WEBVTT - Glasses REFUSING beats from DR. DRE?

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<v Speaker 1>You're now tuned into the real.

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<v Speaker 2>Welcome to the gangst The Chronicles podcast, the production of

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<v Speaker 3>Like when I first started rapping, like like sometimes I

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<v Speaker 3>look at y'all generation like y'all version Against the Rap,

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<v Speaker 3>y'all were more musically inclined. I would imagine probably at

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<v Speaker 3>Compton how they had music classes. You know what I mean?

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<v Speaker 1>Hey, you went to the you want to you want

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<v Speaker 1>to come try?

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<v Speaker 4>I went to the Mingus Okay, So even.

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<v Speaker 3>Even the dirty I would imagine they had like music

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<v Speaker 3>programs like all of the generations to me, like the

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<v Speaker 3>first generation of West Coast MC's, they were more musically inclined.

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<v Speaker 3>We were so like they probably was like why aid

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<v Speaker 3>and it was gang banging and Dreaden was hanging out

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<v Speaker 3>and they was doing their thing. They still have more

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<v Speaker 3>of an insight to music, like y'all got the last

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<v Speaker 3>bits of music courses, like you know when you listen

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<v Speaker 3>to a music. They had better music than us.

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<v Speaker 4>What's aving?

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<v Speaker 2>It's your boy big stealing tonight. Me and the homie

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<v Speaker 2>mc up home the class to be known about the

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<v Speaker 2>music bits, and we also asked what the world would

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<v Speaker 2>do not the trumpets back in office.

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<v Speaker 4>Let's go. My father.

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<v Speaker 5>Got me into you know, instruments and shit. You know,

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<v Speaker 5>I was in the little the drum line shit with

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<v Speaker 5>the permemery. They had the parades and they had the

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<v Speaker 5>drummers and shit. I did that like a couple of years.

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<v Speaker 4>And then.

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<v Speaker 5>My father put me in the class and bought me

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<v Speaker 5>a motherfucking trumpet, So I was I was in class

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<v Speaker 5>trying to learn how to play trumpet and all that shit.

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<v Speaker 5>He had me doing that shit, you know. So that's

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<v Speaker 5>what music was. Always early shit with me, and then

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<v Speaker 5>usually with your parents or grandparents from my generation, somebody

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<v Speaker 5>was you know on some music shit, singing in the

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<v Speaker 5>choir at church or some shit like that. Your cousin

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<v Speaker 5>might have played the drums or the oregon or some

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<v Speaker 5>shit like that. So that's where that shit came from.

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<v Speaker 2>Everybody was sure into some kind of instrumentation because they did.

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<v Speaker 2>Did y'all still have the music programs over the eight

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<v Speaker 2>that they had and took them out hit when you

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<v Speaker 2>was going to school.

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<v Speaker 5>Well, yeah, they still had music programs around that time,

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<v Speaker 5>you know, the early eighties, the mid seventies, early eighties,

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<v Speaker 5>and shit, you know, shit start falling when the nineties came.

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<v Speaker 3>So by the time when I got in high school,

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<v Speaker 3>they didn't have nothing program So when I go back

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<v Speaker 3>and I listened to NYCNW or if I listen to

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<v Speaker 3>NWA even talking to yelling them with like he was

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<v Speaker 3>talking about music, how they used to play the drums,

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<v Speaker 3>and even forty forty got a scholarship, you feel me

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<v Speaker 3>to Grambling for music. So like that's why to me,

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<v Speaker 3>that generation, like right, that that first tier of West

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<v Speaker 3>Coast simc's even to the degree of the second tier,

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<v Speaker 3>right that anything that came from eighty which would be

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<v Speaker 3>kind of on a on a Mansu scale eighty six

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<v Speaker 3>to ninety or ninety to ninety six, them.

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<v Speaker 1>Dudes was different.

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<v Speaker 3>Even their music sound different versus when we came in

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<v Speaker 3>the game, Right, we didn't know nothing about music. Now,

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<v Speaker 3>I mean I didn't know My mom is a huge

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<v Speaker 3>music fan, You feel me, I didn't know nothing about music.

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<v Speaker 3>I could hear songs, I knew songs, but I didn't

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<v Speaker 3>know music, and you could hear the difference when you

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<v Speaker 3>listen to let's say a NWA anything early death Row

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<v Speaker 3>conscious most wanted you feel me, any of the stuff

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<v Speaker 3>Iceland was doing, it just was more.

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<v Speaker 1>You could tell they knew more about music.

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<v Speaker 2>Yeah, you know what I think it was. I think

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<v Speaker 2>if anything we learned, we for sure learned theory. And

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<v Speaker 2>it was the basic stuff, like I remember, because all

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<v Speaker 2>I ever took was piano, and I remember, man, they

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<v Speaker 2>taught us chopsticks and a whole bunch of other stuff

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<v Speaker 2>and moonlight sonata and all that, you know, different type

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<v Speaker 2>of stuff. So it kind of took you from there

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<v Speaker 2>to where you had note recognition. And I would say

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<v Speaker 2>that help when you kind of got a hip hop

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<v Speaker 2>I kind of started off leiegue or not were on

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<v Speaker 2>the DJ side? Is my mom had bought me some turntables. Yeah,

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<v Speaker 2>but even you feel me like so the point of

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<v Speaker 2>this book and like.

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<v Speaker 3>It's one thing to turn your natural ability into skill

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<v Speaker 3>or technique, Like you know, it's like a hooper, like right,

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<v Speaker 3>you could hoop right if you could jump out the gym,

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<v Speaker 3>you know what I mean? You fast, you could cross

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<v Speaker 3>everything over and in high school.

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<v Speaker 1>That's gonna get you all the buckets.

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<v Speaker 3>In college, that's gonna get you some buckets when you

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<v Speaker 3>get to that pro level.

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<v Speaker 1>It's all about your skill set.

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<v Speaker 3>It ain't about because you ain't the fastest person out

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<v Speaker 3>there no more. You ain't the strongest person out there

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<v Speaker 3>no more. You don't jump the highest out there no more.

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<v Speaker 3>Now it's gonna be you know what you do one

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<v Speaker 3>thousand times? What was the drill you was running that

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<v Speaker 3>you was throwing up?

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<v Speaker 5>You know what I mean?

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<v Speaker 3>What you do it the most. And so turning my

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<v Speaker 3>innate ability as a storyteller into you know what I mean,

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<v Speaker 3>technique into a skill where I could always use it

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<v Speaker 3>and pull it out like Kareem's hook shot for me,

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<v Speaker 3>I ain't trying to I'm getting older, Like I'm I'm

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<v Speaker 3>at of age. I remember when I first came in

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<v Speaker 3>and the MC's even had made it to my age.

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<v Speaker 3>When I first came in the game, they weren't even

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<v Speaker 3>my age. Now, so you know what I'm saying, It's like,

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<v Speaker 3>now you really better have some skills because you ain't Finna.

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<v Speaker 3>It's a new flow. Some young nigga got a new flow.

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<v Speaker 3>His flow, the brand newst thing like Little boss Man.

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<v Speaker 3>His flow crazy. They losing it, that's like dribbling its naturally.

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<v Speaker 4>Feel me.

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<v Speaker 1>He got the new slang you feel me, he got

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<v Speaker 1>the you know.

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<v Speaker 6>Let me ask you this.

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<v Speaker 2>So when you say when you first came in the game,

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<v Speaker 2>you looking back now when you say your first stuff

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<v Speaker 2>you did was trash, yeah.

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<v Speaker 3>I mean okay no. So White Lightning no, Only that's

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<v Speaker 3>because DJ g l E Right, Gary Guido, who was

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<v Speaker 3>working with Rhythm D.

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<v Speaker 1>Produced it, though, so like was produced.

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<v Speaker 3>By somebody time putting ten twelve, fifteen years into the game,

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<v Speaker 3>just like you.

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<v Speaker 1>He was DJAILED when he was younger.

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<v Speaker 3>Feel me like. He from that that era of dudes,

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<v Speaker 3>born in sixty sixty seventy two, so he here you

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<v Speaker 3>know hip hop, he knew more and then he had success.

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<v Speaker 3>He had mixed the Diddy record, you know, the paper

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<v Speaker 3>Boys song. He worked on songs from Rhythm D. So

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<v Speaker 3>him producing White Lighting White Lightning was dope. But everything

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<v Speaker 3>I did he moved to Atlanta and I got I

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<v Speaker 3>was on my own.

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<v Speaker 1>All that shit is whack.

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<v Speaker 6>You said, all of us, all of them.

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<v Speaker 3>So whatever I did on my own is whack like

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<v Speaker 3>until I got with Tump, until I got with Manny

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<v Speaker 3>Fresh the Stones. You remember the original Beach Cruise and

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<v Speaker 3>the stuff I did with Mike City. You know, when

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<v Speaker 3>I was being produced, Certified obviously was top sixty on

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<v Speaker 3>the charts, right, Certified was top sixty on the charts.

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<v Speaker 3>You know, But when I start having to produce my

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<v Speaker 3>own song, like with Hater, shout out to the to

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<v Speaker 3>MeV and my brothers from the Renne Gaze, but they

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<v Speaker 3>were brand new, like called hadn't developed them as producers.

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<v Speaker 3>So you feel me like it wasn't Haters ain't as

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<v Speaker 3>tight as it could have been because I don't understand records,

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<v Speaker 3>feel me, but like the stuff when I was produced,

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<v Speaker 3>it was dope. But when I produced my own stuff,

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<v Speaker 3>right when I started making my own music and I

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<v Speaker 3>just start rapping the beats and finding my own beats

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<v Speaker 3>and coming up.

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<v Speaker 1>With my hooks, that ship whack.

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<v Speaker 3>Get whack, you know, because now I hear it, I'm like, like.

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<v Speaker 2>Your old ship and be like, man, that ship was trashed.

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<v Speaker 5>I I'm I'm I'm a I'm a critic of my ship.

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<v Speaker 5>And usually what what I would do is I would

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<v Speaker 5>just play ship for niggas as it as it went along.

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<v Speaker 5>And uh, I would pull a lot of ship that

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<v Speaker 5>I would do because there was always somebody getting ready

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<v Speaker 5>to come out with somebody who had already dropped. And

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<v Speaker 5>you know, in our generation, you had to be on

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<v Speaker 5>point with your lyricism if you was goinna put out

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<v Speaker 5>some shit. So I would play shit for niggas in

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<v Speaker 5>the studio, and if niggas would be like, yeah, that

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<v Speaker 5>that sound cool, I would change it up right there

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<v Speaker 5>because sounding cool is just what the general niggas right here.

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<v Speaker 5>Niggas might be just nuts swinging because they hanging in

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<v Speaker 5>the studio with you and shit like that. So it

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<v Speaker 5>was a lot of shit that I would pull or

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<v Speaker 5>go back and do over. And that's why I really

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<v Speaker 5>left the production up the slip you getting me because

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<v Speaker 5>I wasn't you know, I dibbled and dad, but I

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<v Speaker 5>wasn't no motherfucking producer like he was.

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<v Speaker 4>You get me.

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<v Speaker 5>That nigga knew how to you know he was a

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<v Speaker 5>he was a producer. You get to find the records

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<v Speaker 5>and the crate. Nigga listened to two seconds of some

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<v Speaker 5>ship and could chop that ship up and make it

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<v Speaker 5>a whole fucking song. And so I left my production

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<v Speaker 5>up to a nigga who knew what he was doing.

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<v Speaker 5>You get me, I didn't have that ego like fuck that.

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<v Speaker 5>You know, I'm gonna produce my own ship. Now, if

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<v Speaker 5>it was left up to it and I had the

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<v Speaker 5>free time and there was two songs left on the record,

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<v Speaker 5>I probably go in fuck with Willie Z and we

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<v Speaker 5>come up with some ship. But for the most part, Nick, No,

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<v Speaker 5>this nigga got. He got the equipment and the drum machine,

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<v Speaker 5>and he got the rack full of You get me,

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<v Speaker 5>this nigga got the rack full of e q's and

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<v Speaker 5>sounds and all that shit. Nigga, Please go ahead and

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<v Speaker 5>do what you do. My nigga, let me know when

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<v Speaker 5>you finish, so I could start pinning my ship.

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<v Speaker 4>That's what I concentrate it all.

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<v Speaker 5>Because it was enough niggas out there that you had

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<v Speaker 5>competition with. You get me niggas like Brad, niggas like Cube.

0:11:09.280 --> 0:11:10.920
<v Speaker 5>You get me niggas.

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<v Speaker 6>All the heavy hitters in your ear.

0:11:13.600 --> 0:11:15.120
<v Speaker 4>Niggas was putting out records.

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<v Speaker 5>Man, You get me the Ghetto Boys and Cube and

0:11:18.600 --> 0:11:22.160
<v Speaker 5>Easy and Them and then Too Short and E forty

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<v Speaker 5>and then and Spice, and then then you go on

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<v Speaker 5>over to New York and niggas like LLL and Big

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<v Speaker 5>Daddy Kane and E P and d dropping ship. You know,

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<v Speaker 5>like nigga, you had competition, and.

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<v Speaker 6>The coldest thing was didn't nobody sounded like see nobody.

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<v Speaker 3>Sounded like it was hard?

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<v Speaker 4>It was hard. You get me Ship. Niggas did a song.

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<v Speaker 5>Nigga, you nigga, you you don't bite it, you feel me.

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<v Speaker 5>We was very hard upon niggas biting styles and even

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<v Speaker 5>slang words and ship you know, I mean you you

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<v Speaker 5>you kind of look at it a days as I

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<v Speaker 5>guess you want to say a nigga trying to give

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<v Speaker 5>you, you know, your props or whatever. But back in the days,

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<v Speaker 5>we hated when niggas bit each other's styles, like nigga,

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<v Speaker 5>create your own lane.

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<v Speaker 4>That's what made That's what made.

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<v Speaker 5>Hip hop good, and it made it competitive because everybody,

0:12:18.720 --> 0:12:21.960
<v Speaker 5>you get me, you didn't have. You didn't have ten

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<v Speaker 5>public enemies. You didn't have motherfucking five ice cubes. You

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<v Speaker 5>give me, you didn't have fucking eight Compton's most wanted

0:12:30.840 --> 0:12:31.360
<v Speaker 5>you give me.

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<v Speaker 4>Everybody was authentic.

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<v Speaker 5>Today it's like shit, I want to sound I want

0:12:36.840 --> 0:12:39.160
<v Speaker 5>my shit to sound like that nigga you know, whatever

0:12:39.280 --> 0:12:42.680
<v Speaker 5>is popular right now, it's what crack and.

0:12:42.600 --> 0:12:44.800
<v Speaker 2>I think when you first started off. I think when

0:12:44.800 --> 0:12:47.360
<v Speaker 2>you first start off, everybody kind of trying to mimic

0:12:48.160 --> 0:12:49.760
<v Speaker 2>who it is a day admire.

0:12:49.520 --> 0:12:50.440
<v Speaker 6>To a certain degree.

0:12:50.520 --> 0:12:52.400
<v Speaker 2>Right, you ain't trying to bite these stuff all the way.

0:12:52.440 --> 0:12:55.400
<v Speaker 2>But you got somebody that you influenced by, right, what

0:12:55.440 --> 0:12:56.600
<v Speaker 2>I'm saying.

0:12:56.400 --> 0:13:00.000
<v Speaker 5>Me and I mean me and Chill with Shit. Nigg

0:13:00.440 --> 0:13:03.040
<v Speaker 5>was the We was the West Coast e pm D.

0:13:03.559 --> 0:13:06.200
<v Speaker 5>You get me. That's why we That's what we looked

0:13:06.200 --> 0:13:09.400
<v Speaker 5>at ourselves because we grew up banging e pm D,

0:13:10.080 --> 0:13:12.920
<v Speaker 5>but we didn't try to sound like them. S.

