1 00:00:05,519 --> 00:00:08,760 Speaker 1: Welcome to Get It to Dutch. A screenwriter's Journey. 2 00:00:08,760 --> 00:00:12,360 Speaker 2: I'm Mark, I'm Greg, I'm Brendan aka BB Starland. 3 00:00:12,760 --> 00:00:16,239 Speaker 1: Okay, BB Starland, and we are a team of Hollywood 4 00:00:16,280 --> 00:00:19,360 Speaker 1: screenwriters who meet every week to read from an original 5 00:00:19,360 --> 00:00:21,799 Speaker 1: screenplay that one of us has written. We give notes 6 00:00:21,880 --> 00:00:25,400 Speaker 1: and rank the scripts, and at the end of the season, well, 7 00:00:25,440 --> 00:00:28,000 Speaker 1: we were going to pitch the best script to now 8 00:00:28,040 --> 00:00:31,120 Speaker 1: deceased Dutch Huxley, but hopefully we'll be pitching to his 9 00:00:31,160 --> 00:00:34,839 Speaker 1: son Duck. So let's get into new business. I have 10 00:00:34,920 --> 00:00:37,880 Speaker 1: a little item of new business. Great. Okay, wait, now 11 00:00:38,280 --> 00:00:41,400 Speaker 1: this loosely connects to the industry because it's just one 12 00:00:41,400 --> 00:00:45,120 Speaker 1: of these annoying LA things. I'm sure you got this. 13 00:00:45,360 --> 00:00:49,400 Speaker 1: Our old pal, Keith Morasco, has asked us to contribute 14 00:00:49,400 --> 00:00:53,519 Speaker 1: to his divorce registry, which is sad news in a 15 00:00:53,520 --> 00:00:54,000 Speaker 1: lot of ways. 16 00:00:54,000 --> 00:00:56,800 Speaker 2: He's getting divorced, but not really. I mean, it's kind 17 00:00:56,800 --> 00:00:58,960 Speaker 2: of typical. He gets divorced every year or two. 18 00:01:00,120 --> 00:01:00,760 Speaker 3: Falling for it. 19 00:01:00,800 --> 00:01:02,600 Speaker 4: But now that he's in LA, he gets to do 20 00:01:02,680 --> 00:01:03,800 Speaker 4: this divorce registry. 21 00:01:03,840 --> 00:01:06,520 Speaker 1: I don't know what it is about LA that somehow 22 00:01:06,520 --> 00:01:09,200 Speaker 1: we all decided that this was going to be a 23 00:01:09,280 --> 00:01:12,720 Speaker 1: thing we're gonna do in divorce registry. So if you 24 00:01:12,920 --> 00:01:14,600 Speaker 1: if you're in a part of the country that doesn't 25 00:01:14,600 --> 00:01:18,400 Speaker 1: have these things, maybe it hasn't spread. The virus hasn't 26 00:01:18,440 --> 00:01:21,120 Speaker 1: spread this far. You can either buy him something on 27 00:01:21,240 --> 00:01:24,600 Speaker 1: his divorce registry, just like a wedding registry, or you 28 00:01:24,640 --> 00:01:27,800 Speaker 1: can buy back something that you bought him for his 29 00:01:27,880 --> 00:01:30,560 Speaker 1: wedding on his wedding registry. Now he asked me to 30 00:01:30,560 --> 00:01:32,440 Speaker 1: give him five hundred bucks for the locker set that 31 00:01:32,480 --> 00:01:35,039 Speaker 1: I bought him on his wedding registry, and it only 32 00:01:35,080 --> 00:01:37,640 Speaker 1: costs three hundred dollars the first time, so I'm out 33 00:01:37,640 --> 00:01:38,520 Speaker 1: eight hundred bucks. 34 00:01:38,800 --> 00:01:40,320 Speaker 3: Does get better with age. 35 00:01:40,360 --> 00:01:42,640 Speaker 2: It's so hard to know what to do in the 36 00:01:42,800 --> 00:01:45,520 Speaker 2: level at which you participate in one of these things. 37 00:01:45,720 --> 00:01:47,480 Speaker 1: The thing is he's going to be out on his ass, 38 00:01:47,480 --> 00:01:49,080 Speaker 1: so you got to get him something. And the things 39 00:01:49,120 --> 00:01:53,480 Speaker 1: that are on the list are like a futon sad cagurator, cagerator. 40 00:01:53,880 --> 00:01:56,160 Speaker 4: A Hammock emailed me, asking me if I had his 41 00:01:56,200 --> 00:01:59,680 Speaker 4: old Supernintendo, so he's just like fully going back to sixteen. 42 00:01:59,720 --> 00:02:02,520 Speaker 1: I think think a single serve coffee maker, A bong 43 00:02:02,680 --> 00:02:05,720 Speaker 1: is on there. Wow, a trans am is on there. 44 00:02:06,080 --> 00:02:07,480 Speaker 2: I just went ahead and went cheap and I got 45 00:02:07,560 --> 00:02:08,680 Speaker 2: him a diamond studied earring. 46 00:02:09,080 --> 00:02:11,320 Speaker 4: Well, I didn't get him anything for his wedding. I'm 47 00:02:11,360 --> 00:02:12,359 Speaker 4: not getting him anything for. 48 00:02:12,320 --> 00:02:14,960 Speaker 2: This tiled Morasco fiasco. 49 00:02:14,840 --> 00:02:17,960 Speaker 1: Sure is in VISI line is on there, So I 50 00:02:18,000 --> 00:02:21,040 Speaker 1: don't know. I feel like I'm going to be in 51 00:02:21,040 --> 00:02:23,239 Speaker 1: the hole for this guy. I know him the best. 52 00:02:23,639 --> 00:02:27,040 Speaker 2: Yeah, and you know, honestly I wanted I was hoping 53 00:02:27,080 --> 00:02:28,760 Speaker 2: that he would just do one of those conscious on 54 00:02:28,840 --> 00:02:31,920 Speaker 2: couplings because then they usually can't do the divorce registry. 55 00:02:32,000 --> 00:02:34,040 Speaker 2: Well have you heard about that? Well, that's when everybody 56 00:02:34,120 --> 00:02:36,560 Speaker 2: that's where you and your partner and then everybody that 57 00:02:36,600 --> 00:02:38,600 Speaker 2: you know, stands in a circle and agrees that you 58 00:02:38,600 --> 00:02:41,320 Speaker 2: shouldn't be together. But it's supposedly some patico. It's what 59 00:02:41,360 --> 00:02:43,040 Speaker 2: Gwyneth Paltrow does with all her husbands. 60 00:02:43,200 --> 00:02:47,200 Speaker 1: Oh but she's a billionaire. Yeah, of course, Keith not 61 00:02:47,280 --> 00:02:51,520 Speaker 1: a billionaire. The Morasco fiasco is that he doesn't have 62 00:02:51,600 --> 00:02:53,079 Speaker 1: any of his own stuff. 63 00:02:53,480 --> 00:02:55,280 Speaker 2: Yeah, his teeth are going to look great though with 64 00:02:55,320 --> 00:02:55,760 Speaker 2: that hearing. 65 00:02:56,240 --> 00:02:57,720 Speaker 1: Do you have anything, Greg. 66 00:02:57,560 --> 00:03:00,920 Speaker 2: I do, I've got some new business. I have a. 67 00:03:01,000 --> 00:03:05,280 Speaker 1: Date whoa the anti Morasco. That's right. 68 00:03:05,520 --> 00:03:09,880 Speaker 2: So love died a new love rose has blossomed exactly 69 00:03:10,000 --> 00:03:12,440 Speaker 2: And it was where love died because I actually got 70 00:03:12,919 --> 00:03:14,360 Speaker 2: the number at a funeral. 71 00:03:14,560 --> 00:03:17,600 Speaker 4: Funeral, at a Dutches's funeral, Duchess funeral. 