WEBVTT - "You’re Not Howard Hughes!"

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<v Speaker 1>Pushkin. In nineteen seventy one, the prestigious New York publishers

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<v Speaker 1>McGraw hill made a sensational announcement Howard Hughes had written

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<v Speaker 1>his autobiography. The announcement was sensational because Howard Hughes had

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<v Speaker 1>lived one of the most extraordinary lives of the twentieth century.

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<v Speaker 1>Born in Texas in nineteen oh five, he became a

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<v Speaker 1>movie mogul in the Golden Age of Hollywood and a handsome,

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<v Speaker 1>dashing lover of movie stars. From Betty Davis, I just

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<v Speaker 1>washed my hair to Katherine Hepburn fath Here to Ginter Rogers.

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<v Speaker 1>No one could teach you to dance in a million year.

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<v Speaker 1>Take my advice and save your money. Hughes was an

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<v Speaker 1>aviator back in the days when planes were novel and dangerous.

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<v Speaker 1>He set air speed record in nineteen thirty eight. He

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<v Speaker 1>flew around the world in half the time anyone had

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<v Speaker 1>managed before New York City through him a ticker tape parade.

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<v Speaker 1>Hughes designed new and audacious aircraft and insisted on test

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<v Speaker 1>piloting them himself. Twice. He was nearly killed in spectacular crashes.

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<v Speaker 1>Between the movies and the planes. Investments in real estate

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<v Speaker 1>and the oil drill company he'd inherited from his father.

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<v Speaker 1>Howard Hughes became one of America's richest and most famous men,

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<v Speaker 1>but his fortune couldn't buy him mental health. Hughes suffered

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<v Speaker 1>from obsessive compulsive disorder. At first, the symptoms were manageable.

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<v Speaker 1>He insisted on the same dinner every night, medium rare

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<v Speaker 1>steak with salad and peas. He'd eat only the small peas.

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<v Speaker 1>He was a germophobe, picking things up in a tissue.

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<v Speaker 1>As he got older, his behavior became stranger. In nineteen

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<v Speaker 1>fifty eight, Hughes went into a studio's darkened screening room

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<v Speaker 1>to watch a movie and didn't come out for four months.

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<v Speaker 1>He sat there, often naked, watching movie after movie. He

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<v Speaker 1>didn't shower. He had his assistants bringing chicken, glasses of

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<v Speaker 1>milk and chocolate bars. He wrote the memos reminding them

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<v Speaker 1>not to look at him. When he eventually left the studio,

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<v Speaker 1>he took to living in the penthouse suites of luxury hotels.

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<v Speaker 1>He'd traveled between them, from Las Vegas to Beverly Hills

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<v Speaker 1>to the Bahamas. He disappeared completely from public view. Years

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<v Speaker 1>went by the longer Hughes spent as a recluse, the

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<v Speaker 1>more the rumors swirled. Was he mad? Was he dead?

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<v Speaker 1>Then in nineteen seventy one, that press release by McGraw

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<v Speaker 1>hill Howard Hughes had written a rollicking thousand page account

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<v Speaker 1>of his incredible life story. The media went wild. It

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<v Speaker 1>was going to be the publishing event of the decade.

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<v Speaker 1>There was only one problem. Howard Hughes didn't know a

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<v Speaker 1>thing about it. I'm Tim Harford and you're listening to

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<v Speaker 1>cautionary tales. In December nineteen seventy, Clifford Irving was leafing

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<v Speaker 1>through a copy of Newsweek on an overnight ferry from

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<v Speaker 1>Barcelona to the Ballyarics, a small chain of islands off

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<v Speaker 1>the coast of Spain. Six ft two, suave and smooth talking,

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<v Speaker 1>Irving had grown up in New York, but he made

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<v Speaker 1>his home on the Baliaric island of Ibitha, where he

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<v Speaker 1>shared a fifteen room house with his fourth wife, a

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<v Speaker 1>Swiss German artist called Edith. Their two small children, local servants,

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<v Speaker 1>and a pet monkey. Irving had just turned forty. His father,

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<v Speaker 1>a famous cartoonist, had just died. Irving himself was an author,

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<v Speaker 1>though not a famous one. He'd written a few novels,

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<v Speaker 1>and most recently a biography of a fellow ibitha resident,

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<v Speaker 1>a master art forger, published by McGraw hill. As the

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<v Speaker 1>sun rose over the Mediterranean, the Faery stopped first at

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<v Speaker 1>neighboring ma Yorker. That gave Irving a few hours to kill,

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<v Speaker 1>so he called up his friend, Dick Suskind, another American

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<v Speaker 1>writer who'd relocated to a sunny island. Suskind met Irving

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<v Speaker 1>off the ferry and they drove back to his house. Listen,

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<v Speaker 1>said Irving, I've got a wild idea. He pulled out

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<v Speaker 1>copy of Newsweek and showed Suskined an article about Howard Hughes.

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<v Speaker 1>It was titled the Case of the Invisible Billionaire. I

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<v Speaker 1>read this on the boat last night. Irving explained his idea.

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<v Speaker 1>Imagine if they wrote a biography of Hughes but published

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<v Speaker 1>it as an autobiography, pretending that it was actually in

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<v Speaker 1>Hughes's own words, as told to Clifford Irving, an autobiography

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<v Speaker 1>would be a much bigger deal than a biography. It

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<v Speaker 1>would sell better and bring in lots more money. They

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<v Speaker 1>could make millions. The idea was wild because Hughes might

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<v Speaker 1>deny it, but Irving was willing to bet that he wouldn't.

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<v Speaker 1>As the newsweek piece made clear, Hughes hadn't spoken to

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<v Speaker 1>the media for well over a decade. Even more promising,

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<v Speaker 1>he seemed phobic about appearing in court. There's a story

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<v Speaker 1>about a lawsuit involving Hughes's airline. His lawyer him to

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<v Speaker 1>do one simple thing in person. Go to a courthouse,

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<v Speaker 1>let a judge watch him sign a certain document, and

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<v Speaker 1>leave again. Hughes winced. Supposing he didn't do it, He

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<v Speaker 1>asked how much might it cost him? Maybe a hundred

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<v Speaker 1>million dollars, said the lawyer. Okay, said Hughes. I won't bother.

