WEBVTT - QLS Classic: Chris Rock

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<v Speaker 1>Of Course, Love Supreme is a production of I Heart Radio.

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<v Speaker 1>This classic episode was produced by the team at Pandora.

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<v Speaker 1>Ladies and gentlemen, this is Quest Love and you're checking

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<v Speaker 1>out another QLs classic. We're digging in the vaults for

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<v Speaker 1>all of your favorites of past episodes. This one one

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<v Speaker 1>of the funnier ones we've ever done. Chris Rock keeps

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<v Speaker 1>you in stitches, always keeps you educated. I hope you

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<v Speaker 1>enjoyed some grandmother call roll call, Whatur's love don't stop?

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<v Speaker 1>And I am shocked. Yeah, I'm with Chris Rock in

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<v Speaker 1>the place where they shot to buy. So bringa road

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<v Speaker 1>called Quest Love Supreme. Yeah, y'all know we bawling, Yeah,

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<v Speaker 1>because I am fonte. Yeah. And it just be calling

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<v Speaker 1>some prema rogue, some prima, some prima rogue. Chrispon so funny. Yeah,

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<v Speaker 1>so what's next? Yeah, fring back that talk show? Yeah,

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<v Speaker 1>not x much. Some prima road called some prema so

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<v Speaker 1>frema road call. I'me on, hey Bill, Yeah, ain't that legit? Yeah?

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<v Speaker 1>Back with christ Love Supria. Ain't that some ship roll

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<v Speaker 1>frema roll call, some prima, some frema rogue. My Bill

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<v Speaker 1>is here? Yeah in radio land. Yeah, don't please. It's

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<v Speaker 1>a solid man. Some sma roma roll him Yeah, happy

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<v Speaker 1>and nappy, Yeah, and I'm so happy. Damn I missed up.

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<v Speaker 1>Chris Rock here rogue, prima ro Chris Rocks my name, yeah,

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<v Speaker 1>and I got hot. Yeah, And I don't want to

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<v Speaker 1>farg and I'm not coming on rogue some prima rogue,

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<v Speaker 1>some frema rogue rod straight out. Oh yeah, ladies, And look, yeah,

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<v Speaker 1>Chris Rock is on the show. And I don't want

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<v Speaker 1>to waste a second or in any of whose else

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<v Speaker 1>has been on this show? Any other celebrities or my no,

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<v Speaker 1>you're not the first. I'm the We have the revolution.

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<v Speaker 1>Who has this been on the show? Without Prince? Though?

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<v Speaker 1>Right with that? Without Okay, you gotta say that, motherfucker.

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<v Speaker 1>You can't just well yeah, I mean, you know, Relution,

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<v Speaker 1>that would have been amazing if we had him on

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<v Speaker 1>the show. That would have been something part of the

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<v Speaker 1>revolution or is it Prince and the revolution and the

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<v Speaker 1>revolution is a separate entity. So he was never in

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<v Speaker 1>the revolution? Okay, except in the movie Purple Rain, then

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<v Speaker 1>it was the kid in the Revolution? Okay, yes, please,

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<v Speaker 1>welcome to the Revolution. Exactly? Does that say that? No,

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<v Speaker 1>nos has done the show. Chef Gordon has done the show.

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<v Speaker 1>Ray Parker Jr. Has done the show. Rudolph's done this shower,

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<v Speaker 1>Q Tip Salons. Yea, yeah, okay, so yeah we we

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<v Speaker 1>we yes in this very room, in that very seed

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<v Speaker 1>well and I'm on every week and and Sugar Steve

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<v Speaker 1>is on every week. All right? Um? Yeah, because you

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<v Speaker 1>are so opinionated, really unsolicited, you saved you. I don't

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<v Speaker 1>want to waste a second about any part of your life.

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<v Speaker 1>So I wait, I just recently I didn't know you

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<v Speaker 1>were born in South Carolina. Yeah. I was born in

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<v Speaker 1>a little town called Andrews. Andrews right next to Georgetown.

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<v Speaker 1>When you drive in, it says the home of Chubby Checker.

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<v Speaker 1>Uh so Chubby's not even from Philly. No, Chubby Checkers

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<v Speaker 1>from andrew South Carolina. And one of my goals in

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<v Speaker 1>life is before my mother dies, is to get them

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<v Speaker 1>to change that sign to home with Chris Rock. You

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<v Speaker 1>know you can make that happen, right, I mean it

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<v Speaker 1>hasn't happened yet. I mean you can great work or

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<v Speaker 1>good work. I haven't made the twist. So you're saying

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<v Speaker 1>that it would be tacky if you were too solicit

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<v Speaker 1>solicit them and ask them to I mean, you would

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<v Speaker 1>think by now they should I should I call the

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<v Speaker 1>township and be like, yo, y'all should really put Christmas?

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<v Speaker 1>You would think, I mean, I don't know, I haven't

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<v Speaker 1>you know what you have to do when you know.

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<v Speaker 1>But when you go on tour, we are you able

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<v Speaker 1>to play a place in Mattown. I'm able to play Charleston.

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<v Speaker 1>So yeah, it's like fifty miles away. Yeah, but is

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<v Speaker 1>that really okay? Have you given back to that hometown?

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<v Speaker 1>I mean, hey, I bought my mother's house. You gotta

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<v Speaker 1>do something there, like and then you know, the mayor

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<v Speaker 1>claiming Chris Rock Day and you're jokingly like, hey, you know,

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<v Speaker 1>be funny if you when you drive in it's my name, right.

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<v Speaker 1>I think you know what You're right, you can that's easy.

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<v Speaker 1>I'll even even I'll even DJ the a couple of

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<v Speaker 1>basketball rims exactly Chris Rock parts. So how long did

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<v Speaker 1>you were just technically born there? And I was just

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<v Speaker 1>technically born there and then literally like the next weekend,

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<v Speaker 1>my parents came back to Brooklyn. There you go, that

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<v Speaker 1>is so New York. Everybody originates in Carolina. Yeah. I

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<v Speaker 1>think my mother just wanted her first child around her

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<v Speaker 1>parents pretty much, so she was just visiting South Carolina. Yeah,

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<v Speaker 1>I mean my parents, both of my parents are from

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<v Speaker 1>South Carolina, both from South Carolina, but they lived in

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<v Speaker 1>Brooklyn when I was you know, my whole I was born.

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<v Speaker 1>I was raised in Brooklyn. So what was assuming that you? Yeah,

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<v Speaker 1>you were born in early sixties, right, I'm born in

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<v Speaker 1>sixty five. When I was born, Dr King was alive,

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<v Speaker 1>you know. Yes, I'm fifty one years old. Yeah. Still,

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<v Speaker 1>money is the best lotion in the world. You ever

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<v Speaker 1>go to like watch rock and roll everyone. I was

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<v Speaker 1>like the rock and Roll of Fame one year. I

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<v Speaker 1>think I was putting in the Peppers or somebody. Anyway,

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<v Speaker 1>Smokey Robinson wasn't inducting the Miracle. So this is a

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<v Speaker 1>group he was in. He was in the group. He looked,

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<v Speaker 1>he looked. It was like he was inducting his parents,

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<v Speaker 1>like his grandparents. It was unbelievable, like, oh, yeah, Smokey

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<v Speaker 1>wrote the song its smoky Smokey. Yeah, I feel like

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<v Speaker 1>you a lot more shiny. So I didn't know if

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<v Speaker 1>it was like a moisture I was using that anyway.

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<v Speaker 1>I picked up on it that night and Rod Stewart

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<v Speaker 1>looks better than the guys in the faces, Like whoa

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<v Speaker 1>use actual moistrategy? Yeah, I mean I don't. I don't

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<v Speaker 1>know what the other commodores look like, but I don't

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<v Speaker 1>think as good as I'm gonna bet o good. So wait,

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<v Speaker 1>we're in Brooklyn. Uh, we're okay at Uh. Until I

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<v Speaker 1>was seven, we from time I was born to seven,

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<v Speaker 1>we're in Crown Heights, and then from seven to you

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<v Speaker 1>know whatever, twenty until god till I had my kids.

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<v Speaker 1>Until thirty something, I was in a bed sty. You

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<v Speaker 1>don't strike me as Brooklyn because whenever I think of Brooklyn,

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<v Speaker 1>especially like when I first started coming to New York,

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<v Speaker 1>like Brooklyn, every person had like the same intonation, like yo,

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<v Speaker 1>what happened like every day was up here? Yo? What's

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<v Speaker 1>that good? Like I've never seen you in camouflage, you know,

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<v Speaker 1>one leg were rolled up and no, no, I'm not

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<v Speaker 1>that cat. I'm there. I'm Marcy. I'm I'm Marcia. Is

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<v Speaker 1>not too far to Kada Howard and Saratoga, right, you

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<v Speaker 1>know bre voids where we played ball and you know,

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<v Speaker 1>so why is it that assuming that your parents you

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<v Speaker 1>know that ship? I was that guy I was corny

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<v Speaker 1>as a motherfucker's I couldn't get much cornier than me.

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<v Speaker 1>Uh So, why did you have to go to school?

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<v Speaker 1>Because that was what was going on back then, That's

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<v Speaker 1>what That's what progressive parents did, that's what. So the

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<v Speaker 1>education it was busting. Busting was a thing. So I

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<v Speaker 1>went to school out at this place called Garrison Beach

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<v Speaker 1>with poor white people. And where I was to school,

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<v Speaker 1>you know, it's it's seventy two, so I was a

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<v Speaker 1>second grade. Seventy one is first. So yeah, I got

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<v Speaker 1>off of bus and I saw niggas go home signs

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<v Speaker 1>in Brooklyn literal in Brooklyn. Everybody. You know, I got

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<v Speaker 1>called nigger every day and I had teachers say ship

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<v Speaker 1>to me and whatever. I don't even I was the

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<v Speaker 1>only black boy and there were three black girls, and

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<v Speaker 1>we were the first black kids at that school. Like hey,

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<v Speaker 1>I mean, I was fucking nerdy, motherfucker. So you know,

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<v Speaker 1>I was bullied pretty bad. But if I don't went

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<v Speaker 1>to a black school, I probably got bullied to wish

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<v Speaker 1>what was your nerdy? Look? I was just a little

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<v Speaker 1>you know, it's not even that your nerdy, it's just

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<v Speaker 1>when you're a kid when you're a boy. Especially, your

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<v Speaker 1>size determines so much ship, you know what I mean,

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<v Speaker 1>Like how fast? How tall are you? How fast are you?

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<v Speaker 1>How far can you throw a ball? Like, like your

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<v Speaker 1>physicality just determines where you're gonna be. So my physical

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<v Speaker 1>I was so tiny, motherfucker. So I just determined that

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<v Speaker 1>I was never going to be a cool kid. Like

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<v Speaker 1>the only way I was going to be a cool kid,

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<v Speaker 1>I would have to be batshit crazy, you know what

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<v Speaker 1>I mean? And I wasn't batshit crazy. The only little

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<v Speaker 1>cool kids were batshit crazy. So you didn't fall on

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<v Speaker 1>t V. Oh maybe you can play ball? And I was.

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<v Speaker 1>I mean I played everything, but I wasn't great at nothing,

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<v Speaker 1>you know what I mean? So I ended up like

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<v Speaker 1>that guy. I was that guy, which it's cool. How

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<v Speaker 1>many years did you go there to? Uh? I mean

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<v Speaker 1>I dropped out of school in the tenth grade. I

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<v Speaker 1>believe my d You went to the same school I

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<v Speaker 1>went to. I mean we're just talking about grade school.

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<v Speaker 1>Then I went to junior high, but I mean at

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<v Speaker 1>that same school in Vincent. I went to different you know,

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<v Speaker 1>so grade schools PS two seventy seven. Then you go

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<v Speaker 1>to Marine Park Junior High. Then I went to James

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<v Speaker 1>Madison for a year and a half, went to Boys

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<v Speaker 1>High for a half a year, went to a black

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<v Speaker 1>school for a minute, and then that, and you were

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<v Speaker 1>just like, well, you get to a point where you're like, Okay,

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<v Speaker 1>I'm in a shitty school, I have shitty grades. Is

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<v Speaker 1>this diploma worth any more than a G E D? No?

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<v Speaker 1>Why am I wasting by time? So what do you do?

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<v Speaker 1>I quit school, got a g D. Like okay, yeah,

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<v Speaker 1>Like two months later, it was just like what the

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<v Speaker 1>what am I doing? Um? And you know, working dumb jobs?

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<v Speaker 1>You know stock boy, Uh, I worked with mentally handicap adults,

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<v Speaker 1>uh at like halfway houses like these houses that well

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<v Speaker 1>that sometimes they're in the house in jail or whatever.

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<v Speaker 1>So you're kind of like, you know, like you go

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<v Speaker 1>to the mall and you see somebody like people taking

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<v Speaker 1>artistic adults to a movie or whatever, Like I was

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<v Speaker 1>one of those people. You were a white two or

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<v Speaker 1>a white outfits yeah not or not, you know, just

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<v Speaker 1>wrangling how is that for you? Like did you have?

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<v Speaker 1>But you're a nice campaign and it was cool. I

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<v Speaker 1>was cool. I was cool. It's a good job. It's

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<v Speaker 1>a job, you know, my family. I'm from a working family.

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<v Speaker 1>Like rocks work, Rocks have jobs, and rocks have decent jobs.

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<v Speaker 1>So like doing that was one of those jobs, like

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<v Speaker 1>one of those rare jobs, always hiring because no one

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<v Speaker 1>who you know, it takes a special motherfucker to clean

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<v Speaker 1>ship off a grown man. Always hiring and does not

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<v Speaker 1>pay minimum wage, you can, like, I mean back then,

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<v Speaker 1>I probably made like seven or eight hour, remember just three,

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<v Speaker 1>so you're nine hour. He's a bad motherfucker, you know

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<v Speaker 1>what I mean. Like it, And everybody in my family

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<v Speaker 1>always figured out, like what shitty job that doesn't pay

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<v Speaker 1>minimum wage? That you know? So my mother worked there.

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<v Speaker 1>My aun't worked there, like what my mother she talked

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<v Speaker 1>them mentally handicapped for a while for a lot, you know,

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<v Speaker 1>in between pregnancies. And my father drove a truck for

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<v Speaker 1>the New York Daily News and Wrangle Brewery. Uh, my

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<v Speaker 1>father was this guy when I was a kid. You know,

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<v Speaker 1>they didn't have any black guys in the unions. So

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<v Speaker 1>my father was like always like the first guy they

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<v Speaker 1>would bring into the union. My father's like the Jackie

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<v Speaker 1>Robinson and that ship not because he was like this

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<v Speaker 1>great driver, which he was in no accidents, but they

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<v Speaker 1>knew he could take it. They knew he could like

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<v Speaker 1>get all day and get like a bag of piss

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<v Speaker 1>thrown at him, and like, nigga, what do you what

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<v Speaker 1>what we're talking the seventies, We're talking sixties and seventies.

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<v Speaker 1>H We weren't legally free, legally until okay, So when

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<v Speaker 1>you change a law, the ship doesn't really go into

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<v Speaker 1>effect the next day. You don't be like, hey, hey,

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<v Speaker 1>Apple changed the fucking chargers. Still motherfucker's four years later

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<v Speaker 1>with the old ass chargers. Still motherfucker's at iPods right now?

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<v Speaker 1>You know the fucking you know, you take the Triboro

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<v Speaker 1>Bridge to the airport, it hasn't been the Triboro Bridge

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<v Speaker 1>in almost twenty thirty years. It's the fucking rf cabrig

0:15:35.960 --> 0:15:38.480
<v Speaker 1>Like that's how long it takes ship to get implemented

0:15:39.040 --> 0:15:42.120
<v Speaker 1>from the time it's past. So just because it was

0:15:42.200 --> 0:15:45.880
<v Speaker 1>illegal to do certain ship to black people doesn't mean

0:15:45.960 --> 0:15:54.320
<v Speaker 1>that ship people literally haven't been like relax free. So

0:15:54.480 --> 0:16:06.240
<v Speaker 1>like you like you could like generally assume you're gonna

0:16:06.280 --> 0:16:10.280
<v Speaker 1>go someplace today and no one's gonna right like spit

0:16:10.400 --> 0:16:12.600
<v Speaker 1>at you or say some fucked up shipped to you.

0:16:15.200 --> 0:16:18.880
<v Speaker 1>It still happens, Okay. So if you're preparing for life,

0:16:18.920 --> 0:16:25.720
<v Speaker 1>for like blue collar livelihood, Yeah, where in the world

0:16:25.840 --> 0:16:28.440
<v Speaker 1>is comedy coming? Like what I mean? I grew up

0:16:28.440 --> 0:16:31.120
<v Speaker 1>in a weird block. Everybody was funny on my block,

0:16:32.160 --> 0:16:35.400
<v Speaker 1>Decayed Street in Brooklyn. I don't know, It's just a weird,

0:16:36.520 --> 0:16:41.240
<v Speaker 1>weird block. Everybody was hysterical. My uncle's were hysterical too.

0:16:41.280 --> 0:16:44.120
<v Speaker 1>I just I don't know. I just gravitated to comedy.

0:16:44.200 --> 0:16:48.520
<v Speaker 1>I love music more, but I wasn't that good. So

0:16:48.840 --> 0:16:52.920
<v Speaker 1>I wasn't like a gifted rapper. I was a pretty

0:16:53.120 --> 0:16:58.560
<v Speaker 1>decent dj um because I was from that era. Like

0:16:58.840 --> 0:17:02.840
<v Speaker 1>we all everybody on my block, we would go see

0:17:02.880 --> 0:17:06.840
<v Speaker 1>Flash and we would like basically do whatever Flash did

0:17:07.640 --> 0:17:11.480
<v Speaker 1>the next day. So wait, you would go venture because

0:17:11.480 --> 0:17:16.280
<v Speaker 1>I've never heard of other boroughs like going to places

0:17:16.320 --> 0:17:19.159
<v Speaker 1>where they didn't like. Was that a risk? Yeah? But

0:17:19.440 --> 0:17:22.840
<v Speaker 1>who do you think they robbed? It wasn't Robin Bronks Niggers.

0:17:22.920 --> 0:17:28.000
<v Speaker 1>They was robbed Brooklyn and Queen's mind. But if you're coming,

0:17:28.119 --> 0:17:32.359
<v Speaker 1>if you're coming from if you're not from around, that

0:17:32.600 --> 0:17:37.120
<v Speaker 1>was dangerous, I guess, but you didn't care. They go Flash,

0:17:38.359 --> 0:17:42.399
<v Speaker 1>so it was worth that. I'm sorry they talking about

0:17:42.960 --> 0:17:45.040
<v Speaker 1>live in the YouTube where I could just look at

0:17:45.080 --> 0:17:50.120
<v Speaker 1>it in my bed. You don't understand that Flash theotore

0:17:50.840 --> 0:17:56.399
<v Speaker 1>DJ Flowers. These were superheroes and it was this was

0:17:56.440 --> 0:17:59.919
<v Speaker 1>just literally going to see the Hulk or Iron Man.

0:18:00.840 --> 0:18:07.280
<v Speaker 1>They were doing fucking super human feats. Okay, okay, this

0:18:07.520 --> 0:18:11.399
<v Speaker 1>was like what this ship spoke to us. This was

0:18:11.520 --> 0:18:15.000
<v Speaker 1>the fucking north Star, motherfucker. Okay at the beginning of

0:18:15.080 --> 0:18:19.119
<v Speaker 1>the hip hop with gangster tapes and fucking busy be

0:18:19.560 --> 0:18:23.960
<v Speaker 1>fucking battles and all that ship. Nigger, So you didn't

0:18:24.280 --> 0:18:26.840
<v Speaker 1>mean you just how did how did that trickle to you?

0:18:27.400 --> 0:18:30.840
<v Speaker 1>Because we just had cousins that have the tapes and

0:18:31.280 --> 0:18:33.320
<v Speaker 1>this guy's on the block or whatever, and you are

0:18:33.400 --> 0:18:36.159
<v Speaker 1>you hearing at No, not really my white school, but

0:18:36.240 --> 0:18:39.240
<v Speaker 1>when I got to a black school, yeah, it was you.

0:18:39.760 --> 0:18:42.400
<v Speaker 1>That's just was in the air. I always hung around

0:18:42.440 --> 0:18:44.560
<v Speaker 1>guys older than me too. That was a weird thing

0:18:44.600 --> 0:18:47.760
<v Speaker 1>about me. So my crew was like all five years

0:18:47.840 --> 0:18:51.280
<v Speaker 1>older than me. Yes, I can't even go where they

0:18:51.320 --> 0:18:53.639
<v Speaker 1>go a cruise. You couldn't really go. I mean it

0:18:53.720 --> 0:18:57.320
<v Speaker 1>wasn't like, you know, one of my secrets of show

0:18:57.400 --> 0:19:03.600
<v Speaker 1>business is I've mastered the art of like just blending

0:19:03.640 --> 0:19:06.720
<v Speaker 1>in a room with motherfucker's and not making a sound

0:19:07.480 --> 0:19:10.320
<v Speaker 1>and just let it. Motherfucker. This like the art of

0:19:10.720 --> 0:19:14.600
<v Speaker 1>having people be at ease around you. So when you're

0:19:14.600 --> 0:19:19.240
<v Speaker 1>around powerful motherfucker's and they just like, oh, he's okay, Okay,

0:19:19.320 --> 0:19:22.960
<v Speaker 1>you won't he doesn't rock the boat, like, yeah he

0:19:23.040 --> 0:19:25.280
<v Speaker 1>was here. Forgot he was here. Like I'm oh, I'm

0:19:25.359 --> 0:19:27.320
<v Speaker 1>the master of that ship. But I'm just saying I

0:19:27.400 --> 0:19:30.600
<v Speaker 1>started at a young age, and it's like skill that

0:19:30.760 --> 0:19:33.440
<v Speaker 1>eventually got better. So I could be around Eddie Murphy,

0:19:33.520 --> 0:19:35.080
<v Speaker 1>or I could be around Prince, or I could be

0:19:35.400 --> 0:19:37.800
<v Speaker 1>I could be around I know how to be around

0:19:37.880 --> 0:19:43.320
<v Speaker 1>motherfucker's without rocking the boat. But I mean, how did

0:19:43.359 --> 0:19:50.639
<v Speaker 1>you avoid the traffickings of gang activity because you were

0:19:50.640 --> 0:19:53.639
<v Speaker 1>a prime target to be I don't know. I mean,

0:19:53.640 --> 0:20:01.080
<v Speaker 1>I guess I wasn't a gang for a minute. I remember, remember, no, no,

0:20:01.240 --> 0:20:06.159
<v Speaker 1>I remember, like like a bullshit, bullshit. I mean, you

0:20:06.200 --> 0:20:11.560
<v Speaker 1>got realized we lived in fucking brownstones near the projects. Okay,

0:20:11.920 --> 0:20:15.440
<v Speaker 1>so we're those guys you looking at your beautiful house. Yeah,

0:20:15.440 --> 0:20:19.280
<v Speaker 1>I mean we had you know, I lived in a Brownstone.

0:20:19.480 --> 0:20:22.080
<v Speaker 1>So here's the fuck up thing. When my dad died

0:20:22.600 --> 0:20:29.040
<v Speaker 1>in my dad died in nine Okay, so we my

0:20:29.160 --> 0:20:32.160
<v Speaker 1>dad died, we were in debt, we lost the house. Whatever.

0:20:32.240 --> 0:20:36.400
<v Speaker 1>The house was probably worth forty grand and that same

0:20:36.440 --> 0:20:43.920
<v Speaker 1>house is like a million dollars now, So yeah, it's crazy.

0:20:45.119 --> 0:20:48.240
<v Speaker 1>It's crazy if we had any money, if we could

0:20:48.280 --> 0:20:53.040
<v Speaker 1>have just held out for fucking five years, you and

0:20:53.080 --> 0:20:56.720
<v Speaker 1>the rest of the black people in major cities. But uh,

0:20:57.359 --> 0:20:59.920
<v Speaker 1>what was the question. We're avoiding the trappings of gang,

0:21:00.480 --> 0:21:05.359
<v Speaker 1>you know, if it's avoiding, I mean, it was just wide.

0:21:05.440 --> 0:21:08.280
<v Speaker 1>Where was my follow up? So yeah, I was in

0:21:08.320 --> 0:21:11.200
<v Speaker 1>a gang. I walked through the gauntlet and got beat

0:21:11.320 --> 0:21:14.159
<v Speaker 1>up and whatever, and you're in the gang, right, But

0:21:14.600 --> 0:21:17.440
<v Speaker 1>my follow up wasn't you know, I wasn't a gang

0:21:17.600 --> 0:21:20.840
<v Speaker 1>follow up guy, like a gang's like anything else. You

0:21:20.920 --> 0:21:24.160
<v Speaker 1>gotta follow up, You gotta be at the meeting, read

0:21:24.200 --> 0:21:30.199
<v Speaker 1>the pamphlet, you gotta you gotta watch all the episodes, whatever, whatever.

0:21:30.320 --> 0:21:34.520
<v Speaker 1>The follow up wasn't there. My follow up was comedy.

0:21:34.640 --> 0:21:38.080
<v Speaker 1>My follow up was music. That was my follow up,

0:21:38.200 --> 0:21:42.200
<v Speaker 1>like you never went back after the beat down? Else

0:21:42.280 --> 0:21:44.479
<v Speaker 1>I was I was just wasn't with the follow up.

0:21:44.560 --> 0:21:46.959
<v Speaker 1>I wasn't with the you know, it's like, Oh, we're

0:21:47.000 --> 0:21:50.359
<v Speaker 1>gonna go downtown, We're gonna go downtown Brooklyn, snatch chains, Sam.

0:21:50.400 --> 0:21:59.399
<v Speaker 1>I'm late to that meeting. I'm not fast enough to

0:21:59.440 --> 0:22:02.480
<v Speaker 1>be running these motherfucker's. So at what point did you

0:22:02.600 --> 0:22:07.800
<v Speaker 1>just option? I don't when people get into this, I

0:22:07.800 --> 0:22:09.960
<v Speaker 1>don't know. I'm just not. I refused to be one

0:22:10.000 --> 0:22:13.159
<v Speaker 1>of these Uh, comedy saved my life. Yeah, I refused

0:22:13.160 --> 0:22:15.359
<v Speaker 1>to be one of these fucking black guys. If it

0:22:15.520 --> 0:22:19.440
<v Speaker 1>wasn't for comedy, i'd be deader in jail. Unt was

0:22:19.560 --> 0:22:24.639
<v Speaker 1>one of the comedy I work for UPS. Motherfucker. That's what. Okay,

0:22:24.760 --> 0:22:33.040
<v Speaker 1>you least knowledge that comedy did change the comedy? Yes,

0:22:33.400 --> 0:22:37.440
<v Speaker 1>giving me. Hey, it's twelve o'clock on a fucking Wednesday

0:22:38.040 --> 0:22:44.320
<v Speaker 1>and I'm talking shit with you. That's rich. You know,

0:22:44.400 --> 0:22:47.200
<v Speaker 1>I don't, I don't have a boss. Whatever. You know.

0:22:47.400 --> 0:22:51.600
<v Speaker 1>That's rich but comedy. But but here's the thing. I

0:22:51.680 --> 0:22:57.000
<v Speaker 1>got two kids, I'm divorced, I live in an Okay,

0:22:57.280 --> 0:23:00.720
<v Speaker 1>I live in a great place. Guess what if I

0:23:00.760 --> 0:23:03.960
<v Speaker 1>worked at UPS, I probably have two kids. I'd probably

0:23:03.960 --> 0:23:09.080
<v Speaker 1>be the moss my house wouldn't be this nice, but

0:23:09.160 --> 0:23:11.320
<v Speaker 1>I mean that it would be something I thought was nice.

0:23:13.880 --> 0:23:17.040
<v Speaker 1>You know what I mean I'd have I'd pretty much

0:23:17.119 --> 0:23:21.600
<v Speaker 1>have the same record collection. You know. I'd be probably

0:23:21.640 --> 0:23:24.080
<v Speaker 1>a little cheaper on what I download and whatever. I

0:23:24.119 --> 0:23:28.879
<v Speaker 1>wouldn't you know, I'd be more conscious of that for

0:23:28.960 --> 0:23:31.440
<v Speaker 1>an album or whatever, but I'd still have a ton

0:23:31.480 --> 0:23:36.399
<v Speaker 1>of music and have a ton of comedy. So the

0:23:36.720 --> 0:23:43.520
<v Speaker 1>President United States, but you know this been doing. We're

0:23:43.560 --> 0:23:46.240
<v Speaker 1>joined by the one only Chris Rock and we're talking

0:23:46.240 --> 0:23:50.440
<v Speaker 1>about being satisfied in life and comedy not saving this

0:23:50.560 --> 0:23:53.600
<v Speaker 1>is not He's not going to make this an unsung movement. Yeah,

0:23:54.000 --> 0:23:57.280
<v Speaker 1>and then comedy came. You know, UPS is always hiring.

0:23:57.400 --> 0:24:00.200
<v Speaker 1>So if you have always hiring, I mean, and you

0:24:00.280 --> 0:24:02.920
<v Speaker 1>know I got a bad girl now, I had a

0:24:03.119 --> 0:24:06.680
<v Speaker 1>bad motherfucker if I was the Doups. She is maybe

0:24:06.720 --> 0:24:11.040
<v Speaker 1>not name right now, pronounce the last name right now, Magdalen.

0:24:12.800 --> 0:24:14.159
<v Speaker 1>The fact that you had to look up to the

0:24:14.280 --> 0:24:17.760
<v Speaker 1>right corner and think about I want to get it right,

0:24:19.080 --> 0:24:20.560
<v Speaker 1>is that like some part is that a country and

0:24:20.640 --> 0:24:26.400
<v Speaker 1>I'm she's Nigerian. Get out that I know evil. That's

0:24:26.480 --> 0:24:31.600
<v Speaker 1>like you're well, you know they're trying. Yeah I would,

0:24:32.520 --> 0:24:38.159
<v Speaker 1>but i'd have one. It's always a fine chick at

0:24:38.280 --> 0:24:41.359
<v Speaker 1>Banana Republic. So so I mean, at what point did

0:24:41.440 --> 0:24:43.440
<v Speaker 1>you go from like, at what point did you go

0:24:43.560 --> 0:24:46.680
<v Speaker 1>from being the funny guy to like, oh, I'm gonna

0:24:46.680 --> 0:24:48.560
<v Speaker 1>go to catch It was catch a rising start like

0:24:48.600 --> 0:24:50.320
<v Speaker 1>the gold back then, or was it just like I

0:24:50.400 --> 0:24:53.040
<v Speaker 1>didn't I was like, Okay, I've told this story before,

0:24:53.080 --> 0:24:55.480
<v Speaker 1>but i'll tell it to you. I don't know the

0:24:55.520 --> 0:25:00.240
<v Speaker 1>story online. Yes, I was literally online at Radio's City.

0:25:00.359 --> 0:25:04.920
<v Speaker 1>It was February eleventh, nineteen eighty four, eight five, I

0:25:05.000 --> 0:25:08.560
<v Speaker 1>forget eight four, and I was on line to get

0:25:08.640 --> 0:25:12.000
<v Speaker 1>tickets for Eddie Murphy at Radio City. This is you know,

0:25:12.160 --> 0:25:15.800
<v Speaker 1>people forget there was a world before ticket you know whatever.

0:25:16.040 --> 0:25:26.960
<v Speaker 1>People used to stand online blocks. Yeah, purporting tour, Victory tour,

0:25:27.119 --> 0:25:32.160
<v Speaker 1>same thing. Um. Anyway, so I'm I'm on block four,

0:25:33.720 --> 0:25:37.320
<v Speaker 1>like Eddie Murphy tickets were ridiculous, and I'm just sitting

0:25:37.359 --> 0:25:40.520
<v Speaker 1>there reading the paper because I'm assuming i gotta whatever

0:25:40.640 --> 0:25:47.359
<v Speaker 1>a four hour wait wait easily. And while I'm reading

0:25:47.400 --> 0:25:52.280
<v Speaker 1>the paper, because I was that nerdy motherfucker, I saw

0:25:52.320 --> 0:25:57.280
<v Speaker 1>add for comedy clubs and it's one said catch right

0:25:57.320 --> 0:25:59.159
<v Speaker 1>at the Star, and I was like, okay, let me

0:25:59.200 --> 0:26:04.359
<v Speaker 1>go there. And I walked from Radio City to Catch

0:26:04.600 --> 0:26:08.119
<v Speaker 1>I don't know, forty blocks or whatever the Fox. No,

0:26:08.240 --> 0:26:13.280
<v Speaker 1>I never got the tickets, and uh, they were having

0:26:13.280 --> 0:26:16.600
<v Speaker 1>audition night, so so I went from one line to another.

0:26:16.680 --> 0:26:20.000
<v Speaker 1>So I went there and say that with thirty one

0:26:20.080 --> 0:26:24.680
<v Speaker 1>to be comedians outside, today's audition night. So first I

0:26:24.720 --> 0:26:27.080
<v Speaker 1>went to Comic Strip. It wasn't audition. I went to Catch,

0:26:27.160 --> 0:26:29.560
<v Speaker 1>which is around a quarter and it was audition night.

0:26:29.680 --> 0:26:32.240
<v Speaker 1>So I asked some guy, like what do you do?

0:26:32.440 --> 0:26:35.240
<v Speaker 1>So well, guy comes out, We pick a number at

0:26:35.280 --> 0:26:39.719
<v Speaker 1>six o'clock and then you come back around ten o'clock

0:26:39.880 --> 0:26:44.239
<v Speaker 1>or whatever, and you get to do five minutes if

0:26:44.280 --> 0:26:46.719
<v Speaker 1>you're one of the seven. So you come back at eight, right,

0:26:47.400 --> 0:26:52.400
<v Speaker 1>And I got lucky number seven, and I came back

0:26:53.160 --> 0:27:00.080
<v Speaker 1>called my boy Hammy and keV and me him, me,

0:27:00.280 --> 0:27:04.840
<v Speaker 1>Kevin and Darren. I believe. And I auditioned that night.

0:27:05.880 --> 0:27:08.840
<v Speaker 1>And I've never been in a comedy club. You free

0:27:08.840 --> 0:27:12.320
<v Speaker 1>stout eventually freestop because I've never been in a comedy club.

0:27:13.119 --> 0:27:15.040
<v Speaker 1>So I'm in this club. They sat us like in

0:27:15.119 --> 0:27:16.840
<v Speaker 1>the back of the side and I watched it. I

0:27:16.960 --> 0:27:20.840
<v Speaker 1>was literally watching my first non famous comedians. So this

0:27:20.920 --> 0:27:22.840
<v Speaker 1>first time I've seen like a comedian not on it

0:27:22.960 --> 0:27:25.199
<v Speaker 1>Tonight Show. Just like I'm like, wow, there's a lot

0:27:25.200 --> 0:27:27.879
<v Speaker 1>of comedians there. So I watched these guys for about

0:27:27.920 --> 0:27:30.760
<v Speaker 1>two hours and then you know, to three hours, and

0:27:31.000 --> 0:27:33.440
<v Speaker 1>like late in the night, it was my turn, and

0:27:33.520 --> 0:27:35.320
<v Speaker 1>I went up and I did. I would say it

0:27:35.440 --> 0:27:40.840
<v Speaker 1>was three minutes and I killed yeah, and the guy

0:27:40.920 --> 0:27:44.480
<v Speaker 1>told me I passed the audition. This guy named Mike

0:27:44.560 --> 0:27:47.280
<v Speaker 1>Egan told me I passed the audition. Was like the

0:27:47.400 --> 0:27:51.119
<v Speaker 1>creative director of Catcherizing Star and I've been doing it

0:27:51.200 --> 0:27:54.399
<v Speaker 1>ever since. If he didn't tell me, he said, you

0:27:54.480 --> 0:27:56.640
<v Speaker 1>passed audition. You can work here any night you want.

0:27:57.480 --> 0:27:59.680
<v Speaker 1>If he doesn't say that to me, I probably don't

0:27:59.680 --> 0:28:02.080
<v Speaker 1>go back. It's probably like this thing I did. It

0:28:02.160 --> 0:28:05.720
<v Speaker 1>was fun. Yeah, it was probably a one off, but

0:28:05.880 --> 0:28:10.399
<v Speaker 1>him telling you, uh, just some dumb jokes. I remember

0:28:10.400 --> 0:28:14.040
<v Speaker 1>I had one stupid joke Miles Davis is so black

0:28:14.359 --> 0:28:16.800
<v Speaker 1>lighting the bugs follow him in the daytime. That was like,

0:28:19.119 --> 0:28:24.960
<v Speaker 1>that was one of the joke alive. I thought you

0:28:24.960 --> 0:28:26.760
<v Speaker 1>said when your home name was Hammy, Is that Hamm

0:28:27.080 --> 0:28:32.600
<v Speaker 1>came from Yeah, Hammy, Hammy might be ten years older

0:28:32.640 --> 0:28:35.560
<v Speaker 1>than me, but he's like this, like the old guy

0:28:36.680 --> 0:28:38.960
<v Speaker 1>on the block. He would give you work like he

0:28:39.520 --> 0:28:42.280
<v Speaker 1>owned the Brownstone, his parents dad, he had to Brownstone.

