WEBVTT - Episode 13: The Baptism

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<v Speaker 1>The Miniwauk Caves is intended for mature audiences. It contains

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<v Speaker 1>strong language and depictions of bullying, violence, and sexual assault

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<v Speaker 1>that some may find disturbing. Listener discretion is advised. Also,

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<v Speaker 1>this is an extremely immersive experience, and headphones are recommended.

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<v Speaker 1>You're listening to The Maniwac Caves, a production of iHeartRadio,

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<v Speaker 1>Blumhouse Television, and Psycopia Pictures.

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<v Speaker 2>The fog is rolling and thick in the valley. It

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<v Speaker 2>whips by my windows and gusts, moving fast, faster than

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<v Speaker 2>I could run, faster than my soul could hope to

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<v Speaker 2>fly up to the holy Sun. And it keeps coming

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<v Speaker 2>in endless gloom at one hundred miles an hour. I

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<v Speaker 2>could hardly see my own face in the side, and

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<v Speaker 2>merrits so goddamn thick, and I wouldn't recognize myself anymore

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<v Speaker 2>even then, because my eyes don't seem.

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<v Speaker 3>Like my own anymore. There's something else in there.

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<v Speaker 4>In the reflection watching me.

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<v Speaker 5>I'm scared.

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<v Speaker 6>The closer I come to the truth, the more frequently

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<v Speaker 6>the blackouts happen, because the caves don't want me to

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<v Speaker 6>know the truth. But I'm close now, closer than ever,

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<v Speaker 6>despite the fog and the noise. Despite the blackouts, the

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<v Speaker 6>memories are getting sharper. Bits and pieces of my path

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<v Speaker 6>that were completely blank have crystallized, And I have my tape.

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<v Speaker 5>For the rest.

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<v Speaker 7>A ghost and a mirror and the hounds of hell

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<v Speaker 7>dancing in your, dancing in you.

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<v Speaker 8>The mouse sings tar river of el who climbed inside

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<v Speaker 8>and tells these lanes, tells these lanes.

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<v Speaker 7>Somebody screaming for help and no answer, a feedback.

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<v Speaker 9>Loop gone wrong.

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<v Speaker 10>Does it fight when you're all.

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<v Speaker 11>It was my idea.

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<v Speaker 12>Look them down in the case, get them lost, watch

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<v Speaker 12>them fall apart like the cowards we knew they were.

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<v Speaker 12>We weren't gonna make them ship their pants and videotapeic

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<v Speaker 12>get footage of them crying and freaking out. I couldn't

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<v Speaker 12>let those spoils ship let's get away with it anymore.

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<v Speaker 12>It had gone too far. It was time they got theirs,

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<v Speaker 12>you know. It was time for revenge.

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<v Speaker 9>To be tilanside.

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<v Speaker 10>Nice.

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<v Speaker 13>If you were driving, I need you to pull over.

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<v Speaker 10>So I'm not trying.

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<v Speaker 14>James Fincher just confessed killing Thncoln and Thomas Handley.

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<v Speaker 11>Thanks for joining us tonight.

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<v Speaker 15>We are avoarding one of bizarre turn of events and the.

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<v Speaker 16>Attorney General's office that Fincher has now drin double I'm

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<v Speaker 16>not brood, only hours after the Governor had intervened on

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<v Speaker 16>his behalf with an older that the Governor has relearsed

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<v Speaker 16>in decision and Fincher's execution is still set for ABM tonight.

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<v Speaker 12>Many unknowns now well, we don't even know the circumstances

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<v Speaker 12>of this supposed confession.

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<v Speaker 3>No one from James Fincher's legal team was present.

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<v Speaker 17>Now, look, we are on the verge of murdering a

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<v Speaker 17>man without allowing him or the state or Tennessee the

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<v Speaker 17>opportunity to Governor of Justice.

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<v Speaker 16>That there was new evidence in the case, wrongly, evidence

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<v Speaker 16>that could prove that Governor was preparing to commute fin

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<v Speaker 16>Your's sentence entirely, when in these final hours before his

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<v Speaker 16>scheduled execution, Fincher himself released a sworn statement confessing to

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<v Speaker 16>the crime.

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<v Speaker 18>If there is any chance of saving your soul, now

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<v Speaker 18>is the time time to give the family what they need,

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<v Speaker 18>the peace they deserve.

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<v Speaker 10>James, go ahead, now, James Fincher.

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<v Speaker 19>Confessed to the crimes for which I have been convicted

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<v Speaker 19>and for which I have been sentenced.

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<v Speaker 20>I hope that this will bring both families to peace

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<v Speaker 20>they deserve.

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<v Speaker 13>Julian Julian Julian Julian.

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<v Speaker 11>I'm sorry. I'm so sorry.

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<v Speaker 2>The reverend had brobbed him, said a Finch confessed to

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<v Speaker 2>the murders. He would make sure Dina and Jimmy were

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<v Speaker 2>well cared for. He would bring them into his flock,

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<v Speaker 2>set up a church fund, and make them an example

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<v Speaker 2>of how the Lord's goodness is mightier than the devil's eavol.

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<v Speaker 4>I guess Finn should taken the bride.

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<v Speaker 2>Lined with rage and tears, I staggered back to my car,

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<v Speaker 2>clutching the video camera that Tyler sent me.

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<v Speaker 21>H h, it's yours. It's your truth, it's your decision

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<v Speaker 21>about what to do with it.

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<v Speaker 3>This has all the answers you're looking for.

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<v Speaker 4>Okay, Okay, okay, Tyler.

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<v Speaker 22>Yeah, get back here with that light.

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<v Speaker 9>Pha.

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<v Speaker 23>I swear to God, I'm going to fuck that motherfucker

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<v Speaker 23>up when I see him.

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<v Speaker 11>Do you hear me? Pitch, We're can go back that

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<v Speaker 11>queer man?

