1 00:00:00,720 --> 00:00:10,440 Speaker 1: I am all in again. Oh it's you. 2 00:00:17,720 --> 00:00:21,919 Speaker 2: Gilmore Girls Gazette with Amy Sugarman and Danielle Romo, an 3 00:00:21,920 --> 00:00:23,759 Speaker 2: iHeartRadio podcast. 4 00:00:24,200 --> 00:00:27,320 Speaker 1: We take you back to March first, twenty eleven, the 5 00:00:27,400 --> 00:00:29,600 Speaker 1: dawn of a new month, and we are about halfway 6 00:00:29,600 --> 00:00:33,360 Speaker 1: through Brad Womack's season of the Bachelor. For historical perspective, 7 00:00:34,360 --> 00:00:38,080 Speaker 1: this is an episode called Qualities and Difficulties and here 8 00:00:38,120 --> 00:00:41,640 Speaker 1: we go, which, by the way, Amy, we've done it. 9 00:00:42,560 --> 00:00:43,559 Speaker 1: This was a ten for me. 10 00:00:44,800 --> 00:00:48,920 Speaker 3: Oh wow, Okay, so I'm really happy to hear that 11 00:00:49,600 --> 00:00:51,440 Speaker 3: I'm giving it like a nine point eight. 12 00:00:52,000 --> 00:00:53,760 Speaker 1: It made me cry three times. 13 00:00:54,440 --> 00:00:56,800 Speaker 3: I have to go through it with you to see 14 00:00:57,480 --> 00:00:58,400 Speaker 3: if we're in line. 15 00:00:58,640 --> 00:00:59,000 Speaker 1: Okay. 16 00:00:59,120 --> 00:01:01,760 Speaker 3: I also don't want to forget to give you a 17 00:01:02,200 --> 00:01:05,679 Speaker 3: not just a hot take, but a very very very 18 00:01:05,720 --> 00:01:12,120 Speaker 3: hot take on something that is parenthood related. Okay, but 19 00:01:12,480 --> 00:01:14,759 Speaker 3: I'll give that to you when the time is right. 20 00:01:14,800 --> 00:01:15,720 Speaker 3: I'll feel the moment. 21 00:01:15,959 --> 00:01:18,360 Speaker 1: All right. Here's your synopsis. Adam and Christina find it 22 00:01:18,400 --> 00:01:20,920 Speaker 1: difficult to talk to Max about his Asperger syndrome and 23 00:01:20,959 --> 00:01:24,399 Speaker 1: come to doctor Pelican for guidance. Sarah revisits her relationship 24 00:01:24,440 --> 00:01:26,120 Speaker 1: with Mark Syr when she goes to see him for 25 00:01:26,160 --> 00:01:29,400 Speaker 1: help in her latest project. Elsewhere, Crosby attempts to mend 26 00:01:29,440 --> 00:01:32,840 Speaker 1: his relationship with Jasmine, while Julia and Joel prepare to 27 00:01:32,840 --> 00:01:34,640 Speaker 1: celebrate their eight year anniversary. 28 00:01:35,680 --> 00:01:39,960 Speaker 3: Okay, once again, sorry to skip a little bit to 29 00:01:40,000 --> 00:01:44,000 Speaker 3: the end, but Julia and Joel prove themselves to be 30 00:01:44,680 --> 00:01:47,840 Speaker 3: the best couple on the show. Yes, Soul is the 31 00:01:47,840 --> 00:01:53,200 Speaker 3: coolest guy ever, Roxy ever, definitely on the show like 32 00:01:54,120 --> 00:01:58,920 Speaker 3: they are the underfrated couple. They never got their flowers, 33 00:01:59,080 --> 00:02:03,800 Speaker 3: as the kids say, because they every time do the 34 00:02:03,880 --> 00:02:04,360 Speaker 3: right thing. 35 00:02:04,520 --> 00:02:06,960 Speaker 1: Basically they do, they do, and that is one of 36 00:02:06,960 --> 00:02:09,440 Speaker 1: my tiery moments. But we'll get to that. Let's start 37 00:02:09,480 --> 00:02:12,160 Speaker 1: with Adam and Christina try to explain Asperger's to Max 38 00:02:12,280 --> 00:02:14,960 Speaker 1: that Monica Potter was phenomenal in this scene. 39 00:02:15,400 --> 00:02:19,520 Speaker 2: They're both great. My problem is that. 40 00:02:21,000 --> 00:02:25,680 Speaker 3: They think they know when this expert expert is. 41 00:02:25,760 --> 00:02:31,200 Speaker 2: Telling them they lacked not they more. 42 00:02:31,000 --> 00:02:34,240 Speaker 1: Adam more Adam, Yeah. 43 00:02:33,800 --> 00:02:38,280 Speaker 3: Lacked the ability to sort of go, I don't know 44 00:02:38,320 --> 00:02:42,000 Speaker 3: what I'm doing, this is happening, right. 45 00:02:41,960 --> 00:02:43,679 Speaker 1: Don't tell me how to talk to my own son. 46 00:02:44,000 --> 00:02:49,359 Speaker 3: Right, It's like, okay, but even even a parent, any parent, 47 00:02:49,680 --> 00:02:53,840 Speaker 3: sometimes needs help talking to their child. 48 00:02:54,200 --> 00:02:57,160 Speaker 2: And this is extraordinarily complicated. 49 00:02:57,800 --> 00:03:00,680 Speaker 3: So I felt like, okay, Adam, Although so I can't 50 00:03:00,720 --> 00:03:03,840 Speaker 3: wait to talk about the amusement park, which was clearly 51 00:03:03,919 --> 00:03:05,560 Speaker 3: Universal studios, but we'll talk about it. 52 00:03:05,760 --> 00:03:09,119 Speaker 1: Was it I was thinking of Magic Mountain, Okay. 53 00:03:09,160 --> 00:03:11,799 Speaker 3: I assume it's universal because it would have a lot 54 00:03:11,880 --> 00:03:17,160 Speaker 3: more juice to be able to shoot there. Somebody look 55 00:03:17,200 --> 00:03:20,120 Speaker 3: that up for us, and it looked like for me, 56 00:03:20,280 --> 00:03:22,720 Speaker 3: when you go down to where Jurassic is, there's those 57 00:03:22,800 --> 00:03:24,760 Speaker 3: few big roller coasters down there. 58 00:03:24,919 --> 00:03:26,919 Speaker 1: Okay, that's what I thought. But somebody can. 59 00:03:26,760 --> 00:03:29,720 Speaker 2: Look that up, Jackie, Emma, maybe they can look that up. 60 00:03:29,919 --> 00:03:32,360 Speaker 3: So talk to me about what you thought about Christina 61 00:03:32,680 --> 00:03:34,840 Speaker 3: and Adam and the Doctor specifically. 62 00:03:35,240 --> 00:03:38,440 Speaker 1: Yeah, I Adam on major defense. Pelican suggests the redo 63 00:03:38,800 --> 00:03:41,800 Speaker 1: and then and then I thought it was really interesting. Well, 64 00:03:42,000 --> 00:03:44,600 Speaker 1: we got Zeke and Camille stopping by to talk about 65 00:03:44,600 --> 00:03:46,680 Speaker 1: the Crosby situation. So there's a lot going on. Like 66 00:03:46,720 --> 00:03:48,560 Speaker 1: we're just right out of the gate. It's so much 67 00:03:48,560 --> 00:03:49,600 Speaker 1: happening in this episode. 68 00:03:50,240 --> 00:03:52,320 Speaker 3: When she's like and then I and then I cried, 69 00:03:52,400 --> 00:03:55,160 Speaker 3: and the Doctor's like you cried, and she's like I cried. 70 00:03:55,440 --> 00:03:57,520 Speaker 2: Like, first of all, I thought it was okay she cried, 71 00:03:57,520 --> 00:03:59,560 Speaker 2: But I love first of all, I love the guy 72 00:03:59,600 --> 00:04:00,480 Speaker 2: from ever Wood. 73 00:04:00,280 --> 00:04:02,960 Speaker 3: Who's the doctor just sort of trying so hard to 74 00:04:03,000 --> 00:04:06,560 Speaker 3: help them and they're so messy about it. 75 00:04:06,640 --> 00:04:09,040 Speaker 1: But just the way she was holding back her tears 76 00:04:09,040 --> 00:04:10,840 Speaker 1: that entire that was just I just thought that was 77 00:04:10,880 --> 00:04:12,720 Speaker 1: top tier acting from her in that scene. Really. 