1 00:00:19,680 --> 00:00:22,200 Speaker 1: Hey there, faner Ritos, Welcome to part two of our 2 00:00:22,239 --> 00:00:25,880 Speaker 1: interview with Dennis Rinzler. We had so much fun catching 3 00:00:25,920 --> 00:00:28,360 Speaker 1: up with Dennis and learning all about his time in 4 00:00:28,400 --> 00:00:31,080 Speaker 1: the industry as a writer and producer, so we can't 5 00:00:31,120 --> 00:00:33,000 Speaker 1: wait for you to hear the rest of our conversation 6 00:00:33,200 --> 00:00:36,840 Speaker 1: in part two. Let's get into it. There's the common 7 00:00:36,880 --> 00:00:39,519 Speaker 1: saying in Hollywood, you know, never work with actors, or 8 00:00:39,560 --> 00:00:41,440 Speaker 1: never work with kids or animals. 9 00:00:41,520 --> 00:00:43,319 Speaker 2: No, I think that actually is the saying never work 10 00:00:43,400 --> 00:00:47,520 Speaker 2: with actors. I think that's what I just don't. 11 00:00:48,159 --> 00:00:52,199 Speaker 1: Never work with child actors or animals. But you and 12 00:00:52,280 --> 00:00:55,440 Speaker 1: Mark were drawn towards working with child with child actors, 13 00:00:55,440 --> 00:00:57,880 Speaker 1: and you just gave us the nicest compliment a few 14 00:00:57,920 --> 00:01:00,400 Speaker 1: minutes ago about how you know we were great on 15 00:01:00,440 --> 00:01:02,400 Speaker 1: set and nail and the jokes. So it sounds like 16 00:01:02,440 --> 00:01:06,920 Speaker 1: you preferred working with child actors, maybe more than adult actors. 17 00:01:06,600 --> 00:01:09,560 Speaker 3: The kids were great, and they're also open to a 18 00:01:09,600 --> 00:01:13,720 Speaker 3: little collaboration. You could say to a young person, let's 19 00:01:13,720 --> 00:01:15,319 Speaker 3: try this, maybe this will be funny. 20 00:01:15,840 --> 00:01:18,720 Speaker 4: Sometimes you say that to an experienced actor and they say, 21 00:01:18,920 --> 00:01:22,119 Speaker 4: I don't tell me how to what's funny. I'll tell 22 00:01:22,160 --> 00:01:23,679 Speaker 4: you but you know that kind of thing. 23 00:01:24,440 --> 00:01:27,080 Speaker 3: We always found the children to be more open to 24 00:01:27,160 --> 00:01:30,160 Speaker 3: try different things and this ego. 25 00:01:31,480 --> 00:01:31,959 Speaker 4: The egos. 26 00:01:32,000 --> 00:01:33,199 Speaker 5: Yet it's a great point. 27 00:01:33,240 --> 00:01:33,920 Speaker 4: You didn't have that on. 28 00:01:33,959 --> 00:01:36,400 Speaker 3: Fullows you already well you were brought up in a 29 00:01:36,560 --> 00:01:42,440 Speaker 3: in a nurturing environment of creativity. So when you directed Andrea, 30 00:01:42,480 --> 00:01:46,080 Speaker 3: did you give people suggestions to try things a different way? 31 00:01:46,319 --> 00:01:47,840 Speaker 1: Yeah? That was Jody directed. 32 00:01:48,160 --> 00:01:54,960 Speaker 5: I directed. I'll be honest, I didn't know. 33 00:01:55,160 --> 00:02:01,280 Speaker 2: I didn't have to, Like, I implicitly trusted that everyone 34 00:02:01,600 --> 00:02:05,360 Speaker 2: would bring it to life exactly how I sort of 35 00:02:05,560 --> 00:02:08,040 Speaker 2: envisioned it in my head. And I think also directing 36 00:02:08,160 --> 00:02:11,000 Speaker 2: people that you know or that you know you've been like, 37 00:02:11,680 --> 00:02:13,720 Speaker 2: it gives you sort of that confidence where you're like, 38 00:02:13,760 --> 00:02:15,560 Speaker 2: I don't even have to I know, I'm not gonna 39 00:02:15,600 --> 00:02:17,119 Speaker 2: have to give notes on the scene because they're gonna 40 00:02:17,160 --> 00:02:21,640 Speaker 2: nail it. And absolutely, but yeah, it was you know, 41 00:02:22,040 --> 00:02:24,359 Speaker 2: it was very It was interesting being on the other 42 00:02:24,440 --> 00:02:28,040 Speaker 2: side because I felt like immediately when I went behind 43 00:02:28,040 --> 00:02:30,760 Speaker 2: the director podium, everyone became their characters. 44 00:02:31,560 --> 00:02:32,880 Speaker 5: And then as soon as I was like. 45 00:02:32,919 --> 00:02:35,400 Speaker 2: In the scene, then everyone I was like, oh, you know, 46 00:02:36,240 --> 00:02:37,400 Speaker 2: just everyone's name, I don't know. 47 00:02:37,440 --> 00:02:39,720 Speaker 5: It was it was weird, but yeah, I loved it. 48 00:02:39,960 --> 00:02:41,200 Speaker 4: Your acting background. 49 00:02:41,919 --> 00:02:43,720 Speaker 3: You know, the best directors you know, you work with 50 00:02:43,840 --> 00:02:45,920 Speaker 3: Rich Correll, Yes, and. 51 00:02:45,840 --> 00:02:47,520 Speaker 4: He was on you know, Leaf at the Beaver. 52 00:02:47,880 --> 00:02:51,040 Speaker 3: Yeah, so he knows exactly how you're thinking and how 53 00:02:51,040 --> 00:02:54,359 Speaker 3: you're feeling, and he's sure the same way, like these 54 00:02:54,400 --> 00:02:57,640 Speaker 3: are just actors. These are not you know, I mean, 55 00:02:57,720 --> 00:03:01,720 Speaker 3: these are characters. They're not just people act as they could. 56 00:03:02,360 --> 00:03:04,959 Speaker 3: And it's a great way to see it. The acting 57 00:03:05,000 --> 00:03:06,000 Speaker 3: background really helps. 58 00:03:06,160 --> 00:03:06,359 Speaker 4: Yeah. 59 00:03:06,400 --> 00:03:09,079 Speaker 1: I always felt bad for the guest directors on Fuller 60 00:03:09,120 --> 00:03:11,920 Speaker 1: House who would come in kind of meeting us for 61 00:03:11,960 --> 00:03:13,880 Speaker 1: the first time, because it's like, well, we've been doing 62 00:03:13,960 --> 00:03:16,280 Speaker 1: It's different on Fuller because we were we've been doing 63 00:03:16,280 --> 00:03:18,799 Speaker 1: these characters for over thirty years, so it's like right 64 00:03:18,960 --> 00:03:21,880 Speaker 1: for new directors to give us a note. It'd be like, well, 65 00:03:21,919 --> 00:03:24,480 Speaker 1: you know, actually, we kind of know our characters better 66 00:03:24,520 --> 00:03:27,239 Speaker 1: than anybody right on the set. So it is a 67 00:03:27,280 --> 00:03:30,560 Speaker 1: little bit different directing a show that's been so established 68 00:03:31,000 --> 00:03:34,520 Speaker 1: for so many decades versus a show that's just beginning. 