1 00:00:03,320 --> 00:00:05,760 Speaker 1: What would you talk about on your on your podcast? 2 00:00:05,800 --> 00:00:16,239 Speaker 1: Fine Elsie show? Can we go with the fifteen minute 3 00:00:16,239 --> 00:00:19,439 Speaker 1: morning show podcast? Everyone's here except for Gandhi. She's on Specialists. 4 00:00:20,680 --> 00:00:22,880 Speaker 1: You'll find out what that's about a second. Scotty Bees here, 5 00:00:22,920 --> 00:00:27,400 Speaker 1: Hi's Scotty Bee. He's in the serial Killers podcast booth, 6 00:00:27,520 --> 00:00:31,520 Speaker 1: I am, and there's Scary. What's other's Garrett, there's Danielle 7 00:00:31,600 --> 00:00:33,920 Speaker 1: and there's straight in eight Hello, and here we go. 8 00:00:34,000 --> 00:00:34,920 Speaker 1: What do you guys want to start with? 9 00:00:35,000 --> 00:00:37,040 Speaker 2: Can we start with Scotty? You really need to get 10 00:00:37,040 --> 00:00:39,880 Speaker 2: a steamer or an iron for that serial killer's flag 11 00:00:39,960 --> 00:00:43,680 Speaker 2: you have there. Yeah, that's that's bush league man. Come on. 12 00:00:43,840 --> 00:00:46,320 Speaker 3: It was just unfolded it and shoved it. 13 00:00:46,479 --> 00:00:48,560 Speaker 4: I just figured eventually after it hanging for song, it 14 00:00:48,560 --> 00:00:49,680 Speaker 4: would just like work itself out. 15 00:00:50,159 --> 00:00:52,479 Speaker 1: It's like a college dorm. College dorm room right there, 16 00:00:52,680 --> 00:00:54,200 Speaker 1: don't we have those steamers? 17 00:00:54,240 --> 00:00:56,800 Speaker 2: Yes, we do it. I bet you it would work. 18 00:00:57,080 --> 00:00:59,960 Speaker 2: That's like the day Scary walked in with the Remember 19 00:01:00,080 --> 00:01:01,960 Speaker 2: you had the tag on your pants that it was 20 00:01:02,200 --> 00:01:04,280 Speaker 2: thirty six thirty two or thirty eight thirty. 21 00:01:04,319 --> 00:01:07,360 Speaker 5: It was thirty four, No way, it was thirty four thirty. 22 00:01:07,480 --> 00:01:10,240 Speaker 5: Thank you thirty four thirty. But yeah, but well, you 23 00:01:10,240 --> 00:01:13,240 Speaker 5: guys didn't tell me about it. You waited till like 24 00:01:13,440 --> 00:01:14,319 Speaker 5: recorders through the show. 25 00:01:14,360 --> 00:01:16,040 Speaker 1: Well, it was a lot of fun. It was a 26 00:01:16,080 --> 00:01:17,640 Speaker 1: lot of fun to watch you walk around with your tag. 27 00:01:17,680 --> 00:01:19,280 Speaker 1: That's like what someone puts a kick me sign on 28 00:01:19,440 --> 00:01:20,000 Speaker 1: someone's back. 29 00:01:20,040 --> 00:01:21,200 Speaker 5: You know, I guess you don't want to be the 30 00:01:21,240 --> 00:01:23,360 Speaker 5: person to say, who put a sign on your back? 31 00:01:24,840 --> 00:01:26,400 Speaker 1: I don't know these new cameras. I don't know if 32 00:01:26,400 --> 00:01:27,959 Speaker 1: I'm liking this camera angle is scary. 33 00:01:28,080 --> 00:01:29,360 Speaker 2: We have a lot of camera angle. 34 00:01:29,400 --> 00:01:29,959 Speaker 1: It's an angle. 35 00:01:30,319 --> 00:01:32,000 Speaker 2: Well, you're gonna see it. Here. There's an angle. They 36 00:01:32,000 --> 00:01:33,440 Speaker 2: cut it scary, cut it scary. 