78 00:04:13,480 --> 00:04:18,120 Speaker 3: First of all, they're all so good, including Maas, like, yes, 79 00:04:18,880 --> 00:04:20,440 Speaker 3: oh my gosh. 80 00:04:20,200 --> 00:04:23,159 Speaker 1: You forget he's not a kid with Asperger's you're really 81 00:04:23,400 --> 00:04:24,480 Speaker 1: to know, and that. 82 00:04:24,520 --> 00:04:27,360 Speaker 3: He's so young and he's just an actor. It's just like, 83 00:04:27,480 --> 00:04:29,480 Speaker 3: how are these people doing that? This is the thing 84 00:04:29,520 --> 00:04:32,200 Speaker 3: about parenthood. These people are all on the top of 85 00:04:32,200 --> 00:04:34,920 Speaker 3: the game at all times, so you start to take 86 00:04:34,960 --> 00:04:35,200 Speaker 3: it for. 87 00:04:35,200 --> 00:04:37,360 Speaker 1: Grant you do. That's true, that's true. 88 00:04:37,680 --> 00:04:40,040 Speaker 2: I love the return of Jason Ritterer. But let's talk 89 00:04:40,040 --> 00:04:41,360 Speaker 2: about zeke Emil first. 90 00:04:41,360 --> 00:04:43,080 Speaker 1: Okay, so ze can Camilla come by for and it 91 00:04:43,120 --> 00:04:47,320 Speaker 1: turns into a big conflagration. Adam blames them for Crosby's 92 00:04:47,360 --> 00:04:50,240 Speaker 1: r responsibility and he storms out. You do his laundry, 93 00:04:50,400 --> 00:04:53,000 Speaker 1: you lend him money, You're the reason he's like this. 94 00:04:53,200 --> 00:04:54,599 Speaker 1: That was really powerful. 95 00:04:55,560 --> 00:04:58,240 Speaker 2: I also disagree, but okay. 96 00:04:58,360 --> 00:05:00,359 Speaker 1: I don't know that. I disagree he's the baby in 97 00:05:00,400 --> 00:05:02,080 Speaker 1: the family, Yes, but. 98 00:05:02,080 --> 00:05:03,160 Speaker 2: I think they are. 99 00:05:04,440 --> 00:05:09,400 Speaker 3: I think they treat all their kids equally. And look, 100 00:05:09,440 --> 00:05:12,120 Speaker 3: it's sort of we're supposed to sort of get the 101 00:05:12,160 --> 00:05:17,280 Speaker 3: fact that two kids are sort of the perfect kids, yes, 102 00:05:17,480 --> 00:05:19,919 Speaker 3: and two are the ones that have had it tougher. 103 00:05:20,839 --> 00:05:23,680 Speaker 2: And look like I just don't think that that has 104 00:05:23,720 --> 00:05:27,480 Speaker 2: to do with Tom. It's just the way it's going. 105 00:05:27,800 --> 00:05:30,640 Speaker 1: True, But that begs the question about how much do 106 00:05:30,720 --> 00:05:33,960 Speaker 1: you baby the children that need that little extra help, 107 00:05:34,000 --> 00:05:36,200 Speaker 1: that don't have the motivation to go to law school 108 00:05:36,240 --> 00:05:36,640 Speaker 1: and whatever. 109 00:05:37,120 --> 00:05:40,760 Speaker 3: Isn't the birth order at Adam Sarah? 110 00:05:40,800 --> 00:05:42,640 Speaker 1: You cut out? But I think you said did you say, 111 00:05:42,760 --> 00:05:45,080 Speaker 1: Adam Sarah Julia Crosby? Is that what you said? 112 00:05:45,320 --> 00:05:46,680 Speaker 2: Yeah? Is that the birth order? 113 00:05:47,040 --> 00:05:47,560 Speaker 1: I think so? 114 00:05:48,080 --> 00:05:52,440 Speaker 3: Right, So you could say, okay, well, Julie is the 115 00:05:52,520 --> 00:05:57,560 Speaker 3: baby girl, but she's probably she's more successful than Adam. 116 00:05:58,320 --> 00:06:01,080 Speaker 1: Right, But birth order aside, some of those kids had 117 00:06:01,120 --> 00:06:03,320 Speaker 1: a harder time, and so how much do you give 118 00:06:03,360 --> 00:06:05,680 Speaker 1: into them? Like they let Sarah move back in, they 119 00:06:05,960 --> 00:06:07,640 Speaker 1: lend money when he needs it. 120 00:06:08,760 --> 00:06:11,840 Speaker 3: I mean, okay, look, my argument is just that. Look, 121 00:06:12,000 --> 00:06:15,039 Speaker 3: Zeke and Camill treat each kid differently because each kid 122 00:06:15,080 --> 00:06:19,039 Speaker 3: is different. I don't think they're to blame for Crosby's 123 00:06:19,920 --> 00:06:21,440 Speaker 3: making a bad decision here. 124 00:06:21,920 --> 00:06:25,600 Speaker 1: In my opinion, you have two brothers, right, yeah, and 125 00:06:25,640 --> 00:06:28,200 Speaker 1: that's it the three of you. Yeah, are you the 126 00:06:28,240 --> 00:06:32,560 Speaker 1: youngest middle? Oh? Interesting? Were you treated differently because you 127 00:06:32,560 --> 00:06:33,000 Speaker 1: were the girl? 128 00:06:33,720 --> 00:06:37,760 Speaker 2: Of course? But I'm not going to like deny that, 129 00:06:37,880 --> 00:06:38,640 Speaker 2: of course, Like. 130 00:06:38,839 --> 00:06:42,200 Speaker 1: Younger brother treated differently because he was a baby, of course, 131 00:06:42,480 --> 00:06:43,560 Speaker 1: yeah sure. 132 00:06:43,480 --> 00:06:46,279 Speaker 3: But like I just also think that you are who 133 00:06:46,279 --> 00:06:49,520 Speaker 3: you are, so it's all connected, right, I do think 134 00:06:49,560 --> 00:06:51,640 Speaker 3: it all plays a part. But I think that if 135 00:06:51,640 --> 00:06:54,120 Speaker 3: Adam wanted his laundry done, I think they would do it. 136 00:06:54,279 --> 00:06:55,040 Speaker 2: Do you know what I'm saying. 137 00:06:55,040 --> 00:06:57,880 Speaker 3: That's kind of my point. It's like I think that 138 00:06:57,960 --> 00:07:02,120 Speaker 3: they treat each kid the way each kid needs. You know, Look, 139 00:07:02,120 --> 00:07:07,120 Speaker 3: Adam's the oldest. It does seem like things fall on him, 140 00:07:07,160 --> 00:07:07,359 Speaker 3: you know. 141 00:07:07,440 --> 00:07:10,280 Speaker 2: But Julie was the one who stepped up and found that. 142 00:07:10,320 --> 00:07:14,200 Speaker 3: Guy to help Zeek with, you know, her ex boyfriend. 143 00:07:14,640 --> 00:07:17,320 Speaker 3: It's like there's two and two. In my opinion, it 144 00:07:17,360 --> 00:07:20,200 Speaker 3: doesn't have anything to do with birth order or what 145 00:07:20,320 --> 00:07:22,480 Speaker 3: the parents did. It just that's how the way the 146 00:07:22,520 --> 00:07:23,320 Speaker 3: cookie crumpled. 147 00:07:23,440 --> 00:07:28,320 Speaker 1: Yeah, all right. So then Adam and Max getting ready 148 00:07:28,320 --> 00:07:30,880 Speaker 1: to go to school, and Max is being difficult. I 149 00:07:30,920 --> 00:07:32,800 Speaker 1: want my blue shoes and all this stuff. And then 150 00:07:32,800 --> 00:07:34,120 Speaker 1: it says, you know, what the hell with it, Let's 151 00:07:34,120 --> 00:07:36,920 Speaker 1: go to Galaxy Point Park and ride the velocirater yep. 152 00:07:37,160 --> 00:07:40,040 Speaker 3: Universal Studios And it was some broller cooks. That's what 153 00:07:40,080 --> 00:07:43,480 Speaker 3: I think, let us know does if you can find it. 154 00:07:43,520 --> 00:07:44,840 Speaker 3: I'm sure you can find. 155 00:07:44,640 --> 00:07:48,120 Speaker 1: It struggling to find it, but maybe somebody even like 156 00:07:48,160 --> 00:07:48,400 Speaker 1: if you. 157 00:07:48,520 --> 00:07:54,600 Speaker 3: Just shoot search where did Parenthood shoot the amusement park scene? 158 00:07:54,680 --> 00:07:57,840 Speaker 2: I feel like that comes all right. 159 00:07:58,280 --> 00:08:01,880 Speaker 1: So then of course the ride breaks. Christine is already like, okay, 160 00:08:01,920 --> 00:08:03,880 Speaker 1: this is not a good idea, but whatever, and then 161 00:08:03,880 --> 00:08:06,120 Speaker 1: the velocity breaks down and we have a real problem. 162 00:08:06,560 --> 00:08:07,480 Speaker 2: So here's my thing. 