69 00:03:35,360 --> 00:03:39,520 Speaker 3: But even even a new show you are trying, you know, 70 00:03:40,400 --> 00:03:44,640 Speaker 3: in a movie, the director it's his or her vision 71 00:03:45,120 --> 00:03:46,960 Speaker 3: of what this is going to look like sound like 72 00:03:47,040 --> 00:03:49,720 Speaker 3: the pacing all that, and you start a new show, 73 00:03:49,800 --> 00:03:54,080 Speaker 3: it's usually a writer who was running the show a vision, 74 00:03:54,800 --> 00:03:57,279 Speaker 3: and even if you only did five or six episodes, 75 00:03:57,600 --> 00:03:59,840 Speaker 3: a director can't come in with a whole new style 76 00:04:00,080 --> 00:04:02,520 Speaker 3: and change everything. Say wait a minute, that's not what 77 00:04:02,160 --> 00:04:05,240 Speaker 3: we're trying to do now. Of course, with full house, 78 00:04:05,280 --> 00:04:08,840 Speaker 3: with the centuries of experience behind it, you know. 79 00:04:10,320 --> 00:04:13,400 Speaker 4: You know so well that this is wrong, and you 80 00:04:13,480 --> 00:04:14,320 Speaker 4: have to tell them. 81 00:04:14,280 --> 00:04:16,680 Speaker 5: Nicely, you know, right right, I guess wouldn't happen. 82 00:04:17,920 --> 00:04:20,640 Speaker 1: So you and Mark were showrunners a full House in 83 00:04:20,720 --> 00:04:22,880 Speaker 1: season seven and eight? Is that correct? 84 00:04:23,279 --> 00:04:24,640 Speaker 4: Six seven and eight, six. 85 00:04:24,520 --> 00:04:27,000 Speaker 1: Seven and eight. Okay, what was the most challenging thing 86 00:04:27,040 --> 00:04:30,920 Speaker 1: about show running versus just being a writer? 87 00:04:31,760 --> 00:04:40,400 Speaker 3: Well, show running was shockingly complicated and wonderfully complicated. But 88 00:04:40,640 --> 00:04:44,359 Speaker 3: luckily we learned how to run a show on a 89 00:04:44,400 --> 00:04:45,800 Speaker 3: show that was already running. 90 00:04:46,080 --> 00:04:46,479 Speaker 5: Yeah. 91 00:04:46,720 --> 00:04:49,040 Speaker 1: Yeah, so we kind of just you. 92 00:04:49,000 --> 00:04:51,479 Speaker 3: Know, fit right in. We knew what to do, but 93 00:04:51,560 --> 00:04:54,000 Speaker 3: we had to make decisions. The first decision we made 94 00:04:54,560 --> 00:04:59,800 Speaker 3: was a disaster. Oh, we said, okay, all these We 95 00:04:59,839 --> 00:05:04,400 Speaker 3: had six seasons where we had twins playing one role, 96 00:05:05,040 --> 00:05:08,720 Speaker 3: which is so important because young kids need downtime, so 97 00:05:09,120 --> 00:05:11,240 Speaker 3: one works for forty minutes and the other one rest 98 00:05:11,279 --> 00:05:11,839 Speaker 3: and the other one. 99 00:05:11,960 --> 00:05:15,400 Speaker 4: We said, how about triplets. That's going to make it 100 00:05:15,600 --> 00:05:18,680 Speaker 4: really easy. We got to get triplets. So we bring 101 00:05:18,760 --> 00:05:21,599 Speaker 4: in some triplets and we meet these kids and they're great, 102 00:05:21,680 --> 00:05:26,640 Speaker 4: and we go, Okay, let's do it, and they're going 103 00:05:26,720 --> 00:05:30,000 Speaker 4: to be Jesse and Aunt Becky's. 104 00:05:29,960 --> 00:05:31,440 Speaker 5: Kids playing Alyx. 105 00:05:32,960 --> 00:05:34,200 Speaker 4: We're going to play two kids. 106 00:05:34,520 --> 00:05:37,760 Speaker 1: That's what it was, right, Yeah, I think it was 107 00:05:37,800 --> 00:05:38,520 Speaker 1: the renter Is. 108 00:05:40,320 --> 00:05:42,159 Speaker 4: But the ones we picked. 109 00:05:42,880 --> 00:05:48,240 Speaker 3: When we invited John Stamos and Laurie to meet them. 110 00:05:48,279 --> 00:05:51,240 Speaker 4: They were like, oh, we don't like these kids. Oh. 111 00:05:51,279 --> 00:05:55,400 Speaker 4: We said, oh, we should have included them in the decision, 112 00:05:57,200 --> 00:05:59,680 Speaker 4: and they said, they don't look like us. It's not right. 113 00:06:00,920 --> 00:06:05,479 Speaker 4: So the family already sold their house moved out to 114 00:06:06,360 --> 00:06:09,240 Speaker 4: Los Angeles, and we had to tell them, oh, you know, 115 00:06:09,320 --> 00:06:14,080 Speaker 4: we're we're going in a different direction. And that was 116 00:06:14,120 --> 00:06:19,560 Speaker 4: our first decision that show runners, So we said, oh, we're. 117 00:06:19,480 --> 00:06:22,360 Speaker 2: It seems to be the theme for for our shows 118 00:06:22,640 --> 00:06:27,840 Speaker 2: is starting off with like one cast member. There's like, no, no, 119 00:06:27,880 --> 00:06:30,960 Speaker 2: not that one, and we switch them out. So we 120 00:06:31,080 --> 00:06:32,160 Speaker 2: just like to keep with tradition. 121 00:06:33,000 --> 00:06:34,200 Speaker 4: Yes, that's true. 122 00:06:34,440 --> 00:06:37,599 Speaker 3: But we loved we loved running the show and uh, 123 00:06:37,720 --> 00:06:41,279 Speaker 3: you know, we loved as you said, when you directed Jody, 124 00:06:42,160 --> 00:06:43,520 Speaker 3: just making decisions all day. 125 00:06:44,680 --> 00:06:46,120 Speaker 4: Yeah, what's KIMMI gonna wear? 126 00:06:47,000 --> 00:06:50,120 Speaker 3: Who were not casting was great and there was some 127 00:06:50,200 --> 00:06:54,760 Speaker 3: interesting things were casting. If you remember, at one point, 128 00:06:54,800 --> 00:06:56,280 Speaker 3: I don't know if we were running the show. At 129 00:06:56,279 --> 00:07:00,400 Speaker 3: this point, ABC came to us and said, Stephanie doesn't 130 00:07:00,440 --> 00:07:03,600 Speaker 3: have a best friend. 131 00:07:04,480 --> 00:07:06,919 Speaker 4: Yeah, you know, kill. 132 00:07:06,839 --> 00:07:11,400 Speaker 3: Me and DJ and and Michelle had Harry and Taj 133 00:07:11,480 --> 00:07:16,280 Speaker 3: Morie and Jimmy and we're Stephanie's friend. So we went 134 00:07:16,320 --> 00:07:20,720 Speaker 3: around auditioning girls and we found a really nice girl. 135 00:07:20,760 --> 00:07:23,080 Speaker 4: I think her name was Molly Morgan. 136 00:07:23,600 --> 00:07:27,600 Speaker 3: Yes, Mo, Yeah, she's going to be Stephanie's best friend. 