WEBVTT - Darlene Vogel Meets World

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<v Speaker 1>M How about the fact that the Declaration of Independence

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<v Speaker 1>wasn't signed on the fourth of July.

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<v Speaker 2>When was it signed.

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<v Speaker 1>It's it was people were staggering in to sign it.

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<v Speaker 1>But it was July second is when everything was was

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<v Speaker 1>actually done.

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<v Speaker 2>So they were holding off.

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<v Speaker 1>Like the famous the famous painting of all of the

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<v Speaker 1>founding fathers and everybody together around the Declaration of Dependence.

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<v Speaker 2>None of that ever happened. That's not photograph exactly.

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<v Speaker 3>Never watched the documentary National Treasure.

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<v Speaker 2>Oh yes, starring Nick Cage. Yes, I watched it with

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<v Speaker 2>my son. Not great. Not a great movie because it's

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<v Speaker 2>a great movie. It is not Nick Cage is a

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<v Speaker 2>National Treasure. I love Nick Cage.

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<v Speaker 3>But but it's it's back in the day, like when

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<v Speaker 3>they would just be like a puzzle here and a

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<v Speaker 3>puzzle there. Nah, they didn't talk. They didn't talk about

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<v Speaker 3>the lack of everybody signing on the fourth.

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<v Speaker 1>Yeah, no, they were just he's the fourth well, because

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<v Speaker 1>the fourth is it might have been ada. It was

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<v Speaker 1>actually ratified. But again, these were men that were coming

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<v Speaker 1>from all over the thirteen colonies, So it's the idea

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<v Speaker 1>that they were all together at the same time to

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<v Speaker 1>sign it.

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<v Speaker 2>Didn't happen.

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<v Speaker 1>People would stagger in, people would stagger and people would

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<v Speaker 1>stagger in and they and they signed it and it

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<v Speaker 1>was it was actually New York abstaining was the thing

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<v Speaker 1>that finally allowed the law to pass.

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<v Speaker 2>Where where to get down?

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<v Speaker 1>So not everybody voted for independence, and that's where and

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<v Speaker 1>so there are all these I mean, that's why it's

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<v Speaker 1>so sad to see kind of what's happening in our

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<v Speaker 1>country now because our country was founded on compromise. That's

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<v Speaker 1>what our country was founded on. And so eventually New

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<v Speaker 1>York just wouldn't vote yes or no. So they went

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<v Speaker 1>to the New York delegation and said, just abstain. So

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<v Speaker 1>they were with their abstention they were able to pass.

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<v Speaker 1>But no, because I mean the South was making a

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<v Speaker 1>ton of money from from England exporting you know, everything

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<v Speaker 1>cotton and everything else that not everybody wanted to.

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<v Speaker 2>Declare, you know, independence. So that's why Lexton and Concord.

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<v Speaker 1>I mean, when the shot heard around the world and

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<v Speaker 1>all that kind of stuff, I mean, it changed everything.

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<v Speaker 1>But even when we were at war, and that was

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<v Speaker 1>the thing General Washington, So General George Washington was a

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<v Speaker 1>huge man, especially at the time, he was like six

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<v Speaker 1>foot four when everybody else was like five foot three.

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<v Speaker 4>I mean, yeah, I was gonna say five to six,

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<v Speaker 4>but that maybe.

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<v Speaker 2>Even empowering over people.

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<v Speaker 1>And he would go to when everybody was together, he

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<v Speaker 1>would go to all of the discussions and the debates

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<v Speaker 1>in full military regalia.

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<v Speaker 3>Wow.

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<v Speaker 1>So when the time actually came, it was John Adams

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<v Speaker 1>who said we have to appoint a general and everyone thought, oh,

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<v Speaker 1>of course, you're from Massa Chusetts. We were your state

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<v Speaker 1>was your country. So if you were from Virginia, that

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<v Speaker 1>was your country. If you were from Massachusetts, that was

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<v Speaker 1>your country. There was no United States, so the everyone correct, right,

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<v Speaker 1>but that's they called it their country. So if you

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<v Speaker 1>when John Adams stood up, everyone's assumed he was going

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<v Speaker 1>to pick somebody like his cousin Sam Adams, somebody like

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<v Speaker 1>that to lead the Continental Army. Here's who I vote for,

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<v Speaker 1>and they he said, there's only one person, and that's

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<v Speaker 1>George Washington, who was from Virginia. And so Washington very

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<v Speaker 1>you know, was very bashful in actually taking over the lead.

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<v Speaker 1>But the whole I mean, the story of actually how

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<v Speaker 1>our country came to be is just so amazing, and.

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<v Speaker 2>You know, I love this. I remember as a kid

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<v Speaker 2>being like we would.

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<v Speaker 3>I would just get lost in conversations like this with

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<v Speaker 3>you all the time because I knew nothing like I

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<v Speaker 3>was so especially American history. I remember, because you grew

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<v Speaker 3>up in Connecticut, you were surround like you just were

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<v Speaker 3>steeped in it in a way that I knew nothing.

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<v Speaker 1>It was just it was such the entire and talking

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<v Speaker 1>a bill about all this stuff was.

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<v Speaker 2>The what George Washington had wooden teeth?

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<v Speaker 1>I believe he did, because again at the time it

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<v Speaker 1>was the wooden teeth were you know, your teeth fell.

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<v Speaker 4>Out all the time, and the versions of dentures.

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<v Speaker 2>Yeah, exactly, so his dentures were wooden. But there's all that.

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<v Speaker 1>I mean. The height thing is something like, what's the

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<v Speaker 1>one thing if you hear not to jump to another country?

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<v Speaker 1>But when you think of Napoleon, what are the things

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<v Speaker 1>that you think at all short which he wasn't, which

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<v Speaker 1>he wasn't at all. So the French how tall was he?

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<v Speaker 1>He was five seven and the French inch was different

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<v Speaker 1>than the English inch. The French inch was larger. So

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<v Speaker 1>like the the major generals that he was fighting who

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<v Speaker 1>were English were like five two and five three, and

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<v Speaker 1>Napoleon was actually five seven, but they used it as

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<v Speaker 1>a propaganda tool to say that he was the titque

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<v Speaker 1>colonel or whatever they called him, when at the end

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<v Speaker 1>of the day, that was actually a French affectation for

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<v Speaker 1>how much his soldiers loved him had nothing to do

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<v Speaker 1>with his size. It was like they would, you know,

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<v Speaker 1>you'd call your baby the batite whatever, because it was

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<v Speaker 1>a it was affection.

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<v Speaker 2>And so he was actually five seven.

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<v Speaker 1>So like the one thing everyone knows about Napoleon is

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<v Speaker 1>actually untrue, and you get all that stuff. But that's

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<v Speaker 1>why history is just so amazing and so fascinating.

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<v Speaker 4>Well, I just got another one from from husband Jensen,

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<v Speaker 4>cart producer this podcast. It says the dentures were not

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<v Speaker 4>would they were human cow and horse teeth, okay, with

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<v Speaker 4>io pieces and alloy.

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<v Speaker 3>Oh.

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<v Speaker 1>I love learning new things. I love learning new things.

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<v Speaker 1>It's like my favorite thing in the world to do.

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<v Speaker 5>Well.

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<v Speaker 4>I love learning new things from you, especially I really

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<v Speaker 4>I think I think we could do an entire podcast

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<v Speaker 4>episode that's just class with Will and Will we'll just

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<v Speaker 4>come to the table with like three topics and he's

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<v Speaker 4>gonna someat and he's just gonna educate us a little bit.

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<v Speaker 2>Will would you do that? Would you say, like, here

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<v Speaker 2>are three.

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<v Speaker 4>Historical things that I think are the most interesting that

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<v Speaker 4>you may not.

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<v Speaker 6>Know about it.

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<v Speaker 3>What if just what if we just you don't have

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<v Speaker 3>any prep and we just say, oh my.

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<v Speaker 2>God, Egypt, what do you want to know? We'll just talk.

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<v Speaker 4>He knows everything, all right, Well, I think I'm in okay,

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<v Speaker 4>welcome to bod Meets World. I'm Daniel Fishl, I'm right

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<v Speaker 4>or Strong, and I'm Wilfredell. When we decided to sit

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<v Speaker 4>down to rewatch Boy Meets World, which we continue to prove, sure,

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<v Speaker 4>feels like we're watching it for the very first time ever.

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<v Speaker 4>We knew we'd be surprised by a lot of things,

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<v Speaker 4>some big ones already. That Minkis is only in season one,

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<v Speaker 4>I'm clearly just not even a part of the show

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<v Speaker 4>until he's three. The Feenie Call is a late addition,

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<v Speaker 4>but one that really snuck up on us. Catherine Kat Tompkins,

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<v Speaker 4>the immediate love interest of mister Turner, sure has an

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<v Speaker 4>important and very present role, and it was excellently played

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<v Speaker 4>by an actress named Darlene Vogel, who will quickly knew

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<v Speaker 4>from Back to the Future two and as the host

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<v Speaker 4>for the Back to the Future Ride at Universal Studios.

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<v Speaker 4>But as far as much as she was on the

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<v Speaker 4>show or how story driven her time with Tony was,

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<v Speaker 4>we just did not know.

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<v Speaker 2>So we rushed to get her.

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<v Speaker 4>On the show when we found out, and we are

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<v Speaker 4>so happy she responded to us and is willing to

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<v Speaker 4>give us some of her time. In addition to Boy

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<v Speaker 4>Meets World and the classic Back to the Future too,

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<v Speaker 4>Darlene starred on the Santa Monica bicycle cop show Pacific Blue,

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<v Speaker 4>a bit of like another Bawatch type but on ten speeds.

