<v Speaker 1>up in North Carolina and it's hard to get to

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<v Speaker 1>attached to a beach house, knowing as you do that

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<v Speaker 1>it's unborrowed time. If the hurricane doesn't come this autumn,

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<v Speaker 1>it'll likely come the next. The one that claimed our

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<v Speaker 1>place the C section in September was Florence. He was devastated.

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<v Speaker 1>While my only thought was, what's with the old fashioned

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<v Speaker 1>names Irma, Agnes, Bertha Floyd. They sound like finalists in

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<v Speaker 1>a pinknuckle tournament. Isn't it time for hurricanes? Madison and Skyler? Yeah?

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<v Speaker 1>Where's lit trees? Or Category four? For Dante? Florence, it

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<v Speaker 1>was said, gave new meaning to the word namas day

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<v Speaker 1>along the North Carolina coast? Are you going to evacuate

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<v Speaker 1>n must Day? That is the unmistakable voice and writing

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<v Speaker 1>of the one and only David Sedaris. Some humorists today

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<v Speaker 1>simply assault the senses with expletives for a laugh, but

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<v Speaker 1>David Sedaris is far too clever for that. He seduces

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<v Speaker 1>the listener with a quiet, measured tone, sneakily delivering a

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<v Speaker 1>wrye observation, or a serbic singer that belies an unmatched wit.

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<v Speaker 1>His humor contains the best parts of two storytelling legends,

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<v Speaker 1>the incisive social commentary of Dorothy Parker and Noel Coward.

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<v Speaker 1>There is simply no one out there like him today.

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<v Speaker 1>Sedaris is the author of numerous bestsellers, including Me, Talk

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<v Speaker 1>Pretty One Day, and Holidays on Ice. His latest book,

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<v Speaker 1>Happy Go Lucky, details his experience in lockdown during the pandemic,

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<v Speaker 1>alongside chapters of coming to terms with his father's death.

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<v Speaker 1>It's a hilarious and at times heartbreaking collection of essays

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<v Speaker 1>that dive deep into Sadari's dysfunctional upbringing and it's continuing repercussions.

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<v Speaker 1>I was curious to learn more about his childhood and

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<v Speaker 1>the surroundings where he first grew up Western New York

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<v Speaker 1>State and moved one of the second grade how How

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<v Speaker 1>were were old? You are? At the age of second

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<v Speaker 1>grade eight, moved to Raleigh, North Carolina. I spent nine

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<v Speaker 1>out of ten summers in Figure eight Island off the

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<v Speaker 1>coast of Rightsville Beach because my ex wife had made

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<v Speaker 1>a film there, and I spent many summers in North

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<v Speaker 1>Carolina and really good to love it. I mean we

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<v Speaker 1>would go down there sometimes and have thanks getting down

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<v Speaker 1>there and swim in the ocean in late November. Did

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<v Speaker 1>you love North Carolina growing up there? No? No, I

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<v Speaker 1>didn't want to be there at all. I wanted to

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<v Speaker 1>be back in New York State. Why it just it

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<v Speaker 1>just hickish to me. I don't know. It's just so

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<v Speaker 1>convinced my life would have been so much better if

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<v Speaker 1>we had never left. But the town we lived in

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<v Speaker 1>western New York State, you know, I mean I didn't

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<v Speaker 1>realize that at the time, but all the industry left.

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<v Speaker 1>I mean Raleigh, where we moved. Every time you go

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<v Speaker 1>to Raleigh, there are another million people living there, and

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<v Speaker 1>it just like spilled milk, you know, it gets bigger

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<v Speaker 1>and bigger and bigger. Binghamton, where we were living before,

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<v Speaker 1>has actually gotten smaller. Population has decreased, you know, Like

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<v Speaker 1>sometimes you meet people from West Texas and they're like, oh,

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<v Speaker 1>it's so beautiful, and then you think, well, no one's not.

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<v Speaker 1>But I think that where you grow up defines beauty

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<v Speaker 1>in your mind. So to me, that part of western

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<v Speaker 1>New York State. We're driving down the road and then

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<v Speaker 1>you know those rock walls and that are kind of

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<v Speaker 1>weeping always, and there are creeks on on rock beds.

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<v Speaker 1>That's beauty to me. Your childhood, your father had a

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<v Speaker 1>good job. He worked for I was at IBM, and

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<v Speaker 1>you lived well, sure country club, but you guys with

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<v Speaker 1>the girls would go up to remember you describing in

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<v Speaker 1>the book, the girls would go up to the buffet,

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<v Speaker 1>and you know, and there was life was comfortable well

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<v Speaker 1>in the in the South, your life revolved around the

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<v Speaker 1>country club. So when we moved to Raleigh, the Carolina

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<v Speaker 1>Country Club was the country club, and they didn't allow Yankees,

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<v Speaker 1>and they didn't allow Jews, and then they really didn't

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<v Speaker 1>know and they also didn't allow Yankees. But the Carolina

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<v Speaker 1>Country Club allowed Yankees, and then later Jews were welcome.

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<v Speaker 1>And I wrote a story about that for the New Yorker,

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<v Speaker 1>and they contacted the fact checkers contact the Caroline Country Club,

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<v Speaker 1>and you know, they didn't want to come out and

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<v Speaker 1>say that, and they were like, everyone was welcome at

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<v Speaker 1>the Carolina Country clup. Really in everyone was welcome at

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<v Speaker 1>the Carolina Country clubs. So I had to change it. Too,

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<v Speaker 1>if I recall correctly. So when Billie Holiday showed up

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<v Speaker 1>at the Caroline talking, they poured her and they poured

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<v Speaker 1>her a cold one. Um. I don't want to say

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<v Speaker 1>that this is what I read in your piece, but

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<v Speaker 1>you can tell me. And I don't want to say

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<v Speaker 1>that we have this in common, although the way we might,

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<v Speaker 1>and that is I was always made to feel different

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<v Speaker 1>in my family because I was the oldest son. My

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<v Speaker 1>family mirrors you in terms of you have an older

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<v Speaker 1>sister and then there's you. You're the second and you're

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<v Speaker 1>the first boy. And in my family, my grandparents, my

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<v Speaker 1>father's parents who lived in Brooklyn, who were like a

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<v Speaker 1>forty five minute car ride away, we saw them constantly.

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<v Speaker 1>We want to see them, like at least a couple

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<v Speaker 1>of times a month and go hang out with them.

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<v Speaker 1>And I was treated differently from everybody else. I was older,

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<v Speaker 1>I was more adult identified. You know, the other kids

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<v Speaker 1>are falling asleep on the couch. It's Sunday. We've watched

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<v Speaker 1>that Sullivan, We've watched candid Camera. And my grandfather would

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<v Speaker 1>point to my to me and look at my father

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<v Speaker 1>and go let him stay. And my father was like

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<v Speaker 1>Jesus Christ, and he'd carried the other kids down to

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<v Speaker 1>the car with my mother put them they were passed out,

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<v Speaker 1>and drive and have to come back and get me.

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<v Speaker 1>I mean, and uh, I look at my grandfather, go Grandpa,

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<v Speaker 1>like seven years old, like, why do you and I?

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<v Speaker 1>Why were such pals? Why don't we get along so well? Grandpa?

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<v Speaker 1>And he said, because we have a common enemy. And

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<v Speaker 1>I was like, what you know? And I was just

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<v Speaker 1>treated differently. Yeah, I mean, it was always hard for

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<v Speaker 1>me to understand, you know, other people in my family.

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<v Speaker 1>My brother, for instance, he was a great guy, but

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<v Speaker 1>he ever had any desire to leave Raleigh. Terribly terribly funny,

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<v Speaker 1>my brother. And when Amy was the Second City, we

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<v Speaker 1>tried to lure Paul to Chicago to get him to

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<v Speaker 1>go to Second City. He would have could have could

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<v Speaker 1>have done anything, but he wasn't interested. Whatever you think.