137 00:07:27,680 --> 00:07:31,840 Speaker 3: She's great and you read together and she seemed really nice. 138 00:07:31,920 --> 00:07:34,360 Speaker 3: This is going to be great, and we said, this 139 00:07:34,440 --> 00:07:38,440 Speaker 3: is the episode where Stephanie gets involved with someone who's 140 00:07:38,440 --> 00:07:44,040 Speaker 3: smoking and they're pushing her to smoke, and Gia comes in, 141 00:07:44,160 --> 00:07:47,200 Speaker 3: Mala Sokkerloff. We said, oh, she's tough, she's going to 142 00:07:47,240 --> 00:07:51,360 Speaker 3: be fun for this episode. And we shoot the episode 143 00:07:51,360 --> 00:07:53,640 Speaker 3: and she's given you a hard time and she's. 144 00:07:53,520 --> 00:07:55,800 Speaker 4: Tough, and when we look at it, we go, you 145 00:07:55,800 --> 00:08:00,640 Speaker 4: know something. The scenes with Jody and Mala have so 146 00:08:00,760 --> 00:08:04,400 Speaker 4: much energy and conflict, and you know you're like worried 147 00:08:04,520 --> 00:08:08,120 Speaker 4: for Stephanie. This is this is more exciting. Right, it's 148 00:08:08,160 --> 00:08:08,920 Speaker 4: a nice. 149 00:08:08,720 --> 00:08:13,160 Speaker 3: Best friend sitting around, you know, talking about clothes, right, 150 00:08:13,560 --> 00:08:15,680 Speaker 3: bringing Gia back and sadly. 151 00:08:15,440 --> 00:08:18,320 Speaker 4: We we moved. I think Nicky was going to be 152 00:08:18,360 --> 00:08:19,240 Speaker 4: her character's name. 153 00:08:19,560 --> 00:08:22,440 Speaker 2: Yeah, Mickey, she was in she was in the smoking 154 00:08:22,480 --> 00:08:25,240 Speaker 2: episode and yeah, and. 155 00:08:25,200 --> 00:08:27,240 Speaker 5: She's a part of. 156 00:08:27,120 --> 00:08:32,439 Speaker 2: A stunt family, the amazing Morgan's or whatever. And I 157 00:08:32,840 --> 00:08:36,040 Speaker 2: drive by and see Renfair posters here in La and 158 00:08:36,080 --> 00:08:36,680 Speaker 2: it's Mollie. 159 00:08:36,679 --> 00:08:38,800 Speaker 5: It's her younger sister that's on. 160 00:08:38,920 --> 00:08:41,840 Speaker 2: The that's on the posters. 161 00:08:42,040 --> 00:08:45,320 Speaker 3: But you and Mala had a great relationship. It was 162 00:08:45,440 --> 00:08:46,200 Speaker 3: just so much fun. 163 00:08:46,520 --> 00:08:47,880 Speaker 5: We still do to talked to her. 164 00:08:47,960 --> 00:08:51,280 Speaker 4: Yesterday I heard podcast with you guys. It was really good. 165 00:08:51,360 --> 00:08:53,160 Speaker 5: Oh yeah, yeah, it's so great. 166 00:08:53,360 --> 00:08:56,040 Speaker 1: She's so people still ask her about the cigarettes all 167 00:08:56,080 --> 00:08:58,959 Speaker 1: the time and right, it's famous. 168 00:08:59,040 --> 00:09:04,880 Speaker 2: Just keep a pack on her, like yeah, yeah. 169 00:09:03,240 --> 00:09:06,480 Speaker 1: Oh that's so great. I remember you and Mark is 170 00:09:06,520 --> 00:09:10,000 Speaker 1: just the most nurturing showrunners, Like we've been so lucky 171 00:09:10,360 --> 00:09:13,440 Speaker 1: between you and Jeff, just to be like you get it, 172 00:09:13,520 --> 00:09:16,199 Speaker 1: like you get the DNA of the show. The heart 173 00:09:16,240 --> 00:09:18,880 Speaker 1: of the show for sure, nurturing, making sure the kids 174 00:09:18,880 --> 00:09:22,160 Speaker 1: are taken care of. Like it was always about the family. 175 00:09:23,440 --> 00:09:25,040 Speaker 1: It was a family. It was we were a family, 176 00:09:25,080 --> 00:09:28,360 Speaker 1: and you took care of the people before the production 177 00:09:28,600 --> 00:09:30,480 Speaker 1: and I always appreciated that so much. 178 00:09:38,280 --> 00:09:41,319 Speaker 4: Yeah, well that was you know, we were elementary school teachers. 179 00:09:41,640 --> 00:09:43,320 Speaker 4: We love kids, We knew kids. 180 00:09:43,760 --> 00:09:46,800 Speaker 3: We loved you guys, and you know we we did 181 00:09:46,880 --> 00:09:49,199 Speaker 3: We had adventures with your guys San Francisco. 182 00:09:49,320 --> 00:09:50,960 Speaker 4: We went to Disney World. 183 00:09:51,120 --> 00:09:55,240 Speaker 5: Oh that's right, Yes, that's right. And I mean you 184 00:09:55,280 --> 00:09:57,320 Speaker 5: guys were you guys were a part of the last 185 00:09:57,360 --> 00:09:58,520 Speaker 5: two episodes of the show. 186 00:09:59,000 --> 00:10:00,520 Speaker 4: Yeah, I mean wrote. 187 00:10:00,280 --> 00:10:04,880 Speaker 1: Those you wrote the finale, right, Yeah, and Mark, maybe 188 00:10:05,600 --> 00:10:07,760 Speaker 1: that was a talk to us about the end of 189 00:10:07,760 --> 00:10:10,720 Speaker 1: the series because we weren't expecting to be canceled. 190 00:10:10,960 --> 00:10:13,959 Speaker 3: When we didn't expect to be canceled, I think they 191 00:10:14,040 --> 00:10:16,160 Speaker 3: added a couple of episodes. 192 00:10:15,600 --> 00:10:20,559 Speaker 4: On and uh, we wanted to do a show full 193 00:10:20,600 --> 00:10:22,280 Speaker 4: of memories. That call it a clip show. 194 00:10:22,320 --> 00:10:25,000 Speaker 3: You have all the clips of old memories like that, 195 00:10:25,360 --> 00:10:27,200 Speaker 3: So we did Michelle has amnesia. 196 00:10:28,520 --> 00:10:30,320 Speaker 5: Michelle fell off the horse. 197 00:10:30,120 --> 00:10:34,240 Speaker 3: And we tell all these stories looking through photos to 198 00:10:34,480 --> 00:10:39,720 Speaker 3: kind of spark her memory. And I think, you know, 199 00:10:39,880 --> 00:10:43,120 Speaker 3: there were a couple of shows that had Mary, Kate 200 00:10:43,240 --> 00:10:45,319 Speaker 3: and Ashley together, maybe. 201 00:10:45,040 --> 00:10:52,480 Speaker 4: Three yeah, together episode with the Grandfather there was an 202 00:10:52,520 --> 00:10:56,040 Speaker 4: angel and a Devil with the two of them in it. Yeah, yeah, 203 00:10:56,160 --> 00:10:59,160 Speaker 4: giving her advice. But the strange thing was, whenever the 204 00:10:59,240 --> 00:11:03,000 Speaker 4: two of them we're in a scene together, one of 205 00:11:03,000 --> 00:11:07,680 Speaker 4: them would get sick. Really yeah, one of them would 206 00:11:08,000 --> 00:11:10,480 Speaker 4: feel sick. And you know, maybe it was the pressure, 207 00:11:11,600 --> 00:11:12,320 Speaker 4: the competition. 