37 00:01:34,560 --> 00:01:39,160 Speaker 1: There is oh, oh my god, cut to a Garrett angle. Garrett, 38 00:01:40,120 --> 00:01:41,560 Speaker 1: Oh you look pretty good. 39 00:01:41,840 --> 00:01:42,800 Speaker 2: I actually like this angle. 40 00:01:42,959 --> 00:01:44,840 Speaker 1: Word about Danielle's angle. It's good Danielle. 41 00:01:45,360 --> 00:01:46,720 Speaker 2: Here she is in the. 42 00:01:46,440 --> 00:01:51,840 Speaker 3: Hell Oh nice and far I'll kill you an angle? 43 00:01:52,040 --> 00:01:53,240 Speaker 1: Do you have an Do you have your own angle? 44 00:01:53,320 --> 00:01:54,920 Speaker 2: I do. Let's see if it comes in. 45 00:01:57,040 --> 00:01:59,200 Speaker 1: Not try Elvis, was your my mind's on, I'm on 46 00:01:59,240 --> 00:02:01,480 Speaker 1: my regular wife thing. Here's the thing when we know 47 00:02:01,560 --> 00:02:04,280 Speaker 1: that the cameras are switching around. If I have to, 48 00:02:04,720 --> 00:02:06,559 Speaker 1: I have to like scratch my nose. I wait until 49 00:02:06,600 --> 00:02:08,000 Speaker 1: it goes to someone else and I'm starting to scratch 50 00:02:08,000 --> 00:02:10,040 Speaker 1: my nose like then, and then sometimes we'll come back 51 00:02:10,040 --> 00:02:12,880 Speaker 1: to me. I'll be like, my. 52 00:02:12,840 --> 00:02:14,800 Speaker 4: Camera's off to the side if I when I'm talking, 53 00:02:14,840 --> 00:02:16,480 Speaker 4: I look at you, so you can never actually see 54 00:02:16,520 --> 00:02:20,959 Speaker 4: me looking at the cameras. See you see I don't 55 00:02:20,960 --> 00:02:22,560 Speaker 4: have to do this to look at the cameras so much. 56 00:02:23,000 --> 00:02:24,480 Speaker 4: Can you move the camera because it would have to 57 00:02:24,520 --> 00:02:24,720 Speaker 4: be in there. 58 00:02:24,760 --> 00:02:25,720 Speaker 1: You don't have to look at the camera. 59 00:02:26,480 --> 00:02:28,600 Speaker 5: Yeah, when we're doing this podcast, I'm looking at you, guys, 60 00:02:28,639 --> 00:02:29,680 Speaker 5: I'm not looking at any call. 61 00:02:29,720 --> 00:02:31,720 Speaker 1: That's what you should do. You know, when you're doing TV, 62 00:02:32,560 --> 00:02:35,720 Speaker 1: unless you're doing a single story to a single listener 63 00:02:35,800 --> 00:02:38,160 Speaker 1: or viewer, you don't look at the camera. You look 64 00:02:38,160 --> 00:02:38,880 Speaker 1: at the people you're with. 65 00:02:39,080 --> 00:02:43,440 Speaker 2: And then you have to do the vagina hands. Yeah, 66 00:02:43,440 --> 00:02:46,799 Speaker 2: you have to do this thing or like this. They 67 00:02:46,840 --> 00:02:48,960 Speaker 2: do this with their handsle I don't know what. 68 00:02:48,880 --> 00:02:50,480 Speaker 1: You're technically called it vagina hands. 69 00:02:52,160 --> 00:02:52,520 Speaker 3: Hands. 70 00:02:52,800 --> 00:02:56,160 Speaker 1: They teach that in college. Here's the thing. Let's say 71 00:02:56,200 --> 00:03:00,480 Speaker 1: you're doing the news. Yeah, you're sitting at the desk 72 00:03:00,520 --> 00:03:03,720 Speaker 1: with another person and they're doing a wide shot. So 73 00:03:03,880 --> 00:03:05,639 Speaker 1: that means both of you here, come in my show. 74 00:03:05,639 --> 00:03:07,240 Speaker 2: Okay, we're doing the news. 75 00:03:07,840 --> 00:03:09,920 Speaker 1: If you're doing if you're doing a news story, this 76 00:03:10,000 --> 00:03:12,359 Speaker 1: is like John to stare at you like this while. 