1 00:00:00,040 --> 00:00:02,599 Speaker 1: And I remember being like, that is the most ft 2 00:00:02,680 --> 00:00:05,680 Speaker 1: up thing that I've ever heard in my life, where 3 00:00:05,720 --> 00:00:08,520 Speaker 1: it's like, we're looking for Donald phase on type. I'll 4 00:00:08,560 --> 00:00:10,959 Speaker 1: go in on the audition and they're like, well, we're 5 00:00:10,960 --> 00:00:13,520 Speaker 1: looking for Donald phase on type, but a better version 6 00:00:13,560 --> 00:00:17,479 Speaker 1: of Donald Donald phase on ish but full phase on, right, 7 00:00:17,920 --> 00:00:20,119 Speaker 1: don't go full phase on. You went full phase on? 8 00:00:20,200 --> 00:00:22,960 Speaker 1: You Donald phase on went too far in the phase 9 00:00:23,000 --> 00:00:29,200 Speaker 1: on direction. Here's some stories about show we made about 10 00:00:29,360 --> 00:00:39,479 Speaker 1: bunch of dots and nurses and stories. So ye around 11 00:00:39,800 --> 00:00:50,320 Speaker 1: here are yea around here A welcome back, everybody, Welcome 12 00:00:50,320 --> 00:00:55,160 Speaker 1: back to the Rewatch Show with Donald one, O two 13 00:00:55,240 --> 00:00:58,080 Speaker 1: and now Donald. You pointed out something very wise, and 14 00:00:58,200 --> 00:01:00,440 Speaker 1: that is that you know, when you do a pilot, 15 00:01:00,840 --> 00:01:02,959 Speaker 1: you you shoot the pilot and then you have no 16 00:01:03,040 --> 00:01:05,520 Speaker 1: idea if the show is gonna get picked up. And 17 00:01:05,600 --> 00:01:08,120 Speaker 1: there's often a lot of time between when you shot 18 00:01:08,160 --> 00:01:11,120 Speaker 1: the pilot and then let's say the network says, okay, 19 00:01:11,160 --> 00:01:13,240 Speaker 1: we're gonna make it a series, and then you go 20 00:01:13,319 --> 00:01:15,720 Speaker 1: and you you go to a thing called the upfronts, 21 00:01:15,840 --> 00:01:18,399 Speaker 1: which is when your show is selected. You go to 22 00:01:18,440 --> 00:01:21,480 Speaker 1: a huge party in New York City where they announced 23 00:01:21,480 --> 00:01:23,640 Speaker 1: where the network is going to announce all of the 24 00:01:23,680 --> 00:01:26,800 Speaker 1: new shows, and this is a very thrilling thing for 25 00:01:26,840 --> 00:01:32,200 Speaker 1: a young actor. Absolutely, And also when Scrubs got picked up, 26 00:01:32,760 --> 00:01:36,800 Speaker 1: it was considered one of the better pilots of that time. 27 00:01:37,240 --> 00:01:39,520 Speaker 1: And so when we went to upfront, I remember all 28 00:01:39,560 --> 00:01:42,440 Speaker 1: of the heat that we had behind us at Upfront, 29 00:01:42,720 --> 00:01:46,280 Speaker 1: Like even the party for all of the upfront shows 30 00:01:46,640 --> 00:01:49,640 Speaker 1: was kind of themed towards us, you know what I mean. 31 00:01:50,280 --> 00:01:52,720 Speaker 1: And you know, you get there and you and you 32 00:01:52,840 --> 00:01:56,360 Speaker 1: and you meet a bunch of executives for the first time, 33 00:01:56,480 --> 00:01:59,040 Speaker 1: and you don't really know who they are because nobody 34 00:01:59,080 --> 00:02:02,200 Speaker 1: really knows exactly get us until you're on the network 35 00:02:02,240 --> 00:02:05,680 Speaker 1: and somebody tells you, Okay, that's my boss and that's 36 00:02:05,800 --> 00:02:09,480 Speaker 1: his boss. And that reminds me of a wonderful story 37 00:02:09,520 --> 00:02:12,040 Speaker 1: about you, because we were we were so first we 38 00:02:12,080 --> 00:02:13,920 Speaker 1: go to the party and it's this amazing party and 39 00:02:13,960 --> 00:02:16,000 Speaker 1: it's you know, we were just wide on. We couldn't 40 00:02:16,000 --> 00:02:18,520 Speaker 1: believe we were here. I mean, I was waiting tables 41 00:02:18,560 --> 00:02:22,160 Speaker 1: a few months ago and and uh, here we are 42 00:02:22,200 --> 00:02:24,200 Speaker 1: in New York at this Gianet party and you have 43 00:02:24,200 --> 00:02:25,960 Speaker 1: to you take pictures with a lot of people and 44 00:02:26,040 --> 00:02:28,440 Speaker 1: you know, you're getting treated like a celebrity and and 45 00:02:28,440 --> 00:02:30,720 Speaker 1: you're not. No one even knows who you are really yet, 46 00:02:30,800 --> 00:02:33,800 Speaker 1: at least especially in my case. And um, and then 47 00:02:34,040 --> 00:02:36,280 Speaker 1: then we go to this party and there were celebrities 48 00:02:36,320 --> 00:02:38,840 Speaker 1: at the party. I remember Kevin Nealon, who I was 49 00:02:38,880 --> 00:02:41,720 Speaker 1: a huge fan of from SNL as an example. He 50 00:02:41,760 --> 00:02:43,919 Speaker 1: was I think literally might have been one of the 51 00:02:43,960 --> 00:02:47,520 Speaker 1: first celebrities I ever met, was Kevin Neilan at this party. 52 00:02:47,560 --> 00:02:49,119 Speaker 1: And I remember thinking, like, oh my god, we're hanging 53 00:02:49,160 --> 00:02:53,040 Speaker 1: out with with celebrities, like we've made it. Yeah, you know. 54 00:02:53,600 --> 00:02:56,480 Speaker 1: Sean Hayes was another person who was a big champion, 55 00:02:56,880 --> 00:02:59,640 Speaker 1: like he loved the show, and it was really awesome 56 00:02:59,680 --> 00:03:02,120 Speaker 1: to have the dude from Will and Grace, who at 57 00:03:02,160 --> 00:03:05,760 Speaker 1: this point was really famous on television. That show is 58 00:03:05,880 --> 00:03:07,680 Speaker 1: huge and and do you remember any other stars that 59 00:03:07,680 --> 00:03:09,440 Speaker 1: were at that party. I remember. I just remember because 60 00:03:09,440 --> 00:03:11,280 Speaker 1: I was such an SNL fan as a kid, that 61 00:03:11,320 --> 00:03:13,840 Speaker 1: I was so geeked out that that Kevin Neil was there. 62 00:03:13,840 --> 00:03:16,840 Speaker 1: I think there may have been some other older SNL faces, 63 00:03:16,919 --> 00:03:19,560 Speaker 1: but it was it was all the It was like 64 00:03:19,639 --> 00:03:23,520 Speaker 1: a NBC rich at any anyone who was on NBC 65 00:03:23,680 --> 00:03:27,920 Speaker 1: at that time was at at the party. Now we proceeded, 66 00:03:28,040 --> 00:03:32,120 Speaker 1: understandably to get quite intoxicated at this party. Oh my gosh. 67 00:03:32,200 --> 00:03:34,160 Speaker 1: I remember Bill Lawrence saying like, all right, guys, just 68 00:03:34,160 --> 00:03:36,200 Speaker 1: so you know, like don't like, you know, there's been 69 00:03:36,200 --> 00:03:38,320 Speaker 1: a lot of executives at this party, like I understand 70 00:03:38,320 --> 00:03:40,520 Speaker 1: your New York your life has just changed, but like, 71 00:03:40,680 --> 00:03:45,560 Speaker 1: don't get ship faced to all of us, all of us, 72 00:03:46,400 --> 00:03:49,960 Speaker 1: all of us Sarah Chawk's famous line, even you guys 73 00:03:50,000 --> 00:03:55,280 Speaker 1: ever heard of my Cosmopolitan? Yeah? Right, Sarah. Sarah stumbled 74 00:03:55,320 --> 00:03:57,680 Speaker 1: up to us sideways and she's like, have you guys 75 00:03:57,800 --> 00:04:03,120 Speaker 1: ever heard of a Cosmopolitan? They're great? And then I 76 00:04:03,120 --> 00:04:05,800 Speaker 1: remember cut for some reason at this bar. Wasn't there 77 00:04:05,840 --> 00:04:09,200 Speaker 1: like a trappie like a trapez but what do you 78 00:04:09,200 --> 00:04:13,560 Speaker 1: call that thing where you swing on a trapeez? Say 79 00:04:13,640 --> 00:04:16,279 Speaker 1: too dangerous to real trapeze? But was there? It was 80 00:04:16,320 --> 00:04:18,239 Speaker 1: something like that. It was a bar in the middle. 81 00:04:18,279 --> 00:04:20,359 Speaker 1: It was like a bar. I think it was in 82 00:04:20,400 --> 00:04:21,760 Speaker 1: the middle of the bar. It was in the meat 83 00:04:21,760 --> 00:04:24,400 Speaker 1: packy story. I think it was called park or something anyway, 84 00:04:24,480 --> 00:04:27,000 Speaker 1: and she was on I remember her being on the 85 00:04:27,040 --> 00:04:30,880 Speaker 1: bar and flipping over and just showing everybody. You know 86 00:04:31,279 --> 00:04:34,440 Speaker 1: what she had on underneath that dress she wore that 87 00:04:34,520 --> 00:04:37,600 Speaker 1: day because she was And I remember her husband at 88 00:04:37,600 --> 00:04:39,479 Speaker 1: the time being like, that's it, we're going home. Time 89 00:04:39,520 --> 00:04:41,240 Speaker 1: to go home, let's go. My favorite part of the 90 00:04:41,320 --> 00:04:46,400 Speaker 1: night is Donald was giving everyone noogies, and well, all right, 91 00:04:46,480 --> 00:04:48,159 Speaker 1: let's let's let me tell the story and then you 92 00:04:48,240 --> 00:04:51,240 Speaker 1: can clarify. Let me tell this. Let's start from the beginning, though, 93 00:04:51,360 --> 00:04:55,680 Speaker 1: Let's start from the very beginning. Okay, So Scott Sassa 94 00:04:55,880 --> 00:04:57,840 Speaker 1: was the dude that I thought was in charge of 95 00:04:57,920 --> 00:05:01,080 Speaker 1: all of NBC at the time. I think he was 96 00:05:01,240 --> 00:05:04,000 Speaker 1: higher up than than Jeff Zucker, who we're going to 97 00:05:04,080 --> 00:05:07,719 Speaker 1: talk about. Jeff Zucker was the I believe, the president 98 00:05:07,760 --> 00:05:11,320 Speaker 1: of NBC who's now actually now the president of CNN, 99 00:05:11,960 --> 00:05:14,080 Speaker 1: but at the time, he was the president of NBC. 100 00:05:14,120 --> 00:05:17,560 Speaker 1: He had just come from whatever, the Today Show at 101 00:05:17,560 --> 00:05:21,040 Speaker 1: the time, and then he'd gone on to be the 102 00:05:21,040 --> 00:05:24,279 Speaker 1: head of NBC. And I didn't know this, so Donald 103 00:05:24,279 --> 00:05:25,920 Speaker 1: didn't know who he was. You're gonna ruin my story. 104 00:05:26,040 --> 00:05:27,960 Speaker 1: Donald didn't know who he was. I thought he was 105 00:05:27,960 --> 00:05:31,279 Speaker 1: Scott Sass's assistant. And Donald was going around giving everyone 106 00:05:31,400 --> 00:05:34,440 Speaker 1: noggies and I look over and Donald has Jeff Zucker, 107 00:05:34,600 --> 00:05:38,479 Speaker 1: the president of the network, in a full headlock, and 108 00:05:38,520 --> 00:05:42,279 Speaker 1: he's giving him a drunken noggie on his bald head. 109 00:05:43,000 --> 00:05:48,920 Speaker 1: And I hear Jeff Zucker, go please Donald. No. That's 110 00:05:53,600 --> 00:05:56,320 Speaker 1: entire friendship. Whenever Donald like tells me a cringe e 111 00:05:56,400 --> 00:05:58,599 Speaker 1: story that makes me want to run away, I just 112 00:05:58,600 --> 00:06:01,760 Speaker 1: tell him about please Donald, no, Jeff Zucker. You know, 113 00:06:01,880 --> 00:06:04,200 Speaker 1: at this point, I'm giving everybody love because I'm so 114 00:06:04,240 --> 00:06:07,560 Speaker 1: excited that we're on the network. It's going down, and 115 00:06:07,560 --> 00:06:11,000 Speaker 1: I look over and I see Jeff Zucker in my mind, 116 00:06:11,040 --> 00:06:16,200 Speaker 1: Scott Sass's assistant standing over by the bar, uh, you know, 117 00:06:16,680 --> 00:06:19,159 Speaker 1: by himself, or he might even have been with somebody. 118 00:06:19,200 --> 00:06:22,200 Speaker 1: And I'm like, hey, you come over here to give out. 119 00:06:22,440 --> 00:06:24,320 Speaker 1: And he's like he's like no, no, no, no, no, no, 120 00:06:24,320 --> 00:06:26,320 Speaker 1: no no no. And I pointed at him again, and 121 00:06:26,360 --> 00:06:28,159 Speaker 1: I'm like, and I get a little bit more, you know, 122 00:06:28,800 --> 00:06:31,799 Speaker 1: agro about it, and I'm like, no, you get over 123 00:06:31,920 --> 00:06:34,640 Speaker 1: here right now, and he's like no, no, no, no, 124 00:06:34,640 --> 00:06:37,920 Speaker 1: no no, And so I march over to him, drunk 125 00:06:37,960 --> 00:06:40,840 Speaker 1: as kim being I've seen you march. When Donald marches 126 00:06:40,920 --> 00:06:43,960 Speaker 1: his arms swing and I walk up to him and 127 00:06:43,960 --> 00:06:45,480 Speaker 1: I grabbed him and I put him in the headlock, 128 00:06:45,520 --> 00:06:48,240 Speaker 1: and I'm like, don't you ever tell me no? And 129 00:06:48,240 --> 00:06:51,560 Speaker 1: I'm grabbing him and I'm giving Jeff Zucker a nuggie. 130 00:06:51,640 --> 00:06:55,760 Speaker 1: And I remember Bill Lawrence like a few days later 131 00:06:55,880 --> 00:06:59,240 Speaker 1: being like, dude, Donald, I just have to ask you 132 00:06:59,360 --> 00:07:03,400 Speaker 1: if this act really happened, But did you give Jeff 133 00:07:03,480 --> 00:07:05,640 Speaker 1: Zucker a noogie? I was like, I gave so many 134 00:07:05,640 --> 00:07:08,080 Speaker 1: people noggies. I gave so many I can't recall who 135 00:07:08,200 --> 00:07:12,440 Speaker 1: who was the And he was like, well, apparently you 136 00:07:12,480 --> 00:07:18,440 Speaker 1: gave the head of NBC a noogie. And he's not 137 00:07:18,520 --> 00:07:22,120 Speaker 1: really happy about it. He wasn't genuinely piste off, was he? No. 138 00:07:22,280 --> 00:07:23,960 Speaker 1: I don't think he was genuinely piste off. But he 139 00:07:23,960 --> 00:07:27,040 Speaker 1: stayed away from me. I remember remember he did come 140 00:07:27,040 --> 00:07:29,560 Speaker 1: to visit the set the hospital, and he kind of 141 00:07:29,600 --> 00:07:32,280 Speaker 1: stayed away from you because he was afraid of He 142 00:07:32,360 --> 00:07:36,440 Speaker 1: was very very afraid of me. Um, yeah, that's very funny. 143 00:07:36,520 --> 00:07:38,840 Speaker 1: Well what else do you? So? Then I remember that 144 00:07:38,960 --> 00:07:41,840 Speaker 1: night ended where we were in I wasn't there. You were, 145 00:07:42,040 --> 00:07:46,040 Speaker 1: this was you and Nelon. I wasn't there. Almost Almost 146 00:07:46,080 --> 00:07:50,200 Speaker 1: everybody ended up back in Bill and Christa's hotel room, 147 00:07:50,400 --> 00:07:53,560 Speaker 1: and we it's kind of it's sweet slash embarrassing. We 148 00:07:53,560 --> 00:07:55,679 Speaker 1: were so geeked out. We were like, let's watch our pilot. 