208 00:11:12,400 --> 00:11:14,080 Speaker 3: They thought they were going to be compared, but it 209 00:11:14,200 --> 00:11:17,240 Speaker 3: happened every time we put them in a scene together. 210 00:11:17,480 --> 00:11:21,360 Speaker 1: Interesting, Well, they're not used to acting, they're not used 211 00:11:21,400 --> 00:11:22,680 Speaker 1: to being scene partners, you know. 212 00:11:23,240 --> 00:11:27,440 Speaker 2: Yeah right, Oh it's different acting with your sibling rather 213 00:11:27,480 --> 00:11:28,880 Speaker 2: than just being with your sibling. 214 00:11:29,080 --> 00:11:30,280 Speaker 1: Yeah, I do. 215 00:11:30,440 --> 00:11:34,440 Speaker 3: Yeah, it was it became competitive. Maybe that's that was 216 00:11:34,440 --> 00:11:39,360 Speaker 3: our theory. Maybe competitive they're in the scene together and 217 00:11:39,440 --> 00:11:42,360 Speaker 3: that last I do have a video of the last 218 00:11:42,480 --> 00:11:43,160 Speaker 3: curtain call. 219 00:11:44,200 --> 00:11:48,079 Speaker 5: I yes, yeah, I love that video. 220 00:11:48,200 --> 00:11:51,600 Speaker 2: It's on it's on the the I think it might 221 00:11:51,640 --> 00:11:54,360 Speaker 2: have gotten it on its own tape, but I know 222 00:11:54,400 --> 00:11:57,600 Speaker 2: it was definitely like recorded in that most of the 223 00:11:57,600 --> 00:11:59,400 Speaker 2: cast I think got a clip of that. 224 00:12:00,200 --> 00:12:05,160 Speaker 1: Tears, so many tears and hugs and yeah, yeah, it 225 00:12:05,200 --> 00:12:06,440 Speaker 1: was a hard day and we. 226 00:12:06,440 --> 00:12:09,400 Speaker 4: Didn't really realize the impact at the time, but what 227 00:12:09,440 --> 00:12:11,120 Speaker 4: an effect that was going to have, like it's over. 228 00:12:11,760 --> 00:12:14,079 Speaker 5: Yeah, yeah, that was. 229 00:12:14,200 --> 00:12:17,120 Speaker 2: It was crazy. I mean, especially for us, you know, 230 00:12:17,240 --> 00:12:19,960 Speaker 2: we were like, oh wow, so it's just like done done. 231 00:12:20,080 --> 00:12:22,440 Speaker 2: You know, as kids, it's very hard to kind of 232 00:12:22,600 --> 00:12:23,400 Speaker 2: comprehend that. 233 00:12:23,640 --> 00:12:25,760 Speaker 4: We were having fun. You know, when we went to 234 00:12:25,840 --> 00:12:31,080 Speaker 4: Disney World such amazingly, Miller and Boyette said, you know 235 00:12:31,120 --> 00:12:34,160 Speaker 4: what they wanted, They want us to go someplace. Let's 236 00:12:34,240 --> 00:12:35,040 Speaker 4: go to Holland. 237 00:12:35,720 --> 00:12:36,240 Speaker 5: Whoa. 238 00:12:36,440 --> 00:12:40,120 Speaker 4: And we were like, if that's every kid's dream to 239 00:12:40,280 --> 00:12:43,600 Speaker 4: go to Holland. You know, maybe Miller and Boyette wanted 240 00:12:43,640 --> 00:12:45,240 Speaker 4: to go to Holland for some reason, I don't know. 241 00:12:45,280 --> 00:12:46,280 Speaker 4: They kept pushing. 242 00:12:45,960 --> 00:12:48,080 Speaker 3: Holland and we said, no, we got to go to 243 00:12:48,120 --> 00:12:51,760 Speaker 3: Disney World. That's that's going to be more kid friendly. 244 00:12:51,320 --> 00:12:53,880 Speaker 2: You know, which, yeah, I can't imagine that there was 245 00:12:53,920 --> 00:12:56,000 Speaker 2: a large audience of children who were. 246 00:12:55,880 --> 00:12:58,480 Speaker 5: Like, oh, I just want to know more about Holland. 247 00:12:58,679 --> 00:13:02,000 Speaker 5: I want to see wouldn't his shoes in the windmills. 248 00:13:02,200 --> 00:13:05,440 Speaker 2: You know, that's my finger and a dike. 249 00:13:05,720 --> 00:13:08,439 Speaker 5: That's wait, that is not how I meant it. 250 00:13:08,600 --> 00:13:12,880 Speaker 2: What No, because you put your the little Dutch boy 251 00:13:13,480 --> 00:13:16,400 Speaker 2: his finger in the dike to stop it from yeah, yeah, 252 00:13:16,760 --> 00:13:17,640 Speaker 2: to stop the flood. 253 00:13:17,760 --> 00:13:18,240 Speaker 4: He did it. 254 00:13:18,840 --> 00:13:21,080 Speaker 1: Well, that was a good call to switch it to 255 00:13:21,200 --> 00:13:22,520 Speaker 1: Disney World, because. 256 00:13:23,800 --> 00:13:24,440 Speaker 4: I know what it was. 257 00:13:24,520 --> 00:13:27,319 Speaker 3: It was a challenge because you know, when we went 258 00:13:27,360 --> 00:13:30,840 Speaker 3: to Hawaii, the show was not that popular. There were 259 00:13:30,840 --> 00:13:34,200 Speaker 3: a few people who watched us who came around to 260 00:13:34,200 --> 00:13:38,760 Speaker 3: see what. I remember as we're leaving the set, we 261 00:13:38,800 --> 00:13:41,440 Speaker 3: all got on a bus to go back to the 262 00:13:41,480 --> 00:13:45,480 Speaker 3: hotel and a bunch of kids were waiting and looking 263 00:13:45,520 --> 00:13:48,120 Speaker 3: because they were fans of the show, and they see 264 00:13:48,200 --> 00:13:51,439 Speaker 3: all is Dave col Dave, and they got so excited, 265 00:13:51,440 --> 00:13:54,480 Speaker 3: and Dave stuck his head out of the bus and said, kids, 266 00:13:54,760 --> 00:13:55,840 Speaker 3: don't forget to wipe. 267 00:13:56,480 --> 00:13:59,839 Speaker 5: Oh yeah, that sounds that's exactly what Dave would say 268 00:14:00,120 --> 00:14:00,480 Speaker 5: as well. 269 00:14:01,800 --> 00:14:03,440 Speaker 4: Uncle Joey just that. 270 00:14:03,960 --> 00:14:06,800 Speaker 5: Yeah he did. That's exactly what he said. 271 00:14:06,960 --> 00:14:09,800 Speaker 3: Yeah, it was fun, but then when we got to 272 00:14:09,880 --> 00:14:12,640 Speaker 3: Disney World, we needed top security. 273 00:14:12,679 --> 00:14:15,839 Speaker 4: I remember jo bathroom in. 274 00:14:15,800 --> 00:14:19,080 Speaker 5: Peace, No, I got followed into the bathroom. Somebody asked 275 00:14:19,080 --> 00:14:20,440 Speaker 5: for an autograph under the stall. 276 00:14:21,160 --> 00:14:22,800 Speaker 2: It was like, you don't want me to sign this 277 00:14:22,840 --> 00:14:24,160 Speaker 2: piece of paper and hand it back to you. 278 00:14:24,280 --> 00:14:27,960 Speaker 5: This is you know, Yeah, just hold on a minute. 