WEBVTT - Ep 55: John Grant

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<v Speaker 1>Loud and Quiet Presents Midnight Chats.

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<v Speaker 2>Yeah, I had such a common by midnight chat.

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<v Speaker 1>Thank you for the introduction, John Grant. And here we

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<v Speaker 1>go again Thursday night. It's late and we're back with

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<v Speaker 1>another one of those midnight chats. Greg from Loud and

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<v Speaker 1>Quiet here and if your interests fall into the very

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<v Speaker 1>niche Venn diagram that displays the overlapping interests of Tracy Thorn,

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<v Speaker 1>high speed roller coasters and the grammatical intricacies of the

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<v Speaker 1>Icelandic language, then welcome to what's most definitely your dream podcast.

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<v Speaker 1>For everyone else, well, there's a bit in what you're

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<v Speaker 1>about to hear where I basically fall of my chair

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<v Speaker 1>when John Grant showed me a very funny photo of

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<v Speaker 1>himself on an amusement park ride on his fiftieth birthday.

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<v Speaker 1>I've already banged on in recent episodes about how the

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<v Speaker 1>best way to support this podcast is to subscribe, rate,

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<v Speaker 1>and comment wherever you're listening to us. But even better

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<v Speaker 1>still is that you just tell your friends and family.

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<v Speaker 1>Maybe next time there's an awkward silence in the conversation,

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<v Speaker 1>just blurt it out and just tell people that you

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<v Speaker 1>like midnight Chats. But I'm not going to labor that

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<v Speaker 1>point tonight, and I'm just going to get straight onto

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<v Speaker 1>tonight's guest. And fact is, when we're researching these podcasts,

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<v Speaker 1>which we do research, we tend to try and rummage

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<v Speaker 1>around in the small footnotes of an artist's story to

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<v Speaker 1>try and find some gold nuggets to ask them about.

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<v Speaker 1>And John Grant is a gift in that respect because

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<v Speaker 1>he's done so many and I don't really like using

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<v Speaker 1>this word, but quirky things. During his career. He's had

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<v Speaker 1>an extraordinary journey from his very strict religious upbringing in

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<v Speaker 1>the US through to his time in the old rock

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<v Speaker 1>band The Czars, and then following that battling personal addictions

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<v Speaker 1>and later launching a very successful solo career and even

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<v Speaker 1>gone on to write songs for the likes of Robbie Williams.

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<v Speaker 1>Basically too much to fit into a relatively short podcast,

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<v Speaker 1>but I do ask him about being nominated for a

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<v Speaker 1>brit and writing the Icelandic entry for Eurovision.

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<v Speaker 2>So don't worry.

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<v Speaker 1>He has a new album coming out in October and

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<v Speaker 1>it's called Love Is Magic, and it's about the beauty

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<v Speaker 1>and absurdity of life. John was off to an award

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<v Speaker 1>ceremony that night that we caught up to present one

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<v Speaker 1>of his great influences with a prize. That's where we

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<v Speaker 1>pick up and things end with him telling me about

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<v Speaker 1>a song on this new album which features a swear

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<v Speaker 1>word that we've never heard on the podcast before. So

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<v Speaker 1>that's just a warning in case you have any small

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<v Speaker 1>children listening nearby. Anyway, until next Thursday when we'll be back.

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<v Speaker 1>This is Midnight Chats episode fifty five, with John Grant

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<v Speaker 1>lying on a painful looking sofa but staying committed to

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<v Speaker 1>his decision for a full forty minutes. Perfect sounding good John,

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<v Speaker 1>I'm gonna lay down, John, Welcome to Midnight Chats.

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<v Speaker 2>Thank you, good to be here, Thanks for having me.

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<v Speaker 1>You look nice and relaxed.

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<v Speaker 2>Now, thank you.

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<v Speaker 1>We're doing this. We're recording this for people listening. We

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<v Speaker 1>are in a little studio in East London and we've

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<v Speaker 1>got like a small sofa which looks like actually it

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<v Speaker 1>looks very similar to the one that was in my

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<v Speaker 1>grandmother's house for many years.

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<v Speaker 2>But hers was comfortable.

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<v Speaker 1>It's uncomfortable. Can you feel the frame through those those

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<v Speaker 1>very old looking cushions?

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<v Speaker 2>Yes, and it's not comfortable at all.

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<v Speaker 1>Actually, yeah, when you stand up, you're going to be

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<v Speaker 1>feeling it.

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<v Speaker 2>I think it would be too painful for me to

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<v Speaker 2>try and change positions. At this point.

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<v Speaker 1>I've committed. I mean, how are you doing?

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<v Speaker 2>I'm fine. Like I told you before, it's a stressful day.

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<v Speaker 2>But you know who's not having a stressful day.

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<v Speaker 1>You're after an awards ceremony tonight.

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<v Speaker 2>I am. I'm presenting Tracy Thorn with an award tonight,

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<v Speaker 2>some sort of icon type.

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<v Speaker 1>Thing, the Aim Awards, which, if people haven't come across,

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<v Speaker 1>that is an awards that celebrates independent music. Yes, well,

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<v Speaker 1>you've worked with Tracy before, but that's exciting to be

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<v Speaker 1>able to reward her genius basically.

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<v Speaker 2>Yeah, yes, I've decided that tonight I shall compare her

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<v Speaker 2>to the Mississippi River in my speech, or whatever body

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<v Speaker 2>of water made the Grand Canyon steady consistent, creating landscapes

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<v Speaker 2>of incredible sonic beauty.

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<v Speaker 1>That's perfect. I think we've got that written down right.

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<v Speaker 2>I do. Okay, good, don't you think that's good?

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<v Speaker 1>That's brilliant. She's got a book coming out next year.

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<v Speaker 1>He landed on my desk the other day.

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<v Speaker 2>Really another one?

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<v Speaker 1>Yeah? Yeah, yeah, so not too like February.

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<v Speaker 2>She's so smart and clever and her command of the

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<v Speaker 2>English language fills me with shame. She's quite amazing.

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<v Speaker 1>Yeah, what are award ceremonies like? Are they things like that?

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<v Speaker 1>Are they like terrifying? Are they exciting? Are they There's nothing.

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<v Speaker 2>Good about it? No, except that moment when you get

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<v Speaker 2>to present them with that award on that stage, But

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<v Speaker 2>everything else around it is an absolute nightmare. The dinner.

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<v Speaker 2>I mean, I'll be sitting there with Ben and Tracy,

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<v Speaker 2>so it'll be great. There'll be so waiter that looks

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<v Speaker 2>like a young fucking treat Williams or something, you know,

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<v Speaker 2>serving and I'll be mistaking his professionalism and hospitality for

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<v Speaker 2>you know, interest and a lot a life lived together,

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<v Speaker 2>and you know it'll all wind and crocodile tears.

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<v Speaker 1>Other ones you've been to before? Did you do when

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<v Speaker 1>you were nominated for a brit Award here a few

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<v Speaker 1>years ago? Did you go to the Brads?

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<v Speaker 2>I did?

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<v Speaker 1>What was that like? Because that's a whole never that

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<v Speaker 1>was tortuous, Okay.

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<v Speaker 2>Yeah, because it just goes on and on and on

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<v Speaker 2>and on and on. And I lost Bruno Mars, which

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<v Speaker 2>is fine because he's he's very good. I think he's

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<v Speaker 2>very good at what he does. Great voice, great personality.

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<v Speaker 2>But yeah, and I also met boy George that night,

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<v Speaker 2>which was lovely, and he was really sweet and kind

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<v Speaker 2>and so it was really good for me to meet him.

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<v Speaker 2>And and yeah, but I had this suit on and

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<v Speaker 2>I don't know, I just I don't feel terribly comfortable

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<v Speaker 2>with those things. That's not my bag. Baby.

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<v Speaker 1>You mentioned language and command of language before. Now you

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<v Speaker 1>speak five languages?

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<v Speaker 2>Yeah, probably four or five.

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<v Speaker 1>Okay, we've got listeners all over the world for Midnight Chats,

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<v Speaker 1>but we've never been able to or I'm too I'm

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<v Speaker 1>linguistically incompetent. So for people like living in Germany or Spain,

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<v Speaker 1>we know that we've got listeners there, we've never had

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<v Speaker 1>somebody on the podcast like before that's been able to

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<v Speaker 1>speak so many languages. So if we were to say, like,

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<v Speaker 1>welcome to Midnight Chats to people listening in Germany, what

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<v Speaker 1>would I have to say?

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<v Speaker 2>Yeah, I had such a common by midnight Chat. That

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<v Speaker 2>sounds better, doesn't it, Yatala.

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<v Speaker 1>What was the additional show?

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<v Speaker 2>Yeah?

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<v Speaker 1>You always see like a fan of language in general,

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<v Speaker 1>and when did you know that you had an aptitude

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<v Speaker 1>for learning new languages.