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<v Speaker 1>So if McGraw hill published an autobiography of Hughes, would

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<v Speaker 1>he really take them to court? Surely the chances were

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<v Speaker 1>that he wouldn't contest its authenticity. You've flipped your lid.

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<v Speaker 1>McGraw hill's the most conservative publisher in New York. Let

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<v Speaker 1>never go for an idea like that. You're probably right,

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<v Speaker 1>said Irving. They drank coffee at breakfast and talked about

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<v Speaker 1>other things. Then it was time to drive back for

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<v Speaker 1>Irving's ferry. What if they didn't know it was a hoax.

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<v Speaker 1>Suppose I told McGraw hill I was in touch with Hughes.

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<v Speaker 1>Assume I could work out a phony private contract between

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<v Speaker 1>me and Hughes forbidding communication between him and the publishers

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<v Speaker 1>Jesus Christ. That could work, replied Suskind, What a fantastic idea.

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<v Speaker 1>You know it could work. We could do it. They

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<v Speaker 1>have to learn everything they could about Hughes's life. Suskind

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<v Speaker 1>was good at research. Then that have to make it

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<v Speaker 1>sound like Hughes had told the story. Irving had the

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<v Speaker 1>literary flair for that. They went back and forth planning

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<v Speaker 1>out the details. First, Irving would write to Beverly Loo,

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<v Speaker 1>his editor at McGraw hill. He could say that Howard

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<v Speaker 1>Hughes had known his father, and that had sent Hughes

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<v Speaker 1>a copy of his latest book, The Biography of the

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<v Speaker 1>Art Forger, along with a note about his father's recent passing.

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<v Speaker 1>He'd say that Hughes had written back to express his

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<v Speaker 1>condolences and also to say that he had enjoyed the

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<v Speaker 1>biography had started to correspond, Hughes had expressed an interest

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<v Speaker 1>in meeting with Irving so he could write Hughes's life

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<v Speaker 1>story too, McGraw hill would want evidence. Of course, Irving

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<v Speaker 1>would have to try his own hand at forgery. The

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<v Speaker 1>Newsweek article contained a photo of a note in Hughes's handwriting,

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<v Speaker 1>including his signature. It also mentioned that Hughes always wrote

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<v Speaker 1>on yellow lined notepads of the kind used by lawyers.

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<v Speaker 1>Suskind had just such a notepad at home. What about money.

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<v Speaker 1>McGraw hill would pay Irving for his part in the book,

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<v Speaker 1>but they'd have to pay more to Howard Hughes. After all,

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<v Speaker 1>it was his autobiography that presented a problem. If McGraw

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<v Speaker 1>hill wrote checks to Howard Hughes that didn't clear, they'd

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<v Speaker 1>get suspicious. Irving and Suskin would need some way to

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<v Speaker 1>pay those checks into a bank account. Irving had an idea.

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<v Speaker 1>His wife, he told Suskind, just happened to have a

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<v Speaker 1>spare Swiss passport. The last one she had applied for

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<v Speaker 1>had seemed lost in the post. She got a replacement,

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<v Speaker 1>then the first passport belatedly turned up. What if he

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<v Speaker 1>could doctor that passport to change the name, say to

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<v Speaker 1>Helga Hughes. Edith could open an account with a Swiss bank.

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<v Speaker 1>They were famous for protecting their client's privacy. He'd just

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<v Speaker 1>have to make sure that McGraw hill made the checks

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<v Speaker 1>out to H. R. Hughes rather than Howard. But would

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<v Speaker 1>Edith be up for the subterfuge? How would you like

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<v Speaker 1>to change your name to Helga Ranata Hughes, said Irving,

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<v Speaker 1>expatriate Swiss businesswoman who conducts her financial affairs only with

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<v Speaker 1>her initial A. Well wig sure and dark glasses and lipstick.

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<v Speaker 1>Maybe maybe not. I think about that. I thought you

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<v Speaker 1>might not do it. I wasn't sure it was fair

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<v Speaker 1>to ask. I help you. I don't let you down.

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<v Speaker 1>They seem to have covered every angle except one. It

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<v Speaker 1>seemed unlikely. But what if Hughes did appear in public

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<v Speaker 1>to deny he'd been involved in the book. What then

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<v Speaker 1>you say, but you're not Howard? Use said, suskind, help,

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<v Speaker 1>I've been duped. The plan seems full proof. Irving has

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<v Speaker 1>a go at mimicking Hughes's handwriting. He drafts a series

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<v Speaker 1>of letters on the yellow legal pad. They look convincing enough. Next,

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<v Speaker 1>he tackles Edith's spare passport. Passports in those days were

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<v Speaker 1>less sophisticated than they are today. No microchips or holograms

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<v Speaker 1>or biometrics. Irving explores the art supplies he's inherited from

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<v Speaker 1>his cartoonist father and gets to work. He uses inca

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<v Speaker 1>radic cater to raise Edith's name, takes a black felt

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<v Speaker 1>tip and carefully writes in helga ranata hughes. He changes

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<v Speaker 1>the number on the passport, turning threes into eights. He

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<v Speaker 1>takes a photo of Edith in a wig and lipstick

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<v Speaker 1>and replaces the existing passport photo. Now he tries to

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<v Speaker 1>raise Edith's signature, but the ink eradicator starts to bleach

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<v Speaker 1>the watermarked paper. He's getting tired and frustrated. He signs

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<v Speaker 1>Helga nata hughes over the top and hopes it'll be

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<v Speaker 1>good enough. Suskind isn't impressed. You must be kidding Christ.

