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Speaker 1: From Hollywood to You to Us.

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Speaker 2: On air with a Ryan Seacrest.

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Speaker 3: Kiss in the morning you and you are You?

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Speaker 4: Are You?

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Speaker 3: Are you? At you? And are you? And yeah you

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Speaker 3: are great and the fun so we do so. Rocket

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Speaker 3: scientist speaking, which, how about the astronauts being left in space?

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Speaker 3: I mean eight days? You know they're going for eight

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Speaker 3: days and now it's eight months.

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Speaker 1: They have enough supplies?

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Speaker 3: Well, yes, I mean I'm speaking out of no knowledge it,

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Speaker 3: but yeah, I think I think they powder pack of

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Speaker 3: pantry and stuff in there. That's dry food that they

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Speaker 3: can add water to and right.

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Speaker 2: But I mean, if they thought it was gonna be

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Speaker 2: eight days, do they have like eight months worth?

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Speaker 3: I think this International Space Station has emergency backup pantries.

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Speaker 1: That's cute.

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Speaker 5: How do you just know that?

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Speaker 2: Movies?

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Speaker 3: Movies? I mean, if I were the planner, if I

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Speaker 3: were an engineer planning for these missions, things can go wrong.

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Speaker 3: They're probably have food for up to ten years.

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Speaker 2: I don't know the feers.

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Speaker 3: I don't think it's good for like inflammation to be

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Speaker 3: up there that long.

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Speaker 5: No, surely not right.

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Speaker 3: I know it feels like it would not be good

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Speaker 3: for my system.

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Speaker 5: No, it must feel so great.

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Speaker 3: Netflix series.

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Speaker 1: Oh yeah, I would watch that.

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Speaker 3: And what are they? Were they gonna? What do they do?

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Speaker 3: They're playing Parcheesi or they they are doing little tasks?

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Speaker 3: What's going on?

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Speaker 1: I don't know?

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Speaker 2: Anyway, it made me not want to go to space

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Speaker 2: A little terrifying when you see a story like that. Yeah,

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Speaker 2: I me either safe, but like no to come home anyway.

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Speaker 2: Here we are on a Wednesday morning. How are you doing,

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Speaker 2: sisany I'm good. I had a good sleep last night

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Speaker 2: and that always does make a big difference.

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Speaker 3: Okay, good, Tanya? Are you okay?

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Speaker 1: You know I'm good.

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Speaker 5: I've been a little tired lately. My our ring has

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Speaker 5: been telling me that I haven't been sleeping.

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Speaker 3: Well, what are you still boozing every night?

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Speaker 5: First of all, I do not booze every night, Okay, yeah,

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Speaker 5: let you tell yourself you yeah, okay, but I do

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Speaker 5: see a correlation between when I booze and my sleep.

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Speaker 3: Well, I mean that's been something that the doctors will

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Speaker 3: tell you. I know, it's not new news.

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Speaker 1: Will you be boozing this weekend in Vegas?

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Speaker 5: Depends?

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Speaker 3: It's work.

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Speaker 2: You can't like after I mean after it's two in

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Speaker 2: the morning, right right, And then you got to wake up,

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Speaker 2: so I get wrong with people.

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Speaker 1: Never mind, I'm not gonna hang out with you. Excuse me.

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Speaker 3: Sorry. The restaurants aren't even open. Remember that Vegas. It's

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Speaker 3: Las Vegas. You cannot find restaurant past midnight. The clubs are,

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Speaker 3: But how about it's Vegas. Open up some food.

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Speaker 1: There's a lot of places.

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Speaker 5: Yeah, there's a lot of places that are open.

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Speaker 3: I know.

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Speaker 1: Yours.

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Speaker 5: Yeah, Years is closed.

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Speaker 3: Yeah, we run to Javier's place, the order as soon

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Speaker 3: as we sit down and they close Carbone. Well you

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Speaker 3: think you would think, I don't. Did you would think

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Speaker 3: that it's Vegas serve food all night somewhere?

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Speaker 2: Some places do you can find, like I don't know,

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Speaker 2: different food courts and stuff like that.

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Speaker 3: But it's gonna be food course. I like going to

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Speaker 3: Viers after the show. They closed at midnight. Hobby.

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Speaker 2: Yeah, that's gonna have thirty b because the show goes

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Speaker 2: up until like eleven thirty midnight.

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Speaker 3: Ish. Did you join us last year? I was somewhere

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Speaker 3: haveers Maybe did you come to Havi years.

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Speaker 2: I don't know.

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Speaker 1: I've been to Heaviers there.

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Speaker 3: I don't remember if you had general.

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Speaker 2: I was at Carbone last I went to Carbone. I

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Speaker 2: don't know if if I did half years last year.

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Speaker 3: Well, anybody wants to go to Javiers. We're going at twelve.

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Speaker 2: I enjoy it.

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Speaker 3: No, we're going to eleven. Actually, I don't know if

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Speaker 3: we'll make it because the show goes late. Sometimes Carne

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Speaker 3: closes at eleven.

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Speaker 2: If we could have a cocktail at midnight and be fine,

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Speaker 2: except they're closed, get there before they close.

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Speaker 3: Carbone closes at eleven. I just looked it up.

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Speaker 2: I was definitely at Carbone one of the nights.

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Speaker 3: But you don't remember much. Yeah, your sketchy memory about this.

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Speaker 3: I don't know what night you were at Carbone.

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Speaker 1: I can't tell you and not tell what.

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Speaker 5: I'm going to go on your run with you this year?

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Speaker 3: What time do you? Yeah? Would do some jogs. I

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Speaker 3: usually do it before it's too hot, so I like

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Speaker 3: to do it to like nine, nine thirty.

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Speaker 5: All right, cute?

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Speaker 3: Is it fine? You want to you want to go earlier?

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Speaker 6: No?

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Speaker 5: Fine?

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Speaker 3: By the way, the Chinese restaurant blossoms ten thirty.

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Speaker 1: That's way too early.

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Speaker 5: There's so much open though. That's open late.

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Speaker 3: I know, but I'm trying to find something I can

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Speaker 3: get too fast from the show, and those are the

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Speaker 3: places I love.

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Speaker 1: Room service.

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Speaker 2: I'm surprised you just don't go lock yourself in your

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Speaker 2: room and or a nice little trade.

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Speaker 3: So that's what I want to do. I want to

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Speaker 3: go lock myself in isolation and eat by myself after

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Speaker 3: I've hosted a show for a weekend. That's what I want.

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Speaker 3: That's what I need in my life. That's good for me.

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Speaker 3: Oh yeah, oh gosh, that's a club. I love that place.

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Speaker 2: Yeah, that's what I'll be a dip blow after the

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Speaker 2: night one.

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Speaker 1: So if you guys want to join, come.

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Speaker 3: On bye hobbers for me. And by the way, my

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Speaker 3: runs are not cute, Tony, you know, refer to my

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Speaker 3: run is cute.

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Speaker 1: Yeah, I'm not gonna join you run.

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Speaker 5: Sorry, there are running?

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Speaker 3: Yeah, Georgia with you? That's too busy for her.

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Speaker 1: Oh that makes me sense.

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Speaker 3: She's fine with it, I know. Anyway, guys, let's get

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Speaker 3: to your horoscopes. How is this Wednesday gonna shape up?

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Speaker 2: You?

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Speaker 3: Guys?

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Speaker 5: Aries, Technology is not your friend today. Put it down.

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Speaker 2: Taurists, think like a bird and spread your wings.

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Speaker 5: Gemini magic happens outside your comfort zone.

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Speaker 1: Cancer.

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Speaker 2: Time to refocus and push play.

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Speaker 5: Leo treat yourself today.

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Speaker 1: Virgo, you'll never know unless you try.

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Speaker 5: Libra, time to slow down and get to bed. Early Scorpio.

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Speaker 2: Windows are they when the door won't open?

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Speaker 5: Sagittarius, the early bird gets the worm.

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Speaker 2: Capricorn, do one hard thing today, Aquarius.

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Speaker 5: Finish that project around the house and Phi ses at

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Speaker 5: work is your priority right now, You're going to see

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Speaker 5: a big reward.

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Speaker 3: You go to the store. Do you buy the store

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Speaker 3: generic brand? It's cheaper. It depends by the way I

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Speaker 3: think they're made by the same people. Sometimes I don't

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Speaker 3: understand it.

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Speaker 2: All I know I cost the Kirkland brand is really

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Speaker 2: main Cooklin.

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Speaker 3: That Kirkland Italian wine that's like eleven Bucks is the

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Speaker 3: real deal, Sister.

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Speaker 2: I know, Sister, a lot of the booze.

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Speaker 1: I'm not really a.

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Speaker 2: Vodica drinker, but I know, like the Gray Goose is

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Speaker 2: actually like the Kirkland brand too. It's like it's all

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Speaker 2: they're all connected.

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Speaker 3: I bet I feel like they're all made in the

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Speaker 3: same place. But I don't know that. But it's like

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Speaker 3: it is the cheerio guy making the cheerios for the

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Speaker 3: other people too. Just white labeling.

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Speaker 2: I don't know, but there's Amy on that the.

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Speaker 3: Eric's save money. Same to me, same quality. Same thing

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Speaker 3: with Tanya's clothes. She likes to buy what what are

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Speaker 3: these things called dude wipes?

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Speaker 2: They're called dupes, dude.

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Speaker 3: Dude deep Sorry I thought I heard her say dude wipe.

