WEBVTT - Episode 6 - Disney’s “Opposite Day”

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<v Speaker 1>Welcome to Get It to Dutch. A screenwriter's Journey.

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<v Speaker 2>I'm Mark, I'm Greg, I'm Brendan aka BB Starland.

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<v Speaker 1>Okay, BB Starland, and we are a team of Hollywood

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<v Speaker 1>screenwriters who meet every week to read from an original

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<v Speaker 1>screenplay that one of us has written. We give notes

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<v Speaker 1>and rank the scripts, and at the end of the season, well,

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<v Speaker 1>we were going to pitch the best script to now

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<v Speaker 1>deceased Dutch Huxley, but hopefully we'll be pitching to his

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<v Speaker 1>son Duck. So let's get into new business. I have

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<v Speaker 1>a little item of new business. Great. Okay, wait, now

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<v Speaker 1>this loosely connects to the industry because it's just one

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<v Speaker 1>of these annoying LA things. I'm sure you got this.

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<v Speaker 1>Our old pal, Keith Morasco, has asked us to contribute

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<v Speaker 1>to his divorce registry, which is sad news in a

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<v Speaker 1>lot of ways.

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<v Speaker 2>He's getting divorced, but not really. I mean, it's kind

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<v Speaker 2>of typical. He gets divorced every year or two.

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<v Speaker 3>Falling for it.

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<v Speaker 4>But now that he's in LA, he gets to do

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<v Speaker 4>this divorce registry.

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<v Speaker 1>I don't know what it is about LA that somehow

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<v Speaker 1>we all decided that this was going to be a

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<v Speaker 1>thing we're gonna do in divorce registry. So if you

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<v Speaker 1>if you're in a part of the country that doesn't

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<v Speaker 1>have these things, maybe it hasn't spread. The virus hasn't

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<v Speaker 1>spread this far. You can either buy him something on

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<v Speaker 1>his divorce registry, just like a wedding registry, or you

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<v Speaker 1>can buy back something that you bought him for his

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<v Speaker 1>wedding on his wedding registry. Now he asked me to

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<v Speaker 1>give him five hundred bucks for the locker set that

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<v Speaker 1>I bought him on his wedding registry, and it only

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<v Speaker 1>costs three hundred dollars the first time, so I'm out

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<v Speaker 1>eight hundred bucks.

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<v Speaker 3>Does get better with age.

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<v Speaker 2>It's so hard to know what to do in the

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<v Speaker 2>level at which you participate in one of these things.

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<v Speaker 1>The thing is he's going to be out on his ass,

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<v Speaker 1>so you got to get him something. And the things

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<v Speaker 1>that are on the list are like a futon sad cagurator, cagerator.

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<v Speaker 4>A Hammock emailed me, asking me if I had his

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<v Speaker 4>old Supernintendo, so he's just like fully going back to sixteen.

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<v Speaker 1>I think think a single serve coffee maker, A bong

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<v Speaker 1>is on there. Wow, a trans am is on there.

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<v Speaker 2>I just went ahead and went cheap and I got

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<v Speaker 2>him a diamond studied earring.

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<v Speaker 4>Well, I didn't get him anything for his wedding. I'm

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<v Speaker 4>not getting him anything for.

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<v Speaker 2>This tiled Morasco fiasco.

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<v Speaker 1>Sure is in VISI line is on there, So I

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<v Speaker 1>don't know. I feel like I'm going to be in

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<v Speaker 1>the hole for this guy. I know him the best.

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<v Speaker 2>Yeah, and you know, honestly I wanted I was hoping

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<v Speaker 2>that he would just do one of those conscious on

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<v Speaker 2>couplings because then they usually can't do the divorce registry.

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<v Speaker 2>Well have you heard about that? Well, that's when everybody

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<v Speaker 2>that's where you and your partner and then everybody that

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<v Speaker 2>you know, stands in a circle and agrees that you

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<v Speaker 2>shouldn't be together. But it's supposedly some patico. It's what

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<v Speaker 2>Gwyneth Paltrow does with all her husbands.

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<v Speaker 1>Oh but she's a billionaire. Yeah, of course, Keith not

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<v Speaker 1>a billionaire. The Morasco fiasco is that he doesn't have

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<v Speaker 1>any of his own stuff.

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<v Speaker 2>Yeah, his teeth are going to look great though with

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<v Speaker 2>that hearing.

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<v Speaker 1>Do you have anything, Greg.

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<v Speaker 2>I do, I've got some new business. I have a.

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<v Speaker 1>Date whoa the anti Morasco. That's right.

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<v Speaker 2>So love died a new love rose has blossomed exactly

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<v Speaker 2>And it was where love died because I actually got

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<v Speaker 2>the number at a funeral.

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<v Speaker 4>Funeral, at a Dutches's funeral, Duchess funeral.

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<v Speaker 1>Yeah, whos a number? Did you?

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<v Speaker 2>I'm not going to get into that.

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<v Speaker 4>Was it the widow Huxley?

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<v Speaker 1>How did you know that this is a bad idea? No,

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<v Speaker 1>it's not. It's a great idea. How did we know?

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<v Speaker 1>Because she would be the worst person for you to

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<v Speaker 1>be dating. And if I know anything about Greg's dating

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<v Speaker 1>history age that he makes very poor decisions. So here's

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<v Speaker 1>the thing, man, we're trying to pitch to Duck. This

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<v Speaker 1>is the worst thing you can do.

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<v Speaker 4>Man, there isn't a kid on fucking earth who wants

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<v Speaker 4>to be friends with someone.

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<v Speaker 3>Who's blinking his mom. That's why I hate my dad.

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<v Speaker 1>Friends.

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<v Speaker 2>The heart has its reasons, which reason knows nothing of God.

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<v Speaker 3>You are going to fuck this up?

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<v Speaker 1>No, I'm not.

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<v Speaker 2>Just let me play the school okay. Also, Duck is

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<v Speaker 2>older than me. He's going to be fine with me

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<v Speaker 2>fucking his mom.

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<v Speaker 4>Oh, don't say it like that. Even hearing it in

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<v Speaker 4>the years.

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<v Speaker 2>Yeah, So ultimately, this I think is my last podcast

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<v Speaker 2>because I'm going.

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<v Speaker 1>To be moving up to Monacito. What Yeah, dude, nice,

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<v Speaker 1>absolutely not can just walk out on the podcast.

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<v Speaker 2>Man, I think I've gotten what I need to get

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<v Speaker 2>out of this podcast, which is kind of a relationship.

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<v Speaker 1>That's what you wanted out of the podcast. You can

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<v Speaker 1>do that on an app, Dude. We're trying to sell

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<v Speaker 1>a fucking script mark. I'm taking the elevator. You guys

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<v Speaker 1>are taking the escalator. I've basically landed where I need to,

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<v Speaker 1>which is a nice summer place in Montecito.

