1 00:00:06,880 --> 00:00:13,360 Speaker 1: Fantastica Sola Princes the previously on the Princess of South Beach. 2 00:00:14,000 --> 00:00:17,240 Speaker 1: Stevan finally came face to face with his political nemesis, 3 00:00:17,280 --> 00:00:21,400 Speaker 1: Alicia Mendez. During their live radio interview, Alicia confronted a 4 00:00:21,480 --> 00:00:25,560 Speaker 1: Stevan about Gabby's disappearance. Yes, the same Gabby Estre has 5 00:00:25,600 --> 00:00:29,280 Speaker 1: been looking for all these years. Raoul is still recuperating 6 00:00:29,320 --> 00:00:32,080 Speaker 1: after being beaten up by the thugs. Nacho owes money too, 7 00:00:33,080 --> 00:00:36,400 Speaker 1: and of course people have finally noticed that Nacho is 8 00:00:36,440 --> 00:00:43,000 Speaker 1: missing because he's dead because Maria del Garman accidentally murdered him. 9 00:00:43,159 --> 00:00:45,600 Speaker 1: So let's see how a. Stevan is doing without his 10 00:00:45,800 --> 00:00:54,280 Speaker 1: campaign manager slash lover. Hello, Hello, it's this thing. We 11 00:00:55,000 --> 00:01:02,800 Speaker 1: thank you all uh so much for being here. Unfortunately, 12 00:01:02,840 --> 00:01:07,679 Speaker 1: I am here to confirmed my campaign manager, Nacho Santana, 13 00:01:08,000 --> 00:01:12,840 Speaker 1: disappeared three days ago. As you can imagine, this is 14 00:01:12,840 --> 00:01:14,839 Speaker 1: a very delicate time for me and my family. Nacho 15 00:01:15,080 --> 00:01:18,840 Speaker 1: is more than an employee. He is one of the Gulderns. 16 00:01:20,560 --> 00:01:22,720 Speaker 1: We are praying day and night for his safe return. 17 00:01:23,840 --> 00:01:25,839 Speaker 1: The last we heard of him was when he left 18 00:01:25,880 --> 00:01:30,200 Speaker 1: his home last Thursday after spending some time with his 19 00:01:30,280 --> 00:01:36,320 Speaker 1: loving son. Raoul here to comment on that. Raoul Santana, 20 00:01:37,160 --> 00:01:39,880 Speaker 1: thank you all for being here. I know that my 21 00:01:39,920 --> 00:01:42,360 Speaker 1: father would be moved by how many people have shown 22 00:01:42,440 --> 00:01:46,280 Speaker 1: up today my father. My father isn't perfect, but he 23 00:01:46,440 --> 00:01:49,880 Speaker 1: is a good man. We would appreciate any information anyone 24 00:01:49,920 --> 00:01:53,400 Speaker 1: may have about my father's whereabouts and Astevan, I want 25 00:01:53,400 --> 00:01:55,560 Speaker 1: to thank you for everything you've done for my family 26 00:01:55,960 --> 00:02:01,480 Speaker 1: during the difficult time. See thank you very much. Broad 27 00:02:01,840 --> 00:02:05,360 Speaker 1: As you can see, he's sick with worry. We all are. 28 00:02:05,560 --> 00:02:07,680 Speaker 1: We thank the brave officers of the Miami PD who 29 00:02:07,720 --> 00:02:10,480 Speaker 1: are working tirelessly to help us find Nacho. Thank you 30 00:02:10,520 --> 00:02:13,440 Speaker 1: all for coming, and please do keep Nacho in your prayers. Gassi, 31 00:02:13,480 --> 00:02:24,120 Speaker 1: yes Goodasi, Yes, no, no, no, no question is Steven. 32 00:02:24,280 --> 00:02:27,040 Speaker 1: Here's a coffee, Karen? How did I do excellently? You've 33 00:02:27,040 --> 00:02:29,919 Speaker 1: seen genuinely compassionate and stoic at the same time. How 34 00:02:29,960 --> 00:02:31,679 Speaker 1: are you? I know you are not to work close 35 00:02:31,720 --> 00:02:34,680 Speaker 1: and I imagine I'm fine. He'll show up. You'll see, Steven, 36 00:02:34,880 --> 00:02:36,560 Speaker 1: I need to talk to you about something you did. 37 00:02:36,560 --> 00:02:38,040 Speaker 1: It a different job out there. Don't worry. I'm sure 38 00:02:38,040 --> 00:02:39,760 Speaker 1: your dad will