1 00:00:01,920 --> 00:00:06,760 Speaker 1: Wind Down with Janet Kramer and I Heart Radio Podcast. Okay, 2 00:00:06,840 --> 00:00:11,520 Speaker 1: welcome to wind down. I was like, stop talking, this 3 00:00:11,560 --> 00:00:16,520 Speaker 1: is good stuff. Um. If you can't recognize the voice, 4 00:00:16,800 --> 00:00:22,079 Speaker 1: we have Austin Nichols on Wine Own. Hello, thank you 5 00:00:22,120 --> 00:00:26,600 Speaker 1: for having me. Um, this is fun and sorry, we 6 00:00:26,600 --> 00:00:30,159 Speaker 1: were just talking about your mullet. Well it's not a 7 00:00:30,160 --> 00:00:35,200 Speaker 1: true mullet, because you know, true mullet is party upfront. Sorry, 8 00:00:37,080 --> 00:00:40,400 Speaker 1: business upfront, party in the rear. So but my front 9 00:00:40,560 --> 00:00:44,040 Speaker 1: is long and also scraggly, so it's not a true mullet. 10 00:00:44,120 --> 00:00:46,080 Speaker 1: But when I have a hat on, it's getting it 11 00:00:46,120 --> 00:00:47,960 Speaker 1: looks like I have a wallet a little bit. And 12 00:00:48,120 --> 00:00:52,880 Speaker 1: just I've been working, I was I was like, I 13 00:00:52,920 --> 00:00:55,240 Speaker 1: don't need a haircut. I don't want a haircut. Let's 14 00:00:55,320 --> 00:00:58,680 Speaker 1: let it go. So I'm mullets are totally in right now, 15 00:00:58,960 --> 00:01:04,680 Speaker 1: are they? Yeah, doesn't have a mullet. Yeah, sure. I 16 00:01:04,680 --> 00:01:06,920 Speaker 1: think I remember looking one time in going I think 17 00:01:06,959 --> 00:01:12,080 Speaker 1: that's he's like the guy, the mullet guy. That's so funny. 18 00:01:12,319 --> 00:01:14,479 Speaker 1: Wait the kids are that's like the back in. Yeah, 19 00:01:14,520 --> 00:01:17,000 Speaker 1: so I can keep going with this. Yeah, apparently you 20 00:01:17,040 --> 00:01:18,399 Speaker 1: want to be a party in the front, but you 21 00:01:18,440 --> 00:01:25,320 Speaker 1: know it's a It's definitely a departure from from what 22 00:01:25,880 --> 00:01:32,240 Speaker 1: um Julian would have Julian Julian was weird. He started 23 00:01:32,280 --> 00:01:35,600 Speaker 1: off with like a shaved head. I was giving myself 24 00:01:35,600 --> 00:01:38,120 Speaker 1: a hair cut before I started work on One Tree 25 00:01:38,200 --> 00:01:41,720 Speaker 1: Hill and accidentally the guard fell off the thing and 26 00:01:41,760 --> 00:01:44,000 Speaker 1: I shaved a line in my head. So I got 27 00:01:44,040 --> 00:01:46,240 Speaker 1: to work on the first morning and Greg Range and 28 00:01:46,480 --> 00:01:48,680 Speaker 1: hair and makeup were like, what do you what happened? 29 00:01:49,600 --> 00:01:51,559 Speaker 1: So they had to like shave my hair down even 30 00:01:51,560 --> 00:01:53,559 Speaker 1: more and like spray paint the back of my head 31 00:01:53,920 --> 00:01:55,840 Speaker 1: when I started. So I started with like a really 32 00:01:55,880 --> 00:01:58,640 Speaker 1: really buzzed, really short haircut, and then it grew out 33 00:01:58,680 --> 00:02:03,240 Speaker 1: over the years. Okay, so the hair was a lot 34 00:02:03,280 --> 00:02:06,760 Speaker 1: shorter on One Tree Hill. And I feel like, I 35 00:02:06,800 --> 00:02:08,480 Speaker 1: don't know, I mean like I kind of wish Julian 36 00:02:08,560 --> 00:02:11,160 Speaker 1: would have brought in some of the curls. I'm digging 37 00:02:11,160 --> 00:02:16,760 Speaker 1: the curls. Yeah, I'm embracing my natural growth and curl. 38 00:02:16,840 --> 00:02:20,079 Speaker 1: Now I'm an older man, I'm more comfortable with who 39 00:02:20,120 --> 00:02:22,799 Speaker 1: I am. Here's a question, though, if someone was to 40 00:02:22,840 --> 00:02:24,400 Speaker 1: ask you to cut your hair, would you be fine 41 00:02:24,400 --> 00:02:26,880 Speaker 1: with Because I know some actors like when I get 42 00:02:26,880 --> 00:02:30,000 Speaker 1: into you know, they're like, I'm not not cutting it, okay. 43 00:02:30,000 --> 00:02:32,919 Speaker 1: So I never understood that because I always I want 44 00:02:32,919 --> 00:02:34,480 Speaker 1: to do what's right for the character. And if the 45 00:02:34,560 --> 00:02:37,760 Speaker 1: character has, you know, short hair, if he's as a 46 00:02:37,800 --> 00:02:39,280 Speaker 1: military crew cut, if he has a pony, I just 47 00:02:39,320 --> 00:02:40,760 Speaker 1: want to do what's right for the character. So I 48 00:02:40,800 --> 00:02:43,160 Speaker 1: love wigs, I love getting haircuts. I love changing it up, 49 00:02:43,639 --> 00:02:47,120 Speaker 1: changed color, I don't care. But now that I've actually 50 00:02:47,160 --> 00:02:51,079 Speaker 1: spent time trying, like letting it grow, it takes so long. 51 00:02:51,120 --> 00:02:53,680 Speaker 1: Girls not this. I don't think guys noticed it takes 52 00:02:53,720 --> 00:02:56,800 Speaker 1: so long to grow your hair out. If somebody says 53 00:02:56,800 --> 00:03:00,720 Speaker 1: cut it, you're like, but I spent all this growing up. 54 00:03:01,520 --> 00:03:04,480 Speaker 1: It really so hard for this hair. Can I just 55 00:03:04,520 --> 00:03:08,720 Speaker 1: say thank you for having empathy for girls, because you 56 00:03:08,800 --> 00:03:12,360 Speaker 1: now get it, because I swear when I cut my hair, oh, 57 00:03:12,840 --> 00:03:15,400 Speaker 1: the man was like, I don't know, like seven months ago. 58 00:03:16,080 --> 00:03:19,760 Speaker 1: I regretted it instantly because you realize how long it 59 00:03:19,840 --> 00:03:22,720 Speaker 1: takes to grow out. Again. I also understand why girls 60 00:03:22,720 --> 00:03:28,000 Speaker 1: say I don't want to get my hair wet right now? Yeah. Yeah, 61 00:03:30,360 --> 00:03:32,040 Speaker 1: always like jump in the pool, jump in the lake. 62 00:03:32,080 --> 00:03:33,720 Speaker 1: Who cares? I don't want to get my haircut or 63 00:03:33,760 --> 00:03:34,920 Speaker 1: I don't want to get my hair wet right now, 64 00:03:34,960 --> 00:03:38,240 Speaker 1: I'm like, why now I get it right? Yeah? Like 65 00:03:38,400 --> 00:03:40,640 Speaker 1: because and I don't say it with like the long hair, 66 00:03:40,680 --> 00:03:42,320 Speaker 1: like I don't. You can't really shower your hair every 67 00:03:42,360 --> 00:03:44,680 Speaker 1: day because I'm just like greasy and so. And also, 68 00:03:44,720 --> 00:03:47,000 Speaker 1: when it looks good, it looks good. You want to 69 00:03:47,080 --> 00:03:49,960 Speaker 1: keep it good for as long as you can. Is 70 00:03:50,000 --> 00:03:53,360 Speaker 1: when it looks the best problem I know. And then 71 00:03:53,440 --> 00:03:57,600 Speaker 1: ohen Catherine, she's the bun is back. But so she 72 00:03:57,760 --> 00:03:59,560 Speaker 1: got her hair. Her hair is always in a bun. 73 00:03:59,600 --> 00:04:03,720 Speaker 1: It's got like that like curliness, curly. But we had 74 00:04:03,760 --> 00:04:06,600 Speaker 1: the Wine Down tour and she had her hair straightened. 75 00:04:07,280 --> 00:04:09,720 Speaker 1: The amount of comments that I got about your hair 76 00:04:10,040 --> 00:04:13,200 Speaker 1: was insane. And Katherine's like a crap, and I'm going 77 00:04:13,240 --> 00:04:15,720 Speaker 1: to have to do the work. I'm never gonna be 78 00:04:15,720 --> 00:04:18,520 Speaker 1: able to wear a bun again because everybody's like, oh, 79 00:04:18,720 --> 00:04:20,920 Speaker 1: she looks great. I'm like, what did I look like before? 80 00:04:21,640 --> 00:04:24,080 Speaker 1: It's fine, it's totally fine. I'm making an appointment tomorrow. 