0:13:14.120 --> 0:13:16.000
<v Speaker 2>You kind of get inspired by him, you know what

0:13:16.040 --> 0:13:18.760
<v Speaker 2>I'm saying. You get inspired, but you definitely start to

0:13:18.760 --> 0:13:21.439
<v Speaker 2>develop your own sound and stuff. I think the biggest

0:13:21.480 --> 0:13:24.520
<v Speaker 2>perth today man. Like I said, I think people got

0:13:24.600 --> 0:13:26.640
<v Speaker 2>too much access g and I think it's cool in

0:13:26.640 --> 0:13:28.600
<v Speaker 2>the way that kids can go in their bedroom and

0:13:28.600 --> 0:13:29.160
<v Speaker 2>make a record.

0:13:29.240 --> 0:13:31.320
<v Speaker 6>They might come up with a hit. But I think

0:13:31.360 --> 0:13:32.040
<v Speaker 6>that lead to the.

0:13:32.080 --> 0:13:34.920
<v Speaker 2>Cats not having careers because you know, you mess around

0:13:34.920 --> 0:13:36.439
<v Speaker 2>to come up with a record on your own.

0:13:36.840 --> 0:13:38.800
<v Speaker 6>You don't even know how you got that motherfucker.

0:13:39.720 --> 0:13:40.160
<v Speaker 1>I mean.

0:13:43.840 --> 0:13:50.520
<v Speaker 3>Don't know, I mean definitely more access you. I can't

0:13:50.559 --> 0:13:52.880
<v Speaker 3>imagine how much work you had to go through to

0:13:52.880 --> 0:13:56.960
<v Speaker 3>get somebody to invest into music in y'all era, like,

0:13:56.960 --> 0:13:59.280
<v Speaker 3>because it was tough in my era. Like again, like

0:13:59.320 --> 0:14:02.120
<v Speaker 3>I'm grown up. I'm forty now, so it's like I'm

0:14:02.160 --> 0:14:04.920
<v Speaker 3>not the little kid, and it was tough for my era,

0:14:05.120 --> 0:14:08.240
<v Speaker 3>Like like I remember going to the studio for Guedo

0:14:08.360 --> 0:14:10.520
<v Speaker 3>and like the first time rappit for him and him

0:14:10.600 --> 0:14:12.920
<v Speaker 3>slamming the door in my face, like you gotta get tighter.

0:14:13.840 --> 0:14:14.480
<v Speaker 1>You know what I'm saying.

0:14:14.600 --> 0:14:17.280
<v Speaker 3>Like he had all the dat machines and all of

0:14:17.280 --> 0:14:20.000
<v Speaker 3>that stuff, and you feel me and having to go

0:14:20.040 --> 0:14:22.840
<v Speaker 3>get tighter just to earn a chance to record with

0:14:22.920 --> 0:14:25.800
<v Speaker 3>somebody who had enough experience to produce records.

0:14:25.920 --> 0:14:28.600
<v Speaker 2>Now, where were you at your where was you at

0:14:28.600 --> 0:14:31.480
<v Speaker 2>in your like kind of development when you got took

0:14:31.480 --> 0:14:33.360
<v Speaker 2>over Drey's house when Tred was listening to you sh

0:14:33.520 --> 0:14:34.400
<v Speaker 2>at the party.

0:14:35.960 --> 0:14:38.480
<v Speaker 3>Barely tight enough to what Guido thought I was tight.

0:14:38.560 --> 0:14:43.200
<v Speaker 3>So we had just started working like I had So

0:14:43.240 --> 0:14:45.240
<v Speaker 3>the first time he slammed the door in my face,

0:14:45.840 --> 0:14:48.600
<v Speaker 3>I went home. I kept recording myself like I was

0:14:48.640 --> 0:14:51.240
<v Speaker 3>early on that recording myself. I had cool let it pro,

0:14:51.800 --> 0:14:53.560
<v Speaker 3>and I would be I was in a battle rap

0:14:53.680 --> 0:14:56.240
<v Speaker 3>league online, so I would go sell shrim all day

0:14:56.280 --> 0:14:58.640
<v Speaker 3>on the seven and be fugging up, and then when

0:14:58.640 --> 0:15:01.040
<v Speaker 3>I go home to the spot, I would just be

0:15:01.160 --> 0:15:04.480
<v Speaker 3>developing my writing, kind of like therapy. Like it was

0:15:04.520 --> 0:15:06.640
<v Speaker 3>a lot at that time. We was beefing with everybody,

0:15:06.640 --> 0:15:08.040
<v Speaker 3>A lot of shit going on, you know what I mean,

0:15:08.160 --> 0:15:10.720
<v Speaker 3>Homies going to jail, niggas dying. So I would be

0:15:10.760 --> 0:15:13.560
<v Speaker 3>writing just to keep my mind sharp, because you don't

0:15:13.560 --> 0:15:16.240
<v Speaker 3>hanging out with the homies. Everybody high and drunk all

0:15:16.280 --> 0:15:18.560
<v Speaker 3>the time, you know what I mean. Not everybody, but

0:15:19.440 --> 0:15:22.760
<v Speaker 3>it ain't a great conversation to your thoughts, you know

0:15:22.800 --> 0:15:25.640
<v Speaker 3>what I'm saying. So I would go home and get

0:15:25.640 --> 0:15:28.200
<v Speaker 3>on the pin and rap on his thing, type my

0:15:28.320 --> 0:15:31.600
<v Speaker 3>lyrics or record myself. So the first time I went

0:15:31.680 --> 0:15:34.160
<v Speaker 3>and he slammed the door on my face. Shit, I

0:15:34.280 --> 0:15:35.720
<v Speaker 3>was on a mission, you know what I mean. Now

0:15:35.800 --> 0:15:37.640
<v Speaker 3>that's a challenge. You know I get still when I

0:15:37.680 --> 0:15:40.360
<v Speaker 3>get a challenge. I like that. So I just start

0:15:40.400 --> 0:15:43.160
<v Speaker 3>going harder and getting better and just really rapping every

0:15:43.200 --> 0:15:46.120
<v Speaker 3>day and coming home from slanging it in. I start

0:15:46.160 --> 0:15:48.920
<v Speaker 3>going to Taco Studio. I did some stuff for Kiki Loko,

0:15:49.440 --> 0:15:52.120
<v Speaker 3>and I started noticing they thought I was killing shit.

0:15:52.240 --> 0:15:54.400
<v Speaker 3>So I knew I had stepped up. So I go

0:15:54.520 --> 0:16:00.600
<v Speaker 3>back to the studio and I rapped and he was like, okay,

0:16:00.880 --> 0:16:02.880
<v Speaker 3>you I don't know what he said. I don't know

0:16:02.920 --> 0:16:05.680
<v Speaker 3>what you did, but yeah, you know what I mean.

0:16:05.680 --> 0:16:08.120
<v Speaker 3>I played in them records, all right.

0:16:08.200 --> 0:16:09.520
<v Speaker 1>So that's how we start working.

0:16:09.560 --> 0:16:12.640
<v Speaker 3>And then ninety days after that's when I meet dra

0:16:13.080 --> 0:16:14.800
<v Speaker 3>you know what I mean, not messing with pool.

0:16:15.160 --> 0:16:16.920
<v Speaker 1>You go sit down with him. He's like, man, bring

0:16:16.960 --> 0:16:17.560
<v Speaker 1>me a record.

0:16:17.720 --> 0:16:20.160
<v Speaker 3>I do something for you.

0:16:21.360 --> 0:16:23.880
<v Speaker 2>You bought him a record. I wonder why you think

0:16:23.880 --> 0:16:25.960
<v Speaker 2>you ain't took advantage of that relationship more because I

0:16:25.960 --> 0:16:28.200
<v Speaker 2>remember he gave us some records for you.

0:16:28.240 --> 0:16:30.200
<v Speaker 3>Should I have took advantage of it. He gave me

0:16:30.240 --> 0:16:31.760
<v Speaker 3>two tips that changed my life.

0:16:32.560 --> 0:16:37.560
<v Speaker 1>You know what I'm saying, Like, I don't.

0:16:38.600 --> 0:16:44.440
<v Speaker 3>Know what was funny, man, I don't think I really

0:16:44.560 --> 0:16:47.960
<v Speaker 3>ever tripped off working with Dre like that. Like, don't

0:16:47.960 --> 0:16:50.400
<v Speaker 3>get me wrong, Like all the writing stuff and doing

0:16:50.400 --> 0:16:52.840
<v Speaker 3>stuff for him or messing with the homies that was

0:16:52.880 --> 0:16:57.480
<v Speaker 3>with him. That was cool, But like even when I

0:16:57.520 --> 0:16:59.720
<v Speaker 3>met Dre, Bro my attitude, you know, I was so

0:17:00.640 --> 0:17:02.640
<v Speaker 3>like and I mean ignorant, not in the black way,

0:17:02.720 --> 0:17:04.520
<v Speaker 3>but like in the real way. Like I had no

0:17:04.640 --> 0:17:08.320
<v Speaker 3>idea what doctor Dre meant to the music business.

0:17:08.240 --> 0:17:11.760
<v Speaker 6>Z ask them for records and stuff, like I'm.

0:17:11.640 --> 0:17:13.760
<v Speaker 3>Talking to this nigga like he's a nigga from cant

0:17:14.119 --> 0:17:17.240
<v Speaker 3>no real story, Bro, this is no lie.

0:17:17.359 --> 0:17:20.440
<v Speaker 1>I was more starstruck when I met Eight at the

0:17:20.480 --> 0:17:21.760
<v Speaker 1>Homie at the Big Homie.

0:17:21.520 --> 0:17:25.000
<v Speaker 3>Bone House then when I met Dre at his house,

0:17:26.080 --> 0:17:28.680
<v Speaker 3>because Dre was like different, you know what I mean.

0:17:28.760 --> 0:17:32.000
<v Speaker 3>He don't get me wrong. He was a nigga from

0:17:32.080 --> 0:17:33.959
<v Speaker 3>n w A. He was a nigga on death row.

0:17:34.080 --> 0:17:37.280
<v Speaker 3>He had did this, but like it was different, you

0:17:37.320 --> 0:17:39.240
<v Speaker 3>know what I mean. It was somebody more like yeah

0:17:39.240 --> 0:17:42.960
<v Speaker 3>he make music versus Eight or Dog or somebody. He

0:17:43.080 --> 0:17:45.280
<v Speaker 3>was more like hood stars, you know what I mean,

0:17:45.320 --> 0:17:47.840
<v Speaker 3>like niggas from games that you heard about and you

0:17:47.920 --> 0:17:50.360
<v Speaker 3>knew niggas homies and they made it.

0:17:50.359 --> 0:17:51.960
<v Speaker 1>You know what I mean, They made it big. They

0:17:52.119 --> 0:17:52.920
<v Speaker 1>changed their life.

0:17:53.600 --> 0:17:56.680
<v Speaker 3>So when I would always talk to Dre and to

0:17:56.680 --> 0:17:59.520
<v Speaker 3>this day, like you know, two weeks ago, like when

0:17:59.560 --> 0:18:01.800
<v Speaker 3>I talked Dre. I talked to him like something nigga

0:18:01.800 --> 0:18:05.200
<v Speaker 3>from counter. I mean, now it's different because I understand

0:18:05.280 --> 0:18:08.480
<v Speaker 3>what he was able to accomplish, So it's a different reverence.

0:18:08.520 --> 0:18:11.399
<v Speaker 3>And it was always a respect. But I remember when

0:18:11.440 --> 0:18:13.600
<v Speaker 3>I when he heard two Pac months down. He's like, man, Glass,

0:18:13.640 --> 0:18:16.200
<v Speaker 3>you need to apologize. And I remember laughing him out

0:18:16.240 --> 0:18:20.120
<v Speaker 3>the room, this doctor Dre, And I'm laughing about the room, like, yo,

0:18:20.160 --> 0:18:21.840
<v Speaker 3>ass crazy, there's no chance.

0:18:21.680 --> 0:18:22.920
<v Speaker 6>You may have made one list.

0:18:22.960 --> 0:18:25.800
<v Speaker 2>BIX told you to apologize about two Pac months done?

0:18:26.240 --> 0:18:27.240
<v Speaker 3>I go, you shold me?

0:18:27.280 --> 0:18:29.920
<v Speaker 1>He was. I told him. I was like, man, you

0:18:29.960 --> 0:18:31.960
<v Speaker 1>ain't fuck the police. What are we talking about?

0:18:32.040 --> 0:18:32.159
<v Speaker 2>Like?

0:18:32.600 --> 0:18:34.720
<v Speaker 6>Man, you know what I noticed?

0:18:34.720 --> 0:18:34.920
<v Speaker 3>Though?

0:18:34.960 --> 0:18:37.880
<v Speaker 2>Man, I think as you get older, you become more

0:18:37.920 --> 0:18:39.479
<v Speaker 2>conscious of what you say, because I know when I

0:18:39.520 --> 0:18:41.640
<v Speaker 2>was younger, I would go on record and say damn anything.

0:18:41.680 --> 0:18:43.960
<v Speaker 2>I think when you get older, you for sure think

0:18:44.080 --> 0:18:46.600
<v Speaker 2>about the people that's gonna listen to you and what

0:18:46.720 --> 0:18:48.440
<v Speaker 2>kind of message you gonna be putting out there.

0:18:50.680 --> 0:18:56.120
<v Speaker 5>I mean, I mean, with with age comes I guess maturity,

0:18:56.320 --> 0:18:57.480
<v Speaker 5>how people say.

0:18:59.400 --> 0:19:02.240
<v Speaker 4>I said all kind of shit when I was nineteen twenty.

0:19:02.560 --> 0:19:06.439
<v Speaker 5>You give me twenty one, But I guess as you

0:19:06.640 --> 0:19:12.240
<v Speaker 5>older and you continue to, you know, dabble in the arts,

0:19:12.800 --> 0:19:16.880
<v Speaker 5>people really just want to hear something from an older

0:19:17.000 --> 0:19:21.680
<v Speaker 5>mind state. You get me, and that's where you gotta

0:19:21.840 --> 0:19:26.280
<v Speaker 5>kind of, you know, go with your shit. Of course,

0:19:26.359 --> 0:19:30.520
<v Speaker 5>you know, when I was in the hood and witnessing

0:19:30.600 --> 0:19:35.359
<v Speaker 5>and dealing and doing all kinds of shit, my outlook

0:19:35.440 --> 0:19:38.520
<v Speaker 5>on life is gonna be something that I need to

0:19:38.600 --> 0:19:41.920
<v Speaker 5>connect with the homies with. You get me, because I'm

0:19:42.000 --> 0:19:44.359
<v Speaker 5>right here going through the same shit they going through.

0:19:44.359 --> 0:19:48.879
<v Speaker 5>So why not speak about, you know, the eels of

0:19:49.000 --> 0:19:51.720
<v Speaker 5>what we're going through as young black men. You give

0:19:51.800 --> 0:19:56.399
<v Speaker 5>me because that's going on in all the neighborhoods. But

0:19:56.600 --> 0:19:59.639
<v Speaker 5>I guess, you know, as you mature, you gotta kind of,

0:19:59.720 --> 0:20:05.200
<v Speaker 5>you know, know, wordshit differently because niggas, you know, they

0:20:05.240 --> 0:20:08.680
<v Speaker 5>want to hear the growth and maturity from a motherfucker. Also,

0:20:09.000 --> 0:20:13.160
<v Speaker 5>you give me. You got to be able to mature

0:20:13.280 --> 0:20:17.560
<v Speaker 5>and grow, and I guess whatever you're dealing with, you know,

0:20:17.359 --> 0:20:20.520
<v Speaker 5>you got to show that that that you have been

0:20:20.560 --> 0:20:28.000
<v Speaker 5>able to, you know, witness other shit besides shit you

0:20:28.160 --> 0:20:30.679
<v Speaker 5>was doing when you was nineteen and twenty. You know,

0:20:31.119 --> 0:20:33.919
<v Speaker 5>you're fifty years old. They damn show, gonna want to

0:20:33.960 --> 0:20:37.199
<v Speaker 5>hear something else or whatever else that you want to.