show up any moment. Now. That's exactly 39 00:02:39,760 --> 00:02:41,320 Speaker 1: why I need to talk to you about, Karen. How 40 00:02:41,320 --> 00:02:43,000 Speaker 1: are you looking in the latest polls. We're ten points 41 00:02:43,000 --> 00:02:45,840 Speaker 1: ahead with the elderly and the evangelical community, and we're 42 00:02:45,880 --> 00:02:49,480 Speaker 1: trending with the goat hurders. Well, all that's great news. 43 00:02:49,480 --> 00:02:50,880 Speaker 1: I really thought that all this would hurt us in 44 00:02:50,919 --> 00:02:53,040 Speaker 1: the number, but I guess not. It's like they say, Oh, 45 00:02:53,120 --> 00:02:56,160 Speaker 1: publicity is a good publicity. I have to tell you something. 46 00:02:56,440 --> 00:02:58,080 Speaker 1: There is one thing we should be worrying about. What 47 00:02:58,160 --> 00:03:00,000 Speaker 1: is it? The Alicia man? This crowd has a hashtag 48 00:03:00,440 --> 00:03:02,799 Speaker 1: where's Gabby trending on Twitter? You need to change the 49 00:03:02,880 --> 00:03:05,359 Speaker 1: narrative immediately, Karen. I need something I can use against 50 00:03:05,360 --> 00:03:10,120 Speaker 1: that snake. Find it. I'm on it. Lisa, Gloria, are 51 00:03:10,120 --> 00:03:11,880 Speaker 1: you ready for the photos of the press? Who's waiting 52 00:03:11,919 --> 00:03:15,680 Speaker 1: on our exit seven? Nacho is missing? Do you really 53 00:03:15,680 --> 00:03:18,160 Speaker 1: want to use this moment for a photo up? Your 54 00:03:18,200 --> 00:03:20,680 Speaker 1: best friend might be in danger. We're three days away 55 00:03:20,680 --> 00:03:23,480 Speaker 1: from the election. They'll be time for sentimentalities after we 56 00:03:23,560 --> 00:03:28,640 Speaker 1: secure the votes. I think my dad is dead. What 57 00:03:28,680 --> 00:03:30,799 Speaker 1: do you mean? I'm almost sure that they killed my poppy. 58 00:03:31,040 --> 00:03:32,600 Speaker 1: Before he went missing. He told me that he owed 59 00:03:32,600 --> 00:03:34,800 Speaker 1: a lot of money to some very dangerous people. Wait, 60 00:03:35,000 --> 00:03:37,720 Speaker 1: someone was after your fatherhood. I don't know exactly who. 61 00:03:37,760 --> 00:03:39,400 Speaker 1: I only know that he was being threatened and that 62 00:03:39,480 --> 00:03:41,320 Speaker 1: the night he went missing, someone attacked me. What do 63 00:03:41,400 --> 00:03:43,600 Speaker 1: you mean? Ask your mom, Glodia. She was the only 64 00:03:43,600 --> 00:03:46,280 Speaker 1: one who visited me at the hospital. So these people, 65 00:03:46,600 --> 00:03:52,760 Speaker 1: whoever they are, might be the ones behind Nazo's disappearance. Also, 66 00:03:52,960 --> 00:03:55,800 Speaker 1: you were in the hospital seven Why don't you look surprised. 67 00:03:55,920 --> 00:03:58,640 Speaker 1: He may have mentioned he owed money to some people, 68 00:03:58,720 --> 00:04:01,320 Speaker 1: but I assumed he would take care of it. So 69 00:04:01,440 --> 00:04:03,840 Speaker 1: you know Natcho was in trouble and you didn't do 70 00:04:03,880 --> 00:04:05,920 Speaker 1: anything to help him or Lisa. I don't have time 71 00:04:05,960 --> 00:04:08,320 Speaker 1: for one of your outburst. Raoul. I'm sorry that you 72 00:04:08,360 --> 00:04:10,680 Speaker 1: got attacked. I knew about the money problem, but I 73 00:04:10,720 --> 00:04:13,600 Speaker 1: didn't realize it was this ball leavable. There any more 74 00:04:13,600 --> 00:04:16,080 Speaker 1: information you have about your father, only that when he left, 75 00:04:16,080 --> 00:04:18,359 Speaker 1: he was looking for the person responsible for blackmailing you. 76 00:04:18,560 --> 00:04:23,040 Speaker 1: What blackmail? No, it has nothing to do with that. 77 00:04:23,160 --> 00:04:27,040 Speaker 1: Does the blackmail have to do with the money? What blackmail? 