WEBVTT - Positively Gam: Dressing Age Appropriate w/ June Ambrose

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<v Speaker 1>I absolutely love fashion. I always have ever since I

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<v Speaker 1>was a little girl dressing up. I was a little

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<v Speaker 1>girl who wanted to put on three Kremlin slips and

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<v Speaker 1>Stacy socks and the patent leather shoes. What's up, everybody,

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<v Speaker 1>I'm dammy and this is positivelygan. Every week I have raw,

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<v Speaker 1>in depth conversations with inspirational people pushing for change on

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<v Speaker 1>everything from aging, relationships, politics, wellness, to the current issues

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<v Speaker 1>facing the black community. And in this episode, we're gonna

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<v Speaker 1>be talking about fashion and style after fifty. Today, I'm

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<v Speaker 1>talking to style icon June Ambrose. June is a creative director,

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<v Speaker 1>costume designer, author, and celebrity style is. She has created

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<v Speaker 1>some of the most iconic looks for a list stars

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<v Speaker 1>such as Missy Elliott, Jay Eazy, and one of my

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<v Speaker 1>favorite people in the world, my son in law, Will Smith.

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<v Speaker 1>June was a costume designer on Will's video Getting Jiggy

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<v Speaker 1>with It. June started out in finance before creating a

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<v Speaker 1>fashion empire. Currently, while in quarantine, June has been hosting

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<v Speaker 1>the June and Summer i G Live Show with her

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<v Speaker 1>daughter Summer and you know, June, I have to say

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<v Speaker 1>that Summer reminds me so much of Willow. She's so

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<v Speaker 1>full confidence and energy, not afraid to speak her mind,

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<v Speaker 1>and not shot at all. Hey, guys, welcome back to

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<v Speaker 1>the Junie Summer Shows. June show. How you want to

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<v Speaker 1>call it Today's freest Friday. So I'm sure you guys

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<v Speaker 1>have been having a fun experience with that. So whose

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<v Speaker 1>idea was that? Because I have a feeling it with Summers,

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<v Speaker 1>not yours. Well listen, it was my dead And initially

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<v Speaker 1>just because I really wanted to kind of create a routine,

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<v Speaker 1>you know, homeschooling was something that none of us we

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<v Speaker 1>were gonna be thrown into. I wanted her to know

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<v Speaker 1>that you have nothing's changed as a schedule, And I

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<v Speaker 1>also wanted to have something to do with her because

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<v Speaker 1>I knew that I was gonna try to stay in

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<v Speaker 1>that space to just kind of stay in touch with

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<v Speaker 1>people and that lose my mind. And I just asked

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<v Speaker 1>her to do one show with me. And at first

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<v Speaker 1>she was like, she was like okay, But then after

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<v Speaker 1>it became like a thing where I was like producing it,

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<v Speaker 1>then she she quit like six times because it just

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<v Speaker 1>it just got too serious, you know, it was like

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<v Speaker 1>it got it got real, but it also allowed her

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<v Speaker 1>to find herself in her voice. I mean, she's always

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<v Speaker 1>been very opinionated, and you know, I definitely see what

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<v Speaker 1>you see with you know, the willow and her singing,

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<v Speaker 1>like they're just such they're so confident in their own person.

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<v Speaker 1>You know. I don't. I don't. I don't overproduce my kids,

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<v Speaker 1>you know. And I think that's what I admire so

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<v Speaker 1>much about the Smith's kids. It is like they they're

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<v Speaker 1>just so authentically themselves. There's something about that that's so important.

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<v Speaker 1>My mom never altered who I was overproduce me. It's

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<v Speaker 1>why I am who I am because she never she

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<v Speaker 1>didn't in my light. She didn't put me in this box.

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<v Speaker 1>She didn't say speak when you're spoken to. She didn't say,

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<v Speaker 1>you know, calm down. I was just precocious and over

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<v Speaker 1>the top as I am now is I was when

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<v Speaker 1>I was three years old. I would want to just

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<v Speaker 1>remind everyone that's listening how difficult your job is. You know.

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<v Speaker 1>I know you do it because you love it, but

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<v Speaker 1>you know, style is such a personal thing and to

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<v Speaker 1>have to try to dress someone and understand there a style,

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<v Speaker 1>what they want, and recognizing that what they want may

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<v Speaker 1>not always be what looks best for them and not

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<v Speaker 1>put your style on them. And then each person is different,

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<v Speaker 1>each client that you get is different. Well, I think

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<v Speaker 1>that's where the skill set comes in, the understanding of

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<v Speaker 1>how to translate and articulate someone's personality and personal persona

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<v Speaker 1>and character develop them within the action of stiling. Right,

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<v Speaker 1>So if you look at it all, I'm gonna put

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<v Speaker 1>some clothes together. I love this high fashion thing. That's

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<v Speaker 1>as great. This is what's happening, you know, naming twenty labels,

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<v Speaker 1>and you think that styling, you could be met with opposition,

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<v Speaker 1>body opposition and personality opposition. You know, where someone puts

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<v Speaker 1>something on and it could be yeah, it could be

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<v Speaker 1>the most amazing thing, and they put it on, they're like, oh,

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<v Speaker 1>I don't I don't feel it. I don't connect. I

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<v Speaker 1>always removed myself from the experience because it's not about me.

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<v Speaker 1>What I do try to do, I try to inject

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<v Speaker 1>energy and expertise inless particular, inless particular action of having

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<v Speaker 1>to help someone to, you know, really develop their own

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<v Speaker 1>personal style or characters, develop them because some people might feel, oh,

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<v Speaker 1>I to reinvent myself. And that's why I use the

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<v Speaker 1>word character development, So where they need to separate there

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<v Speaker 1>all you know, their their own personal inhibitions to become

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<v Speaker 1>the person that they want to become. Sometimes you have

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<v Speaker 1>to step outside of yourself to see further down the line.

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<v Speaker 1>Is what happens when someone says I want to reinvent

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<v Speaker 1>myself and they don't realize that process will require you

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<v Speaker 1>taking some risks. That process will require you stepping outside

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<v Speaker 1>of your comfort your comfort space, and when you say

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<v Speaker 1>that initially, it's a little bit jarring, and the ideas

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<v Speaker 1>a little bit like what are you talking about? Willis

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<v Speaker 1>imagine the person you want to become. Don't just see

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<v Speaker 1>the admirer of things that you see on others. Figure

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<v Speaker 1>out how you can interpret that for yourself. So it

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<v Speaker 1>takes taking taking little things from it. And we look

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<v Speaker 1>at fashion magazines. We don't look like supermodels. The average

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<v Speaker 1>person does not look like a model in a magazine.

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<v Speaker 1>But you may love the texture, you may love the color,

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<v Speaker 1>and now you have to figure out, how can I

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<v Speaker 1>incorporate that that you know, that thing that I that

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<v Speaker 1>I can identify with. That spark of identifying something that

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<v Speaker 1>connects with you is beautiful, because that's saying that's gross, right.

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<v Speaker 1>You know, some people look at things and what I

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<v Speaker 1>don't get it. I don't like it. I don't know

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<v Speaker 1>that could be me. But then some people look at

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<v Speaker 1>things and say, oh, I wish, So putting yourself in

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<v Speaker 1>the I wish and then put yourself into receiving, you know,

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<v Speaker 1>all the things that you wish for, you asked for.

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<v Speaker 1>Because we're addressing over fifty, I want to be very clear,

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<v Speaker 1>like it's different now, it's not We're not in the fifties.

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<v Speaker 1>We're not in this. You know, we're not back and

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<v Speaker 1>they were. You know, there was a certain you know,

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<v Speaker 1>rule of thumb for women, mature women. You know, the

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<v Speaker 1>ponty pants will cut a certain way. You know, the

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<v Speaker 1>skirt line was you know, a certain way. But now

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<v Speaker 1>you know, you look at you, for instance, you're in

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<v Speaker 1>amazing physical shape. You know, you have the most regressive features.

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<v Speaker 1>You just age backwards like Benjamin Buttons. I know, but

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<v Speaker 1>but I still feel like regardless of that, like you

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<v Speaker 1>still have to pay attention to what is age appropriate.

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<v Speaker 1>You know, I break all the rules there, I don't.

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<v Speaker 1>I'm not saying that you should wear a pair of

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<v Speaker 1>poompum shorts. Hi, I'm not saying you should wear a

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<v Speaker 1>pair of poompuom shorts because that would probably not be

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<v Speaker 1>age appropriate. But I don't but I don't. I wouldn't

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<v Speaker 1>necessarily see you doing that or any woman of that

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<v Speaker 1>age doing that, because I'm forty nine and for me,

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<v Speaker 1>I've I've found a space of wanting to be baggy

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<v Speaker 1>and tomboye and lose and it's very young right now?