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Speaker 1: No dupe.

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Speaker 5: And so a lot of people, a lot of the bloggers,

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Speaker 5: like the fashion bloggers that I follow, will post a

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Speaker 5: lot of their dupes too, and.

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Speaker 3: So they look like expensive clothes, but they're dupes that are.

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Speaker 2: Not like a handbag or designer stuff that's not really diff.

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Speaker 5: Like sunglasses, handbags, things like that that you don't necessarily

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Speaker 5: wear often if that's like a piece or something, and

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Speaker 5: I'll buy them. They can get them on Amazon for way,

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Speaker 5: like literally point five percent of what you would pay

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Speaker 5: for if you got like the actual designer bag. And

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Speaker 5: it's really funny because I've been getting some really good ones.

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Speaker 5: And the other day actually, when we were at the

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Speaker 5: Santa Monica Pier, Belinda was like, oh my gosh, I

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Speaker 5: love your bag. I love that brand. And I was like, oh,

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Speaker 5: it's actually not the brand. It's I got on Amazon.

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Speaker 5: And Robbie was right next to me, is what's the

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Speaker 5: point in getting in doing getting these dupes if you're

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Speaker 5: just gonna tell everybody.

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Speaker 3: That, because I think there's a pride factor, Yeah, making

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Speaker 3: it and having somebody think it's the real thing, and

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Speaker 3: you getting it for the value.

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Speaker 5: Cost correct, Like I was like wow, Like she actually

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Speaker 5: thought this was the real thing and I got it

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Speaker 5: for forty bucks on Amazon.

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Speaker 3: Exactly is there any like, what's the legal on that?

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Speaker 3: I know you're a lawyer, now, so is there any

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Speaker 3: illegal on the copying?

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Speaker 5: I honestly, I actually don't know the legal on that.

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Speaker 3: That's out of your purview.

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Speaker 5: Yeah, it's out of my perview of law. I don't

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Speaker 5: even know perview it means.

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Speaker 3: But well then how'd you pass the bar if you

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Speaker 3: know what perview means.

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Speaker 2: I don't know.

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Speaker 3: I worry about the law school she went to.

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Speaker 5: No, But I mean, as a consumer, you can buy whatever.

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Speaker 5: It's not about me, it's about the people that are

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Speaker 5: selling it. That could be copywriting, I guess, I don't know.

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Speaker 3: Why don't you get into the little galleys with your

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Speaker 3: fiance boyfriend next time, her husband or whatever it is.

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Speaker 4: Yeah?

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Speaker 3: Yeah, see to me, it's like, if you think it's real,

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Speaker 3: I can't wait to tell you it's not I know.

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Speaker 2: It's like this, there's a pride fact, and you don't

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Speaker 2: want to lie, Like we're gonna lie.

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Speaker 1: To Belinda and be like you thinks.

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Speaker 3: I mean you want to.

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Speaker 2: You can't lie to anybody. Like if it's not if.

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Speaker 3: LI to Blina, she'll never put you in my schedule. Again,

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Speaker 3: I know my schedule, she'll never get you in.

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Speaker 5: And then I like get really excited. I'm like, I'll

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Speaker 5: send you the link. Like I go even a step

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Speaker 5: further and I'm like, you like it, I'll send you

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Speaker 5: the link.

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Speaker 2: I feel I'm the same way, even if it's not

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Speaker 2: a dupe. And someone's like, oh, that's so cute. I

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Speaker 2: was like, I got it at Target. It was on sale,

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Speaker 2: Like you gotta.

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Speaker 1: Go down exactly.

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Speaker 3: It's a pride fact, Like I have this like like

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Speaker 3: like an art piece hanging in my house. People like, oh,

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Speaker 3: that's amazing. I'm like it was one hundred dollars. It

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Speaker 3: looks like something my sister could have done when she

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Speaker 3: was seven. Okay, coming back here, kiss FM. It's happening

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Speaker 3: to all of us. You're talking to a friend about

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Speaker 3: how you need shoes, and suddenly they're getting relentless shoe

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Speaker 3: ads on your social media or you are, who's listening?

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Speaker 3: Are they? Are they not? I mean I it's like

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Speaker 3: I breathe a thought and all of a sudden it

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Speaker 3: ads for shoes come up on my or workout clothes

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Speaker 3: come up in my feed.

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Speaker 1: Yep.

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Speaker 3: So maybe they're listening. Maybe they're not. I think they are,

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Speaker 3: But you can make sure they're not by doing this.

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Speaker 3: If you don't want them to listen, go to settings,

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Speaker 3: scroll down to the apps, click on the suspected app

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Speaker 3: and turn off microphone. If you do authorize Mike access,

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Speaker 3: it is legal for them to listen. Crazy not even

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Speaker 3: when you're using the app.

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Speaker 1: This is all the apps. You can't just do this

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Speaker 1: on like a one setting.

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Speaker 2: You have to do it, like for Instagram, you have

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Speaker 2: to do it, for Target, you have to do it

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Speaker 2: for all the apps that have a microphone. Well, take

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Speaker 2: twenty seven minutes and do it. I'm fine, you have

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Speaker 2: me too, all right?

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Speaker 3: Today's quote here it is quote every day you are

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Speaker 3: the sky. Everything else is just the weather.

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Speaker 1: Wow.

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Speaker 5: Oh right, like good comms, bad coms. Weather changes, but

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Speaker 5: the sky stays the same.

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Speaker 3: Tast stay blue when you get above the clouds. It's

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Speaker 3: Always Blue FM headlines with siciny Well.

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Speaker 2: Miley Cyrus has been sued by Tempo Music Investments, which

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Speaker 2: claims she copied elements of Bruno Mars's song When I

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Speaker 2: Was Your Man in her hit Flowers. Governor Gavin Newsom

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Speaker 2: signed laws to protect Hollywood actors against unauthorized artificial intelligence

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Speaker 2: that could be used to create digital clones of themselves

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Speaker 2: without their consent. The City of Long Beach hopes to

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Speaker 2: decrease the number of illegally dumped mattresses with a pilot

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Speaker 2: program that offers a site for unwanted mattresses to be

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Speaker 2: dropped off that and Netflix has renewed Emily in Paris

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Speaker 2: for a fifth season following the debut of season four, Part.

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Speaker 7: Two on Air with Ryan Seacrest, Andrea, I'm going to

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Speaker 7: stop what we were about to do to get to

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Speaker 7: your call today because I know you've been holding on

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Speaker 7: you for a second.

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Speaker 3: But Andrea is calling this morning. She says her fiance's

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Speaker 3: parents aren't coming to their wedding. Why.

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Speaker 4: Yeah, they don't like me. They don't approve of me.

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Speaker 3: They never have.

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Speaker 4: I don't want to get into too many details, but

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Speaker 4: it's based on the fact that we are different religions.

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Speaker 1: Uh so we have.

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Speaker 4: Never had a good relationship, but I really thought that

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Speaker 4: they would come to their son's wedding. My fance is

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Speaker 4: trying to be whatever about it, but I know that

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Speaker 4: it's bothering him deep down. And my question is do

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Speaker 4: I step in? Do I say something to them? Because

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Speaker 4: I feel like it could go horribly wrong, But I

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Speaker 4: feel like I don't know how much to lose, you know,

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Speaker 4: I just think that they'll regret it if they skip

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Speaker 4: their son's wedding and I don't in them. Yeah, okay,

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Speaker 4: exactly if you redult.

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Speaker 3: Say anything to them, you will regret it. But having

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Speaker 3: your fiance's parents not at your wedding, why, Like, what's

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Speaker 3: with them? What's going on with them and their son?

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Speaker 4: I know it's it's about me and my religion and

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Speaker 4: that I'm not their religion, and that's really what it

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Speaker 4: boils about what's.

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Speaker 3: Going on with them? And come on, your religion? I mean,

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Speaker 3: what are we living in the fifteen hundreds?

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Speaker 5: Literally?

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Speaker 3: I mean it, come on, it's there's no patience for that.

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Speaker 3: Who cares your religion? Is you love their son? Your

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Speaker 3: son loves you?

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Speaker 1: And does it stop there?

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Speaker 2: Like?

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Speaker 1: What if you guys have kids, are they not going

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Speaker 1: to be around their grandchildren?

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Speaker 3: Yeah, you need to. You need to nip it in

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Speaker 3: the bud now. Nip it in the bud now, and

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Speaker 3: I would be really heart feltly honest and speak from

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Speaker 3: deep inside of your heart about how it's not only

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Speaker 3: wrong but really hurt and hurtful it is.

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Speaker 4: Yeah, that's good.

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Speaker 3: Go get him to that wedding. Andrew, thank you and congratulations.

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Speaker 8: Thank you.

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Speaker 3: Yeah, okay, you take care. Thanks bye. I just heard you, Montan.

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Speaker 3: You want to expound on that.

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Speaker 5: I just feel like you have to take people as

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Speaker 5: they are. You know, you can't if they're if this

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Speaker 5: is something that they are that adamant about, you just

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Speaker 5: have to. You have to take them for who they are.

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Speaker 3: No, I disagree. I think you sit them down and

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Speaker 3: you say this is wrong. I love your son. We

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Speaker 3: are going to be family, and there's no there's no

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Speaker 3: there's no part of life right now where this is okay.

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Speaker 2: It's interesting that the son is just like accepting it,

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Speaker 2: like he's just like he's going to regret it too.

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Speaker 2: But are you saying that she should go in your family?