149 00:07:56,200 --> 00:07:57,880 Speaker 1: So we were like it was like a whole bunch 150 00:07:57,880 --> 00:08:00,520 Speaker 1: of people and Kevin Kneelin, who I was a fan of, 151 00:08:00,720 --> 00:08:03,560 Speaker 1: and we just were watching the show and I don't know, 152 00:08:03,560 --> 00:08:06,400 Speaker 1: it was this sweet moment. I remember being like just 153 00:08:06,440 --> 00:08:09,120 Speaker 1: thinking like I can't believe this is happening. But then 154 00:08:09,160 --> 00:08:11,720 Speaker 1: the funny thing is you have a long time before 155 00:08:11,760 --> 00:08:13,600 Speaker 1: you start shooting. So we made the show, it got 156 00:08:13,680 --> 00:08:15,680 Speaker 1: picked up. My mom freaked out that I was like 157 00:08:15,920 --> 00:08:17,800 Speaker 1: that I quit my waiting tables job. She was like, 158 00:08:17,800 --> 00:08:20,000 Speaker 1: but what it's so long, what are you gonna do? 159 00:08:20,040 --> 00:08:22,800 Speaker 1: And I was like, I, Mom, I I I can 160 00:08:23,080 --> 00:08:25,000 Speaker 1: live off this pilot money for a long I was 161 00:08:25,040 --> 00:08:27,400 Speaker 1: living so frugally with with no money that I was like, 162 00:08:27,440 --> 00:08:29,400 Speaker 1: I can live off this pilot money for a long time, 163 00:08:29,480 --> 00:08:32,280 Speaker 1: So I'm gonna write. And that's in that time is 164 00:08:32,320 --> 00:08:35,440 Speaker 1: when I really finally sat down and put Garden State together, 165 00:08:35,440 --> 00:08:38,640 Speaker 1: and at my dining room table and kind of was like, 166 00:08:38,960 --> 00:08:41,079 Speaker 1: this is a sign I need to I have this 167 00:08:41,160 --> 00:08:43,400 Speaker 1: time that the universe gave me and I don't need 168 00:08:43,440 --> 00:08:45,080 Speaker 1: to wait tables and I'm gonna sit down and like 169 00:08:45,160 --> 00:08:48,000 Speaker 1: put this script together. That's awesome. Yeah, I went away. 170 00:08:48,000 --> 00:08:50,600 Speaker 1: I think I did a movie that year. I know 171 00:08:50,640 --> 00:08:52,720 Speaker 1: I did. I did something in between. But I remember 172 00:08:52,720 --> 00:08:57,040 Speaker 1: also calling Danny Rose, who was Bill's assistant at the time, 173 00:08:57,120 --> 00:08:59,559 Speaker 1: every day, like, so when do we start, man? Like 174 00:09:00,120 --> 00:09:02,320 Speaker 1: you know, he was like, and we're gonna start, probably 175 00:09:02,360 --> 00:09:04,920 Speaker 1: around June or July. I was like, dude, come on, 176 00:09:05,240 --> 00:09:06,959 Speaker 1: like like it was up to Danny, I love you, Like, 177 00:09:07,000 --> 00:09:08,920 Speaker 1: come on, man, we gotta start. We gotta we gotta 178 00:09:08,920 --> 00:09:12,240 Speaker 1: start soon. Man. I I had a baby mama at 179 00:09:12,280 --> 00:09:15,520 Speaker 1: the time, and we had two kids and one on 180 00:09:15,559 --> 00:09:18,120 Speaker 1: the way, and it was like, I remember being like, 181 00:09:18,200 --> 00:09:20,960 Speaker 1: I gotta get out of here, man, I gotta do something. Well. 182 00:09:20,960 --> 00:09:22,400 Speaker 1: You wanted to be working, you wanted to be like 183 00:09:22,480 --> 00:09:25,040 Speaker 1: doing it well. Yeah, And also we had this show 184 00:09:25,640 --> 00:09:29,080 Speaker 1: that was picked up, but we weren't gonna work from 185 00:09:29,120 --> 00:09:32,079 Speaker 1: you know, from May until July or you know that 186 00:09:32,320 --> 00:09:34,840 Speaker 1: it was. I remember, I couldn't figure out was it 187 00:09:34,880 --> 00:09:37,240 Speaker 1: like four months where we waited and waited. We went 188 00:09:37,280 --> 00:09:40,200 Speaker 1: back to work probably in the beginning of July, like 189 00:09:40,240 --> 00:09:43,600 Speaker 1: most shows do, uh something like that. I just remember 190 00:09:43,640 --> 00:09:46,080 Speaker 1: being at like four months or song. But anyway, it 191 00:09:46,120 --> 00:09:49,320 Speaker 1: was so exciting to finally start. And so this episode 192 00:09:49,360 --> 00:09:51,040 Speaker 1: that we're gonna talk about today one or two by 193 00:09:51,040 --> 00:09:53,199 Speaker 1: the way, just this just a little bit of oddness. 194 00:09:53,240 --> 00:09:56,520 Speaker 1: They label TV shows in the hundreds so you can 195 00:09:56,600 --> 00:09:59,160 Speaker 1: keep track of what season on. So a pilot would 196 00:09:59,160 --> 00:10:02,559 Speaker 1: be one oh one, right, and then episode two will 197 00:10:02,559 --> 00:10:04,200 Speaker 1: be one oh two, and then when you start season 198 00:10:04,280 --> 00:10:06,760 Speaker 1: two it's two oh one, two oh two, so that way, 199 00:10:06,760 --> 00:10:09,240 Speaker 1: you know, anyway, just a little bit of trivia for you. 200 00:10:09,640 --> 00:10:11,600 Speaker 1: So this is one oh two we're gonna be talking about, 201 00:10:11,600 --> 00:10:15,640 Speaker 1: and it's called my mentor. Okay, so the show starts 202 00:10:15,640 --> 00:10:19,600 Speaker 1: off and I remember singing this song for such a 203 00:10:19,679 --> 00:10:25,440 Speaker 1: long time, but it it's called good Time by Leroy. 204 00:10:25,480 --> 00:10:28,520 Speaker 1: If you guys want to remind yourselves of the song 205 00:10:29,120 --> 00:10:32,400 Speaker 1: and it was really you can sing it ahead. I'm 206 00:10:32,400 --> 00:10:37,000 Speaker 1: sure le Ro would be rolla. Uh. I got shot 207 00:10:37,120 --> 00:10:44,440 Speaker 1: down in southern Californy. I remember being like, that's a 208 00:10:44,480 --> 00:10:47,440 Speaker 1: dope song, and this is this is you know, for me, 209 00:10:48,000 --> 00:10:50,400 Speaker 1: Scrubs was a brand new experience when it came to 210 00:10:50,480 --> 00:10:53,080 Speaker 1: music because I didn't listen to music like this. I 211 00:10:53,120 --> 00:10:55,840 Speaker 1: listened to other types of music, and so this was 212 00:10:55,880 --> 00:10:58,040 Speaker 1: one of the first examples of me being of me 213 00:10:58,160 --> 00:11:00,920 Speaker 1: hearing this and being like wow, we and also also 214 00:11:01,320 --> 00:11:03,720 Speaker 1: seeing it for the first time too, and it being 215 00:11:03,760 --> 00:11:05,800 Speaker 1: like a music video. It was like, wow, we're making 216 00:11:05,880 --> 00:11:10,600 Speaker 1: music videos and also making a story about how look 217 00:11:10,600 --> 00:11:12,680 Speaker 1: In the beginning of the show, the hospitals in sync 218 00:11:13,040 --> 00:11:15,880 Speaker 1: because of this, this song that you're listening to in 219 00:11:15,920 --> 00:11:19,560 Speaker 1: your ear. We're on point. Everybody is doing their job. 220 00:11:19,840 --> 00:11:21,800 Speaker 1: And I also noticed that we we cut ahead a 221 00:11:21,800 --> 00:11:24,520 Speaker 1: little bit also, so you're no longer it's not the 222 00:11:24,640 --> 00:11:26,800 Speaker 1: very next day, you know, it's a few days in. 223 00:11:26,920 --> 00:11:28,720 Speaker 1: I've gotten, but I I just want to say, like 224 00:11:28,760 --> 00:11:30,520 Speaker 1: I got. I was watching this, and granted I haven't 225 00:11:30,520 --> 00:11:32,520 Speaker 1: watched this in twenty years. Most of these episodes I 226 00:11:32,520 --> 00:11:33,959 Speaker 1: don't know about you, but one of the things that's 227 00:11:33,960 --> 00:11:36,800 Speaker 1: fun about doing this podcast is, with a very few 228 00:11:36,800 --> 00:11:40,400 Speaker 1: exceptions maybe the musical episode or or or or ones 229 00:11:40,440 --> 00:11:42,439 Speaker 1: I directed, I directed seven or eight of them. I 230 00:11:42,520 --> 00:11:45,040 Speaker 1: think I never I only saw them once. So I 231 00:11:45,080 --> 00:11:47,240 Speaker 1: haven't seen this in twenty years, and it's so cool 232 00:11:47,280 --> 00:11:50,000 Speaker 1: to look back and Adam Bernstein directed this episode. That 233 00:11:50,080 --> 00:11:53,160 Speaker 1: was the same director who directed our pilot, and I 234 00:11:53,240 --> 00:11:55,280 Speaker 1: just remember thinking, like, you just said that, this was 235 00:11:55,320 --> 00:11:57,960 Speaker 1: so exciting. We were like the show was opening, like 236 00:11:58,000 --> 00:12:00,400 Speaker 1: this was stuff I hadn't really seen before and the show. 237 00:12:00,400 --> 00:12:02,880 Speaker 1: It just showed the creativity of Bill and and Adam 238 00:12:03,000 --> 00:12:05,679 Speaker 1: Ernstein and the fact that the show was opening with 239 00:12:05,760 --> 00:12:08,400 Speaker 1: this music video of how life in the hospital when 240 00:12:08,440 --> 00:12:10,560 Speaker 1: it's grooving is like a well oiled machine. I just 241 00:12:10,559 --> 00:12:13,160 Speaker 1: thought it was so clever. Yeah, I took notice of 242 00:12:13,200 --> 00:12:16,040 Speaker 1: that because I don't, you know, watching this again, is 243 00:12:16,080 --> 00:12:18,040 Speaker 1: it all seems a little brand new to me, And 244 00:12:18,280 --> 00:12:20,120 Speaker 1: I don't mean to We were a part of the 245 00:12:20,120 --> 00:12:22,520 Speaker 1: show and so it was just an amazing moment for me. 246 00:12:22,559 --> 00:12:25,319 Speaker 1: I'm gonna sound like, you know, I'm cocky and arrogant, 247 00:12:25,360 --> 00:12:27,640 Speaker 1: but you know, watching it, I was like, Wow, this 248 00:12:27,720 --> 00:12:32,120 Speaker 1: is a really really genius way of showing how awesome 249 00:12:32,520 --> 00:12:34,960 Speaker 1: or how in synct this hospital is. And for that, 250 00:12:35,000 --> 00:12:37,040 Speaker 1: I was like, I love the show even more now 251 00:12:37,120 --> 00:12:39,520 Speaker 1: you know, now that it's now that it's twenty years later, 252 00:12:39,520 --> 00:12:42,319 Speaker 1: I'm like, Wow, we really were innovative and we really 253 00:12:42,360 --> 00:12:46,599 Speaker 1: were different for prime time television. You know, regardless of 254 00:12:46,640 --> 00:12:49,560 Speaker 1: how many people watched the show at the time, you know, 255 00:12:49,679 --> 00:12:53,400 Speaker 1: it really still does hold up. Yeah, I have to say, um, 256 00:12:53,400 --> 00:12:55,480 Speaker 1: and you can be that's not you being arrogant because 257 00:12:55,559 --> 00:12:58,200 Speaker 1: we weren't the genius people behind writing it. Although yeah, 258 00:12:58,240 --> 00:12:59,719 Speaker 1: but we were a part of it. I know, I know, 259 00:12:59,880 --> 00:13:01,600 Speaker 1: but I'm saying you had a really big part about 260 00:13:01,640 --> 00:13:03,760 Speaker 1: you know, you did. You told the story. I know, 261 00:13:03,960 --> 00:13:05,960 Speaker 1: but I'm just saying like this, I think, you know, 262 00:13:06,000 --> 00:13:08,240 Speaker 1: as credit to Bill and all the writers, this was 263 00:13:08,320 --> 00:13:12,199 Speaker 1: just so original and and different and exciting. By the way, 264 00:13:12,240 --> 00:13:14,679 Speaker 1: how funny is it that I have a Walkman? It 265 00:13:14,800 --> 00:13:16,720 Speaker 1: must be two thousand one. I guess there was still 266 00:13:16,720 --> 00:13:18,360 Speaker 1: cassette Walkman. I would have thought it would have been 267 00:13:18,400 --> 00:13:20,680 Speaker 1: a disc but uh, I guess J D had a 268 00:13:20,760 --> 00:13:25,160 Speaker 1: had a mix on a cassette. Dude. You know, speaking 269 00:13:25,160 --> 00:13:28,040 Speaker 1: of Walkman's well week, we could talk about it after 270 00:13:28,760 --> 00:13:30,800 Speaker 1: season one, but I just remember you walking the streets 271 00:13:30,840 --> 00:13:33,400 Speaker 1: of New York City with your yellow Walkman, listening to 272 00:13:33,440 --> 00:13:41,040 Speaker 1: Michelle Branch. Every me when I closed my eyes, it's you, 273 00:13:41,440 --> 00:13:43,240 Speaker 1: I you see, that was my jam. I am not 274 00:13:43,440 --> 00:13:46,319 Speaker 1: duming about loving Michelle Branch. I remember you walking out 275 00:13:46,400 --> 00:13:49,400 Speaker 1: the house Walkman. It was a yellow walkman, the sony Walkman, 276 00:13:49,440 --> 00:13:51,640 Speaker 1: the dope Sony Walkman's that everybody if you had the 277 00:13:51,720 --> 00:13:55,040 Speaker 1: yellow sunny Walkman, you had the dope. You know. Everything 278 00:13:55,040 --> 00:13:56,960 Speaker 1: else was all right, but that was the one right. 279 00:13:57,160 --> 00:13:59,400 Speaker 1: And I remember you being like, well, I'm out, I'm 280 00:13:59,440 --> 00:14:01,559 Speaker 1: going to her so And that's when we were both 281 00:14:01,559 --> 00:14:04,360 Speaker 1: in New York living together and you were doing That's 282 00:14:04,400 --> 00:14:07,520 Speaker 1: the whole episode is Donald and I living together in Manhattan. 283 00:14:07,840 --> 00:14:10,560 Speaker 1: We rented aloft together. He was doing a movie and 284 00:14:10,600 --> 00:14:12,920 Speaker 1: I was doing Shakespeare in the Park and I would 285 00:14:12,960 --> 00:14:14,760 Speaker 1: go out and bought my head with my yellow walk 286 00:14:14,800 --> 00:14:19,960 Speaker 1: Man cranking YO every way to me when I closed 287 00:14:19,960 --> 00:14:26,400 Speaker 1: my eyes, it's you. I I'm not alone, dude. I 288 00:14:26,440 --> 00:14:29,560 Speaker 1: think it's very much j D that you had a 289 00:14:29,560 --> 00:14:32,440 Speaker 1: walkman with his cassette tape in it. Yeah. Um. I 290 00:14:32,520 --> 00:14:35,440 Speaker 1: noticed that the first exterior shot is still not our hospital. 