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<v Speaker 4>She also appeared on Coach, two episodes of Full House

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<v Speaker 4>as Danny Tanner's younger sister, house Castle, and Silk Stockings.

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<v Speaker 2>But today we will.

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<v Speaker 4>Force her to talk about her four episodes on Boy

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<v Speaker 4>Meets World as the social studies teacher who Will thinks

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<v Speaker 4>rushed way too fast into talking about marriage. Let's please

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<v Speaker 4>welcome Darlene Vogel to Pod Meets World.

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<v Speaker 2>Yeah, I got it. Somebody else who hasn't aged what I.

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<v Speaker 6>Got your lighting in here? Oh yeah, it's all about

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<v Speaker 6>the lighting.

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<v Speaker 7>You look fantastic. It's so great to see you. Oh,

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<v Speaker 7>my gosh, we are so excited. I'm just gonna get

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<v Speaker 7>it out of the way now. I see Will foaming

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<v Speaker 7>at the mouth. What was it like to have Back

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<v Speaker 7>to the Future to be your first feature film?

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<v Speaker 4>Were you nervous to join such a hit with all

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<v Speaker 4>those big stars around you?

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<v Speaker 6>You know, it's crazy, is if.

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<v Speaker 5>We didn't even realize what it was when we were there,

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<v Speaker 5>like it, and I mean, you know, it's great to

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<v Speaker 5>work with Michael.

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<v Speaker 6>I don't even think I knew what the job was

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<v Speaker 6>until I was on.

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<v Speaker 5>Set because it was so hush hush, and it was

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<v Speaker 5>a three month process. And then when we were on set,

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<v Speaker 5>was suppoed to beak for two weeks and we were

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<v Speaker 5>there for two months.

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<v Speaker 2>Oh my gosh.

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<v Speaker 3>Yeah, were shooting two and three at the same time.

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<v Speaker 3>Weren't they shooting both movies at the same time?

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<v Speaker 2>Okay?

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<v Speaker 6>They went two and three were back to.

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<v Speaker 2>Back, back to back, Okay, yeah, yeah, yeah.

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<v Speaker 6>So when we finished two, then they went on to

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<v Speaker 6>do three.

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<v Speaker 8>Yeah.

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<v Speaker 1>But you're on like that big cool back lot at Universal.

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<v Speaker 1>It's this big, mega movie cool.

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<v Speaker 5>It was fun to walk around in my outfit and

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<v Speaker 5>all the tourists were in the trams and they didn't

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<v Speaker 5>know who we were because it was a new thing.

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<v Speaker 5>No one saw us yet, so no one knew what

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<v Speaker 5>we were.

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<v Speaker 6>So yeah, it was pretty cool.

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<v Speaker 4>You've got like punk hair and punk makeup and bits

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<v Speaker 4>around your neck, right, and they put a.

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<v Speaker 5>Red contact in my eye because my eye is half

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<v Speaker 5>blue and brown in really well.

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<v Speaker 4>He remembers that about you, absolutely, absolutely, yes.

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<v Speaker 6>So they got the idea from that, and yeah, it

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<v Speaker 6>was just I mean, it's great. What it was really

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<v Speaker 6>funny is like I didn't even.

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<v Speaker 5>Tell people I was in that movie for the longest

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<v Speaker 5>time because it was so many years ago, and then

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<v Speaker 5>when we did the twenty five year anniversary, all of

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<v Speaker 5>a sudden, I go, oh my god. I mean, there's

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<v Speaker 5>a lot of people that love this movie. And now

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<v Speaker 5>when I mentioned it, it's crazy. It's like, what you know,

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<v Speaker 5>and I go to year, I'm going to Milan, I

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<v Speaker 5>went to Paris just to sign for people. I'm like, really,

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<v Speaker 5>I mean, it's weird. It's just has this full resurgence

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<v Speaker 5>and the fans are getting younger and younger.

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<v Speaker 6>We're just getting older and older. But it's great. Are

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<v Speaker 6>we doing it till I'm three?

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<v Speaker 2>Yes?

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<v Speaker 4>So will we?

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<v Speaker 2>We're just still drugging along.

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<v Speaker 6>I know right. Well you all look amazing too. I

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<v Speaker 6>have to say, you look exactly the same. Shit.

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<v Speaker 4>Thanks you do.

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<v Speaker 2>Do you have a Crispin Glover story.

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<v Speaker 6>I didn't work with Crispin.

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<v Speaker 5>It was because there was a lot Yeah, because there

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<v Speaker 5>was a lot of.

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<v Speaker 2>That was a big thing and it's still a big thing.

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<v Speaker 6>Yeah.

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<v Speaker 5>Yeah. The first one there was contract disputes and a

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<v Speaker 5>little bit of strangeness going on. So they ended up

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<v Speaker 5>taking this guy, Jeffrey Eisman and putting his mask on

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<v Speaker 5>him and just putting him upside.

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<v Speaker 2>Down, and then that became a problem.

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<v Speaker 6>Gotten away with that, I mean they.

0:11:19.800 --> 0:11:22.520
<v Speaker 1>Didn't really now there Now there's like a oh there's

0:11:22.559 --> 0:11:25.280
<v Speaker 1>litigation involved and all that and all that way. Oh yeah,

0:11:25.520 --> 0:11:27.959
<v Speaker 1>that's a whole big thing about just taking somebody's likeness

0:11:27.960 --> 0:11:30.679
<v Speaker 1>and putting it in the second movie, and Crispin Glover.

0:11:30.520 --> 0:11:34.600
<v Speaker 2>Was like, hey, you know you can't do that. So

0:11:34.679 --> 0:11:40.040
<v Speaker 2>it was thank you much. What you no?

0:11:40.160 --> 0:11:42.880
<v Speaker 1>I remember when you came onto the set, I was

0:11:43.000 --> 0:11:47.000
<v Speaker 1>I knew instantly who you were really, Oh yeah, absolutely,

0:11:47.160 --> 0:11:49.920
<v Speaker 1>and was It took me about a day to work

0:11:50.000 --> 0:11:52.280
<v Speaker 1>up the courage, and then you started telling me stories

0:11:52.400 --> 0:11:53.160
<v Speaker 1>from the set.

0:11:53.360 --> 0:11:55.640
<v Speaker 6>Oh so funny because.

0:11:55.679 --> 0:11:58.000
<v Speaker 1>It was just because you know, Tony and I are

0:11:58.040 --> 0:12:00.840
<v Speaker 1>were nerds with that stuff, Tony and so we would

0:12:00.880 --> 0:12:02.840
<v Speaker 1>just we would be like, we got to tell me

0:12:02.840 --> 0:12:04.840
<v Speaker 1>what was like and then we started slow so it

0:12:04.880 --> 0:12:06.840
<v Speaker 1>was like, hey, so you're like in Back to the

0:12:06.840 --> 0:12:08.760
<v Speaker 1>Future or whatever, and then it was then it was

0:12:08.840 --> 0:12:10.360
<v Speaker 1>just story after story after story.

0:12:10.480 --> 0:12:10.840
<v Speaker 8>Yeah.

0:12:10.960 --> 0:12:14.640
<v Speaker 5>Yeah, yeah, it was a great experience, I have to say. Yeah,

0:12:14.679 --> 0:12:15.920
<v Speaker 5>and Michael was so sweet.

0:12:16.320 --> 0:12:18.600
<v Speaker 4>How big was being the video host of the ride,

0:12:18.720 --> 0:12:22.400
<v Speaker 4>like so many people saw that, I know, And that.

0:12:22.480 --> 0:12:25.720
<v Speaker 5>Was funny because the wardrobe, the costumer from Back to

0:12:25.760 --> 0:12:29.240
<v Speaker 5>the Future, she suggested me for the job and so

0:12:29.440 --> 0:12:31.080
<v Speaker 5>I was like, okay, yeah, sure, I'll do it.

0:12:31.120 --> 0:12:31.760
<v Speaker 6>And then I went.

0:12:31.800 --> 0:12:34.360
<v Speaker 5>I showed up that day and the teleprompter had broken

0:12:35.240 --> 0:12:38.920
<v Speaker 5>and I had all this dialogue and I'm like, I mean,

0:12:38.960 --> 0:12:40.920
<v Speaker 5>thank god they let me kind of read off the

0:12:40.960 --> 0:12:43.439
<v Speaker 5>sheet because I was supposed to be a reporter anyway.

0:12:43.640 --> 0:12:46.440
<v Speaker 6>So but that was crazy. Yeah, yeah, that was fun.

0:12:46.480 --> 0:12:48.760
<v Speaker 5>And then yeah, it was I went to the premiere

0:12:48.800 --> 0:12:50.880
<v Speaker 5>or the ride, and that's where I saw Michael Jackson.

0:12:50.960 --> 0:12:53.719
<v Speaker 6>He was there with the whole with Macauley Culkin and a.

0:12:53.640 --> 0:12:56.960
<v Speaker 5>Whole group of kids and and then I got to

0:12:56.960 --> 0:12:57.880
<v Speaker 5>go the premiere of that.

0:12:58.080 --> 0:13:00.600
<v Speaker 6>But yeah, it was pretty cool to do that, right. Yeah,

0:13:00.800 --> 0:13:04.000
<v Speaker 6>that's all done now though. But there's this whole Back.

0:13:03.800 --> 0:13:07.160
<v Speaker 5>To the Future conspiracy that they think that Heather, my

0:13:07.720 --> 0:13:11.240
<v Speaker 5>reporter character on the ride, is related to Spike, and

0:13:11.280 --> 0:13:12.960
<v Speaker 5>I'm like, no, there's there's no.