78 00:04:27,480 --> 00:04:34,200 Speaker 1: Talking about? Everybody? Shut up quiet? I need to think, Raoul, 79 00:04:34,600 --> 00:04:37,480 Speaker 1: who else knows about what you just told me? No 80 00:04:37,520 --> 00:04:39,520 Speaker 1: one but let's keep it that way until after the election. 81 00:04:39,560 --> 00:04:41,280 Speaker 1: The last thing you need is another scandal. We can 82 00:04:41,279 --> 00:04:44,600 Speaker 1: continue discussing this at like ASA Rosa. Now, everybody, put 83 00:04:44,640 --> 00:04:48,039 Speaker 1: your sad faces on and let's go. I need to 84 00:04:48,080 --> 00:04:50,479 Speaker 1: swing by the office. I'll meet you later back home, 85 00:04:54,520 --> 00:04:59,200 Speaker 1: Roul hang on, I'm very sorry about your DADDI. Where 86 00:04:59,200 --> 00:05:01,320 Speaker 1: have you been? Oh? I was in the hospital and 87 00:05:01,440 --> 00:05:03,880 Speaker 1: no one could reach you. I know we weren't together anymore, 88 00:05:03,880 --> 00:05:06,719 Speaker 1: but I still thought you'd care about me. It's like 89 00:05:06,720 --> 00:05:20,920 Speaker 1: I don't know you anymore. Wait, well, I'm sorry. Save it. Gloria. Gloria, Gloria. Wait, Gloria, Hey, Andres, 90 00:05:21,440 --> 00:05:23,960 Speaker 1: I have no comments. What no, No, I'm not reporting 91 00:05:23,960 --> 00:05:26,680 Speaker 1: on you right now. I've been calling you. Oh, you're 92 00:05:26,720 --> 00:05:29,320 Speaker 1: not reporting on me right now. I wanted to say, 93 00:05:29,600 --> 00:05:32,680 Speaker 1: I'm sorry, sorry for pretending to be in love with 94 00:05:32,720 --> 00:05:36,520 Speaker 1: me to investigate my family. I wasn't pretending. Get out 95 00:05:36,560 --> 00:05:46,360 Speaker 1: of my way, Andres, Gloria, goodbye, Andres. Oh savage, Maria 96 00:05:46,440 --> 00:05:49,440 Speaker 1: that the government really is embracing her inner Gloria. And 97 00:05:49,720 --> 00:05:53,680 Speaker 1: with everyone suspecting it's the mob who's responsible for Natcha's disappearance, 98 00:05:54,200 --> 00:05:58,800 Speaker 1: maybe Maria and Estrea might get out of this masscot free. 99 00:06:00,080 --> 00:06:10,000 Speaker 1: M h Betel or her Betel when you open the 100 00:06:10,040 --> 00:06:12,680 Speaker 1: godamn window. The button isn't working. We need some fresh air. 101 00:06:16,440 --> 00:06:23,160 Speaker 1: M Oh, Jesus not notch. Where are you? You have 102 00:06:23,480 --> 00:06:27,920 Speaker 1: one safe message? To hear your safe message? Please press 103 00:06:28,000 --> 00:06:33,880 Speaker 1: one cold Steve one. It's uh, it's Nacho obviously, Um, 104 00:06:34,720 --> 00:06:37,920 Speaker 1: I guess you're not there. I just wanted to thank 105 00:06:38,000 --> 00:06:43,680 Speaker 1: you for everything. I wanted to thank you for everything. 106 00:06:44,600 --> 00:06:47,080 Speaker 1: You know, you know you're really important to me, and well, 107 00:06:47,240 --> 00:06:53,040 Speaker 1: I I wanted to say thanks for everything. I'm just 108 00:06:53,200 --> 00:06:59,440 Speaker 1: repeating myself because I just I'm so grateful for you 109 00:06:59,720 --> 00:07:04,120 Speaker 1: in my life, and I'm going to hang up before 110 00:07:04,480 --> 00:07:09,720 Speaker 1: I get every even more cheesy. Imagine that a Nacho 111 00:07:09,920 --> 00:07:13,960 Speaker 1: being cheesy. Yes, that was that was That was where 112 00:07:15,240 --> 00:07:19,320 Speaker 1: I should have hung up before. Anyway, thank you, I'll 113 00:07:19,320 --> 00:07:42,280 Speaker 1: talk to you. Where are you, Natal? Where are you? Oh? 114 00:07:42,920 --> 00:07:45,120 Speaker 1: Looks like a Steven cares about Nacho more than he 115 00:07:45,200 --> 00:07:48,280 Speaker 1: lets on. But that's a secret love that Nacho took 116 00:07:48,360 --> 00:07:52,760 Speaker 1: to the grave. And by grave, I mean swamp. Speaking 117 00:07:52,800 --> 00:07:55,640 Speaker 1: of secret loves, have you forgotten that Raoul and Luisa 118 00:07:55,680 --> 00:07:59,600 Speaker 1: hooked up? Because you know, I haven't. The image is 119 00:07:59,680 --> 00:08:06,000 Speaker 1: burned into the back of my eyes. Louisa, No, I 120 00:08:06,040 --> 00:08:09,320 Speaker 1: didn't know you were here. I'll leave you, I'll leave 121 00:08:09,320 --> 00:08:17,640 Speaker 1: you alone. No, no, no, I enjoy your company. We 122 00:08:17,720 --> 00:08:20,360 Speaker 1: haven't been able to talk ever since. Ye see when 123 00:08:20,960 --> 00:08:24,400 Speaker 1: we haven't had much time in ourselves lately until the 124 00:08:24,480 --> 00:08:31,960 Speaker 1: other night. Was great. Obviously a mistake, no, big mistake. Yeah, 125 00:08:32,080 --> 00:08:35,199 Speaker 1: and it can never happen again. No, no, of course not. 126 00:08:37,840 --> 00:08:41,839 Speaker 1: What do you too have going on here? What weird vibe? Wow? Okay, 127 00:08:41,880 --> 00:08:43,680 Speaker 1: what are you do having a secret affair or something? 128 00:08:52,240 --> 00:09:01,040 Speaker 1: I guess we all love right now? I think I'll 129 00:09:01,040 --> 00:09:03,040 Speaker 1: take four. Yes, well, I'm off to bed now. I 130 00:09:03,080 --> 00:09:08,880 Speaker 1: will leave you two to whatever this um goos up is? 131 00:09:10,840 --> 00:09:22,480 Speaker 1: Why not? Oh? Hell? When is nachas? Lisa? Wow, I 132 00:09:22,559 --> 00:09:25,560 Speaker 1: haven't witnessed sexual tension like that since I got trapped 133 00:09:25,559 --> 00:09:29,480 Speaker 1: in an elevator with Bennett Cumberbatch. Let's see how Estray 134 00:09:29,520 --> 00:09:32,480 Speaker 1: and Maria del Garmen are handling their post murder stress. 135 00:09:42,720 --> 00:09:47,320 Speaker 1: Can you two your lovers? It's me Tatiana. Wait till 136 00:09:47,360 --> 00:09:49,959 Speaker 1: you hear the big turn of events we have for 137 00:09:50,120 --> 00:09:56,520 Speaker 1: you on the next tea with Fattiana. Well, guys, I 138 00:09:56,679 --> 00:09:58,880 Speaker 1: think I'm gonna go down to one of those Swab 139 00:09:59,000 --> 00:10:03,280 Speaker 1: dealerships and try me out one of those Lincoln Aviator gts. 140 00:10:03,960 --> 00:10:06,719 Speaker 1: I will for sure keep you posted on that, and 141 00:10:06,880 --> 00:10:12,240 Speaker 1: if it's not clear yet, I'm beyond excited. All Right, 142 00:10:12,920 --> 00:10:15,000 Speaker 1: that's it for now, but be sure to tune in 143 00:10:15,080 --> 00:10:17,480 Speaker 1: next time to see how it all went down. On 144 00:10:17,600 --> 00:10:38,600 Speaker 1: the next see with Tatiana. I can't believe it. There 145 00:10:38,640 --> 00:10:41,640 Speaker 1: are over two thousand tweets with the hashtag Where's Gabby. 146 00:10:42,240 --> 00:10:44,080 Speaker 1: I didn't think so many people would care. It looks 147 00:10:44,120 --> 00:10:48,000 Speaker 1: like your plan is finally coming together. Hey, Maria, do 148 00:10:48,160 --> 00:10:49,880 Speaker 1: we want to talk about the elephant in the room? 149 00:10:50,520 --> 00:10:53,280 Speaker 1: Are you okay? I'm fine? Why? I don't know, just 150 00:10:53,400 --> 00:10:56,679 Speaker 1: spitballing here, But um, you accidentally killed someone and then 151 00:10:56,760 --> 00:10:59,439 Speaker 1: covered it up, and now everyone in Miami's looking for him. 152 00:11:00,000 --> 00:11:02,000 Speaker 1: I mean, you were freaking out about it before and 153 00:11:02,080 --> 00:11:04,959 Speaker 1: now you seem as cool as a cucumber. Lower your voice. 