1 00:00:01,000 --> 00:00:04,840 Speaker 1: Call It What It Is with Jessica Capshaw and Camille Luddington, 2 00:00:05,280 --> 00:00:06,760 Speaker 1: an iHeartRadio podcast. 3 00:00:17,079 --> 00:00:21,200 Speaker 2: Hello, Hello, Hello, Hello Call It crew, and welcome to 4 00:00:21,200 --> 00:00:24,840 Speaker 2: another episode of Follow What It Is? 5 00:00:24,880 --> 00:00:27,320 Speaker 3: A fan Q and a. 6 00:00:26,720 --> 00:00:29,479 Speaker 2: A thank you and yes, we had so much fun 7 00:00:29,520 --> 00:00:30,280 Speaker 2: with the last one. 8 00:00:30,280 --> 00:00:34,000 Speaker 3: We're like, we're gonna find the questions, and the questions 9 00:00:34,040 --> 00:00:38,680 Speaker 3: always lead into some random story they do. 10 00:00:39,200 --> 00:00:41,519 Speaker 1: The first question is from Maddie, which is how do 11 00:00:41,560 --> 00:00:45,000 Speaker 1: you both deal with burnout from long days on set? 12 00:00:46,520 --> 00:00:47,080 Speaker 2: Good question? 13 00:00:47,760 --> 00:00:49,080 Speaker 3: You wait, you you just. 14 00:00:49,320 --> 00:00:49,600 Speaker 4: You know what. 15 00:00:49,640 --> 00:00:53,000 Speaker 1: I just always feel like it was I only got 16 00:00:53,040 --> 00:01:01,040 Speaker 1: wound up, sad, overwhelmed or mad when UH like it 17 00:01:01,200 --> 00:01:04,479 Speaker 1: changed drastically, Like you always know it's gonna change. 18 00:01:04,480 --> 00:01:06,280 Speaker 3: But I always like to know my race. 19 00:01:06,319 --> 00:01:08,440 Speaker 1: I always say this about everything, really, like tell me 20 00:01:08,520 --> 00:01:11,119 Speaker 1: what to expect, where are my mile markers? 21 00:01:11,400 --> 00:01:12,240 Speaker 3: Where am I in it? 22 00:01:12,560 --> 00:01:14,399 Speaker 1: But if all of a sudden, I think I'm like 23 00:01:14,440 --> 00:01:16,520 Speaker 1: a day away from being done, Like I think I've 24 00:01:16,520 --> 00:01:19,040 Speaker 1: been working, you know, every single day, and tomorrow is 25 00:01:19,080 --> 00:01:21,160 Speaker 1: my last day, and I'm already thinking about all the 26 00:01:21,160 --> 00:01:22,560 Speaker 1: things I'm gonna do on my day off. 27 00:01:22,800 --> 00:01:25,560 Speaker 3: And they come in and they're like, ooh, I'm so sorry, 28 00:01:25,600 --> 00:01:26,720 Speaker 3: but a set got changed. 29 00:01:26,760 --> 00:01:28,440 Speaker 1: It's not ready, and so now we have to switch 30 00:01:28,480 --> 00:01:30,600 Speaker 1: the scenes and you're in all day tomorrow. That's what 31 00:01:30,800 --> 00:01:35,440 Speaker 1: I'm like a toddler. I start melting, I fall apart, 32 00:01:35,720 --> 00:01:38,840 Speaker 1: I'm on the ground. There's some kicking and screaming and crying. 33 00:01:40,080 --> 00:01:40,920 Speaker 3: That this has happened. 34 00:01:42,040 --> 00:01:44,720 Speaker 2: I think that I think that this we run into 35 00:01:44,760 --> 00:01:48,640 Speaker 2: the burnout on Grays and Nani when we're in standalone episodes, 36 00:01:49,000 --> 00:01:53,960 Speaker 2: because those are focused. Saying that praise made me like, 37 00:01:54,600 --> 00:01:56,440 Speaker 2: I know, but it's and it's a catch twenty two 38 00:01:56,480 --> 00:01:59,280 Speaker 2: because if they're always excited, if you're if you're your 39 00:01:59,360 --> 00:02:02,440 Speaker 2: character is a focus of it, it's very exciting. However, 40 00:02:02,640 --> 00:02:05,280 Speaker 2: we were in every it's very fun. But you're in 41 00:02:05,440 --> 00:02:08,120 Speaker 2: every single day, it's a lot of work. I think 42 00:02:08,120 --> 00:02:11,800 Speaker 2: that our I think that how we deal with burnout, 43 00:02:11,880 --> 00:02:16,040 Speaker 2: honestly is like forcing myself to like advocate for myself 44 00:02:16,040 --> 00:02:18,320 Speaker 2: on the weekends and be like you guys, I literally 45 00:02:18,360 --> 00:02:20,040 Speaker 2: have to check out for the day. I just need 46 00:02:20,080 --> 00:02:24,040 Speaker 2: like a morning to myself, go get my coffee whatever 47 00:02:24,080 --> 00:02:28,720 Speaker 2: it is, and do that because I can't just there's 48 00:02:28,760 --> 00:02:30,560 Speaker 2: no there's no part of you that just goes and 49 00:02:30,600 --> 00:02:31,560 Speaker 2: goes and goes and goes. 50 00:02:31,960 --> 00:02:33,560 Speaker 3: No, no, I remember a time. 51 00:02:33,600 --> 00:02:35,720 Speaker 1: Do you remember when we were doing the standalone episode 52 00:02:35,760 --> 00:02:37,320 Speaker 1: that was the spooky prison episode. 53 00:02:37,600 --> 00:02:40,640 Speaker 2: Yes, yeah, you were pregnant. For God's sake, I know. 54 00:02:40,680 --> 00:02:44,000 Speaker 3: It's when I realized it's fine. 55 00:02:44,000 --> 00:02:45,400 Speaker 1: I just want to get to this part because it 56 00:02:45,440 --> 00:02:48,320 Speaker 1: was actually very very sweet, very kind of you. You 57 00:02:48,440 --> 00:02:52,200 Speaker 1: were pregnant, so you didn't yet have children. Obviously, well 58 00:02:52,600 --> 00:02:55,960 Speaker 1: not for everybody, for some people. Most people were just me. 59 00:02:56,600 --> 00:03:01,200 Speaker 1: I celebrate the Halloween day for my children, like I 60 00:03:01,200 --> 00:03:06,120 Speaker 1: don't get personal pleasure from it. And one of the 61 00:03:06,240 --> 00:03:07,760 Speaker 1: one of the producers came to us and was like, 62 00:03:07,840 --> 00:03:09,320 Speaker 1: somebody's gonna have to work on Halloween. 63 00:03:09,800 --> 00:03:12,240 Speaker 3: And I was like, please, don't make it me. I've 64 00:03:12,280 --> 00:03:16,000 Speaker 3: got three kids, and you were like, I don't have 65 00:03:16,040 --> 00:03:16,640 Speaker 3: a kid yet. 66 00:03:16,840 --> 00:03:20,320 Speaker 2: I'll take what the Yeah? And you worked on Halloween, 67 00:03:20,680 --> 00:03:20,880 Speaker 2: are you? 68 00:03:20,960 --> 00:03:21,160 Speaker 4: Dad? 69 00:03:21,400 --> 00:03:23,280 Speaker 2: And you know what I did that bring that story 70 00:03:23,400 --> 00:03:25,840 Speaker 2: up all the time, because when I try and do 71 00:03:26,760 --> 00:03:29,320 Speaker 2: get Halloween off with the kids, I'm always like, let 72 00:03:29,320 --> 00:03:31,720 Speaker 2: me just tell you a little story. But when I 73 00:03:31,800 --> 00:03:36,120 Speaker 2: was childless and I wooved every Halloween night, and now's 74 00:03:36,200 --> 00:03:39,040 Speaker 2: my time, I use it. 75 00:03:39,400 --> 00:03:41,160 Speaker 1: I know I would go, I really would hat in 76 00:03:41,240 --> 00:03:44,640 Speaker 1: hand crying, but you have it's birthdays and Halloween, and 77 00:03:44,680 --> 00:03:48,400 Speaker 1: then it became Christmas shows and I know it's very hard. 78 00:03:48,720 --> 00:03:51,760 Speaker 2: It's very hard. Tracy wants to know, how do you 79 00:03:51,800 --> 00:03:53,480 Speaker 2: feel about Joe and then being together? 