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Speaker 2: Are you saying that she should have a separate meeting

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Speaker 2: with his parents without the fiance.

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Speaker 3: I don't care if he's there or not. But I

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Speaker 3: think she speaks from the heart about why it's hurtful

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Speaker 3: and offensive.

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Speaker 1: So it's her doing the speaking, not the fiance. That's

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Speaker 1: the fun.

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Speaker 3: Nope. Interesting if they turn her down from that, goodbye.

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Speaker 5: Yeah, it's so it's so interesting, you know. I remember.

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Speaker 5: I remember people telling me like, oh, don't, don't date Robbie.

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Speaker 5: He's never going to marry you. You're not Jewish. And

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Speaker 5: I'm like, Okay, well, look what we're doing now.

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Speaker 3: Those friends, there's a lot of I have a lot

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Speaker 3: of that. I know, I know, I know people I

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Speaker 3: understand it, but I'm not here for it. I'm just

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Speaker 3: not here for it.

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Speaker 5: I'm not here for either.

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Speaker 3: People say to me, do you have a type? Do

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Speaker 3: you have a type? I'm a type. I love when

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Speaker 3: I fall in love, and fall in love doesn't matter

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Speaker 3: what religion they are, how tall they are, what color

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Speaker 3: their hair is, doesn't matter. Doesn't love to love to love.

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Speaker 3: This is something that's sort of dividing the internet. It's

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Speaker 3: wet hair at work. How do you feel about people

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Speaker 3: who come to work with wet hair? I know for fact,

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Speaker 3: as someone who has worked with me for twenty plus years,

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Speaker 3: loves to come in wet hair and then blow dry

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Speaker 3: her hair at the office. And she's done this signature,

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Speaker 3: and I've always said to her, I don't always say

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Speaker 3: her name. I've always said to Amy, just get up

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Speaker 3: ten minutes earlier, like, why do you have to blow

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Speaker 3: dry it here? Nope, she comes in and she comes

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Speaker 3: in with wet hair. Now, some people go to the gym,

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Speaker 3: they shower and their hair is wet, and then they

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Speaker 3: get there and you know, it looks like that. But

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Speaker 3: I guess there's a story circulating on the internet that

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Speaker 3: her boss called her in to the office and told

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Speaker 3: her that she's being unprofessional and actually wrote her up

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Speaker 3: in her record, and she thinks that's wrong. So what

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Speaker 3: do you think about this? Is it okay to come

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Speaker 3: to work with wet hair?

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Speaker 2: The argument is that she's a twenty eight year old

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Speaker 2: woman that works in a financial firm.

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Speaker 1: So is there more of a.

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Speaker 2: Dress code at a financial firm versus say, a radio station.

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Speaker 3: I think let's talk about it not in terms of specifics,

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Speaker 3: just in general. Yeah, can you come to work with

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Speaker 3: wet hair? I don't have a problem with it.

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Speaker 5: I do it far too often, and I've gone to

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Speaker 5: like banquets and galas with wet hair, and I always

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Speaker 5: feel a little like I'm being judged.

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Speaker 3: I think you can blame it on the gym because

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Speaker 3: that sounds good, or how busy you are that you

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Speaker 3: didn't have a chance to you know whatever, you were rushed,

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Speaker 3: you have, you were tight on time. So who comes

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Speaker 3: so you come with wet hair in the back room?

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Speaker 3: Does anybody regularly come with wet hair?

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Speaker 5: No?

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Speaker 3: No, I don't see they professionally get ready for this job.

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Speaker 2: But that's like a personal choice for me, Like I

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Speaker 2: don't necessarily I have to. I feel I got the

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Speaker 2: style my hair when it dries naturally, it's just a

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Speaker 2: little frizzy on one side and not the great on

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Speaker 2: the other side.

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Speaker 1: So I like to make sure that it's looking.

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Speaker 3: If long hair and I came in wet, I would

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Speaker 3: just bun it, bunn it, I'd bun it.

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Speaker 1: Yeah, that's what you usually do.

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Speaker 3: It just bun me up, bun me, bun me up, right,

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00:18:03,320 --> 00:18:05,320
Speaker 3: and it's like then it's a look, it's a slick look.

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Speaker 5: Yeah, that's that's what I do usually when I'm going

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Speaker 5: like out at night with wet hair.

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Speaker 3: I don't personally have an issue with it, but people apparently,

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00:18:18,000 --> 00:18:20,920
Speaker 3: you know, some do and some say it's unprofessional. Now

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00:18:21,040 --> 00:18:24,040
Speaker 3: I think with this, with given this job and the

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00:18:24,040 --> 00:18:26,640
Speaker 3: intimacy of how well we know each other and the hours,

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Speaker 3: I feel like we could come in with our facial products,

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00:18:30,359 --> 00:18:33,320
Speaker 3: our toothbrushes, our hair dryers, and it's still be okay

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00:18:33,359 --> 00:18:36,159
Speaker 3: as long as they're ready by six, right.

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Speaker 2: But I would feel weird if we were having a

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Speaker 2: guest come on and then we're just like wet soaking hair.

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Speaker 3: Well, you guys go into full fluff mode when the

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Speaker 3: guest comes in. That's nice. You come in like are

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Speaker 3: you come in with Like, yeah, you come in ready.

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Speaker 3: I always forget there's a guest that I come in

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Speaker 3: with this hat On on air with Ryan Seacres, All right,

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00:18:58,760 --> 00:19:01,040
Speaker 3: match game time here, kiss, I've got two contestants on

419
00:19:01,119 --> 00:19:04,880
Speaker 3: the line. Let me grab Jen and Adriana Jen. Good morning,

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00:19:04,920 --> 00:19:06,280
Speaker 3: It's Ryan Seacrest. How are you.

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00:19:07,359 --> 00:19:07,840
Speaker 8: I'm good?

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00:19:07,920 --> 00:19:09,760
Speaker 2: Thank you good?

423
00:19:09,840 --> 00:19:13,600
Speaker 3: Okay, you are contestant number one. Tell me about yourself.

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00:19:14,600 --> 00:19:14,959
Speaker 1: Okay.

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Speaker 4: Let's see.

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Speaker 8: I know my husband for thirty years. We were seventeen

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00:19:19,280 --> 00:19:22,560
Speaker 8: and eighteen going on twenty five years of marriage. January

428
00:19:22,560 --> 00:19:24,359
Speaker 8: first of two thousand is when we got married.

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Speaker 1: The white kids.

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00:19:25,480 --> 00:19:27,359
Speaker 3: Wow, congratulations, that's great.

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00:19:27,880 --> 00:19:30,800
Speaker 8: Thank you. We have seven kids, so by win this,

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00:19:31,080 --> 00:19:34,480
Speaker 8: why yo, four favorites because it's a quarterback.

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Speaker 2: Seven kids.

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Speaker 3: We'll figure that.

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00:19:38,320 --> 00:19:40,679
Speaker 1: We'll figure out for any of those multiples. I have

436
00:19:40,760 --> 00:19:41,000
Speaker 1: to know.

437
00:19:42,160 --> 00:19:48,560
Speaker 2: No, I wish I bow down seven pregnancies, seven kids.

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00:19:48,600 --> 00:19:49,560
Speaker 1: Wow, that is incredible.

439
00:19:50,920 --> 00:19:54,280
Speaker 3: Thank you, Hank Tight you're contestant number one. Let me

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00:19:54,280 --> 00:19:58,639
Speaker 3: get to number two here. This is Adriana. Adriana, Good morning, Paramount.

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Speaker 3: Tell us about yourself as can tests the number two.

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00:20:01,800 --> 00:20:06,320
Speaker 8: Hi, good morning everyone. My name is My name is

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Speaker 8: Adrianna bar. I live in the city of Paramount. I'm Kearney,

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00:20:09,520 --> 00:20:14,240
Speaker 8: so I'm at work right now actually, and yeah, listen

445
00:20:14,320 --> 00:20:16,720
Speaker 8: to you guys every morning at storry and at four am,

446
00:20:16,720 --> 00:20:23,239
Speaker 8: because I come in at work at four and I

447
00:20:23,320 --> 00:20:23,720
Speaker 8: love it.

448
00:20:23,840 --> 00:20:29,080
Speaker 3: I love Nayla a O Kayla's still one.

449
00:20:29,800 --> 00:20:31,639
Speaker 8: I enjoy it every single day.

450
00:20:31,680 --> 00:20:32,119
Speaker 2: Thank you.

451
00:20:32,320 --> 00:20:34,560
Speaker 3: Okay, we love you for that. Now let's get into it.

452
00:20:34,600 --> 00:20:36,520
Speaker 3: Come on, guys, I want to give you some Universal

453
00:20:36,560 --> 00:20:40,640
Speaker 3: Studios horror nights for Halloween and we'll start with you, Jen.

454
00:20:40,680 --> 00:20:43,000
Speaker 3: Here's how it works. We'll give you a phrase with

455
00:20:43,040 --> 00:20:45,560
Speaker 3: a blanket at our panel. Here is Sistney Tanya, producer Mikayla,

456
00:20:45,560 --> 00:20:47,840
Speaker 3: and engineer Tubs will write down what they think should

457
00:20:47,840 --> 00:20:50,360
Speaker 3: go in the blank dead. We'll hear your answer and

458
00:20:50,400 --> 00:20:52,919
Speaker 3: see who you match with. Whoever gets the most matches

459
00:20:52,960 --> 00:20:56,080
Speaker 3: wins will start with you. Jen. Don't say it out loud,

460
00:20:56,200 --> 00:21:04,120
Speaker 3: just think of your answer. Yours is fast blank fast

461
00:21:04,359 --> 00:21:08,720
Speaker 3: blank fast blank. Think about that panel write down your responses.

