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Speaker 1: What would you talk about on your on your podcast,

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Speaker 1: fine show? All right, which of us would actually work

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Speaker 1: with our spouse? I don't think I could do. This

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Speaker 1: is a continuation of the topic from the Big Show.

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Speaker 1: I would say inappropriate things and get fired, would call hr.

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Speaker 1: I couldn't do it, not because nothing against him. I

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Speaker 1: just need distance from everybody in some space. From everybody

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Speaker 1: like Jim and Pam in the office seemed like misery

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Speaker 1: to me. You work directly next to each other, then

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Speaker 1: you go home and spend every second together. My god,

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Speaker 1: too much. And then you hear about those couples that

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Speaker 1: you know they lived together, commute in together, work together.

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Speaker 1: I'm like, oh god, you do become much. They're savings,

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Speaker 1: They're saving so much money. Oh I don't care. I'll

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Speaker 1: spend money to get away from people something. I think

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Speaker 1: they're all gonna die like fifteen years early. But I mean,

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Speaker 1: basically you've been Danielle, for instance, Like you've basically been

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Speaker 1: working with Sheldon since you've been at home, right, I mean,

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Speaker 1: you guys are in the same house, but we kind

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Speaker 1: of stay out of each other's way. Like he really

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Speaker 1: has his little space upstairs and I'm down here and

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Speaker 1: then when I'm finished down here, I go two floors

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Speaker 1: up and then like you know, so it's like we

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Speaker 1: we've space it out. But I keep telling him that

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Speaker 1: one day, when this is all said and done, I

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Speaker 1: will be his manager. Because people are always asked, seriously,

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Speaker 1: people are He's very excited. People are always asking him

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Speaker 1: for advice in real estate and stuff. And I keep

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Speaker 1: telling him we could do seminars. There be a coaching

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Speaker 1: thing you could do. But I said, why are you

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Speaker 1: giving this away for free? Save it. I'll manage it

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Speaker 1: and I'll book all your engagements. I'm like, we can

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Speaker 1: do this, so you know, we'll see. Yeah, we have

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Speaker 1: a special guest. Everybody going podcast, Chief of Boys, Tom Polman.

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Speaker 1: What's up, guys. We love Tom. Tom's been here for

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Speaker 1: how long? In his office? That's that's right. The studio

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Speaker 1: is in the grounds of his old office. And back

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Speaker 1: in those humble beginnings, we used to gather in Tom's

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Speaker 1: office and we used to sit on the floor and

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Speaker 1: he used to play the guitar for us, drum a

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Speaker 1: little tune on a Friday. Remember that. How very happy

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Speaker 1: of all of you. Mutable laws of marketing. That's right, Yeah,

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Speaker 1: what would you play. What would Tom play? Would it

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Speaker 1: be a third eye blind songs? He should do? Getting

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Speaker 1: to know you with Tom? Are we all just asking

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Speaker 1: questions off of his last want to do that? Yeah?

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Speaker 1: You better leave that before we drag you into real quick.

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Speaker 1: Who's your favorite runner? Like? There's the dust study here?

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Speaker 1: Do you know that Thomas who gave me my first contract?

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Speaker 1: So he took me into his office when he was

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Speaker 1: making me like full time on air and stuff, and

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Speaker 1: he gave me a contract. And you know, Union had

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Speaker 1: a certain number that you could have and it was

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Speaker 1: your you know, I guess baseline. I was making four

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Speaker 1: dollars and twenty five cents an hour before that meeting.

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Speaker 1: I almost fainted on his floor because that significant difference

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Speaker 1: at that time, and I was like what I'm getting? What?

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Speaker 1: Like I couldn't believe it. It was amazing something Tom

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Speaker 1: Tom hired me. Also gave me my first paycheck. Son.

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Speaker 1: Do you get some context of people Thomas, Well, he

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Speaker 1: was the program duringt He was the program director York nine,

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Speaker 1: which is it was it was his idea to put

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Speaker 1: Elvis on the morning show, that is correct, which the

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Speaker 1: program director is kind of like the manager of the

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Speaker 1: radio station. And they're also the person that calls you

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Speaker 1: in for an air check session. Yes, does anybody want

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Speaker 1: to explain what an air check session? Basically where you

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Speaker 1: listen back to what you did previously and then somebody

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Speaker 1: critiques every single part of it. Used to air check Elvis,

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Speaker 1: but Elvis would never allow that. Yes, the air check

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Speaker 1: session was always extremely embarrassing. I can tell Frog has

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Speaker 1: got a good story about this, because your boss is

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Speaker 1: basically playing back your last show and pausing and after

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Speaker 1: every time you would say like, hey, yeah the weather today,

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Speaker 1: and here the Pennsylvania. But you were a little too

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Speaker 1: fast with that and you didn't enunciate enough, and then

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Speaker 1: you ended up you know, blah blah blah blah, and

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Speaker 1: it's just so embarrassed for everyone else. Imagine being recorded

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Speaker 1: for an entire day of your job and then playing

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Speaker 1: back that entire day, minute by minute in front of

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Speaker 1: your boss, with your boss with with critiques in between.