80 00:03:54,040 --> 00:03:57,080 Speaker 3: I feel great, your look super happy. Yeah they're cute together. 81 00:03:57,200 --> 00:03:59,400 Speaker 3: I like your vibes. Yeah cute, You're cute. 82 00:03:59,440 --> 00:04:01,840 Speaker 2: He's cute. Love it and demure. 83 00:04:02,480 --> 00:04:04,920 Speaker 1: Maddie wrote in and she said, came Illa, what was 84 00:04:04,920 --> 00:04:07,040 Speaker 1: the most difficult Joe scene for you to shoot and 85 00:04:07,080 --> 00:04:08,240 Speaker 1: how did you prepare for it. 86 00:04:09,520 --> 00:04:12,840 Speaker 2: The most difficult scene for me to shoot was all 87 00:04:12,880 --> 00:04:14,520 Speaker 2: of the scenes with my mom, just because it had 88 00:04:14,560 --> 00:04:17,400 Speaker 2: been a long time coming on the show and felt 89 00:04:17,640 --> 00:04:22,840 Speaker 2: very emotional, and I prepared for it. What was helpful 90 00:04:22,920 --> 00:04:25,279 Speaker 2: is I had never worked with the actress before, so 91 00:04:25,279 --> 00:04:27,000 Speaker 2: it really did feel like meeting a new person and 92 00:04:27,080 --> 00:04:30,520 Speaker 2: kind of like that just sounds so like actory listening 93 00:04:30,600 --> 00:04:34,080 Speaker 2: and responding. I just came into it like very emotional 94 00:04:34,560 --> 00:04:37,200 Speaker 2: to begin with, because I felt like, you know, emotional 95 00:04:37,240 --> 00:04:39,840 Speaker 2: for Joe, and then the actress was so great that 96 00:04:39,880 --> 00:04:42,760 Speaker 2: it was very easy just to kind of see where 97 00:04:43,240 --> 00:04:44,680 Speaker 2: those scenes took us. 98 00:04:44,960 --> 00:04:45,760 Speaker 3: Who played your mom. 99 00:04:46,279 --> 00:04:51,320 Speaker 2: Michelle Forbes played my mom. Oh, okay, what are both 100 00:04:51,400 --> 00:04:55,560 Speaker 2: of your favorite friendships on the show. I think Christina 101 00:04:55,600 --> 00:04:56,240 Speaker 2: and Meredith. 102 00:04:56,480 --> 00:04:58,080 Speaker 3: Yeah, for sure. 103 00:04:57,920 --> 00:05:00,720 Speaker 2: That has to be. Although I really did like you 104 00:05:00,800 --> 00:05:05,640 Speaker 2: and Sarah had some really funny Arizona and April had 105 00:05:05,680 --> 00:05:09,080 Speaker 2: some great moments together towards the end. They should have 106 00:05:09,120 --> 00:05:12,839 Speaker 2: started that friendship off like like earlier, because it was 107 00:05:12,839 --> 00:05:15,560 Speaker 2: such an odd ball. You're like the odd odd couple 108 00:05:15,640 --> 00:05:16,480 Speaker 2: together a little bit. 109 00:05:16,960 --> 00:05:17,760 Speaker 3: Yeah, no, we were. 110 00:05:17,760 --> 00:05:19,640 Speaker 1: We were definitely an odd couple. But it worked and 111 00:05:19,680 --> 00:05:21,280 Speaker 1: it ended up they ended up giving us a lot 112 00:05:21,279 --> 00:05:24,280 Speaker 1: of comedy. I thought it was very funny. There was 113 00:05:24,320 --> 00:05:26,920 Speaker 1: a moment where I think, truly they were they were 114 00:05:27,000 --> 00:05:29,839 Speaker 1: just they were having fun, and I think that, yeah, 115 00:05:30,760 --> 00:05:32,560 Speaker 1: they were trying to figure out what Arizona was going 116 00:05:32,640 --> 00:05:35,479 Speaker 1: to do, and she was dating again and she became 117 00:05:35,560 --> 00:05:38,320 Speaker 1: good friends and the chief. 118 00:05:38,240 --> 00:05:41,160 Speaker 3: Became her wingman. So it was like Jim Pickens and I. 119 00:05:41,440 --> 00:05:44,359 Speaker 2: No, I was literally about to say Jim Pickens and 120 00:05:44,440 --> 00:05:46,640 Speaker 2: you were so did he go to like a gay 121 00:05:46,680 --> 00:05:49,800 Speaker 2: bar with Arizona? And I was like, yes, Oh my god, 122 00:05:49,920 --> 00:05:52,160 Speaker 2: more of that hilarious. 123 00:05:52,520 --> 00:05:53,560 Speaker 3: We've been asked this before. 124 00:05:53,760 --> 00:05:55,599 Speaker 1: Valerie would like to know if you had to choose 125 00:05:55,600 --> 00:05:57,479 Speaker 1: one dead character to bring back to life. 126 00:05:57,279 --> 00:06:00,719 Speaker 2: Who would it be? I said, I I've been saying 127 00:06:00,800 --> 00:06:03,560 Speaker 2: Kyler because I hear that she was just so wonderful 128 00:06:03,640 --> 00:06:05,680 Speaker 2: to work with so selfishly as an actress, Like I 129 00:06:05,720 --> 00:06:07,320 Speaker 2: just one would love to have a seen with Kyler. 130 00:06:07,720 --> 00:06:08,720 Speaker 3: Yeah. 131 00:06:08,760 --> 00:06:11,520 Speaker 1: I went to the Gracy Abrams concert in the city 132 00:06:11,560 --> 00:06:13,599 Speaker 1: and I posted a picture of Gracie and I and 133 00:06:13,680 --> 00:06:17,559 Speaker 1: I cannot tell you how many people were flipping out 134 00:06:17,800 --> 00:06:20,479 Speaker 1: because they think that she looks like Kyler? Does she 135 00:06:20,880 --> 00:06:22,120 Speaker 1: They think she looks like LEXI. 136 00:06:22,279 --> 00:06:24,360 Speaker 3: Yeah, it was all over all over the. 137 00:06:24,279 --> 00:06:25,480 Speaker 2: Comments and everything funny. 138 00:06:25,560 --> 00:06:28,719 Speaker 1: And then she actually sent me a picture of it 139 00:06:28,760 --> 00:06:31,160 Speaker 1: with the comments in it because she's a big Grays fan, 140 00:06:31,200 --> 00:06:32,680 Speaker 1: and she was like, I'm dying. 141 00:06:32,760 --> 00:06:34,800 Speaker 2: Oh my god, that's really cute. I feel like you 142 00:06:34,920 --> 00:06:39,600 Speaker 2: go to a concert twice a month, every weekend, every weekend. 143 00:06:39,960 --> 00:06:42,919 Speaker 2: That and that I also feel like the rest of 144 00:06:43,000 --> 00:06:46,280 Speaker 2: us leave a concert like normally, like normal people, right, 145 00:06:46,360 --> 00:06:48,000 Speaker 2: Like we have to hit the streets and find a 146 00:06:48,040 --> 00:06:51,600 Speaker 2: car or find our own car, and you get escorted 147 00:06:51,640 --> 00:06:54,039 Speaker 2: back to some sort of magical room with that person's 148 00:06:54,080 --> 00:06:58,360 Speaker 2: just waiting for you and it's so annoying because it's 149 00:06:58,600 --> 00:07:01,359 Speaker 2: never happened to me. In fact, if I have I 150 00:07:01,400 --> 00:07:04,400 Speaker 2: got anywhere near that magical room, they would escorted me. 151 00:07:05,240 --> 00:07:10,120 Speaker 2: God of it would tastes. But you have. I just 152 00:07:10,160 --> 00:07:13,760 Speaker 2: don't understand how that happens to you. It's genuinely annoying. 