0:20:37.359 --> 0:20:39.879
<v Speaker 5>You know, if you still dabbling, you got to be

0:20:39.920 --> 0:20:41.800
<v Speaker 5>able to talk to a nigga in a different kind

0:20:41.840 --> 0:20:44.840
<v Speaker 5>of aspect, you feel me. Don't have to change your

0:20:44.840 --> 0:20:47.240
<v Speaker 5>street or but you know, you still have to be

0:20:47.280 --> 0:20:49.680
<v Speaker 5>able to talk to a nigga in a mature manner,

0:20:49.840 --> 0:20:53.040
<v Speaker 5>whether it's you know, young niggas or older you feel me.

0:20:54.640 --> 0:20:57.600
<v Speaker 2>I think I think that like a dude like Drake,

0:20:58.480 --> 0:21:06.080
<v Speaker 2>I can imagine he did see everything too, man, I

0:21:06.119 --> 0:21:08.320
<v Speaker 2>think at the time, Man, I think at a time

0:21:08.480 --> 0:21:10.359
<v Speaker 2>like I don't would never say I got tired of

0:21:10.480 --> 0:21:13.639
<v Speaker 2>rap because I love music, but I definitely wanted to

0:21:13.680 --> 0:21:15.760
<v Speaker 2>take stuff to the next level, Like even as far

0:21:15.800 --> 0:21:18.239
<v Speaker 2>as expanding on your production and stuff. Man, you know

0:21:18.240 --> 0:21:21.480
<v Speaker 2>you start incorporating horn players and stuff like that, and

0:21:21.560 --> 0:21:23.080
<v Speaker 2>percussionists and stuff like that.

0:21:23.560 --> 0:21:26.240
<v Speaker 3>Well, I think to your point, you start to feel

0:21:26.240 --> 0:21:28.800
<v Speaker 3>restricted because I remember teasing you about.

0:21:28.520 --> 0:21:32.960
<v Speaker 1>That ship Yeah, making R and B music. It was

0:21:33.119 --> 0:21:34.040
<v Speaker 1>R and B music.

0:21:34.160 --> 0:21:37.359
<v Speaker 3>But I do why because you start to feel like

0:21:37.520 --> 0:21:40.280
<v Speaker 3>hip hop is restricted, you know what I mean?

0:21:40.359 --> 0:21:43.560
<v Speaker 4>And and used to love ship stiff, that's what you was.

0:21:45.280 --> 0:21:48.600
<v Speaker 3>Nigga would have horns and he'd be rapping and then

0:21:48.760 --> 0:21:50.639
<v Speaker 3>be doing the horn parts with his fingers.

0:21:50.680 --> 0:21:55.800
<v Speaker 1>I'm like, man, you.

0:21:58.000 --> 0:22:03.560
<v Speaker 3>Get it, get it though, get it now though, I

0:22:03.640 --> 0:22:06.960
<v Speaker 3>get it so and I feel for Dre. I feel

0:22:06.960 --> 0:22:09.320
<v Speaker 3>for Dre and I feel for legends, you know what

0:22:09.320 --> 0:22:10.719
<v Speaker 3>I mean in that situation.

0:22:11.840 --> 0:22:14.400
<v Speaker 1>But I'm also say this right.

0:22:14.680 --> 0:22:17.320
<v Speaker 3>There is a development about people that come from where

0:22:17.320 --> 0:22:20.760
<v Speaker 3>we come from. That don't mean you abandon this.

0:22:21.320 --> 0:22:22.160
<v Speaker 1>It evolves.

0:22:22.720 --> 0:22:25.720
<v Speaker 3>So like my older homies they not hanging out on

0:22:25.800 --> 0:22:29.200
<v Speaker 3>the seven or them dudes is a part of motorcycle clubs,

0:22:29.280 --> 0:22:32.520
<v Speaker 3>or they got cigarette boats and they go to the

0:22:33.200 --> 0:22:36.640
<v Speaker 3>uh the lake in Arizona to have a sue and

0:22:36.880 --> 0:22:40.240
<v Speaker 3>like like, and I feel like it's important you feel me.

0:22:40.359 --> 0:22:43.399
<v Speaker 3>You look like you fall asleep. Still open up, you.

0:22:45.080 --> 0:22:45.440
<v Speaker 4>Trust me.

0:22:45.440 --> 0:22:47.680
<v Speaker 3>People gonna be talking about that part, remember that too.

0:22:48.680 --> 0:22:49.280
<v Speaker 6>I hate that.

0:22:49.320 --> 0:22:49.480
<v Speaker 4>Man.

0:22:49.760 --> 0:22:51.800
<v Speaker 6>I'm looking listen to what you're saying, like I'm going

0:22:51.800 --> 0:22:52.200
<v Speaker 6>to sleep.

0:22:52.720 --> 0:22:55.679
<v Speaker 3>No, you should see your face though, I.

0:22:57.560 --> 0:22:59.480
<v Speaker 6>Need to work my glasses. I need to get my.

0:22:59.440 --> 0:23:02.960
<v Speaker 3>Hook up on my all that look at his face

0:23:02.960 --> 0:23:05.360
<v Speaker 3>at twenty two thirty and tell me what you think.

0:23:05.400 --> 0:23:06.359
<v Speaker 3>Don't he look crazy?

0:23:06.480 --> 0:23:10.080
<v Speaker 5>My nigga say already, don't still say nigga, that's just

0:23:10.160 --> 0:23:12.400
<v Speaker 5>that's just how I happened, and I should he said,

0:23:12.400 --> 0:23:15.280
<v Speaker 5>I don't be sleep nigga.

0:23:15.920 --> 0:23:18.400
<v Speaker 4>Nigga looked like he'd be gold like a motherfucker.

0:23:18.720 --> 0:23:22.160
<v Speaker 3>And what you're saying, no, no, But the point I'm

0:23:22.160 --> 0:23:26.119
<v Speaker 3>saying is I think, like I think, I respect H

0:23:26.280 --> 0:23:30.400
<v Speaker 3>eight has evolved as an MC where it's not completely

0:23:31.000 --> 0:23:34.960
<v Speaker 3>oblivious to street culture, like he didn't mature into like

0:23:35.040 --> 0:23:38.920
<v Speaker 3>a soccer dad. He sounds like MC eight that grew

0:23:39.000 --> 0:23:41.679
<v Speaker 3>up and content, that's with track new, that's an adult

0:23:41.760 --> 0:23:45.040
<v Speaker 3>that got kids now and living his life. It don't

0:23:45.080 --> 0:23:48.640
<v Speaker 3>sound like he Sometimes a lot of the mature minds

0:23:48.680 --> 0:23:51.600
<v Speaker 3>in hip hop or especially from the West, will sound

0:23:51.680 --> 0:23:55.239
<v Speaker 3>like they never ever saw the streets now, And I'm like,

0:23:55.320 --> 0:23:56.440
<v Speaker 3>you can't get that off.

0:23:57.200 --> 0:24:00.400
<v Speaker 6>I don't know if that's fear man. I think, what dog?

0:24:00.520 --> 0:24:02.320
<v Speaker 6>His niggas just be trying to push the ship to

0:24:02.359 --> 0:24:02.760
<v Speaker 6>the outer.

0:24:02.760 --> 0:24:07.960
<v Speaker 1>Limits, staying in limits, you know what.

0:24:08.480 --> 0:24:10.879
<v Speaker 2>And that's one thing I could respect about eight because

0:24:10.880 --> 0:24:14.840
<v Speaker 2>eight is real conscious about staying in his lane, about

0:24:14.880 --> 0:24:15.880
<v Speaker 2>staying where he's at.

0:24:15.920 --> 0:24:19.240
<v Speaker 6>You feel what I'm saying, like, I gotta be right here.

0:24:19.280 --> 0:24:22.360
<v Speaker 2>This is where I'm at even about BPMS, Like because

0:24:22.400 --> 0:24:23.840
<v Speaker 2>I ain't gonna lie, I'll be want to I'll be

0:24:23.880 --> 0:24:26.080
<v Speaker 2>saying sometimes, man to be hard. If I had eight

0:24:26.160 --> 0:24:28.240
<v Speaker 2>but an orchestra and I had a dude over here

0:24:28.320 --> 0:24:30.560
<v Speaker 2>doing this with the file lin and all this, that

0:24:30.600 --> 0:24:31.840
<v Speaker 2>ha sound real menacing.

0:24:32.280 --> 0:24:33.000
<v Speaker 1>You could do.

0:24:32.920 --> 0:24:37.720
<v Speaker 3>That for his albums that came out in the nineties.

0:24:38.080 --> 0:24:40.760
<v Speaker 3>You can't do it with Shiit today. So like, yeah,

0:24:40.760 --> 0:24:43.439
<v Speaker 3>if you play straight up minutes with the orchestra, that's fire.

0:24:44.760 --> 0:24:47.960
<v Speaker 3>He ain't got no business rapping on the orchestra, making

0:24:48.000 --> 0:24:51.760
<v Speaker 3>an orchestra song some brand new stuff, because I mean

0:24:51.760 --> 0:24:53.800
<v Speaker 3>it's it's not to say it won't even sound good.

0:24:53.880 --> 0:24:56.480
<v Speaker 3>It just becomes you know, you don't want to go there.

0:24:56.560 --> 0:24:58.520
<v Speaker 3>You don't want to go there to McDonald's bro and

0:24:58.560 --> 0:25:01.200
<v Speaker 3>they put ketchup on your big man or mustard.

0:25:01.200 --> 0:25:01.640
<v Speaker 4>That just.

0:25:03.400 --> 0:25:05.920
<v Speaker 1>Unfortunately, you guys have successful brands.

0:25:06.000 --> 0:25:09.760
<v Speaker 3>You know, whether it's eight, whether it's Doll, whether it's Snoop,

0:25:09.840 --> 0:25:10.920
<v Speaker 3>whether it's Doll Pad.

0:25:12.160 --> 0:25:19.560
<v Speaker 5>I tell all the time, you have to stay you

0:25:19.640 --> 0:25:23.000
<v Speaker 5>have to stay loyal to the fans. That's you get

0:25:23.040 --> 0:25:29.160
<v Speaker 5>me and and true fans don't want.

0:25:29.000 --> 0:25:32.040
<v Speaker 4>To hear that other ship. You get me.

0:25:32.480 --> 0:25:35.480
<v Speaker 5>True fans want to see you stay in the lane

0:25:35.640 --> 0:25:37.960
<v Speaker 5>in the basis of what built your career.

0:25:38.520 --> 0:25:38.800
<v Speaker 2>Now.

0:25:39.080 --> 0:25:41.280
<v Speaker 5>I'm not saying you gotta beat you know, you gotta

0:25:41.320 --> 0:25:44.119
<v Speaker 5>sound like the nigga you was back in eighty nine

0:25:44.280 --> 0:25:50.800
<v Speaker 5>or ninety one, but don't stray away from the concepts

0:25:50.920 --> 0:25:54.320
<v Speaker 5>and the rules of what made us true fans of

0:25:54.440 --> 0:25:57.800
<v Speaker 5>yours and that and and so you have to remember

0:25:57.840 --> 0:26:01.520
<v Speaker 5>that if you still making music today, you have to

0:26:01.680 --> 0:26:05.199
<v Speaker 5>consider what got you to the point of where you

0:26:05.320 --> 0:26:09.680
<v Speaker 5>are now, because those are the motherfuckers that still want

0:26:09.720 --> 0:26:10.440
<v Speaker 5>to hear you.

0:26:10.440 --> 0:26:12.960
<v Speaker 4>You get me. You might pick up some new fans

0:26:13.000 --> 0:26:15.480
<v Speaker 4>along the way, but you want to.

0:26:15.440 --> 0:26:21.040
<v Speaker 5>Stay true to that core because that's what That's what MutS,

0:26:21.160 --> 0:26:23.880
<v Speaker 5>that's what it means to them, you get me. They

0:26:23.960 --> 0:26:27.040
<v Speaker 5>feel honored and great when you do some shit that's

0:26:27.080 --> 0:26:29.840
<v Speaker 5>in your lane and you're not trying to compete with

0:26:29.960 --> 0:26:34.000
<v Speaker 5>what's going on today, and you're giving them true uh,

0:26:34.600 --> 0:26:37.880
<v Speaker 5>you know, that true sound of what made them motherfuckers

0:26:37.880 --> 0:26:39.520
<v Speaker 5>want to fuck with you in the first place.

0:26:40.040 --> 0:26:42.600
<v Speaker 2>Yeah, if any of your hercub's new joint that it's

0:26:42.640 --> 0:26:46.080
<v Speaker 2>my ego. Yeah, it's probably the biggest record. They saying

0:26:46.119 --> 0:26:49.240
<v Speaker 2>it's the biggest record you had commercial wise.

0:26:49.440 --> 0:26:52.160
<v Speaker 3>I think they're talking about from a streaming air perspective.

0:26:53.840 --> 0:26:56.480
<v Speaker 6>Yeah, it's it's a cool record. Actually though I like it.

0:26:58.040 --> 0:26:59.760
<v Speaker 1>I like it from a songwriting perspective.

0:27:00.000 --> 0:27:01.639
<v Speaker 6>I think it's cool. I think it's a dope record.

0:27:01.880 --> 0:27:06.840
<v Speaker 3>It's definitely he feels it's him feeling more comfortable than

0:27:06.880 --> 0:27:08.360
<v Speaker 3>he felt to me on Mount Westmore.

0:27:09.200 --> 0:27:11.240
<v Speaker 1>And the video is really good too. You can tell

0:27:11.280 --> 0:27:12.240
<v Speaker 1>you having more fun.

0:27:13.080 --> 0:27:15.199
<v Speaker 3>He kind of started a home space where he had

0:27:15.240 --> 0:27:16.920
<v Speaker 3>as a creative you know, I mean as a as

0:27:16.920 --> 0:27:20.040
<v Speaker 3>a as a creative legend. He's starting to own the space.

0:27:20.440 --> 0:27:22.159
<v Speaker 3>So it works a little bit more like you can

0:27:22.240 --> 0:27:23.280
<v Speaker 3>feel the pill of it.

0:27:24.880 --> 0:27:25.440
<v Speaker 4>I like it.

0:27:25.920 --> 0:27:28.439
<v Speaker 2>Well, you know what I was thinking, man like like

0:27:28.480 --> 0:27:31.360
<v Speaker 2>with cats, like like with q Be coming out doing

0:27:31.400 --> 0:27:35.040
<v Speaker 2>this thing. He keeping this stuff like really authentic to

0:27:35.160 --> 0:27:38.200
<v Speaker 2>who we yields. And I remember you want to did

0:27:38.200 --> 0:27:40.880
<v Speaker 2>the thing for the Homies in DC when you came out,

0:27:41.240 --> 0:27:44.159
<v Speaker 2>you know, get the whole live instrumization thing, and he

0:27:44.359 --> 0:27:46.600
<v Speaker 2>was out there and I was like, man, that's just dope.

0:27:46.680 --> 0:27:48.760
<v Speaker 2>I think he could really pull that off. Man Like

0:27:48.840 --> 0:27:49.119
<v Speaker 2>doing the.

0:27:49.760 --> 0:27:52.959
<v Speaker 1>Piss me off. I told him to do this.

0:27:53.760 --> 0:27:58.560
<v Speaker 2>Yeah, I told nobout it.

0:27:58.680 --> 0:28:01.199
<v Speaker 3>I said, bro, if you had eight, we should have

0:28:01.280 --> 0:28:05.199
<v Speaker 3>eight perform with music, because y'all, shit is music.

0:28:05.600 --> 0:28:07.919
<v Speaker 1>Dog new single, I think Dog New Single.

0:28:08.320 --> 0:28:11.280
<v Speaker 3>I'm so glad that they didn't try a bunch of shit.

0:28:11.960 --> 0:28:14.840
<v Speaker 3>They didn't try to they didn't try to do a

0:28:14.840 --> 0:28:18.080
<v Speaker 3>bunch of crazy shit. They kept it just on brand.

0:28:18.440 --> 0:28:19.640
<v Speaker 3>That's all you gotta do.

0:28:20.160 --> 0:28:20.560
<v Speaker 6>Now.

0:28:20.800 --> 0:28:22.120
<v Speaker 1>Growth is about marketing.