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Speaker 1: Is every boss has a different thing that they like

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Speaker 1: or don't like, So you're gonna get a different critique

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Speaker 1: from every single program director that you have. Like I

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Speaker 1: have a program director who used to be triggered by

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Speaker 1: people who would laugh when they had a shift by themselves.

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Speaker 1: He'd be like, you're laughing. Who are you laughing with?

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Speaker 1: There's no one in the room. Stop laughing. Oh my god.

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Speaker 1: The worst is like, so if you're talking up a song,

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Speaker 1: normal song is anywhere from you know, five to twelve

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Speaker 1: seconds after they stop it in two seconds into the audio,

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Speaker 1: you're like two seconds in already, well, what's wrong? Come

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Speaker 1: two seconds in. I feel bad for Tom because I

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Speaker 1: feel like any time he has seen my face in

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Speaker 1: the last decade, it's been trouble. Every time he sees me,

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Speaker 1: he's like, what did you do now? My first two

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Speaker 1: interactions with Tom were one we were in a fantasy

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Speaker 1: football league that we had around and Tom and I

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Speaker 1: made it to this Puper Bowl and I was playing him.

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Speaker 1: I did not want to win because I'm like, I can't, please,

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Speaker 1: don't let me win. And I did and I lost.

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Speaker 1: I was very happy, but we were I always pride

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Speaker 1: myself on being responsible, and so we were going on

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Speaker 1: a Elvis Durram party plane to the Bahamas and we

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Speaker 1: were going by boat. Well, I forgot my passport in

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Speaker 1: my laptop in my car back in the States, and

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Speaker 1: so we were three quarters of the way to the Bahamas,

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Speaker 1: and I had to let everybody on board know that

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Speaker 1: I did not have my passport in my laptop. And

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Speaker 1: that was like my first full interaction with Tom. He

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Speaker 1: must have thought, what is this dumbass doing here? The

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Speaker 1: same trip that you? You You and Lisa did it in

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Speaker 1: the bushes. Yeah, that was the same trip. It was

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Speaker 1: later after that I got I got my least, I

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Speaker 1: got my passport and metus there. Everything was good, and

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Speaker 1: then we banged it out in the bushes. Yes, center Tom,

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Speaker 1: Tom Holman owes me a new car, well scary Elvis.

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Speaker 1: Tom and I went on a business trip two thousand

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Speaker 1: five five because we wanted to syndicate our show to

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Speaker 1: WHY one hundred in Miami. We had to meet with

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Speaker 1: some corporate big wigs and so while we were on

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Speaker 1: the trip, Tom bought me an official cowboy hat because

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Speaker 1: he was excited that we were on the trip. I

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Speaker 1: remember that we were in Nashville, right, We were in Nashville,

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Speaker 1: and I said, Thomas is great, and then uh that

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Speaker 1: they had just brought back the Dodge Charger in two

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Speaker 1: thousand for the two thousand six model, and one went

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Speaker 1: by and I said, that's my dream car. Tom and

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Speaker 1: he said, Brodie, if we get on why one hundred Miami,

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Speaker 1: I will buy you that call. Well, Danielle, I started

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Speaker 1: off by saying, he owes me a car. That was

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Speaker 1: May of two thousand six when we started in Miami, right,

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Speaker 1: so I would say he's a little behind on his purchase. Yeah,

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Speaker 1: me go get him and you can ask him. Bernie,

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Speaker 1: you can do that. Okay, it's only sixteen years. He's

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Speaker 1: got time. Tom was the one who actually actually had

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Speaker 1: faith in me and put me on the radio just

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Speaker 1: from my college radio air check. I was running the equipment,

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Speaker 1: running the board in my first year here and answering

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Speaker 1: the phones when people used to call radio stations, and

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Speaker 1: he was, you know what, pretty good tape because Friday night,

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Speaker 1: two am, you're on the to get No, it's unheard

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Speaker 1: of to you know, see the number one market as

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Speaker 1: far as you know the listenership goes. You don't just

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Speaker 1: start your radio career on air in New York City

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Speaker 1: unless I guess you still have Do you still have

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Speaker 1: that tape? I do? Oh yeah, yeah. Where do we

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Speaker 1: have it in the system. I've tried to freaking forget

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Speaker 1: about it on the system, but I have it. Can

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Speaker 1: you please bring it in. I listened to it live.

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Speaker 1: I remember we were coming home from a club and

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Speaker 1: we were in the hummer at two thirty in the

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Speaker 1: morning or something like that. We're getting what I'm scary.

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Speaker 1: I remember him saying, oh, the janitor, I locked him

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Speaker 1: in the closet or something like that. Up here. That

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Speaker 1: was like. The first song was Tracy Chatman, give me

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Speaker 1: one reason. And I'm like, I'm like, I'm like, I guess, uh,

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Speaker 1: you know, I know the overnight janitor or something like that.