462
00:21:09,160 --> 00:21:12,000
Speaker 3: Let's who can match with Jen?

463
00:21:12,080 --> 00:21:12,199
Speaker 7: Here?

464
00:21:12,320 --> 00:21:13,720
Speaker 3: Jen, what'd you say?

465
00:21:14,520 --> 00:21:14,840
Speaker 2: Food?

466
00:21:15,600 --> 00:21:19,400
Speaker 3: Fast food? Got it good? I like it very popular?

467
00:21:19,600 --> 00:21:20,720
Speaker 3: Time you fast food?

468
00:21:21,119 --> 00:21:23,879
Speaker 5: I said fast car sicany fast?

469
00:21:24,040 --> 00:21:25,720
Speaker 1: I also said fast car.

470
00:21:26,080 --> 00:21:32,760
Speaker 3: Mikayla, fast car. It comes down to jiu jitsu master

471
00:21:33,040 --> 00:21:42,160
Speaker 3: engineers Jeffrey Tubbs for the match. Because she's been thinking

472
00:21:42,200 --> 00:21:44,520
Speaker 3: it all morning but didn't say it for the match

473
00:21:44,680 --> 00:21:46,720
Speaker 3: fast food fast food.

474
00:21:48,320 --> 00:21:49,240
Speaker 5: Shook by that.

475
00:21:51,119 --> 00:21:58,240
Speaker 3: Sense sense came through, all right. So now, Adriana, you

476
00:21:58,280 --> 00:22:00,359
Speaker 3: gotta get one to tie to to win. Here's yours.

477
00:22:00,359 --> 00:22:03,520
Speaker 3: Don't say it out loud, but the blank club, blank club,

478
00:22:04,119 --> 00:22:07,240
Speaker 3: the blank club. What's it going to be? Blank club? Okay,

479
00:22:07,240 --> 00:22:12,320
Speaker 3: Panel's ready Adriana. What kind of club blank club, nightclub,

480
00:22:13,480 --> 00:22:18,720
Speaker 3: Tanya nightclub for a match, nightclub for the b that's

481
00:22:18,760 --> 00:22:20,800
Speaker 3: a tie now siciny.

482
00:22:21,960 --> 00:22:22,720
Speaker 2: Sa nightclub?

483
00:22:23,520 --> 00:22:29,800
Speaker 3: You know, Mikayla nightclub, nightclub, tubs? Did you say golf club,

484
00:22:30,520 --> 00:22:36,280
Speaker 3: night plank club. Here's here's what we're gonna do. So

485
00:22:37,000 --> 00:22:41,080
Speaker 3: I mean seven kids, I'm gonna give you j eight

486
00:22:41,080 --> 00:22:45,680
Speaker 3: tickets to Universal Halloween Hard Nights and our winner seems weird,

487
00:22:45,680 --> 00:22:48,760
Speaker 3: but you'll get four. But you understand she had seven kids.

488
00:22:49,760 --> 00:22:50,800
Speaker 2: You guys both win.

489
00:22:52,200 --> 00:22:54,359
Speaker 8: So it's okay.

490
00:22:54,680 --> 00:22:58,280
Speaker 3: They're going to grow, all right, Thanks you too for listening,

491
00:22:58,280 --> 00:23:02,800
Speaker 3: and congratulations. Love that match game there. Everybody got the

492
00:23:02,920 --> 00:23:04,439
Speaker 3: nightclub on.

493
00:23:04,520 --> 00:23:05,920
Speaker 5: Air with Ryan Seacrest.

494
00:23:08,080 --> 00:23:13,959
Speaker 3: On Air with Ryan Seacrest, shout out to any of it.

495
00:23:14,000 --> 00:23:16,080
Speaker 3: Got stuck on the one o one this morning in

496
00:23:16,119 --> 00:23:19,000
Speaker 3: calab Basses. On the one o one this morning in

497
00:23:19,040 --> 00:23:24,520
Speaker 3: calab Basses. A major accident there at Las Virgins. So

498
00:23:24,600 --> 00:23:27,040
Speaker 3: as a bummer, you know you can't control that and

499
00:23:27,080 --> 00:23:30,639
Speaker 3: of course makes you late. Right, Send you guys some

500
00:23:30,720 --> 00:23:34,800
Speaker 3: food pictures overnight that I was rejected by Mark to

501
00:23:35,000 --> 00:23:38,040
Speaker 3: not use yet. He said, please don't use, please don't

502
00:23:38,119 --> 00:23:40,480
Speaker 3: use these in this show. Let's save them for another show.

503
00:23:41,760 --> 00:23:45,040
Speaker 3: But there's a there's a reason I sent you some

504
00:23:45,080 --> 00:23:48,320
Speaker 3: of those food pictures because something that I've added back

505
00:23:48,440 --> 00:23:53,080
Speaker 3: into my program has been a little life changing. But

506
00:23:53,160 --> 00:23:55,720
Speaker 3: I'm not so sure it's good for me for a

507
00:23:55,760 --> 00:23:58,639
Speaker 3: good long period of time. So okay, well, one of

508
00:23:58,680 --> 00:24:01,720
Speaker 3: those pictures, I'll explain. What's kind of messy. One's kind

509
00:24:01,720 --> 00:24:03,639
Speaker 3: of like a scrambled.

510
00:24:03,119 --> 00:24:05,040
Speaker 2: Bunch of stuff, right, don't give it away.

511
00:24:05,520 --> 00:24:10,960
Speaker 3: Scramble Yeah, sorry, mark story for tomorrow. Yeah, let's get

512
00:24:11,000 --> 00:24:12,399
Speaker 3: to this. Miley Cyrus news.

513
00:24:12,440 --> 00:24:13,399
Speaker 1: So this is huge.

514
00:24:13,600 --> 00:24:17,120
Speaker 3: Did you see she's being sued for flowers? News came

515
00:24:17,160 --> 00:24:20,399
Speaker 3: down yesterday. It's always fascinating when a popular artist is

516
00:24:20,440 --> 00:24:24,680
Speaker 3: accused of ripping off another, like when Robin Thick Right, yep,

517
00:24:24,920 --> 00:24:27,679
Speaker 3: he got sued by the estate of Marvin gay Ed Sheeran.

518
00:24:28,160 --> 00:24:30,640
Speaker 3: He got sued last year on copyright grounds. He won.

519
00:24:31,440 --> 00:24:36,960
Speaker 3: So this one involves two songs we know well, Flowers

520
00:24:37,760 --> 00:25:02,800
Speaker 3: by Miley Cyrus which is right here, and sand.

521
00:24:56,960 --> 00:24:57,480
Speaker 2: Can Take.

522
00:25:01,200 --> 00:25:05,000
Speaker 3: So it's Flowers Miley Cyrus. This is when I Was

523
00:25:05,080 --> 00:25:06,520
Speaker 3: Your Man by Bruno Mars.

524
00:25:07,280 --> 00:25:15,600
Speaker 6: Should have bought of flowers, should get your armor hours

525
00:25:17,040 --> 00:25:23,720
Speaker 6: with the head shape, say everybody, doso you don't wanted

526
00:25:23,880 --> 00:25:30,560
Speaker 6: to do with us babies dancing, Let's just dance sue

527
00:25:30,680 --> 00:25:31,760
Speaker 6: with another man.

528
00:25:32,560 --> 00:25:36,240
Speaker 2: So after I cried listening to that first, I was

529
00:25:36,320 --> 00:25:40,199
Speaker 2: shocked and surprised to read that, Hey, why that's really

530
00:25:40,680 --> 00:25:42,200
Speaker 2: Miley Bruno.

531
00:25:42,280 --> 00:25:47,000
Speaker 3: They're suing each other. Bruno's gonna sue Miley. We think

532
00:25:47,000 --> 00:25:49,399
Speaker 3: they're friends, right, I mean, that's on the surface of

533
00:25:49,440 --> 00:25:51,480
Speaker 3: what you think, and then you go on to read

534
00:25:51,600 --> 00:25:55,440
Speaker 3: it's not actually Bruno Mars doing the suing exactly. It's

535
00:25:55,480 --> 00:25:59,159
Speaker 3: a company called Tempo Music Investments, and they bought the

536
00:25:59,240 --> 00:26:03,240
Speaker 3: catalog of a songwriter named Philip Lawrence. One of the

537
00:26:03,320 --> 00:26:06,919
Speaker 3: songs co song writers. So that's where this is stemming from.

538
00:26:07,359 --> 00:26:10,960
Speaker 3: They alleged Flowers uses the melodic pitch design and sequence

539
00:26:11,040 --> 00:26:16,400
Speaker 3: of the verse, the connecting bassline, certain bars are the chorus,

540
00:26:16,400 --> 00:26:21,800
Speaker 3: certain theatrical music elements, lyric elements, and specific chord progressions.

541
00:26:22,280 --> 00:26:26,520
Speaker 5: Okay, so like where, Well.

542
00:26:26,400 --> 00:26:29,760
Speaker 3: First of all, these songs aren't new, So where did

543
00:26:29,760 --> 00:26:30,359
Speaker 3: this all of a sudden?