0:28:22.640 --> 0:28:25.399
<v Speaker 3>It ain't about taking new risk with sound at this point,

0:28:25.440 --> 0:28:29.320
<v Speaker 3>for certain legends, it's really about really trippling down on

0:28:29.359 --> 0:28:32.560
<v Speaker 3>a brand and getting more people to approve. Because when

0:28:32.600 --> 0:28:35.160
<v Speaker 3>eight first started, or when Snoop first started, or when

0:28:35.160 --> 0:28:38.640
<v Speaker 3>ice t first started, I'm sure with no brands, would

0:28:38.760 --> 0:28:41.280
<v Speaker 3>no major corps come near them, you know what I mean,

0:28:41.320 --> 0:28:44.640
<v Speaker 3>because it was like this is way too risky so forth.

0:28:44.680 --> 0:28:47.440
<v Speaker 3>But now it's not like that, Like eight could have

0:28:47.480 --> 0:28:52.760
<v Speaker 3>a deal with you know, with old English, today they would,

0:28:52.880 --> 0:28:57.080
<v Speaker 3>they would say it now because you know, street urban

0:28:57.120 --> 0:29:01.680
<v Speaker 3>culture has become like synonymous with just being cool for everybody.

0:29:02.040 --> 0:29:05.080
<v Speaker 3>Like now Martha Stewart could hang with Snoop and nobody

0:29:05.200 --> 0:29:08.520
<v Speaker 3>is criticizing her for hanging with a crip, so have

0:29:08.640 --> 0:29:11.920
<v Speaker 3>the Olympics and and Dre and Snoop. Could you know

0:29:12.040 --> 0:29:15.440
<v Speaker 3>be on the Olympics performing songs where they saying, you

0:29:15.480 --> 0:29:18.920
<v Speaker 3>know what I mean f the police on national television.

0:29:19.280 --> 0:29:22.640
<v Speaker 3>You mean so to me? The next step for like

0:29:22.720 --> 0:29:24.920
<v Speaker 3>the legends that I grew up listening to is really

0:29:24.960 --> 0:29:29.280
<v Speaker 3>making better plays and connecting their brand with greater brands,

0:29:29.320 --> 0:29:32.000
<v Speaker 3>because the greater brands will expose you, and they don't

0:29:32.040 --> 0:29:35.520
<v Speaker 3>do nothing but solidified to a bunch of white people

0:29:35.520 --> 0:29:36.600
<v Speaker 3>who already heard of you.

0:29:36.880 --> 0:29:40.560
<v Speaker 1>It's okay to like MC eight, it's okay, like you

0:29:40.600 --> 0:29:42.640
<v Speaker 1>can be proud of this.

0:29:43.080 --> 0:29:44.680
<v Speaker 2>You know what I've been kind of trying to figure

0:29:44.680 --> 0:29:47.280
<v Speaker 2>out too, right, Yeah, you know you have them like

0:29:47.400 --> 0:29:49.080
<v Speaker 2>looking at him, going to go do the off the

0:29:49.120 --> 0:29:52.640
<v Speaker 2>porch stuff, right, Yeah, and just what we was talking about, right,

0:29:52.680 --> 0:29:57.000
<v Speaker 2>it's really expound on that dog and really like reintroducing

0:29:57.160 --> 0:30:01.080
<v Speaker 2>like the Hood took me under to the twenty twenty

0:30:01.080 --> 0:30:04.280
<v Speaker 2>four youth, no, the kids of this era, to the

0:30:04.400 --> 0:30:06.920
<v Speaker 2>like you know that era, but by doing it like

0:30:06.960 --> 0:30:09.640
<v Speaker 2>at a tiny desk where it's over live instrumentation, Dog,

0:30:09.880 --> 0:30:11.840
<v Speaker 2>I think they just get a music, just a whole

0:30:11.920 --> 0:30:12.440
<v Speaker 2>new life.

0:30:12.480 --> 0:30:12.760
<v Speaker 1>Dog.

0:30:13.560 --> 0:30:18.000
<v Speaker 3>So the fact we call it tiny desk when they've

0:30:18.000 --> 0:30:20.920
<v Speaker 3>been doing a tammy show since the sixties. You know

0:30:20.960 --> 0:30:24.400
<v Speaker 3>what I'm saying, you've been seeing this before before MTV's

0:30:24.480 --> 0:30:27.160
<v Speaker 3>music video. Like when I go back and study, you know,

0:30:27.160 --> 0:30:29.000
<v Speaker 3>I'll be studying all the time, and I go back

0:30:29.000 --> 0:30:30.960
<v Speaker 3>and look pre MTV.

0:30:30.800 --> 0:30:32.200
<v Speaker 1>That's how all that shit was.

0:30:32.280 --> 0:30:35.640
<v Speaker 3>They was all just it was live musicianship. So we

0:30:35.800 --> 0:30:38.040
<v Speaker 3>just got to get back to the music, not just

0:30:38.160 --> 0:30:40.720
<v Speaker 3>the records, because I think with people here get back

0:30:40.720 --> 0:30:42.840
<v Speaker 3>to the music. They think of getting back to the records. No,

0:30:43.360 --> 0:30:47.720
<v Speaker 3>get back to the music. Like the music pre MTV

0:30:47.920 --> 0:30:50.480
<v Speaker 3>was an experienced. MTV made it to where it was

0:30:50.480 --> 0:30:53.640
<v Speaker 3>a backing track and you perform in the song. But

0:30:53.760 --> 0:30:57.880
<v Speaker 3>before that you had to really it was, you know,

0:30:58.200 --> 0:30:58.920
<v Speaker 3>off the porch.

0:30:59.160 --> 0:31:01.880
<v Speaker 4>It was every was that exactly. You have to be

0:31:01.920 --> 0:31:05.880
<v Speaker 4>able to perform. Back in the days, it was people.

0:31:05.680 --> 0:31:07.520
<v Speaker 3>Up when they seen eight, they was like, oh this

0:31:07.640 --> 0:31:10.440
<v Speaker 3>nigga really got it, Like you know, you could tell

0:31:10.480 --> 0:31:13.440
<v Speaker 3>you could see a master at work versus some dude

0:31:13.440 --> 0:31:15.760
<v Speaker 3>that got a good record exactly.

0:31:16.160 --> 0:31:18.880
<v Speaker 2>I think the biggest thing today what I tell cats

0:31:18.960 --> 0:31:20.720
<v Speaker 2>is I see cats come up there. Like when I

0:31:20.760 --> 0:31:24.040
<v Speaker 2>first saw Ti Grizzly. Remember when everybody the industry kind

0:31:24.040 --> 0:31:25.880
<v Speaker 2>of was giving him his moment because that song was

0:31:25.920 --> 0:31:28.960
<v Speaker 2>so big. He was out there doing songs. Man, they

0:31:29.000 --> 0:31:31.560
<v Speaker 2>just had the microphone in his hand with the track

0:31:31.600 --> 0:31:34.160
<v Speaker 2>playing in the background. He was kind of on stage,

0:31:34.240 --> 0:31:36.400
<v Speaker 2>is kind of diddy bopping, big Man diddy bopping, and

0:31:36.480 --> 0:31:38.560
<v Speaker 2>I'm like, man, that is not gonna work.

0:31:38.600 --> 0:31:38.719
<v Speaker 7>Bro.

0:31:39.240 --> 0:31:41.360
<v Speaker 2>People came to hear you say that over them over

0:31:41.400 --> 0:31:44.440
<v Speaker 2>your microphone. That's what I think. Anyway, I thought this

0:31:44.520 --> 0:31:47.280
<v Speaker 2>stage show was horrible at first. He's gotten a lot better.

0:31:47.320 --> 0:31:49.400
<v Speaker 2>But I thought this show was horrible at first.

0:31:49.600 --> 0:31:51.200
<v Speaker 3>But this is why I always give a lot of

0:31:51.240 --> 0:31:54.960
<v Speaker 3>credit to y'all generation in hip hop, Like y'all understood

0:31:54.960 --> 0:31:58.000
<v Speaker 3>that because y'all grew up watching y'all kind of young,

0:31:58.080 --> 0:32:01.600
<v Speaker 3>but y'all kind of saw Sam Cook, y'all saw James Brown.

0:32:01.880 --> 0:32:04.000
<v Speaker 3>I mean, these are people you saw, even if you

0:32:04.000 --> 0:32:06.640
<v Speaker 3>didn't see them. I doubt either one of y'all saw

0:32:06.760 --> 0:32:09.320
<v Speaker 3>James Brown and his prime crime with James Brown.

0:32:09.920 --> 0:32:12.920
<v Speaker 1>Fully. I mean you saw James Brown probably later.

0:32:12.720 --> 0:32:14.480
<v Speaker 4>On well performers.

0:32:14.560 --> 0:32:17.040
<v Speaker 5>You know, you got to watch Soul Train, and you

0:32:17.160 --> 0:32:20.560
<v Speaker 5>got to watch American Band Stand and then you got

0:32:20.600 --> 0:32:23.040
<v Speaker 5>to watch you know a lot of the shows where

0:32:23.480 --> 0:32:27.440
<v Speaker 5>you know, performers performed, and we had you know.

0:32:27.760 --> 0:32:27.840
<v Speaker 7>We.

0:32:30.040 --> 0:32:30.920
<v Speaker 1>Had t r L.

0:32:31.840 --> 0:32:34.400
<v Speaker 3>We want to sit at park just up there rapping.

0:32:34.480 --> 0:32:36.280
<v Speaker 3>It's a bigger music played.

0:32:38.440 --> 0:32:44.840
<v Speaker 5>Looking at you know, we watched those uh, those motherfucking

0:32:45.200 --> 0:32:49.800
<v Speaker 5>American Music Award shows when when you know, bands had

0:32:49.880 --> 0:32:52.600
<v Speaker 5>to perform and the earth winds and fires and the

0:32:52.640 --> 0:32:57.560
<v Speaker 5>ship and niggas really performed. There was no track looping

0:32:57.640 --> 0:33:01.040
<v Speaker 5>in the background and vocals over the t you know.

0:33:01.720 --> 0:33:05.640
<v Speaker 4>So, uh, my generation saw that as kids.

0:33:06.200 --> 0:33:12.320
<v Speaker 5>So if you got into the entertainment business, a lot

0:33:12.360 --> 0:33:15.880
<v Speaker 5>of us grew up off of that, you know, performances

0:33:15.920 --> 0:33:19.800
<v Speaker 5>and stage shows, and so you knew, you know, you

0:33:19.920 --> 0:33:22.920
<v Speaker 5>gotta connect with the crowd, and you got to move

0:33:23.040 --> 0:33:27.840
<v Speaker 5>around and if you can have props and stage show presence,

0:33:27.920 --> 0:33:30.760
<v Speaker 5>and because that's what people come to see, you get me.

0:33:32.360 --> 0:33:34.800
<v Speaker 4>You know, some people adapt to that.

0:33:34.960 --> 0:33:38.360
<v Speaker 5>But you know, like I said, the generation gap between

0:33:38.760 --> 0:33:41.720
<v Speaker 5>what we saw as kids and what the kids are

0:33:41.760 --> 0:33:46.040
<v Speaker 5>seeing now is a total different you know area, you know.

0:33:46.080 --> 0:33:48.080
<v Speaker 2>Not just the short and gee, but I would listening

0:33:48.080 --> 0:33:50.720
<v Speaker 2>to this girl's record the other day, a girl I

0:33:50.800 --> 0:33:53.320
<v Speaker 2>was asking thinking about doing something with Mter mixing for

0:33:53.360 --> 0:33:55.440
<v Speaker 2>that song that we got that we're doing for the

0:33:55.480 --> 0:33:57.880
<v Speaker 2>one ten thing, and I was listening to it, but

0:33:57.960 --> 0:33:58.640
<v Speaker 2>she wrapped and I.

0:33:58.880 --> 0:34:03.600
<v Speaker 6>Might like when they seen me coming down, and I'm like,

0:34:03.880 --> 0:34:04.960
<v Speaker 6>how are you gonna wrap that?

0:34:05.000 --> 0:34:05.520
<v Speaker 1>In person?

0:34:06.320 --> 0:34:08.359
<v Speaker 6>Like, how do you say that to a stinging full

0:34:08.400 --> 0:34:08.680
<v Speaker 6>of people?

0:34:08.840 --> 0:34:09.760
<v Speaker 4>You up there whispering.

0:34:14.400 --> 0:34:17.239
<v Speaker 3>I did a show in Seattle a couple of weeks ago, right.

0:34:17.400 --> 0:34:20.040
<v Speaker 3>It was a dope, little small venue. It was one

0:34:20.040 --> 0:34:22.279
<v Speaker 3>of my favorite shows I did probably in the last

0:34:22.280 --> 0:34:25.480
<v Speaker 3>ten years. And it was a dude who rapped before me.

0:34:25.680 --> 0:34:28.200
<v Speaker 3>He had to be in his fifties. He was you

0:34:28.239 --> 0:34:30.959
<v Speaker 3>could tell he had been rapping for I even thought

0:34:30.960 --> 0:34:34.520
<v Speaker 3>about rapping, like he already knew what rap was. And

0:34:34.560 --> 0:34:36.560
<v Speaker 3>I think I sent you a video of how he

0:34:36.640 --> 0:34:37.640
<v Speaker 3>was holding his mic.

0:34:38.080 --> 0:34:39.920
<v Speaker 4>Yeah, so yeah, I was like, who is that?

0:34:40.040 --> 0:34:41.640
<v Speaker 3>I wanted you to send that to aid, Right, But

0:34:42.760 --> 0:34:47.759
<v Speaker 3>I remember being so enamored with his style and confidence

0:34:47.800 --> 0:34:51.359
<v Speaker 3>to hold his mic that way. And I watched a

0:34:51.360 --> 0:34:53.640
<v Speaker 3>lot of rappers coming up. They cut the mic, they

0:34:53.680 --> 0:34:56.640
<v Speaker 3>stick the mic down, it's almost like they hide in

0:34:56.680 --> 0:35:01.680
<v Speaker 3>their mouth. It is a level of confidence you should

0:35:01.760 --> 0:35:04.880
<v Speaker 3>have as a hip hop artist where you're confident and

0:35:04.920 --> 0:35:08.080
<v Speaker 3>you could tell they're still shy, you know what I mean,

0:35:08.239 --> 0:35:10.239
<v Speaker 3>Like some of them do the jay z where they

0:35:10.239 --> 0:35:13.560
<v Speaker 3>got the finger over the nose, and but it was

0:35:13.600 --> 0:35:17.000
<v Speaker 3>this g dude and he was holding the mic like

0:35:17.320 --> 0:35:20.279
<v Speaker 3>upside down, like he was talking like announcing a fight,

0:35:21.120 --> 0:35:24.040
<v Speaker 3>and it was like the most it was the dopest

0:35:24.120 --> 0:35:28.200
<v Speaker 3>thing I saw in so long, and it was that

0:35:28.280 --> 0:35:31.920
<v Speaker 3>hip hop energy, that energy where you're not doing something

0:35:32.000 --> 0:35:35.080
<v Speaker 3>the way it's supposed to be done, but you can

0:35:35.160 --> 0:35:37.879
<v Speaker 3>see that your bravado carries it through and then you

0:35:37.920 --> 0:35:39.200
<v Speaker 3>create something.

0:35:39.560 --> 0:35:41.239
<v Speaker 1>You know what I mean, that people never saw.

0:35:41.360 --> 0:35:43.680
<v Speaker 3>And I remember him telling me like, man, you should

0:35:43.719 --> 0:35:45.880
<v Speaker 3>try it, and I'm thinking, like, I don't got nowhere

0:35:46.000 --> 0:35:53.280
<v Speaker 3>near the moxie or years to even attempt.

0:35:51.840 --> 0:35:52.759
<v Speaker 4>Mic because.

0:35:54.360 --> 0:35:56.840
<v Speaker 1>It wasn't blocking his face so you can see his face.

0:35:58.760 --> 0:36:02.520
<v Speaker 5>That yeah, I want to get that residence you want.