0:13:13.800 --> 0:13:16.199
<v Speaker 6>It's so funny these stories that come up later.

0:13:17.120 --> 0:13:20.199
<v Speaker 3>It's an alternate timeline, a multiverse.

0:13:20.720 --> 0:13:21.679
<v Speaker 2>It's a multiverse thing.

0:13:22.160 --> 0:13:25.920
<v Speaker 6>Yeah exactly. Yeah, yeah, so cool.

0:13:26.600 --> 0:13:28.120
<v Speaker 5>You know what I do remember the one thing I

0:13:28.160 --> 0:13:31.280
<v Speaker 5>do remember with you Will and writer with the teaching

0:13:31.400 --> 0:13:35.199
<v Speaker 5>me that you can choot trident gum with the wrappers

0:13:35.280 --> 0:13:39.000
<v Speaker 5>still on it and it dissolves in your mouth, right.

0:13:43.520 --> 0:13:46.920
<v Speaker 6>All the time? Did you know you can shoot try

0:13:46.960 --> 0:13:48.240
<v Speaker 6>to guming with the paper?

0:13:48.800 --> 0:13:51.600
<v Speaker 2>I learned that from you guys, right, I forgot we

0:13:51.640 --> 0:13:54.080
<v Speaker 2>used to do that. You just put it. It's like

0:13:54.120 --> 0:13:57.480
<v Speaker 2>that you made your discovery. It works, it works like

0:13:57.520 --> 0:13:59.119
<v Speaker 2>a charm. I love that.

0:13:59.120 --> 0:14:00.120
<v Speaker 6>That was funny.

0:14:00.240 --> 0:14:01.240
<v Speaker 2>Yeah, that was so great.

0:14:01.240 --> 0:14:04.120
<v Speaker 1>Wait, so the gang from Back to the Future, Yeah,

0:14:04.160 --> 0:14:06.800
<v Speaker 1>it's you Casey Schmasco.

0:14:08.040 --> 0:14:10.720
<v Speaker 2>No, isn't Casey in it? So he's not in this

0:14:11.280 --> 0:14:12.040
<v Speaker 2>The second.

0:14:12.080 --> 0:14:14.360
<v Speaker 6>Dean Logan and Jason scott Lee.

0:14:14.840 --> 0:14:16.840
<v Speaker 1>It was Jason Scott Lee was the other one. Okay,

0:14:16.960 --> 0:14:19.160
<v Speaker 1>that's who I thought. It was Jason Scott Lee. And

0:14:19.200 --> 0:14:24.560
<v Speaker 1>then of course Tom uh Tom Wilson. Yeah yeah, who's

0:14:24.600 --> 0:14:28.040
<v Speaker 1>still is still Griff or Biff or Griff Yeah yeah, okay,

0:14:28.040 --> 0:14:28.400
<v Speaker 1>that's right.

0:14:28.400 --> 0:14:29.080
<v Speaker 2>It was the new gang.

0:14:29.120 --> 0:14:32.680
<v Speaker 1>Casey Shamasco was in the the first and third.

0:14:33.560 --> 0:14:36.240
<v Speaker 5>And then they plucked one from each for the third one.

0:14:36.280 --> 0:14:38.280
<v Speaker 5>I think you Reichy from us and like you should

0:14:38.280 --> 0:14:39.080
<v Speaker 5>have picked a girl.

0:14:39.400 --> 0:14:40.840
<v Speaker 2>Yeah, but they did it.

0:14:41.280 --> 0:14:43.920
<v Speaker 5>Yeah, that would have been fun to be in the

0:14:43.960 --> 0:14:47.680
<v Speaker 5>Western but yeah, crazy. Yeah, I'm still friends with them.

0:14:47.720 --> 0:14:49.440
<v Speaker 5>I mean, Ricky and I talk all the time.

0:14:49.560 --> 0:14:50.560
<v Speaker 6>We do shows together.

0:14:50.720 --> 0:14:53.640
<v Speaker 5>Jason is in Hawaii or no, Yeah, he's in Hawaii.

0:14:53.640 --> 0:14:56.920
<v Speaker 5>He's always working on something. Yeah, he took a break

0:14:56.920 --> 0:14:58.040
<v Speaker 5>for a really long time.

0:14:58.120 --> 0:15:00.920
<v Speaker 1>But yeah, now he's back because right after that he

0:15:00.960 --> 0:15:03.120
<v Speaker 1>did Dragon, the Bruce Lee story, and it was the

0:15:03.120 --> 0:15:05.080
<v Speaker 1>one that really shot him to the whole.

0:15:05.440 --> 0:15:07.240
<v Speaker 2>Yeah it was great. So yeah it was old.

0:15:07.360 --> 0:15:09.960
<v Speaker 5>Yeah, we haven't all been back together since the twenty

0:15:09.960 --> 0:15:11.080
<v Speaker 5>fifth year anniversary.

0:15:11.160 --> 0:15:13.640
<v Speaker 1>Yeah, sorry, I just need to geek out. You need

0:15:14.240 --> 0:15:15.960
<v Speaker 1>you need to back to the future geek out. I

0:15:16.000 --> 0:15:16.560
<v Speaker 1>just had to.

0:15:16.960 --> 0:15:19.560
<v Speaker 6>I's all right, I want to see my hoverboard. Yeah.

0:15:19.640 --> 0:15:21.600
<v Speaker 4>I was just going to ask you, what was it

0:15:21.720 --> 0:15:23.880
<v Speaker 4>like filming the hoverboard scene?

0:15:23.920 --> 0:15:27.360
<v Speaker 6>But I have I have someone made me this. Oh,

0:15:28.840 --> 0:15:29.560
<v Speaker 6>it made me this.

0:15:30.040 --> 0:15:38.240
<v Speaker 5>And then they also made me a skateboard.

0:15:38.400 --> 0:15:39.160
<v Speaker 2>That's awesome.

0:15:39.320 --> 0:15:42.840
<v Speaker 6>Cool, yazi cool. I never let my kids ride it though,

0:15:42.880 --> 0:15:44.040
<v Speaker 6>I was like, you can't ride that.

0:15:45.920 --> 0:15:47.960
<v Speaker 2>What was it like shooting that scene?

0:15:48.640 --> 0:15:48.800
<v Speaker 5>Oh?

0:15:48.800 --> 0:15:49.440
<v Speaker 6>It was awesome.

0:15:49.520 --> 0:15:52.320
<v Speaker 5>I mean, you know, we just and they put us

0:15:52.400 --> 0:15:55.560
<v Speaker 5>up on We had harnesses on and piano wires attached

0:15:55.600 --> 0:15:59.440
<v Speaker 5>to a crane and they just flung us around the town.

0:15:59.440 --> 0:16:00.840
<v Speaker 6>It was just so I couldn't wait for.

0:16:00.800 --> 0:16:03.400
<v Speaker 5>That scene because we were we had to practice it

0:16:03.480 --> 0:16:06.800
<v Speaker 5>and everything. But the story is, my first stunt double

0:16:06.880 --> 0:16:08.840
<v Speaker 5>backed out because she knew.

0:16:08.600 --> 0:16:09.960
<v Speaker 6>The stunt was not perfected.

0:16:10.040 --> 0:16:11.680
<v Speaker 5>And I don't know if you know all this story,

0:16:11.800 --> 0:16:16.119
<v Speaker 5>but so the day one day I had off was

0:16:16.280 --> 0:16:20.880
<v Speaker 5>the big crash into the courthouse, and Eryl Wheeler, my

0:16:20.960 --> 0:16:25.320
<v Speaker 5>stunt double, she what happened was when they were flying

0:16:25.360 --> 0:16:28.320
<v Speaker 5>it to the courthouse, the crane was off like this

0:16:28.560 --> 0:16:31.920
<v Speaker 5>much like maybe a half an inch and if you

0:16:32.120 --> 0:16:35.640
<v Speaker 5>really slow that scene down you see her crash into

0:16:35.720 --> 0:16:38.920
<v Speaker 5>the pole and then they released them because they were

0:16:38.920 --> 0:16:41.800
<v Speaker 5>supposed to go through the glass and land on mats,

0:16:41.840 --> 0:16:44.280
<v Speaker 5>which which the two other stunt doubles did.

0:16:44.680 --> 0:16:47.640
<v Speaker 6>But she dropped fourteen feet onto cement.

0:16:48.040 --> 0:16:49.200
<v Speaker 2>Oh my gosh.

0:16:49.440 --> 0:16:52.840
<v Speaker 5>And she had multiple, multiple, multiple surgeries after that.

0:16:53.120 --> 0:16:56.240
<v Speaker 6>And yeah, it was a huge thing.

0:16:56.560 --> 0:16:58.400
<v Speaker 5>I mean, I have to say because a Lisa A Color,

0:16:58.480 --> 0:17:00.960
<v Speaker 5>who was my first stunt level she was like, this

0:17:01.040 --> 0:17:01.760
<v Speaker 5>is not affected.

0:17:01.800 --> 0:17:05.000
<v Speaker 6>I'm not doing this and she knew like something was.

0:17:05.320 --> 0:17:07.360
<v Speaker 6>She wasn't going to do it, but Cheryl did.

0:17:07.680 --> 0:17:11.879
<v Speaker 3>And yeah, oh my god, isn't it crazy that that

0:17:11.920 --> 0:17:13.560
<v Speaker 3>wouldn't even be a thing nowadays?

0:17:13.640 --> 0:17:15.400
<v Speaker 2>Right, It would just all be green screen. You would

0:17:15.440 --> 0:17:18.960
<v Speaker 2>just be like standing out stand somewhere. Yeah, that's crazy,

0:17:19.000 --> 0:17:19.840
<v Speaker 2>Oh my gosh.