291 00:14:35,480 --> 00:14:38,280 Speaker 1: They at two minutes in. They cut two, which was 292 00:14:38,320 --> 00:14:41,040 Speaker 1: an establishing shot from the pilot of me coming to 293 00:14:41,080 --> 00:14:42,600 Speaker 1: work for the first day. I think that's the very 294 00:14:42,600 --> 00:14:44,800 Speaker 1: that's the same shot, exact same shot they used in 295 00:14:44,840 --> 00:14:46,520 Speaker 1: the pilot of me showing up to work for the 296 00:14:46,560 --> 00:14:49,000 Speaker 1: first day. Do you remember going to that hospital and 297 00:14:49,080 --> 00:14:51,760 Speaker 1: us shooting a bunch of entrances like me and you 298 00:14:51,880 --> 00:14:54,600 Speaker 1: walking in, you walking in by yourself, you and Sarah 299 00:14:54,640 --> 00:14:57,800 Speaker 1: walking in. Remember all of that? Yeah? Yeah, and but yeah, 300 00:14:57,840 --> 00:15:00,200 Speaker 1: but that was that was for the pilot, right, No, 301 00:15:00,400 --> 00:15:03,000 Speaker 1: that was for the show itself. We did a bunch 302 00:15:03,040 --> 00:15:05,080 Speaker 1: of we did a bunch of versions of us walking 303 00:15:05,120 --> 00:15:07,880 Speaker 1: into this hospital, and some of it never got used. 304 00:15:08,760 --> 00:15:11,160 Speaker 1: Point at a certain point they just stopped using this 305 00:15:11,360 --> 00:15:13,640 Speaker 1: exterior because it was not our exterior at all. I 306 00:15:13,640 --> 00:15:16,160 Speaker 1: don't know what the hell that was. I noticed that 307 00:15:16,200 --> 00:15:20,560 Speaker 1: this episode has a lot to do with relationships, you 308 00:15:20,600 --> 00:15:22,680 Speaker 1: know what I mean, and how we all started off 309 00:15:23,240 --> 00:15:25,240 Speaker 1: kind of on rocky ground. You and I had the 310 00:15:25,320 --> 00:15:28,360 Speaker 1: same relationship, and you and the janitor have the same 311 00:15:28,360 --> 00:15:32,200 Speaker 1: relationship all the way through, but everyone else, no matter 312 00:15:32,200 --> 00:15:35,960 Speaker 1: how it's connected, has a different relationship in this episode. 313 00:15:36,240 --> 00:15:38,120 Speaker 1: At this point, you don't mind being in the friend 314 00:15:38,240 --> 00:15:40,360 Speaker 1: zone with Elliott, and as a matter of fact, he 315 00:15:40,360 --> 00:15:42,480 Speaker 1: thinks it's kind of cool that, you know, he has 316 00:15:42,520 --> 00:15:44,920 Speaker 1: a colleague from work that wants to hang out with him, 317 00:15:44,960 --> 00:15:48,280 Speaker 1: and and Turk Turk and collor on together. Yet you know, 318 00:15:48,360 --> 00:15:51,080 Speaker 1: what I mean, they're just starting their courtship, you and 319 00:15:51,200 --> 00:15:53,720 Speaker 1: Dr Cox, even though he's still giving you advice and 320 00:15:53,720 --> 00:15:56,120 Speaker 1: stuff like that. I also noticed that this is the 321 00:15:56,120 --> 00:15:59,400 Speaker 1: first time he calls you a woman's name too. I 322 00:15:59,400 --> 00:16:01,840 Speaker 1: think it's ready on where he catches them smoking. Yeah, 323 00:16:01,840 --> 00:16:04,120 Speaker 1: he calls you Susan. But this is you know, you 324 00:16:04,160 --> 00:16:06,960 Speaker 1: guys weren't in sync yet, so you don't really know 325 00:16:07,080 --> 00:16:09,240 Speaker 1: this guy and you're trying to get to know him, 326 00:16:09,880 --> 00:16:11,560 Speaker 1: or j D is trying to get to know him, 327 00:16:11,600 --> 00:16:14,160 Speaker 1: but they don't really know each other that well yet. 328 00:16:14,280 --> 00:16:16,880 Speaker 1: And uh, I'm jumping ahead. But that stuff in his 329 00:16:16,960 --> 00:16:21,800 Speaker 1: apartment is phenomenal. I going back and looking at it, 330 00:16:21,840 --> 00:16:24,080 Speaker 1: I was like I had no idea one that it 331 00:16:24,120 --> 00:16:27,080 Speaker 1: was this funny and two that it was this important, 332 00:16:27,200 --> 00:16:29,400 Speaker 1: you know what I mean, Like I had no clue 333 00:16:29,400 --> 00:16:31,880 Speaker 1: watching it back then. It kind of seems like a blur. 334 00:16:32,040 --> 00:16:34,360 Speaker 1: And you know, to be honest with you, most of 335 00:16:34,400 --> 00:16:37,320 Speaker 1: this episode, I don't remember. Yeah, there's things, there's things 336 00:16:37,320 --> 00:16:39,760 Speaker 1: I don't remember. I don't remember my It's funny. I 337 00:16:39,840 --> 00:16:43,680 Speaker 1: don't remember my head exploding. I mean really no, I don't. 338 00:16:43,720 --> 00:16:45,680 Speaker 1: I mean I remember, I don't remember doing that gag. 339 00:16:46,200 --> 00:16:48,040 Speaker 1: A lot of the stunts and stuff. I remember, I 340 00:16:48,040 --> 00:16:50,280 Speaker 1: remember falling over when he closes the door on my 341 00:16:50,400 --> 00:16:52,440 Speaker 1: on my leg and stuff, but the head exploding, I 342 00:16:52,440 --> 00:16:54,560 Speaker 1: don't remember shooting that, but I want to just pick 343 00:16:54,640 --> 00:16:56,720 Speaker 1: up what you said. I agree. A lot of it 344 00:16:56,760 --> 00:17:00,720 Speaker 1: is about establishing these relationships that we're gonna follow ultimately 345 00:17:00,800 --> 00:17:04,199 Speaker 1: for nine seasons. And also Judy really comes through in 346 00:17:04,200 --> 00:17:08,240 Speaker 1: this episode. Judy Ray says, she does some awesome work, 347 00:17:08,560 --> 00:17:12,600 Speaker 1: and it's establishing a really important theme that I think 348 00:17:13,080 --> 00:17:16,080 Speaker 1: comes across throughout the whole series is that we young 349 00:17:16,200 --> 00:17:19,760 Speaker 1: doctors are learning the importance of nurses because we come 350 00:17:19,800 --> 00:17:23,040 Speaker 1: out of medical school and we're super cocky and we 351 00:17:23,080 --> 00:17:26,320 Speaker 1: think we're gonna be badasses, but we're We learned right 352 00:17:26,320 --> 00:17:29,040 Speaker 1: off the bat, you know, not to be cheesy and 353 00:17:29,160 --> 00:17:31,000 Speaker 1: say the theme song. But we we can't do this 354 00:17:31,040 --> 00:17:33,480 Speaker 1: all on our own. We need the help of the nurses. 355 00:17:33,560 --> 00:17:36,040 Speaker 1: And every doctor we ever talked to and doing research 356 00:17:36,080 --> 00:17:38,280 Speaker 1: would say, yeah, I mean, the nurses run the show. 357 00:17:38,320 --> 00:17:39,920 Speaker 1: You you know, if you're if you're a layman and 358 00:17:39,960 --> 00:17:42,639 Speaker 1: you don't know, you have no idea how much work 359 00:17:42,760 --> 00:17:45,920 Speaker 1: and pressure and stress the nurses are all constantly under 360 00:17:46,480 --> 00:17:48,280 Speaker 1: and I was thinking about that now, especially with the 361 00:17:48,280 --> 00:17:50,800 Speaker 1: Corona crisis going on and watching all the news, and 362 00:17:51,040 --> 00:17:53,280 Speaker 1: I was really, I don't know, extra moved by in 363 00:17:53,280 --> 00:17:56,119 Speaker 1: this episode, seeing like that those nurses are just working 364 00:17:56,160 --> 00:17:58,919 Speaker 1: their asses off, and Sarah's character in particular needs to 365 00:17:59,040 --> 00:18:01,439 Speaker 1: learn that, like, no, no, we're a team and you 366 00:18:01,760 --> 00:18:04,199 Speaker 1: and you need to like check your your arrogance at 367 00:18:04,200 --> 00:18:06,760 Speaker 1: the door, and this is really about, like we're gonna 368 00:18:06,800 --> 00:18:09,359 Speaker 1: do this together and you need the nurses to be 369 00:18:09,440 --> 00:18:12,520 Speaker 1: on your side. Absolutely absolutely with that. I agree with 370 00:18:13,320 --> 00:18:16,080 Speaker 1: It's true nurses are the heart and soul of the hospital. 371 00:18:16,640 --> 00:18:19,240 Speaker 1: Just a piggyback on what you said about Sarah though, 372 00:18:19,640 --> 00:18:22,160 Speaker 1: A perfect example of someone who is not sincere about 373 00:18:22,200 --> 00:18:25,440 Speaker 1: their apology is when they apologize to you and then 374 00:18:25,440 --> 00:18:28,080 Speaker 1: it's followed with but just to be clear, you know 375 00:18:28,119 --> 00:18:31,399 Speaker 1: what I mean? And she totally does that in this episode, 376 00:18:32,000 --> 00:18:35,320 Speaker 1: and everything that happens to her after this is because 377 00:18:35,359 --> 00:18:39,199 Speaker 1: of how she just consistently put her foot in her 378 00:18:39,200 --> 00:18:42,440 Speaker 1: mouth throughout this episode. And I wonder if it's I 379 00:18:42,480 --> 00:18:45,080 Speaker 1: don't I don't remember if it carries on through this season, 380 00:18:45,600 --> 00:18:48,960 Speaker 1: but through the career of the show, through the show 381 00:18:49,480 --> 00:18:52,800 Speaker 1: her character always had the worst luck. Yeah, well again 382 00:18:52,840 --> 00:18:55,119 Speaker 1: that comes from her life too. I mean, Sarah is 383 00:18:55,160 --> 00:18:57,440 Speaker 1: a klutzy gal. She'll be the first to admit when 384 00:18:57,440 --> 00:19:00,479 Speaker 1: she comes on our show. And Sarah would come in 385 00:19:00,480 --> 00:19:03,960 Speaker 1: from the weekend every single time, without fail, every single 386 00:19:04,080 --> 00:19:06,320 Speaker 1: Monday morning, and you're like, you guys are not going 387 00:19:06,359 --> 00:19:08,359 Speaker 1: to believe what happened to me this weekend? And she 388 00:19:08,400 --> 00:19:11,359 Speaker 1: would go on to tell the craziest story that you 389 00:19:11,600 --> 00:19:13,680 Speaker 1: would be like a once in a in a two 390 00:19:13,760 --> 00:19:17,000 Speaker 1: year period to a normal person, something like this would 391 00:19:17,000 --> 00:19:19,600 Speaker 1: happen to you, and it would happen to Sarah every weekend, 392 00:19:19,640 --> 00:19:21,960 Speaker 1: and we'd be we'd be like, Sarah, you're you're putting 393 00:19:22,000 --> 00:19:23,840 Speaker 1: us on it. Can't that can have happened to you 394 00:19:23,880 --> 00:19:26,720 Speaker 1: this weekend, and you're not gonna believe it. And then 395 00:19:26,920 --> 00:19:29,960 Speaker 1: on top of that, and my keys fell and then 396 00:19:29,960 --> 00:19:33,040 Speaker 1: my wedding ring got lost, and I remember one story 397 00:19:33,160 --> 00:19:37,280 Speaker 1: was like a car lost control and started barreling down 398 00:19:37,280 --> 00:19:41,560 Speaker 1: a hill and her Beyonce at the time had to 399 00:19:41,680 --> 00:19:44,440 Speaker 1: jump in the car or grabbed a kid out of 400 00:19:44,480 --> 00:19:46,840 Speaker 1: the way or something like that. And then there was 401 00:19:47,080 --> 00:19:51,000 Speaker 1: then her wedding ring fell down a gutter, and every 402 00:19:51,080 --> 00:19:53,199 Speaker 1: every weekend it was like it was like here we go, 403 00:19:53,280 --> 00:19:55,439 Speaker 1: and Sarah would have a half hour story like you guys, 404 00:19:55,640 --> 00:19:57,480 Speaker 1: and she was always breathless. She was like, I'm not 405 00:19:57,520 --> 00:20:02,359 Speaker 1: gonna believe what donald. At two fifty four, one of 406 00:20:02,400 --> 00:20:06,199 Speaker 1: the most important characters in Scrub's history is introduced, a 407 00:20:06,320 --> 00:20:10,400 Speaker 1: character very near and dear to our hearts named Rowdy. Yes, absolutely, 408 00:20:10,400 --> 00:20:15,080 Speaker 1: I made that note. Also, holy cow, Rowdy that joke 409 00:20:15,320 --> 00:20:16,919 Speaker 1: when I when we were filming it, I was like, 410 00:20:16,960 --> 00:20:20,000 Speaker 1: this is the oddest thing I've ever done in my life. 411 00:20:20,040 --> 00:20:23,240 Speaker 1: This is a stuffed dog, and we're gonna pretend like 412 00:20:23,320 --> 00:20:25,800 Speaker 1: it's our pet. I think Bill will have to ask him. 413 00:20:25,880 --> 00:20:27,639 Speaker 1: Let's make a note to ask him when he comes on. 414 00:20:27,760 --> 00:20:30,600 Speaker 1: But I think that the idea was that some doctor 415 00:20:30,640 --> 00:20:33,359 Speaker 1: had told him that they never had time to have 416 00:20:33,400 --> 00:20:36,000 Speaker 1: a pet, especially when they were just starting out, because 417 00:20:36,000 --> 00:20:39,639 Speaker 1: their hours were so insane, and so he thought it 418 00:20:39,680 --> 00:20:42,399 Speaker 1: would be funny if if we got a taxes I 419 00:20:42,440 --> 00:20:44,760 Speaker 1: mean pet. I mean, that's the oddest thing I've ever 420 00:20:44,800 --> 00:20:47,720 Speaker 1: heard of in my life. I know, just I mean, 421 00:20:47,920 --> 00:20:50,720 Speaker 1: where do they find that thing? Exactly? Who in the 422 00:20:50,840 --> 00:20:54,639 Speaker 1: right mind was like, you know what, I think people 423 00:20:55,600 --> 00:20:57,880 Speaker 1: I do think it's a thing. I mean, I really think. 424 00:20:58,080 --> 00:21:00,800 Speaker 1: I'm sure out there are fans. Would you're listening, you 425 00:21:00,840 --> 00:21:02,480 Speaker 1: can write in and tell us. But I do think 426 00:21:02,520 --> 00:21:06,840 Speaker 1: there are people that taxidermy their pet. Okay, I don't understand, Joel, 427 00:21:07,040 --> 00:21:09,400 Speaker 1: have you ever heard of this? Joel's nodding, She has 428 00:21:09,440 --> 00:21:13,600 Speaker 1: heard of this, Barbara Streis. And Barbara Streis and I 429 00:21:13,600 --> 00:21:18,640 Speaker 1: believe his taxidermid and cloned her dogs. She clones her 430 00:21:18,680 --> 00:21:20,919 Speaker 1: dog because so much so I think she's on like 431 00:21:21,080 --> 00:21:25,240 Speaker 1: volume five. We have the technology to clone animals. Yeah, 432 00:21:25,280 --> 00:21:28,359 Speaker 1: your dog. You didn't know that. I did not know 433 00:21:28,440 --> 00:21:30,679 Speaker 1: that you can clone your dog. It all started with 434 00:21:30,760 --> 00:21:33,399 Speaker 1: Dolly the sheep. Remember they cloned the sheep Dolly that 435 00:21:33,440 --> 00:21:35,160 Speaker 1: I thought that was like only a couple of years ago. 436 00:21:35,240 --> 00:21:37,200 Speaker 1: And that was that was many years ago, and then 437 00:21:37,280 --> 00:21:39,680 Speaker 1: since since. Now, if you're Barbara streisand I'm sure it's 438 00:21:39,760 --> 00:21:44,080 Speaker 1: very expensive, you can clone your dog. So rowdy was taxidermy? Now? 439 00:21:44,359 --> 00:21:46,639 Speaker 1: I tried to get rowdy when the show was over, 440 00:21:47,000 --> 00:21:49,959 Speaker 1: and um, I listened, we did nine years I I 441 00:21:50,000 --> 00:21:53,640 Speaker 1: said to Bill, the only thing I want from everything 442 00:21:53,880 --> 00:21:56,000 Speaker 1: is rowdy. I think would be a wonderful souvenir for 443 00:21:56,040 --> 00:21:58,639 Speaker 1: me to have, and he said sure, and then the 444 00:21:58,680 --> 00:22:01,879 Speaker 1: people at Disney who owned the show, said no, you 445 00:22:01,960 --> 00:22:06,480 Speaker 1: can't have Rowdy. He belongs to Disney. And I pictured, like, 446 00:22:06,960 --> 00:22:08,840 Speaker 1: remember at the end of the Raiders of the Lost Arc, 447 00:22:08,880 --> 00:22:11,320 Speaker 1: how they put the Ark of the Covenant way in 448 00:22:11,359 --> 00:22:14,720 Speaker 1: the back. I pictured Rowdy going into like an endless 449 00:22:14,800 --> 00:22:20,080 Speaker 1: infinite of you know, umhouse warehouse in the back, and 450 00:22:20,160 --> 00:22:23,520 Speaker 1: like the forklift is going by like other taxidermy dogs, 451 00:22:23,520 --> 00:22:25,480 Speaker 1: and he's going like way, way way in the back, 452 00:22:26,040 --> 00:22:30,119 Speaker 1: the dog from Fraser's tax exactly. And I was just 453 00:22:30,160 --> 00:22:32,000 Speaker 1: so bummed. So when I made my film wish I 454 00:22:32,040 --> 00:22:35,400 Speaker 1: was here that you were in very very funnily as 455 00:22:35,440 --> 00:22:39,240 Speaker 1: the Ashton Martin dealer. I I said to Disney, Hey, 456 00:22:39,280 --> 00:22:41,040 Speaker 1: for the scrubs fans, I thought it'd be funny if 457 00:22:41,080 --> 00:22:42,600 Speaker 1: I put Rowdy like in the back of a scene, 458 00:22:42,600 --> 00:22:45,200 Speaker 1: like like an Easter egg for them to find. And 459 00:22:45,560 --> 00:22:47,440 Speaker 1: I said, kind of borrowed the dog just to put, 460 00:22:47,600 --> 00:22:50,440 Speaker 1: you know, just a little Easter egg for everybody. They said, 461 00:22:50,960 --> 00:22:53,119 Speaker 1: we will, but we're gonna send him with a bodyguard 462 00:22:53,720 --> 00:22:56,760 Speaker 1: because we're worried that you're gonna try and steal him 463 00:22:56,920 --> 00:23:01,560 Speaker 1: once he's delivered. So they sent Row with a handler. 