72 00:03:17,680 --> 00:03:19,639 Speaker 1: Yeah, whos a number? Did you? 73 00:03:19,720 --> 00:03:20,720 Speaker 2: I'm not going to get into that. 74 00:03:21,480 --> 00:03:22,400 Speaker 4: Was it the widow Huxley? 75 00:03:23,280 --> 00:03:26,120 Speaker 1: How did you know that this is a bad idea? No, 76 00:03:26,240 --> 00:03:29,400 Speaker 1: it's not. It's a great idea. How did we know? 77 00:03:29,480 --> 00:03:31,360 Speaker 1: Because she would be the worst person for you to 78 00:03:31,360 --> 00:03:33,360 Speaker 1: be dating. And if I know anything about Greg's dating 79 00:03:33,400 --> 00:03:36,600 Speaker 1: history age that he makes very poor decisions. So here's 80 00:03:36,640 --> 00:03:39,080 Speaker 1: the thing, man, we're trying to pitch to Duck. This 81 00:03:39,160 --> 00:03:40,720 Speaker 1: is the worst thing you can do. 82 00:03:40,840 --> 00:03:43,720 Speaker 4: Man, there isn't a kid on fucking earth who wants 83 00:03:43,760 --> 00:03:44,800 Speaker 4: to be friends with someone. 84 00:03:44,640 --> 00:03:47,360 Speaker 3: Who's blinking his mom. That's why I hate my dad. 85 00:03:47,840 --> 00:03:48,200 Speaker 1: Friends. 86 00:03:48,200 --> 00:03:52,720 Speaker 2: The heart has its reasons, which reason knows nothing of God. 87 00:03:52,840 --> 00:03:54,120 Speaker 3: You are going to fuck this up? 88 00:03:54,200 --> 00:03:54,680 Speaker 1: No, I'm not. 89 00:03:55,120 --> 00:03:57,640 Speaker 2: Just let me play the school okay. Also, Duck is 90 00:03:57,680 --> 00:03:59,040 Speaker 2: older than me. He's going to be fine with me 91 00:03:59,080 --> 00:03:59,760 Speaker 2: fucking his mom. 92 00:04:00,800 --> 00:04:03,840 Speaker 4: Oh, don't say it like that. Even hearing it in 93 00:04:03,880 --> 00:04:04,400 Speaker 4: the years. 94 00:04:04,840 --> 00:04:09,040 Speaker 2: Yeah, So ultimately, this I think is my last podcast 95 00:04:09,080 --> 00:04:09,640 Speaker 2: because I'm going. 96 00:04:09,640 --> 00:04:13,280 Speaker 1: To be moving up to Monacito. What Yeah, dude, nice, 97 00:04:13,320 --> 00:04:16,400 Speaker 1: absolutely not can just walk out on the podcast. 98 00:04:16,480 --> 00:04:18,240 Speaker 2: Man, I think I've gotten what I need to get 99 00:04:18,240 --> 00:04:21,840 Speaker 2: out of this podcast, which is kind of a relationship. 100 00:04:21,960 --> 00:04:24,400 Speaker 1: That's what you wanted out of the podcast. You can 101 00:04:24,440 --> 00:04:26,880 Speaker 1: do that on an app, Dude. We're trying to sell 102 00:04:26,920 --> 00:04:30,440 Speaker 1: a fucking script mark. I'm taking the elevator. You guys 103 00:04:30,480 --> 00:04:33,560 Speaker 1: are taking the escalator. I've basically landed where I need to, 104 00:04:33,680 --> 00:04:35,760 Speaker 1: which is a nice summer place in Montecito. 105 00:04:35,839 --> 00:04:37,240 Speaker 2: It's so great up there there. 106 00:04:37,279 --> 00:04:38,960 Speaker 1: It is Gregg's ulterior motive. 107 00:04:39,000 --> 00:04:41,440 Speaker 2: You're welcome to come up some time and have lobster roles. 108 00:04:41,760 --> 00:04:43,599 Speaker 1: The good news is, I guess you'll be moving off 109 00:04:43,600 --> 00:04:45,480 Speaker 1: my couch, so you all need to go. 110 00:04:45,640 --> 00:04:46,600 Speaker 3: You get your place back. 111 00:04:46,839 --> 00:04:48,640 Speaker 2: No, I will still be crashing here for a little 112 00:04:48,640 --> 00:04:52,840 Speaker 2: while until you know. The redesign at Monasito's is Bully 113 00:04:52,880 --> 00:04:54,920 Speaker 2: for me. Guys. We always said there'd be two ways 114 00:04:54,960 --> 00:04:57,840 Speaker 2: this podcast would end. If we sell a screenplay or 115 00:04:58,040 --> 00:04:59,080 Speaker 2: one of us falls in love. 116 00:04:59,440 --> 00:05:02,160 Speaker 1: We said it one of us got murdered, meaning here 117 00:05:02,240 --> 00:05:04,520 Speaker 1: until death or a sale, whichever comes first. 118 00:05:04,560 --> 00:05:07,280 Speaker 2: Well, I'm changing the rules because I am in love 119 00:05:07,360 --> 00:05:09,760 Speaker 2: and headed to Monacito eventually. 120 00:05:10,120 --> 00:05:11,120 Speaker 3: Okay, we'm up. 121 00:05:11,040 --> 00:05:13,160 Speaker 2: Sometime both actually, don't come up. You guys need to 122 00:05:13,160 --> 00:05:17,040 Speaker 2: clean up if you ever come up. Geez, like, look 123 00:05:17,279 --> 00:05:19,800 Speaker 2: like you could be in Monacito. You guys look like 124 00:05:19,839 --> 00:05:21,920 Speaker 2: the guys that they hire to come into Monacito when 125 00:05:21,920 --> 00:05:23,520 Speaker 2: there's a mud slide and they need to clean it up. 126 00:05:23,600 --> 00:05:25,280 Speaker 4: Oh, that was my first gig when I got here. 127 00:05:25,360 --> 00:05:25,640 Speaker 1: Really. 128 00:05:25,800 --> 00:05:29,640 Speaker 4: Yeah, you guys are probably wondering why I'm wearing sunglasses 129 00:05:29,640 --> 00:05:30,599 Speaker 4: over my regular glass. 130 00:05:30,600 --> 00:05:32,120 Speaker 2: Oh I thought you just had those ones that change 131 00:05:32,120 --> 00:05:34,160 Speaker 2: color when you go into outside and they were broken. 132 00:05:34,480 --> 00:05:38,960 Speaker 4: No, because it's for me to whip off and say 133 00:05:39,000 --> 00:05:42,800 Speaker 4: this is definitely my last podcast. 134 00:05:42,920 --> 00:05:43,840 Speaker 3: Mah woo. 135 00:05:44,360 --> 00:05:45,279 Speaker 1: Why what? 136 00:05:45,640 --> 00:05:51,560 Speaker 4: Oh bbe starland AyKa Brendan is on his way because 137 00:05:51,640 --> 00:05:55,120 Speaker 4: he yes, got word from Nan that I am check 138 00:05:55,160 --> 00:05:57,320 Speaker 4: a veil on Big. 139 00:05:57,080 --> 00:06:01,400 Speaker 2: Wonder Amazing woo check the veil. So are you pinned? 140 00:06:01,680 --> 00:06:05,040 Speaker 4: Well, I'm check availed to be on hold waiting to 141 00:06:05,040 --> 00:06:05,520 Speaker 4: be pinned. 142 00:06:05,560 --> 00:06:06,360 Speaker 1: So you're on deck. 143 00:06:06,800 --> 00:06:09,960 Speaker 4: I'm practically on set. For those who don't know, I'm 144 00:06:10,040 --> 00:06:10,680 Speaker 4: practically on. 145 00:06:10,760 --> 00:06:11,640 Speaker 2: I think that's that bad. 146 00:06:11,720 --> 00:06:13,680 Speaker 1: If you're on set, that's at bad. I thought you 147 00:06:13,800 --> 00:06:14,520 Speaker 1: bombed them. 148 00:06:14,640 --> 00:06:15,800 Speaker 2: Yeah, I thought it didn't go well. 149 00:06:15,800 --> 00:06:18,479 Speaker 4: Well, you know, I realized that's probably just something I do. 150 00:06:18,800 --> 00:06:21,840 Speaker 4: I tell myself that I bomb so that when I 151 00:06:21,920 --> 00:06:24,720 Speaker 4: get it, I feel fucking awesome, which I do. 152 00:06:25,080 --> 00:06:28,760 Speaker 1: Right now, this is great Man's last shakes. Don't shake 153 00:06:28,800 --> 00:06:31,760 Speaker 1: on it. What do I have? Then? This is all 154 00:06:31,800 --> 00:06:32,200 Speaker 1: I have? 155 00:06:32,400 --> 00:06:33,760 Speaker 2: You have the podcast mark. 156 00:06:33,680 --> 00:06:35,520 Speaker 1: Right, But I can't do it by myself. 