153 00:07:14,280 --> 00:07:15,440 Speaker 3: Oh my gosh. 154 00:07:15,680 --> 00:07:18,880 Speaker 2: In fact, next time you post with somebody new, I'm 155 00:07:18,920 --> 00:07:23,880 Speaker 2: just gonna if there's a dislike button you're getting calms down. No, no, 156 00:07:24,000 --> 00:07:26,800 Speaker 2: unless I'm unless I'm also escorted with you. 157 00:07:26,880 --> 00:07:30,040 Speaker 1: Okay, agree, Yeah, No, jealousy is a green eyed monster, Camilla, 158 00:07:30,200 --> 00:07:31,240 Speaker 1: green eyed monster. 159 00:07:45,080 --> 00:07:48,080 Speaker 2: Okay. Rachel said, do you both have any ritual before 160 00:07:48,120 --> 00:07:49,600 Speaker 2: shooting a scene? Song? 161 00:07:49,720 --> 00:07:55,120 Speaker 3: Playlist, lance, speech, learning my lines, you're learning your life? 162 00:07:55,160 --> 00:07:58,600 Speaker 2: That's my ritual. Well, I have to say, doing certain 163 00:07:58,920 --> 00:08:02,040 Speaker 2: parts of our storylines, did you ever have like a 164 00:08:02,040 --> 00:08:04,320 Speaker 2: song that you would like kind of listen to? Sometimes? 165 00:08:04,360 --> 00:08:07,160 Speaker 2: I had some some I had some tailor's I had, 166 00:08:07,440 --> 00:08:11,320 Speaker 2: for example, I all tell a fandom This. I listened 167 00:08:11,360 --> 00:08:15,559 Speaker 2: to Clean when I was doing the episodes with Paul, 168 00:08:15,920 --> 00:08:18,240 Speaker 2: her husband. It was like the song that just kind 169 00:08:18,240 --> 00:08:19,440 Speaker 2: of got me in this place. 170 00:08:21,960 --> 00:08:24,800 Speaker 3: Yeah, I think I used to listen. I used to 171 00:08:26,320 --> 00:08:27,440 Speaker 3: after ten years at Grays. 172 00:08:27,480 --> 00:08:28,920 Speaker 1: I think in the very beginning, when I first had 173 00:08:29,000 --> 00:08:32,600 Speaker 1: emotional scenes, I would get so nervous. I was not 174 00:08:32,679 --> 00:08:35,480 Speaker 1: going to be able to cry like you squeeze out 175 00:08:35,520 --> 00:08:37,920 Speaker 1: a tear. I would want to think about all the 176 00:08:37,960 --> 00:08:40,280 Speaker 1: saddest things in the whole world. Yes, this was a 177 00:08:40,320 --> 00:08:42,120 Speaker 1: part of acting class that I was always like, I 178 00:08:42,160 --> 00:08:42,800 Speaker 1: don't get it. 179 00:08:43,280 --> 00:08:44,760 Speaker 2: Yeah, yeah, yeah, And. 180 00:08:46,280 --> 00:08:48,480 Speaker 3: I really worried about it. By the end of my 181 00:08:48,559 --> 00:08:49,240 Speaker 3: time at Grace. 182 00:08:50,880 --> 00:08:53,880 Speaker 1: I think it's like a masterclass in being in having 183 00:08:53,920 --> 00:08:58,440 Speaker 1: your emotions right there and quickly, like you can do it. 184 00:08:58,520 --> 00:09:00,839 Speaker 1: I mean, you can go somewhere on a dime. I mean, 185 00:09:01,480 --> 00:09:05,760 Speaker 1: I really, I really really mean this. The writing, I 186 00:09:05,800 --> 00:09:09,400 Speaker 1: know it's it's really hard when it's not great writing, 187 00:09:09,440 --> 00:09:13,760 Speaker 1: but when you have great writing, you just it's it's easy, peacey. 188 00:09:13,960 --> 00:09:16,079 Speaker 1: I mean it's not easy, but you just you can 189 00:09:16,120 --> 00:09:19,160 Speaker 1: get there so much more easily. 190 00:09:19,600 --> 00:09:20,840 Speaker 2: I guess I have one thing that I do. I 191 00:09:20,880 --> 00:09:23,839 Speaker 2: bet you do the same thing when you and your 192 00:09:23,920 --> 00:09:27,680 Speaker 2: character are in a fight. I don't like to sit 193 00:09:27,760 --> 00:09:30,680 Speaker 2: in the same room as as that actor. I want 194 00:09:30,720 --> 00:09:33,840 Speaker 2: I need us to not like joke between takes if 195 00:09:33,880 --> 00:09:36,559 Speaker 2: it's really serious. Like I need to have that separation 196 00:09:36,840 --> 00:09:41,240 Speaker 2: going into the scene, and then when we're done, I'm 197 00:09:41,240 --> 00:09:43,360 Speaker 2: like good to like shoot the ship that I like 198 00:09:43,440 --> 00:09:47,160 Speaker 2: a little bit of that separation, just to feel that tension. 199 00:09:47,920 --> 00:09:50,880 Speaker 1: Anna, be honest, do either of you think grays can 200 00:09:50,920 --> 00:09:56,319 Speaker 1: sometimes be too dramatic? My instinct is no, I'm being honest, say, 201 00:09:56,360 --> 00:09:56,800 Speaker 1: I think when. 202 00:09:56,720 --> 00:09:58,600 Speaker 3: It's life for death, how can you be too dramatic. 203 00:09:59,000 --> 00:10:02,120 Speaker 2: I think we're ea exactly right, Like we're not shooting 204 00:10:02,160 --> 00:10:04,360 Speaker 2: a show like where we're all out in the farm, 205 00:10:05,120 --> 00:10:10,280 Speaker 2: like we're dealing. We're in hospital. So like the drama 206 00:10:10,840 --> 00:10:12,839 Speaker 2: it is. It is what it is. People are dying, 207 00:10:12,880 --> 00:10:14,920 Speaker 2: people's lives need to be saved. So I feel like 208 00:10:14,960 --> 00:10:18,040 Speaker 2: it lends itself to the show. 209 00:10:18,679 --> 00:10:21,160 Speaker 3: There would be sometimes Meg and I would joke about this. 210 00:10:21,320 --> 00:10:25,360 Speaker 3: There would be sometimes like so you know, when you're 211 00:10:25,400 --> 00:10:27,319 Speaker 3: watching and then it goes to commercial. 212 00:10:27,520 --> 00:10:29,559 Speaker 2: By the way, Meg is our showrunner right now. She's 213 00:10:29,600 --> 00:10:31,000 Speaker 2: an incredible writer. We love her. 214 00:10:31,520 --> 00:10:33,439 Speaker 3: That's the best, the actual best. 215 00:10:34,240 --> 00:10:37,240 Speaker 1: But you would there'd be like an act break or 216 00:10:37,280 --> 00:10:39,760 Speaker 1: there would be like a commercial break, and that scene 217 00:10:39,760 --> 00:10:41,200 Speaker 1: they would always want to have like a lot of 218 00:10:41,240 --> 00:10:43,640 Speaker 1: tension at the end of that scene, and especially if 219 00:10:43,640 --> 00:10:46,319 Speaker 1: you had a line that was like a discovery right, 220 00:10:46,400 --> 00:10:49,560 Speaker 1: like you know, you get a test back and you're like, yeah, whatever. 221 00:10:49,600 --> 00:10:54,640 Speaker 1: And there was this one scene where I think Alex 222 00:10:54,720 --> 00:10:57,000 Speaker 1: was about to do something and my all my only 223 00:10:57,000 --> 00:10:58,240 Speaker 1: words were Alex no. 224 00:10:59,800 --> 00:11:01,559 Speaker 3: But it was meant to be like you, like you 225 00:11:01,920 --> 00:11:03,319 Speaker 3: like in post. 226 00:11:03,240 --> 00:11:06,320 Speaker 2: A long no, like a no yeah. 227 00:11:06,520 --> 00:11:07,360 Speaker 3: But I think it really. 