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<v Speaker 2>It's so great up there there.

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<v Speaker 1>It is Gregg's ulterior motive.

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<v Speaker 2>You're welcome to come up some time and have lobster roles.

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<v Speaker 1>The good news is, I guess you'll be moving off

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<v Speaker 1>my couch, so you all need to go.

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<v Speaker 3>You get your place back.

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<v Speaker 2>No, I will still be crashing here for a little

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<v Speaker 2>while until you know. The redesign at Monasito's is Bully

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<v Speaker 2>for me. Guys. We always said there'd be two ways

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<v Speaker 2>this podcast would end. If we sell a screenplay or

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<v Speaker 2>one of us falls in love.

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<v Speaker 1>We said it one of us got murdered, meaning here

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<v Speaker 1>until death or a sale, whichever comes first.

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<v Speaker 2>Well, I'm changing the rules because I am in love

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<v Speaker 2>and headed to Monacito eventually.

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<v Speaker 3>Okay, we'm up.

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<v Speaker 2>Sometime both actually, don't come up. You guys need to

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<v Speaker 2>clean up if you ever come up. Geez, like, look

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<v Speaker 2>like you could be in Monacito. You guys look like

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<v Speaker 2>the guys that they hire to come into Monacito when

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<v Speaker 2>there's a mud slide and they need to clean it up.

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<v Speaker 4>Oh, that was my first gig when I got here.

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<v Speaker 1>Really.

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<v Speaker 4>Yeah, you guys are probably wondering why I'm wearing sunglasses

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<v Speaker 4>over my regular glass.

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<v Speaker 2>Oh I thought you just had those ones that change

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<v Speaker 2>color when you go into outside and they were broken.

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<v Speaker 4>No, because it's for me to whip off and say

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<v Speaker 4>this is definitely my last podcast.

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<v Speaker 3>Mah woo.

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<v Speaker 1>Why what?

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<v Speaker 4>Oh bbe starland AyKa Brendan is on his way because

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<v Speaker 4>he yes, got word from Nan that I am check

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<v Speaker 4>a veil on Big.

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<v Speaker 2>Wonder Amazing woo check the veil. So are you pinned?

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<v Speaker 4>Well, I'm check availed to be on hold waiting to

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<v Speaker 4>be pinned.

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<v Speaker 1>So you're on deck.

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<v Speaker 4>I'm practically on set. For those who don't know, I'm

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<v Speaker 4>practically on.

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<v Speaker 2>I think that's that bad.

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<v Speaker 1>If you're on set, that's at bad. I thought you

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<v Speaker 1>bombed them.

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<v Speaker 2>Yeah, I thought it didn't go well.

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<v Speaker 4>Well, you know, I realized that's probably just something I do.

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<v Speaker 4>I tell myself that I bomb so that when I

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<v Speaker 4>get it, I feel fucking awesome, which I do.

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<v Speaker 1>Right now, this is great Man's last shakes. Don't shake

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<v Speaker 1>on it. What do I have? Then? This is all

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<v Speaker 1>I have?

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<v Speaker 2>You have the podcast mark.

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<v Speaker 1>Right, But I can't do it by myself.

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<v Speaker 2>Sure, you can keep chugging away. We believe in you.

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<v Speaker 2>We think your scripts are great.

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<v Speaker 4>Hey, listen, bud baby, this is how this industry works.

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<v Speaker 4>You're down in the muck, so I can lift you up. Okay,

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<v Speaker 4>here's what I'm willing to do. Okay, sometime around season

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<v Speaker 4>three or four on Big Wonder, I'll talk to the

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<v Speaker 4>show runners see if they got a spot and they

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<v Speaker 4>were the showrunners for Big Wonder.

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<v Speaker 3>It's a ship being and Amy Bosco Brandt.

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<v Speaker 1>Really Coppleman, Marlene Koppleman, No Kopleman.

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<v Speaker 3>Did the pilot? Did bring and shep?

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<v Speaker 1>And Amian? What did shep?

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<v Speaker 2>Bing?

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<v Speaker 1>And Amy Bosco Brandt? Right?

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<v Speaker 3>I mean basically all of nineties television.

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<v Speaker 1>Bokmates, yes, all the classics, bunk Mates, pals A hand

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<v Speaker 1>Rahan and Hairn hand Rahan.

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<v Speaker 2>Oh, they did all the Murphy's shows, right, Murphy's Law,

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<v Speaker 2>Murphy's Dental, Murphy's Bakery, and of.

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<v Speaker 4>Course the first openly gay character on TV.

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<v Speaker 1>And figuring it out. That's right.

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<v Speaker 2>And then they did Finger Figure figure.

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<v Speaker 4>In comes comes out as gay to his family, figuring

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<v Speaker 4>it out. So there you go, Bud, Look, I talked

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<v Speaker 4>to those two and before you know it, Bing Bang Boom.

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<v Speaker 4>Maybe you're getting coffees and stuff, and then this thing

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<v Speaker 4>goes twenty seasons.

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<v Speaker 3>Maybe finally you get a script. That's how the industry works.

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<v Speaker 1>Is Bing Bang Boom a shep bing reference?

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<v Speaker 2>Bing Bang Boom was a show that that's what the

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<v Speaker 2>Big Bang theory stole, right, that was bing. It was

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<v Speaker 2>originally called Bing Bang Boom.

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<v Speaker 1>Yeah, well, congratulations, I'm glad you got it.

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<v Speaker 4>Thank you, I'm thrilled. Originally, of course, the part of

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<v Speaker 4>George on Big Wonder was going to Jimmy Squiggs.

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<v Speaker 1>But he passed.

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<v Speaker 2>Oh he passed on the project.

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<v Speaker 1>He passed.

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<v Speaker 3>No, he passed, he's dead.

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<v Speaker 4>Oh yeah, yeah, so I'm having to do the pilot

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<v Speaker 4>for free, because they already paid him to do it.

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<v Speaker 4>But you know, if this thing goes to series, there

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<v Speaker 4>may be room to breed negotiate.

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<v Speaker 1>Maybe you better check on that.

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<v Speaker 4>Well, our news is pretty huge, and poor Mark just

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<v Speaker 4>has this divorce registry thing.

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<v Speaker 3>I feel so sad. You look like I said, a

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<v Speaker 3>little puppy.

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<v Speaker 2>Yeah it's okay, man. You have to podcast. Keep churning,

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<v Speaker 2>keep plugging away, keep slapping the scripts down, and you

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<v Speaker 2>guys ever want.

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<v Speaker 1>To guess that would help me out a ton all.

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<v Speaker 2>Just please on the podcast. Yeah, I'll be up at Montecito.

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<v Speaker 2>It's a pretty far drive.

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<v Speaker 4>Just grow talk to Nan for me. She does my scheduling.

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<v Speaker 4>Now I'm finally getting Nan to do my scheduling and

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<v Speaker 4>not some intern.