81 00:04:26,279 --> 00:04:28,200 Speaker 1: But how do you feel that? Because it's like, I know, 82 00:04:28,240 --> 00:04:31,160 Speaker 1: it's when you read comments, right, that's one of those 83 00:04:31,160 --> 00:04:35,040 Speaker 1: things where they probably made you feel amazing, and then 84 00:04:35,080 --> 00:04:37,600 Speaker 1: also I still want you to feel amazing now in 85 00:04:37,680 --> 00:04:39,400 Speaker 1: the bomb like you look you're Catherine. I mean, the 86 00:04:39,440 --> 00:04:41,960 Speaker 1: reality is I don't really care. I mean, I'm always 87 00:04:42,000 --> 00:04:44,200 Speaker 1: going to have the bun um. But you know, I 88 00:04:44,200 --> 00:04:46,600 Speaker 1: can go a little half and half, you know, half 89 00:04:46,600 --> 00:04:48,520 Speaker 1: fun half the week because I can't go all the 90 00:04:48,640 --> 00:04:51,839 Speaker 1: whole week without washing my hair right and I can't 91 00:04:51,880 --> 00:04:55,040 Speaker 1: straighten it myself. So I'm still going to teach her how. 92 00:04:55,040 --> 00:04:57,080 Speaker 1: I'm like, it's not that hard, girlfriend. We got this 93 00:04:57,240 --> 00:04:59,120 Speaker 1: to do it when I was younger, but it's just 94 00:04:59,160 --> 00:05:01,159 Speaker 1: so much work. It is a lot of work. Yeah, 95 00:05:01,200 --> 00:05:05,080 Speaker 1: it's not worth it. We're gonna We're gonna go to 96 00:05:05,400 --> 00:05:08,400 Speaker 1: because we obviously have to ask Onetree Hill questions because 97 00:05:08,839 --> 00:05:12,200 Speaker 1: you know we'll get there. But I haven't seen you 98 00:05:12,440 --> 00:05:14,960 Speaker 1: when I ran into you in November at the Onetree 99 00:05:15,000 --> 00:05:18,160 Speaker 1: Hill Convention, and it had been eleven years since I 100 00:05:18,200 --> 00:05:23,520 Speaker 1: saw you, really, I think, so that's crazy. Well, I 101 00:05:23,560 --> 00:05:25,960 Speaker 1: mean we stopped the show when it would have been 102 00:05:27,200 --> 00:05:31,760 Speaker 1: less than ten really because we're still I feel like 103 00:05:32,160 --> 00:05:34,440 Speaker 1: I feel like it's been over ten since the end, 104 00:05:34,520 --> 00:05:37,840 Speaker 1: because I remember when I directed I think I was 105 00:05:37,920 --> 00:05:42,000 Speaker 1: thirty one and that was the that was the last 106 00:05:42,000 --> 00:05:46,280 Speaker 1: two seasons. And yeah, it's been over a decade. So 107 00:05:46,360 --> 00:05:51,320 Speaker 1: what has changed? What do you mean with what has 108 00:05:51,360 --> 00:05:56,480 Speaker 1: what has changed with you? Where from when you were 109 00:05:56,560 --> 00:05:59,680 Speaker 1: on the show too now as a as a human 110 00:05:59,800 --> 00:06:05,120 Speaker 1: like who you are, has something changed? Absolutely? I think 111 00:06:05,160 --> 00:06:08,360 Speaker 1: I was when I was younger, I was so hyper 112 00:06:08,400 --> 00:06:12,880 Speaker 1: focused on my career and you know, finding the best 113 00:06:12,920 --> 00:06:15,960 Speaker 1: things to do and and just and go go, go, 114 00:06:16,200 --> 00:06:19,839 Speaker 1: like really really fast. And the thing that has changed 115 00:06:19,839 --> 00:06:23,120 Speaker 1: for me in the last few years has been speed 116 00:06:23,200 --> 00:06:26,680 Speaker 1: and pace of life. And I've slowed down. I tried 117 00:06:26,720 --> 00:06:34,040 Speaker 1: to breathe and relax and not eat fast and onto 118 00:06:34,040 --> 00:06:36,520 Speaker 1: the next thing. And I was always I was always 119 00:06:36,600 --> 00:06:39,840 Speaker 1: rushing to the next thing. I feel like, and now 120 00:06:40,040 --> 00:06:44,239 Speaker 1: I truly try to take my time and like enjoy 121 00:06:44,480 --> 00:06:49,240 Speaker 1: every moment, enjoy little things like little stupid things, the 122 00:06:49,560 --> 00:06:51,880 Speaker 1: dumb things that we do all day in life, like 123 00:06:52,760 --> 00:06:56,000 Speaker 1: finding a parking space. I'm like, I got this from 124 00:06:56,040 --> 00:06:59,680 Speaker 1: Jerry Seinfeld, um fall in love with your parking space, 125 00:07:00,279 --> 00:07:04,520 Speaker 1: And I love that because it just says, you know, 126 00:07:04,800 --> 00:07:07,279 Speaker 1: we have to do all this stupid all the time. 127 00:07:07,720 --> 00:07:09,360 Speaker 1: But if you go, oh, no, I'm going to find 128 00:07:09,360 --> 00:07:11,520 Speaker 1: the best parking space right now, and I am going 129 00:07:11,560 --> 00:07:14,200 Speaker 1: to have fun finding this parking space. I mean that's 130 00:07:14,200 --> 00:07:16,560 Speaker 1: a silly example. Well but yeah, all kinds of things 131 00:07:16,600 --> 00:07:18,160 Speaker 1: in life like that, and I feel like I'm trying 132 00:07:18,200 --> 00:07:23,040 Speaker 1: to find joy and all this stupid stuff. It's almost 133 00:07:23,080 --> 00:07:27,160 Speaker 1: like intentions, Like you're really setting intentions of joy and 134 00:07:27,440 --> 00:07:31,360 Speaker 1: you're I really I really like that a lot. Good too. 135 00:07:31,720 --> 00:07:33,360 Speaker 1: Jan How long do you think you take to eat? 136 00:07:35,680 --> 00:07:39,000 Speaker 1: I think I take, especially as a mom like Sere. 137 00:07:39,880 --> 00:07:42,520 Speaker 1: So this is interesting that you say this because a 138 00:07:42,640 --> 00:07:44,400 Speaker 1: lot I get a lot of dams and people saying 139 00:07:44,440 --> 00:07:46,640 Speaker 1: do you ever eat? Because whenever you're you're with the 140 00:07:46,720 --> 00:07:48,600 Speaker 1: kids and you're filming, they're always eating and you're just 141 00:07:48,680 --> 00:07:54,400 Speaker 1: kind of not eating. Um, and it's hard. I mean 142 00:07:54,600 --> 00:07:57,480 Speaker 1: I I eat fast. Yeah, I mean I do too. 143 00:07:57,640 --> 00:08:00,440 Speaker 1: But like I think about that, like, yeah, but that's 144 00:08:00,640 --> 00:08:02,000 Speaker 1: it's a good one. It's a good one to think 145 00:08:02,040 --> 00:08:04,120 Speaker 1: about to sit down and take your time and eat. 146 00:08:04,840 --> 00:08:07,360 Speaker 1: I like it. It was really beautiful eyes by the way, 147 00:08:07,600 --> 00:08:13,440 Speaker 1: thanks really nice. And your pupils did you take acid 148 00:08:13,520 --> 00:08:18,720 Speaker 1: before you got pupils are huge, they're beautiful. Have a 149 00:08:18,760 --> 00:08:24,680 Speaker 1: concussion yeah, it's not going to start breaking out, thank you, no, 150 00:08:24,800 --> 00:08:28,320 Speaker 1: but there is something in what you just said because 151 00:08:28,720 --> 00:08:33,960 Speaker 1: coming in a little baby um with even when we 152 00:08:33,960 --> 00:08:37,840 Speaker 1: were working out earlier, I would just I laid down 153 00:08:38,040 --> 00:08:39,760 Speaker 1: and I was just like I just started to breathe, 154 00:08:39,800 --> 00:08:41,960 Speaker 1: and I'm like, I have not taken a breath in 155 00:08:42,040 --> 00:08:44,200 Speaker 1: like three weeks because if I had the kids so 156 00:08:44,280 --> 00:08:48,360 Speaker 1: much and in just like the tour and moving in fact, 157 00:08:48,400 --> 00:08:52,359 Speaker 1: it's just it felt so nice to just breathe. Absolutely, 158 00:08:53,120 --> 00:08:55,839 Speaker 1: it was so relaxing. And then again like the in 159 00:08:55,880 --> 00:08:59,040 Speaker 1: the intention of like I said this to um, I 160 00:08:59,080 --> 00:09:02,120 Speaker 1: went where was I want somewhere just for a fun 161 00:09:02,120 --> 00:09:05,800 Speaker 1: little day trip, and I said every interaction I want 162 00:09:05,800 --> 00:09:07,800 Speaker 1: to I know I said this before I choose joy, 163 00:09:07,880 --> 00:09:11,120 Speaker 1: but just be so like with the flight attendant, I 164 00:09:11,160 --> 00:09:13,559 Speaker 1: was like, Hi, how are like a like actual genuine 165 00:09:13,559 --> 00:09:17,679 Speaker 1: conversations and interest and not fake, but just be like 166 00:09:18,160 --> 00:09:20,560 Speaker 1: really care about what they're saying, and then my intentions 167 00:09:20,600 --> 00:09:22,880 Speaker 1: of what I'm saying, And it felt awesome. I was 168 00:09:22,920 --> 00:09:26,000 Speaker 1: so much happier. Absolutely, it's so easy to breathe through 169 00:09:26,040 --> 00:09:28,600 Speaker 1: those wo be like I gotta go. Yeah, but like 170 00:09:28,760 --> 00:09:30,120 Speaker 1: I'm on a road trip, right now And I did 171 00:09:30,160 --> 00:09:32,720 Speaker 1: the same thing yesterday. I was in Memphis getting coffee 172 00:09:33,280 --> 00:09:36,040 Speaker 1: and this lady was like, tell me about your van, 173 00:09:36,280 --> 00:09:38,240 Speaker 1: tell me about your dog. And I sat there and 174 00:09:38,240 --> 00:09:39,760 Speaker 1: talked to her. I tried to talk to her for 175 00:09:39,840 --> 00:09:43,640 Speaker 1: a while and really answer a questions. Same thing. It 176 00:09:43,760 --> 00:09:46,559 Speaker 1: just makes you feel better, I think too, Like I 177 00:09:46,840 --> 00:09:51,760 Speaker 1: felt happier doing that instead of just passing I have 178 00:09:51,840 --> 00:09:53,880 Speaker 1: to go to go to the important. It takes the 179 00:09:53,920 --> 00:09:57,600 Speaker 1: focus off yourself, honestly, Like if you're actually taking time 180 00:09:57,640 --> 00:10:00,360 Speaker 1: to speak to someone else and hearing them out kind 181 00:10:00,360 --> 00:10:03,000 Speaker 1: of takes you out of your own focus on yourself 182 00:10:03,040 --> 00:10:06,120 Speaker 1: because we're all naturally focusing on ourself the majority of 183 00:10:06,120 --> 00:10:09,400 Speaker 1: the day, if we're honest, So it's kind of nice 184 00:10:09,400 --> 00:10:12,720 Speaker 1: to take that break and listen to somebody else and yeah, 185 00:10:12,960 --> 00:10:16,319 Speaker 1: and make other people like smile, Like when Cathy the 186 00:10:16,960 --> 00:10:19,560 Speaker 1: check and lady with the tickets, I was like, how 187 00:10:19,600 --> 00:10:22,240 Speaker 1: are you you know, genuinely, like I really want to know, 188 00:10:22,360 --> 00:10:26,720 Speaker 1: Like how are you? I love? Um, what is one 189 00:10:26,800 --> 00:10:32,560 Speaker 1: thing that you think you still struggle with that you 190 00:10:32,559 --> 00:10:36,400 Speaker 1: would like to do some more growth with. That's a 191 00:10:36,440 --> 00:10:42,679 Speaker 1: good one, Um, I think I think. I don't know. 192 00:10:42,720 --> 00:10:44,120 Speaker 1: I feel like it might be wrapped up in the 193 00:10:44,320 --> 00:10:47,600 Speaker 1: In the same answer, I I guess I cared a 194 00:10:47,679 --> 00:10:52,360 Speaker 1: lot about um being really good at what I do, 195 00:10:53,679 --> 00:10:57,040 Speaker 1: and and I wanted other people to think I was good. 196 00:10:58,320 --> 00:11:01,360 Speaker 1: And there's not necess certaly anything wrong with that. But 197 00:11:01,400 --> 00:11:03,800 Speaker 1: if I think, if you worry about it too much, 198 00:11:03,840 --> 00:11:07,560 Speaker 1: it can be dangerous. And I mean, I think we 199 00:11:07,600 --> 00:11:09,679 Speaker 1: all feel like, I feel like we all want to 200 00:11:09,720 --> 00:11:11,480 Speaker 1: be good at something, or we want to be recognized, 201 00:11:11,559 --> 00:11:15,560 Speaker 1: or we want people to go, oh, you know, here's 202 00:11:15,600 --> 00:11:18,760 Speaker 1: not an award, but like here's you know, recognition. But 203 00:11:18,880 --> 00:11:21,200 Speaker 1: I feel like maybe maybe I cared too much when 204 00:11:21,240 --> 00:11:25,240 Speaker 1: I was young about stuff like that, and I'm I've 205 00:11:25,360 --> 00:11:29,000 Speaker 1: let or m letting that go entirely like I don't 206 00:11:29,040 --> 00:11:32,200 Speaker 1: really care right now, and you know you're good now, 207 00:11:34,320 --> 00:11:37,680 Speaker 1: but like the confidence right, like you know you've got credits, 208 00:11:37,720 --> 00:11:41,480 Speaker 1: you're directly you you you know you're good, right. I 209 00:11:41,480 --> 00:11:44,440 Speaker 1: think I'm good at some things, yeah, I mean, yeah, 210 00:11:44,640 --> 00:11:46,160 Speaker 1: I think I'm good at some things. I think I'm 211 00:11:46,200 --> 00:11:49,559 Speaker 1: not great at some things. Also, well, no one's perfect, 212 00:11:49,880 --> 00:11:54,480 Speaker 1: and even there's always work, there's all you can always, 213 00:11:54,520 --> 00:11:56,520 Speaker 1: I don't know, you can always strive to be better 214 00:11:56,559 --> 00:12:00,080 Speaker 1: and all that, but but truly now I'm like, I 215 00:12:00,120 --> 00:12:04,040 Speaker 1: don't care. I want to have as much fun as 216 00:12:04,040 --> 00:12:06,960 Speaker 1: I can in these moments, and like where I am working, 217 00:12:07,000 --> 00:12:09,760 Speaker 1: I want to work with great people who are nice 218 00:12:09,840 --> 00:12:13,360 Speaker 1: and lovely and care about what they're doing too, and 219 00:12:13,600 --> 00:12:17,000 Speaker 1: have as much fun with them as I can and 220 00:12:17,000 --> 00:12:22,160 Speaker 1: and go home. And you know, so that's that's definitely. 221 00:12:22,800 --> 00:12:25,319 Speaker 1: I mean, you asked if where I still need work, 222 00:12:25,360 --> 00:12:29,680 Speaker 1: and I definitely haven't mastered. I haven't mastered that yet. 223 00:12:29,720 --> 00:12:32,760 Speaker 1: But that's that's something, Okay. I like that. That's something 224 00:12:45,200 --> 00:12:48,920 Speaker 1: I will say. You are. I mean, you're obviously everyone 225 00:12:49,080 --> 00:12:51,520 Speaker 1: that knows you and watched your stuff, you're incredibly talented. 226 00:12:51,559 --> 00:12:54,880 Speaker 1: But I'll never forget there was one moment where when 227 00:12:55,280 --> 00:12:58,520 Speaker 1: two of my best scenes was with you. Um. One 228 00:12:58,559 --> 00:13:00,400 Speaker 1: when we were sitting on the couch that I hate 229 00:13:00,400 --> 00:13:02,920 Speaker 1: myself when I'm quiet, um. And then the other one 230 00:13:03,040 --> 00:13:07,280 Speaker 1: was when I was so drained from filming that um 231 00:13:07,280 --> 00:13:10,800 Speaker 1: where I was crying a bunch when all there are 232 00:13:10,880 --> 00:13:13,440 Speaker 1: you know, the attempted suicide and all that stuff happened, 233 00:13:13,559 --> 00:13:16,360 Speaker 1: and I couldn't cry, and you held my hands and 234 00:13:16,400 --> 00:13:18,000 Speaker 1: you were just like just look at me and I 235 00:13:18,040 --> 00:13:19,480 Speaker 1: was like, awesome, I can't, I can't, I can't, I 236 00:13:19,480 --> 00:13:21,120 Speaker 1: can't cry, Like I just I can't do this, and 237 00:13:21,320 --> 00:13:22,719 Speaker 1: You're like just look at me, and you were like 238 00:13:22,760 --> 00:13:25,040 Speaker 1: squeezing my hands and then it was like water works 239 00:13:25,040 --> 00:13:26,800 Speaker 1: and like that was such a gift as an actor 240 00:13:26,840 --> 00:13:29,200 Speaker 1: that you gave to me, and it was on my side, 241 00:13:29,320 --> 00:13:30,800 Speaker 1: like you you know, you didn't need to do that, 242 00:13:30,840 --> 00:13:33,439 Speaker 1: and you were just not only are incredibly talented, but 243 00:13:33,480 --> 00:13:36,560 Speaker 1: you're a very giving actor too, And I'll never forget that. 244 00:13:36,679 --> 00:13:40,000 Speaker 1: I'll never forget that moment that was. You remember it too, 245 00:13:40,160 --> 00:13:46,560 Speaker 1: of course, I'll never forget that because often as actors, 246 00:13:46,559 --> 00:13:50,080 Speaker 1: we we're just the other actor in the scene and 247 00:13:50,360 --> 00:13:53,360 Speaker 1: there are moments where we can't help each other and 248 00:13:53,440 --> 00:13:56,480 Speaker 1: it's there's sometimes hard to find and hard to figure out, 249 00:13:57,480 --> 00:14:02,080 Speaker 1: but it can happen. And um, I love that that 250 00:14:02,160 --> 00:14:07,160 Speaker 1: just happened spontaneously and and um it did. Yeah, it was. 251 00:14:07,559 --> 00:14:09,520 Speaker 1: It was cool, and that doesn't happen all the time. 252 00:14:10,000 --> 00:14:14,880 Speaker 1: I've no and I've also taken that and like the 253 00:14:15,040 --> 00:14:16,600 Speaker 1: when I was doing one of my last films, I 254 00:14:16,640 --> 00:14:18,440 Speaker 1: remember like this girl was struggling and I was just 255 00:14:18,800 --> 00:14:20,760 Speaker 1: I did what you did? And it's like there's to 256 00:14:21,080 --> 00:14:23,160 Speaker 1: connect with someone else and just be present and not 257 00:14:23,200 --> 00:14:25,360 Speaker 1: worry about you don't need to do it right the 258 00:14:25,400 --> 00:14:27,680 Speaker 1: second and just just sit and stare and like look 259 00:14:27,720 --> 00:14:29,080 Speaker 1: at me. And then like that girl just started and 260 00:14:29,120 --> 00:14:34,160 Speaker 1: I was like, I did it, Austin, that's good, that's 261 00:14:34,200 --> 00:14:36,120 Speaker 1: so great. Yeah, but I just I never I never 262 00:14:36,200 --> 00:14:41,040 Speaker 1: forgot that. So um Catherine, Yes, So Austin is on 263 00:14:41,120 --> 00:14:45,000 Speaker 1: a new show that we we watched. Yes, I had to. 264 00:14:45,560 --> 00:14:49,960 Speaker 1: I had I had to ask him, and I did. 265 00:14:50,000 --> 00:14:55,800 Speaker 1: I asked him. So they were real? I told you, well, 266 00:14:55,840 --> 00:14:58,680 Speaker 1: I thought maybe they're about half and half. Okay, go ahead, Austin. 267 00:14:58,800 --> 00:15:01,760 Speaker 1: The new show that you're on, Le's plug it right now, okay. 268 00:15:01,960 --> 00:15:08,280 Speaker 1: Um Minx on HBO Max is the really really cool idea. 269 00:15:08,480 --> 00:15:10,520 Speaker 1: I love the show. It's about a woman in the 270 00:15:10,560 --> 00:15:13,360 Speaker 1: seventies who has a feminist magazine that she's trying to 271 00:15:13,360 --> 00:15:15,840 Speaker 1: get off the ground and everywhere she goes as a no. 272 00:15:16,800 --> 00:15:20,360 Speaker 1: And she's at this big conference for magazine people and 273 00:15:20,400 --> 00:15:23,840 Speaker 1: she meets a guy who's a porn publisher and he says, 274 00:15:24,600 --> 00:15:27,720 Speaker 1: I like your idea. I'll make your magazine, but it 275 00:15:27,760 --> 00:15:30,320 Speaker 1: has to have naked men. In it, So it's sentially 276 00:15:30,360 --> 00:15:34,280 Speaker 1: essentially about the first UM female porno mac or like 277 00:15:34,320 --> 00:15:39,680 Speaker 1: the first um porno magra. There's male naked men and um, 278 00:15:39,720 --> 00:15:43,720 Speaker 1: it's brilliant Idea. Ellen Rappaport created it and she's fantastic, 279 00:15:44,320 --> 00:15:48,240 Speaker 1: And RACHELI Goldenberg is directing a bunch of the episodes. 