163 00:08:08,000 --> 00:08:11,920 Speaker 3: I actually felt like Christina was wrong thinking it was 164 00:08:12,000 --> 00:08:15,800 Speaker 3: such a bad idea, because I think a lot. 165 00:08:15,600 --> 00:08:18,280 Speaker 2: Of kids could have had meltdowns at amusement barks. Now, 166 00:08:18,320 --> 00:08:21,720 Speaker 2: maybe not to that extent, yeah, but that would be. 167 00:08:21,680 --> 00:08:24,119 Speaker 3: Hard to take if your whole thing is excited about 168 00:08:24,120 --> 00:08:25,480 Speaker 3: this one thing and then you don't get it and 169 00:08:25,520 --> 00:08:30,200 Speaker 3: you're just simply a kid. I also thought that's something 170 00:08:30,240 --> 00:08:32,000 Speaker 3: that a dad might do. 171 00:08:33,440 --> 00:08:34,640 Speaker 2: For any kid. 172 00:08:35,880 --> 00:08:39,120 Speaker 3: On a day they decide to do it for whatever reason, that. 173 00:08:39,280 --> 00:08:41,840 Speaker 2: Max also should get that. I feel like, I guess 174 00:08:41,880 --> 00:08:42,640 Speaker 2: that's where I'm at. 175 00:08:42,679 --> 00:08:47,600 Speaker 3: That it's like, don't not do something because of Max's 176 00:08:47,679 --> 00:08:50,600 Speaker 3: situation that you would do for Hattie per. 177 00:08:50,520 --> 00:08:53,640 Speaker 1: Se Right, Max isn't any kid though, the way he 178 00:08:53,720 --> 00:08:56,680 Speaker 1: thrives on routine, don't. It seemed like a bad idea 179 00:08:56,720 --> 00:08:59,440 Speaker 1: to me at the time. But maybe I'm just anticipating drama. 180 00:08:59,480 --> 00:09:01,400 Speaker 1: But it seems like this is a mistake. 181 00:09:02,200 --> 00:09:05,520 Speaker 3: And you know, I think I lay on somewhere on 182 00:09:06,520 --> 00:09:08,440 Speaker 3: this might not go well. 183 00:09:08,480 --> 00:09:10,320 Speaker 2: But try it. It's the same thing for me with 184 00:09:10,360 --> 00:09:11,199 Speaker 2: the trick or treating. 185 00:09:11,600 --> 00:09:16,400 Speaker 3: They were so overly stressed and nervous about the trick 186 00:09:16,480 --> 00:09:18,640 Speaker 3: or treating and the treating. And yes, I think they 187 00:09:18,640 --> 00:09:22,080 Speaker 3: did practice and they told all the neighbors, but like, 188 00:09:22,240 --> 00:09:24,400 Speaker 3: ultimately it went fine. 189 00:09:24,760 --> 00:09:28,280 Speaker 2: Now, this is a TV show, so I have no idea. 190 00:09:28,400 --> 00:09:29,840 Speaker 3: I don't want to speak out of school if this 191 00:09:29,960 --> 00:09:31,280 Speaker 3: was an actual situation. 192 00:09:32,720 --> 00:09:35,000 Speaker 2: But I don't know, right, I don't know. 193 00:09:38,080 --> 00:09:41,080 Speaker 1: One thing I thought was cheesy and unrealistic, which is 194 00:09:41,120 --> 00:09:43,120 Speaker 1: not normal for parent, and that's why it stood out 195 00:09:43,160 --> 00:09:45,240 Speaker 1: to me. I thought the announcer at the roller coaster 196 00:09:45,400 --> 00:09:49,720 Speaker 1: was really cheesy and unrealistic. I have to remember what 197 00:09:49,840 --> 00:09:54,960 Speaker 1: he said, Sorry, everybody, the rides closed for the rest 198 00:09:55,000 --> 00:09:57,600 Speaker 1: of the day, Like you don't know that. It just 199 00:09:57,679 --> 00:10:01,360 Speaker 1: pulled into the station and they loaded up the next instantly, 200 00:10:01,400 --> 00:10:02,640 Speaker 1: that it's down for the day. 201 00:10:03,360 --> 00:10:06,240 Speaker 2: I did when they break and you're like stuck for 202 00:10:06,280 --> 00:10:07,120 Speaker 2: a second. 203 00:10:07,040 --> 00:10:09,320 Speaker 1: Yeah, you're stuck, and maybe it's gonna be twenty minutes, 204 00:10:09,360 --> 00:10:11,080 Speaker 1: half an hour. You stay in line for a bit, 205 00:10:11,480 --> 00:10:12,960 Speaker 1: so our producers. 206 00:10:12,480 --> 00:10:14,400 Speaker 2: Are saying it's like three minutes. 207 00:10:15,840 --> 00:10:19,880 Speaker 1: Oh yeah, sometimes it's nothing. Our producer is not very farm. 208 00:10:20,240 --> 00:10:20,440 Speaker 2: You know. 209 00:10:20,760 --> 00:10:25,000 Speaker 3: That was my initial thought. Okay, it's interesting you say that. 210 00:10:25,000 --> 00:10:27,360 Speaker 3: That was my initial thought, this is not very farm 211 00:10:27,360 --> 00:10:29,320 Speaker 3: because it looked like that's very farm. But then I thought, 212 00:10:29,320 --> 00:10:32,440 Speaker 3: why would they not shoot it. We're at universal since 213 00:10:32,440 --> 00:10:35,320 Speaker 3: their universal. But thank you for the correction. It was 214 00:10:35,400 --> 00:10:39,000 Speaker 3: not very farm. That was my original feeling, and I 215 00:10:39,600 --> 00:10:43,520 Speaker 3: went around my initial feeling and went in the wrong direction. 216 00:10:43,760 --> 00:10:46,400 Speaker 1: So thank you producers who went deep on that one. 217 00:10:46,480 --> 00:10:48,720 Speaker 3: They went yeah, and I appreciate it because we needed 218 00:10:48,720 --> 00:10:50,600 Speaker 3: to We did need to know, we needed to know 219 00:10:50,720 --> 00:10:54,520 Speaker 3: we did. I have been on a ride I think 220 00:10:55,880 --> 00:10:58,520 Speaker 3: one time at Disneyland where I think it was a 221 00:10:58,559 --> 00:11:02,240 Speaker 3: snow white ride where we actually had to walk early. 222 00:11:02,400 --> 00:11:05,720 Speaker 1: Wow, But it was no, we've had that. We got 223 00:11:05,800 --> 00:11:07,960 Speaker 1: we We were stuck on Small World once and boy, 224 00:11:07,960 --> 00:11:09,959 Speaker 1: there's nothing creepier than what is quiet. 225 00:11:10,360 --> 00:11:13,200 Speaker 2: See. I was stuck on thunder Mountain. 226 00:11:14,360 --> 00:11:17,200 Speaker 3: And it was in the incline like when you're going 227 00:11:17,280 --> 00:11:22,480 Speaker 3: up to that kV tunnel thing. That wasn't a great feeling. 228 00:11:23,200 --> 00:11:24,960 Speaker 3: I was not thrilled with that. 229 00:11:25,600 --> 00:11:28,280 Speaker 2: Yeah, I was not thrilled with that. Not thrilled. 230 00:11:28,600 --> 00:11:33,560 Speaker 1: And then so Adam apologizes. Christine is very understanding. Adam 231 00:11:33,600 --> 00:11:36,280 Speaker 1: breaks down. That was me crying number one when Adam 232 00:11:36,320 --> 00:11:38,800 Speaker 1: broke down, and then and then she said to him, 233 00:11:39,240 --> 00:11:44,800 Speaker 1: you're a great dad, and that obviously hits home, yeah. 234 00:11:43,640 --> 00:11:46,760 Speaker 2: Which which sometimes he is sometimes he is. 235 00:11:47,280 --> 00:11:50,440 Speaker 1: And then they have the Pelican talk and Max asks 236 00:11:50,520 --> 00:11:53,360 Speaker 1: will I always have it? And that was tiers number two. 237 00:11:53,720 --> 00:11:58,000 Speaker 2: Yeah, Yeah, that was that was It was. That was 238 00:11:58,040 --> 00:11:58,360 Speaker 2: a lot. 239 00:11:58,440 --> 00:12:01,959 Speaker 3: I don't know if I read are definitely pat at 240 00:12:01,960 --> 00:12:05,520 Speaker 3: the end for me was the one, but we can 241 00:12:05,559 --> 00:12:06,000 Speaker 3: get to that. 242 00:12:06,480 --> 00:12:09,280 Speaker 1: Yeah, that was. They just do such a great job. 243 00:12:09,520 --> 00:12:10,880 Speaker 2: For me, it was Julia Joel. 244 00:12:11,440 --> 00:12:14,120 Speaker 1: Yeah, and their and the parents shoes talking to Mac. 245 00:12:14,559 --> 00:12:16,720 Speaker 1: You would react to that situation, and boy, that was 246 00:12:16,800 --> 00:12:17,439 Speaker 1: really powerful. 247 00:12:17,480 --> 00:12:20,400 Speaker 3: Did we I don't even remember seeing Hattie this episode. 248 00:12:21,640 --> 00:12:22,480 Speaker 1: I don't think we did. 249 00:12:22,840 --> 00:12:23,880 Speaker 2: Did we see Amber? 