1 00:00:00,640 --> 00:00:02,360 Speaker 1: You want to know what. I think the most non 2 00:00:02,840 --> 00:00:06,760 Speaker 1: casual thing you can do in life is fart in church. 3 00:00:09,360 --> 00:00:14,040 Speaker 1: I mean that is that's pretty not casual. That's like bold, 4 00:00:14,200 --> 00:00:18,720 Speaker 1: that's that's really yeah, that's extremely ballsy. Um. I feel 5 00:00:18,760 --> 00:00:21,440 Speaker 1: weird saying ballsy about church as well. That's just something 6 00:00:21,480 --> 00:00:25,000 Speaker 1: feels weird. Um. But that yes, that's a great one. Good. 7 00:00:25,120 --> 00:00:27,040 Speaker 1: That wasn't the one I was thinking of them. I 8 00:00:27,120 --> 00:00:30,760 Speaker 1: was actually thinking of what we did this weekend, which 9 00:00:30,880 --> 00:00:36,800 Speaker 1: is karaoke. Yeah, it's not casual. It's like it's an 10 00:00:36,880 --> 00:00:42,320 Speaker 1: art form that you have to take very seriously. At least. 11 00:00:45,600 --> 00:00:49,600 Speaker 1: We actually ended up on Sunday at the Wild Beaver 12 00:00:49,680 --> 00:00:52,320 Speaker 1: in Nashville, which, if you're not from Nashville, it's the 13 00:00:52,320 --> 00:00:58,400 Speaker 1: best bar in talent. Wow. I mean again, bold statement. 14 00:00:58,520 --> 00:01:00,600 Speaker 1: I mean I have friends who have and bregnant after 15 00:01:00,680 --> 00:01:03,160 Speaker 1: going into the world Beaver. Really by the mechanical bull. 16 00:01:03,320 --> 00:01:05,679 Speaker 1: I mean, I feel like that's what happened to me. 17 00:01:05,800 --> 00:01:07,520 Speaker 1: I'm gonna I'm not gonna have to freeze my eggs 18 00:01:07,520 --> 00:01:10,840 Speaker 1: anymore because I've been impregnated by able and it's the 19 00:01:10,880 --> 00:01:15,920 Speaker 1: luck of the draw the dada the bull. I was 20 00:01:15,959 --> 00:01:18,120 Speaker 1: saying the bull got me pregnant. I feel like, you know, 21 00:01:18,200 --> 00:01:21,240 Speaker 1: the the bull, the people who operate mechanical bulls. When 22 00:01:21,240 --> 00:01:22,760 Speaker 1: you fall off and you're a girl, they do that 23 00:01:22,760 --> 00:01:24,440 Speaker 1: gross thing when they put the bull ahead and you're 24 00:01:24,600 --> 00:01:30,360 Speaker 1: like your private party area. It's so rude, so rude. Um. Anyway, 25 00:01:30,680 --> 00:01:34,200 Speaker 1: we ended up with the Wild Beaver. It's the Smoky 26 00:01:34,400 --> 00:01:37,720 Speaker 1: Bar down on off off Broadway. It's not even on 27 00:01:37,840 --> 00:01:41,800 Speaker 1: the Broadway, but they have a mechanical bull and karaoke 28 00:01:41,920 --> 00:01:44,160 Speaker 1: and if you're out for a Sunday Funday, which we 29 00:01:44,160 --> 00:01:47,360 Speaker 1: were for one of our friend's birthdays, Um, you just 30 00:01:47,400 --> 00:01:50,360 Speaker 1: kind of end up there and it's or I do, 31 00:01:50,720 --> 00:01:53,240 Speaker 1: and I end up there a lot. It's always on 32 00:01:53,240 --> 00:01:55,320 Speaker 1: a Sunday for me. And I think it's because it's 33 00:01:55,360 --> 00:01:57,400 Speaker 1: off Broadway, because it's you can you know that you're 34 00:01:57,400 --> 00:02:00,440 Speaker 1: gonna have plenty of space. You know, it's got empty 35 00:02:00,440 --> 00:02:03,920 Speaker 1: so you're gonna get to sing on a Sunday. You know, 36 00:02:04,080 --> 00:02:06,640 Speaker 1: nobody goes well, it's also like what are you going 37 00:02:06,720 --> 00:02:09,560 Speaker 1: to do on a Sunday? And there's you know, there's 38 00:02:09,600 --> 00:02:12,320 Speaker 1: limited options. Things aren't as lively as they are on 39 00:02:12,360 --> 00:02:15,280 Speaker 1: a different Friday or Saturday, a different day of the weekend. 40 00:02:15,639 --> 00:02:17,280 Speaker 1: So you want to have some sort of fun and 41 00:02:17,320 --> 00:02:19,919 Speaker 1: you want some sort of activity personally, I do. So 42 00:02:20,240 --> 00:02:24,639 Speaker 1: we chose karaoke. Um I got up twice. How many 43 00:02:24,639 --> 00:02:28,160 Speaker 1: times did you get up? Well that I remember, I 44 00:02:28,240 --> 00:02:33,200 Speaker 1: remember once, but you were up twice as well. I 45 00:02:33,240 --> 00:02:36,680 Speaker 1: don't understand how you don't remember the second time. I mean, 46 00:02:36,720 --> 00:02:39,359 Speaker 1: if it weren't for Instagram, I would literally i'd be 47 00:02:39,440 --> 00:02:41,959 Speaker 1: learning about it right now. We had so much night 48 00:02:42,040 --> 00:02:46,400 Speaker 1: left after that. So the fact that you remember, Okay, 49 00:02:46,400 --> 00:02:48,800 Speaker 1: so you came back to us, you came back for 50 00:02:48,840 --> 00:02:53,560 Speaker 1: the meal you probably did You're probably just starving. Um, So, yeah, 51 00:02:53,720 --> 00:02:55,800 Speaker 1: I got up. The first time I got up was 52 00:02:56,280 --> 00:02:59,440 Speaker 1: We Are the World, which I was the band leader for. 53 00:02:59,680 --> 00:03:02,000 Speaker 1: Thank that. I mean, you were amazing. I felt like 54 00:03:02,400 --> 00:03:04,800 Speaker 1: I actually felt like we really had a lot of 55 00:03:04,840 --> 00:03:08,520 Speaker 1: crowd involvement. It was it felt like a Michael Jackson back. Yeah, 56 00:03:08,600 --> 00:03:11,400 Speaker 1: it was a moment of unity. Yeah, I really thought that. 57 00:03:12,040 --> 00:03:16,720 Speaker 1: I feel like we healed some folks. Yeah, it was 58 00:03:16,760 --> 00:03:19,240 Speaker 1: like church. It was Sunday. It was church at the 59 00:03:19,240 --> 00:03:22,919 Speaker 1: Wild Beaver. Lots of tears. I didn't see the tears, 60 00:03:22,960 --> 00:03:24,760 Speaker 1: but I'll trust you on that one. I know I 61 00:03:24,800 --> 00:03:28,839 Speaker 1: had people waving their arms back and forth. Yeah, we're 62 00:03:28,840 --> 00:03:32,040 Speaker 1: a lot of crowd participation. I just I don't know. 63 00:03:32,160 --> 00:03:35,680 Speaker 1: I've left that stage feeling like we had changed some people, 64 00:03:35,720 --> 00:03:38,360 Speaker 1: for sure. I find it odd though, I know, I 65 00:03:38,360 --> 00:03:40,320 Speaker 1: don't know what made that song pop into my head 66 00:03:40,360 --> 00:03:42,520 Speaker 1: as a choice because I've never done it before. That 67 00:03:42,600 --> 00:03:45,119 Speaker 1: was your choice, Yeah, that's not surprising. Um, I think 68 00:03:45,120 --> 00:03:46,880 Speaker 1: it was because it was I was looking for a 69 00:03:46,880 --> 00:03:49,840 Speaker 1: big group song and I feel like I never hear 70 00:03:49,880 --> 00:03:52,280 Speaker 1: it song. But it actually is a great karaoke song, 71 00:03:52,480 --> 00:03:57,080 Speaker 1: great koke song. The second one we did not so 72 00:03:57,160 --> 00:04:00,680 Speaker 1: great for me, and you don't remember so obvious that 73 00:04:00,800 --> 00:04:04,720 Speaker 1: great for no. So here's what happened. So we were 74 00:04:04,760 --> 00:04:07,800 Speaker 1: sitting there. I actually think I had just written the bull, 75 00:04:07,840 --> 00:04:09,640 Speaker 1: so it was probably a little out of sorts. You know, 76 00:04:09,680 --> 00:04:14,360 Speaker 1: I got tossed, right. I've stayed on a long time, 77 00:04:14,480 --> 00:04:16,600 Speaker 1: really long time. I think that was the longest I've 78 00:04:16,600 --> 00:04:18,679 Speaker 1: ever stayed on. I wish someone would have been countering 79 00:04:18,680 --> 00:04:20,680 Speaker 1: because I definitely feel like it was over eight seconds, 80 00:04:21,160 --> 00:04:23,560 Speaker 1: oh easily. I have a whole video of it. So yeah, 81 00:04:23,760 --> 00:04:26,640 Speaker 1: I mean I've posted that on my Instagram already. If 82 00:04:26,680 --> 00:04:29,200 Speaker 1: people message me enough, I'll repost it, you know, if 83 00:04:29,240 --> 00:04:31,520 Speaker 1: my fans want to see. I'm just kidding my for 84 00:04:31,720 --> 00:04:34,680 Speaker 1: running fans. Um. The inside of my inner thigh is 85 00:04:34,800 --> 00:04:42,600 Speaker 1: so incredibly bruised though, like it's so tender to touch. Okay, later, 86 00:04:44,720 --> 00:04:48,119 Speaker 1: So I got off the bull and I go back 87 00:04:48,160 --> 00:04:51,760 Speaker 1: to the table, um sit on my stool and Ruben. 88 00:04:51,800 --> 00:04:54,400 Speaker 1: Our friend Reuben comes over to me and he like 89 00:04:54,520 --> 00:04:57,080 Speaker 1: looks at me very seriously and he says, Kelly have 90 00:04:57,120 --> 00:05:00,800 Speaker 1: a pr opportunity for you. And I was like, oh, really, 91 00:05:00,880 --> 00:05:03,560 Speaker 1: what's that? And he says you need to get on 92 00:05:03,600 --> 00:05:07,240 Speaker 1: stage and se toxic by Britney spears with me. He 93 00:05:07,320 --> 00:05:09,600 Speaker 1: says like I'm getting up to do it and basically 94 00:05:09,600 --> 00:05:11,679 Speaker 1: acting like I was going to be his backup singer. 95 00:05:13,240 --> 00:05:17,440 Speaker 1: All right, yeah, just like where I mean the punch 96 00:05:17,520 --> 00:05:20,440 Speaker 1: line is is that I set there for about a 97 00:05:20,520 --> 00:05:23,800 Speaker 1: minute more and there was no The girl gets up, 98 00:05:23,839 --> 00:05:27,479 Speaker 1: you know, they calls the karaoke and she just says Kelly, 99 00:05:27,720 --> 00:05:29,600 Speaker 1: and it's like silent in there, and I'm like I'm 100 00:05:29,640 --> 00:05:33,919 Speaker 1: like no, no, I was like no, yeah, I was like, 101 00:05:33,960 --> 00:05:36,320 Speaker 1: surely it is. And then she goes Kelly and then 102 00:05:36,400 --> 00:05:38,040 Speaker 1: you guys all start looking at me, and I was like, no, 103 00:05:38,080 --> 00:05:40,760 Speaker 1: it's supposed to be Kelly and Ruben, Kelly and Ruben, 104 00:05:41,240 --> 00:05:43,440 Speaker 1: and she's like it just says Kelly, and so you 105 00:05:43,440 --> 00:05:48,440 Speaker 1: guys all start going Kelly Cally and it was a 106 