280 00:15:48,920 --> 00:15:52,640 Speaker 1: She's fantastic. She's done a bunch of great movies. UM. 281 00:15:52,680 --> 00:15:57,440 Speaker 1: I was thrilled to get the call and until they said, 282 00:15:58,320 --> 00:16:05,200 Speaker 1: you know, uh, full frontal nudity, and I was like, wait, 283 00:16:08,760 --> 00:16:14,000 Speaker 1: oh lord, I mean I got admit. I've fast forwarded 284 00:16:14,040 --> 00:16:17,040 Speaker 1: after about the gosh, I don't know tent one that 285 00:16:17,080 --> 00:16:19,720 Speaker 1: I saw like it just the first episode. They were 286 00:16:19,800 --> 00:16:24,720 Speaker 1: just close up, literally one after another after another, and 287 00:16:24,760 --> 00:16:27,920 Speaker 1: it was it wasn't just she was she was screaming 288 00:16:27,960 --> 00:16:29,920 Speaker 1: and I come running into the room and I'm like, what, 289 00:16:30,400 --> 00:16:33,720 Speaker 1: I just see balls and dick flapping up and down, 290 00:16:33,800 --> 00:16:38,080 Speaker 1: all kinds of different shapes and sizes and flavors. I mean, 291 00:16:39,000 --> 00:16:42,640 Speaker 1: it was it was something. It was yeah, okay, but 292 00:16:46,440 --> 00:16:48,640 Speaker 1: I'm gonna I'm gonna sit back and just let you 293 00:16:49,240 --> 00:16:53,000 Speaker 1: just try to figure out this question. Just I'm just 294 00:16:53,040 --> 00:16:56,040 Speaker 1: gonna let you squirm in this moment as your best friend. 295 00:16:56,080 --> 00:16:58,640 Speaker 1: That's a lot of questions. Okay, So, first of all, 296 00:16:59,720 --> 00:17:03,080 Speaker 1: those were real as far as I know that sequence 297 00:17:03,080 --> 00:17:04,920 Speaker 1: where it was like all the close ups, I think 298 00:17:05,000 --> 00:17:09,160 Speaker 1: those were all real. If it wasn't all of them, 299 00:17:09,200 --> 00:17:13,600 Speaker 1: it was most of them, because sometimes they're not real, right, Yeah, 300 00:17:13,640 --> 00:17:17,080 Speaker 1: And sometimes like look, they do an amazing job with 301 00:17:17,200 --> 00:17:21,040 Speaker 1: prosthetics and and my favorite, my favorite word, merkin, the 302 00:17:21,080 --> 00:17:24,119 Speaker 1: pubic wig. The merkin is such a fun word, and 303 00:17:24,160 --> 00:17:26,840 Speaker 1: they do an amazing job with that stuff. But every 304 00:17:26,840 --> 00:17:29,160 Speaker 1: once in a while, yeah you can tell. I mean, 305 00:17:30,040 --> 00:17:32,680 Speaker 1: you just can't write. Maybe you can't. Maybe you can't. 306 00:17:32,680 --> 00:17:36,080 Speaker 1: I don't know, I don't know. We had this disagreement 307 00:17:36,119 --> 00:17:39,520 Speaker 1: as they were flashing on because I thought that they 308 00:17:39,560 --> 00:17:43,400 Speaker 1: were real. You thought that they weren't real. And there's 309 00:17:43,440 --> 00:17:47,600 Speaker 1: always like, what's that casting call say when they put 310 00:17:47,600 --> 00:17:52,400 Speaker 1: out that breakdown exactly need real dicks. Um. Well, that's 311 00:17:52,400 --> 00:17:54,119 Speaker 1: where it takes me to my next question. So you 312 00:17:54,280 --> 00:17:58,119 Speaker 1: got the call and it says it tells you on 313 00:17:58,160 --> 00:18:01,760 Speaker 1: the front end full frontal nudity. So you're saying you're 314 00:18:01,840 --> 00:18:05,720 Speaker 1: also when naked in there? Yeah, I just missed it. Okay, 315 00:18:05,720 --> 00:18:08,040 Speaker 1: I got it, all right, just make sure. Well I 316 00:18:08,080 --> 00:18:13,000 Speaker 1: don't know if I missed it. I don't know because 317 00:18:13,040 --> 00:18:16,400 Speaker 1: I just got so you know, well you probably haven't 318 00:18:16,440 --> 00:18:23,000 Speaker 1: gotten to my episode yet because you wouldn't miss it. Okay, okay, 319 00:18:23,240 --> 00:18:26,080 Speaker 1: but it's not But it's not your dick though, I'll 320 00:18:26,080 --> 00:18:32,040 Speaker 1: never tell you told me. It's a prosthetics. So the thing, 321 00:18:32,160 --> 00:18:34,000 Speaker 1: the whole thing. Can I ask a question about that? 322 00:18:34,480 --> 00:18:37,119 Speaker 1: Some spoilers coming, just so you know, Um, yes, you 323 00:18:37,119 --> 00:18:39,960 Speaker 1: can ask whatever you want first. So the thing was 324 00:18:40,240 --> 00:18:43,480 Speaker 1: that spoiler? Or you know, turn off for a second 325 00:18:43,480 --> 00:18:46,000 Speaker 1: if you want. Um. No, I don't think anyone's going 326 00:18:46,040 --> 00:18:50,600 Speaker 1: to turn off My character, Billy Bronson, he's a he's 327 00:18:50,600 --> 00:18:53,359 Speaker 1: a quarterback. He's like when Super won Super Bowls, they 328 00:18:53,400 --> 00:18:56,840 Speaker 1: call him the goat. He's you know, been in the 329 00:18:56,920 --> 00:19:00,280 Speaker 1: league for a really long time. He's the Southern is 330 00:19:01,000 --> 00:19:05,880 Speaker 1: and awful, a little awful, misogynistic quarterback. Um. The whole 331 00:19:05,880 --> 00:19:10,119 Speaker 1: point is that he wanted to um pose direct for 332 00:19:10,280 --> 00:19:14,119 Speaker 1: the magazine, and everybody the magazine starts going what what 333 00:19:14,200 --> 00:19:15,480 Speaker 1: the heck, what the heck? We can't do this, we 334 00:19:15,480 --> 00:19:16,760 Speaker 1: can't do this, we can't do this. He comes out 335 00:19:16,800 --> 00:19:21,800 Speaker 1: in a robe and he is, he's up and you know, 336 00:19:22,000 --> 00:19:24,200 Speaker 1: and then the whole thing takes place. I won't say anymore. 337 00:19:24,280 --> 00:19:26,879 Speaker 1: So you can go watch it and enjoy it. But 338 00:19:27,640 --> 00:19:30,119 Speaker 1: you know the logistics of shooting a scene. You know, 339 00:19:30,160 --> 00:19:32,920 Speaker 1: it takes half a day or all day to shoot 340 00:19:32,960 --> 00:19:35,800 Speaker 1: a scene. So it's like, how I mean, they couldn't 341 00:19:35,800 --> 00:19:38,320 Speaker 1: ask me to take you know, six doses of viagraph? 342 00:19:39,520 --> 00:19:46,920 Speaker 1: But would you have? No? No, no no, But like keeah, 343 00:19:46,960 --> 00:19:48,280 Speaker 1: a guy just get it hard when he wants to 344 00:19:48,280 --> 00:19:52,320 Speaker 1: get it hard, but for six hours, uh, in front 345 00:19:52,359 --> 00:19:56,000 Speaker 1: of a bunch of strangers, constantly with a camera lights 346 00:19:56,080 --> 00:19:59,639 Speaker 1: on you and then constantly if it, you know, dips 347 00:19:59,680 --> 00:20:05,240 Speaker 1: down getting it back. Maybe some guy out there can 348 00:20:05,280 --> 00:20:08,600 Speaker 1: do it. But I don't know. That would be that 349 00:20:08,600 --> 00:20:11,239 Speaker 1: would be tough and terrifying. Well, here's my question. If 350 00:20:11,240 --> 00:20:13,440 Speaker 1: it didn't have to be erect, would you have shown 351 00:20:13,480 --> 00:20:22,280 Speaker 1: it not erect? Honestly depends on the material, the script, 352 00:20:22,480 --> 00:20:25,320 Speaker 1: the show, the movie. Would you have done it for 353 00:20:25,320 --> 00:20:29,320 Speaker 1: the show? Well, i'd have to it would be a 354 00:20:29,359 --> 00:20:33,000 Speaker 1: different I don't know. I'd have to read the scenes 355 00:20:33,000 --> 00:20:38,080 Speaker 1: because they'd be different. Um, I'm not gonna say no. Um, 356 00:20:38,119 --> 00:20:41,560 Speaker 1: I'm also you know I'm shy and like, I don't know. 357 00:20:41,720 --> 00:20:43,800 Speaker 1: I really don't know. It's this case by case scenario. 