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<v Speaker 1>It looks like it was made by a six year

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<v Speaker 1>old kid with a felt tip laundry marker. You're out

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<v Speaker 1>of your mind. Look here at the helga. You can

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<v Speaker 1>see Edith coming through like a palincest. It doesn't matter,

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<v Speaker 1>Irving replied, I've talked to a few people who have

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<v Speaker 1>bank accounts in Switzerland. They don't give a damn about

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<v Speaker 1>those id papers. If the money's real, that's all I'll

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<v Speaker 1>care about. I sure hope you know what you're doing,

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<v Speaker 1>said suskind. So do, I replied Irving. Cautionary tales will

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<v Speaker 1>be back after the break. On the twentieth floor of

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<v Speaker 1>the offices of McGraw hill and New York, Clifford Irving

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<v Speaker 1>and his editor, Beverly loo A meeting Beverly's boss. What

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<v Speaker 1>I don't understand is why a man like Howard Hughes,

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<v Speaker 1>who's avoided publicity all his life, should suddenly want to

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<v Speaker 1>have his biography written, and, with all due respect to

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<v Speaker 1>you as a writer, why he should choose you to

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<v Speaker 1>work with him. He had to choose somebody, replied Irving.

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<v Speaker 1>He wouldn't pick someone very well now on someone like

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<v Speaker 1>Norman Mailer, would he? Then the book would be Mailer,

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<v Speaker 1>not Hughes. Beverly Lou has been completely taken in. Cliff's

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<v Speaker 1>a perfect choice. He's a professional, he delivers. She's not

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<v Speaker 1>just Clifford Irving's editor. She's his friend, or so she thinks.

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<v Speaker 1>They've known each other for years. She's vacationed at his house.

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<v Speaker 1>It would hardly cross her mind that Irving was flat

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<v Speaker 1>out lying about his access to Hughes. Well let's see

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<v Speaker 1>these famous letters. Irving takes out the correspondence he's forged

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<v Speaker 1>from Howard Hughes. One of the letters contains an answer

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<v Speaker 1>to the boss's first question, why Hughes was suddenly embracing publicity.

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<v Speaker 1>It would not suit me to die without having certain

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<v Speaker 1>misconceptions cleared up, and without having stated the truth about

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<v Speaker 1>my life. That sounds plausible. Beverly lou seems less skeptical

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<v Speaker 1>than perhaps she should be. This match is certain. These

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<v Speaker 1>are from Hughes, he always writes on that yellow legal paper.

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<v Speaker 1>It's a pattern we've seen time and again in cautionary tales.

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<v Speaker 1>If you want to believe, you'll find reasons to believe.

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<v Speaker 1>Irving draws Beverly Loo further into his world of make believe.

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<v Speaker 1>He tells her that Hughes told him to stay at

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<v Speaker 1>a particular hotel in New York and await instructions. Those

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<v Speaker 1>instructions have now come through. Irving must go to a

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<v Speaker 1>certain American Express office, where he'll find that Howard Hughes

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<v Speaker 1>has bought him a plane ticket to their first rendezvous.

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<v Speaker 1>Would Beverly like to come along and see where he'll

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<v Speaker 1>be going? She certainly would They go to the American

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<v Speaker 1>Express Office. Do they happen to have a ticket for

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<v Speaker 1>mister Clifford Irving. Yes, it's to Wahaka in southern Mexico.

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<v Speaker 1>Irving pretends to share Beverly's surprise. Of course, he bought

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<v Speaker 1>that ticket himself, and not just one ticket. He's going

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<v Speaker 1>to Wahaka with his long time mistress. Of course, Irving

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<v Speaker 1>has a mistress. She's a Danish aristocrat and folk singer,

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<v Speaker 1>once famous as part of her husband and wife duo,

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<v Speaker 1>now struggling to make a new solo career. The Baroness

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<v Speaker 1>Nina von Palant. Irving has solemnly promised his wife Edith

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<v Speaker 1>that he will never see his Danish lover again. Irving

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<v Speaker 1>and Nina check into their Mexican hotel and go straight

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<v Speaker 1>to bed. Listen, Nina, I want to tell you something.

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<v Speaker 1>I need your word that this stays with you, that

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<v Speaker 1>your lips are sealed. You have it. I'm not meeting

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<v Speaker 1>Howard Hughes. It's all a lie, a hoax. The letters

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<v Speaker 1>are forged, and I never spoke to the man in

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<v Speaker 1>my life. What's so funny? I think that you're quite

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<v Speaker 1>quite mad, but the word is mad. So what's the

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<v Speaker 1>bloody difference. When Irving gets back to New York from

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<v Speaker 1>his Mexican vacation, he tells Beverly Loo all about his

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<v Speaker 1>meeting with Howard Hughes. The more details he gives, he decides,

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<v Speaker 1>the more believable his tale will be. He was woken

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<v Speaker 1>at five am in his hotel by a phone call

0:16:28.930 --> 0:16:31.890
<v Speaker 1>from a man called Pedro, who picks him up in

0:16:31.890 --> 0:16:34.930
<v Speaker 1>a Volkswagen, then flies him in Assessna to a town

0:16:35.050 --> 0:16:39.530
<v Speaker 1>called to a Hantapeck. Howard is waiting for him in

0:16:39.570 --> 0:16:43.450
<v Speaker 1>a little hotel and they drink orange juice together. The

0:16:43.570 --> 0:16:48.770
<v Speaker 1>publishers are completely duped. They agree to Howard's fee five

0:16:49.050 --> 0:16:53.850
<v Speaker 1>hundred thousand dollars and to his demands for secrecy. He

0:16:53.970 --> 0:16:58.330
<v Speaker 1>wants to deal only with Irving McGraw hill draw up

0:16:58.330 --> 0:17:00.730
<v Speaker 1>a contract and give it to Irving for him to

0:17:00.770 --> 0:17:04.730
<v Speaker 1>get Hughes to sign. This time, he flies to Puerto

0:17:04.850 --> 0:17:08.130
<v Speaker 1>Rico and comes back with a story about driving with

0:17:08.250 --> 0:17:12.410
<v Speaker 1>Hughes into the tropical rainforest, where the billionaire instructs him

0:17:12.410 --> 0:17:17.970
<v Speaker 1>to buy a bunch of bananas, very fat, short, sweet bananas.