00:05:48,440 --> 00:05:52,160 Speaker 1: friend of ours birthday. So I'm not gonna go no, 107 00:05:52,160 --> 00:05:56,239 Speaker 1: no and be that person. So I was like okay, 108 00:05:56,320 --> 00:05:58,479 Speaker 1: and I'm like looking at Ruben like fuck you, you 109 00:05:58,520 --> 00:06:01,760 Speaker 1: know whatever. But I get on stage and immediately like, 110 00:06:01,800 --> 00:06:04,560 Speaker 1: that's just not my karaoke song. I mean, I love Brittany, 111 00:06:04,880 --> 00:06:07,479 Speaker 1: love Brittan. Nothing worse than that first moment when the 112 00:06:07,480 --> 00:06:15,120 Speaker 1: song starts and you're like it and I'm just like, baby, 113 00:06:15,200 --> 00:06:19,440 Speaker 1: can't you see? I was so not motivated. I wasn't 114 00:06:19,480 --> 00:06:22,919 Speaker 1: feeling it in my soul. I just whatever. But I 115 00:06:22,960 --> 00:06:25,360 Speaker 1: looked around and I'm like, I have two choices, get 116 00:06:25,400 --> 00:06:29,799 Speaker 1: off the stage or really on the moment at the moment, yeah, 117 00:06:29,920 --> 00:06:33,680 Speaker 1: I mean at casual, but don't at casual that yourself. Yeah. 118 00:06:34,120 --> 00:06:36,520 Speaker 1: So I started jumping up and down. You got up there, 119 00:06:36,560 --> 00:06:40,000 Speaker 1: you don't remember you body wrote a couple that's yeah, 120 00:06:40,120 --> 00:06:43,120 Speaker 1: thank you, take one for the team. A couple other 121 00:06:43,160 --> 00:06:49,000 Speaker 1: other Wow, she's still drunk. Drunk um. A couple of 122 00:06:49,000 --> 00:06:51,560 Speaker 1: our other friends got up there, and it was still terrible. 123 00:06:51,880 --> 00:06:54,560 Speaker 1: There was nothing about that performance that was good. I mean, 124 00:06:54,560 --> 00:06:57,119 Speaker 1: it was so bad. I don't remember it. Yeah, you blocked. 125 00:06:58,240 --> 00:07:00,960 Speaker 1: That's what happened to you. It wasn't the alcohol you've 126 00:07:01,000 --> 00:07:05,159 Speaker 1: just had that this this traumatic experience was traumatic. Block 127 00:07:05,240 --> 00:07:09,200 Speaker 1: it out. I just talked to my therapist Buff. But 128 00:07:09,240 --> 00:07:11,360 Speaker 1: if it would have been my karaoke song, I would 129 00:07:11,400 --> 00:07:13,880 Speaker 1: have just owned it. But it was Rubens. And then 130 00:07:13,920 --> 00:07:17,960 Speaker 1: he like, did Ruben even get on stage? Oh? That asshole? 131 00:07:18,680 --> 00:07:20,520 Speaker 1: To set up a PR moment for him? I know, 132 00:07:20,680 --> 00:07:23,880 Speaker 1: I have a PR opportunity for you. What an asshole? 133 00:07:24,120 --> 00:07:26,480 Speaker 1: We need to bring Ruben on here? He would be funny. 134 00:07:26,960 --> 00:07:29,760 Speaker 1: So anyway, it got me thinking about what makes a 135 00:07:29,760 --> 00:07:33,000 Speaker 1: good karaoke performance, what makes a good karaoke song? What 136 00:07:33,040 --> 00:07:35,560 Speaker 1: are you looking for in that? You know, like all 137 00:07:35,560 --> 00:07:37,640 Speaker 1: of those little factors. There's a lot of things that 138 00:07:37,800 --> 00:07:40,280 Speaker 1: play here because it can either go really well or 139 00:07:40,320 --> 00:07:42,679 Speaker 1: really terrible well, and there's two sides to it too, 140 00:07:42,800 --> 00:07:46,280 Speaker 1: because what we're there to entertain when we're in karaoke, 141 00:07:46,400 --> 00:07:51,240 Speaker 1: and we're there to be entertained. So it's so what 142 00:07:51,280 --> 00:07:53,800 Speaker 1: are you looking for? Are you looking for what is 143 00:07:53,960 --> 00:07:56,640 Speaker 1: your favorite song to perform or your favorite song to 144 00:07:56,760 --> 00:08:00,760 Speaker 1: be performed? Oh that's oh wow, that was a lot 145 00:08:00,840 --> 00:08:02,920 Speaker 1: to digest at once. Well, do you want to do 146 00:08:02,960 --> 00:08:07,000 Speaker 1: our our favorite karaoke? This is the way? No, no, no, 147 00:08:07,160 --> 00:08:08,800 Speaker 1: I want to pause on that because I actually feel 148 00:08:08,800 --> 00:08:11,160 Speaker 1: like you have a lot. I have a whole list. 149 00:08:11,280 --> 00:08:13,640 Speaker 1: We're gonna get to that later. Let's do. Let's do. 150 00:08:14,000 --> 00:08:16,520 Speaker 1: What are you looking for? Like when you're a patron 151 00:08:16,600 --> 00:08:19,120 Speaker 1: at a karaoke bar, what are the things that you're 152 00:08:19,120 --> 00:08:22,800 Speaker 1: looking for? Um? I want to be entertained. I want 153 00:08:23,160 --> 00:08:28,200 Speaker 1: you don't say, well, you know, it's hard for me 154 00:08:28,240 --> 00:08:30,560 Speaker 1: not to go to the negative because it's so easy 155 00:08:30,680 --> 00:08:34,319 Speaker 1: to like be turned off by karaoke people. For sure. Um, 156 00:08:34,360 --> 00:08:36,280 Speaker 1: I want to see somebody having fun, whether they can 157 00:08:36,280 --> 00:08:38,320 Speaker 1: sing or not. And I want to see somebody like 158 00:08:38,400 --> 00:08:41,640 Speaker 1: giving it. They're all so just owning it, owning it confidence. 