358 00:20:44,280 --> 00:20:46,520 Speaker 1: I've said no to most of that in the past 359 00:20:46,600 --> 00:20:51,960 Speaker 1: because shy, um, but I'm not gonna say no. But 360 00:20:52,240 --> 00:20:53,680 Speaker 1: you never know, I didn't. I never thought I would 361 00:20:53,720 --> 00:20:56,240 Speaker 1: do this, and I did this, so I don't. I 362 00:20:56,280 --> 00:20:58,119 Speaker 1: really don't know what I would do. So can we 363 00:20:58,200 --> 00:21:02,439 Speaker 1: just talk about the prosthetic part, like how did you have? 364 00:21:02,960 --> 00:21:06,680 Speaker 1: Like they obviously had to, so that was interesting because 365 00:21:06,720 --> 00:21:10,639 Speaker 1: I had two people, you know, applying it for we 366 00:21:10,680 --> 00:21:14,920 Speaker 1: had two applications on two different days on your penis, yes, 367 00:21:15,119 --> 00:21:18,080 Speaker 1: and two people on essentially on their knees right here, 368 00:21:18,240 --> 00:21:21,520 Speaker 1: Oh my god, applying And I'll tell you what, I 369 00:21:21,520 --> 00:21:24,719 Speaker 1: didn't know how intensive a thing it is because they 370 00:21:24,720 --> 00:21:27,439 Speaker 1: have to, you know, shave all your body hair, and 371 00:21:27,480 --> 00:21:31,360 Speaker 1: then they have to you know, put glue, apply the latex, 372 00:21:31,440 --> 00:21:34,200 Speaker 1: then put this other stuff, and then put this other stuff, 373 00:21:34,240 --> 00:21:37,080 Speaker 1: and there's all these layers of stuff before you can 374 00:21:37,080 --> 00:21:39,920 Speaker 1: put the mark in over it. And it I think 375 00:21:40,040 --> 00:21:41,639 Speaker 1: the first day it took two hours, and then the 376 00:21:41,680 --> 00:21:44,280 Speaker 1: second day it took an hour. So it's really you're 377 00:21:44,320 --> 00:21:47,080 Speaker 1: standing there buck naked for two hours for an hour 378 00:21:48,119 --> 00:21:50,480 Speaker 1: people down there, it's very awkward, but you're you're uncomfortably 379 00:21:50,520 --> 00:21:55,760 Speaker 1: laughing a lot. And yeah, and you know, jokes are 380 00:21:55,800 --> 00:21:58,520 Speaker 1: made and it's weird and you know, but we tried 381 00:21:58,520 --> 00:21:59,920 Speaker 1: to have a good time with it and just laughing 382 00:22:00,000 --> 00:22:02,280 Speaker 1: about it. Yeah, And are you happy with the work 383 00:22:02,320 --> 00:22:03,520 Speaker 1: at the end of the day, Because it's not about 384 00:22:03,520 --> 00:22:06,400 Speaker 1: your penis, It's about the work. And so, I mean, 385 00:22:06,440 --> 00:22:09,000 Speaker 1: I love the character, I love the show. I'm yeah, 386 00:22:09,000 --> 00:22:12,520 Speaker 1: I had a blast. And um, it was great working 387 00:22:12,560 --> 00:22:15,760 Speaker 1: with Ellen and Rachel and all the other directors. They 388 00:22:15,760 --> 00:22:17,879 Speaker 1: have a bunch of great directors, a bunch of great actors. 389 00:22:17,920 --> 00:22:21,520 Speaker 1: Jake Johnson is a dream to work with. Um. I 390 00:22:21,560 --> 00:22:25,400 Speaker 1: didn't get to work with um Ophelia. She we didn't 391 00:22:25,400 --> 00:22:27,320 Speaker 1: have any scenes together. I hope I get to work 392 00:22:27,400 --> 00:22:31,600 Speaker 1: with her someday. Um the supporting cast is all fantastic. 393 00:22:31,640 --> 00:22:34,880 Speaker 1: I loved them. They were a lot of fun. Um Yeah, 394 00:22:34,960 --> 00:22:38,600 Speaker 1: Like overall, just great, great experience. And then watching I 395 00:22:38,640 --> 00:22:41,520 Speaker 1: love the seventies too, so watch, you know, seeing the 396 00:22:41,560 --> 00:22:44,000 Speaker 1: clothes and the sets and all that. I just love 397 00:22:44,080 --> 00:22:46,719 Speaker 1: that time period. So it was fun for me as 398 00:22:46,720 --> 00:22:49,760 Speaker 1: a viewer, you know. Yeah, I mean it's definitely something 399 00:22:49,800 --> 00:22:51,840 Speaker 1: I'm like. When I saw the pictures and watched, I 400 00:22:51,880 --> 00:22:53,719 Speaker 1: was like, oh, this is this is this is Austin, 401 00:22:53,840 --> 00:22:56,080 Speaker 1: Like this is cool. Like you're like you're a character 402 00:22:56,160 --> 00:22:59,720 Speaker 1: and that's you do that you do. Yeah, You're welcome, 403 00:23:00,200 --> 00:23:06,760 Speaker 1: keep going because I compare to that episode. Oh man. 404 00:23:07,200 --> 00:23:11,520 Speaker 1: But and also now you're directing, yes, ma'am so Walker. 405 00:23:11,800 --> 00:23:15,280 Speaker 1: Um it's a reboot of Walker, Texas Ranger, which is 406 00:23:15,359 --> 00:23:18,639 Speaker 1: a fun and beloved show with Chuck Norris if you 407 00:23:18,640 --> 00:23:23,840 Speaker 1: didn't know. And um, yeah, I I've been I've directed before, 408 00:23:24,400 --> 00:23:26,320 Speaker 1: directed One Tree Hill, I've made a short film and 409 00:23:26,560 --> 00:23:29,760 Speaker 1: few little things. But it's been hard to find another 410 00:23:29,840 --> 00:23:33,600 Speaker 1: directing spot. And I've been shadowing directors for years and 411 00:23:33,800 --> 00:23:36,360 Speaker 1: just talking to everybody I know and looking for opportunities. 412 00:23:36,359 --> 00:23:41,480 Speaker 1: And um, Walker was amazing because they wanted to help 413 00:23:41,480 --> 00:23:44,080 Speaker 1: me do this and they gave me a shot. And 414 00:23:44,240 --> 00:23:47,960 Speaker 1: I love them all so much, and you know, I'll 415 00:23:47,960 --> 00:23:50,800 Speaker 1: never forget you know, them going to bat for me 416 00:23:51,119 --> 00:23:53,440 Speaker 1: with the studio and the network and saying no, we want, 417 00:23:53,720 --> 00:23:56,720 Speaker 1: we want Austin to direct. And um, I'm really proud 418 00:23:56,720 --> 00:23:59,840 Speaker 1: of the show. It turned out really good. I hope 419 00:23:59,840 --> 00:24:03,239 Speaker 1: you guys enjoy it it. Um, I won't say much, 420 00:24:03,240 --> 00:24:04,840 Speaker 1: doesn't want to spoil it, but it's a search and risk. 421 00:24:04,920 --> 00:24:07,800 Speaker 1: It's called search and rescue. Its episode to eighteen, and 422 00:24:08,520 --> 00:24:11,600 Speaker 1: there's um, there's a hell. There's a helicopter and a 423 00:24:11,640 --> 00:24:15,919 Speaker 1: rescue element. So I got to do huge, almost like 424 00:24:16,000 --> 00:24:18,720 Speaker 1: feature film stuff with a helicopter. That's so cool. I 425 00:24:18,720 --> 00:24:22,639 Speaker 1: mean not almost, like absolutely feature film stuff. And I 426 00:24:22,680 --> 00:24:24,639 Speaker 1: was pinching myself the whole time. It was so fun. 427 00:24:25,280 --> 00:24:30,679 Speaker 1: I love that. Okay, one't your hill look at me 428 00:24:31,119 --> 00:24:33,920 Speaker 1: because you're a super fan that I just found out about. 429 00:24:34,680 --> 00:24:37,560 Speaker 1: She likes to play up this story. Well yeah, I've 430 00:24:37,560 --> 00:24:40,320 Speaker 1: known her for eleven years, and she was like, by 431 00:24:40,359 --> 00:24:42,080 Speaker 1: the way, I loved the show. I told you I 432 00:24:42,119 --> 00:24:44,440 Speaker 1: watched the show because I saw her singing, and that's 433 00:24:44,480 --> 00:24:46,800 Speaker 1: how I figured, oh, she's a singer. Blah blah blah 434 00:24:46,800 --> 00:24:48,919 Speaker 1: blah blah. But what I didn't say is that, like 435 00:24:49,000 --> 00:24:52,879 Speaker 1: my family got together and watched it like that just 436 00:24:52,960 --> 00:24:55,400 Speaker 1: likes the show. That's not bad. It was a great 437 00:24:55,400 --> 00:24:57,840 Speaker 1: show that we know we love. That just left a 438 00:24:57,840 --> 00:25:02,720 Speaker 1: few things out. Did you did did you did you 439 00:25:02,760 --> 00:25:05,440 Speaker 1: love working on on your Hell? I did? I did 440 00:25:05,160 --> 00:25:07,560 Speaker 1: I love telling a story for a very long time. 441 00:25:07,560 --> 00:25:10,760 Speaker 1: It was the longest I think I've ever been a 442 00:25:10,760 --> 00:25:14,680 Speaker 1: part of a show. Yeah, I think I've done. I 443 00:25:14,760 --> 00:25:18,680 Speaker 1: thought you were. No, I've never done. Unless I'm forgetting something, 444 00:25:18,840 --> 00:25:22,000 Speaker 1: I've never done anything that long. And staying with one 445 00:25:22,080 --> 00:25:25,199 Speaker 1: character and telling something long form is really fulfilling in 446 00:25:25,240 --> 00:25:28,040 Speaker 1: a different way. You know, you make a movie and 447 00:25:28,280 --> 00:25:30,800 Speaker 1: it's over in a few months or a few days 448 00:25:30,840 --> 00:25:36,440 Speaker 1: sometimes and it's easier to let go and forget you. 449 00:25:37,359 --> 00:25:38,960 Speaker 1: The people are easier to forget. I know it's a 450 00:25:39,000 --> 00:25:40,800 Speaker 1: horrible thing to say, but it's true. In movies, you 451 00:25:40,840 --> 00:25:43,240 Speaker 1: just you don't see you didn't spend the time with them. 452 00:25:43,280 --> 00:25:45,639 Speaker 1: And on a long running show, I mean you you 453 00:25:45,720 --> 00:25:48,159 Speaker 1: spend so much time with the cast and crew years 454 00:25:48,200 --> 00:25:51,360 Speaker 1: of your life, and you know, you really sometimes relocate 455 00:25:51,400 --> 00:25:54,200 Speaker 1: to another place, live in another place, which is exciting 456 00:25:54,320 --> 00:25:57,720 Speaker 1: and hard. Um. Yeah, so there was, I mean a 457 00:25:57,760 --> 00:25:59,560 Speaker 1: lot of amazing things that came from it. I also 458 00:25:59,680 --> 00:26:02,600 Speaker 1: that's where I got to direct first, and that was 459 00:26:02,760 --> 00:26:07,000 Speaker 1: really great. Um, we were roommates, isn't that crazy? We 460 00:26:07,040 --> 00:26:11,600 Speaker 1: really lived together so funny for like a year. Front Street, 461 00:26:11,760 --> 00:26:16,520 Speaker 1: Front Street, Downtown Wilmington's rooms. It was. That was so 462 00:26:16,800 --> 00:26:19,520 Speaker 1: I really love that downtown area. That was fun. I 463 00:26:19,640 --> 00:26:22,320 Speaker 1: dug it. You could walk to you know, fun dinner 464 00:26:22,359 --> 00:26:27,119 Speaker 1: spots and it was fun until the bar above us. Oh, 465 00:26:27,160 --> 00:26:29,119 Speaker 1: I forgot about. That was so annoying because I'm like, 466 00:26:29,280 --> 00:26:33,439 Speaker 1: I can't sleep. I totally forgot about. That was the worst. 