0:28:42.280 --> 0:28:44.800
<v Speaker 1>He'd have me and my boy Darren like, Okay, you're

0:28:44.800 --> 0:28:47.760
<v Speaker 1>gonna strip the wood, you know, underpay us to do

0:28:48.000 --> 0:28:51.720
<v Speaker 1>fucking horrible jobs. And uh but he always had like

0:28:51.800 --> 0:28:54.600
<v Speaker 1>comedy albums and ship like he was like that guy.

0:28:55.160 --> 0:28:57.440
<v Speaker 1>He was like the black guy that had a rush album.

0:28:59.440 --> 0:29:03.920
<v Speaker 1>It's like playing really influential. Yeah, there's a lot of drugs,

0:29:04.840 --> 0:29:07.240
<v Speaker 1>a lot of drugs around, a lot of a lot

0:29:07.320 --> 0:29:09.360
<v Speaker 1>of music, a lot of DJs on my block, a

0:29:09.440 --> 0:29:12.520
<v Speaker 1>lot of I want to be comics but really want

0:29:12.560 --> 0:29:17.120
<v Speaker 1>to be DJ. Who famous was in your proximity Maybe

0:29:17.160 --> 0:29:18.760
<v Speaker 1>you didn't know at the time, Like was Lee Little

0:29:18.800 --> 0:29:21.080
<v Speaker 1>Thomas across the street or no, you know lived right

0:29:21.120 --> 0:29:23.520
<v Speaker 1>around the corner. We used to play football against um

0:29:24.880 --> 0:29:28.880
<v Speaker 1>what's my man jam on it? Uh? Nucleus Nucleus Yeah, yeah, yeah,

0:29:28.920 --> 0:29:32.600
<v Speaker 1>Cosmo Cosmo d Cosmo D lived literally I was on

0:29:32.720 --> 0:29:36.960
<v Speaker 1>the cad of Cosmo deals on Bainbridge. Uh my first

0:29:37.480 --> 0:29:39.240
<v Speaker 1>you know, I went you know before I dropped out,

0:29:39.520 --> 0:29:41.719
<v Speaker 1>I was in a black school for a minute, right,

0:29:42.040 --> 0:29:47.800
<v Speaker 1>boys and girls High. Fresh Gordon, you know, Fresh Fresh

0:29:47.840 --> 0:29:51.000
<v Speaker 1>Gordon was in there. Fresh Gordon, who allegedly, you know

0:29:51.120 --> 0:29:54.640
<v Speaker 1>he made oh yeah, but allegedly he made the beat

0:29:54.720 --> 0:29:58.520
<v Speaker 1>for Larry Love. Of course allegedly he did, because it's

0:29:58.520 --> 0:30:01.520
<v Speaker 1>the same guy damn beat. And I refused to believe that.

0:30:01.760 --> 0:30:08.000
<v Speaker 1>Gavin Christopher, he like it's his production. He and I

0:30:08.200 --> 0:30:10.600
<v Speaker 1>argue about this on Facebook. I'm like, there's no way.

0:30:10.760 --> 0:30:13.440
<v Speaker 1>And allegedly he did a couple of those Herbie love

0:30:13.520 --> 0:30:19.600
<v Speaker 1>Bug beats for Salt and Pepper. Allegedly. No, I believe

0:30:19.680 --> 0:30:27.000
<v Speaker 1>that Fresh Gordon made Especie. Yeah, so he was there.

0:30:27.680 --> 0:30:30.800
<v Speaker 1>There was a group called the Dynamite Too, made a

0:30:31.040 --> 0:30:34.040
<v Speaker 1>record call Can't Stop Till I reached the top, and um,

0:30:35.200 --> 0:30:38.360
<v Speaker 1>what the fund is that other record? I forget the other.

0:30:38.400 --> 0:30:40.800
<v Speaker 1>I used to like load crates for them and carry

0:30:40.840 --> 0:30:43.680
<v Speaker 1>crates for them. They played the Roxy a couple of times. Uh.

0:30:43.920 --> 0:30:48.400
<v Speaker 1>Freddie B and the Mighty Mike Masters. Oh you know

0:30:48.440 --> 0:30:51.640
<v Speaker 1>Freddy B the Mighty Mike Masters. Yeah, like right across

0:30:51.640 --> 0:30:54.600
<v Speaker 1>the street. One of my oldest friends. Literally, I lived

0:30:54.640 --> 0:30:58.080
<v Speaker 1>at six nine Team Freddie be lived at six ten. Okay,

0:30:58.640 --> 0:31:02.360
<v Speaker 1>so Freddie being a mighty Mike Masses in their Dwayne

0:31:02.400 --> 0:31:06.560
<v Speaker 1>Pearl Washington's in my homeroom class, one of the greatest

0:31:06.680 --> 0:31:12.680
<v Speaker 1>college basketball players of all time. Uh just died. Uh

0:31:13.000 --> 0:31:18.840
<v Speaker 1>Prince markt D's around there. Uh a lot of cats, man,

0:31:19.960 --> 0:31:24.440
<v Speaker 1>Like you know, lots of lots. I'm trying to say,

0:31:24.440 --> 0:31:28.400
<v Speaker 1>who am I forgetting? Uh? I don't know. I mean,

0:31:28.480 --> 0:31:30.600
<v Speaker 1>but I hung out too. I mean, you know, I

0:31:30.680 --> 0:31:33.200
<v Speaker 1>went to the Fever a little bit. I was at

0:31:33.240 --> 0:31:35.480
<v Speaker 1>the Latin Quo. I'm a big Latin quarter guy. Yeah,

0:31:35.640 --> 0:31:37.960
<v Speaker 1>That's where I was going to go. So I was.

0:31:38.040 --> 0:31:41.400
<v Speaker 1>I was in the Latin Quarter. No interviews complete without

0:31:41.480 --> 0:31:47.320
<v Speaker 1>Latin Quarters Quarter fun house. Uh, what the fun is

0:31:47.360 --> 0:31:50.920
<v Speaker 1>the one on fifty seventh Street. No, not Bentley's, Bentley's

0:31:50.960 --> 0:31:55.600
<v Speaker 1>or some other shop. Oh my god, Bentley's Nigga. Bentley's

0:31:55.800 --> 0:31:58.920
<v Speaker 1>was the ultimate R and B spot of all time?

0:31:59.200 --> 0:32:00.800
<v Speaker 1>Did you have to dress R and B where they like?

0:32:01.400 --> 0:32:07.640
<v Speaker 1>It was like it was like one of those places

0:32:07.960 --> 0:32:12.720
<v Speaker 1>that's like funck hip hop. It was like fuck hip hop.

0:32:12.920 --> 0:32:18.560
<v Speaker 1>This is Lelo Thomasville. This is because all the bad

0:32:18.640 --> 0:32:21.160
<v Speaker 1>girls are a bit Ley's. You know, fine girl like

0:32:21.280 --> 0:32:23.920
<v Speaker 1>Eddie Murphy hug out at Bentley's Eddie Murphy, Rick James,

0:32:24.520 --> 0:32:27.280
<v Speaker 1>like after they left Studio fifty they go to Bitley's

0:32:29.200 --> 0:32:31.680
<v Speaker 1>still a thing in the eighties. No, not really, but

0:32:31.800 --> 0:32:35.400
<v Speaker 1>it was openly open. It was like technically open. Sometimes

0:32:36.160 --> 0:32:38.680
<v Speaker 1>I'm trying to think the Red Parrot was the one

0:32:38.760 --> 0:32:43.160
<v Speaker 1>on seven Street, which is part but Red Parrot was

0:32:43.280 --> 0:32:48.760
<v Speaker 1>like the cross between Bentley's and the Latin Quarter. So

0:32:48.840 --> 0:32:51.560
<v Speaker 1>it was like it was R and B and like

0:32:51.600 --> 0:32:54.360
<v Speaker 1>a Paradise garage. Guy like no, no, no, that was

0:32:54.480 --> 0:32:56.720
<v Speaker 1>too gay for me. That was like, I mean, I

0:32:56.800 --> 0:32:58.560
<v Speaker 1>was young, like you know when you're young. It was

0:32:58.560 --> 0:33:00.400
<v Speaker 1>not that I was homophobic. I was just like, what

0:33:00.640 --> 0:33:05.080
<v Speaker 1>is that? What is that? What is that? I see? Yeah,

0:33:05.200 --> 0:33:07.560
<v Speaker 1>you're just like okay, you guys. Plus I hated the

0:33:07.560 --> 0:33:11.840
<v Speaker 1>house music There's a Bad Girl. But the girls, my god,

0:33:12.040 --> 0:33:15.040
<v Speaker 1>the girls that were at the Paralyzed Garage were just ridiculous.

0:33:15.360 --> 0:33:18.320
<v Speaker 1>So I was a big figuring out when a club

0:33:18.560 --> 0:33:29.480
<v Speaker 1>let out and being outside was let out and kind

0:33:29.520 --> 0:33:34.000
<v Speaker 1>of act like you was, We're going to the thing,

0:33:34.040 --> 0:33:36.400
<v Speaker 1>We're gonna get some pancakes and so and so like

0:33:36.600 --> 0:33:41.640
<v Speaker 1>like he was there all that. Man. I hate the

0:33:41.760 --> 0:33:47.080
<v Speaker 1>fact that in two thousand seventeen, I'm finally understanding with

0:33:47.240 --> 0:33:52.920
<v Speaker 1>parking lot pimpen I let out, big parking lot, pimp,

0:33:55.280 --> 0:34:00.840
<v Speaker 1>parking lot. Wait were you driving back? You know I

0:34:00.920 --> 0:34:05.200
<v Speaker 1>had a Toyota Corolla. Uh my father had a seventies

0:34:05.360 --> 0:34:11.719
<v Speaker 1>six uh light blue El Dorado. Occasionally then I would

0:34:11.760 --> 0:34:18.120
<v Speaker 1>steal from him occasionally. You know, it wasn't that, you know,

0:34:18.239 --> 0:34:21.320
<v Speaker 1>I wasn't you know, once crack came out, motherfucker's was

0:34:21.440 --> 0:34:25.759
<v Speaker 1>driving Benzes and ship you were just done. But for

0:34:25.840 --> 0:34:28.719
<v Speaker 1>a minute there, any car worked. Having a car in

0:34:28.719 --> 0:34:30.239
<v Speaker 1>New York, they seemed like a privilege. I don't know.

0:34:30.520 --> 0:34:34.600
<v Speaker 1>I mean when I was a black kid, I was

0:34:34.719 --> 0:34:39.800
<v Speaker 1>never getting a cab. So and you know, the train

0:34:40.040 --> 0:34:43.320
<v Speaker 1>was like, you know, it was before Julietta. Ship was crazy.

0:34:44.360 --> 0:34:46.800
<v Speaker 1>So you know that ship. Plus I was just weird.

0:34:46.920 --> 0:34:49.160
<v Speaker 1>I wanted to go to all the ship. I wasn't

0:34:49.160 --> 0:34:51.759
<v Speaker 1>getting high, so I got out a lot like my

0:34:51.960 --> 0:34:56.239
<v Speaker 1>boys would. You know, every Friday, everybody come from their

0:34:56.239 --> 0:34:59.399
<v Speaker 1>shitty job or whatever the fuck, and we would talk

0:34:59.440 --> 0:35:02.040
<v Speaker 1>about going and somewhere, and of course no one would

0:35:02.040 --> 0:35:04.640
<v Speaker 1>ever make it anywhere. Because they've been based in cocaine.

0:35:05.080 --> 0:35:07.560
<v Speaker 1>But I thought she meant weed. I'm sorry, he said hi.

0:35:07.640 --> 0:35:11.839
<v Speaker 1>I was like, oh no, So you get off work,

0:35:11.920 --> 0:35:14.000
<v Speaker 1>it's like anybody, Yeah, we're gonna go to the city.

0:35:14.000 --> 0:35:15.920
<v Speaker 1>We're gonna go to the Deuce and you know, and

0:35:16.080 --> 0:35:18.799
<v Speaker 1>six becomes okay, we're gonna leave at seven, and seven

0:35:18.880 --> 0:35:22.880
<v Speaker 1>becomes nine and nine and then okay, we're gonna smoke

0:35:22.960 --> 0:35:26.600
<v Speaker 1>for just a little while. Basically, you know whatever, we

0:35:27.320 --> 0:35:30.680
<v Speaker 1>became coke, which became crack. So that role you played

0:35:30.680 --> 0:35:34.239
<v Speaker 1>in New Jack City was not I I didn't think

0:35:34.239 --> 0:35:35.239
<v Speaker 1>you did. I wanna say you did. I was just

0:35:35.320 --> 0:35:36.680
<v Speaker 1>meaning that it was you didn't have to go and

0:35:36.800 --> 0:35:38.920
<v Speaker 1>find do some research. No, no, no, no, no. Everybody

0:35:39.000 --> 0:35:43.080
<v Speaker 1>I was with was, you know, doing something. So because

0:35:43.320 --> 0:35:48.680
<v Speaker 1>I didn't really you know, I drank and I had

0:35:48.719 --> 0:35:50.839
<v Speaker 1>a high tolerance, so weird. I had a much higher

0:35:50.920 --> 0:35:53.000
<v Speaker 1>tolerance than I do now because my father drove for

0:35:53.120 --> 0:35:57.640
<v Speaker 1>Wrangel Brewery. So like one of his first jobs before

0:35:57.680 --> 0:36:00.840
<v Speaker 1>the Daily knew, so you know, was a lot of

0:36:01.000 --> 0:36:04.200
<v Speaker 1>giving here, drink this, drink this. When I was a kid,

0:36:04.280 --> 0:36:06.920
<v Speaker 1>I would go to his job. This is how there

0:36:06.960 --> 0:36:09.279
<v Speaker 1>wasn't even a thing called drunk driving. Back then, it

0:36:09.360 --> 0:36:12.480
<v Speaker 1>was just acceptable. So they had they just had a

0:36:12.600 --> 0:36:16.320
<v Speaker 1>water fountain and a beer fountain that looked exactly like

0:36:16.480 --> 0:36:23.759
<v Speaker 1>the water fowla what the brewery like dream. It was

0:36:23.840 --> 0:36:28.439
<v Speaker 1>like it was like Homer and I don't even drink, yeah,

0:36:28.600 --> 0:36:33.200
<v Speaker 1>like and they lift you up. And I remember my uncle,

0:36:33.520 --> 0:36:36.680
<v Speaker 1>my uncle John was kind of alcoholic, and I just

0:36:36.840 --> 0:36:40.359
<v Speaker 1>remember being cars with him going to South Carolina, him

0:36:40.440 --> 0:36:46.560
<v Speaker 1>drinking the whole way, never never thinking twice about it,

0:36:48.200 --> 0:36:52.719
<v Speaker 1>never feeling in danger at all. Sometimes we would have

0:36:52.840 --> 0:36:57.359
<v Speaker 1>to this is a story, uh like whenever like like uh,

0:36:58.000 --> 0:37:01.440
<v Speaker 1>like my grandfather died, or about old uncle died. This happens.

0:37:01.560 --> 0:37:05.160
<v Speaker 1>It still happens today. So an old black person dies

0:37:05.560 --> 0:37:08.919
<v Speaker 1>a guy, and what happens is you the good part

0:37:08.960 --> 0:37:11.759
<v Speaker 1>of the family. Your job is to go get the

0:37:11.880 --> 0:37:15.839
<v Speaker 1>guns before the bad part of the family comes. It's

0:37:16.000 --> 0:37:24.000
<v Speaker 1>the Carolina trip. Sometimes sometimes it's so it's like everyone,

0:37:25.560 --> 0:37:29.319
<v Speaker 1>he's like, oh, ship, granddaddy died. We gotta get down

0:37:29.400 --> 0:37:33.160
<v Speaker 1>here and get them before Junior and Ronald get there,

0:37:35.400 --> 0:37:38.839
<v Speaker 1>before your bad cousins get there. We gotta get these

0:37:38.920 --> 0:37:41.200
<v Speaker 1>guns and throw them away. We can't let the guns

0:37:41.320 --> 0:37:47.200
<v Speaker 1>get into the wrong hands. Yeah, that's real though. Side note,

0:37:47.960 --> 0:37:55.840
<v Speaker 1>do you know no one here has done that? No, Steve,

0:37:56.760 --> 0:38:01.239
<v Speaker 1>I mean sometimes the toy Jackson with Michael you didn't

0:38:01.280 --> 0:38:04.360
<v Speaker 1>hear the story. God, okay, so did you have a

0:38:04.440 --> 0:38:07.800
<v Speaker 1>porn get all the porn out of his house? Apparently?

0:38:08.320 --> 0:38:10.799
<v Speaker 1>Steve is my porn guy. By the way, if I died,

0:38:10.840 --> 0:38:15.520
<v Speaker 1>for if you die, would clear my Google search bar.

0:38:16.120 --> 0:38:20.280
<v Speaker 1>Steve Steven knows where all the bodies are hidden. Um apparently,

0:38:20.400 --> 0:38:25.239
<v Speaker 1>so when Michael Jackson passed and every family member is

0:38:25.320 --> 0:38:28.960
<v Speaker 1>running to uh see her Sini in l A, she

0:38:29.200 --> 0:38:34.080
<v Speaker 1>ran right to his apartment where the blackest apartment where

0:38:34.480 --> 0:38:37.240
<v Speaker 1>I mean he had a condo and somewhere in Beverly

0:38:37.360 --> 0:38:42.480
<v Speaker 1>Hills and knew where the stash of five million dollars

0:38:42.600 --> 0:38:46.239
<v Speaker 1>cash was inside the wall, like Mike had a just

0:38:46.440 --> 0:38:48.480
<v Speaker 1>in case it. But that's some real ship. Like I

0:38:48.520 --> 0:38:51.680
<v Speaker 1>don't know any black person, do you have a just

0:38:51.840 --> 0:38:59.200
<v Speaker 1>in case some ship happens? Nike makes me want to Uh,

0:39:01.080 --> 0:39:03.359
<v Speaker 1>I just don't believe in it because it just makes

0:39:03.440 --> 0:39:09.400
<v Speaker 1>people like want to rob you the world between having

0:39:09.680 --> 0:39:11.839
<v Speaker 1>you know, work done at your house. That's I don't

0:39:11.880 --> 0:39:16.200
<v Speaker 1>believe in safe you know, safe, just make somebody want

0:39:16.280 --> 0:39:18.880
<v Speaker 1>to come back and rob, like, tie you up. I

0:39:19.000 --> 0:39:21.359
<v Speaker 1>just know I know motherfucker's that have been tied up

0:39:22.200 --> 0:39:26.160
<v Speaker 1>and beat the funk down, Like where is it? Where

0:39:26.280 --> 0:39:30.799
<v Speaker 1>is that? I know? Yeah, I definitely know a couple

0:39:30.840 --> 0:39:34.080
<v Speaker 1>of cats have been tied up and shipped themselves. Oh

0:39:34.360 --> 0:39:41.680
<v Speaker 1>ship do we know? Celebrity cats almost and just like

0:39:42.200 --> 0:39:46.799
<v Speaker 1>motherfucker just had you know, to say, ten thousand dollars

0:39:46.840 --> 0:39:49.200
<v Speaker 1>worth of jewelry and a safe. But it's a safe,

0:39:49.320 --> 0:39:54.480
<v Speaker 1>so everybody thinks there's so much ship in there. So

0:39:54.600 --> 0:39:56.480
<v Speaker 1>you're like you put a rolex in there, and you're like,

0:39:57.719 --> 0:40:00.319
<v Speaker 1>put your rolex in your drawer. Do not get us

0:40:00.360 --> 0:40:05.279
<v Speaker 1>safe for your fucking rolex. Somebody is gonna break in

0:40:05.320 --> 0:40:08.000
<v Speaker 1>your house and they're gonna think you have a lot more.

0:40:18.840 --> 0:40:21.920
<v Speaker 1>All right, tell me a legendary Latin Quarter story, because wait,

0:40:22.040 --> 0:40:24.359
<v Speaker 1>did you ever perform at the Latin Quarter? No? Never

0:40:24.480 --> 0:40:32.279
<v Speaker 1>performed at the I mean, what do I have? It's

0:40:32.360 --> 0:40:35.600
<v Speaker 1>so weird. It's like when I see Latifa kidn't play

0:40:35.880 --> 0:40:39.200
<v Speaker 1>or light or like a lot have you have when

0:40:39.239 --> 0:40:40.840
<v Speaker 1>he was alive, like a bunch of it. It's like

0:40:40.960 --> 0:40:43.759
<v Speaker 1>we went to a high school together because we all

0:40:43.920 --> 0:40:46.799
<v Speaker 1>know each other from the quarter. It's like a ton

0:40:46.880 --> 0:40:49.920
<v Speaker 1>of us, you know, all the guys from x clan,

0:40:50.520 --> 0:40:54.520
<v Speaker 1>like just a bunch of motherfucker's that just we all

0:40:54.640 --> 0:40:59.359
<v Speaker 1>went to this fucking same club. I remember, I don't

0:40:59.360 --> 0:41:01.960
<v Speaker 1>know what's a good story, just being again, I just

0:41:02.080 --> 0:41:06.080
<v Speaker 1>had this weird ability to blend in with motherfucker's. So

0:41:06.200 --> 0:41:10.360
<v Speaker 1>I remember coming outside the quarter and Eric be playing

0:41:10.440 --> 0:41:15.440
<v Speaker 1>me the beat from Follow the Leader just at this,

0:41:15.600 --> 0:41:17.960
<v Speaker 1>sitting at Eric B's truck with a bunch of other

0:41:18.840 --> 0:41:23.040
<v Speaker 1>young cats, just like and Eric be explaining to you

0:41:23.160 --> 0:41:26.799
<v Speaker 1>what the fucking records is going to be, and you're

0:41:26.840 --> 0:41:29.959
<v Speaker 1>so into the ship you knew you and Rob's gonna

0:41:30.000 --> 0:41:32.879
<v Speaker 1>say this, and he's gonna say, like he that ship.

0:41:33.320 --> 0:41:36.360
<v Speaker 1>I remember being outside. It's weird, just being outside the

0:41:36.480 --> 0:41:42.239
<v Speaker 1>thing and Chuck playing the beat from uh Welcome to

0:41:42.320 --> 0:41:45.960
<v Speaker 1>the Terror Dome. Wh Yeah, and just hearing that ship

0:41:46.120 --> 0:41:49.520
<v Speaker 1>this in a truck, like just him opening up the

0:41:49.640 --> 0:41:52.360
<v Speaker 1>back and playing that ship. I remember being in the

0:41:52.520 --> 0:41:57.400
<v Speaker 1>Quarter when Rebel without a Pause came out, okay, and

0:42:00.719 --> 0:42:05.000
<v Speaker 1>and watching Mellie mell get piste the funk off every

0:42:05.040 --> 0:42:07.200
<v Speaker 1>time you heard that ship because he thought Chuck was

0:42:08.080 --> 0:42:10.680
<v Speaker 1>taking his ship and that motherfucker would walk to the

0:42:10.800 --> 0:42:30.239
<v Speaker 1>DJ booth and skipped the record. But who's gonna test them?

0:42:30.280 --> 0:42:33.960
<v Speaker 1>That old on that motherfuckers like this, This is the

0:42:34.040 --> 0:42:40.600
<v Speaker 1>real deal. Nellie mel and Scorpio. The motherfucker's always ran together, right,

0:42:41.280 --> 0:42:44.160
<v Speaker 1>The brothers, I don't know, they're like, you know, it's

0:42:44.200 --> 0:42:49.759
<v Speaker 1>like like Bobby and Ralph Tresbant, always hiding together. It's

0:42:49.800 --> 0:42:56.239
<v Speaker 1>like Mellie Mellon Scorpio. I remember, I remember being in

0:42:56.320 --> 0:42:59.960
<v Speaker 1>a car. I remember again, I just had this weird billy.

0:43:00.000 --> 0:43:03.879
<v Speaker 1>Do you remember I'm outside the hip hop story. I'm

0:43:03.960 --> 0:43:10.239
<v Speaker 1>outside the the rock the Bells tour. Okay, so l

0:43:10.320 --> 0:43:13.600
<v Speaker 1>L is at the garden and I'm just like I

0:43:13.800 --> 0:43:16.000
<v Speaker 1>might have been, and I'm gonna get you sucker, Like

0:43:16.160 --> 0:43:19.320
<v Speaker 1>I'm like, I'm so I'm outside the garden, you know,

0:43:20.280 --> 0:43:26.759
<v Speaker 1>saying one rib, trying to get in the garden. How

0:43:26.800 --> 0:43:28.600
<v Speaker 1>do I get it? Like, you know, everybody thought they

0:43:28.680 --> 0:43:34.520
<v Speaker 1>knew somebody right anyway, Mike Tyson gets me in, right, Mike, hey,

0:43:34.680 --> 0:43:39.720
<v Speaker 1>you you you know Eddie whatever, I'm in the garden.

0:43:39.960 --> 0:43:44.160
<v Speaker 1>Me and Mike Tyson like right, like whether you figure

0:43:44.160 --> 0:43:47.480
<v Speaker 1>out the year, me and Mike Tyson and Naomi Campbell

0:43:48.800 --> 0:43:52.160
<v Speaker 1>on top of chairs. The other thing too, is I

0:43:52.200 --> 0:43:55.640
<v Speaker 1>always looked like you think I look young for my age.

0:43:55.680 --> 0:43:59.600
<v Speaker 1>Now I looked so back then. Yeah, when I was twenty,

0:43:59.760 --> 0:44:02.560
<v Speaker 1>I twelve. So it was it was like, hey, I

0:44:02.680 --> 0:44:05.920
<v Speaker 1>let the kid head. It was a big that was

0:44:06.000 --> 0:44:09.040
<v Speaker 1>a big part of it. So I remember, I remember

0:44:09.160 --> 0:44:12.680
<v Speaker 1>Scott le Roc had just died, so watching Carrass wont

0:44:12.719 --> 0:44:16.720
<v Speaker 1>to do his first show at the Garden, like literally

0:44:16.760 --> 0:44:22.359
<v Speaker 1>the week Scott Larroc died. Uh it, yes, yes, yes, yes,

0:44:23.239 --> 0:44:27.080
<v Speaker 1>watching Public Enemy for the first time, like unfurrel, What

0:44:27.280 --> 0:44:31.680
<v Speaker 1>the funk this is? They're on early, like like you know,

0:44:31.840 --> 0:44:36.520
<v Speaker 1>doing the first album? You know? Uh what then is it?

0:44:36.640 --> 0:44:41.400
<v Speaker 1>You know? Yo bone Rush? The show you know is

0:44:41.440 --> 0:44:44.920
<v Speaker 1>a ton like that show, but they had the hot

0:44:45.040 --> 0:44:47.359
<v Speaker 1>Jam at the time, so they do rubble without a pause.

0:44:47.440 --> 0:44:52.120
<v Speaker 1>So it's me Mike and Naomi like that ship LL

0:44:52.360 --> 0:44:56.160
<v Speaker 1>watching l L come out the radio. But um so

0:44:56.280 --> 0:45:03.120
<v Speaker 1>we went to a party later and Naomi gave uh

0:45:03.360 --> 0:45:09.600
<v Speaker 1>Scorpio her number while she's with Mike Tyson she was

0:45:09.680 --> 0:45:20.879
<v Speaker 1>hanging and then okay, you know, you know Scorpio, Hey

0:45:21.160 --> 0:45:24.319
<v Speaker 1>White Lines was out, motherfucker. It wasn't it wasn't dead,

0:45:25.360 --> 0:45:27.120
<v Speaker 1>you know, I mean, like you know what I mean,

0:45:27.200 --> 0:45:30.399
<v Speaker 1>like Grandmaster Flash furious that ship wasn't dead. That's Mike.

0:45:30.480 --> 0:45:33.680
<v Speaker 1>Mike Tyson not gonna out, Mike, That's fucking Mike. This

0:45:33.719 --> 0:45:38.520
<v Speaker 1>is before ears in jail, you know. Anyway, So he

0:45:38.640 --> 0:45:40.480
<v Speaker 1>was a cool person because I always hear people like

0:45:40.560 --> 0:45:42.320
<v Speaker 1>hanging out with Mike Tyson. But Mike Tyson is the

0:45:42.360 --> 0:45:45.560
<v Speaker 1>best guy to hang out. Yeah. I used to love

0:45:45.600 --> 0:45:48.640
<v Speaker 1>hanging out with Mike Tyson. Uh, Mike Tyson is very

0:45:48.719 --> 0:45:53.239
<v Speaker 1>vulnerable too, like very I remember, I'm digressing, but I

0:45:53.280 --> 0:45:55.759
<v Speaker 1>remember the last time I hung out with him. We're

0:45:55.880 --> 0:46:00.160
<v Speaker 1>both in Okay, I'll get we're both in Jersey. How

0:46:00.239 --> 0:46:02.120
<v Speaker 1>we're in Jersey, I don't know. We're like some house

0:46:02.200 --> 0:46:04.040
<v Speaker 1>party or some ship. How the funk we're there, I

0:46:04.120 --> 0:46:08.080
<v Speaker 1>don't know. Anyway, We're at the blackest party in the world. Okay,

0:46:08.560 --> 0:46:15.680
<v Speaker 1>she is black in Jersey. Right, it's SIMI adult life

0:46:16.760 --> 0:46:23.520
<v Speaker 1>rock kind of famous, right, Yeah, I'm anyway, So we're there.

0:46:23.640 --> 0:46:26.520
<v Speaker 1>Me and Mike Tyson are kind of drunk, and we're

0:46:26.640 --> 0:46:30.800
<v Speaker 1>both kind of like fun. We both called ourselves ugly

0:46:30.920 --> 0:46:33.439
<v Speaker 1>and We're like, Uh, if we weren't rich, we could

0:46:33.480 --> 0:46:36.759
<v Speaker 1>never get these girls. We're like, we're just depressed. But

0:46:36.920 --> 0:46:39.000
<v Speaker 1>the funny thing that happened at night, it was it's

0:46:39.040 --> 0:46:42.560
<v Speaker 1>the blackest party in the world. Keyshawn Johnson's there, a

0:46:42.640 --> 0:46:47.799
<v Speaker 1>bunch of Jets and walks Bill Belichick, who's not even

0:46:47.800 --> 0:46:55.439
<v Speaker 1>the coach of the Jets. The Bill Belichick walks into

0:46:55.480 --> 0:46:58.879
<v Speaker 1>the blackest party in the test, looks at key Shot

0:46:59.080 --> 0:47:02.200
<v Speaker 1>and maybe one other Jet and goes come on, gets

0:47:02.280 --> 0:47:04.600
<v Speaker 1>them and gets like you nigga is going to bed.

0:47:04.680 --> 0:47:15.279
<v Speaker 1>We got a game that's a record scratch. Belichicks in here.

0:47:17.320 --> 0:47:20.360
<v Speaker 1>He was when he was like a coordinator. He's not

0:47:20.400 --> 0:47:24.840
<v Speaker 1>even a head coach anyway. Naomi Campbell gave her number

0:47:25.000 --> 0:47:34.600
<v Speaker 1>two scorpio. Mike Tyson realizes this, and this is there's

0:47:34.640 --> 0:47:38.040
<v Speaker 1>a slow boil cut to me Mike Tyson and Naomi

0:47:38.120 --> 0:47:43.560
<v Speaker 1>Campbell in a car going up Madison Avenue and Mike

0:47:43.719 --> 0:47:54.279
<v Speaker 1>Tyson kicking Naomi Campbell out of a moving car. I

0:47:54.320 --> 0:48:01.040
<v Speaker 1>don't even understand this. Use the original what's his foot

0:48:01.200 --> 0:48:04.560
<v Speaker 1>with at his actual thing on his foot? I'm just like, yeah,

0:48:04.600 --> 0:48:08.399
<v Speaker 1>I was back in the day, go back. I've seen

0:48:08.440 --> 0:48:12.960
<v Speaker 1>a lot, so let's go back to let's go so

0:48:13.120 --> 0:48:17.680
<v Speaker 1>comedy saved your life and was come on kid, stop

0:48:17.760 --> 0:48:22.719
<v Speaker 1>saying you guys. All right, So this quest during Chris

0:48:22.880 --> 0:48:26.760
<v Speaker 1>Rockin's I guess this weekend, we're talking about kicking benches

0:48:26.800 --> 0:48:31.960
<v Speaker 1>out of the car. The baddest motherfucker of all time.

0:48:32.440 --> 0:48:36.320
<v Speaker 1>Oh my god. Anyway, I remember after I did like

0:48:36.440 --> 0:48:39.319
<v Speaker 1>Bring the Pain or something, I'm in l A. I'm

0:48:39.360 --> 0:48:43.399
<v Speaker 1>at whatever fly Hotel and I see Nailmi Campbells. She's

0:48:43.440 --> 0:48:45.400
<v Speaker 1>like Chris, Chris. I was like, finally I'm going to

0:48:45.480 --> 0:48:54.000
<v Speaker 1>get this pussy whatever. I'm all over the play with

0:48:54.120 --> 0:48:56.560
<v Speaker 1>some hosted MTV A. Well, it's like like back when

0:48:56.600 --> 0:49:03.759
<v Speaker 1>I was Drake, like like I was that. Yeah. I

0:49:03.880 --> 0:49:05.840
<v Speaker 1>was like, yeah, what's up? And she's like, do you

0:49:05.880 --> 0:49:15.160
<v Speaker 1>have Eddie's number? I can't get this. She saw you

0:49:15.200 --> 0:49:16.320
<v Speaker 1>when you come up. She was like, no, I know

0:49:16.440 --> 0:49:19.520
<v Speaker 1>he really yeah, yeah, we both saw each other on

0:49:19.640 --> 0:49:22.000
<v Speaker 1>to come up. So there you go. All right, you

0:49:22.080 --> 0:49:29.879
<v Speaker 1>never got it. Speaking of Eddie, speaking of the Black Pack,

0:49:30.040 --> 0:49:31.680
<v Speaker 1>I mean, I mean, I know there's a myth of

0:49:31.800 --> 0:49:35.120
<v Speaker 1>the Black Pack is like l a wrap, It's just Dray.

0:49:35.800 --> 0:49:41.360
<v Speaker 1>It's just Dray and it's just Stray. Every this is

0:49:41.440 --> 0:49:44.480
<v Speaker 1>Dray and iced tea and everything else, everything else has

0:49:44.560 --> 0:49:50.120
<v Speaker 1>a Dray tentacle alight. It was like, literally, who's Dray

0:49:50.200 --> 0:49:53.720
<v Speaker 1>and so Eddie Murphy. So the black pack is Eddie Murphy.

0:49:54.320 --> 0:49:59.200
<v Speaker 1>Every literally him, how dost him? I met Eddie at

0:49:59.239 --> 0:50:02.839
<v Speaker 1>the Comic Strip in New York. I was there one night.

0:50:03.320 --> 0:50:04.840
<v Speaker 1>I wasn't even on the schedule. I was just like

0:50:04.960 --> 0:50:07.759
<v Speaker 1>hanging out watching comedians. I was gonna stack chairs later,

0:50:08.320 --> 0:50:11.200
<v Speaker 1>like just earned my way on the stage. And he

0:50:11.360 --> 0:50:13.279
<v Speaker 1>came in and it was really Eddie Murphy was not

0:50:13.640 --> 0:50:17.439
<v Speaker 1>Dr Doolo Murphy. It's like leather suit Like people don't

0:50:17.440 --> 0:50:22.239
<v Speaker 1>realize Eddie Murphy used to wear leather suits like just

0:50:22.360 --> 0:50:24.759
<v Speaker 1>on a tooth. Like this motherfucker was eldest or some ship.

0:50:24.920 --> 0:50:27.719
<v Speaker 1>This ship was like he was like thor he was

0:50:27.800 --> 0:50:29.640
<v Speaker 1>like Iron Man and mother fucking we used to walk

0:50:29.760 --> 0:50:36.640
<v Speaker 1>around with boots and fucking leather suits or or zebra

0:50:36.760 --> 0:50:42.560
<v Speaker 1>skins like crazy. Like anyway, so he comes in. You

0:50:42.640 --> 0:50:44.600
<v Speaker 1>know I was walking, you know, you look outside just

0:50:44.719 --> 0:50:48.680
<v Speaker 1>like five pushes and he's got the real entourage and

0:50:48.800 --> 0:50:52.279
<v Speaker 1>he's got the baddest girl you ever seed and you're like,

0:50:52.520 --> 0:50:56.840
<v Speaker 1>god damn it, he's got shades on in the fucking inside.