0:17:18.170 --> 0:17:22.010
<v Speaker 1>Irving explained, I said, I thought that Puerto Rican bananas

0:17:22.010 --> 0:17:24.690
<v Speaker 1>were the best art ever eaten, and then he got

0:17:24.850 --> 0:17:29.690
<v Speaker 1>very friendly. He likes a man who appreciates a good banana.

0:17:29.890 --> 0:17:33.490
<v Speaker 1>Irving presents them with the signed contract and leaves with

0:17:33.570 --> 0:17:38.610
<v Speaker 1>a check made out to H. R. Hughes. The eccentric

0:17:38.610 --> 0:17:43.050
<v Speaker 1>old man insists on using his initials. Irving says. He

0:17:43.130 --> 0:17:45.490
<v Speaker 1>takes the check home to a Beitha and gives it

0:17:45.530 --> 0:17:49.370
<v Speaker 1>to Edith. She packs her bag for Zurich with her helga,

0:17:49.450 --> 0:17:54.250
<v Speaker 1>hues wig and lipstick. She's nervous. She picks a bank

0:17:54.250 --> 0:17:57.650
<v Speaker 1>at random and gives them the passport that Irving doctored.

0:17:58.250 --> 0:18:04.450
<v Speaker 1>She steeled herself for awkward questions. They barely even look.

0:18:05.210 --> 0:18:10.570
<v Speaker 1>The money is deposited without a problem. Relieved and triumphant,

0:18:10.810 --> 0:18:14.130
<v Speaker 1>Edith heads home to a Betha, where Irving has been

0:18:14.170 --> 0:18:18.890
<v Speaker 1>with Nina von Palant, His mistress believes the island just

0:18:19.050 --> 0:18:27.250
<v Speaker 1>in time. By summer, Irving and Suskind realize they have

0:18:27.490 --> 0:18:32.170
<v Speaker 1>a problem. They've read every public document about Howard Hughes

0:18:32.290 --> 0:18:34.610
<v Speaker 1>that they can lay their hands on. They have a

0:18:34.610 --> 0:18:37.250
<v Speaker 1>lot of detail about some parts of his life, but

0:18:37.450 --> 0:18:40.530
<v Speaker 1>none at all about others. It's going to be difficult

0:18:40.530 --> 0:18:43.330
<v Speaker 1>to keep up the pretense that Irving has interviewed Hughes.

0:18:43.570 --> 0:18:47.690
<v Speaker 1>If they're gaping omissions from his life story, they start

0:18:47.730 --> 0:18:49.570
<v Speaker 1>to think that they might have to pull the plug

0:18:49.570 --> 0:18:54.290
<v Speaker 1>on the project. Hughes is known for his eccentricity. Irving

0:18:54.370 --> 0:18:57.250
<v Speaker 1>can simply tell McGraw hill that Hughes has changed his

0:18:57.290 --> 0:19:00.610
<v Speaker 1>mind and returned the money he's received so far. They

0:19:00.650 --> 0:19:04.050
<v Speaker 1>needn't know it was all a hoax in anyway, What

0:19:04.130 --> 0:19:08.090
<v Speaker 1>if they did find out we haven't stolen anything, reasoned Irving,

0:19:08.330 --> 0:19:10.450
<v Speaker 1>I've lied, that's all. What can they do to me?

0:19:10.770 --> 0:19:12.690
<v Speaker 1>As long as they get their money back? The worst

0:19:12.690 --> 0:19:14.890
<v Speaker 1>thing they can do is yell, and I have a

0:19:14.890 --> 0:19:17.610
<v Speaker 1>feeling they won't yell too loud because they might look

0:19:17.610 --> 0:19:22.370
<v Speaker 1>pretty foolish. Before they give up, Irving and Suskin decide

0:19:22.410 --> 0:19:24.850
<v Speaker 1>to make one last trip to the States to see

0:19:24.850 --> 0:19:29.410
<v Speaker 1>what other information they can on earth. Driving past Palm Springs,

0:19:29.610 --> 0:19:33.370
<v Speaker 1>Irving decides to call in on his aunt, and there

0:19:33.970 --> 0:19:36.890
<v Speaker 1>they have a stroke of luck so ludicrous that you're

0:19:36.930 --> 0:19:40.130
<v Speaker 1>going to believe Irving must have made it up, But

0:19:40.370 --> 0:19:43.890
<v Speaker 1>he didn't. With the aunt, they see an old friend,

0:19:44.370 --> 0:19:48.610
<v Speaker 1>a television producer who'd once encouraged the young Irving's ambitions

0:19:48.650 --> 0:19:52.050
<v Speaker 1>as a writer. I might have a project for you,

0:19:52.330 --> 0:19:55.530
<v Speaker 1>says the friend. Have you heard of someone called Noah Ditrick?

0:19:56.410 --> 0:20:01.330
<v Speaker 1>Irving certainly has. Noah Ditrick was Howard Hughes's right hand

0:20:01.410 --> 0:20:05.690
<v Speaker 1>man for thirty two years. Well, he's written and tell

0:20:05.890 --> 0:20:08.810
<v Speaker 1>all memoir that he's trying to get published. But he's

0:20:08.850 --> 0:20:12.210
<v Speaker 1>not any luck. The writer he employed did a lousy job.

0:20:12.410 --> 0:20:15.170
<v Speaker 1>He's asked for my advice. Maybe you could take a

0:20:15.170 --> 0:20:17.570
<v Speaker 1>look at the manuscript and see how to improve it.

0:20:17.690 --> 0:20:20.850
<v Speaker 1>I'll lend it to you, but keep it confidential, won't

0:20:20.850 --> 0:20:25.490
<v Speaker 1>you sure? Says Irving. Somehow, keeping a straight face, he

0:20:25.610 --> 0:20:29.450
<v Speaker 1>and Suskin take the manuscript straight to the nearest Zerox shop.