467 00:26:33,480 --> 00:26:35,880 Speaker 1: And then in the next year, you guys moved down 468 00:26:35,920 --> 00:26:39,600 Speaker 1: to the beach and I that was my favorite was 469 00:26:39,600 --> 00:26:41,840 Speaker 1: living at the beach because I love the ocean. I 470 00:26:41,920 --> 00:26:45,840 Speaker 1: love riding my bike around. Yeah, rights, Phil, that was 471 00:26:46,000 --> 00:26:49,360 Speaker 1: that was really saying favorite scene? Do you have one? Yeah? 472 00:26:49,520 --> 00:26:53,760 Speaker 1: There was a big another rescue. It was Brooke and 473 00:26:53,840 --> 00:26:55,679 Speaker 1: Jamie went off the bridge in a car and the 474 00:26:55,720 --> 00:26:58,840 Speaker 1: car was sinking. When was that? Was I there yet? No? 475 00:27:00,680 --> 00:27:03,439 Speaker 1: I don't know, Katherine, I don't remember. I remember. I 476 00:27:03,440 --> 00:27:06,240 Speaker 1: feel like it was towards I don't remember what season 477 00:27:06,280 --> 00:27:09,240 Speaker 1: it was. How long were you on before Jane was 478 00:27:09,640 --> 00:27:13,359 Speaker 1: I started in season six? Was seven? Okay, so I 479 00:27:13,359 --> 00:27:17,400 Speaker 1: thought you were way before me. So, yeah, car goes 480 00:27:17,480 --> 00:27:21,160 Speaker 1: over Brooke and Jamie they're sinking. I go in and 481 00:27:22,000 --> 00:27:25,679 Speaker 1: you know, I get to be the hero and it 482 00:27:25,760 --> 00:27:27,560 Speaker 1: was really fun. But it was. I just love to 483 00:27:27,680 --> 00:27:29,879 Speaker 1: do stunts. I love to do stuff in the water. 484 00:27:30,720 --> 00:27:33,160 Speaker 1: It's it's a whole another element. It's just super fun. 485 00:27:33,320 --> 00:27:49,159 Speaker 1: I love that episode. Did you ever think Alex and 486 00:27:49,240 --> 00:27:56,399 Speaker 1: Julian would get together? No? If I'm being honest, I 487 00:27:56,440 --> 00:27:59,320 Speaker 1: know no. I know no one wanted to be with Alex, 488 00:27:59,440 --> 00:28:03,800 Speaker 1: and I'm just not that's not true. Well, it's funny 489 00:28:03,800 --> 00:28:07,440 Speaker 1: because I think, you know, I've often played characters that 490 00:28:08,040 --> 00:28:09,720 Speaker 1: you can relate to, that I can relate to your 491 00:28:09,760 --> 00:28:11,520 Speaker 1: struggle like you know you can relate to mine. I 492 00:28:11,560 --> 00:28:14,600 Speaker 1: often play characters that are that role in the show 493 00:28:14,680 --> 00:28:17,840 Speaker 1: or the movie where you know, I was the second 494 00:28:17,840 --> 00:28:22,320 Speaker 1: guy or the other guy. And it's not always great. 495 00:28:24,800 --> 00:28:30,840 Speaker 1: It can be hard, but imitates life. It's like, why 496 00:28:30,840 --> 00:28:33,840 Speaker 1: can't I get the girl? Why can't I be the hero? 497 00:28:34,000 --> 00:28:36,760 Speaker 1: And you know, but that's okay, Like we all have 498 00:28:36,800 --> 00:28:40,440 Speaker 1: our our places, and you know, we're I feel like 499 00:28:40,600 --> 00:28:42,200 Speaker 1: at the end of the day, we're stoked and super 500 00:28:42,280 --> 00:28:44,520 Speaker 1: lucky to be working and and being you know, in 501 00:28:44,560 --> 00:28:47,000 Speaker 1: these cool shows and movies. But yeah, there are times 502 00:28:47,040 --> 00:28:51,120 Speaker 1: where you're like, I will say this on the flip side, 503 00:28:51,800 --> 00:28:56,440 Speaker 1: playing villains and these roles is really fun. Like I 504 00:28:56,440 --> 00:28:59,480 Speaker 1: have talked to leading men and women who are sometimes like, yeah, 505 00:28:59,520 --> 00:29:01,200 Speaker 1: to be the more real center of the show, and 506 00:29:01,240 --> 00:29:03,960 Speaker 1: to be a lead is so boring, Like I never 507 00:29:04,040 --> 00:29:06,000 Speaker 1: get to do anything bad, I never get to make 508 00:29:06,040 --> 00:29:09,320 Speaker 1: mistakes a point all this. So there's the flip side, 509 00:29:09,360 --> 00:29:13,880 Speaker 1: Is it's fun. Yeah, Gosh, I'm like flashing back to 510 00:29:13,920 --> 00:29:15,840 Speaker 1: and I'm like, you know, you showed the door and 511 00:29:15,880 --> 00:29:19,160 Speaker 1: I'm in, like my underwear thin and like hi, Jillian 512 00:29:19,760 --> 00:29:25,680 Speaker 1: god a pillow. Yeah. I think one of those times too. Yeah, 513 00:29:25,840 --> 00:29:30,200 Speaker 1: that was an interesting scene. Looking back, They're like, there 514 00:29:30,280 --> 00:29:32,480 Speaker 1: was just so many scenes that there was. It was 515 00:29:32,520 --> 00:29:34,400 Speaker 1: so fun. I love I loved what they did with 516 00:29:34,400 --> 00:29:36,400 Speaker 1: our characters though. I think it was good and at 517 00:29:36,400 --> 00:29:37,640 Speaker 1: the end of the day, I knew we would never 518 00:29:37,720 --> 00:29:40,640 Speaker 1: end up together. Well, there was respect there too. Yeah. 519 00:29:40,640 --> 00:29:43,640 Speaker 1: It wasn't like the little Sister big brother, but I 520 00:29:43,640 --> 00:29:47,480 Speaker 1: love that he was He wasn't. He could have easily 521 00:29:47,600 --> 00:29:51,640 Speaker 1: taken the route of I'm with Brooke and I'm gonna, 522 00:29:52,480 --> 00:29:57,440 Speaker 1: you know, be cold here, which he didn't do at first. 523 00:29:57,440 --> 00:30:00,640 Speaker 1: You did, I did a little bit. It's like a 524 00:30:00,720 --> 00:30:05,680 Speaker 1: real character character because I feel like he cared about 525 00:30:05,680 --> 00:30:07,880 Speaker 1: her and he obviously they were working together and making 526 00:30:07,880 --> 00:30:11,440 Speaker 1: a movie and so you know he wanted that relationship 527 00:30:11,480 --> 00:30:16,000 Speaker 1: to be healthy. But it's tricky also because you know 528 00:30:16,400 --> 00:30:20,040 Speaker 1: Brooke Is has an issue with it. Yeah. Well, I 529 00:30:20,080 --> 00:30:22,360 Speaker 1: love how we were able to become such good friends 530 00:30:22,400 --> 00:30:24,600 Speaker 1: through it too, you know, like our our kind of 531 00:30:25,200 --> 00:30:28,720 Speaker 1: um story arc was imitating not I mean minus me 532 00:30:28,880 --> 00:30:32,600 Speaker 1: like flirting with you, but like we became actual friends. 533 00:30:32,720 --> 00:30:37,360 Speaker 1: You know. I love that. Um, what was something that 534 00:30:37,400 --> 00:30:40,280 Speaker 1: you could leave and never go back to in life? 535 00:30:40,320 --> 00:30:44,320 Speaker 1: No intree hill in life? You're like wife, that's a 536 00:30:44,320 --> 00:30:51,840 Speaker 1: big question. Um. Um. You know, before me too, and 537 00:30:51,920 --> 00:30:56,960 Speaker 1: before um, a lot of this stuff started happening, we 538 00:30:57,000 --> 00:31:02,640 Speaker 1: lived in a world that was um complacent and okay 539 00:31:02,680 --> 00:31:07,400 Speaker 1: with saying that's how it is. And I think you 540 00:31:07,440 --> 00:31:13,280 Speaker 1: know we've all we all experienced that and we let 541 00:31:13,320 --> 00:31:17,360 Speaker 1: things slide because that was the norm, that was the 542 00:31:17,400 --> 00:31:22,960 Speaker 1: status quo, that's how things were, And that's bullshit because 543 00:31:23,000 --> 00:31:26,920 Speaker 1: looking back, that's not that's not how we should move forward. 544 00:31:27,520 --> 00:31:31,880 Speaker 1: We if we ever see something that is wrong, we 545 00:31:31,920 --> 00:31:36,680 Speaker 1: should stand up and say it, say it loud. Yeah, 546 00:31:37,040 --> 00:31:40,640 Speaker 1: I hear you on that one. Yep, what about you, Janna? 