77 00:03:12,200 --> 00:03:13,920 Speaker 2: You're doing the story. 78 00:03:13,520 --> 00:03:14,880 Speaker 1: That's very well. You're doing the story. 79 00:03:15,320 --> 00:03:17,880 Speaker 2: Yes, in Cambodia today. 80 00:03:18,440 --> 00:03:20,400 Speaker 1: See it looks weird. So what I would be doing 81 00:03:20,480 --> 00:03:21,520 Speaker 1: is do your. 82 00:03:21,400 --> 00:03:26,720 Speaker 2: Story in Cambodia today. Several people already Yeah, yeah, exactly. 83 00:03:26,480 --> 00:03:28,680 Speaker 1: Yeah, yeah, there's no comfortable way to do it. This 84 00:03:28,800 --> 00:03:30,440 Speaker 1: is why I don't do television. 85 00:03:30,800 --> 00:03:33,520 Speaker 5: But I did see one six o'clock newscast with both 86 00:03:33,639 --> 00:03:36,560 Speaker 5: anchors at all times are staring directly into the camera. 87 00:03:36,840 --> 00:03:38,440 Speaker 1: Whether they're doing the story, you're not. 88 00:03:38,800 --> 00:03:40,720 Speaker 5: So one person is doing the story and the other 89 00:03:40,760 --> 00:03:43,040 Speaker 5: one is just staring right into the camera the entire time. 90 00:03:43,160 --> 00:03:45,560 Speaker 1: Well, that's the thing. He's probably staring at the teller 91 00:03:45,600 --> 00:03:46,920 Speaker 1: prompter seeing what they're about to read. 92 00:03:46,960 --> 00:03:47,280 Speaker 2: That's right. 93 00:03:47,480 --> 00:03:48,880 Speaker 1: You know what's kind of funny when I do a 94 00:03:48,880 --> 00:03:51,400 Speaker 1: Good Day New York over at Fox five in the mornings, 95 00:03:52,080 --> 00:03:55,880 Speaker 1: you know, they have two massive six and a half 96 00:03:55,880 --> 00:03:58,720 Speaker 1: foot cameras on wheels and everything. There's no one behind 97 00:03:58,760 --> 00:04:01,800 Speaker 1: those anymore. They're all robot real wow. And so they'll 98 00:04:01,840 --> 00:04:03,920 Speaker 1: be just they'll be just like zooming across the room 99 00:04:03,920 --> 00:04:05,920 Speaker 1: of their own and if they get to they'll run 100 00:04:05,960 --> 00:04:08,280 Speaker 1: you over. You gotta watch out for Oh my god. 101 00:04:08,560 --> 00:04:11,720 Speaker 1: It's frightening. Things have changed so much. Also, you know, 102 00:04:12,000 --> 00:04:14,080 Speaker 1: they used to have someone in the back running the teleprompter. 103 00:04:14,560 --> 00:04:16,400 Speaker 1: Now that you run your own, like a little stick 104 00:04:16,480 --> 00:04:17,880 Speaker 1: at your desk. You'll see them do that. 105 00:04:19,200 --> 00:04:21,720 Speaker 5: They got their hands on they was like, I see 106 00:04:21,760 --> 00:04:24,480 Speaker 5: something like subtle like things going on with their hand 107 00:04:24,680 --> 00:04:24,919 Speaker 5: they do. 108 00:04:25,080 --> 00:04:26,839 Speaker 1: They're rolling on it. They have those. They also have 109 00:04:27,400 --> 00:04:30,360 Speaker 1: foot pedals they can use sometimes really yeah, tricks to 110 00:04:30,400 --> 00:04:34,360 Speaker 1: the trade. Yeah, well they've eliminated their their tech team 111 00:04:34,440 --> 00:04:35,320 Speaker 1: by eight. 