228 00:11:07,240 --> 00:11:08,839 Speaker 1: Should have been done in post, like it shouldn't be 229 00:11:08,920 --> 00:11:11,360 Speaker 1: like me being like no, yeah. 230 00:11:11,559 --> 00:11:12,359 Speaker 2: Yeah. 231 00:11:12,480 --> 00:11:14,600 Speaker 3: We had to do it like forty five times because 232 00:11:14,600 --> 00:11:15,200 Speaker 3: they kept doing that. 233 00:11:15,240 --> 00:11:17,960 Speaker 2: Yeah. I was like no, and then you have to 234 00:11:17,960 --> 00:11:21,319 Speaker 2: cut yourself off slowly like a yeah. That's really hard. 235 00:11:21,960 --> 00:11:23,920 Speaker 2: That isn't that that no is concerning? 236 00:11:24,520 --> 00:11:26,240 Speaker 1: Yeah, so maybe that's a little dramatic. That could be 237 00:11:26,320 --> 00:11:27,800 Speaker 1: dramatic because of those act breaks. 238 00:11:28,080 --> 00:11:32,400 Speaker 2: Amanda, how do you both memories memorize so much medical jargon? 239 00:11:32,800 --> 00:11:35,439 Speaker 2: How long does it take? It can take some time. 240 00:11:35,640 --> 00:11:36,400 Speaker 3: You can take a minute. 241 00:11:36,640 --> 00:11:39,080 Speaker 2: We get a cheat sheet with every episode. We get 242 00:11:39,080 --> 00:11:41,600 Speaker 2: a cheat sheet that tells us exactly what all the 243 00:11:41,640 --> 00:11:44,320 Speaker 2: words mean that are medical and how to say them. 244 00:11:44,520 --> 00:11:46,400 Speaker 2: But even on the day it can be really hard 245 00:11:46,440 --> 00:11:49,600 Speaker 2: because once you introduce in an R scene, all of 246 00:11:49,640 --> 00:11:54,839 Speaker 2: the instruments and then the dance you're doing in the operation. 247 00:11:55,920 --> 00:11:58,480 Speaker 1: It can be tough, yeah, really tough, very hard, and 248 00:11:58,520 --> 00:12:01,520 Speaker 1: I find it pretty much the testuff. It's always about repetition. 249 00:12:02,000 --> 00:12:04,240 Speaker 1: Just I just keep going and going and going, and 250 00:12:04,280 --> 00:12:06,760 Speaker 1: I run lines. I also, I can learn them on 251 00:12:06,800 --> 00:12:09,959 Speaker 1: my own, but they're never really there until I just run. 252 00:12:09,760 --> 00:12:12,440 Speaker 3: It with people. Yeah, until it's on our scenes. 253 00:12:12,440 --> 00:12:14,400 Speaker 1: I like to just have everybody that's working on the scene. 254 00:12:14,559 --> 00:12:16,280 Speaker 1: Those are like we had one of those in the 255 00:12:16,280 --> 00:12:18,600 Speaker 1: episode when I came back. Remember, it was like so 256 00:12:18,640 --> 00:12:22,200 Speaker 1: many little tiny pieces. They're attached to action, and so 257 00:12:22,280 --> 00:12:24,480 Speaker 1: you have to figure out when the line comes and 258 00:12:24,559 --> 00:12:26,839 Speaker 1: what it's in response to, and it's just better to like. 259 00:12:26,960 --> 00:12:29,439 Speaker 3: Do it like multiple, multiple, multiple times. 260 00:12:29,600 --> 00:12:33,880 Speaker 2: I've also had this moment where I've learned I've learned 261 00:12:34,040 --> 00:12:36,000 Speaker 2: some medical jargon, and then when I get in there, 262 00:12:36,000 --> 00:12:38,760 Speaker 2: they're like, actually, that's just the way you stay in England. 263 00:12:38,880 --> 00:12:41,040 Speaker 2: In the US we say it differently, And then it's 264 00:12:41,080 --> 00:12:44,000 Speaker 2: been stuck in my mind that a certain way, and 265 00:12:44,040 --> 00:12:45,559 Speaker 2: it's really hard for me to. 266 00:12:45,480 --> 00:12:47,680 Speaker 3: Pivot reset the factory settings. 267 00:12:48,280 --> 00:12:48,760 Speaker 2: Okay, go. 268 00:12:51,880 --> 00:12:54,560 Speaker 3: Oh well this, I'll do Emily and then you do 269 00:12:54,640 --> 00:12:58,680 Speaker 3: Romero because Romero's for me. I know, well, Emily wants 270 00:12:58,720 --> 00:13:00,000 Speaker 3: to know who was the worst person in a world 271 00:13:00,120 --> 00:13:04,319 Speaker 3: with on set. Oh that Bokey, she. 272 00:13:04,440 --> 00:13:08,400 Speaker 2: Was the worst. I mean, how delicious is bocy to be? 273 00:13:08,559 --> 00:13:10,720 Speaker 2: I mean, real fans know who Bokey is. 274 00:13:11,320 --> 00:13:13,520 Speaker 3: I met a dog named Boky the other day. 275 00:13:13,640 --> 00:13:16,400 Speaker 1: That's cute, and it was it was a lovingly it 276 00:13:16,520 --> 00:13:18,600 Speaker 1: was like an like an adoring Bokey. 277 00:13:19,559 --> 00:13:24,040 Speaker 2: I'm trying to the worst. I think I'm wantul to 278 00:13:24,040 --> 00:13:24,720 Speaker 2: plead the fifth. 279 00:13:24,880 --> 00:13:27,320 Speaker 3: I'm gonna really think about it. Hold on the worst, 280 00:13:28,000 --> 00:13:30,400 Speaker 3: Like I'm wondering what they mean by that, like worst. 281 00:13:32,720 --> 00:13:34,800 Speaker 1: I mean, there were people who could throw temper tantrums, 282 00:13:35,320 --> 00:13:36,760 Speaker 1: but it doesn't feel right to out them. 283 00:13:37,040 --> 00:13:38,960 Speaker 3: Mm hm, Oh you just give, you just give like 284 00:13:38,960 --> 00:13:39,760 Speaker 3: a Kate cap shut. 285 00:13:40,120 --> 00:13:43,360 Speaker 2: I didn't you have a too? 286 00:13:45,000 --> 00:13:46,640 Speaker 1: All right, Well, listen, I just don't want to not 287 00:13:46,679 --> 00:13:49,400 Speaker 1: answer the question, Emily. You deserve an answer. It's not 288 00:13:49,440 --> 00:13:52,360 Speaker 1: about a worst person, but they're definitely. 289 00:13:52,400 --> 00:13:56,520 Speaker 3: People can be difficult because life is nuanced and challenging sometimes. 290 00:13:56,720 --> 00:13:58,800 Speaker 2: Yeah, and also we all the truth is, we all 291 00:13:58,840 --> 00:14:01,720 Speaker 2: work really long hours and around each other like a family. 292 00:14:02,559 --> 00:14:05,400 Speaker 2: And oh, I'm sure we've I mean, we all have 293 00:14:05,480 --> 00:14:06,120 Speaker 2: our moments. 294 00:14:06,480 --> 00:14:07,959 Speaker 3: Someone told me that I was actually like a t 295 00:14:07,960 --> 00:14:08,920 Speaker 3: one day at work, and I was. 296 00:14:08,880 --> 00:14:14,920 Speaker 2: Like, oh wait what uh huh? Whooped? Oh my god? Never? Yeah, 297 00:14:15,080 --> 00:14:19,320 Speaker 2: oh yeah, I know you know what he was wrong, Jessica. 