157 00:06:35,520 --> 00:06:37,880 Speaker 2: Sure, you can keep chugging away. We believe in you. 158 00:06:37,960 --> 00:06:39,040 Speaker 2: We think your scripts are great. 159 00:06:39,120 --> 00:06:43,000 Speaker 4: Hey, listen, bud baby, this is how this industry works. 160 00:06:44,000 --> 00:06:48,200 Speaker 4: You're down in the muck, so I can lift you up. Okay, 161 00:06:48,400 --> 00:06:51,640 Speaker 4: here's what I'm willing to do. Okay, sometime around season 162 00:06:51,680 --> 00:06:54,440 Speaker 4: three or four on Big Wonder, I'll talk to the 163 00:06:54,480 --> 00:06:56,360 Speaker 4: show runners see if they got a spot and they 164 00:06:56,400 --> 00:06:58,440 Speaker 4: were the showrunners for Big Wonder. 165 00:06:58,480 --> 00:07:01,400 Speaker 3: It's a ship being and Amy Bosco Brandt. 166 00:07:01,600 --> 00:07:04,839 Speaker 1: Really Coppleman, Marlene Koppleman, No Kopleman. 167 00:07:04,480 --> 00:07:06,200 Speaker 3: Did the pilot? Did bring and shep? 168 00:07:06,200 --> 00:07:07,320 Speaker 1: And Amian? What did shep? 169 00:07:07,360 --> 00:07:07,560 Speaker 2: Bing? 170 00:07:07,600 --> 00:07:09,279 Speaker 1: And Amy Bosco Brandt? Right? 171 00:07:09,520 --> 00:07:11,920 Speaker 3: I mean basically all of nineties television. 172 00:07:11,440 --> 00:07:14,840 Speaker 1: Bokmates, yes, all the classics, bunk Mates, pals A hand 173 00:07:14,920 --> 00:07:16,160 Speaker 1: Rahan and Hairn hand Rahan. 174 00:07:16,320 --> 00:07:18,760 Speaker 2: Oh, they did all the Murphy's shows, right, Murphy's Law, 175 00:07:18,840 --> 00:07:21,240 Speaker 2: Murphy's Dental, Murphy's Bakery, and of. 176 00:07:21,200 --> 00:07:24,040 Speaker 4: Course the first openly gay character on TV. 177 00:07:24,040 --> 00:07:25,680 Speaker 1: And figuring it out. That's right. 178 00:07:25,720 --> 00:07:27,840 Speaker 2: And then they did Finger Figure figure. 179 00:07:27,600 --> 00:07:31,320 Speaker 4: In comes comes out as gay to his family, figuring 180 00:07:31,400 --> 00:07:34,200 Speaker 4: it out. So there you go, Bud, Look, I talked 181 00:07:34,200 --> 00:07:37,080 Speaker 4: to those two and before you know it, Bing Bang Boom. 182 00:07:37,120 --> 00:07:40,200 Speaker 4: Maybe you're getting coffees and stuff, and then this thing 183 00:07:40,240 --> 00:07:41,040 Speaker 4: goes twenty seasons. 184 00:07:41,080 --> 00:07:43,560 Speaker 3: Maybe finally you get a script. That's how the industry works. 185 00:07:43,720 --> 00:07:46,520 Speaker 1: Is Bing Bang Boom a shep bing reference? 186 00:07:46,720 --> 00:07:48,720 Speaker 2: Bing Bang Boom was a show that that's what the 187 00:07:48,720 --> 00:07:50,760 Speaker 2: Big Bang theory stole, right, that was bing. It was 188 00:07:50,800 --> 00:07:52,000 Speaker 2: originally called Bing Bang Boom. 189 00:07:52,080 --> 00:07:55,040 Speaker 1: Yeah, well, congratulations, I'm glad you got it. 190 00:07:55,280 --> 00:07:57,800 Speaker 4: Thank you, I'm thrilled. Originally, of course, the part of 191 00:07:57,800 --> 00:07:59,760 Speaker 4: George on Big Wonder was going to Jimmy Squiggs. 192 00:07:59,800 --> 00:08:00,480 Speaker 1: But he passed. 193 00:08:00,480 --> 00:08:01,800 Speaker 2: Oh he passed on the project. 194 00:08:01,880 --> 00:08:02,320 Speaker 1: He passed. 195 00:08:02,440 --> 00:08:03,800 Speaker 3: No, he passed, he's dead. 196 00:08:04,160 --> 00:08:07,160 Speaker 4: Oh yeah, yeah, so I'm having to do the pilot 197 00:08:07,160 --> 00:08:09,200 Speaker 4: for free, because they already paid him to do it. 198 00:08:09,640 --> 00:08:12,000 Speaker 4: But you know, if this thing goes to series, there 199 00:08:12,040 --> 00:08:13,480 Speaker 4: may be room to breed negotiate. 200 00:08:13,880 --> 00:08:15,320 Speaker 1: Maybe you better check on that. 201 00:08:15,680 --> 00:08:18,840 Speaker 4: Well, our news is pretty huge, and poor Mark just 202 00:08:18,920 --> 00:08:20,320 Speaker 4: has this divorce registry thing. 203 00:08:20,360 --> 00:08:21,960 Speaker 3: I feel so sad. You look like I said, a 204 00:08:22,000 --> 00:08:22,640 Speaker 3: little puppy. 205 00:08:22,840 --> 00:08:24,920 Speaker 2: Yeah it's okay, man. You have to podcast. Keep churning, 206 00:08:25,120 --> 00:08:28,000 Speaker 2: keep plugging away, keep slapping the scripts down, and you 207 00:08:28,000 --> 00:08:28,760 Speaker 2: guys ever want. 208 00:08:28,600 --> 00:08:30,600 Speaker 1: To guess that would help me out a ton all. 209 00:08:30,800 --> 00:08:33,400 Speaker 2: Just please on the podcast. Yeah, I'll be up at Montecito. 210 00:08:33,480 --> 00:08:34,480 Speaker 2: It's a pretty far drive. 211 00:08:34,640 --> 00:08:36,800 Speaker 4: Just grow talk to Nan for me. She does my scheduling. 212 00:08:36,800 --> 00:08:39,240 Speaker 4: Now I'm finally getting Nan to do my scheduling and 213 00:08:39,320 --> 00:08:40,199 Speaker 4: not some intern. 214 00:08:40,400 --> 00:08:42,000 Speaker 1: We couldn't come down from Montecito. 215 00:08:42,760 --> 00:08:44,920 Speaker 2: I don't think the helicopter could land on this roof. 216 00:08:44,960 --> 00:08:47,520 Speaker 2: It's not it doesn't support it. How sturdy is this roof? 217 00:08:58,280 --> 00:09:02,120 Speaker 1: Should we even do the podcast? Asked today? But let's 218 00:09:02,160 --> 00:09:03,679 Speaker 1: go out? Why would we do it? 219 00:09:03,800 --> 00:09:05,320 Speaker 2: Let's send this thing out with a bang? 220 00:09:05,480 --> 00:09:09,000 Speaker 3: Yeah, the bang, bing bang boom. 221 00:09:09,040 --> 00:09:10,960 Speaker 1: Come on, Mark, let's just do one more. 222 00:09:11,080 --> 00:09:13,520 Speaker 4: The whole gang's together. One more time. We're all in 223 00:09:13,559 --> 00:09:15,880 Speaker 4: the saddle. Let's take the horse into the barn and 224 00:09:16,160 --> 00:09:17,720 Speaker 4: shoot it in its fucking head. 225 00:09:18,720 --> 00:09:20,560 Speaker 1: All right, make some glue out of it. 226 00:09:22,240 --> 00:09:24,160 Speaker 3: So okay, so much it wrong with it? The dead 227 00:09:24,200 --> 00:09:25,679 Speaker 3: horse is yours to do. 228 00:09:25,720 --> 00:09:29,280 Speaker 1: The Let's do the backstory on today's script. Last week, 229 00:09:29,280 --> 00:09:31,319 Speaker 1: Brendan was on the Disney lot. 230 00:09:31,400 --> 00:09:33,640 Speaker 2: That were you on the Disney lot for another audition? 