0:20:30.450 --> 0:20:35.090
<v Speaker 1>Jesus marveled Suskin. Could you imagine using a coincidence like

0:20:35.170 --> 0:20:37.970
<v Speaker 1>this in a novel? The editor would laugh you out

0:20:37.970 --> 0:20:42.450
<v Speaker 1>of his office. The manuscript has everything they needed, not

0:20:42.570 --> 0:20:45.690
<v Speaker 1>just for the anecdotes, but for the insight into Howard

0:20:45.770 --> 0:20:50.010
<v Speaker 1>Hughes's voice, the rhythms of his speech, his favorite expletives.

0:20:50.970 --> 0:20:54.930
<v Speaker 1>Irving types up a list of recurring phrases and exclamations.

0:20:55.530 --> 0:21:00.330
<v Speaker 1>He and Suskin learn it by heart. Then they write

0:21:00.370 --> 0:21:04.050
<v Speaker 1>the book by interviewing each other taking turns to play

0:21:04.090 --> 0:21:06.890
<v Speaker 1>the role of Hughes. Where they don't know a detail,

0:21:07.290 --> 0:21:12.210
<v Speaker 1>they simply make it up. Their fictional hues. For example,

0:21:12.410 --> 0:21:16.290
<v Speaker 1>traces his germophobia to a time his mother told him

0:21:16.330 --> 0:21:23.170
<v Speaker 1>he could catch leprosy from cornbread. What about his first

0:21:23.250 --> 0:21:27.370
<v Speaker 1>sexual experience, They make that up too, at the age

0:21:27.410 --> 0:21:31.330
<v Speaker 1>of fifteen with his father's mistress, not knowing that his

0:21:31.490 --> 0:21:36.570
<v Speaker 1>father drunk was watching. You know, said Irving, I have

0:21:36.610 --> 0:21:39.530
<v Speaker 1>the feeling I know more about this man than anyone

0:21:39.570 --> 0:21:43.010
<v Speaker 1>else in the world. Don't get carried away by all this,

0:21:43.330 --> 0:21:49.010
<v Speaker 1>Launce Suskind. It's fiction. He made it up. Don't forget that.

0:21:53.090 --> 0:21:57.570
<v Speaker 1>In December, a year after his wild idea, Irving is

0:21:57.610 --> 0:22:01.370
<v Speaker 1>putting the finishing touches to his manuscript. He's on yet

0:22:01.450 --> 0:22:05.690
<v Speaker 1>another Caribbean island with yet another woman, not his wife,

0:22:06.050 --> 0:22:11.610
<v Speaker 1>supposedly conducting his final meeting with Howard Hughes. Back in

0:22:11.690 --> 0:22:17.170
<v Speaker 1>New York. Meanwhile, McGraw hill make the official announcement they

0:22:17.250 --> 0:22:24.010
<v Speaker 1>will be publishing the autobiography of Howard Hughes. This is

0:22:24.050 --> 0:22:27.890
<v Speaker 1>the story of my life in my own words, says

0:22:27.930 --> 0:22:32.210
<v Speaker 1>the press release, quoting someone claiming to be Hughes. This

0:22:32.610 --> 0:22:36.850
<v Speaker 1>Hughes then pays fulsome tribute to his co author, Clifford

0:22:36.890 --> 0:22:43.650
<v Speaker 1>Irving for his discernment, discretion, and integrity as a human being.

0:22:44.810 --> 0:22:48.130
<v Speaker 1>It doesn't take long for Irving to get a nasty shock.

0:22:49.010 --> 0:22:53.450
<v Speaker 1>Howard Hughes. His company puts out a statement there is

0:22:53.970 --> 0:22:58.610
<v Speaker 1>no such book, and Hughes himself will speak to the

0:22:58.690 --> 0:23:16.250
<v Speaker 1>press to confirm that cautionary tales will return soon. In

0:23:16.330 --> 0:23:21.490
<v Speaker 1>her book The Confidence Game, the psychologist Maria Konokova analyzes

0:23:21.530 --> 0:23:25.290
<v Speaker 1>what's happening at each stage of a contrick. It's a

0:23:25.410 --> 0:23:29.490
<v Speaker 1>step by step process. The con artist must carefully choose

0:23:29.490 --> 0:23:33.570
<v Speaker 1>their victim, sucker them in, make them believe, and keep

0:23:33.770 --> 0:23:38.130
<v Speaker 1>ratcheting up their commitment. Up to now, Irving has done

0:23:38.170 --> 0:23:42.530
<v Speaker 1>a textbook job. The final stage of the con she

0:23:42.690 --> 0:23:47.170
<v Speaker 1>calls the blowoff. That's when the victim realizes they've been

0:23:47.210 --> 0:23:52.530
<v Speaker 1>had and the con artist needs to avoid any unpleasant consequences.

0:23:54.250 --> 0:23:56.970
<v Speaker 1>In this way, cons are no different to many other

0:23:57.130 --> 0:24:01.730
<v Speaker 1>risky ventures starting a business, say, or a war. They

0:24:01.770 --> 0:24:05.050
<v Speaker 1>make sense to think about an exit strategy. If this

0:24:05.170 --> 0:24:08.210
<v Speaker 1>doesn't go to plan, how do I get out with

0:24:08.330 --> 0:24:13.250
<v Speaker 1>minimal damage? The blowoff is often easier than we might think,

0:24:13.530 --> 0:24:17.930
<v Speaker 1>says Connakova, Many victims of cons don't make a fuss

0:24:18.490 --> 0:24:21.610
<v Speaker 1>because they don't want a reputation as a schmuck. If

0:24:21.650 --> 0:24:24.250
<v Speaker 1>everyone knows you were taken in by a con artist,

0:24:24.730 --> 0:24:27.690
<v Speaker 1>you'll be seen as an easy touch. Other people will

0:24:27.690 --> 0:24:30.170
<v Speaker 1>try to fool you. You might decide it's better to

0:24:30.250 --> 0:24:36.050
<v Speaker 1>keep silent, swallow your loss, and preserve your reputation. As

0:24:36.090 --> 0:24:40.490
<v Speaker 1>Connakova puts it, we ourselves are the grifter's best chance