279 00:14:28,080 --> 00:14:32,240 Speaker 5: That was nuts, but it was yeah, that was that 280 00:14:32,360 --> 00:14:34,360 Speaker 5: felt like when you really. 281 00:14:34,040 --> 00:14:38,120 Speaker 2: Realized like, oh yeah, we've this is a lot of 282 00:14:38,120 --> 00:14:40,240 Speaker 2: people know what this is. 283 00:14:40,640 --> 00:14:43,000 Speaker 4: Yeah yeah, we had the fans all over the place 284 00:14:43,040 --> 00:14:46,760 Speaker 4: by that point. Yeah, yeah that's true. Now do you 285 00:14:46,840 --> 00:14:50,120 Speaker 4: know that? You know when you when you put together 286 00:14:50,200 --> 00:14:53,960 Speaker 4: a writing staff, it's like putting together a sports team. 287 00:14:54,000 --> 00:14:57,200 Speaker 4: You need the joke. Well, we had Lenny Rips. 288 00:14:56,920 --> 00:14:59,920 Speaker 5: A master of Lenny. We had Lenny on the show. 289 00:15:00,320 --> 00:15:03,960 Speaker 4: Yeah, I heard that he was good. He when when 290 00:15:04,040 --> 00:15:06,640 Speaker 4: Andrew you used to kid around with Lenny and he 291 00:15:06,640 --> 00:15:10,440 Speaker 4: would say, Kimmy Gibbler, I created you, I can destroy you. 292 00:15:10,720 --> 00:15:12,160 Speaker 1: Yes, yes, that's right. 293 00:15:14,400 --> 00:15:15,720 Speaker 4: And then you have. 294 00:15:15,720 --> 00:15:20,400 Speaker 3: Someone who's like who really knows story. We had Rob Dames. 295 00:15:20,440 --> 00:15:22,320 Speaker 3: We used to call him the King of structure. He 296 00:15:22,320 --> 00:15:24,000 Speaker 3: would say, wait a minute, what if we take this 297 00:15:24,080 --> 00:15:26,760 Speaker 3: scene and put it here, change that scene there. But 298 00:15:26,800 --> 00:15:31,000 Speaker 3: the hardest thing to do were the heart scenes. That 299 00:15:31,120 --> 00:15:33,880 Speaker 3: was hot because comedy writers want to do the jokes, 300 00:15:34,520 --> 00:15:38,120 Speaker 3: and you know, Lenny Rips paid a violinist to come 301 00:15:38,160 --> 00:15:41,440 Speaker 3: to one of the table reads give a message like 302 00:15:41,480 --> 00:15:42,960 Speaker 3: maybe we're getting a little too sappy. 303 00:15:43,000 --> 00:15:45,800 Speaker 4: But it didn't go over well. They were serious, Yeah, yeah, they. 304 00:15:45,680 --> 00:15:46,400 Speaker 5: Were pissed about that. 305 00:15:46,440 --> 00:15:48,000 Speaker 2: He told us that story that he was like, yeah, 306 00:15:48,040 --> 00:15:49,600 Speaker 2: I hired a violinist and it didn't go. 307 00:15:49,600 --> 00:15:50,560 Speaker 4: Over well, didn't go over. 308 00:15:51,120 --> 00:15:55,040 Speaker 3: Now, Jeff Franklin was the heart and the soul of 309 00:15:55,120 --> 00:15:58,600 Speaker 3: the show, but the show had another heart that people 310 00:15:58,760 --> 00:15:59,560 Speaker 3: didn't know about. 311 00:16:00,160 --> 00:16:03,560 Speaker 4: He knows, and it was Tom Miller. 312 00:16:05,200 --> 00:16:08,760 Speaker 3: When we took over the show, Jeff said, before I leave, 313 00:16:08,800 --> 00:16:11,480 Speaker 3: I have to tell you something. Every time you send 314 00:16:11,560 --> 00:16:14,800 Speaker 3: the script to Tom Miller, he's going to call you 315 00:16:14,920 --> 00:16:15,600 Speaker 3: up and. 316 00:16:15,600 --> 00:16:18,840 Speaker 4: Talk to you for maybe an hour and a half, 317 00:16:18,880 --> 00:16:22,160 Speaker 4: two hours about the heart scene. Oh. 318 00:16:22,680 --> 00:16:25,160 Speaker 3: He cares about that more than anything. And he would 319 00:16:25,160 --> 00:16:26,720 Speaker 3: get on the phone with us. Now this is a 320 00:16:26,760 --> 00:16:29,480 Speaker 3: middle aged man, and he'd be saying, like, you know, Dennis, 321 00:16:30,400 --> 00:16:33,200 Speaker 3: when a twelve year old girl starts to see that 322 00:16:33,280 --> 00:16:35,360 Speaker 3: she's becoming a woman, and he give us all this 323 00:16:35,880 --> 00:16:39,040 Speaker 3: heartfelt stuff and they care so much about this and that, 324 00:16:39,080 --> 00:16:42,280 Speaker 3: and we would take in notes and he really poured 325 00:16:42,280 --> 00:16:45,440 Speaker 3: his heart into those scenes and that's why they were 326 00:16:45,520 --> 00:16:47,720 Speaker 3: very effective, because you. 327 00:16:47,600 --> 00:16:49,440 Speaker 4: Know, he had a feel for that and it was 328 00:16:49,480 --> 00:16:50,840 Speaker 4: really good, really good. 329 00:16:50,880 --> 00:16:53,320 Speaker 3: And people, you know, I think he passed away, but 330 00:16:53,480 --> 00:16:56,800 Speaker 3: you know, people don't realize behind the scenes, you know 331 00:16:56,840 --> 00:16:57,680 Speaker 3: what really goes on. 332 00:16:57,800 --> 00:16:58,520 Speaker 4: He was great at that. 333 00:16:58,920 --> 00:17:01,680 Speaker 1: It was Yeah, and see that he was I could 334 00:17:01,680 --> 00:17:03,800 Speaker 1: see Tom Miller being the heart guy. 335 00:17:04,000 --> 00:17:05,399 Speaker 5: Yeah, for sure, it was. 336 00:17:06,119 --> 00:17:07,760 Speaker 4: Yeah, it was this thing. Yeah, that was this thing. 337 00:17:07,800 --> 00:17:08,640 Speaker 4: You really cared. 338 00:17:08,440 --> 00:17:10,879 Speaker 1: About that and that's what makes a standout you guys. 339 00:17:11,200 --> 00:17:15,639 Speaker 3: Oh yes, Yes, Which episode was the hardest to write? 340 00:17:17,400 --> 00:17:18,840 Speaker 4: We almost gave up the. 341 00:17:18,840 --> 00:17:24,280 Speaker 2: Wedding, No, not the finale complicated that. 342 00:17:24,440 --> 00:17:25,960 Speaker 4: We almost gave us. 343 00:17:26,240 --> 00:17:31,280 Speaker 1: The birth of the twins Greek. 344 00:17:34,520 --> 00:17:35,560 Speaker 5: What else? 345 00:17:36,000 --> 00:17:41,800 Speaker 4: Admirers track? We couldn't. 346 00:17:42,760 --> 00:17:46,560 Speaker 3: I think Stacey Herr and Ellen Gilis were writing it. Yeah, 347 00:17:46,760 --> 00:17:49,720 Speaker 3: came in and they said, it's impossible. It's too crazy. 348 00:17:50,000 --> 00:17:53,080 Speaker 3: You have to say who wrote the note, who gave 349 00:17:53,200 --> 00:17:55,200 Speaker 3: who do they give it to by accident? Who does 350 00:17:55,200 --> 00:17:58,000 Speaker 3: that person think gave it to them? Who do they 351 00:17:58,640 --> 00:18:01,400 Speaker 3: what do they think? We had to make a giant 352 00:18:01,680 --> 00:18:08,159 Speaker 3: chart with lines and arrows of who's who got a flowchart. 