231 00:09:33,840 --> 00:09:36,280 Speaker 4: No, I was just taking the tour, but I got 232 00:09:36,280 --> 00:09:39,360 Speaker 4: lost trying to find a bathroom. I walk by this boardroom. 233 00:09:39,520 --> 00:09:41,440 Speaker 4: I see this blue little note card on it and 234 00:09:41,480 --> 00:09:45,600 Speaker 4: it says opposite day. Then of course the security bust in. 235 00:09:45,720 --> 00:09:48,480 Speaker 4: They escort me out. Uh NaN's working to clear all 236 00:09:48,520 --> 00:09:49,080 Speaker 4: that up for me. 237 00:09:49,240 --> 00:09:53,360 Speaker 1: But so opposite Day, which is very cool. We decided 238 00:09:53,440 --> 00:09:56,680 Speaker 1: to write Disney's Opposite Day and then we'll try to 239 00:09:56,720 --> 00:10:00,319 Speaker 1: sell it back to Disney. Yeah, baby is not steal, 240 00:10:00,559 --> 00:10:03,360 Speaker 1: not steal, This is not It's delivering exactly what they're 241 00:10:03,360 --> 00:10:03,839 Speaker 1: looking for. 242 00:10:04,000 --> 00:10:07,440 Speaker 4: It's in the zeitgeist, and it is, in my humble opinion, 243 00:10:07,520 --> 00:10:10,280 Speaker 4: the most unmissible idea of all time. 244 00:10:10,360 --> 00:10:13,719 Speaker 1: Basically writes itself. It's Jordan on a breakaway totally, he 245 00:10:13,800 --> 00:10:14,680 Speaker 1: writes itself. 246 00:10:14,800 --> 00:10:16,800 Speaker 2: And since I was on my honeymoon phase with the 247 00:10:17,080 --> 00:10:20,720 Speaker 2: widow Huxley and Brendan's been focusing on his big screen. 248 00:10:20,760 --> 00:10:23,199 Speaker 2: Test Mark was the lucky one to draw the straw 249 00:10:23,240 --> 00:10:24,199 Speaker 2: and just write it up. 250 00:10:24,360 --> 00:10:26,280 Speaker 1: Yeah, and truly it was like we all agreed, it 251 00:10:26,520 --> 00:10:30,000 Speaker 1: basically wrote itself. So I'm very happy to you know, 252 00:10:30,080 --> 00:10:31,679 Speaker 1: be the one to tee it up and knock it 253 00:10:31,720 --> 00:10:32,880 Speaker 1: out without any further ado. 254 00:10:33,000 --> 00:10:35,800 Speaker 4: I present to you kind of Disney's Opposite the Perfect 255 00:10:35,880 --> 00:10:39,360 Speaker 4: Last podcast. Huh, Disney's Opposite Day slam Dunk. I'm going 256 00:10:39,400 --> 00:10:41,040 Speaker 4: to miss you, guys, so let me set up the 257 00:10:41,040 --> 00:10:41,680 Speaker 4: script for you. 258 00:10:42,200 --> 00:10:45,680 Speaker 1: This is Disney's Opposite Day. We focus on a young 259 00:10:45,880 --> 00:10:49,240 Speaker 1: kid who's a pretty doofy. He gets bullied a lot, 260 00:10:49,360 --> 00:10:53,120 Speaker 1: and he's very smart, and he's into science. He's he 261 00:10:53,280 --> 00:10:56,200 Speaker 1: just doesn't have his uh, you know, his balance in 262 00:10:56,240 --> 00:10:58,960 Speaker 1: middle school yet. But as we're going to see through 263 00:10:59,000 --> 00:11:03,240 Speaker 1: a few of fate, his world is about to change. 264 00:11:03,400 --> 00:11:06,160 Speaker 2: Yeah Earth, I mean you already, you can already see it. 265 00:11:06,280 --> 00:11:08,640 Speaker 1: You can see it happening. Okay, Brenda wants you to 266 00:11:08,640 --> 00:11:11,319 Speaker 1: take stage directions, and we are off. 267 00:11:11,440 --> 00:11:14,960 Speaker 4: Exterior George W. Bush Middle school day. A bus pulls 268 00:11:15,040 --> 00:11:17,240 Speaker 4: up in a gaggle of teens pile off. Last to 269 00:11:17,280 --> 00:11:20,000 Speaker 4: step off is a pre pubescent duf and glasses. This 270 00:11:20,440 --> 00:11:22,400 Speaker 4: is Chucky Wigglesworth. 271 00:11:22,080 --> 00:11:24,840 Speaker 1: New school Year. All's I gotta do is fit in, 272 00:11:25,040 --> 00:11:26,559 Speaker 1: stay cool and confident. 273 00:11:26,679 --> 00:11:29,520 Speaker 4: We hear the toot of a horn. Chucky looks over 274 00:11:29,559 --> 00:11:31,400 Speaker 4: and sees the bus driver waving at him. 275 00:11:31,520 --> 00:11:34,640 Speaker 3: Have a right day, Dumpling. A group of bullies snicker. 276 00:11:34,559 --> 00:11:36,720 Speaker 1: Dad, please don't call me dumpling. 277 00:11:36,880 --> 00:11:39,360 Speaker 4: Can help it, Bud. You're a plump little dumpling and 278 00:11:39,400 --> 00:11:42,040 Speaker 4: I love you more than anything. Chucky is shove from behind. 279 00:11:43,280 --> 00:11:46,880 Speaker 1: Plump Dumpling. That means fat Wanton. The bus driver loves you, 280 00:11:46,960 --> 00:11:49,840 Speaker 1: fat Wanton. Well, he is my dad. 281 00:11:50,040 --> 00:11:52,559 Speaker 4: The bully pushes him in the mud. The mud splashes 282 00:11:52,600 --> 00:11:53,520 Speaker 4: on a cheerleader. 283 00:11:53,840 --> 00:11:57,600 Speaker 1: Uh, you got mud on my cheerleader skirt. Dork, sorry, 284 00:11:57,640 --> 00:12:01,080 Speaker 1: Mallory oo check his pants out. He loves you. 285 00:12:01,600 --> 00:12:05,440 Speaker 4: The bully points out a bulge in Chucky's pants. Everyone gasps, no, no, no, 286 00:12:05,679 --> 00:12:08,960 Speaker 4: it's a lightsaber, a real life lightsaber. He reaches into 287 00:12:09,000 --> 00:12:11,160 Speaker 4: his pants and pulls out the handle of a lightsaber. 288 00:12:11,440 --> 00:12:13,240 Speaker 1: See. He presses a button and it. 289 00:12:13,280 --> 00:12:16,400 Speaker 4: Immediately sparks and physics, knocking Chucky off his feet back 290 00:12:16,440 --> 00:12:18,920 Speaker 4: into the mud puddle. He looks up to see Principal 291 00:12:18,920 --> 00:12:21,079 Speaker 4: Wilcox with mud all over his trousers. 292 00:12:21,400 --> 00:12:24,880 Speaker 2: Mister Wigglesworth, we do not pull lightsabers out of our 293 00:12:24,920 --> 00:12:27,200 Speaker 2: pants at this school. My office. 294 00:12:27,600 --> 00:12:30,360 Speaker 4: Now, As the rest of the teens filter into the school, 295 00:12:30,679 --> 00:12:34,280 Speaker 4: Chucky's best friend Ali appears by his side. Dang, I 296 00:12:34,320 --> 00:12:36,319 Speaker 4: guess I won't be seeing you for first period. 