0:24:40.530 --> 0:24:43.930
<v Speaker 1>of a successful blowoff. We don't want anyone to know

0:24:44.010 --> 0:24:50.050
<v Speaker 1>we've been duped. Like all good con artists, Clifford Irving

0:24:50.210 --> 0:24:55.450
<v Speaker 1>instinctively understood the importance of reputation to his victim. Remember

0:24:55.450 --> 0:24:58.490
<v Speaker 1>what it'd said to Dick Suskind when they'd fretted that

0:24:58.610 --> 0:25:02.170
<v Speaker 1>McGraw hill might find out about the hoax. The worst

0:25:02.170 --> 0:25:04.730
<v Speaker 1>thing they can do is yell, and I have a

0:25:04.770 --> 0:25:07.770
<v Speaker 1>feeling they won't yell too loud because they might look

0:25:07.770 --> 0:25:12.330
<v Speaker 1>pretty foolish. That might have been true if they'd discovered

0:25:12.370 --> 0:25:16.730
<v Speaker 1>Irving's con before the book was public knowledge, But once

0:25:16.810 --> 0:25:20.570
<v Speaker 1>mc graw hill had made their announcement, keeping quiet was

0:25:20.610 --> 0:25:24.610
<v Speaker 1>no longer an option. That left the other exit route

0:25:24.930 --> 0:25:28.850
<v Speaker 1>Irving could say help, I've been hoaxed by someone pretending

0:25:28.850 --> 0:25:32.130
<v Speaker 1>to be Howard Hughes. In other words, he could get

0:25:32.130 --> 0:25:36.650
<v Speaker 1>off the hook by sacrificing his own reputation. But whenever

0:25:36.690 --> 0:25:40.250
<v Speaker 1>you start a risky venture with an exit strategy in mind,

0:25:40.810 --> 0:25:44.010
<v Speaker 1>there's a danger you can get so caught up in

0:25:44.170 --> 0:25:47.610
<v Speaker 1>chasing success that you forget what your plan to do

0:25:47.770 --> 0:25:52.210
<v Speaker 1>in case of failure. With every detail he'd improvised to

0:25:52.250 --> 0:25:55.210
<v Speaker 1>make his meetings with Hughes seem more believable to mc

0:25:55.210 --> 0:25:59.730
<v Speaker 1>graw hill, Irving had closed off his escape route. The

0:25:59.810 --> 0:26:04.050
<v Speaker 1>impostor Hughes would have needed an accomplice called Pedro who

0:26:04.050 --> 0:26:07.210
<v Speaker 1>could fly, assessner, that's a lot of trouble to go to.

0:26:08.050 --> 0:26:12.410
<v Speaker 1>Irving had even that in one clandestine meeting, Hughes had

0:26:12.450 --> 0:26:15.610
<v Speaker 1>introduced him to the Vice President of the United States,

0:26:15.970 --> 0:26:21.010
<v Speaker 1>Spiro Agnew, another impostor. Just how stupid would Irving have

0:26:21.130 --> 0:26:25.690
<v Speaker 1>to say he'd been. It would never work. Clifford Irving

0:26:26.010 --> 0:26:30.010
<v Speaker 1>had blown his blowoff. His only hope now was that

0:26:30.050 --> 0:26:36.530
<v Speaker 1>Howard Hughes wouldn't go public after all. On the seventh

0:26:36.570 --> 0:26:41.250
<v Speaker 1>of January nineteen seventy two, seven journalists sat around a

0:26:41.290 --> 0:26:45.290
<v Speaker 1>semicircular table in a conference room in a Los Angeles hotel,

0:26:45.890 --> 0:26:51.210
<v Speaker 1>surrounded by cameras and facing a telephone on loudspeaker. They

0:26:51.250 --> 0:26:56.010
<v Speaker 1>had been carefully selected by Howard Hughes's representatives. Most had

0:26:56.050 --> 0:26:59.370
<v Speaker 1>known Hughes back in the day. If anyone could vouch

0:26:59.450 --> 0:27:01.370
<v Speaker 1>for the voice that was about to come through the

0:27:01.410 --> 0:27:05.810
<v Speaker 1>phone line, they could. I only wish I was still

0:27:05.850 --> 0:27:09.530
<v Speaker 1>in the movie business, because I don't remember any as

0:27:09.570 --> 0:27:12.850
<v Speaker 1>wild or as stretching the imagination as this yarn has

0:27:12.850 --> 0:27:15.570
<v Speaker 1>turned out to be. I take it, sir, you do

0:27:15.610 --> 0:27:19.530
<v Speaker 1>not know a man named Clifford Irving, then I don't

0:27:19.570 --> 0:27:22.450
<v Speaker 1>know him. I never saw him. I've never heard of

0:27:22.530 --> 0:27:25.210
<v Speaker 1>him until a matter of days ago when this thing

0:27:25.450 --> 0:27:28.810
<v Speaker 1>first came to my attention. The air conditioning in the

0:27:28.890 --> 0:27:32.370
<v Speaker 1>room was too loud, so the hotel had turned it off.

0:27:32.850 --> 0:27:37.170
<v Speaker 1>The television lights were sweltering. The journalists began to wilt,

0:27:37.930 --> 0:27:40.650
<v Speaker 1>but on the other end of the line, Hughes seemed

0:27:40.690 --> 0:27:44.290
<v Speaker 1>to be having fun. He reminisced about the technical details

0:27:44.290 --> 0:27:48.490
<v Speaker 1>of aircraft he had designed for two and a half hours.

0:27:48.730 --> 0:27:51.330
<v Speaker 1>Har'd be happy to talk to you all just as

0:27:51.330 --> 0:27:55.410
<v Speaker 1>long as you want, Irving and Suskind watched the press

0:27:55.450 --> 0:27:59.410
<v Speaker 1>conference on TV, and hearing the voice of Howard Hughes

0:28:00.050 --> 0:28:03.410
<v Speaker 1>was a shock. It wasn't just that they'd bet on

0:28:03.530 --> 0:28:08.330
<v Speaker 1>him staying silent. They were shocked to remember he actually existed.