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<v Speaker 2>I guess that was my senior year in high school

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<v Speaker 2>in the States, which is your last year before you

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<v Speaker 2>go into college. That was the first year that German

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<v Speaker 2>was offered at my high school, and I was a

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<v Speaker 2>big Nina Hagen fan, and for that reason, I signed

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<v Speaker 2>up for German, because I wanted to translate those Nina

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<v Speaker 2>Hagen lyrics and be able to understand what she was

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<v Speaker 2>talking about. And then I happened to have a great

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<v Speaker 2>teacher as well, who sort of took me under wing.

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<v Speaker 2>She saw that I was struggling that year, and that

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<v Speaker 2>was the one thing that I latched onto that year

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<v Speaker 2>that I really I really excelled at it. And I

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<v Speaker 2>got an easy A in the class, or maybe I

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<v Speaker 2>had a B, because I even though I was really

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<v Speaker 2>good at it, I just didn't like to still I

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<v Speaker 2>was still always a bad student, but still sort of

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<v Speaker 2>effortlessly got a B or whatever it was that I got.

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<v Speaker 2>And she, you know, she was somebody who sort of

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<v Speaker 2>like she would go to a cafe with me on

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<v Speaker 2>the weekend and speak German to me or talk to

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<v Speaker 2>me about German, and she was wonderful. Her name was

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<v Speaker 2>p Snider, and I've lost touch with her, unfortunately, but

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<v Speaker 2>she was lovely. She moved back to Pennsylvania or something

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<v Speaker 2>and back in the eighties and unfortunately lost touch.

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<v Speaker 1>Do you subscribe the idea that some people have a

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<v Speaker 1>natural talent for learning ot the languages? Who do you

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<v Speaker 1>think that everybody can be able that has the ability

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<v Speaker 1>to do that.

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<v Speaker 2>There's so many different aspects about learning the language. I mean, pronunciation,

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<v Speaker 2>like the ability to hear and phonetics is one thing.

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<v Speaker 2>Everybody wants to be able to speak like a native

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<v Speaker 2>and not have an accent. That's something that I've always

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<v Speaker 2>been particularly good at, but it gets harder as your

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<v Speaker 2>age and your mouth gets lazy. And then there's also

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<v Speaker 2>you know, grammar, There's also you know, listening comprehension, there's

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<v Speaker 2>I think I really feel like it's important to understand

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<v Speaker 2>the grammar inside and out if you truly want to

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<v Speaker 2>master a language, because then you can have total control

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<v Speaker 2>over the language, if you know all the rules, and

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<v Speaker 2>then you can really express your personality and your sense

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<v Speaker 2>of humor and all these important things in that language.

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<v Speaker 2>If you have that type of knowledge of it, just

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<v Speaker 2>talking to people and immersing yourself in the language is

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<v Speaker 2>a great way to go, but I think you need both.

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<v Speaker 2>So I think you should be out there talking with people,

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<v Speaker 2>just interacting, immersed in the society living there. If you

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<v Speaker 2>can't do that, these days, there's all sorts of things

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<v Speaker 2>you can do. You can read out loud in the language,

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<v Speaker 2>you can look up things on YouTube, you can watch

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<v Speaker 2>the news in that language, you can watch television shows

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<v Speaker 2>in that language. Everything's on YouTube. So you can immerse

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<v Speaker 2>yourself in that language to a great extent if you create.

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<v Speaker 2>You can create that for yourself at home these days

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<v Speaker 2>quite easily. I think it's better to speak correctly and

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<v Speaker 2>idiomatically and colloquially than to speak, you know, perfect with

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<v Speaker 2>a perfect accent. I think anybody would agree with that.

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<v Speaker 2>But of course, you know, we want to. One wants to,

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<v Speaker 2>I mean, one falls in love with the language because

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<v Speaker 2>one likes the way that sounds, and one would also

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<v Speaker 2>like to sound that way right when speaking it. But

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<v Speaker 2>if you can't overcome your accent, don't worry about that.

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<v Speaker 2>Just do the work, do the drills, do the leg work,

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<v Speaker 2>and it will happen for you eventually. Just put in

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<v Speaker 2>the work and you will make progress in the language,

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<v Speaker 2>and you'll make fast progress. In the language. There's and

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<v Speaker 2>then there's there's times there's these key moments when you

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<v Speaker 2>feel like you feel like you're actually going backwards and

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<v Speaker 2>that you know less when you did that than you

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<v Speaker 2>did when you started. And that's I find, at least

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<v Speaker 2>I wonder to myself and think that it's probably the

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<v Speaker 2>brain absorbing a huge amount of information and putting it

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<v Speaker 2>in order and making sense of it, so that those

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<v Speaker 2>times when you feel like you're actually going backwards, you're

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<v Speaker 2>actually your brain's just doing a lot of work and

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<v Speaker 2>you need to just relax and maybe take a break,

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<v Speaker 2>and you'll find that when you come back to it,

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<v Speaker 2>you will have made progress, and lots of progress, a

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<v Speaker 2>lot more than you think. You're always further along than

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<v Speaker 2>you think you are. But don't ever allow yourself to

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<v Speaker 2>get frustrated and think I'm never going to be able

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<v Speaker 2>to do this, because you can. You definitely can do it.

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<v Speaker 2>There's a lot of people say they have no talent

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<v Speaker 2>for learning the language. I'm not sure I believe that.

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<v Speaker 2>I mean, certainly we have app we all have, you know,

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<v Speaker 2>aptitudes or talents for different things. But I feel like

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<v Speaker 2>if you put the work in, you can get to

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<v Speaker 2>a very comfortable level in any language.

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<v Speaker 1>Is Icelandic the most recent language that you've learnt, Yeah.

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<v Speaker 2>That's the most recent one for me. And that's the

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<v Speaker 2>hardest thing I've ever done.

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<v Speaker 1>Really. Why is that? Why has that been so much

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<v Speaker 1>more difficult? It is because it doesn't follow it as

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<v Speaker 1>similar formula to some of other languages that you've learned.

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<v Speaker 2>Structurally, well, it's very similar to German actually, but it's

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<v Speaker 2>still much more complicated. For example, in German, you know,

0:12:43.160 --> 0:12:45.640
<v Speaker 2>you don't you don't have very many forms for each word.

0:12:45.720 --> 0:12:48.920
<v Speaker 2>Let's see you would have you know, for German, you're

0:12:48.960 --> 0:12:52.240
<v Speaker 2>going to have like five forms for a word maybe

0:12:52.440 --> 0:12:55.679
<v Speaker 2>you know in the different cases like de mann dan

0:12:56.000 --> 0:13:01.480
<v Speaker 2>mann desmanus that has to do with the article, So

0:13:01.520 --> 0:13:03.360
<v Speaker 2>you have and then you have a plural form d

0:13:03.440 --> 0:13:07.600
<v Speaker 2>mena dane menoun, which is the plural, the dative plural

0:13:07.960 --> 0:13:10.280
<v Speaker 2>where you just add an end to the plural or

0:13:10.280 --> 0:13:12.559
<v Speaker 2>an e end to the plural, depending on what the

0:13:12.600 --> 0:13:16.960
<v Speaker 2>word is. And in Icelandic you have sixteen forms for

0:13:17.040 --> 0:13:22.960
<v Speaker 2>every word, so that's eleven more forms at least. And

0:13:23.000 --> 0:13:26.760
<v Speaker 2>then for example, you also have masculine, feminine, and neutral

0:13:26.840 --> 0:13:30.520
<v Speaker 2>nouns in Icelandic, you have a very complex verb system

0:13:30.840 --> 0:13:35.400
<v Speaker 2>like French and German and Spanish and Italian and Portuguese,

0:13:35.440 --> 0:13:39.360
<v Speaker 2>all the Romance languages with the subjunctive and compound tenses

0:13:40.200 --> 0:13:46.520
<v Speaker 2>and conditional and Russian, for example, the verb forms the

0:13:46.600 --> 0:13:48.920
<v Speaker 2>verb system is also quite difficult because they deal with

0:13:48.960 --> 0:13:53.040
<v Speaker 2>something called aspect in the verb. It's quite complicated. But

0:13:53.120 --> 0:13:58.000
<v Speaker 2>the verb forms themselves aren't as varied, and they just

0:13:58.080 --> 0:14:02.360
<v Speaker 2>have one little particle Bui wait for the conditional tense,

0:14:02.440 --> 0:14:04.560
<v Speaker 2>which you just add to the past tense of the verb.

0:14:05.080 --> 0:14:07.880
<v Speaker 2>You had that particle and that becomes the conditional or

0:14:07.880 --> 0:14:10.920
<v Speaker 2>the subjunctive. Yeah, so Icelandic it's just. And then the

0:14:10.920 --> 0:14:13.640
<v Speaker 2>pronunciation is the hardest I've ever dealt with, much harder

0:14:13.679 --> 0:14:18.280
<v Speaker 2>than German Russian. And that has to do with well

0:14:18.280 --> 0:14:23.160
<v Speaker 2>they say that that for English speakers the pronunciation is

0:14:23.200 --> 0:14:27.280
<v Speaker 2>particularly difficult for people for native speakers of English. I

0:14:27.280 --> 0:14:30.440
<v Speaker 2>don't know why that is. I certainly do believe it,

0:14:31.360 --> 0:14:34.280
<v Speaker 2>because I've never struggled with pronunciation like I do in Icelandic.