250 00:12:25,240 --> 00:12:26,360 Speaker 1: I don't think we did. 251 00:12:35,480 --> 00:12:37,199 Speaker 3: Do you want to talk about Crosby or do you 252 00:12:37,240 --> 00:12:39,439 Speaker 3: want to talk about Sarah and Jason Ritterer? 253 00:12:39,640 --> 00:12:41,840 Speaker 1: On my list? At Sarah and Jason Ridder And this 254 00:12:41,960 --> 00:12:45,240 Speaker 1: was really great. So cute by the way, Oh my. 255 00:12:45,120 --> 00:12:47,560 Speaker 3: God, first of all, the shoving the thing under the door, 256 00:12:47,600 --> 00:12:51,199 Speaker 3: trying to get it, bast He's so cute, so cute, 257 00:12:51,320 --> 00:12:56,320 Speaker 3: even cuter Now I started watching Mattlock because of Jason Ritter. Yeah, 258 00:12:56,440 --> 00:12:59,880 Speaker 3: Jason Ritter's on it. Not the old Mattlock, the new Kathy. 259 00:13:01,559 --> 00:13:05,680 Speaker 1: Okay, it's good. I missed John Ridder. Every time I 260 00:13:05,720 --> 00:13:07,239 Speaker 1: see Jason Ridder, Oh. 261 00:13:07,000 --> 00:13:11,720 Speaker 2: My gosh, I know, I know, I know, so sad. 262 00:13:11,800 --> 00:13:14,280 Speaker 3: That's like he was in the Nicest Man Ever Club 263 00:13:14,280 --> 00:13:16,800 Speaker 3: with Henry Winkler and Ron Howard. Like it's just like 264 00:13:16,880 --> 00:13:19,760 Speaker 3: that threesome of niceness is crazy. 265 00:13:21,000 --> 00:13:22,840 Speaker 1: I liked his line this is kind of a dear 266 00:13:22,920 --> 00:13:26,439 Speaker 1: Diary day for me when he got that script. And 267 00:13:26,600 --> 00:13:29,760 Speaker 1: then Sarah's working the bar. She wants to be the manager. 268 00:13:29,920 --> 00:13:32,400 Speaker 1: She interviews to be the manager, but they're like, you don't. 269 00:13:32,440 --> 00:13:33,280 Speaker 1: You don't want to manage it. 270 00:13:33,320 --> 00:13:35,320 Speaker 3: By the way, who would want to be the manager 271 00:13:35,480 --> 00:13:37,120 Speaker 3: when you get paid so much less? 272 00:13:37,360 --> 00:13:40,839 Speaker 2: That was why does anybody take that job? 273 00:13:41,160 --> 00:13:43,280 Speaker 1: Yeah? And that was by the way. Brad Grunberg is 274 00:13:43,320 --> 00:13:45,720 Speaker 1: Louis Greg Grunberg's brother. 275 00:13:46,320 --> 00:13:47,240 Speaker 2: Are you serious? 276 00:13:47,480 --> 00:13:47,800 Speaker 1: Yes? 277 00:13:49,160 --> 00:13:53,080 Speaker 2: Wait, that's an amazing tidbit. How did you figure that out? 278 00:13:53,600 --> 00:13:55,079 Speaker 1: I just looked him up because I was like, who 279 00:13:55,280 --> 00:13:57,640 Speaker 1: is this because he seemed familiar but not quite. 280 00:13:57,800 --> 00:13:59,840 Speaker 3: First of all, we love Greg Grunberg, so for people 281 00:13:59,800 --> 00:14:03,800 Speaker 3: who something Greg Grenberg is like from Felicity and Alias 282 00:14:03,880 --> 00:14:10,280 Speaker 3: and yeah, yeah, so Greg Grenberg is also the nicest 283 00:14:10,280 --> 00:14:11,160 Speaker 3: guy on the planet. 284 00:14:11,320 --> 00:14:13,080 Speaker 2: I had no idea he had an actor brother. 285 00:14:14,720 --> 00:14:16,760 Speaker 1: I didn't either, but he does. And his name is Brad, 286 00:14:16,800 --> 00:14:17,319 Speaker 1: and that was him. 287 00:14:17,760 --> 00:14:20,560 Speaker 3: Brad was the one that Sarah was sitting there interviewing 288 00:14:20,600 --> 00:14:21,560 Speaker 3: with or whatever. 289 00:14:21,520 --> 00:14:24,080 Speaker 1: He was Louis, So yeah, I think so. 290 00:14:24,080 --> 00:14:26,160 Speaker 3: So I also throw a flag on the planet. I 291 00:14:26,160 --> 00:14:28,240 Speaker 3: think if you manage the bar, you might also be 292 00:14:28,320 --> 00:14:31,640 Speaker 3: a bartender. So that you're like getting your tips, and 293 00:14:31,720 --> 00:14:34,560 Speaker 3: to me, it's like that didn't track that the manager 294 00:14:34,600 --> 00:14:35,040 Speaker 3: makes the. 295 00:14:35,040 --> 00:14:39,280 Speaker 1: Least the grander thing of like Sarah, what are you doing? 296 00:14:39,320 --> 00:14:40,880 Speaker 1: You don't want to manage a bar the rest of 297 00:14:40,920 --> 00:14:44,360 Speaker 1: your life? Like they know she has better things for herself. 298 00:14:45,000 --> 00:14:50,920 Speaker 3: Totally, And I kind of love everything happening that Jason 299 00:14:51,000 --> 00:14:54,080 Speaker 3: Ritter really likes it. I love that they're sort of 300 00:14:54,120 --> 00:14:58,880 Speaker 3: connecting again, which you know comes throughout the series. 301 00:14:59,000 --> 00:15:01,400 Speaker 1: So sweet. And I love when he scared her because 302 00:15:01,440 --> 00:15:03,160 Speaker 1: he didn't know what door to knock on because the 303 00:15:03,200 --> 00:15:03,800 Speaker 1: house is home. 304 00:15:03,800 --> 00:15:07,760 Speaker 3: Oh my god, it was like so funny. I actually 305 00:15:07,840 --> 00:15:09,800 Speaker 3: laughed out loud. I love everything about him. 306 00:15:10,160 --> 00:15:13,360 Speaker 2: He was so perfectly cast for this part because he's 307 00:15:13,480 --> 00:15:16,360 Speaker 2: old enough, but he's young enough. He looks young enough, 308 00:15:16,400 --> 00:15:19,480 Speaker 2: he's cute enough, he's sweet enough. Everything is perfect. 309 00:15:19,960 --> 00:15:21,600 Speaker 1: So he says it's more of a play. You need 310 00:15:21,640 --> 00:15:23,600 Speaker 1: to finish it, and he gives her book on playwriting. 311 00:15:23,680 --> 00:15:24,520 Speaker 1: Very sweet, wonderful. 312 00:15:24,600 --> 00:15:26,520 Speaker 2: That's so cute. All right, So do you want my 313 00:15:26,560 --> 00:15:27,880 Speaker 2: hot hot take? Before we talk. 314 00:15:27,760 --> 00:15:30,440 Speaker 1: About that was the time, Okay, scalding up. 315 00:15:31,200 --> 00:15:33,800 Speaker 3: Now you may not want to comment, but you're gonna 316 00:15:33,840 --> 00:15:40,200 Speaker 3: have to, so our friend Minka Kelly, who played Gabby Yes, 317 00:15:40,360 --> 00:15:44,920 Speaker 3: who was the impetus for Crosby's problems right now, got 318 00:15:44,920 --> 00:15:47,640 Speaker 3: herself into sort of some headlines this week. 319 00:15:47,760 --> 00:15:48,640 Speaker 2: Did you see them? 320 00:15:48,840 --> 00:15:50,440 Speaker 1: I did not? What's up with Menca? 321 00:15:50,960 --> 00:15:52,880 Speaker 2: Okay? So here is my question. 322 00:15:53,120 --> 00:15:57,600 Speaker 3: So this goes into the not parenthood but celebrity stuff, 323 00:15:58,280 --> 00:16:01,440 Speaker 3: but we can still have an opinion. So Minka Kelly 324 00:16:01,520 --> 00:16:04,880 Speaker 3: was doing an interview on The Today Show with my 325 00:16:05,040 --> 00:16:08,040 Speaker 3: favorite Jenna Bush, right, I love Jenna Bush, and the. 326 00:16:08,040 --> 00:16:10,840 Speaker 2: Guest's co host was Olivia munt So. 327 00:16:12,680 --> 00:16:15,280 Speaker 3: It is the best clip you have to watch because 328 00:16:15,360 --> 00:16:19,680 Speaker 3: the awkwardness is so level ten and yet. 329 00:16:19,560 --> 00:16:24,600 Speaker 2: I love that Jenna Bush is just like dealing with it. Okay. 330 00:16:24,800 --> 00:16:28,120 Speaker 2: So basically, Minka Kelly posted this. 331 00:16:28,760 --> 00:16:33,720 Speaker 3: Instagram all about the Imagine Dragons guy she dates, like 332 00:16:33,800 --> 00:16:36,760 Speaker 3: she dates the guy from Imagine Dragons, and she kind 333 00:16:36,760 --> 00:16:40,360 Speaker 3: of was real just gushy over him, like really gushy. 