0:36:02.560 --> 0:36:05.279
<v Speaker 5>You're gonna hear none but voice coming to this motherfucker

0:36:06.640 --> 0:36:08.960
<v Speaker 5>down or hold it like that, nigg I'm putting this mother.

0:36:09.280 --> 0:36:11.440
<v Speaker 2>He knew what he was doing because he had like

0:36:11.520 --> 0:36:15.000
<v Speaker 2>this that one of the tricks quick game in the studio,

0:36:15.280 --> 0:36:16.800
<v Speaker 2>hold your throat up like this when.

0:36:16.680 --> 0:36:19.799
<v Speaker 4>You do your thing, keep your cheir up, nigga.

0:36:20.680 --> 0:36:23.279
<v Speaker 3>And that dude was serving and I was just thinking, like,

0:36:24.000 --> 0:36:25.560
<v Speaker 3>you know, so I don't I don't want to be

0:36:27.800 --> 0:36:30.000
<v Speaker 3>I don't want to be hypercritical because again, I grew

0:36:30.040 --> 0:36:32.880
<v Speaker 3>up in the era of t R Rail, you know

0:36:32.880 --> 0:36:35.080
<v Speaker 3>what I mean, and and and and and one O

0:36:35.200 --> 0:36:37.799
<v Speaker 3>six and Park, So we didn't have that. But I

0:36:37.960 --> 0:36:40.400
<v Speaker 3>just got blessed enough to have time and make money

0:36:40.440 --> 0:36:43.080
<v Speaker 3>to where I can go back and then experience the

0:36:43.120 --> 0:36:45.439
<v Speaker 3>Tammi Show. I can go back and look at four

0:36:45.520 --> 0:36:48.560
<v Speaker 3>hundred Soul training episodes. I can go back and look

0:36:48.600 --> 0:36:52.000
<v Speaker 3>at all these American bandstands, different performance, very white, and

0:36:52.000 --> 0:36:54.359
<v Speaker 3>I'm like, oh, this is how it's supposed to go,

0:36:54.960 --> 0:36:55.600
<v Speaker 3>you know what I'm saying.

0:36:55.680 --> 0:36:57.719
<v Speaker 1>So you know again, it's like.

0:36:59.160 --> 0:37:01.560
<v Speaker 3>Getting back to the music, getting back to the bass,

0:37:01.600 --> 0:37:04.680
<v Speaker 3>getting back to the guitar, getting back to the drums,

0:37:04.719 --> 0:37:07.080
<v Speaker 3>getting back to the keyboard.

0:37:06.600 --> 0:37:07.760
<v Speaker 1>Getting back to the music.

0:37:07.800 --> 0:37:10.560
<v Speaker 3>You know what I mean, when people saw music versus

0:37:10.880 --> 0:37:14.200
<v Speaker 3>they seeing you and they hearing music, Like, it's different.

0:37:14.200 --> 0:37:16.600
<v Speaker 3>When I watched that, I remember sending you that back

0:37:16.640 --> 0:37:19.920
<v Speaker 3>poor stuff, like posting it on my Twitter, like you

0:37:20.040 --> 0:37:24.000
<v Speaker 3>see the bass if you don't just hear it. I

0:37:24.160 --> 0:37:27.879
<v Speaker 3>see it. I see the drums, I see the I'm

0:37:27.960 --> 0:37:31.799
<v Speaker 3>more intrigued. And then you watch a legend servant you like,

0:37:32.560 --> 0:37:32.960
<v Speaker 3>that's it.

0:37:33.400 --> 0:37:34.160
<v Speaker 4>I swear. Man.

0:37:34.600 --> 0:37:38.319
<v Speaker 2>When Glasses saw that off the pork stuff, he was

0:37:38.360 --> 0:37:41.439
<v Speaker 2>so mad at me. He was like, mane, somebody else

0:37:41.520 --> 0:37:44.040
<v Speaker 2>do it and you And I said, bro, we had

0:37:44.040 --> 0:37:46.160
<v Speaker 2>been talking about it, but it was one of them things.

0:37:46.200 --> 0:37:50.840
<v Speaker 6>Now you think you gonna have time to do something, man.

0:37:51.200 --> 0:37:54.359
<v Speaker 1>Rat this mistake made and life is thinking you got time.

0:37:54.480 --> 0:37:56.560
<v Speaker 2>You can still do it though, Bro, we can still

0:37:56.600 --> 0:37:58.279
<v Speaker 2>do that, you know what I mean. It's like you

0:37:58.280 --> 0:38:00.360
<v Speaker 2>don't have no copyright on that and.

0:38:00.640 --> 0:38:01.120
<v Speaker 1>In its fly.

0:38:01.239 --> 0:38:04.720
<v Speaker 3>Don't get me wrong, but man, I remember just looking

0:38:04.840 --> 0:38:06.200
<v Speaker 3>like wow, you know what I mean, it's like your

0:38:06.280 --> 0:38:07.040
<v Speaker 3>childhood again.

0:38:07.200 --> 0:38:08.040
<v Speaker 1>You just see it.

0:38:08.000 --> 0:38:09.600
<v Speaker 3>Like that is show fire like.

0:38:09.840 --> 0:38:10.919
<v Speaker 6>But I'm not mad.

0:38:11.120 --> 0:38:12.920
<v Speaker 2>I'm not mad that he did do it with them,

0:38:12.960 --> 0:38:15.440
<v Speaker 2>because you know them dudes in DC get busy, right.

0:38:15.360 --> 0:38:16.759
<v Speaker 1>No no, no, no no. I love it.

0:38:16.800 --> 0:38:18.560
<v Speaker 6>I love it and the fact how they had and

0:38:18.600 --> 0:38:20.680
<v Speaker 6>they did it right. They had him coming about the logo.

0:38:20.760 --> 0:38:23.439
<v Speaker 3>I said, look at just wasn't the lo lo But yes,

0:38:23.520 --> 0:38:25.120
<v Speaker 3>it was out of an old Chevy.

0:38:25.239 --> 0:38:25.719
<v Speaker 6>It was out here.

0:38:25.719 --> 0:38:27.239
<v Speaker 4>It wasn't the logo, but it was old chef.

0:38:27.280 --> 0:38:30.920
<v Speaker 3>He was alright, they nailed it, but it was just

0:38:31.400 --> 0:38:34.240
<v Speaker 3>it's no butt for what they did. It's just upset

0:38:34.360 --> 0:38:37.320
<v Speaker 3>and us for not doing the same thing for our legends.

0:38:37.360 --> 0:38:39.840
<v Speaker 3>We don't even have that for our legends. This is

0:38:39.880 --> 0:38:43.080
<v Speaker 3>what I be sweating problem and Pawn and different armies about,

0:38:43.080 --> 0:38:47.040
<v Speaker 3>Like what do we got for our legends?

0:38:45.760 --> 0:38:49.319
<v Speaker 2>That's something that would sell out once or twice a

0:38:49.360 --> 0:38:52.440
<v Speaker 2>month downtown somewhere. Though if you had different cats, if

0:38:52.480 --> 0:38:54.239
<v Speaker 2>you had eight com and do his show with the

0:38:55.600 --> 0:38:57.960
<v Speaker 2>what's e. Peach's band, the Firnest Band, you feel what

0:38:58.000 --> 0:39:00.439
<v Speaker 2>I'm saying, People would sell that out. Oh, you would

0:39:00.440 --> 0:39:02.440
<v Speaker 2>get two or three thousand people that come to see that.

0:39:02.480 --> 0:39:05.480
<v Speaker 1>Though them dudes could really rock.

0:39:05.680 --> 0:39:10.560
<v Speaker 3>That's the problem, and it's like it's what immortalizes your legend.

0:39:11.040 --> 0:39:13.480
<v Speaker 1>Like like I get mad when I see the.

0:39:13.280 --> 0:39:15.920
<v Speaker 3>Shout out to the good folks at NPR for tiny desk,

0:39:16.000 --> 0:39:21.160
<v Speaker 3>but like for them to show showcase scarfaces brad Ship, Like,

0:39:21.280 --> 0:39:25.480
<v Speaker 3>how the hell are we not doing this for our people? Yeah?

0:39:25.640 --> 0:39:29.320
<v Speaker 1>I hate that it goes to them and obviously.

0:39:32.800 --> 0:39:40.960
<v Speaker 5>What I'm saying, honestly, do you honestly think that niggas

0:39:41.320 --> 0:39:47.160
<v Speaker 5>that there's enough love for legends on our side man

0:39:47.520 --> 0:39:49.400
<v Speaker 5>or into the accomplished?

0:39:49.960 --> 0:39:52.279
<v Speaker 1>Because hey, listen to me.

0:39:54.000 --> 0:39:57.399
<v Speaker 5>I remember, we deal with this, We deal with this,

0:39:57.560 --> 0:40:02.520
<v Speaker 5>you know this aspect of you know, legends and icons

0:40:02.560 --> 0:40:05.600
<v Speaker 5>as far ass music concerned as West Coast.

0:40:05.719 --> 0:40:09.960
<v Speaker 4>But I don't think niggas.

0:40:09.480 --> 0:40:16.520
<v Speaker 7>In my shoes truly feel that we are appreciated as

0:40:16.600 --> 0:40:19.919
<v Speaker 7>far as the West Coast is concerned.

0:40:20.440 --> 0:40:22.320
<v Speaker 1>Because this is what I'm saying.

0:40:24.840 --> 0:40:26.080
<v Speaker 4>More, let me tell you something.

0:40:26.480 --> 0:40:29.279
<v Speaker 5>You can put together a concert right now with me

0:40:29.400 --> 0:40:32.160
<v Speaker 5>and a couple of legends and it'll be more essays

0:40:32.280 --> 0:40:33.440
<v Speaker 5>coming in niggas.

0:40:33.920 --> 0:40:35.680
<v Speaker 1>But listen, listen to what I'm saying though.

0:40:35.960 --> 0:40:38.520
<v Speaker 5>So why do you think that, why do you think

0:40:38.640 --> 0:40:42.200
<v Speaker 5>it would be more essays show up than niggas?

0:40:42.400 --> 0:40:42.680
<v Speaker 4>Why?

0:40:43.200 --> 0:40:45.120
<v Speaker 3>Well, let me let me let me ask you this

0:40:45.160 --> 0:40:47.040
<v Speaker 3>and then I'm gonna just bear with me, let me

0:40:47.080 --> 0:40:50.800
<v Speaker 3>work through this. No, because it's important. Right. Look, right

0:40:51.160 --> 0:40:55.440
<v Speaker 3>fifteen years ago, fifteen or sixteen years ago, I'm sitting

0:40:55.480 --> 0:40:59.760
<v Speaker 3>with the program director at KD trying to put together

0:40:59.840 --> 0:41:03.200
<v Speaker 3>so they like man gee, so they asking me to

0:41:03.239 --> 0:41:05.000
<v Speaker 3>reach out to Wayne. They you know, I'm saying to

0:41:05.040 --> 0:41:07.719
<v Speaker 3>cash money, like, man, reach out to tune. I'm like, man,

0:41:07.719 --> 0:41:10.200
<v Speaker 3>tune getting like half a million dollars a joint right now.

0:41:10.239 --> 0:41:12.040
<v Speaker 3>Like I just was with them dudes on the road

0:41:12.480 --> 0:41:15.960
<v Speaker 3>doing shows. They giving me twenty on passive income, Like

0:41:16.040 --> 0:41:18.800
<v Speaker 3>this ain't nothing, you feel me? Like they getting five honey.

0:41:18.800 --> 0:41:20.279
<v Speaker 3>He like, see if you can get him to do

0:41:20.320 --> 0:41:23.719
<v Speaker 3>it for two hundred. I'm like, man, you tripping. He

0:41:23.880 --> 0:41:26.400
<v Speaker 3>like why, And I'm like, may you be better off

0:41:26.600 --> 0:41:31.800
<v Speaker 3>booking every legend you can from the West, right, booking

0:41:31.920 --> 0:41:34.800
<v Speaker 3>every legend from the West and putting them in one venue.

0:41:34.920 --> 0:41:37.319
<v Speaker 3>He like, oh, man, people ain't gonna buy that. I'm like,

0:41:37.440 --> 0:41:38.360
<v Speaker 3>of course they will.

0:41:38.840 --> 0:41:39.920
<v Speaker 1>He said, why you think so?

0:41:40.000 --> 0:41:42.600
<v Speaker 3>I said, because it's a good time in our lives

0:41:42.920 --> 0:41:46.480
<v Speaker 3>that we get to go celebrate every time. So the

0:41:46.560 --> 0:41:49.000
<v Speaker 3>program director that k They looking at me crazy. I'm like,

0:41:49.040 --> 0:41:51.920
<v Speaker 3>I'm telling you now, at this time Dog is doing

0:41:52.560 --> 0:41:54.960
<v Speaker 3>rooms that whole two to four thousand.

0:41:55.640 --> 0:41:58.120
<v Speaker 1>At this time, Short is doing clubs.

0:41:58.120 --> 0:42:01.640
<v Speaker 3>You can still get Short and forty at clubs, you

0:42:01.680 --> 0:42:04.680
<v Speaker 3>feel me. So it sounds crazy to him, but I'm

0:42:04.680 --> 0:42:07.279
<v Speaker 3>telling him, if you pack all these people together you

0:42:07.400 --> 0:42:10.000
<v Speaker 3>bring back a time that was a great time for

0:42:10.040 --> 0:42:12.760
<v Speaker 3>everybody who listens to this radio station.

0:42:13.600 --> 0:42:14.840
<v Speaker 1>So he said, okay, listen.

0:42:15.920 --> 0:42:18.880
<v Speaker 3>It takes me a little while convincing, right, So we

0:42:19.440 --> 0:42:23.120
<v Speaker 3>put it together. We call the event How the West

0:42:23.560 --> 0:42:26.800
<v Speaker 3>Was Won. We have another.

0:42:26.880 --> 0:42:30.080
<v Speaker 1>We call the other event Crush Groove. Right.

0:42:30.160 --> 0:42:34.000
<v Speaker 3>So the first How the West was One sales out

0:42:34.400 --> 0:42:35.600
<v Speaker 3>in ninety six.

0:42:35.440 --> 0:42:40.120
<v Speaker 1>Hours, ninety six hours.

0:42:41.000 --> 0:42:44.840
<v Speaker 3>Since then, the program director of KD has been doing

0:42:44.920 --> 0:42:49.319
<v Speaker 3>them now for fifteen years. Now.

0:42:49.520 --> 0:42:53.560
<v Speaker 1>You even buck Q. You can't even bunk dog.

0:42:55.000 --> 0:42:57.719
<v Speaker 3>Again if you don't set the presidents of how to

0:42:57.840 --> 0:43:02.279
<v Speaker 3>respect legends and hip hop. We at that same proverbial

0:43:02.320 --> 0:43:06.560
<v Speaker 3>place that rock was probably in the seventies and eighties

0:43:06.600 --> 0:43:09.719
<v Speaker 3>and nineties, where you kind of didn't know what to

0:43:09.760 --> 0:43:12.040
<v Speaker 3>do with your legends, you know what I mean.

0:43:12.680 --> 0:43:16.399
<v Speaker 1>But somebody figured it out, just like we figured it out. Now.

0:43:16.440 --> 0:43:19.440
<v Speaker 3>You look at Snoop, He's in the arena every night,

0:43:19.560 --> 0:43:21.120
<v Speaker 3>Cuba's in the arena every night.

0:43:21.320 --> 0:43:24.040
<v Speaker 1>It don't work no other way. So it's up to

0:43:24.200 --> 0:43:25.399
<v Speaker 1>even West Coast hip hop.

0:43:25.440 --> 0:43:27.160
<v Speaker 3>Because one of the hardest things I'll be on all

0:43:27.160 --> 0:43:31.520
<v Speaker 3>the legends about is not telling me about Uncle Jam's army.

0:43:31.560 --> 0:43:34.760
<v Speaker 3>Not telling me about you know, Lonzo and the World

0:43:34.760 --> 0:43:38.520
<v Speaker 3>Class Record Crew, the real history of West Coast hip hop.