297 00:12:36,640 --> 00:12:39,120 Speaker 1: Did you get the schematics on the flying skateboard? 298 00:12:39,360 --> 00:12:42,800 Speaker 4: Ali unrolls a large blueprint. I figured out the stabilizer, 299 00:12:42,840 --> 00:12:44,640 Speaker 4: but we still need the propulsion system. 300 00:12:44,760 --> 00:12:46,400 Speaker 1: Have you tried lithium in kool aid? 301 00:12:46,600 --> 00:12:47,760 Speaker 3: Hey, that could work. 302 00:12:48,120 --> 00:12:50,880 Speaker 1: I'm gonna win the science fear and everybody's gonna see them. 303 00:12:50,880 --> 00:12:53,000 Speaker 1: I'm the coolest guy in town. Yeah. 304 00:12:53,040 --> 00:12:54,480 Speaker 3: Maybe if it was opposite day. 305 00:12:54,880 --> 00:12:58,400 Speaker 4: Chucky's dad's bus drives away and splashes more mud on him. 306 00:12:58,600 --> 00:13:07,920 Speaker 1: Oh sorry, I wish it was opposite day. Whoa we go? 307 00:13:08,040 --> 00:13:10,400 Speaker 1: We go? Well, so much cool setup. 308 00:13:10,480 --> 00:13:13,960 Speaker 4: You totally didn't overthink it. Great job, pal, oh man, 309 00:13:14,000 --> 00:13:16,400 Speaker 4: I mean this is perfect. I can see where everything's. 310 00:13:16,040 --> 00:13:17,000 Speaker 1: About to be opposite. 311 00:13:17,040 --> 00:13:19,400 Speaker 2: You got the bullies, you got the girl, you got 312 00:13:19,440 --> 00:13:20,400 Speaker 2: the flying skateboard. 313 00:13:21,200 --> 00:13:23,640 Speaker 1: Yeah, it's it's it's it's a pretty good story, you know, 314 00:13:23,720 --> 00:13:26,760 Speaker 1: it's it's easy, wrote itself and yeah. 315 00:13:26,400 --> 00:13:28,800 Speaker 4: And he didn't mark it up. Good job, get kept 316 00:13:28,880 --> 00:13:30,000 Speaker 4: focused and then nailed it. 317 00:13:30,280 --> 00:13:33,319 Speaker 1: This is great? All right? Nope? Hold on, Nan says, 318 00:13:33,320 --> 00:13:34,439 Speaker 1: something's up with the deal. 319 00:13:34,720 --> 00:13:36,000 Speaker 2: What I'm off? 320 00:13:36,240 --> 00:13:37,959 Speaker 1: Check of ail? What does that mean? 321 00:13:38,120 --> 00:13:42,400 Speaker 4: It probably just means I got it right? Nice, it's unpinned, 322 00:13:43,080 --> 00:13:44,760 Speaker 4: She says, Good God, Gad got it? 323 00:13:45,400 --> 00:13:45,640 Speaker 2: Life? 324 00:13:45,679 --> 00:13:47,000 Speaker 1: Does that mean? Holy fuck? 325 00:13:47,080 --> 00:13:50,559 Speaker 4: Hold on a second, let me ask you. Yeah, Brenda 326 00:13:50,640 --> 00:13:55,280 Speaker 4: Jennings baby Starlind for Nan Man, Nan, Hey, Yeah, what 327 00:13:55,440 --> 00:13:55,760 Speaker 4: is good? 328 00:13:55,800 --> 00:13:59,720 Speaker 3: God? Gad got it? What does that mean? Josh Gad, Ron, 329 00:14:00,480 --> 00:14:03,800 Speaker 3: Josh Gadd's dad, Ron Dad got it? Good God? How 330 00:14:03,840 --> 00:14:06,920 Speaker 3: old is God's dad? What's Ron Wanton got to do 331 00:14:06,960 --> 00:14:11,280 Speaker 3: with this? Oh? Ron one one? Why are you celebrating him? 332 00:14:12,160 --> 00:14:14,400 Speaker 1: Nan? She fucking hung up? 333 00:14:14,600 --> 00:14:15,760 Speaker 3: God damn it? 334 00:14:16,040 --> 00:14:17,520 Speaker 1: Shit, what happened? 335 00:14:17,559 --> 00:14:18,720 Speaker 3: Fucking life is over? 336 00:14:18,880 --> 00:14:19,400 Speaker 1: What is good? 337 00:14:19,400 --> 00:14:19,600 Speaker 2: God? 338 00:14:19,640 --> 00:14:22,200 Speaker 1: God, God, Good God, Dad, good. 339 00:14:21,960 --> 00:14:24,160 Speaker 3: God, Gad God? It means Ron Gad got it? 340 00:14:24,640 --> 00:14:27,840 Speaker 4: Josh Gadd's dad round, Gad, God, George, he's George and 341 00:14:27,880 --> 00:14:28,320 Speaker 4: big one. 342 00:14:28,440 --> 00:14:30,200 Speaker 1: What the fuck is going on? Here. 343 00:14:30,280 --> 00:14:32,120 Speaker 2: Oh fuck, I'm so sorry. Man. 344 00:14:32,320 --> 00:14:33,200 Speaker 1: That sucks. 345 00:14:33,440 --> 00:14:34,680 Speaker 2: At least you have this podcast. 346 00:14:35,000 --> 00:14:36,120 Speaker 4: Maybe it's opposite day. 347 00:14:36,680 --> 00:14:38,760 Speaker 3: Maybe I'm gonna take. 348 00:14:38,720 --> 00:14:40,880 Speaker 1: Some nan and ask her it's not opposite day. 349 00:14:41,520 --> 00:14:44,440 Speaker 4: Yeah, she says, it's not opposite day. I didn't get it, 350 00:14:45,120 --> 00:14:48,560 Speaker 4: but it is opposite day that they're big fans. Oh 351 00:14:48,640 --> 00:14:50,880 Speaker 4: they hate me. That's great. So all this time they've 352 00:14:50,880 --> 00:14:52,400 Speaker 4: been saying big fans, they actually hate me. 353 00:14:52,720 --> 00:14:56,720 Speaker 2: Don't dude, you cannot You can't have two slam dunks 354 00:14:56,720 --> 00:14:57,440 Speaker 2: at the same time. 355 00:14:57,560 --> 00:15:00,000 Speaker 3: Oh my god, I have fucking nothing. I can't belie. 356 00:15:00,120 --> 00:15:00,560 Speaker 3: Leave this. 357 00:15:01,760 --> 00:15:03,680 Speaker 1: I have two slams at the same time. If it's 358 00:15:03,680 --> 00:15:05,680 Speaker 1: a dunk contest, then you can do whatever the fuck 359 00:15:05,720 --> 00:15:06,200 Speaker 1: you want. 360 00:15:06,080 --> 00:15:09,040 Speaker 2: Right But I'm saying in the game, you have one 361 00:15:09,040 --> 00:15:11,080 Speaker 2: ball in hand and that's this podcast, and you can 362 00:15:11,080 --> 00:15:13,360 Speaker 2: still dunk this down. And I'm sorry about the whole 363 00:15:13,760 --> 00:15:14,320 Speaker 2: TV thing. 364 00:15:14,400 --> 00:15:17,800 Speaker 1: And listen, man, we have opposite day. This is our 365 00:15:18,040 --> 00:15:20,240 Speaker 1: ticket out of this dump. All right, you're right man, 366 00:15:20,240 --> 00:15:22,640 Speaker 1: this so let's all settle down. I know it sucks 367 00:15:22,720 --> 00:15:25,760 Speaker 1: right now is the worst because you just got the news, 368 00:15:26,120 --> 00:15:29,440 Speaker 1: but we have this golden ticket. We move forward. We're 369 00:15:29,480 --> 00:15:32,400 Speaker 1: fucking jedis right now. You ever thought about that we 370 00:15:32,440 --> 00:15:35,240 Speaker 1: could turn things down one day when we sell this thing. 371 00:15:35,520 --> 00:15:37,520 Speaker 4: I can't wait to get to a place where I 372 00:15:37,520 --> 00:15:38,440 Speaker 4: can just turn things down. 373 00:15:38,640 --> 00:15:40,760 Speaker 2: I can't wait to say no to everything and just 374 00:15:40,800 --> 00:15:43,760 Speaker 2: be in my place with lots of sunlight and plants. 