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<v Speaker 13>Will you tried that.

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<v Speaker 5>Ship?

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<v Speaker 13>What the fuck up?

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<v Speaker 3>Said you?

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<v Speaker 10>Dina?

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<v Speaker 13>Hello?

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<v Speaker 24>Well?

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<v Speaker 5>Fuck else? Could it be? She's gotta be right up Okay, we'll.

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<v Speaker 10>Just keep going.

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<v Speaker 3>Hello, Thomas, there no one here, dna.

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<v Speaker 10>Da dude. I don't know, man, it don't sound like her.

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<v Speaker 10>What the fuck she's moving?

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<v Speaker 5>Man?

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<v Speaker 10>Where is?

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<v Speaker 13>Where is?

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<v Speaker 22>What the fuck is that she's moving?

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<v Speaker 10>I can't say it where It doesn't matter?

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<v Speaker 22>Just too man, what fucking life?

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<v Speaker 5>What?

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<v Speaker 10>What is he?

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<v Speaker 2>What?

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<v Speaker 5>Something?

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<v Speaker 16>God?

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<v Speaker 13>Such?

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<v Speaker 10>Just something trippy.

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<v Speaker 2>I'm bleeding Jesus homing.

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<v Speaker 10>So I'm fucking no.

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<v Speaker 25>No, no, that's that's just I just walk.

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<v Speaker 10>No, man, I'm fucking bleeding comic.

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<v Speaker 22>I'm down here.

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<v Speaker 10>I'm down here.

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<v Speaker 22>Toddy fucking pushed me.

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<v Speaker 10>Man, Oh my b I'm not.

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<v Speaker 22>I can't get up and.

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<v Speaker 10>Stay there, stay there, don't move, honey, help I'm play Okay, Wait,

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<v Speaker 10>I can't. I can't reach you. Come on, my god,

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<v Speaker 10>I see I see it.

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<v Speaker 22>There's a tone. I can see it to the entrance.

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<v Speaker 22>I can see like Thomas gets through here. I can

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<v Speaker 22>see it.

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<v Speaker 10>What I suck?

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<v Speaker 5>I suck?

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<v Speaker 10>Oh, God, fucking stuff.

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<v Speaker 26>No promise all this.

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<v Speaker 10>I'm stuck with it. But I've got a signal.

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<v Speaker 16>Nine one.

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<v Speaker 10>Yeah, yeah, Hello.

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<v Speaker 2>When when you help I'm in the cave, and when

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<v Speaker 2>you help us, please please send someone.

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<v Speaker 5>To help us.

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<v Speaker 22>Okay, run that one more time.

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<v Speaker 4>Okay, my my brother, my my brother, Thomas.

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<v Speaker 5>He felt.

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<v Speaker 10>He's bleeding real bad.

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<v Speaker 11>Please, sir, I need.

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<v Speaker 5>You to calm down. I need your address.

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<v Speaker 10>We're here off of highway for two.

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<v Speaker 27>Fushing's properly?

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<v Speaker 10>Who sucks? Who's sucking a cave?

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<v Speaker 5>Sure? Hello, let's shuck way anger.

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<v Speaker 10>Ship shut me way out of the highway force two.

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<v Speaker 22>Hello should you hear me?

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<v Speaker 2>Sure?

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<v Speaker 10>Hello? Hello?

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<v Speaker 11>Hello, I can hear you?

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<v Speaker 5>Hello?

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<v Speaker 10>Hello, Hello?

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<v Speaker 1>All right?

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<v Speaker 10>Ms Thomas Thomas hm hm dom hell somebody hell you

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<v Speaker 10>help me?

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<v Speaker 3>Oh man?

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<v Speaker 10>Why are you just standing there?

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<v Speaker 8>The fuck are you doing?

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<v Speaker 11>Wait?

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<v Speaker 10>Wait wait wait wait wait I'm I'm I'm sorry, I'm

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<v Speaker 10>just I'm please pla. I'll never I'll never message see

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<v Speaker 10>you again.

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<v Speaker 28>I just want to go.

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<v Speaker 3>Looking.

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<v Speaker 10>Non't know I got him up.

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<v Speaker 5>Up help help.

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<v Speaker 29>Okay, Hey, man over here, I think got say.

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<v Speaker 15>Julie, jeez, Julie, chase man, my hands, my hands hurts,

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<v Speaker 15>so baggsy, managed.

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<v Speaker 29>Go easy.

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<v Speaker 23>Play everywhere? So much poor Julian Julian. No, Julie, Julie no, no,

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<v Speaker 23>oh no, had.

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<v Speaker 11>Julie Julian.

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<v Speaker 30>Julian Julian h she told you that don't come.

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<v Speaker 3>Do you get it now?

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<v Speaker 4>My heart's all swollen like a balloon in my chest,

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<v Speaker 4>and there was no room for my lungs.

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<v Speaker 30>We each have our own part.

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<v Speaker 3>I couldn't breathe.

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<v Speaker 4>The air was hot and wet, with my own dress,

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<v Speaker 4>fog in the windows.

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<v Speaker 30>I was holding on to the hope maybe you know,

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<v Speaker 30>maybe I was crazy.

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<v Speaker 3>It wasn't my car anymore, but that it was just

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<v Speaker 3>a metal box.

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<v Speaker 31>I was trapped inside off and I tried to reach

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<v Speaker 31>for the door, but my hand weighed a hundred pounds fence.

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<v Speaker 31>He can see things, whether the ghost of Tyler Wilson

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<v Speaker 31>was actually sitting beside me.

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<v Speaker 30>I had to accept it things other people can.

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<v Speaker 3>It was happening, whether it was real or not.

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<v Speaker 5>So he knew what he had to do.

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<v Speaker 21>Me.