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<v Speaker 1>Is that a right? Is that age appropriate? So it's

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<v Speaker 1>not like we can't equate, like, you know, age appropriate

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<v Speaker 1>with sexy, because every young person is not necessarily provocatively

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<v Speaker 1>dressing sexy. Right, that's one. So I want you to

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<v Speaker 1>interpret like dressing your age, you should be dressing your spirit. Right,

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<v Speaker 1>you should be dressing how how you feel. So some

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<v Speaker 1>days I wake up and I'm like, you know, I

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<v Speaker 1>don't want to even and show my body. I'm going

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<v Speaker 1>a big, oversized caftan dress. You know, it's it could

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<v Speaker 1>be very very cheic. I love things with dramatic silhouettes,

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<v Speaker 1>very petite, so you know, I tend to do things

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<v Speaker 1>that will flow to the floor. It makes me look

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<v Speaker 1>a little longer if the neckline is open. So there

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<v Speaker 1>are all these physical rules to different silhouettes, especially for

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<v Speaker 1>more mature women that want to still feel sexy. Now,

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<v Speaker 1>your your clavicles will be your new cleavage, if your

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<v Speaker 1>breasts have dropped, if you still like showing your death

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<v Speaker 1>lettee and you know, that's a great place for you

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<v Speaker 1>to express feeling a little bit more. You know, set

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<v Speaker 1>sensual a little bit sexier. And it doesn't mean that

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<v Speaker 1>you couldn't necessarily do a low v nut cardigan, because

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<v Speaker 1>you could do a cardigan sweater with some pencil jeans

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<v Speaker 1>and that's age you could. And if you have the waistline,

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<v Speaker 1>you could do a very thin belt over the card Again,

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<v Speaker 1>if you don't have a waistline, you can wear an

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<v Speaker 1>oversized cardigan fitted fitted jeans, and you can do a

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<v Speaker 1>ballet slipper over a pair of sneakers. And these are

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<v Speaker 1>like simple, effortless pieces. Right, So I think carticons are important.

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<v Speaker 1>I think of you know, like shirts, not not like

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<v Speaker 1>a blouse, a shirt, a shirt, a crispy pinstriped shirt,

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<v Speaker 1>a crispy white shirt, super classic, super aplous. And it

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<v Speaker 1>allows you, um the ability to lay a really fun

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<v Speaker 1>things on top, right, or layering a chunky piece of

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<v Speaker 1>jewelry and adding your own personal seasoning. You know, it's

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<v Speaker 1>like what's cooking right. So it's like finding the right

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<v Speaker 1>pair of jeans. I personally am not a fan of

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<v Speaker 1>jeans when I'm feeling a little bit more on the

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<v Speaker 1>chubbier side, Like if I'm not loving my thighs, then

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<v Speaker 1>don't wear a pair of faded blue jeans with the

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<v Speaker 1>with the fadedness in the thigh were darker blue jean.

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<v Speaker 1>And then where like something that's gonna cover the you know,

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<v Speaker 1>the fuller size part of your body where there's your hips,

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<v Speaker 1>in your in your bump. I et like a tunic

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<v Speaker 1>or an oversized partigan or a blazer with a with

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<v Speaker 1>a camisole. These are like again, blazers are also super

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<v Speaker 1>like to me age appropriate. You can make it look dressy,

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<v Speaker 1>you can make it look sporty. You can wear it

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<v Speaker 1>with a slip. You can wear it with a vnet

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<v Speaker 1>T shirt and some jeans and some heels, and your

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<v Speaker 1>heel can be a three inch it could be a

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<v Speaker 1>single soul platform because you know, as we age up

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<v Speaker 1>sometimes you know it's a little bit much on our

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<v Speaker 1>knees to be in a seven inch sletter, but you

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<v Speaker 1>still want to have a little lift, so you do

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<v Speaker 1>a single soul platform, so it gives you that feeling

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<v Speaker 1>of the pitch of a pump, but you have the

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<v Speaker 1>support of the wedge. So I always I use it

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<v Speaker 1>as a training wheel to enter a world of wearing heels,

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<v Speaker 1>and then I use it as the exit strategy to

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<v Speaker 1>when you're starting to kind of go into I can't

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<v Speaker 1>wear heels any more, but I'm slowly going, you know, declining,

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<v Speaker 1>and do it with grace. And now, when do you

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<v Speaker 1>feel about kitten heels. My husband just absolutely will not

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<v Speaker 1>allow me towear k He hates the kidden heal. No, man,

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<v Speaker 1>I'm with you. Might be your husband, you do not

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<v Speaker 1>get kissed. And kitten heels they are well. First of all,

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<v Speaker 1>I think kitty's are great for women who are like amazons.

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<v Speaker 1>If you are five eleven, you're nine. A kidney hell

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<v Speaker 1>is super demure. It's great because you don't that's a

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<v Speaker 1>woman loves that tall. That's her deal. A girl who's

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<v Speaker 1>five one five ft anything between kenney you might as

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<v Speaker 1>will wear a nice flat pier shoes. I'd rather you

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<v Speaker 1>just go all the way flat. Yeah, yeah, but I

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<v Speaker 1>know I feel like I need to do I feel

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<v Speaker 1>like I need to do a collab with I don't know,

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<v Speaker 1>Jimmy two or Globle something be real. Shoes are not cute, no,

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<v Speaker 1>And that's one of the things that's one of the

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<v Speaker 1>accessory like that. I'm a shoe fan. Like I love shoes.

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<v Speaker 1>I love shoes and bags, but I am flat footed,

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<v Speaker 1>okay to me, to me a kidten here, very uncomfortable

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<v Speaker 1>now yeah, yeah, so, but I just wish that because

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<v Speaker 1>I am finding that I'm right now I'm starting to

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<v Speaker 1>look for like the like eighty five or seventy million

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<v Speaker 1>kill because well, the highest I'm gonna go anyway as

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<v Speaker 1>a hundred. Jada and I wear the same side shoe.

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<v Speaker 1>But that's awesome. My daughter's daughter has already exceeded me.

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<v Speaker 1>I'm like, sorry, but Jada's heels are She's so tiny,

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<v Speaker 1>She's so short. He's gonna have on a five or

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<v Speaker 1>six in shield. So I don't always get her hand

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<v Speaker 1>me down. You don't always want them. She has fabulous shoes,

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<v Speaker 1>but I can't. I can't walk in them. But I

0:12:47.200 --> 0:12:50.160
<v Speaker 1>always encourage women that you know that that's over the

0:12:50.200 --> 0:12:54.400
<v Speaker 1>age of fifty two to really really find color. It

0:12:54.559 --> 0:12:58.480
<v Speaker 1>really it brings you know, it brings such happiness and joy.

0:12:58.520 --> 0:13:03.800
<v Speaker 1>And also patterns, dramatic patterns, you know, are just graphic,

0:13:04.000 --> 0:13:07.000
<v Speaker 1>beautiful patterns. That's another way to really kind of be

0:13:07.080 --> 0:13:10.400
<v Speaker 1>super stylish effortlessly because it's just imagine if you have

0:13:10.440 --> 0:13:13.040
<v Speaker 1>on your oversized white shirt, you have on some leggings,

0:13:13.120 --> 0:13:15.640
<v Speaker 1>you have on a nice flat whether it's a thong,

0:13:15.760 --> 0:13:19.000
<v Speaker 1>sandal or low for whatever it is, and then use

0:13:19.040 --> 0:13:25.440
<v Speaker 1>are all big oversized graphic you know, kimono or trench

0:13:26.000 --> 0:13:28.520
<v Speaker 1>or you know, it's just it's just super super chic.