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<v Speaker 1>I don't know. From from early age, I just wanted

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<v Speaker 1>to go. I just wanted to go, and I wanted

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<v Speaker 1>to go everywhere I could and get as far away

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<v Speaker 1>as possible from the house that I grew up in.

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<v Speaker 1>What was the father who was the common enemy though?

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<v Speaker 1>That my dad? Yeah, he met my son and your

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<v Speaker 1>father we are something we both have concerned. I always

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<v Speaker 1>love that with a grandparent, like co opts the child

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<v Speaker 1>and tries to tin against my father. But but when

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<v Speaker 1>you leave and you don't finished school and then you

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<v Speaker 1>go to Chicago to get into the comedy world, you

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<v Speaker 1>want to perform. Now. I went to school for a year,

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<v Speaker 1>like I mean, like I don't know sees in high school.

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<v Speaker 1>And then I went to college. Uh, And I went

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<v Speaker 1>to Western Carolina University right in the mountains of North Carolina.

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<v Speaker 1>And then I thought, wow, I gotta get out of here.

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<v Speaker 1>And so I worked really hard and I made good

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<v Speaker 1>grades and then I could transfer out of state, and

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<v Speaker 1>so I chose Kent State. But I thought it was

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<v Speaker 1>a good school. It was famous because it was a

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<v Speaker 1>good school, but it was just famous because people have

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<v Speaker 1>been killed there. So that I went to Kent State.

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<v Speaker 1>And then I was like super anti drug in high

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<v Speaker 1>school and then I just, uh was drug crazy when

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<v Speaker 1>I was at Kent State. And then you know how

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<v Speaker 1>that is you miss an Italian class and then you

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<v Speaker 1>miss five Italian classes and then you're afraid to run

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<v Speaker 1>into the teacher. And I was waking bake and then

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<v Speaker 1>I just dropped out and then I dropped back in

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<v Speaker 1>to school when I was twenty seven, and I went

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<v Speaker 1>to the Art Institute. And it was mainly because I

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<v Speaker 1>wanted to come to New York. But Chicago seemed like

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<v Speaker 1>a good stepping stone, you know, like it is for

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<v Speaker 1>many people. Yeah, and it still is, so it was

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<v Speaker 1>it was a perfect place to go, really. So I

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<v Speaker 1>went to art school and then I took some writing

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<v Speaker 1>classes while I was there. I'd been writing already, and

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<v Speaker 1>I really cared about writing more than art. But it

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<v Speaker 1>was a smart move on my part because they had

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<v Speaker 1>really good teachers at the Art Institute, writing teachers, but nobody.

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<v Speaker 1>It wasn't a major, and I was the only student

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<v Speaker 1>who cared, so the teachers gave me all their attention.

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<v Speaker 1>It was like having my own private uh teachers. But

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<v Speaker 1>I got a really good education at the Art Institute.

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<v Speaker 1>So when you left Kent State and you go back

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<v Speaker 1>to finish, what do you do? How many years are

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<v Speaker 1>intervening and what do you do during those years? I

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<v Speaker 1>did a lot of drugs. I moved back to my

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<v Speaker 1>hometown and your house. You got your own place, Yeah,

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<v Speaker 1>I got my own place at least, and I just,

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<v Speaker 1>you know, on my death bed, if they said, Okay,

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<v Speaker 1>what years did you waste? You know, what years would

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<v Speaker 1>you like to have back? Those would be the years

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<v Speaker 1>from when I was twenty two when I was twenty six.

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<v Speaker 1>I mean I I wrote every day, so I was working.

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<v Speaker 1>You know, I was never a lazy person that way.

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<v Speaker 1>Like well, you know, when I was doing artwork, I

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<v Speaker 1>did it every day, and I started writing. And when

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<v Speaker 1>I was twenty and then I did it every day.

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<v Speaker 1>You know, maybe I didn't have a job job, but

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<v Speaker 1>I was doing that stuff every day and reading about it,

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<v Speaker 1>and I was on fire, you know. You know, like

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<v Speaker 1>when you meet somebody and they say, well, I want

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<v Speaker 1>to be a writer or I want to be an artist,

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<v Speaker 1>And I say, well, is it all you care about?

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<v Speaker 1>Because if it's not, it's gonna be pretty hard for

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<v Speaker 1>you. You You know, if you're not on fire. You know,

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<v Speaker 1>you meet people like that and you can see him.

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<v Speaker 1>It's like it's like opening the door of an oven,

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<v Speaker 1>you know, and it's like wow. You know, you take

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<v Speaker 1>a step back. And that doesn't mean they're good, but

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<v Speaker 1>they're just intense and they're just it's all they think about,

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<v Speaker 1>it's all they talk about, it's all they care about.

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<v Speaker 1>They don't have relationships. They're not good friends for other people.

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<v Speaker 1>This is just but they're yeah for you writing, and

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<v Speaker 1>you are and I'm not just saying this. You are

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<v Speaker 1>this remarkably talented and gifted writer and very successful writer.

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<v Speaker 1>So when you sit down to write, what's the routine?

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<v Speaker 1>Is there a usual routine? I just get up and

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<v Speaker 1>go to my desk. I don't like to talk beforehand.

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<v Speaker 1>I don't want to, you know, talking to the phone

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<v Speaker 1>be the worst. But I mean my boyfriend Hugh, you know,

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<v Speaker 1>I might say hello, you know, we might say a

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<v Speaker 1>few words, but I just rather just save it from

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<v Speaker 1>my desk. And then I just go to my desk

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<v Speaker 1>every day, you know, not you know, like three and

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<v Speaker 1>a half hours in the morning, and then I go

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<v Speaker 1>back for another hour, hour and a half at night,

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<v Speaker 1>because you're only good for so long. And I do

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<v Speaker 1>it every day, like you know, when I'm on tour,

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<v Speaker 1>I just get up earlier than normal. Or now after

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<v Speaker 1>I quit smoking, then I could do it on airplanes,

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<v Speaker 1>and I could do it in the backseats of cars.

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<v Speaker 1>So let's just do it, you know. I finally the time,

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<v Speaker 1>you know, you always find the time if it's important

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<v Speaker 1>to you David Sedaris. If you enjoy conversations with insightful,

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<v Speaker 1>observational humorists, check out my episode with Lena Dunham. I

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<v Speaker 1>don't like a storyline that's like, you know, he bought

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<v Speaker 1>me an entire trousseau of dresses and so I'm his forever.

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<v Speaker 1>Like that's just not the way that I want to

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<v Speaker 1>I realize anything. The characters can make mistakes, but they

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<v Speaker 1>have to be emotionally responsible for the things that they've done.

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<v Speaker 1>I don't ever want to, like have a makeover scenario

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<v Speaker 1>where someone's doing better after they've put on a great

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<v Speaker 1>dress and you know, straight ironed their hair, Like it's

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<v Speaker 1>a really instinctual thing, but it's just a feeling uage.