159 00:08:42,080 --> 00:08:46,680 Speaker 1: Make me have fun watching you? Right? Be an entertainer? Yeah, 160 00:08:46,840 --> 00:08:49,000 Speaker 1: I mean just because you're not a professional does not 161 00:08:49,160 --> 00:08:51,040 Speaker 1: mean when you get on that stage you are not 162 00:08:51,120 --> 00:08:53,480 Speaker 1: expected to entertain, right, But when you get up there 163 00:08:53,559 --> 00:08:56,560 Speaker 1: and you're like suddenly super shy. I'm like, why are 164 00:08:56,600 --> 00:09:00,240 Speaker 1: you on stage? Get off stage? Honestly, I don't don't 165 00:09:00,280 --> 00:09:02,360 Speaker 1: think that you can predict how shy you're going to get, 166 00:09:03,520 --> 00:09:05,680 Speaker 1: because that is I'm going to admit what sort of 167 00:09:05,679 --> 00:09:08,080 Speaker 1: happened to me with toxic. Well, you are also turned 168 00:09:08,080 --> 00:09:10,120 Speaker 1: off by the song. Well, that's what I'm saying. If 169 00:09:10,120 --> 00:09:12,880 Speaker 1: it's not the right song choice, and and you're just 170 00:09:13,200 --> 00:09:15,920 Speaker 1: thrown into it without knowing what you know. I felt 171 00:09:15,920 --> 00:09:18,160 Speaker 1: like I was misled. To be quite honest, you are 172 00:09:18,240 --> 00:09:21,839 Speaker 1: you were led down the wrong path. Yeah, and so 173 00:09:21,920 --> 00:09:25,120 Speaker 1: then exactly exactly, so, then I get on stage and 174 00:09:25,160 --> 00:09:27,040 Speaker 1: I look out and I see the five people in 175 00:09:27,040 --> 00:09:29,240 Speaker 1: the audience and I was like, oh god, I'm gonna 176 00:09:29,960 --> 00:09:31,760 Speaker 1: never going to get a record deal with this, never 177 00:09:31,760 --> 00:09:35,120 Speaker 1: going to get my record deal. Um so yeah, I 178 00:09:35,120 --> 00:09:37,800 Speaker 1: think I couldn't really fully put my personality through first 179 00:09:37,840 --> 00:09:39,720 Speaker 1: split second, and then I was That's when I was like, 180 00:09:39,760 --> 00:09:42,800 Speaker 1: wait a second, this is not another sip of your cocktail. 181 00:09:42,880 --> 00:09:45,360 Speaker 1: And actually didn't. They don't let you up there yet. 182 00:09:45,960 --> 00:09:47,600 Speaker 1: I tried to bring it up there and she said, now, 183 00:09:48,400 --> 00:09:50,720 Speaker 1: um yeah, so I just had to start jumping. That's 184 00:09:50,720 --> 00:09:52,720 Speaker 1: what I did to try to get the crowd involved. 185 00:09:54,160 --> 00:10:00,240 Speaker 1: I don't remember that either. Well you weren't up there yet. Yeah, 186 00:10:00,320 --> 00:10:03,000 Speaker 1: so what I think the song choice is super important 187 00:10:03,520 --> 00:10:07,080 Speaker 1: and that leads me to where I am really looking 188 00:10:07,080 --> 00:10:12,120 Speaker 1: for and that Okay, So what I'm looking for is 189 00:10:12,920 --> 00:10:16,840 Speaker 1: I want There's two things. One, I really want to 190 00:10:16,920 --> 00:10:19,440 Speaker 1: be kind of taken off and like brought back to 191 00:10:19,520 --> 00:10:21,880 Speaker 1: a moment like I need a little bit of nostalgia, 192 00:10:22,120 --> 00:10:28,200 Speaker 1: you know, yeah, good throwback, like something that's gonna surprise me. 193 00:10:28,559 --> 00:10:31,959 Speaker 1: But also like in the best way it be so 194 00:10:32,040 --> 00:10:38,080 Speaker 1: excited and want to immediately start singing along like what 195 00:10:38,200 --> 00:10:42,760 Speaker 1: if I did Wang chung pardon probably too young for 196 00:10:42,840 --> 00:10:45,719 Speaker 1: that song. God, I'm dating myself. I don't know that. 197 00:10:45,800 --> 00:10:47,319 Speaker 1: I'm just trying to come up with a good example 198 00:10:47,360 --> 00:10:50,480 Speaker 1: of like a good throwback song like Unbelievable by E 199 00:10:50,640 --> 00:10:57,480 Speaker 1: M F. Unbelievable Yeah exactly because everyone knows it in 200 00:10:57,520 --> 00:10:59,560 Speaker 1: the second you start is not exactly what I would 201 00:10:59,559 --> 00:11:02,040 Speaker 1: have thought of to do, but it makes me want 202 00:11:02,040 --> 00:11:05,960 Speaker 1: to sing along high energy like you like that that 203 00:11:06,080 --> 00:11:11,120 Speaker 1: song can bring right and it can really involve the crowd. Yeah, 204 00:11:11,160 --> 00:11:15,800 Speaker 1: it's positive message. What are the things though? You said 205 00:11:15,840 --> 00:11:18,080 Speaker 1: there's a lot of things that can go wrong. Well, 206 00:11:19,880 --> 00:11:21,760 Speaker 1: and I don't know if this is unique to Nashville 207 00:11:23,360 --> 00:11:25,520 Speaker 1: or I mean, I've lived in New York, Los Angeles, 208 00:11:25,600 --> 00:11:27,520 Speaker 1: and Nashville, so it's where I've done the majority of 209 00:11:27,559 --> 00:11:31,960 Speaker 1: my karaoke. Um, the people that seem like they want 210 00:11:32,000 --> 00:11:34,240 Speaker 1: to get up there and act like they're professional, well, 211 00:11:34,280 --> 00:11:37,680 Speaker 1: that's extremely a bout in Nashville too, That's very I 212 00:11:37,679 --> 00:11:40,240 Speaker 1: think it's very specific to Nashville. Now. I feel like 213 00:11:40,280 --> 00:11:42,640 Speaker 1: I saw it in Los Angeles to It's like they're 214 00:11:42,640 --> 00:11:45,000 Speaker 1: all cities who are going to get a record deal exactly. 