0:13:29.120 --> 0:13:32.280
<v Speaker 1>And also women, you know, over the age of fifty,

0:13:32.440 --> 0:13:35.600
<v Speaker 1>we're a little bit more responsible, you know, we think

0:13:35.640 --> 0:13:39.440
<v Speaker 1>a little bit more curated. We think a little bit

0:13:39.480 --> 0:13:42.640
<v Speaker 1>more that I think there's less emphasis on wanting to

0:13:42.720 --> 0:13:46.360
<v Speaker 1>be like trendy, trendy, trendy. The closet is smarter, the

0:13:46.559 --> 0:13:51.000
<v Speaker 1>beautiful collectible pieces. You become a collector. Not that to

0:13:51.040 --> 0:13:53.800
<v Speaker 1>say that you hadn't collected before, but you really start

0:13:53.880 --> 0:13:57.240
<v Speaker 1>to your eye curate things differently, you know, where it's

0:13:57.240 --> 0:13:59.040
<v Speaker 1>like you're like, oh, I meet that flow print re

0:13:59.160 --> 0:14:02.559
<v Speaker 1>stando and you know, over it's just it's just something

0:14:02.600 --> 0:14:04.560
<v Speaker 1>that's so chic about it, and you wear it with

0:14:04.640 --> 0:14:07.400
<v Speaker 1>clean lines, all camel, and then a pop of color

0:14:07.440 --> 0:14:11.600
<v Speaker 1>on top. Color blocking is another beautiful way for a

0:14:11.640 --> 0:14:15.240
<v Speaker 1>woman whose body has changed. You can gate depth with

0:14:15.240 --> 0:14:17.600
<v Speaker 1>with color blocking. So you go, if you you know

0:14:17.720 --> 0:14:19.680
<v Speaker 1>you want to create this sense of depth of the inside,

0:14:19.720 --> 0:14:22.360
<v Speaker 1>you go warmer and darker jewel tones on the inside,

0:14:22.600 --> 0:14:24.720
<v Speaker 1>and then you do the pop of color on the outside.

0:14:25.080 --> 0:14:28.200
<v Speaker 1>And this creates a sense of like hollowness. And also

0:14:28.280 --> 0:14:30.600
<v Speaker 1>avoid things that squeeze your body and that are super

0:14:30.640 --> 0:14:33.720
<v Speaker 1>super tight. Go for something more flowey, and you know,

0:14:33.800 --> 0:14:36.920
<v Speaker 1>it's very glamorous. It could be very very very sexy,

0:14:37.080 --> 0:14:40.160
<v Speaker 1>especially if again if it's a calf tan, you know,

0:14:40.360 --> 0:14:43.000
<v Speaker 1>and you can wear beautiful necklaces and chains and just

0:14:43.040 --> 0:14:45.560
<v Speaker 1>be very graceful. And I think that you have to

0:14:45.600 --> 0:14:48.160
<v Speaker 1>think kind of old Hollywood, but it's kind of is

0:14:48.200 --> 0:14:50.520
<v Speaker 1>kind of a great reference, you know, think you know,

0:14:51.200 --> 0:14:55.040
<v Speaker 1>just glamor. Well, I think that I'm kind of on

0:14:55.080 --> 0:14:58.280
<v Speaker 1>the right track then, June, I don't. I don't think

0:14:58.320 --> 0:15:00.920
<v Speaker 1>i've been to it that bed keeping eyes are You're

0:15:00.920 --> 0:15:12.280
<v Speaker 1>doing well. Let's talk a little bit about shapers and

0:15:12.400 --> 0:15:16.960
<v Speaker 1>space for all ages, because I feel like the younger

0:15:17.080 --> 0:15:21.720
<v Speaker 1>folks don't really appreciate you gotta keep you be you's

0:15:21.720 --> 0:15:26.120
<v Speaker 1>gotta keep your meat meat thank you, okay, And it's

0:15:26.600 --> 0:15:30.320
<v Speaker 1>I just think that, you know, it's it's like it's fundamental.

0:15:30.440 --> 0:15:33.240
<v Speaker 1>It's like wearing a mask at this point. Yeah, you know,

0:15:33.400 --> 0:15:35.840
<v Speaker 1>if you want to wear something form fitted, you gotta

0:15:36.200 --> 0:15:38.400
<v Speaker 1>have something on their controls. But is it me Do

0:15:38.480 --> 0:15:42.200
<v Speaker 1>you feel like they it's kind of been rejected in

0:15:42.240 --> 0:15:45.400
<v Speaker 1>the in the young generations a little bit because you know,

0:15:45.520 --> 0:15:48.000
<v Speaker 1>it's we're in the age of poles and it's like

0:15:48.040 --> 0:15:49.960
<v Speaker 1>we're in the age of freedom and we're in the

0:15:50.000 --> 0:15:53.320
<v Speaker 1>age of kind of exploitation, and it's kind of like

0:15:53.360 --> 0:15:58.160
<v Speaker 1>we're looking at this. You know, the culture is really

0:15:58.240 --> 0:16:00.360
<v Speaker 1>driven by what if you think about what was happening

0:16:00.400 --> 0:16:03.160
<v Speaker 1>back in those days when you had the Bardville shows.

0:16:03.400 --> 0:16:06.760
<v Speaker 1>There were courses, I mean, shapewear. I think things that

0:16:06.840 --> 0:16:09.800
<v Speaker 1>have built in shapewear they're okay with. But the idea

0:16:09.840 --> 0:16:13.160
<v Speaker 1>of putting on like a full on it goes, it

0:16:13.200 --> 0:16:16.720
<v Speaker 1>goes in cycles. I think I think that's something that

0:16:16.800 --> 0:16:20.080
<v Speaker 1>moms should introduce, you know, to that. I agree at

0:16:20.080 --> 0:16:24.280
<v Speaker 1>a very early age, I wish it would come back

0:16:24.440 --> 0:16:28.840
<v Speaker 1>because uh yeah, what we're seeing sometimes is gonna be

0:16:28.920 --> 0:16:32.600
<v Speaker 1>like listen, girl, because I could fix this real quick,

0:16:32.920 --> 0:16:36.360
<v Speaker 1>exactly exactly, put on just a little biker short, just

0:16:36.400 --> 0:16:39.200
<v Speaker 1>a little something, just a little something, and you know, yeah,

0:16:39.320 --> 0:16:41.960
<v Speaker 1>so I think that you just want to make sure

0:16:42.000 --> 0:16:46.080
<v Speaker 1>that you are wearing shapewear that is not sabotaging your body,

0:16:46.400 --> 0:16:50.240
<v Speaker 1>that's doing the work. But please don't forget about shapers, guys,

0:16:50.240 --> 0:16:53.600
<v Speaker 1>shapers are a wonderful thing. Don't let us, don't let

0:16:53.680 --> 0:16:57.760
<v Speaker 1>us thank you. Even spanks are funny because if you

0:16:57.840 --> 0:17:01.600
<v Speaker 1>don't have on the right item to you know, then

0:17:01.440 --> 0:17:05.520
<v Speaker 1>then you can see, yeah, you can see. They can

0:17:05.560 --> 0:17:08.920
<v Speaker 1>mess you up. Yeah, you know. Some people also buy

0:17:08.920 --> 0:17:11.440
<v Speaker 1>shaper too small and then it ends up rolling down

0:17:11.560 --> 0:17:14.040
<v Speaker 1>creating bubbles. So you really want to make sure that

0:17:14.080 --> 0:17:16.200
<v Speaker 1>you're fitted for your shaper, like you're fitted for your bra.

0:17:16.960 --> 0:17:18.720
<v Speaker 1>You also want to make sure, like if you're wearing

0:17:18.720 --> 0:17:21.119
<v Speaker 1>a pair of trousers, you don't want to wear the

0:17:21.160 --> 0:17:24.439
<v Speaker 1>bikers you're right, you know shape, you can see it

0:17:24.480 --> 0:17:26.480
<v Speaker 1>on your bag. You'll see the right you'll see the

0:17:26.520 --> 0:17:29.119
<v Speaker 1>line on your side, which is not Those biker sharts

0:17:29.119 --> 0:17:32.320
<v Speaker 1>are great for dresses, things that don't necessary won't that

0:17:32.400 --> 0:17:36.000
<v Speaker 1>won't that that don't sit close to the body, but

0:17:36.200 --> 0:17:39.320
<v Speaker 1>just kind of cascade. Um. They have the full length

0:17:39.520 --> 0:17:43.240
<v Speaker 1>you know, waste waste to ankles, which are great. They

0:17:43.280 --> 0:17:46.399
<v Speaker 1>even have things for your upper arms, you know, to

0:17:46.720 --> 0:17:52.160
<v Speaker 1>to really control that that little section. I travel a lot,

0:17:52.600 --> 0:17:55.200
<v Speaker 1>you know, I'm on it off the plane because I'm

0:17:55.240 --> 0:17:59.199
<v Speaker 1>by coastal. What is your go to travel wardrobe? I

0:17:59.320 --> 0:18:01.680
<v Speaker 1>love I saw you had on this which though was