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<v Speaker 1>We couldn't come down from Montecito.

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<v Speaker 2>I don't think the helicopter could land on this roof.

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<v Speaker 2>It's not it doesn't support it. How sturdy is this roof?

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<v Speaker 1>Should we even do the podcast? Asked today? But let's

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<v Speaker 1>go out? Why would we do it?

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<v Speaker 2>Let's send this thing out with a bang?

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<v Speaker 3>Yeah, the bang, bing bang boom.

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<v Speaker 1>Come on, Mark, let's just do one more.

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<v Speaker 4>The whole gang's together. One more time. We're all in

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<v Speaker 4>the saddle. Let's take the horse into the barn and

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<v Speaker 4>shoot it in its fucking head.

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<v Speaker 1>All right, make some glue out of it.

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<v Speaker 3>So okay, so much it wrong with it? The dead

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<v Speaker 3>horse is yours to do.

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<v Speaker 1>The Let's do the backstory on today's script. Last week,

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<v Speaker 1>Brendan was on the Disney lot.

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<v Speaker 2>That were you on the Disney lot for another audition?

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<v Speaker 4>No, I was just taking the tour, but I got

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<v Speaker 4>lost trying to find a bathroom. I walk by this boardroom.

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<v Speaker 4>I see this blue little note card on it and

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<v Speaker 4>it says opposite day. Then of course the security bust in.

0:09:45.720 --> 0:09:48.480
<v Speaker 4>They escort me out. Uh NaN's working to clear all

0:09:48.520 --> 0:09:49.080
<v Speaker 4>that up for me.

0:09:49.240 --> 0:09:53.360
<v Speaker 1>But so opposite Day, which is very cool. We decided

0:09:53.440 --> 0:09:56.680
<v Speaker 1>to write Disney's Opposite Day and then we'll try to

0:09:56.720 --> 0:10:00.319
<v Speaker 1>sell it back to Disney. Yeah, baby is not steal,

0:10:00.559 --> 0:10:03.360
<v Speaker 1>not steal, This is not It's delivering exactly what they're

0:10:03.360 --> 0:10:03.839
<v Speaker 1>looking for.

0:10:04.000 --> 0:10:07.440
<v Speaker 4>It's in the zeitgeist, and it is, in my humble opinion,

0:10:07.520 --> 0:10:10.280
<v Speaker 4>the most unmissible idea of all time.

0:10:10.360 --> 0:10:13.719
<v Speaker 1>Basically writes itself. It's Jordan on a breakaway totally, he

0:10:13.800 --> 0:10:14.680
<v Speaker 1>writes itself.

0:10:14.800 --> 0:10:16.800
<v Speaker 2>And since I was on my honeymoon phase with the

0:10:17.080 --> 0:10:20.720
<v Speaker 2>widow Huxley and Brendan's been focusing on his big screen.

0:10:20.760 --> 0:10:23.199
<v Speaker 2>Test Mark was the lucky one to draw the straw

0:10:23.240 --> 0:10:24.199
<v Speaker 2>and just write it up.

0:10:24.360 --> 0:10:26.280
<v Speaker 1>Yeah, and truly it was like we all agreed, it

0:10:26.520 --> 0:10:30.000
<v Speaker 1>basically wrote itself. So I'm very happy to you know,

0:10:30.080 --> 0:10:31.679
<v Speaker 1>be the one to tee it up and knock it

0:10:31.720 --> 0:10:32.880
<v Speaker 1>out without any further ado.

0:10:33.000 --> 0:10:35.800
<v Speaker 4>I present to you kind of Disney's Opposite the Perfect

0:10:35.880 --> 0:10:39.360
<v Speaker 4>Last podcast. Huh, Disney's Opposite Day slam Dunk. I'm going

0:10:39.400 --> 0:10:41.040
<v Speaker 4>to miss you, guys, so let me set up the

0:10:41.040 --> 0:10:41.680
<v Speaker 4>script for you.

0:10:42.200 --> 0:10:45.680
<v Speaker 1>This is Disney's Opposite Day. We focus on a young

0:10:45.880 --> 0:10:49.240
<v Speaker 1>kid who's a pretty doofy. He gets bullied a lot,

0:10:49.360 --> 0:10:53.120
<v Speaker 1>and he's very smart, and he's into science. He's he

0:10:53.280 --> 0:10:56.200
<v Speaker 1>just doesn't have his uh, you know, his balance in

0:10:56.240 --> 0:10:58.960
<v Speaker 1>middle school yet. But as we're going to see through

0:10:59.000 --> 0:11:03.240
<v Speaker 1>a few of fate, his world is about to change.

0:11:03.400 --> 0:11:06.160
<v Speaker 2>Yeah Earth, I mean you already, you can already see it.

0:11:06.280 --> 0:11:08.640
<v Speaker 1>You can see it happening. Okay, Brenda wants you to

0:11:08.640 --> 0:11:11.319
<v Speaker 1>take stage directions, and we are off.

0:11:11.440 --> 0:11:14.960
<v Speaker 4>Exterior George W. Bush Middle school day. A bus pulls

0:11:15.040 --> 0:11:17.240
<v Speaker 4>up in a gaggle of teens pile off. Last to

0:11:17.280 --> 0:11:20.000
<v Speaker 4>step off is a pre pubescent duf and glasses. This

0:11:20.440 --> 0:11:22.400
<v Speaker 4>is Chucky Wigglesworth.

0:11:22.080 --> 0:11:24.840
<v Speaker 1>New school Year. All's I gotta do is fit in,

0:11:25.040 --> 0:11:26.559
<v Speaker 1>stay cool and confident.

0:11:26.679 --> 0:11:29.520
<v Speaker 4>We hear the toot of a horn. Chucky looks over

0:11:29.559 --> 0:11:31.400
<v Speaker 4>and sees the bus driver waving at him.

0:11:31.520 --> 0:11:34.640
<v Speaker 3>Have a right day, Dumpling. A group of bullies snicker.

0:11:34.559 --> 0:11:36.720
<v Speaker 1>Dad, please don't call me dumpling.

0:11:36.880 --> 0:11:39.360
<v Speaker 4>Can help it, Bud. You're a plump little dumpling and

0:11:39.400 --> 0:11:42.040
<v Speaker 4>I love you more than anything. Chucky is shove from behind.

0:11:43.280 --> 0:11:46.880
<v Speaker 1>Plump Dumpling. That means fat Wanton. The bus driver loves you,

0:11:46.960 --> 0:11:49.840
<v Speaker 1>fat Wanton. Well, he is my dad.

0:11:50.040 --> 0:11:52.559
<v Speaker 4>The bully pushes him in the mud. The mud splashes

0:11:52.600 --> 0:11:53.520
<v Speaker 4>on a cheerleader.