0:50:57.680 --> 0:50:59.880
<v Speaker 1>And they didn't have any black comics on that night,

0:51:01.080 --> 0:51:03.400
<v Speaker 1>and he asked the owner of the club, like are

0:51:03.440 --> 0:51:06.520
<v Speaker 1>the black guys where? It's like, oh, we have them

0:51:06.560 --> 0:51:12.399
<v Speaker 1>right here. That literally it's literally how it went out.

0:51:13.200 --> 0:51:16.799
<v Speaker 1>And um I went on. You know, I guess I'd

0:51:16.840 --> 0:51:20.359
<v Speaker 1>been doing it maybe three years at that point something

0:51:20.400 --> 0:51:25.680
<v Speaker 1>like that, and I killed. I ripped it and like,

0:51:25.760 --> 0:51:28.640
<v Speaker 1>are you planning or you just free st that? Like whatever?

0:51:28.760 --> 0:51:30.719
<v Speaker 1>It's like, what do you plan? Like I plan a

0:51:30.800 --> 0:51:34.240
<v Speaker 1>DJ gig? Like you really weird. I saw you this weekend.

0:51:34.320 --> 0:51:36.080
<v Speaker 1>You de I was like, oh, ship, this is all

0:51:36.160 --> 0:51:40.960
<v Speaker 1>planned out. You got to plant it? Um did I plan?

0:51:41.040 --> 0:51:42.840
<v Speaker 1>I didn't plan on meeting Eddie Murphy that night? I

0:51:42.880 --> 0:51:45.839
<v Speaker 1>mean I planned on working on the set in front

0:51:45.880 --> 0:51:52.479
<v Speaker 1>of five people. Are you planning one day? Like Richard

0:51:52.520 --> 0:51:54.000
<v Speaker 1>Pryor might walk in and I want to be on

0:51:54.080 --> 0:51:56.680
<v Speaker 1>my best or but even then, like do you want

0:51:56.719 --> 0:51:58.759
<v Speaker 1>to kill in front of them? Like what if you're

0:51:58.800 --> 0:52:00.839
<v Speaker 1>like a threat? Like save some guy that you see

0:52:00.920 --> 0:52:04.640
<v Speaker 1>now is like red hot at eighteen? Are you saying

0:52:04.680 --> 0:52:07.480
<v Speaker 1>to yourself like are you looking at Michael Jay like

0:52:08.080 --> 0:52:10.480
<v Speaker 1>might be a threat or oh I can help him out.

0:52:10.680 --> 0:52:13.680
<v Speaker 1>I'm twenty years older than Michael Jay, So I mean

0:52:14.400 --> 0:52:20.040
<v Speaker 1>we're always going to appeal to different people and put away.

0:52:20.120 --> 0:52:23.040
<v Speaker 1>If if I thought like a guy like Michael Jay

0:52:23.600 --> 0:52:27.600
<v Speaker 1>wasn't on the path to success, yes, I would try

0:52:27.640 --> 0:52:29.600
<v Speaker 1>to help. Say hey, I did it with Leslie Jones,

0:52:29.880 --> 0:52:34.080
<v Speaker 1>Like hey, Lauren, you should look at this person I've

0:52:34.080 --> 0:52:36.080
<v Speaker 1>done in a J B school. I got his job

0:52:36.120 --> 0:52:37.759
<v Speaker 1>over there. You're the reason we have two black women,

0:52:37.840 --> 0:52:40.840
<v Speaker 1>thank you, you know. I mean, it's a bunch of

0:52:40.880 --> 0:52:43.720
<v Speaker 1>there's a bunch of people far too many to fucking

0:52:44.360 --> 0:52:46.680
<v Speaker 1>you know, and he's done the same. I feel like

0:52:46.760 --> 0:52:50.279
<v Speaker 1>you and him genuinely want to help. But like, Okay,

0:52:50.400 --> 0:52:56.400
<v Speaker 1>there's a certain MC I won't name that I know

0:52:58.200 --> 0:53:05.520
<v Speaker 1>will associate himself with someone with lesser swag. It might

0:53:05.560 --> 0:53:08.520
<v Speaker 1>have a little street credibility going on that has less

0:53:08.640 --> 0:53:14.160
<v Speaker 1>lesser swag, But he will never stand to someone that's

0:53:14.480 --> 0:53:19.520
<v Speaker 1>a real threat to him and outsign him. But he'll choose,

0:53:20.080 --> 0:53:24.400
<v Speaker 1>like he's very choosy on who he picks to endorse

0:53:25.160 --> 0:53:30.719
<v Speaker 1>and take their cool from, because you know, it ups

0:53:30.760 --> 0:53:33.759
<v Speaker 1>his street credit. But won't really co sign or get

0:53:33.960 --> 0:53:36.600
<v Speaker 1>in the ring with someone that could really I mean

0:53:37.400 --> 0:53:41.600
<v Speaker 1>post white, unless a person is a celebrity. Young cats

0:53:41.640 --> 0:53:44.160
<v Speaker 1>are young cats, and I don't know. I try to

0:53:44.239 --> 0:53:47.080
<v Speaker 1>help him, to try to you know, Eddie was cool

0:53:47.120 --> 0:53:49.960
<v Speaker 1>to me. Keenan was cool to me. Uh. You know,

0:53:50.320 --> 0:53:52.600
<v Speaker 1>there was a bunch of guys that would talk to

0:53:52.680 --> 0:53:55.000
<v Speaker 1>me when they didn't have to talk to me. So

0:53:55.120 --> 0:53:57.000
<v Speaker 1>I try to you know, if somebody asked me a question,

0:53:57.120 --> 0:54:00.279
<v Speaker 1>Trevor Noah calls me or Michael or whatever. You know,

0:54:00.880 --> 0:54:04.560
<v Speaker 1>I try to drop knowledge as far as peers, I mean,

0:54:06.200 --> 0:54:13.000
<v Speaker 1>like Dave. I love Dave, and I mean, technically, are

0:54:13.080 --> 0:54:16.800
<v Speaker 1>you do you consider ten years older than Dave? So

0:54:16.920 --> 0:54:18.960
<v Speaker 1>what's what's the generation? And comedians you have to be

0:54:19.080 --> 0:54:20.960
<v Speaker 1>ten years? I don't know what it is. I mean,

0:54:21.719 --> 0:54:25.080
<v Speaker 1>on paper, we should probably hate each other because we're

0:54:26.400 --> 0:54:28.560
<v Speaker 1>you know, p funking Earth went in fire. We're always

0:54:28.600 --> 0:54:32.200
<v Speaker 1>gonna be you know what I mean. Uh, Eddie and

0:54:32.239 --> 0:54:39.080
<v Speaker 1>Prior weren't boys. Richard and Prior weren't boys. Uh. I

0:54:39.080 --> 0:54:41.719
<v Speaker 1>don't know. I've made a conscious decision that I'm gonna

0:54:41.840 --> 0:54:46.840
<v Speaker 1>love Dave. They did. I'm nice together, but they weren't.

0:54:48.320 --> 0:54:51.120
<v Speaker 1>They weren't boys. You know, I don't I don't want

0:54:51.120 --> 0:54:54.160
<v Speaker 1>to speak too much out of whatever, but they weren't boys. Okay.

0:54:56.040 --> 0:54:58.239
<v Speaker 1>I was never in Eddie's houses, so Richard, you know,

0:54:58.480 --> 0:55:00.359
<v Speaker 1>eating chicken or no chef, you know what I mean.

0:55:01.520 --> 0:55:02.799
<v Speaker 1>And I was like, you know, I mean, I never

0:55:02.880 --> 0:55:05.879
<v Speaker 1>saw them hang out it stuff on a movie set,

0:55:06.120 --> 0:55:08.560
<v Speaker 1>you know what I mean. They acknowledge each other, and

0:55:08.640 --> 0:55:09.880
<v Speaker 1>you know what I mean, Like this, don't you know

0:55:10.000 --> 0:55:11.680
<v Speaker 1>they're not at a fight together and none of that

0:55:11.760 --> 0:55:14.800
<v Speaker 1>ship they're not. They acknowledged each other. And Richard was

0:55:14.840 --> 0:55:18.480
<v Speaker 1>older than Eddie, so does that ship. But you know,

0:55:18.640 --> 0:55:23.560
<v Speaker 1>I love Dave. I mean, Dave is, for my money,

0:55:23.640 --> 0:55:27.120
<v Speaker 1>the best in the world. Really. It's like the guy

0:55:27.239 --> 0:55:29.759
<v Speaker 1>that like, I'm like, sometimes I see him and I

0:55:29.840 --> 0:55:32.120
<v Speaker 1>gotta wrap my mind around what the funk he just did.

0:55:32.239 --> 0:55:35.879
<v Speaker 1>I'm like, God, damn it, how do you do that ship? Yeah?

0:55:37.480 --> 0:55:38.960
<v Speaker 1>So I don't know, I don't know. I don't. I'm

0:55:40.160 --> 0:55:43.160
<v Speaker 1>it's too much fun when you play with people, you

0:55:43.239 --> 0:55:45.600
<v Speaker 1>know what I mean, It's too much fun to have

0:55:45.840 --> 0:55:48.719
<v Speaker 1>like it's lonely being good, you know what I mean.

0:55:48.880 --> 0:55:51.840
<v Speaker 1>So if you see somebody else good it's you know,

0:55:51.840 --> 0:55:53.800
<v Speaker 1>what I mean is it is it even harder to

0:55:53.880 --> 0:55:56.840
<v Speaker 1>be friends with someone that's not as good, that doesn't

0:55:56.880 --> 0:56:01.560
<v Speaker 1>know it yet. I don't do bad talent. I don't

0:56:01.640 --> 0:56:05.040
<v Speaker 1>I don't know. I don't hang out with untalented people.

0:56:05.560 --> 0:56:09.480
<v Speaker 1>I don't fuck intalented people I don't like. Because I

0:56:09.600 --> 0:56:12.799
<v Speaker 1>sit next to untalented people I don't like. I always think, uh,

0:56:13.160 --> 0:56:18.520
<v Speaker 1>you know, you know, shitty artistry is sexually transmitted, So

0:56:18.600 --> 0:56:25.200
<v Speaker 1>I don't funk with that ship. Dave said, none of

0:56:25.239 --> 0:56:27.920
<v Speaker 1>the things said that you're a critic, So it's like

0:56:28.280 --> 0:56:33.799
<v Speaker 1>I'm tough. He's tough too, Uh, but you're I mean,

0:56:34.000 --> 0:56:37.600
<v Speaker 1>what makes you comfortable enough? I mean, I respect the

0:56:37.680 --> 0:56:41.239
<v Speaker 1>fact that you will just like a worth. I mean

0:56:41.360 --> 0:56:44.120
<v Speaker 1>some guys that I think aren't that good, but I

0:56:44.200 --> 0:56:46.520
<v Speaker 1>like their work ethic. And then there's some guys. There's

0:56:46.560 --> 0:56:48.879
<v Speaker 1>some guys I think are great. I'm not gonna say names.

0:56:48.920 --> 0:56:52.320
<v Speaker 1>I think are hysterical and hate their work ethic, and

0:56:52.400 --> 0:56:54.920
<v Speaker 1>they piss me off. It's like, oh, this smellfucker's wasting

0:56:56.520 --> 0:57:01.879
<v Speaker 1>ridiculous talent. Oh my boy, Okay, you know I'm going off.

0:57:03.600 --> 0:57:05.880
<v Speaker 1>There's a few of them. Oh I wish I was

0:57:05.920 --> 0:57:09.040
<v Speaker 1>as funny as this guy or this guy. Oh you're

0:57:09.080 --> 0:57:12.560
<v Speaker 1>talking about comedy just in comedy. Yeah yeah, it's like

0:57:13.840 --> 0:57:17.320
<v Speaker 1>like I ain't the funniest comedian. Uh. You know, there's

0:57:17.320 --> 0:57:20.600
<v Speaker 1>some funny motherfucker's that just don't work on their ship

0:57:21.920 --> 0:57:24.400
<v Speaker 1>that don't you know, how does that happen? Treat it

0:57:24.440 --> 0:57:27.440
<v Speaker 1>specially because sometimes there's still some person that's doing an

0:57:27.480 --> 0:57:31.040
<v Speaker 1>o J joke that's like you know, yeah, I mean

0:57:31.120 --> 0:57:33.480
<v Speaker 1>sometimes it's happen. You see it in sports sometimes that

0:57:33.560 --> 0:57:37.040
<v Speaker 1>when the game comes too easy to you. So when

0:57:37.040 --> 0:57:39.360
<v Speaker 1>the game comes too easy to you, it's hard to like,

0:57:39.560 --> 0:57:42.120
<v Speaker 1>it's hard to be Lebron. It's hard to be physically

0:57:42.240 --> 0:57:46.680
<v Speaker 1>better than everybody and practice more, you know what I mean,

0:57:46.880 --> 0:57:50.600
<v Speaker 1>that's fucking hard. Well, you're also a guy who you

0:57:50.760 --> 0:57:54.280
<v Speaker 1>let me. I'm sacked that you want to work on

0:57:54.400 --> 0:58:00.400
<v Speaker 1>your material and unorthodox places that aren't easy for you.

0:58:00.680 --> 0:58:04.600
<v Speaker 1>He told me to go to certain clubs in Florida

0:58:05.680 --> 0:58:08.440
<v Speaker 1>that you know, isn't your audience or whatever, and you

0:58:08.520 --> 0:58:10.520
<v Speaker 1>feel like, Okay, well if I'm funny here, then I

0:58:10.640 --> 0:58:14.280
<v Speaker 1>know it's good for my special weeks. Yeah I liked it. Well,

0:58:14.320 --> 0:58:18.360
<v Speaker 1>I'm you know, I'm I'm old. I remember Muhammad Ali,

0:58:19.680 --> 0:58:23.120
<v Speaker 1>and you know he would go somewhere, they go up

0:58:23.120 --> 0:58:25.600
<v Speaker 1>in the mountains and they would train, and training was

0:58:25.680 --> 0:58:28.960
<v Speaker 1>eight weeks, and for eight weeks, if he lived a

0:58:29.080 --> 0:58:32.880
<v Speaker 1>certain way, he could beat anybody in the whole world.

0:58:34.080 --> 0:58:37.280
<v Speaker 1>So I try to like adapt that thing, like, Okay,

0:58:37.360 --> 0:58:41.160
<v Speaker 1>let's get away, let's get away from all the distractions.

0:58:42.040 --> 0:58:44.560
<v Speaker 1>And you know, okay, maybe it's not eight weeks, but

0:58:44.640 --> 0:58:47.320
<v Speaker 1>it's two weeks or three weeks, so you'll go to

0:58:47.440 --> 0:58:51.360
<v Speaker 1>a comedy club in Columbus, Ohio, or trying to find

0:58:51.400 --> 0:58:54.920
<v Speaker 1>a spot in Nashville right now, like something. So you

0:58:55.000 --> 0:58:56.800
<v Speaker 1>are you saying like I want to pick the places

0:58:56.880 --> 0:58:59.440
<v Speaker 1>where no one would ever find me funny, not even

0:58:59.680 --> 0:59:01.760
<v Speaker 1>not find me funny. I'm just trying to get away,

0:59:01.960 --> 0:59:07.360
<v Speaker 1>like really get away from my comfort zone, so genuine

0:59:07.480 --> 0:59:10.680
<v Speaker 1>laugh and not like the question. When you're around your friends,

0:59:10.720 --> 0:59:13.400
<v Speaker 1>you don't even have to complete sentences, you don't even

0:59:13.440 --> 0:59:17.120
<v Speaker 1>have to finish words. When you're not around your people,

0:59:17.920 --> 0:59:20.440
<v Speaker 1>now you have to enunciate, you know what I mean.

0:59:21.160 --> 0:59:23.360
<v Speaker 1>But the thing is, okay, now, when you told me

0:59:23.440 --> 0:59:28.640
<v Speaker 1>that you would go to West Palm sometimes, yeah, but

0:59:28.840 --> 0:59:31.040
<v Speaker 1>how do you know that they're just not blinded by

0:59:31.520 --> 0:59:36.280
<v Speaker 1>your celebrity, because comedy is this not that common. Celebrity

0:59:36.320 --> 0:59:43.640
<v Speaker 1>only works for six eight minutes and then people you deal.

0:59:45.000 --> 0:59:48.240
<v Speaker 1>When you're a musician, you know, no disrespect, but I'll

0:59:48.280 --> 0:59:51.600
<v Speaker 1>disrespect him. I'll go a funk. I look at these

0:59:51.680 --> 0:59:56.480
<v Speaker 1>motherfucker's going on stage singing songs they wrote thirty years ago,

0:59:56.640 --> 0:59:59.360
<v Speaker 1>twenty years ago, five years ago, whatever the funk that

0:59:59.440 --> 1:00:06.160
<v Speaker 1>they've sung the hundred times. That ship's easy because it's proven.

1:00:06.640 --> 1:00:10.720
<v Speaker 1>The audience knows it now. I gotta do what I

1:00:11.080 --> 1:00:13.960
<v Speaker 1>what a comedian has to do is literally give people

1:00:14.120 --> 1:00:19.840
<v Speaker 1>brand new hit records every night, like an hour and

1:00:20.000 --> 1:00:24.160
<v Speaker 1>twenty minutes of brand new hits they've never heard before.

1:00:25.120 --> 1:00:29.320
<v Speaker 1>What the funk? So, no audience is faking that love? Right?

1:00:29.960 --> 1:00:31.480
<v Speaker 1>You don't want it from a musician, but you want

1:00:31.480 --> 1:00:33.200
<v Speaker 1>it from a comedian. You want new ship, you do

1:00:33.320 --> 1:00:36.600
<v Speaker 1>not want old. Hey, I can watch Delirious. I've watched

1:00:36.720 --> 1:00:40.840
<v Speaker 1>I've probably watched Delirious four times. But if I went

1:00:40.880 --> 1:00:44.520
<v Speaker 1>and saw Eddie Murphy lived, be mad as a motherfucker

1:00:44.600 --> 1:00:47.800
<v Speaker 1>if he did jokes from Delirious. When people go see

1:00:47.840 --> 1:00:51.720
<v Speaker 1>live comedy, they want live comedy. They almost want to

1:00:51.760 --> 1:00:53.880
<v Speaker 1>feel like you got this ship. You thought this ship

1:00:54.000 --> 1:00:56.160
<v Speaker 1>up tonight, which is why Dave makes it so hard

1:00:56.200 --> 1:00:57.960
<v Speaker 1>for you to take the shows. And he has all

1:00:57.960 --> 1:01:00.960
<v Speaker 1>these different assets that which is dope because pass it around.

1:01:01.160 --> 1:01:04.560
<v Speaker 1>And yeah, I still say you should do your greatest

1:01:04.640 --> 1:01:10.280
<v Speaker 1>hit story, like yeah, that sh it's done. I did it.

1:01:10.360 --> 1:01:12.240
<v Speaker 1>I did it, I did it. I mean, you know,

1:01:12.280 --> 1:01:14.640
<v Speaker 1>it's weird before all this, you know, I don't really

1:01:14.680 --> 1:01:17.520
<v Speaker 1>want to talk about, but before all this Cosby ship happened,

1:01:18.000 --> 1:01:19.600
<v Speaker 1>I definitely was going to do a part in the

1:01:19.720 --> 1:01:22.360
<v Speaker 1>tour where I did like a long Cosby bit. But

1:01:22.680 --> 1:01:26.600
<v Speaker 1>I can't do that ship now because it's just, you know,

1:01:27.680 --> 1:01:32.320
<v Speaker 1>it's too hot, his spots too hot. And you know

1:01:32.560 --> 1:01:34.880
<v Speaker 1>didn't have favorite. Is that why it wouldn't have is

1:01:34.920 --> 1:01:38.560
<v Speaker 1>that it was like favorite, not Favorite, I mean, not

1:01:38.720 --> 1:01:40.880
<v Speaker 1>talking about him, but doing I was gonna I was

1:01:40.920 --> 1:01:43.200
<v Speaker 1>gonna do one. I suggested that I was going to

1:01:43.480 --> 1:01:48.000
<v Speaker 1>see that the dentist bid or the whole Russell whom

1:01:48.080 --> 1:01:51.440
<v Speaker 1>up my brother Russell man, you know what I mean,

1:01:51.520 --> 1:01:53.160
<v Speaker 1>Like that would be so cool to do one of

1:01:53.200 --> 1:01:57.439
<v Speaker 1>his bits, but I'm not gonna. You know, you can't.

1:01:57.760 --> 1:02:01.520
<v Speaker 1>People can't separate. I don't think you do, Cosby, but

1:02:01.680 --> 1:02:05.320
<v Speaker 1>I think you should do something I think I might do,

1:02:05.560 --> 1:02:08.080
<v Speaker 1>like some Rotney jokes or something I don't know, but

1:02:08.360 --> 1:02:12.240
<v Speaker 1>um like danger Danger Philly awesome. Yeah, I mean, I

1:02:12.400 --> 1:02:14.680
<v Speaker 1>just I wouldn't mind doing it. You don't like you

1:02:14.760 --> 1:02:17.040
<v Speaker 1>go to every rap show there's a sucking the Tupac

1:02:17.080 --> 1:02:20.640
<v Speaker 1>Biggie tribute. It's like, that's what I'm saying. It's like, okay,

1:02:20.680 --> 1:02:24.160
<v Speaker 1>in a comedy show, you got your fucking Rodney Cosby.

1:02:26.800 --> 1:02:32.280
<v Speaker 1>You Yeah, right, dude, that's what I want you to

1:02:32.320 --> 1:02:34.720
<v Speaker 1>do this. I still got to right a fucking hour

1:02:34.800 --> 1:02:37.120
<v Speaker 1>and a half of my own ship. But that I'm

1:02:37.160 --> 1:02:40.040
<v Speaker 1>just saying a part of the show. You know, maybe

1:02:40.080 --> 1:02:42.000
<v Speaker 1>that's my own car, Maybe that's my uncle. That's a

1:02:42.760 --> 1:02:46.120
<v Speaker 1>a fucking great, safe own car. Yes, I believe that.

1:02:47.000 --> 1:02:49.000
<v Speaker 1>I think you should do that. Can't do Cosby. So

1:02:49.960 --> 1:02:53.200
<v Speaker 1>let's you know, let's not talk. You're from Philly, and uh,

1:02:54.400 --> 1:02:58.720
<v Speaker 1>I'm not bringing up not at all. So you you

1:02:58.800 --> 1:03:00.600
<v Speaker 1>said you killed in front of the like, did you

1:03:00.680 --> 1:03:02.640
<v Speaker 1>know he was watching at the time. Yeah, I mean

1:03:02.800 --> 1:03:06.080
<v Speaker 1>they brought me up. I met him and I went

1:03:06.200 --> 1:03:10.000
<v Speaker 1>up and I did my thing and I heard And

1:03:11.360 --> 1:03:14.160
<v Speaker 1>what did you feel inside when you hear that? You

1:03:14.240 --> 1:03:17.880
<v Speaker 1>know I was. I was a cocky young kid. I was.

1:03:18.480 --> 1:03:20.400
<v Speaker 1>You weren't humble, like, oh gosh to meet you, sir.

1:03:20.720 --> 1:03:22.240
<v Speaker 1>I mean I was humbled to meet him. I mean,

1:03:22.360 --> 1:03:25.400
<v Speaker 1>obviously he was my fucking idol. You know what I mean.

1:03:25.760 --> 1:03:27.600
<v Speaker 1>He's not even that much old. He's like five years

1:03:27.600 --> 1:03:30.560
<v Speaker 1>older than me, but uh but he might as well

1:03:30.680 --> 1:03:35.360
<v Speaker 1>be five years older. Men, Yeah, for what have you done?

1:03:36.160 --> 1:03:39.840
<v Speaker 1>He was a lot older than me mature mature wise anyway.

1:03:40.680 --> 1:03:44.439
<v Speaker 1>And uh but you know, I mean put his away.

1:03:44.600 --> 1:03:48.360
<v Speaker 1>I was so cocky as a kid. I'm not you

1:03:48.440 --> 1:03:50.840
<v Speaker 1>know me, I'm not that guy now. But when I

1:03:50.920 --> 1:03:54.080
<v Speaker 1>was a kid, I listened to his first album, the

1:03:54.160 --> 1:03:57.160
<v Speaker 1>one at the comic strip with the you know, booginet whatever,

1:03:57.480 --> 1:03:59.200
<v Speaker 1>and I just thought, I'm I could do this ship

1:03:59.680 --> 1:04:02.720
<v Speaker 1>like I like it. And I loved everything he did

1:04:04.120 --> 1:04:06.760
<v Speaker 1>and didn't like that album. So you still feel that

1:04:06.880 --> 1:04:09.520
<v Speaker 1>way now? I like it more is that his Yobam

1:04:09.560 --> 1:04:12.720
<v Speaker 1>Russ show. That's funny because I like that record better

1:04:12.760 --> 1:04:17.120
<v Speaker 1>than like Delirious Delirious. I was allowed to watch Delirious,

1:04:17.200 --> 1:04:21.240
<v Speaker 1>so all my Delirious. I know Delirious based on people

1:04:21.360 --> 1:04:26.120
<v Speaker 1>doing it in school and basically Will Smith. I just realized,

1:04:26.200 --> 1:04:30.920
<v Speaker 1>like for longest, Delirious was never available on DVD or

1:04:31.120 --> 1:04:33.960
<v Speaker 1>any format, like when we were touring in the nineties,

1:04:34.000 --> 1:04:37.440
<v Speaker 1>So when it finally came out on like DVD like

1:04:37.640 --> 1:04:42.440
<v Speaker 1>maybe like ninety eight whatever, then I finally realized, like,

1:04:42.480 --> 1:04:46.720
<v Speaker 1>oh god, Will Smith has just been doing Delirious on

1:04:46.840 --> 1:04:50.080
<v Speaker 1>the Fresh Prince of bel Air, Like I don't realize

1:04:50.120 --> 1:04:54.000
<v Speaker 1>that well, I mean his it's attempted. I mean, of

1:04:54.120 --> 1:04:57.840
<v Speaker 1>course you know that Will Smith studied everything about and

1:04:57.920 --> 1:05:03.200
<v Speaker 1>then may that his person that uh yeah, delarious is

1:05:03.320 --> 1:05:08.920
<v Speaker 1>fucking yeah. I wish I could the ice cream. It's

1:05:08.960 --> 1:05:13.120
<v Speaker 1>like he should make the ice cream. Man. Imagine being

1:05:15.560 --> 1:05:22.000
<v Speaker 1>the Imagine being in a coma during the whole duration

1:05:22.360 --> 1:05:27.760
<v Speaker 1>of Michael Jackson's meteoric rise between like one to like

1:05:28.040 --> 1:05:30.040
<v Speaker 1>let's let's give him some bad years to eighty nine,

1:05:30.120 --> 1:05:32.520
<v Speaker 1>Like that was me blood on the dance floor. That's

1:05:32.520 --> 1:05:35.040
<v Speaker 1>what you're talking. Like if I were in a coma

1:05:35.440 --> 1:05:37.360
<v Speaker 1>right at the tail end of Off the Wall and

1:05:37.480 --> 1:05:41.360
<v Speaker 1>I woke up like maybe at the end of Dangerous,

1:05:41.920 --> 1:05:46.880
<v Speaker 1>like I just everything anything. Eddie Murphy related was just

1:05:47.000 --> 1:05:49.760
<v Speaker 1>taken away from me as not not even like coming

1:05:49.800 --> 1:05:52.160
<v Speaker 1>to America. So you said that he took you to

1:05:52.480 --> 1:05:55.120
<v Speaker 1>l A like at what point? Literally? So we hung

1:05:55.160 --> 1:05:59.080
<v Speaker 1>out that night a little bit. I went up the boat.

1:05:59.120 --> 1:06:02.320
<v Speaker 1>I was at Bubble Hill, Like, what was that ship? Like?

1:06:02.440 --> 1:06:05.160
<v Speaker 1>Seeing at the eight How you were seventeen at this time?

1:06:05.800 --> 1:06:12.240
<v Speaker 1>Front nineteen named the Bubble Hill so weird. I live

1:06:13.040 --> 1:06:20.480
<v Speaker 1>in that neighborhood now, it's so crazy, so crazy. Uh yeah,

1:06:20.640 --> 1:06:23.000
<v Speaker 1>hung out. We went to see what he's all right,

1:06:23.000 --> 1:06:27.520
<v Speaker 1>We're going to movies tomorrow, meet usaid whatever Broadway and

1:06:28.040 --> 1:06:31.880
<v Speaker 1>seventy ninth or whatever the funk it was. We all

1:06:32.000 --> 1:06:34.240
<v Speaker 1>and you know, and I'm out there waiting. The next thing,

1:06:34.320 --> 1:06:37.479
<v Speaker 1>you know, there's whatever, three limos, four limos of guys

1:06:37.560 --> 1:06:41.680
<v Speaker 1>and ship and chicks, and we saw she's gotta have it.

1:06:42.200 --> 1:06:44.680
<v Speaker 1>Spike Lee was selling T shirts outside the theaters. First

1:06:44.720 --> 1:06:51.360
<v Speaker 1>time I met Spike what uh oh my god. We're

1:06:51.400 --> 1:06:52.760
<v Speaker 1>talking in the movie the whole time. I can only

1:06:52.800 --> 1:06:56.720
<v Speaker 1>imagine no, no, no special screening for him, No, no,

1:06:56.880 --> 1:06:58.960
<v Speaker 1>no no. I was just like, it's like, there's a

1:06:59.040 --> 1:07:02.560
<v Speaker 1>black guy making that made his own movie. Let's go

1:07:02.680 --> 1:07:07.360
<v Speaker 1>see it and we saw she's gotta have it hung

1:07:07.400 --> 1:07:11.360
<v Speaker 1>out and you know he's asking me about you know,

1:07:11.600 --> 1:07:13.840
<v Speaker 1>I was. I guess I was like his liaison to

1:07:13.960 --> 1:07:16.760
<v Speaker 1>the streets, to the club to you know, he was

1:07:17.120 --> 1:07:19.200
<v Speaker 1>thinking about touring and ship. So it's like a lot

1:07:19.280 --> 1:07:21.680
<v Speaker 1>of like is so and so still there. It was

1:07:21.760 --> 1:07:24.640
<v Speaker 1>like a lot of that ship him asking me about

1:07:24.760 --> 1:07:27.880
<v Speaker 1>comedians and ship and uh, he's like, hey, we're going

1:07:27.880 --> 1:07:31.240
<v Speaker 1>to l A tomorrow. You want to hang Yeah? What then?

1:07:31.360 --> 1:07:34.200
<v Speaker 1>Why that means get on the plane or do they

1:07:34.440 --> 1:07:36.280
<v Speaker 1>did you send you a pen? He goes, No, fruity,

1:07:36.400 --> 1:07:40.000
<v Speaker 1>make sure Chris Rock's gotta ticket. And it's like, fruity,

1:07:40.000 --> 1:07:42.760
<v Speaker 1>he gets Chris Rock a ticket. I'm there and it's

1:07:44.120 --> 1:07:46.520
<v Speaker 1>this is your first trip, it's my first plane ride.

1:07:49.200 --> 1:07:50.720
<v Speaker 1>Was it in mind? I mean, was it a mind

1:07:50.960 --> 1:07:52.880
<v Speaker 1>for you? It was a mind funk? A little bit.

1:07:53.600 --> 1:07:57.520
<v Speaker 1>It was a mind fuck. Uh, it was a little

1:07:57.520 --> 1:07:59.400
<v Speaker 1>bit of a mind funck without the l A state,

1:07:59.480 --> 1:08:02.040
<v Speaker 1>up state, up first hotels, all that ship met our

1:08:02.080 --> 1:08:09.920
<v Speaker 1>CITYO met Robert Towson met Keenan met Damon met you know,

1:08:11.280 --> 1:08:15.280
<v Speaker 1>you know all the other Waynes brothers, Sean and Marlin. Uh.

1:08:17.240 --> 1:08:19.280
<v Speaker 1>Time everybody's in l A. Did you not know them

1:08:19.320 --> 1:08:23.680
<v Speaker 1>from their New York run? Damon a new Damon? I

1:08:23.680 --> 1:08:27.400
<v Speaker 1>wot's say Damon had been on SNL for a minute. Uh,

1:08:27.960 --> 1:08:32.720
<v Speaker 1>oh that's right. Forgot about that too. Yeah, I want

1:08:32.720 --> 1:08:36.360
<v Speaker 1>to say Damon been on SNL for a minute, but uh,

1:08:36.640 --> 1:08:40.280
<v Speaker 1>I ended up with two lines of Beverly Hills cop Uh.

1:08:40.720 --> 1:08:43.960
<v Speaker 1>Audition for the Tonight show didn't get it, but Eddie's

1:08:44.000 --> 1:08:46.960
<v Speaker 1>manager liked me, so I ended up being signed by

1:08:47.040 --> 1:08:52.639
<v Speaker 1>Eddie's manager and Richie Tinkin just in one fell swoop

1:08:52.840 --> 1:08:56.760
<v Speaker 1>like yeah, everybody for a second, you know, like you know,

1:08:56.840 --> 1:08:59.280
<v Speaker 1>it's like like we are like every guy's like the

1:08:59.360 --> 1:09:02.960
<v Speaker 1>next Jordan, right or the next Lebron. I was one

1:09:03.040 --> 1:09:04.760
<v Speaker 1>of the you know, I was a guy might be

1:09:04.880 --> 1:09:06.920
<v Speaker 1>next Yeah, this guy might be the next Eddie Murphy.

1:09:07.040 --> 1:09:10.519
<v Speaker 1>I was like, when you did that for the first time,

1:09:11.680 --> 1:09:13.960
<v Speaker 1>when you did Our Senio for the first time, how

1:09:14.080 --> 1:09:16.200
<v Speaker 1>far was that? Because I remember the night you did

1:09:16.280 --> 1:09:17.880
<v Speaker 1>your first our Site. That was probably a couple of

1:09:18.000 --> 1:09:22.960
<v Speaker 1>years after that. I was in high school, so it

1:09:23.080 --> 1:09:26.879
<v Speaker 1>was like our Citio. We did that Uptown Comedy Express

1:09:26.960 --> 1:09:31.400
<v Speaker 1>thing Uptown Comedy. Yeah, so we did that No Uptown

1:09:31.439 --> 1:09:34.680
<v Speaker 1>Comedy Express was HBO special right right with like Marshall Warfors,

1:09:35.920 --> 1:09:39.960
<v Speaker 1>Marshall Field, Barry Sobel. Yeah, I remember that. Robert got

1:09:40.000 --> 1:09:42.360
<v Speaker 1>in trouble for watching that. Have you played with Eddie?

1:09:42.400 --> 1:09:44.679
<v Speaker 1>Have you been in the basement and had to play drums?

1:09:44.800 --> 1:09:49.240
<v Speaker 1>I got summoned to work on some music. There you go.

1:09:50.040 --> 1:09:54.479
<v Speaker 1>He hired me twice to dj. Uh there's parties for him?

1:09:55.160 --> 1:09:59.880
<v Speaker 1>Um but yeah, I think, yeah, we just gave each other.

1:10:00.760 --> 1:10:04.240
<v Speaker 1>I guess too. I think knowing you is Eddie Murphy enough?

1:10:04.600 --> 1:10:07.280
<v Speaker 1>Like I don't know, you know, you know, like when

1:10:07.439 --> 1:10:10.160
<v Speaker 1>you might not want to meet sir, I wouldn't want

1:10:10.160 --> 1:10:12.000
<v Speaker 1>to meet Michael Jackson. I don't know if I want

1:10:12.000 --> 1:10:15.000
<v Speaker 1>to meet Eddie Murphy. Yeah, no, no, I'm hey man,

1:10:15.120 --> 1:10:17.320
<v Speaker 1>I'm you say, like he's still the funniest guy in

1:10:17.320 --> 1:10:19.120
<v Speaker 1>the room, the funniest at the room. He's still the

1:10:19.160 --> 1:10:23.000
<v Speaker 1>funniest guy in a room. And even I still a

1:10:23.240 --> 1:10:27.160
<v Speaker 1>little bit fucking intimidated by him. I just hung out

1:10:27.200 --> 1:10:28.960
<v Speaker 1>with him. But he likes you, and you know, he

1:10:29.080 --> 1:10:31.760
<v Speaker 1>a couple of months ago. Sometimes he likes me. But

1:10:33.439 --> 1:10:37.679
<v Speaker 1>howel out that you've come up. He's been great I can't.