0:18:01.720 --> 0:18:04.320
<v Speaker 1>really cuss jumper just like kind of black, soft, kind

0:18:04.320 --> 0:18:08.960
<v Speaker 1>of cotton T shirt that was That was actually Kelly

0:18:09.119 --> 0:18:14.639
<v Speaker 1>Rowland from her from her labratics, from her fabletic and

0:18:14.760 --> 0:18:17.359
<v Speaker 1>totally gets it. Those are great travel pieces. I like

0:18:17.480 --> 0:18:20.840
<v Speaker 1>traveling as comfortable as possible. I love the pajama sets

0:18:20.920 --> 0:18:23.760
<v Speaker 1>to travel in. I think another that's another great you

0:18:23.800 --> 0:18:25.480
<v Speaker 1>know now that you know the two piece of jama

0:18:25.520 --> 0:18:28.760
<v Speaker 1>sets are you know so acceptable to where during the

0:18:28.840 --> 0:18:31.480
<v Speaker 1>day is fashion. It's a great travel piece. You know,

0:18:31.880 --> 0:18:35.600
<v Speaker 1>just a good old, you know, reathable jogging suit. Nothing

0:18:35.640 --> 0:18:38.600
<v Speaker 1>to like sweaty and heavy. It's you know, a ninth

0:18:38.680 --> 0:18:41.119
<v Speaker 1>lightweight where it's a cash me is like you know,

0:18:41.119 --> 0:18:43.320
<v Speaker 1>a little T shirt fabricause something you want to be

0:18:43.400 --> 0:18:46.840
<v Speaker 1>comfortable and if you layer it could be super super cheap.

0:18:47.480 --> 0:18:49.960
<v Speaker 1>I always layer up, you know, I'll wear like a

0:18:50.080 --> 0:18:55.040
<v Speaker 1>duster to elevate my you know, really casual maybe spair

0:18:55.119 --> 0:18:57.640
<v Speaker 1>sweatpants and the tea. I'll elevate it with, you know,

0:18:57.960 --> 0:19:00.520
<v Speaker 1>a poncho, just you know, the ways of the layering

0:19:00.520 --> 0:19:03.520
<v Speaker 1>and elevating a really casual look. I actually want to

0:19:03.560 --> 0:19:08.199
<v Speaker 1>get your opinion on how I styled myself, cause I

0:19:08.280 --> 0:19:13.919
<v Speaker 1>styled myself for the Image Awards and it was challenging

0:19:13.960 --> 0:19:15.760
<v Speaker 1>for me. But I thought I did a great job.

0:19:16.200 --> 0:19:18.680
<v Speaker 1>I mean, well you you you you were saying thing

0:19:18.680 --> 0:19:21.800
<v Speaker 1>about that I was, and it's and listen if whenever

0:19:21.920 --> 0:19:24.800
<v Speaker 1>in doubt, a black dress will never stay you wrong.

0:19:24.920 --> 0:19:28.560
<v Speaker 1>I thought it was beautifully fitted. You know, it was easy.

0:19:28.600 --> 0:19:31.640
<v Speaker 1>You know, it had the perfect neckline. It was sexy

0:19:31.920 --> 0:19:35.239
<v Speaker 1>but not trying too hard whenever in doubt, I mean,

0:19:35.280 --> 0:19:36.800
<v Speaker 1>I just thought it was the perfect kind of like

0:19:36.920 --> 0:19:40.240
<v Speaker 1>go to. Now, was was that always kind of your

0:19:40.240 --> 0:19:41.879
<v Speaker 1>go to like when you have to work, you know,

0:19:42.040 --> 0:19:44.680
<v Speaker 1>kind of figured out for yourself as a black dress? Well,

0:19:44.760 --> 0:19:47.920
<v Speaker 1>this was the first time I had to do anything

0:19:47.960 --> 0:19:53.160
<v Speaker 1>like this. Oh really, yeah, that was my first stepping

0:19:53.160 --> 0:19:57.040
<v Speaker 1>out stepping out like that, and I had to receive

0:19:57.119 --> 0:20:00.879
<v Speaker 1>the award because Jada couldn't be there, so you have

0:20:01.000 --> 0:20:05.600
<v Speaker 1>to speak. Yeah, it looks great. I needed to be

0:20:05.680 --> 0:20:08.320
<v Speaker 1>in something that was going to be comfortable because I

0:20:08.359 --> 0:20:10.760
<v Speaker 1>knew I was gonna be nervous. Yeah, and I like

0:20:10.840 --> 0:20:13.200
<v Speaker 1>that it was a Matt finish too that it wasn't. Yeah,

0:20:13.440 --> 0:20:16.159
<v Speaker 1>it was very forgiving. Yeah. Another thing you want to

0:20:16.200 --> 0:20:19.240
<v Speaker 1>avoid things, you know, women when their body you know

0:20:19.280 --> 0:20:22.480
<v Speaker 1>they're under construction or their body fluctuating. You want to

0:20:22.480 --> 0:20:25.320
<v Speaker 1>avoid things with shine because it only adds brings attention

0:20:25.400 --> 0:20:28.280
<v Speaker 1>to the problematic areas. And not to say that you

0:20:28.280 --> 0:20:30.360
<v Speaker 1>have any, but it was really kind of funny forgetting

0:20:30.600 --> 0:20:34.600
<v Speaker 1>it was Matt. It was you know, it definitely glamouflage

0:20:34.760 --> 0:20:37.520
<v Speaker 1>and he sell you lied and he you know, palffiness

0:20:37.560 --> 0:20:39.560
<v Speaker 1>you made. The rouging in the waistline was great to

0:20:39.560 --> 0:20:42.480
<v Speaker 1>create a smaller weight, the appearance of a smaller waist,

0:20:42.520 --> 0:20:44.760
<v Speaker 1>giving you more of a curve your body, more of

0:20:44.760 --> 0:20:47.720
<v Speaker 1>a coke shaped bottle body, which was great. So you did.

0:20:48.160 --> 0:20:51.000
<v Speaker 1>And I think that people make the wrong assumption too,

0:20:51.080 --> 0:20:53.440
<v Speaker 1>is that when you're small, because you brought up cell

0:20:53.480 --> 0:20:55.879
<v Speaker 1>you like when you're small, there are no body issues.

0:20:55.920 --> 0:21:00.959
<v Speaker 1>And it's that's right. I have a ton of cellulite

0:21:00.960 --> 0:21:04.120
<v Speaker 1>on my legs as that. It just gets worse as

0:21:04.240 --> 0:21:07.800
<v Speaker 1>I get and they say it's hereditary too. Yes, yes, yes,

0:21:08.440 --> 0:21:10.840
<v Speaker 1>that's what it is. Yeah, it is what it is.

0:21:11.000 --> 0:21:15.560
<v Speaker 1>Let's go back to timeless. In the closet. We talked

0:21:15.560 --> 0:21:18.360
<v Speaker 1>about like a white shirt. We talked a lot of blazer.

0:21:18.400 --> 0:21:21.600
<v Speaker 1>We didn't talk about laser shooting, you know, whether it's

0:21:21.640 --> 0:21:25.440
<v Speaker 1>finding that perfect silhouette, you know, like that high waister trouser,

0:21:26.119 --> 0:21:29.080
<v Speaker 1>whether you're you know, depending on your body type. You know,

0:21:29.080 --> 0:21:31.199
<v Speaker 1>if you're a little bit more on the pear shaped side,

0:21:31.560 --> 0:21:33.639
<v Speaker 1>you want to probably not do the pencil trouser and

0:21:33.680 --> 0:21:37.520
<v Speaker 1>do the more full led trousers. It's more flattering, um,

0:21:37.560 --> 0:21:40.879
<v Speaker 1>if you know. Like but just also a blazer that

0:21:40.920 --> 0:21:43.080
<v Speaker 1>gives you the waist a waistline, whether it's a one

0:21:43.119 --> 0:21:46.320
<v Speaker 1>button or a two button. Um and and again it

0:21:46.400 --> 0:21:49.680
<v Speaker 1>all it really depends on your on your body type. Um,

0:21:49.720 --> 0:21:52.240
<v Speaker 1>but I'm I'm a fan of having you just need

0:21:52.280 --> 0:21:54.320
<v Speaker 1>to have it in the closet. It's just me like

0:21:54.359 --> 0:21:59.359
<v Speaker 1>an essential. Another essential I feel is you know, just

0:21:59.480 --> 0:22:03.080
<v Speaker 1>we talked to about leggings, you know, not wearing your

0:22:03.160 --> 0:22:07.080
<v Speaker 1>leggings in the traditional way, you know, and especially you know,

0:22:07.119 --> 0:22:09.320
<v Speaker 1>a lot of us have taken on very kind of

0:22:10.160 --> 0:22:12.879
<v Speaker 1>laid back lifestyles because of what's going on in the

0:22:12.920 --> 0:22:17.639
<v Speaker 1>country with this pandemic. You're you know, you're not sitting

0:22:17.680 --> 0:22:20.840
<v Speaker 1>at a zoom full on you know what I mean.