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<v Speaker 30>All I had was my five senses in the caves,

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<v Speaker 30>trying to hide the truth, m trying to hide from me,

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<v Speaker 30>try to trick my mind. So I ran a few experiments.

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<v Speaker 30>I charted it on the patterns, and the only thing

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<v Speaker 30>I could figure for certain. If I cut off the

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<v Speaker 30>case from the rest of the world, then nobody else

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<v Speaker 30>would have to suffer. Problem solved.

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<v Speaker 3>So I did what I had to do.

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<v Speaker 30>Finched on his part, I done mine. Now you've got

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<v Speaker 30>to do yours. Buddy, buckstops with you, because it's going

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<v Speaker 30>to happen again if you don't stop it.

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<v Speaker 3>What's gonna happen?

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<v Speaker 10>Murder?

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<v Speaker 4>I didn't kill those points.

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<v Speaker 30>Apes weren't never gonna let us go.

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<v Speaker 5>I didn't kill those boys.

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<v Speaker 30>Finch told you the time would come tough for to

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<v Speaker 30>remove yourself from the situation before it gets in your

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<v Speaker 30>head again, before anyone else gets hurt.

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<v Speaker 5>You want me to run.

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<v Speaker 25>My whole life.

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<v Speaker 30>No, you can't run, So you have to end it.

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<v Speaker 30>You're the only one who can. You have to take

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<v Speaker 30>yourself out of the situation before it's too late. Hell huh,

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<v Speaker 30>you still have the detective's gun.

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<v Speaker 5>Don't.

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<v Speaker 30>It's right here in the glove box. You say, remove

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<v Speaker 30>yourself from the situation.

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<v Speaker 2>My fingers groped for the door and slipped on the wetness.

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<v Speaker 2>Somehow I managed to pull the handle and open the door.

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<v Speaker 2>I could barely see through the rain and fall. I

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<v Speaker 2>couldn't feel my body, but I forced one foot in

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<v Speaker 2>front of the other and made my way back up

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<v Speaker 2>the wet, fern covered hill back to my mother's grave.

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<v Speaker 4>I shut my eyes, and everything stopped. The rain stopped,

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<v Speaker 4>the crow stopped, the wind stopped. Like I was suspended

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<v Speaker 4>and avoid a vacuum of time and space. Then now

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<v Speaker 4>I felt the damp rocks beneath my body.

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<v Speaker 32>And now I heard the low, dull wind bending and

0:17:53.119 --> 0:17:56.720
<v Speaker 32>howling through the hollow space, heard water dripping from the

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<v Speaker 32>still attites, the fluttering and chirping of a thousand bats

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<v Speaker 32>in the distance.

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<v Speaker 2>But I keep my eyes shut tight for fear. I

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<v Speaker 2>might confirm by sight, but my heart already knew that

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<v Speaker 2>I was now deep inside the case. Then I felt

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<v Speaker 2>her fingers in my hair, soft but strong. I looked

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<v Speaker 2>up and saw her face above me, her sweet cheeks

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<v Speaker 2>and beautiful dark eyes.

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<v Speaker 10>My mother.

0:18:39.760 --> 0:18:44.920
<v Speaker 28>It's okay, baby, Mom. Yeah, baby, I'm here.

0:18:46.840 --> 0:18:48.040
<v Speaker 3>But I don't understand.

0:18:49.840 --> 0:18:51.240
<v Speaker 4>How could I have done those things?

0:18:51.359 --> 0:18:55.000
<v Speaker 5>Yeah? I know, I know.

0:18:55.240 --> 0:18:55.520
<v Speaker 10>Baby.

0:18:57.720 --> 0:19:00.679
<v Speaker 3>There comes a time, though, when you got to accept

0:19:00.720 --> 0:19:01.200
<v Speaker 3>the truth.

0:19:02.080 --> 0:19:04.840
<v Speaker 28>Julian, There comes a time when you got to accept

0:19:04.880 --> 0:19:05.480
<v Speaker 28>who you are.

0:19:07.440 --> 0:19:08.040
<v Speaker 11>What you are.

0:19:09.680 --> 0:19:14.359
<v Speaker 2>That's what I hid me, my mother's fingers plying gently

0:19:14.440 --> 0:19:19.120
<v Speaker 2>upon my hair like a warm summer breathe. All I'd

0:19:19.160 --> 0:19:22.320
<v Speaker 2>ever wanted was to get away as far away as possible,

0:19:22.359 --> 0:19:25.160
<v Speaker 2>away from my mother and father, away from the bullies,

0:19:25.359 --> 0:19:28.480
<v Speaker 2>away from the racist and backward sheriffs, away from the

0:19:28.520 --> 0:19:34.800
<v Speaker 2>shadow of my mother's death, away from myself, away from myself.

0:19:37.400 --> 0:19:40.080
<v Speaker 2>All I wanted was to belong to something for once,

0:19:42.440 --> 0:19:42.679
<v Speaker 2>And I.

0:19:42.760 --> 0:19:46.840
<v Speaker 3>Felt so warm in my mother's laugh. I realized that

0:19:46.920 --> 0:19:49.360
<v Speaker 3>this was the only sanctuary I'd ever known.

0:19:50.640 --> 0:19:55.960
<v Speaker 28>Oh, it's been only your breath, all your heart beats,

0:19:57.520 --> 0:20:03.240
<v Speaker 28>and just running, never knowing what real love is.

0:20:04.320 --> 0:20:08.800
<v Speaker 19>And you run out of potsman, you run away from meniwalk,

0:20:10.000 --> 0:20:14.720
<v Speaker 19>and you run away from your family, You run from

0:20:14.760 --> 0:20:15.200
<v Speaker 19>the truth.

0:20:17.920 --> 0:20:22.200
<v Speaker 28>But you can't, baby, you can't run away from.

0:20:22.080 --> 0:20:24.520
<v Speaker 10>Yourself and who you are?