353 00:18:08,480 --> 00:18:11,000 Speaker 4: Well, I don't complicated. 354 00:18:18,280 --> 00:18:19,480 Speaker 5: Speaking of hard and commlicated. 355 00:18:19,480 --> 00:18:21,879 Speaker 2: I don't know if you know this, but uh, Andrey 356 00:18:21,920 --> 00:18:26,080 Speaker 2: and I actually read an entire episode, just the two 357 00:18:26,119 --> 00:18:29,280 Speaker 2: of us playing all of the characters, and we asked 358 00:18:29,280 --> 00:18:34,760 Speaker 2: the audience to pick what episode and they picked that episode. Really, 359 00:18:35,280 --> 00:18:37,920 Speaker 2: so each of us got to play like four. People 360 00:18:39,560 --> 00:18:43,080 Speaker 2: talk about not knowing who sent to where and what 361 00:18:43,440 --> 00:18:46,200 Speaker 2: it was. I think the fans did it on purpose. 362 00:18:47,040 --> 00:18:51,000 Speaker 2: But yeah, that I completely know what you mean about, like, 363 00:18:51,119 --> 00:18:53,879 Speaker 2: I'm not sure who wrote this letter and gave it 364 00:18:53,920 --> 00:18:54,280 Speaker 2: to who. 365 00:18:54,600 --> 00:19:00,000 Speaker 4: It was hard to keep track. A very highly rated episode. 366 00:19:00,240 --> 00:19:05,159 Speaker 5: The highest love it. Fans absolutely love that episode. 367 00:19:05,520 --> 00:19:09,040 Speaker 4: Jeff asked me to be the voice of Comment. 368 00:19:10,080 --> 00:19:10,959 Speaker 5: I was gonna this. 369 00:19:11,400 --> 00:19:12,639 Speaker 4: I went into the booth. 370 00:19:12,359 --> 00:19:15,399 Speaker 3: And I said, gee, I wish I had a Hamburger. 371 00:19:16,119 --> 00:19:18,760 Speaker 3: And came back to me later and said, you know what, 372 00:19:19,320 --> 00:19:21,480 Speaker 3: I don't want Comment to have a Brooklyn accent. I'm 373 00:19:21,480 --> 00:19:23,800 Speaker 3: gonna I'm. 374 00:19:23,600 --> 00:19:27,879 Speaker 4: Gonna have Dave do it, and he did it all 375 00:19:27,920 --> 00:19:28,719 Speaker 4: for my voice. 376 00:19:29,400 --> 00:19:32,359 Speaker 5: Comment should have had a Brooklyn accent. That would have 377 00:19:32,440 --> 00:19:35,000 Speaker 5: made that would have made as much sense as anything 378 00:19:35,040 --> 00:19:35,920 Speaker 5: else in this show. 379 00:19:36,240 --> 00:19:40,399 Speaker 2: Honestly, yes, we had two comments, right, oh yeah, we 380 00:19:40,440 --> 00:19:44,359 Speaker 2: had comment and we had Bob the Dog, Bob the Dog, 381 00:19:44,480 --> 00:19:47,480 Speaker 2: and that was his Well called him by his full name. 382 00:19:47,359 --> 00:19:52,040 Speaker 5: Bob the Dog, because if you said Bob, Saggat turned around, right. Yeah. 383 00:19:52,080 --> 00:19:53,919 Speaker 2: So it was like no, no, no, you're Bob and 384 00:19:53,960 --> 00:19:54,960 Speaker 2: then you're Bob the Dog. 385 00:19:55,359 --> 00:19:57,400 Speaker 4: And the reason for that is one of them was. 386 00:19:57,440 --> 00:19:59,639 Speaker 5: More well behaved than the other. And I won't tell 387 00:19:59,680 --> 00:20:03,920 Speaker 5: you who, but give us the dog. 388 00:20:04,560 --> 00:20:09,080 Speaker 3: On one hiatus, a movie was being shot and they 389 00:20:09,760 --> 00:20:11,119 Speaker 3: the dog air Bud. 390 00:20:11,600 --> 00:20:16,200 Speaker 4: He was yet no, they were the dog and dyed 391 00:20:16,280 --> 00:20:17,879 Speaker 4: his hair dark brown. 392 00:20:18,480 --> 00:20:20,840 Speaker 3: Yeah, and we couldn't get it back to the original 393 00:20:20,880 --> 00:20:23,159 Speaker 3: color and we got a new dog. 394 00:20:23,480 --> 00:20:24,800 Speaker 4: And then later when Mark. 395 00:20:24,640 --> 00:20:27,719 Speaker 3: And I were running the show, the head of ABC 396 00:20:27,960 --> 00:20:31,560 Speaker 3: called us in and said, I know, I just came 397 00:20:31,640 --> 00:20:33,920 Speaker 3: up with the idea that's going to save the show. 398 00:20:33,960 --> 00:20:36,200 Speaker 3: We said, who, why does the show need saving? We're 399 00:20:36,200 --> 00:20:37,320 Speaker 3: already a big hit. 400 00:20:37,680 --> 00:20:39,239 Speaker 4: He said, well, this is going to bring it over 401 00:20:39,320 --> 00:20:39,640 Speaker 4: the top. 402 00:20:40,000 --> 00:20:43,480 Speaker 3: There's a dog called air Bud that could play basketball, 403 00:20:44,480 --> 00:20:47,919 Speaker 3: and we're going to get rid of the second comet 404 00:20:47,920 --> 00:20:50,399 Speaker 3: and we'll bring in air Bud and he'll be the 405 00:20:50,440 --> 00:20:53,400 Speaker 3: new comet. So we brought the dog in and all 406 00:20:53,440 --> 00:20:55,560 Speaker 3: that dog could do is play basketball. All it did 407 00:20:55,680 --> 00:20:56,639 Speaker 3: was look for basketball. 408 00:20:56,800 --> 00:20:57,960 Speaker 5: It was just like, let me give me a ball, 409 00:20:57,960 --> 00:20:59,080 Speaker 5: Give me the ball, get the ball, get the. 410 00:20:59,080 --> 00:20:59,680 Speaker 4: Ball in the ball. 411 00:20:59,760 --> 00:21:01,200 Speaker 5: Right, You're like, oh, no. 412 00:21:02,080 --> 00:21:04,640 Speaker 4: Dog, that's not gonna work. That's not gonna work. 413 00:21:04,880 --> 00:21:07,560 Speaker 5: Comment was the best to Comet and Bob. The dog 414 00:21:07,640 --> 00:21:09,840 Speaker 5: were so they were so well behaved. 415 00:21:10,200 --> 00:21:11,200 Speaker 4: They Yeah, they were good. 416 00:21:11,280 --> 00:21:12,960 Speaker 5: They were great dogs. I had a lot of scenes 417 00:21:12,960 --> 00:21:13,359 Speaker 5: with Comment. 418 00:21:13,400 --> 00:21:18,080 Speaker 4: I'm quite partial, and I think there was a dog 419 00:21:18,119 --> 00:21:21,959 Speaker 4: called a Jacks. That's right. That's why we called them Comment. 