0:11:53.840 --> 0:11:57.600
<v Speaker 1>Uh, you got mud on my cheerleader skirt. Dork, sorry,

0:11:57.640 --> 0:12:01.080
<v Speaker 1>Mallory oo check his pants out. He loves you.

0:12:01.600 --> 0:12:05.440
<v Speaker 4>The bully points out a bulge in Chucky's pants. Everyone gasps, no, no, no,

0:12:05.679 --> 0:12:08.960
<v Speaker 4>it's a lightsaber, a real life lightsaber. He reaches into

0:12:09.000 --> 0:12:11.160
<v Speaker 4>his pants and pulls out the handle of a lightsaber.

0:12:11.440 --> 0:12:13.240
<v Speaker 1>See. He presses a button and it.

0:12:13.280 --> 0:12:16.400
<v Speaker 4>Immediately sparks and physics, knocking Chucky off his feet back

0:12:16.440 --> 0:12:18.920
<v Speaker 4>into the mud puddle. He looks up to see Principal

0:12:18.920 --> 0:12:21.079
<v Speaker 4>Wilcox with mud all over his trousers.

0:12:21.400 --> 0:12:24.880
<v Speaker 2>Mister Wigglesworth, we do not pull lightsabers out of our

0:12:24.920 --> 0:12:27.200
<v Speaker 2>pants at this school. My office.

0:12:27.600 --> 0:12:30.360
<v Speaker 4>Now, As the rest of the teens filter into the school,

0:12:30.679 --> 0:12:34.280
<v Speaker 4>Chucky's best friend Ali appears by his side. Dang, I

0:12:34.320 --> 0:12:36.319
<v Speaker 4>guess I won't be seeing you for first period.

0:12:36.640 --> 0:12:39.120
<v Speaker 1>Did you get the schematics on the flying skateboard?

0:12:39.360 --> 0:12:42.800
<v Speaker 4>Ali unrolls a large blueprint. I figured out the stabilizer,

0:12:42.840 --> 0:12:44.640
<v Speaker 4>but we still need the propulsion system.

0:12:44.760 --> 0:12:46.400
<v Speaker 1>Have you tried lithium in kool aid?

0:12:46.600 --> 0:12:47.760
<v Speaker 3>Hey, that could work.

0:12:48.120 --> 0:12:50.880
<v Speaker 1>I'm gonna win the science fear and everybody's gonna see them.

0:12:50.880 --> 0:12:53.000
<v Speaker 1>I'm the coolest guy in town. Yeah.

0:12:53.040 --> 0:12:54.480
<v Speaker 3>Maybe if it was opposite day.

0:12:54.880 --> 0:12:58.400
<v Speaker 4>Chucky's dad's bus drives away and splashes more mud on him.

0:12:58.600 --> 0:13:07.920
<v Speaker 1>Oh sorry, I wish it was opposite day. Whoa we go?

0:13:08.040 --> 0:13:10.400
<v Speaker 1>We go? Well, so much cool setup.

0:13:10.480 --> 0:13:13.960
<v Speaker 4>You totally didn't overthink it. Great job, pal, oh man,

0:13:14.000 --> 0:13:16.400
<v Speaker 4>I mean this is perfect. I can see where everything's.

0:13:16.040 --> 0:13:17.000
<v Speaker 1>About to be opposite.

0:13:17.040 --> 0:13:19.400
<v Speaker 2>You got the bullies, you got the girl, you got

0:13:19.440 --> 0:13:20.400
<v Speaker 2>the flying skateboard.

0:13:21.200 --> 0:13:23.640
<v Speaker 1>Yeah, it's it's it's it's a pretty good story, you know,

0:13:23.720 --> 0:13:26.760
<v Speaker 1>it's it's easy, wrote itself and yeah.

0:13:26.400 --> 0:13:28.800
<v Speaker 4>And he didn't mark it up. Good job, get kept

0:13:28.880 --> 0:13:30.000
<v Speaker 4>focused and then nailed it.

0:13:30.280 --> 0:13:33.319
<v Speaker 1>This is great? All right? Nope? Hold on, Nan says,

0:13:33.320 --> 0:13:34.439
<v Speaker 1>something's up with the deal.

0:13:34.720 --> 0:13:36.000
<v Speaker 2>What I'm off?

0:13:36.240 --> 0:13:37.959
<v Speaker 1>Check of ail? What does that mean?

0:13:38.120 --> 0:13:42.400
<v Speaker 4>It probably just means I got it right? Nice, it's unpinned,

0:13:43.080 --> 0:13:44.760
<v Speaker 4>She says, Good God, Gad got it?

0:13:45.400 --> 0:13:45.640
<v Speaker 2>Life?

0:13:45.679 --> 0:13:47.000
<v Speaker 1>Does that mean? Holy fuck?

0:13:47.080 --> 0:13:50.559
<v Speaker 4>Hold on a second, let me ask you. Yeah, Brenda

0:13:50.640 --> 0:13:55.280
<v Speaker 4>Jennings baby Starlind for Nan Man, Nan, Hey, Yeah, what

0:13:55.440 --> 0:13:55.760
<v Speaker 4>is good?

0:13:55.800 --> 0:13:59.720
<v Speaker 3>God? Gad got it? What does that mean? Josh Gad, Ron,

0:14:00.480 --> 0:14:03.800
<v Speaker 3>Josh Gadd's dad, Ron Dad got it? Good God? How

0:14:03.840 --> 0:14:06.920
<v Speaker 3>old is God's dad? What's Ron Wanton got to do

0:14:06.960 --> 0:14:11.280
<v Speaker 3>with this? Oh? Ron one one? Why are you celebrating him?

0:14:12.160 --> 0:14:14.400
<v Speaker 1>Nan? She fucking hung up?

0:14:14.600 --> 0:14:15.760
<v Speaker 3>God damn it?

0:14:16.040 --> 0:14:17.520
<v Speaker 1>Shit, what happened?

0:14:17.559 --> 0:14:18.720
<v Speaker 3>Fucking life is over?

0:14:18.880 --> 0:14:19.400
<v Speaker 1>What is good?

0:14:19.400 --> 0:14:19.600
<v Speaker 2>God?

0:14:19.640 --> 0:14:22.200
<v Speaker 1>God, God, Good God, Dad, good.

0:14:21.960 --> 0:14:24.160
<v Speaker 3>God, Gad God? It means Ron Gad got it?

0:14:24.640 --> 0:14:27.840
<v Speaker 4>Josh Gadd's dad round, Gad, God, George, he's George and

0:14:27.880 --> 0:14:28.320
<v Speaker 4>big one.

0:14:28.440 --> 0:14:30.200
<v Speaker 1>What the fuck is going on? Here.

0:14:30.280 --> 0:14:32.120
<v Speaker 2>Oh fuck, I'm so sorry. Man.

0:14:32.320 --> 0:14:33.200
<v Speaker 1>That sucks.