0:43:38.560 --> 0:43:40.680
<v Speaker 3>I just found out about our Pine Village. I never

0:43:40.719 --> 0:43:43.600
<v Speaker 3>even heard of that, like all my life. Hey, we

0:43:43.719 --> 0:43:46.520
<v Speaker 3>drove by that shit on the one ten, Like, oh,

0:43:46.520 --> 0:43:49.440
<v Speaker 3>that's what the white people be never knew.

0:43:49.600 --> 0:43:52.560
<v Speaker 1>Niggas used to be at the our Pine Village.

0:43:53.000 --> 0:43:56.960
<v Speaker 3>Yeah, I think what it is is And to your question,

0:43:57.520 --> 0:44:00.759
<v Speaker 3>I think brothers you know, are to our spot that

0:44:00.880 --> 0:44:04.359
<v Speaker 3>everything they have to they are on limited budgets, so

0:44:04.440 --> 0:44:06.840
<v Speaker 3>everything they spend their money on is what they believe

0:44:06.920 --> 0:44:08.239
<v Speaker 3>carries social currency.

0:44:08.520 --> 0:44:09.879
<v Speaker 1>So they always looking for.

0:44:09.800 --> 0:44:13.960
<v Speaker 3>The next thing. Well guess what they always pop up at.

0:44:13.960 --> 0:44:17.279
<v Speaker 3>How the West was one because we put social currency

0:44:17.320 --> 0:44:19.960
<v Speaker 3>on it. So this is what we're talking about right now,

0:44:20.000 --> 0:44:23.759
<v Speaker 3>when design is creating something that puts social currency on me.

0:44:24.080 --> 0:44:27.280
<v Speaker 3>And then once you add social currency, then the value

0:44:27.400 --> 0:44:31.239
<v Speaker 3>changes for your heritage and your legendary X. You just

0:44:31.280 --> 0:44:32.759
<v Speaker 3>got to put it in a little bit work. But

0:44:33.120 --> 0:44:36.000
<v Speaker 3>there's so much West Coast Hip hop history that the

0:44:36.040 --> 0:44:38.200
<v Speaker 3>average person don't know that I just figured out and

0:44:38.239 --> 0:44:42.719
<v Speaker 3>I'm telling every young still around me, Hey, no, these

0:44:42.800 --> 0:44:45.160
<v Speaker 3>niggas right here. You know what I mean, nobody else

0:44:45.239 --> 0:44:47.719
<v Speaker 3>is doing it. There's no movie that talks about the

0:44:47.719 --> 0:44:50.600
<v Speaker 3>competition between World Class and Uncle Jam's.

0:44:50.320 --> 0:44:53.920
<v Speaker 1>Army, like five hours.

0:44:54.560 --> 0:44:58.239
<v Speaker 3>People don't know about Unknown's history and iced tea and

0:44:58.280 --> 0:45:01.879
<v Speaker 3>how that matters to com like this history is incredible.

0:45:02.120 --> 0:45:06.280
<v Speaker 3>We don't have a crush groove right now. Everybody thinks

0:45:06.480 --> 0:45:08.880
<v Speaker 3>our history starts. We're straight out of content.

0:45:10.560 --> 0:45:13.439
<v Speaker 2>And I tell eight, I tell eight all the time

0:45:13.520 --> 0:45:15.719
<v Speaker 2>how big that stuff will because I see g we

0:45:15.800 --> 0:45:18.320
<v Speaker 2>talk about it. All we have to do is go

0:45:18.480 --> 0:45:19.960
<v Speaker 2>do it, bro. All we gotta do is go get

0:45:19.960 --> 0:45:22.680
<v Speaker 2>the venue. We got the we got the band dog,

0:45:22.800 --> 0:45:27.279
<v Speaker 2>we got we got them the platform to do with

0:45:27.719 --> 0:45:29.120
<v Speaker 2>the platforms, and.

0:45:30.719 --> 0:45:31.560
<v Speaker 1>We got the people.

0:45:31.880 --> 0:45:33.759
<v Speaker 2>And I swear to god, eight, I'm so sick of

0:45:33.800 --> 0:45:36.759
<v Speaker 2>seeing niggas the ideas that me and this man had

0:45:37.160 --> 0:45:39.000
<v Speaker 2>five and six years ago, and they're doing when they

0:45:39.000 --> 0:45:40.560
<v Speaker 2>blow up my black Man, there we go.

0:45:40.640 --> 0:45:41.600
<v Speaker 6>We lost anohing.

0:45:42.920 --> 0:45:45.160
<v Speaker 2>Like I'm looking at the owner radar stuff ge and

0:45:45.200 --> 0:45:47.879
<v Speaker 2>that's the Remember I wants to do the thing called

0:45:47.880 --> 0:45:50.520
<v Speaker 2>the bar Exam. That's the bar Exam where I was

0:45:50.520 --> 0:45:52.480
<v Speaker 2>gonna have a things. You just eight were just a

0:45:52.560 --> 0:45:54.840
<v Speaker 2>sign and just let people come and just get off.

0:45:55.280 --> 0:45:56.960
<v Speaker 2>I thought of that so long ago and just never

0:45:57.000 --> 0:45:57.480
<v Speaker 2>did it.

0:45:57.480 --> 0:46:00.200
<v Speaker 3>Listen, Man, God gives you a good idea if you

0:46:00.200 --> 0:46:01.799
<v Speaker 3>don't usually give it to somebody else.

0:46:02.440 --> 0:46:05.279
<v Speaker 2>Definitely, I see that the whole time. I see with

0:46:05.360 --> 0:46:07.719
<v Speaker 2>that on the radar, shout out to them though they're

0:46:07.760 --> 0:46:09.920
<v Speaker 2>doing anything. But I had that same idea I was

0:46:09.960 --> 0:46:11.360
<v Speaker 2>till it's gonna be called the bar exam.

0:46:12.120 --> 0:46:15.839
<v Speaker 5>They us, well, like they say, a lot of great

0:46:15.960 --> 0:46:21.880
<v Speaker 5>minds think alike. It's just that sometimes, uh, sometimes we

0:46:22.040 --> 0:46:23.080
<v Speaker 5>procrastinate with.

0:46:23.080 --> 0:46:28.960
<v Speaker 1>Shit for no reason. Eight and I hold the relationships.

0:46:28.640 --> 0:46:31.440
<v Speaker 4>And it's not that we do it purposely.

0:46:31.640 --> 0:46:35.239
<v Speaker 5>But when you a motherfucker that you got multiple shit

0:46:35.440 --> 0:46:40.879
<v Speaker 5>going on, sometimes that great idea might slip you up

0:46:40.960 --> 0:46:43.759
<v Speaker 5>because you think of it. But like you said, there's

0:46:43.800 --> 0:46:47.879
<v Speaker 5>another nigga thinking just like you. So it's on you

0:46:47.960 --> 0:46:52.160
<v Speaker 5>to execute or or pull the trigger when you know

0:46:52.160 --> 0:46:56.080
<v Speaker 5>what I'm saying, Like a nigga said, the greatest investment

0:46:56.160 --> 0:47:00.480
<v Speaker 5>is to invest in yourself. So if if you know,

0:47:00.640 --> 0:47:03.600
<v Speaker 5>you might be doubting, or it might take a couple

0:47:03.680 --> 0:47:06.919
<v Speaker 5>of dollars to do or whatever, but sometimes you got

0:47:06.920 --> 0:47:11.759
<v Speaker 5>to pull the trigger because uh, you know, uh, your

0:47:11.920 --> 0:47:15.080
<v Speaker 5>idea is being thought of by somebody else who also

0:47:15.200 --> 0:47:18.680
<v Speaker 5>has a great mind. And trust me, there's been a

0:47:18.760 --> 0:47:22.200
<v Speaker 5>gang of ship we done thought of that somebody down

0:47:22.239 --> 0:47:25.520
<v Speaker 5>the street or across the country then thought of and

0:47:25.640 --> 0:47:28.520
<v Speaker 5>next thing you know, you're like, damn, Like you said,

0:47:28.800 --> 0:47:31.080
<v Speaker 5>uh damn, that was my idea.

0:47:31.160 --> 0:47:33.600
<v Speaker 6>I shouldn't have waited. You can't be mad at them

0:47:33.600 --> 0:47:36.600
<v Speaker 6>because they don't know. I don't know that. I don't

0:47:36.600 --> 0:47:39.400
<v Speaker 6>know them O raid our people from a hole in

0:47:39.400 --> 0:47:40.680
<v Speaker 6>the wall, or can pain.

0:47:40.640 --> 0:47:46.760
<v Speaker 5>Though exactly they aga I'm thinking the same ship.

0:47:46.960 --> 0:47:47.760
<v Speaker 4>You know what I'm saying.

0:47:47.840 --> 0:47:50.480
<v Speaker 5>So you just got to be able to pull the

0:47:50.520 --> 0:47:53.759
<v Speaker 5>trigger when you think of something, when you can't doubt yourself.

0:47:53.920 --> 0:47:57.560
<v Speaker 5>You get me, man, fuck this, man, I'm finna do

0:47:57.640 --> 0:48:00.680
<v Speaker 5>this ship like fuck it. There's why waste on it.

0:48:00.840 --> 0:48:01.360
<v Speaker 4>You get me.

0:48:01.920 --> 0:48:04.719
<v Speaker 5>Right now, Somebody in their garage or in their basement

0:48:04.840 --> 0:48:08.000
<v Speaker 5>or living room or studio, they thinking of the same shit.

0:48:08.520 --> 0:48:11.000
<v Speaker 4>And tomorrow they gonna wake up and they gonna pull

0:48:11.040 --> 0:48:12.239
<v Speaker 4>the trigger. Yep.

0:48:12.280 --> 0:48:14.040
<v Speaker 6>And I'm gonna tell you another one we had and

0:48:14.200 --> 0:48:15.440
<v Speaker 6>it ain't me this glasses.

0:48:15.960 --> 0:48:18.399
<v Speaker 2>Glasses used to tell us, man, I need to have

0:48:18.480 --> 0:48:22.200
<v Speaker 2>shows at my house in the backyard on my own residency. Man,

0:48:22.239 --> 0:48:26.120
<v Speaker 2>we laughed at him so hard. Ey I said, dude,

0:48:26.160 --> 0:48:27.440
<v Speaker 2>you just don't want to go on the road. You

0:48:27.560 --> 0:48:29.080
<v Speaker 2>being laisy. I said, why you don't want to go

0:48:29.120 --> 0:48:30.880
<v Speaker 2>on the road, You canna make the fans come to

0:48:30.920 --> 0:48:34.239
<v Speaker 2>your house. I thought he was out of his mind. Man,

0:48:34.280 --> 0:48:34.640
<v Speaker 2>when I.

0:48:34.640 --> 0:48:37.239
<v Speaker 6>Tell you that, the Captain Russell blew up doing that. Bro,

0:48:37.880 --> 0:48:39.040
<v Speaker 6>what it is.

0:48:38.719 --> 0:48:41.080
<v Speaker 1>Is so the more home.

0:48:41.200 --> 0:48:43.920
<v Speaker 3>What keeps me fresh even at my age now is

0:48:44.080 --> 0:48:47.040
<v Speaker 3>I'm learning like everything.

0:48:46.560 --> 0:48:48.480
<v Speaker 1>I did, all the money I first made.

0:48:48.520 --> 0:48:50.880
<v Speaker 3>When I got this bit, it was natural, like niggas

0:48:50.880 --> 0:48:54.880
<v Speaker 3>really is the genuine article. Like I wasn't like this

0:48:55.120 --> 0:48:57.399
<v Speaker 3>real like all the stories we talk about in these

0:48:57.440 --> 0:48:59.520
<v Speaker 3>songs selling dog shootouts, low rock.

0:48:59.640 --> 0:49:01.640
<v Speaker 1>This this ain't no thing.

0:49:01.800 --> 0:49:06.319
<v Speaker 3>So thank god I stayed sober enough to articulate it,

0:49:06.600 --> 0:49:09.040
<v Speaker 3>and I got this natural ability of rhythm that I

0:49:09.080 --> 0:49:14.040
<v Speaker 3>can articulate it. But I had no skill set outside

0:49:14.040 --> 0:49:17.040
<v Speaker 3>of the repetition of writing raps. I had no idea

0:49:17.160 --> 0:49:19.960
<v Speaker 3>what the record was. I was only as dope as

0:49:20.000 --> 0:49:24.840
<v Speaker 3>the producer I was working with. So you know, remember,

0:49:24.960 --> 0:49:29.160
<v Speaker 3>my natural ability carried me outside of Guidos production and

0:49:29.160 --> 0:49:33.080
<v Speaker 3>who I worked with After my natural ability carried me

0:49:33.120 --> 0:49:37.040
<v Speaker 3>into twenty eleven and twelve, like that's when I first

0:49:37.040 --> 0:49:40.400
<v Speaker 3>started learning, right, That's how I got my first gold record,

0:49:40.480 --> 0:49:43.960
<v Speaker 3>and then I started learning. So even now, like right now,

0:49:43.960 --> 0:49:47.200
<v Speaker 3>I'm reading this book right and I'm learning storytelling. I'm

0:49:47.280 --> 0:49:51.239
<v Speaker 3>learning like turning my innate because I'm naturally a storyteller,

0:49:51.800 --> 0:49:55.120
<v Speaker 3>turning that into technique and skill where I could always

0:49:55.239 --> 0:49:57.680
<v Speaker 3>call on it like a Kareem hook shot. It don't.

0:49:57.920 --> 0:49:59.759
<v Speaker 3>I don't need no jumper. I don't need to come

0:49:59.800 --> 0:50:02.080
<v Speaker 3>get passion and dunk the ball and let me let

0:50:02.120 --> 0:50:05.719
<v Speaker 3>me hit you with this all night. Because so that's

0:50:05.760 --> 0:50:08.560
<v Speaker 3>what keep your ideas fresh. The more new stuff and

0:50:09.239 --> 0:50:11.360
<v Speaker 3>shit you learn, the technique you learning, you know what

0:50:11.360 --> 0:50:15.440
<v Speaker 3>I'm saying, That's what keep you fresh. So it's like

0:50:16.280 --> 0:50:19.480
<v Speaker 3>every idea, I'll be bringing it back because even the residency,

0:50:19.520 --> 0:50:22.319
<v Speaker 3>I'm starting to understand hip hop is culture like it's

0:50:22.320 --> 0:50:25.840
<v Speaker 3>street urban culture. Like that's what made like I said,

0:50:26.040 --> 0:50:28.879
<v Speaker 3>the NWA movement the Consain's most want movement of death

0:50:28.920 --> 0:50:32.799
<v Speaker 3>for all these movements, flyers culturally what they represented at

0:50:32.800 --> 0:50:36.080
<v Speaker 3>that time, where people can get from the lessons, the

0:50:36.120 --> 0:50:39.760
<v Speaker 3>fashion style, the way they talk certain ways they pronounce

0:50:39.840 --> 0:50:42.919
<v Speaker 3>things where they shit would be at. It's like, oh,

0:50:42.920 --> 0:50:46.040
<v Speaker 3>if this is what it is, you feel me then, man,

0:50:46.080 --> 0:50:48.879
<v Speaker 3>I know so much about how we live in La,

0:50:49.120 --> 0:50:52.040
<v Speaker 3>Like I know so like our send songs to ice

0:50:52.080 --> 0:50:53.920
<v Speaker 3>tea and I'll be talking that car shit and it

0:50:54.040 --> 0:50:55.160
<v Speaker 3>be so over the top.

0:50:55.239 --> 0:50:58.879
<v Speaker 1>He'd be like, nigg look how you He was like, Man,

0:50:58.920 --> 0:51:01.080
<v Speaker 1>nobody even know what you're saying. But this is how

0:51:01.800 --> 0:51:02.880
<v Speaker 1>like we talked, you know.

0:51:02.880 --> 0:51:07.640
<v Speaker 3>What I mean, Like squares where feu me for a rack,

0:51:07.800 --> 0:51:11.200
<v Speaker 3>like they have no idea and this is like just

0:51:11.480 --> 0:51:13.759
<v Speaker 3>how we talk exactly.