0:28:09.170 --> 0:28:12.010
<v Speaker 1>They've got so used to thinking of Howard Hughes as

0:28:12.010 --> 0:28:16.290
<v Speaker 1>their own fictional creation. But with no way out of

0:28:16.330 --> 0:28:20.330
<v Speaker 1>the hoax, Irving had to double down. If he couldn't

0:28:20.330 --> 0:28:23.690
<v Speaker 1>claim that his Howard Hughes had been an impostor, he'd

0:28:23.690 --> 0:28:27.930
<v Speaker 1>have to insist that this one was instead. That's not him,

0:28:28.290 --> 0:28:30.970
<v Speaker 1>said Irving. It's a damn good imitation of what he

0:28:31.050 --> 0:28:33.010
<v Speaker 1>might have sounded like a few years ago when he

0:28:33.090 --> 0:28:37.050
<v Speaker 1>was healthy. But it's not him. A disembodied voice on

0:28:37.090 --> 0:28:40.610
<v Speaker 1>a speaker phone is one thing, Irving reasoned, A flesh

0:28:40.610 --> 0:28:44.650
<v Speaker 1>and blood Howard Hughes in a courtroom was another thing altogether.

0:28:45.610 --> 0:28:48.930
<v Speaker 1>If only he could keep some doubt alive, he might

0:28:49.090 --> 0:28:53.130
<v Speaker 1>force Hughes to sue him, and maybe Hughes wouldn't go

0:28:53.170 --> 0:28:56.850
<v Speaker 1>through with that. It was a desperate throw of the dice,

0:28:57.450 --> 0:29:00.890
<v Speaker 1>and it convinced hardly anyone. Most people thought it really

0:29:00.930 --> 0:29:04.490
<v Speaker 1>had been Howard Hughes on the phone, but they also

0:29:04.570 --> 0:29:09.090
<v Speaker 1>doubted what Howard Hughes had said. One journalist summed up

0:29:09.170 --> 0:29:13.890
<v Speaker 1>the consensus view, it's entirely consistent with the personality of

0:29:13.930 --> 0:29:18.210
<v Speaker 1>Howard Hughes to dictate his autobiography and then deny it.

0:29:19.850 --> 0:29:23.530
<v Speaker 1>McGraw hill continued to insist that their book was genuine

0:29:23.650 --> 0:29:27.210
<v Speaker 1>and they'd publish it as planned. The boss held a

0:29:27.210 --> 0:29:31.810
<v Speaker 1>press conference despite his denial. Today McGraw hill has in

0:29:31.890 --> 0:29:35.610
<v Speaker 1>its possession a tremendous amount of documentation which, in our

0:29:35.690 --> 0:29:39.210
<v Speaker 1>opinion indicates beyond the shadow of a doubt, that this

0:29:39.370 --> 0:29:42.930
<v Speaker 1>is the authentic autobiography and that we have the authorization

0:29:43.130 --> 0:29:46.810
<v Speaker 1>to publish it. They weren't just taking Clifford Irving's word

0:29:46.850 --> 0:29:49.770
<v Speaker 1>for it. They'd sent the letters from Howard Hughes to

0:29:49.850 --> 0:29:54.890
<v Speaker 1>a firm of handwriting analysts. Irving surprise, the well respected

0:29:54.930 --> 0:29:58.690
<v Speaker 1>firm confidently declared the odds of a forgery to be

0:29:58.770 --> 0:30:02.850
<v Speaker 1>a million to one. At his press conference, the boss

0:30:02.850 --> 0:30:07.450
<v Speaker 1>of McGraw hill brandished some of that tremendous amount of documentation,

0:30:08.250 --> 0:30:13.290
<v Speaker 1>including fact similars of checks that h. R. Hughes had countersigned.

0:30:14.050 --> 0:30:17.010
<v Speaker 1>The checks revealed at which bank they had been paid in.

0:30:17.890 --> 0:30:23.250
<v Speaker 1>That was a crucial piece of information. Hughes on the

0:30:23.290 --> 0:30:27.810
<v Speaker 1>phone had zeroed in on the key question, this money

0:30:27.890 --> 0:30:32.690
<v Speaker 1>didn't enter any of my bank accounts. Where is it again?

0:30:33.130 --> 0:30:37.530
<v Speaker 1>Irving hadn't thought things through the Howard Hughes he imagined

0:30:37.570 --> 0:30:42.290
<v Speaker 1>so vividly. The fictional Howard Hughes might ponder legal action,

0:30:42.530 --> 0:30:45.890
<v Speaker 1>but would then shy away, made helpless by his fear

0:30:45.970 --> 0:30:50.850
<v Speaker 1>of appearing in public. But the actual, real life Howard Hughes,

0:30:50.970 --> 0:30:55.610
<v Speaker 1>the billionaire Howard Hughes, had plenty of other options. For example,

0:30:55.930 --> 0:30:59.890
<v Speaker 1>he could instruct a private detective to assemble evidence for

0:30:59.970 --> 0:31:04.970
<v Speaker 1>the police, and he did. Thanks to those images of checks,

0:31:05.290 --> 0:31:08.810
<v Speaker 1>the private detective had a lead. The detective did some

0:31:08.850 --> 0:31:11.970
<v Speaker 1>digging at the Swiss bank and soon discovered that the

0:31:12.330 --> 0:31:15.610
<v Speaker 1>Hr Hughes who paid in the checks was a woman

0:31:16.010 --> 0:31:20.490
<v Speaker 1>in her mid thirties, five ft three and German that

0:31:20.690 --> 0:31:26.170
<v Speaker 1>sounded remarkably like Clifford Irving's wife. The detective sourced some

0:31:26.210 --> 0:31:29.210
<v Speaker 1>photos of Edith and showed them to the cashier who

0:31:29.330 --> 0:31:33.570
<v Speaker 1>dealt with Helga Hughes. She looked at them. The hair

0:31:33.650 --> 0:31:37.970
<v Speaker 1>wasn't right, but yes, the face looked very close to

0:31:37.970 --> 0:31:45.130
<v Speaker 1>what she remembered when the law got involved. The end

0:31:45.290 --> 0:31:49.610
<v Speaker 1>came quickly. Irving's trial was a media circus, and there

0:31:49.690 --> 0:31:54.210
<v Speaker 1>was no doubt about its star performer, The Baroness Nina

0:31:54.410 --> 0:32:00.770
<v Speaker 1>von paaland the beautiful charismatic mistress captivated the public. She

0:32:00.930 --> 0:32:05.490
<v Speaker 1>was on magazine front pages and TV chat shows. Edith

0:32:05.810 --> 0:32:10.490
<v Speaker 1>meanwhile got two years in prison in Switzerland forgery and fraud.