1:10:37.720 --> 1:10:39.680
<v Speaker 1>I mean, he's usually the first call when I do

1:10:39.800 --> 1:10:42.960
<v Speaker 1>something good. Whatever he's so the night after bringing the pain,

1:10:43.560 --> 1:10:46.559
<v Speaker 1>everything changed. Yes, he was the first call, literally first call,

1:10:46.800 --> 1:10:48.800
<v Speaker 1>and what he said just you did it great. It

1:10:48.920 --> 1:10:51.519
<v Speaker 1>was amazing, all that ship, every everything you want to hear,

1:10:52.600 --> 1:10:56.000
<v Speaker 1>you know, Eddie sein felt whatever, But I was. I

1:10:56.120 --> 1:11:00.599
<v Speaker 1>was with Eddie. We we share a business manager. Uh,

1:11:01.000 --> 1:11:03.800
<v Speaker 1>we share a business manager. Me, Eddie and Arsineo have

1:11:03.880 --> 1:11:06.200
<v Speaker 1>the same business manager. And you know, we go little head.

1:11:06.240 --> 1:11:10.679
<v Speaker 1>He's not broke, so I guess this guy's good. So anyway,

1:11:10.760 --> 1:11:15.160
<v Speaker 1>our business manager was getting married, and so we're all

1:11:15.240 --> 1:11:17.400
<v Speaker 1>at because you want to go to your business manager's wedding,

1:11:17.439 --> 1:11:18.760
<v Speaker 1>you don't, you don't. You don't want to mad at

1:11:18.840 --> 1:11:22.639
<v Speaker 1>you for anything we've got, you know. So we're all

1:11:22.880 --> 1:11:25.400
<v Speaker 1>flying back. We Eddie had a plane going back, so

1:11:25.560 --> 1:11:27.479
<v Speaker 1>we flew back together. So it's me, Eddie and ar

1:11:27.520 --> 1:11:32.320
<v Speaker 1>Cineo on a plane together, just fucking chilling, talking talking

1:11:32.360 --> 1:11:36.560
<v Speaker 1>ship and at one point Eddie's talking about watching the

1:11:36.640 --> 1:11:40.280
<v Speaker 1>hip hop otters and ship and he said something about

1:11:40.400 --> 1:11:43.080
<v Speaker 1>he met carriss One and he starts doing a caress

1:11:43.160 --> 1:11:47.280
<v Speaker 1>One impression. It's the funniest ship in the world, Carriss

1:11:47.560 --> 1:11:55.920
<v Speaker 1>Eddie Murphy going, my raps will destroy you. He has

1:11:59.160 --> 1:12:02.599
<v Speaker 1>probably might do one. Caress One's the funniest shit ever.

1:12:04.720 --> 1:12:09.840
<v Speaker 1>My wraps will destroy you, like the ultimate over annunciator.

1:12:10.120 --> 1:12:13.920
<v Speaker 1>I had no idea you didn't do as you know,

1:12:14.160 --> 1:12:19.160
<v Speaker 1>like the hashtag well actually is on the line that okay,

1:12:19.240 --> 1:12:24.240
<v Speaker 1>So whenever Jay z Ivant caress one, it's always well, actually,

1:12:30.920 --> 1:12:37.360
<v Speaker 1>raps will destroy you. I told that to Dave and

1:12:37.520 --> 1:12:40.760
<v Speaker 1>Cute Tip one night, and pretty much anytime we text

1:12:40.840 --> 1:12:49.200
<v Speaker 1>each other it ends with my my wraps will destroy you.

1:12:49.439 --> 1:12:52.479
<v Speaker 1>When's the last time you texted that to Cute Tip?

1:12:53.200 --> 1:12:55.920
<v Speaker 1>I don't know. Two weeks ago. You know, you want

1:12:55.920 --> 1:12:59.160
<v Speaker 1>to know something when cut Tip was in the scene

1:12:59.240 --> 1:13:02.519
<v Speaker 1>that you're in now, you mustn't type that to him

1:13:03.280 --> 1:13:07.120
<v Speaker 1>because he's like, he was going to explain the inside joke.

1:13:07.720 --> 1:13:10.200
<v Speaker 1>He's like, wait, Chris has this joke about he said

1:13:10.240 --> 1:13:12.920
<v Speaker 1>about and he's like, no, it's too far to go into.

1:13:13.120 --> 1:13:18.120
<v Speaker 1>And I was like, I'm almost certain that that was Dave.

1:13:18.320 --> 1:13:23.800
<v Speaker 1>You know, Dave will start crying the thought of Eddie

1:13:23.840 --> 1:13:29.200
<v Speaker 1>doing caress one, So like, how do you nuance? First

1:13:29.240 --> 1:13:35.000
<v Speaker 1>of all, my raps caress every time he lives in

1:13:35.160 --> 1:13:38.720
<v Speaker 1>l A. Now he lives in to pinker Canyon and

1:13:38.800 --> 1:13:40.639
<v Speaker 1>whenever I see him, I go to pank A Canyon,

1:13:40.720 --> 1:13:56.960
<v Speaker 1>to pang A Canyon, and he's another He's another anti

1:13:57.080 --> 1:14:00.880
<v Speaker 1>airplane rapper. He doesn't fly. Oh God, every summer he

1:14:01.000 --> 1:14:05.960
<v Speaker 1>turns down the roots picnic because, uh, the Queen Mary.

1:14:06.240 --> 1:14:08.240
<v Speaker 1>It's it's a two week process for him to take

1:14:08.280 --> 1:14:17.880
<v Speaker 1>the boat boat dog Harris one. There there are there

1:14:17.960 --> 1:14:21.439
<v Speaker 1>are a slew of rappers from the eighties that are

1:14:21.560 --> 1:14:25.400
<v Speaker 1>definitely afraid of flying. Rock him carriss One like pretty

1:14:25.479 --> 1:14:28.280
<v Speaker 1>much if they were under the Rush roster. Maybe he

1:14:28.400 --> 1:14:30.400
<v Speaker 1>was a bad flight one time in their lives. Public

1:14:30.520 --> 1:14:33.800
<v Speaker 1>Enemy is the only group active maybe l O that

1:14:34.320 --> 1:14:37.560
<v Speaker 1>I know that has gotten over flying to Europe or

1:14:37.720 --> 1:14:43.519
<v Speaker 1>flying anywhere. Carriss One, Uh will drive himself to any

1:14:43.560 --> 1:14:45.320
<v Speaker 1>place in the United States. He won't get on the

1:14:45.360 --> 1:14:48.800
<v Speaker 1>plane in the United States. And yeah him and rock

1:14:48.880 --> 1:14:52.240
<v Speaker 1>him take the Queen Mary. I didn't even know that before. Yes,

1:14:52.320 --> 1:14:55.880
<v Speaker 1>the Queen Mary to to England and mentor Europe that way.

1:14:56.280 --> 1:14:59.120
<v Speaker 1>Well here's the crazy thing. I will bet. I'll bet

1:14:59.200 --> 1:15:02.280
<v Speaker 1>you a thousand dollars right now. One of them can't

1:15:02.320 --> 1:15:21.240
<v Speaker 1>swiping to say you won't take that bet. So I mean, alright,

1:15:21.320 --> 1:15:28.360
<v Speaker 1>so when you're establishing, I'm assuming that you're I'm assuming

1:15:28.400 --> 1:15:32.040
<v Speaker 1>that you're New York. You're you're New York base of comedy. Uh.

1:15:32.520 --> 1:15:35.080
<v Speaker 1>I think I made a too earlier. I think I

1:15:35.120 --> 1:15:42.559
<v Speaker 1>made a record in the studio. What Buster and eminem

1:15:43.160 --> 1:15:46.760
<v Speaker 1>like on an unreleased Buster record or something. This is

1:15:46.840 --> 1:15:49.320
<v Speaker 1>not the place Tupac with shot? Yes it is. This

1:15:49.439 --> 1:15:53.599
<v Speaker 1>is Quad. I thought it was no elevator downstairs? Were

1:15:53.640 --> 1:15:55.439
<v Speaker 1>you in the right or the left elevator when you

1:15:55.479 --> 1:15:59.240
<v Speaker 1>got it? When he came in, Q, he got shot

1:15:59.320 --> 1:16:03.240
<v Speaker 1>in a lot B Yes, downstairs Quad? This is not

1:16:03.680 --> 1:16:06.920
<v Speaker 1>this is two PACs. I came in, Okay. When you

1:16:07.000 --> 1:16:08.479
<v Speaker 1>walked in the door, did you get on the right

1:16:08.520 --> 1:16:10.840
<v Speaker 1>elevator or the left elevator? Okay, I gotta look at

1:16:10.840 --> 1:16:14.040
<v Speaker 1>it again, right or left elevator? What block will be

1:16:14.160 --> 1:16:18.960
<v Speaker 1>on at night? You're in denial, dude? Yes, I was

1:16:19.000 --> 1:16:22.479
<v Speaker 1>there that night. Yes, I think this is I think

1:16:22.479 --> 1:16:27.200
<v Speaker 1>they move Quad. No, dog, I know this place because

1:16:27.200 --> 1:16:29.160
<v Speaker 1>I made I made no Sex in the champagne room

1:16:29.240 --> 1:16:38.000
<v Speaker 1>at Quad, and all my all my albums were at

1:16:38.080 --> 1:16:40.800
<v Speaker 1>Quadqua a little bit electric lady, Let did you do

1:16:41.160 --> 1:16:43.519
<v Speaker 1>the stuff for an Older Baster second album? Yes, the

1:16:43.520 --> 1:16:51.599
<v Speaker 1>Old Dirty Bastt second album. Yeah, yeah, was upstairs Corell

1:16:51.680 --> 1:16:55.920
<v Speaker 1>and oldb upstairs. I was downstairs. That wasn't playing. Was happening.

1:16:56.120 --> 1:17:00.280
<v Speaker 1>I wanted Old Dirty Bassett for my album and wanted

1:17:01.240 --> 1:17:07.200
<v Speaker 1>on walls no more. So I did my part of

1:17:07.240 --> 1:17:11.960
<v Speaker 1>Old Dirty Bassett's album right, because I'm a professional. Of course,

1:17:12.240 --> 1:17:14.760
<v Speaker 1>by the time it was time for ODB to do

1:17:15.600 --> 1:17:18.280
<v Speaker 1>whatever sketch we wrote for my album, he was too

1:17:18.360 --> 1:17:20.719
<v Speaker 1>fucked up to do it. So he's in the booth

1:17:21.200 --> 1:17:24.880
<v Speaker 1>and he's just spouting shit. He's just high as mother.

1:17:25.200 --> 1:17:29.080
<v Speaker 1>He might have been swatting at imaginary flies like he

1:17:29.240 --> 1:17:32.280
<v Speaker 1>was so fucked up. He completely made it all up.

1:17:32.320 --> 1:17:35.040
<v Speaker 1>He completely made it all up. And my man Ali

1:17:35.880 --> 1:17:40.120
<v Speaker 1>thought of a concept. Ali Leroy thought of the concept

1:17:40.840 --> 1:17:43.240
<v Speaker 1>Words of Wisdom with the Old Dirty Baskett, And so

1:17:43.520 --> 1:17:54.840
<v Speaker 1>me Ali and Prince Paul and we're like, okay, so,

1:17:55.040 --> 1:17:57.320
<v Speaker 1>who who are your peers at this at this point?

1:17:58.040 --> 1:18:00.200
<v Speaker 1>What is your home? Basis a cancer rising, starry home?

1:18:00.280 --> 1:18:03.960
<v Speaker 1>Basis that the comedy seller Now well, no, not now,

1:18:04.080 --> 1:18:09.600
<v Speaker 1>but I'm saying back in my peers, Adam Sandlers, my

1:18:09.720 --> 1:18:14.120
<v Speaker 1>pier Colin Quinn's my pier, Mario Joyners, my Pierre Brett

1:18:14.240 --> 1:18:21.400
<v Speaker 1>Butler is my pier. Uh. John Ridley, who wrote Yeah,

1:18:23.600 --> 1:18:27.200
<v Speaker 1>was a was a comedian. Wait what was a comedian?

1:18:27.280 --> 1:18:29.000
<v Speaker 1>You know what? I told me that John Ridley was

1:18:29.040 --> 1:18:31.800
<v Speaker 1>a comedian. He worked with all of us. Was my

1:18:32.000 --> 1:18:37.920
<v Speaker 1>pier uh. Scott Carter, the longtime producer of Bill Mars Show,

1:18:38.080 --> 1:18:43.040
<v Speaker 1>was my pier. Um. Yeah. Lots of cool cats. Gary

1:18:43.160 --> 1:18:50.760
<v Speaker 1>Laser uh, Fred Stoler Uh, Jim Mandrinos, like guys you

1:18:50.880 --> 1:18:57.040
<v Speaker 1>just never heard of. But are they still actively working? Oh? Yeah? Everybody.

1:18:57.080 --> 1:19:00.400
<v Speaker 1>Nobody quits this ship. Where do you just go to Vegas?

1:19:00.600 --> 1:19:02.519
<v Speaker 1>Like in your mind? Now, are you like I gotta

1:19:02.560 --> 1:19:06.560
<v Speaker 1>avoid Reno? No? I mean you'll be there eventually, you know,

1:19:07.880 --> 1:19:12.320
<v Speaker 1>if you're lucky put Away, your career is basically Vegas.

1:19:13.200 --> 1:19:18.800
<v Speaker 1>You want to stay near Caesar's Palace. But as your career,

1:19:19.000 --> 1:19:21.719
<v Speaker 1>as you get older, you're gonna move further down the strip,

1:19:24.760 --> 1:19:30.400
<v Speaker 1>and you just want to avoid circus circus, circus circus

1:19:30.479 --> 1:19:32.439
<v Speaker 1>in the rif you want to. Hopefully you don't get

1:19:32.520 --> 1:19:35.800
<v Speaker 1>that far down there, but you know, but even if

1:19:35.840 --> 1:19:37.800
<v Speaker 1>you get down there, it's at Leasha's still working. It's

1:19:37.840 --> 1:19:41.360
<v Speaker 1>more than you can make someplace else. So no part

1:19:41.400 --> 1:19:48.280
<v Speaker 1>of Vegas or a Lake city residencies are like eventually, eventually,

1:19:48.600 --> 1:19:52.519
<v Speaker 1>you know, everybody's doing these residencies now. I don't my

1:19:52.680 --> 1:19:54.320
<v Speaker 1>kids are here. I wouldn't want to do it now,

1:19:55.160 --> 1:19:57.280
<v Speaker 1>but maybe someday. I don't know. I'm not against it.

1:19:57.720 --> 1:20:00.840
<v Speaker 1>I don't know. I don't know. I would hope. I'm

1:20:00.840 --> 1:20:05.080
<v Speaker 1>always touring, I would hope. I like touring a little bit,

1:20:05.360 --> 1:20:08.840
<v Speaker 1>you know what I mean. I like going to San

1:20:08.920 --> 1:20:13.080
<v Speaker 1>Antonio and doing walking the River Walk during the day

1:20:14.720 --> 1:20:18.439
<v Speaker 1>and going by the Alamo in person. There's no basement

1:20:18.520 --> 1:20:24.640
<v Speaker 1>in the Alamo, all right, so I gotta do that.

1:20:24.760 --> 1:20:29.280
<v Speaker 1>That's from Peure I was seeing deep got to walk

1:20:29.320 --> 1:20:33.800
<v Speaker 1>out of the Alamo and say that large marg Oh yeah,

1:20:34.400 --> 1:20:47.439
<v Speaker 1>any okay, okay, anyway, raps will destroy you. That's the

1:20:47.520 --> 1:20:54.600
<v Speaker 1>cute tip dance break My raps will destroy you. So

1:20:55.080 --> 1:20:59.360
<v Speaker 1>how did you get the role of Pooky and audition

1:20:59.560 --> 1:21:05.120
<v Speaker 1>audition read for it? Uh Doug and George, Doug mckenry,

1:21:05.840 --> 1:21:09.720
<v Speaker 1>George Jack Where the producers Marl Van Peoples saw me

1:21:09.880 --> 1:21:13.960
<v Speaker 1>A woman named Joan Fields was my agent at the time.

1:21:14.040 --> 1:21:17.479
<v Speaker 1>She was the only black agent at William Morris. She

1:21:17.600 --> 1:21:20.320
<v Speaker 1>just died not too long ago. And uh, she was

1:21:20.320 --> 1:21:23.200
<v Speaker 1>the only black agent at William Morris. And she got

1:21:23.320 --> 1:21:25.800
<v Speaker 1>me the audition. I guess she was tight with uh

1:21:26.280 --> 1:21:28.240
<v Speaker 1>for Doug and George and they got she got me

1:21:28.360 --> 1:21:30.960
<v Speaker 1>in there, and I kind of got the part. I mean,

1:21:31.320 --> 1:21:35.840
<v Speaker 1>I hear they wanted Martin Lawrence now, um, because you know,

1:21:35.920 --> 1:21:39.599
<v Speaker 1>Martin Lawrence was amazing and he still is amazing. Uh.

1:21:40.040 --> 1:21:42.400
<v Speaker 1>But uh, you know, they had no money so that

1:21:42.600 --> 1:21:44.280
<v Speaker 1>I think they would have had to fly Martin in

1:21:44.840 --> 1:21:48.080
<v Speaker 1>and I happen to live in Brooklyn, Like I remember

1:21:48.200 --> 1:21:51.080
<v Speaker 1>driving my mother's car to the set the first day.

1:21:51.640 --> 1:21:55.400
<v Speaker 1>You know, it was a low, low budget movie. No one,

1:21:55.520 --> 1:21:59.439
<v Speaker 1>No one picked me up. What was what did you

1:21:59.479 --> 1:22:02.120
<v Speaker 1>have to read? What part of it? The scene? The

1:22:02.200 --> 1:22:04.519
<v Speaker 1>scene that our auditioned for was the one where me

1:22:04.600 --> 1:22:07.160
<v Speaker 1>and the girl fought over the chicken in the hallway

1:22:10.920 --> 1:22:15.240
<v Speaker 1>correck like like whatever. I think I had lived that line,

1:22:16.000 --> 1:22:19.160
<v Speaker 1>but uh so weird. I wonder what happened to that girl.

1:22:19.160 --> 1:22:22.719
<v Speaker 1>I was about to ask people, are I have no idea?

1:22:23.080 --> 1:22:26.240
<v Speaker 1>I used to date the girl that when he asked,

1:22:26.680 --> 1:22:30.920
<v Speaker 1>does she have a milking titties? One night we're watching

1:22:30.960 --> 1:22:34.080
<v Speaker 1>and she's like, there you go. I was like, you

1:22:34.160 --> 1:22:41.679
<v Speaker 1>got where's the roots? What's what's the roots? Cover album?

1:22:41.720 --> 1:22:48.880
<v Speaker 1>Where is that? Like? This is hey, my favorite, my

1:22:48.920 --> 1:22:52.160
<v Speaker 1>favorite rage against the Machine albums to cover album. That

1:22:52.360 --> 1:22:58.880
<v Speaker 1>Ship is hot, the Rick Ruben fucking fucking rage against

1:22:58.920 --> 1:23:05.719
<v Speaker 1>the Machine doing pistol grip pump ship exactly. Microphone Fine,

1:23:08.320 --> 1:23:11.320
<v Speaker 1>it's cool, but you know what kill a man? That

1:23:11.479 --> 1:23:17.800
<v Speaker 1>ship is hot. It's cool like Evil Empire for me

1:23:18.040 --> 1:23:21.200
<v Speaker 1>is that's that's I have all their ship. But that

1:23:21.600 --> 1:23:23.880
<v Speaker 1>as an album to listen to, you want to listen

1:23:23.920 --> 1:23:27.880
<v Speaker 1>to like eight records in a row. Yo, what you've

1:23:27.920 --> 1:23:31.720
<v Speaker 1>called it? The Dylan thing they did? Uh Maggie's Farm,

1:23:32.320 --> 1:23:39.160
<v Speaker 1>Chris is secretly by the way, Chris basically yeah, he

1:23:40.520 --> 1:23:44.240
<v Speaker 1>student do a cover record. Do the Maggie's do that record? Essentially?

1:23:45.920 --> 1:23:49.040
<v Speaker 1>And you said it because Trick is great, he's our executive.

1:23:50.360 --> 1:23:53.280
<v Speaker 1>I'm going to prove i'mna great imitator and he's a

1:23:53.360 --> 1:23:57.320
<v Speaker 1>great interpreter. I'm gonna prove to Chris that we still

1:23:57.360 --> 1:23:59.160
<v Speaker 1>have good songs in this Dude, no one say you

1:23:59.200 --> 1:24:02.479
<v Speaker 1>don't still have good song You think to prove that

1:24:02.840 --> 1:24:06.040
<v Speaker 1>if I could make a fucking album right now somebody

1:24:06.080 --> 1:24:09.439
<v Speaker 1>else's jokes. You don't think I would do that ship

1:24:12.000 --> 1:24:15.320
<v Speaker 1>to have But I have to prove I got something

1:24:15.400 --> 1:24:19.559
<v Speaker 1>to prove with myself. I've I've I'll say that I've

1:24:19.640 --> 1:24:23.880
<v Speaker 1>dj more than I ever have in the last eight years,

1:24:24.000 --> 1:24:27.720
<v Speaker 1>of which this is also the longest gap of no

1:24:27.960 --> 1:24:32.080
<v Speaker 1>roots material since rich I was with you the day

1:24:32.160 --> 1:24:35.760
<v Speaker 1>that rich our producer died finishing uh top five. We

1:24:35.800 --> 1:24:38.240
<v Speaker 1>haven't made an album since. So yeah, you should do

1:24:38.280 --> 1:24:42.240
<v Speaker 1>it cover rap and do two new records at the

1:24:42.320 --> 1:24:47.599
<v Speaker 1>end of the record. But have fun, enjoy yourself. Don't

1:24:47.600 --> 1:24:50.400
<v Speaker 1>put yourself on this because because the reality is you

1:24:50.600 --> 1:24:53.479
<v Speaker 1>have a job, and your job is a Tonight show

1:24:53.520 --> 1:24:56.639
<v Speaker 1>and everything else goes from that, and you cannot make

1:24:57.160 --> 1:24:59.240
<v Speaker 1>and so whatever you do will be on the side,

1:24:59.800 --> 1:25:02.439
<v Speaker 1>and nothing as great great as made on the side

1:25:03.080 --> 1:25:07.120
<v Speaker 1>can only be good. So but you can. But doing

1:25:07.160 --> 1:25:11.439
<v Speaker 1>a cover record eliminates half the fucking work. That's my

1:25:11.760 --> 1:25:15.959
<v Speaker 1>denerro heat movement. Though I feel like I'm a great producer,

1:25:16.320 --> 1:25:19.680
<v Speaker 1>I've never been a great songwriter and it's but the

1:25:19.760 --> 1:25:25.439
<v Speaker 1>thing is, it's all covers what sometimes he covers himself.

1:25:26.720 --> 1:25:33.760
<v Speaker 1>But I'm the best, but I'm saying that. I feel, Okay,

1:25:33.800 --> 1:25:38.000
<v Speaker 1>let's get somebody else to sing good to you. Not

1:25:38.240 --> 1:25:41.519
<v Speaker 1>having the thing tomorrow, I feel I feel like the

1:25:41.600 --> 1:25:45.639
<v Speaker 1>best producers in in the hip hop were also DJs.

1:25:45.680 --> 1:25:48.240
<v Speaker 1>And I didn't realize that after I saw Uh, the

1:25:48.400 --> 1:25:51.600
<v Speaker 1>n w A movie and realized the the rest in

1:25:51.640 --> 1:25:54.599
<v Speaker 1>the stress that Dr Dre was under as a DJ

1:25:54.760 --> 1:25:56.800
<v Speaker 1>at that roller Scape rink, which is basically like you

1:25:56.880 --> 1:26:02.080
<v Speaker 1>played the wrong right. Then I realized, oh, the pressure

1:26:02.120 --> 1:26:04.960
<v Speaker 1>of Dre being a DJ. I had that same pressure

1:26:05.400 --> 1:26:09.160
<v Speaker 1>last month at the White House where you know, uh,

1:26:10.400 --> 1:26:12.680
<v Speaker 1>when you're in a room with three thousand people and

1:26:12.880 --> 1:26:17.639
<v Speaker 1>it's like you're playing some trapshit and Springsteen's frowning at

1:26:17.680 --> 1:26:20.600
<v Speaker 1>you because he can't dance trap shit. But then you

1:26:20.720 --> 1:26:23.640
<v Speaker 1>play like Michael Jackson and those two are happy, but

1:26:23.680 --> 1:26:27.080
<v Speaker 1>then like Malee and Sassia over there frowning because they don't.

1:26:27.680 --> 1:26:30.640
<v Speaker 1>It's such a high pressured moment, but it's made me.

1:26:30.800 --> 1:26:33.800
<v Speaker 1>I feel like it's educated me more. Being a DJ

1:26:34.000 --> 1:26:38.280
<v Speaker 1>these last five years has educated me more about songwriting

1:26:38.320 --> 1:26:44.000
<v Speaker 1>structure than my first eighteen years as a route, so

1:26:44.040 --> 1:26:47.080
<v Speaker 1>I don't even count even your beloved things of all apart,

1:26:47.120 --> 1:26:50.400
<v Speaker 1>I don't account none of that anymore. I want one

1:26:50.439 --> 1:26:53.080
<v Speaker 1>more go around at making a fresh album before I

1:26:53.160 --> 1:26:58.680
<v Speaker 1>start just doing the side projects. Thank you, this was

1:26:58.760 --> 1:27:03.559
<v Speaker 1>and O d B. Occasionally I get offers to bring

1:27:03.920 --> 1:27:07.080
<v Speaker 1>C Before back CE Before as what bring it back

1:27:07.080 --> 1:27:11.840
<v Speaker 1>as what like? Offers to play festivals and stuff group,

1:27:13.680 --> 1:27:16.280
<v Speaker 1>And well, what would I do if I brought C

1:27:16.400 --> 1:27:19.519
<v Speaker 1>Before back? I would record an album of covers. That's

1:27:19.560 --> 1:27:24.960
<v Speaker 1>what the funk I do. But there's less. There's less,

1:27:25.760 --> 1:27:28.280
<v Speaker 1>and I would tour with that album with covers, and

1:27:28.360 --> 1:27:31.000
<v Speaker 1>I would make millions of dollars. Or I could try

1:27:31.040 --> 1:27:34.280
<v Speaker 1>to write fucking ten great CB board songs, but they're

1:27:34.320 --> 1:27:39.439
<v Speaker 1>not gonna play as before like cfore as the novelty

1:27:39.520 --> 1:27:44.760
<v Speaker 1>B and CB group. But the roots should do I

1:27:44.840 --> 1:27:47.400
<v Speaker 1>got what's like. The roots can make more money doing

1:27:47.560 --> 1:27:49.519
<v Speaker 1>I got it made than special lead can make do

1:27:49.600 --> 1:27:52.000
<v Speaker 1>what I got it made. The roots can make more

1:27:52.120 --> 1:27:56.200
<v Speaker 1>money doing. I can name ten songs that the roots

1:27:57.840 --> 1:28:03.479
<v Speaker 1>absolutely you mean remix too, not just do the I'm

1:28:03.479 --> 1:28:06.800
<v Speaker 1>not saying, I'm saying, do your thing to it. I

1:28:06.880 --> 1:28:10.320
<v Speaker 1>can think you and I can think of literally twenty

1:28:10.400 --> 1:28:18.360
<v Speaker 1>songs him why my beautiful, twisted, dark Fantasy. It is

1:28:18.439 --> 1:28:25.439
<v Speaker 1>the best album of all times. Let's come back to that. Hey, hey,

1:28:27.040 --> 1:28:31.599
<v Speaker 1>came up with Problems. It's a cover what Yeah? Rick

1:28:31.680 --> 1:28:34.840
<v Speaker 1>Rubin calls me up. He goes, Jay Z is coming in.

1:28:35.000 --> 1:28:37.360
<v Speaker 1>What should I play him? Because Rick Rubin believed Rick

1:28:37.400 --> 1:28:41.040
<v Speaker 1>Ruben is a cover guy too. Rick Rubin's basically, you're

1:28:41.080 --> 1:28:45.639
<v Speaker 1>gonna find yourself through doing covers. You cover the ship

1:28:45.760 --> 1:28:47.639
<v Speaker 1>you like. So if I have the Chili Preppers coming

1:28:47.680 --> 1:28:50.760
<v Speaker 1>and they like I can't always get what you want,

1:28:51.560 --> 1:28:53.719
<v Speaker 1>why don't you play can't always get what you want? First?

1:28:54.040 --> 1:28:56.080
<v Speaker 1>Why don't you play ten and stay away to happen?

1:28:56.080 --> 1:29:01.320
<v Speaker 1>And through playing these other records you will define. You

1:29:01.400 --> 1:29:03.679
<v Speaker 1>will find anyway. So he's like, what should I play?

1:29:04.200 --> 1:29:08.400
<v Speaker 1>Jay and I had two records just because we you know,

1:29:08.520 --> 1:29:10.600
<v Speaker 1>we always listen to music, Me and Rick and I

1:29:10.680 --> 1:29:12.760
<v Speaker 1>was like, play the ninety nine Problems and play them

1:29:12.800 --> 1:29:17.280
<v Speaker 1>this other weird record, Canna get a Table dance? Uh,

1:29:17.600 --> 1:29:20.080
<v Speaker 1>ninety nine Problems is a weird record. Ninety nine Problems

1:29:20.080 --> 1:29:22.000
<v Speaker 1>is a record that was on an Ice T album

1:29:22.800 --> 1:29:26.439
<v Speaker 1>when he got kicked off Warner Brothers, and I'm just

1:29:26.560 --> 1:29:29.840
<v Speaker 1>the guy that listens to everybody's whole album. So I

1:29:29.960 --> 1:29:34.599
<v Speaker 1>heard so I heard it then, and me and Rick

1:29:34.720 --> 1:29:37.479
<v Speaker 1>just loved the record anyway. He plays it for j J.

1:29:37.720 --> 1:29:42.720
<v Speaker 1>Loves it, totally turns it into his own thing. And

1:29:42.880 --> 1:29:45.479
<v Speaker 1>you know, it's one of his biggest records. It's it's

1:29:45.520 --> 1:29:48.400
<v Speaker 1>definitely one of his biggest records live. How similar is it?

1:29:49.000 --> 1:29:54.320
<v Speaker 1>It's the same hook, So there you go. I have

1:29:54.560 --> 1:29:59.560
<v Speaker 1>I know what I'm talking about. What made you choose this?

1:30:01.280 --> 1:30:04.040
<v Speaker 1>It's the greatest hook ever. It's a great hook. I'm

1:30:04.040 --> 1:30:06.400
<v Speaker 1>not saying it. I have a girl problems. Don't feel

1:30:06.439 --> 1:30:08.560
<v Speaker 1>bad for your son. I got ninety problems with a

1:30:08.600 --> 1:30:16.679
<v Speaker 1>bitch eight was hitting it. I wanted to be a rapper.

1:30:16.760 --> 1:30:20.880
<v Speaker 1>I just couldn't wrap. So there you go. That it

1:30:21.040 --> 1:30:23.120
<v Speaker 1>was weird. If it weren't for New Jack City, I

1:30:23.360 --> 1:30:26.760
<v Speaker 1>don't know well New Jack City and the subsequent four

1:30:26.880 --> 1:30:30.799
<v Speaker 1>star uh leave review that Ice Tea got Rolling Stone

1:30:31.439 --> 1:30:35.960
<v Speaker 1>for the O G Original Gangster album. I probably probably

1:30:36.000 --> 1:30:37.719
<v Speaker 1>want to listen to it. That's a really good album,

1:30:37.920 --> 1:30:41.000
<v Speaker 1>but it was I love that record, and that's his

1:30:41.160 --> 1:30:43.600
<v Speaker 1>best album to me, Like that's no what would you

1:30:43.680 --> 1:30:48.720
<v Speaker 1>played yourself on it? That power? Freedom of speech? Just

1:30:49.080 --> 1:30:51.080
<v Speaker 1>what you say? You like? You like that one better?

1:30:51.200 --> 1:30:54.680
<v Speaker 1>I love it. You played yourself. It's just amazing record. Chris,

1:30:55.920 --> 1:31:00.160
<v Speaker 1>How long is this fucking thing? It's nine hour? Is

1:31:00.240 --> 1:31:04.120
<v Speaker 1>now it's a three hour? Really sorry, but we're having

1:31:05.800 --> 1:31:10.800
<v Speaker 1>but okay, he's about to change all his means like

1:31:10.880 --> 1:31:14.760
<v Speaker 1>apparently I have another ninety minutes left. Now, we'll wrap

1:31:14.800 --> 1:31:23.960
<v Speaker 1>it up in ninety minutes. Um, it's not Brandon Steven Glover. Okay,

1:31:24.320 --> 1:31:30.120
<v Speaker 1>who you Donald Glover's brother? Yeah? Who writes? He looks

1:31:30.200 --> 1:31:35.200
<v Speaker 1>like h Vernon reach it? Yeah, I got, I got,

1:31:35.280 --> 1:31:37.639
<v Speaker 1>no shame I want to work on like, oh get

1:31:37.680 --> 1:31:40.720
<v Speaker 1>that guy? You want to do Atlanta? No, I don't.

1:31:40.800 --> 1:31:42.600
<v Speaker 1>I love it so much. I don't want to be

1:31:42.680 --> 1:31:46.519
<v Speaker 1>on it. I love Atlanta so much, like like I

1:31:46.880 --> 1:31:48.960
<v Speaker 1>like when I talked to I was like, no guest stars,

1:31:49.080 --> 1:31:51.120
<v Speaker 1>just fucking you know what I mean? I like it

1:31:51.160 --> 1:31:53.080
<v Speaker 1>should be like a Dre record. It should only be

1:31:54.160 --> 1:32:00.560
<v Speaker 1>But you didn't dog Yeah right, you know not. Empires

1:32:00.560 --> 1:32:03.280
<v Speaker 1>are just figured. I just did that because the Empires.

1:32:03.320 --> 1:32:06.559
<v Speaker 1>No Atlanta, No, Atlanta is like the greatest ship ever

1:32:06.760 --> 1:32:10.240
<v Speaker 1>it's like some ship we dreamed about, Like Obama should

1:32:10.280 --> 1:32:14.040
<v Speaker 1>have mentioned it in his speech, like we did it,

1:32:15.280 --> 1:32:19.880
<v Speaker 1>Yes we can. It's like Atlanta. Is that good? Some

1:32:20.040 --> 1:32:24.040
<v Speaker 1>ship we didn't think we'd ever see. Well, that's good

1:32:24.120 --> 1:32:27.000
<v Speaker 1>that you you jumped the trainer. But yeah, I'm already

1:32:27.080 --> 1:32:30.040
<v Speaker 1>like okay, how how how I can be down? Oh?

1:32:30.080 --> 1:32:33.320
<v Speaker 1>You're down? You're down. So his brother writes his brother.

1:32:33.360 --> 1:32:34.840
<v Speaker 1>I mean I talked to him and he was like,

1:32:35.560 --> 1:32:37.920
<v Speaker 1>hire my brother. I'm like, yeah, sure, whatever whatever you

1:32:38.000 --> 1:32:43.400
<v Speaker 1>say there, whatever whatever you say, Mr Gambino. I'm like,

1:32:44.439 --> 1:32:48.240
<v Speaker 1>I'm rolling with you. You have your pa. I don't

1:32:48.280 --> 1:32:50.799
<v Speaker 1>got my I'm just like I'm not gonna be stupid,

1:32:51.320 --> 1:32:56.400
<v Speaker 1>Like this ship is hot. You know a lot of

1:32:56.479 --> 1:33:00.240
<v Speaker 1>times with black stuff anyway, No one people don't think

1:33:00.280 --> 1:33:05.679
<v Speaker 1>it's written. People like kinda people overlook the nerd factor.

1:33:05.760 --> 1:33:08.400
<v Speaker 1>They think it's naturally done. Yes, they think it's you know,

1:33:08.640 --> 1:33:11.200
<v Speaker 1>they think everything is just natural, and these niggers just

1:33:11.280 --> 1:33:15.439
<v Speaker 1>show up and they yeah, they don't realize that the

1:33:15.560 --> 1:33:19.000
<v Speaker 1>stories were broken and you know, scripts were written and rewritten.