0:17:20.040 --> 0:17:21.840
<v Speaker 5>Yeah, but it was funny when you do watch that

0:17:21.960 --> 0:17:24.120
<v Speaker 5>movie back, it's like a lot of those things come

0:17:24.200 --> 0:17:28.120
<v Speaker 5>true and and just there's just some weird stuff. I mean,

0:17:28.160 --> 0:17:31.920
<v Speaker 5>like Bob Gail the writer, you know that they so brilliant.

0:17:32.000 --> 0:17:34.359
<v Speaker 5>The writing in that movie is just crazy. It still

0:17:34.440 --> 0:17:35.680
<v Speaker 5>stands now.

0:17:36.160 --> 0:17:37.480
<v Speaker 2>Yeah that's the time.

0:17:38.080 --> 0:17:40.639
<v Speaker 4>Yeah, well let's jump into something else that we like

0:17:40.680 --> 0:17:43.360
<v Speaker 4>to think stands The test of time, Boy Meets World.

0:17:44.600 --> 0:17:46.480
<v Speaker 4>Do you remember your audition?

0:17:47.480 --> 0:17:49.680
<v Speaker 6>No, I don't.

0:17:51.400 --> 0:17:53.320
<v Speaker 2>So many people and they do exactly what you just did.

0:17:53.320 --> 0:17:57.480
<v Speaker 3>They go, you remember being on Boy I'm trying to.

0:17:57.560 --> 0:18:01.439
<v Speaker 6>Gonny because my kids, you know, they're friends.

0:18:01.760 --> 0:18:03.280
<v Speaker 5>When they a lot of them didn't even know it

0:18:03.320 --> 0:18:06.359
<v Speaker 5>was an actress or anything, but they would freak out,

0:18:07.160 --> 0:18:10.439
<v Speaker 5>oh my god, you're on Tooy Meets World and they

0:18:10.600 --> 0:18:13.000
<v Speaker 5>love that. Sh So many kids still to this day

0:18:13.080 --> 0:18:14.920
<v Speaker 5>love that show. It's another one that stands a tots

0:18:14.920 --> 0:18:17.399
<v Speaker 5>of time. But I don't remember the audition. I think

0:18:17.480 --> 0:18:21.560
<v Speaker 5>I already knew Michael Jacobs because why I worked on

0:18:21.640 --> 0:18:24.600
<v Speaker 5>Charles in Charge. That was my first sitcom. I got it,

0:18:25.000 --> 0:18:27.920
<v Speaker 5>and then I did a pilot called Misery Loves Company.

0:18:28.320 --> 0:18:32.360
<v Speaker 2>Yes, yeah, between yeah, but it didn't.

0:18:32.040 --> 0:18:34.880
<v Speaker 5>Go my version because I was with Rick Rossovich who

0:18:34.920 --> 0:18:37.000
<v Speaker 5>then I got a job on The Pacific Blue.

0:18:37.359 --> 0:18:40.080
<v Speaker 6>But I don't think our version went.

0:18:40.200 --> 0:18:43.479
<v Speaker 5>But I remember David Trainer, Michael Jacobs, all those guys

0:18:44.040 --> 0:18:45.560
<v Speaker 5>were on that, so.

0:18:45.520 --> 0:18:47.600
<v Speaker 3>I can't That would have been between our seasons one

0:18:47.640 --> 0:18:49.879
<v Speaker 3>and two, so they probably you probably didn't audition, and

0:18:49.880 --> 0:18:51.240
<v Speaker 3>then they probably just brought you radio.

0:18:51.440 --> 0:18:52.760
<v Speaker 6>They just brought.

0:18:52.560 --> 0:18:55.120
<v Speaker 4>Me in had you seen any of Boy Meets World?

0:18:55.160 --> 0:18:56.800
<v Speaker 4>You don't have to say yes, had you Were you

0:18:56.840 --> 0:18:59.360
<v Speaker 4>at all familiar with the show before you were then

0:18:59.440 --> 0:18:59.760
<v Speaker 4>on it?

0:19:00.400 --> 0:19:04.080
<v Speaker 6>No? No, I wasn't. No. No.

0:19:04.520 --> 0:19:07.040
<v Speaker 5>I mean, of course I probably watched it before I

0:19:07.080 --> 0:19:09.040
<v Speaker 5>went on it, because I always do all my research.

0:19:09.280 --> 0:19:14.560
<v Speaker 4>But yeah, well, we were so wildly impressed with your

0:19:14.640 --> 0:19:18.080
<v Speaker 4>acting and also how important you are both to mister

0:19:18.119 --> 0:19:21.919
<v Speaker 4>Turner storyline and the Seawan character development. Like what do

0:19:21.960 --> 0:19:25.480
<v Speaker 4>you remember about taping the show? And do you remember

0:19:25.520 --> 0:19:27.560
<v Speaker 4>anything about specifically working with.

0:19:27.520 --> 0:19:29.800
<v Speaker 2>Writer although you didn't really work with writer that much,

0:19:29.840 --> 0:19:31.800
<v Speaker 2>like one scene where I walked in and.

0:19:32.040 --> 0:19:36.040
<v Speaker 5>Write when you were in trouble all the time. Yeah, yeah, yeah,

0:19:36.200 --> 0:19:36.480
<v Speaker 5>I know.

0:19:36.600 --> 0:19:37.280
<v Speaker 6>You know, it's funny.

0:19:37.359 --> 0:19:41.320
<v Speaker 5>I rewatched the episodes this week, and it's it. It's

0:19:41.359 --> 0:19:44.720
<v Speaker 5>funny because I shot like one hundred episodes of Pacific Blue,

0:19:44.760 --> 0:19:46.600
<v Speaker 5>and I watched some of those episodes and I don't

0:19:46.600 --> 0:19:47.760
<v Speaker 5>really remember half.

0:19:47.680 --> 0:19:48.840
<v Speaker 6>Of them shooting them.

0:19:49.200 --> 0:19:52.280
<v Speaker 5>But then when I watched Boybet's World, I go, oh

0:19:52.320 --> 0:19:53.480
<v Speaker 5>my god, I remember this.

0:19:53.680 --> 0:19:56.040
<v Speaker 6>I remember this. I remember that so much. I remember

0:19:56.040 --> 0:19:57.600
<v Speaker 6>when I put my hands.

0:19:57.280 --> 0:20:00.840
<v Speaker 2>On Tony's face, Tony's.

0:20:00.480 --> 0:20:03.080
<v Speaker 5>Face like that doing that go. I remember it was

0:20:03.119 --> 0:20:06.359
<v Speaker 5>such a weird feeling. And then but when I was

0:20:06.400 --> 0:20:08.760
<v Speaker 5>watching it back, I go, come, my voice is so high.

0:20:08.880 --> 0:20:12.120
<v Speaker 5>Because I was younger, you know, I hardly had anything

0:20:12.200 --> 0:20:15.199
<v Speaker 5>to do. I just felt so green. I was like,

0:20:15.240 --> 0:20:18.240
<v Speaker 5>oh my god, it was so green. And I love

0:20:18.280 --> 0:20:19.520
<v Speaker 5>that I got to work with mister.

0:20:19.320 --> 0:20:22.520
<v Speaker 6>Feenie, you know. I mean he's still.

0:20:22.280 --> 0:20:25.040
<v Speaker 2>Around, right, he's such a ninety six.

0:20:25.560 --> 0:20:25.760
<v Speaker 8>Yeah.

0:20:26.040 --> 0:20:28.080
<v Speaker 5>I remember just being in awe of him because he

0:20:28.160 --> 0:20:29.520
<v Speaker 5>was such an established actor.

0:20:29.760 --> 0:20:30.160
<v Speaker 6>You know.

0:20:30.440 --> 0:20:33.600
<v Speaker 5>It was just such a professional. I loved working with

0:20:33.640 --> 0:20:36.040
<v Speaker 5>all the kids. I remember being at a horse show

0:20:36.160 --> 0:20:40.240
<v Speaker 5>once and Fred was at the horse show and I said, oh,

0:20:40.359 --> 0:20:41.120
<v Speaker 5>I worked with your.

0:20:41.000 --> 0:20:43.280
<v Speaker 6>Brother Ben and you would come and you.

0:20:43.200 --> 0:20:50.240
<v Speaker 5>Know, and visit the set and He's like, okay.

0:20:49.400 --> 0:20:53.520
<v Speaker 6>But I just loved working with you guys because you

0:20:53.560 --> 0:20:54.760
<v Speaker 6>had such great energy.

0:20:54.880 --> 0:20:57.639
<v Speaker 5>You are really the one thing that's really important is

0:20:57.680 --> 0:21:02.200
<v Speaker 5>that you made me feel comfortable. Because I remember being

0:21:02.200 --> 0:21:05.400
<v Speaker 5>on Charles in Charge was my first sitcom, and none

0:21:05.440 --> 0:21:09.760
<v Speaker 5>of the actors said hello, none of them, no, yeah,

0:21:09.880 --> 0:21:11.959
<v Speaker 5>I was a guest star, and they were just like

0:21:13.160 --> 0:21:15.720
<v Speaker 5>they just didn't make us feel welcome. And I was

0:21:16.000 --> 0:21:19.000
<v Speaker 5>like what, So I was just like I was like, Wow,

0:21:19.080 --> 0:21:21.640
<v Speaker 5>I said, you know what, one day when I get

0:21:21.680 --> 0:21:23.960
<v Speaker 5>on a show, I'm going to treat the extras the

0:21:23.960 --> 0:21:26.640
<v Speaker 5>same the guest stars every because it's as family.