0:14:34.880 --> 0:14:36.640
<v Speaker 2>I have to say things. I mean, I always had

0:14:36.640 --> 0:14:38.520
<v Speaker 2>to read things out loud over and over and over

0:14:38.560 --> 0:14:40.840
<v Speaker 2>to get them, and at the beginning, you sort of

0:14:40.840 --> 0:14:44.520
<v Speaker 2>exaggerate sounds because you're getting your mouth to move, start

0:14:44.560 --> 0:14:46.320
<v Speaker 2>to move in that way, because you need to retrain

0:14:46.360 --> 0:14:49.200
<v Speaker 2>your mouth for each language. It's important to remember that

0:14:49.320 --> 0:14:52.040
<v Speaker 2>your mouth doesn't move the same in those languages. And

0:14:52.080 --> 0:14:54.120
<v Speaker 2>we don't move our mouths when we speak our language

0:14:54.160 --> 0:14:57.080
<v Speaker 2>because we've learned to speak our language as easily as possible,

0:14:57.240 --> 0:15:00.200
<v Speaker 2>you know, and so we're very lazy with it. That's

0:15:00.200 --> 0:15:02.680
<v Speaker 2>what other people do too, and they're very lazy with things,

0:15:02.760 --> 0:15:08.240
<v Speaker 2>and that's what turns into dialects and different accents because

0:15:08.240 --> 0:15:10.200
<v Speaker 2>we're just trying to figure out a way to say

0:15:10.200 --> 0:15:11.440
<v Speaker 2>things as quickly as possible.

0:15:11.480 --> 0:15:13.520
<v Speaker 1>Do you spend the majority of your time? You know,

0:15:13.600 --> 0:15:15.640
<v Speaker 1>it's still in Iceland now because obviously you move around

0:15:15.680 --> 0:15:17.120
<v Speaker 1>plenty when you're on tour and things like that. But

0:15:17.240 --> 0:15:18.800
<v Speaker 1>is that the main base?

0:15:19.000 --> 0:15:20.800
<v Speaker 2>That's where I'm based, But I'm not there very much

0:15:20.800 --> 0:15:21.080
<v Speaker 2>at all.

0:15:21.920 --> 0:15:26.160
<v Speaker 1>What is it about the character of Icelandic people that

0:15:26.240 --> 0:15:29.760
<v Speaker 1>you like. I've been a couple of times, and as

0:15:29.840 --> 0:15:33.800
<v Speaker 1>well as it being obviously a beautiful country and spectacular

0:15:33.880 --> 0:15:36.200
<v Speaker 1>once you once you get out a record can travel

0:15:36.240 --> 0:15:39.240
<v Speaker 1>around the island, it is stunning, But I found the

0:15:39.320 --> 0:15:45.120
<v Speaker 1>Icelandic people fascinating because of their resilience and their sense

0:15:45.160 --> 0:15:48.800
<v Speaker 1>of humor and their or just various characteristics. I just

0:15:48.800 --> 0:15:51.720
<v Speaker 1>thought they were they were fascinating people. What what characteristics

0:15:51.800 --> 0:15:54.320
<v Speaker 1>of Icelanders do you do you like?

0:15:55.640 --> 0:15:59.120
<v Speaker 2>I like their humor, and they're they're they're quite cheery

0:15:59.240 --> 0:16:01.480
<v Speaker 2>and friendly. I mean, you really got to learn the

0:16:01.560 --> 0:16:04.240
<v Speaker 2>language if you want to crack that nut, you know,

0:16:05.520 --> 0:16:08.240
<v Speaker 2>if you want to get into that society. Same thing

0:16:08.320 --> 0:16:11.080
<v Speaker 2>with I mean any language, I suppose, or any If

0:16:11.120 --> 0:16:12.840
<v Speaker 2>you really want to get to the know the people,

0:16:12.880 --> 0:16:15.320
<v Speaker 2>you must know their language. But I love, you know,

0:16:15.480 --> 0:16:19.080
<v Speaker 2>I love colloquial Icelandic. I love the way they they

0:16:19.160 --> 0:16:23.800
<v Speaker 2>express themselves very in a very clever, funny way. But

0:16:23.920 --> 0:16:26.480
<v Speaker 2>I don't know's it's that way with every single language.

0:16:26.880 --> 0:16:30.080
<v Speaker 2>They're all very different, you know. And and Icelanders are

0:16:30.120 --> 0:16:32.840
<v Speaker 2>pretty relaxed. They're sort of laid back. But that would,

0:16:32.880 --> 0:16:37.120
<v Speaker 2>if anything, that would fill me with resentment because I

0:16:37.160 --> 0:16:39.880
<v Speaker 2>should probably relax a little bit more. But they've got

0:16:39.960 --> 0:16:45.960
<v Speaker 2>sort of a like a Spanish or Italian relaxedness to them,

0:16:46.640 --> 0:16:52.400
<v Speaker 2>a relaxed attitude combined with the Scandinavian style and Scandinavian

0:16:54.200 --> 0:16:57.800
<v Speaker 2>other Scandinavian traits, like it's a strange combination of reservedness

0:16:57.960 --> 0:16:58.800
<v Speaker 2>and and.

0:16:59.120 --> 0:16:59.840
<v Speaker 1>But also.

0:17:02.360 --> 0:17:05.240
<v Speaker 2>Like they have a phrase that the rat dust, which

0:17:05.280 --> 0:17:06.720
<v Speaker 2>is one of the first things that you learn when

0:17:06.720 --> 0:17:09.480
<v Speaker 2>you go there, that the rat dust, which means that

0:17:10.520 --> 0:17:12.680
<v Speaker 2>you know, it'll it'll work out, it'll work itself out,

0:17:13.160 --> 0:17:15.320
<v Speaker 2>it'll it'll get taken care of, don't worry about it,

0:17:15.680 --> 0:17:20.120
<v Speaker 2>you know. When applied to business, that's not too exciting

0:17:20.200 --> 0:17:26.679
<v Speaker 2>for the for the consumer. But in as far as

0:17:26.760 --> 0:17:30.240
<v Speaker 2>everyday lifestyle, I mean, they they have figured out a

0:17:30.280 --> 0:17:33.280
<v Speaker 2>way to thrive in this sort of difficult to thrive

0:17:33.359 --> 0:17:34.000
<v Speaker 2>in environment.

0:17:34.640 --> 0:17:36.520
<v Speaker 1>Absolutely. If you've done and I sounded in winter.

0:17:36.640 --> 0:17:38.600
<v Speaker 2>Yeah, I've done several of them now and they're hard,

0:17:38.760 --> 0:17:39.400
<v Speaker 2>they're difficult.

0:17:39.880 --> 0:17:42.719
<v Speaker 1>Yeah. So I mean again if anybody doesn't visited Iceland,

0:17:42.840 --> 0:17:46.320
<v Speaker 1>but it gets dark approximately what time in the afternoon

0:17:47.080 --> 0:17:48.320
<v Speaker 1>in deep winter?

0:17:48.800 --> 0:17:51.280
<v Speaker 2>Yeah, in deep winter, I mean it's it's it's you're

0:17:51.320 --> 0:17:54.240
<v Speaker 2>only going to have like an hour of light, you know,

0:17:54.800 --> 0:17:58.240
<v Speaker 2>in December and then and that's just twilighty you know.

0:17:59.200 --> 0:18:02.359
<v Speaker 2>So it's yeah, it gets very it's you really got

0:18:02.480 --> 0:18:04.680
<v Speaker 2>to watch your vitamin d intake and make sure that

0:18:04.720 --> 0:18:07.960
<v Speaker 2>you're getting vitamin D, get one of those lamps, take

0:18:08.000 --> 0:18:12.720
<v Speaker 2>a supplement, go to the gym, make sure you're moving, exercise,

0:18:13.440 --> 0:18:16.160
<v Speaker 2>you know, eat right. I mean a lot of people

0:18:16.280 --> 0:18:19.080
<v Speaker 2>up there just go whole hog into the sugar. Seems

0:18:19.160 --> 0:18:25.600
<v Speaker 2>like Scandinavians really struggle with sugar consumption. Well they don't

0:18:25.640 --> 0:18:27.080
<v Speaker 2>seem to be struggling actually with it.

0:18:27.240 --> 0:18:33.560
<v Speaker 1>But yeah, in those deep winters, we need to get

0:18:33.640 --> 0:18:34.600
<v Speaker 1>some energy levels going.

0:18:34.760 --> 0:18:38.680
<v Speaker 2>M h. Yeah, and sugar's Sugar's a killer when it

0:18:38.760 --> 0:18:43.160
<v Speaker 2>comes to that. It's not doing anybody any favors. It's hard.

0:18:43.720 --> 0:18:45.840
<v Speaker 1>A few years back, did you enjoy the experience of

0:18:46.320 --> 0:18:49.440
<v Speaker 1>collaborating on the Icelandic entry for Eurovision?