1:33:19.040 --> 1:33:22.719
<v Speaker 1>It's like, okay, yeah, I always described that if Woody

1:33:22.800 --> 1:33:26.240
<v Speaker 1>Allen were allowed to direct Masterpiece about it, about it,

1:33:27.880 --> 1:33:30.519
<v Speaker 1>I think it was the greatest. No, but I feel

1:33:30.560 --> 1:33:33.400
<v Speaker 1>like that's I mean, Atlanta me is like a surrealist,

1:33:34.360 --> 1:33:39.639
<v Speaker 1>high intellectual surrealist comedy that you know, that that has

1:33:39.720 --> 1:33:45.240
<v Speaker 1>the grittiness of a you know, of a masterpiece. It

1:33:45.400 --> 1:33:48.600
<v Speaker 1>literally it does have the grittiness of the intellect of

1:33:49.040 --> 1:33:53.280
<v Speaker 1>how people at least the perception of, you know, of

1:33:53.320 --> 1:33:57.160
<v Speaker 1>Woody Allen comedy. But does that not make Donald Glover

1:33:57.280 --> 1:34:00.879
<v Speaker 1>like a unicorn, like Donald Glover childish gambino in himself,

1:34:01.080 --> 1:34:05.160
<v Speaker 1>like as a comedian, producer, writer, artists. No, No, he's

1:34:05.240 --> 1:34:08.840
<v Speaker 1>doing the thing he's doing. You know, he was pulling

1:34:08.880 --> 1:34:12.200
<v Speaker 1>an ice cube, you know. See. Now last week he

1:34:12.240 --> 1:34:14.960
<v Speaker 1>told me as well, well Will, I mean he's Will

1:34:15.080 --> 1:34:19.599
<v Speaker 1>too in a sense, I mean Will's yeah, I guess

1:34:20.400 --> 1:34:24.479
<v Speaker 1>I don't know. I mean, I mean his music is good.

1:34:24.479 --> 1:34:28.240
<v Speaker 1>I love this new album of us. He's not Will,

1:34:28.720 --> 1:34:31.960
<v Speaker 1>He's not willing. That this is I mean Will Will's movie.

1:34:31.960 --> 1:34:34.400
<v Speaker 1>Sh It's just you can't nobody can work with it really,

1:34:35.360 --> 1:34:36.920
<v Speaker 1>but he's doing it in It's weird because he can

1:34:36.960 --> 1:34:39.000
<v Speaker 1>still be him. Like, I feel like it's fascinating that

1:34:39.080 --> 1:34:41.519
<v Speaker 1>Atlanta so black as it is but I mean it's

1:34:41.560 --> 1:34:43.960
<v Speaker 1>just like Ice Cub wrote Friday. We forget Ice Cub

1:34:44.040 --> 1:34:50.320
<v Speaker 1>wrote Friday like he wrote yeah it No, no, he

1:34:50.439 --> 1:34:52.760
<v Speaker 1>wrote it. I remember I was. I was the Chris

1:34:52.880 --> 1:34:56.200
<v Speaker 1>Tucker part, probably for like eight hours one day, and

1:34:59.040 --> 1:35:00.880
<v Speaker 1>like they were gonna pay me eighty grand and he

1:35:00.960 --> 1:35:03.040
<v Speaker 1>did it for forty or something like that. I forget.

1:35:03.479 --> 1:35:05.840
<v Speaker 1>I mean, it's weird because I remember Cube telling me

1:35:06.760 --> 1:35:08.600
<v Speaker 1>as a guy that one. By the way, he's a

1:35:08.680 --> 1:35:10.840
<v Speaker 1>thousand times better in the I wouldn't have been that good.

1:35:10.960 --> 1:35:12.880
<v Speaker 1>I wouldn't I wouldn't have been as good as Chris Tucker.

1:35:12.960 --> 1:35:15.320
<v Speaker 1>Chris Tucker is perfect for the part. But I remember

1:35:15.520 --> 1:35:18.400
<v Speaker 1>Cube kind of telling me in a car like I

1:35:18.479 --> 1:35:20.960
<v Speaker 1>had a meeting with him and he made me listen

1:35:21.000 --> 1:35:24.600
<v Speaker 1>to a whole Lynch Mob album. So I'm like in

1:35:24.720 --> 1:35:29.200
<v Speaker 1>a car with Yeah, I'm in a car with Cube

1:35:29.360 --> 1:35:32.840
<v Speaker 1>kind of smoking a joint? Is he He's playing Lynch

1:35:32.920 --> 1:35:36.439
<v Speaker 1>Mob records and they were okay? But you just like,

1:35:37.000 --> 1:35:42.400
<v Speaker 1>when what's the part with Ice Cube? No neck? You know,

1:35:43.600 --> 1:35:46.360
<v Speaker 1>is yo yo on this one or not? Yeah? Exactly

1:35:47.320 --> 1:35:50.840
<v Speaker 1>all right. So yeah, a long career I've been around,

1:35:51.200 --> 1:35:53.760
<v Speaker 1>so you and I have something in common that that

1:35:53.920 --> 1:35:58.880
<v Speaker 1>we both are love our dads. Yeah, well yeah, black

1:35:58.920 --> 1:36:01.080
<v Speaker 1>guys that love their dads. That's we went to the

1:36:01.160 --> 1:36:05.519
<v Speaker 1>high schools a couple of us, will Smith, grat Hill,

1:36:08.320 --> 1:36:10.800
<v Speaker 1>that's a bunch of us. But you and I went

1:36:10.840 --> 1:36:14.479
<v Speaker 1>to thirty Rock University. Thirty Rock. Yes, I definitely went

1:36:14.600 --> 1:36:16.920
<v Speaker 1>to thirty Rock University. I mean, in hindsight, I'm sure

1:36:17.000 --> 1:36:20.040
<v Speaker 1>that you have nothing but positive things to say. But

1:36:20.720 --> 1:36:22.639
<v Speaker 1>the thing I always wanted to know about thirty Rock

1:36:22.960 --> 1:36:26.519
<v Speaker 1>is that, I mean, and we're now in two thousand seventeen.

1:36:27.360 --> 1:36:30.760
<v Speaker 1>I mean, it's so politically correct and you know, if

1:36:30.800 --> 1:36:33.880
<v Speaker 1>there are any vices, people hide it. But just all

1:36:33.960 --> 1:36:36.760
<v Speaker 1>that folklore that I've read about, like the SNL or

1:36:36.920 --> 1:36:41.479
<v Speaker 1>history book and about like you know, the the the

1:36:42.600 --> 1:36:48.240
<v Speaker 1>binge days of you know, all the there's not even

1:36:48.320 --> 1:36:51.040
<v Speaker 1>smoking there now, like, oh no, it was Harold. We

1:36:51.160 --> 1:36:55.000
<v Speaker 1>smoked in the refrigerator. I had no mand it, you know,

1:36:56.880 --> 1:37:00.960
<v Speaker 1>I had Chris Fawley Man. I had Chris Fawley. I'm

1:37:01.000 --> 1:37:02.800
<v Speaker 1>not gonna blow up too many. Put it this way.

1:37:02.880 --> 1:37:12.439
<v Speaker 1>In my cast dead right, Phil Hartman's wife shot him

1:37:12.479 --> 1:37:16.080
<v Speaker 1>in the head. That you know what I mean? Like,

1:37:16.760 --> 1:37:19.200
<v Speaker 1>so I mean, this ship was rock and roll. Motherfucker.

1:37:19.320 --> 1:37:22.360
<v Speaker 1>This ship was like so weird. When I got hired

1:37:22.360 --> 1:37:24.920
<v Speaker 1>at that s no, I lived in Brooklyn because I

1:37:24.960 --> 1:37:27.559
<v Speaker 1>wasn't moving to Manhattan because I couldn't get a cab

1:37:27.600 --> 1:37:29.720
<v Speaker 1>in man Head right, and I couldn't park a car,

1:37:29.960 --> 1:37:32.160
<v Speaker 1>so it was like what the fuck? Just cost too

1:37:32.240 --> 1:37:33.960
<v Speaker 1>much Parker car. I was never gonna get a cab

1:37:34.040 --> 1:37:36.519
<v Speaker 1>fun this ship right Stan in Brooklyn, and I remember

1:37:36.600 --> 1:37:40.320
<v Speaker 1>everybody was so uh Lauren, and everybody was concerned about

1:37:40.400 --> 1:37:43.880
<v Speaker 1>me living in Brooklyn. I was the one that ever

1:37:43.960 --> 1:37:47.000
<v Speaker 1>concerned about. Mean, while Chris is the guy who died

1:37:47.040 --> 1:37:49.639
<v Speaker 1>basically living o d you know what I mean, everybody

1:37:49.720 --> 1:37:52.840
<v Speaker 1>everybody was worried about the new black guy living who

1:37:52.920 --> 1:37:54.800
<v Speaker 1>wasn't living in the I was living Fort Green. But

1:37:55.320 --> 1:37:56.960
<v Speaker 1>oh do you mean like showing up one time or

1:37:57.040 --> 1:38:00.519
<v Speaker 1>just like just concerned for your safety. It was just

1:38:01.320 --> 1:38:03.519
<v Speaker 1>or how you were blend in with them, not even

1:38:04.000 --> 1:38:08.040
<v Speaker 1>blend in with him, just like who recommends did you

1:38:08.120 --> 1:38:13.479
<v Speaker 1>audition or audition? A guy named James Dixon who's Jon

1:38:13.560 --> 1:38:17.880
<v Speaker 1>Stewart's agents, and a couple other people who was the

1:38:17.960 --> 1:38:20.439
<v Speaker 1>Higgins at the time, who's the Higgins that the Higgins

1:38:20.479 --> 1:38:23.639
<v Speaker 1>at the time was Jim Downey. And who's Higgins? Who's

1:38:23.640 --> 1:38:27.560
<v Speaker 1>the head writer? Higgins is our Sideki no no no, no,

1:38:27.640 --> 1:38:35.400
<v Speaker 1>no no. And and Senator Al Franken. Oh, keep forgetting

1:38:36.120 --> 1:38:39.439
<v Speaker 1>I forgot so Al Franken was a senator, he was

1:38:39.640 --> 1:38:42.120
<v Speaker 1>I think they were both the head writers. Uh. Conan

1:38:42.200 --> 1:38:45.800
<v Speaker 1>O'Brien was a writer on the show. Uh. Bob oten

1:38:45.880 --> 1:38:49.400
<v Speaker 1>Kirk was a writer on the show. Yeah. Did you

1:38:49.479 --> 1:38:51.360
<v Speaker 1>ever have any issues with the things that you wrote

1:38:51.400 --> 1:38:52.840
<v Speaker 1>on that show? I always wondered, like, is it ever

1:38:52.920 --> 1:38:57.599
<v Speaker 1>too black for S and L or too black? Nothing

1:38:57.680 --> 1:39:00.360
<v Speaker 1>was ever too black. It was just it was a situation, aation.

1:39:01.240 --> 1:39:03.280
<v Speaker 1>First of all, I had an amazing time at SNL

1:39:03.360 --> 1:39:05.479
<v Speaker 1>is the best thing. It's absolutely the best thing that

1:39:05.560 --> 1:39:08.400
<v Speaker 1>ever happened to me. Yeah, because it kind of made

1:39:08.439 --> 1:39:10.240
<v Speaker 1>me legit, you know what I mean, Like it was

1:39:10.280 --> 1:39:13.040
<v Speaker 1>like graduating Harvard, which you did for the up and

1:39:13.040 --> 1:39:15.760
<v Speaker 1>coming comedians from Howard and stuff made it even Yeah,

1:39:15.760 --> 1:39:19.880
<v Speaker 1>I mean like I was. I was on SNL man,

1:39:19.920 --> 1:39:25.320
<v Speaker 1>It is only you know, come on, like sn L

1:39:25.479 --> 1:39:30.479
<v Speaker 1>forgetting even black, Like SNL is the X Men School

1:39:30.560 --> 1:39:33.840
<v Speaker 1>of comedy. Okay, did Eddie give you any kind of

1:39:33.880 --> 1:39:36.920
<v Speaker 1>preparation on what to expect. Eddie. The only thing Eddie

1:39:36.960 --> 1:39:39.120
<v Speaker 1>told me. He kept telling me, it's like, just just

1:39:39.439 --> 1:39:41.640
<v Speaker 1>make sure you write stuff for update because it's the

1:39:41.720 --> 1:39:47.320
<v Speaker 1>easiest spot to get on. UM. But what was your question?

1:39:47.680 --> 1:39:49.400
<v Speaker 1>I was just asking. It wasn't ever too edgy or

1:39:49.439 --> 1:39:51.040
<v Speaker 1>black to where they were like it was to edgy

1:39:51.160 --> 1:39:54.200
<v Speaker 1>or black. It was like, it's like this situation just

1:39:54.280 --> 1:39:56.840
<v Speaker 1>white people in general. It's like the things they understand

1:39:56.960 --> 1:40:00.200
<v Speaker 1>about black people tends to be has to have a

1:40:00.320 --> 1:40:03.519
<v Speaker 1>racial element to it. So a lot of stuff I

1:40:03.760 --> 1:40:08.720
<v Speaker 1>did it was more obvious like net X chilling, like

1:40:08.840 --> 1:40:10.840
<v Speaker 1>that stuff is like obvious black stuff, you know what

1:40:10.880 --> 1:40:14.960
<v Speaker 1>I mean. It wasn't really all the weird. I wasn't

1:40:15.000 --> 1:40:19.120
<v Speaker 1>allowed to get into my weird side the other you know,

1:40:19.200 --> 1:40:21.320
<v Speaker 1>like you so it had to be it had to

1:40:21.400 --> 1:40:25.519
<v Speaker 1>be black. Yeah, so it had to be black. I mean,

1:40:25.680 --> 1:40:28.800
<v Speaker 1>so you know, it's not that it's just white people

1:40:28.840 --> 1:40:31.960
<v Speaker 1>in general. Is that the arsenio factor kicking in? Was

1:40:32.040 --> 1:40:34.760
<v Speaker 1>that the living color factor kicking in? I got hired

1:40:34.760 --> 1:40:36.560
<v Speaker 1>because of the living color I got hired just like

1:40:36.720 --> 1:40:40.840
<v Speaker 1>every like whatever that the girl I keep forgetting her

1:40:40.920 --> 1:40:47.240
<v Speaker 1>name I was from. Yeah, I got hired pretty much

1:40:47.280 --> 1:40:50.040
<v Speaker 1>under the same circumstances. SNL hadn't had a black cast

1:40:50.160 --> 1:40:54.640
<v Speaker 1>member in nine years, and Living Color was hopping, and

1:40:54.880 --> 1:40:56.680
<v Speaker 1>they went out looking for a black cast member, and

1:40:56.880 --> 1:41:01.600
<v Speaker 1>you know I got the job. Um but um, I

1:41:01.720 --> 1:41:04.040
<v Speaker 1>forgot what else you're ready to say? No, just white

1:41:04.040 --> 1:41:06.840
<v Speaker 1>people in general, when they're looking for black stuff, they

1:41:07.040 --> 1:41:13.280
<v Speaker 1>tend to like something either ridiculously black. It basically goes

1:41:13.439 --> 1:41:16.439
<v Speaker 1>to the Tracy Borgan or Larry Wilmore, you know what

1:41:16.479 --> 1:41:19.439
<v Speaker 1>I mean, Like in the middle, in the middle, nothing

1:41:19.479 --> 1:41:23.040
<v Speaker 1>in the middle. Nothing I'm taking because you explain, But

1:41:23.120 --> 1:41:26.479
<v Speaker 1>do you explain in your whole and your whole theory

1:41:26.560 --> 1:41:29.720
<v Speaker 1>of you did a joke about Obama could only hope

1:41:29.760 --> 1:41:33.320
<v Speaker 1>to be mediocre? Is again, it's like, you know, it's

1:41:33.360 --> 1:41:38.519
<v Speaker 1>either the perception that we're animals or we are super huge.

1:41:38.680 --> 1:41:41.040
<v Speaker 1>Not calling any person an animal. Let's just let's get up.

1:41:41.080 --> 1:41:43.280
<v Speaker 1>Well no, no, no, but I've meant like just whatever

1:41:44.280 --> 1:41:47.080
<v Speaker 1>the one side of the spectrum where it's the extreme

1:41:47.479 --> 1:41:54.439
<v Speaker 1>its triple raw or extreme caricature versus extreme intellect. But

1:41:55.040 --> 1:41:58.120
<v Speaker 1>the thing with being ground zero middle is that that's

1:41:58.240 --> 1:42:02.720
<v Speaker 1>just regular human yes, which is harder to Yeah, I

1:42:02.760 --> 1:42:05.479
<v Speaker 1>mean that's what's Hey, that's why it let us genius,

1:42:06.720 --> 1:42:10.639
<v Speaker 1>because it walks that thing. It's like, I was very rounded.

1:42:10.760 --> 1:42:12.599
<v Speaker 1>I was recently told by a bunch of white women

1:42:12.720 --> 1:42:14.519
<v Speaker 1>take a like a comedy class. They sound I made

1:42:14.560 --> 1:42:16.599
<v Speaker 1>one joke. I get really nervous about making black jokes

1:42:16.640 --> 1:42:18.760
<v Speaker 1>in front of white people, and so when I did

1:42:18.880 --> 1:42:20.720
<v Speaker 1>finally write one, they were like, oh my god, we

1:42:20.840 --> 1:42:22.760
<v Speaker 1>love it. Tell us more about ourselves, tell us about

1:42:22.760 --> 1:42:25.080
<v Speaker 1>white women. And I was like, really, but that's to

1:42:25.200 --> 1:42:27.760
<v Speaker 1>see that. That bothers me too, because I feel like

1:42:27.840 --> 1:42:32.880
<v Speaker 1>that's almost like fetishizing or you know, the whole guilt

1:42:33.000 --> 1:42:35.360
<v Speaker 1>the guilt factor kicking in. And I was wondering if

1:42:35.360 --> 1:42:36.400
<v Speaker 1>it was a set up. I didn't know, but I

1:42:36.479 --> 1:42:38.639
<v Speaker 1>was like, okay, I got a lot though, that's that's

1:42:38.680 --> 1:42:44.799
<v Speaker 1>a set up. I'm sorry, that's a set up, sup.

1:42:45.760 --> 1:42:49.040
<v Speaker 1>So okay, see you you're you're fine with your experience there,

1:42:49.080 --> 1:42:52.040
<v Speaker 1>and the best experience is literally the best thing that

1:42:52.080 --> 1:42:54.240
<v Speaker 1>I ever happened to me. I met the best people,

1:42:55.200 --> 1:42:58.759
<v Speaker 1>uh not just I mean, hey, I got exposed about

1:42:58.920 --> 1:43:03.439
<v Speaker 1>around a bunch of many So you know, I'm a

1:43:03.760 --> 1:43:07.839
<v Speaker 1>guy from bed sty who came through this white system.

1:43:08.479 --> 1:43:12.960
<v Speaker 1>So I still I'm still the guy who has to

1:43:13.120 --> 1:43:15.599
<v Speaker 1>go and with my uncle to go get the guns

1:43:15.800 --> 1:43:19.120
<v Speaker 1>before the bad cousins come. And at the same time,

1:43:19.280 --> 1:43:22.600
<v Speaker 1>I know, Conan O'Brien, how can you funk with me?

1:43:23.240 --> 1:43:25.760
<v Speaker 1>You can't funk with me, you know. I mean that's

1:43:25.760 --> 1:43:28.320
<v Speaker 1>all like, that's a lot of route, that's a lot

1:43:28.400 --> 1:43:32.759
<v Speaker 1>of education, alright. So that leads me to the period

1:43:32.800 --> 1:43:38.680
<v Speaker 1>between you something for um, I'm sorry I cut you off.

1:43:38.720 --> 1:43:43.120
<v Speaker 1>I wrote I think SNL. We edited a Spin magazine

1:43:44.880 --> 1:43:49.000
<v Speaker 1>and I wrote an article about the end of the

1:43:49.080 --> 1:43:54.240
<v Speaker 1>black super comic is coming because TV was getting more segregated,

1:43:55.520 --> 1:43:59.760
<v Speaker 1>and the black super comic is me. Okay, let's take

1:43:59.800 --> 1:44:01.599
<v Speaker 1>me of it, because that sounds I saw, I saw

1:44:01.680 --> 1:44:06.080
<v Speaker 1>like a cornerback, right. But you know, there's a reason

1:44:06.200 --> 1:44:10.360
<v Speaker 1>Eddie Murphy, Richard pryor all the greatest black comedians, the

1:44:10.560 --> 1:44:13.960
<v Speaker 1>greatest comedians in America tend to be black. It's because

1:44:14.000 --> 1:44:17.479
<v Speaker 1>you had to work these two systems in a world

1:44:17.560 --> 1:44:23.000
<v Speaker 1>that everybody else has to work one. So you're saying

1:44:23.040 --> 1:44:25.800
<v Speaker 1>Sam Cook record in Harlem, which is more blacker than

1:44:25.840 --> 1:44:29.760
<v Speaker 1>the Sam Cook record at the Coppa records come out. Yeah,

1:44:30.080 --> 1:44:32.040
<v Speaker 1>this is the same thing that produced Michael Jackson. And

1:44:32.640 --> 1:44:36.439
<v Speaker 1>like the the fact that you had to work two

1:44:36.520 --> 1:44:40.519
<v Speaker 1>audiences in a world everybody else worked one. It's like,

1:44:40.680 --> 1:44:44.440
<v Speaker 1>how do how can they funk with you? It's impossible.

1:44:45.160 --> 1:44:47.880
<v Speaker 1>Can't funk with a guy that could work the Apollo

1:44:48.400 --> 1:44:52.960
<v Speaker 1>and Carnie Haul. You can't funk with that anyway. But

1:44:53.160 --> 1:44:56.880
<v Speaker 1>the thing is you're talking about two audiences though. But

1:44:57.240 --> 1:45:05.400
<v Speaker 1>I feel like now you specifically, there's there's Brooklyn alternative.

1:45:05.479 --> 1:45:09.680
<v Speaker 1>There's the Brooklyn alternative stuff that I know that you

1:45:09.880 --> 1:45:11.720
<v Speaker 1>love a challenge anywhere. And I always ask you, like,

1:45:11.840 --> 1:45:16.080
<v Speaker 1>would you ever go to night Training? Two weeks ago

1:45:16.600 --> 1:45:19.639
<v Speaker 1>you did night Train? Did night Train? Did? Like? Night Train?

1:45:20.280 --> 1:45:22.680
<v Speaker 1>How do you do? I did? Okay? But I did

1:45:22.760 --> 1:45:25.840
<v Speaker 1>okay because I I haven't been on stage in a while.

1:45:26.280 --> 1:45:29.280
<v Speaker 1>The night train and what is night Train? Just well? Okay?

1:45:29.400 --> 1:45:32.000
<v Speaker 1>So night Train is like again, there's like I feel

1:45:32.000 --> 1:45:35.920
<v Speaker 1>like there's three comedy universes in we're really for because

1:45:35.920 --> 1:45:39.479
<v Speaker 1>I keep taking the black factor out. But for me,

1:45:39.720 --> 1:45:44.800
<v Speaker 1>my observation in New York is that Brooklyn is the

1:45:45.080 --> 1:45:48.599
<v Speaker 1>comic alternative spot. So night Train is a place that's

1:45:48.600 --> 1:45:51.559
<v Speaker 1>where Wyatt would go like that, that's why it spot.

1:45:51.960 --> 1:45:58.160
<v Speaker 1>It's alternative, alternative, hipster comedy spot. Uh. And then you know,

1:45:59.840 --> 1:46:03.880
<v Speaker 1>I feel like in midtown Manhattan between uh, where's the

1:46:03.920 --> 1:46:10.880
<v Speaker 1>spot on Street that people sometimes go, like Amy goes

1:46:10.920 --> 1:46:16.040
<v Speaker 1>there sometimes, but there's there's like a midtown if you're

1:46:16.120 --> 1:46:19.880
<v Speaker 1>midtown to sort of like seventy Street, you might be

1:46:20.040 --> 1:46:23.280
<v Speaker 1>going to you know, you might be doing Vegas, you

1:46:23.400 --> 1:46:27.639
<v Speaker 1>might you're kind of mainstream, but stand well, the stand,

1:46:27.760 --> 1:46:32.160
<v Speaker 1>the stand, but then the comedy seller. I feels like

1:46:32.320 --> 1:46:35.439
<v Speaker 1>the Harvard. I feel like that's the hardest place to penetrate,

1:46:35.920 --> 1:46:38.680
<v Speaker 1>not because of the crowd downstairs, but I feel like

1:46:38.840 --> 1:46:42.960
<v Speaker 1>if you can survive that table on the back where

1:46:43.080 --> 1:46:47.799
<v Speaker 1>He'll sit, where Crys will sit sometimes Dave me Amy

1:46:48.400 --> 1:46:54.320
<v Speaker 1>in Disease, Yeah, it's it's like Shumer Disease, Chappelle, Louis

1:46:54.320 --> 1:46:58.320
<v Speaker 1>c K. But it's like it's the it's the it's

1:46:58.360 --> 1:47:03.360
<v Speaker 1>the it's the constant traded geniuses of comedy that's there.

1:47:03.600 --> 1:47:10.000
<v Speaker 1>That's their witched And I'm always curious, asked you, Chris

1:47:10.120 --> 1:47:12.160
<v Speaker 1>will be like, I don't give. I will go to

1:47:12.360 --> 1:47:15.639
<v Speaker 1>alternative Brooklyn and see if I could work there Chris

1:47:15.760 --> 1:47:18.679
<v Speaker 1>Wall also, you know, try car I mean not saying

1:47:18.720 --> 1:47:20.680
<v Speaker 1>that you would ever do Carolines, but I don't know

1:47:21.520 --> 1:47:25.040
<v Speaker 1>is Carolines like to you what I mean, I'll walk

1:47:25.120 --> 1:47:28.559
<v Speaker 1>I'll walk on. Eric Andre went on. I was doing

1:47:28.600 --> 1:47:31.439
<v Speaker 1>some shows the Caroline. Eric Andre did like a weekend

1:47:31.560 --> 1:47:33.559
<v Speaker 1>or a week at car I would expect eric Andre

1:47:33.680 --> 1:47:36.920
<v Speaker 1>to do the Brooklyn spots right anyway, I opened up

1:47:36.960 --> 1:47:38.439
<v Speaker 1>for him. I like, I would you know I went

1:47:38.520 --> 1:47:44.160
<v Speaker 1>on before one night? Yeah, well not unannounces. Uh. Carolins

1:47:44.200 --> 1:47:47.320
<v Speaker 1>was like the last comedy club I ever played for real,

1:47:47.479 --> 1:47:50.200
<v Speaker 1>like when the Ship was just you know that that

1:47:50.400 --> 1:47:52.960
<v Speaker 1>gig where you, oh ship people are getting hurt. Okay,

1:47:53.120 --> 1:47:57.479
<v Speaker 1>time to go to theaters. But uh wow, okay, I

1:47:57.600 --> 1:48:01.160
<v Speaker 1>just remember right around Bring the Pain. Maybe remember Louis

1:48:01.400 --> 1:48:03.960
<v Speaker 1>who wasn't even my friend at the time, but Louie

1:48:04.080 --> 1:48:07.800
<v Speaker 1>and David Cross, like Janine, all the cool kids showed up.

1:48:08.680 --> 1:48:13.519
<v Speaker 1>It's like, oh okay, so something else happening. What is

1:48:13.600 --> 1:48:19.040
<v Speaker 1>that period between you leaving SNL see before Yeah, it

1:48:19.200 --> 1:48:23.360
<v Speaker 1>was like maybe half a season of Living Color between

1:48:24.080 --> 1:48:27.200
<v Speaker 1>between met and I'm not even saying big gass jokes,

1:48:27.240 --> 1:48:30.120
<v Speaker 1>but more like I just remember a period when you

1:48:30.200 --> 1:48:35.160
<v Speaker 1>started doing the one Hunter, collect commercials and politically correct. Yeah,

1:48:35.200 --> 1:48:38.160
<v Speaker 1>I felt like Chris Rock, Like I stayed working. You

1:48:38.200 --> 1:48:40.720
<v Speaker 1>seem like a different person. Like you. You you cut

1:48:40.760 --> 1:48:43.639
<v Speaker 1>your hair, you had a your preacher's voice was now

1:48:44.280 --> 1:48:47.120
<v Speaker 1>starting to develop, Like it was less about like your

1:48:47.200 --> 1:48:51.519
<v Speaker 1>voice on Born Suspect and your old Chris Rock throwing

1:48:51.560 --> 1:48:53.240
<v Speaker 1>down the mic and all that stuff, Like you were

1:48:53.280 --> 1:48:56.519
<v Speaker 1>now a nuanced I got older. I mean the thing

1:48:56.600 --> 1:49:01.120
<v Speaker 1>with comedians, Comedians are good until they're in their thirties.

1:49:01.960 --> 1:49:05.479
<v Speaker 1>This is not every everything you love about Richard Pryor

1:49:05.600 --> 1:49:09.880
<v Speaker 1>he was thirty eight, forty whatever. Bill. There's no Little

1:49:09.920 --> 1:49:13.760
<v Speaker 1>Wane of comedy. There's no fucking Drake of comedy. Eddie

1:49:13.800 --> 1:49:20.280
<v Speaker 1>Murphy is the only He's the only guy. Literally, if

1:49:20.280 --> 1:49:22.559
<v Speaker 1>you go to your Netflix right now and just start

1:49:22.760 --> 1:49:26.840
<v Speaker 1>clicking through people, you'll you'll find one two year old

1:49:27.000 --> 1:49:33.880
<v Speaker 1>Eddie Murphy. Everybody else's grown. Because you gotta you gotta

1:49:33.920 --> 1:49:37.479
<v Speaker 1>pay taxes to fucking connect to an audience. You gotta

1:49:38.280 --> 1:49:42.240
<v Speaker 1>be you gotta have been loved and unloved and cheated

1:49:42.320 --> 1:49:45.400
<v Speaker 1>on a motherfucking and went broke, and you know what

1:49:45.400 --> 1:49:48.360
<v Speaker 1>I mean, Like you gotta you gotta like you gotta,

1:49:48.720 --> 1:49:53.360
<v Speaker 1>you know, feel the pain of just life and disappointments

1:49:53.760 --> 1:49:56.800
<v Speaker 1>like I'm not who I thought I was and my

1:49:57.080 --> 1:50:02.479
<v Speaker 1>mother ain't who I thought she was. Besides age, I mean,

1:50:02.560 --> 1:50:07.320
<v Speaker 1>besides age, besides age? What and you get older? You

1:50:07.439 --> 1:50:10.519
<v Speaker 1>what made you work? Focused? What made you focus into

1:50:10.920 --> 1:50:17.360
<v Speaker 1>like you know, I mean at that point of my career, honestly,

1:50:17.439 --> 1:50:20.439
<v Speaker 1>I thought I was done as trying to as far

1:50:20.520 --> 1:50:23.759
<v Speaker 1>as getting famous, So you thought, like off the Vegas

1:50:23.800 --> 1:50:27.719
<v Speaker 1>and renown. I thought like, okay, what's his name, George,

1:50:28.080 --> 1:50:32.120
<v Speaker 1>George Wallace, Yeah, like he always works. That was George

1:50:32.520 --> 1:50:35.080
<v Speaker 1>my idol to this day because he's like that was

1:50:35.200 --> 1:50:38.560
<v Speaker 1>my goal. I was like, okay, this whole trying to

1:50:38.600 --> 1:50:41.320
<v Speaker 1>be what does he make a year? I bet you

1:50:41.479 --> 1:50:44.880
<v Speaker 1>makes two billion dollars a year just playing Vegas, playing

1:50:45.000 --> 1:50:51.160
<v Speaker 1>Vegas like city cruise, ship this, like you know, choice gigs. Yeah,

1:50:51.439 --> 1:50:53.559
<v Speaker 1>she's kind of like Jimmy Buffett. I'm gonna get comedy.

1:50:53.600 --> 1:50:55.559
<v Speaker 1>I could be way off, I don't know, but I'm

1:50:55.560 --> 1:50:59.320
<v Speaker 1>gonna get the quality. Like he's every comedian's favorite comedian.

1:50:59.400 --> 1:51:05.479
<v Speaker 1>He's like like a guy so oh he's great. He's

1:51:05.600 --> 1:51:10.559
<v Speaker 1>great as the interviewer. I was asking that he's great.

1:51:10.640 --> 1:51:13.679
<v Speaker 1>I've what he does. He does a thing. It's hard

1:51:13.760 --> 1:51:16.080
<v Speaker 1>to realize what he's doing. It looks easy, that's what

1:51:16.160 --> 1:51:17.479
<v Speaker 1>I want to know, Like, you know what I mean,

1:51:17.560 --> 1:51:19.400
<v Speaker 1>it looks like he's just your uncle and he's just

1:51:19.479 --> 1:51:22.280
<v Speaker 1>coming up with this ship. But George Wallace will come

1:51:22.280 --> 1:51:24.080
<v Speaker 1>in the club and he'll have his pad and that

1:51:24.200 --> 1:51:27.200
<v Speaker 1>motherfucker will try jokes and he writes jokes and sometimes

1:51:27.240 --> 1:51:30.040
<v Speaker 1>he'll buy some jokes and he's like, very serious about

1:51:30.080 --> 1:51:36.080
<v Speaker 1>this by jokes. Yeah, people buy jokes sometimes. Really, have

1:51:36.240 --> 1:51:39.200
<v Speaker 1>you ever had to sling jokes? Like, yo, man, I'm

1:51:39.800 --> 1:51:41.960
<v Speaker 1>next week, I need something about o j I mean,

1:51:42.520 --> 1:51:45.519
<v Speaker 1>you know, I watched people's acts and sometimes I give

1:51:45.600 --> 1:51:48.240
<v Speaker 1>him a line or two or whatever. The fun somebody

1:51:48.240 --> 1:51:49.680
<v Speaker 1>will give me a line. It's like, oh that thing

1:51:49.720 --> 1:51:52.200
<v Speaker 1>you're working on, you know, if you try it this way,

1:51:52.280 --> 1:51:56.040
<v Speaker 1>I mean, you know. And some guys just have jokes

1:51:56.160 --> 1:51:59.000
<v Speaker 1>for sale. Some guys are just writers and they sell jokes.

1:51:59.120 --> 1:52:01.600
<v Speaker 1>But you know, what's the name does that right? The

1:52:01.600 --> 1:52:04.920
<v Speaker 1>guy who does all the roast, doesn't he write Jeff

1:52:04.960 --> 1:52:07.920
<v Speaker 1>je Frost? Yeah, I mean I don't. I'm not one

1:52:07.960 --> 1:52:11.559
<v Speaker 1>of these like you gotta come up with every line.

1:52:12.240 --> 1:52:14.680
<v Speaker 1>You just gotta you know, So, do you have a

1:52:14.840 --> 1:52:19.400
<v Speaker 1>crew or a cabinet of like I like, right now

1:52:20.080 --> 1:52:23.200
<v Speaker 1>I have, I've written I don't know our twenty minutes

1:52:23.240 --> 1:52:27.280
<v Speaker 1>worth of stuff right right? And you know, my tour

1:52:27.439 --> 1:52:33.160
<v Speaker 1>starts February. Wait time he comes here, he's coming to

1:52:33.600 --> 1:52:39.880
<v Speaker 1>tour tour. He's coming to that's next week. Hang one second, alright?

1:52:40.680 --> 1:52:42.639
<v Speaker 1>Started is We're in the third hour of this week's

1:52:42.640 --> 1:52:45.200
<v Speaker 1>episode of Quest of Supreme with our special guest Chris Rock,

1:52:45.800 --> 1:52:49.639
<v Speaker 1>who just let me know that he's about to start

1:52:49.720 --> 1:52:54.680
<v Speaker 1>his tour momentarily. Uh, but yet usually you let me

1:52:54.800 --> 1:52:58.800
<v Speaker 1>know when you're like, well no, no, no, no, no,

1:52:58.920 --> 1:53:00.760
<v Speaker 1>I don't know the huge of the smith. But you

1:53:00.920 --> 1:53:05.920
<v Speaker 1>usually usually towards you know, you do the small spots first,

1:53:05.920 --> 1:53:08.400
<v Speaker 1>and you start sucking around a little bit. I mean,

1:53:08.520 --> 1:53:11.360
<v Speaker 1>this is weird. I've never not heard you, I've never

1:53:11.840 --> 1:53:15.160
<v Speaker 1>seen you wait this long. I've never waited this long.

1:53:15.280 --> 1:53:17.280
<v Speaker 1>I mean, why are you waiting this long? Like my

1:53:17.400 --> 1:53:19.360
<v Speaker 1>last three tours, I was kind of the same guy,

1:53:19.880 --> 1:53:23.960
<v Speaker 1>so the same girl, had the same kids like I

1:53:24.160 --> 1:53:28.519
<v Speaker 1>was my last to three years. Is like, I don't

1:53:28.520 --> 1:53:33.040
<v Speaker 1>know who the funk I am divorced. I got like

1:53:33.320 --> 1:53:35.519
<v Speaker 1>I got custody, I got you know, I got I

1:53:35.600 --> 1:53:41.320
<v Speaker 1>got split custody of my kids. Like so so yeah,

1:53:41.400 --> 1:53:46.080
<v Speaker 1>I got teenage daughters and like I'm really trying to

1:53:46.160 --> 1:53:50.880
<v Speaker 1>figure out who I am. A lot of it's that. Um,

1:53:52.040 --> 1:53:54.960
<v Speaker 1>I'm not scared. I'm gonna work out. I think I'm

1:53:54.960 --> 1:53:57.800
<v Speaker 1>gonna go to Nashville for a few days, like a week.