544
00:26:30,520 --> 00:26:33,159
Speaker 2: Yeah? Where for you back in early twenty twenty three when.

545
00:26:33,000 --> 00:26:35,919
Speaker 3: The song has been around for a while? But what

546
00:26:36,000 --> 00:26:39,560
Speaker 3: do you think I mean? Is eastern, around is similar around.

547
00:26:39,800 --> 00:26:41,960
Speaker 3: Let's go to an engineer, judge.

548
00:26:41,640 --> 00:26:43,880
Speaker 2: An engineer, judge, Yeah.

549
00:26:43,680 --> 00:26:46,119
Speaker 3: Who's got an ear for this stuff? Which one's closest

550
00:26:46,119 --> 00:26:50,520
Speaker 3: to a mic? Tubs not the most qualified, but closest

551
00:26:50,520 --> 00:26:53,359
Speaker 3: to the mic? All right? Could you What do you

552
00:26:53,400 --> 00:26:55,600
Speaker 3: hear when you hear those two played side by side? Well,

553
00:26:55,640 --> 00:26:56,720
Speaker 3: they sound very similar.

554
00:26:58,280 --> 00:26:59,000
Speaker 5: I don't think so.

555
00:27:00,240 --> 00:27:02,119
Speaker 2: I always kind of thought it was cool, Like I

556
00:27:02,160 --> 00:27:04,119
Speaker 2: was like, oh, this is the song that's going to accompany,

557
00:27:04,160 --> 00:27:07,760
Speaker 2: like the Bruno Mars song. And actually, when Flowers came out,

558
00:27:07,800 --> 00:27:10,040
Speaker 2: this the Bruno Mars song started streaming again, and then

559
00:27:10,080 --> 00:27:12,000
Speaker 2: we added it back into Kiss and we were playing

560
00:27:12,000 --> 00:27:13,960
Speaker 2: it too, and I just thought it was all great,

561
00:27:14,080 --> 00:27:15,560
Speaker 2: Like why do we gotta be suing people?

562
00:27:16,040 --> 00:27:18,480
Speaker 3: Listen one more time? Shout a bot of.

563
00:27:18,560 --> 00:27:26,359
Speaker 2: Flowers, shucking flowers, fucking.

564
00:27:26,160 --> 00:27:32,280
Speaker 3: Oh mom, shot a gig a shuck myself.

565
00:27:34,520 --> 00:27:39,480
Speaker 6: Can't get an empty body because you wanted us.

566
00:27:40,920 --> 00:27:44,720
Speaker 2: Fucking take myself, Patsy, is.

567
00:27:44,720 --> 00:27:46,200
Speaker 1: This the first time hearing this song?

568
00:27:46,920 --> 00:27:48,280
Speaker 3: It becomes very what we played.

569
00:27:48,480 --> 00:27:51,560
Speaker 2: We played this back when someone on TikTok made a.

570
00:27:51,520 --> 00:27:54,399
Speaker 3: Masha for this, but they become very similar when you

571
00:27:54,440 --> 00:27:57,960
Speaker 3: put it back to back line like that. So, back room,

572
00:27:58,000 --> 00:28:01,680
Speaker 3: who do you think wins this? Bruno, Mars Camp or

573
00:28:02,400 --> 00:28:03,240
Speaker 3: Miley Cyrus?

574
00:28:03,760 --> 00:28:04,960
Speaker 5: Oh this is tough.

575
00:28:05,080 --> 00:28:08,119
Speaker 2: I feel like there's so much creative freedom that I

576
00:28:08,119 --> 00:28:10,680
Speaker 2: feel like Miley will win, all.

577
00:28:10,720 --> 00:28:12,680
Speaker 3: Right, Engineer Tubbs, what do you think?

578
00:28:13,520 --> 00:28:13,680
Speaker 9: Well?

579
00:28:13,720 --> 00:28:15,359
Speaker 3: I thought there was a whole point of the song

580
00:28:15,480 --> 00:28:18,160
Speaker 3: is to kind of go off of Bruno's.

581
00:28:17,880 --> 00:28:19,320
Speaker 2: That's what I thought too, And I thought she hit

582
00:28:19,320 --> 00:28:20,840
Speaker 2: a Bruno was like, Hey, I'm gonna do this.

583
00:28:20,840 --> 00:28:24,520
Speaker 5: And like we're all inspired by something or someone in

584
00:28:24,560 --> 00:28:27,399
Speaker 5: our lives. Like we're all inspired on a daily basis.

585
00:28:27,440 --> 00:28:29,800
Speaker 5: So what's everyone to just sue everybody for being inspired

586
00:28:29,840 --> 00:28:30,360
Speaker 5: by their arts?

587
00:28:30,480 --> 00:28:33,440
Speaker 3: No, can't not everyone? Just Philip Lawrence from Tempo Music.

588
00:28:33,640 --> 00:28:35,920
Speaker 2: Yeah, but also like why can't you use flowers? Why

589
00:28:35,920 --> 00:28:37,639
Speaker 2: can't you say you dance and hold hands in like

590
00:28:37,680 --> 00:28:40,600
Speaker 2: a different way. She didn't copy it completely, and I

591
00:28:40,640 --> 00:28:42,520
Speaker 2: don't think she copied it at all. She probably just

592
00:28:42,560 --> 00:28:43,240
Speaker 2: did her own thing.

593
00:28:43,920 --> 00:28:46,720
Speaker 3: So we shall see Miley one record of the Year

594
00:28:46,800 --> 00:28:50,480
Speaker 3: with Flowers in February. Yeah, but played together, there's a

595
00:28:50,520 --> 00:28:53,240
Speaker 3: lot of similarity to it. We'll follow that here. I

596
00:28:53,280 --> 00:28:57,160
Speaker 3: got an idea just right, So think about this if

597
00:28:57,200 --> 00:28:59,640
Speaker 3: you had the chance. And you know, people were going

598
00:28:59,680 --> 00:29:04,240
Speaker 3: up into space when all the spaceship private spaceship craze

599
00:29:04,280 --> 00:29:07,240
Speaker 3: was happening, uh huh, and some people were offered a

600
00:29:07,240 --> 00:29:10,560
Speaker 3: trip to go to space. I'm looking at the astronauts too,

601
00:29:10,600 --> 00:29:12,600
Speaker 3: and now stuck up there for what was going to

602
00:29:12,640 --> 00:29:14,720
Speaker 3: be an eight day mission is not going to be

603
00:29:14,760 --> 00:29:15,800
Speaker 3: eight months.

604
00:29:15,560 --> 00:29:19,960
Speaker 2: Right, Sunny Williams, changed your mind? Sunny Williams and Butch Wilmore,

605
00:29:20,160 --> 00:29:22,000
Speaker 2: Does this change your mind about going to space?

606
00:29:22,520 --> 00:29:22,720
Speaker 6: No?

607
00:29:23,200 --> 00:29:25,720
Speaker 2: But I also would be down if it's a little

608
00:29:25,760 --> 00:29:26,960
Speaker 2: bit more convenient.

609
00:29:27,480 --> 00:29:30,160
Speaker 3: This doesn't change your mind. They went for eight days

610
00:29:30,200 --> 00:29:32,560
Speaker 3: and it turned into eight months. Now I'm staying on

611
00:29:32,600 --> 00:29:32,960
Speaker 3: the ground.

612
00:29:33,000 --> 00:29:36,720
Speaker 2: If anything, this is proof that they are being there.

613
00:29:36,760 --> 00:29:38,600
Speaker 2: Was there being safe about it because they said, look,

614
00:29:38,600 --> 00:29:40,920
Speaker 2: the spaceship to come back is not safe. We can't

615
00:29:40,960 --> 00:29:42,960
Speaker 2: we can't have you guys coming back on that. So

616
00:29:43,040 --> 00:29:45,040
Speaker 2: the other alternative is to keep you there for eight

617
00:29:45,040 --> 00:29:45,560
Speaker 2: more months.

618
00:29:45,840 --> 00:29:48,800
Speaker 3: Well maybe if you want to escape your life and

619
00:29:48,840 --> 00:29:51,840
Speaker 3: you get away for eight months, there's no excuse to that, Right,

620
00:29:52,080 --> 00:29:54,040
Speaker 3: you wanted to get out of your job for eight months,

621
00:29:54,080 --> 00:29:55,200
Speaker 3: you're off the grid.

622
00:29:55,600 --> 00:29:57,800
Speaker 2: But this is their job. So at the end of

623
00:29:57,800 --> 00:29:59,800
Speaker 2: the day, like these are astronauts, Like this is their job,

624
00:29:59,880 --> 00:30:02,320
Speaker 2: like being at the International Space Station is not. Like

625
00:30:02,960 --> 00:30:05,680
Speaker 2: they're not stranded with nothing like. That's what I found

626
00:30:05,720 --> 00:30:07,800
Speaker 2: out when I started digging more and more into the story.

627
00:30:08,240 --> 00:30:10,440
Speaker 3: So what do they eat for eight months? What did

628
00:30:10,440 --> 00:30:12,280
Speaker 3: you find out about how they occupy their time?

629
00:30:12,400 --> 00:30:15,720
Speaker 2: Okay, so they wake up around six thirty am, and

630
00:30:15,800 --> 00:30:20,080
Speaker 2: it's I thought, a phone booth sized bedding quarters that

631
00:30:20,080 --> 00:30:20,760
Speaker 2: they're sleeping in.