375 00:15:44,120 --> 00:15:47,960 Speaker 4: You gotta do something, you know what, no opposite day? 376 00:15:48,200 --> 00:15:50,640 Speaker 3: Fuck it right, we got this. This is a home run, 377 00:15:50,680 --> 00:15:52,960 Speaker 3: it's a can't miss. Let's do this thing. 378 00:15:53,160 --> 00:15:55,080 Speaker 1: This is what we got. So let's go to the 379 00:15:55,120 --> 00:15:59,320 Speaker 1: next section. Okay, So during a game of dodgeball, Chucky 380 00:15:59,360 --> 00:16:02,400 Speaker 1: got hit the head and it reflected out perfect. Yes. 381 00:16:02,440 --> 00:16:04,960 Speaker 1: Then he woke up in his bedroom later that night, 382 00:16:05,000 --> 00:16:06,240 Speaker 1: and that's where we pick it up. 383 00:16:06,440 --> 00:16:09,400 Speaker 4: Excellent, great work, Mark, and I'm gonna take the script. 384 00:16:09,400 --> 00:16:11,640 Speaker 4: I'm gonna shove it down there, fucking throats. 385 00:16:11,720 --> 00:16:14,800 Speaker 1: Let's go back on board with the pod. Here we go. 386 00:16:15,320 --> 00:16:19,400 Speaker 4: Interior Chucky's bedroom night. Chucky blinks his eyes awake. He 387 00:16:19,480 --> 00:16:22,160 Speaker 4: reaches for his glasses, but they're not where there usually are. 388 00:16:22,560 --> 00:16:25,920 Speaker 4: Then he realizes that he can see perfect without them. Puzzling, 389 00:16:26,400 --> 00:16:29,200 Speaker 4: he looks around his room. It's filled with plants and trees. 390 00:16:29,720 --> 00:16:32,480 Speaker 4: He knows he's inside his bedroom. But this feels like 391 00:16:32,520 --> 00:16:34,359 Speaker 4: he's actually outside in the backyard. 392 00:16:34,760 --> 00:16:35,880 Speaker 1: That's strange. 393 00:16:36,080 --> 00:16:39,640 Speaker 4: Interior kitchen. Moments later, Chucky sits at the kitchen table 394 00:16:39,640 --> 00:16:41,440 Speaker 4: and his mom walks in backwards. 395 00:16:41,800 --> 00:16:44,840 Speaker 1: Mom, what are you doing? Just walking into the kitchen 396 00:16:44,880 --> 00:16:48,400 Speaker 1: to get breakfast? Time for breakfast? But it's nighttime, of 397 00:16:48,480 --> 00:16:49,160 Speaker 1: course it is. 398 00:16:49,360 --> 00:16:50,840 Speaker 2: When else would we eat breakfast? 399 00:16:52,160 --> 00:16:54,840 Speaker 1: Where's dad? If it's nighttime, he must be done with 400 00:16:54,880 --> 00:16:58,320 Speaker 1: his rout, his route, his bus route. He never works 401 00:16:58,320 --> 00:17:01,120 Speaker 1: at night. Sweetheart, did you get hit on the head? 402 00:17:01,440 --> 00:17:04,159 Speaker 1: Your dad is the president of the United States. 403 00:17:04,720 --> 00:17:06,680 Speaker 2: Huh of America. 404 00:17:07,240 --> 00:17:10,879 Speaker 4: A realization falls over Chucky. He jumps to look outside. 405 00:17:11,320 --> 00:17:13,840 Speaker 4: He tries to run, but his body turns him around 406 00:17:13,880 --> 00:17:16,600 Speaker 4: so that he's walking backwards, just like his mom. He 407 00:17:16,640 --> 00:17:20,359 Speaker 4: opens the curtains, which means he's actually closing them. Confused, 408 00:17:20,400 --> 00:17:23,439 Speaker 4: he peeks outside, which is the new inside in this world. 409 00:17:23,760 --> 00:17:27,320 Speaker 4: He looks outside into the oval office of the White House. 410 00:17:27,720 --> 00:17:30,200 Speaker 4: His dad is sitting at a desk, slamming down phones, 411 00:17:30,359 --> 00:17:34,320 Speaker 4: then picking them back up and yelling into them. No way, Russia, 412 00:17:34,520 --> 00:17:38,119 Speaker 4: let's work together, England, get me my morning bourbon. 413 00:17:38,560 --> 00:17:39,560 Speaker 3: Interior kitchen. 414 00:17:39,880 --> 00:17:43,240 Speaker 4: Chucky turns to his mom, it's opposite day. 415 00:17:43,920 --> 00:17:45,440 Speaker 2: I think you mean regular night. 416 00:17:46,040 --> 00:17:52,040 Speaker 1: Huh huh? What what? Sorry? 417 00:17:52,960 --> 00:17:55,439 Speaker 2: No need to sorry me. I haven't done anything to 418 00:17:55,480 --> 00:17:59,359 Speaker 2: be sorried for. Okay, did you not hear me? 419 00:18:00,160 --> 00:18:03,359 Speaker 1: Wait? If it's opposite day, then sorry means thank you, 420 00:18:03,440 --> 00:18:07,520 Speaker 1: and a hum means okay. That must mean okay means huh. 421 00:18:08,160 --> 00:18:09,919 Speaker 1: So if I want a glass of milk, I have 422 00:18:10,040 --> 00:18:10,520 Speaker 1: to say. 423 00:18:10,920 --> 00:18:13,119 Speaker 3: Chucky turns to his mom and tries out the new rules. 424 00:18:13,560 --> 00:18:20,800 Speaker 1: NOI tat kal lamb moom non tanauton siad sUAS knock 425 00:18:21,040 --> 00:18:25,640 Speaker 1: new evit ke loocket. What the fuck did you do? 426 00:18:25,720 --> 00:18:26,359 Speaker 2: What is this? 427 00:18:26,920 --> 00:18:28,120 Speaker 1: He's talking backwards. 428 00:18:28,400 --> 00:18:30,880 Speaker 3: That's not opposite day, that's backwards day. 429 00:18:31,040 --> 00:18:32,000 Speaker 1: Oh oh my god. 430 00:18:32,040 --> 00:18:35,480 Speaker 2: He did it all the way through this entirewards from 431 00:18:35,480 --> 00:18:36,159 Speaker 2: here on out. 432 00:18:36,160 --> 00:18:39,480 Speaker 1: This is opposite day. Let's all what what is the 433 00:18:39,520 --> 00:18:40,240 Speaker 1: fucking problem? 434 00:18:40,440 --> 00:18:42,960 Speaker 4: You know how bad I need this thing right now? Okay, 435 00:18:42,960 --> 00:18:44,960 Speaker 4: this is the last thing I have on earth. 436 00:18:45,720 --> 00:18:50,800 Speaker 1: Let's settle down. This is going perfectly. He woke up. 437 00:18:51,119 --> 00:18:54,200 Speaker 1: It's now opposite day, so everything is opposite. 438 00:18:54,520 --> 00:18:58,080 Speaker 4: This is opposite Disney's opposite day is all I have 439 00:18:58,200 --> 00:18:59,200 Speaker 4: on this entire. 440 00:18:59,040 --> 00:19:01,800 Speaker 1: Okay, this is the message of opposite day. If you 441 00:19:01,880 --> 00:19:04,400 Speaker 1: have nothing left on earth, you have everything. 442 00:19:04,480 --> 00:19:07,440 Speaker 3: I will fucking string us. 443 00:19:15,640 --> 00:19:17,400 Speaker 2: As your friend. I just want to step in here. 444 00:19:17,800 --> 00:19:20,320 Speaker 2: Maybe Mark got a little carried away, but there's a 445 00:19:20,320 --> 00:19:22,440 Speaker 2: lot of good stuff in here. I mean, the dad 446 00:19:22,480 --> 00:19:25,840 Speaker 2: becomes president. That's fun. That is good, Brendan, I didn't 447 00:19:25,840 --> 00:19:28,639 Speaker 2: get carried away. I know you're depending on this in 448 00:19:28,720 --> 00:19:32,040 Speaker 2: light of Josh Dad's dad taking a role, but I 449 00:19:32,080 --> 00:19:34,560 Speaker 2: have no doubt your guys are going to make this great. 