0:20:24.640 --> 0:20:25.560
<v Speaker 5>Who a my mom?

0:20:28.080 --> 0:20:28.639
<v Speaker 1>A crowd?

0:20:30.880 --> 0:20:32.159
<v Speaker 3>You are the last of us.

0:20:35.119 --> 0:20:39.640
<v Speaker 20>And then I saw them, all of them, the entire

0:20:39.800 --> 0:20:44.920
<v Speaker 20>unholy horde, All of my ancestors were standing behind my mother,

0:20:45.440 --> 0:20:47.840
<v Speaker 20>all gathered in the matrix of your caves.

0:20:49.040 --> 0:20:53.080
<v Speaker 3>My father, the gray Man, stood behind my mother, his

0:20:53.280 --> 0:20:56.560
<v Speaker 3>blue eyes gleaming, his hair parted on the side. He

0:20:56.600 --> 0:20:57.680
<v Speaker 3>wears a blue suit.

0:20:57.720 --> 0:20:58.399
<v Speaker 1>He was buried.

0:20:59.359 --> 0:21:01.679
<v Speaker 2>Then a few behind him there was Matthew sweet Sir,

0:21:01.760 --> 0:21:04.720
<v Speaker 2>a distant cousin who committed suicide in the case two

0:21:04.800 --> 0:21:05.920
<v Speaker 2>decades before.

0:21:06.400 --> 0:21:07.560
<v Speaker 3>Half his head blown off.

0:21:08.680 --> 0:21:12.360
<v Speaker 2>Richard ride down too, the leather straps from his electric

0:21:12.440 --> 0:21:16.240
<v Speaker 2>chair still dangling from his wrists and cinched around his forehead.

0:21:16.280 --> 0:21:22.880
<v Speaker 2>And behind him a family dressed in woolen rags, the Leary's,

0:21:22.920 --> 0:21:27.440
<v Speaker 2>I assumed, father Seamus, mother Eleanor, and two daughters.

0:21:27.560 --> 0:21:28.680
<v Speaker 3>Milicent and Nadine.

0:21:29.040 --> 0:21:33.000
<v Speaker 2>Young Nadine O'Leary dressed in rags, missing fingers and parts

0:21:33.000 --> 0:21:35.760
<v Speaker 2>of her face from frostbite, looking just as she did

0:21:35.880 --> 0:21:36.160
<v Speaker 2>the knight.

0:21:36.280 --> 0:21:37.960
<v Speaker 3>Solomon's house went up in flames.

0:21:39.720 --> 0:21:40.800
<v Speaker 2>Others were there too.

0:21:42.040 --> 0:21:45.880
<v Speaker 20>Hundreds of them, spread deep throughout the caves, all standing

0:21:45.960 --> 0:21:46.480
<v Speaker 20>before me.

0:21:47.080 --> 0:21:48.560
<v Speaker 11>Eventually he.

0:21:50.080 --> 0:21:54.399
<v Speaker 33>Comes for each one of us, and some have and

0:21:54.600 --> 0:22:02.920
<v Speaker 33>some have a blige, others others. Others well, they refused,

0:22:03.520 --> 0:22:05.720
<v Speaker 33>and they suffered it, and they suffered.

0:22:05.359 --> 0:22:10.360
<v Speaker 19>The consequences some and some have taken their own lives

0:22:10.720 --> 0:22:11.680
<v Speaker 19>before he could.

0:22:11.560 --> 0:22:12.520
<v Speaker 10>Make them take others.

0:22:14.560 --> 0:22:19.439
<v Speaker 3>We are your family, Julia said, this is your family.

0:22:20.520 --> 0:22:22.200
<v Speaker 15>Never give up, never give up on.

0:22:23.359 --> 0:22:28.720
<v Speaker 28>We've been watching you. I'm waiting calling come back home

0:22:28.840 --> 0:22:30.280
<v Speaker 28>ever since you run off.

0:22:31.920 --> 0:22:33.439
<v Speaker 10>Had fuddenly heard the calling.

0:22:34.160 --> 0:22:35.840
<v Speaker 28>He finally came back to us.

0:22:36.600 --> 0:22:41.080
<v Speaker 3>You know, I came home for Finch. Finch was my

0:22:41.200 --> 0:22:45.120
<v Speaker 3>friend Finch loved me, and I came back to make

0:22:45.240 --> 0:22:50.920
<v Speaker 3>things right. I came back to save him, and now

0:22:51.000 --> 0:22:51.880
<v Speaker 3>he's gonna die.

0:22:52.080 --> 0:22:55.600
<v Speaker 10>He made his own deal, and you still want.

0:22:55.520 --> 0:22:56.160
<v Speaker 5>To save him.

0:22:58.000 --> 0:23:02.080
<v Speaker 2>Then all the spirits of the dead, all of my ancestors,

0:23:02.160 --> 0:23:04.720
<v Speaker 2>moved to the sides of the caves, parting like the

0:23:04.800 --> 0:23:09.800
<v Speaker 2>red sea, and a shape came up from the bottomless depths,

0:23:10.880 --> 0:23:13.760
<v Speaker 2>a figure made only of sorrow and hunger.

0:23:14.720 --> 0:23:18.840
<v Speaker 3>A shadow of no beginning and no end. It swallowed

0:23:18.960 --> 0:23:21.280
<v Speaker 3>any light bleeding down from the world above.

0:23:21.960 --> 0:23:24.800
<v Speaker 2>It took form behind my mother and looked at me

0:23:25.000 --> 0:23:27.760
<v Speaker 2>through her eyes, And as I stared back, I saw

0:23:27.920 --> 0:23:29.720
<v Speaker 2>myself reflected in.

0:23:29.800 --> 0:23:31.440
<v Speaker 3>Her endless black pupils.