0:21:27.000 --> 0:21:30.159
<v Speaker 6>Yeah, And I remember being on your show and feeling

0:21:30.200 --> 0:21:32.720
<v Speaker 6>like part of the family. You really made me feel good.

0:21:33.320 --> 0:21:37.920
<v Speaker 2>Yeah. I always hated guest starring and stuff because especially dramas,

0:21:37.960 --> 0:21:39.960
<v Speaker 2>because you know, if it was a single camera drama,

0:21:40.000 --> 0:21:43.040
<v Speaker 2>you might not even meet like of the cast. You

0:21:43.040 --> 0:21:45.720
<v Speaker 2>only work with like one person. I always so intimidated.

0:21:45.920 --> 0:21:48.080
<v Speaker 2>And it's like if you find if an actor comes

0:21:48.119 --> 0:21:49.440
<v Speaker 2>up to you and it's nice to you and it's

0:21:49.440 --> 0:21:52.080
<v Speaker 2>like welcome, or a director whoever is like bringing it,

0:21:52.080 --> 0:21:53.040
<v Speaker 2>it's the best feeling.

0:21:53.119 --> 0:21:55.439
<v Speaker 3>You need that confidence because I mean being able to

0:21:55.480 --> 0:21:58.320
<v Speaker 3>act from a place of like fear and insecurity is

0:21:58.400 --> 0:22:01.879
<v Speaker 3>just impossible. It's so yeah, I don't know.

0:22:02.320 --> 0:22:04.919
<v Speaker 5>As we get older in this field, you know, and

0:22:04.960 --> 0:22:08.000
<v Speaker 5>then you know, our roles are just different now and

0:22:08.040 --> 0:22:10.120
<v Speaker 5>you go in to be a guest star and now

0:22:10.119 --> 0:22:11.840
<v Speaker 5>it's not a guest star like it used to be.

0:22:12.040 --> 0:22:16.000
<v Speaker 5>It's like very small sometimes and you just feel like

0:22:16.040 --> 0:22:17.400
<v Speaker 5>I just sit the trailer and I go.

0:22:17.359 --> 0:22:18.199
<v Speaker 6>Why am I doing this?

0:22:18.280 --> 0:22:21.680
<v Speaker 5>I don't even like this anymore because when you're used

0:22:21.680 --> 0:22:25.080
<v Speaker 5>to being a lead of a show and having that

0:22:25.359 --> 0:22:28.440
<v Speaker 5>family and having that camaraderie, it's so hard to walk

0:22:28.520 --> 0:22:32.800
<v Speaker 5>into another family because yeah, it's just different.

0:22:33.400 --> 0:22:36.639
<v Speaker 1>Yeah, were you saying something interesting about not remembering the

0:22:37.000 --> 0:22:41.960
<v Speaker 1>Pacific Blue stuff. There's something about doing single camera where

0:22:42.000 --> 0:22:44.560
<v Speaker 1>you're getting random scenes. You're shooting kind of every day

0:22:44.640 --> 0:22:47.640
<v Speaker 1>all day, as opposed to sitcom where you're rehearsing one thing.

0:22:47.680 --> 0:22:49.159
<v Speaker 1>It's like you're putting on a play. You've got to

0:22:49.240 --> 0:22:51.879
<v Speaker 1>show night. There's something that kind of sticks in your

0:22:51.880 --> 0:22:54.200
<v Speaker 1>head as opposed to just one thing, one thing, one.

0:22:54.200 --> 0:22:56.680
<v Speaker 2>Four days a rehearsal. Yeah, you do, and then there's

0:22:56.720 --> 0:22:57.560
<v Speaker 2>a big night.

0:22:57.800 --> 0:23:00.119
<v Speaker 1>You know, there's a big night around it, and and

0:23:00.160 --> 0:23:02.639
<v Speaker 1>there's a whole cool thing and all that kind of stuff.

0:23:02.680 --> 0:23:04.880
<v Speaker 6>So yeah, I love that being in front of an audience.

0:23:04.880 --> 0:23:07.120
<v Speaker 6>And I haven't had that since my twenties. I mean

0:23:07.119 --> 0:23:08.840
<v Speaker 6>that's when I used to do all that, you know

0:23:08.920 --> 0:23:09.320
<v Speaker 6>kind of work.

0:23:09.359 --> 0:23:11.680
<v Speaker 5>But then after that it's always drama and now it's

0:23:11.760 --> 0:23:13.120
<v Speaker 5>the crying mother all the time.

0:23:13.240 --> 0:23:16.639
<v Speaker 6>So it's like I never get to do, you know,

0:23:16.760 --> 0:23:17.640
<v Speaker 6>comedy anymore.

0:23:17.760 --> 0:23:20.880
<v Speaker 2>So do you like doing multicams I did.

0:23:21.000 --> 0:23:23.720
<v Speaker 5>I really did love it because I love the audience.

0:23:23.800 --> 0:23:26.919
<v Speaker 5>Although I don't like doing theater, but I love doing multicams.

0:23:26.960 --> 0:23:27.560
<v Speaker 6>Yeah, for sure.

0:23:27.640 --> 0:23:28.760
<v Speaker 2>Why don't you like doing theater?

0:23:29.400 --> 0:23:32.400
<v Speaker 6>I just I can't do the same thing week after

0:23:32.560 --> 0:23:35.520
<v Speaker 6>week after week. I was. I did one play once

0:23:35.560 --> 0:23:38.680
<v Speaker 6>that got extended to eight weeks. I go, oh God, really.

0:23:39.200 --> 0:23:42.040
<v Speaker 2>You know more of this? Yeah? I don't know how.

0:23:42.680 --> 0:23:45.960
<v Speaker 3>You know, like somebody like Nathan Lane does, like years

0:23:46.200 --> 0:23:49.360
<v Speaker 3>of the producers on Broadway, like in his fifties. You're like,

0:23:49.480 --> 0:23:53.520
<v Speaker 3>what every night, eight times a week, the same thing

0:23:53.600 --> 0:23:56.000
<v Speaker 3>all the just it's yeah, it's a Mira.

0:23:56.240 --> 0:23:56.960
<v Speaker 2>They say it.

0:23:56.880 --> 0:23:59.359
<v Speaker 5>Feels different every because of the audiences are always to

0:23:59.359 --> 0:24:02.919
<v Speaker 5>be sure. But it's just nothing I would want to do.

0:24:03.080 --> 0:24:04.840
<v Speaker 5>I mean, I did a soap too for a year

0:24:04.840 --> 0:24:06.520
<v Speaker 5>and a half and I said, never, I will ever

0:24:06.600 --> 0:24:07.560
<v Speaker 5>do a soap ever.

0:24:07.760 --> 0:24:10.320
<v Speaker 2>And then you did eleven hundred episodes of a soap opera.

0:24:10.760 --> 0:24:14.840
<v Speaker 5>Oh my gosh. When I when I first did that soap,

0:24:14.920 --> 0:24:17.480
<v Speaker 5>I was like, I cried to the executive producer every

0:24:17.480 --> 0:24:18.200
<v Speaker 5>three weeks, I go.

0:24:18.280 --> 0:24:22.880
<v Speaker 6>Can you give me off the show? I couldn't handle it?

0:24:22.960 --> 0:24:27.600
<v Speaker 1>And give me Amnesia, drop me off, Elevator chef something.

0:24:27.800 --> 0:24:31.560
<v Speaker 5>It was like thirty pages a day. My last day

0:24:31.680 --> 0:24:33.320
<v Speaker 5>was seventy pages.

0:24:33.800 --> 0:24:37.480
<v Speaker 2>Oh my gosh, I know it's possible.

0:24:38.000 --> 0:24:39.800
<v Speaker 6>You just had to go, Okay, what scene I am?

0:24:39.840 --> 0:24:40.480
<v Speaker 6>What am I doing?

0:24:40.520 --> 0:24:42.720
<v Speaker 5>And you're pretty much saying the same lives as you

0:24:42.760 --> 0:24:45.000
<v Speaker 5>said on Monday, but you're peating them on Thursday for

0:24:45.119 --> 0:24:48.040
<v Speaker 5>who didn't see Monday. I mean, they're just rewording them

0:24:48.160 --> 0:24:50.440
<v Speaker 5>and it's the hardest work ever.

0:24:50.960 --> 0:24:54.119
<v Speaker 4>We really spent quite a bit of time on the

0:24:54.160 --> 0:24:58.000
<v Speaker 4>scene where you basically dump mister Turner for not being

0:24:58.040 --> 0:25:01.240
<v Speaker 4>ready for a long term relationship, and you do it

0:25:01.600 --> 0:25:05.040
<v Speaker 4>so subtly and you don't really need to, like Hammer

0:25:05.080 --> 0:25:11.119
<v Speaker 4>at home. But also Will felt very adamant, very strong

0:25:11.160 --> 0:25:15.600
<v Speaker 4>feelings that the character pressured mister Turner way too early

0:25:15.680 --> 0:25:16.280
<v Speaker 4>at only four.

0:25:16.560 --> 0:25:20.200
<v Speaker 2>Surely, oh okay, you agree with Will because right away

0:25:20.320 --> 0:25:21.480
<v Speaker 2>we're on the other side.

0:25:21.840 --> 0:25:22.080
<v Speaker 8>Yeah.

0:25:22.119 --> 0:25:24.640
<v Speaker 5>No, I'm a scorpio, so I'm like and I'm also

0:25:24.680 --> 0:25:28.359
<v Speaker 5>the runaway bride and been engaged many times, so for

0:25:28.560 --> 0:25:32.320
<v Speaker 5>me play that kind of a character, I was cringing

0:25:32.440 --> 0:25:34.119
<v Speaker 5>watching myself on the couch the other day.