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<v Speaker 1>I want women. This is so kind of hippidip, but

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<v Speaker 1>I want them to make their own choices. To hear

0:12:50.320 --> 0:12:53.960
<v Speaker 1>more of my conversation with Lena Dunham, go to Here's

0:12:54.000 --> 0:12:58.559
<v Speaker 1>the Thing dot Org. After the break, David Sedaris tells

0:12:58.640 --> 0:13:02.120
<v Speaker 1>us about how his fraud relationship with his father changed

0:13:02.400 --> 0:13:17.800
<v Speaker 1>at the end of his life. I'm Alec Baldwin and

0:13:17.880 --> 0:13:21.800
<v Speaker 1>you're listening to hear is the Thing In David Sedaris's

0:13:21.920 --> 0:13:26.200
<v Speaker 1>latest book, Happy go Lucky. The author revisits moments of

0:13:26.280 --> 0:13:30.360
<v Speaker 1>his life with his ailing father. It's an unflinching look

0:13:30.360 --> 0:13:34.160
<v Speaker 1>at some of the darker chapters of their history. I

0:13:34.320 --> 0:13:37.880
<v Speaker 1>was curious what the reaction has been to him revealing

0:13:37.960 --> 0:13:43.200
<v Speaker 1>these family secrets My father was. I had a book

0:13:43.200 --> 0:13:46.600
<v Speaker 1>signing last night, and somebody said, um, you know that

0:13:46.640 --> 0:13:48.400
<v Speaker 1>they'd come to see a show that I did a

0:13:48.440 --> 0:13:52.000
<v Speaker 1>couple of years ago, and that there was a woman

0:13:52.040 --> 0:13:53.960
<v Speaker 1>who worked at the theater whose job it was to

0:13:54.040 --> 0:13:56.319
<v Speaker 1>maintain the book signing line, and she kept saying to

0:13:56.360 --> 0:13:58.480
<v Speaker 1>everybody who comes by, no one should talk about their

0:13:58.520 --> 0:14:00.920
<v Speaker 1>father that way. That's a shame what he was saying

0:14:01.000 --> 0:14:02.880
<v Speaker 1>up there about his father. No one should talk about

0:14:02.880 --> 0:14:06.480
<v Speaker 1>their father that way. Then, don't be a dick, you

0:14:06.520 --> 0:14:08.880
<v Speaker 1>know what I mean? Like, I don't believe that rule

0:14:09.400 --> 0:14:10.880
<v Speaker 1>that I was gonna ask you, is that is the

0:14:10.920 --> 0:14:13.280
<v Speaker 1>rule that so long as it's true? Yeah, I mean,

0:14:13.800 --> 0:14:15.840
<v Speaker 1>I'm feeling like, if you don't, if you want people

0:14:15.880 --> 0:14:18.199
<v Speaker 1>to talk about you in a different way, be a

0:14:18.280 --> 0:14:23.760
<v Speaker 1>good person, right. I would never I wouldn't write such

0:14:23.840 --> 0:14:26.240
<v Speaker 1>things about my mother. I would have no. She was

0:14:26.920 --> 0:14:28.800
<v Speaker 1>a lovely person. She was you know, I mean yeah,

0:14:28.920 --> 0:14:33.080
<v Speaker 1>she was a one. I was thirty four when my

0:14:33.200 --> 0:14:38.160
<v Speaker 1>mother died. But my mother was always my mother, you know,

0:14:38.440 --> 0:14:40.200
<v Speaker 1>she and I were crazy about each other. So when

0:14:40.280 --> 0:14:43.040
<v Speaker 1>she died, then it was like I was kind of

0:14:43.080 --> 0:14:46.080
<v Speaker 1>alone in the family, like I didn't have a parent,

0:14:46.800 --> 0:14:50.800
<v Speaker 1>you know, because my father just he just could never

0:14:50.880 --> 0:14:53.200
<v Speaker 1>stand me. I mean it was always, you know, from

0:14:53.200 --> 0:14:55.640
<v Speaker 1>when I was a kid. And I'm not saying that

0:14:55.760 --> 0:14:58.160
<v Speaker 1>in a boo whoey way, because I had my mother,

0:14:58.920 --> 0:15:02.400
<v Speaker 1>so it wasn't like I didn't have anybody. But you know,

0:15:02.520 --> 0:15:04.920
<v Speaker 1>somebody dislikes you that strongly, and you think, well, i'll

0:15:04.920 --> 0:15:07.000
<v Speaker 1>do this and that'll make him like me, and I'll

0:15:07.200 --> 0:15:10.280
<v Speaker 1>try this, and and then after a while you realize,

0:15:10.360 --> 0:15:13.160
<v Speaker 1>like the thing you can do. But at the very

0:15:13.280 --> 0:15:15.120
<v Speaker 1>end of his life, just the very end the past

0:15:15.160 --> 0:15:18.400
<v Speaker 1>few months, you know, he started going to the front

0:15:18.480 --> 0:15:20.800
<v Speaker 1>desk it is this just a living center and asking

0:15:20.920 --> 0:15:25.560
<v Speaker 1>for his mother, right or you'd call and he would say, oh,

0:15:25.720 --> 0:15:28.560
<v Speaker 1>the guys from my BM are all here, and we

0:15:28.800 --> 0:15:32.920
<v Speaker 1>we I've just been talking to them. And he developed

0:15:33.000 --> 0:15:35.560
<v Speaker 1>like the mania, not so that he didn't know who

0:15:35.640 --> 0:15:42.320
<v Speaker 1>we were, but he forgot that he was uh, really

0:15:42.400 --> 0:15:45.520
<v Speaker 1>difficult person, and he was lovely the last time I

0:15:45.560 --> 0:15:50.080
<v Speaker 1>saw him. He was just because before that, like if

0:15:50.160 --> 0:15:53.160
<v Speaker 1>my father and I were on the phone, like all

0:15:53.240 --> 0:15:57.080
<v Speaker 1>of his conversations were just superficial. How the hell are

0:15:57.160 --> 0:16:01.520
<v Speaker 1>you so? How how's your health? How are you? I

0:16:01.600 --> 0:16:04.720
<v Speaker 1>mean a lot of the way my dad was. It

0:16:04.800 --> 0:16:09.200
<v Speaker 1>was just the way that guys were his age, you know,

0:16:09.280 --> 0:16:12.080
<v Speaker 1>I mean, it was pretty normal to slap your kids around.

0:16:12.160 --> 0:16:15.920
<v Speaker 1>That was pretty normal. It's pretty normal to just come

0:16:15.960 --> 0:16:18.360
<v Speaker 1>home from work and expect them all to shut up

0:16:18.400 --> 0:16:21.360
<v Speaker 1>and tiptoe around you. All that stuff I understand. You know,

0:16:22.320 --> 0:16:26.720
<v Speaker 1>Um didn't didn't really have any friends, you know, any

0:16:26.920 --> 0:16:29.720
<v Speaker 1>male friends, didn't. When my mother died, I worried my

0:16:29.840 --> 0:16:31.720
<v Speaker 1>dad would be lonely. And then he had these neighbors,

0:16:31.760 --> 0:16:35.080
<v Speaker 1>the Wolfheimer's, and they stepped in and they started inviting

0:16:35.120 --> 0:16:37.800
<v Speaker 1>my dad to their house for dinner, and so he

0:16:38.320 --> 0:16:40.680
<v Speaker 1>had somebody to hang out with. And then he tripped

0:16:40.680 --> 0:16:42.520
<v Speaker 1>on some wet leaves and the driver I go into

0:16:42.560 --> 0:16:46.480
<v Speaker 1>their house for dinner, and he sued him and he said,

0:16:46.480 --> 0:16:49.800
<v Speaker 1>it's not them, he spanned, it's the insurance company. It's like,

0:16:51.760 --> 0:16:54.120
<v Speaker 1>it's not like he broke his leg or anything. Either

0:16:54.440 --> 0:16:58.360
<v Speaker 1>you know now, when Happy Go Lucky, did you feel

0:16:58.400 --> 0:17:02.120
<v Speaker 1>like you needed that permission from people surviving members of

0:17:02.200 --> 0:17:05.200
<v Speaker 1>your family? Did you like run it buy them to

0:17:05.240 --> 0:17:07.520
<v Speaker 1>see how they felt, or you don't think about that? No,

0:17:07.920 --> 0:17:10.080
<v Speaker 1>I know, I mean I generally do. I mean. There

0:17:10.160 --> 0:17:12.520
<v Speaker 1>was an essay that I sent to my sister Lisa