0:23:32.880 --> 0:23:33.520
<v Speaker 11>Who are you?

0:23:34.880 --> 0:23:35.119
<v Speaker 21>You know?

0:23:38.200 --> 0:23:41.840
<v Speaker 2>The dark wrapped around my mother, and her face fell away,

0:23:41.960 --> 0:23:45.160
<v Speaker 2>along with all the other faces of my ancestors, until

0:23:45.200 --> 0:23:48.280
<v Speaker 2>there was no face at all, but only a feeling

0:23:49.000 --> 0:23:54.119
<v Speaker 2>of indescribable emptiness. And when she spoke again, my mother's

0:23:54.200 --> 0:23:58.560
<v Speaker 2>voice was haunted, mercurial and shifting, at once, male and

0:23:58.720 --> 0:24:02.960
<v Speaker 2>female and old, a chorus of a thousand souls with

0:24:03.080 --> 0:24:08.600
<v Speaker 2>a thousand tongues, all folded into one ancient voice. You know.

0:24:13.640 --> 0:24:15.720
<v Speaker 11>It was? It made you maybe do.

0:24:16.080 --> 0:24:22.400
<v Speaker 25>No, you were simply given license and opportunity.

0:24:23.320 --> 0:24:23.359
<v Speaker 2>No.

0:24:23.840 --> 0:24:27.160
<v Speaker 25>I may have guided you, but it was by your

0:24:27.240 --> 0:24:32.200
<v Speaker 25>own hatred and rage that you took their lives. But

0:24:32.320 --> 0:24:36.399
<v Speaker 25>it didn't take my chance. Oh it's very near end.

0:24:37.840 --> 0:24:42.720
<v Speaker 25>And then you paid your dad. You are free.

0:24:43.760 --> 0:24:45.040
<v Speaker 10>I'll never be free.

0:24:50.280 --> 0:24:54.480
<v Speaker 24>I have tried to make this easier for you to

0:24:54.600 --> 0:24:59.320
<v Speaker 24>clear your press guilty died, your memory of it.

0:25:00.920 --> 0:25:02.359
<v Speaker 25>My but you're only human.

0:25:03.320 --> 0:25:09.119
<v Speaker 24>That's the real curses, and it's your humanity, your conscience.

0:25:09.600 --> 0:25:13.159
<v Speaker 25>You can't take that away, right, It's how.

0:25:13.080 --> 0:25:13.920
<v Speaker 5>You were made.

0:25:15.200 --> 0:25:15.800
<v Speaker 10>All lie.

0:25:17.960 --> 0:25:20.719
<v Speaker 34>You're guilty has nothing to do with killing those boys.

0:25:22.920 --> 0:25:29.159
<v Speaker 34>They deserved it, didn't. They let you get to.

0:25:29.280 --> 0:25:38.440
<v Speaker 24>Live while your friend will die for your crimes. I

0:25:38.520 --> 0:25:42.640
<v Speaker 24>mean you could turn yourself in converse to your students,

0:25:43.520 --> 0:25:52.080
<v Speaker 24>reveal yourself for the world, take his place, take Venture's

0:25:52.200 --> 0:25:54.000
<v Speaker 24>place on death throne.

0:25:56.280 --> 0:26:03.680
<v Speaker 25>But let's be honest, you never will. So looking for

0:26:03.800 --> 0:26:07.360
<v Speaker 25>you as uh another way?

0:26:09.080 --> 0:26:13.640
<v Speaker 24>Wh why if you really want to free James Fincher,

0:26:15.400 --> 0:26:16.200
<v Speaker 24>I could make that.

0:26:16.440 --> 0:26:21.920
<v Speaker 25>I could without anyone ever knowing the truth. But I

0:26:22.040 --> 0:26:24.280
<v Speaker 25>don't need you to do more.

0:26:24.400 --> 0:26:28.480
<v Speaker 3>For you want me to kill again?

0:26:31.080 --> 0:26:34.879
<v Speaker 4>Right to give you more into sell lives.

0:26:36.960 --> 0:26:37.760
<v Speaker 25>Here's the deal.

0:26:38.960 --> 0:26:43.320
<v Speaker 24>You can spare the life of your innocent friend in

0:26:43.480 --> 0:26:46.520
<v Speaker 24>exchange for others, those who.

0:26:46.400 --> 0:26:52.359
<v Speaker 25>Have wronged you, those who you all already hate. A

0:26:52.600 --> 0:26:59.920
<v Speaker 25>feel riding apples be doing the world of service, seems fam,

0:27:03.840 --> 0:27:04.800
<v Speaker 25>do we have a deal?

0:27:20.880 --> 0:27:24.560
<v Speaker 23>Breaking news this evening, Tennessee Governor Travis Cox has granted

0:27:24.600 --> 0:27:27.280
<v Speaker 23>a temporary reprieve to death prisoner James.

0:27:27.520 --> 0:27:31.760
<v Speaker 16>Only moments ago, Governor Cox said mister Fincher's execution must

0:27:31.800 --> 0:27:35.000
<v Speaker 16>be delayed in light a long women appeals in court rulings,

0:27:35.320 --> 0:27:39.960
<v Speaker 16>and the governor's decision comes despite an apparent confession made

0:27:40.000 --> 0:27:43.040
<v Speaker 16>by mister Fincher only hours ago to the crimes for

0:27:43.119 --> 0:27:44.520
<v Speaker 16>which he has been convicted.

0:27:48.960 --> 0:27:54.080
<v Speaker 11>Julian, it's Jill. I just got a call from the book.

0:27:55.359 --> 0:27:55.920
<v Speaker 10>We did it.

0:28:00.200 --> 0:28:06.240
<v Speaker 14>James Fincher isn't gonna die, at least not today. The

0:28:06.359 --> 0:28:09.280
<v Speaker 14>governor stepped up and LeBlanc was able to get a

0:28:09.400 --> 0:28:12.639
<v Speaker 14>federal appeals paneled to grant him in a definite stay.