0:14:33.440 --> 0:14:34.680
<v Speaker 2>At least you have this podcast.

0:14:35.000 --> 0:14:36.120
<v Speaker 4>Maybe it's opposite day.

0:14:36.680 --> 0:14:38.760
<v Speaker 3>Maybe I'm gonna take.

0:14:38.720 --> 0:14:40.880
<v Speaker 1>Some nan and ask her it's not opposite day.

0:14:41.520 --> 0:14:44.440
<v Speaker 4>Yeah, she says, it's not opposite day. I didn't get it,

0:14:45.120 --> 0:14:48.560
<v Speaker 4>but it is opposite day that they're big fans. Oh

0:14:48.640 --> 0:14:50.880
<v Speaker 4>they hate me. That's great. So all this time they've

0:14:50.880 --> 0:14:52.400
<v Speaker 4>been saying big fans, they actually hate me.

0:14:52.720 --> 0:14:56.720
<v Speaker 2>Don't dude, you cannot You can't have two slam dunks

0:14:56.720 --> 0:14:57.440
<v Speaker 2>at the same time.

0:14:57.560 --> 0:15:00.000
<v Speaker 3>Oh my god, I have fucking nothing. I can't belie.

0:15:00.120 --> 0:15:00.560
<v Speaker 3>Leave this.

0:15:01.760 --> 0:15:03.680
<v Speaker 1>I have two slams at the same time. If it's

0:15:03.680 --> 0:15:05.680
<v Speaker 1>a dunk contest, then you can do whatever the fuck

0:15:05.720 --> 0:15:06.200
<v Speaker 1>you want.

0:15:06.080 --> 0:15:09.040
<v Speaker 2>Right But I'm saying in the game, you have one

0:15:09.040 --> 0:15:11.080
<v Speaker 2>ball in hand and that's this podcast, and you can

0:15:11.080 --> 0:15:13.360
<v Speaker 2>still dunk this down. And I'm sorry about the whole

0:15:13.760 --> 0:15:14.320
<v Speaker 2>TV thing.

0:15:14.400 --> 0:15:17.800
<v Speaker 1>And listen, man, we have opposite day. This is our

0:15:18.040 --> 0:15:20.240
<v Speaker 1>ticket out of this dump. All right, you're right man,

0:15:20.240 --> 0:15:22.640
<v Speaker 1>this so let's all settle down. I know it sucks

0:15:22.720 --> 0:15:25.760
<v Speaker 1>right now is the worst because you just got the news,

0:15:26.120 --> 0:15:29.440
<v Speaker 1>but we have this golden ticket. We move forward. We're

0:15:29.480 --> 0:15:32.400
<v Speaker 1>fucking jedis right now. You ever thought about that we

0:15:32.440 --> 0:15:35.240
<v Speaker 1>could turn things down one day when we sell this thing.

0:15:35.520 --> 0:15:37.520
<v Speaker 4>I can't wait to get to a place where I

0:15:37.520 --> 0:15:38.440
<v Speaker 4>can just turn things down.

0:15:38.640 --> 0:15:40.760
<v Speaker 2>I can't wait to say no to everything and just

0:15:40.800 --> 0:15:43.760
<v Speaker 2>be in my place with lots of sunlight and plants.

0:15:44.120 --> 0:15:47.960
<v Speaker 4>You gotta do something, you know what, no opposite day?

0:15:48.200 --> 0:15:50.640
<v Speaker 3>Fuck it right, we got this. This is a home run,

0:15:50.680 --> 0:15:52.960
<v Speaker 3>it's a can't miss. Let's do this thing.

0:15:53.160 --> 0:15:55.080
<v Speaker 1>This is what we got. So let's go to the

0:15:55.120 --> 0:15:59.320
<v Speaker 1>next section. Okay, So during a game of dodgeball, Chucky

0:15:59.360 --> 0:16:02.400
<v Speaker 1>got hit the head and it reflected out perfect. Yes.

0:16:02.440 --> 0:16:04.960
<v Speaker 1>Then he woke up in his bedroom later that night,

0:16:05.000 --> 0:16:06.240
<v Speaker 1>and that's where we pick it up.

0:16:06.440 --> 0:16:09.400
<v Speaker 4>Excellent, great work, Mark, and I'm gonna take the script.

0:16:09.400 --> 0:16:11.640
<v Speaker 4>I'm gonna shove it down there, fucking throats.

0:16:11.720 --> 0:16:14.800
<v Speaker 1>Let's go back on board with the pod. Here we go.

0:16:15.320 --> 0:16:19.400
<v Speaker 4>Interior Chucky's bedroom night. Chucky blinks his eyes awake. He

0:16:19.480 --> 0:16:22.160
<v Speaker 4>reaches for his glasses, but they're not where there usually are.

0:16:22.560 --> 0:16:25.920
<v Speaker 4>Then he realizes that he can see perfect without them. Puzzling,

0:16:26.400 --> 0:16:29.200
<v Speaker 4>he looks around his room. It's filled with plants and trees.

0:16:29.720 --> 0:16:32.480
<v Speaker 4>He knows he's inside his bedroom. But this feels like

0:16:32.520 --> 0:16:34.359
<v Speaker 4>he's actually outside in the backyard.

0:16:34.760 --> 0:16:35.880
<v Speaker 1>That's strange.

0:16:36.080 --> 0:16:39.640
<v Speaker 4>Interior kitchen. Moments later, Chucky sits at the kitchen table

0:16:39.640 --> 0:16:41.440
<v Speaker 4>and his mom walks in backwards.

0:16:41.800 --> 0:16:44.840
<v Speaker 1>Mom, what are you doing? Just walking into the kitchen

0:16:44.880 --> 0:16:48.400
<v Speaker 1>to get breakfast? Time for breakfast? But it's nighttime, of

0:16:48.480 --> 0:16:49.160
<v Speaker 1>course it is.

0:16:49.360 --> 0:16:50.840
<v Speaker 2>When else would we eat breakfast?

0:16:52.160 --> 0:16:54.840
<v Speaker 1>Where's dad? If it's nighttime, he must be done with

0:16:54.880 --> 0:16:58.320
<v Speaker 1>his rout, his route, his bus route. He never works

0:16:58.320 --> 0:17:01.120
<v Speaker 1>at night. Sweetheart, did you get hit on the head?

0:17:01.440 --> 0:17:04.159
<v Speaker 1>Your dad is the president of the United States.

0:17:04.720 --> 0:17:06.680
<v Speaker 2>Huh of America.

0:17:07.240 --> 0:17:10.879
<v Speaker 4>A realization falls over Chucky. He jumps to look outside.