334 00:16:40,480 --> 00:16:42,280 Speaker 3: Like maybe look it up so that you can see 335 00:16:42,280 --> 00:16:45,080 Speaker 3: because this was not just like happy birthday. It was 336 00:16:45,440 --> 00:16:48,960 Speaker 3: very very very sort of personal and she put. 337 00:16:48,800 --> 00:16:49,400 Speaker 2: It out there. 338 00:16:50,800 --> 00:16:53,760 Speaker 3: So then Jenna She's on the Today Show and Jenna 339 00:16:53,840 --> 00:16:58,200 Speaker 3: Bush asks about it, and Minka Kelly makes a face 340 00:16:59,240 --> 00:17:02,440 Speaker 3: that is so iconically how dare you? 341 00:17:03,840 --> 00:17:09,240 Speaker 2: And it's so awkward to watch, Like I watched. 342 00:17:08,960 --> 00:17:12,040 Speaker 3: It through twice maybe three times, and I can't The 343 00:17:12,359 --> 00:17:15,359 Speaker 3: awkwardness is massive. 344 00:17:15,800 --> 00:17:19,000 Speaker 2: And then Jenna Bush just goes, oh, well, clearly you. 345 00:17:18,920 --> 00:17:21,040 Speaker 3: Don't want to talk about it, and then she says 346 00:17:21,080 --> 00:17:22,320 Speaker 3: something to the effect like, so. 347 00:17:22,400 --> 00:17:26,080 Speaker 2: Control room, don't roll the video it is. 348 00:17:26,200 --> 00:17:28,160 Speaker 3: And then I kind of stopped watching, which I would 349 00:17:28,200 --> 00:17:29,919 Speaker 3: have liked to see. I should have let it keep 350 00:17:29,960 --> 00:17:32,280 Speaker 3: going to see if they come back from it. But 351 00:17:32,440 --> 00:17:35,520 Speaker 3: here is So this is where I want your opinion. Okay, 352 00:17:36,600 --> 00:17:40,879 Speaker 3: my opinion is if you are a celebrity and you 353 00:17:41,000 --> 00:17:45,639 Speaker 3: put something on your public Instagram, not your Finsta, not 354 00:17:45,760 --> 00:17:51,280 Speaker 3: your private Instagram that's only for your family, your public Instagram, 355 00:17:51,880 --> 00:17:54,840 Speaker 3: you are going to get asked about it, and no 356 00:17:55,680 --> 00:18:01,840 Speaker 3: correct and no reporter journalist should be quite so reprimanded 357 00:18:02,280 --> 00:18:03,480 Speaker 3: with the face. 358 00:18:04,760 --> 00:18:06,479 Speaker 2: When you are asked. 359 00:18:06,760 --> 00:18:08,800 Speaker 1: Now, look, you and I are in this business. We 360 00:18:08,920 --> 00:18:11,520 Speaker 1: booked your book guests for a living. I produce a 361 00:18:11,560 --> 00:18:13,880 Speaker 1: show with a host. I think that's all fair game. 362 00:18:13,920 --> 00:18:14,399 Speaker 1: Of course. 363 00:18:14,680 --> 00:18:19,120 Speaker 3: Now does Minka Kelly need to expand on it and 364 00:18:19,200 --> 00:18:19,840 Speaker 3: say more? 365 00:18:20,560 --> 00:18:20,760 Speaker 2: No? 366 00:18:21,160 --> 00:18:24,400 Speaker 3: But she shouldn't make the face, and she should say 367 00:18:25,040 --> 00:18:27,679 Speaker 3: she can say something like I know I was so 368 00:18:28,280 --> 00:18:31,560 Speaker 3: I can't believe I gushed so much on Instagram. I 369 00:18:31,640 --> 00:18:35,600 Speaker 3: maybe should keep things more private, like it's the face 370 00:18:35,720 --> 00:18:38,320 Speaker 3: for me that you need to watch. I need you 371 00:18:38,400 --> 00:18:40,240 Speaker 3: to watch it. Is there any chance you could just 372 00:18:40,280 --> 00:18:43,119 Speaker 3: watch it real quick? Tell me if the face? 373 00:18:44,880 --> 00:18:47,760 Speaker 2: The face is so aggressive. 374 00:18:47,440 --> 00:18:51,040 Speaker 3: And Jenna Bush just handling it like it made me 375 00:18:51,080 --> 00:18:53,920 Speaker 3: look Jenna Bush is even more because so many journalists 376 00:18:53,920 --> 00:18:56,680 Speaker 3: would get like awkward or weird, and Jenna just leans 377 00:18:56,680 --> 00:18:58,720 Speaker 3: in and she's like, oh, well, clearly you don't want 378 00:18:58,720 --> 00:18:59,520 Speaker 3: to talk about that. 379 00:18:59,600 --> 00:19:03,920 Speaker 2: Maybe don't roll the video, like just rolling with it. 380 00:19:04,160 --> 00:19:06,240 Speaker 1: Okay, I've got it running right now. I'm not sure 381 00:19:06,240 --> 00:19:09,200 Speaker 1: how far into the interview this happens, but okay, I've 382 00:19:09,200 --> 00:19:10,440 Speaker 1: got it on Mark. 383 00:19:10,520 --> 00:19:12,600 Speaker 2: It's like towards the end, like are you watching the fall? 384 00:19:12,720 --> 00:19:15,560 Speaker 1: And fifty six three fifty five? Oh thank you? Well, 385 00:19:15,600 --> 00:19:18,680 Speaker 1: look at you guys. We have excellent producers on this show. 386 00:19:18,760 --> 00:19:19,840 Speaker 1: Gil Mcgirl's Gazette. 387 00:19:20,520 --> 00:19:22,960 Speaker 2: I know Jackie does it? Does the face happen? And 388 00:19:23,000 --> 00:19:26,320 Speaker 2: then Jennifu goes, Okay, you don't want to talk about it, 389 00:19:26,800 --> 00:19:29,840 Speaker 2: but then do they go to commercial. Olivia Mane kind 390 00:19:29,840 --> 00:19:30,160 Speaker 2: of just. 391 00:19:30,280 --> 00:19:33,359 Speaker 3: Yeah, Olivia was in one of the Imagine Dragons videos, 392 00:19:33,359 --> 00:19:34,680 Speaker 3: so she tries to soften the blow. 393 00:19:35,200 --> 00:19:36,200 Speaker 2: It's so awkward. 394 00:19:36,480 --> 00:19:38,480 Speaker 3: I can see mark space and I don't make it 395 00:19:38,600 --> 00:19:42,440 Speaker 3: Kelly super private, and I'm kind of it's so awkward. 396 00:19:42,560 --> 00:19:44,240 Speaker 2: Is it not the most awkward thing? 397 00:19:44,320 --> 00:19:46,840 Speaker 1: Yes, The look is kind of like a oh oh 398 00:19:47,040 --> 00:19:50,880 Speaker 1: oh you're going there, Oh oh, okay, oh this is happening. Okay. 399 00:19:51,280 --> 00:19:54,400 Speaker 2: It's just that the face is like, so, how dare 400 00:19:54,440 --> 00:19:54,800 Speaker 2: you to me? 401 00:19:55,119 --> 00:19:57,840 Speaker 3: When it's like, oh, my question is Formenka, why did 402 00:19:57,880 --> 00:20:01,000 Speaker 3: you put all that on your Instagram when you know 403 00:20:01,160 --> 00:20:04,360 Speaker 3: you're a celebrity who's going to do interviews? 404 00:20:04,440 --> 00:20:08,320 Speaker 1: This again, it's very strange. Does she have a show? 405 00:20:08,359 --> 00:20:10,119 Speaker 1: Does she have a movie? Like? Why is she out 406 00:20:10,160 --> 00:20:11,200 Speaker 1: in the world right now? Yeah? 407 00:20:11,280 --> 00:20:14,760 Speaker 3: What she She's got some holiday holiday movie, one of 408 00:20:14,760 --> 00:20:18,240 Speaker 3: those lifetimey, hallmarky Netflix e type deals. I think, or 409 00:20:18,280 --> 00:20:20,840 Speaker 3: and again, I just feel like it's the face, the 410 00:20:20,880 --> 00:20:22,919 Speaker 3: how dare you face? Well, It's like she could have 411 00:20:22,920 --> 00:20:23,320 Speaker 3: just been. 412 00:20:23,200 --> 00:20:24,879 Speaker 2: Like, oh, I don't know, I don't know if I 413 00:20:24,880 --> 00:20:26,640 Speaker 2: want to talk about it. I probably should have said 414 00:20:26,680 --> 00:20:29,000 Speaker 2: so much and then Olivia, mine can do her. I 415 00:20:29,000 --> 00:20:31,640 Speaker 2: was in an Imagine Dragons video. Aren't they great? Anyway? 