0:17:13.320 --> 0:17:15.720
<v Speaker 1>Um and it was called pussy Toes and it was

0:17:15.760 --> 0:17:18.920
<v Speaker 1>about my my dad's funeral and I sent it to

0:17:19.000 --> 0:17:21.080
<v Speaker 1>her and I had said in there that the coffin

0:17:21.200 --> 0:17:24.560
<v Speaker 1>she chose was ugly, right, and and that really hurt

0:17:24.600 --> 0:17:27.240
<v Speaker 1>her feelings. And then she responded, you know, I think

0:17:27.280 --> 0:17:30.280
<v Speaker 1>you maybe need to stop writing about dad until you

0:17:30.359 --> 0:17:33.760
<v Speaker 1>figure some stuff out. And then luckily I had Amy there,

0:17:33.760 --> 0:17:37.120
<v Speaker 1>and Amy's like, it was ugly, you know, the coffin

0:17:37.960 --> 0:17:41.920
<v Speaker 1>was just you know, but I said good things about

0:17:41.960 --> 0:17:45.080
<v Speaker 1>my sister Lisa and it, but like, there's plenty of

0:17:45.160 --> 0:17:47.960
<v Speaker 1>good things, so I just the only bad thing I

0:17:48.080 --> 0:17:52.239
<v Speaker 1>said was that the coffin. Yeah, that's the only bad thing.

0:17:52.720 --> 0:17:54.360
<v Speaker 1>But it doesn't work. You know, if you're just hard

0:17:54.400 --> 0:17:57.399
<v Speaker 1>on everybody but you're not hard on yourself, you know,

0:17:57.520 --> 0:18:01.840
<v Speaker 1>then that does. Everybody can can smell that a mile

0:18:01.920 --> 0:18:06.760
<v Speaker 1>away now, Um, I'm assuming that the main activity for

0:18:06.840 --> 0:18:10.520
<v Speaker 1>you as book sales. You're selling books, Well, I'm I

0:18:10.640 --> 0:18:13.119
<v Speaker 1>think I'm getting more from going on tour. I have

0:18:13.200 --> 0:18:15.919
<v Speaker 1>a lecture agent, so I go on tour. So I usually,

0:18:16.240 --> 0:18:18.600
<v Speaker 1>like this past year, I went to like hundred and

0:18:18.680 --> 0:18:23.240
<v Speaker 1>twenty cities, you know, in theaters, so I'm reading in theaters.

0:18:24.000 --> 0:18:25.800
<v Speaker 1>So but I'm saying that the books that you're promoting

0:18:25.800 --> 0:18:29.000
<v Speaker 1>at the time are the center of the appearance. Uh. Well,

0:18:29.200 --> 0:18:31.639
<v Speaker 1>usually when I when I go on tour, like I

0:18:31.760 --> 0:18:34.040
<v Speaker 1>have new material and I read it out loud, and

0:18:34.080 --> 0:18:36.520
<v Speaker 1>then I go back to the room and read yet, No,

0:18:36.640 --> 0:18:38.760
<v Speaker 1>it hadn't been published, and I just find it out, yeah,

0:18:38.880 --> 0:18:41.880
<v Speaker 1>testing it out and polishing it up, and then then

0:18:41.920 --> 0:18:43.520
<v Speaker 1>I usually give it to my editor at the New

0:18:43.600 --> 0:18:45.720
<v Speaker 1>York or at the end of a tour. So I

0:18:46.000 --> 0:18:48.719
<v Speaker 1>try to learn as much as on my own as

0:18:48.800 --> 0:18:51.080
<v Speaker 1>I can before I turn it over to somebody else.

0:18:51.840 --> 0:18:54.200
<v Speaker 1>Are there cities that you go to You said you

0:18:54.240 --> 0:18:57.280
<v Speaker 1>went to a hundred and twenty gigs last year. Yeah,

0:18:57.320 --> 0:19:00.639
<v Speaker 1>I went to seventy four cities in the all and

0:19:00.760 --> 0:19:05.520
<v Speaker 1>then I went to Uh, I just finished forty four

0:19:05.920 --> 0:19:08.679
<v Speaker 1>more cities, and then I went to some in between.

0:19:08.800 --> 0:19:12.359
<v Speaker 1>There two in Canada and on the West coast. But

0:19:12.520 --> 0:19:16.199
<v Speaker 1>we'll defined city when you say seventy four cities, are

0:19:16.240 --> 0:19:19.920
<v Speaker 1>you right? You know, I was just in Skagway, Alaska. Okay.

0:19:20.000 --> 0:19:22.880
<v Speaker 1>I think seven hundred people live in Skagway. A quarter

0:19:22.960 --> 0:19:25.080
<v Speaker 1>of the population came to see me, though. I mean,

0:19:25.160 --> 0:19:27.640
<v Speaker 1>can you imagine if quarter of the population New York

0:19:27.680 --> 0:19:30.800
<v Speaker 1>came to see you, that'd be a pretty big theater,

0:19:32.040 --> 0:19:34.320
<v Speaker 1>you know. But I used to listen, remember, you know,

0:19:34.400 --> 0:19:37.040
<v Speaker 1>you'd see people on talk shows Johnny Carson or whatever,

0:19:37.119 --> 0:19:39.639
<v Speaker 1>and they would say, and I'm gonna be in Oklahoma

0:19:39.720 --> 0:19:43.760
<v Speaker 1>City or I'm gonna be in um uh, Salina, Kansas,

0:19:43.960 --> 0:19:47.040
<v Speaker 1>And you think, what a loser. But I didn't realize

0:19:47.080 --> 0:19:50.560
<v Speaker 1>at the time. If you can sell tickets in Salina,

0:19:51.080 --> 0:19:53.120
<v Speaker 1>if you can sell tickets in Oklahoma City, you're doing

0:19:53.160 --> 0:19:55.920
<v Speaker 1>pretty good. Of course, you can sell them in Chicago

0:19:56.160 --> 0:19:58.680
<v Speaker 1>and San Francisco and Los Angeles, but if you can

0:19:58.840 --> 0:20:02.000
<v Speaker 1>play the small all her towns. So I'm getting ready

0:20:02.040 --> 0:20:04.000
<v Speaker 1>to go on a UK tour, and I'm going to

0:20:04.080 --> 0:20:06.760
<v Speaker 1>a lot of dinky places in the UK because I

0:20:06.960 --> 0:20:09.800
<v Speaker 1>have a radio show there, so then people will come.

0:20:10.040 --> 0:20:11.679
<v Speaker 1>So you're gonna go to a lot of dinky towns

0:20:11.760 --> 0:20:16.680
<v Speaker 1>and in England. Yeah, who who maps this out for you?

0:20:16.800 --> 0:20:20.480
<v Speaker 1>Who do sets the whole thing? Yeah? I have a

0:20:20.560 --> 0:20:22.760
<v Speaker 1>lecture agent and he just tells me where to go,

0:20:22.840 --> 0:20:27.400
<v Speaker 1>and I go, and I don't put up any Skagway, Alaska. Yeah,

0:20:28.080 --> 0:20:30.080
<v Speaker 1>And but I'm so glad that I went to Skagway.

0:20:30.760 --> 0:20:33.000
<v Speaker 1>Like a lot of those little towns. I went to Alaska,

0:20:33.200 --> 0:20:35.919
<v Speaker 1>like there's no place to buy a tie, and everyone

0:20:36.080 --> 0:20:38.840
<v Speaker 1>is dressed to kill something and then to bathe in

0:20:38.920 --> 0:20:43.960
<v Speaker 1>its blood, right, like everybody is a slum, right, But

0:20:44.160 --> 0:20:46.080
<v Speaker 1>there was only some. I met a woman and she

0:20:46.160 --> 0:20:49.000
<v Speaker 1>had had she had cancer, and so she was flying.