0:17:11.320 --> 0:17:13.840
<v Speaker 4>He tries to run, but his body turns him around

0:17:13.880 --> 0:17:16.600
<v Speaker 4>so that he's walking backwards, just like his mom. He

0:17:16.640 --> 0:17:20.359
<v Speaker 4>opens the curtains, which means he's actually closing them. Confused,

0:17:20.400 --> 0:17:23.439
<v Speaker 4>he peeks outside, which is the new inside in this world.

0:17:23.760 --> 0:17:27.320
<v Speaker 4>He looks outside into the oval office of the White House.

0:17:27.720 --> 0:17:30.200
<v Speaker 4>His dad is sitting at a desk, slamming down phones,

0:17:30.359 --> 0:17:34.320
<v Speaker 4>then picking them back up and yelling into them. No way, Russia,

0:17:34.520 --> 0:17:38.119
<v Speaker 4>let's work together, England, get me my morning bourbon.

0:17:38.560 --> 0:17:39.560
<v Speaker 3>Interior kitchen.

0:17:39.880 --> 0:17:43.240
<v Speaker 4>Chucky turns to his mom, it's opposite day.

0:17:43.920 --> 0:17:45.440
<v Speaker 2>I think you mean regular night.

0:17:46.040 --> 0:17:52.040
<v Speaker 1>Huh huh? What what? Sorry?

0:17:52.960 --> 0:17:55.439
<v Speaker 2>No need to sorry me. I haven't done anything to

0:17:55.480 --> 0:17:59.359
<v Speaker 2>be sorried for. Okay, did you not hear me?

0:18:00.160 --> 0:18:03.359
<v Speaker 1>Wait? If it's opposite day, then sorry means thank you,

0:18:03.440 --> 0:18:07.520
<v Speaker 1>and a hum means okay. That must mean okay means huh.

0:18:08.160 --> 0:18:09.919
<v Speaker 1>So if I want a glass of milk, I have

0:18:10.040 --> 0:18:10.520
<v Speaker 1>to say.

0:18:10.920 --> 0:18:13.119
<v Speaker 3>Chucky turns to his mom and tries out the new rules.

0:18:13.560 --> 0:18:20.800
<v Speaker 1>NOI tat kal lamb moom non tanauton siad sUAS knock

0:18:21.040 --> 0:18:25.640
<v Speaker 1>new evit ke loocket. What the fuck did you do?

0:18:25.720 --> 0:18:26.359
<v Speaker 2>What is this?

0:18:26.920 --> 0:18:28.120
<v Speaker 1>He's talking backwards.

0:18:28.400 --> 0:18:30.880
<v Speaker 3>That's not opposite day, that's backwards day.

0:18:31.040 --> 0:18:32.000
<v Speaker 1>Oh oh my god.

0:18:32.040 --> 0:18:35.480
<v Speaker 2>He did it all the way through this entirewards from

0:18:35.480 --> 0:18:36.159
<v Speaker 2>here on out.

0:18:36.160 --> 0:18:39.480
<v Speaker 1>This is opposite day. Let's all what what is the

0:18:39.520 --> 0:18:40.240
<v Speaker 1>fucking problem?

0:18:40.440 --> 0:18:42.960
<v Speaker 4>You know how bad I need this thing right now? Okay,

0:18:42.960 --> 0:18:44.960
<v Speaker 4>this is the last thing I have on earth.

0:18:45.720 --> 0:18:50.800
<v Speaker 1>Let's settle down. This is going perfectly. He woke up.

0:18:51.119 --> 0:18:54.200
<v Speaker 1>It's now opposite day, so everything is opposite.

0:18:54.520 --> 0:18:58.080
<v Speaker 4>This is opposite Disney's opposite day is all I have

0:18:58.200 --> 0:18:59.200
<v Speaker 4>on this entire.

0:18:59.040 --> 0:19:01.800
<v Speaker 1>Okay, this is the message of opposite day. If you

0:19:01.880 --> 0:19:04.400
<v Speaker 1>have nothing left on earth, you have everything.

0:19:04.480 --> 0:19:07.440
<v Speaker 3>I will fucking string us.

0:19:15.640 --> 0:19:17.400
<v Speaker 2>As your friend. I just want to step in here.

0:19:17.800 --> 0:19:20.320
<v Speaker 2>Maybe Mark got a little carried away, but there's a

0:19:20.320 --> 0:19:22.440
<v Speaker 2>lot of good stuff in here. I mean, the dad

0:19:22.480 --> 0:19:25.840
<v Speaker 2>becomes president. That's fun. That is good, Brendan, I didn't

0:19:25.840 --> 0:19:28.639
<v Speaker 2>get carried away. I know you're depending on this in

0:19:28.720 --> 0:19:32.040
<v Speaker 2>light of Josh Dad's dad taking a role, but I

0:19:32.080 --> 0:19:34.560
<v Speaker 2>have no doubt your guys are going to make this great.

0:19:34.960 --> 0:19:37.639
<v Speaker 2>And we'll get it to Duck and let Duck do

0:19:37.720 --> 0:19:38.280
<v Speaker 2>what Duck do.

0:19:39.840 --> 0:19:40.119
<v Speaker 1>Shit.

0:19:40.760 --> 0:19:43.480
<v Speaker 2>I just got a text from Duck. Yeah, just says fuck,

0:19:43.520 --> 0:19:44.159
<v Speaker 2>I'll murder you.

0:19:44.560 --> 0:19:45.240
<v Speaker 3>What did you do?

0:19:46.119 --> 0:19:49.360
<v Speaker 1>I butt dialed a dick pic? So what what?

0:19:49.880 --> 0:19:51.040
<v Speaker 2>He knows? It was for his mom?

0:19:51.600 --> 0:19:51.919
<v Speaker 1>Oh?

0:19:52.080 --> 0:19:52.520
<v Speaker 3>How did he?

0:19:52.680 --> 0:19:57.600
<v Speaker 1>Because she's in the photo. That's better than dick dialing

0:19:57.600 --> 0:19:58.120
<v Speaker 1>a butt pick?

0:19:58.240 --> 0:20:01.280
<v Speaker 2>I get that too, really, Yeah, the widow Huxley is

0:20:01.359 --> 0:20:04.080
<v Speaker 2>into some wild picks. She's been in a loveless marriage

0:20:04.119 --> 0:20:06.919
<v Speaker 2>for so long. She's just wanting to really spread her wings.

0:20:06.960 --> 0:20:09.240
<v Speaker 1>And you dick dial the butt pick? Where do you

0:20:09.320 --> 0:20:11.719
<v Speaker 1>keep your phone? The inner pocket of my cargo briefs

0:20:11.760 --> 0:20:12.480
<v Speaker 1>cargo breefs.

0:20:12.560 --> 0:20:13.800
<v Speaker 2>Yeah, look at this picture.

0:20:14.280 --> 0:20:17.280
<v Speaker 4>Wow, whoa you have an abnormally long butt crack?

0:20:17.720 --> 0:20:19.960
<v Speaker 1>Your butt and that butt crack is the longest one

0:20:19.960 --> 0:20:21.160
<v Speaker 1>anybody's ever seen.