215 00:11:45,600 --> 00:11:48,200 Speaker 1: And here here's a little I comfort. I work in 216 00:11:48,200 --> 00:11:52,440 Speaker 1: the record business. Nobody gets signed doing karaoke, right, I mean, 217 00:11:52,960 --> 00:11:57,000 Speaker 1: it is lightning striking if it happens. Look, go and 218 00:11:57,040 --> 00:11:59,720 Speaker 1: do karaoke and work on your voice in your stage presence, 219 00:11:59,760 --> 00:12:03,120 Speaker 1: But I ain't gonna get you your deal. I think 220 00:12:03,160 --> 00:12:04,880 Speaker 1: that that is really bad. Here. We kept calling him 221 00:12:04,880 --> 00:12:07,920 Speaker 1: the Nashville pros that night, but it's like it's such 222 00:12:07,920 --> 00:12:11,280 Speaker 1: a buzz kill. It's like You've got people like me 223 00:12:11,360 --> 00:12:14,960 Speaker 1: and you up there singing toxic and we are the world. 224 00:12:15,360 --> 00:12:17,440 Speaker 1: And in the middle of that, remember that one guy 225 00:12:17,520 --> 00:12:19,640 Speaker 1: I wish I could remember what he's saying. But he 226 00:12:19,720 --> 00:12:22,439 Speaker 1: got up and he was so serious, and you kind 227 00:12:22,440 --> 00:12:23,959 Speaker 1: of think they worked there when they get up there. 228 00:12:24,000 --> 00:12:27,400 Speaker 1: I did, but he didn't. He I saw him adjust 229 00:12:27,720 --> 00:12:30,760 Speaker 1: knobs on things, like he was like fixing his levels. 230 00:12:31,640 --> 00:12:33,640 Speaker 1: He did not work there, like, but he clearly knew 231 00:12:33,720 --> 00:12:36,040 Speaker 1: how to work in karaoke machine. Right. But that's a 232 00:12:36,040 --> 00:12:39,520 Speaker 1: little annoying. It's totally annoying. But you know what I 233 00:12:39,600 --> 00:12:44,640 Speaker 1: love is when someone really unexpected gets up there, like 234 00:12:45,200 --> 00:12:47,360 Speaker 1: you know, it looks like Linda from the office, or 235 00:12:47,480 --> 00:12:50,360 Speaker 1: you know, it's like the lady from Accounts payable gets 236 00:12:50,400 --> 00:12:52,640 Speaker 1: up and she just like RiPPs something, but like has 237 00:12:52,679 --> 00:12:55,280 Speaker 1: a great time, isn't She's not trying to like come 238 00:12:55,320 --> 00:12:59,240 Speaker 1: across as a professional singer, but just like literally I 239 00:12:59,320 --> 00:13:02,160 Speaker 1: can think and I'm fun. Yeah. I mean it's such 240 00:13:02,160 --> 00:13:04,560 Speaker 1: a fine line because I think what you need is 241 00:13:04,600 --> 00:13:08,440 Speaker 1: maybe people who aren't looking for your serious validation, Like 242 00:13:08,520 --> 00:13:11,080 Speaker 1: nobody is serious in a karaoke bar, nor do they 243 00:13:11,120 --> 00:13:13,960 Speaker 1: want to be. That's why they're by it is because 244 00:13:14,000 --> 00:13:16,400 Speaker 1: they removed the fun from it. Yes, they make it. 245 00:13:16,640 --> 00:13:20,400 Speaker 1: They make it. People feel insecure about not being able 246 00:13:20,440 --> 00:13:23,840 Speaker 1: to sing. Change the tone of the whole thing, and 247 00:13:23,880 --> 00:13:27,920 Speaker 1: it's like it's just boring, it's not fun, and I 248 00:13:27,960 --> 00:13:31,240 Speaker 1: want I want it to be fun even if it's bad, right. 249 00:13:31,480 --> 00:13:33,440 Speaker 1: I mean it's like you have all these drunk people 250 00:13:33,480 --> 00:13:34,760 Speaker 1: up on stage and then you get up and you're 251 00:13:34,760 --> 00:13:38,480 Speaker 1: going to be serious, Like, come on, nobody wants to 252 00:13:38,480 --> 00:13:40,480 Speaker 1: see that. How do you think? How drunk do you 253 00:13:40,480 --> 00:13:42,800 Speaker 1: think it is too drunk to get on? Like? Is 254 00:13:42,800 --> 00:13:44,840 Speaker 1: there a level that you should not be getting on 255 00:13:44,920 --> 00:13:48,360 Speaker 1: stage to karaoke? I mean I feel like for me, 256 00:13:48,440 --> 00:13:50,640 Speaker 1: on a scale of one to ten, I would say seven. 