0:22:20.920 --> 0:22:22.840
<v Speaker 1>You're not even buying shoes as much. You're not even

0:22:22.880 --> 0:22:25.080
<v Speaker 1>thinking about beds as much. There's certain things you're not

0:22:25.119 --> 0:22:28.160
<v Speaker 1>thinking about as much. But doesn't mean that you don't

0:22:28.160 --> 0:22:30.520
<v Speaker 1>want to get up, you know and throw on something

0:22:30.520 --> 0:22:33.680
<v Speaker 1>a beautiful like easy dress, or throw on your sweats

0:22:33.680 --> 0:22:35.600
<v Speaker 1>and how do you make your sweat so cool? You

0:22:35.600 --> 0:22:38.320
<v Speaker 1>can put your sweats on with your blazer, you know,

0:22:38.480 --> 0:22:44.080
<v Speaker 1>like we take it out of context. I've worn Oh yes, yes, yes,

0:22:44.119 --> 0:22:45.840
<v Speaker 1>men do it all the time. It's super chic. Is

0:22:45.840 --> 0:22:49.080
<v Speaker 1>a casual friday, um, you know, you they'll do like

0:22:49.119 --> 0:22:51.520
<v Speaker 1>a they'll do like a b neck sweater, or they'll

0:22:51.520 --> 0:22:54.280
<v Speaker 1>do a totalneck, or they do a hoodie underneath their blazers.

0:22:54.560 --> 0:22:56.679
<v Speaker 1>And then there were sweatpants, whether they're you know, like

0:22:56.720 --> 0:23:00.760
<v Speaker 1>a nice luxury sweatpants. But I've I've done really fun

0:23:00.840 --> 0:23:03.640
<v Speaker 1>sweatpants with blazers and a and a and a vnet

0:23:03.640 --> 0:23:06.280
<v Speaker 1>tea and it's very very classy and I'll do like

0:23:06.320 --> 0:23:08.639
<v Speaker 1>a little heel with it, or I'll go on you know,

0:23:08.760 --> 0:23:11.159
<v Speaker 1>like uh not, I'll put on a slipper or a

0:23:11.200 --> 0:23:13.800
<v Speaker 1>slide to make it a little bit more cooler opposed

0:23:13.840 --> 0:23:17.919
<v Speaker 1>to putting on a tennis sneaker. And it's it's a feeling.

0:23:18.119 --> 0:23:20.240
<v Speaker 1>I encourage you to take things out of context and

0:23:20.280 --> 0:23:22.639
<v Speaker 1>play with things. I think separates are really good too.

0:23:23.080 --> 0:23:25.640
<v Speaker 1>When you have you found your easy skirt, whether it's

0:23:25.680 --> 0:23:28.960
<v Speaker 1>an A line or pleaded, that you can really mix

0:23:29.040 --> 0:23:32.800
<v Speaker 1>and match all of these pieces throughout. And that's really

0:23:32.800 --> 0:23:35.000
<v Speaker 1>the goal is that you have. Like if you have

0:23:35.119 --> 0:23:37.000
<v Speaker 1>a cardigan, you want to make sure your cardigan go

0:23:37.040 --> 0:23:40.040
<v Speaker 1>with at least five different things. You want to know

0:23:40.040 --> 0:23:42.919
<v Speaker 1>that you can wear your cardigan over really easy you know,

0:23:43.040 --> 0:23:44.560
<v Speaker 1>sleeveless dress. You want to know that you can wear

0:23:44.600 --> 0:23:46.199
<v Speaker 1>your card again with your jeans. You want to know

0:23:46.200 --> 0:23:48.719
<v Speaker 1>that you can wear your cardigans with your sweats, and

0:23:48.760 --> 0:23:52.440
<v Speaker 1>that also elevates your sweats to a cardigan. You want

0:23:52.440 --> 0:23:55.720
<v Speaker 1>to know that you can um you know, like to me,

0:23:55.840 --> 0:23:59.880
<v Speaker 1>like it's like one of those essentials. But I think

0:24:00.000 --> 0:24:02.040
<v Speaker 1>have been I think I'm listening to you. I think

0:24:02.080 --> 0:24:05.639
<v Speaker 1>I've been very safe with my card against because my

0:24:05.720 --> 0:24:09.560
<v Speaker 1>card agans are all because they're like prespieid. Yeah, they're

0:24:09.920 --> 0:24:16.080
<v Speaker 1>like colors, but how they oversize or they kind of Yeah,

0:24:16.880 --> 0:24:19.000
<v Speaker 1>I think they're so chic. I mean, you can throw

0:24:19.040 --> 0:24:21.439
<v Speaker 1>a car again over a fitted dress. You said you

0:24:21.440 --> 0:24:24.920
<v Speaker 1>can belt it and wear it with your leggings. It's like,

0:24:25.080 --> 0:24:28.479
<v Speaker 1>you know, a ballet flat. It's it's you know, it's

0:24:28.560 --> 0:24:31.680
<v Speaker 1>very nineteen kind of fifties and sixties retro. You'll put

0:24:31.680 --> 0:24:34.719
<v Speaker 1>it on with a tam so ballet slippers are not

0:24:34.880 --> 0:24:46.520
<v Speaker 1>out like pearls. Okay, what are some of the mistakes

0:24:46.600 --> 0:24:49.600
<v Speaker 1>that you think women make when they're shopping for their

0:24:49.640 --> 0:24:54.520
<v Speaker 1>body type? Buying things too small? You know, the worst

0:24:54.520 --> 0:24:56.160
<v Speaker 1>time the shop is at the end of the day,

0:24:56.200 --> 0:24:58.560
<v Speaker 1>first of all, because the body is swollen. Weather's for

0:24:58.600 --> 0:25:01.439
<v Speaker 1>shoes and just everything. You've had a date out in

0:25:01.440 --> 0:25:04.840
<v Speaker 1>the element, and unless it's the debt of winter, but

0:25:04.880 --> 0:25:07.359
<v Speaker 1>even in the dead of winter, the body expands. You

0:25:07.440 --> 0:25:09.320
<v Speaker 1>might have had two a sodium, So don't shop in

0:25:09.359 --> 0:25:12.560
<v Speaker 1>the later part. Shop be a morning shopper. I like

0:25:12.680 --> 0:25:16.560
<v Speaker 1>to shop after twelve. That's one recommendation. Also, don't buy

0:25:16.560 --> 0:25:19.720
<v Speaker 1>things on the size that you're working towards being you know,

0:25:19.920 --> 0:25:22.600
<v Speaker 1>I like to buy things with room so that I

0:25:22.640 --> 0:25:26.439
<v Speaker 1>can fluctuate, you know, So give yourself some some grace

0:25:26.600 --> 0:25:30.639
<v Speaker 1>in space when you're when you're shopping clothes. I just

0:25:30.680 --> 0:25:32.760
<v Speaker 1>think this. It's such a buzz kill when you put

0:25:32.800 --> 0:25:34.760
<v Speaker 1>something on and you're like, oh, and it could be

0:25:34.800 --> 0:25:37.840
<v Speaker 1>just a little residual waterway, and it just looks terrible

0:25:37.840 --> 0:25:40.800
<v Speaker 1>because you didn't give yourself a little room. Yeah. The

0:25:41.200 --> 0:25:43.639
<v Speaker 1>one thing from me that I always feel like I

0:25:43.680 --> 0:25:46.200
<v Speaker 1>have to be careful about when I'm shopping is listening

0:25:46.240 --> 0:25:52.000
<v Speaker 1>to the salesperson. The salesperson because once again, yes, my

0:25:52.119 --> 0:25:55.960
<v Speaker 1>body is small, and they if they don't know me,

0:25:56.119 --> 0:25:59.080
<v Speaker 1>then they don't they may not realize my true age.