154 00:11:05,520 --> 00:11:07,959 Speaker 1: What is there to talk about? Who told everyone that 155 00:11:08,040 --> 00:11:09,840 Speaker 1: Natcha own money to the mob and so it's only 156 00:11:09,920 --> 00:11:13,640 Speaker 1: logical that they're the ones that killed him. Case closed? Yeah, Maria, 157 00:11:13,720 --> 00:11:16,000 Speaker 1: but me and you know what actually happened. I said, 158 00:11:16,080 --> 00:11:19,719 Speaker 1: case closed. Okay, the damage is done. I don't want 159 00:11:19,720 --> 00:11:21,760 Speaker 1: to talk about it anymore. Okay, but what do you 160 00:11:21,840 --> 00:11:23,719 Speaker 1: want for me? You want me to go out there 161 00:11:23,800 --> 00:11:26,200 Speaker 1: and tell everyone what happened? Do you want to spend 162 00:11:26,240 --> 00:11:27,760 Speaker 1: the rest of your life in jail? It's not what 163 00:11:27,880 --> 00:11:30,160 Speaker 1: I meant. I just want to talk to you, because 164 00:11:30,320 --> 00:11:33,199 Speaker 1: done is done. God just handed us a miracle. The 165 00:11:33,240 --> 00:11:35,199 Speaker 1: best thing we can do is take it. That's a 166 00:11:35,320 --> 00:11:42,840 Speaker 1: bit of a stretch. Who could it be so late 167 00:11:42,880 --> 00:11:45,880 Speaker 1: at night? Luisa probably owned another cows on. She always 168 00:11:45,880 --> 00:11:52,960 Speaker 1: does that when she's stressed out. Oh NAA's officer, Gomez, 169 00:11:53,280 --> 00:11:58,200 Speaker 1: are your bosses around? It's regarding natural Santana's case, my partner, 170 00:11:58,320 --> 00:12:06,000 Speaker 1: I can we come in? Oh a, Yesterreya, it looks 171 00:12:06,040 --> 00:12:08,760 Speaker 1: like that miracle didn't last long. How are you going 172 00:12:08,800 --> 00:12:13,520 Speaker 1: to wiggle your way out of this one? If you're 173 00:12:13,640 --> 00:12:17,200 Speaker 1: enjoying Princess of South Beach, please subscribe, rate, and review 174 00:12:17,280 --> 00:12:20,400 Speaker 1: our show wherever you're listening. The Princess of South Beach 175 00:12:20,520 --> 00:12:23,960 Speaker 1: is a production of Ihearts, Michael Tura Podcast Network, and Sonoro, 176 00:12:24,360 --> 00:12:28,000 Speaker 1: Created and directed by Jasmine Romero, Written by Jasmine Romero 177 00:12:28,120 --> 00:12:31,880 Speaker 1: and Joanna Houseman with help from Daniels Erkis, Monisa Henris 178 00:12:32,000 --> 00:12:36,640 Speaker 1: and Christian Jata. Produced by Luis Rollo. Executive produced by 179 00:12:36,720 --> 00:12:40,280 Speaker 1: conal Burne and Gazelle Bances for iHeart by Joanna Houseman 180 00:12:40,640 --> 00:12:44,840 Speaker 1: and by Jasmine Romero and Joshua Weinstein for Sonoro. Performances 181 00:12:44,840 --> 00:12:49,320 Speaker 1: in this episode by Rachel Zegler, Gina Torres, Raoulas Varza, 182 00:12:49,640 --> 00:12:55,479 Speaker 1: Danny Pino, X Mayo, Andy Bustillos, Alan Eisenberg, Alexis Guerreros 183 00:12:55,920 --> 00:13:00,880 Speaker 1: and Perino Ortiz. Our production manager is getting such recording 184 00:13:00,960 --> 00:13:05,280 Speaker 1: and engineering by Emiliano Quintana, with sound designed by Edwin Irigoyen, 185 00:13:05,559 --> 00:13:10,800 Speaker 1: Cassandra Tinajo, Andres Bayena, Diego Medina and Andres Coronaldo. Assistant 186 00:13:10,840 --> 00:13:14,920 Speaker 1: sound designed by Eric Sinteno. Casting in coordination by Andres Chaires. 187 00:13:15,240 --> 00:13:18,920 Speaker 1: Folly by Samantha Gonzalez Fong, our theme song and original 188 00:13:19,040 --> 00:13:22,079 Speaker 1: music by Rodrigo Garcia Roles and Charlie Hernandez.