632
00:30:20,800 --> 00:30:22,280
Speaker 1: Okay, that's that's where they sleep.

633
00:30:22,280 --> 00:30:24,400
Speaker 2: They have compartments for their laptops so they can stay

634
00:30:24,400 --> 00:30:26,640
Speaker 2: connected with family. They have a little milk for their

635
00:30:26,680 --> 00:30:30,440
Speaker 2: personal belongings. And then are you interested in how they

636
00:30:30,440 --> 00:30:33,760
Speaker 2: go to the bathroom? Because I found this very concerning.

637
00:30:34,400 --> 00:30:36,800
Speaker 3: I actually have seen this happen before, so I've seen

638
00:30:36,840 --> 00:30:37,880
Speaker 3: video of it. But go ahead.

639
00:30:37,960 --> 00:30:40,920
Speaker 2: There's a small compartment with a section system, so you

640
00:30:40,960 --> 00:30:42,440
Speaker 2: can just use your imagination there.

641
00:30:43,040 --> 00:30:44,160
Speaker 3: But this was interesting.

642
00:30:44,280 --> 00:30:49,560
Speaker 2: Sweat and urine is recycled into drinking water. Why, I mean,

643
00:30:49,600 --> 00:30:55,000
Speaker 2: I understand why they gotta make hay without gravity pulling

644
00:30:55,040 --> 00:30:57,840
Speaker 2: sweat off the body. The astronauts get covered in a

645
00:30:58,000 --> 00:31:01,840
Speaker 2: coating of sweat, way more than you probably would on earth,

646
00:31:01,960 --> 00:31:03,640
Speaker 2: So you hear on earth it kind of our sweat.

647
00:31:03,440 --> 00:31:04,200
Speaker 1: Drips off of us.

648
00:31:04,240 --> 00:31:06,920
Speaker 2: But there it just sticks and starts like clumping and

649
00:31:06,920 --> 00:31:09,240
Speaker 2: getting thicker and thicker and thicker on your body.

650
00:31:10,280 --> 00:31:13,360
Speaker 3: You'll just actively be like talking it out there, doing

651
00:31:13,360 --> 00:31:16,040
Speaker 3: our task of the day, sipping on our tank, and

652
00:31:16,080 --> 00:31:18,880
Speaker 3: then her sweat hits me in the side of my face. Well,

653
00:31:18,920 --> 00:31:19,920
Speaker 3: she doesn't drift.

654
00:31:21,000 --> 00:31:23,160
Speaker 2: So you know, it's funny you say something and hitting

655
00:31:23,160 --> 00:31:25,440
Speaker 2: you on your side. Because they do have to be

656
00:31:25,600 --> 00:31:27,600
Speaker 2: on high alert when they open up food.

657
00:31:28,000 --> 00:31:30,040
Speaker 1: So like a can of food with like let's.

658
00:31:29,880 --> 00:31:33,960
Speaker 2: Say, like meat or like gravy or anything like that.

659
00:31:34,240 --> 00:31:37,600
Speaker 2: Grav that's this is the stuff that they're eating there.

660
00:31:37,640 --> 00:31:39,840
Speaker 2: He meats and gravy, and everyone is on high alert

661
00:31:39,920 --> 00:31:43,200
Speaker 2: because these little balls of grease drift out of the pan.

662
00:31:43,640 --> 00:31:46,120
Speaker 2: And then people are just dodging these like meat juice

663
00:31:46,120 --> 00:31:49,240
Speaker 2: balls from the other person that had just opened up

664
00:31:49,240 --> 00:31:49,720
Speaker 2: their dinner.

665
00:31:50,760 --> 00:31:52,760
Speaker 5: But they're okay, space is not for me.

666
00:31:53,080 --> 00:31:58,120
Speaker 2: They're like, I'm gonna tell you why. This what they're

667
00:31:58,160 --> 00:32:00,840
Speaker 2: living in is like the size of a six bedroom house.

668
00:32:01,880 --> 00:32:04,400
Speaker 2: And then when they're in like their day to day

669
00:32:04,440 --> 00:32:09,080
Speaker 2: work at the ind the International Space Station that is huge.

670
00:32:09,160 --> 00:32:11,640
Speaker 2: It's like the size of a football field. And there's

671
00:32:11,880 --> 00:32:14,520
Speaker 2: bus like chambers that are like big like buses like

672
00:32:14,560 --> 00:32:17,640
Speaker 2: that are all kind of connected throughout and sometimes they

673
00:32:17,640 --> 00:32:20,040
Speaker 2: can go the whole day without seeing another person. Like

674
00:32:20,120 --> 00:32:23,760
Speaker 2: it's really spacious, for lack of a better word.

675
00:32:23,800 --> 00:32:27,640
Speaker 3: Perfect, I'm just saying my net net conclusion here is

676
00:32:28,120 --> 00:32:29,960
Speaker 3: I'm sure they are fine and we'll do fine.

677
00:32:30,040 --> 00:32:30,400
Speaker 5: Uh huh.

678
00:32:30,440 --> 00:32:33,520
Speaker 3: My conclusion is if someone goes to space for eight

679
00:32:33,720 --> 00:32:36,760
Speaker 3: days and for whatever reason, the ship had to come

680
00:32:36,800 --> 00:32:40,520
Speaker 3: back not come back for eight more months, it's not

681
00:32:40,560 --> 00:32:43,280
Speaker 3: perfected enough for me to want to go out there

682
00:32:43,320 --> 00:32:44,840
Speaker 3: to take the risk of not coming back.

683
00:32:44,960 --> 00:32:46,600
Speaker 2: I don't think they knew that that was going to

684
00:32:46,640 --> 00:32:47,920
Speaker 2: happen though, of course.

685
00:32:47,680 --> 00:32:50,080
Speaker 3: Not no, But I'm just saying I'm using this as

686
00:32:50,120 --> 00:32:52,840
Speaker 3: an example of, Okay, it's not perfected yet.

687
00:32:52,960 --> 00:32:54,600
Speaker 2: You know what else is kind of cool though, They

688
00:32:54,680 --> 00:32:57,040
Speaker 2: requested for an absentee ballot so that they can vote

689
00:32:57,040 --> 00:32:59,520
Speaker 2: in this election, So they're going to vote from space.

690
00:33:00,440 --> 00:33:04,040
Speaker 3: Very cool, I know. So we bring the iHeart Radio

691
00:33:04,200 --> 00:33:08,720
Speaker 3: app to life starting Friday, and on Saturday, we bring

692
00:33:08,800 --> 00:33:12,160
Speaker 3: the iHeartRadio to Life on stage at the iHeart Radio

693
00:33:12,240 --> 00:33:14,960
Speaker 3: Music Festival. That's the premise behind why we started the festival.

694
00:33:15,760 --> 00:33:17,800
Speaker 3: So we get all those different acts and artists together

695
00:33:18,360 --> 00:33:22,040
Speaker 3: converging on Las Vegas. We'll be heading out soon, right.

696
00:33:23,360 --> 00:33:27,360
Speaker 3: So inside the free iHeartRadio app, there's a red microphone,

697
00:33:28,320 --> 00:33:30,440
Speaker 3: the talkback microphone. All you got to do is hit

698
00:33:30,480 --> 00:33:32,840
Speaker 3: that and then we get these messages into the studio.

699
00:33:33,400 --> 00:33:36,400
Speaker 3: This is from Sharon in West Hills. She wants us

700
00:33:36,440 --> 00:33:39,440
Speaker 3: to pay her bills. Sharon, we love you. What's up?

701
00:33:39,520 --> 00:33:43,600
Speaker 10: Hi, Ryan love listening to kiss every day Monday through Friday.

702
00:33:44,080 --> 00:33:46,560
Speaker 10: I would love you to call my name and pay

703
00:33:46,600 --> 00:33:51,120
Speaker 10: my bills. Pay my bills in West Hills pretty please?

704
00:33:51,160 --> 00:33:52,080
Speaker 2: With a cherry on top.

705
00:33:53,120 --> 00:33:56,040
Speaker 1: I love you on your show We Love Fortune.

706
00:33:56,200 --> 00:33:58,840
Speaker 3: Thanks for the shoutouts there, thanks for watching Weel a

707
00:33:58,920 --> 00:34:04,040
Speaker 3: Fortune weeknights seven thirty on ABC seven, and thanks for

708
00:34:04,080 --> 00:34:05,920
Speaker 3: the rhyme. So, Sharon a West Hills, you got to

709
00:34:05,960 --> 00:34:09,040
Speaker 3: get me basically all your information at Kiss fm dot

710
00:34:09,040 --> 00:34:12,160
Speaker 3: com slash bills and then I can shout out your

711
00:34:12,200 --> 00:34:14,480
Speaker 3: name to get you cash to get your bills paid.

712
00:34:14,520 --> 00:34:16,200
Speaker 3: So that's how it works. Gotta go to KISSFM dot

713
00:34:16,200 --> 00:34:21,600
Speaker 3: com slash bills. Here's Johnny listening to us from South Africa. Hello, Ryan,

714
00:34:21,760 --> 00:34:24,120
Speaker 3: this is Johnny listening to you all the way from

715
00:34:24,400 --> 00:34:28,080
Speaker 3: the bottom of Africa in Sunny Cape Town, South Africa.