0:18:50.359 --> 0:18:52.720
<v Speaker 2>Oh? Yeah, that was weird. I was at first I

0:18:53.000 --> 0:18:54.639
<v Speaker 2>wanted to hear what they were doing because I didn't

0:18:54.640 --> 0:18:57.000
<v Speaker 2>really want to be involved in your vision because I

0:18:57.040 --> 0:19:01.840
<v Speaker 2>don't I'm not I'm not really into that style and

0:19:01.960 --> 0:19:03.760
<v Speaker 2>I don't really get crazy. I don't like to watch

0:19:03.800 --> 0:19:04.120
<v Speaker 2>it either.

0:19:04.440 --> 0:19:07.040
<v Speaker 1>I was gonna says you fullowed it up to that point.

0:19:07.200 --> 0:19:08.199
<v Speaker 1>Was it something you were like a way?

0:19:08.200 --> 0:19:09.720
<v Speaker 2>I mean when I was in Sweden, I watched it

0:19:09.800 --> 0:19:12.119
<v Speaker 2>with everybody else, and you know, just sort of like

0:19:12.480 --> 0:19:18.240
<v Speaker 2>a little bit horrified, but you know, Abba came from there,

0:19:18.359 --> 0:19:22.120
<v Speaker 2>so you know it can't be it can't be that bad.

0:19:22.400 --> 0:19:25.200
<v Speaker 2>But these guys that asked me to do this, to

0:19:25.440 --> 0:19:28.359
<v Speaker 2>translate this song for them, I just really loved the

0:19:28.440 --> 0:19:30.399
<v Speaker 2>song they were doing. I was surprised by what they

0:19:30.440 --> 0:19:30.760
<v Speaker 2>were doing.

0:19:30.800 --> 0:19:31.280
<v Speaker 1>It was like this.

0:19:33.119 --> 0:19:37.840
<v Speaker 2>Punk pop, you know hit, and it was talking about children,

0:19:38.160 --> 0:19:42.920
<v Speaker 2>like it was encouraging children to do away with prejudice

0:19:42.960 --> 0:19:47.280
<v Speaker 2>and not judge other people. And and I really liked

0:19:47.280 --> 0:19:48.960
<v Speaker 2>the message they were giving. And I really liked the

0:19:49.040 --> 0:19:52.040
<v Speaker 2>people that wrote the song, and I liked the style

0:19:52.119 --> 0:19:53.960
<v Speaker 2>of the song because it was quite different than other

0:19:54.040 --> 0:19:57.240
<v Speaker 2>things that I'd heard. So I said, yes, so yes,

0:19:57.280 --> 0:19:58.040
<v Speaker 2>I did enjoy.

0:19:57.880 --> 0:20:00.480
<v Speaker 1>It on the night of the war. Did you go

0:20:00.640 --> 0:20:03.159
<v Speaker 1>to it or did you watch it in Iceland with

0:20:03.320 --> 0:20:05.520
<v Speaker 1>other people watching it kind of cheering them along sort

0:20:05.560 --> 0:20:05.760
<v Speaker 1>of thing.

0:20:06.160 --> 0:20:07.320
<v Speaker 2>I don't know if I saw it. I think I

0:20:07.400 --> 0:20:10.080
<v Speaker 2>might have been busy, like out and about touring or

0:20:10.119 --> 0:20:12.399
<v Speaker 2>something at the time. I don't remember seeing them perform it.

0:20:12.480 --> 0:20:14.399
<v Speaker 2>I just remember that I kept asking how did they do?

0:20:14.480 --> 0:20:15.960
<v Speaker 2>How did they do? How did they do? And I

0:20:16.040 --> 0:20:17.960
<v Speaker 2>think they came in like thirteenth or something.

0:20:18.280 --> 0:20:21.320
<v Speaker 1>That's respectable, that's liked mid tables as such.

0:20:21.560 --> 0:20:23.439
<v Speaker 2>But Iceland really wants to win it. They haven't won

0:20:23.480 --> 0:20:31.400
<v Speaker 2>it before, right, right, And so I I wasn't sure.

0:20:31.880 --> 0:20:34.080
<v Speaker 2>I really thought they I mean, I thought they should

0:20:34.119 --> 0:20:36.000
<v Speaker 2>win with that song, but I think I was skeptical

0:20:36.119 --> 0:20:38.000
<v Speaker 2>because it was just too good.

0:20:38.720 --> 0:20:40.440
<v Speaker 1>Yeah. Yeah, that's the thing with your original it gets

0:20:40.600 --> 0:20:43.359
<v Speaker 1>things that. Yeah, it doesn't matter if you've written a

0:20:43.400 --> 0:20:45.680
<v Speaker 1>good songs, it's often about the other things that surround it,

0:20:45.880 --> 0:20:48.520
<v Speaker 1>just the quirkiness of it, or the stage show or

0:20:48.560 --> 0:20:51.040
<v Speaker 1>what eccentricity you put on your performance.

0:20:51.160 --> 0:20:54.000
<v Speaker 2>Yeah, it's so many different factors that you can't plan

0:20:54.240 --> 0:20:57.600
<v Speaker 2>for it. And uh, yeah, you just never you don't

0:20:57.600 --> 0:20:58.280
<v Speaker 2>know what's going to happen.

0:20:58.720 --> 0:21:01.600
<v Speaker 1>Away from came about Iceland. Now has twenty eighteen been

0:21:01.640 --> 0:21:03.600
<v Speaker 1>for you so far? Was the start of the year

0:21:03.680 --> 0:21:06.560
<v Speaker 1>finishing Love's Magic, which is the new album. What's been

0:21:06.600 --> 0:21:08.000
<v Speaker 1>happening in twenty eighteen so far?

0:21:08.440 --> 0:21:11.760
<v Speaker 2>Yeah, I just was working on the record until finished

0:21:11.760 --> 0:21:14.840
<v Speaker 2>it in March or April. Yeah, then I had some

0:21:14.960 --> 0:21:16.560
<v Speaker 2>time off. I had a little bit of time off

0:21:16.600 --> 0:21:20.680
<v Speaker 2>in Iceland, and then I have just started out on

0:21:20.760 --> 0:21:23.800
<v Speaker 2>the promo thing. Now you know, the machine is getting

0:21:23.840 --> 0:21:26.920
<v Speaker 2>going again, and soon we'll be, you know, rehearsing for

0:21:27.000 --> 0:21:29.000
<v Speaker 2>the shows, and then at the end of October the

0:21:29.040 --> 0:21:31.880
<v Speaker 2>first show will happen. And it's just all very quick,

0:21:32.000 --> 0:21:35.280
<v Speaker 2>and it just goes very quick, and it's crazy. I

0:21:35.359 --> 0:21:35.920
<v Speaker 2>can't believe it.

0:21:36.359 --> 0:21:38.879
<v Speaker 1>I read that you celebrated your birthday earlier this year

0:21:38.960 --> 0:21:41.639
<v Speaker 1>by going to a theme park and going on some

0:21:41.760 --> 0:21:42.719
<v Speaker 1>roller coasters. I did.

0:21:42.760 --> 0:21:45.560
<v Speaker 2>I went very jealous. Oh yeah, it was amazing. I

0:21:45.600 --> 0:21:47.560
<v Speaker 2>went to Cedar Point, which I consider to be the

0:21:47.640 --> 0:21:52.040
<v Speaker 2>best one of the if not the best theme park

0:21:52.080 --> 0:21:53.919
<v Speaker 2>in the world or amusement park in the world, then

0:21:54.560 --> 0:21:56.639
<v Speaker 2>one of the very best. There's another one in the

0:21:56.680 --> 0:21:59.880
<v Speaker 2>States called Magic Mountain outside of Los Angeles, which also

0:22:00.520 --> 0:22:05.680
<v Speaker 2>boths an impressive amount and quality of roller coaster. Okay,

0:22:06.960 --> 0:22:09.040
<v Speaker 2>but Cedar Point was just in Crowit has a lot

0:22:09.119 --> 0:22:11.359
<v Speaker 2>of the you know, they're all competing. It breaks the

0:22:11.440 --> 0:22:13.240
<v Speaker 2>rules and then somebody else breaks them, and then it

0:22:13.680 --> 0:22:15.760
<v Speaker 2>brings something back and breaks all the rules. They had

0:22:15.760 --> 0:22:17.520
<v Speaker 2>a new one this year called Steel Vengeance.

0:22:17.800 --> 0:22:20.400
<v Speaker 1>I saw a picture of this earlier and with people

0:22:20.480 --> 0:22:23.879
<v Speaker 1>looking kind of terrified. On itself, it looked a bit rickety, like.

0:22:24.440 --> 0:22:27.159
<v Speaker 2>Yeah, it does look like it sometimes when you're watching it,

0:22:27.240 --> 0:22:30.760
<v Speaker 2>you can see the the structure moving back and forth. Yeah,

0:22:30.880 --> 0:22:34.280
<v Speaker 2>but it was the most incredible thing I've ever been

0:22:34.320 --> 0:22:38.640
<v Speaker 2>on in my life. It is truly the best roller

0:22:38.680 --> 0:22:40.680
<v Speaker 2>coaster I've ever been on. I could not believe it.