112 00:04:35,960 --> 00:04:38,080 Speaker 4: It doesn't always work, though. I was watching Channel seven 113 00:04:38,080 --> 00:04:40,360 Speaker 4: News here last night, and when they came back from break, 114 00:04:40,400 --> 00:04:42,120 Speaker 4: all you could see was the anchor's scalp. 115 00:04:42,400 --> 00:04:42,840 Speaker 2: That was it. 116 00:04:43,040 --> 00:04:44,840 Speaker 4: It was like for a good five seconds and then 117 00:04:44,880 --> 00:04:45,480 Speaker 4: you could see it. 118 00:04:45,440 --> 00:04:46,719 Speaker 1: Like you have to up that joystick. 119 00:04:47,000 --> 00:04:49,839 Speaker 2: I've always wondered how long the meteorologists have to practice 120 00:04:49,880 --> 00:04:51,560 Speaker 2: to figure out that screen with them. 121 00:04:51,440 --> 00:04:52,119 Speaker 1: The green screen. 122 00:04:52,279 --> 00:04:53,520 Speaker 2: Yeah, well, i'd be pointing. 123 00:04:53,560 --> 00:04:58,640 Speaker 1: I'm like, let's say this is here, there's a monitor 124 00:04:58,680 --> 00:05:00,560 Speaker 1: over there, So what they do is see where their 125 00:05:00,600 --> 00:05:01,000 Speaker 1: hand is. 126 00:05:01,680 --> 00:05:04,000 Speaker 2: Yeah, yeah, but I imagine that takes some practice. 127 00:05:04,080 --> 00:05:06,159 Speaker 5: Right, So they're not looking at the map, they're looking 128 00:05:06,200 --> 00:05:08,000 Speaker 5: at the monitor off side. 129 00:05:08,760 --> 00:05:12,600 Speaker 1: Put their fingers. We're giving away all television secrets. 130 00:05:12,680 --> 00:05:13,880 Speaker 4: Yeah, where's going? 131 00:05:16,440 --> 00:05:19,320 Speaker 1: Oh did you get some good footage? You got some 132 00:05:19,360 --> 00:05:19,800 Speaker 1: good sound? 133 00:05:20,000 --> 00:05:21,080 Speaker 6: There is something going on. 134 00:05:21,120 --> 00:05:23,640 Speaker 1: We'll play tomorrow. There's a big karaoke movement going on 135 00:05:23,680 --> 00:05:25,479 Speaker 1: down the hall. Are they still at it? They've been 136 00:05:25,480 --> 00:05:26,360 Speaker 1: doing it for twenty minutes. 137 00:05:26,400 --> 00:05:28,279 Speaker 6: Yes, they're still out of Andrew looks like he is 138 00:05:28,520 --> 00:05:30,880 Speaker 6: ready to throw himself off of a bridge. 139 00:05:31,560 --> 00:05:35,000 Speaker 2: Is not this open office concept great in theory? It 140 00:05:35,080 --> 00:05:38,240 Speaker 2: doesn't work. It really doesn't work because then you're trying 141 00:05:38,240 --> 00:05:40,120 Speaker 2: to get something done, You've got a phone call, and 142 00:05:40,120 --> 00:05:42,000 Speaker 2: then all of a sudden, a karaoke session. 143 00:05:44,040 --> 00:05:46,200 Speaker 3: We were going to record some spots. Diamon goes, oh, 144 00:05:46,200 --> 00:05:47,799 Speaker 3: are you about to record some commercials? 