416 00:20:31,800 --> 00:20:34,720 Speaker 2: Back to my movie, Like wow, I don't. 417 00:20:34,560 --> 00:20:38,280 Speaker 3: Know the face should become one of those gifts or 418 00:20:38,359 --> 00:20:39,159 Speaker 3: like how dare you? 419 00:20:39,680 --> 00:20:41,560 Speaker 2: Somebody needs to make that. I don't know how you 420 00:20:41,600 --> 00:20:45,320 Speaker 2: make that? Yeah, how dare you? Face? The it's just 421 00:20:45,520 --> 00:20:46,000 Speaker 2: so good. 422 00:20:46,440 --> 00:20:50,520 Speaker 3: So anyway, this segues to Crosby and his situation. 423 00:20:50,880 --> 00:20:53,720 Speaker 1: Crosby confronts Jasmine at work. It does not go well, 424 00:20:53,800 --> 00:20:56,480 Speaker 1: don't talk to me, get away. He has a she is. 425 00:20:56,480 --> 00:20:58,399 Speaker 2: Just being way too gnar labor. 426 00:20:58,600 --> 00:21:01,600 Speaker 1: I don't know that she is someone else. 427 00:21:02,080 --> 00:21:04,800 Speaker 2: I understand, but they have a child. 428 00:21:05,200 --> 00:21:07,399 Speaker 3: And let me tell you how many women I know 429 00:21:07,720 --> 00:21:10,800 Speaker 3: that have to deal with this exact situation and look 430 00:21:11,160 --> 00:21:11,960 Speaker 3: what you can do. 431 00:21:12,760 --> 00:21:15,920 Speaker 2: She's just so escalated, right, and it's just escalating the situation. 432 00:21:16,160 --> 00:21:18,920 Speaker 3: She can just say, hey, Crosby, we can totally talk 433 00:21:18,960 --> 00:21:22,640 Speaker 3: about the kid one hundred percent, and there will come 434 00:21:22,680 --> 00:21:24,760 Speaker 3: a time when we can talk about this, but I'm 435 00:21:24,800 --> 00:21:27,600 Speaker 3: not ready. It's the screaming and the ranting and the 436 00:21:27,640 --> 00:21:30,920 Speaker 3: ghetto and it's just like that's not to me. 437 00:21:31,920 --> 00:21:33,560 Speaker 2: I get it. I get how hurt she is. She 438 00:21:33,560 --> 00:21:34,440 Speaker 2: can also say that. 439 00:21:34,880 --> 00:21:37,600 Speaker 3: Crosby, I am so hurt by this, I am so 440 00:21:37,800 --> 00:21:41,480 Speaker 3: angry by about this. I'm not able to communicate with 441 00:21:41,520 --> 00:21:42,720 Speaker 3: you about our relationship. 442 00:21:43,000 --> 00:21:46,639 Speaker 2: That being said, we have a kid, We're going to 443 00:21:46,680 --> 00:21:49,119 Speaker 2: talk about that, you know, blah blah blah. 444 00:21:49,240 --> 00:21:52,399 Speaker 3: And she can even say, Hey, Crosby, totally inappropriate for 445 00:21:52,400 --> 00:21:55,280 Speaker 3: you to show up I work if you need to 446 00:21:55,320 --> 00:21:57,680 Speaker 3: talk to me. You know, there's just a different way. 447 00:21:57,760 --> 00:22:01,120 Speaker 3: I think her ranting and raving is just like it's. 448 00:22:01,000 --> 00:22:02,480 Speaker 2: Not for me. 449 00:22:03,119 --> 00:22:04,760 Speaker 1: Well, sure, and if she had to addressed it more 450 00:22:04,760 --> 00:22:06,560 Speaker 1: in the moment, he wouldn't have crashed your dance class 451 00:22:06,640 --> 00:22:09,680 Speaker 1: later in the show, But correct, can we get to that? 452 00:22:09,880 --> 00:22:12,320 Speaker 1: He has a consultation with his sisters and then Adam 453 00:22:12,359 --> 00:22:14,520 Speaker 1: shows up. But I do like what all four siblings 454 00:22:14,560 --> 00:22:17,000 Speaker 1: are together. But Adam's like, I don't care that you're sorry, 455 00:22:17,040 --> 00:22:18,280 Speaker 1: You're not even on my radar. 456 00:22:19,000 --> 00:22:22,400 Speaker 3: I mean, look, I don't know why I have as 457 00:22:22,480 --> 00:22:25,640 Speaker 3: much compassion for Adam and his situation as I do 458 00:22:26,080 --> 00:22:30,080 Speaker 3: for Crosby and his situation. Like there is a little 459 00:22:30,119 --> 00:22:32,480 Speaker 3: bit of Adam being like, well, my stuff's way more 460 00:22:32,480 --> 00:22:35,240 Speaker 3: important than yours, and it's like, no, Adam, your stuff's 461 00:22:35,240 --> 00:22:39,800 Speaker 3: more important to you. Crosby stuff is more important to him, 462 00:22:40,520 --> 00:22:43,320 Speaker 3: and bleep happens. 463 00:22:43,880 --> 00:22:45,840 Speaker 2: So I don't know. That's kind of where I'm at. 464 00:22:45,960 --> 00:22:49,240 Speaker 3: I think Crosby deserves like Camille and Zeke coming over 465 00:22:49,880 --> 00:22:51,960 Speaker 3: was kind of like the right thing. It's like, hey, 466 00:22:52,600 --> 00:22:55,320 Speaker 3: your brother's going through some real crap. You're going through 467 00:22:55,320 --> 00:22:57,400 Speaker 3: some real crap. Let's see if we can right. 468 00:22:57,720 --> 00:23:01,560 Speaker 1: Crosby's crap was self inflicted. Adams is not well. 469 00:23:01,600 --> 00:23:09,679 Speaker 3: I disagree, Like, look, Adam's situation. Adam's situation is something 470 00:23:09,680 --> 00:23:13,399 Speaker 3: that was beyond his control, but the way he deals 471 00:23:13,440 --> 00:23:18,199 Speaker 3: with it is still in his control right, and his 472 00:23:18,359 --> 00:23:21,080 Speaker 3: mistakes are his mistakes, and what he does right is and. 473 00:23:21,000 --> 00:23:23,760 Speaker 2: It's all his thing. So I look, I just think. 474 00:23:25,200 --> 00:23:28,800 Speaker 3: I think that everybody forgot that Crosby was being put 475 00:23:29,119 --> 00:23:34,600 Speaker 3: in a really weird, difficult situation by Jasmine, and that 476 00:23:34,840 --> 00:23:38,560 Speaker 3: has value, and he did he deal with it properly? No, 477 00:23:38,720 --> 00:23:41,080 Speaker 3: but he's sort of tried a couple of times. Look, 478 00:23:41,119 --> 00:23:45,360 Speaker 3: I put a little bit more on Jasmine than you are, 479 00:23:46,000 --> 00:23:48,359 Speaker 3: I'll say, And I'm not like Matt, Jasmine. 480 00:23:48,359 --> 00:23:51,360 Speaker 2: I'm just saying, like it was a little weird what 481 00:23:51,400 --> 00:23:52,000 Speaker 2: was happening. 482 00:23:52,280 --> 00:23:53,919 Speaker 1: Yeah, I guess I just don't have a lot of 483 00:23:53,960 --> 00:23:56,480 Speaker 1: compassion for Crosby doing what he did. I think there, 484 00:23:56,480 --> 00:23:57,200 Speaker 1: you don't either. 485 00:23:57,400 --> 00:24:00,840 Speaker 3: I mean, I'm not saying that either, but I'm also saying, like, 486 00:24:01,160 --> 00:24:03,879 Speaker 3: what so everybody should just be mad at Crosby forever. 487 00:24:03,920 --> 00:24:08,000 Speaker 2: It's just kind of like, wow, see that's not my mood, 488 00:24:08,119 --> 00:24:09,199 Speaker 2: that's not well. 489 00:24:09,280 --> 00:24:10,760 Speaker 1: Then he beats the crap out of a guy in 490 00:24:10,800 --> 00:24:12,760 Speaker 1: his boat and that was terrible. 491 00:24:12,840 --> 00:24:20,000 Speaker 2: That was so terrible, so terrible, terrible, terrible. Yeah, now 492 00:24:20,240 --> 00:24:22,080 Speaker 2: I like Zeke being there to pick him up. 493 00:24:22,320 --> 00:24:23,879 Speaker 1: It literally bails him out, exactly. 494 00:24:24,160 --> 00:24:26,000 Speaker 2: Yeah, that was where that I'm. 495 00:24:25,800 --> 00:24:28,159 Speaker 3: Not team I'm not team Crosby. I think Crosby is 496 00:24:28,200 --> 00:24:31,439 Speaker 3: kind of like a mess. But that's where I'm like, 497 00:24:31,880 --> 00:24:34,440 Speaker 3: no excuse, no excuse. And the drinking. 