0:20:21.040 --> 0:20:22.040
<v Speaker 4>Party or spine.

0:20:22.320 --> 0:20:24.320
<v Speaker 1>Yikes, where does it stop?

0:20:24.520 --> 0:20:25.280
<v Speaker 2>She likes it?

0:20:25.440 --> 0:20:26.280
<v Speaker 4>And that's insane.

0:20:26.320 --> 0:20:28.600
<v Speaker 2>Fuck you guys, give me that go bald of, give

0:20:28.640 --> 0:20:31.480
<v Speaker 2>me that the fun I fucking fucked up Duck doesn't

0:20:31.480 --> 0:20:33.639
<v Speaker 2>dig that. I dick Duck's mom. Okay, so fuck it?

0:20:34.000 --> 0:20:36.359
<v Speaker 1>What what are you trying? I'm saying I fucked it

0:20:36.400 --> 0:20:39.760
<v Speaker 1>with Duck. I fucked up my butt. Dick picked Duck. Gentlemen,

0:20:40.640 --> 0:20:43.160
<v Speaker 1>we are here at our darkest hour.

0:20:44.000 --> 0:20:46.600
<v Speaker 3>We need this podcast more than anything.

0:20:46.720 --> 0:20:51.680
<v Speaker 2>Baby Starland bb BB Starland is here to tell you

0:20:52.240 --> 0:20:55.440
<v Speaker 2>that we have to come together one cause.

0:20:55.280 --> 0:20:58.960
<v Speaker 3>This podcast at guy, fucking don't ruin this for me.

0:20:59.160 --> 0:21:02.520
<v Speaker 2>Okay, this is good news. I guess all back in

0:21:02.600 --> 0:21:05.719
<v Speaker 2>the saddle. I mean, I've always been on the script.

0:21:05.800 --> 0:21:09.040
<v Speaker 2>I honestly, from the moment that we talked about it,

0:21:09.080 --> 0:21:11.600
<v Speaker 2>I knew that this was the this was the golden

0:21:11.680 --> 0:21:13.280
<v Speaker 2>chariot that was going to take us there anyway.

0:21:13.320 --> 0:21:16.240
<v Speaker 1>Hey, and everybody's name is still on it. That's right, right, perfect,

0:21:16.280 --> 0:21:19.360
<v Speaker 1>Let's dive back in. You're right, I don't need all that.

0:21:19.480 --> 0:21:22.200
<v Speaker 4>We're all going to be drowning in friggin money from

0:21:22.200 --> 0:21:22.560
<v Speaker 4>this thing.

0:21:22.680 --> 0:21:27.000
<v Speaker 1>Here we go, Here we go. Okay, I went ahead

0:21:27.359 --> 0:21:32.960
<v Speaker 1>with Opposite Day. Yes, and I hope this lands because

0:21:33.119 --> 0:21:35.359
<v Speaker 1>it ends the only way that makes any sense to me.

0:21:35.720 --> 0:21:40.160
<v Speaker 1>And it's clear as day how it should end, right, Okay,

0:21:40.600 --> 0:21:42.640
<v Speaker 1>and I hope you guys can see it the way

0:21:42.680 --> 0:21:45.520
<v Speaker 1>I see it. So let's jump in. Okay, here we go,

0:21:45.880 --> 0:21:48.520
<v Speaker 1>page ninety one. Okay, ninety one, Let's get there.

0:21:49.200 --> 0:21:54.480
<v Speaker 4>This is going to be great interior and exterior nowhere

0:21:54.520 --> 0:21:58.919
<v Speaker 4>and everywhere, day and night. Our hero, formerly known as Chucky,

0:21:59.000 --> 0:22:02.800
<v Speaker 4>is now simply infinite consciousness, which is unmanifest and only

0:22:02.840 --> 0:22:04.760
<v Speaker 4>exists as pure potential.

0:22:04.280 --> 0:22:08.199
<v Speaker 1>Out What is this? Keep its opposite day? What is it?

0:22:08.240 --> 0:22:10.879
<v Speaker 1>The opposite of God? It's opposite of everything?

0:22:11.040 --> 0:22:11.680
<v Speaker 2>What does that mean?

0:22:12.160 --> 0:22:15.800
<v Speaker 1>So this is again I'm painting by numbers, guys. The

0:22:15.960 --> 0:22:19.439
<v Speaker 1>entire universe has collapsed into Opposite Day. Chucky isn't the

0:22:19.480 --> 0:22:22.960
<v Speaker 1>main character. He's one of several supporting characters. He can

0:22:23.040 --> 0:22:28.480
<v Speaker 1>only remember what's about to happen. He can't remember the past.

0:22:28.600 --> 0:22:32.320
<v Speaker 1>He's he's remembering the future. There is no present moment.

0:22:32.359 --> 0:22:35.280
<v Speaker 1>He's walking around with a sort of psychic amnesia. So

0:22:35.320 --> 0:22:37.000
<v Speaker 1>I just want to set the tone for you. That's

0:22:37.040 --> 0:22:37.840
<v Speaker 1>that's the scene.

0:22:38.200 --> 0:22:40.080
<v Speaker 2>Well why are there no words.

0:22:40.040 --> 0:22:43.040
<v Speaker 1>Because silence is how you communicate. Now, that's the opposite

0:22:43.080 --> 0:22:45.720
<v Speaker 1>of speaking is silence. So violence is love? Up is

0:22:45.760 --> 0:22:50.240
<v Speaker 1>down isn't? Is is Josh Gadd's dad is Josh Gadd.

0:22:50.359 --> 0:22:51.960
<v Speaker 1>It would be great for this, by the way.

0:22:51.960 --> 0:22:55.720
<v Speaker 3>So hey, fuck dad, he was a dork and now

0:22:55.760 --> 0:22:56.359
<v Speaker 3>he's cool.

0:22:57.000 --> 0:23:00.040
<v Speaker 1>That's the movie. It's so easy, dude, that's what the

0:23:00.080 --> 0:23:05.520
<v Speaker 1>opposite day is. So you're confusing the rules of opposite day. Okay,

0:23:05.560 --> 0:23:10.320
<v Speaker 1>if it's opposite day, as you should know, then everything

0:23:10.440 --> 0:23:14.480
<v Speaker 1>becomes opposite. You have to walk backwards. Words are backwards.

0:23:14.520 --> 0:23:18.280
<v Speaker 1>If you'd want to make a statement like what is happening?

0:23:18.400 --> 0:23:22.280
<v Speaker 1>What isn't what? What is the opposite of what that is?

0:23:22.600 --> 0:23:26.520
<v Speaker 1>Was that was not happening? So that's how you talk

0:23:26.560 --> 0:23:27.400
<v Speaker 1>an opposite day.