0:20:49.160 --> 0:20:52.119
<v Speaker 1>He had been flying from Skagway to Houston once a

0:20:52.240 --> 0:20:55.440
<v Speaker 1>week right for treatment. And she said, well, we have

0:20:55.600 --> 0:20:58.120
<v Speaker 1>good you know, we're lucky. We have good health insurance

0:20:58.200 --> 0:21:00.520
<v Speaker 1>my husband and and I said, how did you afford

0:21:00.560 --> 0:21:03.359
<v Speaker 1>the tickets? And she said the community, She said, when

0:21:03.400 --> 0:21:05.439
<v Speaker 1>you live in a place like this, you know, if

0:21:05.480 --> 0:21:08.000
<v Speaker 1>your house burns down, everybody builds you a new one.

0:21:08.920 --> 0:21:11.920
<v Speaker 1>If you're sick, everybody chips in. Everybody, she said, even

0:21:11.960 --> 0:21:14.360
<v Speaker 1>if they don't like you. And I thought, well that's

0:21:14.400 --> 0:21:17.399
<v Speaker 1>why people live there, because you know, if my neighbor

0:21:17.600 --> 0:21:20.960
<v Speaker 1>downstairs for me in New York, if her apartment caught

0:21:21.000 --> 0:21:23.480
<v Speaker 1>on fire, I'd let her stand my guest room, you know,

0:21:23.560 --> 0:21:26.880
<v Speaker 1>for a night. But it's a little bit different. We're

0:21:26.920 --> 0:21:29.240
<v Speaker 1>not or if she needed something from the grocery store,

0:21:29.280 --> 0:21:33.119
<v Speaker 1>I'm happy to go, but we're not from the nearest hospital.

0:21:33.320 --> 0:21:36.360
<v Speaker 1>We're not gonna die if our heat goes out on Tuesday.

0:21:37.200 --> 0:21:40.359
<v Speaker 1>So it's it's really kind of a beautiful thing, and

0:21:40.400 --> 0:21:44.119
<v Speaker 1>it's something I didn't understand, and it's something that people

0:21:44.160 --> 0:21:46.720
<v Speaker 1>are willing to It's a fair exchange to them. Like

0:21:46.800 --> 0:21:50.320
<v Speaker 1>I'm willing to exchange access to a hospital. I'm willing

0:21:50.400 --> 0:21:53.640
<v Speaker 1>to exchange the ability to buy a a bow tie

0:21:53.720 --> 0:21:58.840
<v Speaker 1>whenever I want to, for community, for for feeling like

0:21:58.960 --> 0:22:01.120
<v Speaker 1>I'm part of a fan way when I walk out

0:22:01.200 --> 0:22:03.760
<v Speaker 1>my door every morning and I thought, gosh, how didn't

0:22:03.760 --> 0:22:09.719
<v Speaker 1>I how how did I not understand that before? Author

0:22:10.000 --> 0:22:13.920
<v Speaker 1>David Sedaris. If you're enjoying this conversation, tell a friend

0:22:14.359 --> 0:22:16.879
<v Speaker 1>and be sure to follow here's the thing on the

0:22:17.000 --> 0:22:21.320
<v Speaker 1>I Heart radio app, Spotify or wherever you get your podcasts.

0:22:21.920 --> 0:22:25.000
<v Speaker 1>When we come back, David Sedaris tells us why we

0:22:25.040 --> 0:22:39.680
<v Speaker 1>should never get under the hood of our relationships. I'm

0:22:39.680 --> 0:22:42.520
<v Speaker 1>Alec Baldwin and you were listening to Here's the thing.

0:22:43.440 --> 0:22:47.720
<v Speaker 1>David Saderis had to pause his normal itinerary of book

0:22:47.800 --> 0:22:51.919
<v Speaker 1>tours and speaking engagements due to the pandemic. I wondered

0:22:52.000 --> 0:22:54.520
<v Speaker 1>what it was like to resume his schedule in a

0:22:54.680 --> 0:23:00.520
<v Speaker 1>changed world. At that point, you still had to most places.

0:23:00.640 --> 0:23:02.240
<v Speaker 1>You know, you wore masks, and you wore masks on

0:23:02.280 --> 0:23:05.160
<v Speaker 1>the airplane. You wore masks on the airport. But masks

0:23:05.240 --> 0:23:08.000
<v Speaker 1>became a campaign button in the United States. And so

0:23:08.240 --> 0:23:12.720
<v Speaker 1>one good thing about about dropping mask mandates, because I

0:23:12.760 --> 0:23:14.840
<v Speaker 1>don't think it's always good to have a campaign button on.

0:23:14.960 --> 0:23:18.800
<v Speaker 1>I don't think it's always good to know where somebody

0:23:18.880 --> 0:23:21.880
<v Speaker 1>stands from a distance of twelve feet away. I feel

0:23:21.920 --> 0:23:25.959
<v Speaker 1>like that separated us even more. And I would get

0:23:26.040 --> 0:23:27.920
<v Speaker 1>on a plane every day there'd be some kind of

0:23:28.000 --> 0:23:29.760
<v Speaker 1>a thing on a plane. Somebody would say to the

0:23:29.800 --> 0:23:32.639
<v Speaker 1>flight attendant, Oh, let me get this straight, right. So

0:23:32.720 --> 0:23:35.280
<v Speaker 1>if I lowered my drink to drink my mask to

0:23:35.400 --> 0:23:39.879
<v Speaker 1>drink a coke, you can't get my COVID right, you know.

0:23:40.000 --> 0:23:42.080
<v Speaker 1>And of course it doesn't make any sense, you know,

0:23:42.200 --> 0:23:44.320
<v Speaker 1>but that's not the flight attendant's fault. So there was

0:23:44.440 --> 0:23:48.399
<v Speaker 1>just there was just animosity everywhere, you know, you just

0:23:49.400 --> 0:23:51.879
<v Speaker 1>every day. It was in a hotel, it was in

0:23:52.000 --> 0:23:55.240
<v Speaker 1>a you know, nobody liked saying to somebody, excuse me,

0:23:55.440 --> 0:23:58.240
<v Speaker 1>could you pull your mask up? Nobody liked being told

0:23:58.320 --> 0:24:02.480
<v Speaker 1>your mask wasn't up high in off. So but on

0:24:02.600 --> 0:24:05.240
<v Speaker 1>this last tour that I went on, things seemed a

0:24:05.320 --> 0:24:09.160
<v Speaker 1>lot calmer. But I didn't notice everyone says perfect. Now

0:24:09.720 --> 0:24:11.880
<v Speaker 1>do you have you noticed that I'd like to check

0:24:11.920 --> 0:24:15.960
<v Speaker 1>out of my hotel. I'm perfect, It's the answer to everything. Perfect.

0:24:16.600 --> 0:24:19.040
<v Speaker 1>And have you noticed are more and more people calling

0:24:19.080 --> 0:24:21.639
<v Speaker 1>you boss lately? I'd like to check out of my

0:24:21.720 --> 0:24:25.760
<v Speaker 1>hotel room? Okay, boss? More coffee? Boss? And I said

0:24:25.800 --> 0:24:27.240
<v Speaker 1>to someone a while ago, I said, you know what,

0:24:27.359 --> 0:24:29.159
<v Speaker 1>I don't want to be a pain? I said, please,

0:24:29.440 --> 0:24:32.320
<v Speaker 1>please don't call me that. What am I supposed to

0:24:32.359 --> 0:24:35.000
<v Speaker 1>call you? I said, sir? Would work. I said, that's

0:24:35.000 --> 0:24:38.159
<v Speaker 1>what I call you. But I noticed an uptick in that,

0:24:38.240 --> 0:24:41.080
<v Speaker 1>and I'm not sure where that comes from. I noticed,

0:24:41.240 --> 0:24:43.960
<v Speaker 1>you know, for me, my experience during the COVID which

0:24:44.000 --> 0:24:46.640
<v Speaker 1>has made me so yeah, I got a lot of kids.