0:28:13.760 --> 0:28:17.840
<v Speaker 14>They were shaving James's head when the chaplain told him said,

0:28:17.880 --> 0:28:24.440
<v Speaker 14>he just cried goes to show never give up, never

0:28:24.760 --> 0:28:32.959
<v Speaker 14>lose hope. I know I almost did, but for you Julian,

0:28:33.000 --> 0:28:36.040
<v Speaker 14>and I know this was not easy, but you do

0:28:36.200 --> 0:28:41.000
<v Speaker 14>the right thing. Courage isn't just doing the right thing

0:28:41.080 --> 0:28:44.600
<v Speaker 14>when it's easy. Courage is doing the right thing even

0:28:44.640 --> 0:28:45.480
<v Speaker 14>when you're scared.

0:28:45.560 --> 0:28:46.120
<v Speaker 5>Sheitless.

0:28:48.960 --> 0:28:59.360
<v Speaker 2>Just know that I am grateful, And just like that,

0:28:59.480 --> 0:29:03.880
<v Speaker 2>I found myself back here in my car, like I've

0:29:03.920 --> 0:29:07.720
<v Speaker 2>never left it, except I have no idea how long

0:29:07.840 --> 0:29:08.440
<v Speaker 2>I've been here.

0:29:09.320 --> 0:29:12.800
<v Speaker 3>The day has become night, a closer dry, the storm

0:29:12.840 --> 0:29:13.400
<v Speaker 3>has passed.

0:29:14.000 --> 0:29:16.480
<v Speaker 2>The fog is so thick now I can't see any

0:29:16.600 --> 0:29:21.480
<v Speaker 2>goddamn thing clearly. Soon nothing will be visible anymore ahead

0:29:21.760 --> 0:29:24.600
<v Speaker 2>or behind, present or past.

0:29:25.640 --> 0:29:28.400
<v Speaker 3>Soon I will remember my name. I'll look in the

0:29:28.480 --> 0:29:32.160
<v Speaker 3>mirror and I will recognize my face. I'll speak and

0:29:32.240 --> 0:29:34.280
<v Speaker 3>I won't hear my own voice.

0:29:34.920 --> 0:29:50.600
<v Speaker 2>And soon the darkness will take me again. Don't panic.

0:29:52.160 --> 0:29:54.360
<v Speaker 2>This recording is to help you, Julian. Because of your

0:29:54.400 --> 0:30:00.280
<v Speaker 2>hair and this it means you've had another spell. Know

0:30:00.400 --> 0:30:05.000
<v Speaker 2>you expected this, you plan it for it. This tape

0:30:05.080 --> 0:30:07.320
<v Speaker 2>is to help you determine what's real from what's not.

0:30:10.240 --> 0:30:15.840
<v Speaker 2>The blackouts are more frequent now, they last longer, leaving

0:30:15.920 --> 0:30:17.240
<v Speaker 2>gaps in your memory.

0:30:18.000 --> 0:30:21.200
<v Speaker 3>That's why you left this message for yourself. Julian, to

0:30:21.440 --> 0:30:26.400
<v Speaker 3>help you remember, first thing I need you to do

0:30:27.120 --> 0:30:27.920
<v Speaker 3>is to start the car.

0:30:29.160 --> 0:30:30.000
<v Speaker 25>You need to drive.

0:30:31.080 --> 0:30:31.920
<v Speaker 3>Never mind the fog.

0:30:32.320 --> 0:30:34.880
<v Speaker 2>Visibility is going to be shipped for a while, doesn't matter,

0:30:35.720 --> 0:30:36.640
<v Speaker 2>and it doesn't.

0:30:36.360 --> 0:30:40.400
<v Speaker 3>Matter which road would you take? Just heading north and

0:30:40.640 --> 0:30:43.320
<v Speaker 3>don't stop, no matter what.

0:30:43.880 --> 0:30:46.800
<v Speaker 2>You should have at least a half tank, so just drive,

0:30:47.760 --> 0:30:49.920
<v Speaker 2>drive until the fog breaks.

0:30:56.280 --> 0:31:00.360
<v Speaker 11>No matter what, you should have at least a half tank. Drive,

0:31:01.280 --> 0:31:03.800
<v Speaker 11>drive until the fog breaks.

0:31:07.680 --> 0:31:11.080
<v Speaker 2>And hopefully you will do what must be done while

0:31:11.080 --> 0:31:17.880
<v Speaker 2>you're still able to. In the meantime, hit rwind, go

0:31:18.000 --> 0:31:20.920
<v Speaker 2>all the way back to the beginning of this tape

0:31:22.800 --> 0:31:25.640
<v Speaker 2>and then play it, all of it.

0:31:39.360 --> 0:31:40.000
<v Speaker 4>That should do it.

0:31:42.080 --> 0:31:42.200
<v Speaker 11>Now.

0:31:42.280 --> 0:31:43.960
<v Speaker 4>All I can do is hope for the best.

0:31:53.880 --> 0:31:54.240
<v Speaker 5>That's all.

0:31:54.400 --> 0:31:57.400
<v Speaker 26>Stap until you saw us. Damn, you just can't seem

0:31:57.400 --> 0:32:01.040
<v Speaker 26>to stay out of trouble, can't you, Julian. I need

0:32:01.120 --> 0:32:04.600
<v Speaker 26>to confess doing back here it caves for I need

0:32:04.720 --> 0:32:07.640
<v Speaker 26>to turn myself, come back to slay. Prayer for your friend, Tyler.

0:32:09.840 --> 0:32:11.560
<v Speaker 3>I need to confess the property.

0:32:11.600 --> 0:32:13.280
<v Speaker 26>You know you are trash at least once.