464 00:23:01,720 --> 00:23:04,320 Speaker 1: They sent the taxi Durman dog with a handler. I 465 00:23:04,320 --> 00:23:06,439 Speaker 1: feel like that's understandable though, because I feel like if 466 00:23:06,440 --> 00:23:08,760 Speaker 1: they didn't send the dog with the handler somewhere along 467 00:23:08,800 --> 00:23:10,600 Speaker 1: the way, the dog would have got lost. I wasn't 468 00:23:10,640 --> 00:23:12,399 Speaker 1: going to steal the dog. I was gonna do my 469 00:23:12,440 --> 00:23:16,320 Speaker 1: best behaviors. He looked, he looked, he did not look 470 00:23:16,320 --> 00:23:26,760 Speaker 1: as good as he he looked thin. I remember. I 471 00:23:26,800 --> 00:23:28,760 Speaker 1: know it makes no sense, but I remember when he 472 00:23:28,800 --> 00:23:31,000 Speaker 1: showed up on set with his bodyguard, thinking like, he 473 00:23:31,040 --> 00:23:33,679 Speaker 1: doesn't look good. He's not being taken care of, not 474 00:23:33,760 --> 00:23:35,560 Speaker 1: being taken care of at all, Like one of his 475 00:23:35,680 --> 00:23:37,840 Speaker 1: paws was all JANKI and like I had to like 476 00:23:38,080 --> 00:23:49,639 Speaker 1: flew him. Do you remember the prop master who hit Rowdy. 477 00:23:49,720 --> 00:23:51,960 Speaker 1: I don't know if this is Scrubs Urban legend or not, 478 00:23:52,200 --> 00:23:54,639 Speaker 1: but go ahead, you tell it. Well, I just know 479 00:23:54,760 --> 00:23:57,280 Speaker 1: that we had a prop master who didn't work out. Yes, 480 00:23:57,320 --> 00:24:01,679 Speaker 1: he was. He was let go and get back at production. 481 00:24:02,119 --> 00:24:05,800 Speaker 1: He decided that he was going to hide Rowdy in 482 00:24:05,800 --> 00:24:10,520 Speaker 1: the ceiling. As the Scrubs Urban legend goes, he was 483 00:24:10,600 --> 00:24:13,040 Speaker 1: let go and he was angry about being let go. 484 00:24:13,320 --> 00:24:14,679 Speaker 1: And then you know, we were in the hospital that 485 00:24:14,720 --> 00:24:17,280 Speaker 1: had all those you know, lower tiled ceilings that you 486 00:24:17,320 --> 00:24:21,440 Speaker 1: see in hospitals, and apparently he he hid Rowdy up 487 00:24:21,480 --> 00:24:27,000 Speaker 1: in the ceiling tiles above the prop room. That's when, 488 00:24:27,119 --> 00:24:29,680 Speaker 1: by the way, that's when everyone started to be like, oh, ship, 489 00:24:29,880 --> 00:24:32,280 Speaker 1: if we lose Rowdy, this is bad, we need to 490 00:24:32,320 --> 00:24:34,600 Speaker 1: back up. And that's when they got Stephen, right. But 491 00:24:34,640 --> 00:24:36,920 Speaker 1: they had like three or four different rowdies though, so 492 00:24:36,960 --> 00:24:39,080 Speaker 1: there was just two. There was Rowdy and Stephen. Do 493 00:24:39,160 --> 00:24:41,680 Speaker 1: you remember, because there was a whole episode where where 494 00:24:41,760 --> 00:24:47,199 Speaker 1: Judy which where uh? And then I feel their balls 495 00:24:47,440 --> 00:24:48,920 Speaker 1: and then I feel their balls and I'm like, no, 496 00:24:49,200 --> 00:24:52,600 Speaker 1: that's Stephen. So in the world of scrubs, j D 497 00:24:52,720 --> 00:24:57,480 Speaker 1: had memorized the two different dog taxidermy dogs ball sacks. No, 498 00:24:57,800 --> 00:25:01,680 Speaker 1: that's Stephen. Um. So let's talk about our apartment set, 499 00:25:01,720 --> 00:25:03,720 Speaker 1: because this is the first time you're seeing our apartment. 500 00:25:04,200 --> 00:25:07,800 Speaker 1: This was built into the hospital. You know, normally you'd 501 00:25:07,800 --> 00:25:09,800 Speaker 1: have a set like this on a sound stage, but 502 00:25:10,359 --> 00:25:12,760 Speaker 1: in order for us to do the whole show at 503 00:25:12,800 --> 00:25:16,960 Speaker 1: this abandoned hospital, Cabinot McMullen, our genius production designer found 504 00:25:16,960 --> 00:25:19,440 Speaker 1: a way to uh, to build all of this into 505 00:25:19,720 --> 00:25:21,119 Speaker 1: I don't know what it was. It was like the 506 00:25:21,240 --> 00:25:24,000 Speaker 1: urgent care wing or something. No, if this wasn't an 507 00:25:24,080 --> 00:25:26,000 Speaker 1: urgent care wing, this was actually in the basement of 508 00:25:26,000 --> 00:25:29,400 Speaker 1: the hospital. Urgent care turned out to be the bar, 509 00:25:29,920 --> 00:25:32,360 Speaker 1: the bar and all of that stuff, right, but this 510 00:25:32,480 --> 00:25:35,199 Speaker 1: was this was actually right by the children's ward in 511 00:25:35,240 --> 00:25:37,520 Speaker 1: the hospital. So if you went, the knocked out some 512 00:25:37,560 --> 00:25:39,919 Speaker 1: walls and so this this was this was in you know, 513 00:25:39,960 --> 00:25:41,840 Speaker 1: this looks like pretty damn good apartment, but it was 514 00:25:41,920 --> 00:25:44,560 Speaker 1: in in the hospital. Yeah. It was also the loading 515 00:25:44,600 --> 00:25:48,760 Speaker 1: area also, so when they would cut and at night 516 00:25:48,760 --> 00:25:51,719 Speaker 1: when they wanted to bring things into the hospital. On 517 00:25:51,760 --> 00:25:53,760 Speaker 1: the other side of the wall, there was this big 518 00:25:53,840 --> 00:25:56,800 Speaker 1: garage door that you could open up and load all 519 00:25:56,840 --> 00:25:59,680 Speaker 1: the equipment. I remember it was always incredibly hot, right, 520 00:26:00,080 --> 00:26:01,600 Speaker 1: there was no it wasn't it wasn't meant to be 521 00:26:02,280 --> 00:26:05,240 Speaker 1: a sound stage with lights and everything. The whole hospital 522 00:26:05,400 --> 00:26:08,280 Speaker 1: was on fire because you know, you couldn't run air 523 00:26:08,320 --> 00:26:10,560 Speaker 1: condition when we're running like we had used to have 524 00:26:10,600 --> 00:26:13,280 Speaker 1: the tubes. Remember we would have the tube. They'd have 525 00:26:13,280 --> 00:26:16,360 Speaker 1: a tube wrangler. Even in our dressing rooms. They gave us, 526 00:26:16,400 --> 00:26:19,560 Speaker 1: like halfway through season one, they gave us our own 527 00:26:19,600 --> 00:26:22,840 Speaker 1: little air conditioning units to keep us cool because the 528 00:26:22,880 --> 00:26:25,960 Speaker 1: hospital got so hot in the summer. And but I remember, 529 00:26:26,000 --> 00:26:28,560 Speaker 1: so there was an air conditioning in the hospital, and 530 00:26:28,640 --> 00:26:31,720 Speaker 1: so they had these exterior units, and they had these tubes, 531 00:26:31,800 --> 00:26:34,359 Speaker 1: and I'm sure you've seen them. They were like, I 532 00:26:34,359 --> 00:26:37,640 Speaker 1: don't know, two feet in diameter. They'd be running everywhere 533 00:26:37,680 --> 00:26:39,560 Speaker 1: to try and make this comfortable, but they were. It 534 00:26:39,600 --> 00:26:41,520 Speaker 1: was it was someone's full time job to try and 535 00:26:41,560 --> 00:26:45,680 Speaker 1: wrangle the tubes. So what I noticed about this episode 536 00:26:45,720 --> 00:26:49,760 Speaker 1: I kept waiting for one line that made it into 537 00:26:50,040 --> 00:26:53,280 Speaker 1: the promo for the first episode but wasn't in the 538 00:26:53,320 --> 00:26:57,440 Speaker 1: first episode. And that's when Elliott says to me, Hey, 539 00:26:57,720 --> 00:27:00,280 Speaker 1: when did you meet Morgan Freeman. I laughed out loud 540 00:27:00,440 --> 00:27:02,720 Speaker 1: when that line came up. I mean, I knew it 541 00:27:02,760 --> 00:27:05,560 Speaker 1: was coming. And you know, there's some jokes in this that, 542 00:27:05,640 --> 00:27:07,320 Speaker 1: even though you know them, I just laughed out loud 543 00:27:07,320 --> 00:27:10,560 Speaker 1: when I heard that. It's just that was so freaking funny. Yeah, 544 00:27:10,600 --> 00:27:12,680 Speaker 1: I laughed my ass off, and you know it's really 545 00:27:12,880 --> 00:27:16,240 Speaker 1: my mom. But that's not even the funny part. The 546 00:27:16,280 --> 00:27:20,200 Speaker 1: funny part is she goes she has lovely freckles. I 547 00:27:20,320 --> 00:27:28,160 Speaker 1: love her freckles. Okay, So the next thing I wrote 548 00:27:28,200 --> 00:27:32,680 Speaker 1: down was Todd the introduction of Rob Machio and Rob 549 00:27:32,800 --> 00:27:35,639 Speaker 1: kind of is this guy right? I mean, not that 550 00:27:35,720 --> 00:27:38,040 Speaker 1: he was like me, not that he was a womanizer 551 00:27:38,119 --> 00:27:40,280 Speaker 1: like this, but he was kind of like a funny, 552 00:27:40,320 --> 00:27:44,240 Speaker 1: funny jockey kind of guy. Absolutely, he was very well. 553 00:27:44,280 --> 00:27:46,440 Speaker 1: He was pretty good athlete, you know what I mean. 554 00:27:46,440 --> 00:27:48,359 Speaker 1: He took really good care of his body and stuff 555 00:27:48,400 --> 00:27:50,280 Speaker 1: like that. I remember he told me he ate a 556 00:27:50,280 --> 00:27:52,760 Speaker 1: pint of Ben and Jerry's every day, which I always 557 00:27:52,760 --> 00:27:56,240 Speaker 1: found amazing because he would have to work out like 558 00:27:56,359 --> 00:27:58,240 Speaker 1: that much extra to work off a pint of Ben 559 00:27:58,320 --> 00:28:00,200 Speaker 1: and Jerry's a dead, so he must have worked out 560 00:28:00,200 --> 00:28:02,720 Speaker 1: of time to have his his Todd body. And he 561 00:28:02,800 --> 00:28:04,440 Speaker 1: was a lot older than us at the time to 562 00:28:05,760 --> 00:28:11,000 Speaker 1: this episode. No, he does look good. I don't remember. 563 00:28:11,040 --> 00:28:13,040 Speaker 1: He wasn't like like that old. But remember he was 564 00:28:13,080 --> 00:28:15,159 Speaker 1: older than us. He was a lot old. He was 565 00:28:15,200 --> 00:28:18,440 Speaker 1: like in his i'm gonna say thirties something. We were 566 00:28:18,480 --> 00:28:21,400 Speaker 1: twenty something and he was like thirty five, thirty six. 567 00:28:21,560 --> 00:28:23,720 Speaker 1: Rob's going to come on the podcast, and I really 568 00:28:24,040 --> 00:28:26,840 Speaker 1: enjoyed the fact that, you know, you do projects and 569 00:28:27,600 --> 00:28:31,040 Speaker 1: sometimes they don't really put the effort into develop you know, 570 00:28:31,560 --> 00:28:35,840 Speaker 1: these romantic relationships with the characters. And I really enjoyed 571 00:28:36,080 --> 00:28:40,680 Speaker 1: the effort put into Carla and Turk's courtship and how 572 00:28:41,320 --> 00:28:43,680 Speaker 1: you know what I mean, and how it became uh 573 00:28:44,000 --> 00:28:46,640 Speaker 1: storyline in the show. And it wasn't just something that 574 00:28:47,120 --> 00:28:49,720 Speaker 1: from the beginning they had chemistry and now they're dating. 575 00:28:50,520 --> 00:28:52,880 Speaker 1: You know, Turk had to work for it, Carla had 576 00:28:52,920 --> 00:28:55,200 Speaker 1: to work for it, and then and the ultimate thing 577 00:28:55,280 --> 00:28:57,600 Speaker 1: was at the end they you know, they're they're married 578 00:28:57,640 --> 00:28:59,720 Speaker 1: with kids and stuff like that. I love that we 579 00:29:00,040 --> 00:29:04,240 Speaker 1: see their growth from the pilot to this episode and 580 00:29:04,320 --> 00:29:06,960 Speaker 1: then as the show goes along. You guys were such 581 00:29:06,960 --> 00:29:09,520 Speaker 1: a good ying yang for each other too. I mean, you're, 582 00:29:09,800 --> 00:29:13,920 Speaker 1: you know, the sort of silly jockey surgeon and she's 583 00:29:13,960 --> 00:29:17,960 Speaker 1: just like so smart and and clever and and kind 584 00:29:18,000 --> 00:29:21,400 Speaker 1: of running the entire hospital. And I just thought the 585 00:29:21,400 --> 00:29:23,840 Speaker 1: way that they wrote your flirtation in your in your 586 00:29:23,920 --> 00:29:26,440 Speaker 1: chemistry was really and you guys performed it really, really well. 587 00:29:26,840 --> 00:29:28,680 Speaker 1: Can I tell him the story about what Casey first 588 00:29:28,680 --> 00:29:30,960 Speaker 1: said when I tried to set you up absolutely. We 589 00:29:31,000 --> 00:29:32,960 Speaker 1: were in the we were in a nightclub, Donald and 590 00:29:33,040 --> 00:29:35,800 Speaker 1: I and I see Casey Cobb, the beautiful Casey Cob 591 00:29:35,960 --> 00:29:39,560 Speaker 1: across the club, and she was with Jessica Simpson because 592 00:29:39,600 --> 00:29:43,280 Speaker 1: she was um she assistant. She was her assistant. And 593 00:29:43,400 --> 00:29:46,480 Speaker 1: now they're like best friends. And I knew them just 594 00:29:46,560 --> 00:29:49,400 Speaker 1: as acquaintances. And Donald had such a crosh on Casey. 