0:25:59.080 --> 0:26:03.879
<v Speaker 1>So they're always see the contemporary section right and trying

0:26:03.880 --> 0:26:07.920
<v Speaker 1>to put me in something that, you know, younger than

0:26:08.200 --> 0:26:10.920
<v Speaker 1>what is appropriate for myself. So I have very aware

0:26:10.960 --> 0:26:13.040
<v Speaker 1>of that, and I tell my friends all the time, listen,

0:26:13.480 --> 0:26:17.399
<v Speaker 1>don't let me be this sixty year old woman coming

0:26:17.440 --> 0:26:21.719
<v Speaker 1>out in a mini skirt, you know, and you know

0:26:21.760 --> 0:26:24.560
<v Speaker 1>what you know what could replace that is something that's

0:26:24.560 --> 0:26:28.640
<v Speaker 1>super sweet, so you can replace like you know, them

0:26:28.680 --> 0:26:31.919
<v Speaker 1>taking to this like this young junior section too. Can

0:26:31.920 --> 0:26:35.240
<v Speaker 1>you show me, you know a dress that has a

0:26:35.359 --> 0:26:39.240
<v Speaker 1>nice the ability to tie a boat that's silk and chiffon,

0:26:39.520 --> 0:26:41.760
<v Speaker 1>or that is just kind of like a graphic print

0:26:41.840 --> 0:26:44.719
<v Speaker 1>that you know, that's pleaded on, pleaded on the bottom

0:26:44.720 --> 0:26:46.280
<v Speaker 1>and it's a shirt at the top, So a short

0:26:46.359 --> 0:26:49.720
<v Speaker 1>dress could be super gorgeous. And it's just, um, it's

0:26:49.760 --> 0:26:52.840
<v Speaker 1>easy and it's very sophisticated, and I think young girls

0:26:53.040 --> 0:26:55.840
<v Speaker 1>can get away with it and older women can get

0:26:55.880 --> 0:26:59.320
<v Speaker 1>away with that. I've seen it work for both. Tell

0:26:59.359 --> 0:27:01.840
<v Speaker 1>me what are some of the trends you're you're saying,

0:27:01.840 --> 0:27:03.720
<v Speaker 1>but let me let me just tell you what I

0:27:03.800 --> 0:27:09.159
<v Speaker 1>do when it comes to trending, where I typically, and

0:27:09.200 --> 0:27:11.159
<v Speaker 1>I think I'm on the right track with this, I

0:27:11.200 --> 0:27:15.679
<v Speaker 1>will typically spend um, I'm willing to spend more money

0:27:15.920 --> 0:27:22.480
<v Speaker 1>on like shoes, bags, maybe outerwear and just keep it

0:27:22.520 --> 0:27:26.040
<v Speaker 1>simple and wear jeans and T shirts and jeans and

0:27:24.840 --> 0:27:30.000
<v Speaker 1>I love jeans and a T shirt. I feel like

0:27:30.160 --> 0:27:33.200
<v Speaker 1>you can do anything with that. You can put on

0:27:33.480 --> 0:27:37.159
<v Speaker 1>you can put on a pair of jeans, a banging shoe,

0:27:37.720 --> 0:27:42.320
<v Speaker 1>a nice bag, and a white T shirt and that

0:27:42.400 --> 0:27:45.639
<v Speaker 1>can carry you almost anywhere. Yeah, but you can't do

0:27:45.680 --> 0:27:47.800
<v Speaker 1>it too many times a week. Well that's true, because

0:27:47.840 --> 0:27:50.400
<v Speaker 1>then you get caught up in a rut. Yeah, that's true.

0:27:50.560 --> 0:27:52.360
<v Speaker 1>You know, then you get you get caught into that

0:27:52.480 --> 0:27:55.199
<v Speaker 1>comfortable place and you lose your imagination for it, you

0:27:55.280 --> 0:27:57.919
<v Speaker 1>lose your palette. You know. It's like if you stop

0:27:57.960 --> 0:28:01.040
<v Speaker 1>doing something long enough, you just get over it. And

0:28:01.160 --> 0:28:04.280
<v Speaker 1>that's what happens. That may be where I am, because

0:28:05.000 --> 0:28:07.359
<v Speaker 1>it's like, you like, why bother? Like, you know, my

0:28:07.440 --> 0:28:10.840
<v Speaker 1>jeans and my T shirts work fine. I know I'm stylish,

0:28:10.880 --> 0:28:13.760
<v Speaker 1>I know I'm fabulous, But who cares? That's what it

0:28:13.800 --> 0:28:16.040
<v Speaker 1>starts to say. After walk and you don't and you

0:28:16.080 --> 0:28:20.240
<v Speaker 1>don't have a relationship with the idea of storytelling as

0:28:20.280 --> 0:28:22.640
<v Speaker 1>it relates the style, and I don't think you ever

0:28:22.680 --> 0:28:24.879
<v Speaker 1>want to lose that. You know. It's like it's almost

0:28:24.920 --> 0:28:28.080
<v Speaker 1>like it becomes part of a conversation that you never

0:28:28.119 --> 0:28:30.720
<v Speaker 1>want to lose. So what would you what would you

0:28:30.760 --> 0:28:32.879
<v Speaker 1>tell me to do them? What? What? What should I

0:28:32.920 --> 0:28:35.120
<v Speaker 1>do to try to break out of that? Because I'm

0:28:35.160 --> 0:28:37.240
<v Speaker 1>telling you jeans and a T shirt is my go

0:28:37.440 --> 0:28:39.720
<v Speaker 1>to I do it all the time. I will throw

0:28:39.840 --> 0:28:42.760
<v Speaker 1>on some jeans and a shoe. The challenge will be

0:28:42.960 --> 0:28:47.360
<v Speaker 1>to find another everyday pant Oh no, I have to

0:28:47.400 --> 0:28:50.000
<v Speaker 1>get rid of my jeans. No, no, no, no no.

0:28:50.480 --> 0:28:53.400
<v Speaker 1>Because if you're wearing your jeans five days a week,

0:28:53.440 --> 0:28:56.680
<v Speaker 1>I'm telling you to wear your jeans twice a week

0:28:57.280 --> 0:29:01.120
<v Speaker 1>and the other five days five days, you have to

0:29:01.160 --> 0:29:05.600
<v Speaker 1>wear another another bottom. It could be a pair of cargoes,

0:29:05.760 --> 0:29:08.440
<v Speaker 1>drop clatch cargoes, get funky with it. It could be

0:29:09.320 --> 0:29:11.840
<v Speaker 1>you know I had, it could be it could be

0:29:11.840 --> 0:29:14.280
<v Speaker 1>a yeah, it could be. It could be a trowser

0:29:14.360 --> 0:29:16.840
<v Speaker 1>that's super easy that you wear with your T shirt.

0:29:17.280 --> 0:29:20.040
<v Speaker 1>You don't have to give give up the casualness. If

0:29:20.080 --> 0:29:22.040
<v Speaker 1>you stop wearing eels and then you put them on

0:29:22.120 --> 0:29:23.960
<v Speaker 1>your feet just says to you, what are you doing?

0:29:24.800 --> 0:29:28.400
<v Speaker 1>So if you stop putting yourself into those fashionable pieces

0:29:28.480 --> 0:29:32.000
<v Speaker 1>or those things that take a little bit more imagination,

0:29:32.760 --> 0:29:36.240
<v Speaker 1>it's gonna it won't even understand why you're doing it.

0:29:36.240 --> 0:29:37.960
<v Speaker 1>It'll be like, why are you knocking on my door?

0:29:38.640 --> 0:29:40.160
<v Speaker 1>Like why you over here? You know what I mean?

0:29:40.200 --> 0:29:42.640
<v Speaker 1>You won't feel a sense of connectivity with it. I know,

0:29:42.720 --> 0:29:45.600
<v Speaker 1>women fair getting stuck in a rut at this age

0:29:46.280 --> 0:29:48.240
<v Speaker 1>doing difference like this is how I like to wear

0:29:48.280 --> 0:29:50.520
<v Speaker 1>my makeup. I'm done, So take yourself out of your

0:29:50.520 --> 0:29:54.040
<v Speaker 1>comfort zone and just play a little, you know. Even listen,

0:29:54.160 --> 0:29:57.200
<v Speaker 1>I wear skirts and sneakers, like track sneakers. I think

0:29:57.200 --> 0:29:59.640
<v Speaker 1>it's so chic. You know, it's like and it's very young,

0:29:59.680 --> 0:30:02.480
<v Speaker 1>but it's inappropriate. You know, I'll put an over. You know,

0:30:02.520 --> 0:30:04.800
<v Speaker 1>I could do a big chunky sweater over like this,

0:30:05.200 --> 0:30:08.320
<v Speaker 1>you know, a really sweet loose skirt and some sneakers

0:30:08.440 --> 0:30:12.840
<v Speaker 1>is super cool. Wow, Okay, now that would be Now

0:30:12.840 --> 0:30:15.640
<v Speaker 1>how is that not age appropriate? Right? Because we're thinking, oh, well,

0:30:15.640 --> 0:30:18.160
<v Speaker 1>that's such a kind of like a school girl look, right,

0:30:18.240 --> 0:30:21.320
<v Speaker 1>But you know, but it's what what what makes something

0:30:21.360 --> 0:30:23.960
<v Speaker 1>not age appropriate? We just talked about. I'm sure that

0:30:23.960 --> 0:30:27.160
<v Speaker 1>would be a right? Now? What is the what is?