298 00:14:19,520 --> 00:14:21,800 Speaker 2: Do people stop you in the streets thinking you're gay? 299 00:14:21,800 --> 00:14:22,440 Speaker 2: In real life? 300 00:14:22,640 --> 00:14:23,280 Speaker 3: Like hit on me? 301 00:14:23,920 --> 00:14:24,000 Speaker 2: Like? 302 00:14:24,040 --> 00:14:25,560 Speaker 1: How would I know if they thought that I was gay? 303 00:14:26,200 --> 00:14:29,280 Speaker 1: I mean, I don't get hit on by women. 304 00:14:29,400 --> 00:14:30,800 Speaker 2: That cannot be true. 305 00:14:30,920 --> 00:14:33,840 Speaker 3: That I don't get hit on by women. Yeah, I don't. 306 00:14:34,680 --> 00:14:35,280 Speaker 2: I don't either. 307 00:14:35,320 --> 00:14:38,240 Speaker 3: Actually, I was like, I'm wanting to think we're all 308 00:14:38,240 --> 00:14:38,680 Speaker 3: just getting no. 309 00:14:38,720 --> 00:14:40,240 Speaker 2: But I mean, like, where would I even get hit 310 00:14:40,280 --> 00:14:43,160 Speaker 2: on anymore? Like a rauph's in the cheese aisle? 311 00:14:43,680 --> 00:14:44,760 Speaker 3: No, definitely not. 312 00:14:44,960 --> 00:14:47,400 Speaker 2: I mean so obvious. I have kids too. 313 00:14:47,680 --> 00:14:50,360 Speaker 3: Carpool line, and if you're getting hit on there, you're 314 00:14:50,360 --> 00:14:50,760 Speaker 3: in trouble. 315 00:14:50,880 --> 00:14:52,960 Speaker 2: I just don't even get hit on at all anymore 316 00:14:53,000 --> 00:14:58,440 Speaker 2: by anybody. Never. I mean, I'm racking my brain. I mean, 317 00:14:58,480 --> 00:15:00,040 Speaker 2: you should see me out in the wild. I'm like 318 00:15:00,040 --> 00:15:00,800 Speaker 2: a will to beast. 319 00:15:01,760 --> 00:15:03,480 Speaker 3: I've been out with I've been with you out the world. 320 00:15:03,520 --> 00:15:03,720 Speaker 3: You're not. 321 00:15:04,160 --> 00:15:05,880 Speaker 2: You've seen some will to best. 322 00:15:05,560 --> 00:15:07,680 Speaker 3: I've seen some outfits. That's for sure. 323 00:15:09,360 --> 00:15:13,720 Speaker 1: You're out like it's not a little visual pollution happening, 324 00:15:13,760 --> 00:15:14,720 Speaker 1: all right, right, right. 325 00:15:15,680 --> 00:15:20,320 Speaker 2: Realant, So your answer is no, oh, no. 326 00:15:19,400 --> 00:15:23,160 Speaker 1: No, I don't. I imagine maybe, well, I imagine a 327 00:15:23,200 --> 00:15:25,080 Speaker 1: lot of people think that I am from the show, 328 00:15:25,800 --> 00:15:27,920 Speaker 1: but I don't. I don't have people stopping me in 329 00:15:27,960 --> 00:15:32,680 Speaker 1: the streets. I hear incredible, incredible stories about people who 330 00:15:33,120 --> 00:15:39,800 Speaker 1: share space in Arizona story or or that she was 331 00:15:39,880 --> 00:15:42,440 Speaker 1: helpful in some way for them watching the show. 332 00:15:42,600 --> 00:15:45,400 Speaker 3: But no, never, never hit on by women, And. 333 00:15:45,400 --> 00:15:49,000 Speaker 2: Never they're not like sliding their number to you. No, 334 00:15:49,000 --> 00:15:52,640 Speaker 2: no number slide. I know, God, feel me. 335 00:15:53,000 --> 00:15:55,360 Speaker 3: Well, I'm not trying. I don't start inviting that in though. 336 00:15:55,440 --> 00:15:57,440 Speaker 2: I don't mind. Everybody likes to get hit on a 337 00:15:57,480 --> 00:16:00,200 Speaker 2: little bit, you know, give me a number slide, give 338 00:16:00,200 --> 00:16:02,600 Speaker 2: me a whoo woo. I'm not gonna call it, but like, yeah, 339 00:16:02,760 --> 00:16:04,840 Speaker 2: you know, while I'm out in that, can I cheese 340 00:16:04,840 --> 00:16:05,880 Speaker 2: asle give me? 341 00:16:05,960 --> 00:16:06,520 Speaker 3: I never said that. 342 00:16:06,520 --> 00:16:09,840 Speaker 1: It's like five five five five five five five five 343 00:16:09,880 --> 00:16:11,840 Speaker 1: five five five yeah, And. 344 00:16:11,760 --> 00:16:13,720 Speaker 2: I'm like wow, thanks, And just so I can go 345 00:16:13,760 --> 00:16:15,840 Speaker 2: home and show it to Matt, I'm like I got this. 346 00:16:16,880 --> 00:16:18,760 Speaker 2: See I am still hot. 347 00:16:19,360 --> 00:16:23,440 Speaker 1: See I told you it was lock me down, Yeah, 348 00:16:23,880 --> 00:16:24,640 Speaker 1: lock me down. 349 00:16:25,120 --> 00:16:26,840 Speaker 2: I think we should jump around because I feel like 350 00:16:26,840 --> 00:16:28,200 Speaker 2: we're not going to get to everything, and I think 351 00:16:28,200 --> 00:16:29,120 Speaker 2: we need to jump around. 352 00:16:29,440 --> 00:16:30,680 Speaker 3: Well, it's doing real quicker. 353 00:16:30,440 --> 00:16:33,560 Speaker 1: Too, it's nineteen minutes. Do you do you watch the 354 00:16:33,600 --> 00:16:34,360 Speaker 1: episodes you're in. 355 00:16:35,840 --> 00:16:38,120 Speaker 3: I don't not anymore. Really. 356 00:16:38,560 --> 00:16:40,640 Speaker 2: I did in the beginning because I literally wanted to 357 00:16:40,680 --> 00:16:43,760 Speaker 2: see how like if I was doing an okay job. 358 00:16:44,360 --> 00:16:46,840 Speaker 3: Yeah yeah, yeah, yeah, yeah, yeah yeah yeah. It's like 359 00:16:46,880 --> 00:16:47,560 Speaker 3: proof of life. 360 00:16:47,920 --> 00:16:49,960 Speaker 2: And now I feel like I've lived it. And the 361 00:16:50,000 --> 00:16:52,040 Speaker 2: truth is is that sometimes I find it a little 362 00:16:52,040 --> 00:16:54,160 Speaker 2: bit confusing to like go back and be in that 363 00:16:54,200 --> 00:16:57,600 Speaker 2: spot when we're many episodes ahead in a new storyline. 364 00:16:58,720 --> 00:17:00,360 Speaker 2: I think, though, at some point I'm going to go 365 00:17:00,480 --> 00:17:03,160 Speaker 2: back to the early years and like start over. 366 00:17:03,800 --> 00:17:04,479 Speaker 3: Oh my gosh. 367 00:17:04,600 --> 00:17:07,199 Speaker 1: I did go back with one of my daughters, and 368 00:17:07,200 --> 00:17:11,000 Speaker 1: I was like, oh my gosh, that's my voice so high. 369 00:17:11,800 --> 00:17:13,800 Speaker 2: Why do I look like that? I know, but I 370 00:17:13,840 --> 00:17:15,760 Speaker 2: was like twenty seven or something when I joined the show, 371 00:17:15,800 --> 00:17:18,720 Speaker 2: and it is when you're like, oh, that's what I 372 00:17:18,760 --> 00:17:23,360 Speaker 2: looked like without all these fine lines and eyebags, it's 373 00:17:23,400 --> 00:17:24,440 Speaker 2: a little bit depressing. 374 00:17:24,760 --> 00:17:28,680 Speaker 1: No, I actually don't. I don't actually see something crazy. 375 00:17:28,720 --> 00:17:31,960 Speaker 1: I prefer now really I yeah, fine one. 376 00:17:32,600 --> 00:17:33,720 Speaker 2: Yeah, you're like a fine one. 377 00:17:49,000 --> 00:17:51,560 Speaker 1: How hard was it playing Joe when she was depressed? 