595 00:29:49,480 --> 00:29:52,560 Speaker 1: He was just staring at her, like just like Doe Ide, 596 00:29:52,720 --> 00:29:55,200 Speaker 1: like I couldn't couldn't even think about other stuff, wouldn't 597 00:29:55,200 --> 00:29:58,400 Speaker 1: even wouldn't just like lost. So finally I got the 598 00:29:58,480 --> 00:30:01,000 Speaker 1: courage to go up to Casey and I'm like, hey, 599 00:30:01,120 --> 00:30:02,960 Speaker 1: um so trying to be the best wing man in 600 00:30:02,960 --> 00:30:05,120 Speaker 1: the world. And I'm like, hey, so, I appreciate you 601 00:30:05,920 --> 00:30:08,320 Speaker 1: for this. I was like, hey, my my buddy really 602 00:30:08,520 --> 00:30:11,640 Speaker 1: likes you. He really thinks you're really beautiful. And she goes, 603 00:30:11,720 --> 00:30:15,000 Speaker 1: who and I point over, like not over to Donald 604 00:30:15,080 --> 00:30:24,320 Speaker 1: and she goes then you have like nine kids, And 605 00:30:24,400 --> 00:30:26,200 Speaker 1: I always thought that was so funny cut to them 606 00:30:26,240 --> 00:30:28,920 Speaker 1: getting married in my backyard. At the time, I didn't 607 00:30:28,960 --> 00:30:31,240 Speaker 1: have nine kids. I only had four. I had had four. 608 00:30:31,280 --> 00:30:33,800 Speaker 1: But it was a funny sassy line from her and 609 00:30:34,280 --> 00:30:37,680 Speaker 1: your charms obviously worked, because, however, many years later they 610 00:30:37,720 --> 00:30:41,360 Speaker 1: were married in my backyard. Yeah, thanks to you being 611 00:30:41,480 --> 00:30:43,800 Speaker 1: a great wing man. It all started with a wingman line. 612 00:30:43,920 --> 00:30:45,640 Speaker 1: I remember me being like, yeah, will you go over 613 00:30:45,680 --> 00:30:47,560 Speaker 1: there and talk to her for me? And you're being like, 614 00:30:47,640 --> 00:30:50,240 Speaker 1: are you fucking kidding me? Go over yourself. I'm like, 615 00:30:50,280 --> 00:30:51,960 Speaker 1: oh no, no, no, no, no, no no, and you're like, 616 00:30:52,080 --> 00:30:55,000 Speaker 1: oh no, I remember you think I got the courage. 617 00:30:55,040 --> 00:30:57,080 Speaker 1: I got the No, you did get the courage. But 618 00:30:57,160 --> 00:30:58,760 Speaker 1: you went over there and then you came back and 619 00:30:58,800 --> 00:31:02,360 Speaker 1: I'm like, well, what did she say? Did I tell you? 620 00:31:03,160 --> 00:31:06,440 Speaker 1: You told me right No? No, no, you told me 621 00:31:06,520 --> 00:31:08,760 Speaker 1: right away. You're like, dude. She was like, doesn't he 622 00:31:08,840 --> 00:31:12,320 Speaker 1: have like nine kids? And I remember being like, oh no, 623 00:31:12,840 --> 00:31:17,320 Speaker 1: because I was like, that's what the ladies in California think, 624 00:31:17,440 --> 00:31:19,320 Speaker 1: that's what Hollywood thinks about me. I'm gonna dude with 625 00:31:19,400 --> 00:31:21,480 Speaker 1: all the kids. Well, it's funny that it's funny that 626 00:31:21,600 --> 00:31:24,080 Speaker 1: Like she wasn't like, oh no, he's not cute, or 627 00:31:24,160 --> 00:31:26,120 Speaker 1: oh no, he's not funny, or oh no, I don't 628 00:31:26,240 --> 00:31:28,440 Speaker 1: think he's funny on TV and movies. She was just like, 629 00:31:28,760 --> 00:31:33,160 Speaker 1: dott he had like nine keys with her son accident. Anyway, 630 00:31:33,200 --> 00:31:35,760 Speaker 1: they should be an inspiration to you men and women 631 00:31:35,800 --> 00:31:39,000 Speaker 1: out there who think you can't possibly get that person 632 00:31:39,080 --> 00:31:40,960 Speaker 1: you have a crush on, And they might even open 633 00:31:41,040 --> 00:31:43,440 Speaker 1: with a line equivalent to, doesn't he have like nine kids? 634 00:31:43,800 --> 00:31:45,960 Speaker 1: But if you just started persistent like Donald was, you 635 00:31:46,000 --> 00:31:48,280 Speaker 1: could one day get married in my backyard? All right? 636 00:31:48,320 --> 00:31:50,240 Speaker 1: Should we move on to We talked about Rob running 637 00:31:50,240 --> 00:31:52,160 Speaker 1: line because I always thought that was funny. So Rob 638 00:31:52,480 --> 00:31:55,800 Speaker 1: as a testament to Rob Maschio, who played Todd, he 639 00:31:55,880 --> 00:31:58,040 Speaker 1: would take it so seriously. And I'm not making fun 640 00:31:58,120 --> 00:31:59,800 Speaker 1: of Rob, because I get it. He didn't have a 641 00:31:59,840 --> 00:32:01,720 Speaker 1: lot to do in every episode, and he would always 642 00:32:01,760 --> 00:32:03,880 Speaker 1: make sure he was doing the best he could. And 643 00:32:04,160 --> 00:32:06,280 Speaker 1: but sometimes we'd look over and he would just be 644 00:32:06,400 --> 00:32:11,400 Speaker 1: running his one line over and over and over. Air 645 00:32:11,520 --> 00:32:14,960 Speaker 1: five five. Yeah, we just see him five. Like I'd 646 00:32:15,000 --> 00:32:18,800 Speaker 1: be like, Rob's over there running line Air five five, 647 00:32:19,200 --> 00:32:24,880 Speaker 1: high five, Air five, air five. And they really did hurt, 648 00:32:24,920 --> 00:32:28,040 Speaker 1: those those freaking Rob high fives. For what it's worth. 649 00:32:28,200 --> 00:32:29,840 Speaker 1: I was about to say, it seemed like you got 650 00:32:29,960 --> 00:32:32,040 Speaker 1: used to it after a while. No, they really hurt. 651 00:32:32,120 --> 00:32:34,640 Speaker 1: And the noise was added, but man, they really hurt 652 00:32:35,320 --> 00:32:38,200 Speaker 1: Sarah digging the grave at around eight minutes and forty 653 00:32:38,240 --> 00:32:41,400 Speaker 1: six seconds. That's become like a popular meme. I always see, like, 654 00:32:41,760 --> 00:32:43,720 Speaker 1: you know, when fans send us gifts and memes, and 655 00:32:43,760 --> 00:32:45,800 Speaker 1: I see him on the internet and on the interwebs. 656 00:32:45,880 --> 00:32:48,320 Speaker 1: That's what I always see, is it's funny watching it 657 00:32:48,400 --> 00:32:50,360 Speaker 1: when you go, oh, that's that meme I've seen before. 658 00:32:50,400 --> 00:32:52,600 Speaker 1: But that Sarah digging is one people use when like 659 00:32:52,640 --> 00:32:54,400 Speaker 1: they're putting their foot in their mouth digging the grave. 660 00:32:54,600 --> 00:32:56,840 Speaker 1: I forgot. I totally forgot about that, and so when 661 00:32:56,840 --> 00:32:59,240 Speaker 1: I saw it, it was really refreshing and really funny. 662 00:32:59,360 --> 00:33:01,880 Speaker 1: Huh yeah, it was very funny. And then they throw 663 00:33:01,960 --> 00:33:06,080 Speaker 1: dirt on he rose. That's a great joke. The next 664 00:33:06,080 --> 00:33:08,080 Speaker 1: thing I wrote down was, oh, that would you like 665 00:33:08,200 --> 00:33:09,880 Speaker 1: to play a game? Thing with the robot voice? Do 666 00:33:09,880 --> 00:33:13,280 Speaker 1: you remember what movie that's from? Of course, War Games? Yeah, 667 00:33:13,720 --> 00:33:15,760 Speaker 1: that's one of my favorite movies. And then another one 668 00:33:15,880 --> 00:33:21,560 Speaker 1: was from Buck Rogers BDBD BDBD Buck that's Buck Rogers, 669 00:33:21,720 --> 00:33:25,640 Speaker 1: but war games? Would you how about a Thermo nuclear war? 670 00:33:26,040 --> 00:33:28,360 Speaker 1: Remember that? How about? And yeah it's Matthew Roderick and 671 00:33:28,400 --> 00:33:30,440 Speaker 1: Ali Sitty. Of course I remember they're listening to this 672 00:33:30,560 --> 00:33:33,440 Speaker 1: podcast and you haven't seen War Games. I need you 673 00:33:33,800 --> 00:33:36,440 Speaker 1: to put it on after this podcast is over, because 674 00:33:36,440 --> 00:33:38,120 Speaker 1: it is such a good movie. Yeah, I mean you 675 00:33:38,160 --> 00:33:40,440 Speaker 1: don't have to put it on after the podcast, I think, yeah, 676 00:33:40,480 --> 00:33:44,280 Speaker 1: well not during, right. I remember being a kid in thinking, well, 677 00:33:44,320 --> 00:33:46,120 Speaker 1: everything Matthew Roderick did it when I was a kid, 678 00:33:46,160 --> 00:33:48,160 Speaker 1: I just thought was incredible. I just wanted to be 679 00:33:48,240 --> 00:33:51,000 Speaker 1: Matthew Broderick, especially in war games and war games in 680 00:33:51,040 --> 00:33:53,800 Speaker 1: in Farris Bieler's day, Yes, of course, I mean he's 681 00:33:53,880 --> 00:33:56,800 Speaker 1: kind of the same character, well kind of sort in 682 00:33:56,880 --> 00:33:59,640 Speaker 1: war Games he was like a kid that didn't have 683 00:33:59,720 --> 00:34:02,080 Speaker 1: a lot friends, and Farris Bueller he was the king 684 00:34:02,200 --> 00:34:04,400 Speaker 1: of such a good actor. Though in War Games, you know, 685 00:34:04,800 --> 00:34:06,960 Speaker 1: by the way, a little tribute, they made a sequel 686 00:34:07,040 --> 00:34:09,840 Speaker 1: to War Games that the writer director had nothing to 687 00:34:09,920 --> 00:34:12,719 Speaker 1: do with. Um what was it called? I don't know. 688 00:34:13,040 --> 00:34:17,040 Speaker 1: Joel will insert that here later in her voice. Four 689 00:34:17,160 --> 00:34:20,640 Speaker 1: Games The Dead Code, which came out in two thousand eight, 690 00:34:21,080 --> 00:34:24,360 Speaker 1: directed by Stuart Gillard. Yeah, but neither the two stars, 691 00:34:24,440 --> 00:34:28,320 Speaker 1: Aliet or Matthew Broddock were in it, right, that that 692 00:34:28,400 --> 00:34:30,800 Speaker 1: one's not the sequel is not Zack and Donald approved. 693 00:34:30,960 --> 00:34:34,440 Speaker 1: But the first movie is oh, I just the thirty three. 694 00:34:34,440 --> 00:34:35,960 Speaker 1: I just wanted to point out that's the very first 695 00:34:36,000 --> 00:34:38,680 Speaker 1: time we saw the Lounge, our Doctor's lounge where so 696 00:34:38,760 --> 00:34:40,839 Speaker 1: many of much of the show ends up taking place. 697 00:34:40,880 --> 00:34:43,319 Speaker 1: And the introduction of Doug. I didn't realize Doug got 698 00:34:43,400 --> 00:34:46,799 Speaker 1: introduced so early. Neither did I. I didn't realize that either. 699 00:34:47,320 --> 00:34:50,920 Speaker 1: I also remember that pac Man machine and how when 700 00:34:51,000 --> 00:34:53,919 Speaker 1: we were working that was an actual, real working pac 701 00:34:54,040 --> 00:34:57,359 Speaker 1: Man game and I would get kicked off a set. 702 00:34:57,480 --> 00:35:01,520 Speaker 1: I remember Franklin got Better and Scott Harris kicking me up. 703 00:35:01,560 --> 00:35:04,280 Speaker 1: These are were the first a d s on scrub 704 00:35:04,320 --> 00:35:07,080 Speaker 1: as System directors. Yeah, I remember them kicking me off 705 00:35:07,120 --> 00:35:09,200 Speaker 1: set because I kept trying to get the high score 706 00:35:09,520 --> 00:35:11,840 Speaker 1: on pac Man. I remember that pac Man game, and 707 00:35:11,840 --> 00:35:13,279 Speaker 1: I remember when they finally made a sort of pac 708 00:35:13,320 --> 00:35:15,080 Speaker 1: Man game didn't work, and I was so piste off. 709 00:35:15,200 --> 00:35:17,040 Speaker 1: At a certain point, they made it so it wouldn't 710 00:35:17,040 --> 00:35:19,200 Speaker 1: function even if you plugged it in. They got wise. 711 00:35:19,560 --> 00:35:22,520 Speaker 1: I loved that. I thought that was the coolest set 712 00:35:22,560 --> 00:35:25,280 Speaker 1: piece ever. And I was happy to see Doug because 713 00:35:25,800 --> 00:35:28,719 Speaker 1: he's very funny. And I remember in The Wizard of 714 00:35:28,760 --> 00:35:32,000 Speaker 1: ob episode which I directed, one of the funniest lines 715 00:35:32,040 --> 00:35:34,520 Speaker 1: he ever said, which was, dead people should be dead. 716 00:35:35,400 --> 00:35:37,520 Speaker 1: Remember when I come back to life, Why are you 717 00:35:37,640 --> 00:35:39,840 Speaker 1: hitting me? I thought you were dead. Why are you 718 00:35:39,960 --> 00:35:43,960 Speaker 1: hitting me? Because dead people should be dead. I would 719 00:35:44,000 --> 00:35:46,879 Speaker 1: have done the same thing. Okay, I thought at thirteen fifty, 720 00:35:46,920 --> 00:35:50,239 Speaker 1: there's a cool moment where, just stylistically, Adam Bernstein again 721 00:35:50,280 --> 00:35:52,520 Speaker 1: just sort of setting up the style of the show 722 00:35:52,560 --> 00:35:55,400 Speaker 1: where everyone's looking into the lens talking to me, and 723 00:35:55,480 --> 00:35:57,279 Speaker 1: then it comes to Judy and she does it, and 724 00:35:57,360 --> 00:35:59,719 Speaker 1: then she looks down and the camera pulls back and 725 00:36:00,120 --> 00:36:04,040 Speaker 1: next to her. Just stylistically, that was really kind of 726 00:36:04,080 --> 00:36:06,560 Speaker 1: a cool thing. That was pretty cool. Adam sort of 727 00:36:06,640 --> 00:36:09,760 Speaker 1: set the bar early on as the director of episode 728 00:36:09,840 --> 00:36:12,320 Speaker 1: one and two that that the camera was going to 729 00:36:12,360 --> 00:36:14,279 Speaker 1: be a character in the show, and every director that 730 00:36:14,400 --> 00:36:17,080 Speaker 1: came on after would add their own little bit of 731 00:36:17,160 --> 00:36:19,840 Speaker 1: style to it, especially in this first season, you know, 732 00:36:19,960 --> 00:36:22,680 Speaker 1: figuring out innovative ways to move the camera and to 733 00:36:22,760 --> 00:36:25,960 Speaker 1: do camera shots and trick shots. Adam really he did 734 00:36:26,080 --> 00:36:29,240 Speaker 1: us a great service, him and Bill by giving us something. 