1:53:58.680 --> 1:54:01.000
<v Speaker 1>Actually have some of my guys have Ali there a

1:54:01.160 --> 1:54:06.920
<v Speaker 1>lance whatever? Uh, same guys. Are you bringing in new blood?

1:54:06.960 --> 1:54:09.400
<v Speaker 1>So I'm gonna bring up some new blood? Uh? I

1:54:09.520 --> 1:54:11.760
<v Speaker 1>think Jack White is going to be involved on some level.

1:54:12.960 --> 1:54:17.679
<v Speaker 1>So a third man record. Uh yo. I really regret

1:54:17.800 --> 1:54:21.800
<v Speaker 1>this whole uh missing that that that that meeting, that

1:54:21.920 --> 1:54:24.760
<v Speaker 1>Stoneheage meeting you guys had at Tip's house because I

1:54:24.840 --> 1:54:27.960
<v Speaker 1>feel like so much business got negotiated night. That was

1:54:28.000 --> 1:54:33.280
<v Speaker 1>a good night. It was like the Tip had a

1:54:33.720 --> 1:54:36.400
<v Speaker 1>what do you call it at their funeral repost pass

1:54:37.680 --> 1:54:40.960
<v Speaker 1>at after five thing. Yeah, but yeah, I mean We're

1:54:40.960 --> 1:54:43.120
<v Speaker 1>at Tip's house a lot. Just I mean when he

1:54:43.240 --> 1:54:45.040
<v Speaker 1>was working on the record, now there's no record. I

1:54:45.080 --> 1:54:47.320
<v Speaker 1>don't know what he's doing now, talked him a little

1:54:47.320 --> 1:54:51.200
<v Speaker 1>bit yesterday, but uh, I feel like one has to

1:54:51.280 --> 1:54:54.360
<v Speaker 1>live in Jersey. I gave my my A and R notes.

1:55:04.280 --> 1:55:06.160
<v Speaker 1>How much of your set is worked out and how

1:55:06.240 --> 1:55:09.480
<v Speaker 1>much it's gonna be kind of I mean it, honestly,

1:55:09.800 --> 1:55:12.440
<v Speaker 1>it's the least amount I've ever had worked out. Ever,

1:55:13.360 --> 1:55:16.600
<v Speaker 1>You're not worried about it, I'm not. It's weird watching

1:55:16.720 --> 1:55:21.120
<v Speaker 1>Dave relaxes me a little bit. Uh Am I worried

1:55:21.160 --> 1:55:23.920
<v Speaker 1>about it. I'm worried about it. I mean, it's put

1:55:24.000 --> 1:55:30.080
<v Speaker 1>his way. Worry is respect. You know. Motherfucker's that don't

1:55:30.120 --> 1:55:35.080
<v Speaker 1>worry about ship, that aren't nervous, don't respect the art.

1:55:35.760 --> 1:55:38.520
<v Speaker 1>I've heard that before. So I'm definitely worried, and I'm

1:55:38.600 --> 1:55:41.280
<v Speaker 1>definitely but I'm carving out the time. I'm carving out

1:55:41.320 --> 1:55:43.840
<v Speaker 1>the time. I'm just, uh, it's just a different me.

1:55:44.120 --> 1:55:47.400
<v Speaker 1>I mean, I'm a father the first, you know, so

1:55:48.880 --> 1:55:51.240
<v Speaker 1>you know I've been with my kids. You know, I

1:55:51.320 --> 1:55:53.440
<v Speaker 1>got my I have my kids this weekend, you know

1:55:53.480 --> 1:55:56.400
<v Speaker 1>what I mean. So I'm not you know, you're still

1:55:56.480 --> 1:55:58.000
<v Speaker 1>like you gotta go pick your kids up after this.

1:55:58.800 --> 1:56:01.120
<v Speaker 1>I drop my daughter off. It's today. I mean, like,

1:56:01.240 --> 1:56:04.000
<v Speaker 1>do you kids know you're Chris Rock or they just

1:56:04.160 --> 1:56:08.440
<v Speaker 1>know like you did the voice over for my oldest

1:56:08.560 --> 1:56:11.000
<v Speaker 1>is realizing because she wants to come with me every

1:56:11.040 --> 1:56:13.120
<v Speaker 1>time I get on stage now. But but she just

1:56:13.240 --> 1:56:15.720
<v Speaker 1>thinks like you get her into cool concerts. Oh yeah,

1:56:15.760 --> 1:56:19.160
<v Speaker 1>that's part of it. Yeah, it's like hey, but they

1:56:19.200 --> 1:56:23.880
<v Speaker 1>have like, like, what's what's bigger? Watch that the kid

1:56:23.960 --> 1:56:26.080
<v Speaker 1>their friends house, I mean what they got their own phones,

1:56:26.240 --> 1:56:29.680
<v Speaker 1>they got YouTube? Would you not punch up your father?

1:56:31.200 --> 1:56:35.000
<v Speaker 1>We had eight videos on YouTube? Of course they've wanted.

1:56:35.120 --> 1:56:38.000
<v Speaker 1>But what's the ratio to dad? And oh ship, we're

1:56:38.040 --> 1:56:43.440
<v Speaker 1>being raised by an A list celebrity. It's they know

1:56:43.680 --> 1:56:48.920
<v Speaker 1>not yet, yeah, because we'll know you're no, I'm already

1:56:49.120 --> 1:56:54.040
<v Speaker 1>Bruno Manis will be involved. I've already been informed that

1:56:55.760 --> 1:56:58.800
<v Speaker 1>I gotta figure out Bruno mars Is. Whereabouts of my daughters?

1:56:59.280 --> 1:57:04.600
<v Speaker 1>Howld uh fift be fifteen and thirteen? So how you

1:57:04.640 --> 1:57:08.040
<v Speaker 1>doing keeping him off the pole? Yeah, they're off, They're saying,

1:57:08.080 --> 1:57:11.560
<v Speaker 1>I think they're safely off to pol You can tell

1:57:11.640 --> 1:57:15.600
<v Speaker 1>these things early, like like athletics. You know, you know

1:57:15.680 --> 1:57:17.480
<v Speaker 1>if your kids going in the major leagues by the

1:57:17.600 --> 1:57:20.240
<v Speaker 1>time he's twelve. You know, if your daughters on the

1:57:20.320 --> 1:57:23.800
<v Speaker 1>pole by the time it's about fourteen. Okay, we're out

1:57:23.840 --> 1:57:26.840
<v Speaker 1>of the water here. You're good, You're good. But where

1:57:26.880 --> 1:57:29.960
<v Speaker 1>were we? Where were we? Uh? Yeah, I'm just uh

1:57:30.360 --> 1:57:33.000
<v Speaker 1>get ready to get on. I'm just trying to figure

1:57:33.000 --> 1:57:35.160
<v Speaker 1>out where I'm gonna go to work out. So I

1:57:35.240 --> 1:57:37.400
<v Speaker 1>may go to Nashville. There's a part of me I

1:57:37.400 --> 1:57:39.840
<v Speaker 1>wants to go to Baltimore. So I always make sure

1:57:40.640 --> 1:57:42.800
<v Speaker 1>before I go on tour, I spend like a week

1:57:42.920 --> 1:57:46.040
<v Speaker 1>in someplace really white, getting on stage in a place

1:57:46.160 --> 1:57:52.120
<v Speaker 1>someplace really black. Are there black comedy clubs? Oh? Yes,

1:57:52.160 --> 1:58:00.480
<v Speaker 1>there are where Atlanta, Detroit, um Mobile, Alabama. Uh, you know,

1:58:00.520 --> 1:58:03.720
<v Speaker 1>there's some spots. There's definitely some spots. Just you know,

1:58:04.800 --> 1:58:08.080
<v Speaker 1>spot Earthquake plays twice a year. You know, good wet

1:58:08.080 --> 1:58:12.240
<v Speaker 1>earthquake this week, and of all Crawford's the next week.

1:58:12.440 --> 1:58:16.400
<v Speaker 1>And you know what I mean, Joe Tories come into town.

1:58:16.560 --> 1:58:20.080
<v Speaker 1>You know in Top five, the whole the jazz d character,

1:58:20.200 --> 1:58:24.440
<v Speaker 1>you know with was that actually a part of your career?

1:58:24.520 --> 1:58:26.280
<v Speaker 1>Did you play those little clubs like that? Yeah, that

1:58:26.360 --> 1:58:30.280
<v Speaker 1>really happened. The whole story actually happened. That happened, mother,

1:58:30.720 --> 1:58:37.960
<v Speaker 1>motherfucking man. In Houston, Another Town jazz d damn it,

1:58:38.640 --> 1:58:42.280
<v Speaker 1>but e Cedric knocked that ship out the park. Why

1:58:42.320 --> 1:58:45.080
<v Speaker 1>do you think that movie? Because that was I mean,

1:58:45.160 --> 1:58:47.640
<v Speaker 1>that's my favorite of your movies and the other ones

1:58:47.720 --> 1:58:51.200
<v Speaker 1>I liked. But you know, when you were talking about

1:58:51.280 --> 1:58:53.800
<v Speaker 1>kind of finding I guess maybe finding your way in movies,

1:58:54.200 --> 1:58:56.000
<v Speaker 1>like you would kill it on stage, But a lot

1:58:56.040 --> 1:58:58.440
<v Speaker 1>of times in the early stuff, the humor that you

1:58:58.520 --> 1:59:01.560
<v Speaker 1>had on stage, it didn't translate to the movies. What

1:59:01.840 --> 1:59:04.040
<v Speaker 1>was it about Top five that made that kind of

1:59:04.640 --> 1:59:09.600
<v Speaker 1>like where it all kind of galvanized. It's a it's weird.

1:59:09.640 --> 1:59:11.640
<v Speaker 1>Top Five is a lot like Bring the Pain. It

1:59:11.800 --> 1:59:15.040
<v Speaker 1>was like a guy just trying to be good. Like

1:59:15.400 --> 1:59:17.320
<v Speaker 1>everything before Bring the Pain was a guy trying to

1:59:17.360 --> 1:59:20.880
<v Speaker 1>be famous, and like the other movies I made, it

1:59:21.000 --> 1:59:22.400
<v Speaker 1>was like it was it was almost like I was

1:59:22.480 --> 1:59:24.640
<v Speaker 1>making my own version of Adam Sailor movies in a

1:59:24.720 --> 1:59:28.280
<v Speaker 1>weird way because he's my friend and his movies are big.

1:59:29.040 --> 1:59:31.240
<v Speaker 1>So I was like following another blueprint, and I was

1:59:31.320 --> 1:59:35.080
<v Speaker 1>just like I was thinking about a one sheet. So

1:59:35.240 --> 1:59:37.560
<v Speaker 1>it started with I think I love my wife probably,

1:59:37.880 --> 1:59:40.760
<v Speaker 1>but like I had to stay down to earth and

1:59:41.880 --> 1:59:44.240
<v Speaker 1>whatever else was just kind of me. Look, okay, this

1:59:44.400 --> 1:59:46.880
<v Speaker 1>is a good poster and these are good jokes for

1:59:46.960 --> 1:59:49.960
<v Speaker 1>a trailer, and I wasn't really thinking about a movie

1:59:50.160 --> 1:59:54.760
<v Speaker 1>per se, and you know, uh yeah, I was just

1:59:55.640 --> 1:59:58.080
<v Speaker 1>on some bullshit trying to get a hit. Still like

1:59:58.840 --> 2:00:01.000
<v Speaker 1>still liked to stand. I said, it's got some good ship.

2:00:02.360 --> 2:00:05.560
<v Speaker 1>But but with Top five and I think I Love

2:00:05.640 --> 2:00:08.920
<v Speaker 1>my wife, was just like, Okay, I'm just making I'm

2:00:09.040 --> 2:00:11.440
<v Speaker 1>making what I want to make. I don't really care

2:00:12.160 --> 2:00:13.560
<v Speaker 1>if it's a I would like it to be a

2:00:13.600 --> 2:00:16.320
<v Speaker 1>big hit, but I really I'm really more about and

2:00:16.360 --> 2:00:20.000
<v Speaker 1>I've really got into to being a filmmaker too. Well

2:00:20.000 --> 2:00:23.720
<v Speaker 1>I was I didn't even care about filmmaking in those

2:00:23.760 --> 2:00:27.360
<v Speaker 1>other movies. I was just Top five was just the

2:00:27.480 --> 2:00:29.520
<v Speaker 1>thing I wanted to say at that moment. I wasn't.

2:00:30.760 --> 2:00:32.440
<v Speaker 1>I never thought it would be a hit. Put it

2:00:32.560 --> 2:00:34.520
<v Speaker 1>that way, What did your wife think of I think

2:00:34.560 --> 2:00:40.760
<v Speaker 1>I love my wife? Well we're divorced now, So I

2:00:40.880 --> 2:00:42.760
<v Speaker 1>made it in a weird movie because at the end

2:00:42.800 --> 2:00:46.600
<v Speaker 1>he does go to his wife. So I mean, hey, man,

2:00:47.920 --> 2:00:50.600
<v Speaker 1>was like for life, like that changed my life. I mean,

2:00:50.720 --> 2:00:53.640
<v Speaker 1>Quentin Tarantino said something a long time ago. He said

2:00:53.760 --> 2:00:56.080
<v Speaker 1>when you make a piece of art, if there aren't

2:00:56.120 --> 2:00:58.880
<v Speaker 1>people in your life that are mad at you afterwards,

2:00:59.000 --> 2:01:03.040
<v Speaker 1>you didn't make good ship it. You didn't go deep enough.

2:01:04.080 --> 2:01:06.960
<v Speaker 1>She wasn't even mad. She wasn't even mad, because the

2:01:07.760 --> 2:01:10.920
<v Speaker 1>sentiment was, I mean, it makes you look I mean again,

2:01:11.200 --> 2:01:16.280
<v Speaker 1>I'm divorced me. I didn't want to make your I

2:01:16.360 --> 2:01:19.080
<v Speaker 1>didn't want to make your your your divorced part of

2:01:19.120 --> 2:01:23.280
<v Speaker 1>the your career discussion. But since we're here in hindsight,

2:01:24.840 --> 2:01:27.920
<v Speaker 1>because I mean, after nineties six you became Did you

2:01:27.960 --> 2:01:31.000
<v Speaker 1>get married before after I got married in nine? I

2:01:31.080 --> 2:01:34.000
<v Speaker 1>think I think were you guys got married during Bring

2:01:34.120 --> 2:01:35.920
<v Speaker 1>the Pain? Like we got married after Bring the Pain?

2:01:36.000 --> 2:01:39.080
<v Speaker 1>I think now like I could afford a wedding after

2:01:39.160 --> 2:01:44.880
<v Speaker 1>that in hindsight, and I guess we could pretty much

2:01:44.880 --> 2:01:49.560
<v Speaker 1>say that ninety six was the turning point of you

2:01:50.080 --> 2:01:55.520
<v Speaker 1>really black culture, reasonable doubt Bring the Pain. Jay z

2:01:55.680 --> 2:02:03.120
<v Speaker 1>One his opus affected the culture more than my opus.

2:02:03.320 --> 2:02:08.920
<v Speaker 1>Yes you think so, and we're not. We're not kissing

2:02:08.960 --> 2:02:11.120
<v Speaker 1>your ass because there's a venue as a rapper. It

2:02:11.240 --> 2:02:17.120
<v Speaker 1>didn't not. Here's the thing, now, that's that's the forgetting

2:02:17.120 --> 2:02:20.960
<v Speaker 1>the references and rap songs all the time Grand Opening

2:02:21.120 --> 2:02:26.040
<v Speaker 1>Grand Club the other day. But the thing is, Reasonable

2:02:26.080 --> 2:02:29.320
<v Speaker 1>Doubt is also one of those albums that you were

2:02:29.440 --> 2:02:33.440
<v Speaker 1>told it was a classic exactly. I don't remember being mad. No,

2:02:33.800 --> 2:02:36.800
<v Speaker 1>nobody was bumping reasons doubt when we had fucking ghost Face,

2:02:36.880 --> 2:02:40.600
<v Speaker 1>red Man and goddamn uh A t Aliens. I didn't.

2:02:40.720 --> 2:02:42.720
<v Speaker 1>I didn't hear Reasonable Doubt until after I knew moved

2:02:42.720 --> 2:02:47.080
<v Speaker 1>to New York. That that was. It was almost ten

2:02:47.160 --> 2:02:49.760
<v Speaker 1>years after. Yeah, I was like, like it came out

2:02:49.800 --> 2:02:51.520
<v Speaker 1>and I remember I was like, Okay, this is good,

2:02:51.680 --> 2:02:55.720
<v Speaker 1>but I'm saying the the impact of Bring the Pain

2:02:57.560 --> 2:03:01.840
<v Speaker 1>on HBO it was I think madic moments. And we

2:03:02.000 --> 2:03:06.320
<v Speaker 1>rewound it recorded, watched it over study that ship. Not

2:03:06.520 --> 2:03:09.760
<v Speaker 1>my teachers in school. We're talking about Bringing the Pain

2:03:09.880 --> 2:03:12.560
<v Speaker 1>like in home room, like before the bell ring, like

2:03:12.760 --> 2:03:16.400
<v Speaker 1>they would be joking. I think you don't think there

2:03:16.480 --> 2:03:23.600
<v Speaker 1>might not be Yeah, I don't think there's nine hundred

2:03:23.600 --> 2:03:26.600
<v Speaker 1>million dollars in your bank account. And you know, Beyonce,

2:03:26.840 --> 2:03:31.480
<v Speaker 1>but you won that. It was a weird. It was

2:03:31.480 --> 2:03:34.040
<v Speaker 1>a great year, some great black art cave ab out

2:03:34.880 --> 2:03:38.000
<v Speaker 1>and uh and that was when you got married around

2:03:38.440 --> 2:03:41.160
<v Speaker 1>it was. It was. It was a want to say hayes,

2:03:41.360 --> 2:03:43.200
<v Speaker 1>but it was it was a world when a lot

2:03:43.240 --> 2:03:45.040
<v Speaker 1>of ship was going on. But what I'm asking is

2:03:45.960 --> 2:03:49.600
<v Speaker 1>at the point where you're not that you planned on,

2:03:51.000 --> 2:03:55.240
<v Speaker 1>you know, suddenly having this meteoric rise in in this

2:03:55.400 --> 2:03:58.160
<v Speaker 1>od ship moment happened in your life. But this is

2:03:58.160 --> 2:04:01.240
<v Speaker 1>the moment where you becoming the industry. But this is

2:04:01.320 --> 2:04:03.720
<v Speaker 1>also the same time that you're deciding to become a

2:04:03.840 --> 2:04:07.640
<v Speaker 1>husband and future father. And I always believe that you

2:04:07.720 --> 2:04:11.000
<v Speaker 1>couldn't serve two guys. You're either gonna be a super

2:04:11.120 --> 2:04:13.920
<v Speaker 1>industry or you're gonna be a family. That's what most

2:04:13.960 --> 2:04:15.760
<v Speaker 1>guys do. I mean, I think most men marry when

2:04:15.800 --> 2:04:17.120
<v Speaker 1>we're at the top of our game, you know what

2:04:17.160 --> 2:04:19.600
<v Speaker 1>I'm saying, Like we marry at that time in our career,

2:04:19.680 --> 2:04:21.920
<v Speaker 1>but we feel like like I think the women is

2:04:21.920 --> 2:04:23.600
<v Speaker 1>the other way around. It's like they get love and

2:04:23.680 --> 2:04:25.440
<v Speaker 1>then think, Okay, now I have love, so now I

2:04:25.520 --> 2:04:27.520
<v Speaker 1>can go and do whatever. But for us, it's like

2:04:27.800 --> 2:04:29.840
<v Speaker 1>I gotta get my peace of the world before I

2:04:29.920 --> 2:04:32.360
<v Speaker 1>can have love, because love calls like I gotta have

2:04:33.200 --> 2:04:34.760
<v Speaker 1>I gotta baby to ford this stuff. Let know, you

2:04:34.880 --> 2:04:37.000
<v Speaker 1>just said, like I gotta afford I could afford the weddings.

2:04:37.040 --> 2:04:40.040
<v Speaker 1>So it's like for us, we gotta get ours first.

2:04:40.120 --> 2:04:42.000
<v Speaker 1>So I'm just saying, how hard is it to be?

2:04:43.000 --> 2:04:46.720
<v Speaker 1>You know? Are you if Selt is calling your phone

2:04:47.080 --> 2:04:51.800
<v Speaker 1>at PM, she's like you better not pick. I mean

2:04:53.440 --> 2:04:58.520
<v Speaker 1>she was good. I mean, I dude, my output from

2:04:58.640 --> 2:05:03.080
<v Speaker 1>nineties six to probably you know whatever two thousand three

2:05:03.120 --> 2:05:07.640
<v Speaker 1>until my first daughter is ridiculous. I wrote movies, I

2:05:07.720 --> 2:05:12.040
<v Speaker 1>wrote books, or she understood that she was very good.

2:05:12.120 --> 2:05:14.800
<v Speaker 1>I can't sit there and you know, I wrote movies,

2:05:14.840 --> 2:05:18.080
<v Speaker 1>I wrote books, I made albums, I toured, I did

2:05:18.120 --> 2:05:22.800
<v Speaker 1>a lot of ship. So you know, hey, I guess

2:05:22.920 --> 2:05:25.520
<v Speaker 1>you know, probably could have been better if I spent

2:05:25.600 --> 2:05:29.080
<v Speaker 1>more time at whatever. But I had to do what

2:05:29.120 --> 2:05:30.640
<v Speaker 1>I had to do. I had to get my prints on.

2:05:32.320 --> 2:05:35.320
<v Speaker 1>So did a TV show I didn't, you know, I

2:05:35.400 --> 2:05:38.520
<v Speaker 1>produced Everybody Hates Chris. I did a lot of ship, man,

2:05:38.840 --> 2:05:40.680
<v Speaker 1>I know. But that's what I'm saying, Like you can

2:05:40.800 --> 2:05:47.360
<v Speaker 1>either industry or have the resume of an eight eight

2:05:47.480 --> 2:05:54.160
<v Speaker 1>year old person. But he did not because he did

2:05:57.000 --> 2:06:01.960
<v Speaker 1>a long time. And you know what, my last because

2:06:01.960 --> 2:06:09.480
<v Speaker 1>like Hamilton's, will not last as long as my marriage. Okay, yeah,

2:06:09.640 --> 2:06:11.240
<v Speaker 1>you know, I'm trying to make, you know, put things

2:06:11.280 --> 2:06:14.720
<v Speaker 1>in a positive spin, kids, because I made it ninety

2:06:15.040 --> 2:06:18.720
<v Speaker 1>to just close to twenty years close to yeah, so yeah,

2:06:18.800 --> 2:06:23.000
<v Speaker 1>that's you know. I mean, hey it is yeah, okay,

2:06:24.960 --> 2:06:31.880
<v Speaker 1>and I made it and you put us together. Like

2:06:32.000 --> 2:06:35.040
<v Speaker 1>I'm just saying. I mean, I got great kids, all good,

2:06:35.160 --> 2:06:40.200
<v Speaker 1>everybody's everybody's fine now, so as long as you're happy.

2:06:40.280 --> 2:06:42.520
<v Speaker 1>So I guess at the end, everyone to do it?

2:06:43.400 --> 2:06:45.840
<v Speaker 1>What are you asking this question based on yourself about

2:06:48.200 --> 2:06:50.480
<v Speaker 1>it can be done, but only I can do it.

2:06:52.160 --> 2:06:55.680
<v Speaker 1>My reps will destroy and maybe Edie because he had

2:06:55.720 --> 2:06:58.760
<v Speaker 1>like ten kids too, I mean with the same woman.

2:06:58.840 --> 2:07:05.000
<v Speaker 1>Well to you know, did you see that new family

2:07:05.040 --> 2:07:10.160
<v Speaker 1>photo Jesus Christ. I didn't realize he had. Just to

2:07:10.240 --> 2:07:13.520
<v Speaker 1>see them all together. It's like, I mean, here's the

2:07:13.560 --> 2:07:20.160
<v Speaker 1>Wootank clan and the Jackson's like, yeah, he raised his

2:07:20.240 --> 2:07:26.840
<v Speaker 1>own industry. That's crazy. Um So all right, I guess

2:07:26.880 --> 2:07:29.240
<v Speaker 1>at this last moments I have with you, I just

2:07:29.360 --> 2:07:31.640
<v Speaker 1>want to shoot the ship. What is your top five?

2:07:31.920 --> 2:07:40.160
<v Speaker 1>Top five rappers changes all the time? Jay Z, Kanye Uh,

2:07:41.400 --> 2:07:44.160
<v Speaker 1>have you you thought about this because he's even when

2:07:44.200 --> 2:07:47.800
<v Speaker 1>people it's like we're not in the park anymore. He

2:07:47.840 --> 2:07:49.320
<v Speaker 1>made a movie about this. Let me, let me, let

2:07:49.360 --> 2:07:53.440
<v Speaker 1>me say something to everybody's top five, We're not in

2:07:53.520 --> 2:07:59.040
<v Speaker 1>the park. This isn't fucking Mr Magic's not add anymore.

2:07:59.400 --> 2:08:02.080
<v Speaker 1>You're not listen and see this shift on cassette. Your

2:08:02.120 --> 2:08:09.880
<v Speaker 1>top five is top five record makers. You're talking songs here, right, Okay,

2:08:10.040 --> 2:08:12.960
<v Speaker 1>that's what we're talking about. We're not. I mean, you

2:08:13.000 --> 2:08:15.560
<v Speaker 1>want to say top five words, I can read off

2:08:15.600 --> 2:08:20.800
<v Speaker 1>a piece of papers separate. But when I when I say, yo,

2:08:21.640 --> 2:08:26.640
<v Speaker 1>rappers that make records and and we're judging them like

2:08:26.760 --> 2:08:32.040
<v Speaker 1>running back, So you're judging four years. Okay, you're judging

2:08:32.120 --> 2:08:35.120
<v Speaker 1>four years if you don't have four albums, I don't

2:08:35.160 --> 2:08:38.680
<v Speaker 1>really I can't put you in my top five, you know.

2:08:38.800 --> 2:08:40.320
<v Speaker 1>And by the way, just changes all the time. But

2:08:40.400 --> 2:08:43.000
<v Speaker 1>now I did the record after I did the movie.

2:08:43.040 --> 2:08:44.800
<v Speaker 1>It's like, man, people ask me this all the time.

2:08:45.800 --> 2:08:49.440
<v Speaker 1>Who's main albums that I like? If? It's almost like

2:08:49.480 --> 2:08:51.240
<v Speaker 1>who would you like to see make a record with

2:08:51.400 --> 2:08:59.040
<v Speaker 1>Dr Dre right? Now you know what I mean, like

2:08:59.520 --> 2:09:03.360
<v Speaker 1>like for to produce, like who would you rather? I

2:09:03.560 --> 2:09:06.320
<v Speaker 1>gotta go? I like jay Z knows how to make

2:09:06.360 --> 2:09:11.680
<v Speaker 1>a motherfucking song. Kanye West is a bad, motherfucker interesting

2:09:11.800 --> 2:09:15.600
<v Speaker 1>as fuck, only rapper in the history of the game

2:09:16.040 --> 2:09:19.960
<v Speaker 1>with the mystique. Rappers are like comedians. They are who

2:09:20.080 --> 2:09:25.360
<v Speaker 1>they are. It's like there's nothing mysterious about him. Kanye

2:09:25.560 --> 2:09:28.600
<v Speaker 1>is the only one. Okay, you don't think about any

2:09:28.680 --> 2:09:32.800
<v Speaker 1>other rapper like that. You just don't, don't. You don't

2:09:32.880 --> 2:09:35.960
<v Speaker 1>give a funk about you know, their relationships and all

2:09:36.040 --> 2:09:38.520
<v Speaker 1>this ship it was amber Rose is just you don't

2:09:38.560 --> 2:09:41.800
<v Speaker 1>think about anybody like that except one guy. Speaking of which,

2:09:41.960 --> 2:09:46.680
<v Speaker 1>did you freestyle that whole ship on the name blame Game?

2:09:46.840 --> 2:09:49.640
<v Speaker 1>I freestyled it? But how does that work? He just

2:09:49.640 --> 2:09:53.120
<v Speaker 1>says he made me do. I was in a booth,

2:09:53.440 --> 2:09:57.680
<v Speaker 1>I don't know, a couple hours, three hours. Maybe he

2:09:57.760 --> 2:10:00.560
<v Speaker 1>was producing me for real of him. First, I was

2:10:00.640 --> 2:10:03.200
<v Speaker 1>hanging around a lot. Again, I'm good at hanging around,

2:10:03.640 --> 2:10:05.920
<v Speaker 1>so I was your because I would never be allowed

2:10:05.960 --> 2:10:08.800
<v Speaker 1>to hang around, So I got to hang around. Got

2:10:08.880 --> 2:10:12.120
<v Speaker 1>to hang around Electric Ladyland a couple of times while

2:10:12.160 --> 2:10:14.400
<v Speaker 1>he was doing the record. So I think I was

2:10:14.440 --> 2:10:18.520
<v Speaker 1>around for Monster and a couple other songs, right, And

2:10:19.680 --> 2:10:21.480
<v Speaker 1>I don't know, he just you know, text me one day,

2:10:21.720 --> 2:10:26.680
<v Speaker 1>come in. We did it at that studio right next

2:10:26.720 --> 2:10:33.400
<v Speaker 1>to be Smith's, the one studio. Anyway, he had me

2:10:33.480 --> 2:10:35.280
<v Speaker 1>in the booth I'm gonna say about three hours and

2:10:35.320 --> 2:10:40.120
<v Speaker 1>he kept shouting instructions to me, how about this, how

2:10:40.120 --> 2:10:43.840
<v Speaker 1>about that? And then he took all the ship and

2:10:44.120 --> 2:10:46.800
<v Speaker 1>edited it and then I get a text. We got

2:10:46.880 --> 2:10:49.760
<v Speaker 1>a classic and that was and he played it for me,

2:10:50.000 --> 2:10:53.360
<v Speaker 1>and I was like, oh my god, because I didn't

2:10:53.440 --> 2:10:57.160
<v Speaker 1>hear when I did it. It wasn't to music. It

2:10:57.320 --> 2:11:00.840
<v Speaker 1>was I believe it was just to or I didn't

2:11:00.840 --> 2:11:03.400
<v Speaker 1>hear any of the words. So maybe there was a

2:11:03.440 --> 2:11:06.520
<v Speaker 1>little music, but there were no all that John legend

2:11:06.720 --> 2:11:09.840
<v Speaker 1>and all that stuff wasn't on it together. And he

2:11:09.880 --> 2:11:11.360
<v Speaker 1>put it together. So and then he played and I

2:11:11.480 --> 2:11:14.680
<v Speaker 1>was like, oh my god, this is amazing. And I

2:11:14.720 --> 2:11:20.760
<v Speaker 1>don't know if I remember sitting with him and my

2:11:20.880 --> 2:11:23.240
<v Speaker 1>own you know, me and my bullshit A and R.

2:11:23.720 --> 2:11:25.720
<v Speaker 1>And I told him the album has to end on

2:11:26.320 --> 2:11:29.160
<v Speaker 1>Who's survive in America? Who's the vive in America? Is like,

2:11:29.480 --> 2:11:34.040
<v Speaker 1>that's the end of the fucking record. Really. He put

2:11:34.120 --> 2:11:36.000
<v Speaker 1>some bonus after that, but he ended it right there.

2:11:36.000 --> 2:11:37.760
<v Speaker 1>I don't know, I'm not gonna say I get all

2:11:37.800 --> 2:11:40.400
<v Speaker 1>the credit for that, but I definitely told him that

2:11:40.520 --> 2:11:45.120
<v Speaker 1>it's like nigga, this is it? Who will Who will

2:11:45.200 --> 2:11:48.000
<v Speaker 1>survive in America? Is the last thing I need to hear.

2:11:48.920 --> 2:11:52.360
<v Speaker 1>This is the mic drop. Uh You ever hear the

2:11:52.440 --> 2:11:58.800
<v Speaker 1>album the Ghetto Boys Resurrection album with the single game

2:11:58.880 --> 2:12:02.040
<v Speaker 1>to put Me Down? One might have been Ghetto Boys

2:12:02.080 --> 2:12:04.840
<v Speaker 1>and Girls, one of the great rap albums ever made.

2:12:05.240 --> 2:12:08.720
<v Speaker 1>In the last line of Resurrection is Willie Dee going,

2:12:09.320 --> 2:12:12.200
<v Speaker 1>I'm a type of nigga, throw a party, win the flag, burn,

2:12:12.760 --> 2:12:15.080
<v Speaker 1>I'm at the point in overturn. That's the end of

2:12:15.120 --> 2:12:23.240
<v Speaker 1>the fucking record. Man, Yo, you love filler hip hop

2:12:23.360 --> 2:12:27.920
<v Speaker 1>like you go beyond. Just because this ship ain't a

2:12:28.000 --> 2:12:30.760
<v Speaker 1>hit doesn't mean it wasn't great. So sometimes there's some

2:12:30.840 --> 2:12:33.360
<v Speaker 1>ship in it. So I remember I told Kande that,

2:12:34.280 --> 2:12:36.680
<v Speaker 1>and and I got from a good source that he

2:12:36.800 --> 2:12:39.280
<v Speaker 1>listened to it after I left, listen to it in

2:12:39.320 --> 2:12:55.120
<v Speaker 1>front of me him and Jay. Have you ever seen

2:12:55.200 --> 2:12:57.200
<v Speaker 1>amber Rose after this, kid? I have seen that. I

2:12:57.320 --> 2:13:00.720
<v Speaker 1>met her at some store on out of the avenue

2:13:00.720 --> 2:13:03.040
<v Speaker 1>and I took a picture. She's you know, you guys

2:13:03.120 --> 2:13:06.040
<v Speaker 1>just never talked about that. I love her. Oh my god,

2:13:06.760 --> 2:13:08.200
<v Speaker 1>you ever see like this? You ever see like those

2:13:08.280 --> 2:13:12.000
<v Speaker 1>movies where like a guy like he's got magical powers,

2:13:12.680 --> 2:13:15.680
<v Speaker 1>but whenever he uses them, like if I use it

2:13:15.800 --> 2:13:18.720
<v Speaker 1>right now, it's gonna kill me and it saves the world.

2:13:19.480 --> 2:13:21.360
<v Speaker 1>Like that's what it would take for me to give

2:13:21.440 --> 2:13:25.280
<v Speaker 1>Amber Rose a proper fucking like. It would like I

2:13:25.360 --> 2:13:32.720
<v Speaker 1>would be from stranger things. You know, everything would happen,

2:13:33.480 --> 2:13:35.760
<v Speaker 1>I would get I would make a come, but yeah,

2:13:35.800 --> 2:13:42.120
<v Speaker 1>I would be fucked up for a long time. I

2:13:42.240 --> 2:13:45.080
<v Speaker 1>make a come, but I'd be fucked up for a while.

2:13:46.400 --> 2:13:57.960
<v Speaker 1>I'll be no good for anybody's ad motherfucker girl who tough? Five? Okay?

2:13:59.080 --> 2:14:04.680
<v Speaker 1>Jay z Nye. The popular guys, uh Snoop Dogg More

2:14:04.760 --> 2:14:08.919
<v Speaker 1>popular guys. You show me, You showed me a motherfucker

2:14:08.960 --> 2:14:14.080
<v Speaker 1>that got ten records. You you show me you have

2:14:14.200 --> 2:14:16.560
<v Speaker 1>a show right now, you do your rock the bells

2:14:16.680 --> 2:14:18.840
<v Speaker 1>or whatever the fuck, And you show me who's gonna

2:14:18.920 --> 2:14:24.640
<v Speaker 1>follow Snoop Doggie dog? Who who Snoop is like? No

2:14:24.760 --> 2:14:27.000
<v Speaker 1>Snoop is like law and order, like everyone knows that

2:14:29.240 --> 2:14:34.760
<v Speaker 1>everybody And the motherfucker's ridiculous live when he comes out

2:14:35.080 --> 2:14:37.760
<v Speaker 1>when he got the real bass player playing murder was

2:14:37.800 --> 2:14:40.440
<v Speaker 1>the case. And this nigger got his braids out and

2:14:40.560 --> 2:14:44.040
<v Speaker 1>his hands blowing in the motherfucking win and their motherfucker's

2:14:44.840 --> 2:14:47.880
<v Speaker 1>as I looked to the sky and you're like, oh ship,

2:14:48.600 --> 2:14:51.320
<v Speaker 1>and you're like, this motherfucker is really six feet tall.