0:24:46.720 --> 0:24:48.600
<v Speaker 1>I got six counts sixty four years old, and my

0:24:48.640 --> 0:24:52.600
<v Speaker 1>wife's having another baby. So it's insane. It's insane. I

0:24:52.640 --> 0:24:55.360
<v Speaker 1>think that's nice for the kids, So I think, I mean,

0:24:55.720 --> 0:24:59.440
<v Speaker 1>I feel no. I can't always feel bad for someone

0:24:59.480 --> 0:25:03.280
<v Speaker 1>who's an own child. But if you're one of six,

0:25:03.440 --> 0:25:06.719
<v Speaker 1>I think that's the greatest thing. S No. I grew

0:25:06.800 --> 0:25:09.359
<v Speaker 1>up with six, and the only thing I find is

0:25:09.400 --> 0:25:12.080
<v Speaker 1>that when you're when they're six so tight together, they're

0:25:12.119 --> 0:25:17.960
<v Speaker 1>going through these changes so quickly. So someone my son,

0:25:18.359 --> 0:25:19.920
<v Speaker 1>they get all this from a TV and we have

0:25:20.000 --> 0:25:23.400
<v Speaker 1>every filter on there. You can imagine. Now, my son Romeo,

0:25:23.920 --> 0:25:27.000
<v Speaker 1>he's just the most exquisitely beautiful child you've ever seen

0:25:27.040 --> 0:25:29.920
<v Speaker 1>in your life. Is gorgeous. I think all my kids

0:25:29.960 --> 0:25:33.840
<v Speaker 1>are beautiful. My son Romeo is very sweet and very tender,

0:25:34.760 --> 0:25:38.199
<v Speaker 1>and he's very seductive, and everyone's constantly running their fingers

0:25:38.240 --> 0:25:42.160
<v Speaker 1>through his hair and massaging him. And he's he's four.

0:25:42.960 --> 0:25:44.919
<v Speaker 1>And uh, I said to him, now, I don't want

0:25:44.920 --> 0:25:47.760
<v Speaker 1>you to bring these toys to the dinner table because

0:25:48.160 --> 0:25:50.520
<v Speaker 1>you don't eat. I said, you're playing with the toys

0:25:50.520 --> 0:25:51.720
<v Speaker 1>and you're not eating. I want you to eat, and

0:25:51.760 --> 0:25:53.439
<v Speaker 1>then we'll play with the toys. And he looks at

0:25:53.440 --> 0:25:56.320
<v Speaker 1>me and he squints, and it was literally like he

0:25:56.520 --> 0:26:00.359
<v Speaker 1>literally was mimicking unintentionally Eastwood to me looked at me

0:26:00.359 --> 0:26:06.400
<v Speaker 1>and he goes, you're a bit. And my mouth goes

0:26:06.520 --> 0:26:08.560
<v Speaker 1>down to the floor of the playroom or we're in

0:26:08.560 --> 0:26:10.960
<v Speaker 1>the playroom of our house along and I go and

0:26:11.000 --> 0:26:12.879
<v Speaker 1>I'm gonna try not to laugh, and I go, what

0:26:13.000 --> 0:26:16.040
<v Speaker 1>did you say? And with this like really tough inflection,

0:26:16.080 --> 0:26:20.399
<v Speaker 1>he goes, I call you a bit, Like what are

0:26:20.440 --> 0:26:22.879
<v Speaker 1>you going to do about it? And I thought to myself,

0:26:23.240 --> 0:26:27.359
<v Speaker 1>and all of them go into a place and right

0:26:27.520 --> 0:26:30.720
<v Speaker 1>is one. There's one leaving that phase, one fully in

0:26:30.840 --> 0:26:33.080
<v Speaker 1>that phase, the others coming into that phase. So I

0:26:33.160 --> 0:26:35.320
<v Speaker 1>got three kids who, in various times of the day,

0:26:35.320 --> 0:26:39.120
<v Speaker 1>you're going, fuck you, you know, and I'm I sit

0:26:39.240 --> 0:26:40.520
<v Speaker 1>there with my wife and I go, what am I

0:26:40.560 --> 0:26:43.479
<v Speaker 1>gonna do? What am I gonna do? Now? A lot

0:26:43.560 --> 0:26:47.200
<v Speaker 1>of what you do? I mean Santa Diaries, Santa Lan Diaries,

0:26:47.240 --> 0:26:50.800
<v Speaker 1>which everybody knows that piece, and it becomes that's like

0:26:50.920 --> 0:26:54.840
<v Speaker 1>the annual classic on the public radio crowd and everybody

0:26:54.880 --> 0:26:57.760
<v Speaker 1>loves sant Alan Diaries, and but a lot of it

0:26:57.880 --> 0:27:00.480
<v Speaker 1>is due as your performance. You know, a lot of

0:27:00.560 --> 0:27:03.479
<v Speaker 1>it is you're you know, you're like this black comedy.

0:27:03.520 --> 0:27:05.159
<v Speaker 1>You might as well be Olivier. And I mean, you

0:27:05.359 --> 0:27:08.159
<v Speaker 1>just got it down, the readings and the inflections. No

0:27:08.320 --> 0:27:10.600
<v Speaker 1>acting for you. You never wanted to act on camera ever.

0:27:10.800 --> 0:27:14.360
<v Speaker 1>I was in drama club in high school, and when

0:27:14.440 --> 0:27:17.040
<v Speaker 1>I remember in class when we would have to read

0:27:17.080 --> 0:27:19.840
<v Speaker 1>out loud before drama club, I would think, oh, call

0:27:19.960 --> 0:27:22.800
<v Speaker 1>on me, call on me, and I couldn't believe it

0:27:23.400 --> 0:27:25.520
<v Speaker 1>when the teacher would call on somebody and they would

0:27:25.520 --> 0:27:28.800
<v Speaker 1>do a shitty job reading out loud from whatever, even

0:27:28.840 --> 0:27:31.080
<v Speaker 1>if it was even if it was cold, you know

0:27:31.119 --> 0:27:33.359
<v Speaker 1>what I mean. Like, I thought, I can do it,

0:27:33.640 --> 0:27:36.800
<v Speaker 1>you know, give it to me. But then on stage,

0:27:36.840 --> 0:27:39.840
<v Speaker 1>I never know what to do with my hands, right,

0:27:39.960 --> 0:27:44.920
<v Speaker 1>So I'm not. I'm I freeze up physically. And Peter

0:27:45.080 --> 0:27:48.200
<v Speaker 1>Fairley Um said to me a couple of years ago,

0:27:48.240 --> 0:27:49.879
<v Speaker 1>he said, I'm doing this TV show. I want to

0:27:49.960 --> 0:27:51.880
<v Speaker 1>write a part for you. And I said, oh, that's

0:27:51.920 --> 0:27:53.760
<v Speaker 1>so sweet of you. I said, but I'm not. I'm

0:27:53.760 --> 0:27:56.719
<v Speaker 1>not an actor. And he said, well, I'm gonna make

0:27:56.760 --> 0:27:58.480
<v Speaker 1>you one. I said, no, I really am not. I said,

0:27:58.480 --> 0:28:00.000
<v Speaker 1>I don't know what to do with my hands on stage.

0:28:00.440 --> 0:28:03.800
<v Speaker 1>He said, I'll write apart. You're you'll be somebody who

0:28:03.880 --> 0:28:08.880
<v Speaker 1>was born without arms. You're a limbless You're a limbless attorney.