0:30:27.360 --> 0:30:30.120
<v Speaker 1>That's when I say, address your personality and if your

0:30:30.160 --> 0:30:33.560
<v Speaker 1>personality is fun and you like skipping around and you're

0:30:33.600 --> 0:30:37.800
<v Speaker 1>like being comfortable, then you can find other alternatives to

0:30:37.960 --> 0:30:47.400
<v Speaker 1>that story. One of the trends that we are to

0:30:47.440 --> 0:30:51.640
<v Speaker 1>be looking towards alot of sportswear. You know, so the

0:30:51.880 --> 0:30:54.880
<v Speaker 1>imagine like doing a hoodie with a sequence skirt or

0:30:54.920 --> 0:30:59.640
<v Speaker 1>a hoodie with trousers and that you you can do

0:30:59.680 --> 0:31:02.280
<v Speaker 1>that nice to me. You could do a hoodie with

0:31:02.400 --> 0:31:04.120
<v Speaker 1>your sequence skirt, or you could do a hoodie with

0:31:04.120 --> 0:31:06.360
<v Speaker 1>your trousers and your overcoat when you come back, you know,

0:31:06.400 --> 0:31:08.680
<v Speaker 1>the East Coast. It's such a it's such a chic

0:31:08.760 --> 0:31:11.720
<v Speaker 1>look and it's kind of like it's sophisticated tom Boy.

0:31:11.880 --> 0:31:14.040
<v Speaker 1>But there's also a lot of metallics, and I'm seeing

0:31:14.360 --> 0:31:16.920
<v Speaker 1>um graphics, things that are graphic a lot a lot

0:31:16.960 --> 0:31:20.280
<v Speaker 1>of graphics go back to the sequence because I love

0:31:20.360 --> 0:31:26.880
<v Speaker 1>the idea of making a sequence skirt casual so that

0:31:26.920 --> 0:31:29.560
<v Speaker 1>I can wear it during the day. So bring a discussion.

0:31:29.600 --> 0:31:34.400
<v Speaker 1>Yeah yeah, and I don't. I haven't convinced my husband

0:31:34.520 --> 0:31:37.479
<v Speaker 1>about that look, and he always feels like, I know,

0:31:37.720 --> 0:31:40.800
<v Speaker 1>you can totally do. I just recently saw like this

0:31:40.960 --> 0:31:45.040
<v Speaker 1>really cute Alison Olivier Pleaded is a sequence skirt and

0:31:45.040 --> 0:31:46.760
<v Speaker 1>you can wear with like a rock or T shirt.

0:31:47.160 --> 0:31:50.080
<v Speaker 1>You easy just simple clean T shirt through a blazer

0:31:50.120 --> 0:31:52.280
<v Speaker 1>with it. You could wear with a hoodie, you know,

0:31:52.400 --> 0:31:55.600
<v Speaker 1>put casual pieces with it, especially the shoe. The shoe

0:31:55.600 --> 0:31:58.440
<v Speaker 1>should be like super easy. It could be a right now,

0:31:58.440 --> 0:32:00.440
<v Speaker 1>it could be a sandal, it could be a sneaker,

0:32:00.560 --> 0:32:03.040
<v Speaker 1>a tenner, a tennis sneaker. It could be a simple,

0:32:03.440 --> 0:32:05.760
<v Speaker 1>you know, like real clean tennis sneak. It doesn't be

0:32:05.800 --> 0:32:08.160
<v Speaker 1>a track. It could be like an old school retro sneaker,

0:32:08.600 --> 0:32:13.160
<v Speaker 1>Converse or you know, you know, San Smith. I wonder

0:32:13.240 --> 0:32:16.560
<v Speaker 1>if it's the style of the skirt, because the skirt

0:32:16.840 --> 0:32:21.040
<v Speaker 1>is a pencil skirt, a pencil I was a pencil sneaker,

0:32:21.800 --> 0:32:25.560
<v Speaker 1>so maybe it's that harder. It's a little harder. That's

0:32:25.560 --> 0:32:29.880
<v Speaker 1>a little harder. If you're super super thin and you're tall,

0:32:30.120 --> 0:32:33.960
<v Speaker 1>it's easy to do a fitted pencil skirt, sequence pencil

0:32:33.960 --> 0:32:37.600
<v Speaker 1>skirt with sneakers and teeth, that's but if your petite,

0:32:37.840 --> 0:32:39.240
<v Speaker 1>it's a lot of work because you're don't want to

0:32:39.280 --> 0:32:41.720
<v Speaker 1>We're you're gonna want to wear heels. What about it

0:32:41.720 --> 0:32:44.080
<v Speaker 1>if you put it on at night. I would still

0:32:44.080 --> 0:32:47.280
<v Speaker 1>wear that fitted pencil skirt, sequence pencil skirt at night

0:32:47.800 --> 0:32:50.880
<v Speaker 1>with a T shirt. Yeah, a T shirt or like

0:32:51.000 --> 0:32:54.640
<v Speaker 1>an oversized card again not not a card again, or

0:32:54.760 --> 0:32:58.040
<v Speaker 1>even don that you belt at the ways. For sure.

0:32:58.720 --> 0:33:03.040
<v Speaker 1>I tend to Like, I'll look at magazines to try

0:33:03.040 --> 0:33:06.600
<v Speaker 1>to see, you know, what's out and what's fashionable, but

0:33:06.720 --> 0:33:11.880
<v Speaker 1>it's usually, like I said, I'm not one that wants

0:33:11.920 --> 0:33:16.680
<v Speaker 1>to spend a whole lot of money, particularly on trendy items.

0:33:17.560 --> 0:33:23.200
<v Speaker 1>So I'll look and see what is trending in in

0:33:23.400 --> 0:33:27.160
<v Speaker 1>fashion and then like my one of my favorite stores

0:33:27.320 --> 0:33:30.840
<v Speaker 1>is Zara, and I'll go to Zarah. Like, if you

0:33:30.840 --> 0:33:34.760
<v Speaker 1>want something trendy, faster, just keep moving. Yeah, yeah, what

0:33:35.120 --> 0:33:38.479
<v Speaker 1>is your feeling about about businesses our address? I mean,

0:33:38.520 --> 0:33:41.080
<v Speaker 1>if I just kind of want something that I don't

0:33:41.120 --> 0:33:43.360
<v Speaker 1>want to invest in, but I'm feeling a taste to

0:33:43.440 --> 0:33:46.960
<v Speaker 1>just kind of buy something because it is an addiction, right, well,

0:33:47.320 --> 0:33:49.440
<v Speaker 1>this is the best way to to to kind of,

0:33:49.640 --> 0:33:53.080
<v Speaker 1>you know, suthe that addiction. But I think I've become

0:33:53.160 --> 0:33:56.040
<v Speaker 1>over the years, I've become a lot smarter with whether

0:33:56.120 --> 0:33:58.560
<v Speaker 1>you know, I want that camel row code or I

0:33:58.680 --> 0:34:00.840
<v Speaker 1>want that you know, right, I'm just a little bit

0:34:00.880 --> 0:34:04.560
<v Speaker 1>smarter about the pieces, the investment pieces. Right, Okay, so

0:34:04.680 --> 0:34:08.239
<v Speaker 1>what what for? You tell me what your investment pieces?

0:34:08.520 --> 0:34:10.759
<v Speaker 1>In New York, your coat is your car because it's

0:34:10.800 --> 0:34:14.279
<v Speaker 1>always on the streets, so you know, and so an

0:34:14.280 --> 0:34:19.080
<v Speaker 1>outwear pieces. You know, an investment piece are strong, super

0:34:20.000 --> 0:34:26.480
<v Speaker 1>a blazer. Suiting is investment quality qualities, you know, knits, investments,

0:34:27.120 --> 0:34:29.440
<v Speaker 1>um and everything else in between. You know, it's just

0:34:29.520 --> 0:34:31.839
<v Speaker 1>kind of like I can layer with you know, those

0:34:32.440 --> 0:34:36.040
<v Speaker 1>I can trade those out, Yes, but shells, the shell

0:34:36.280 --> 0:34:40.160
<v Speaker 1>is super important. Got it, got it? Got it? Okay.