420 00:21:22,200 --> 00:21:25,159 Speaker 3: We said, we can't use the name Ajax because you 421 00:21:25,200 --> 00:21:28,520 Speaker 3: can't call a dog by its real name. Because what 422 00:21:28,560 --> 00:21:30,920 Speaker 3: if you're doing a scene where you call the dog, 423 00:21:30,960 --> 00:21:33,920 Speaker 3: but you don't want the dog to come, so Commet 424 00:21:34,520 --> 00:21:37,159 Speaker 3: and that's his name, he's going to come, right, so 425 00:21:37,320 --> 00:21:38,680 Speaker 3: you use a fake name. 426 00:21:39,000 --> 00:21:39,680 Speaker 1: That's a good point. 427 00:21:40,160 --> 00:21:42,920 Speaker 4: That's where we got Comment from, Let's call it instead 428 00:21:42,920 --> 00:21:43,560 Speaker 4: of Ajax. 429 00:21:43,800 --> 00:21:46,160 Speaker 5: Okay, that was cute. 430 00:21:46,200 --> 00:21:46,360 Speaker 2: Oh. 431 00:21:46,359 --> 00:21:49,399 Speaker 1: I love these stories. I just love it relive in 432 00:21:49,480 --> 00:21:53,840 Speaker 1: these memories behind the scenes. Yeah, so fun and so 433 00:21:53,960 --> 00:21:55,760 Speaker 1: cool to hear stories that Jodie and I've. 434 00:21:55,560 --> 00:21:56,359 Speaker 5: Never heard before. 435 00:21:56,560 --> 00:21:59,480 Speaker 2: You know, oh yeah, like we've been surprised plenty on 436 00:21:59,520 --> 00:22:01,000 Speaker 2: this Podcas asked, wait. 437 00:22:00,920 --> 00:22:04,360 Speaker 4: What yeah, oh yeah, you had so many, so many people. 438 00:22:04,800 --> 00:22:06,560 Speaker 1: And can you believe we're still talking about the show, 439 00:22:06,640 --> 00:22:08,960 Speaker 1: you know, thirty eight years later, we're still here. 440 00:22:09,400 --> 00:22:13,800 Speaker 2: Right, Yes, Luckily people want to hear us still talking 441 00:22:13,800 --> 00:22:16,359 Speaker 2: about the show. That's that's the nice part, because we 442 00:22:16,400 --> 00:22:18,240 Speaker 2: could be talking about this and people could be like, 443 00:22:18,240 --> 00:22:22,520 Speaker 2: I don't care, we're very thoughts. 444 00:22:22,560 --> 00:22:28,160 Speaker 3: They remember that, yeah, and it's true. Giving Tom Tom 445 00:22:28,200 --> 00:22:31,960 Speaker 3: Miller credit. Now, Bob boy yet was also a very 446 00:22:32,000 --> 00:22:36,080 Speaker 3: smart business guy and the very good producer. And the 447 00:22:36,119 --> 00:22:45,680 Speaker 3: first episode we had Scott No, that's Scott. Uh wait, DJ's. 448 00:22:45,240 --> 00:22:48,720 Speaker 1: Boyfriend Scott one Gott, Yeah, thats Scott played Steve. 449 00:22:48,800 --> 00:22:49,720 Speaker 5: He played Steve Steve. 450 00:22:50,320 --> 00:22:53,320 Speaker 3: So, uh, Steve comes in for the first time and 451 00:22:53,359 --> 00:22:55,960 Speaker 3: we see him and he's great and he's cute, and 452 00:22:56,080 --> 00:22:57,280 Speaker 3: we say, oh, he's going to work. 453 00:22:57,320 --> 00:22:58,280 Speaker 4: He's going to be great. 454 00:22:58,560 --> 00:23:02,280 Speaker 3: So when we go to uh uh sweetening, where you 455 00:23:02,280 --> 00:23:06,399 Speaker 3: put in the audience reactions and smooth it out, Bob says, 456 00:23:06,960 --> 00:23:11,399 Speaker 3: put in screams girls screaming when Scott opens the door, 457 00:23:12,080 --> 00:23:14,600 Speaker 3: and we said, why nobody in the audience screamed. He said, 458 00:23:14,880 --> 00:23:17,159 Speaker 3: this is how we did it with the funds on 459 00:23:17,280 --> 00:23:17,960 Speaker 3: happy Days. 460 00:23:20,359 --> 00:23:24,160 Speaker 4: Next time, once this airs, the next time he comes 461 00:23:24,160 --> 00:23:26,240 Speaker 4: in the door, the audience is going to scream. 462 00:23:26,240 --> 00:23:28,800 Speaker 3: And he was right. He was right because you know, 463 00:23:29,720 --> 00:23:32,159 Speaker 3: suddenly you're paying attention. What did they screaming? 464 00:23:33,400 --> 00:23:34,560 Speaker 4: Right? I like him. 465 00:23:35,040 --> 00:23:35,760 Speaker 5: That's brilliant. 466 00:23:37,560 --> 00:23:39,119 Speaker 4: He knew, he knew those tricks. You know. 467 00:23:39,640 --> 00:23:41,160 Speaker 1: Oh, that's a great trick. 468 00:23:41,280 --> 00:23:42,600 Speaker 2: That's a good I thought you were going to say 469 00:23:42,640 --> 00:23:44,960 Speaker 2: he should walk in like eating something like, you know, 470 00:23:44,960 --> 00:23:47,800 Speaker 2: because Steve was always eating like a like an orange 471 00:23:47,920 --> 00:23:48,320 Speaker 2: or something. 472 00:23:50,920 --> 00:23:55,480 Speaker 3: My favorite line was of Steve was we had goat 473 00:23:55,560 --> 00:23:58,639 Speaker 3: cheese pizza and he tried it and he goes, Wow, 474 00:23:59,200 --> 00:24:00,920 Speaker 3: from now on, if it comes out of a goat, 475 00:24:01,000 --> 00:24:01,639 Speaker 3: I'm eating it. 476 00:24:03,200 --> 00:24:03,440 Speaker 1: Yep. 477 00:24:04,680 --> 00:24:07,000 Speaker 5: I actually say you saying that. 478 00:24:07,040 --> 00:24:09,600 Speaker 2: I'm like, I remember that line because I remember I 479 00:24:10,000 --> 00:24:12,760 Speaker 2: couldn't keep a straight face, and neither could Bob or 480 00:24:12,800 --> 00:24:13,640 Speaker 2: Dave or anyone else. 481 00:24:13,680 --> 00:24:17,359 Speaker 4: So yeah, that was he was good. He hit the jokes. 482 00:24:17,359 --> 00:24:18,120 Speaker 4: He was very good. 483 00:24:18,280 --> 00:24:21,040 Speaker 2: He really did, really did, and went on to become 484 00:24:21,040 --> 00:24:22,639 Speaker 2: a writer of such jokes. 485 00:24:22,880 --> 00:24:25,359 Speaker 5: So yeah, he knew his stuff. 486 00:24:25,760 --> 00:24:28,679 Speaker 2: Well, Dennis, thank you so much for joining us on 487 00:24:28,720 --> 00:24:30,560 Speaker 2: the show today. It was so much fun to get 488 00:24:30,560 --> 00:24:33,439 Speaker 2: to talk to you and see your face and like 489 00:24:33,600 --> 00:24:37,439 Speaker 2: I've just this has been great. I really really enjoyed it. 490 00:24:37,520 --> 00:24:41,479 Speaker 3: Lovely to see become so successful so professional. 491 00:24:41,800 --> 00:24:44,720 Speaker 5: Well reserve your judgment on that second one. 492 00:24:44,600 --> 00:24:46,439 Speaker 4: But professional. 