0:28:08.960 --> 0:28:10.399
<v Speaker 1>But then I thought, you know, if you were an

0:28:10.440 --> 0:28:12.600
<v Speaker 1>actor with no arms, you'd be like, what do you do?

0:28:12.680 --> 0:28:14.760
<v Speaker 1>You mean? I didn't get the part, but I like

0:28:14.920 --> 0:28:17.760
<v Speaker 1>my little station. You know, I'm just there at my lectern,

0:28:18.359 --> 0:28:20.000
<v Speaker 1>and they often say when I get there for the

0:28:20.080 --> 0:28:23.359
<v Speaker 1>sound check, you move around. I say, no, I'm just

0:28:23.400 --> 0:28:26.440
<v Speaker 1>gonna be here all night, just right here behind mine.

0:28:26.440 --> 0:28:29.280
<v Speaker 1>You're a lazy bastard. I don't know if it's lazy.

0:28:30.600 --> 0:28:33.119
<v Speaker 1>I just it's not. I don't know, no, I you know,

0:28:33.320 --> 0:28:35.640
<v Speaker 1>I always feel like it's important to try to grow

0:28:35.800 --> 0:28:39.200
<v Speaker 1>and try new things, But whenever they're presented to me,

0:28:39.320 --> 0:28:42.080
<v Speaker 1>I think that's not really my thing. You got a

0:28:42.120 --> 0:28:47.320
<v Speaker 1>few houses around the world, New York, North Carolina, the

0:28:47.440 --> 0:28:51.800
<v Speaker 1>English countryside, Paris. I mean I always wonder was somebody

0:28:51.880 --> 0:28:55.040
<v Speaker 1>like you the home in England and and Paris. There's

0:28:55.080 --> 0:28:57.320
<v Speaker 1>places I'd love to go to to live. I really

0:28:57.560 --> 0:28:59.160
<v Speaker 1>take my whole family with me. We'll work it out,

0:28:59.200 --> 0:29:01.800
<v Speaker 1>we'll figure it out. I don't know. If the schools

0:29:01.840 --> 0:29:03.560
<v Speaker 1>are right, we will tell I want to I'd love

0:29:03.560 --> 0:29:06.440
<v Speaker 1>to live in London for a couple of years. And

0:29:06.800 --> 0:29:09.800
<v Speaker 1>because New York is just such a mess. I mean,

0:29:09.840 --> 0:29:11.400
<v Speaker 1>I tell people I go to other countries and you

0:29:11.480 --> 0:29:13.800
<v Speaker 1>come back in. New York is the filthiest city in

0:29:13.880 --> 0:29:17.280
<v Speaker 1>the world. But no one is motivating people in the

0:29:17.360 --> 0:29:19.760
<v Speaker 1>city to be civic minded. No one's saying to them,

0:29:20.440 --> 0:29:23.680
<v Speaker 1>we live here, let's do things for the people. And

0:29:23.760 --> 0:29:27.240
<v Speaker 1>the people who live here this is their home. They

0:29:27.360 --> 0:29:31.040
<v Speaker 1>come last. The people who reside in New York come less.

0:29:31.080 --> 0:29:33.400
<v Speaker 1>And that always irks me because other cities I go to,

0:29:33.560 --> 0:29:35.720
<v Speaker 1>I'm like they have. I was in Rome shooting a film,

0:29:35.760 --> 0:29:39.480
<v Speaker 1>and like places gleaming, it's clean and there's bathrooms too.

0:29:39.720 --> 0:29:41.880
<v Speaker 1>This is the hardest city to pan. That's why if

0:29:41.920 --> 0:29:43.800
<v Speaker 1>I get when I get old, I want to live

0:29:43.840 --> 0:29:47.240
<v Speaker 1>in Tokyo. You've never seen every subway station has a

0:29:47.320 --> 0:29:50.920
<v Speaker 1>sparkling clean bathroom, and every there's a seven eleven on

0:29:51.000 --> 0:29:54.719
<v Speaker 1>every block or a large room scenario, and every one

0:29:54.760 --> 0:29:56.800
<v Speaker 1>of them has a sparkling bathroom, and they invite you

0:29:56.880 --> 0:29:59.680
<v Speaker 1>to use. You don't even to buy anything. So when

0:29:59.720 --> 0:30:03.360
<v Speaker 1>you're bladder runs out, you know, wears out. That's where

0:30:03.360 --> 0:30:06.400
<v Speaker 1>you need to go to Japan. I said to my wife.

0:30:06.440 --> 0:30:08.520
<v Speaker 1>I said to it, let's take the kids and go

0:30:08.720 --> 0:30:12.840
<v Speaker 1>live in a hotel, a luxury hotel, and we'll go

0:30:13.120 --> 0:30:16.200
<v Speaker 1>and live in eight different cities during their childhood, and

0:30:16.240 --> 0:30:20.520
<v Speaker 1>we'll move every year. Rome Vienna. I'm dying to go

0:30:20.600 --> 0:30:23.040
<v Speaker 1>and we do that. Well, everybody acts like having your

0:30:23.280 --> 0:30:26.480
<v Speaker 1>kid changed schools. It's going to traumatize that child forever.

0:30:27.160 --> 0:30:29.560
<v Speaker 1>Get used to it. You know, my boyfriend, Hugh, his

0:30:29.680 --> 0:30:32.200
<v Speaker 1>dad with the Foreign Service, so he lived all over

0:30:32.320 --> 0:30:34.520
<v Speaker 1>Africa when he was growing up, and they moved all

0:30:34.560 --> 0:30:38.640
<v Speaker 1>the time. They survived. You met him where in New

0:30:38.720 --> 0:30:40.640
<v Speaker 1>York when I very first moved to New York. In

0:30:42.120 --> 0:30:44.280
<v Speaker 1>I was doing a painting job with this woman painting

0:30:44.280 --> 0:30:47.120
<v Speaker 1>an apartment and we needed a ladder and she knew

0:30:47.120 --> 0:30:48.960
<v Speaker 1>a guy who had a ladder. So we went to

0:30:49.040 --> 0:30:52.680
<v Speaker 1>his loft and I met him, and I thought, oh,

0:30:53.800 --> 0:30:57.400
<v Speaker 1>that's going to be my boyfriend, and maybe might not

0:30:57.600 --> 0:31:02.000
<v Speaker 1>happen today, might have happen tomorrow, but I crossed it

0:31:02.040 --> 0:31:07.040
<v Speaker 1>off my list, and yeah, and it worked out. You know,

0:31:07.200 --> 0:31:10.960
<v Speaker 1>thirty one years, someone's got to stay together, right, that's

0:31:11.000 --> 0:31:17.959
<v Speaker 1>a secret. Never to discuss your relationship with each other.

0:31:18.400 --> 0:31:21.840
<v Speaker 1>With each other. Yeah, no, you can talk about it

0:31:21.920 --> 0:31:24.760
<v Speaker 1>with other people, but you never look under the hood

0:31:24.800 --> 0:31:28.280
<v Speaker 1>of your relationship ever. I can't wait to come and

0:31:28.320 --> 0:31:31.920
<v Speaker 1>tell my wife. Yeah, never, because my wife is pretty

0:31:32.000 --> 0:31:35.800
<v Speaker 1>much lives under the hood. There. She got the lamp

0:31:35.880 --> 0:31:39.680
<v Speaker 1>hooked up. Yeah, she got that lamp on a hoop.