735 00:36:29,760 --> 00:36:32,960 Speaker 1: In hospital shows, it's really about the doctors and the 736 00:36:33,120 --> 00:36:36,600 Speaker 1: nurses and everything like that. Adam and Bill found a 737 00:36:36,600 --> 00:36:38,960 Speaker 1: way to make the hospital a character in the show. 738 00:36:39,680 --> 00:36:41,680 Speaker 1: And they found a way to do that early on, 739 00:36:42,120 --> 00:36:44,359 Speaker 1: you know what I mean. So when you're there, it's 740 00:36:44,440 --> 00:36:47,319 Speaker 1: never the same. It doesn't feel like, you know, I'm 741 00:36:47,360 --> 00:36:52,400 Speaker 1: watching hospital procedural or I'm watching It's something wacky about it. 742 00:36:52,440 --> 00:36:54,799 Speaker 1: There's something different about it, and I think that really 743 00:36:54,880 --> 00:36:59,480 Speaker 1: helped with telling the story. You know, j D and 744 00:36:59,640 --> 00:37:02,080 Speaker 1: his group of friends in this hospital. Yeah, and Adam. 745 00:37:02,120 --> 00:37:04,120 Speaker 1: I think Adam really set the tone for that, and 746 00:37:04,160 --> 00:37:07,279 Speaker 1: I remember him and of course the next few that 747 00:37:07,360 --> 00:37:08,920 Speaker 1: come up, you know, all all the directors in this 748 00:37:09,120 --> 00:37:12,120 Speaker 1: in this first batch. I think, um Mark Buckland's another 749 00:37:12,160 --> 00:37:14,800 Speaker 1: one coming up that really helps set the style and 750 00:37:14,840 --> 00:37:17,880 Speaker 1: the look. Some things were phased out, as I said, um, 751 00:37:18,239 --> 00:37:20,920 Speaker 1: the whib noises like when you go when you're waving 752 00:37:20,960 --> 00:37:23,399 Speaker 1: your hands. Yeah, so there was a lot of sound 753 00:37:23,400 --> 00:37:25,759 Speaker 1: effects obviously, but that whip thing is like one thing 754 00:37:25,800 --> 00:37:28,480 Speaker 1: they toned down. This high school fantasy that starts at 755 00:37:28,680 --> 00:37:31,200 Speaker 1: fifteen minutes or so. It's so funny, so well done, 756 00:37:31,239 --> 00:37:33,560 Speaker 1: don't you think hilarious? Dude. The fact that they put 757 00:37:33,640 --> 00:37:36,239 Speaker 1: the pimples on her and the braces and Kur and 758 00:37:36,320 --> 00:37:38,560 Speaker 1: band stuff, and then all of us being like the 759 00:37:38,800 --> 00:37:42,800 Speaker 1: cool kids and stuff like that. You know, Alomba is 760 00:37:43,040 --> 00:37:47,160 Speaker 1: I guess really the only nurse from the pilot that 761 00:37:47,280 --> 00:37:50,000 Speaker 1: made it all the way through, because there's people that 762 00:37:50,320 --> 00:37:53,320 Speaker 1: surrounded Judy's where I'm like, I don't recognize any of 763 00:37:53,400 --> 00:37:55,840 Speaker 1: these people. I recognize a few. I recognize a couple 764 00:37:55,920 --> 00:37:57,720 Speaker 1: of the women. By the way, none of the people 765 00:37:57,760 --> 00:38:01,320 Speaker 1: who became like major back around people that we focused 766 00:38:01,360 --> 00:38:03,320 Speaker 1: on or are in any of these episodes would be 767 00:38:03,320 --> 00:38:04,640 Speaker 1: interesting when we as we go to watch it will 768 00:38:04,640 --> 00:38:06,879 Speaker 1: be trut to see when we see their first appearances, Like, Yeah, 769 00:38:06,920 --> 00:38:09,000 Speaker 1: I saw one dude who was this bald guy and 770 00:38:09,120 --> 00:38:11,239 Speaker 1: he kind of looks like colonel doctor but he's a 771 00:38:11,320 --> 00:38:13,799 Speaker 1: bald headed guy and he shows up in so many 772 00:38:13,880 --> 00:38:16,080 Speaker 1: scenes like back to back to back to back to back. 773 00:38:16,960 --> 00:38:19,759 Speaker 1: Let's talk about how in coxs apartment that looks like 774 00:38:19,840 --> 00:38:21,799 Speaker 1: a set. Dude, No, it's so bad. First of all, 775 00:38:23,200 --> 00:38:25,759 Speaker 1: not to dis cabin, because I'm sure that at this 776 00:38:25,880 --> 00:38:28,640 Speaker 1: time they were already out of money, but this is 777 00:38:28,719 --> 00:38:30,840 Speaker 1: the only set so far that looks like they just 778 00:38:30,920 --> 00:38:34,719 Speaker 1: put a couch into hospital, into my hospital, Like there's 779 00:38:34,760 --> 00:38:36,560 Speaker 1: so many things on the walls that are like why 780 00:38:36,640 --> 00:38:38,799 Speaker 1: is there a speaker on the side of his wall 781 00:38:38,920 --> 00:38:41,239 Speaker 1: at his house? Not only that, why is that big 782 00:38:41,360 --> 00:38:45,719 Speaker 1: window there that goes nowhere? I know it's so funny, 783 00:38:45,760 --> 00:38:47,719 Speaker 1: and then we can we justify it by making a 784 00:38:47,800 --> 00:38:50,160 Speaker 1: joke about like, oh, your apartment is so cold. But 785 00:38:50,280 --> 00:38:52,200 Speaker 1: I was like, wow, man, they I think this is 786 00:38:52,440 --> 00:38:54,480 Speaker 1: This was the first moment like where does he Where 787 00:38:54,520 --> 00:38:58,040 Speaker 1: does he live? But he lived in the hospital. Yeah. 788 00:38:58,080 --> 00:38:59,520 Speaker 1: I love this scene between me and Johnny And this 789 00:38:59,600 --> 00:39:01,479 Speaker 1: is one of the on his lines of scrubs. I remember, 790 00:39:01,520 --> 00:39:02,719 Speaker 1: do you want to be the big spoon of the 791 00:39:02,760 --> 00:39:04,880 Speaker 1: little spoon? I had no idea what spooning was. I 792 00:39:04,960 --> 00:39:07,759 Speaker 1: knew that you could spoon, like I know what spooning was, 793 00:39:07,920 --> 00:39:09,680 Speaker 1: but I didn't know that you could be there was 794 00:39:09,840 --> 00:39:12,040 Speaker 1: a big spoon and a little spoon. I had no 795 00:39:12,160 --> 00:39:14,520 Speaker 1: idea that that existed, and that kind of was like 796 00:39:15,719 --> 00:39:18,960 Speaker 1: little spoon. That whole scene is hilarious, you know what 797 00:39:19,000 --> 00:39:21,640 Speaker 1: I mean, Even though when he kicks you out and 798 00:39:21,760 --> 00:39:24,279 Speaker 1: he gives you the lesson and he's like, now come here, 799 00:39:24,360 --> 00:39:25,960 Speaker 1: let me give you a hug, and you're like, get 800 00:39:26,000 --> 00:39:27,040 Speaker 1: the funk out. Of here, and he's like, come on, 801 00:39:27,120 --> 00:39:28,440 Speaker 1: come on, come on, give me a hug. And he's 802 00:39:28,480 --> 00:39:30,800 Speaker 1: like me uh, and he's like, come on, give me 803 00:39:30,800 --> 00:39:32,320 Speaker 1: a hug, and you go up for the huggy. I 804 00:39:32,360 --> 00:39:34,840 Speaker 1: gotta get out of here. Very funny, very He's so 805 00:39:35,000 --> 00:39:37,200 Speaker 1: good and I really just so good. I really just 806 00:39:37,320 --> 00:39:38,920 Speaker 1: liked that scene between the two of us. It really 807 00:39:39,000 --> 00:39:41,440 Speaker 1: kind of showed the dance with Johnny Sea where it 808 00:39:41,520 --> 00:39:43,719 Speaker 1: was going to be like, you know, fucking with me 809 00:39:43,800 --> 00:39:46,680 Speaker 1: a ton and really, but then eventually there'd always be 810 00:39:46,760 --> 00:39:49,320 Speaker 1: a lesson underneath it, and he'd always drop in and 811 00:39:49,360 --> 00:39:51,239 Speaker 1: be a good mentor. I mean that's when this is 812 00:39:51,360 --> 00:39:54,359 Speaker 1: called my mentor. So he's doesn't want me mo mentor, 813 00:39:54,400 --> 00:39:56,560 Speaker 1: doesn't mere mentor. And in the end he finally drops 814 00:39:56,760 --> 00:39:59,239 Speaker 1: some knowledge like you can't save these people. All you 815 00:39:59,280 --> 00:40:01,400 Speaker 1: can do is do your asked. You're not responsible for 816 00:40:01,520 --> 00:40:04,359 Speaker 1: changing people's habits. You can't make someone who's gonna smoke 817 00:40:04,440 --> 00:40:07,160 Speaker 1: not smoke. And I know that this is something and 818 00:40:07,560 --> 00:40:09,839 Speaker 1: that doctors must deal with all the time. They wish 819 00:40:09,920 --> 00:40:12,680 Speaker 1: they could make their patients stop eating that fast food, 820 00:40:12,680 --> 00:40:14,720 Speaker 1: They wish they could make their patients stop smoking. Whatever 821 00:40:14,760 --> 00:40:17,120 Speaker 1: it is Johnny's trying to teach j D early on, 822 00:40:17,280 --> 00:40:19,719 Speaker 1: like you don't have control over over that. You can 823 00:40:19,760 --> 00:40:21,719 Speaker 1: only do what you can do. I had made a 824 00:40:21,800 --> 00:40:25,400 Speaker 1: note on that. Also, when doctors come into the hospital 825 00:40:25,600 --> 00:40:29,680 Speaker 1: for the first few months, maybe even more than that, 826 00:40:30,200 --> 00:40:35,080 Speaker 1: they take everything so personal. And that's great to have 827 00:40:35,880 --> 00:40:40,360 Speaker 1: that type of attitude, but if you continue that type 828 00:40:40,400 --> 00:40:43,040 Speaker 1: of attitude, it's going to be really hard for you 829 00:40:43,160 --> 00:40:45,279 Speaker 1: to make it as a doctor, you know what I mean. 830 00:40:45,760 --> 00:40:50,640 Speaker 1: And that's what j D had to experience, you know 831 00:40:50,680 --> 00:40:52,960 Speaker 1: what I mean. J D cared so much about Will 832 00:40:53,560 --> 00:40:58,360 Speaker 1: and you know, and Will quitting his cigarette addiction, and 833 00:40:58,880 --> 00:41:02,319 Speaker 1: he thought that that was a bonding experience between him 834 00:41:02,360 --> 00:41:04,359 Speaker 1: and Dr Cox. You know, dude, I know you're thinking 835 00:41:04,400 --> 00:41:07,040 Speaker 1: about it, and let's talk it over so we can 836 00:41:07,200 --> 00:41:09,840 Speaker 1: come back in tomorrow with the game plan and stop 837 00:41:09,920 --> 00:41:13,160 Speaker 1: this dude from smoking cigarettes. And at the end of 838 00:41:13,239 --> 00:41:17,040 Speaker 1: the day, that wasn't your job. Your job is to 839 00:41:17,280 --> 00:41:20,040 Speaker 1: test and treat, you know what I mean. That was 840 00:41:20,120 --> 00:41:23,480 Speaker 1: j D's job. Let's test him and see what ailments 841 00:41:23,520 --> 00:41:27,440 Speaker 1: he has, and any ailment we find, we're gonna treat 842 00:41:27,840 --> 00:41:32,000 Speaker 1: and try and save him from all of this extracurricular 843 00:41:32,040 --> 00:41:35,399 Speaker 1: activity of you giving a crap about you know, how 844 00:41:35,520 --> 00:41:38,680 Speaker 1: he got here. That's not in the cards because at 845 00:41:38,680 --> 00:41:41,440 Speaker 1: the end of the day, if this person does pass away, 846 00:41:41,880 --> 00:41:45,000 Speaker 1: how do you develop the strength to get up again? 847 00:41:45,360 --> 00:41:50,319 Speaker 1: If you were so so invested in this person's well being. 848 00:41:50,800 --> 00:41:53,880 Speaker 1: And as much as that sucks to hear, that's how 849 00:41:54,000 --> 00:41:56,480 Speaker 1: doctors have to be. That's how nurses have to be. 850 00:41:56,800 --> 00:41:59,319 Speaker 1: They're gonna deal with death, They're gonna deal with life, 851 00:41:59,360 --> 00:42:01,200 Speaker 1: they're gonna deal with disease, They're going to deal with 852 00:42:01,360 --> 00:42:04,640 Speaker 1: all of these things. And how do you put up 853 00:42:04,680 --> 00:42:08,279 Speaker 1: a shield so at the end of the day, if 854 00:42:08,320 --> 00:42:11,040 Speaker 1: you do lose somebody, you can come back the next 855 00:42:11,120 --> 00:42:13,400 Speaker 1: day and do your job, you know what I mean? 856 00:42:14,160 --> 00:42:16,960 Speaker 1: And that was what Cox was trying to prepare j 857 00:42:17,200 --> 00:42:19,600 Speaker 1: D for early on, early on in the show, because 858 00:42:19,680 --> 00:42:21,320 Speaker 1: like he's like, you need to get used to this. 859 00:42:21,840 --> 00:42:23,480 Speaker 1: This is not You're not gonna be able to save 860 00:42:23,560 --> 00:42:26,200 Speaker 1: every single person and change all their habits. By the way, 861 00:42:26,200 --> 00:42:28,160 Speaker 1: I'm looking at the credits and I see that John 862 00:42:28,239 --> 00:42:30,880 Speaker 1: Deucey's who was the guest star as Will his character's 863 00:42:30,960 --> 00:42:34,920 Speaker 1: name Will Forte. And was there some connection to Will Forte? 864 00:42:35,080 --> 00:42:37,960 Speaker 1: Did someone wasn't so. I think one of our writers 865 00:42:38,080 --> 00:42:40,759 Speaker 1: was partnered with Will four Day. I do believe you're right. 866 00:42:40,840 --> 00:42:45,400 Speaker 1: I was Swarts Shorts. Yeah. Speaking of Mike schwartzach the 867 00:42:45,480 --> 00:42:49,160 Speaker 1: show that I'm that I shot all last year Emergence, 868 00:42:49,239 --> 00:42:51,960 Speaker 1: which is on ABC, which is another Disney show. The 869 00:42:52,480 --> 00:42:55,560 Speaker 1: creators of that show wrote on ED back in the 870 00:42:55,680 --> 00:42:59,439 Speaker 1: day with a young Mike Schwartz. That's not musty where 871 00:42:59,440 --> 00:43:02,520 Speaker 1: Bill found him. Yeah, ED came first because I remember 872 00:43:02,560 --> 00:43:06,120 Speaker 1: when the show ED was on and Tom Kavanaugh's picture 873 00:43:06,160 --> 00:43:09,200 Speaker 1: went up on billboards and I still didn't have a job. 874 00:43:09,640 --> 00:43:11,840 Speaker 1: My mom would call me and be like, there is 875 00:43:11,880 --> 00:43:16,680 Speaker 1: a show where this guy looks exactly like you and 876 00:43:17,120 --> 00:43:21,160 Speaker 1: and he's on billboards everywhere. And I remember thinking like, great, yeah, 877 00:43:21,680 --> 00:43:23,880 Speaker 1: that's not me, Mom. It's kind of It's kind of 878 00:43:23,880 --> 00:43:25,920 Speaker 1: crazy how he came on to be a brother later on. 879 00:43:26,840 --> 00:43:29,080 Speaker 1: I know, I wish they I wish they would have 880 00:43:29,120 --> 00:43:31,000 Speaker 1: had I wish you would have had two brothers. I 881 00:43:31,040 --> 00:43:33,400 Speaker 1: wish it would have been him and then Dak Shephard 882 00:43:33,560 --> 00:43:35,759 Speaker 1: as your other brother. I know, I get this thing. 