450 00:19:34,960 --> 00:19:37,639 Speaker 2: And we'll get it to Duck and let Duck do 451 00:19:37,720 --> 00:19:38,280 Speaker 2: what Duck do. 452 00:19:39,840 --> 00:19:40,119 Speaker 1: Shit. 453 00:19:40,760 --> 00:19:43,480 Speaker 2: I just got a text from Duck. Yeah, just says fuck, 454 00:19:43,520 --> 00:19:44,159 Speaker 2: I'll murder you. 455 00:19:44,560 --> 00:19:45,240 Speaker 3: What did you do? 456 00:19:46,119 --> 00:19:49,360 Speaker 1: I butt dialed a dick pic? So what what? 457 00:19:49,880 --> 00:19:51,040 Speaker 2: He knows? It was for his mom? 458 00:19:51,600 --> 00:19:51,919 Speaker 1: Oh? 459 00:19:52,080 --> 00:19:52,520 Speaker 3: How did he? 460 00:19:52,680 --> 00:19:57,600 Speaker 1: Because she's in the photo. That's better than dick dialing 461 00:19:57,600 --> 00:19:58,120 Speaker 1: a butt pick? 462 00:19:58,240 --> 00:20:01,280 Speaker 2: I get that too, really, Yeah, the widow Huxley is 463 00:20:01,359 --> 00:20:04,080 Speaker 2: into some wild picks. She's been in a loveless marriage 464 00:20:04,119 --> 00:20:06,919 Speaker 2: for so long. She's just wanting to really spread her wings. 465 00:20:06,960 --> 00:20:09,240 Speaker 1: And you dick dial the butt pick? Where do you 466 00:20:09,320 --> 00:20:11,719 Speaker 1: keep your phone? The inner pocket of my cargo briefs 467 00:20:11,760 --> 00:20:12,480 Speaker 1: cargo breefs. 468 00:20:12,560 --> 00:20:13,800 Speaker 2: Yeah, look at this picture. 469 00:20:14,280 --> 00:20:17,280 Speaker 4: Wow, whoa you have an abnormally long butt crack? 470 00:20:17,720 --> 00:20:19,960 Speaker 1: Your butt and that butt crack is the longest one 471 00:20:19,960 --> 00:20:21,160 Speaker 1: anybody's ever seen. 472 00:20:21,040 --> 00:20:22,040 Speaker 4: Party or spine. 473 00:20:22,320 --> 00:20:24,320 Speaker 1: Yikes, where does it stop? 474 00:20:24,520 --> 00:20:25,280 Speaker 2: She likes it? 475 00:20:25,440 --> 00:20:26,280 Speaker 4: And that's insane. 476 00:20:26,320 --> 00:20:28,600 Speaker 2: Fuck you guys, give me that go bald of, give 477 00:20:28,640 --> 00:20:31,480 Speaker 2: me that the fun I fucking fucked up Duck doesn't 478 00:20:31,480 --> 00:20:33,639 Speaker 2: dig that. I dick Duck's mom. Okay, so fuck it? 479 00:20:34,000 --> 00:20:36,359 Speaker 1: What what are you trying? I'm saying I fucked it 480 00:20:36,400 --> 00:20:39,760 Speaker 1: with Duck. I fucked up my butt. Dick picked Duck. Gentlemen, 481 00:20:40,640 --> 00:20:43,160 Speaker 1: we are here at our darkest hour. 482 00:20:44,000 --> 00:20:46,600 Speaker 3: We need this podcast more than anything. 483 00:20:46,720 --> 00:20:51,680 Speaker 2: Baby Starland bb BB Starland is here to tell you 484 00:20:52,240 --> 00:20:55,440 Speaker 2: that we have to come together one cause. 485 00:20:55,280 --> 00:20:58,960 Speaker 3: This podcast at guy, fucking don't ruin this for me. 486 00:20:59,160 --> 00:21:02,520 Speaker 2: Okay, this is good news. I guess all back in 487 00:21:02,600 --> 00:21:05,719 Speaker 2: the saddle. I mean, I've always been on the script. 488 00:21:05,800 --> 00:21:09,040 Speaker 2: I honestly, from the moment that we talked about it, 489 00:21:09,080 --> 00:21:11,600 Speaker 2: I knew that this was the this was the golden 490 00:21:11,680 --> 00:21:13,280 Speaker 2: chariot that was going to take us there anyway. 491 00:21:13,320 --> 00:21:16,240 Speaker 1: Hey, and everybody's name is still on it. That's right, right, perfect, 492 00:21:16,280 --> 00:21:19,360 Speaker 1: Let's dive back in. You're right, I don't need all that. 493 00:21:19,480 --> 00:21:22,200 Speaker 4: We're all going to be drowning in friggin money from 494 00:21:22,200 --> 00:21:22,560 Speaker 4: this thing. 495 00:21:22,680 --> 00:21:27,000 Speaker 1: Here we go, Here we go. Okay, I went ahead 496 00:21:27,359 --> 00:21:32,960 Speaker 1: with Opposite Day. Yes, and I hope this lands because 497 00:21:33,119 --> 00:21:35,359 Speaker 1: it ends the only way that makes any sense to me. 498 00:21:35,720 --> 00:21:40,160 Speaker 1: And it's clear as day how it should end, right, Okay, 499 00:21:40,600 --> 00:21:42,640 Speaker 1: and I hope you guys can see it the way 500 00:21:42,680 --> 00:21:45,520 Speaker 1: I see it. So let's jump in. Okay, here we go, 501 00:21:45,880 --> 00:21:48,520 Speaker 1: page ninety one. Okay, ninety one, Let's get there. 502 00:21:49,200 --> 00:21:54,480 Speaker 4: This is going to be great interior and exterior nowhere 503 00:21:54,520 --> 00:21:58,919 Speaker 4: and everywhere, day and night. Our hero, formerly known as Chucky, 504 00:21:59,000 --> 00:22:02,800 Speaker 4: is now simply infinite consciousness, which is unmanifest and only 505 00:22:02,840 --> 00:22:04,760 Speaker 4: exists as pure potential. 506 00:22:04,280 --> 00:22:08,199 Speaker 1: Out What is this? Keep its opposite day? What is it? 507 00:22:08,240 --> 00:22:10,879 Speaker 1: The opposite of God? It's opposite of everything? 508 00:22:11,040 --> 00:22:11,680 Speaker 2: What does that mean? 509 00:22:12,160 --> 00:22:15,800 Speaker 1: So this is again I'm painting by numbers, guys. The 510 00:22:15,960 --> 00:22:19,439 Speaker 1: entire universe has collapsed into Opposite Day. Chucky isn't the 511 00:22:19,480 --> 00:22:22,960 Speaker 1: main character. He's one of several supporting characters. He can 512 00:22:23,040 --> 00:22:28,480 Speaker 1: only remember what's about to happen. He can't remember the past. 513 00:22:28,600 --> 00:22:32,320 Speaker 1: He's he's remembering the future. There is no present moment. 514 00:22:32,359 --> 00:22:35,280 Speaker 1: He's walking around with a sort of psychic amnesia. So 515 00:22:35,320 --> 00:22:37,000 Speaker 1: I just want to set the tone for you. That's 516 00:22:37,040 --> 00:22:37,840 Speaker 1: that's the scene. 517 00:22:38,200 --> 00:22:40,080 Speaker 2: Well why are there no words. 