2:14:51.720 --> 2:14:54.520
<v Speaker 1>He's really a fucking rock star. You can't funk with

2:14:54.640 --> 2:15:03.400
<v Speaker 1>that nigger. You're that you can't fucking anything or anything.

2:15:04.480 --> 2:15:07.600
<v Speaker 1>He's one of the greatest of all time. Um two

2:15:07.640 --> 2:15:12.200
<v Speaker 1>and three, two and three, four and five, I mean,

2:15:12.240 --> 2:15:14.920
<v Speaker 1>I got you know I can be he named three

2:15:16.480 --> 2:15:21.400
<v Speaker 1>five just on that ship, just like yo, you can't

2:15:21.440 --> 2:15:26.040
<v Speaker 1>funk with these motherfucker's. Man, You know, this tribe ship

2:15:26.240 --> 2:15:29.560
<v Speaker 1>is for real, man, this ship, you know, que Tip

2:15:29.760 --> 2:15:32.600
<v Speaker 1>is on some other ship. Now, don't get me wrong,

2:15:32.720 --> 2:15:36.960
<v Speaker 1>Fife God rested, you know whatever. It's some other ship too.

2:15:37.240 --> 2:15:39.000
<v Speaker 1>They were they were not. He wasn't like a one

2:15:39.120 --> 2:15:43.800
<v Speaker 1>man band, que Tip. But goddamn it, those records again.

2:15:44.320 --> 2:15:47.560
<v Speaker 1>You can go ten in a row and be like,

2:15:47.880 --> 2:15:54.520
<v Speaker 1>everybody's happy, everybody's happy, could the hood's happy, Your mom's

2:15:54.640 --> 2:15:57.280
<v Speaker 1>is happy. You know what I mean? You know, I

2:15:57.360 --> 2:15:59.960
<v Speaker 1>mean the Trap crew is happy. In the Steve Harvey

2:16:00.040 --> 2:16:05.200
<v Speaker 1>crew is happy at that is not too many mcs

2:16:05.240 --> 2:16:13.280
<v Speaker 1>that could do that, right, And you know, and you know, Okay,

2:16:13.320 --> 2:16:14.840
<v Speaker 1>she's only got one album, so I'm not going to

2:16:14.920 --> 2:16:19.280
<v Speaker 1>say her, but who was her? No, No, Lauren Hills.

2:16:20.440 --> 2:16:23.720
<v Speaker 1>Lauren Hills a better rapper then. I mean, she's a

2:16:23.800 --> 2:16:28.480
<v Speaker 1>better rapper than Kanye or a lot of people. But

2:16:28.720 --> 2:16:31.200
<v Speaker 1>you know, you gotta you know, you gotta have a

2:16:31.280 --> 2:16:33.119
<v Speaker 1>body of work. You gotta have a body of work.

2:16:33.600 --> 2:16:37.440
<v Speaker 1>You know. All this other ship, Um, that ghost Face

2:16:37.760 --> 2:16:43.320
<v Speaker 1>is a motherfucker. He's my favorite routanger. I mean, you know,

2:16:43.560 --> 2:16:45.160
<v Speaker 1>I was like O. D B. And I was like

2:16:45.400 --> 2:16:48.480
<v Speaker 1>meth and whatever like everybody else. But nigga, you gotta work.

2:16:50.800 --> 2:16:54.800
<v Speaker 1>You gotta work, hey man, Tony Starks puts out a

2:16:54.879 --> 2:17:00.440
<v Speaker 1>record every you fucking six you know whatever six days

2:17:00.560 --> 2:17:04.800
<v Speaker 1>does a Tony Starts record, And that ship's fucking great.

2:17:05.720 --> 2:17:08.560
<v Speaker 1>Speaking of Top five, because it just hit me now

2:17:09.080 --> 2:17:15.440
<v Speaker 1>and the irony couple mentioned ice Cube is the is

2:17:15.480 --> 2:17:19.960
<v Speaker 1>the irony lost on you? Speaking of Top five? That

2:17:21.320 --> 2:17:27.040
<v Speaker 1>uh the Media movie and Birth of a Nation were

2:17:27.160 --> 2:17:32.520
<v Speaker 1>released in the same October week as what You predicted

2:17:32.600 --> 2:17:37.440
<v Speaker 1>in the movie and have the same outcome. Um has

2:17:37.520 --> 2:17:39.680
<v Speaker 1>that irony been lost. Here's the thing. When you talk

2:17:39.760 --> 2:17:42.280
<v Speaker 1>about like schizophrenic people talk about ship like that, you know,

2:17:42.320 --> 2:17:46.560
<v Speaker 1>I mean like happy is the irony lost on you?

2:17:46.800 --> 2:17:49.720
<v Speaker 1>That it's not lost on me. You predicted that ship,

2:17:50.160 --> 2:17:52.160
<v Speaker 1>it's not lost on me. It's not lost on me.

2:17:52.280 --> 2:17:55.199
<v Speaker 1>That I essentially came up with the idea for Tyler

2:17:55.280 --> 2:18:02.120
<v Speaker 1>Perry's biggest movie in a decade. Uh, Like down to

2:18:02.240 --> 2:18:07.240
<v Speaker 1>the cover art Jesus really yeah, say what the sink

2:18:07.280 --> 2:18:10.160
<v Speaker 1>a cover? And like the Birth of the Nation. It's

2:18:10.240 --> 2:18:13.040
<v Speaker 1>like that saying with him holding the well that Yeah,

2:18:14.200 --> 2:18:17.360
<v Speaker 1>that's even crazier. Yeah, that's all the same stuff. I

2:18:17.440 --> 2:18:19.800
<v Speaker 1>don't know, man, it's weird. My agents were like, we

2:18:19.879 --> 2:18:22.520
<v Speaker 1>gotta sue Tyler. I was like, I'm not suing Tyler. Pair.

2:18:22.600 --> 2:18:26.560
<v Speaker 1>I don't want to that. I don't want does he

2:18:26.680 --> 2:18:31.320
<v Speaker 1>even know? I mean he says, he said, Okay, what

2:18:31.400 --> 2:18:40.800
<v Speaker 1>else you got? He called me up, I'm almost out

2:18:40.840 --> 2:18:44.000
<v Speaker 1>of wait before you go tell me a prince story.

2:18:45.000 --> 2:18:47.760
<v Speaker 1>I don't have a great prince story, honestly. I mean,

2:18:48.840 --> 2:18:51.680
<v Speaker 1>he's one of those guys that he liked me. I

2:18:51.840 --> 2:18:56.080
<v Speaker 1>loved him. I always pushed back, honestly because I always

2:18:56.120 --> 2:18:59.600
<v Speaker 1>figured it can only get bad. I always figured, like

2:18:59.760 --> 2:19:02.480
<v Speaker 1>I'm I don't want to funk up my access. I

2:19:02.600 --> 2:19:05.280
<v Speaker 1>just like those moments hanging around him. The longer you

2:19:05.400 --> 2:19:07.520
<v Speaker 1>hung around on, the more he became like a normal person.

2:19:08.600 --> 2:19:10.280
<v Speaker 1>So I used to love it when you know, when

2:19:10.320 --> 2:19:15.440
<v Speaker 1>you'd have like a spaghetti stain, I didn't know it,

2:19:18.480 --> 2:19:23.039
<v Speaker 1>purple spaghett It's like he's good. Look at that sucking

2:19:23.200 --> 2:19:29.600
<v Speaker 1>stain on his sucking lime green space suit. I remember

2:19:29.840 --> 2:19:31.800
<v Speaker 1>so funny. I remember him calling me up one night

2:19:32.320 --> 2:19:34.959
<v Speaker 1>and uh, so as I've read all the ship that's

2:19:34.959 --> 2:19:38.520
<v Speaker 1>coming out right now and right before was coming two thousands,

2:19:39.000 --> 2:19:42.120
<v Speaker 1>and him Prince telling me to did I need to

2:19:42.240 --> 2:19:46.360
<v Speaker 1>change all my money in the goal because thanks and all,

2:19:46.400 --> 2:19:49.800
<v Speaker 1>this ship wasn't gonna be working. You read he had

2:19:52.240 --> 2:19:59.360
<v Speaker 1>so yeah, and like five million in cash. And I

2:19:59.360 --> 2:20:01.320
<v Speaker 1>remember one he wanted me to go on tour with him,

2:20:01.560 --> 2:20:05.280
<v Speaker 1>and I turned it down because I turned him down

2:20:05.400 --> 2:20:08.920
<v Speaker 1>because he was the promoter and I just didn't want

2:20:09.160 --> 2:20:12.840
<v Speaker 1>Prince coming up to me one night saying, look yeah,

2:20:15.560 --> 2:20:21.000
<v Speaker 1>like uh with a Chris Rock print show. I don't know.

2:20:21.280 --> 2:20:23.480
<v Speaker 1>I just didn't. I don't want to put this l

2:20:23.560 --> 2:20:25.480
<v Speaker 1>in that position, and we trust him as a promoter

2:20:26.200 --> 2:20:30.000
<v Speaker 1>this this would have been yeah, yeah, so yeah, you wouldn't.

2:20:32.200 --> 2:20:37.160
<v Speaker 1>It was like emancipatient, He's doing everything himself. I was like, yeah,

2:20:37.200 --> 2:20:39.000
<v Speaker 1>he was playing for his ass at that point. That

2:20:39.080 --> 2:20:40.440
<v Speaker 1>sit down in You and Prince, I think it was

2:20:40.520 --> 2:20:43.199
<v Speaker 1>v H one still one of the best Prince interviews.

2:20:43.520 --> 2:20:45.959
<v Speaker 1>Like ever, Yeah, when you got him to say about

2:20:45.959 --> 2:20:47.600
<v Speaker 1>the whole bad thing. I think that was the first

2:20:47.600 --> 2:20:50.720
<v Speaker 1>time he never publicly commented on Yeah yo, but is

2:20:50.760 --> 2:20:56.640
<v Speaker 1>mine imagine me saying, ah, yeah, man, man whatever, I

2:20:56.720 --> 2:21:02.359
<v Speaker 1>don't do a good Prince but uh, alright, well, Michael

2:21:02.680 --> 2:21:05.959
<v Speaker 1>jack I'm gonna have Have you ever met Michael Jackson? Um,

2:21:06.520 --> 2:21:11.080
<v Speaker 1>I was around him. I didn't properly meet him meet him. No, No,

2:21:11.360 --> 2:21:13.480
<v Speaker 1>I do have a one story of meeting him. Here's

2:21:13.560 --> 2:21:15.959
<v Speaker 1>like at first, I was around him for the What's

2:21:16.000 --> 2:21:27.040
<v Speaker 1>Up with You? Video? Remember this is the moment for

2:21:30.320 --> 2:21:36.560
<v Speaker 1>we've been waiting for. So I was around. I was

2:21:36.640 --> 2:21:40.040
<v Speaker 1>around for the What's Up with You? Video? And so

2:21:40.320 --> 2:21:42.480
<v Speaker 1>I didn't get a chance to talk talk to him

2:21:42.560 --> 2:21:44.720
<v Speaker 1>like that. That was a v I P section that

2:21:45.040 --> 2:21:48.160
<v Speaker 1>I knew not to even walk near. But I got

2:21:48.240 --> 2:21:52.959
<v Speaker 1>to watch so Eddie brought the crew with him something.

2:21:53.120 --> 2:21:55.640
<v Speaker 1>But I got a call from Michael Jackson when I

2:21:55.760 --> 2:21:58.640
<v Speaker 1>first time I hosted the Oscars. You know, Michael Jackson

2:21:58.680 --> 2:22:01.480
<v Speaker 1>always film ship all the time time in movies and

2:22:01.560 --> 2:22:03.720
<v Speaker 1>had crew people. Anyway, one of the crew guys gave

2:22:03.760 --> 2:22:06.920
<v Speaker 1>me a fucking phone and it was Michael Jackson wishing

2:22:06.959 --> 2:22:09.120
<v Speaker 1>me a good show. That would have messed up my

2:22:09.240 --> 2:22:13.120
<v Speaker 1>night that he called that night, that day or whatever,

2:22:13.200 --> 2:22:15.920
<v Speaker 1>like dooring, like dress or whatever. Wait, I just realized

2:22:15.920 --> 2:22:18.119
<v Speaker 1>there's a whole suit of questions. I still didn't ask,

2:22:18.560 --> 2:22:22.680
<v Speaker 1>like is that pressure, Like do you want to I

2:22:22.959 --> 2:22:26.280
<v Speaker 1>was hosting to ask us I want to, I want times,

2:22:26.320 --> 2:22:30.680
<v Speaker 1>I want this to be better than everyone else's. But hey, Chris,

2:22:30.800 --> 2:22:33.959
<v Speaker 1>you're the hindsight revisionist. I always tell people it doesn't

2:22:34.480 --> 2:22:36.560
<v Speaker 1>you can't control if it's a hint, but you can

2:22:36.640 --> 2:22:39.880
<v Speaker 1>always be good. It's good. No. But the thing is

2:22:40.000 --> 2:22:42.160
<v Speaker 1>is that you could say now after the fact, that

2:22:42.560 --> 2:22:45.600
<v Speaker 1>you know, I was cool in Cucumber. But if you're

2:22:45.600 --> 2:22:49.160
<v Speaker 1>getting called from Michael Jackson, good luck, which essentially the

2:22:49.320 --> 2:22:52.200
<v Speaker 1>nice guy version of don't sunk up? Now, how do

2:22:52.320 --> 2:22:55.200
<v Speaker 1>you feeling? By too fast? Honestly, I mean, I think

2:22:55.240 --> 2:22:57.560
<v Speaker 1>that the BT Awards was more impressure. The fact that

2:22:57.680 --> 2:22:59.920
<v Speaker 1>you wanted to do that shocked the ship out of me.

2:23:00.160 --> 2:23:03.360
<v Speaker 1>I did want to do it because it is risky,

2:23:03.680 --> 2:23:07.120
<v Speaker 1>but you know what happens. It's easier. Oscar b T

2:23:07.280 --> 2:23:11.440
<v Speaker 1>Wards Oscars are easier than be T Awards. Just put

2:23:11.520 --> 2:23:15.760
<v Speaker 1>it away and no disresprised. People liked what I did

2:23:15.800 --> 2:23:18.960
<v Speaker 1>at the Oscars. But if thirty other people had hosted

2:23:19.040 --> 2:23:21.040
<v Speaker 1>the show, they could have done a good job, you

2:23:21.080 --> 2:23:23.240
<v Speaker 1>know what I mean? But I love Billy Crystal. Billy

2:23:23.240 --> 2:23:25.840
<v Speaker 1>Crystal would have came out there last year. He would

2:23:25.840 --> 2:23:29.040
<v Speaker 1>have annihilated the Oscars. He would have been great and

2:23:29.080 --> 2:23:32.119
<v Speaker 1>everybody been happy. Because you can't do the b teal

2:23:32.200 --> 2:23:38.240
<v Speaker 1>Wards if he didn't be amazing, you know what I mean,

2:23:38.400 --> 2:23:42.280
<v Speaker 1>like like you, I mean like you Grant or without

2:23:42.320 --> 2:23:45.000
<v Speaker 1>you Grant, but you know you, Jackman could have done it.

2:23:45.000 --> 2:23:49.760
<v Speaker 1>If you can't do the fucking b teal Wards. More

2:23:49.840 --> 2:23:55.480
<v Speaker 1>nerve reckon this lastscar like they do amigo joke? Was

2:23:55.520 --> 2:23:57.960
<v Speaker 1>it more nerve reckon this time? Because I mean it

2:23:58.040 --> 2:24:00.080
<v Speaker 1>wasn't your first, but it was like everybody was on

2:24:00.280 --> 2:24:02.600
<v Speaker 1>you this Oscar so white year. It was you know what,

2:24:02.720 --> 2:24:05.240
<v Speaker 1>this was like one of those happy accidents. Man, I

2:24:05.360 --> 2:24:07.280
<v Speaker 1>agreed to host a show. None of this stuff. It

2:24:07.320 --> 2:24:12.080
<v Speaker 1>even broke out yet, I was just like initially wasn't no,

2:24:12.280 --> 2:24:16.480
<v Speaker 1>that was two years ago. I was, you know, I

2:24:17.440 --> 2:24:19.840
<v Speaker 1>I don't know. I just had nothing going on. I was.

2:24:21.000 --> 2:24:23.880
<v Speaker 1>I spent a year, you know, trying not to try

2:24:23.959 --> 2:24:25.600
<v Speaker 1>not to talk about my personal life. But I was

2:24:25.680 --> 2:24:28.240
<v Speaker 1>in divorce court so much like I was just so

2:24:28.959 --> 2:24:31.640
<v Speaker 1>and a fog, so nothing like I didn't have a

2:24:31.720 --> 2:24:34.320
<v Speaker 1>script or anything. It was like, Okay, let me host this.

2:24:35.879 --> 2:24:39.760
<v Speaker 1>Let me host this, because it's hard to you know,

2:24:40.280 --> 2:24:43.080
<v Speaker 1>custody and all this ship going on. So it's hard

2:24:43.120 --> 2:24:45.520
<v Speaker 1>to do a movie. It's hard to do a TV show.

2:24:45.560 --> 2:24:50.000
<v Speaker 1>It's hard to do anything. Oscars like honestly like a

2:24:50.160 --> 2:24:53.800
<v Speaker 1>three week commitment. It's more if you want to put

2:24:53.840 --> 2:24:55.920
<v Speaker 1>in more. But I knew I could do it, so

2:24:56.720 --> 2:25:01.080
<v Speaker 1>I said yeah, because I was so busy, get whatever.

2:25:02.320 --> 2:25:06.000
<v Speaker 1>Uh that if I didn't do something, I was gonna risk.

2:25:06.280 --> 2:25:09.440
<v Speaker 1>It's very easy to be to not if you're not

2:25:09.560 --> 2:25:11.960
<v Speaker 1>like a movie star or have a TV show. It's

2:25:12.160 --> 2:25:15.200
<v Speaker 1>really easy to not be seen for a couple of years,

2:25:17.480 --> 2:25:19.200
<v Speaker 1>you know, what I mean, like, you gotta be very

2:25:19.400 --> 2:25:22.480
<v Speaker 1>strategic about this ship if you're not on a show.

2:25:23.840 --> 2:25:26.960
<v Speaker 1>So I figured, if I do the Oscars, it's like, okay,

2:25:28.440 --> 2:25:32.480
<v Speaker 1>that's that's me for night, that's me for two thousand sixteen.

2:25:33.280 --> 2:25:36.000
<v Speaker 1>This is a different Oscars. This is so that was

2:25:36.080 --> 2:25:38.280
<v Speaker 1>the decision to do it, and nothing to do with

2:25:38.360 --> 2:25:42.039
<v Speaker 1>anything else. So just like okay, and then the nominations

2:25:42.080 --> 2:25:45.600
<v Speaker 1>come out and there's no blacks, and now it's like,

2:25:46.640 --> 2:25:51.600
<v Speaker 1>you know, it's the most important thing. I got essence

2:25:51.680 --> 2:25:53.680
<v Speaker 1>cover I never got before, you know what I mean,

2:25:54.640 --> 2:25:56.840
<v Speaker 1>twenty years and show, you know what I mean. Like

2:25:56.959 --> 2:26:04.680
<v Speaker 1>I was like, yes, suddenly I was another cat. So um, yeah,

2:26:04.720 --> 2:26:06.160
<v Speaker 1>it was a lot of pressure. It was a lot

2:26:06.200 --> 2:26:07.959
<v Speaker 1>of pressure, but it was fun. It was fun, man,

2:26:08.720 --> 2:26:11.280
<v Speaker 1>it was fun. I had It was the best time

2:26:11.320 --> 2:26:14.960
<v Speaker 1>I've ever had hosted the show. Are there any other challenges? Like,

2:26:15.120 --> 2:26:17.400
<v Speaker 1>I know the last tour you went to other countries,

2:26:17.520 --> 2:26:21.360
<v Speaker 1>which besides Billy Crystal. I know now everybody does it,

2:26:21.440 --> 2:26:25.039
<v Speaker 1>but yeah, that was the big I left my manager

2:26:26.240 --> 2:26:30.840
<v Speaker 1>over that. Over you didn't want to go I wanted

2:26:30.879 --> 2:26:34.640
<v Speaker 1>to play other I was just like, okay, you know

2:26:34.720 --> 2:26:37.720
<v Speaker 1>everybody has this saying black acts don't work here, there

2:26:37.840 --> 2:26:41.560
<v Speaker 1>or whatever, and I was like, I can't keep playing Philly.

2:26:41.840 --> 2:26:43.840
<v Speaker 1>This is like I want to be the best in

2:26:43.920 --> 2:26:48.400
<v Speaker 1>the world. That means playing the world. You know, I

2:26:48.520 --> 2:26:52.480
<v Speaker 1>can figure it out, so I thought. And with the

2:26:52.600 --> 2:26:56.120
<v Speaker 1>arslot of the internet, like everything, no one had done it,

2:26:56.200 --> 2:26:57.879
<v Speaker 1>no one had really done it. It was like an

2:26:57.920 --> 2:27:01.440
<v Speaker 1>occasional show here or there, but no one had really toured,

2:27:01.520 --> 2:27:04.840
<v Speaker 1>no comedian had really toured, toured outside of the country.

2:27:05.959 --> 2:27:08.840
<v Speaker 1>And it worked out, you know, thank god for YouTube,

2:27:08.879 --> 2:27:13.360
<v Speaker 1>I guess. I mean, I went my initial first time

2:27:13.400 --> 2:27:16.120
<v Speaker 1>in London. I thought I'd play like six hundred seats,

2:27:17.320 --> 2:27:22.320
<v Speaker 1>played ninety, you know, you know, over weeks and weeks

2:27:22.360 --> 2:27:25.000
<v Speaker 1>of doing shows, and you know, you know, if fu

2:27:25.080 --> 2:27:31.920
<v Speaker 1>can do Obama, fucking you know, Victory Lap pretty much

2:27:31.959 --> 2:27:35.200
<v Speaker 1>broke the record in most countries. A lot of it

2:27:35.520 --> 2:27:37.400
<v Speaker 1>was a lot and a lot of it was word

2:27:37.480 --> 2:27:39.800
<v Speaker 1>of mouth. A lot of it was like one show

2:27:40.640 --> 2:27:43.160
<v Speaker 1>sold out or two and then people liking the show

2:27:43.360 --> 2:27:46.760
<v Speaker 1>so much that it just kept rolling into other things.

2:27:46.879 --> 2:27:49.200
<v Speaker 1>How many shows were in London, I don't know how

2:27:49.240 --> 2:27:53.320
<v Speaker 1>many shows Chris Rock shows. It was like we'll do

2:27:53.480 --> 2:27:56.920
<v Speaker 1>two and there's five more, then there's five more, and

2:27:56.959 --> 2:28:02.000
<v Speaker 1>then yes, okay, let's oh fuck, there's too many for

2:28:02.120 --> 2:28:03.520
<v Speaker 1>the hammer style. Let's see if we can do that.

2:28:03.640 --> 2:28:05.680
<v Speaker 1>Let's do the O two. Oh, the old two sold

2:28:05.720 --> 2:28:07.800
<v Speaker 1>out in a day. Let's do another like it was,

2:28:08.000 --> 2:28:11.080
<v Speaker 1>like it was, And do you prepare it to her

2:28:11.160 --> 2:28:14.879
<v Speaker 1>like a rock star? Like do you do it every

2:28:14.920 --> 2:28:16.760
<v Speaker 1>other night? Because I know, like you used up a

2:28:16.800 --> 2:28:20.400
<v Speaker 1>register of your voice, Like what happens if you have

2:28:20.440 --> 2:28:23.120
<v Speaker 1>a cold or your horse it fucked, your fucked. I

2:28:23.120 --> 2:28:24.800
<v Speaker 1>mean you gotta when you get off stage, you drink

2:28:24.840 --> 2:28:27.359
<v Speaker 1>your tea, You try to talk as little as possible.

2:28:27.959 --> 2:28:32.840
<v Speaker 1>You you try to watch what you do even on stage. Um,

2:28:33.560 --> 2:28:36.680
<v Speaker 1>I mean I got, I got pipes like a metal singer. Yeah.

2:28:36.720 --> 2:28:39.120
<v Speaker 1>I was about to say, you are, like, yeah, I

2:28:39.360 --> 2:28:41.960
<v Speaker 1>got when I when I did the play years ago.

2:28:42.640 --> 2:28:47.360
<v Speaker 1>The motherfucker, the hack, uh, the whole experience. I was

2:28:47.440 --> 2:28:49.800
<v Speaker 1>the low man on the totem pole, the whole experience.

2:28:49.840 --> 2:28:53.760
<v Speaker 1>I was the rookie right through rehearsals and blocking and everything.

2:28:53.920 --> 2:28:59.360
<v Speaker 1>Right the moment we got to the stage, I was

2:28:59.440 --> 2:29:04.440
<v Speaker 1>you couldn't with me because you projected yeah, every yeah,

2:29:04.480 --> 2:29:05.960
<v Speaker 1>every I was the only one that didn't have to

2:29:06.240 --> 2:29:08.560
<v Speaker 1>have a doctor and get vitam and B twelve shots

2:29:08.640 --> 2:29:13.080
<v Speaker 1>and whatever for my voice because I played fifty thousand people.

2:29:13.360 --> 2:29:18.760
<v Speaker 1>Playing a thousand wasn't anything you know when you were going,

2:29:19.000 --> 2:29:21.120
<v Speaker 1>uh and traveling to other countries, was there anything in

2:29:21.160 --> 2:29:23.040
<v Speaker 1>your act that you had to kind of change or

2:29:23.120 --> 2:29:26.600
<v Speaker 1>tailor to fit that country? Pop culture? Do you have

2:29:26.680 --> 2:29:29.080
<v Speaker 1>someone look changes from town to town? I mean you

2:29:29.760 --> 2:29:33.680
<v Speaker 1>you do a thing like okay, what's what's your Walmart?

2:29:34.800 --> 2:29:39.279
<v Speaker 1>What's your flat? With references? So who's the prime minister,

2:29:39.400 --> 2:29:42.640
<v Speaker 1>who's the president, who's the Okay? This is there a

2:29:42.720 --> 2:29:44.760
<v Speaker 1>researcher who does that for you? Let you know I

2:29:44.879 --> 2:29:48.000
<v Speaker 1>do it or you know Alan Leads would do it. Uh,

2:29:48.680 --> 2:29:52.160
<v Speaker 1>you know this a Rod joke is now Ronaldo joke.

2:29:52.440 --> 2:29:55.640
<v Speaker 1>You know what I mean? Like you do those things,

2:29:56.640 --> 2:30:00.560
<v Speaker 1>but um, but and you have to just change that stuff.

2:30:02.360 --> 2:30:05.240
<v Speaker 1>The jokes with that talk about men and women to

2:30:05.360 --> 2:30:11.680
<v Speaker 1>change shit. Men and women are mad and happy about

2:30:11.680 --> 2:30:16.400
<v Speaker 1>the exact same things all over the world. There's no

2:30:16.640 --> 2:30:24.400
<v Speaker 1>the relationship dynamics don't change anywhere. So lastly, all your script,

2:30:25.280 --> 2:30:27.920
<v Speaker 1>what's what's your what's your pin game? Into like what's

2:30:28.560 --> 2:30:31.360
<v Speaker 1>I'm working on a script. I can't really describe it

2:30:31.520 --> 2:30:33.280
<v Speaker 1>right now. Well now I want you to describe it,

2:30:33.400 --> 2:30:36.760
<v Speaker 1>but you are, you know, I'm working. I'm working. I'm

2:30:36.760 --> 2:30:39.360
<v Speaker 1>trying to get my man from Atlanta to help me

2:30:39.360 --> 2:30:44.359
<v Speaker 1>out a little bit. Uh, I'm working on something. Hopefully

2:30:44.440 --> 2:30:48.600
<v Speaker 1>I can finish it before the tours over and uh,

2:30:49.240 --> 2:30:52.240
<v Speaker 1>you know, get back into directing. The Top five opened

2:30:52.280 --> 2:30:54.880
<v Speaker 1>some doors for you. And that Top five I get

2:30:54.920 --> 2:30:58.320
<v Speaker 1>a lot of offers to direct, um offers producing, Like,

2:30:58.360 --> 2:31:01.080
<v Speaker 1>you know, people took me serious, Like okay, yeah, I

2:31:01.160 --> 2:31:06.200
<v Speaker 1>feel like like another situation. You're you're you know, and

2:31:06.680 --> 2:31:09.240
<v Speaker 1>it's like the third movie I directed, so it's like, okay,

2:31:10.280 --> 2:31:12.800
<v Speaker 1>some filmmakers takes a while. Hopefully, you know, I got

2:31:12.920 --> 2:31:15.600
<v Speaker 1>to do it again. Honestly, like David ol Russell's first

2:31:17.000 --> 2:31:20.480
<v Speaker 1>it wasn't David d Russell out the box or even

2:31:20.760 --> 2:31:22.480
<v Speaker 1>you know, and I shouldn't compare myself to him, but

2:31:22.520 --> 2:31:26.720
<v Speaker 1>I'm just saying people artists grow. You know, the second

2:31:26.760 --> 2:31:31.280
<v Speaker 1>Fuji's album, you know, it's a big jump. It's the

2:31:31.480 --> 2:31:35.240
<v Speaker 1>second Nirvana album. It's the big jump. So you know,

2:31:35.320 --> 2:31:37.800
<v Speaker 1>I got a big jump in my third movie, and

2:31:37.879 --> 2:31:42.120
<v Speaker 1>hopefully it'll you know, I don't take for granted and

2:31:42.520 --> 2:31:45.480
<v Speaker 1>fucking you know how much of that was autobiographical in

2:31:45.600 --> 2:31:48.080
<v Speaker 1>terms of the struggle in the character in the movies

2:31:48.280 --> 2:31:51.480
<v Speaker 1>and struggle was alcohol? Was that personal or was it

2:31:52.680 --> 2:31:56.200
<v Speaker 1>a struggle? Wasn't alcohol with me? I mean a little bit,

2:31:56.280 --> 2:31:59.680
<v Speaker 1>but not to the extent The struggle with me was

2:31:59.760 --> 2:32:05.320
<v Speaker 1>just Pardian. Struggle with me was girls. Honestly, do you

2:32:05.440 --> 2:32:09.520
<v Speaker 1>know that was like Okay, I could fuck so and so,

2:32:09.840 --> 2:32:12.600
<v Speaker 1>or I can get on stage. You know, I can

2:32:13.879 --> 2:32:19.960
<v Speaker 1>juggling fucking six chicks and you know that's six conversations,

2:32:20.680 --> 2:32:23.800
<v Speaker 1>that's six complaints. That's like, you know, I mean, that's

2:32:23.840 --> 2:32:27.280
<v Speaker 1>like you know, I mean, that's you know, that's like

2:32:27.360 --> 2:32:34.240
<v Speaker 1>being a manager of a sucking Arby's and ship my shift.

2:32:34.640 --> 2:32:38.480
<v Speaker 1>How can I get like it's like literally yeah, just

2:32:38.640 --> 2:32:41.520
<v Speaker 1>like okay, let me get that part done with. All right? Well,

2:32:41.640 --> 2:32:47.320
<v Speaker 1>Mr Rock, I know this was painful for you. I

2:32:47.400 --> 2:32:49.760
<v Speaker 1>gotta figure out a three hour three ever to ask

2:32:49.840 --> 2:33:03.000
<v Speaker 1>you are you don't? And before we go, I just

2:33:03.080 --> 2:33:04.840
<v Speaker 1>want to say, man, you are the reason I drive

2:33:04.840 --> 2:33:09.360
<v Speaker 1>in ultimate from the from the thing you did. I

2:33:09.360 --> 2:33:10.840
<v Speaker 1>think it's on MTV you talk about how you like

2:33:10.920 --> 2:33:17.320
<v Speaker 1>to steal that I think. Yeah, like I drove an

2:33:17.400 --> 2:33:19.000
<v Speaker 1>ultimate and I was like, you know what I'm about.

2:33:19.200 --> 2:33:21.480
<v Speaker 1>That was the whole Jokey, that's one of those things

2:33:21.560 --> 2:33:22.959
<v Speaker 1>they said, you want to do it. I said, only

2:33:23.040 --> 2:33:26.000
<v Speaker 1>if I could make it funny. You did it. And now,

2:33:26.200 --> 2:33:28.640
<v Speaker 1>like even on the top of you're talking about you

2:33:28.720 --> 2:33:31.480
<v Speaker 1>being like a private I'm currently living out one of

2:33:31.560 --> 2:33:33.879
<v Speaker 1>your jokes because I just bought a house and I'm

2:33:33.959 --> 2:33:36.600
<v Speaker 1>like one of only of the three black families. Like

2:33:36.680 --> 2:33:38.800
<v Speaker 1>in the whole joint, the guy that used to own

2:33:38.879 --> 2:33:45.360
<v Speaker 1>the house was the dentist. There you go where it was, Well, sir,

2:33:45.840 --> 2:33:49.640
<v Speaker 1>I thank you, and I'm certain that you'll make me

2:33:49.760 --> 2:33:53.160
<v Speaker 1>pay for this somehow. I will. I will. I'm staying

2:33:53.200 --> 2:33:56.320
<v Speaker 1>in town, so if anything's going on later, let me know.

2:33:56.360 --> 2:33:59.119
<v Speaker 1>I gotta go by. You're not gonna go by two

2:33:59.240 --> 2:34:02.320
<v Speaker 1>or close. Nice, You're not gonna do it any mury,

2:34:02.440 --> 2:34:04.400
<v Speaker 1>just go to mom by the red I found out

2:34:04.480 --> 2:34:07.360
<v Speaker 1>that he didn't have an outfit, he didn't have an

2:34:07.400 --> 2:34:11.360
<v Speaker 1>outfit and figure out he didn't have an outfit for

2:34:11.520 --> 2:34:13.200
<v Speaker 1>delirious and just went to the mom and saw the

2:34:13.320 --> 2:34:16.160
<v Speaker 1>leather suit inside of him. It's not even a suit.

2:34:16.360 --> 2:34:22.000
<v Speaker 1>They're like, he already had the pants. Of course it's

2:34:22.080 --> 2:34:24.320
<v Speaker 1>not even a suit. They don't even match. Oh wait,

2:34:24.440 --> 2:34:26.800
<v Speaker 1>you don't. You don't have a wardrobe present. I do,

2:34:27.040 --> 2:34:29.959
<v Speaker 1>but sometimes you just want to walked through. And let's

2:34:29.959 --> 2:34:32.920
<v Speaker 1>gonna say, dare I introduced him to the crazy Words Steve.

2:34:33.680 --> 2:34:37.440
<v Speaker 1>Oh never mind, anyway, Thank you very much, Chris Rock.

2:34:38.680 --> 2:34:40.800
<v Speaker 1>We appreciate you coming on this show. This Question of

2:34:40.920 --> 2:34:53.920
<v Speaker 1>Supreme will be back with more reflections. Reflections like what

2:34:54.000 --> 2:34:56.520
<v Speaker 1>did you learn? I learned that if Chris Rock everyone

2:34:56.520 --> 2:34:59.080
<v Speaker 1>wants to quit comedy, he will be the most amazing

2:34:59.240 --> 2:35:02.560
<v Speaker 1>a and r like for real, or at least the

2:35:02.640 --> 2:35:07.280
<v Speaker 1>most opinionated and I mean not nine problem story can't

2:35:07.280 --> 2:35:10.200
<v Speaker 1>be denied like that. That ship was real? Right he? Yeah? He?

2:35:10.600 --> 2:35:14.199
<v Speaker 1>I'm telling you he has a tendency too. I thought

2:35:14.280 --> 2:35:19.560
<v Speaker 1>I liked filler and non relevant rap stuff, but he

2:35:19.840 --> 2:35:23.160
<v Speaker 1>loves filler and just you know, he goes beyond a

2:35:23.240 --> 2:35:26.960
<v Speaker 1>person's Oh you know what else? I learned what my

2:35:27.280 --> 2:35:34.080
<v Speaker 1>raps will destroy you next? Alright, man, I learned that

2:35:34.280 --> 2:35:37.160
<v Speaker 1>Chris Rock is um And I'm not just saying that,

2:35:37.360 --> 2:35:40.680
<v Speaker 1>you know he's here, but he is my favorite comedian.