257 00:13:51,280 --> 00:13:54,040 Speaker 1: Why seven? Well, I feel like sevens you're probably at 258 00:13:54,040 --> 00:13:56,520 Speaker 1: a point where you don't aren't going to remember it, 259 00:13:57,360 --> 00:14:00,240 Speaker 1: You're gonna have a hard time reading the words, You're 260 00:14:00,240 --> 00:14:03,120 Speaker 1: gonna give up halfway through the song unless you're having 261 00:14:03,160 --> 00:14:06,640 Speaker 1: a great time. Like seven could maybe be super beneficial 262 00:14:06,679 --> 00:14:10,800 Speaker 1: too for the right person, But I think generally when 263 00:14:10,840 --> 00:14:14,800 Speaker 1: you're like approaching sloppy drunk you don't want to be sloppy, 264 00:14:15,160 --> 00:14:17,680 Speaker 1: then it's probably you're too far gone. I think like 265 00:14:17,720 --> 00:14:20,480 Speaker 1: a good like mid like four or five six range 266 00:14:20,800 --> 00:14:23,640 Speaker 1: is good. Sweet spot? Yea sweet spot. I think that's 267 00:14:23,640 --> 00:14:25,600 Speaker 1: probably right. I think you need to be coherent. You 268 00:14:25,640 --> 00:14:28,160 Speaker 1: have to be able to read right unless you know 269 00:14:28,200 --> 00:14:30,440 Speaker 1: all the words by heart. Yeah, but usually even if 270 00:14:30,480 --> 00:14:32,000 Speaker 1: you know the words, you know, you get up on 271 00:14:32,000 --> 00:14:34,680 Speaker 1: the stage and it's like you can't hear the track. 272 00:14:35,720 --> 00:14:39,040 Speaker 1: You get off, you get a little little throne. I 273 00:14:39,120 --> 00:14:41,360 Speaker 1: do think I have to be tipsy enough to not 274 00:14:41,680 --> 00:14:45,280 Speaker 1: care very much what people think about me. So it's 275 00:14:45,320 --> 00:14:48,560 Speaker 1: a very fine line. So four to six sweet spot 276 00:14:48,040 --> 00:14:52,680 Speaker 1: I okay. I looked up on Marie claire dot com. 277 00:14:52,760 --> 00:14:56,040 Speaker 1: They did an article with the top twenty one karaoke 278 00:14:56,200 --> 00:15:00,880 Speaker 1: songs anyone can rock. Oh gosh, let's eight number one. 279 00:15:01,320 --> 00:15:03,360 Speaker 1: Are we going to go one first? No? You know what, 280 00:15:03,440 --> 00:15:05,720 Speaker 1: if you want to read all twenty one, maybe the 281 00:15:05,720 --> 00:15:09,360 Speaker 1: top ten, Okay, let me find that. I mean, I'm 282 00:15:09,360 --> 00:15:10,880 Speaker 1: gonna I'm just gonna read the ones I want to read, 283 00:15:12,840 --> 00:15:15,240 Speaker 1: because twenty one I like, it's a thousand miles above 284 00:15:15,280 --> 00:15:17,920 Speaker 1: Vanessa Carlton. No, I don't like that. I would die 285 00:15:18,000 --> 00:15:20,000 Speaker 1: if someone doesn't. You know what, that's a funny idea 286 00:15:20,320 --> 00:15:22,760 Speaker 1: for thirty seconds, and then you're like, why are we 287 00:15:22,800 --> 00:15:26,240 Speaker 1: still listening to Making My Weight Downtown? You know, it's 288 00:15:26,280 --> 00:15:29,320 Speaker 1: like funny is an idea is it funny though, if 289 00:15:29,480 --> 00:15:31,040 Speaker 1: it would depend on who it was, Like if you 290 00:15:31,120 --> 00:15:34,200 Speaker 1: got up there and did it, I would die, or 291 00:15:34,240 --> 00:15:37,920 Speaker 1: like Linda from Accounts Payable right, but Linda nailed it. Yeah, 292 00:15:38,520 --> 00:15:41,760 Speaker 1: okay twenty I actually love this one. No scrubs. That's 293 00:15:41,760 --> 00:15:44,560 Speaker 1: a great group. When like three girls get up there, 294 00:15:45,000 --> 00:15:48,560 Speaker 1: you gotta have a left eye. Yeah, Like someone really 295 00:15:48,640 --> 00:15:53,920 Speaker 1: unexpectedly just rips through the wrap section. It's Linda from 296 00:15:54,160 --> 00:15:57,160 Speaker 1: Linda from Accounts Payable. Every time you love this one, 297 00:15:57,240 --> 00:16:00,440 Speaker 1: Neil Diamond Sweet Caroline. I don't know that I love it. 298 00:16:00,440 --> 00:16:03,480 Speaker 1: It's just so common and I think it is good 299 00:16:03,520 --> 00:16:06,560 Speaker 1: for a room, Like I think part of being great 300 00:16:06,600 --> 00:16:09,480 Speaker 1: at karaoke is getting the everyone in the bar engaged. 301 00:16:09,520 --> 00:16:14,520 Speaker 1: Like why go to a karaoke barar to not interact 302 00:16:14,520 --> 00:16:18,920 Speaker 1: with a person on stage? Right? You know you're there 303 00:16:18,960 --> 00:16:21,200 Speaker 1: to do that or else? Otherwise, why are you subjecting 304 00:16:21,200 --> 00:16:24,000 Speaker 1: yourself to terrible singing. I'm going to be really honest, 305 00:16:24,160 --> 00:16:26,920 Speaker 1: I want to hate on this song because I'm super 306 00:16:27,000 --> 00:16:29,360 Speaker 1: over it. Like it's at every wedding you go to. 307 00:16:29,800 --> 00:16:32,080 Speaker 1: It's just all the time. But then when you're drunk 308 00:16:32,520 --> 00:16:38,640 Speaker 1: and someone goes sweet Caroline, you better better. I am always. 