0:31:39.760 --> 0:31:43.960
<v Speaker 1>That the mechanics have got it all man. Yeah, she

0:31:44.080 --> 0:31:47.280
<v Speaker 1>doesn't stop. And then I think one person in the

0:31:47.360 --> 0:31:52.560
<v Speaker 1>relationship has to make themselves indispensable. And so Hugh has

0:31:52.640 --> 0:31:56.560
<v Speaker 1>done that with cooking and then with I don't open

0:31:56.640 --> 0:31:59.760
<v Speaker 1>any envelope, it doesn't look like fan mail. And so

0:32:00.080 --> 0:32:02.200
<v Speaker 1>Hugh opens all the mail and takes care of all

0:32:02.280 --> 0:32:04.960
<v Speaker 1>that stuff. And you know, there's always something going on

0:32:05.200 --> 0:32:08.560
<v Speaker 1>like the you know, or hurricane destroys the beach house

0:32:08.600 --> 0:32:12.080
<v Speaker 1>in North Carolina, or you know, there's there's a leak

0:32:12.200 --> 0:32:15.200
<v Speaker 1>at the house in Sussex. He takes care of all that.

0:32:15.880 --> 0:32:19.560
<v Speaker 1>He's indispensable. No one, I'd have to hire five people

0:32:20.000 --> 0:32:25.960
<v Speaker 1>to replace you. Margaret Thatcher's husband. He's taking care of

0:32:26.000 --> 0:32:29.120
<v Speaker 1>all the things off stage, and you know, he's got

0:32:29.240 --> 0:32:31.720
<v Speaker 1>his own stuff going on as well. I remember my

0:32:31.840 --> 0:32:33.960
<v Speaker 1>dad saying one time out of nowhere. We're in the

0:32:34.000 --> 0:32:35.920
<v Speaker 1>car and he said, you know, I've never cheated on

0:32:36.000 --> 0:32:38.600
<v Speaker 1>your mother. And it came out of nowhere. We weren't

0:32:38.640 --> 0:32:41.280
<v Speaker 1>talking about anything, we weren't even talking. He just said it.

0:32:42.040 --> 0:32:44.400
<v Speaker 1>And then I thought, well, that makes it sounds like

0:32:44.520 --> 0:32:48.240
<v Speaker 1>you have. Right, So when I say I've never cheated

0:32:48.320 --> 0:32:50.680
<v Speaker 1>on Hugh, that makes it sound like I have. But

0:32:50.760 --> 0:32:52.640
<v Speaker 1>I mean, I think that's part of it too. It's

0:32:52.680 --> 0:32:56.400
<v Speaker 1>important to both of us, and so we've always been

0:32:56.440 --> 0:32:59.720
<v Speaker 1>able to trust the other person that way, And so

0:33:00.480 --> 0:33:04.040
<v Speaker 1>do not stay lucky there. You're lucky. Yeah. The thing

0:33:04.120 --> 0:33:07.160
<v Speaker 1>about you that I learned from reading and knowing you

0:33:07.440 --> 0:33:09.440
<v Speaker 1>on the air and listening to you and reading your

0:33:09.560 --> 0:33:12.640
<v Speaker 1>essays and so forth, is that you're one of those

0:33:12.800 --> 0:33:15.520
<v Speaker 1>rare people. And I think you really are one of

0:33:15.560 --> 0:33:18.280
<v Speaker 1>those rare people where for the most part, I mean

0:33:18.320 --> 0:33:21.520
<v Speaker 1>there might be some amendments, you ended up exactly where

0:33:21.560 --> 0:33:24.479
<v Speaker 1>you wanted to be, exactly, You're doing what you want

0:33:24.520 --> 0:33:26.400
<v Speaker 1>to do. You live with the person you want to

0:33:26.440 --> 0:33:28.880
<v Speaker 1>live with. Your life is this wonderful life, and you're

0:33:29.320 --> 0:33:32.160
<v Speaker 1>and it all is like I really would have to

0:33:32.160 --> 0:33:33.960
<v Speaker 1>struggle to figure how it could be any better than

0:33:34.000 --> 0:33:37.320
<v Speaker 1>it is now. But it's it's exactly the life I

0:33:37.400 --> 0:33:41.920
<v Speaker 1>imagine from myself when I was young, And I don't

0:33:41.920 --> 0:33:44.160
<v Speaker 1>know what I did to make it happen other than work.

0:33:44.360 --> 0:33:46.160
<v Speaker 1>I mean, I was never a hustler that way. I

0:33:46.240 --> 0:33:49.840
<v Speaker 1>never tried to get people to, you know, read what

0:33:49.920 --> 0:33:52.680
<v Speaker 1>I'd written or allow me to read somewhere. I just

0:33:52.760 --> 0:33:55.920
<v Speaker 1>waited for people to ask me and so, and I

0:33:56.040 --> 0:33:58.360
<v Speaker 1>would say yes, and then somebody else would ask and

0:33:58.400 --> 0:34:02.040
<v Speaker 1>I would say yes and so. But you know, people

0:34:02.200 --> 0:34:06.280
<v Speaker 1>like for someone to be their idea, you know, they

0:34:06.320 --> 0:34:08.400
<v Speaker 1>don't They don't like to be manipulated. They don't like

0:34:08.440 --> 0:34:10.480
<v Speaker 1>to have their arm twisted, you know. But if it's

0:34:10.600 --> 0:34:16.400
<v Speaker 1>your idea, people people like helping people, you know, But

0:34:16.719 --> 0:34:19.960
<v Speaker 1>let them help you. Don't put it in their ear,

0:34:20.120 --> 0:34:23.439
<v Speaker 1>don't make the suggestion. Just be the kind of person

0:34:23.560 --> 0:34:27.160
<v Speaker 1>that people want to help and people will help you. Um.

0:34:27.239 --> 0:34:29.680
<v Speaker 1>I just want to say thank you so much, thank you.

0:34:32.320 --> 0:34:34.520
<v Speaker 1>I'm Alec Baldwin. Here's the thing is brought to you

0:34:35.000 --> 0:34:40.760
<v Speaker 1>by iHeart Radio once again, David Sedaris. At that moment,

0:34:40.920 --> 0:34:44.279
<v Speaker 1>two E M T s bounded in both young and

0:34:44.560 --> 0:34:48.360
<v Speaker 1>bearded like lumberjacks. Each took an elbow and helped my

0:34:48.480 --> 0:34:52.239
<v Speaker 1>father to stand. Are we going somewhere? He asked, Back

0:34:52.360 --> 0:34:55.879
<v Speaker 1>to the hospital. The woman shouted, all right, My father

0:34:56.040 --> 0:34:59.880
<v Speaker 1>said okay. They wheeled them out, and the woman ex

0:35:00.040 --> 0:35:03.400
<v Speaker 1>blamed that while the staff would remove bloodstains from the carpet,

0:35:03.880 --> 0:35:06.319
<v Speaker 1>it was a family's job to get them off any

0:35:06.480 --> 0:35:11.279
<v Speaker 1>privately owned furniture. I can bring you some towels, she suggested.

0:35:12.200 --> 0:35:14.879
<v Speaker 1>A few minutes later, another aide walked into the room.

0:35:15.320 --> 0:35:19.879
<v Speaker 1>Excuse me, she said, but are you the famous son.

0:35:21.800 --> 0:35:24.640
<v Speaker 1>I'm a pretty sorry excuse for famous, I told her,

0:35:24.719 --> 0:35:32.680
<v Speaker 1>But yes, I'm his son, So you're Dave Dave Chappelle.

0:35:41.000 --> 0:35:47.920
<v Speaker 1>Can I have your autograph? Actually? Can I have to? Uh? Sure?

0:35:48.360 --> 0:35:53.439
<v Speaker 1>I said, I just joined Hugh and cleaning the easy chair.

0:35:53.480 --> 0:35:56.480
<v Speaker 1>When the woman, who seemed slightly nervous the way you

0:35:56.640 --> 0:36:00.799
<v Speaker 1>might be around a world famous comedian who was young

0:36:00.960 --> 0:36:03.359
<v Speaker 1>and black and has his whole life ahead of him,

0:36:05.680 --> 0:36:14.880
<v Speaker 1>return for two more autographs. H