2:35:41.320 --> 2:35:44.520
<v Speaker 1>Like favorite. I mean he he had been for years,

2:35:44.680 --> 2:35:47.160
<v Speaker 1>but just uh, sitting here and talking to him and

2:35:47.240 --> 2:35:49.760
<v Speaker 1>just the way he discusses like his personal life and uh,

2:35:50.320 --> 2:35:52.560
<v Speaker 1>you know, just discussing the journey of like going through

2:35:52.560 --> 2:35:55.080
<v Speaker 1>a divorce and how you you know, losing that year

2:35:55.840 --> 2:35:58.800
<v Speaker 1>and all of that, what that entails. And you know

2:35:58.879 --> 2:36:01.480
<v Speaker 1>the thing that he said about how if you're not

2:36:01.640 --> 2:36:03.360
<v Speaker 1>on the TV, if you're not a movie star, if

2:36:03.400 --> 2:36:06.480
<v Speaker 1>you're not on TV, years can go by without motherfucker

2:36:06.560 --> 2:36:08.720
<v Speaker 1>seeing you. You know what I'm saying, And like that

2:36:08.840 --> 2:36:12.840
<v Speaker 1>ship is real. So that man listen, you know what

2:36:12.840 --> 2:36:18.080
<v Speaker 1>I mean. So for him, he's just real, Like people

2:36:18.120 --> 2:36:20.360
<v Speaker 1>won't recognize you. That people she came back and nobody

2:36:20.400 --> 2:36:28.000
<v Speaker 1>kne who I was just shut up. But now he's

2:36:28.040 --> 2:36:30.720
<v Speaker 1>just he's just all around. It's just a real dude.

2:36:30.879 --> 2:36:32.920
<v Speaker 1>And um, he's definitely a person. That ship he said

2:36:32.920 --> 2:36:37.880
<v Speaker 1>about not being with people like what we're saying, like

2:36:38.120 --> 2:36:42.560
<v Speaker 1>being untalented and sexually transmitted, that ship is fucking true.

2:36:42.680 --> 2:36:46.520
<v Speaker 1>Like there has been sexual opportunities I have passed down

2:36:46.680 --> 2:36:49.720
<v Speaker 1>because I didn't think that much of a person's art,

2:36:50.080 --> 2:36:52.120
<v Speaker 1>not not even wrong crewe, Like I just didn't think

2:36:52.959 --> 2:36:56.320
<v Speaker 1>the art that that girl made was whatever. So it's

2:36:56.360 --> 2:37:00.600
<v Speaker 1>just like, yeah, like I don't wanna you know, you know,

2:37:00.760 --> 2:37:03.240
<v Speaker 1>I don't want you, you know, to make this vagin

2:37:03.320 --> 2:37:06.760
<v Speaker 1>of decision and I can't support your art, like I

2:37:06.840 --> 2:37:09.080
<v Speaker 1>feel that would be disingenuous, you know what I mean,

2:37:09.240 --> 2:37:12.280
<v Speaker 1>Like I can't do that. People think of pim they

2:37:12.320 --> 2:37:16.640
<v Speaker 1>got no feelings, but the pimp got feeling. I wouldn't

2:37:16.640 --> 2:37:18.959
<v Speaker 1>do that to her. So but yeah, but that's real man.

2:37:19.000 --> 2:37:21.400
<v Speaker 1>So he's just a super relatable dude. Man. Still my

2:37:21.680 --> 2:37:24.360
<v Speaker 1>still my top number one. Okay, you guys told me,

2:37:24.920 --> 2:37:26.640
<v Speaker 1>someone told me that I don't know how to take

2:37:26.680 --> 2:37:31.400
<v Speaker 1>a compliment. Uh. I actually felt honored that, you know,

2:37:31.600 --> 2:37:34.400
<v Speaker 1>when he said I don't hang around untalented people. Has

2:37:34.400 --> 2:37:38.879
<v Speaker 1>around you wait on each other. I'm telling you, oh, man,

2:37:38.959 --> 2:37:42.320
<v Speaker 1>he really likes my talent. You know. I appreciate that.

2:37:43.320 --> 2:37:46.200
<v Speaker 1>Chris is the dude that, like, when you're stagging it

2:37:46.360 --> 2:37:50.120
<v Speaker 1>in one particular area of your life and then it's

2:37:50.280 --> 2:37:56.200
<v Speaker 1>it's a sudden um, it's an upsurge, you know. I'll say, like,

2:37:56.280 --> 2:37:58.280
<v Speaker 1>in the last five years, things have definitely changed for

2:37:58.400 --> 2:38:03.000
<v Speaker 1>me and dealing with family members and all that stuff.

2:38:03.120 --> 2:38:06.000
<v Speaker 1>Like you know, you don't know how to deal with

2:38:06.080 --> 2:38:09.000
<v Speaker 1>it because you just think that you know, you're gonna

2:38:09.080 --> 2:38:12.959
<v Speaker 1>be a a starving artist or a broke artist or whatever,

2:38:13.080 --> 2:38:16.120
<v Speaker 1>like a struggling artists or whatever the case is. And

2:38:16.959 --> 2:38:19.920
<v Speaker 1>so he was really there to let me know, like

2:38:22.320 --> 2:38:24.920
<v Speaker 1>to get he was the he was the magical negro

2:38:25.800 --> 2:38:27.000
<v Speaker 1>they see, the one that he was kind of like

2:38:27.040 --> 2:38:31.200
<v Speaker 1>your rich nigger whisperer knew that you knew your nigger

2:38:31.280 --> 2:38:34.200
<v Speaker 1>whisper Like, yeah, he seems to do that with a

2:38:34.240 --> 2:38:36.800
<v Speaker 1>lot of people, though now he does. Like his first

2:38:36.879 --> 2:38:39.520
<v Speaker 1>thing was he was like, he's like, all right, you're

2:38:39.520 --> 2:38:41.400
<v Speaker 1>gonna meet me here tomorrow. I was like, why where

2:38:41.400 --> 2:38:43.480
<v Speaker 1>are we going? He's like, We're going to a not

2:38:43.600 --> 2:38:46.039
<v Speaker 1>a tea party, like we're going to a cocktail party.

2:38:46.040 --> 2:38:47.600
<v Speaker 1>And I was like, why would I want to go there?

2:38:48.040 --> 2:38:50.640
<v Speaker 1>He says, because you never know the day that you're

2:38:50.640 --> 2:38:54.800
<v Speaker 1>gonna need to borrow sixty dollars so you could develop something.

2:38:55.800 --> 2:38:58.600
<v Speaker 1>And I was like, huh, Like he just he just know.

2:38:58.800 --> 2:39:00.760
<v Speaker 1>It was like for real, like now you have to

2:39:00.840 --> 2:39:02.680
<v Speaker 1>take that and you have to do I went to

2:39:02.760 --> 2:39:04.520
<v Speaker 1>this thing with him. We shook a bunch of hands,

2:39:04.560 --> 2:39:08.280
<v Speaker 1>a bunch of old rich people. You now have to

2:39:08.320 --> 2:39:10.440
<v Speaker 1>be Chris Rock at some point and pass the baton

2:39:10.600 --> 2:39:13.039
<v Speaker 1>do the same thing mentoring. That's great. Yeah, it's called

2:39:13.120 --> 2:39:19.000
<v Speaker 1>Ques Love Supreme only on Pandora only. You know how

2:39:19.080 --> 2:39:20.640
<v Speaker 1>much stuff I've learned on this show that I actually

2:39:20.680 --> 2:39:23.879
<v Speaker 1>like applied to my everyday life now straight up, straight

2:39:23.959 --> 2:39:29.120
<v Speaker 1>up anyway, Yeah, he taught me a lot. So I'm

2:39:29.280 --> 2:39:32.920
<v Speaker 1>very grateful that he did the show. Bill Um. So yeah,

2:39:33.320 --> 2:39:35.520
<v Speaker 1>the whole him being the secret A and R or

2:39:35.560 --> 2:39:38.959
<v Speaker 1>whatever behind the um the jay Z ninety nine problems

2:39:39.160 --> 2:39:41.040
<v Speaker 1>and like we were talking when we were on break, like,

2:39:41.320 --> 2:39:42.960
<v Speaker 1>can you imagine what it would be like if jay

2:39:43.040 --> 2:39:48.400
<v Speaker 1>Z picked problems that it would be amazing. I actually

2:39:48.440 --> 2:39:50.840
<v Speaker 1>kind of want to hear that. So, j if you're

2:39:50.879 --> 2:39:53.520
<v Speaker 1>listening to get a table, I think it might be

2:39:53.560 --> 2:39:56.720
<v Speaker 1>time to revisit that. And I learned one more thing,

2:39:56.879 --> 2:40:03.119
<v Speaker 1>one more thing. My wraps will destroy you, will destroy

2:40:03.200 --> 2:40:06.960
<v Speaker 1>you where you learn. Um. He kept going back to

2:40:07.920 --> 2:40:12.600
<v Speaker 1>his ability, um, and you know, his his ability and

2:40:12.959 --> 2:40:16.120
<v Speaker 1>the value of of blending in being being able to

2:40:16.160 --> 2:40:20.160
<v Speaker 1>hang with anybody. And uh, I feel I've made a

2:40:20.200 --> 2:40:22.920
<v Speaker 1>bit of a career of that myself. I'm not laughing.

2:40:23.440 --> 2:40:26.080
<v Speaker 1>But now I cannot wait for the day we get

2:40:26.120 --> 2:40:29.840
<v Speaker 1>carrerass one on this shear. I know our intro is

2:40:29.879 --> 2:40:35.480
<v Speaker 1>going to be nothing but my wraps. I'm sorry Steve

2:40:35.600 --> 2:40:38.920
<v Speaker 1>far for interrupted go it. Um. Yeah, his his his

2:40:39.040 --> 2:40:41.520
<v Speaker 1>thing about blending in and um, being able to hang

2:40:41.640 --> 2:40:44.640
<v Speaker 1>with all sorts of different crowds and people, and the

2:40:44.760 --> 2:40:48.280
<v Speaker 1>value and that and that it's a skill, and um,

2:40:48.800 --> 2:40:51.680
<v Speaker 1>I can vouch for it, I think to some extent. Also,

2:40:51.840 --> 2:40:55.680
<v Speaker 1>I thought it was cool, um, because you and I

2:40:55.760 --> 2:40:59.480
<v Speaker 1>are always making the comparison between musicians and comedians and

2:41:00.120 --> 2:41:05.840
<v Speaker 1>saying all the similarities between the two different trades, and um,

2:41:05.959 --> 2:41:11.800
<v Speaker 1>he mentioned a major difference, Um, that musicians can can

2:41:11.879 --> 2:41:15.040
<v Speaker 1>work on continue to play their old material, you know,

2:41:15.200 --> 2:41:17.280
<v Speaker 1>and that's actually what the audience wants to hear most

2:41:17.320 --> 2:41:19.320
<v Speaker 1>of the time, is the the old songs and the

2:41:19.400 --> 2:41:23.280
<v Speaker 1>hits and so forth, and and comedians have to come

2:41:23.360 --> 2:41:27.520
<v Speaker 1>with the with the new stuff in order to So

2:41:27.640 --> 2:41:30.280
<v Speaker 1>I thought that was cool that you know, this sort

2:41:30.280 --> 2:41:33.360
<v Speaker 1>of major difference between those two things which we don't

2:41:33.400 --> 2:41:35.840
<v Speaker 1>think about. We always think about the similarities. And I

2:41:35.920 --> 2:41:39.200
<v Speaker 1>also got to mention that X in front of nat X,

2:41:39.240 --> 2:41:44.640
<v Speaker 1>which was really so awesome, remember that time you didn't

2:41:46.440 --> 2:41:52.480
<v Speaker 1>that's really cool. Alright, alright, Bill bill Um. I used

2:41:52.480 --> 2:41:54.720
<v Speaker 1>to open a lot for comedians back in the day,

2:41:54.800 --> 2:41:57.000
<v Speaker 1>and I remember being backstage and they're being like the

2:41:57.080 --> 2:42:00.080
<v Speaker 1>most introverted, angry folks at Freestyle loves the premu U

2:42:00.120 --> 2:42:01.880
<v Speaker 1>to open for a lot of comedians because we were

2:42:01.879 --> 2:42:04.959
<v Speaker 1>a comedy thing in in you know, in Edinburgh at

2:42:05.000 --> 2:42:07.680
<v Speaker 1>the fringe anyway, there's just really introverted dudes. And you

2:42:07.760 --> 2:42:09.200
<v Speaker 1>were like and made me not want to hang out

2:42:09.200 --> 2:42:11.280
<v Speaker 1>with comedians. And so Chris Rock very much changed that

2:42:11.320 --> 2:42:13.360
<v Speaker 1>because he's just he was not He's not like that

2:42:13.440 --> 2:42:16.520
<v Speaker 1>at all, and he's he's yeah, I would say so

2:42:16.760 --> 2:42:18.440
<v Speaker 1>like they were. You know, when your job is to

2:42:18.480 --> 2:42:20.199
<v Speaker 1>try to make people laugh all the time, I feel

2:42:20.240 --> 2:42:21.800
<v Speaker 1>like the rest of the time you're just like a

2:42:22.040 --> 2:42:24.600
<v Speaker 1>sad dick. And then this wasn't like that at all.

2:42:24.760 --> 2:42:27.520
<v Speaker 1>I like that. And how about that divorce can really,

2:42:27.600 --> 2:42:30.000
<v Speaker 1>you know, change a person, right, So there's like there's

2:42:30.040 --> 2:42:32.120
<v Speaker 1>the highs of Chris Rock's life and there's the loads

2:42:32.160 --> 2:42:35.120
<v Speaker 1>and it's all some ship and yeah, the look of

2:42:35.160 --> 2:42:40.960
<v Speaker 1>acknowledgement on Fonte's face, I don't like you kind of

2:42:41.000 --> 2:42:46.320
<v Speaker 1>like can't really do together. I mean pretty much more

2:42:46.400 --> 2:42:49.880
<v Speaker 1>than all right, what do you do? Building Fonte? What

2:42:49.959 --> 2:42:52.960
<v Speaker 1>are you two going to feel? Betrade, like four years

2:42:53.000 --> 2:42:56.600
<v Speaker 1>from now when you're like, all right, I've never getting

2:42:56.600 --> 2:42:58.440
<v Speaker 1>married again. Are you getting married? I'm never getting married again.

2:42:58.440 --> 2:43:00.120
<v Speaker 1>I know that. I'll a would say I would say this,

2:43:00.400 --> 2:43:02.800
<v Speaker 1>will I will say this, You're definitely getting married again.

2:43:03.000 --> 2:43:05.199
<v Speaker 1>Everyone says that, why do you say that? Okay, okay,

2:43:05.240 --> 2:43:06.920
<v Speaker 1>this is why they say. This is why they say it. No,

2:43:07.000 --> 2:43:10.560
<v Speaker 1>that's why they're saying. This is your haircuts made a marriage.

2:43:14.280 --> 2:43:27.359
<v Speaker 1>People can't haircut for marriage. My raps were made destroy

2:43:27.520 --> 2:43:30.840
<v Speaker 1>you my nikka Bill Sherman got the number two on

2:43:30.959 --> 2:43:39.520
<v Speaker 1>the Fantastic Sam Shaw. Alright, your account, go ahead. Okay,

2:43:39.600 --> 2:43:41.120
<v Speaker 1>this is why I was, I would say, because this

2:43:41.160 --> 2:43:43.160
<v Speaker 1>is as a person that had said that I would

2:43:43.200 --> 2:43:46.199
<v Speaker 1>never do it again, and I want to do it again.

2:43:46.520 --> 2:43:48.760
<v Speaker 1>All right. It's a couple of things, all right. First

2:43:48.800 --> 2:43:52.240
<v Speaker 1>thing is that you got to realize that there are

2:43:52.600 --> 2:43:54.920
<v Speaker 1>like a common threads that run through all marriages, but

2:43:55.040 --> 2:43:57.600
<v Speaker 1>sometimes you can just be with the wrong person, you

2:43:57.720 --> 2:43:59.840
<v Speaker 1>know what I'm saying. And for me, I just know

2:44:00.160 --> 2:44:03.240
<v Speaker 1>in my marriage that was just the wrong person, you

2:44:03.280 --> 2:44:04.960
<v Speaker 1>know what I mean, and so and and not even

2:44:05.040 --> 2:44:07.000
<v Speaker 1>putting it on her because we cool now. But for me,

2:44:07.240 --> 2:44:10.480
<v Speaker 1>the person I was when I got married was not

2:44:10.640 --> 2:44:12.720
<v Speaker 1>ready to be married, Like you know what I'm saying.

2:44:13.120 --> 2:44:15.240
<v Speaker 1>So it's like if you eat if you've never eaten

2:44:15.280 --> 2:44:17.840
<v Speaker 1>beef before, and somebody make you a cheeseburger and it's

2:44:17.879 --> 2:44:20.320
<v Speaker 1>just fucked up, and you taste that, you like, I

2:44:20.440 --> 2:44:23.520
<v Speaker 1>hate cheeseburger. It's like, no, it ain't that all cheeseburgers

2:44:23.600 --> 2:44:27.240
<v Speaker 1>sucked up cheeseburger. I was gonna say, But you're s

2:44:28.680 --> 2:44:30.680
<v Speaker 1>when you were at the altar. When you were at

2:44:30.720 --> 2:44:35.080
<v Speaker 1>the altar, was there a point when you're like a ship?

2:44:35.560 --> 2:44:39.840
<v Speaker 1>Maybe not? You caught up in the moment you couldn't

2:44:39.879 --> 2:44:43.880
<v Speaker 1>wait to frank you beverly amazing. No, it wasn't. I

2:44:44.000 --> 2:44:45.840
<v Speaker 1>never had a moment where I thought, like ship. It

2:44:45.920 --> 2:44:47.920
<v Speaker 1>wasn't that. I mean, I think you you know, I

2:44:48.200 --> 2:44:52.400
<v Speaker 1>was all long before that first Oh when I realized

2:44:52.400 --> 2:44:54.880
<v Speaker 1>I sucked up? Right, Oh, now I realized I sucked

2:44:54.959 --> 2:44:59.560
<v Speaker 1>up like within the first the first year, you know

2:44:59.560 --> 2:45:03.520
<v Speaker 1>what I mean, Maybe like the first someone shows you

2:45:03.560 --> 2:45:06.200
<v Speaker 1>who they really are. Yeah, that shows you who they

2:45:06.240 --> 2:45:08.480
<v Speaker 1>really are. And I mean and even beyond that again,

2:45:08.560 --> 2:45:11.680
<v Speaker 1>I mean like it really just depends on who you are.

2:45:11.720 --> 2:45:14.280
<v Speaker 1>And I just speak specifically as as as men. You

2:45:14.320 --> 2:45:15.760
<v Speaker 1>know what I'm saying, just talking to them, man like,

2:45:16.200 --> 2:45:18.400
<v Speaker 1>it really depends on us. It depends on it's not

2:45:18.480 --> 2:45:19.800
<v Speaker 1>so much. And it is the part that like women,

2:45:19.840 --> 2:45:21.960
<v Speaker 1>they don't like to talk about. It's like when a

2:45:22.000 --> 2:45:23.879
<v Speaker 1>man decides to get married, like we're saying with Chris,

2:45:24.200 --> 2:45:26.040
<v Speaker 1>it's at the top of your game. It's when we

2:45:26.160 --> 2:45:27.600
<v Speaker 1>at the top. So it's like, it really ain't got

2:45:27.600 --> 2:45:29.840
<v Speaker 1>ship to do with her. It's got to do with

2:45:29.959 --> 2:45:32.960
<v Speaker 1>who you are, you know what I mean. You know,

2:45:33.000 --> 2:45:35.280
<v Speaker 1>it ain't got nothing to do with you know, with who,

2:45:36.360 --> 2:45:37.480
<v Speaker 1>and it ain't got nothing to do with who you

2:45:37.840 --> 2:45:41.320
<v Speaker 1>who she is. She could be like the greatest mothercker ever,

2:45:41.480 --> 2:45:44.800
<v Speaker 1>like cook, clean, big ass, facted, whatever you like. But

2:45:44.959 --> 2:45:52.960
<v Speaker 1>if you ain't big, I mean, you know, whatever you like, Yeah,

2:45:53.080 --> 2:45:54.920
<v Speaker 1>if you have all that, but if you ain't ready

2:45:54.959 --> 2:45:56.520
<v Speaker 1>for that, and then it don't matter what she got.

2:45:56.840 --> 2:46:00.720
<v Speaker 1>What I'm saying the first three big you feel me.

2:46:00.840 --> 2:46:03.640
<v Speaker 1>So we're just saying, so we say intelligence because that's

2:46:03.680 --> 2:46:07.760
<v Speaker 1>what they want to hear and talent STDs what whatever

2:46:08.600 --> 2:46:13.360
<v Speaker 1>talent is sexually transmitted sexually transmitted untalentedness. That's fucking scary.

2:46:13.720 --> 2:46:15.240
<v Speaker 1>But now, so I would say that boss Bill, I

2:46:15.280 --> 2:46:17.840
<v Speaker 1>mean unpaid Bill. I think you know you you're feeling

2:46:17.879 --> 2:46:21.040
<v Speaker 1>it that now because you fresh out of it. You

2:46:21.040 --> 2:46:22.920
<v Speaker 1>want to get mad, and I ain't you still going

2:46:22.959 --> 2:46:26.240
<v Speaker 1>through your divorce, like you're still going through the aftermath,

2:46:26.320 --> 2:46:29.040
<v Speaker 1>like you still got like your thousand yards still of divorce.

2:46:29.600 --> 2:46:31.240
<v Speaker 1>You know what I'm saying, because that ship is fucking

2:46:31.320 --> 2:46:35.120
<v Speaker 1>traumatic at this point. And I have the right hair,

2:46:35.240 --> 2:46:39.240
<v Speaker 1>so I'll be fantastic, you know, fine, Fine, And I

2:46:39.280 --> 2:46:41.360
<v Speaker 1>would saying I don't know saying this because I was

2:46:41.440 --> 2:46:43.240
<v Speaker 1>the guy that before I was like fun this, I

2:46:43.320 --> 2:46:45.120
<v Speaker 1>never do I never do it again. And I kind

2:46:45.160 --> 2:46:47.160
<v Speaker 1>of had to eat some humble pie once I decided

2:46:47.160 --> 2:46:49.480
<v Speaker 1>to do it. But it's a process, and you know

2:46:49.640 --> 2:46:51.520
<v Speaker 1>you you work through it and you may decide to

2:46:51.560 --> 2:46:53.520
<v Speaker 1>do it, you may not. But if nothing else, I

2:46:53.600 --> 2:46:57.120
<v Speaker 1>think that your heart will soften once you make it

2:46:57.240 --> 2:46:59.039
<v Speaker 1>out of this joint. Like you gotta treat you gotta

2:46:59.040 --> 2:47:01.039
<v Speaker 1>treat the vorce like PT is D Like you really

2:47:01.040 --> 2:47:03.640
<v Speaker 1>got to treat that ship like you've been through something

2:47:03.760 --> 2:47:10.360
<v Speaker 1>many so many abbreviations, STDs, ptsd s. It's all yeah,

2:47:10.360 --> 2:47:11.840
<v Speaker 1>you gotta yeah, you gotta treat it like that. You

2:47:11.879 --> 2:47:14.119
<v Speaker 1>gotta get yourself at that time to really to really heal.

2:47:14.400 --> 2:47:16.160
<v Speaker 1>And then if you decided to do it again, you

2:47:16.240 --> 2:47:21.119
<v Speaker 1>know you can make a bet decision. Divorcedora, that's gonna

2:47:21.120 --> 2:47:23.120
<v Speaker 1>be the offspring. Yeah, when we get our side shows

2:47:23.959 --> 2:47:29.680
<v Speaker 1>all day just like remember that ship. Hey, our boss

2:47:29.720 --> 2:47:34.800
<v Speaker 1>Scott's here. Did you learn anything we embarrass? Did we

2:47:34.920 --> 2:47:37.960
<v Speaker 1>do we embarrass the higher ups and office upstairs? No?

2:47:38.200 --> 2:47:40.720
<v Speaker 1>I mean, look, there's a lot of things I think

2:47:40.760 --> 2:47:43.520
<v Speaker 1>in this interview that we're super interesting. One, uh to

2:47:43.640 --> 2:47:46.600
<v Speaker 1>what Fonte was saying, super real, like more you always

2:47:46.640 --> 2:47:48.720
<v Speaker 1>felt like he was at and in his comic and

2:47:49.520 --> 2:47:51.840
<v Speaker 1>celebrity persona, but just having him here in the room.

2:47:51.920 --> 2:47:56.240
<v Speaker 1>Definitely a real dude, super talented. Most comedians Seinfeld otherwise,

2:47:56.280 --> 2:47:58.240
<v Speaker 1>I'm a big fan of comedy. They take a year

2:47:58.360 --> 2:48:00.200
<v Speaker 1>to work out before they go out on the old

2:48:00.560 --> 2:48:02.920
<v Speaker 1>and they get a solid sixty to ninety minutes before

2:48:02.959 --> 2:48:06.520
<v Speaker 1>they do that, and he's literally putting it together, winging

2:48:06.800 --> 2:48:12.160
<v Speaker 1>yea as its because no he's my Chris is my

2:48:12.480 --> 2:48:16.880
<v Speaker 1>preparation guru for all the for all the folklore I

2:48:16.959 --> 2:48:20.400
<v Speaker 1>talk about, like the ten thousand hour practice thing, Like

2:48:20.920 --> 2:48:23.360
<v Speaker 1>I'm with him when he's at this obscure club, like

2:48:23.520 --> 2:48:27.680
<v Speaker 1>working things out with his grandfather glasses and all these notebooks.

2:48:28.080 --> 2:48:31.800
<v Speaker 1>Like when he's prepping stuff, he's not like this sure

2:48:32.440 --> 2:48:35.840
<v Speaker 1>you know coxs your walk on on the stage and thing. No,

2:48:36.080 --> 2:48:38.760
<v Speaker 1>he's like walking on the stage with pointext to glasses,

2:48:38.800 --> 2:48:42.080
<v Speaker 1>with a whole bunch of composition notebooks. Okay, what's try

2:48:42.120 --> 2:48:46.280
<v Speaker 1>to talk about? Okay, try some food jokes. No, I'm

2:48:46.320 --> 2:48:50.440
<v Speaker 1>not that okay Ravioli so no, no, no, no, no

2:48:50.520 --> 2:48:53.040
<v Speaker 1>no no. And he's like like literally and watching the

2:48:53.160 --> 2:48:56.240
<v Speaker 1>process and to see nobody laugh. And if a joke

2:48:56.280 --> 2:48:58.160
<v Speaker 1>doesn't work, he's like, you know, I'm like, okay, let

2:48:58.200 --> 2:49:03.439
<v Speaker 1>me try okay. Uh nikes. So like he's real scientist,

2:49:03.560 --> 2:49:06.640
<v Speaker 1>he's really working it out, like the reason, right, He's

2:49:06.680 --> 2:49:09.600
<v Speaker 1>the reason why I started prepping my DJ sets, Like, oh,

2:49:10.040 --> 2:49:12.400
<v Speaker 1>to be that great, you have to prep and then

2:49:12.959 --> 2:49:15.040
<v Speaker 1>not just go up there and wing it. How do

2:49:15.080 --> 2:49:18.440
<v Speaker 1>the audiences respond to him when he's working stuff out?

2:49:18.480 --> 2:49:20.200
<v Speaker 1>You know, like you said, they might not laugh. But

2:49:20.280 --> 2:49:23.920
<v Speaker 1>like sometimes people or sometimes it's weird because lately I'll

2:49:23.959 --> 2:49:26.560
<v Speaker 1>see him the last year when like you just gotta

2:49:26.600 --> 2:49:29.240
<v Speaker 1>come to the Comedy Seller, like now he if he's

2:49:29.240 --> 2:49:33.120
<v Speaker 1>going to Comedy Seller, then everybody's gonna like Louie is

2:49:33.120 --> 2:49:36.760
<v Speaker 1>gonna show up, Seinfield might show up, because he's definitely

2:49:36.800 --> 2:49:40.760
<v Speaker 1>showing up. Uh, Hannibal will be there. Amy's gonna be

2:49:40.800 --> 2:49:43.920
<v Speaker 1>If Amy and him are there, then basically nine of

2:49:44.120 --> 2:49:46.520
<v Speaker 1>the gods of comedy will also be there. I think

2:49:46.520 --> 2:49:48.840
<v Speaker 1>if you're coming to the Comedy Seller, if you're an

2:49:48.879 --> 2:49:51.320
<v Speaker 1>audience member that's going to that club, I think you

2:49:51.440 --> 2:49:52.840
<v Speaker 1>kind of know what you're in for. I think like

2:49:53.000 --> 2:49:55.600
<v Speaker 1>they don't because when I say no Jim for meaning

2:49:55.720 --> 2:49:58.600
<v Speaker 1>like they would like to see someone work that out,

2:49:58.720 --> 2:50:03.119
<v Speaker 1>you know what I mean? Pay sense. Ever since Louis,

2:50:03.280 --> 2:50:06.440
<v Speaker 1>people understand that that's that the Comedy Seller is the

2:50:06.560 --> 2:50:11.959
<v Speaker 1>working out spot. But you know it's also the you're

2:50:12.000 --> 2:50:14.600
<v Speaker 1>caught up in the moment because you know, if Chris

2:50:14.760 --> 2:50:16.879
<v Speaker 1>is on, then damn Kevin Hart must be oh my god,

2:50:17.000 --> 2:50:20.760
<v Speaker 1>there he is right there like it's it's it's But also,

2:50:20.840 --> 2:50:23.680
<v Speaker 1>like he said, comedians will they feel like them for

2:50:23.720 --> 2:50:28.760
<v Speaker 1>each other. Also, Yeah, and the real, the real workout

2:50:28.879 --> 2:50:32.320
<v Speaker 1>happens upstairs because once they're done and they go back

2:50:32.400 --> 2:50:35.000
<v Speaker 1>up to that booth in the back, that's when they start,

2:50:35.080 --> 2:50:36.720
<v Speaker 1>you know, you know, you bomble mes ship and da

2:50:36.760 --> 2:50:38.560
<v Speaker 1>da da da da and they start comparing notes. Like

2:50:38.760 --> 2:50:41.320
<v Speaker 1>that's the real That's the part that I wish people

2:50:41.360 --> 2:50:45.119
<v Speaker 1>could really see about the process of of comedy building.

2:50:45.280 --> 2:50:47.800
<v Speaker 1>There was two other things he said that I kind

2:50:47.800 --> 2:50:49.560
<v Speaker 1>of wish we had dug a little deeper on, which

2:50:49.640 --> 2:50:52.279
<v Speaker 1>was he talked about all of his friends doing drugs

2:50:52.320 --> 2:50:54.240
<v Speaker 1>and he didn't, and I kind of wanted to know why,

2:50:54.360 --> 2:50:56.440
<v Speaker 1>Like what was it? Like was he afraid? Was it health?

2:50:56.560 --> 2:50:57.880
<v Speaker 1>Is it just like I don't want to be that

2:50:57.959 --> 2:51:03.080
<v Speaker 1>guy because his dad would have beat his ass. I

2:51:03.160 --> 2:51:04.959
<v Speaker 1>kind of figured that too. And then the other moment

2:51:05.040 --> 2:51:07.840
<v Speaker 1>when he decided to go to the when he saw

2:51:07.879 --> 2:51:10.600
<v Speaker 1>the ad and went down to the comedies, Like what

2:51:10.879 --> 2:51:13.040
<v Speaker 1>what made him say I can do comedy? Like he

2:51:13.240 --> 2:51:15.720
<v Speaker 1>at that point he had said nothing had ever come

2:51:15.760 --> 2:51:17.680
<v Speaker 1>other than he was just a fan of it, like

2:51:18.360 --> 2:51:21.760
<v Speaker 1>scientific in this approach, but he's not scientific romantic, Like

2:51:21.920 --> 2:51:25.600
<v Speaker 1>I'm scientific romantic. I'll fetish size over Oh my god, Like,

2:51:26.840 --> 2:51:29.000
<v Speaker 1>so when you had this MP three, you know, this,

2:51:29.400 --> 2:51:32.680
<v Speaker 1>this MP three of this particular song, did you think

2:51:32.720 --> 2:51:35.600
<v Speaker 1>that he can nostalgic over MP threes? Now, Shi, Well,

2:51:36.000 --> 2:51:42.800
<v Speaker 1>I think there's but and the stories you've heard on

2:51:42.879 --> 2:51:45.720
<v Speaker 1>this show have kind of ruined that notion because you

2:51:45.840 --> 2:51:48.720
<v Speaker 1>hear all this stuff is happy accidents. Right. Well, I'm

2:51:48.760 --> 2:51:52.040
<v Speaker 1>fine with the happy accidents, but no one, no one

2:51:52.280 --> 2:51:57.800
<v Speaker 1>really scientifically genius, tends to look over there. You know,

2:51:58.840 --> 2:52:01.880
<v Speaker 1>they're very dismissing of of their work and that stuff.

2:52:01.920 --> 2:52:03.960
<v Speaker 1>So it's been a whole lot of happy accidents and

2:52:04.040 --> 2:52:08.440
<v Speaker 1>not overthinking things. Yeah. I do all the overthinking anyway,

2:52:08.520 --> 2:52:13.879
<v Speaker 1>when half of Queen Uh wait, I have a funny story,

2:52:14.000 --> 2:52:16.480
<v Speaker 1>funny Chris Rock story. If we're ending, if we're ending

2:52:16.520 --> 2:52:19.760
<v Speaker 1>the show. Um, it was like a year and a

2:52:19.800 --> 2:52:22.440
<v Speaker 1>half ago. You were working on the music for UM

2:52:23.200 --> 2:52:28.280
<v Speaker 1>for his movie Oh I Forgot scored? Yeah, and um,

2:52:28.640 --> 2:52:31.040
<v Speaker 1>for some reason you had me text him or call him,

2:52:31.080 --> 2:52:32.800
<v Speaker 1>and for some reason my my number ended up in

2:52:32.920 --> 2:52:38.840
<v Speaker 1>his phone. So one night I'm at home, hi as hell,

2:52:39.240 --> 2:52:43.959
<v Speaker 1>and uh, I get this FaceTime and it's Chris Rock, right,

2:52:44.000 --> 2:52:46.760
<v Speaker 1>it says Chris Rock FaceTime, like he's calling me. So

2:52:47.040 --> 2:52:49.280
<v Speaker 1>I'm like, okay, so I picked I pick it up

2:52:49.640 --> 2:52:51.160
<v Speaker 1>and it's Chris Rocky's like in the back of a

2:52:51.240 --> 2:52:53.800
<v Speaker 1>car or a limo or something like that, and he's like,

2:52:53.879 --> 2:52:57.000
<v Speaker 1>who is this, Like he's looking at you know, I'm like,

2:52:57.080 --> 2:53:00.840
<v Speaker 1>you call me? He go, go, this is Steve Us engineer.

2:53:00.959 --> 2:53:03.920
<v Speaker 1>He goes, oh ship, he goes, I don't know how

2:53:04.000 --> 2:53:06.320
<v Speaker 1>that just happened. I go, you must have just asked

2:53:06.560 --> 2:53:09.160
<v Speaker 1>FaceTime me, you know, like as style FaceTime, Like my

2:53:09.280 --> 2:53:12.119
<v Speaker 1>number must just been in his phone and his must

2:53:12.120 --> 2:53:15.280
<v Speaker 1>have sat on his phone. So I'm like, yeah, okay,

2:53:15.320 --> 2:53:17.080
<v Speaker 1>how are you doing. He's like, goods, I'm gonna go

2:53:17.160 --> 2:53:23.480
<v Speaker 1>back to smoking crack now by and I just like

2:53:23.680 --> 2:53:28.800
<v Speaker 1>that was the perfect Chris rock interaction ending all right,

2:53:28.920 --> 2:53:33.120
<v Speaker 1>let me have I'm pay Bill Fox Bill and h Sugar,

2:53:33.160 --> 2:53:36.640
<v Speaker 1>Steve fon Tikolo and yeah yo this of course Love Supreme.

2:53:36.879 --> 2:53:38.400
<v Speaker 1>We will talk to you on the next girl round.

2:53:38.560 --> 2:53:49.360
<v Speaker 1>All right, of course Love Supreme. It's a production of

2:53:49.480 --> 2:53:52.720
<v Speaker 1>I Heart Radio. This classic episode was produced by the

2:53:52.840 --> 2:53:59.600
<v Speaker 1>team at Pandora. For more podcasts for My heart Radio,

2:53:59.720 --> 2:54:03.040
<v Speaker 1>visit the I Heart Radio app Apple Podcasts or wherever

2:54:03.120 --> 2:54:06.680
<v Speaker 1>you listen to your favorite shows. H