518 00:22:40,040 --> 00:22:43,040 Speaker 1: Because silence is how you communicate. Now, that's the opposite 519 00:22:43,080 --> 00:22:45,720 Speaker 1: of speaking is silence. So violence is love? Up is 520 00:22:45,760 --> 00:22:50,240 Speaker 1: down isn't? Is is Josh Gadd's dad is Josh Gadd. 521 00:22:50,359 --> 00:22:51,960 Speaker 1: It would be great for this, by the way. 522 00:22:51,960 --> 00:22:55,720 Speaker 3: So hey, fuck dad, he was a dork and now 523 00:22:55,760 --> 00:22:56,359 Speaker 3: he's cool. 524 00:22:57,000 --> 00:23:00,040 Speaker 1: That's the movie. It's so easy, dude, that's what the 525 00:23:00,080 --> 00:23:05,520 Speaker 1: opposite day is. So you're confusing the rules of opposite day. Okay, 526 00:23:05,560 --> 00:23:10,320 Speaker 1: if it's opposite day, as you should know, then everything 527 00:23:10,440 --> 00:23:14,480 Speaker 1: becomes opposite. You have to walk backwards. Words are backwards. 528 00:23:14,520 --> 00:23:18,280 Speaker 1: If you'd want to make a statement like what is happening? 529 00:23:18,400 --> 00:23:22,280 Speaker 1: What isn't what? What is the opposite of what that is? 530 00:23:22,600 --> 00:23:26,520 Speaker 1: Was that was not happening? So that's how you talk 531 00:23:26,560 --> 00:23:27,400 Speaker 1: an opposite day. 532 00:23:27,520 --> 00:23:30,280 Speaker 2: Just make the kid realize that being a genius is cool. 533 00:23:30,480 --> 00:23:33,359 Speaker 4: Yeah, the girl likes him. Everything's going his way, so 534 00:23:33,520 --> 00:23:36,000 Speaker 4: he thinks, but guess what, man, It turns. 535 00:23:35,680 --> 00:23:37,920 Speaker 3: Out he really likes how he was All the time. 536 00:23:38,040 --> 00:23:41,080 Speaker 1: Do you understand the rules of opposite day? 537 00:23:41,200 --> 00:23:42,920 Speaker 3: I'm speaking about the rule. 538 00:23:43,119 --> 00:23:45,439 Speaker 1: You have to know the rules in order to fucking 539 00:23:45,560 --> 00:23:48,639 Speaker 1: understand the movie. The statement its opposite day is both 540 00:23:48,720 --> 00:23:52,080 Speaker 1: true and false. The only way it is opposite day 541 00:23:52,200 --> 00:23:53,240 Speaker 1: is if it isn't. 542 00:23:53,600 --> 00:23:55,320 Speaker 3: Why the fuck are you doing this? 543 00:23:55,480 --> 00:23:55,680 Speaker 1: Man? 544 00:23:55,880 --> 00:23:58,520 Speaker 3: This was the easiest thing on earth. But the bottom 545 00:23:58,520 --> 00:24:01,000 Speaker 3: line is you boothed it. Oh, I did it. 546 00:24:01,000 --> 00:24:04,119 Speaker 1: It's all on the page. There's nothing on the page. 547 00:24:04,200 --> 00:24:07,520 Speaker 1: Let me say, because they're speaking to each other, there 548 00:24:07,560 --> 00:24:11,399 Speaker 1: is dialogue. Therefore, on opposite day there is no dialogue. 549 00:24:11,720 --> 00:24:17,240 Speaker 1: Do you see how it fucking connects in a simple way? Okay, 550 00:24:17,280 --> 00:24:19,200 Speaker 1: let me answer your question. Why don't you make him 551 00:24:19,320 --> 00:24:22,679 Speaker 1: he's a genius, he's cool. Well, on opposite day, everybody 552 00:24:22,800 --> 00:24:26,080 Speaker 1: is a genius and everything you didn't know on regular 553 00:24:26,160 --> 00:24:29,199 Speaker 1: days becomes stuff you do know. Cut the tape, but 554 00:24:29,320 --> 00:24:31,600 Speaker 1: now you don't know anything that you used to know. 555 00:24:31,720 --> 00:24:34,000 Speaker 1: Why am I having to spell this out? Brendon? Are 556 00:24:34,000 --> 00:24:34,520 Speaker 1: you a pass? 557 00:24:34,760 --> 00:24:35,160 Speaker 3: A pard? 558 00:24:35,240 --> 00:24:35,959 Speaker 1: Panna pass? 559 00:24:35,960 --> 00:24:36,680 Speaker 3: The hardest pass? 560 00:24:36,880 --> 00:24:39,119 Speaker 1: There's no pass? This is the script. 561 00:24:39,440 --> 00:24:43,240 Speaker 3: Oh does pass means I want it? Then I I 562 00:24:43,359 --> 00:24:46,040 Speaker 3: want it? Then whatever the opposite fucking is of doing 563 00:24:46,040 --> 00:24:46,400 Speaker 3: this thing. 564 00:24:46,440 --> 00:24:49,440 Speaker 1: I want it? How do you not see this? This 565 00:24:49,640 --> 00:24:53,680 Speaker 1: was the easiest movie to write. It just unfolded out 566 00:24:53,680 --> 00:24:56,959 Speaker 1: of me. And you know what, it actually made me 567 00:24:57,040 --> 00:25:01,040 Speaker 1: realize this movie shouldn't even exist at all all, but 568 00:25:01,200 --> 00:25:05,000 Speaker 1: it does. That's the glory of opposite Day. That's the message. 569 00:25:05,000 --> 00:25:08,520 Speaker 1: We want to fuck you guys. Fuck you guys. I'm 570 00:25:08,560 --> 00:25:13,520 Speaker 1: writing Ora Boros. Oh I am, and I'm gonna self 571 00:25:13,520 --> 00:25:17,280 Speaker 1: produce it for seven thousand dollars. He's not supposed to say. 572 00:25:17,440 --> 00:25:19,720 Speaker 2: We had one rule, and that was that we would 573 00:25:19,760 --> 00:25:21,920 Speaker 2: never talk about Roboris on this podcast. 574 00:25:21,960 --> 00:25:24,080 Speaker 1: Well fuck it, you guys are changing the rules. You're 575 00:25:24,160 --> 00:25:25,080 Speaker 1: leaving the podcast. 576 00:25:25,119 --> 00:25:28,120 Speaker 3: Maybe I'm gonna. 577 00:25:27,200 --> 00:25:28,119 Speaker 2: Into the podcast. 578 00:25:28,160 --> 00:25:30,520 Speaker 1: Well I'm so fuck you guys. 579 00:25:30,560 --> 00:25:33,680 Speaker 4: Cut the tape, just stop it. 580 00:25:39,119 --> 00:25:42,960 Speaker 1: We've come to an agreement. We all need to continue 581 00:25:43,000 --> 00:25:47,280 Speaker 1: doing this podcast and anything but I will make Ora Boros. 582 00:25:48,440 --> 00:25:49,640 Speaker 1: I will never mention it again. 583 00:25:49,800 --> 00:25:55,320 Speaker 2: For those listening, Roboris is a screenplay Mark's been talking 584 00:25:55,359 --> 00:25:57,720 Speaker 2: about ever since we met, and. 585 00:25:57,800 --> 00:26:00,320 Speaker 4: First time he pitched it to me, I was awake 586 00:26:00,359 --> 00:26:02,200 Speaker 4: for a week and a waking nightmare. 587 00:26:02,240 --> 00:26:06,080 Speaker 1: I got. I got physically sick. It might have been 588 00:26:06,600 --> 00:26:07,600 Speaker 1: something that you ate. 589 00:26:07,840 --> 00:26:09,320 Speaker 2: Orl Boros gave me COVID. 590 00:26:09,640 --> 00:26:12,119 Speaker 3: It's the worst idea I've ever heard, but we agree. 591 00:26:12,240 --> 00:26:17,320 Speaker 1: I am dark, I'm gonna fucking mark this microphone your head. 592 00:26:17,359 --> 00:26:18,840 Speaker 3: Go ahead and never mention it again. 593 00:26:19,880 --> 00:26:23,119 Speaker 4: Is going to make it, and we will continue the 594 00:26:23,160 --> 00:26:25,160 Speaker 4: podcast together until then. 595 00:26:25,359 --> 00:26:29,479 Speaker 1: It is lights camera action but for writing.