0:51:15.880 --> 0:51:19.360
<v Speaker 2>You know what, Man, I think that on I really

0:51:19.400 --> 0:51:21.719
<v Speaker 2>think like like A just said, Man, I really think

0:51:21.760 --> 0:51:23.560
<v Speaker 2>we got to stop sleeping on this stuff and just

0:51:23.600 --> 0:51:24.279
<v Speaker 2>want to go do it.

0:51:24.360 --> 0:51:24.600
<v Speaker 3>Dog.

0:51:25.320 --> 0:51:27.799
<v Speaker 2>We can't waste no time, dog, because you would look up, man,

0:51:27.840 --> 0:51:31.160
<v Speaker 2>and it's like it's the fourth quarter already. Bro, it's

0:51:31.200 --> 0:51:31.879
<v Speaker 2>the years over.

0:51:32.840 --> 0:51:35.640
<v Speaker 4>It's over years old.

0:51:36.320 --> 0:51:39.560
<v Speaker 3>I was looking as saying from the beginning of the year,

0:51:40.239 --> 0:51:43.879
<v Speaker 3>like we got I'm tell him this all the time.

0:51:43.920 --> 0:51:46.160
<v Speaker 1>Eight I'm like this Nigga is a legend.

0:51:46.880 --> 0:51:53.439
<v Speaker 3>He's right here, Like every crazy idea that's fire, he's

0:51:53.560 --> 0:51:57.520
<v Speaker 3>right here. Like we don't even got to go find

0:51:57.640 --> 0:52:02.600
<v Speaker 3>doll or dre or or or nobody like he's right

0:52:02.640 --> 0:52:07.239
<v Speaker 3>here like this nigga a staple culturally. So everything we

0:52:07.320 --> 0:52:09.520
<v Speaker 3>could try, we could try with eight first and it

0:52:09.560 --> 0:52:13.360
<v Speaker 3>don't do nothing but boaster his brand because one of

0:52:13.360 --> 0:52:17.239
<v Speaker 3>the things hit like like a bar exam or or

0:52:17.360 --> 0:52:20.520
<v Speaker 3>or against the chronicles live that don't do nothing. It's

0:52:20.560 --> 0:52:22.880
<v Speaker 3>gonna do nothing, but it's going to fly because the

0:52:23.000 --> 0:52:27.399
<v Speaker 3>niggas a fucking pro and a legend. So it's it's

0:52:27.520 --> 0:52:31.319
<v Speaker 3>it's just about us doing it every day, not feeling like,

0:52:31.760 --> 0:52:35.759
<v Speaker 3>you know, it's it's too much. What's the word like

0:52:35.800 --> 0:52:42.120
<v Speaker 3>when you get yeah, because bro comfort you know.

0:52:42.080 --> 0:52:42.359
<v Speaker 4>What I mean?

0:52:43.800 --> 0:52:45.759
<v Speaker 2>The beginning of the year, Remember the beginning of the year.

0:52:46.080 --> 0:52:48.040
<v Speaker 2>I started off on fire. I said, we go do this.

0:52:48.719 --> 0:52:51.399
<v Speaker 2>Then you get sidetracked on other stuff. You start trying

0:52:51.440 --> 0:52:52.719
<v Speaker 2>to side track.

0:52:53.120 --> 0:52:56.000
<v Speaker 3>But you know also what it is too Also our

0:52:56.080 --> 0:52:59.240
<v Speaker 3>problem is is we're creatives.

0:52:59.280 --> 0:53:02.160
<v Speaker 1>Sometimes this ain't the time to be creative. Go to

0:53:02.200 --> 0:53:05.319
<v Speaker 1>the hook shot right in the middle of a game.

0:53:05.640 --> 0:53:08.040
<v Speaker 1>Don't be crossing over, putting up on the mid rangers,

0:53:08.320 --> 0:53:12.879
<v Speaker 1>hold up, still, back up that post him up here.

0:53:13.640 --> 0:53:17.360
<v Speaker 3>Hook to me. That's what against the Chronicles Live is

0:53:17.360 --> 0:53:20.680
<v Speaker 3>we're not gambling. That's the Tammy Show again. That's American

0:53:20.760 --> 0:53:24.359
<v Speaker 3>band stand again. That's what they doing right now. You

0:53:24.400 --> 0:53:27.359
<v Speaker 3>feel me off the porch. That's a hook shot. We

0:53:27.480 --> 0:53:28.480
<v Speaker 3>know that's good money.

0:53:28.920 --> 0:53:32.680
<v Speaker 2>Bust against the make no hard that would be They

0:53:32.719 --> 0:53:35.319
<v Speaker 2>have people like you know, you king t.

0:53:38.360 --> 0:53:40.280
<v Speaker 6>People that's just gonna come and show up though.

0:53:42.320 --> 0:53:45.920
<v Speaker 1>Still being them like this is easy cook shot.

0:53:46.160 --> 0:53:48.239
<v Speaker 3>But what happens is like at the beginning of the year,

0:53:48.600 --> 0:53:52.480
<v Speaker 3>we start getting to creative, We start pursuing creatives versus

0:53:53.120 --> 0:53:57.880
<v Speaker 3>getting getting scoring some points, getting in rhythm. You know

0:53:57.880 --> 0:53:59.759
<v Speaker 3>what I mean? Because like like when you when you

0:53:59.840 --> 0:54:02.520
<v Speaker 3>if you play any organized basketball still and I know

0:54:02.560 --> 0:54:05.480
<v Speaker 3>you deal with football, but in basketball, the first drill

0:54:05.880 --> 0:54:08.040
<v Speaker 3>the coach have you do when it comes to scoring

0:54:08.120 --> 0:54:10.440
<v Speaker 3>the ball, it's a layup line.

0:54:11.000 --> 0:54:15.080
<v Speaker 1>Don't nobody start the game by shooting mid ranges? Lay

0:54:15.120 --> 0:54:15.640
<v Speaker 1>the ball up?

0:54:16.200 --> 0:54:18.479
<v Speaker 3>And I think we have to like when we start

0:54:18.560 --> 0:54:20.719
<v Speaker 3>at the beginning the next year, and as we expand

0:54:21.120 --> 0:54:22.960
<v Speaker 3>the gainst the Chronicle brand and we start to put

0:54:23.000 --> 0:54:25.719
<v Speaker 3>on more culturally for the West.

0:54:25.640 --> 0:54:28.279
<v Speaker 1>Post up, we already know what's gonna work. We see

0:54:28.320 --> 0:54:28.759
<v Speaker 1>what's working.

0:54:28.800 --> 0:54:30.160
<v Speaker 3>We got our own brand of it.

0:54:30.120 --> 0:54:33.080
<v Speaker 6>Post up post and you know what she is live music.

0:54:33.200 --> 0:54:34.880
<v Speaker 2>Like I'm looking at all the people that listen to

0:54:34.880 --> 0:54:37.160
<v Speaker 2>the audio of this show, right, I look at all

0:54:37.160 --> 0:54:38.960
<v Speaker 2>them people that be listening to it Dog, and I

0:54:39.080 --> 0:54:42.120
<v Speaker 2>was like, we can put the regular episode up like

0:54:42.160 --> 0:54:44.759
<v Speaker 2>we got Dog, didn't had a special one and dropped up.

0:54:46.680 --> 0:54:46.879
<v Speaker 3>Live.

0:54:47.000 --> 0:54:48.719
<v Speaker 2>Can you imagine how many people wore listening to that

0:54:48.800 --> 0:54:50.320
<v Speaker 2>like it's a conference live music.

0:54:50.520 --> 0:54:53.560
<v Speaker 6>Where as doing ministers like.

0:54:55.280 --> 0:54:59.800
<v Speaker 3>You could do Gains the Chronicles live. He can record

0:55:00.080 --> 0:55:03.200
<v Speaker 3>the audio mix it, eight.

0:55:03.160 --> 0:55:06.080
<v Speaker 1>Could put it out on James Chronicles.

0:55:06.400 --> 0:55:08.600
<v Speaker 3>I mean a could put it out as m c's

0:55:08.640 --> 0:55:12.480
<v Speaker 3>greatest hits live like it can't like if there or

0:55:12.600 --> 0:55:16.200
<v Speaker 3>five things that turns into simple business that everybody got,

0:55:16.520 --> 0:55:18.359
<v Speaker 3>you know, extra ten thousand dollars a month.

0:55:18.400 --> 0:55:18.920
<v Speaker 1>I don't know what.

0:55:19.080 --> 0:55:20.920
<v Speaker 6>Now ain't you got a record? And now ain't you

0:55:21.040 --> 0:55:21.359
<v Speaker 6>got an.

0:55:21.320 --> 0:55:24.320
<v Speaker 2>Album that's twenty some years old, thirty some years old

0:55:24.400 --> 0:55:27.560
<v Speaker 2>that don't rehentit the charts because of this new thing that.

0:55:27.560 --> 0:55:33.120
<v Speaker 3>You call just what? You got an extra master of

0:55:33.160 --> 0:55:35.799
<v Speaker 3>the live like James Brown live album. I was trimping off.

0:55:35.840 --> 0:55:40.840
<v Speaker 3>That was such a big deal. James Brown, m C

0:55:40.960 --> 0:55:44.040
<v Speaker 3>eight live like m C eight live, so we could

0:55:44.040 --> 0:55:47.440
<v Speaker 3>do the Gangster Chronicles live, record the songs, mix them,

0:55:47.520 --> 0:55:49.560
<v Speaker 3>and then eight here you put this out on blue

0:55:49.560 --> 0:55:51.080
<v Speaker 3>stamp right boom.

0:55:51.200 --> 0:55:53.880
<v Speaker 1>Now you got m C eight live. Every It's just popping.

0:55:53.960 --> 0:55:59.640
<v Speaker 2>This is what hook lay the ball up, definitely, And

0:56:00.360 --> 0:56:02.879
<v Speaker 2>you know the cold thing about it, when you do instrumentation,

0:56:03.520 --> 0:56:05.880
<v Speaker 2>you don't have to worry about YouTube messing with the

0:56:05.880 --> 0:56:08.440
<v Speaker 2>stuff from them because this sounds just like whole new music,

0:56:09.440 --> 0:56:11.799
<v Speaker 2>so it's new contents. So we could put that up there.

0:56:12.080 --> 0:56:14.040
<v Speaker 2>Can you imagine how many people will come and look

0:56:14.040 --> 0:56:16.840
<v Speaker 2>at that bro like this, and how that's gonna go

0:56:16.880 --> 0:56:19.200
<v Speaker 2>to your credit for your you know your your music

0:56:19.320 --> 0:56:22.799
<v Speaker 2>right and next thing you know, like, damn man, they

0:56:22.920 --> 0:56:25.040
<v Speaker 2>don't got them another plaque off the you put.

0:56:25.280 --> 0:56:27.879
<v Speaker 3>You know what I'm saying before, I don't know what

0:56:27.920 --> 0:56:31.120
<v Speaker 3>the fuck we I get why I ain't gonna lie.

0:56:31.480 --> 0:56:34.160
<v Speaker 3>Y'all had it way harder than me. I'm spoiled by

0:56:34.239 --> 0:56:34.640
<v Speaker 3>hip hop.

0:56:35.080 --> 0:56:37.160
<v Speaker 1>I grew up with it. Y'all didn't grow up with

0:56:37.200 --> 0:56:38.520
<v Speaker 1>hip hop. Y'all grew up.

0:56:38.400 --> 0:56:42.839
<v Speaker 3>With music and that that's your gift. I grew up

0:56:42.840 --> 0:56:45.880
<v Speaker 3>with the culture them niggas watched the culture, you know

0:56:45.920 --> 0:56:47.520
<v Speaker 3>what I mean, they grew up with the culture, but

0:56:47.800 --> 0:56:49.960
<v Speaker 3>they also still have real musicians.

0:56:49.960 --> 0:56:50.200
<v Speaker 1>Ship.

0:56:50.600 --> 0:56:54.560
<v Speaker 3>I grew up with y'all. It wasn't no, it wasn't

0:56:54.560 --> 0:56:58.920
<v Speaker 3>no Cameo, It wasn't no James Brown, No My My

0:56:59.080 --> 0:56:59.880
<v Speaker 3>Jazz Brown.

0:56:59.640 --> 0:57:07.239
<v Speaker 8>And shit Free exactly, DJ quick my, you know what.

0:57:07.760 --> 0:57:12.360
<v Speaker 8>And I be telling Isa m c E. George Clinton

0:57:12.400 --> 0:57:14.959
<v Speaker 8>is doctor dre My, Bootsy College is Snoop Dogg. Y'all

0:57:14.960 --> 0:57:19.320
<v Speaker 8>actually had Bootsy Collins. Gee, I'm glads you here. I'll

0:57:19.360 --> 0:57:23.479
<v Speaker 8>be telling I'll be like, hey, you the whole keep everything, dog.

0:57:23.640 --> 0:57:25.840
<v Speaker 8>I'll be telling them sometimes you the whole keep everything.

0:57:25.880 --> 0:57:28.840
<v Speaker 2>I could do what I could do, dog, but if

0:57:28.880 --> 0:57:31.800
<v Speaker 2>you and the thing he is, it ain't. I had

0:57:31.800 --> 0:57:33.840
<v Speaker 2>to realize he gonna do whatever I asked him to do.

0:57:34.880 --> 0:57:37.080
<v Speaker 2>I just gotta start getting it together and just say, hey,

0:57:37.080 --> 0:57:38.640
<v Speaker 2>here we go the play we run.

0:57:38.680 --> 0:57:40.680
<v Speaker 1>Because niggas still want to do fly ship.

0:57:42.960 --> 0:57:45.280
<v Speaker 3>Niggas just want to do because at the end of

0:57:45.280 --> 0:57:49.760
<v Speaker 3>the day, look, man, them niggas is all them niggas

0:57:50.040 --> 0:57:54.360
<v Speaker 3>is real deal musicians. They yeah, they cribs and all

0:57:54.440 --> 0:57:57.160
<v Speaker 3>that from around the way, but they like the real deal.

0:57:57.720 --> 0:58:01.040
<v Speaker 1>Like I said, cousins, Isaac Hayes to us, well, we

0:58:01.120 --> 0:58:04.080
<v Speaker 1>know what we're Isaac Hayes, because we got me.

0:58:05.400 --> 0:58:07.640
<v Speaker 4>We respect the work. You get me.

0:58:10.160 --> 0:58:13.120
<v Speaker 5>What it took for us to get off records and

0:58:13.120 --> 0:58:17.160
<v Speaker 5>and just to get in the place to that position

0:58:17.320 --> 0:58:20.520
<v Speaker 5>to be in, uh you know, going on the road,

0:58:21.120 --> 0:58:25.640
<v Speaker 5>whether it was in snowstorms or raining or whatever we

0:58:25.800 --> 0:58:29.640
<v Speaker 5>had to do to promote records. You know, we go

0:58:29.720 --> 0:58:33.880
<v Speaker 5>across the country. You know, we be in studios, uh,

0:58:34.240 --> 0:58:37.240
<v Speaker 5>you know two and three weeks, you know, four weeks

0:58:37.280 --> 0:58:42.480
<v Speaker 5>putting together projects, also having to deal with labels and

0:58:42.560 --> 0:58:48.200
<v Speaker 5>promotional tours and and signing autographs and black and white photos.

0:58:48.400 --> 0:58:52.040
<v Speaker 5>And we we just respected the work, I think a

0:58:52.080 --> 0:58:57.080
<v Speaker 5>little bit differently, and so we are willing, you know, uh,

0:58:57.960 --> 0:59:00.440
<v Speaker 5>you know, we're willing to put in the work still

0:59:01.240 --> 0:59:03.800
<v Speaker 5>because we knew what it took to get to a

0:59:03.840 --> 0:59:08.880
<v Speaker 5>certain status and position. So I think that's why, you know,

0:59:09.000 --> 0:59:15.000
<v Speaker 5>dealing with certain artists from my era, some some are

0:59:15.120 --> 0:59:18.480
<v Speaker 5>even more easier to work with than others. You get me,

0:59:18.680 --> 0:59:21.440
<v Speaker 5>because when you just be straight up in front with

0:59:21.560 --> 0:59:23.360
<v Speaker 5>it and tell a nigga what it is, and it's

0:59:23.360 --> 0:59:26.560
<v Speaker 5>no bullshit. Let's get to it, you know, like I said,

0:59:26.560 --> 0:59:29.000
<v Speaker 5>because we respected to work a little more differently.