0:25:34.119 --> 0:25:37.280
<v Speaker 6>I go, what are you doing? The only one I.

0:25:37.240 --> 0:25:40.320
<v Speaker 5>Liked was when I was when I was being flirtatious

0:25:40.359 --> 0:25:42.520
<v Speaker 5>with them and giving him a hard time about the dance,

0:25:42.600 --> 0:25:45.520
<v Speaker 5>not asking him to do right. That was like that

0:25:45.560 --> 0:25:47.280
<v Speaker 5>because I'm giving a little bit of a hard time.

0:25:47.359 --> 0:25:50.159
<v Speaker 5>But I was just like, oh my god, we've been

0:25:50.160 --> 0:25:51.600
<v Speaker 5>taking for three months, four.

0:25:51.440 --> 0:25:53.760
<v Speaker 2>Months, four months, we're gonna get married.

0:25:53.880 --> 0:25:55.800
<v Speaker 6>That means you want to marry me. I'm like, oh

0:25:55.840 --> 0:25:57.080
<v Speaker 6>my god, how cringe.

0:25:57.720 --> 0:26:00.000
<v Speaker 4>Will is very vindicated, And I have to tell you

0:25:59.840 --> 0:26:00.720
<v Speaker 4>I disagree with you.

0:26:00.840 --> 0:26:03.600
<v Speaker 2>I just I don't want to. I did too.

0:26:03.920 --> 0:26:08.960
<v Speaker 3>I thought calm logic in sitcom logic, like four months two,

0:26:09.280 --> 0:26:12.800
<v Speaker 3>I mean two, like twenty something teachers in love like

0:26:13.040 --> 0:26:13.480
<v Speaker 3>I don't know.

0:26:13.720 --> 0:26:15.720
<v Speaker 2>It made sense. It made sense to me.

0:26:15.760 --> 0:26:17.480
<v Speaker 3>It makes for a good story point because it makes

0:26:17.520 --> 0:26:19.359
<v Speaker 3>for a great breakup. I mean, the way that you

0:26:19.400 --> 0:26:21.760
<v Speaker 3>break up with him is actually really wonderful.

0:26:22.200 --> 0:26:23.959
<v Speaker 1>But again, we could have done this, could have done

0:26:24.000 --> 0:26:25.399
<v Speaker 1>exactly we talked about this in the last one. We

0:26:25.400 --> 0:26:27.280
<v Speaker 1>could have done exactly the same thing by just not

0:26:27.480 --> 0:26:28.560
<v Speaker 1>using the word marriage.

0:26:28.600 --> 0:26:30.560
<v Speaker 2>Where is this going? Is there a future?

0:26:30.640 --> 0:26:33.480
<v Speaker 1>What's it going to be when you're talking married at

0:26:33.520 --> 0:26:36.760
<v Speaker 1>four months? As I said, it was very nice meeting you.

0:26:37.080 --> 0:26:39.680
<v Speaker 1>Please exit stage left. So yeah, it's.

0:26:41.359 --> 0:26:41.439
<v Speaker 3>No.

0:26:41.600 --> 0:26:43.560
<v Speaker 6>She should have she knows John Guturna.

0:26:43.680 --> 0:26:45.440
<v Speaker 5>She should have said, listen, I'm not the kind of

0:26:45.440 --> 0:26:47.400
<v Speaker 5>girl that wants to get married, and then he'd be like, oh,

0:26:47.440 --> 0:26:49.000
<v Speaker 5>I want to marry you.

0:26:50.520 --> 0:26:53.680
<v Speaker 2>In the game reverse psychology.

0:26:53.080 --> 0:26:54.440
<v Speaker 8>Like getting married.

0:26:54.720 --> 0:26:57.160
<v Speaker 6>Yeah. Yeah, but I guess it was only a four

0:26:57.200 --> 0:26:58.919
<v Speaker 6>episode arc. I didn't even I don't even know.

0:26:59.160 --> 0:27:00.800
<v Speaker 4>I was gonna ask you, did you know that that

0:27:00.920 --> 0:27:02.800
<v Speaker 4>was going to be your last episode? Do you remember

0:27:03.040 --> 0:27:04.640
<v Speaker 4>if I originally signed on?

0:27:04.800 --> 0:27:06.880
<v Speaker 6>Yeah, I don't, I don't remember.

0:27:07.119 --> 0:27:08.560
<v Speaker 2>Yeah, hmm.

0:27:09.400 --> 0:27:22.040
<v Speaker 4>Interesting. You also had we talked about some of your

0:27:22.040 --> 0:27:24.959
<v Speaker 4>experiences or being in awe of Bill Daniels. Do you

0:27:25.000 --> 0:27:27.560
<v Speaker 4>have any great Bill Daniels stories, like for you got

0:27:27.600 --> 0:27:29.200
<v Speaker 4>you had to have a lot of scenes with him.

0:27:29.560 --> 0:27:32.399
<v Speaker 5>I did, but he was I just remember him being

0:27:32.480 --> 0:27:37.719
<v Speaker 5>just very professional and he wasn't a chatty guy, you know,

0:27:38.000 --> 0:27:41.359
<v Speaker 5>just and plus you know me coming into a new

0:27:41.840 --> 0:27:44.439
<v Speaker 5>uh you know, a set, you know, stuff like that.

0:27:44.560 --> 0:27:48.680
<v Speaker 6>I I don't. I'm not always myself where I'm very chatty, chatty, chatty.

0:27:48.680 --> 0:27:52.000
<v Speaker 5>I don't want to be that obnoxious guest star, you know,

0:27:52.160 --> 0:27:55.439
<v Speaker 5>So I just let him lay the line, you know,

0:27:55.640 --> 0:27:58.600
<v Speaker 5>because you never know. I mean I I did House,

0:27:58.800 --> 0:28:02.840
<v Speaker 5>and we weren't allowed to talk to him more allowed.

0:28:03.440 --> 0:28:05.600
<v Speaker 5>I was a guest star too, and I'm standing right

0:28:05.680 --> 0:28:08.320
<v Speaker 5>next to uh, what's his name, the guy who played House.

0:28:08.359 --> 0:28:12.080
<v Speaker 2>No idea doctor House, Doctor House, the British doctor.

0:28:13.240 --> 0:28:16.960
<v Speaker 5>Couldn't even like ask him any questions, nothing, And I'm

0:28:18.000 --> 0:28:19.879
<v Speaker 5>him to me.

0:28:20.320 --> 0:28:24.720
<v Speaker 6>We're standing doing the markings and this. Some sets are

0:28:24.840 --> 0:28:25.080
<v Speaker 6>like that.

0:28:25.280 --> 0:28:27.760
<v Speaker 3>So I did a movie with Donald Sutherland and he

0:28:27.800 --> 0:28:28.920
<v Speaker 3>has an eye contact rule.

0:28:29.080 --> 0:28:31.119
<v Speaker 2>Oh he can make eye contact. Well that's when I

0:28:31.160 --> 0:28:33.680
<v Speaker 2>walk up and I go, nice to meet you, sir. Well,

0:28:33.720 --> 0:28:35.159
<v Speaker 2>if you're in the scene with him, you can make

0:28:35.200 --> 0:28:35.840
<v Speaker 2>eye contact with that.

0:28:35.920 --> 0:28:39.400
<v Speaker 3>But you know, his whole thing was that everybody, every

0:28:39.440 --> 0:28:41.480
<v Speaker 3>crew member has to look away. Nobody can make eye

0:28:41.480 --> 0:28:43.760
<v Speaker 3>contact with him. To the point that we're shooting in

0:28:43.760 --> 0:28:47.240
<v Speaker 3>the houseboat and he was delivering some sort of he's

0:28:47.280 --> 0:28:49.440
<v Speaker 3>like a creepy grandfather in this movie's delivering some kind

0:28:49.440 --> 0:28:52.360
<v Speaker 3>of monologue. In the middle of his monologue, he looks

0:28:52.400 --> 0:28:55.959
<v Speaker 3>up and he goes, there's a man outside that window

0:28:56.000 --> 0:28:57.800
<v Speaker 3>looking at me, and like it was.

0:28:57.760 --> 0:29:00.320
<v Speaker 2>Like some passerby, not part of the crew. That was

0:29:00.400 --> 0:29:02.200
<v Speaker 2>like outside the window looking.

0:29:01.840 --> 0:29:04.200
<v Speaker 3>In, but that through the whole take and you had

0:29:04.240 --> 0:29:06.080
<v Speaker 3>to start over and the whole crew had to go

0:29:06.120 --> 0:29:07.440
<v Speaker 3>out and like kick this guy away.

0:29:09.560 --> 0:29:11.720
<v Speaker 2>It's so ridiculous.

0:29:12.680 --> 0:29:14.360
<v Speaker 3>There's a there is an argument to me, when you're

0:29:14.400 --> 0:29:17.000
<v Speaker 3>doing single camera stuff that if your eye catches somebody

0:29:17.040 --> 0:29:19.520
<v Speaker 3>looking at you, you work eyes with them, and there

0:29:19.560 --> 0:29:22.400
<v Speaker 3>can be a problem if you have too many lookie.

0:29:22.080 --> 0:29:25.280
<v Speaker 1>Louse, like in the line in the scene, if you're

0:29:25.480 --> 0:29:28.000
<v Speaker 1>somebody's in your eye line. Okay, I understand that, but

0:29:28.080 --> 0:29:29.720
<v Speaker 1>I'm walking on the set and the crew is not

0:29:29.760 --> 0:29:30.920
<v Speaker 1>allowed to make eye contact.