716
00:34:28,520 --> 00:34:32,560
Speaker 3: Have a good day. I love that makes me want

717
00:34:32,560 --> 00:34:36,200
Speaker 3: to go. I know two things that stand out, not

718
00:34:36,239 --> 00:34:38,880
Speaker 3: that these are right when I hear South Africa, that

719
00:34:39,200 --> 00:34:44,799
Speaker 3: story of Oscar pastorias N and then a very famous

720
00:34:45,000 --> 00:34:48,799
Speaker 3: local sauce called Missus Bulls Sauce. It's it's like a

721
00:34:48,880 --> 00:34:52,000
Speaker 3: relish that's very famous from South Africa. So if you

722
00:34:52,040 --> 00:34:55,400
Speaker 3: know a South African and I did for a long time, Yeah,

723
00:34:55,520 --> 00:34:58,440
Speaker 3: she always wanted me to bring Missus Bulls sauce when

724
00:34:58,440 --> 00:35:00,560
Speaker 3: I came back. But I never went to Africa but

725
00:35:00,600 --> 00:35:02,839
Speaker 3: one time, so I brought back the Missus Bow sauce

726
00:35:02,880 --> 00:35:05,839
Speaker 3: one time. But that's like a local food product. Two

727
00:35:05,840 --> 00:35:07,719
Speaker 3: things that stand out in my mind. So thank you

728
00:35:07,760 --> 00:35:11,040
Speaker 3: Johnny for listening down there. I bet he's smiling hearing

729
00:35:11,160 --> 00:35:13,400
Speaker 3: about the local food product we're mentioned in giving it

730
00:35:13,480 --> 00:35:16,080
Speaker 3: a shout out. Meghan's in Torrance and these are talkback.

731
00:35:16,120 --> 00:35:19,560
Speaker 3: She's up in arms. She's really upset about the new

732
00:35:19,640 --> 00:35:22,640
Speaker 3: version of the alphabet that Sistney's pushing on her.

733
00:35:22,800 --> 00:35:24,600
Speaker 1: I'm not pushing it. I'm against it too.

734
00:35:24,880 --> 00:35:27,760
Speaker 3: I thought you were for it. No, you're we wobbling.

735
00:35:28,040 --> 00:35:28,360
Speaker 4: Hi.

736
00:35:28,560 --> 00:35:32,600
Speaker 9: I'm Megan in Torrance. I could not agree more with

737
00:35:32,840 --> 00:35:38,120
Speaker 9: Sisney on the alphabet song. Be a parent and teacher

738
00:35:38,200 --> 00:35:41,040
Speaker 9: kids the letters. They should know it before they learned

739
00:35:41,040 --> 00:35:47,160
Speaker 9: the song anyway. And Pluto's still a planet, thank you.

740
00:35:47,160 --> 00:35:49,759
Speaker 3: You gotta get that in there. Yeah, this whole story

741
00:35:49,760 --> 00:35:53,440
Speaker 3: about changing up the alphabet song right which I cannot

742
00:35:53,520 --> 00:35:58,880
Speaker 3: stand it for it. Here's the new version that someone

743
00:35:58,920 --> 00:36:06,080
Speaker 3: proposed b C. I can't e f G. I'm cringing

744
00:36:06,400 --> 00:36:07,880
Speaker 3: by j K.

745
00:36:09,480 --> 00:36:12,640
Speaker 1: M b.

746
00:36:14,040 --> 00:36:16,000
Speaker 2: R STU.

747
00:36:16,440 --> 00:36:24,600
Speaker 3: I need to throw out w x yse okay, okay,

748
00:36:24,680 --> 00:36:27,359
Speaker 3: never come back whoever you are singing that ever, Never

749
00:36:27,400 --> 00:36:33,000
Speaker 3: come back. Never so awful. You cannot change the nostalgia

750
00:36:33,040 --> 00:36:33,520
Speaker 3: of the ABC.

751
00:36:33,960 --> 00:36:35,280
Speaker 1: You can destroy a classic.

752
00:36:35,560 --> 00:36:37,400
Speaker 3: And by the way, I'm looking for the future Wheel

753
00:36:37,440 --> 00:36:39,720
Speaker 3: of Fortune contestants. I want them to be able to spell,

754
00:36:39,800 --> 00:36:40,919
Speaker 3: not work on a new song.

755
00:36:41,360 --> 00:36:46,160
Speaker 5: Right, it's the same, it's a different lullaby.

756
00:36:46,600 --> 00:36:50,280
Speaker 3: I don't think it sticks. It's not Sophia and Downy.

757
00:36:50,320 --> 00:36:52,319
Speaker 3: Another talk back here coming into her.

758
00:36:52,320 --> 00:36:55,879
Speaker 9: iHeartRadio app Good morning, I have an interviewed today at

759
00:36:55,960 --> 00:36:57,799
Speaker 9: eleven A or via web x.

760
00:36:58,160 --> 00:37:00,120
Speaker 1: What is your best advice you can give me.

761
00:37:01,520 --> 00:37:04,880
Speaker 3: With X the social platform wex webx webx.

762
00:37:05,600 --> 00:37:07,120
Speaker 1: We're supposed to be experts on WebEx.

763
00:37:11,280 --> 00:37:12,279
Speaker 2: Can you help with the log in?

764
00:37:12,320 --> 00:37:13,200
Speaker 1: That's the toughest question.

765
00:37:13,760 --> 00:37:17,360
Speaker 3: Well, we have done, you know, first impression things in

766
00:37:17,400 --> 00:37:20,000
Speaker 3: the past, but obviously for me, it's to always do

767
00:37:20,120 --> 00:37:23,400
Speaker 3: generic stuff. It is know the position inside out, have

768
00:37:23,440 --> 00:37:27,239
Speaker 3: studied it, know the company's goals inside now, know what

769
00:37:27,400 --> 00:37:31,080
Speaker 3: makes a win for you in your role inside that company,

770
00:37:32,280 --> 00:37:37,880
Speaker 3: and come in dressed for the part, come in with enthusiasm.

771
00:37:38,480 --> 00:37:42,560
Speaker 3: And I would not eat within two hours of the interview.

772
00:37:42,600 --> 00:37:45,879
Speaker 3: That's interesting advice. I would not eat. And I'll tell

773
00:37:45,920 --> 00:37:49,560
Speaker 3: you why. You don't want the food. You're gonna be nervous.

774
00:37:49,680 --> 00:37:52,200
Speaker 3: You don't want the food digestion to cause any other

775
00:37:52,400 --> 00:37:54,719
Speaker 3: sort of problem. Well in it, and you'll be more

776
00:37:54,719 --> 00:37:56,719
Speaker 3: focused on what you need to say and do and

777
00:37:56,800 --> 00:37:58,120
Speaker 3: more alert. That's my guidance.

778
00:37:59,600 --> 00:38:00,480
Speaker 1: That is interesting.

779
00:38:00,520 --> 00:38:02,680
Speaker 2: Two hours before Okay, it's fine, you still need to eat,

780
00:38:02,920 --> 00:38:03,759
Speaker 2: but don't.

781
00:38:03,920 --> 00:38:06,400
Speaker 3: You don't want to do right up against Yeah, you know,

782
00:38:06,480 --> 00:38:08,920
Speaker 3: like I smell people they just had chopped onions on

783
00:38:09,000 --> 00:38:12,000
Speaker 3: chili dogs sometimes when they come back to work and

784
00:38:12,040 --> 00:38:15,279
Speaker 3: it's like, h scoot over there. But Tanya now with

785
00:38:15,360 --> 00:38:18,560
Speaker 3: a trending report about new artist Chapel Roone.

786
00:38:18,920 --> 00:38:22,040
Speaker 5: Yes, so Chapel Rone. She's been very open about the

787
00:38:22,080 --> 00:38:27,680
Speaker 5: downfalls of fame after she like literally was catapulted into major,

788
00:38:27,719 --> 00:38:31,000
Speaker 5: major fames. So we've heard that Lady Gaga, Charlie XCX,

789
00:38:31,080 --> 00:38:34,840
Speaker 5: Katie Perry, Phoebe Bridgers, and Sabrina Carpenter have all reached

790
00:38:34,880 --> 00:38:38,760
Speaker 5: out to her to help. And now Lord is extending

791
00:38:38,760 --> 00:38:41,080
Speaker 5: a hand. And this is after a fan left Chapel

792
00:38:41,160 --> 00:38:44,600
Speaker 5: Roone crying in an airport bathroom after he berated her

793
00:38:44,640 --> 00:38:48,400
Speaker 5: for not wanting to sign posters, which is so wild

794
00:38:49,480 --> 00:38:54,239
Speaker 5: that that even happened. But Chapel said, she sent me

795
00:38:54,239 --> 00:38:56,759
Speaker 5: a list of things that I should do in that situation.

796
00:38:57,000 --> 00:38:59,520
Speaker 5: Literally wrote down eight things that she wished someone would

797
00:38:59,560 --> 00:39:02,560
Speaker 5: have told her when she was going through it, and

798
00:39:02,600 --> 00:39:06,320
Speaker 5: she went through hell, she was a baby. But we

799
00:39:06,440 --> 00:39:08,000
Speaker 5: love to see this because I feel like all the

800
00:39:08,040 --> 00:39:10,440
Speaker 5: women in the industry are reaching out with advice and

801
00:39:10,480 --> 00:39:13,440
Speaker 5: then they wish the things that they had people had

802
00:39:13,480 --> 00:39:15,360
Speaker 5: said to them when they were put into the spotlight

803
00:39:16,000 --> 00:39:18,080
Speaker 5: and kind of like, hey, I'm here if you need me.