0:22:41.160 --> 0:22:42.359
<v Speaker 2>I went on it six times.

0:22:44.480 --> 0:22:47.760
<v Speaker 1>Yeah, get off straight back in the queue. Yeah. What

0:22:48.000 --> 0:22:49.320
<v Speaker 1>was so good about Steel Vengeance.

0:22:49.680 --> 0:22:51.480
<v Speaker 2>Well, I mean it's quite fast. So it's going like

0:22:51.600 --> 0:22:52.720
<v Speaker 2>seventy five miles an hour.

0:22:53.600 --> 0:22:55.320
<v Speaker 1>Yeah, that is fast for Rodicas.

0:22:55.320 --> 0:22:56.080
<v Speaker 2>It's very fast.

0:22:56.200 --> 0:22:56.400
<v Speaker 1>Yeah.

0:22:56.480 --> 0:22:58.400
<v Speaker 2>I mean there's ones there that go There's one there

0:22:58.520 --> 0:23:03.200
<v Speaker 2>called Millennium Force that's one hundred feet higher than Steel

0:23:03.280 --> 0:23:06.600
<v Speaker 2>Vengeance and it goes ninety five ninety three miles an

0:23:06.600 --> 0:23:10.359
<v Speaker 2>hour the whole time. I mean it's it's just relentless.

0:23:11.000 --> 0:23:11.760
<v Speaker 1>That was incredible.

0:23:11.840 --> 0:23:14.080
<v Speaker 2>I went on that several times as well, like three times.

0:23:15.400 --> 0:23:18.119
<v Speaker 2>And then there's another one called Top Thrill Dragster that

0:23:18.240 --> 0:23:20.479
<v Speaker 2>goes from zero to one hundred and twenty miles an

0:23:20.480 --> 0:23:24.880
<v Speaker 2>hour in four seconds. It's done with magnets, so you're

0:23:24.920 --> 0:23:26.840
<v Speaker 2>just sitting there in the car and then it shoots

0:23:26.880 --> 0:23:28.080
<v Speaker 2>you like a rocket.

0:23:28.160 --> 0:23:31.080
<v Speaker 1>It like pollsat the sensation.

0:23:31.400 --> 0:23:33.880
<v Speaker 2>Yeah, but it put from zero to one to twenty

0:23:33.960 --> 0:23:37.120
<v Speaker 2>and four seconds and then it rockets you forty five

0:23:37.240 --> 0:23:41.800
<v Speaker 2>stories into the sky. What's called top thrill Dragster, right,

0:23:42.640 --> 0:23:45.560
<v Speaker 2>and then there's one called King Daka in New Jersey

0:23:45.600 --> 0:23:47.920
<v Speaker 2>and I had actually ridden that one first, and that's

0:23:47.960 --> 0:23:50.920
<v Speaker 2>a little bit bigger. They broke the record that Cedar

0:23:50.960 --> 0:23:54.440
<v Speaker 2>Point held with this one before. That thing took my

0:23:54.520 --> 0:23:58.159
<v Speaker 2>breath away, like literally sounds like it seriously. I mean

0:23:58.160 --> 0:24:00.840
<v Speaker 2>I thought it was gonna that was almost too much,

0:24:01.320 --> 0:24:03.399
<v Speaker 2>but it was incredible and we got right back in

0:24:03.480 --> 0:24:04.960
<v Speaker 2>mind for that one and did it a second time

0:24:05.080 --> 0:24:05.440
<v Speaker 2>right away.

0:24:05.600 --> 0:24:07.920
<v Speaker 1>Have you been to any of the British theme parks

0:24:07.960 --> 0:24:10.400
<v Speaker 1>like your Olton Towers and Chestint and World of Adventures.

0:24:10.560 --> 0:24:11.080
<v Speaker 2>I haven't yet.

0:24:11.080 --> 0:24:12.760
<v Speaker 1>It doesn't sound as exciting as seed a Point to

0:24:12.800 --> 0:24:13.360
<v Speaker 1>be honest.

0:24:13.200 --> 0:24:16.000
<v Speaker 2>Well, these are the biggest and fastest in the world. Yeah, yeah,

0:24:16.480 --> 0:24:18.840
<v Speaker 2>I mean that's why it had to be there for me,

0:24:19.080 --> 0:24:22.800
<v Speaker 2>you know, And I think, I mean, Alton Towers has

0:24:22.840 --> 0:24:26.160
<v Speaker 2>some impressive coasters as well. They have Him Oblivion, which

0:24:26.240 --> 0:24:29.240
<v Speaker 2>is like I think, like Val Raven, but Val Raven

0:24:29.400 --> 0:24:31.960
<v Speaker 2>is the you know, the biggest one of that type

0:24:32.000 --> 0:24:36.080
<v Speaker 2>that the drop coasters where they sort of let you

0:24:36.200 --> 0:24:39.040
<v Speaker 2>hover with your legs dangling over the edge that you

0:24:39.080 --> 0:24:41.359
<v Speaker 2>can see the several hundred foot drop in front of you.

0:24:41.640 --> 0:24:43.960
<v Speaker 1>I've been on Oblivion and we actually had to stop

0:24:44.040 --> 0:24:46.359
<v Speaker 1>because the ride. This is the worst thing that you

0:24:46.480 --> 0:24:48.680
<v Speaker 1>want to hear when you're at a theme park, when

0:24:48.680 --> 0:24:51.480
<v Speaker 1>you get the message from somebody going was a member

0:24:51.520 --> 0:24:53.399
<v Speaker 1>of staff coming over the pa and saying, we're just

0:24:53.440 --> 0:24:55.359
<v Speaker 1>temporarily going to have to just holt the ride because

0:24:55.400 --> 0:24:58.040
<v Speaker 1>of a technical problem. And you and you're sat there

0:24:58.080 --> 0:24:59.600
<v Speaker 1>and your legs are just dangling, and you're, you know,

0:24:59.640 --> 0:25:00.000
<v Speaker 1>you kind of.

0:25:00.320 --> 0:25:01.440
<v Speaker 2>You were dangling off the edge.

0:25:01.440 --> 0:25:03.680
<v Speaker 1>At that point. We were in the you know where

0:25:03.720 --> 0:25:06.520
<v Speaker 1>you get onto the ride and you're you're already in

0:25:06.600 --> 0:25:09.240
<v Speaker 1>the harness, you're ready to go. That's the point where

0:25:09.240 --> 0:25:12.119
<v Speaker 1>we were. So somebody was out there on the on

0:25:12.200 --> 0:25:14.520
<v Speaker 1>the track, so to speak, dangling in mid air. It

0:25:14.600 --> 0:25:16.520
<v Speaker 1>wasn't us, but we heard the announcement and we were

0:25:16.560 --> 0:25:19.240
<v Speaker 1>there for twenty five minutes.

0:25:21.200 --> 0:25:25.400
<v Speaker 2>So yeah, HORRIFYE. Well this one val Raven, that suitor point,

0:25:25.720 --> 0:25:28.960
<v Speaker 2>which the drop coaster, it was long. I couldn't believe

0:25:29.000 --> 0:25:32.199
<v Speaker 2>how long it was. Okay, I mean it was incredible.

0:25:32.320 --> 0:25:34.280
<v Speaker 2>That was one of my favorite ones as well. I

0:25:34.400 --> 0:25:37.440
<v Speaker 2>have to say I couldn't believe the the sheer number

0:25:37.720 --> 0:25:39.920
<v Speaker 2>of impressive coasters they have there.

0:25:40.680 --> 0:25:43.520
<v Speaker 1>It does sound good Olwen Towers. When I was going up,

0:25:43.520 --> 0:25:46.000
<v Speaker 1>they had this one called Nemesis that was announced. Yes,

0:25:46.119 --> 0:25:47.760
<v Speaker 1>there was a big deal made about that when that

0:25:47.880 --> 0:25:48.359
<v Speaker 1>came around.

0:25:49.080 --> 0:25:50.000
<v Speaker 2>I've heard of Nemesis.

0:25:50.160 --> 0:25:52.080
<v Speaker 1>Nemesis is good. Oblivion was better.

0:25:52.280 --> 0:25:55.080
<v Speaker 2>I think, what's Nemesis? Is it lupin?

0:25:55.359 --> 0:25:57.800
<v Speaker 1>Yeah? Yeah, yeah, yeah. It wasn't as fun as Oblivion

0:25:57.800 --> 0:25:59.159
<v Speaker 1>because that is the one where you go in and

0:25:59.280 --> 0:26:02.520
<v Speaker 1>you pulled the harness and your legs dangling and you

0:26:02.640 --> 0:26:04.239
<v Speaker 1>kind of your yeah, you know, you're flying around your

0:26:04.320 --> 0:26:06.400
<v Speaker 1>legs above your head and everything else, and you're seeing

0:26:06.440 --> 0:26:09.600
<v Speaker 1>the sky in there just your shoes, which is quite exciting.