0:29:31.040 --> 0:29:34.960
<v Speaker 2>Is you can bleep me looking ridiculous? Yeah, it's it's

0:29:35.000 --> 0:29:35.360
<v Speaker 2>that is.

0:29:35.320 --> 0:29:40.120
<v Speaker 1>A stupid egotistical power trip that all comes from insecurity

0:29:40.320 --> 0:29:43.840
<v Speaker 1>of this being an actor, and it's like, you're an idiot.

0:29:43.960 --> 0:29:45.320
<v Speaker 2>Sorry, you're just an idiot.

0:29:45.840 --> 0:29:49.360
<v Speaker 1>Our feeling is for will come on four months. That's

0:29:49.400 --> 0:29:50.960
<v Speaker 1>also just saying you're not.

0:29:51.040 --> 0:29:53.080
<v Speaker 2>Good enough to look me in the eyes.

0:29:53.360 --> 0:29:56.440
<v Speaker 4>Please, I know, forget it. Also, though I feel like

0:29:57.200 --> 0:29:59.920
<v Speaker 4>it's probably a little better now, but in the ninety

0:30:00.320 --> 0:30:03.360
<v Speaker 4>I can only imagine how bad that was. This like

0:30:03.400 --> 0:30:07.840
<v Speaker 4>those sets for women, specifically dart Oh yeah, yeah.

0:30:07.520 --> 0:30:09.960
<v Speaker 5>I mean, I have to say I've never had any

0:30:10.400 --> 0:30:12.840
<v Speaker 5>me too stories like that on sets.

0:30:12.960 --> 0:30:13.920
<v Speaker 6>I'm pretty good.

0:30:14.000 --> 0:30:20.600
<v Speaker 5>But as far as yeah, actors being holier than thou, yeah,

0:30:20.600 --> 0:30:22.560
<v Speaker 5>I've had those experiences for sure.

0:30:22.720 --> 0:30:25.320
<v Speaker 6>Except Michael J. Fox. He was not like that at all.

0:30:25.480 --> 0:30:28.600
<v Speaker 2>No, He's like the coolest guy. We got. Got a

0:30:28.680 --> 0:30:30.560
<v Speaker 2>chance to meet him a couple of times, and he's

0:30:30.720 --> 0:30:31.400
<v Speaker 2>so nice.

0:30:31.440 --> 0:30:34.320
<v Speaker 1>Every time you meet him. I remember I just because

0:30:34.360 --> 0:30:36.400
<v Speaker 1>he was my idol. He's the reason that I became

0:30:36.440 --> 0:30:36.800
<v Speaker 1>an actor.

0:30:36.880 --> 0:30:37.240
<v Speaker 2>Essentially.

0:30:37.240 --> 0:30:39.760
<v Speaker 1>He and Alan Aldo were the reasons that I decided

0:30:39.760 --> 0:30:41.880
<v Speaker 1>to be an actor. And we got to meet him.

0:30:41.880 --> 0:30:45.000
<v Speaker 1>I was with you, I think writer and Ben at

0:30:45.040 --> 0:30:47.080
<v Speaker 1>Disney World and we walked up to him.

0:30:47.080 --> 0:30:48.800
<v Speaker 2>We're like, he's right there. We have to go say hi.

0:30:48.880 --> 0:30:49.680
<v Speaker 2>We have to go say hi.

0:30:49.760 --> 0:30:52.800
<v Speaker 1>And Ben took the lead and he went, excuse me, sir.

0:30:53.440 --> 0:30:56.320
<v Speaker 1>We just wanted to say and he went, sir, are

0:30:56.360 --> 0:30:58.320
<v Speaker 1>you kidding me? I've known your brother since he was

0:30:58.640 --> 0:31:00.600
<v Speaker 1>get over here, and like gave in a big hug.

0:31:00.600 --> 0:31:03.000
<v Speaker 2>How are you guys doing? He could not have been

0:31:03.080 --> 0:31:03.680
<v Speaker 2>nicer to hum.

0:31:03.720 --> 0:31:04.200
<v Speaker 6>He gets some.

0:31:04.200 --> 0:31:06.480
<v Speaker 3>Parade through Disney World and he was in the car

0:31:06.480 --> 0:31:08.080
<v Speaker 3>in front of us. He was like making faces and

0:31:08.080 --> 0:31:09.560
<v Speaker 3>shouting things to us the whole time.

0:31:11.000 --> 0:31:13.960
<v Speaker 1>It was It's so validated everything I hoped he would be.

0:31:14.040 --> 0:31:16.520
<v Speaker 1>It was like, oh my god, He's exactly what I wanted.

0:31:16.520 --> 0:31:19.360
<v Speaker 1>It was amazing. I almost cried. I literally almost cried

0:31:19.360 --> 0:31:20.920
<v Speaker 1>because he was just so cool.

0:31:21.400 --> 0:31:22.840
<v Speaker 2>Yeah, yeah, yeah.

0:31:22.840 --> 0:31:24.800
<v Speaker 5>He invited us to do his trailer for Margarite to

0:31:24.880 --> 0:31:28.640
<v Speaker 5>Fridays and stuff. And I recently, right before COVID, I

0:31:28.720 --> 0:31:30.280
<v Speaker 5>was in New York and I was walking down the

0:31:30.280 --> 0:31:32.760
<v Speaker 5>street and I saw Tracy coming out of a restaurant

0:31:32.760 --> 0:31:35.680
<v Speaker 5>and I go, oh, there's Michael's like Tracy and I go, oh,

0:31:35.720 --> 0:31:39.360
<v Speaker 5>wait a minute, there's Michael. And I hadn't seen Michael.

0:31:39.520 --> 0:31:43.800
<v Speaker 6>Since the premiere. Woh wow, so like that many years ago.

0:31:43.920 --> 0:31:46.080
<v Speaker 6>So my friend Linda was like, you have to say hi.

0:31:46.160 --> 0:31:48.120
<v Speaker 6>You have to say hi. I go, yeah, I'll kick

0:31:48.200 --> 0:31:49.520
<v Speaker 6>myself if I don't say hi.

0:31:49.680 --> 0:31:49.960
<v Speaker 2>Yeah.

0:31:50.000 --> 0:31:51.880
<v Speaker 6>So I walked over there and I said Hi. And

0:31:51.960 --> 0:31:52.640
<v Speaker 6>I don't want them.

0:31:52.560 --> 0:31:55.360
<v Speaker 5>To think here I am a fan, you know, I'm like, Hi, Terracey,

0:31:55.560 --> 0:31:58.360
<v Speaker 5>I'm Darklene. I played Spike and bad to Future two

0:31:58.360 --> 0:32:01.280
<v Speaker 5>and They're like, oh my god. And so then we

0:32:01.480 --> 0:32:03.560
<v Speaker 5>had a but then he had said it goes weren't

0:32:03.600 --> 0:32:04.200
<v Speaker 5>you hurt?

0:32:04.520 --> 0:32:06.280
<v Speaker 6>And I said, no, that was my stunt up.

0:32:07.800 --> 0:32:10.719
<v Speaker 5>Yeah, but but yeah, it was really great to see him,

0:32:10.720 --> 0:32:13.640
<v Speaker 5>and they were so gracious. They were so nice. You know,

0:32:13.720 --> 0:32:15.600
<v Speaker 5>I said, Oh, I just went to Paris to do

0:32:15.840 --> 0:32:22.480
<v Speaker 5>a show. They're like Paris, We've got a Philadelphia.

0:32:21.320 --> 0:32:22.320
<v Speaker 2>See him at the comic cons.

0:32:22.320 --> 0:32:25.840
<v Speaker 1>Nowadays it's always like Tulsa and yeah, stuff like that.

0:32:26.480 --> 0:32:29.600
<v Speaker 4>Yeah, speaking of very cool, you were cast as a

0:32:29.640 --> 0:32:33.040
<v Speaker 4>love interest for mister Turner a ka Tony Quinn.

0:32:33.560 --> 0:32:35.840
<v Speaker 2>When do you remember the first time you met Tony?

0:32:37.520 --> 0:32:40.000
<v Speaker 6>Yes, I do, because he was he was so sweet.

0:32:40.200 --> 0:32:43.000
<v Speaker 6>I remember him just being so sweet and so inviting.

0:32:43.240 --> 0:32:43.880
<v Speaker 6>He really was.

0:32:44.120 --> 0:32:46.760
<v Speaker 5>He didn't Yeah, I mean he was great. I mean

0:32:46.840 --> 0:32:49.320
<v Speaker 5>we we got along. I remember we got along really well.

0:32:49.640 --> 0:32:51.240
<v Speaker 5>He's very comfortable to be with.

0:32:51.600 --> 0:32:55.120
<v Speaker 6>And yeah, he was a great guy in the world.

0:32:55.280 --> 0:33:00.840
<v Speaker 1>Yeah, and that hair maybe you know he said, least

0:33:01.040 --> 0:33:02.480
<v Speaker 1>least pretentious person in the world.

0:33:03.520 --> 0:33:11.640
<v Speaker 4>Yeah, you guys, Well, we wanted to send you this

0:33:11.720 --> 0:33:17.240
<v Speaker 4>little message from Tony Quinn. So let's bring in Tony Quinn.

0:33:18.160 --> 0:33:21.120
<v Speaker 1>What here? Hi?

0:33:21.480 --> 0:33:22.000
<v Speaker 2>How are you?

0:33:24.640 --> 0:33:26.680
<v Speaker 8>I'm doing great? You look fantastic.

0:33:27.240 --> 0:33:29.080
<v Speaker 6>So do you just shorter hair.

0:33:29.200 --> 0:33:32.080
<v Speaker 8>I see, ah, yeah, that's all gone.