883 00:43:35,840 --> 00:43:38,239 Speaker 1: I don't know what it is about my face, but 884 00:43:38,560 --> 00:43:42,360 Speaker 1: people tell me I look like so many different people. Obviously, 885 00:43:42,480 --> 00:43:45,319 Speaker 1: Dak Shepherd's the most common these days, but I used 886 00:43:45,360 --> 00:43:49,520 Speaker 1: to get Tom Kavanaugh and Ray Romano. Yeah I remember 887 00:43:49,600 --> 00:43:52,520 Speaker 1: Ray Romano. Yeah yeah. I Finally early on when our 888 00:43:52,560 --> 00:43:55,040 Speaker 1: show launched, everyone was saying that I was like young 889 00:43:55,160 --> 00:43:57,960 Speaker 1: Ray Romano, and I remember Ray. I met Ray Romano 890 00:43:58,120 --> 00:44:00,839 Speaker 1: like on a press line somewhere, and he looked at 891 00:44:00,880 --> 00:44:03,279 Speaker 1: me and he was like, oh, it's like looking in 892 00:44:03,360 --> 00:44:09,000 Speaker 1: a mirror. I couldn't remember if he was finding the comparison. Funny, 893 00:44:18,040 --> 00:44:20,279 Speaker 1: can you tell the story about how when we went 894 00:44:20,320 --> 00:44:22,880 Speaker 1: to Vegas and I was in the bathroom and I 895 00:44:23,000 --> 00:44:26,359 Speaker 1: was washing my hands and I left and the guy goes, oh, 896 00:44:26,400 --> 00:44:29,240 Speaker 1: you know who that was, right? Do you remember the story? Unfortunately, 897 00:44:29,280 --> 00:44:31,080 Speaker 1: I remember the story, but I forgot the punchline, So 898 00:44:31,160 --> 00:44:33,320 Speaker 1: you're gonna have to tell it. So we're in Vegas 899 00:44:33,360 --> 00:44:37,160 Speaker 1: and we're hanging out. It's us, Josh Rayden, our Buddy 900 00:44:37,239 --> 00:44:42,319 Speaker 1: Carey Brothers, and Michael Weston, who also at some point 901 00:44:42,480 --> 00:44:44,120 Speaker 1: was on the show. Ye came on the show as 902 00:44:44,160 --> 00:44:48,920 Speaker 1: private dancer, right right, right, But Carrie and Josh both 903 00:44:48,960 --> 00:44:52,200 Speaker 1: had music on the show, if I remember correctly, right, yes, right, 904 00:44:52,480 --> 00:44:54,640 Speaker 1: So we're all in Vegas. We go to Vegas. It's 905 00:44:54,640 --> 00:44:57,520 Speaker 1: our first time going to Vegas to as a group, 906 00:44:57,960 --> 00:45:00,680 Speaker 1: and we're you know, we're very young, and we've we've 907 00:45:00,760 --> 00:45:02,480 Speaker 1: got a little bit of money at this point to 908 00:45:02,680 --> 00:45:05,160 Speaker 1: spend in Vegas. We had a really good time. We 909 00:45:05,200 --> 00:45:07,160 Speaker 1: stayed at the MGM Grand They hooked it up for us. 910 00:45:07,360 --> 00:45:09,720 Speaker 1: The story, as I even corrected, I was in the bathroom. 911 00:45:09,760 --> 00:45:11,640 Speaker 1: Donald in the bathroom and Donald washed his hands and 912 00:45:11,640 --> 00:45:13,839 Speaker 1: then he left and the person that was in there 913 00:45:14,120 --> 00:45:16,680 Speaker 1: said to his friend, you know who that was? And 914 00:45:16,800 --> 00:45:19,920 Speaker 1: in my mind, I'm thinking, like Donald getting recognized, and 915 00:45:20,200 --> 00:45:21,919 Speaker 1: the guy goes who and he goes, that was Erkele. 916 00:45:23,719 --> 00:45:27,200 Speaker 1: That was fucking Rkle, dude, And they were like freaking 917 00:45:27,239 --> 00:45:29,400 Speaker 1: out that Erkel had been in the bathroom with them. 918 00:45:29,800 --> 00:45:33,200 Speaker 1: I love that to this day, I you know, to 919 00:45:33,320 --> 00:45:36,279 Speaker 1: this day. Anytime I could be mentioned in the same 920 00:45:36,360 --> 00:45:39,719 Speaker 1: story as Jalio White, Tay Digs, all these people who 921 00:45:39,760 --> 00:45:44,560 Speaker 1: were like, you know, iconic for being really good at 922 00:45:44,880 --> 00:45:47,640 Speaker 1: playing a character, or you know, Julia went on to 923 00:45:47,719 --> 00:45:50,840 Speaker 1: do Stefan Urkle, which was really freaking awesome and it 924 00:45:50,960 --> 00:45:53,520 Speaker 1: showed his range as an actor and everything like that. 925 00:45:53,760 --> 00:45:55,640 Speaker 1: Anytime I could be mentioned in the same story. Like 926 00:45:55,719 --> 00:45:57,759 Speaker 1: one time quest Love hit me up. It was like, Yo, 927 00:45:57,880 --> 00:46:00,200 Speaker 1: somebody said I looked like you, and I was like, 928 00:46:00,280 --> 00:46:02,840 Speaker 1: that's the best day ever, dude. I remember when we 929 00:46:03,000 --> 00:46:05,000 Speaker 1: first became friends and we'd go out and about no 930 00:46:05,080 --> 00:46:07,719 Speaker 1: one knew who I was at all. But some people 931 00:46:07,760 --> 00:46:09,680 Speaker 1: would would know Donald's name. But a lot of people 932 00:46:09,680 --> 00:46:13,160 Speaker 1: would just be like, yo, yo clueless, clueless. They would 933 00:46:13,200 --> 00:46:17,800 Speaker 1: just yell clueless at you right all the time, YO clueless, clueless, 934 00:46:18,280 --> 00:46:20,759 Speaker 1: Yo clueless. And then and then they point to you 935 00:46:20,840 --> 00:46:23,120 Speaker 1: and be like YO clueless by his friend, Yo clueless, 936 00:46:23,120 --> 00:46:26,200 Speaker 1: but his friend look at clueless. His friend's clueless and 937 00:46:26,239 --> 00:46:29,239 Speaker 1: clueless his friends. That story has a horrible ending, though, man, 938 00:46:30,360 --> 00:46:32,279 Speaker 1: it has a horrible well. The ending is, you know 939 00:46:32,400 --> 00:46:33,920 Speaker 1: you did Garden State and all of a sudden he 940 00:46:33,960 --> 00:46:36,640 Speaker 1: became Zach Braff and people are like, oh, ship Zach Braff, 941 00:46:37,040 --> 00:46:38,840 Speaker 1: and look who he's hanging out with. He's got clueless 942 00:46:38,880 --> 00:46:43,040 Speaker 1: with him. That's not what happened. That is what happened. 943 00:46:43,440 --> 00:46:46,239 Speaker 1: That's funny. I dis remember, you know. It's funny the 944 00:46:46,400 --> 00:46:48,280 Speaker 1: thing the things that people yell at you on the street, 945 00:46:48,360 --> 00:46:50,880 Speaker 1: like you don't get clueless anymore. I'm sure, but no. 946 00:46:51,040 --> 00:46:52,680 Speaker 1: But I get a lot of black scrub thanks the 947 00:46:52,719 --> 00:46:55,160 Speaker 1: family guy. I get a lot of black scrubs and 948 00:46:55,440 --> 00:46:58,160 Speaker 1: get scrubs and you know, yeah, I got I get 949 00:46:58,239 --> 00:47:01,200 Speaker 1: where turk all the time. Sometimes people will know my 950 00:47:01,280 --> 00:47:03,279 Speaker 1: name and they just talked to me right away, and 951 00:47:03,360 --> 00:47:05,560 Speaker 1: I I can't figure out if I know them in 952 00:47:05,640 --> 00:47:08,880 Speaker 1: real life or they just know me as an actor. 953 00:47:09,280 --> 00:47:11,320 Speaker 1: And especially when I when I'm in New York because 954 00:47:11,800 --> 00:47:14,120 Speaker 1: I lived there part of the year and people just 955 00:47:14,239 --> 00:47:16,120 Speaker 1: walking on the street just start talking to you, and 956 00:47:16,200 --> 00:47:17,320 Speaker 1: you don't want to be I don't want to be 957 00:47:17,440 --> 00:47:19,719 Speaker 1: rude at all, but I'm trying to think, like do 958 00:47:19,840 --> 00:47:21,920 Speaker 1: I know this person or do they just know my name. 959 00:47:22,239 --> 00:47:24,800 Speaker 1: One time I was parallel parking in Manhattan and it 960 00:47:24,880 --> 00:47:28,120 Speaker 1: was going horribly and some guy walks by. He's like, 961 00:47:28,200 --> 00:47:34,040 Speaker 1: you're killing it, braf, and I just couldn't remember. Like, 962 00:47:34,280 --> 00:47:35,839 Speaker 1: I just was like, do I know that I don't 963 00:47:35,840 --> 00:47:37,759 Speaker 1: think I know that person. They just give me ship. 964 00:47:38,040 --> 00:47:40,680 Speaker 1: That happened to me recently at Starbucks before this whole 965 00:47:40,760 --> 00:47:43,480 Speaker 1: quarantine thing happened. I was at Starbucks and a guy 966 00:47:43,560 --> 00:47:45,319 Speaker 1: comes up to me, goes, Donald, how you been man. 967 00:47:45,920 --> 00:47:48,200 Speaker 1: I'm like, hey, man, how's it going. He's like, you know, 968 00:47:48,280 --> 00:47:50,000 Speaker 1: I'm good. And then I realized, so I don't know 969 00:47:50,120 --> 00:47:51,320 Speaker 1: this guy. I was like, wait, how do how do 970 00:47:51,400 --> 00:47:53,920 Speaker 1: we know each other? And he says, oh, dude, I'm 971 00:47:53,960 --> 00:47:56,720 Speaker 1: just such a huge fan of yours. And I remember thinking, 972 00:47:56,760 --> 00:47:58,560 Speaker 1: holy cow, that's how you get caught out there. Dude, 973 00:47:59,040 --> 00:48:02,400 Speaker 1: from here on out, if somebody says to me, Donald, 974 00:48:02,480 --> 00:48:04,400 Speaker 1: how's it going and I don't know who they are, 975 00:48:04,640 --> 00:48:06,680 Speaker 1: I'm not going to be embarrassed anymore because that's that 976 00:48:06,960 --> 00:48:11,480 Speaker 1: moment of embarrassment where you're like, wait, because I don't 977 00:48:11,480 --> 00:48:15,640 Speaker 1: want to want to hurt it, hurt anybody's feelings. Oh. 978 00:48:15,680 --> 00:48:17,640 Speaker 1: I thought of another person that I used to really 979 00:48:17,680 --> 00:48:21,080 Speaker 1: get a lot before. Was Anne Hathaway's boyfriend that went 980 00:48:21,160 --> 00:48:24,080 Speaker 1: to jail. Do you remember that guy? I don't. He 981 00:48:24,200 --> 00:48:26,320 Speaker 1: was involved in some I think it was business or 982 00:48:26,440 --> 00:48:29,800 Speaker 1: money crime something, but he went to jail and I 983 00:48:29,920 --> 00:48:31,880 Speaker 1: walk in. This is years ago. I walk into a 984 00:48:31,960 --> 00:48:34,319 Speaker 1: coffee bean and I walk in and I see our 985 00:48:34,360 --> 00:48:36,840 Speaker 1: senior Hall and he's looking right at me, and I 986 00:48:36,880 --> 00:48:39,040 Speaker 1: don't think I don't remember ever met our senior Hall, 987 00:48:39,239 --> 00:48:40,839 Speaker 1: but I was kind of geeked out because I loved 988 00:48:41,000 --> 00:48:43,400 Speaker 1: Senior Hall, and he kind of smiled at me. He 989 00:48:43,440 --> 00:48:45,440 Speaker 1: brought me over to the end of the counter where 990 00:48:45,440 --> 00:48:48,640 Speaker 1: they delivered the coffees, and there you can hear the music. 991 00:48:49,000 --> 00:48:52,680 Speaker 1: Oh is Eddie Murphy standing there? And I'm like having 992 00:48:52,760 --> 00:48:54,239 Speaker 1: one of the greatest moments in my life. And now 993 00:48:54,280 --> 00:48:57,879 Speaker 1: when I meet famous people, I can normally hold it together. Yeah, 994 00:48:57,880 --> 00:49:00,359 Speaker 1: I'm gonna keep it. I remember saying to you one time, dude, 995 00:49:00,400 --> 00:49:03,360 Speaker 1: how do you do this? Man? Like that's freaking Benjamin 996 00:49:03,440 --> 00:49:05,799 Speaker 1: Bratt right there, and you're not even geeking out. Really, 997 00:49:05,920 --> 00:49:08,120 Speaker 1: You're just like it's not even up and You're like, 998 00:49:08,160 --> 00:49:09,719 Speaker 1: I don't, I don't, I don't geek out. Well, I 999 00:49:09,800 --> 00:49:12,280 Speaker 1: can hold it together sometimes, but when I met Eddie Murphy, 1000 00:49:12,560 --> 00:49:14,680 Speaker 1: I mean I just started gushing. I was like, Eddie, 1001 00:49:14,680 --> 00:49:16,080 Speaker 1: I'm so sorry, but I just want to say that, 1002 00:49:16,200 --> 00:49:18,759 Speaker 1: like you were like such an inspiration to me, and 1003 00:49:18,880 --> 00:49:21,200 Speaker 1: and and and and and Beverly Hill's cop I I 1004 00:49:21,280 --> 00:49:23,040 Speaker 1: gotta tell you it's I use it as an example 1005 00:49:23,080 --> 00:49:25,279 Speaker 1: all the time because like the bad guys were like 1006 00:49:25,400 --> 00:49:28,399 Speaker 1: legitimately scary, but and he goes, he goes, who bad 1007 00:49:28,800 --> 00:49:31,800 Speaker 1: that bad guys weren't scary? Who Victor Maitland? And I 1008 00:49:31,880 --> 00:49:34,040 Speaker 1: was like, oh my god, Eddie Murphy just said Victor 1009 00:49:34,120 --> 00:49:36,759 Speaker 1: Maitland to me in a coffee shop. My life has 1010 00:49:36,800 --> 00:49:39,520 Speaker 1: peaked right now. He's like Victor Maitland and I'm like, no, not, 1011 00:49:39,560 --> 00:49:41,720 Speaker 1: I'm like Victor Maitland. Like well, I was like the Henchman. 1012 00:49:41,760 --> 00:49:43,680 Speaker 1: He goes, yeah, the Henchman was scary. And then he 1013 00:49:43,719 --> 00:49:45,920 Speaker 1: interrupts me and he goes stares at me, and he goes, 1014 00:49:46,080 --> 00:49:48,600 Speaker 1: anybody ever tell you look like Anne Hathaway his boyfriend 1015 00:49:48,640 --> 00:49:54,239 Speaker 1: and went to jail. And I said what. He goes, yeah, 1016 00:49:54,239 --> 00:49:56,320 Speaker 1: because I was watching the news and I was like, 1017 00:49:56,840 --> 00:50:03,520 Speaker 1: that looks like the dude from Scrubs. And I thought, 1018 00:50:03,600 --> 00:50:06,160 Speaker 1: this is the most surreal moment of my entire life. 1019 00:50:06,280 --> 00:50:09,040 Speaker 1: Eddie Murphy is telling recognize a he knows who I 1020 00:50:09,080 --> 00:50:11,680 Speaker 1: am because he knows what Scrubs is, and be he's 1021 00:50:11,680 --> 00:50:13,680 Speaker 1: trying to figure out if I've been told before that 1022 00:50:13,719 --> 00:50:16,759 Speaker 1: I looked like and Hathaway's boyfriend. By the way, the 1023 00:50:16,840 --> 00:50:18,319 Speaker 1: last part of that story I gotta tell you because 1024 00:50:18,360 --> 00:50:21,200 Speaker 1: it's so funny. I go to The Layman's Rob premiere 1025 00:50:21,239 --> 00:50:23,880 Speaker 1: the movie premiere, and because I love Layman's rob as 1026 00:50:23,920 --> 00:50:28,520 Speaker 1: you know, and drink with me. Two dayss gone more? 1027 00:50:29,640 --> 00:50:32,360 Speaker 1: All right, So, by the way, we'll do a special 1028 00:50:32,400 --> 00:50:36,759 Speaker 1: episode of this podcast where we just sing anyway, I'm 1029 00:50:36,800 --> 00:50:40,120 Speaker 1: walking and I know and Hathaway as an acquaintance. And 1030 00:50:40,320 --> 00:50:41,839 Speaker 1: but and this is right around when all that ship 1031 00:50:41,920 --> 00:50:45,120 Speaker 1: went down with her boyfriend and I'm I'm walking towards 1032 00:50:45,160 --> 00:50:50,239 Speaker 1: her to say congratulations, and her father stands up and 1033 00:50:50,440 --> 00:50:54,120 Speaker 1: like gives me this look like I'm gonna kill this mother. 1034 00:50:55,880 --> 00:51:01,000 Speaker 1: He's got the balls to crash my daughter's mirror. I'm 1035 00:51:01,080 --> 00:51:05,160 Speaker 1: gonna strangle him. And I got within ten feet of 1036 00:51:05,200 --> 00:51:08,280 Speaker 1: the dude and then his face just fucking broke anyone 1037 00:51:09,040 --> 00:51:11,400 Speaker 1: like side of breath relief and realized that it was me, 1038 00:51:11,680 --> 00:51:14,120 Speaker 1: not the ex boyfriend. Oh man, Now you know what 1039 00:51:14,200 --> 00:51:19,880 Speaker 1: black people go through all the time. All right, I 1040 00:51:19,960 --> 00:51:23,880 Speaker 1: think we have a caller, right Joel, We do. Welcome Kayla. 