0:26:10.160 --> 0:26:12.719
<v Speaker 2>But that first drop is incredible. I don't know how

0:26:12.800 --> 0:26:16.520
<v Speaker 2>much higher val Raven is than Nemesis. I mean they

0:26:16.720 --> 0:26:19.320
<v Speaker 2>you know, it's usually a few feet. I went to

0:26:19.400 --> 0:26:21.320
<v Speaker 2>one in Germany just a few weeks ago. They have

0:26:21.400 --> 0:26:25.479
<v Speaker 2>one called the Kraku, which is the Kraken the cracking

0:26:25.880 --> 0:26:29.680
<v Speaker 2>like it and it's a it's a drop coaster like

0:26:29.760 --> 0:26:32.159
<v Speaker 2>this and it drops you into the mouth of the Kraken,

0:26:32.440 --> 0:26:36.240
<v Speaker 2>which is just the circle of teeth. I mean, it's amazing,

0:26:37.200 --> 0:26:38.879
<v Speaker 2>but it was. It was over in like two seconds.

0:26:38.960 --> 0:26:42.560
<v Speaker 2>It was completely okay. It was like a half or

0:26:42.600 --> 0:26:45.560
<v Speaker 2>the third of the time of val Raven, which just

0:26:45.600 --> 0:26:48.040
<v Speaker 2>seemed to go on forever, which is good for a coaster.

0:26:48.480 --> 0:26:50.320
<v Speaker 2>But then at this German park they had one called

0:26:50.359 --> 0:26:51.960
<v Speaker 2>the Flight of the Demon, which was one of the

0:26:52.040 --> 0:26:54.120
<v Speaker 2>ones where you dangle on either side of the track.

0:26:56.880 --> 0:26:59.040
<v Speaker 2>And I have to say that one is obviously made

0:26:59.080 --> 0:27:02.119
<v Speaker 2>by the same company that made the Gatekeeper in Cedar Point, Ohio,

0:27:02.880 --> 0:27:05.840
<v Speaker 2>which was just it was fun, but it was just

0:27:06.119 --> 0:27:08.960
<v Speaker 2>like a riding in a really smooth, nice car. It

0:27:09.040 --> 0:27:11.000
<v Speaker 2>wasn't particularly scary or anything.

0:27:11.480 --> 0:27:12.240
<v Speaker 1>It was beautiful.

0:27:12.440 --> 0:27:14.840
<v Speaker 2>You're on the edge of the lake erie and so

0:27:14.960 --> 0:27:16.920
<v Speaker 2>you're just looking out over the what looks like the

0:27:16.960 --> 0:27:21.359
<v Speaker 2>ocean because they're so huge, those lakes. And it was

0:27:21.480 --> 0:27:26.359
<v Speaker 2>fun but just very chill. But there was that company

0:27:26.400 --> 0:27:29.320
<v Speaker 2>built one for this part called, like I said, Flight

0:27:29.359 --> 0:27:33.600
<v Speaker 2>of the Demon, same coaster, you're with the harness with

0:27:33.680 --> 0:27:39.720
<v Speaker 2>your legs dangling on either side of the track, and wow,

0:27:39.800 --> 0:27:42.960
<v Speaker 2>that was more impressive than the one at Cedar Point.

0:27:43.440 --> 0:27:45.320
<v Speaker 2>It was really very cool.

0:27:45.680 --> 0:27:48.439
<v Speaker 1>What was your entry point into your love of theme parks?

0:27:48.600 --> 0:27:50.400
<v Speaker 1>Was it like a Disneyland thing?

0:27:51.119 --> 0:27:52.960
<v Speaker 2>Yeah, I think Disneyland might have been the first one.

0:27:53.280 --> 0:27:56.320
<v Speaker 1>Space Mountain, yeah, I think thunder Mountain was my first one.

0:27:57.200 --> 0:27:59.720
<v Speaker 1>Was that Paris or Paris Disneyland Paris, Yeah.

0:27:59.720 --> 0:28:02.359
<v Speaker 2>Yeah, And I went to the one in you know,

0:28:02.480 --> 0:28:09.879
<v Speaker 2>the the one in California anyway, Disneyland is in California

0:28:09.960 --> 0:28:13.320
<v Speaker 2>and disney World is in Orlando, Florida. Yeah, those are

0:28:13.320 --> 0:28:16.040
<v Speaker 2>the two biggies out, you know. So we went to

0:28:16.119 --> 0:28:19.840
<v Speaker 2>the one in Disneyland in California and then and then

0:28:19.880 --> 0:28:21.840
<v Speaker 2>I think it was Cedar Point after that because we

0:28:22.560 --> 0:28:25.320
<v Speaker 2>I grew up like three four hours from Cedar Point, right,

0:28:25.480 --> 0:28:28.280
<v Speaker 2>So we had friends in Toledo, Ohio. Sometimes we would

0:28:28.320 --> 0:28:31.080
<v Speaker 2>drive over from Michigan and then we'd stay at their

0:28:31.119 --> 0:28:32.800
<v Speaker 2>house and then go to Cedar Point the next day.

0:28:32.800 --> 0:28:35.360
<v Speaker 2>And those were like some of the greatest memories I've

0:28:35.400 --> 0:28:40.240
<v Speaker 2>ever had. And they still have three, like three of

0:28:40.320 --> 0:28:42.320
<v Speaker 2>the coasters there that were there when I went there

0:28:42.360 --> 0:28:45.160
<v Speaker 2>in the seventies, so I hadn't been there since the seventies.

0:28:45.200 --> 0:28:47.880
<v Speaker 2>When I went this this, you know, a month ago.

0:28:48.240 --> 0:28:50.160
<v Speaker 1>And that was a bit of a nostalgia trip as well.

0:28:50.200 --> 0:28:52.480
<v Speaker 2>Then, yeah, it was a nostalgia trip because I was

0:28:52.520 --> 0:28:54.120
<v Speaker 2>there with my you know, I went there with my

0:28:54.200 --> 0:28:56.760
<v Speaker 2>mother in the seventies and so I've met at great

0:28:56.760 --> 0:29:01.160
<v Speaker 2>memories of her from that and my sister and our friends,

0:29:01.240 --> 0:29:04.520
<v Speaker 2>and oh it was amazing. But they didn't have anything

0:29:04.640 --> 0:29:06.240
<v Speaker 2>like what they have now. I mean, it was just

0:29:06.320 --> 0:29:09.680
<v Speaker 2>a different world. The corkscrew was the biggest thing they had.

0:29:10.000 --> 0:29:12.240
<v Speaker 2>And looking at the hill now it looks like it

0:29:12.720 --> 0:29:14.200
<v Speaker 2>looks like a tiny little child.

0:29:15.120 --> 0:29:16.880
<v Speaker 1>It was that what we thought was the most exciting thing.

0:29:16.920 --> 0:29:18.880
<v Speaker 2>That was the biggest thing, and the adults thought it

0:29:19.000 --> 0:29:22.440
<v Speaker 2>was scary too. But now they have these monster things.

0:29:23.240 --> 0:29:25.560
<v Speaker 2>I mean, have you seen a picture of top thrill dragster?

0:29:26.120 --> 0:29:26.160
<v Speaker 1>No?

0:29:26.960 --> 0:29:29.040
<v Speaker 2>I mean it's forty five stories high.

0:29:30.840 --> 0:29:33.640
<v Speaker 1>That's like half of the shard in London or something,

0:29:33.720 --> 0:29:38.080
<v Speaker 1>isn't it. That's ridiculous. Yes, do you get the photos?

0:29:38.120 --> 0:29:39.400
<v Speaker 1>You know, when you come out on the other side

0:29:39.440 --> 0:29:40.680
<v Speaker 1>and then they say do you want to buy this

0:29:40.760 --> 0:29:42.840
<v Speaker 1>photo of you looking petrified? Do you have you got

0:29:42.840 --> 0:29:47.760
<v Speaker 1>a collection of them? Amazing expensive?

0:29:47.800 --> 0:29:50.080
<v Speaker 2>If you give me that phone, if there's a phone charging,

0:29:51.480 --> 0:29:53.040
<v Speaker 2>get on I can show you one right now that

0:29:53.120 --> 0:29:57.120
<v Speaker 2>will that will surely delight you of me on Flight

0:29:57.160 --> 0:29:57.640
<v Speaker 2>of the Demon.

0:29:58.120 --> 0:29:59.840
<v Speaker 1>And then I'm just getting John's phone so that you

0:30:00.040 --> 0:30:01.360
<v Speaker 1>and showed me a photo with him on the Flight

0:30:01.400 --> 0:30:01.880
<v Speaker 1>of the Demon.

0:30:03.640 --> 0:30:05.680
<v Speaker 2>I mean, people say I look like a demon from

0:30:05.720 --> 0:30:10.080
<v Speaker 2>hell on it. Where's the thing?