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Speaker 1: I guess they shouldn't listen. It was awful. That's why

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Speaker 1: it should not come to light. Everybody puke voices. Did

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Speaker 1: you ever if we hang on, if we started to

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Speaker 1: go fund me right there goes to your favorite charity,

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Speaker 1: would you let us play that audio? I would, of course,

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Speaker 1: charity for charity. Okay, I'm in for fifty bucks. It's

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Speaker 1: just a four hours of overnight radio June of when

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Speaker 1: I got my radio air debut on Go find that cassette,

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Speaker 1: go find it. Would you guys do? Would you guys

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Speaker 1: put money again? I would? I would definitely don't your money? Alrighty, scary.

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Speaker 1: Do you remember the audio from the first time I

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Speaker 1: ever did a shift on ZE one hundred, you might,

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Speaker 1: you might want to. Yeah, this is actually kind of funny.

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Speaker 1: So I did like a midnight to five I think,

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Speaker 1: or something like that, late night shift. And uh, we

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Speaker 1: were in our Jersey City studios, so you had to

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Speaker 1: record on pro tools in the studio across the hall.

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Speaker 1: So no is in the building at two o'clock in

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Speaker 1: the morning, right, So I I hit play and record

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Speaker 1: on on pro tools before my shift started, and I

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Speaker 1: did I don't know, maybe five or six minutes. Scary

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Speaker 1: shows up with a bunch of friends drunk at the

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Speaker 1: radio station at at night and he goes into the

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Speaker 1: other studio to show him how everything works and turns

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Speaker 1: off my recording. And so the one shift I did

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Speaker 1: on the radio station, I think I have like three

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Speaker 1: minutes of it somewhere on it. Turned it off. Why

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Speaker 1: all these lights and buttons on? This shouldn't be this way? Yeah,

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Speaker 1: turned everything off. I have no proof. Was that a

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Speaker 1: blessing in disguise? I mean, how did you? Well? Well,

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Speaker 1: two things. Number one, you don't have the audio to

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Speaker 1: play it, which is fantastic. Uh, the audio was okay.

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Speaker 1: The sad part was the first two two or three breaks.

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Speaker 1: My levels were terrible. You could barely hear me over

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Speaker 1: the music. And then when I got good is when

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Speaker 1: he doesn't have it on tape. Sorry, I wish I

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Speaker 1: had my first from college. My college because I did

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Speaker 1: a heavy metal show. My first show was so I

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Speaker 1: had no idea what the hell was going on, and

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Speaker 1: one of my first breaks, I go, I don't know

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Speaker 1: what the heck we just played, but that was awful

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Speaker 1: on there, And the program director had to say to me, Danielle, listen,

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Speaker 1: we can't say that we can't go in there. He

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Speaker 1: supposed to like what you're playing. I'm like, okay, I'm

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Speaker 1: being honest. Just's being honest. It was awful. Well, I'm sure.

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Speaker 1: I'm sure we all have bad tapes. Oh, I think

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Speaker 1: I think you have stuff, don't I. I used to

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Speaker 1: have a terrible, terrible accent when I first started on

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Speaker 1: the radio, so I would talk like this coffee and

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Speaker 1: orange juice, and and I paid money to get rid

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Speaker 1: of it, because you know radioa Wait wait, wait, wait wait,

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Speaker 1: you paid money to get rid of your accent. I

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Speaker 1: took elocution lessons when I was You can tell that

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Speaker 1: Scott he's taking on the way he seeks. He saw

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Speaker 1: Long Island. She was like our friend Danielle de Lillo.

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Speaker 1: He talks. You know what's so funny? In college they

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Speaker 1: try to do that as well. They made me put

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Speaker 1: a pencil in my mouth to try to get rid

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Speaker 1: of my accent. Told you, but but what got me?

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Speaker 1: But what? But what got me hired? Here was my accent.

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Speaker 1: So I'm surprised that Scotty, you did that well because

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Speaker 1: I was moving to Iowa at the time. What's I

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Speaker 1: love that you took? Look crazy does ask good morning?

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Speaker 1: And Iowa now loves that, loves our show good more?

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Speaker 1: You know that's crazy, always told Danielle. Like Danielle, they

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Speaker 1: put a pencil in my mouth as well, and you

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Speaker 1: had to over extend. Yeah, I don't need to see you,

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Speaker 1: but tell me how to skunds like when when in

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Speaker 1: the studio you can't understand me, but when you take

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Speaker 1: the pen out of your mouth, you actually over enunciate

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Speaker 1: because your brain remembers I didn't. I just went back

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Speaker 1: to talking like that. All the time we have for today,

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Speaker 1: thanks to everybody pays put my pencil in her mouth,

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Speaker 1: I'll do that. That's really all the time we have

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Speaker 1: forty everybody, the fifteen minute Morning Show,