145 00:05:47,839 --> 00:05:48,039 Speaker 2: Yeah? 146 00:05:48,040 --> 00:05:49,720 Speaker 3: Oh, I'll be quiet for five minutes, just five minutes, 147 00:05:49,720 --> 00:05:53,120 Speaker 3: and the next thing you hear is now. 148 00:05:52,520 --> 00:05:55,120 Speaker 1: We have people coming from on the radio stations and 149 00:05:55,160 --> 00:05:57,599 Speaker 1: they sit there and watch the show. I'll tell you this. 150 00:05:57,760 --> 00:05:59,440 Speaker 1: The reason why we set you down to go on special. 151 00:05:59,440 --> 00:06:02,760 Speaker 1: As Simon ttery cord their karaoke session. This text came 152 00:06:02,839 --> 00:06:05,360 Speaker 1: through saying, hey, I tried to call in with some 153 00:06:05,480 --> 00:06:07,839 Speaker 1: good news to share. The phone is ringing, but no 154 00:06:07,839 --> 00:06:11,400 Speaker 1: one's answering, Diamond, where are you about? Where she was 155 00:06:11,080 --> 00:06:14,720 Speaker 1: down the hall doing carry This person could have had 156 00:06:14,720 --> 00:06:16,040 Speaker 1: to answer to life or something. 157 00:06:16,560 --> 00:06:19,080 Speaker 5: I tell you, We would you answering the phones, Danielle, 158 00:06:19,400 --> 00:06:21,400 Speaker 5: We weren't. Wouldn't get up from that seat. We would 159 00:06:21,480 --> 00:06:23,960 Speaker 5: just sit there and just just sit there, constantly answering 160 00:06:24,000 --> 00:06:25,080 Speaker 5: each call that came in. 161 00:06:25,240 --> 00:06:26,960 Speaker 2: Well, you also have fewer ways to get in touch 162 00:06:26,960 --> 00:06:30,400 Speaker 2: with you. Back then, you didn't have social media or texting, 163 00:06:30,480 --> 00:06:31,200 Speaker 2: and when the phone. 164 00:06:31,040 --> 00:06:32,520 Speaker 3: Lines would go down, we'd have to write all the 165 00:06:32,560 --> 00:06:34,479 Speaker 3: calls on paper and run the pieces of paper in 166 00:06:34,520 --> 00:06:38,120 Speaker 3: and be like, hey, so Joe Schmo's online six he 167 00:06:38,400 --> 00:06:39,479 Speaker 3: wants to tell you about this. 168 00:06:39,600 --> 00:06:41,440 Speaker 1: It was like, oh, and it sounded awful the air. 169 00:06:41,560 --> 00:06:43,760 Speaker 3: Yeah, I was. 170 00:06:43,680 --> 00:06:46,160 Speaker 2: There, all right? 171 00:06:46,200 --> 00:06:47,040 Speaker 1: What else are we doing? 172 00:06:47,200 --> 00:06:47,400 Speaker 6: Oh? 173 00:06:47,440 --> 00:06:50,200 Speaker 3: Wait, Garret sent me a really cool interesting story this morning. 174 00:06:50,680 --> 00:06:55,839 Speaker 3: So the Baltimore Ravens eat a crazy amount of uncrustables 175 00:06:55,880 --> 00:06:59,720 Speaker 3: every single day, like the one snack in their little 176 00:06:59,760 --> 00:07:03,760 Speaker 3: snack area that they grab and the team eats thirty 177 00:07:03,880 --> 00:07:07,239 Speaker 3: to sixty per day and in a season they average 178 00:07:07,279 --> 00:07:09,080 Speaker 3: seventy five hundred uncrustable. 179 00:07:09,840 --> 00:07:12,239 Speaker 1: That's a lot of uncrusted strawberry or grape. 180 00:07:12,480 --> 00:07:14,280 Speaker 3: I they tend to go for grape. 181 00:07:14,360 --> 00:07:14,960 Speaker 2: Yeah, you're a. 182 00:07:14,920 --> 00:07:19,360 Speaker 1: Great favorite grape. Yeah, you great. 