0:23:27.520 --> 0:23:30.280
<v Speaker 2>Just make the kid realize that being a genius is cool.

0:23:30.480 --> 0:23:33.359
<v Speaker 4>Yeah, the girl likes him. Everything's going his way, so

0:23:33.520 --> 0:23:36.000
<v Speaker 4>he thinks, but guess what, man, It turns.

0:23:35.680 --> 0:23:37.920
<v Speaker 3>Out he really likes how he was All the time.

0:23:38.040 --> 0:23:41.080
<v Speaker 1>Do you understand the rules of opposite day?

0:23:41.200 --> 0:23:42.920
<v Speaker 3>I'm speaking about the rule.

0:23:43.119 --> 0:23:45.439
<v Speaker 1>You have to know the rules in order to fucking

0:23:45.560 --> 0:23:48.639
<v Speaker 1>understand the movie. The statement its opposite day is both

0:23:48.720 --> 0:23:52.080
<v Speaker 1>true and false. The only way it is opposite day

0:23:52.200 --> 0:23:53.240
<v Speaker 1>is if it isn't.

0:23:53.600 --> 0:23:55.320
<v Speaker 3>Why the fuck are you doing this?

0:23:55.480 --> 0:23:55.680
<v Speaker 1>Man?

0:23:55.880 --> 0:23:58.520
<v Speaker 3>This was the easiest thing on earth. But the bottom

0:23:58.520 --> 0:24:01.000
<v Speaker 3>line is you boothed it. Oh, I did it.

0:24:01.000 --> 0:24:04.119
<v Speaker 1>It's all on the page. There's nothing on the page.

0:24:04.200 --> 0:24:07.520
<v Speaker 1>Let me say, because they're speaking to each other, there

0:24:07.560 --> 0:24:11.399
<v Speaker 1>is dialogue. Therefore, on opposite day there is no dialogue.

0:24:11.720 --> 0:24:17.240
<v Speaker 1>Do you see how it fucking connects in a simple way? Okay,

0:24:17.280 --> 0:24:19.200
<v Speaker 1>let me answer your question. Why don't you make him

0:24:19.320 --> 0:24:22.679
<v Speaker 1>he's a genius, he's cool. Well, on opposite day, everybody

0:24:22.800 --> 0:24:26.080
<v Speaker 1>is a genius and everything you didn't know on regular

0:24:26.160 --> 0:24:29.199
<v Speaker 1>days becomes stuff you do know. Cut the tape, but

0:24:29.320 --> 0:24:31.600
<v Speaker 1>now you don't know anything that you used to know.

0:24:31.720 --> 0:24:34.000
<v Speaker 1>Why am I having to spell this out? Brendon? Are

0:24:34.000 --> 0:24:34.520
<v Speaker 1>you a pass?

0:24:34.760 --> 0:24:35.160
<v Speaker 3>A pard?

0:24:35.240 --> 0:24:35.959
<v Speaker 1>Panna pass?

0:24:35.960 --> 0:24:36.680
<v Speaker 3>The hardest pass?

0:24:36.880 --> 0:24:39.119
<v Speaker 1>There's no pass? This is the script.

0:24:39.440 --> 0:24:43.240
<v Speaker 3>Oh does pass means I want it? Then I I

0:24:43.359 --> 0:24:46.040
<v Speaker 3>want it? Then whatever the opposite fucking is of doing

0:24:46.040 --> 0:24:46.400
<v Speaker 3>this thing.

0:24:46.440 --> 0:24:49.440
<v Speaker 1>I want it? How do you not see this? This

0:24:49.640 --> 0:24:53.680
<v Speaker 1>was the easiest movie to write. It just unfolded out

0:24:53.680 --> 0:24:56.959
<v Speaker 1>of me. And you know what, it actually made me

0:24:57.040 --> 0:25:01.040
<v Speaker 1>realize this movie shouldn't even exist at all all, but

0:25:01.200 --> 0:25:05.000
<v Speaker 1>it does. That's the glory of opposite Day. That's the message.

0:25:05.000 --> 0:25:08.520
<v Speaker 1>We want to fuck you guys. Fuck you guys. I'm

0:25:08.560 --> 0:25:13.520
<v Speaker 1>writing Ora Boros. Oh I am, and I'm gonna self

0:25:13.520 --> 0:25:17.280
<v Speaker 1>produce it for seven thousand dollars. He's not supposed to say.

0:25:17.440 --> 0:25:19.720
<v Speaker 2>We had one rule, and that was that we would

0:25:19.760 --> 0:25:21.920
<v Speaker 2>never talk about Roboris on this podcast.

0:25:21.960 --> 0:25:24.080
<v Speaker 1>Well fuck it, you guys are changing the rules. You're

0:25:24.160 --> 0:25:25.080
<v Speaker 1>leaving the podcast.

0:25:25.119 --> 0:25:28.120
<v Speaker 3>Maybe I'm gonna.

0:25:27.200 --> 0:25:28.119
<v Speaker 2>Into the podcast.

0:25:28.160 --> 0:25:30.520
<v Speaker 1>Well I'm so fuck you guys.

0:25:30.560 --> 0:25:33.680
<v Speaker 4>Cut the tape, just stop it.

0:25:39.119 --> 0:25:42.960
<v Speaker 1>We've come to an agreement. We all need to continue

0:25:43.000 --> 0:25:47.280
<v Speaker 1>doing this podcast and anything but I will make Ora Boros.

0:25:48.440 --> 0:25:49.640
<v Speaker 1>I will never mention it again.

0:25:49.800 --> 0:25:55.320
<v Speaker 2>For those listening, Roboris is a screenplay Mark's been talking

0:25:55.359 --> 0:25:57.720
<v Speaker 2>about ever since we met, and.

0:25:57.800 --> 0:26:00.320
<v Speaker 4>First time he pitched it to me, I was awake

0:26:00.359 --> 0:26:02.200
<v Speaker 4>for a week and a waking nightmare.

0:26:02.240 --> 0:26:06.080
<v Speaker 1>I got. I got physically sick. It might have been

0:26:06.600 --> 0:26:07.600
<v Speaker 1>something that you ate.

0:26:07.840 --> 0:26:09.320
<v Speaker 2>Orl Boros gave me COVID.

0:26:09.640 --> 0:26:12.119
<v Speaker 3>It's the worst idea I've ever heard, but we agree.

0:26:12.240 --> 0:26:17.320
<v Speaker 1>I am dark, I'm gonna fucking mark this microphone your head.

0:26:17.359 --> 0:26:18.840
<v Speaker 3>Go ahead and never mention it again.

0:26:19.880 --> 0:26:23.119
<v Speaker 4>Is going to make it, and we will continue the

0:26:23.160 --> 0:26:25.160
<v Speaker 4>podcast together until then.

0:26:25.359 --> 0:26:29.479
<v Speaker 1>It is lights camera action but for writing.