493 00:24:47,880 --> 00:24:48,320 Speaker 5: Yeah, you know. 494 00:24:50,520 --> 00:24:54,719 Speaker 4: Your success stories. That's a wonderful thing. Yeah, wonderful thing 495 00:24:55,040 --> 00:24:55,280 Speaker 4: it is. 496 00:24:55,480 --> 00:24:57,840 Speaker 2: And then you know, large part because we got to 497 00:24:58,600 --> 00:25:01,240 Speaker 2: work around people like you, guys who actually cared about us. 498 00:25:01,200 --> 00:25:04,399 Speaker 1: And our well being and had fun, it's made a 499 00:25:04,440 --> 00:25:06,160 Speaker 1: big difference in our really. 500 00:25:06,440 --> 00:25:11,320 Speaker 5: Yeah, yeah you too, Dennis. So good to see you. 501 00:25:11,960 --> 00:25:19,480 Speaker 1: Yes, you too, Yes, until Mark next time you have lunch. Yeah, yeah, 502 00:25:19,600 --> 00:25:21,159 Speaker 1: please do to love to you. 503 00:25:21,680 --> 00:25:22,280 Speaker 4: Bye bye. 504 00:25:23,359 --> 00:25:25,200 Speaker 5: Oh he looks the same. 505 00:25:25,400 --> 00:25:26,320 Speaker 1: He's exactly the same. 506 00:25:26,320 --> 00:25:28,000 Speaker 2: I mean except for the white hair, like it's just 507 00:25:28,080 --> 00:25:30,600 Speaker 2: the hair is white now, but the mustache, the hair. 508 00:25:30,760 --> 00:25:32,440 Speaker 5: Yeah, he sounds exactly the same. 509 00:25:32,600 --> 00:25:35,560 Speaker 1: The energy, Yeah, that's he's exactly the same. 510 00:25:36,200 --> 00:25:38,240 Speaker 5: Yeah, that was so so good to see. 511 00:25:38,760 --> 00:25:42,520 Speaker 1: Gosh, it's it's legitimately been decades, well except it Fuller, 512 00:25:42,560 --> 00:25:43,640 Speaker 1: but yeah we saw. 513 00:25:44,000 --> 00:25:46,159 Speaker 5: Yeah he came briefly at Fuller, but you know. 514 00:25:46,240 --> 00:25:48,600 Speaker 2: When people come visit the set sometimes, especially on a 515 00:25:48,600 --> 00:25:50,640 Speaker 2: show and you're like hi, bye. 516 00:25:50,600 --> 00:25:52,240 Speaker 1: I know you only get to say hi for a second, 517 00:25:52,320 --> 00:25:53,560 Speaker 1: and it's it's always. 518 00:25:53,680 --> 00:25:56,160 Speaker 2: Getting to cure some of his stories and the things 519 00:25:56,200 --> 00:25:59,200 Speaker 2: we didn't know and like sort of behind the behind 520 00:25:59,240 --> 00:26:00,280 Speaker 2: the curtain peaks little bit. 521 00:26:00,600 --> 00:26:01,000 Speaker 3: I love it. 522 00:26:01,320 --> 00:26:01,840 Speaker 5: It was great. 523 00:26:02,320 --> 00:26:04,280 Speaker 1: So it's so fun to hear the stories, whether we 524 00:26:04,359 --> 00:26:06,800 Speaker 1: know them or not, it's so great to hear the stories. 525 00:26:07,280 --> 00:26:08,800 Speaker 5: Yeah, that was awesome. 526 00:26:09,400 --> 00:26:10,920 Speaker 2: That was awesome you guys, thank you so much for 527 00:26:11,040 --> 00:26:14,600 Speaker 2: joining us for another really fun episode of how Rude Tannerritos. 528 00:26:14,640 --> 00:26:18,600 Speaker 2: If you want to find us out there on the intranets, 529 00:26:19,240 --> 00:26:21,720 Speaker 2: you can find us at the Instagram. 530 00:26:22,720 --> 00:26:26,679 Speaker 5: Our handle is at how Rude podcast, or you can send. 531 00:26:26,560 --> 00:26:29,479 Speaker 2: Us in an email at how Rude Tanner Ritos at 532 00:26:29,560 --> 00:26:32,120 Speaker 2: gmail dot com. You can check at our merch store, 533 00:26:32,240 --> 00:26:35,240 Speaker 2: which is how Rude merch dot com. I almost just 534 00:26:35,280 --> 00:26:38,639 Speaker 2: said merch dot com, which it's that. I'm sure that's somehow, 535 00:26:39,119 --> 00:26:42,320 Speaker 2: but it's not ours. So yeah, you want how Rude 536 00:26:42,520 --> 00:26:45,800 Speaker 2: Merch dot com. We've got all kinds of fun stuff 537 00:26:45,840 --> 00:26:48,640 Speaker 2: in there and uh and are always trying to figure 538 00:26:48,680 --> 00:26:52,679 Speaker 2: out more, so you know, shoot us some emails, suggestions, comments, 539 00:26:52,720 --> 00:26:55,000 Speaker 2: of what you guys would like to see. Mugs, keychains, 540 00:26:56,920 --> 00:27:00,679 Speaker 2: scented candles. I don't know, you know what I bet 541 00:27:00,760 --> 00:27:06,600 Speaker 2: would sell big what Kimmy Gibbler feet candles, except they 542 00:27:06,680 --> 00:27:09,359 Speaker 2: smell really good. They smell like Guardina's or something, and 543 00:27:10,560 --> 00:27:13,040 Speaker 2: and plot twist and then we can reclaim that for 544 00:27:13,160 --> 00:27:14,760 Speaker 2: you and you'd be like, ah, here, smell it. 545 00:27:14,840 --> 00:27:15,399 Speaker 5: This is actually it. 546 00:27:15,480 --> 00:27:17,439 Speaker 1: Yeah, it would be life changing for me if we can. 547 00:27:17,760 --> 00:27:20,600 Speaker 1: If we can reclaim the feet. 548 00:27:20,560 --> 00:27:22,320 Speaker 5: I'll do my best. I'll do my best. 549 00:27:22,840 --> 00:27:26,080 Speaker 2: Or we just make it like those those terrible jelly 550 00:27:26,160 --> 00:27:28,200 Speaker 2: beans and actually make it that when you light it, 551 00:27:28,240 --> 00:27:30,000 Speaker 2: it just smells horrific. 552 00:27:31,080 --> 00:27:33,760 Speaker 5: Yeah, we're like, we told you that, you tried to 553 00:27:33,920 --> 00:27:34,240 Speaker 5: warn you. 554 00:27:34,400 --> 00:27:35,720 Speaker 1: Have you not seen the show? 555 00:27:38,040 --> 00:27:40,280 Speaker 2: Thank you guys for joining us for another fun episode. 556 00:27:40,440 --> 00:27:43,040 Speaker 2: We love you and we will see you next time. 557 00:27:43,200 --> 00:27:47,080 Speaker 2: And remember the world is small. The house is full 558 00:27:48,760 --> 00:27:51,480 Speaker 2: of snacks, so many snacks for all these writers, just 559 00:27:51,600 --> 00:27:53,159 Speaker 2: snacks on snacks on snacks. 560 00:27:53,880 --> 00:27:55,880 Speaker 1: There's a pile of them in the middle of the room, 561 00:27:56,080 --> 00:27:57,240 Speaker 1: just like, yeah, it's like a trough. 562 00:27:57,400 --> 00:27:59,320 Speaker 5: It's great if it really is. 563 00:27:59,480 --> 00:28:01,240 Speaker 2: And I think I might have also chosen that because 564 00:28:01,280 --> 00:28:02,359 Speaker 2: I want a snack. 565 00:28:03,320 --> 00:28:06,560 Speaker 1: It's time, it's time for a time Bye everybody. 566 00:28:14,560 --> 00:28:15,040 Speaker 2: M hmm.