498 00:24:34,520 --> 00:24:35,160 Speaker 2: I don't like that. 499 00:24:35,119 --> 00:24:36,920 Speaker 1: Drink right, he's spinning out for sure. 500 00:24:37,440 --> 00:24:39,920 Speaker 2: Yeah, I'm not a like I don't like that. 501 00:24:40,440 --> 00:24:44,159 Speaker 1: So then we have Sidney and the Jabbar sleepover, and 502 00:24:44,160 --> 00:24:46,560 Speaker 1: that's is she still looking to go what do we 503 00:24:46,560 --> 00:24:48,919 Speaker 1: think they called Jaz She's like, yes, please have him 504 00:24:48,960 --> 00:24:49,920 Speaker 1: come please exactly. 505 00:24:50,080 --> 00:24:53,239 Speaker 3: That is the where Jasmine did one hundred percent the 506 00:24:53,400 --> 00:24:57,520 Speaker 3: right thing. Yes, I am team Jasmine on that one, 507 00:24:57,920 --> 00:25:01,560 Speaker 3: and I like that Julie and Joel were like sensitive 508 00:25:01,600 --> 00:25:03,800 Speaker 3: to it, but I think that like. 509 00:25:04,000 --> 00:25:05,280 Speaker 2: You just say, hey, do you still want to have 510 00:25:05,320 --> 00:25:06,760 Speaker 2: Sydney sleepover? It's your call. 511 00:25:07,040 --> 00:25:09,600 Speaker 1: Yeah, right, And they handled it beautifully. And this is 512 00:25:09,640 --> 00:25:12,120 Speaker 1: the Julia and Joel hero moment is when they come over, 513 00:25:12,840 --> 00:25:16,280 Speaker 1: Jason breaks down and they're like, boom done. Joel starts 514 00:25:16,280 --> 00:25:19,520 Speaker 1: playing with the kids, Julia. 515 00:25:18,520 --> 00:25:22,600 Speaker 3: Pizza, like the whole thing was so awesome, and I'm 516 00:25:22,680 --> 00:25:26,720 Speaker 3: like that it's not just family, but that's like. 517 00:25:28,040 --> 00:25:31,200 Speaker 2: Doing the right thing A million percent. 518 00:25:31,720 --> 00:25:35,640 Speaker 3: Yes, I was just like, they are my they are 519 00:25:35,760 --> 00:25:36,840 Speaker 3: my favorites. 520 00:25:37,000 --> 00:25:37,760 Speaker 2: I love them. 521 00:25:38,440 --> 00:25:41,040 Speaker 1: They are wonderful. And then we get the beautiful song 522 00:25:41,240 --> 00:25:45,000 Speaker 1: Adele's to make you feel my love. And then Joel 523 00:25:45,040 --> 00:25:47,959 Speaker 1: says to Julia, I will never cheat on you, And 524 00:25:48,000 --> 00:25:49,640 Speaker 1: that is number three. 525 00:25:50,240 --> 00:25:53,719 Speaker 3: I know, I know, I get chills. I didn't have 526 00:25:53,760 --> 00:25:56,520 Speaker 3: the tears for the first two like you did. But 527 00:25:56,640 --> 00:26:01,679 Speaker 3: everything Julia and Joel with Jasmine and then Joel Joel 528 00:26:01,960 --> 00:26:09,199 Speaker 3: is so evolved, and you know, for me, Joel is 529 00:26:09,240 --> 00:26:12,400 Speaker 3: super confident. That's why he's able to be the stay 530 00:26:12,400 --> 00:26:14,280 Speaker 3: at home death. That's why he's able to sort of 531 00:26:14,320 --> 00:26:17,200 Speaker 3: express when what he needs, and that's why he's able. 532 00:26:16,960 --> 00:26:17,880 Speaker 2: To express this. 533 00:26:18,200 --> 00:26:21,840 Speaker 3: He just that guy either was born that way or 534 00:26:21,840 --> 00:26:23,160 Speaker 3: has had a lot of therapy. 535 00:26:23,240 --> 00:26:27,239 Speaker 2: Because Joel is like, I don't know, he's just so 536 00:26:27,600 --> 00:26:32,800 Speaker 2: far perior to the other two men. Not Nanzi. 537 00:26:32,960 --> 00:26:38,080 Speaker 3: I'll say he is better whatever the word better means, maybe, 538 00:26:38,160 --> 00:26:44,480 Speaker 3: is more evolved, whatever it is, more in touch with himself. 539 00:26:44,560 --> 00:26:48,119 Speaker 2: He is I don't know what the word is. He 540 00:26:48,359 --> 00:26:50,480 Speaker 2: is a quote better guy. 541 00:26:50,520 --> 00:26:54,439 Speaker 1: That's not better, but you know, whatever the word for sure. 542 00:26:55,359 --> 00:26:57,960 Speaker 1: And then during that montage, I thought, there's a beautiful moment. 543 00:26:58,040 --> 00:27:00,840 Speaker 1: Christine is reading the Max and he falls asleep and 544 00:27:00,840 --> 00:27:03,800 Speaker 1: she confirms he's asleep, and then she keeps reading, and 545 00:27:03,840 --> 00:27:07,760 Speaker 1: then Adam comes in so cute, beautiful, and to me, 546 00:27:08,040 --> 00:27:09,760 Speaker 1: it was all so great, beautiful. 547 00:27:10,040 --> 00:27:12,080 Speaker 2: Giving it a nine point eight, nine point eight, I 548 00:27:12,119 --> 00:27:12,879 Speaker 2: love that you're giving it. 549 00:27:13,080 --> 00:27:15,400 Speaker 1: This is a ten. This one's a ten for me for. 550 00:27:15,400 --> 00:27:17,399 Speaker 3: Me, nine point eight, because I just there was something 551 00:27:17,480 --> 00:27:21,000 Speaker 3: that I feel in certain ones could be my own fault. 552 00:27:21,119 --> 00:27:23,480 Speaker 2: Maybe my whatever I was doing. 553 00:27:23,359 --> 00:27:26,439 Speaker 1: Was you know, yeah, because you're probably you're probably on 554 00:27:26,520 --> 00:27:28,040 Speaker 1: the conference calls while you're watching it. 555 00:27:28,280 --> 00:27:30,320 Speaker 2: No, I don't do that. I don't, I will not 556 00:27:30,480 --> 00:27:30,760 Speaker 2: do that. 557 00:27:30,840 --> 00:27:34,080 Speaker 3: But sometimes I am eating or folding laundry. 558 00:27:34,400 --> 00:27:36,040 Speaker 1: Yeah you can't. You know. 559 00:27:36,080 --> 00:27:41,400 Speaker 3: What I thought about is that occasionally on rewatches you're 560 00:27:41,440 --> 00:27:45,120 Speaker 3: sort of like yeah, or like for us with work 561 00:27:45,160 --> 00:27:48,800 Speaker 3: when you have to watch something right. I never feel 562 00:27:48,800 --> 00:27:53,440 Speaker 3: that way about Paraisod so so good. 563 00:27:53,600 --> 00:28:04,919 Speaker 1: Absolutely one side note I had. At one point we 564 00:28:04,960 --> 00:28:07,520 Speaker 1: see Crosby and Juvar playing the game Sorry, which I 565 00:28:07,560 --> 00:28:10,600 Speaker 1: just want to say, is a fantastic, underrated board game 566 00:28:10,800 --> 00:28:11,640 Speaker 1: that because. 567 00:28:11,400 --> 00:28:14,879 Speaker 2: Shoots the ladders is brutal and so is Monopoly. 568 00:28:15,440 --> 00:28:17,520 Speaker 1: Correct, and my daughter and I play, Sorry. 569 00:28:19,920 --> 00:28:20,800 Speaker 2: You still play? Sorry? 570 00:28:20,880 --> 00:28:22,400 Speaker 1: Still play? Sorry? Big fan? 571 00:28:23,600 --> 00:28:26,840 Speaker 2: Did you ever play? I can't think of what it's called, 572 00:28:26,840 --> 00:28:30,240 Speaker 2: but you sunk By Battleship and we still have it 573 00:28:30,840 --> 00:28:32,679 Speaker 2: the electric version? Did you have that? 574 00:28:32,760 --> 00:28:34,639 Speaker 1: One did? But I was jealous of the kids that 575 00:28:34,680 --> 00:28:35,000 Speaker 1: did have. 576 00:28:35,200 --> 00:28:37,159 Speaker 3: Oh my god, we had that and it was so 577 00:28:37,359 --> 00:28:40,000 Speaker 3: and you would like type in cute two or whatever 578 00:28:40,080 --> 00:28:40,520 Speaker 3: and then if. 579 00:28:40,440 --> 00:28:43,360 Speaker 1: You hit bluey, that's cool? 580 00:28:43,840 --> 00:28:46,520 Speaker 2: Is that? Things still around? Okay? But the best game ever? 581 00:28:47,160 --> 00:28:49,680 Speaker 3: And I did find it on eBay and bought it, 582 00:28:49,840 --> 00:28:52,680 Speaker 3: and then I was like it's so sketchy with eBay 583 00:28:52,680 --> 00:28:55,760 Speaker 3: because you're like, how many kids have sneezed on this? 584 00:28:55,920 --> 00:28:57,880 Speaker 3: You know, if you could just not It's one thing 585 00:28:57,920 --> 00:28:59,840 Speaker 3: if you buy a sweatshirt on eBay because you're like 586 00:29:00,240 --> 00:29:03,400 Speaker 3: wash that. A board game is tough because you're like, 587 00:29:03,840 --> 00:29:07,240 Speaker 3: kid's definitely thrown up on that. But it was called 588 00:29:07,360 --> 00:29:09,400 Speaker 3: so I gotta try and see if anybody can find 589 00:29:09,440 --> 00:29:11,560 Speaker 3: me Sale of the Century. 