1041 00:51:24,040 --> 00:51:28,480 Speaker 1: Thanks for being here. What's up? Kayla? Hi? Kayla? Hi? 1042 00:51:29,760 --> 00:51:35,279 Speaker 1: Are you? I'm good? They're crazy the good. We hear you. 1043 00:51:35,680 --> 00:51:38,360 Speaker 1: It's time. Thank you so much for being our second 1044 00:51:38,520 --> 00:51:41,239 Speaker 1: ever caller. We're very, very excited to have you. We 1045 00:51:41,680 --> 00:51:44,760 Speaker 1: can answer any question you have about anything, well, almost 1046 00:51:44,800 --> 00:51:49,400 Speaker 1: any question, but mostly Scrubs related. That's about it. That's here, Okay. 1047 00:51:49,440 --> 00:51:51,960 Speaker 1: I guess like my first question would be a lot 1048 00:51:52,040 --> 00:51:55,360 Speaker 1: of shows that premiered at that time had that awkward 1049 00:51:55,560 --> 00:52:00,479 Speaker 1: first season, but for whatever reason for me a viewer, 1050 00:52:00,719 --> 00:52:03,600 Speaker 1: Scrubs didn't have that. Was that something that you guys 1051 00:52:03,640 --> 00:52:07,000 Speaker 1: all felt as a cat Uh, speaking from I was 1052 00:52:07,280 --> 00:52:09,960 Speaker 1: just happy to be on television. H When I look 1053 00:52:10,000 --> 00:52:14,040 Speaker 1: back at it now, absolutely, you're absolutely right. Scrubs started 1054 00:52:14,080 --> 00:52:16,080 Speaker 1: off at a high point and it just kept going 1055 00:52:16,200 --> 00:52:19,520 Speaker 1: up from there. Uh, as far as storytelling goes, and 1056 00:52:19,600 --> 00:52:22,759 Speaker 1: that's really you know, you gotta give props to Bill 1057 00:52:22,840 --> 00:52:26,279 Speaker 1: Lawrence and his team of writers. Also, you know the crew, 1058 00:52:26,480 --> 00:52:28,719 Speaker 1: and you know how they were in line and just 1059 00:52:28,840 --> 00:52:31,560 Speaker 1: ready to go once we started with so many shows. 1060 00:52:31,840 --> 00:52:34,600 Speaker 1: I agree, Kayla, you go, um, you can't help but go, 1061 00:52:35,320 --> 00:52:38,360 Speaker 1: especially with pilots. I'm always saying to friends and and 1062 00:52:38,640 --> 00:52:40,120 Speaker 1: when you know, when you recommend the show, you're like, 1063 00:52:40,320 --> 00:52:42,840 Speaker 1: give it like three episodes because you know the pilots 1064 00:52:42,880 --> 00:52:44,840 Speaker 1: good and everything, But you know there's kinds of pilots 1065 00:52:44,840 --> 00:52:47,360 Speaker 1: you're so hard you have to introduce so much, so 1066 00:52:47,480 --> 00:52:50,080 Speaker 1: many characters, and and the tone and the style and 1067 00:52:50,160 --> 00:52:52,160 Speaker 1: the it's so hard to do a pilot have it worked. 1068 00:52:52,160 --> 00:52:54,319 Speaker 1: So I guess you guys have said this to people too. 1069 00:52:54,320 --> 00:52:55,800 Speaker 1: You're always like, just give you a couple of episodes. 1070 00:52:56,080 --> 00:52:58,680 Speaker 1: Whereas I agree, build building such an amazing job with 1071 00:52:58,840 --> 00:53:01,440 Speaker 1: with the pilot and the first few episodes that he 1072 00:53:01,600 --> 00:53:04,320 Speaker 1: was able to in twenty three minutes an episode, be 1073 00:53:04,400 --> 00:53:05,920 Speaker 1: able to just launch it. I'm just looking at the 1074 00:53:06,080 --> 00:53:08,320 Speaker 1: my screen. This one was like twenty one minutes or so. 1075 00:53:09,280 --> 00:53:12,280 Speaker 1: It's just amazing how much got crammed in and beautifully 1076 00:53:12,320 --> 00:53:15,120 Speaker 1: woven together, you know, being on the show. I hate 1077 00:53:15,120 --> 00:53:16,480 Speaker 1: to brag about the show, but I think that's what 1078 00:53:16,640 --> 00:53:18,359 Speaker 1: made the show so great, you know what I mean. 1079 00:53:18,480 --> 00:53:20,640 Speaker 1: It's like, you know, you didn't have to say give 1080 00:53:20,680 --> 00:53:24,160 Speaker 1: it two or three episodes. By the third episode, though, 1081 00:53:24,480 --> 00:53:26,520 Speaker 1: we were really on fire. You know, we were really 1082 00:53:26,560 --> 00:53:29,840 Speaker 1: telling great stories. But we were telling great stories before that. 1083 00:53:30,760 --> 00:53:33,719 Speaker 1: It just, you know, it just elevated even higher after 1084 00:53:34,000 --> 00:53:36,400 Speaker 1: episode three because we found our groove. I love that 1085 00:53:36,520 --> 00:53:38,800 Speaker 1: because I remember my mom asked me a couplice, like 1086 00:53:38,800 --> 00:53:41,120 Speaker 1: I need to start something, and I said, you should 1087 00:53:41,160 --> 00:53:43,520 Speaker 1: start scrubs from the beginning, because I know you came 1088 00:53:43,560 --> 00:53:45,399 Speaker 1: in at this and pieces. She's like, so you don't 1089 00:53:45,400 --> 00:53:47,319 Speaker 1: have an episode for me to start on. You start 1090 00:53:47,320 --> 00:53:51,640 Speaker 1: from episode one. I love that. That's great, Kayla. Do 1091 00:53:51,680 --> 00:53:53,960 Speaker 1: you have another question? Just because we're all in isolation 1092 00:53:54,040 --> 00:53:58,279 Speaker 1: and have nothing to do but to talk to you? Um, so, 1093 00:53:58,400 --> 00:54:00,960 Speaker 1: I guess what's so great? Which is funny? You say? 1094 00:54:01,000 --> 00:54:05,160 Speaker 1: Episode three? Episode two is probably my favorite because so 1095 00:54:05,280 --> 00:54:09,280 Speaker 1: many of the show's major relationships are established in that episode. 1096 00:54:09,800 --> 00:54:12,759 Speaker 1: So was that chemistry instantaneous or did that come from 1097 00:54:13,120 --> 00:54:15,800 Speaker 1: filming episodes over the coming week? You know, it's crazy? 1098 00:54:15,880 --> 00:54:18,520 Speaker 1: Is that? That's how we opened the show today pretty much. 1099 00:54:18,600 --> 00:54:23,600 Speaker 1: We talked about how episode two it really sets off 1100 00:54:24,360 --> 00:54:26,160 Speaker 1: the journey that a lot of these characters are going 1101 00:54:26,200 --> 00:54:30,960 Speaker 1: to have together. Carla and Turk, Carla and Elliott, everybody 1102 00:54:31,040 --> 00:54:36,080 Speaker 1: in the hospital and Dr Kelso, j D and Cox, 1103 00:54:36,480 --> 00:54:39,359 Speaker 1: all of these stories are really starting to bubble at 1104 00:54:39,400 --> 00:54:41,320 Speaker 1: this point, you know what I mean? Or starting to 1105 00:54:41,760 --> 00:54:46,759 Speaker 1: you know whatever? Sure if I don't, I don't know 1106 00:54:46,840 --> 00:54:49,279 Speaker 1: if we should use gurgle? No, Like you know, when 1107 00:54:49,320 --> 00:54:51,520 Speaker 1: like a boiling water starts to come to a gurgle, 1108 00:54:51,640 --> 00:54:54,279 Speaker 1: isn't that the word. No, it's not. That's not what 1109 00:54:54,400 --> 00:54:58,719 Speaker 1: gurgle means. Not gargle and gurgle are different. I just 1110 00:54:58,840 --> 00:55:01,799 Speaker 1: like saying gurgle. Another big thing was that we all 1111 00:55:01,920 --> 00:55:05,080 Speaker 1: genuinely got along. Like you know, a lot of shows, 1112 00:55:05,120 --> 00:55:06,799 Speaker 1: you're meeting all these new people. Just like any job, 1113 00:55:06,840 --> 00:55:08,640 Speaker 1: there's mean people you don't like, there's people that you 1114 00:55:08,719 --> 00:55:12,840 Speaker 1: do like. We all really clicked, like you know, and 1115 00:55:12,960 --> 00:55:15,160 Speaker 1: I'm sure Donald and I have both been on projects 1116 00:55:15,160 --> 00:55:18,200 Speaker 1: since then where the magic wasn't there. This was a 1117 00:55:18,280 --> 00:55:20,759 Speaker 1: project where like all those people we were and the 1118 00:55:20,840 --> 00:55:23,960 Speaker 1: writers and Bill and the directors, the crew, we were 1119 00:55:24,040 --> 00:55:26,560 Speaker 1: all friends and we were all hanging out. We would 1120 00:55:26,560 --> 00:55:29,480 Speaker 1: all go out together. We just really genuinely loved each other. 1121 00:55:29,680 --> 00:55:33,080 Speaker 1: And a testament to the seven main characters in the show, 1122 00:55:33,640 --> 00:55:35,719 Speaker 1: we all you know, over nine years. We we had 1123 00:55:35,760 --> 00:55:37,960 Speaker 1: our moments. Of course, just like a family, you you'd 1124 00:55:37,960 --> 00:55:40,960 Speaker 1: get an arguments over things. But but for a the time, 1125 00:55:41,000 --> 00:55:43,759 Speaker 1: we all got along really, really, really well. And I 1126 00:55:43,840 --> 00:55:46,600 Speaker 1: think that that shows in the relationships in the in 1127 00:55:46,640 --> 00:55:48,880 Speaker 1: the show. Because we we loved each other, we rooted 1128 00:55:48,920 --> 00:55:51,080 Speaker 1: for each other. If Donald had a moment where he 1129 00:55:51,160 --> 00:55:53,560 Speaker 1: was killing it, like we weren't trying to upstage each other, 1130 00:55:53,800 --> 00:55:55,960 Speaker 1: like go man, go be that. You're killing it right 1131 00:55:56,000 --> 00:55:57,960 Speaker 1: now like we were rooting each other on you know, 1132 00:55:58,880 --> 00:56:02,359 Speaker 1: we definitely where each other's biggest fans at the time 1133 00:56:02,560 --> 00:56:04,960 Speaker 1: for sure. Well, thank you, Kayla, thank you for calling in, 1134 00:56:05,080 --> 00:56:07,840 Speaker 1: and thank you for for being our second ever caller. 1135 00:56:08,640 --> 00:56:10,759 Speaker 1: Thank you guys so much for having me. Thank you. 1136 00:56:10,880 --> 00:56:13,000 Speaker 1: Stay safe out there. Where are you calling from? Are 1137 00:56:13,040 --> 00:56:17,240 Speaker 1: you in California? Are you you're in Atlanta? Yeah? Okay, 1138 00:56:17,560 --> 00:56:26,520 Speaker 1: we're all lockdown. Yeah, Well, stay safe, Kayla. And I 1139 00:56:26,600 --> 00:56:28,560 Speaker 1: want to say, if you want to call in to 1140 00:56:28,880 --> 00:56:33,239 Speaker 1: our podcast here, you're gonna send an email two scrubs 1141 00:56:33,440 --> 00:56:37,440 Speaker 1: I heart at gmail dot com. Is that right, Joel? Okay, 1142 00:56:37,760 --> 00:56:41,719 Speaker 1: scrubs I heart at gmail dot com. And we're gonna 1143 00:56:41,800 --> 00:56:44,439 Speaker 1: take a caller every week. I just want to thank 1144 00:56:44,520 --> 00:56:47,799 Speaker 1: everybody for listening. Um, please hit us up on our 1145 00:56:47,920 --> 00:56:50,560 Speaker 1: on our social media on on We're both on Instagram 1146 00:56:50,719 --> 00:56:53,799 Speaker 1: and Twitter, and you can ask us questions. Tell us 1147 00:56:53,880 --> 00:56:56,040 Speaker 1: what you what you like, want you want more of? 1148 00:56:56,400 --> 00:56:58,839 Speaker 1: We want you to be have audience participations, So tell 1149 00:56:58,960 --> 00:57:02,640 Speaker 1: us like things that you want to constructive criticism, right, Donald, 1150 00:57:03,000 --> 00:57:06,200 Speaker 1: you don't necessarily have to criticize us well, constructive criticism. 1151 00:57:06,320 --> 00:57:08,600 Speaker 1: You could be like, I'd like to hear more about this, 1152 00:57:08,960 --> 00:57:10,640 Speaker 1: or I'd like to hear more about that. But don't 1153 00:57:10,719 --> 00:57:12,080 Speaker 1: all of a sudden get on there and be like 1154 00:57:12,280 --> 00:57:14,479 Speaker 1: just hating. Well, people are gonna do that anyway. Donald 1155 00:57:14,600 --> 00:57:16,880 Speaker 1: is the interwebs. Nobody likes a hater. I'm just gonna 1156 00:57:16,960 --> 00:57:19,480 Speaker 1: keep it real with you all, Like hater d don't 1157 00:57:19,560 --> 00:57:21,520 Speaker 1: drink hayter reade. That's what you used to stay? Would 1158 00:57:21,600 --> 00:57:25,200 Speaker 1: Taylor Swift say, because the haters gonna hate, hete hate, 1159 00:57:25,360 --> 00:57:26,840 Speaker 1: don't be that, you know what? I like the Taylor 1160 00:57:26,880 --> 00:57:30,400 Speaker 1: Swift lyric and I'm just like, damn, it's seven many yam. 1161 00:57:31,360 --> 00:57:33,680 Speaker 1: When she's talking about getting trolled early in the morning, 1162 00:57:34,040 --> 00:57:37,160 Speaker 1: I like, got a long list of ex lovers. That's 1163 00:57:37,280 --> 00:57:41,600 Speaker 1: that's my favorite And that might be my favorite, not 1164 00:57:41,760 --> 00:57:43,280 Speaker 1: that that has anything to do with this show, but 1165 00:57:43,360 --> 00:57:45,400 Speaker 1: that might be my favorite song. All right, listen, you 1166 00:57:45,400 --> 00:57:47,560 Speaker 1: know what my favorite song is Donald? That she sings 1167 00:57:47,800 --> 00:57:49,959 Speaker 1: that she sings. You know what my favorite song is Donald? 1168 00:57:49,960 --> 00:57:51,360 Speaker 1: And I think we should go into it right now. 1169 00:57:51,480 --> 00:57:54,320 Speaker 1: It's our theme song that we should say we want 1170 00:57:54,360 --> 00:57:56,160 Speaker 1: to thank you to Charlie Pooth who wrote the music, 1171 00:57:56,560 --> 00:57:59,000 Speaker 1: and Donald and I wrote the lyrics, and I think 1172 00:57:59,040 --> 00:58:01,920 Speaker 1: now is a better time than ever to start singing it. 1173 00:58:02,360 --> 00:58:05,800 Speaker 1: So thank you for listening. Thank you to all the 1174 00:58:06,120 --> 00:58:09,080 Speaker 1: medical person out there, out there who are absolutely on 1175 00:58:09,200 --> 00:58:11,880 Speaker 1: the front lines, and thank you so much. And we 1176 00:58:12,040 --> 00:58:14,400 Speaker 1: were watching you, and we see you and we celebrate you. 1177 00:58:14,600 --> 00:58:16,720 Speaker 1: And this was a show that was always trying and 1178 00:58:16,760 --> 00:58:20,120 Speaker 1: aspired to be a love letter to the medical workers 1179 00:58:20,560 --> 00:58:22,360 Speaker 1: and uh and now more than ever, we want to 1180 00:58:22,400 --> 00:58:25,160 Speaker 1: say thank you so much for being the heroes of today. 1181 00:58:25,360 --> 00:58:28,160 Speaker 1: Thank you so much, and now let's sing. Donal, here's 1182 00:58:28,200 --> 00:58:33,600 Speaker 1: some stories about show we made about a bunch of 1183 00:58:33,800 --> 00:58:45,680 Speaker 1: times and nurses and janitor stories around here are around 1184 00:58:45,760 --> 00:58:46,480 Speaker 1: here are