309 00:16:39,000 --> 00:16:41,280 Speaker 1: It's like when someone hits your funny bone and then 310 00:16:41,320 --> 00:16:44,120 Speaker 1: you're going to do that no good, no good, no 311 00:16:44,200 --> 00:16:47,400 Speaker 1: good good call in response song. You're just gonna do it. 312 00:16:47,920 --> 00:16:50,680 Speaker 1: As much as I hate to be that person. Okay, 313 00:16:50,720 --> 00:16:54,000 Speaker 1: I like this one to Miley Cyrus Party in the USA. 314 00:16:54,080 --> 00:16:56,480 Speaker 1: I think someone did that on Sunday, popped up a 315 00:16:56,480 --> 00:16:59,680 Speaker 1: plane at l a X. I'm sorry that wasn't my best. 316 00:17:01,360 --> 00:17:08,240 Speaker 1: Excuse me start the track over there. But sixteen Katie 317 00:17:08,320 --> 00:17:14,480 Speaker 1: Perry teenage Dream Okay, oh this one, fifteen your rhythmics 318 00:17:14,520 --> 00:17:18,880 Speaker 1: sweet dreams are made of this. I mean, that's aggressive. 319 00:17:19,160 --> 00:17:21,840 Speaker 1: You gotta really get up there and own it and 320 00:17:21,920 --> 00:17:24,080 Speaker 1: just like get into character. I mean, I love that song, 321 00:17:24,160 --> 00:17:26,399 Speaker 1: I just don't hear it as a karaoke song. What 322 00:17:26,480 --> 00:17:29,080 Speaker 1: about Elton John Biddy and the Jets. That's a good one, 323 00:17:29,119 --> 00:17:31,280 Speaker 1: but there's I feel like there's other Elton John songs 324 00:17:31,280 --> 00:17:33,640 Speaker 1: that I would go to tell us more? Which one? 325 00:17:33,640 --> 00:17:35,359 Speaker 1: I mean, like, I guess that's why they call it 326 00:17:35,400 --> 00:17:39,960 Speaker 1: the Blues. That seems like it would be boring to me, slow, 327 00:17:40,000 --> 00:17:42,040 Speaker 1: but it's a fun sing a wong song. I think 328 00:17:42,080 --> 00:17:46,080 Speaker 1: Betty and the Jet, Benny and You got the up up. 329 00:17:46,160 --> 00:17:49,040 Speaker 1: I mean any sort of like little different things like 330 00:17:49,080 --> 00:17:52,880 Speaker 1: that is what you love when you're drunk. Destiny's Child 331 00:17:53,000 --> 00:17:57,320 Speaker 1: Say My Name, that's a good one. Britney Spears Baby 332 00:17:57,320 --> 00:18:00,879 Speaker 1: one more Time. It's a good one. Bodie Tyler, Total 333 00:18:00,880 --> 00:18:04,520 Speaker 1: Eclipse of the Heart. I mean that's a good throwback one. 334 00:18:04,640 --> 00:18:09,159 Speaker 1: That's a um a really interesting song too, just the 335 00:18:09,160 --> 00:18:11,840 Speaker 1: way ebbs and flows and stuff, trying to think, like 336 00:18:12,080 --> 00:18:15,120 Speaker 1: record dude, here, are you sure you're not giving out 337 00:18:15,119 --> 00:18:19,040 Speaker 1: record deals? Well, depends on how well you want to 338 00:18:19,080 --> 00:18:22,000 Speaker 1: sing that song for us acappella Right now, we know 339 00:18:22,119 --> 00:18:25,479 Speaker 1: I'm not kidding. Okay. I like this one, and I 340 00:18:25,560 --> 00:18:28,560 Speaker 1: actually could see you and I performing this in a 341 00:18:28,600 --> 00:18:31,920 Speaker 1: group Backstreet Boys. I want it that way. Body rolls 342 00:18:31,960 --> 00:18:36,679 Speaker 1: for body rolls, hand motions, different harmonies, I'll tell you what. 343 00:18:36,760 --> 00:18:39,680 Speaker 1: The end of that song, though, is so complicated. They're 344 00:18:39,720 --> 00:18:43,320 Speaker 1: like singing over each other. Yeah, there's so many things. 345 00:18:43,840 --> 00:18:46,919 Speaker 1: You're like pray, there's like backgrounds. I want to hear 346 00:18:47,160 --> 00:18:50,840 Speaker 1: you say, I gotta go. Why am I doing this already? 347 00:18:51,200 --> 00:18:56,359 Speaker 1: I'm not even drunk? Um? What about fifty twos Love Shock? 348 00:18:56,760 --> 00:19:01,240 Speaker 1: I think it's a quintessential CRUs It's good for a group. 349 00:19:01,400 --> 00:19:06,200 Speaker 1: It's got fun little hooky things. He says, bang onto Dela. Yeah, 350 00:19:06,280 --> 00:19:11,719 Speaker 1: it's not even a word. Doa Aretha Franklin respect, Wow, 351 00:19:12,080 --> 00:19:15,359 Speaker 1: you gotta be balls did with George Michael? Do you 352 00:19:15,359 --> 00:19:18,200 Speaker 1: remember that song? I sure don't. I wish that I did. 353 00:19:18,600 --> 00:19:20,600 Speaker 1: I can't think of it. It's probably I bet it's 354 00:19:20,600 --> 00:19:24,840 Speaker 1: in my list. I'm confused by this one, Avril Levine, girlfriend, 355 00:19:25,520 --> 00:19:29,280 Speaker 1: what song is that? I don't even remember? Um? The 356 00:19:29,320 --> 00:19:33,680 Speaker 1: only one I know about? Complicated? Why you gotta go 357 00:19:33,760 --> 00:19:37,880 Speaker 1: and make things so complicated? A good one? I think, 358 00:19:38,000 --> 00:19:42,120 Speaker 1: I think I love this one. Cardi b Bodak Yellow 359 00:19:42,680 --> 00:19:44,320 Speaker 1: that one. I would never be able to do that. 360 00:19:45,119 --> 00:19:46,879 Speaker 1: I mean, I probably wouldn't be able to do it well, 361 00:19:46,920 --> 00:19:49,920 Speaker 1: but I think I would enjoy trying. Um. Oh, the 362 00:19:50,000 --> 00:19:52,520 Speaker 1: Aretha George one was I Knew you were waiting for 363 00:19:52,680 --> 00:20:00,000 Speaker 1: me old. This is probably very common, A very common 364 00:20:00,119 --> 00:20:03,520 Speaker 1: current song