0:30:15.880 --> 0:30:22.800
<v Speaker 1>That is absolutely fantastic. That's what I did when I

0:30:22.880 --> 0:30:27.480
<v Speaker 1>said one word gravity, like are you.

0:30:29.360 --> 0:30:31.400
<v Speaker 2>But people said I look like a demon from hell?

0:30:31.880 --> 0:30:32.400
<v Speaker 2>And that photo?

0:30:32.720 --> 0:30:33.800
<v Speaker 1>Is this your friend next to you?

0:30:34.160 --> 0:30:36.760
<v Speaker 2>I just think it looks like a like a groan

0:30:36.840 --> 0:30:38.080
<v Speaker 2>of horror coming out of it.

0:30:38.160 --> 0:30:40.360
<v Speaker 1>It looks like you might be in pain. But yeah,

0:30:40.400 --> 0:30:43.400
<v Speaker 1>I mean it's enjoyment pain. That is so good.

0:30:45.600 --> 0:30:48.200
<v Speaker 2>That girl next to me, she was the one interviewing

0:30:48.280 --> 0:30:50.520
<v Speaker 2>me that day. They'd heard that they heard in Germany

0:30:50.560 --> 0:30:52.280
<v Speaker 2>that I like roller coasters and tak me to the

0:30:52.600 --> 0:30:54.640
<v Speaker 2>roller coaster park and then interviewed me afterwards.

0:30:56.400 --> 0:31:01.680
<v Speaker 1>That is that is brilliant. Her hair is exactly, Hey,

0:31:01.680 --> 0:31:03.640
<v Speaker 1>what are we doing here? This here for we should

0:31:03.680 --> 0:31:07.120
<v Speaker 1>be doing this? And what about Thorpe thought Park? Yeah,

0:31:07.240 --> 0:31:11.120
<v Speaker 1>I don't they have a big woody I think the

0:31:11.600 --> 0:31:12.760
<v Speaker 1>last thing I heard, Yeah.

0:31:13.720 --> 0:31:15.400
<v Speaker 2>You see the skinny puppy t shirt here in this

0:31:15.440 --> 0:31:16.080
<v Speaker 2>photo as well.

0:31:16.640 --> 0:31:19.440
<v Speaker 1>Ah, wonderful. Yeah, that is good.

0:31:19.440 --> 0:31:21.400
<v Speaker 2>I just love this photo and I like her. She

0:31:21.520 --> 0:31:26.160
<v Speaker 2>looks like she's just floated in from yoga class, right.

0:31:26.720 --> 0:31:29.880
<v Speaker 1>Yeah, hair is like vertical. It's absolutely brilliant.

0:31:30.120 --> 0:31:30.920
<v Speaker 2>Yeah, it's amazing.

0:31:31.200 --> 0:31:33.200
<v Speaker 1>That's the highlight of my day so far. That's brilliant.

0:31:34.520 --> 0:31:38.239
<v Speaker 1>Speaking of brilliant pictures, the front cover artwork of your

0:31:38.320 --> 0:31:41.800
<v Speaker 1>new album, Love's Magic is truly fantastic.

0:31:41.960 --> 0:31:42.200
<v Speaker 2>Thank you.

0:31:42.400 --> 0:31:44.480
<v Speaker 1>Definitely the best piece of artwork. Oh yeah. If you're

0:31:44.480 --> 0:31:46.200
<v Speaker 1>listening to this and you haven't seen it, just immediately

0:31:46.280 --> 0:31:50.120
<v Speaker 1>going have a look. It features yourself with a bird

0:31:50.200 --> 0:31:53.120
<v Speaker 1>cage on your head. Tell me about the day that

0:31:53.280 --> 0:31:55.800
<v Speaker 1>you put together that artwork.

0:31:55.880 --> 0:31:58.120
<v Speaker 2>Well, I was really annoyed that day because you know,

0:31:58.160 --> 0:32:00.480
<v Speaker 2>I was arriving in Paris and at the hotel they

0:32:00.520 --> 0:32:02.680
<v Speaker 2>were like, oh, we don't turn on the AC until June,

0:32:03.120 --> 0:32:05.840
<v Speaker 2>and it was April and it was, you know, sizzling already.

0:32:06.600 --> 0:32:09.320
<v Speaker 2>So as you know, as the spoiled American, you're really

0:32:09.360 --> 0:32:13.800
<v Speaker 2>irritated by that. There's not a fan in sight, you know. Yeah, anyway,

0:32:14.120 --> 0:32:17.400
<v Speaker 2>and yeah, so there's that, and then and then the

0:32:17.600 --> 0:32:21.120
<v Speaker 2>the shoot was like ten hours long, so it was,

0:32:21.280 --> 0:32:24.280
<v Speaker 2>it was. It was a grueling day of you know,

0:32:24.440 --> 0:32:29.120
<v Speaker 2>just went wandering around in front of you know, good

0:32:29.160 --> 0:32:32.160
<v Speaker 2>looking men in my pants, you know, with them all

0:32:32.320 --> 0:32:35.720
<v Speaker 2>fully clothed, and I just felt, you know, fat and

0:32:35.840 --> 0:32:39.360
<v Speaker 2>disgusting and you know, you're in your fucking pants, and

0:32:40.680 --> 0:32:44.080
<v Speaker 2>I just I didn't really enjoy that. But I you know,

0:32:44.200 --> 0:32:46.880
<v Speaker 2>I always, I always want to commit to the vision

0:32:46.960 --> 0:32:51.240
<v Speaker 2>of the artist and the photographers. So you know, it's like,

0:32:51.520 --> 0:32:53.520
<v Speaker 2>I don't give a shit if I'm miserable. I'm going

0:32:53.600 --> 0:32:55.360
<v Speaker 2>to do it because I want it to be right.

0:32:55.840 --> 0:32:56.600
<v Speaker 2>And it is right.

0:32:57.440 --> 0:32:59.800
<v Speaker 1>It's it's very right, you know.

0:33:00.320 --> 0:33:08.280
<v Speaker 2>Scott King, you know, designed that whole thing, and Johann

0:33:08.520 --> 0:33:12.960
<v Speaker 2>It's I keep forgetting the photographer's name because it's it's

0:33:13.040 --> 0:33:15.360
<v Speaker 2>not even that difficult, but it's sort of a much

0:33:15.440 --> 0:33:18.240
<v Speaker 2>trickier name than Scott King, you know. But the photographer

0:33:18.400 --> 0:33:21.360
<v Speaker 2>was great too. He had he understood what we were

0:33:21.440 --> 0:33:25.440
<v Speaker 2>doing and he you know, he got some great shots.

0:33:25.880 --> 0:33:28.080
<v Speaker 1>I'm not going to see a better album cover this year.

0:33:28.120 --> 0:33:30.320
<v Speaker 1>That absolutely not. I've made my mind up already.

0:33:30.400 --> 0:33:30.840
<v Speaker 2>Well, thank you.

0:33:31.160 --> 0:33:33.200
<v Speaker 1>I should ask you some questions about this album because

0:33:33.200 --> 0:33:34.840
<v Speaker 1>we've you know, we've not already talked about it yet.

0:33:34.880 --> 0:33:36.520
<v Speaker 1>We've been too busy talking about want to tell is

0:33:36.960 --> 0:33:40.320
<v Speaker 1>love is Magic? How was the process of making this

0:33:40.440 --> 0:33:43.920
<v Speaker 1>because you traveled to two places that are almost certainly

0:33:44.880 --> 0:33:47.920
<v Speaker 1>not like each other, Cornwall and Texas.

0:33:48.600 --> 0:33:52.520
<v Speaker 2>I was in Cornwall, in Saint Bruard at Benge's studio

0:33:53.360 --> 0:33:57.479
<v Speaker 2>and which is this idyllic, beautiful place, you know, at

0:33:57.480 --> 0:34:01.160
<v Speaker 2>the foot of Bodmin Moore sold in the hillside there,

0:34:01.240 --> 0:34:07.200
<v Speaker 2>and it's just absolutely incredible, incredible natural beauty there. And

0:34:07.320 --> 0:34:10.240
<v Speaker 2>he has a beautiful house there, and he has this basement,

0:34:10.440 --> 0:34:13.520
<v Speaker 2>you know, with all these wonderful scents and modular sense

0:34:13.640 --> 0:34:20.440
<v Speaker 2>and it's truly a fairy land like playground, like fairy

0:34:20.520 --> 0:34:25.839
<v Speaker 2>tale like surroundings. And you're never far from the coast

0:34:25.960 --> 0:34:29.080
<v Speaker 2>down there. So there's you know, beautiful little day trips

0:34:29.120 --> 0:34:31.400
<v Speaker 2>to be had when you can't stand being in the studio.