0:34:40.160 --> 0:34:42.080
<v Speaker 1>So I think I'm on the right I'm on the

0:34:42.160 --> 0:34:45.520
<v Speaker 1>right track. That's so glad I had the opportunity to

0:34:45.680 --> 0:34:47.640
<v Speaker 1>talk with you, to see I can talk about this

0:34:47.680 --> 0:34:50.239
<v Speaker 1>all day. Yeah. Yeah, it's to see the things that

0:34:50.280 --> 0:34:53.359
<v Speaker 1>I'm doing right and the things that I'm not doing right. Well,

0:34:53.360 --> 0:34:55.160
<v Speaker 1>you have come out of the Dean's age. You ain't

0:34:55.160 --> 0:34:57.960
<v Speaker 1>come out of the now. You have homework. You have homework.

0:34:58.040 --> 0:35:09.400
<v Speaker 1>I do, I do? Okay, Moving on to our segment.

0:35:09.480 --> 0:35:13.040
<v Speaker 1>Wouldn't you like to know where you answer three rapid

0:35:13.080 --> 0:35:16.160
<v Speaker 1>fire questions with the first phrase that comes to your mind.

0:35:17.360 --> 0:35:21.720
<v Speaker 1>One thing you would have told your younger self, Uh,

0:35:21.760 --> 0:35:24.719
<v Speaker 1>did you need the designer coat? Over? Maybe putting down

0:35:24.719 --> 0:35:33.239
<v Speaker 1>a bound payment on something, okay, would have prioritize. You know,

0:35:33.960 --> 0:35:37.080
<v Speaker 1>my assets are different to where I valued an asset

0:35:37.520 --> 0:35:41.120
<v Speaker 1>like clothing is not an asset. Okay, one thing you

0:35:41.160 --> 0:35:44.040
<v Speaker 1>want to get off your chest. You know when people

0:35:44.080 --> 0:35:48.720
<v Speaker 1>say underage women, and so she is an underage woman,

0:35:48.880 --> 0:35:51.719
<v Speaker 1>she's a child. Yes, So I just want people to

0:35:51.760 --> 0:35:53.880
<v Speaker 1>stop media, to stop seeing it. I want people to

0:35:53.880 --> 0:35:56.359
<v Speaker 1>call it what it is so that we can put

0:35:56.840 --> 0:35:59.520
<v Speaker 1>a name to it, a face to it, and protect

0:35:59.560 --> 0:36:04.560
<v Speaker 1>our kids, protect our children. Good point. That's because when

0:36:04.560 --> 0:36:06.880
<v Speaker 1>I'm looking at this and like, can somebody say it

0:36:07.600 --> 0:36:13.160
<v Speaker 1>it's not? Okay? Yeah? Absolutely not. Who are your favorite designers,

0:36:13.200 --> 0:36:17.680
<v Speaker 1>including any outstanding black designers, and who are the designers

0:36:17.719 --> 0:36:21.239
<v Speaker 1>you think are up and coming, up and coming. I

0:36:21.280 --> 0:36:29.360
<v Speaker 1>think definitely La Kuan Smith, Yes, yeah, I love what

0:36:29.840 --> 0:36:36.400
<v Speaker 1>Kirbyan is doing, perm Yes, Firemass. It's just a beautifulness

0:36:36.520 --> 0:36:40.000
<v Speaker 1>of young black designers that are getting you know, the

0:36:40.040 --> 0:36:43.000
<v Speaker 1>funding that they may assistance that they need, especially now,

0:36:43.719 --> 0:36:47.240
<v Speaker 1>which is exciting as a designer that just got into

0:36:47.520 --> 0:36:50.160
<v Speaker 1>for the Goodmans that I've worked with a lot. This

0:36:50.360 --> 0:36:54.319
<v Speaker 1>is some good things happening. And I like designers who

0:36:54.360 --> 0:36:58.120
<v Speaker 1>are white designers who are allies of black culture. Nico

0:36:58.280 --> 0:37:03.000
<v Speaker 1>Mark Jacobs, you know, like people Mahapatrang, whos whose color?

0:37:03.600 --> 0:37:06.520
<v Speaker 1>Can you tell us specifically what it is you like

0:37:06.640 --> 0:37:09.799
<v Speaker 1>about Let's just let's just focus on those two designers,

0:37:10.080 --> 0:37:13.600
<v Speaker 1>La Kwan Smith Empire Moss. What is it about those

0:37:13.600 --> 0:37:17.239
<v Speaker 1>two designers that stand out so much to you? I

0:37:17.239 --> 0:37:20.120
<v Speaker 1>think you know that they're unapologetically black. You know, they

0:37:20.120 --> 0:37:24.440
<v Speaker 1>celebrate black, their blackness, black culture. You go to Her

0:37:24.560 --> 0:37:28.560
<v Speaker 1>Moss runway show, it's like church, it's like revolution, and

0:37:28.719 --> 0:37:32.319
<v Speaker 1>it's casting his you know, his provocativeness. It feels like

0:37:32.320 --> 0:37:36.080
<v Speaker 1>you're in the nineties seventies, like to your fifty four.

0:37:36.120 --> 0:37:39.880
<v Speaker 1>It's just sexy. It's just proud, and it's it's just

0:37:39.960 --> 0:37:45.160
<v Speaker 1>beautiful and artistic and and and it really shapes, you know,

0:37:45.239 --> 0:37:49.160
<v Speaker 1>the culture in in in the new way. Thanks once

0:37:49.200 --> 0:37:52.400
<v Speaker 1>again to Ju and Ambrose for joining us today. That

0:37:52.520 --> 0:37:56.719
<v Speaker 1>was a fun conversation. I know I have some ideas

0:37:56.719 --> 0:37:59.760
<v Speaker 1>of what I need to be doing in my closet already,

0:38:00.360 --> 0:38:04.000
<v Speaker 1>but that some of the tapeaways were Number one, shape

0:38:04.000 --> 0:38:09.040
<v Speaker 1>where is important no matter your size, ladies. Two, don't

0:38:09.080 --> 0:38:12.279
<v Speaker 1>shop for the size you're looking to be. Shop for

0:38:12.360 --> 0:38:15.480
<v Speaker 1>the size that you are right now and try shopping

0:38:15.960 --> 0:38:19.480
<v Speaker 1>early in the day. And number four, don't be afraid

0:38:19.520 --> 0:38:21.640
<v Speaker 1>to step out of the box, get out of your

0:38:21.680 --> 0:38:25.600
<v Speaker 1>rut and take some fashion ricks. It's just fashion, ladies.

0:38:25.800 --> 0:38:28.120
<v Speaker 1>If you don't get a win every time, it's not

0:38:28.200 --> 0:38:30.959
<v Speaker 1>the end of the world. It's just fashion. Have fun

0:38:31.040 --> 0:38:34.640
<v Speaker 1>with it. If you're listening on Apple Podcasts, be sure

0:38:34.760 --> 0:38:37.759
<v Speaker 1>to rate and review the episode. Follow me on my

0:38:37.840 --> 0:38:40.840
<v Speaker 1>Instagram at Gammy Nars to share with me your thoughts

0:38:40.840 --> 0:38:45.120
<v Speaker 1>on the episode. I'm here, I'm talking, and I'm listening,

0:38:45.480 --> 0:38:55.720
<v Speaker 1>and as always, folks, stay grateful. Positively gam is produced

0:38:55.719 --> 0:39:01.640
<v Speaker 1>by Westbrook Audio. Executive producers Adrian Banfield Nars, Jada Pinkett Smith,

0:39:02.040 --> 0:39:07.760
<v Speaker 1>Amanda Brown, and Fallon jethro Co. Executive producer sim Hoti,

0:39:08.920 --> 0:39:16.040
<v Speaker 1>segment producer Ash Francis, Associate producers Erica Ron and Kobe Hartberg,

0:39:16.840 --> 0:39:22.359
<v Speaker 1>editor and mixer Calvin Bailiff. Positively GAM is in partnership

0:39:22.640 --> 0:39:23.800
<v Speaker 1>with Art nineteen