0:32:13.160 --> 0:32:13.880
<v Speaker 5>That sis for radio.

0:32:14.400 --> 0:32:16.320
<v Speaker 10>You are not listening.

0:32:16.400 --> 0:32:21.320
<v Speaker 26>It's backlo. I got a coach twenty four. Hello, piece

0:32:21.360 --> 0:32:24.200
<v Speaker 26>of shit, I'm gonna need you step out of your vehicle.

0:32:27.280 --> 0:32:30.920
<v Speaker 3>Out of the car now, you should walk away.

0:32:33.200 --> 0:32:36.240
<v Speaker 5>What about step out of your vehicle? Do you not understand?

0:32:36.400 --> 0:32:39.160
<v Speaker 2>God damn it, step out now, motherfucker.

0:33:05.760 --> 0:33:08.000
<v Speaker 5>Dina, Reverend.

0:33:09.120 --> 0:33:17.000
<v Speaker 35>Jimmy, you can call me James. Well, okay, James, Dina.

0:33:17.520 --> 0:33:21.880
<v Speaker 3>I don't know if you formerly met Bobby. Yes we met?

0:33:22.680 --> 0:33:22.880
<v Speaker 5>Yep.

0:33:23.920 --> 0:33:28.680
<v Speaker 35>Oh, good, good, that's that's a real good well James,

0:33:29.800 --> 0:33:34.680
<v Speaker 35>if you are ready, yes, sir, that's good.

0:33:35.360 --> 0:33:36.040
<v Speaker 4>That's fine.

0:33:36.120 --> 0:33:38.000
<v Speaker 3>How's the water? Is it cold?

0:33:38.520 --> 0:33:40.480
<v Speaker 35>It's like a warmth you've never felt.

0:33:41.120 --> 0:33:44.760
<v Speaker 36>Okay, it'll all be over before you know it, but

0:33:45.880 --> 0:33:51.680
<v Speaker 36>you will feel it forever, son, trust me, Yes, sir?

0:33:52.160 --> 0:33:54.400
<v Speaker 35>All right, then let's get this going.

0:33:55.240 --> 0:34:02.160
<v Speaker 3>Follow me, okay, I'm happy, decided to do this. The

0:34:02.280 --> 0:34:07.640
<v Speaker 3>Lord really does work in mysterious ways. Yeah, well, you

0:34:07.720 --> 0:34:11.160
<v Speaker 3>look lovely. That's a real preddress. Thank you.

0:34:13.000 --> 0:34:14.640
<v Speaker 11>It was going to be Michael by address, but.

0:34:16.239 --> 0:34:17.080
<v Speaker 5>Things have changed.

0:34:17.880 --> 0:34:19.640
<v Speaker 37>Thank you all for joining us today.

0:34:20.880 --> 0:34:24.480
<v Speaker 38>Let me begin with a few observations.

0:34:25.560 --> 0:34:27.040
<v Speaker 36>This is a special occasion.

0:34:28.040 --> 0:34:31.760
<v Speaker 37>The baptism is always a special occasion, but the circumstances

0:34:31.800 --> 0:34:35.759
<v Speaker 37>here are not normal. I'll be the first to admit it,

0:34:36.600 --> 0:34:43.080
<v Speaker 37>but these circumstances nonetheless deserve addressing. I invite you all

0:34:43.160 --> 0:34:46.120
<v Speaker 37>to join me here today to look upon this young woman,

0:34:46.840 --> 0:34:52.799
<v Speaker 37>Dina Fincher, and her son Jimmy, as unique souls who

0:34:52.920 --> 0:34:58.680
<v Speaker 37>themselves have done nothing to offend the Lord. The Bible

0:34:58.840 --> 0:35:03.120
<v Speaker 37>teaches us forgive, and that is in fact our duty.

0:35:04.400 --> 0:35:09.760
<v Speaker 38>We have an opportunity to make right a great wrong,

0:35:11.400 --> 0:35:15.440
<v Speaker 38>to heal a deep wound in the heart of this community.

0:35:17.000 --> 0:35:20.120
<v Speaker 38>If we do not embrace this family here and.

0:35:20.280 --> 0:35:23.320
<v Speaker 28>Now, we will be equally guilty.

0:35:24.320 --> 0:35:29.000
<v Speaker 17>Not if, but when the pattern of sin repeats itself

0:35:30.160 --> 0:35:33.920
<v Speaker 17>and the matrix of evil manifests itself.

0:35:35.120 --> 0:35:52.520
<v Speaker 27>No, please.

0:35:51.239 --> 0:35:56.800
<v Speaker 37>Say all, Satan is waiting, waiting in the wings.

0:35:57.640 --> 0:35:59.840
<v Speaker 38>He lurks in the shadows.

0:35:59.480 --> 0:36:00.440
<v Speaker 10>Of man's walk out.

0:36:11.000 --> 0:36:13.400
<v Speaker 17>And so it is up to us to protect and

0:36:13.560 --> 0:36:17.719
<v Speaker 17>shelter this poor family from the silver tongue and evil.

0:36:17.480 --> 0:36:21.640
<v Speaker 3>Grip of the beast, and deliver him to the glory

0:36:21.680 --> 0:36:24.640
<v Speaker 3>of God that was joy.

0:36:31.160 --> 0:36:31.359
<v Speaker 10>God.

0:36:32.280 --> 0:36:36.160
<v Speaker 17>We are here to witness as this young man follows

0:36:36.280 --> 0:36:37.080
<v Speaker 17>Christ examp.

0:36:40.920 --> 0:36:43.680
<v Speaker 5>Sorry, so here we go.

0:36:45.760 --> 0:36:46.960
<v Speaker 3>Upon your public.

0:36:46.719 --> 0:36:50.120
<v Speaker 17>Profession of your faith in Him and obedience to his command.