0:32:11.250 --> 0:32:16.010
<v Speaker 1>Later she got a divorce. Clifford Irving was given a

0:32:16.050 --> 0:32:19.730
<v Speaker 1>similar sentence in New York. He promptly wrote a memoir

0:32:19.810 --> 0:32:22.370
<v Speaker 1>about the hoax, in which he seems to struggle with

0:32:22.450 --> 0:32:26.210
<v Speaker 1>the thought that he really did anything wrong. He talks

0:32:26.250 --> 0:32:31.330
<v Speaker 1>about his magnificent shape and how it had a certain grandeur,

0:32:31.730 --> 0:32:35.890
<v Speaker 1>a reckless and artistic splendor in the oppressed, middle class

0:32:35.930 --> 0:32:38.530
<v Speaker 1>world of America, where so few men try to do

0:32:38.610 --> 0:32:41.770
<v Speaker 1>anything other than cut along the dotted line. Could the

0:32:41.890 --> 0:32:45.570
<v Speaker 1>failure itself of a bold and lunatic scheme be the

0:32:45.650 --> 0:32:49.850
<v Speaker 1>image of ultimate success. It's one way of looking at it.

0:32:50.410 --> 0:32:53.490
<v Speaker 1>Although perhaps the person who got most success from this

0:32:53.610 --> 0:32:57.610
<v Speaker 1>bold and lunatic scheme was a once famous Danish folk

0:32:57.690 --> 0:33:03.730
<v Speaker 1>singer with a career to rebuild bookings flooded in and

0:33:03.970 --> 0:33:08.850
<v Speaker 1>parts in Hollywood movies. The publicity said Nina's manager was

0:33:09.130 --> 0:33:15.090
<v Speaker 1>earth as much as an Academy award. The story of

0:33:15.130 --> 0:33:20.170
<v Speaker 1>the fake autobiography has a coda. In two thousand and six,

0:33:20.610 --> 0:33:25.210
<v Speaker 1>thirty five years after The Hoax, Clifford Irving's memoir was

0:33:25.250 --> 0:33:30.770
<v Speaker 1>turned into a film. It was called The Hoax. Clifford

0:33:30.770 --> 0:33:36.530
<v Speaker 1>Irving was played by Richard gear. Irving hated the film.

0:33:36.570 --> 0:33:40.370
<v Speaker 1>He complained that it portrayed him as a sleazy, money

0:33:40.370 --> 0:33:43.530
<v Speaker 1>grubbing low life. That wasn't true at all. He said

0:33:44.090 --> 0:33:48.250
<v Speaker 1>his motives weren't base, they were noble. Having thought of

0:33:48.290 --> 0:33:51.330
<v Speaker 1>the hoax, he simply had to do it like a

0:33:51.410 --> 0:33:57.570
<v Speaker 1>mountaineer has to climb a mountain because it's there. Irving

0:33:57.650 --> 0:34:01.130
<v Speaker 1>made clear that the film was nothing to do with him.

0:34:01.970 --> 0:34:05.170
<v Speaker 1>He didn't want people to think that this fictional version

0:34:05.210 --> 0:34:11.170
<v Speaker 1>of himself was who he really was. Perhaps at last

0:34:11.930 --> 0:34:16.770
<v Speaker 1>he'd come to understand how Howard Hughes must have felt.

0:34:24.410 --> 0:34:26.690
<v Speaker 1>For a full list of our sources, please see the

0:34:26.690 --> 0:34:39.850
<v Speaker 1>show notes at Tim Harford dot com. Portionary Tales is

0:34:39.890 --> 0:34:43.890
<v Speaker 1>written by me Tim Harford with Andrew Wright. It's produced

0:34:43.930 --> 0:34:47.770
<v Speaker 1>by Ryan Dilley with support from Courtney Guarino and Emily Vaughan.

0:34:48.250 --> 0:34:51.090
<v Speaker 1>The sound design and original music is the work of

0:34:51.330 --> 0:34:54.810
<v Speaker 1>Pascal Wise. It features the voice talents of Ben Crow,

0:34:55.210 --> 0:34:59.850
<v Speaker 1>Melanie Gutridge, Stella Harford, and rufus Wright. The show also

0:34:59.930 --> 0:35:02.690
<v Speaker 1>wouldn't have been possible without the work of Mia La Belle,

0:35:03.090 --> 0:35:08.210
<v Speaker 1>Jacob Weisberg, Heather Fane, John Schnas, Julia Barton, Karlie mcgliori,

0:35:08.610 --> 0:35:14.370
<v Speaker 1>Eric's Royston, Basserve, Maggie Taylor, Nicole Mrano, Danielle Lakhan, and

0:35:14.570 --> 0:35:19.450
<v Speaker 1>Maya Kanig. Cautionary Tales is a production of Pushkin Industries.

0:35:19.730 --> 0:35:22.410
<v Speaker 1>If you like the show, please remember to share, rate

0:35:22.530 --> 0:35:25.610
<v Speaker 1>and review, tell a friend, tell two friends, and if

0:35:25.610 --> 0:35:27.850
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0:35:27.850 --> 0:35:32.090
<v Speaker 1>to four exclusive Cautionary Tales shorts. Then sign up for

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<v Speaker 1>Pushkin Plus on the show page in Apple Podcasts or

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<v Speaker 1>at pushkin dot fm, slash plus