378 00:17:51,560 --> 00:17:54,000 Speaker 1: Did it bleed into your real life after filling those scenes? 379 00:17:55,400 --> 00:17:57,240 Speaker 2: I definitely feel like I can't. It was hard to 380 00:17:57,240 --> 00:18:01,400 Speaker 2: shake off those seasons where you'recharacter is real. You probably 381 00:18:01,400 --> 00:18:04,119 Speaker 2: had this with like with a Cali and Arizona when 382 00:18:04,160 --> 00:18:05,200 Speaker 2: they're going through that divorce. 383 00:18:05,280 --> 00:18:08,040 Speaker 3: It was just so it's like a kick in the 384 00:18:08,080 --> 00:18:08,879 Speaker 3: teeth every day. 385 00:18:09,000 --> 00:18:10,960 Speaker 2: It really is, and it does kind of I have 386 00:18:11,080 --> 00:18:12,600 Speaker 2: to say, it kind of does affect your mood. I 387 00:18:12,600 --> 00:18:15,840 Speaker 2: wish it was better at leaving it on set, but 388 00:18:15,920 --> 00:18:18,240 Speaker 2: sometimes it really is hard. And the truth is is 389 00:18:18,280 --> 00:18:23,000 Speaker 2: that we love our characters. You love Arizona, I love 390 00:18:23,119 --> 00:18:26,560 Speaker 2: Joe like I'm team Joe. I always say this, And 391 00:18:26,600 --> 00:18:28,880 Speaker 2: so when she's going through it, like yeah, I kind 392 00:18:28,880 --> 00:18:30,760 Speaker 2: of it's kind of like my buddy's going through it. 393 00:18:31,440 --> 00:18:33,560 Speaker 3: Yeah, okay, Yeah, this. 394 00:18:33,600 --> 00:18:36,080 Speaker 2: Is a good one. Emily f said, if Joe and 395 00:18:36,119 --> 00:18:39,760 Speaker 2: Arizona were a piece of kitchen equipment, what would they 396 00:18:39,800 --> 00:18:46,600 Speaker 2: be and why pork spatula a kitchen aid mixer oh, 397 00:18:46,840 --> 00:18:50,600 Speaker 2: I feel like Joe would be like a sauce pen 398 00:18:50,720 --> 00:18:53,040 Speaker 2: that has like a bunch of grease still on it 399 00:18:53,119 --> 00:18:58,200 Speaker 2: and like crust, because she's. 400 00:18:57,920 --> 00:19:01,400 Speaker 3: Kind of not how I see you. Okay, but Joe 401 00:19:01,640 --> 00:19:02,600 Speaker 3: krusty saucepan. 402 00:19:02,840 --> 00:19:05,800 Speaker 2: She's been through it. She's seen some and that saucepan 403 00:19:05,880 --> 00:19:08,480 Speaker 2: to me is like I've seen some stuff. 404 00:19:08,760 --> 00:19:12,199 Speaker 3: Oh yeah, okay, okay, yeah, like you're proud of that crust. 405 00:19:12,720 --> 00:19:17,119 Speaker 2: You're so shiny. Whatever Arizona is is like fresh out 406 00:19:17,160 --> 00:19:17,720 Speaker 2: the packet. 407 00:19:19,640 --> 00:19:21,240 Speaker 1: Well, I can think it shiny maybe like one of 408 00:19:21,240 --> 00:19:25,200 Speaker 1: those little like espresso machines exactly. 409 00:19:25,280 --> 00:19:28,680 Speaker 2: That's the part that's so annoying. Yes, because like Arizona 410 00:19:28,720 --> 00:19:30,520 Speaker 2: is a little peppy too. It has to be an 411 00:19:30,560 --> 00:19:34,560 Speaker 2: especial and like super shiny, all the pods set up neatly. 412 00:19:34,960 --> 00:19:37,840 Speaker 3: Yeah, that's a good one. I like that, Okay, a 413 00:19:37,840 --> 00:19:38,560 Speaker 3: little espresso. 414 00:19:39,040 --> 00:19:40,760 Speaker 1: How do you handle being an actress when you just 415 00:19:40,800 --> 00:19:44,200 Speaker 1: aren't feeling yourself that day but you need to perform? 416 00:19:44,480 --> 00:19:46,639 Speaker 2: Well, Luckily, if I'm not feeling myself that day, it 417 00:19:46,720 --> 00:19:51,960 Speaker 2: helps have to be somebody else. I'm pretty good at. 418 00:19:52,200 --> 00:19:58,160 Speaker 2: I think you are too. About jumping in Yeah, you compartmentalize. Yeah, 419 00:19:58,240 --> 00:19:58,560 Speaker 2: you do. 420 00:19:58,880 --> 00:20:02,240 Speaker 4: You have to because that's kind of our draw, because 421 00:20:02,280 --> 00:20:04,880 Speaker 4: the show must, the show must go on. No, I'm 422 00:20:04,880 --> 00:20:08,520 Speaker 4: supposed to say the show must go on. Remember Shakespeare 423 00:20:08,520 --> 00:20:09,760 Speaker 4: in Love on their. 424 00:20:09,640 --> 00:20:12,040 Speaker 1: Backstage and he's like, oh, yeah, the show must, and 425 00:20:12,080 --> 00:20:14,400 Speaker 1: the other guy goes, go on, go on. 426 00:20:15,359 --> 00:20:18,480 Speaker 2: I love Shakespeare in Love. Oh my god, I know 427 00:20:18,600 --> 00:20:22,520 Speaker 2: I do too. I watched it like I had the VHS, 428 00:20:22,520 --> 00:20:25,600 Speaker 2: and I watched it almost every day for a while, 429 00:20:25,880 --> 00:20:29,280 Speaker 2: like I was really weirdly obsessed with it. It's very joyous, 430 00:20:29,720 --> 00:20:33,399 Speaker 2: I know, really, no, and he was so he was 431 00:20:33,680 --> 00:20:35,120 Speaker 2: hot as Shakespeare. 432 00:20:35,320 --> 00:20:39,120 Speaker 3: Oh just the fines ooh not a Handmaid's Tale. 433 00:20:39,200 --> 00:20:42,440 Speaker 2: Not handmaids No, get out of here, get out of here, fines. 434 00:20:42,520 --> 00:20:45,399 Speaker 3: No, no, no, thank you God, thank you? 435 00:20:46,400 --> 00:20:49,879 Speaker 2: All right. Emma wrote, where would Joe in Arizona's Dream 436 00:20:50,119 --> 00:20:52,000 Speaker 2: vacation be? Okay? 437 00:20:52,080 --> 00:20:55,560 Speaker 1: I see, like maybe I'm just being crazy here, but 438 00:20:56,040 --> 00:20:59,440 Speaker 1: I could see Joe and Arizona. 439 00:21:00,080 --> 00:21:03,320 Speaker 3: I mean, can we see them at Disneyland Orlando? Baby? 440 00:21:03,960 --> 00:21:05,120 Speaker 3: Oh my god? 441 00:21:05,400 --> 00:21:08,720 Speaker 2: Please? If that's okay, If we're going there, then what's 442 00:21:08,720 --> 00:21:12,119 Speaker 2: our favorite ride? I feel like Joe love the Little Mermaid. 443 00:21:12,200 --> 00:21:13,240 Speaker 2: There's something about it. 444 00:21:13,359 --> 00:21:16,199 Speaker 3: Oh, I agree with that. I agree with that. I 445 00:21:16,200 --> 00:21:17,720 Speaker 3: think I'm a small world kind of girl. 446 00:21:18,200 --> 00:21:21,159 Speaker 2: Seriously, It's like literally the most annoying ride and the 447 00:21:21,200 --> 00:21:21,720 Speaker 2: most boring. 448 00:21:22,280 --> 00:21:25,879 Speaker 1: There's something about all the different cultures and I don't know, 449 00:21:25,920 --> 00:21:26,920 Speaker 1: I've always had a saucepot. 450 00:21:27,040 --> 00:21:29,359 Speaker 2: It's a legit, like fifteen minute ride. 451 00:21:29,400 --> 00:21:30,920 Speaker 3: Plus I go in the summer and it's the only 452 00:21:30,960 --> 00:21:34,240 Speaker 3: place that's cool. It's always hot and I get to 453 00:21:34,240 --> 00:21:34,560 Speaker 3: go in there. 