547 00:31:41,480 --> 00:31:44,360 Speaker 1: Which which one your question, what are something What would 548 00:31:44,400 --> 00:31:48,160 Speaker 1: you leave behind from Tree Hill days? Um, yeah, it 549 00:31:48,400 --> 00:31:51,160 Speaker 1: would be the the not having a voice with things 550 00:31:51,160 --> 00:31:55,480 Speaker 1: that made me uncomfortable. Yeah, on the show, because I 551 00:31:55,480 --> 00:31:59,120 Speaker 1: would laugh because I didn't lose my job, right, yeah, 552 00:31:59,520 --> 00:32:02,920 Speaker 1: you know, I yeah, so I there were some inappropriate 553 00:32:02,960 --> 00:32:04,960 Speaker 1: comments and I was just like and then I'll be like, 554 00:32:05,000 --> 00:32:06,720 Speaker 1: oh my god. Then I would go back to Sofia 555 00:32:06,800 --> 00:32:09,480 Speaker 1: or Sean Tal and be like, oh my god, like 556 00:32:09,840 --> 00:32:11,920 Speaker 1: they said they said this, and like I just laughed. 557 00:32:12,000 --> 00:32:14,040 Speaker 1: You know, it made me so uncomfortable, but you can't 558 00:32:14,040 --> 00:32:16,960 Speaker 1: say anything because I heard stories if you did say something, well, 559 00:32:16,960 --> 00:32:19,680 Speaker 1: their storylines got cut. So it was just like a 560 00:32:20,480 --> 00:32:24,360 Speaker 1: which sucks. And also like I think now i'd have 561 00:32:24,600 --> 00:32:27,520 Speaker 1: more balls to be like no, no, I mean I 562 00:32:27,520 --> 00:32:30,040 Speaker 1: think most people would now. Yeah, for sure. But I 563 00:32:30,080 --> 00:32:32,560 Speaker 1: think it's also my age too. I was sure. It 564 00:32:32,640 --> 00:32:36,120 Speaker 1: was my first show as a series regular, and I 565 00:32:36,160 --> 00:32:38,720 Speaker 1: came out as a recurring that ended up being a 566 00:32:38,760 --> 00:32:43,360 Speaker 1: series regular. So that was I was just so thankful 567 00:32:43,400 --> 00:32:46,200 Speaker 1: to have a job and money. Like I remember the 568 00:32:46,240 --> 00:32:48,520 Speaker 1: first time I got my first check as like a 569 00:32:48,560 --> 00:32:50,960 Speaker 1: series regular, I was like, oh my god. Yeah, And 570 00:32:51,000 --> 00:32:52,560 Speaker 1: that's how you're made to feel you made to feel 571 00:32:52,600 --> 00:32:55,040 Speaker 1: like you're lucky and that you have to put up 572 00:32:55,080 --> 00:32:58,640 Speaker 1: with anything that's going on because you're lucky to have 573 00:32:58,680 --> 00:33:03,560 Speaker 1: this job. Yeah, and now I'm like, okay, I have 574 00:33:04,320 --> 00:33:07,960 Speaker 1: we've all found a voice. We're older, and that's something 575 00:33:08,160 --> 00:33:12,520 Speaker 1: that I definitely now I'm a lot um more vocal 576 00:33:12,600 --> 00:33:19,000 Speaker 1: with my boundaries. H yeah, good, good good yeah great. Um, 577 00:33:19,040 --> 00:33:22,640 Speaker 1: So Austin moving forward? Wait, would you ever do a 578 00:33:22,680 --> 00:33:24,440 Speaker 1: one Ry Hill reboot? Because people ask all the time. 579 00:33:24,440 --> 00:33:27,280 Speaker 1: I don't think there ever would be one, absolutely, I 580 00:33:27,280 --> 00:33:29,160 Speaker 1: mean but where do you think people would even be? 581 00:33:29,640 --> 00:33:32,240 Speaker 1: Alex's is going to be like unloved again somewhere like 582 00:33:32,520 --> 00:33:37,240 Speaker 1: actually I think she's for yesterday? Really do tell? Yes, 583 00:33:37,600 --> 00:33:45,200 Speaker 1: it's weird. So, um, a hurricane completely wipes out the town, 584 00:33:45,800 --> 00:33:49,240 Speaker 1: which is not far from the truth. What could happen 585 00:33:49,280 --> 00:33:51,560 Speaker 1: because hurricanes hit there all the time. Yeah, but I 586 00:33:51,560 --> 00:33:56,120 Speaker 1: mean like it's flattened, So not flattened, but like a 587 00:33:56,200 --> 00:33:59,120 Speaker 1: lot of things are washed away and what you have 588 00:33:59,280 --> 00:34:03,760 Speaker 1: is yous go by where it's a derelict ghost town. 589 00:34:03,840 --> 00:34:07,360 Speaker 1: People left, just like in the ninth Ward in New Orleans, 590 00:34:07,400 --> 00:34:10,759 Speaker 1: like people left and didn't come back. And things just 591 00:34:10,880 --> 00:34:14,440 Speaker 1: rotted right and say, I don't know, ten years have 592 00:34:14,480 --> 00:34:19,319 Speaker 1: gone by fifteen whatever it is. And this is the 593 00:34:19,320 --> 00:34:22,120 Speaker 1: part I haven't worked out yet. Is the first part 594 00:34:22,160 --> 00:34:28,400 Speaker 1: is great, and I think it's a new point of 595 00:34:28,440 --> 00:34:35,680 Speaker 1: view comes and discovers something like, um, you know the 596 00:34:35,680 --> 00:34:39,080 Speaker 1: bones of an old building like Trick or the bones 597 00:34:39,320 --> 00:34:42,680 Speaker 1: of you know where the Red Brooks Red door, or 598 00:34:43,040 --> 00:34:46,520 Speaker 1: you know, some piece of art, some artifacts from the show, 599 00:34:47,160 --> 00:34:50,600 Speaker 1: and then it causes them to, you know, start to 600 00:34:50,600 --> 00:34:53,759 Speaker 1: dig into this world that was wiped away. I don't 601 00:34:53,800 --> 00:34:55,840 Speaker 1: know what happens next. Can we come back? Because I 602 00:34:55,840 --> 00:35:00,680 Speaker 1: had like a job like, yeah, that's really cool, Austin, 603 00:35:00,800 --> 00:35:03,640 Speaker 1: thank you. Are you sure not a writer too? Let's 604 00:35:03,680 --> 00:35:10,080 Speaker 1: write this. That's really good. I'm serious. Yeah, we can get. 605 00:35:10,120 --> 00:35:13,319 Speaker 1: We can get it could be there could be something there. 606 00:35:13,800 --> 00:35:16,200 Speaker 1: What was the show? It was Veronica Mars that she 607 00:35:16,320 --> 00:35:19,839 Speaker 1: did a the go fund me. We could easily she 608 00:35:19,880 --> 00:35:21,480 Speaker 1: did a go fund me to get that, didn't she? 609 00:35:21,920 --> 00:35:23,600 Speaker 1: How that happened? I think it did. It was some 610 00:35:23,680 --> 00:35:27,279 Speaker 1: kind of raise, Like I'm pretty sure Eastan's gonna I 611 00:35:27,320 --> 00:35:30,240 Speaker 1: know he's looking up right now, but I'm pretty sure 612 00:35:30,280 --> 00:35:35,160 Speaker 1: she did some kind of support raising thing to do 613 00:35:35,280 --> 00:35:39,239 Speaker 1: like a one or a few. I don't know how 614 00:35:39,239 --> 00:35:42,200 Speaker 1: many episodes was. I believe that's what it was. But 615 00:35:42,239 --> 00:35:45,440 Speaker 1: I'm like, that would be so cool. There's there's a 616 00:35:45,440 --> 00:35:48,080 Speaker 1: way to do it. I think also, you know, because 617 00:35:48,160 --> 00:35:50,360 Speaker 1: I got people that are watching it. Like I had 618 00:35:50,400 --> 00:35:52,080 Speaker 1: a girl stopped me in the airport the other day 619 00:35:52,120 --> 00:35:53,719 Speaker 1: and I was like, how old are you? She's like 620 00:35:53,760 --> 00:35:56,359 Speaker 1: a nineteen And I'm like, man, this show just keeps 621 00:35:56,400 --> 00:36:00,919 Speaker 1: like living. And like, you know, we were talking about 622 00:36:01,040 --> 00:36:08,399 Speaker 1: Top Gun and us so good sequel, and they spent 623 00:36:08,560 --> 00:36:12,160 Speaker 1: so much obvious how much time they spent writing a 624 00:36:12,160 --> 00:36:15,640 Speaker 1: love letter to the original movie but also giving us 625 00:36:15,680 --> 00:36:18,120 Speaker 1: a new movie, and there was so much love and 626 00:36:18,160 --> 00:36:21,960 Speaker 1: care put into it that I think so often now 627 00:36:22,000 --> 00:36:24,920 Speaker 1: reboots I feel like they're slapped out there because it 628 00:36:25,000 --> 00:36:27,480 Speaker 1: has a title that people recognize, like let's let's remake this, 629 00:36:27,560 --> 00:36:30,400 Speaker 1: let's make this. But when you have something that's beloved, 630 00:36:31,040 --> 00:36:34,919 Speaker 1: you have to give it the spit the time to 631 00:36:34,920 --> 00:36:37,239 Speaker 1: to figure out what this new story is, what this 632 00:36:37,280 --> 00:36:39,879 Speaker 1: new reboot is. So I you know, I think if 633 00:36:40,000 --> 00:36:43,000 Speaker 1: if it ever happened, I hope that um a lot 634 00:36:43,040 --> 00:36:45,879 Speaker 1: of love and care is put into it. So when 635 00:36:46,000 --> 00:36:48,319 Speaker 1: your idea gets picked up and we're all back on 636 00:36:48,360 --> 00:36:50,320 Speaker 1: the show, because I'm putting it out into the to 637 00:36:50,520 --> 00:36:57,759 Speaker 1: the Ethernet, in the world, the internet, Jane is um 638 00:36:58,280 --> 00:37:05,600 Speaker 1: um would would Brook and Julian still be married? A 639 00:37:05,680 --> 00:37:07,680 Speaker 1: great question? That is a good question. I mean, I 640 00:37:07,920 --> 00:37:11,759 Speaker 1: I hope yes, I think yes. I always loved that. 641 00:37:12,920 --> 00:37:14,560 Speaker 1: Can I can I just stop you right there, though 642 00:37:16,640 --> 00:37:19,040 Speaker 1: there's a reason why Carry and Big weren't still married, 643 00:37:21,080 --> 00:37:23,040 Speaker 1: or like why I mean they were married, but why 644 00:37:23,080 --> 00:37:29,000 Speaker 1: he had to die? Nobody the storyline cares about. Okay, 645 00:37:29,080 --> 00:37:31,120 Speaker 1: I love Big, I love Big and Carry that was amazing. 