590 00:29:12,080 --> 00:29:14,760 Speaker 2: Oh, in package wrapped. 591 00:29:15,080 --> 00:29:15,600 Speaker 1: I remember that. 592 00:29:17,120 --> 00:29:17,960 Speaker 2: It was amazing. 593 00:29:18,280 --> 00:29:21,200 Speaker 3: It had a buzzer, so like, this was the thing 594 00:29:21,200 --> 00:29:22,680 Speaker 3: that was so great about it. 595 00:29:22,680 --> 00:29:26,280 Speaker 2: It had a center and then chords came out. 596 00:29:26,160 --> 00:29:29,920 Speaker 3: So each person had their own dinger and you hit 597 00:29:30,000 --> 00:29:34,080 Speaker 3: the dinger and if you were first, yours would light up. 598 00:29:34,400 --> 00:29:41,000 Speaker 2: So it was like an actual game show inger totally. 599 00:29:41,440 --> 00:29:46,520 Speaker 3: The other game that I love love twenty five thousand 600 00:29:46,560 --> 00:29:47,360 Speaker 3: dollars Pyramid. 601 00:29:47,480 --> 00:29:49,080 Speaker 2: Maybe it was called one hundred thousand. 602 00:29:48,800 --> 00:29:51,880 Speaker 3: Dollars whatever the pyramid was, and you remember you'd have 603 00:29:51,960 --> 00:29:54,120 Speaker 3: to oh, my god, was that the one? Is it 604 00:29:54,120 --> 00:29:58,400 Speaker 3: the one where you're like car cat cash and then 605 00:29:58,400 --> 00:29:59,760 Speaker 3: you go whord just start with seat. 606 00:30:00,120 --> 00:30:02,120 Speaker 1: Yes, those there's two rounds, but that's the bonus, that's 607 00:30:02,160 --> 00:30:03,680 Speaker 1: the final round. Yes, Oh my. 608 00:30:03,720 --> 00:30:05,400 Speaker 2: God, can we please play that? 609 00:30:05,480 --> 00:30:08,200 Speaker 1: I love that so fun? Can only be a list. 610 00:30:08,240 --> 00:30:10,880 Speaker 1: You cannot use prepositional phrases, or you're out. 611 00:30:11,000 --> 00:30:12,920 Speaker 2: Give me another example of how it worked. 612 00:30:12,960 --> 00:30:14,640 Speaker 1: Give me another one on pyramid. 613 00:30:15,640 --> 00:30:17,160 Speaker 2: Yeah, give me like one and see if I can 614 00:30:17,200 --> 00:30:17,480 Speaker 2: get it. 615 00:30:19,200 --> 00:30:21,600 Speaker 1: Okay, all right, all right, let me think about this. 616 00:30:22,560 --> 00:30:24,760 Speaker 2: This password was not as good. 617 00:30:24,840 --> 00:30:28,400 Speaker 3: It was similar to password, but password was not as good. 618 00:30:28,440 --> 00:30:32,800 Speaker 3: Password was where you'd go like sugar, and then the 619 00:30:32,920 --> 00:30:33,680 Speaker 3: person would. 620 00:30:33,480 --> 00:30:36,000 Speaker 1: Go like Cain, right, right right. 621 00:30:36,240 --> 00:30:37,920 Speaker 2: That one was not as good. 622 00:30:38,080 --> 00:30:43,160 Speaker 1: Here's a pyramid, category, a mountain, a ladder. 623 00:30:43,960 --> 00:30:47,480 Speaker 2: Things you have to climb. Yes, I freaking love that game, 624 00:30:47,720 --> 00:30:48,520 Speaker 2: like love. 625 00:30:51,080 --> 00:30:53,160 Speaker 1: That's the most exciting. And now our branching out to 626 00:30:53,200 --> 00:30:55,840 Speaker 1: game shows. But that that game show is the most 627 00:30:55,880 --> 00:30:57,720 Speaker 1: exciting game show is Pyramid. 628 00:30:58,080 --> 00:31:00,320 Speaker 2: Oh my god. And it wasn't its celebrities too. 629 00:31:00,360 --> 00:31:03,360 Speaker 3: It was like Betty White and like yes, And for 630 00:31:03,400 --> 00:31:05,440 Speaker 3: some reason, I'm seeing Burt Knvy, but I think he 631 00:31:05,720 --> 00:31:07,480 Speaker 3: was password. 632 00:31:07,520 --> 00:31:08,360 Speaker 2: I think he was passed. 633 00:31:08,640 --> 00:31:11,200 Speaker 1: Clark hosted it, but Burt Convey was all over these shows. 634 00:31:11,360 --> 00:31:14,880 Speaker 2: Burt Convy was also the host of Password. 635 00:31:14,760 --> 00:31:21,240 Speaker 1: Yes, Super Password, you know uh read yeah, you know whatever. 636 00:31:21,280 --> 00:31:24,120 Speaker 1: I for convy with tattle Tales as well. 637 00:31:25,600 --> 00:31:26,760 Speaker 2: Oh my god, Tattletales. 638 00:31:27,120 --> 00:31:30,080 Speaker 3: You know what one wasn't good Press your Luck because 639 00:31:30,120 --> 00:31:31,840 Speaker 3: it was just completely like we might as well just 640 00:31:31,840 --> 00:31:33,160 Speaker 3: watch people pull slot machines. 641 00:31:33,400 --> 00:31:35,920 Speaker 1: Yeah, I agree. I never really got any Press your Luck. 642 00:31:36,040 --> 00:31:38,200 Speaker 3: That was just not good, Like I'm just not going 643 00:31:38,240 --> 00:31:39,880 Speaker 3: to sit there and watch someone pull a slot machine. 644 00:31:39,920 --> 00:31:41,920 Speaker 1: But it's still going, isn't it a game show? Networks 645 00:31:41,920 --> 00:31:44,120 Speaker 1: got their own deal with Press your Luck. They got 646 00:31:44,120 --> 00:31:45,040 Speaker 1: new episodes with you. 647 00:31:45,120 --> 00:31:46,720 Speaker 3: Yeah, and I thought I thought there was a bunch 648 00:31:46,760 --> 00:31:51,000 Speaker 3: of Press your Luck stuff coming, some documentary about or 649 00:31:51,040 --> 00:31:53,680 Speaker 3: some movie where some guy game beat it. 650 00:31:54,360 --> 00:31:56,120 Speaker 2: I don't know, but I love that. 651 00:31:57,040 --> 00:32:00,240 Speaker 3: Yeah, which which is great and makes it more Are 652 00:32:00,400 --> 00:32:03,440 Speaker 3: just a slot machine? 653 00:32:02,880 --> 00:32:04,120 Speaker 1: That's true? 654 00:32:04,160 --> 00:32:04,560 Speaker 2: I don't know that. 655 00:32:04,800 --> 00:32:06,880 Speaker 3: Do you remember there was another one I was going 656 00:32:06,920 --> 00:32:08,760 Speaker 3: to ask about, But we'll just do game show. 657 00:32:08,560 --> 00:32:11,600 Speaker 2: Talk another day. But Sale of the Century was awesome. 658 00:32:12,080 --> 00:32:14,760 Speaker 1: Get the producers on that. We need that inbox and sealed. 659 00:32:14,840 --> 00:32:16,560 Speaker 2: Yeah, see if anybody can find it. 660 00:32:16,880 --> 00:32:20,840 Speaker 3: Find Sale of the Century on eBay, inbox sealed. Even 661 00:32:20,880 --> 00:32:22,840 Speaker 3: if it's one hundred dollars, I will pay it if 662 00:32:22,880 --> 00:32:23,920 Speaker 3: it's inbox sealed. 663 00:32:24,800 --> 00:32:28,960 Speaker 1: Next Week Episode nineteen of season two is called Taking 664 00:32:29,040 --> 00:32:33,360 Speaker 1: the Leap. Oh all right, talked to you, then Parenthood Out, 665 00:32:33,640 --> 00:33:06,320 Speaker 1: Braverman's Out, Oh Hey, everybody, don't forget. 666 00:33:06,400 --> 00:33:10,440 Speaker 3: Follow us on Instagram at i Am all In podcast, 667 00:33:10,560 --> 00:33:24,720 Speaker 3: and email us at Gilmore at iHeartRadio dot com