454 00:21:34,600 --> 00:21:37,280 Speaker 2: And really, because I feel like, I mean, this is 455 00:21:37,720 --> 00:21:39,320 Speaker 2: this is in the La Once. I don't know if 456 00:21:39,320 --> 00:21:41,240 Speaker 2: this is in I mean the California one, and I'm 457 00:21:41,280 --> 00:21:43,120 Speaker 2: not sure if it's in Florida, but like I can 458 00:21:43,160 --> 00:21:47,920 Speaker 2: see Arizona full on dippity boot boutique getting your hair 459 00:21:48,000 --> 00:21:52,160 Speaker 2: sprayed with glitter a crown. Oh yeah, for. 460 00:21:52,000 --> 00:21:54,639 Speaker 3: Sure, sure that's the Braid's for sure the braids. 461 00:21:54,680 --> 00:21:56,080 Speaker 2: One hundred percent. Yep. 462 00:21:56,160 --> 00:21:57,439 Speaker 3: I love it, Okay. 463 00:21:58,119 --> 00:22:00,720 Speaker 1: Marcy wants to know how did the surge scenes work. 464 00:22:00,800 --> 00:22:03,800 Speaker 1: Does it take longer to shoot? Ye, Marcy, it takes 465 00:22:03,920 --> 00:22:05,440 Speaker 1: longer to shoot it, sure does. 466 00:22:06,160 --> 00:22:07,680 Speaker 2: It takes a really long time. 467 00:22:08,040 --> 00:22:10,439 Speaker 1: I feel like in the O R scenes, I'm like 468 00:22:11,040 --> 00:22:17,000 Speaker 1: bargaining with God literally and figuratively, I'm like talking to 469 00:22:17,040 --> 00:22:20,119 Speaker 1: the first a d I'm talking to the director. I 470 00:22:20,160 --> 00:22:23,080 Speaker 1: always because I like information. I'm always like, so what's 471 00:22:23,080 --> 00:22:25,639 Speaker 1: your plan? And like are we gonna do this side 472 00:22:25,720 --> 00:22:28,320 Speaker 1: first or you gonna do that side? But I mean 473 00:22:28,359 --> 00:22:30,200 Speaker 1: the answer is it takes a long time. 474 00:22:30,240 --> 00:22:32,159 Speaker 2: It's gonna be what it is exactly a lot of 475 00:22:32,200 --> 00:22:34,040 Speaker 2: things to shoot. Yeah, and you have to remember, like 476 00:22:34,080 --> 00:22:37,560 Speaker 2: there's some scenes where like blood spills everywhere, then we 477 00:22:37,640 --> 00:22:39,480 Speaker 2: have to take it again, so now that blood has 478 00:22:39,520 --> 00:22:41,919 Speaker 2: to be really soaked ub again. Everyone has to have 479 00:22:42,000 --> 00:22:44,479 Speaker 2: fresh scrub zone. There's moments like that that just like 480 00:22:44,640 --> 00:22:46,840 Speaker 2: the minutes start to add up on a on an 481 00:22:47,080 --> 00:22:52,080 Speaker 2: our day. Okay, who is your dream guest on the 482 00:22:52,080 --> 00:22:56,119 Speaker 2: show that hasn't already been on? I mean we always 483 00:22:56,119 --> 00:22:59,600 Speaker 2: say Taylor because she does love the show. But if 484 00:22:59,600 --> 00:23:02,000 Speaker 2: I didn't have to go with my immediate tailor answer, 485 00:23:02,080 --> 00:23:08,000 Speaker 2: always maybe Jennifer Coolidge. She's so funny, like as a patient, 486 00:23:08,080 --> 00:23:09,560 Speaker 2: Oh my god, yeah. 487 00:23:09,359 --> 00:23:10,600 Speaker 3: She'd be a great Yeah. 488 00:23:10,800 --> 00:23:12,760 Speaker 1: Nicholas would like to know have you ever had to 489 00:23:12,840 --> 00:23:14,879 Speaker 1: kiss anyone on the show and they had sticky breath? 490 00:23:15,680 --> 00:23:16,879 Speaker 3: Never for me, as a. 491 00:23:16,880 --> 00:23:24,040 Speaker 1: Matter of fact, No, ways, like the most respectful. I mean, like, 492 00:23:24,880 --> 00:23:27,480 Speaker 1: I don't think so listening Altoyd breath. 493 00:23:27,440 --> 00:23:32,200 Speaker 2: I think actors for the most part are really conscious 494 00:23:32,359 --> 00:23:38,199 Speaker 2: of not wanting to be disgusting if possible. Like I 495 00:23:38,200 --> 00:23:40,680 Speaker 2: have yet to have someone like down a tuna fish 496 00:23:40,720 --> 00:23:42,960 Speaker 2: sandwich and then go in for a guess I hear 497 00:23:43,000 --> 00:23:43,680 Speaker 2: it happens. 498 00:23:44,040 --> 00:23:45,760 Speaker 1: Oh my gosh, you know what's funny. One of my 499 00:23:45,800 --> 00:23:50,160 Speaker 1: first kissing scenes ever in my career, I was legit nervous, 500 00:23:50,200 --> 00:23:54,520 Speaker 1: Like I was absolutely like showing nervous. I was apparently nervous. 501 00:23:54,520 --> 00:23:57,320 Speaker 1: It was I was nervous leading like the days leading 502 00:23:57,400 --> 00:23:58,240 Speaker 1: up to the scene. 503 00:23:58,320 --> 00:23:59,960 Speaker 3: I was just nervous, nervous, nerves. 504 00:24:00,160 --> 00:24:02,320 Speaker 1: And he was a little bit more experienced, he was 505 00:24:02,320 --> 00:24:05,359 Speaker 1: a little bit older, and he was very kind, but 506 00:24:05,400 --> 00:24:07,480 Speaker 1: he was a man of few words. And I just 507 00:24:07,520 --> 00:24:09,920 Speaker 1: really didn't I just I didn't know him that well, 508 00:24:09,960 --> 00:24:11,680 Speaker 1: and I just didn't feel all that comfortable and I 509 00:24:11,720 --> 00:24:16,760 Speaker 1: just didn't know. And that day we were finishing up 510 00:24:16,760 --> 00:24:19,120 Speaker 1: the scene that was right before the kissing scene, and 511 00:24:19,560 --> 00:24:24,320 Speaker 1: he had a pa bring to him on set and 512 00:24:24,440 --> 00:24:27,320 Speaker 1: announce that he was bringing him and in and out 513 00:24:27,320 --> 00:24:30,280 Speaker 1: burger animal style with raw onions. 514 00:24:30,720 --> 00:24:32,639 Speaker 2: Animal But I explained to people that don't know what 515 00:24:32,680 --> 00:24:34,280 Speaker 2: in and out is, what animal style is. 516 00:24:34,400 --> 00:24:36,679 Speaker 1: In and out is a cheeseburger and fry place, and 517 00:24:36,760 --> 00:24:39,600 Speaker 1: animal style it has every single thing in the kitchen 518 00:24:39,760 --> 00:24:43,600 Speaker 1: put on the cheeseburger. So he gets this said burger 519 00:24:43,880 --> 00:24:48,520 Speaker 1: with everything on it and raw onions, and I probably 520 00:24:48,560 --> 00:24:49,400 Speaker 1: looked like I was. 521 00:24:49,359 --> 00:24:50,160 Speaker 3: Going to die. 522 00:24:52,440 --> 00:24:55,840 Speaker 2: I'm going to like this is animals time, you guys, 523 00:24:55,880 --> 00:24:58,280 Speaker 2: that is that's what she was making out with. 524 00:24:58,560 --> 00:25:00,520 Speaker 3: Yeah, yeah, yeah, yeah, that's so good. Ross. 525 00:25:00,680 --> 00:25:02,680 Speaker 1: Well, but here's here's the kick the punch line. It 526 00:25:02,720 --> 00:25:04,040 Speaker 1: turns out he was a man that had a good 527 00:25:04,040 --> 00:25:07,040 Speaker 1: sense of humor because my face looked like terror and 528 00:25:07,080 --> 00:25:11,359 Speaker 1: horror but I didn't know it. And then he started 529 00:25:11,400 --> 00:25:14,360 Speaker 1: laughing really hard, oh, because. 