0:34:31.880 --> 0:34:33.560
<v Speaker 2>But we had, we just had so much fun. It

0:34:33.680 --> 0:34:36.239
<v Speaker 2>was just criminal the whole time. You know, it was

0:34:36.400 --> 0:34:39.440
<v Speaker 2>super super fun, and he's so incredible to work with,

0:34:40.040 --> 0:34:42.120
<v Speaker 2>you know, and I really wanted to get the sounds right,

0:34:42.200 --> 0:34:44.360
<v Speaker 2>so it was great to work with somebody that's a

0:34:44.440 --> 0:34:46.960
<v Speaker 2>master of sound design like he is, to help me

0:34:47.040 --> 0:34:49.600
<v Speaker 2>get where I was going, and then I just sat

0:34:49.640 --> 0:34:52.239
<v Speaker 2>there and composed. And then he was the engineer as

0:34:52.280 --> 0:34:56.719
<v Speaker 2>well as well as you know, constantly showing me what

0:34:56.880 --> 0:34:58.880
<v Speaker 2>to do or he was always doing all the poking

0:34:58.960 --> 0:35:03.319
<v Speaker 2>around with the with the modulars because I wanted to learn,

0:35:03.400 --> 0:35:05.239
<v Speaker 2>but I wasn't down there to learn. I was down

0:35:05.280 --> 0:35:07.960
<v Speaker 2>there to make music, so you know, it would have

0:35:08.000 --> 0:35:11.839
<v Speaker 2>taken you know, ten years. So he's you know, looks

0:35:11.920 --> 0:35:14.520
<v Speaker 2>like a you know, operator at a switchboard, you know,

0:35:14.600 --> 0:35:18.239
<v Speaker 2>the whole time, and just very very fast and knows

0:35:18.280 --> 0:35:21.279
<v Speaker 2>what to do and knows those instruments inside and out

0:35:21.640 --> 0:35:24.319
<v Speaker 2>and has all the great classics, you know. He has

0:35:24.480 --> 0:35:30.400
<v Speaker 2>an original three C Moog modular and a Bukla and

0:35:30.520 --> 0:35:34.440
<v Speaker 2>the CVS, the Putney here from England, a museum of

0:35:34.520 --> 0:35:37.000
<v Speaker 2>since yeah, and the Art twenty five hundred, which is

0:35:37.600 --> 0:35:41.800
<v Speaker 2>the most gorgeous thing you'll ever see. C S eighty

0:35:41.920 --> 0:35:45.320
<v Speaker 2>from Yamaha, which is not a modular synth but probably

0:35:45.440 --> 0:35:52.400
<v Speaker 2>the mother of all analog synse I mean, it's just incredible,

0:35:53.120 --> 0:35:54.880
<v Speaker 2>you know, and things like Blade Runner were done on

0:35:54.960 --> 0:35:58.960
<v Speaker 2>that synth with Vangelis Ervan Golis, however the hell one

0:35:59.000 --> 0:36:02.879
<v Speaker 2>pronounces his name never know, and let's see what else.

0:36:02.920 --> 0:36:08.240
<v Speaker 2>He also had an EMU modular and a Surge modular.

0:36:09.320 --> 0:36:11.960
<v Speaker 2>Just shocking. And I really fell in love with the

0:36:12.000 --> 0:36:16.320
<v Speaker 2>Prophet The Prophet MVS from nineteen eighty five, which is

0:36:16.360 --> 0:36:20.880
<v Speaker 2>an incredible, incredibly beautiful instrument with incredible pad sounds, the

0:36:20.960 --> 0:36:23.560
<v Speaker 2>most delicious pad sounds you're ever gonna hear.

0:36:23.960 --> 0:36:26.560
<v Speaker 1>There's a song on the album called smug Cunt Yes,

0:36:26.640 --> 0:36:28.840
<v Speaker 1>which is a word I've not said on this podcast

0:36:28.880 --> 0:36:32.720
<v Speaker 1>before but I have now. And is that about anybody

0:36:32.760 --> 0:36:33.280
<v Speaker 1>in particular?

0:36:34.320 --> 0:36:37.840
<v Speaker 2>Originally I was going to write it about Vladimir Putin,

0:36:39.360 --> 0:36:44.920
<v Speaker 2>but he I think he's It became a much broader thing.

0:36:45.000 --> 0:36:49.919
<v Speaker 2>It became, you know, it became just like a term

0:36:50.120 --> 0:36:54.360
<v Speaker 2>for a term of exasperation when faced with these you know,

0:36:54.520 --> 0:36:59.880
<v Speaker 2>money hungry, greedy, power hungry narcissists of the world who

0:37:00.000 --> 0:37:04.960
<v Speaker 2>who will do anything, and you know, the destruction of

0:37:05.200 --> 0:37:09.120
<v Speaker 2>any person or anything or anything in nature is second.

0:37:09.600 --> 0:37:12.280
<v Speaker 2>You know, it's just totally uninteresting to them. It simply

0:37:12.320 --> 0:37:16.600
<v Speaker 2>doesn't matter. I think I've I've just expressed myself very poorly.

0:37:17.160 --> 0:37:21.000
<v Speaker 2>But it's about you know, extreme narcissism and people who

0:37:21.080 --> 0:37:24.719
<v Speaker 2>go out into the world totally self absorbed, without any

0:37:24.760 --> 0:37:29.920
<v Speaker 2>self awareness, looking to destroy calculating. I don't know. So

0:37:30.120 --> 0:37:32.480
<v Speaker 2>Donald Trump, I don't know. He barely fits in there

0:37:32.520 --> 0:37:36.279
<v Speaker 2>because I don't know if he's capable of being calculating.

0:37:37.320 --> 0:37:38.440
<v Speaker 1>You know, exactly.

0:37:39.360 --> 0:37:41.759
<v Speaker 2>But I you know, I don't know the guy. But

0:37:41.880 --> 0:37:44.400
<v Speaker 2>I hate this type of person. I don't like that.

0:37:44.960 --> 0:37:51.279
<v Speaker 2>And you know, it's it's I think you have to

0:37:51.320 --> 0:37:54.480
<v Speaker 2>be careful, you know, judging other people because you unless

0:37:54.520 --> 0:37:57.439
<v Speaker 2>you've walked in their shoes. But there's also a time

0:37:57.560 --> 0:38:03.440
<v Speaker 2>for just raw reaction to what you perceive as absolutely

0:38:03.480 --> 0:38:09.400
<v Speaker 2>disgusting in art, you know, and so you know, the

0:38:09.680 --> 0:38:14.120
<v Speaker 2>feelings of the moment are totally valid and smug cant

0:38:14.200 --> 0:38:15.160
<v Speaker 2>is the only way I know how.

0:38:15.120 --> 0:38:20.520
<v Speaker 1>To describe it. It's an album that sort of reflects

0:38:20.560 --> 0:38:24.839
<v Speaker 1>on both the absurd and the beautiful. To my mind,

0:38:24.880 --> 0:38:28.359
<v Speaker 1>at least, like to find the absurd in everyday life

0:38:28.400 --> 0:38:31.640
<v Speaker 1>feels very easy these days. You only have to just

0:38:31.800 --> 0:38:34.200
<v Speaker 1>turn on the TV or I have to just get

0:38:34.239 --> 0:38:38.080
<v Speaker 1>out of bed, exactly, have to open Twitter. Actually, yeah,

0:38:38.160 --> 0:38:40.279
<v Speaker 1>that's true. Yeah, you don't have to get out of

0:38:40.320 --> 0:38:43.680
<v Speaker 1>bed to open the window to an absurd world? Is

0:38:43.760 --> 0:38:47.480
<v Speaker 1>that in a weird way? Can you find any positives

0:38:47.520 --> 0:38:49.520
<v Speaker 1>in that? As in, like, is it an inspiring thing

0:38:49.880 --> 0:38:52.600
<v Speaker 1>that it can be so absurd in the same way

0:38:52.640 --> 0:38:55.759
<v Speaker 1>that you know, like comedy can be inspired by that.

0:38:56.080 --> 0:38:58.480
<v Speaker 1>Can you be inspired to write a song about that?

0:38:59.320 --> 0:39:02.680
<v Speaker 2>Absolutely? Absolutely, I think that's exactly what I do. I

0:39:02.760 --> 0:39:06.200
<v Speaker 2>think I find it. You know, it's like you don't

0:39:06.200 --> 0:39:09.120
<v Speaker 2>know where they'll laugh or cry? You know, I mean

0:39:09.360 --> 0:39:10.840
<v Speaker 2>if you don't laugh, you will.

0:39:10.719 --> 0:39:12.799
<v Speaker 1>Cry, you know, so you might as well laugh.

0:39:12.920 --> 0:39:16.480
<v Speaker 2>Yeah, yeah, you know, if you don't laugh, you would

0:39:16.560 --> 0:39:18.759
<v Speaker 2>cry if you were capable of it still.

0:39:35.560 --> 0:39:38.759
<v Speaker 1>Midnight Chats is a Loud and Quiet podcast production by

0:39:38.800 --> 0:39:43.200
<v Speaker 1>Emma Snook Music courtesy of gold Panda. Search Midnight Chats

0:39:43.239 --> 0:39:47.080
<v Speaker 1>on iTunes for more episodes and to subscribe. For more information,

0:39:47.360 --> 0:39:49.000
<v Speaker 1>visit Loud and Quiet dot com.