Lady Gaga and Bradley Bradley Cooper shall. I 365 00:20:04,960 --> 00:20:07,800 Speaker 1: that's such a good song, but I'm kind of boring 366 00:20:07,840 --> 00:20:12,680 Speaker 1: for a bar I don't know. I mean, I guess yeah, okay, okay, okay, okay. 367 00:20:12,720 --> 00:20:16,320 Speaker 1: The number one song on this Marie Claire dot Com. 368 00:20:16,640 --> 00:20:23,919 Speaker 1: Um karaoke list. Guess it's like it's going to be 369 00:20:24,000 --> 00:20:31,520 Speaker 1: something really girly dancing Queen by Abba. She is a 370 00:20:31,720 --> 00:20:38,120 Speaker 1: dancing queen. I mean it's fine. Yeah, what's okay? What's 371 00:20:38,160 --> 00:20:43,320 Speaker 1: your top carrioke song for fun? Like if I'm trying 372 00:20:43,359 --> 00:20:45,800 Speaker 1: to like get the crowd going, if I'm doing it 373 00:20:45,840 --> 00:20:49,200 Speaker 1: for the room, it is hold On by Wilson Phillips. Oh, 374 00:20:49,240 --> 00:20:52,120 Speaker 1: I love that. I also this alone or with a group. 375 00:20:52,240 --> 00:20:54,640 Speaker 1: Usually with that with a group. If I'm doing one alone. 376 00:20:54,720 --> 00:20:56,240 Speaker 1: I also like never Going to Give You Up by 377 00:20:56,320 --> 00:21:00,879 Speaker 1: Rick Astley. Um. If I'm doing it for myself just 378 00:21:00,920 --> 00:21:03,000 Speaker 1: because I want to get up there and express myself, 379 00:21:03,640 --> 00:21:07,600 Speaker 1: I do Um Father Figure by George Michael. That's you 380 00:21:07,680 --> 00:21:13,119 Speaker 1: expressing yourself. I like to I like to call the 381 00:21:13,160 --> 00:21:17,439 Speaker 1: crowd daddy, bet you do? Do you know what? Minus? 382 00:21:18,560 --> 00:21:21,000 Speaker 1: I have a feeling I do, but I'm not going 383 00:21:21,040 --> 00:21:25,320 Speaker 1: to guess it. Shoot bus on in Peppa. Here I go, here, 384 00:21:25,359 --> 00:21:29,320 Speaker 1: I go, Here, I go again? Girls, what's my weakness? Okay? 385 00:21:29,400 --> 00:21:33,520 Speaker 1: Then we'd be great at that. See that is what 386 00:21:33,560 --> 00:21:35,160 Speaker 1: Reuben should have signed me up for, and I would 387 00:21:35,160 --> 00:21:38,280 Speaker 1: have got on that stage and everyone want to put 388 00:21:38,320 --> 00:21:40,200 Speaker 1: their drinks down, and it would have been a moment 389 00:21:40,359 --> 00:21:42,160 Speaker 1: and then I would have probably remembered it and someone 390 00:21:42,160 --> 00:21:44,359 Speaker 1: could have run on stage and done the guy's part. 391 00:21:45,200 --> 00:21:49,080 Speaker 1: I mean, he really set me up for failure. Oh 392 00:21:49,600 --> 00:21:51,520 Speaker 1: we need to bring him on here and punk him, 393 00:21:51,680 --> 00:21:56,160 Speaker 1: roast him. What day is April? Fool you guys here? Yeah, 394 00:21:56,280 --> 00:21:59,159 Speaker 1: send us your ideas of at cash, at Casual at 395 00:21:59,240 --> 00:22:02,120 Speaker 1: Velvet shock um um yeah. Do you have anything else 396 00:22:02,119 --> 00:22:04,719 Speaker 1: you would like to say about karaoking? I still personally 397 00:22:04,760 --> 00:22:06,760 Speaker 1: I'm not recovered. Also, I'm not going to drink for 398 00:22:06,800 --> 00:22:09,800 Speaker 1: like three weeks. Well, yeah, I'm That's the thing is 399 00:22:09,840 --> 00:22:11,480 Speaker 1: like you need to be a four or five six 400 00:22:11,480 --> 00:22:14,320 Speaker 1: and order to have a good time karaoking, which means 401 00:22:15,040 --> 00:22:17,120 Speaker 1: the next day is not good. So is it bad 402 00:22:17,160 --> 00:22:18,920 Speaker 1: that when I hear you say four or five six, 403 00:22:19,000 --> 00:22:23,560 Speaker 1: that doesn't sound like the highest crazy to me. That's 404 00:22:23,600 --> 00:22:25,200 Speaker 1: just for you to get on stage of the first 405 00:22:25,240 --> 00:22:30,280 Speaker 1: time and and then you're gonna need some wings. Yeah, 406 00:22:30,720 --> 00:22:34,560 Speaker 1: needing got it. Well, although this is not a time 407 00:22:34,560 --> 00:22:40,360 Speaker 1: where you would act casual as always At Casual, Thank 408 00:22:40,400 --> 00:22:42,920 Speaker 1: you for listening to this week's episode of At Casual, 409 00:22:43,040 --> 00:22:46,119 Speaker 1: on Velvet's Edge. We'll be back every Friday with your 410 00:22:46,160 --> 00:22:49,680 Speaker 1: ACT Casual topic of the week. Remember to subscribe, rate, 411 00:22:49,840 --> 00:22:52,080 Speaker 1: and review this podcast to ensure that you are the 412 00:22:52,119 --> 00:22:55,440 Speaker 1: first to hear each episode. Also, we want to hear 413 00:22:55,480 --> 00:22:57,200 Speaker 1: from you. What are some things that make you want 414 00:22:57,200 --> 00:22:59,560 Speaker 1: to scream act Casual or just topics you think we 415 00:22:59,600 --> 00:23:02,760 Speaker 1: needed to gus. Email us at act Casual at velvets 416 00:23:02,800 --> 00:23:08,760 Speaker 1: edge dot com and always remember act Casual h