0:59:30.720 --> 0:59:33.840
<v Speaker 1>Well, y'all didn't get into it to be rich. I

0:59:33.960 --> 0:59:34.800
<v Speaker 1>wasn't even a thought.

0:59:35.560 --> 0:59:39.280
<v Speaker 5>Yeah, that wasn't my thought when I got into making records.

0:59:39.520 --> 0:59:42.880
<v Speaker 5>I didn't know rich rappers. It was rappers as money

0:59:43.000 --> 0:59:46.920
<v Speaker 5>rich shit. You get me this, and I want the

0:59:46.960 --> 0:59:49.800
<v Speaker 5>fans to hit me up, y'all. Good for dropping me facebooks,

0:59:50.160 --> 0:59:52.920
<v Speaker 5>Facebook messages and all that stuff. Hit me up and

0:59:53.000 --> 0:59:55.880
<v Speaker 5>let me know what y'all think. What if we did something.

0:59:56.000 --> 0:59:59.000
<v Speaker 5>What if we take something for New Years like actually

0:59:59.000 --> 1:00:04.600
<v Speaker 5>did it like whole on Patreon something, or maybe maybe

1:00:04.680 --> 1:00:08.680
<v Speaker 5>just put it out. I mean, maybe it should be

1:00:08.760 --> 1:00:12.960
<v Speaker 5>something that that that that you know, you discuss you

1:00:13.000 --> 1:00:14.000
<v Speaker 5>know off camera.

1:00:14.480 --> 1:00:17.400
<v Speaker 4>Oh yeah, and you just do it. You get me.

1:00:18.440 --> 1:00:21.200
<v Speaker 4>That's the one thing that's one thing about us.

1:00:21.280 --> 1:00:23.720
<v Speaker 5>We'll talk about some ship and talk about some ship

1:00:24.280 --> 1:00:26.720
<v Speaker 5>and then what it is is and then we need

1:00:26.760 --> 1:00:29.800
<v Speaker 5>to start, you know, going forth with a lot of

1:00:29.800 --> 1:00:33.840
<v Speaker 5>our ideas instead of procrastinating on it or just talking

1:00:33.880 --> 1:00:36.880
<v Speaker 5>about it. Then you let a million other people hear

1:00:36.960 --> 1:00:38.880
<v Speaker 5>about it.

1:00:39.080 --> 1:00:41.600
<v Speaker 4>You know, some nigga donna beat you to the punch

1:00:41.680 --> 1:00:45.680
<v Speaker 4>because that's why this editing.

1:00:46.080 --> 1:00:49.200
<v Speaker 5>So my thing is with a lot of our you know,

1:00:49.280 --> 1:00:52.520
<v Speaker 5>with a lot of your aspirations, should just need to

1:00:52.560 --> 1:00:55.000
<v Speaker 5>be done instead of, hey man, we should do this,

1:00:55.160 --> 1:00:57.240
<v Speaker 5>and we should do this, and we should do this,

1:00:57.720 --> 1:00:58.120
<v Speaker 5>and then.

1:00:58.080 --> 1:01:00.439
<v Speaker 4>What if we what if we would if we it's

1:01:00.480 --> 1:01:04.200
<v Speaker 4>too much? What if And it's just like, I need

1:01:04.240 --> 1:01:04.720
<v Speaker 4>to get.

1:01:04.560 --> 1:01:07.880
<v Speaker 5>Off this motherfucking ship, and tonight I need to start

1:01:07.920 --> 1:01:13.360
<v Speaker 5>putting wheels in motion to what I think. Fuck it,

1:01:12.800 --> 1:01:15.640
<v Speaker 5>it's either gonna do or it ain't. And if it's

1:01:15.640 --> 1:01:20.680
<v Speaker 5>something that's gonna be continuous, then you know, ship, your

1:01:20.880 --> 1:01:23.200
<v Speaker 5>your your mama, your daddy had to push you on

1:01:23.240 --> 1:01:26.280
<v Speaker 5>your tricycle before you learn how to ride that motherfucker

1:01:26.280 --> 1:01:29.000
<v Speaker 5>by yourself. So hey, if you gotta fall a couple

1:01:29.000 --> 1:01:31.959
<v Speaker 5>of times being being but you know eventually the ship

1:01:32.040 --> 1:01:34.160
<v Speaker 5>gonna start doing this, you're getting me.

1:01:35.720 --> 1:01:36.080
<v Speaker 4>Rolling.

1:01:36.240 --> 1:01:40.000
<v Speaker 5>So you just gotta That's what happens with a lot

1:01:40.000 --> 1:01:42.600
<v Speaker 5>of time. With your investments. You gotta, you got, you

1:01:42.600 --> 1:01:44.840
<v Speaker 5>gotta spend a little, and you gotta keep flipping it,

1:01:44.920 --> 1:01:46.880
<v Speaker 5>flipping it till you wake up one day and you

1:01:46.920 --> 1:01:49.480
<v Speaker 5>look up like you said, nigga, when we first start

1:01:49.600 --> 1:01:52.600
<v Speaker 5>serving nigga. You didn't have a gang of customers. You

1:01:52.680 --> 1:01:54.760
<v Speaker 5>had to You had to compete with a gang of

1:01:54.840 --> 1:01:57.400
<v Speaker 5>other niggas and you had to let them know. Nigga,

1:01:57.400 --> 1:01:59.480
<v Speaker 5>I don't give a fuck. It might be ten of

1:01:59.600 --> 1:02:02.280
<v Speaker 5>us or whatever out here, but I'm gonna keep out

1:02:02.320 --> 1:02:04.440
<v Speaker 5>here front and center or till a nigga no, I

1:02:04.480 --> 1:02:07.480
<v Speaker 5>got the best, and that's what That's what I'm gonna do.

1:02:07.680 --> 1:02:11.280
<v Speaker 5>You get me until a motherfucker no. Oh, yeah, I'm good.

1:02:11.560 --> 1:02:13.160
<v Speaker 5>Let me go see my nigga right here.

1:02:13.640 --> 1:02:15.160
<v Speaker 4>You get me? So that's.

1:02:17.200 --> 1:02:20.360
<v Speaker 2>All right? Sure, we need to ask you he before

1:02:20.400 --> 1:02:23.280
<v Speaker 2>we go. I don't want to spend no episode talking

1:02:23.280 --> 1:02:27.480
<v Speaker 2>about it. People is really losing their ship over this election.

1:02:27.600 --> 1:02:31.800
<v Speaker 2>Dog be all right, what if they think was gonna happen?

1:02:34.400 --> 1:02:37.680
<v Speaker 2>You honestly think that, you know? And no hate on

1:02:37.680 --> 1:02:41.040
<v Speaker 2>on the sister. You get me, No hate on the sister.

1:02:41.120 --> 1:02:44.320
<v Speaker 2>But come on, man, come on, man, like.

1:02:46.920 --> 1:02:53.600
<v Speaker 5>Whole different times, just win though since win? Come on man, man,

1:02:53.720 --> 1:02:57.680
<v Speaker 5>I don't know, man, Please, people need to understand, like

1:02:58.720 --> 1:03:01.320
<v Speaker 5>the electro can was knock gonna what do you what

1:03:01.440 --> 1:03:04.320
<v Speaker 5>do y'all think it was gonna go? The popular vote

1:03:04.360 --> 1:03:08.960
<v Speaker 5>means shit, it means nothing. You went, you run out there,

1:03:09.080 --> 1:03:11.240
<v Speaker 5>you get that broke out there, and you get your

1:03:11.280 --> 1:03:14.360
<v Speaker 5>little mark and ship and you you whatever whatever, and

1:03:14.400 --> 1:03:18.840
<v Speaker 5>you're thinking like, yeah, we're gonna do something. Them motherfuckers

1:03:18.840 --> 1:03:23.360
<v Speaker 5>who run shit, they the ones they're never They wasn't

1:03:23.360 --> 1:03:26.320
<v Speaker 5>gonna let it happen, man. And you know, and like

1:03:26.360 --> 1:03:29.360
<v Speaker 5>I said, the Sisters was on the little stand up

1:03:29.440 --> 1:03:31.960
<v Speaker 5>and you know, no hate to the Sisters and all

1:03:32.000 --> 1:03:35.720
<v Speaker 5>my black women out there, who but man, come on, man,

1:03:36.120 --> 1:03:36.560
<v Speaker 5>come on.

1:03:36.920 --> 1:03:38.000
<v Speaker 1>I definitely was in tough.

1:03:38.080 --> 1:03:40.040
<v Speaker 3>That was a cold squad because that dude is a

1:03:40.080 --> 1:03:42.160
<v Speaker 3>polarizing motherfucking cracker.

1:03:43.200 --> 1:03:44.960
<v Speaker 4>And and it is what it is.

1:03:45.120 --> 1:03:48.600
<v Speaker 5>You get me, that's what That's what you was left with.

1:03:49.120 --> 1:03:52.800
<v Speaker 5>That's what the country was left with. There was no

1:03:52.920 --> 1:03:56.600
<v Speaker 5>other you get me. There was other Republicans and there

1:03:56.600 --> 1:04:01.240
<v Speaker 5>were other Democrats, but you get me, that's what me.

1:04:01.320 --> 1:04:03.160
<v Speaker 6>They just kind of pushed her out there too fast.

1:04:03.240 --> 1:04:05.360
<v Speaker 2>It was like they took the old boy out the

1:04:05.440 --> 1:04:07.840
<v Speaker 2>race and they all of a sudden, then we go ahead,

1:04:08.000 --> 1:04:09.000
<v Speaker 2>use hurting on next thing.

1:04:09.000 --> 1:04:09.160
<v Speaker 3>You know.

1:04:09.960 --> 1:04:13.720
<v Speaker 5>Yeah, honestly, after Joe Biden bowed out, you might as

1:04:13.720 --> 1:04:16.720
<v Speaker 5>well have just let him walk right on in because

1:04:16.760 --> 1:04:20.760
<v Speaker 5>now the confidence of the American people is like, really, like,

1:04:21.320 --> 1:04:23.200
<v Speaker 5>if that was the case, you should have did that

1:04:23.280 --> 1:04:24.240
<v Speaker 5>before we had.

1:04:24.080 --> 1:04:25.880
<v Speaker 3>To choose you.

1:04:25.480 --> 1:04:27.680
<v Speaker 5>Get me, and so we would have been left with

1:04:27.800 --> 1:04:32.440
<v Speaker 5>other people. But now you're gonna like, well we just

1:04:32.440 --> 1:04:35.160
<v Speaker 5>go slide her in. Man, that move wasn't in the work.

1:04:35.960 --> 1:04:36.720
<v Speaker 5>That move was.

1:04:39.160 --> 1:04:42.320
<v Speaker 1>And that got shot at that man did a lot

1:04:42.360 --> 1:04:43.000
<v Speaker 1>of stuff.

1:04:43.080 --> 1:04:48.720
<v Speaker 5>Man, come on, man, you had two assassination crazy up good?

1:04:48.800 --> 1:04:51.440
<v Speaker 3>Did you like right down politicians?

1:04:51.680 --> 1:04:53.720
<v Speaker 4>Man? Please, then let me.

1:04:53.680 --> 1:04:55.640
<v Speaker 2>Ask you this. Then the dude come on on stage

1:04:55.640 --> 1:04:59.400
<v Speaker 2>and one of his relives. But many men playing and

1:04:59.640 --> 1:05:06.120
<v Speaker 2>from any from Jamaica. Queen's doing that. You know what,

1:05:03.000 --> 1:05:09.840
<v Speaker 2>the many men which death upon me, they can pay

1:05:09.920 --> 1:05:12.200
<v Speaker 2>me my money. They can play my ship all night

1:05:12.240 --> 1:05:15.440
<v Speaker 2>if you want to pay me my money. But like

1:05:15.520 --> 1:05:19.280
<v Speaker 2>I said, uh, people shouldn't be up.

1:05:19.320 --> 1:05:22.640
<v Speaker 5>And you know, I guess like I said, for the

1:05:22.680 --> 1:05:27.280
<v Speaker 5>average motherfucker like like you and me, g and steal whatever,

1:05:28.840 --> 1:05:33.160
<v Speaker 5>does it really matter what position is that is gonna happen.

1:05:33.520 --> 1:05:38.920
<v Speaker 5>You get me because tomorrow I'm still doing what I'm doing. Uh,

1:05:39.080 --> 1:05:43.600
<v Speaker 5>my bills are still gonna be the same. The gas

1:05:43.680 --> 1:05:46.080
<v Speaker 5>is still gonna be what it is. Food still gonna

1:05:46.080 --> 1:05:49.320
<v Speaker 5>be what it is, and so you have to look

1:05:49.360 --> 1:05:51.360
<v Speaker 5>at it at the end of the day, what really

1:05:51.440 --> 1:05:55.720
<v Speaker 5>benefits you? As far as you know, political ship goes.

1:05:56.120 --> 1:05:57.880
<v Speaker 5>And I don't like to really deal with a lot

1:05:57.920 --> 1:06:00.840
<v Speaker 5>of political ship because, like I said, for a nigga

1:06:00.880 --> 1:06:03.360
<v Speaker 5>who grew up in content and delive in my life

1:06:03.360 --> 1:06:07.600
<v Speaker 5>on the average, you know, I don't you know, I

1:06:07.640 --> 1:06:11.040
<v Speaker 5>don't deal with the with the situation I was outside

1:06:11.080 --> 1:06:14.760
<v Speaker 5>of the law, like you feel me like I'm I'm

1:06:14.800 --> 1:06:18.000
<v Speaker 5>a regular, out of bed, the jail, out of paid taxes,

1:06:18.440 --> 1:06:21.840
<v Speaker 5>out of digging. Give your police still look at me

1:06:21.960 --> 1:06:25.080
<v Speaker 5>funny when they all by you give me nothing's different

1:06:25.080 --> 1:06:28.200
<v Speaker 5>from me. Even when I pull out of the area

1:06:28.360 --> 1:06:32.960
<v Speaker 5>I live in and it's all beautiful and like what

1:06:33.040 --> 1:06:34.439
<v Speaker 5>you're doing your ass over here?

1:06:34.960 --> 1:06:37.400
<v Speaker 4>Motherfucker, get to look like what the fuck you doing

1:06:37.520 --> 1:06:39.960
<v Speaker 4>over here? That changes?

1:06:40.800 --> 1:06:40.960
<v Speaker 3>Well.

1:06:41.000 --> 1:06:43.760
<v Speaker 2>That concludes another episode of the Gainst the Chronicles podcast.

1:06:43.880 --> 1:06:46.160
<v Speaker 2>Be sure to downloaded I heard that and subscribe to

1:06:46.200 --> 1:06:49.160
<v Speaker 2>the Gainst the Chronicles podcast for Apple users. Find a

1:06:49.160 --> 1:06:51.160
<v Speaker 2>purple micae on the front of your screen, subscribe to

1:06:51.200 --> 1:06:54.160
<v Speaker 2>the show, leave comment and rating. Executive producers for the

1:06:54.200 --> 1:06:56.760
<v Speaker 2>gangst the Chronicles podcast Norman stilled Aaron M.

1:06:56.800 --> 1:06:57.520
<v Speaker 6>C tyler.

1:06:57.840 --> 1:07:01.120
<v Speaker 2>Our visual media director is Brian White. Audio editors tell

1:07:01.160 --> 1:07:04.200
<v Speaker 2>It Hayes Against the Chronicles is a production of iHeartMedia

1:07:04.240 --> 1:07:07.600
<v Speaker 2>Network and The Black Effect Podcast Network. For more podcasts

1:07:07.600 --> 1:07:11.240
<v Speaker 2>from iHeartRadio, visit the iHeart Radio app, Apple Podcasts wherever

1:07:11.240 --> 1:07:12.560
<v Speaker 2>you listen to your podcasts.