0:36:50.520 --> 0:36:54.080
<v Speaker 17>I baptize you, Jimmy Fincher, in the name of the Father,

0:36:54.480 --> 0:36:57.680
<v Speaker 17>and of the Son, and of the Holy Ghost, buried

0:36:57.760 --> 0:37:01.280
<v Speaker 17>in the likeness of his death, ray in the likeness

0:37:01.560 --> 0:37:02.600
<v Speaker 17>of his resurrection.

0:37:03.400 --> 0:37:18.919
<v Speaker 5>I'm sorry, visit though, mm hmm.

0:37:26.840 --> 0:37:29.960
<v Speaker 28>Amen, m.

0:37:46.719 --> 0:37:48.680
<v Speaker 5>A ghost and a mirror.

0:37:51.040 --> 0:37:53.600
<v Speaker 8>And the hands of Hell, Dancing in.

0:37:53.760 --> 0:37:59.799
<v Speaker 10>Your Dancing in.

0:38:01.480 --> 0:38:05.319
<v Speaker 1>The Manilock Keys stars Jonathan Tucker as Juliet Sallace, Eddie

0:38:05.320 --> 0:38:09.800
<v Speaker 1>Getheggy as James Fincher, Clark Peters as Detective Solomon Smith,

0:38:10.239 --> 0:38:14.920
<v Speaker 1>Nick Cercy as Sheriff Kirby Hooper, Justin Welborn as Tyler Wilson,

0:38:15.360 --> 0:38:19.640
<v Speaker 1>Jill Jane Clements as Jill Campbell, Brad Carter as Doodlee Tappern,

0:38:20.160 --> 0:38:24.400
<v Speaker 1>Scott Poythus as Reverend Perkins, Samantha Ashley as Dena Fincher,

0:38:25.080 --> 0:38:29.240
<v Speaker 1>Justin Matthews Smith as Paul Sallace, Ta Oakes as Laura Sallace,

0:38:29.840 --> 0:38:34.400
<v Speaker 1>Jonathan Horn as Deacon Hadley, Alden Karanovich as Thomas Hadley,

0:38:35.200 --> 0:38:39.319
<v Speaker 1>Mike w Anderson as Griff Washington, Body, Walter Off as

0:38:39.400 --> 0:38:43.719
<v Speaker 1>Jimmy Fincher, Brian McClure as Ian Spinks, Larry Clark as

0:38:43.760 --> 0:38:48.040
<v Speaker 1>Bobby Hadley Paydon Fallis as ed leablanc Vic Polisis as

0:38:48.080 --> 0:38:52.359
<v Speaker 1>William Fowler, Nick Takosky as Richard Rydell, and Ailey Lloyd

0:38:52.680 --> 0:38:57.719
<v Speaker 1>as The Darkness, with additional performances by Clint McGowan, Dina Dill,

0:38:58.320 --> 0:39:04.720
<v Speaker 1>Edward Howard, Henry Foss Brown, Jamie Joseph, Juan Mansalez, Christopher Curry,

0:39:05.200 --> 0:39:10.719
<v Speaker 1>Bailey Heineman, David Mitchell, and Bernard Sataro Clark created by

0:39:10.760 --> 0:39:14.520
<v Speaker 1>ConL Byrne and Dan Bush. Written by Dan Bush, Zoe

0:39:14.680 --> 0:39:18.880
<v Speaker 1>Cooper and Nicholas Dakosky, featuring our theme song Killer Inside,

0:39:19.360 --> 0:39:21.800
<v Speaker 1>written produced and performed by Lera A.

0:39:21.880 --> 0:39:22.000
<v Speaker 2>Lynn.

0:39:22.560 --> 0:39:26.960
<v Speaker 1>Our executive producers are Matt Frederick, Alexander Williams, Michael Monty,

0:39:27.360 --> 0:39:31.400
<v Speaker 1>and Courtney du Frees. Our executive producers at Blumhouse Television

0:39:31.640 --> 0:39:36.120
<v Speaker 1>are Jeremy Gold, Chris Dickey, and Noah Feinberg. Produced by

0:39:36.200 --> 0:39:41.440
<v Speaker 1>Dan Bush, music by Ben Lovett, additional music by Alexander Rodriguez,

0:39:42.200 --> 0:39:46.120
<v Speaker 1>edited by Dan Bush, Chris Childs, Stephen Perez and David Chen.

0:39:46.880 --> 0:39:51.640
<v Speaker 1>Sound design by Benjamin Malcolm. Additional sound designed by Alexander Rodriguez.

0:39:52.000 --> 0:39:55.560
<v Speaker 1>Dialogue editing and sound mixing by Juan Campos. Recorded at

0:39:55.640 --> 0:39:59.160
<v Speaker 1>Studio Awesome in Los Angeles, sound Byte Studio in Atlanta,

0:39:59.440 --> 0:40:03.520
<v Speaker 1>and Echa Mountain in Asheville. Casting by Sunday Bowling, Kennedy

0:40:03.600 --> 0:40:07.120
<v Speaker 1>and Meg Mormon. Our dialect coach is Linda Bessesti, Assistant

0:40:07.160 --> 0:40:11.800
<v Speaker 1>director Michael Monty, second assistant director, script supervisor and production

0:40:11.920 --> 0:40:17.680
<v Speaker 1>coordinator Sarah Clein. Supervising producer Josh Thain. Special thanks to

0:40:17.760 --> 0:40:21.760
<v Speaker 1>Mary Ellen and Jason Davis, Jonathan Dieter, and Joe Rickman.

0:40:22.080 --> 0:40:25.800
<v Speaker 1>The Manowall Caves is the production of iHeartRadio, Blumhouse Television,

0:40:26.239 --> 0:40:27.440
<v Speaker 1>and Psychopia Pictures.

0:40:28.880 --> 0:41:07.560
<v Speaker 5>It's Nie