646 00:37:31,160 --> 00:37:33,520 Speaker 1: But to continue to watch a show, oh, I see 647 00:37:33,520 --> 00:37:36,360 Speaker 1: what you're saying, just like to make it interesting, and 648 00:37:36,400 --> 00:37:39,520 Speaker 1: it's like it's always about Carrie and her relationships. So like, Okay, 649 00:37:39,560 --> 00:37:41,560 Speaker 1: we already saw that they're living happily ever after and 650 00:37:41,640 --> 00:37:43,600 Speaker 1: yead in the real world, that's what we would love. 651 00:37:43,680 --> 00:37:48,240 Speaker 1: But to watch again now it's like it's not interesting. 652 00:37:49,160 --> 00:37:50,879 Speaker 1: But I don't want to change the idea, not just 653 00:37:52,520 --> 00:37:56,120 Speaker 1: people would want that. I haven't even but gone so 654 00:37:56,160 --> 00:37:59,399 Speaker 1: far as to figure out, you know what the where 655 00:37:59,440 --> 00:38:01,479 Speaker 1: the characters are. All right, it's not my job because 656 00:38:01,480 --> 00:38:04,319 Speaker 1: it's not my show. Well it's going to be playing 657 00:38:04,560 --> 00:38:07,080 Speaker 1: out there. But okay, so one of the ideas that 658 00:38:07,120 --> 00:38:09,560 Speaker 1: I love so much, and it's what whether or not 659 00:38:09,600 --> 00:38:15,319 Speaker 1: you like the show or not the the By the way, 660 00:38:15,600 --> 00:38:18,319 Speaker 1: don't hate me for saying, um, Brooke and Julian not married. 661 00:38:18,360 --> 00:38:19,759 Speaker 1: I'm just saying I just think it would be more 662 00:38:19,800 --> 00:38:23,920 Speaker 1: interesting they understand. No, no, they don't. Someone do not 663 00:38:25,160 --> 00:38:27,360 Speaker 1: because the photo of like you, how dare you like 664 00:38:27,560 --> 00:38:30,520 Speaker 1: when when we post that photo and November people were 665 00:38:30,680 --> 00:38:36,480 Speaker 1: lived Brooke and Julie forever, like I gotta hate yeah, 666 00:38:39,080 --> 00:38:43,759 Speaker 1: But so you know, Karate Kid is this beloved movie, 667 00:38:43,840 --> 00:38:47,200 Speaker 1: right and they made Cobra Kai. Cobra Kai, whether you 668 00:38:47,239 --> 00:38:51,160 Speaker 1: like it or not, is a brilliant idea for a reboot. 669 00:38:51,960 --> 00:38:54,839 Speaker 1: It is a side door in it's not straight through 670 00:38:54,880 --> 00:38:57,239 Speaker 1: the front door. It is Oh no, no, we're gonna 671 00:38:57,239 --> 00:38:59,840 Speaker 1: go over here and tell this guy's story. We're gonna 672 00:38:59,840 --> 00:39:02,640 Speaker 1: tell you know. I feel like there's a way to 673 00:39:02,719 --> 00:39:06,279 Speaker 1: do it where it's thoughtful and it's something else like that, 674 00:39:06,320 --> 00:39:09,360 Speaker 1: it's something different that That's kind of where I was 675 00:39:09,400 --> 00:39:11,120 Speaker 1: thinking that you know, the Hurricane Ida would be interesting 676 00:39:11,160 --> 00:39:13,680 Speaker 1: because you could you could do something completely different. And 677 00:39:13,719 --> 00:39:16,200 Speaker 1: of course, of course we want to bring in, you know, 678 00:39:16,680 --> 00:39:20,520 Speaker 1: all the characters we love, but maybe they're not the center. 679 00:39:21,120 --> 00:39:23,520 Speaker 1: Ye yeah, yeah, yea yeah, And maybe they you know, 680 00:39:23,640 --> 00:39:26,320 Speaker 1: they come in at certain times and it's so exciting 681 00:39:26,360 --> 00:39:29,319 Speaker 1: because we get a dose of them. But I think 682 00:39:29,360 --> 00:39:31,239 Speaker 1: you might you need, you need to do something new, 683 00:39:31,280 --> 00:39:34,680 Speaker 1: like top Gun has a new cast of young pilots. 684 00:39:35,600 --> 00:39:41,160 Speaker 1: You know. Yeah, maybe I'm a therapist. Maybe Alex turns 685 00:39:41,200 --> 00:39:47,240 Speaker 1: into a therapist. That's actually probably perfect. She's not, she's 686 00:39:47,280 --> 00:39:51,640 Speaker 1: not what is she? Then she's dead and I'm kidding. No, 687 00:39:51,800 --> 00:39:57,840 Speaker 1: she's happily married with children, just trying to imitate some 688 00:39:57,920 --> 00:40:04,000 Speaker 1: kind of art. No, she's strong and by herself and 689 00:40:04,040 --> 00:40:07,319 Speaker 1: she loves it that way. She probably exactly. She's like, 690 00:40:07,360 --> 00:40:13,320 Speaker 1: I don't need a man. Here we go, Oh man, Austin, 691 00:40:13,600 --> 00:40:17,840 Speaker 1: what's next, bab um? I don't know. I'm I'm taking 692 00:40:18,239 --> 00:40:21,480 Speaker 1: a little bit of time off and traveling with my 693 00:40:21,640 --> 00:40:25,640 Speaker 1: puppy Otis and having a great time, and then you know, 694 00:40:25,719 --> 00:40:27,880 Speaker 1: I'll get back into you know, reading some stuff and 695 00:40:27,880 --> 00:40:29,880 Speaker 1: seeing But I don't know yet. Would you get on 696 00:40:29,920 --> 00:40:34,279 Speaker 1: a procedural that would run forever? I don't know see, 697 00:40:34,320 --> 00:40:35,560 Speaker 1: because I feel like a lot of times when I 698 00:40:35,560 --> 00:40:37,880 Speaker 1: asked actors out there like no like for me, I'm like, 699 00:40:37,920 --> 00:40:40,000 Speaker 1: get me a show that runs for ten years straight. 700 00:40:40,400 --> 00:40:42,000 Speaker 1: And then I don't even care, like I just want 701 00:40:42,040 --> 00:40:44,680 Speaker 1: something that because I want constant and then do like 702 00:40:44,719 --> 00:40:48,120 Speaker 1: the one fun movie that's like makes some money. One 703 00:40:48,160 --> 00:40:50,600 Speaker 1: thing I've learned is that to not rule anything out 704 00:40:50,640 --> 00:40:53,719 Speaker 1: and not to say no, because you never know what 705 00:40:53,880 --> 00:40:57,759 Speaker 1: could be coming. And you know, you know, procedurals aren't 706 00:40:57,760 --> 00:41:00,480 Speaker 1: necessarily my favorite thing in the world. Doesn't mean there 707 00:41:00,560 --> 00:41:04,120 Speaker 1: isn't there aren't great ones, and um, they can't be 708 00:41:04,200 --> 00:41:08,040 Speaker 1: really fun and you know, so I try to keep 709 00:41:08,040 --> 00:41:12,680 Speaker 1: an open mind and and see see what comes. Um. 710 00:41:12,760 --> 00:41:15,399 Speaker 1: So maybe, and what are you watching right now? Because 711 00:41:15,400 --> 00:41:23,480 Speaker 1: everyone wants to watch what Austin Minx. I'm kiddingly winning time. 712 00:41:24,120 --> 00:41:29,640 Speaker 1: The story about the Lakers is incredible, really really good. Um, 713 00:41:29,680 --> 00:41:33,480 Speaker 1: severance is really really very good. Um. Then stored an 714 00:41:33,480 --> 00:41:37,200 Speaker 1: amazing job with the severance. Um what else? Oh, you 715 00:41:37,320 --> 00:41:42,160 Speaker 1: told me to watch the Jessica Bile one Candy It's 716 00:41:42,200 --> 00:41:46,960 Speaker 1: so good, So it's really great. Um, I'm a big 717 00:41:46,960 --> 00:41:50,840 Speaker 1: fan of candy. Jessica Bill is doing I feel like 718 00:41:50,840 --> 00:41:53,399 Speaker 1: doing something she's never done and she's phenomenal. I hope 719 00:41:53,400 --> 00:41:55,719 Speaker 1: she wins all the awards. Is there supposed to be 720 00:41:55,719 --> 00:41:57,480 Speaker 1: more to that show? Or now? Is that just it? 721 00:41:57,600 --> 00:41:59,799 Speaker 1: I mean it's a true crime thing, so I think 722 00:41:59,840 --> 00:42:02,319 Speaker 1: that it. I think it's limited. And it's pressing to 723 00:42:02,360 --> 00:42:06,080 Speaker 1: me though, because when I like a show, I wanted 724 00:42:06,200 --> 00:42:08,600 Speaker 1: to last. And also, you know, Hollywood is you know, 725 00:42:08,640 --> 00:42:10,560 Speaker 1: if it's a big hit, they will find a way 726 00:42:10,600 --> 00:42:13,600 Speaker 1: I know, to do another season. But his story, I 727 00:42:14,040 --> 00:42:22,920 Speaker 1: feel pushed forced because it ended. But who knows. Maybe well, UM, 728 00:42:23,160 --> 00:42:28,120 Speaker 1: thank you for stopping in Nashville on your on your 729 00:42:28,360 --> 00:42:32,359 Speaker 1: road trip and UM, yeah, let's not let it be 730 00:42:32,760 --> 00:42:36,680 Speaker 1: ten years again? Copy that I agree? Could that agree? Um, 731 00:42:36,760 --> 00:42:40,600 Speaker 1: y'all give it up for Austin and follow him on 732 00:42:40,800 --> 00:42:44,239 Speaker 1: all the things and watch MINX and and um you're 733 00:42:44,280 --> 00:42:45,759 Speaker 1: the best. I love you, I love you. Thank you. 734 00:42:46,840 --> 00:42:47,040 Speaker 1: By