183 00:07:19,880 --> 00:07:22,840 Speaker 3: Now do you put it in the microwave or do 184 00:07:22,920 --> 00:07:26,320 Speaker 3: you see I like room temp if it's very frozen out, 185 00:07:26,440 --> 00:07:29,480 Speaker 3: microwave for like six seventy seven playing ahead from crusty, 186 00:07:29,640 --> 00:07:30,480 Speaker 3: I know, I don't know. 187 00:07:30,680 --> 00:07:33,680 Speaker 1: That's a lot of uncrustables. Yeah, well that's a lot 188 00:07:33,960 --> 00:07:37,920 Speaker 1: for one team. That's seventy five hundred protein. It is protein, 189 00:07:37,960 --> 00:07:39,880 Speaker 1: and they're not all that fattening. There's not a little 190 00:07:39,880 --> 00:07:41,480 Speaker 1: bit of sugar because of the jelly in there, a 191 00:07:41,520 --> 00:07:45,720 Speaker 1: little bit of bread, and there's no crust. So before 192 00:07:45,760 --> 00:07:48,840 Speaker 1: you cut back from your special assignment, Yes, we're talking 193 00:07:48,840 --> 00:07:51,920 Speaker 1: about you know, them switching the cameras from person to person. 194 00:07:52,000 --> 00:07:54,160 Speaker 1: Oh yeah, And I always wait until the camera leaves 195 00:07:54,200 --> 00:07:56,080 Speaker 1: me so I can scratch my nose or whatever, and 196 00:07:56,120 --> 00:07:58,840 Speaker 1: then sometimes you get caught. You're like, yeah, so you 197 00:07:58,920 --> 00:08:01,440 Speaker 1: just missed what he was doing on the camera. Oh yeah, 198 00:08:01,560 --> 00:08:03,360 Speaker 1: she stuck a Kleenex down our cleavage. 199 00:08:03,440 --> 00:08:05,960 Speaker 6: Yes I did. I'm really glad the camera wasn't on 200 00:08:06,040 --> 00:08:07,640 Speaker 6: me for that moment because I took a sip of 201 00:08:07,640 --> 00:08:10,080 Speaker 6: this coffee, but the lid is broken, so the coffee 202 00:08:10,080 --> 00:08:12,560 Speaker 6: went down my shirt. And now I'm gonna smell like 203 00:08:12,600 --> 00:08:14,080 Speaker 6: coffee all day and I have coffee boobs. 204 00:08:14,120 --> 00:08:17,520 Speaker 3: Well, people were hoping to see the coffee boob unfortunate. 205 00:08:18,680 --> 00:08:23,520 Speaker 1: Yah, I'm tired, let's go for a nap. 206 00:08:24,280 --> 00:08:27,160 Speaker 5: By the way, we never pointed out that Elvis and 207 00:08:27,240 --> 00:08:30,040 Speaker 5: Nate are wearing pretty much the same shirt, but different. 208 00:08:29,760 --> 00:08:31,760 Speaker 1: Colors are wildly different shirts. 209 00:08:31,800 --> 00:08:34,160 Speaker 3: N's been wearing this jacket for like five days now 210 00:08:34,240 --> 00:08:34,720 Speaker 3: or something. 211 00:08:35,280 --> 00:08:36,160 Speaker 6: This is an off white. 212 00:08:37,640 --> 00:08:39,599 Speaker 1: I just I just like the way. But when you 213 00:08:39,640 --> 00:08:42,559 Speaker 1: put them together, it just it looks complimentary. If one 214 00:08:41,760 --> 00:08:44,960 Speaker 1: of you, yeah, you look like you're on the opposite 215 00:08:45,000 --> 00:08:51,240 Speaker 1: sides of the aisle. Politically that might be true to life. 216 00:08:51,280 --> 00:08:55,679 Speaker 2: I don't know the way. 217 00:08:55,679 --> 00:08:57,800 Speaker 4: Can I just backtack like two minutes if you don't mind, 218 00:08:57,800 --> 00:08:59,280 Speaker 4: because I was doing something when you were talking about 219 00:08:59,320 --> 00:09:02,880 Speaker 4: on crustables, the peanut, butter and honey is the best one. 220 00:09:02,720 --> 00:09:04,680 Speaker 1: That they they had. 221 00:09:04,520 --> 00:09:06,160 Speaker 4: That, Yeah, yellow box, and they also make one with 222 00:09:06,160 --> 00:09:06,800 Speaker 4: a new teletype. 