530 00:25:14,119 --> 00:25:15,680 Speaker 3: He knew I was nervous, so he was like trying 531 00:25:15,680 --> 00:25:18,640 Speaker 3: to like break the break that ten yeah, yeah, breakdown, 532 00:25:18,680 --> 00:25:19,159 Speaker 3: break down me. 533 00:25:19,440 --> 00:25:21,080 Speaker 2: I don't know what that Honestly, that would have made 534 00:25:21,119 --> 00:25:25,600 Speaker 2: me laugh like this, Like I went in be super 535 00:25:25,600 --> 00:25:28,560 Speaker 2: impressed by the joke. I'll be honest, i'dn't been like, nah, 536 00:25:28,600 --> 00:25:32,239 Speaker 2: I just hate you a little bit. Okay, Jamison, do 537 00:25:32,280 --> 00:25:35,840 Speaker 2: you think you two would actually be friends with your characters? 538 00:25:35,920 --> 00:25:41,560 Speaker 2: In real life for sure, that's easy for Arizona. Joe. 539 00:25:42,119 --> 00:25:44,200 Speaker 3: Well, Arizona would be friends with Joe, and I would 540 00:25:44,200 --> 00:25:45,879 Speaker 3: be friends with Joe. So I think you would be 541 00:25:45,920 --> 00:25:46,560 Speaker 3: friends with Joe. 542 00:25:47,119 --> 00:25:52,120 Speaker 2: Yeah, I I Joe's tricky though, because I I yes, 543 00:25:52,200 --> 00:25:55,920 Speaker 2: I would be Yes, I'd be friends with Joe, except 544 00:25:56,000 --> 00:25:58,920 Speaker 2: I feel like she's super cagey, So I think it'd 545 00:25:58,960 --> 00:26:02,080 Speaker 2: be very hard to like get in deep with someone 546 00:26:02,160 --> 00:26:06,080 Speaker 2: like Joe. That's my opinion. She'ld be a very cagy person. 547 00:26:06,400 --> 00:26:08,760 Speaker 2: I think once you're in the in crowd. Yes, it's 548 00:26:08,800 --> 00:26:10,760 Speaker 2: a good question, though I have never been asked that 549 00:26:10,840 --> 00:26:14,520 Speaker 2: question in a million trillion years. Good question, love it, 550 00:26:14,560 --> 00:26:18,520 Speaker 2: call it crew, Okay, Astrad. Have either of you ever 551 00:26:18,600 --> 00:26:20,440 Speaker 2: gotten uncontrollable laughter on set? 552 00:26:21,080 --> 00:26:26,400 Speaker 1: Yesska, first hello, it's like hello, Yeah, well, if it's. 553 00:26:26,240 --> 00:26:27,800 Speaker 3: You and I, even the last time I was there. 554 00:26:28,359 --> 00:26:32,159 Speaker 2: Yeah, I think people don't understand that when you have 555 00:26:32,440 --> 00:26:36,720 Speaker 2: uncontrollable laughter filming a scene, the pressure to not laugh 556 00:26:36,800 --> 00:26:40,200 Speaker 2: because you know that you're wasting time and the crew 557 00:26:40,240 --> 00:26:43,080 Speaker 2: wants to go home, and you can't control it. Truly, 558 00:26:43,760 --> 00:26:46,560 Speaker 2: it makes you start to get Really it actually gives 559 00:26:46,600 --> 00:26:49,800 Speaker 2: you anxiety and the more anxiety I get over, like, 560 00:26:50,040 --> 00:26:52,600 Speaker 2: do not get out, don't laugh, the more I want 561 00:26:52,600 --> 00:26:55,240 Speaker 2: to laugh, which is not good. 562 00:26:55,720 --> 00:26:57,879 Speaker 3: Yeah, they don't think it's so cute funny, No. 563 00:26:57,880 --> 00:27:01,119 Speaker 2: Which makes it worse. It makes it more away like funny, 564 00:27:01,160 --> 00:27:03,640 Speaker 2: but like that nervous laughter of course. 565 00:27:04,119 --> 00:27:06,840 Speaker 1: Yeah, let's do this last one and this is Stephen 566 00:27:08,040 --> 00:27:09,919 Speaker 1: and I think that this is a good one to 567 00:27:10,080 --> 00:27:10,359 Speaker 1: end on. 568 00:27:12,280 --> 00:27:15,280 Speaker 3: Don't judge me, but is this shot in a real hospital? 569 00:27:15,280 --> 00:27:15,960 Speaker 2: How does it work? 570 00:27:17,400 --> 00:27:17,640 Speaker 4: Steve? 571 00:27:17,720 --> 00:27:20,600 Speaker 1: And I'm not judging you, And you know what, there 572 00:27:20,640 --> 00:27:22,280 Speaker 1: have been times we've been in real hospitals. 573 00:27:22,880 --> 00:27:28,440 Speaker 3: Yeah, but the actual hospital, our home hospital is a set. 574 00:27:28,840 --> 00:27:31,680 Speaker 2: But it does look like a hospital. That was really 575 00:27:31,680 --> 00:27:34,880 Speaker 2: shocking to me. I walked in and there are corridors 576 00:27:34,920 --> 00:27:40,399 Speaker 2: and corridors, corridors and patient rooms and you can go 577 00:27:40,480 --> 00:27:43,760 Speaker 2: from the er back into a certain area that's a reception. 578 00:27:44,040 --> 00:27:48,720 Speaker 2: So it feels very much like a real hospital. But yes, 579 00:27:48,760 --> 00:27:52,480 Speaker 2: when you see us filming on that very famous walkway, 580 00:27:52,520 --> 00:27:56,359 Speaker 2: we haven't done it in a long time. But that 581 00:27:56,520 --> 00:27:59,080 Speaker 2: was all that's that was all real hospital. 582 00:27:59,359 --> 00:28:02,520 Speaker 3: The most like the shooter episode when Derek gets shot, 583 00:28:02,800 --> 00:28:04,400 Speaker 3: that was real. That was a real hospital. 584 00:28:04,800 --> 00:28:06,600 Speaker 2: Yeah, that's what I'm talking about that like that, what 585 00:28:06,640 --> 00:28:08,320 Speaker 2: do they call it the walkway? Yeah, but it was 586 00:28:08,359 --> 00:28:10,919 Speaker 2: all glass and it's all glass, yeah it was. 587 00:28:11,240 --> 00:28:14,040 Speaker 1: It is in the valley, and we would always work 588 00:28:14,080 --> 00:28:15,200 Speaker 1: there on Sundays. 589 00:28:15,480 --> 00:28:17,120 Speaker 3: Yeah, you couldn't work through during the week. 590 00:28:17,280 --> 00:28:20,760 Speaker 2: Yes, I forget the reason why. All right, love it 591 00:28:20,840 --> 00:28:22,240 Speaker 2: another Q and A session. 592 00:28:22,440 --> 00:28:24,720 Speaker 3: So much fun. I'm a little stroll down memory lane. 593 00:28:24,840 --> 00:28:26,760 Speaker 2: I too love it, I know because it gets me 594 00:28:26,840 --> 00:28:29,159 Speaker 2: thinking too. And they ask such good questions that I 595 00:28:29,520 --> 00:28:31,560 Speaker 2: don't get asked all the time. Yeah, you would think, 596 00:28:31,600 --> 00:28:33,639 Speaker 2: after all these years we've been asked everything, but nope, 597 00:28:33,880 --> 00:28:35,560 Speaker 2: they call it crew coming through. 598 00:28:35,880 --> 00:28:37,880 Speaker 3: I love it, all right, you want to call it 599 00:28:38,600 --> 00:28:51,480 Speaker 2: Let's call this the end of the episode.