804
00:39:18,200 --> 00:39:21,160
Speaker 5: And I feel like it's really nice to see because

805
00:39:21,480 --> 00:39:23,120
Speaker 5: it didn't used to be like that in it.

806
00:39:23,200 --> 00:39:24,720
Speaker 3: What's the advice that she's getting.

807
00:39:24,960 --> 00:39:26,480
Speaker 5: What are the eight things she didn't tell us?

808
00:39:26,640 --> 00:39:26,799
Speaker 9: Eight?

809
00:39:26,920 --> 00:39:29,760
Speaker 5: The eight things? You got to keep some things private,

810
00:39:29,840 --> 00:39:30,040
Speaker 5: you know.

811
00:39:31,840 --> 00:39:34,360
Speaker 3: Yeah, I don't know, actually, because if I'm out and

812
00:39:34,400 --> 00:39:37,919
Speaker 3: someone wants to take a picture with me or say

813
00:39:37,920 --> 00:39:40,040
Speaker 3: something on video, which happens all the time.

814
00:39:40,080 --> 00:39:40,520
Speaker 5: M hmm.

815
00:39:41,480 --> 00:39:43,279
Speaker 3: I actually actually had it happened to me in the

816
00:39:43,320 --> 00:39:47,279
Speaker 3: bathroom last Friday. It was a man wanted me to

817
00:39:47,400 --> 00:39:50,360
Speaker 3: shout out something for his kid, and he waited for

818
00:39:50,440 --> 00:39:53,560
Speaker 3: me to finish my dalioh and then I did it.

819
00:39:53,680 --> 00:39:54,759
Speaker 5: But see, that's respectful.

820
00:39:55,680 --> 00:39:57,440
Speaker 3: I have never said no once.

821
00:39:58,160 --> 00:39:59,359
Speaker 1: I'm going with you, Ryan.

822
00:39:59,400 --> 00:40:02,399
Speaker 2: It's like she's an upcoming artists, like this is part

823
00:40:02,400 --> 00:40:02,840
Speaker 2: of the game.

824
00:40:03,600 --> 00:40:05,279
Speaker 5: But I feel like there's a line. I feel like

825
00:40:05,520 --> 00:40:09,400
Speaker 5: lately there's these boundaries that are getting crossed when it

826
00:40:09,400 --> 00:40:11,839
Speaker 5: come like somebody berated her at the airport for not

827
00:40:11,880 --> 00:40:13,000
Speaker 5: signing their posters.

828
00:40:13,160 --> 00:40:15,680
Speaker 2: Why didn't she sign them?

829
00:40:15,760 --> 00:40:17,319
Speaker 5: What if she was late for her flight? Like we

830
00:40:17,360 --> 00:40:17,879
Speaker 5: don't know this.

831
00:40:17,840 --> 00:40:20,640
Speaker 3: In I just think it's easier to smile, sign and move,

832
00:40:21,000 --> 00:40:23,200
Speaker 3: and we don't know what be rated like, we don't

833
00:40:23,200 --> 00:40:25,400
Speaker 3: know what was actually said there. But I look at

834
00:40:25,400 --> 00:40:27,480
Speaker 3: it like for me, the second I step out of

835
00:40:27,520 --> 00:40:30,960
Speaker 3: my home on public material, and that's just the way

836
00:40:31,000 --> 00:40:32,359
Speaker 3: you look at right. I think.

837
00:40:32,400 --> 00:40:35,360
Speaker 2: So, if you're choosing this career, if you're choosing this path,

838
00:40:35,480 --> 00:40:37,960
Speaker 2: if you know, And maybe the fame got to her

839
00:40:38,000 --> 00:40:41,120
Speaker 2: pretty quickly and she wasn't. She's obviously not prepared for it,

840
00:40:41,200 --> 00:40:43,160
Speaker 2: but I think she has a lot to learn.

841
00:40:43,480 --> 00:40:45,840
Speaker 3: Gosh, we have to be grateful for anybody's got your poster.

842
00:40:46,480 --> 00:40:48,560
Speaker 5: Yeah, like she was. She I was listening to an

843
00:40:48,560 --> 00:40:50,920
Speaker 5: interview she did before the VMA's and she was like,

844
00:40:51,040 --> 00:40:54,360
Speaker 5: I worked at a drive through, you know what. I like,

845
00:40:54,400 --> 00:40:56,440
Speaker 5: That's who I am, right.

846
00:40:56,239 --> 00:40:57,920
Speaker 3: And so then i'd be psyched to see somebody with

847
00:40:57,960 --> 00:40:58,360
Speaker 3: the poster.

848
00:40:58,640 --> 00:41:01,920
Speaker 5: Yeah, yeah, yeah, but there's it's just I don't know.

849
00:41:02,480 --> 00:41:05,600
Speaker 3: Well, just warning you if you happen to be on

850
00:41:05,640 --> 00:41:10,040
Speaker 3: our flight to Vegas this Friday with Sistney Tany myself,

851
00:41:10,360 --> 00:41:12,680
Speaker 3: I am going to hand out eight by ten glossies

852
00:41:12,719 --> 00:41:15,319
Speaker 3: of me and I'll just pass them out as you

853
00:41:15,360 --> 00:41:17,319
Speaker 3: boord and I'll walk down the aisle. I'll sign them all.

854
00:41:17,440 --> 00:41:21,799
Speaker 2: I'm happy to sign anything, babies, whatever you need, sa.

855
00:41:21,800 --> 00:41:27,880
Speaker 3: On the plane, a hat, a hand. So whatever it

856
00:41:27,960 --> 00:41:30,120
Speaker 3: is we want to do it, I'm gonna be bummed

857
00:41:30,160 --> 00:41:33,399
Speaker 3: when nobody wants to do it. That'll there'll be a day.

858
00:41:33,880 --> 00:41:37,360
Speaker 3: So I watched his show the other day able the weekend,

859
00:41:37,480 --> 00:41:40,400
Speaker 3: the Idol Oh, because it got so it got so

860
00:41:40,920 --> 00:41:41,880
Speaker 3: ripped apart, didn't it.

861
00:41:41,960 --> 00:41:43,480
Speaker 5: Yeah, I liked it.

862
00:41:43,560 --> 00:41:45,120
Speaker 1: I watched every episode of it.

863
00:41:45,160 --> 00:41:46,880
Speaker 3: There's some interesting things to it because it's in the

864
00:41:46,920 --> 00:41:48,960
Speaker 3: business we work in, uh huh. But I wanted to

865
00:41:49,000 --> 00:41:50,759
Speaker 3: watch him as an actor because we're gonna see hims

866
00:41:50,760 --> 00:41:55,560
Speaker 3: a performer this weekend, isn't it Johnny Depp's daughter, isn't it. Yeah? Yes,

867
00:41:57,880 --> 00:42:00,799
Speaker 3: so I kind of it was on my mind since

868
00:42:00,800 --> 00:42:03,200
Speaker 3: I knew we'd see him this weekend at the Ihear

869
00:42:03,239 --> 00:42:06,960
Speaker 3: Radio Music Festival along with everybody else. So that's gonna

870
00:42:06,960 --> 00:42:09,080
Speaker 3: do it for us today. Thanks for being here. Tomorrow

871
00:42:09,120 --> 00:42:12,279
Speaker 3: is a Thursday, and if you are getting married, you

872
00:42:12,320 --> 00:42:15,120
Speaker 3: should come here. You should be on tomorrow listening tomorrow.

873
00:42:15,880 --> 00:42:19,239
Speaker 3: Three things wedding planners say you should not waste your

874
00:42:19,360 --> 00:42:23,040
Speaker 3: money doing very very interesting. I'll get those to you early.

875
00:42:23,080 --> 00:42:25,959
Speaker 3: It's a Ryan's roses, as they do with the business trip.

876
00:42:26,000 --> 00:42:30,160
Speaker 3: That's tomorrow too. More tickets to Universal Studios Halloween Horror Nights,

877
00:42:31,360 --> 00:42:33,440
Speaker 3: and that's gonna do it for us. Have a fantastic

878
00:42:33,640 --> 00:42:36,480
Speaker 3: mid day week, and to the back room, we salute

879
00:42:36,480 --> 00:42:38,360
Speaker 3: you for the finding kind job you did today.

880
00:42:38,800 --> 00:42:44,680
Speaker 2: Thank you a little more pep there, Thank you, Ryan,

881
00:42:44,880 --> 00:42:45,640
Speaker 2: sistaning Tanya.

882
00:42:45,680 --> 00:42:47,520
Speaker 3: We can't wait to come back and do it again tomorrow.

883
00:42:47,600 --> 00:42:48,480
Speaker 3: Kind of thanks.

884
00:42:48,239 --> 00:42:49,320
Speaker 2: Right all that.

885
00:42:49,400 --> 00:42:50,520
Speaker 5: We can't we cannot wall.

886
00:42:50,760 --> 00:42:55,279
Speaker 3: It sounds like you can. Oh, all right, we'll talk

887
00:42:55,280 --> 00:42:57,480
Speaker 3: to you tomorrow. Sisney's got you to eleven. It's Kiss

888
00:42:57,640 --> 00:43:00,279
Speaker 3: FM all day. Thanks for listening to on Air with

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00:43:00,320 --> 00:43:03,160
Speaker 3: Ryan Seacrest. Make sure to subscribe and we'll talk to

890
00:43:03,160 --> 00:43:03,920
Speaker 3: you again tomorrow