223 00:09:06,880 --> 00:09:08,160 Speaker 3: Yes, they do make a new tele one. 224 00:09:08,760 --> 00:09:10,440 Speaker 1: Come, I don't I don't see those anywhere. I'll go 225 00:09:10,520 --> 00:09:12,680 Speaker 1: see your grape and I will find them and bring 226 00:09:12,679 --> 00:09:12,880 Speaker 1: them in. 227 00:09:13,120 --> 00:09:13,959 Speaker 3: Bring the new tele one. 228 00:09:14,679 --> 00:09:16,280 Speaker 1: Make sure the thought out so we can eat them immediately. 229 00:09:17,240 --> 00:09:19,240 Speaker 1: This is this is why I know we're not supposed 230 00:09:19,240 --> 00:09:20,720 Speaker 1: to drink it as adults, but this is why I 231 00:09:20,760 --> 00:09:23,720 Speaker 1: always have milk in the house, uncrustable moments. 232 00:09:23,920 --> 00:09:26,400 Speaker 2: I always have milk, period. And I've never heard that 233 00:09:26,440 --> 00:09:27,200 Speaker 2: you shouldn't drink milk. 234 00:09:27,240 --> 00:09:28,680 Speaker 1: Why know, you drink milk every day, and you ship 235 00:09:28,760 --> 00:09:29,440 Speaker 1: your pants every. 236 00:09:29,320 --> 00:09:33,320 Speaker 5: Day, every get checked. 237 00:09:33,320 --> 00:09:35,320 Speaker 3: Maybe you're a little bit last nights in tolerant like me? 238 00:09:35,559 --> 00:09:36,319 Speaker 1: Can you check Nate? 239 00:09:36,440 --> 00:09:38,280 Speaker 2: No, no, I'm good the diary. 240 00:09:41,840 --> 00:09:44,440 Speaker 1: And me are you no? 241 00:09:44,440 --> 00:09:46,600 Speaker 2: No, no, no no, I don't need to be yet. 242 00:09:47,080 --> 00:09:48,679 Speaker 1: All right, Well that said, can we just end this 243 00:09:49,760 --> 00:09:50,400 Speaker 1: last story. 244 00:09:50,559 --> 00:09:54,679 Speaker 2: So there's there's a heavier gentleman that works at one 245 00:09:54,679 --> 00:09:57,560 Speaker 2: of the other radio stations. He's well, he's pretty big, 246 00:09:58,000 --> 00:09:59,960 Speaker 2: and so we're walking into the building and I'm like, 247 00:10:00,080 --> 00:10:02,840 Speaker 2: who boy, it's cold out there. He looks at me 248 00:10:02,880 --> 00:10:08,439 Speaker 2: and he goes that's why I'm fat, and there you. 249 00:10:08,440 --> 00:10:12,520 Speaker 1: Go, words to live by, a story of hope. Can 250 00:10:12,559 --> 00:10:13,720 Speaker 1: we pull the plug on this bad. 251 00:10:13,600 --> 00:10:15,280 Speaker 4: Yeah, dude's also in and out of the bathroom in 252 00:10:15,280 --> 00:10:17,200 Speaker 4: fifteen seconds. I don't know how he does it. 253 00:10:18,679 --> 00:10:18,880 Speaker 2: Again. 254 00:10:19,400 --> 00:10:22,240 Speaker 1: Thanks again for tuning in. Let's get out of here. 255 00:10:22,280 --> 00:10:25,640 Speaker 1: Bye go the fifteen minute Morning Show.