0:33:33.360 --> 0:33:35.680
<v Speaker 2>When did you get rid of the mullet, Tony? I mean,

0:33:35.960 --> 0:33:39.640
<v Speaker 2>I know that bullet, you guys, I told you you guys.

0:33:39.800 --> 0:33:40.320
<v Speaker 8>When when?

0:33:40.480 --> 0:33:40.600
<v Speaker 4>Uh?

0:33:40.880 --> 0:33:44.000
<v Speaker 8>I think the last episode that I did my hair

0:33:44.160 --> 0:33:45.040
<v Speaker 8>was different.

0:33:44.800 --> 0:33:47.720
<v Speaker 9>Because they told me I wasn't coming back, so I

0:33:47.800 --> 0:33:50.880
<v Speaker 9>cut off all my hair and I had to audition

0:33:51.040 --> 0:33:51.800
<v Speaker 9>for other shows.

0:33:51.880 --> 0:33:54.480
<v Speaker 8>So I think the last episode I show up with

0:33:54.920 --> 0:33:55.760
<v Speaker 8>way shorter hair.

0:33:56.400 --> 0:34:00.320
<v Speaker 2>MM. So funny he's back now.

0:34:00.400 --> 0:34:01.720
<v Speaker 6>Did you know that it is.

0:34:03.680 --> 0:34:04.120
<v Speaker 8>Nineties?

0:34:04.320 --> 0:34:04.520
<v Speaker 1>Yeah?

0:34:05.120 --> 0:34:07.080
<v Speaker 8>Not for me. I would look a little bit like

0:34:07.200 --> 0:34:07.880
<v Speaker 8>Ben Franklin.

0:34:07.920 --> 0:34:14.480
<v Speaker 2>I like, hell o, thank you, thank you, Tony.

0:34:14.560 --> 0:34:17.320
<v Speaker 4>We just asked Darlene what she remembers about you and

0:34:17.480 --> 0:34:20.160
<v Speaker 4>working together, and she talked about how sweet and warm

0:34:20.239 --> 0:34:22.560
<v Speaker 4>and welcoming you were and really making her feel at home.

0:34:22.640 --> 0:34:24.759
<v Speaker 4>What do you remember about meeting Darlene for the first

0:34:24.800 --> 0:34:25.640
<v Speaker 4>time and working with her?

0:34:26.800 --> 0:34:29.439
<v Speaker 8>It was pretty much the same. I mean, she had

0:34:29.520 --> 0:34:30.800
<v Speaker 8>this It was immediate.

0:34:31.840 --> 0:34:34.040
<v Speaker 9>It was like, welcome to the party, this is going

0:34:34.080 --> 0:34:36.960
<v Speaker 9>to be great, and we just we just hit the

0:34:37.000 --> 0:34:37.600
<v Speaker 9>ground running.

0:34:38.200 --> 0:34:39.799
<v Speaker 2>Yeah for sure.

0:34:40.680 --> 0:34:42.600
<v Speaker 4>Yeah, you guys had such great chemistry.

0:34:43.080 --> 0:34:45.600
<v Speaker 8>Yeah, yeah, easy to be around, easy to work with.

0:34:46.719 --> 0:34:47.280
<v Speaker 8>It was great.

0:34:48.280 --> 0:34:51.040
<v Speaker 5>I just feel bad that I just really pinned you

0:34:51.200 --> 0:34:54.319
<v Speaker 5>and like wanting to when you go you have such

0:34:54.360 --> 0:34:55.840
<v Speaker 5>great eyes and like does that mean you want to

0:34:55.880 --> 0:34:56.640
<v Speaker 5>marry me or something?

0:34:56.719 --> 0:35:03.520
<v Speaker 4>I'm like, oh my, it's like, what the heck, Tony,

0:35:03.600 --> 0:35:06.439
<v Speaker 4>where do you stand? Where do you stand on that debate?

0:35:06.600 --> 0:35:09.080
<v Speaker 4>We we talked about it when we watched the episode recently.

0:35:09.200 --> 0:35:13.160
<v Speaker 4>Wright and I were both on Kat Tompkins side, which is, yeah,

0:35:13.360 --> 0:35:14.520
<v Speaker 4>you know, at four months, you.

0:35:14.560 --> 0:35:17.279
<v Speaker 2>Guys are you guys? Are aren't like your Gaby Young?

0:35:18.120 --> 0:35:20.759
<v Speaker 4>It's at least worth saying, where do you see this

0:35:20.960 --> 0:35:23.480
<v Speaker 4>being a thing for the future. It's it's a worth

0:35:23.520 --> 0:35:25.960
<v Speaker 4>a check in. But Will is like the minute you

0:35:26.080 --> 0:35:28.359
<v Speaker 4>say marriage at four months, you run out the door.

0:35:28.640 --> 0:35:31.040
<v Speaker 4>And Darlene actually agrees with Will. So let's let you

0:35:31.320 --> 0:35:33.960
<v Speaker 4>be the deciding. What do you think about how she

0:35:34.080 --> 0:35:35.920
<v Speaker 4>handled that at that at that four.

0:35:35.840 --> 0:35:40.160
<v Speaker 9>Months I I sort of was kind of in agreement

0:35:40.320 --> 0:35:43.920
<v Speaker 9>with her in terms of, you know, where is this

0:35:44.200 --> 0:35:46.640
<v Speaker 9>going kind of thing? I mean, we're we're in our

0:35:46.920 --> 0:35:49.160
<v Speaker 9>we're in our thirties, and it's like, are we just

0:35:49.280 --> 0:35:51.400
<v Speaker 9>playing around or that's okay?

0:35:52.600 --> 0:35:57.520
<v Speaker 2>Yeah, but that's okay, that's okay. Is there a future here.

0:35:58.239 --> 0:36:01.640
<v Speaker 4>Well, just has a real problem with the marriage insantly

0:36:01.800 --> 0:36:03.360
<v Speaker 4>going to marriage.

0:36:03.040 --> 0:36:05.239
<v Speaker 2>After I, Hey, you got great eyes? Does that mean

0:36:05.320 --> 0:36:08.160
<v Speaker 2>you want to marry me? Like what he does say

0:36:08.200 --> 0:36:13.840
<v Speaker 2>I could stare into your eyes forever verbally hyper people.

0:36:14.440 --> 0:36:17.480
<v Speaker 8>I don't know if Jonathan Turner was using hyperbole at

0:36:17.480 --> 0:36:17.960
<v Speaker 8>that moment.

0:36:18.560 --> 0:36:21.960
<v Speaker 2>And how was she sing? Yeah, because when you say

0:36:22.080 --> 0:36:26.120
<v Speaker 2>something like that, you better dag I mean it exactly.

0:36:27.920 --> 0:36:30.200
<v Speaker 8>Yeah, yeah, yeah, yeah, because you're not going to play

0:36:30.280 --> 0:36:33.600
<v Speaker 8>around with somebody's emotions and say something like that flippantly.

0:36:34.239 --> 0:36:36.360
<v Speaker 2>I could stare into your eyes forever.

0:36:36.680 --> 0:36:39.840
<v Speaker 1>Is a declaration of undying love that will last for

0:36:39.880 --> 0:36:40.520
<v Speaker 1>an eternity.

0:36:41.520 --> 0:36:46.239
<v Speaker 2>Well, you did use the forever word. I agree with you.

0:36:47.800 --> 0:36:52.200
<v Speaker 10>She just repeated, back, forever. That's what we talked about

0:36:52.239 --> 0:36:57.839
<v Speaker 10>that for you get married. Yeah, we're working on time

0:36:57.920 --> 0:36:59.759
<v Speaker 10>travel and then we have we have a lot of

0:37:00.160 --> 0:37:02.160
<v Speaker 10>the mist of stuff we're doing with the show. When

0:37:02.160 --> 0:37:06.040
<v Speaker 10>we actually invent time travel. We're going to get there,

0:37:06.480 --> 0:37:09.200
<v Speaker 10>We're going to get We're almost there. We're really close

0:37:09.280 --> 0:37:12.520
<v Speaker 10>so far. We have a styrofoam cup and we're doing.

0:37:12.400 --> 0:37:14.879
<v Speaker 2>Well, which is a telephone in Connecticut. Thank you very much.

0:37:15.560 --> 0:37:19.960
<v Speaker 2>I grabbed it from you anymore.

0:37:21.680 --> 0:37:21.920
<v Speaker 1>I know.

0:37:22.160 --> 0:37:25.640
<v Speaker 5>One of the most uncomfortable scenes was when we were

0:37:25.760 --> 0:37:28.080
<v Speaker 5>standing at the bar. It was at the first episode,

0:37:28.200 --> 0:37:31.320
<v Speaker 5>standing at the bar, and we're just like no, like

0:37:31.440 --> 0:37:33.080
<v Speaker 5>forehead to forehead.

0:37:32.800 --> 0:37:35.040
<v Speaker 1>And you've got like your hand on his chest and

0:37:35.200 --> 0:37:38.440
<v Speaker 1>it's it's so we're in the makeout poetry bar.

0:37:38.880 --> 0:37:44.719
<v Speaker 2>Yes, yes, yeah.

0:37:45.239 --> 0:37:48.920
<v Speaker 4>Some of the romantic displays of like p d A

0:37:49.160 --> 0:37:51.040
<v Speaker 4>that that we chose on the show.

0:37:51.360 --> 0:37:55.160
<v Speaker 3>World trafficked and PDA is like business wow, And I

0:37:55.200 --> 0:37:56.200
<v Speaker 3>don't think we thought.

0:37:56.080 --> 0:37:58.400
<v Speaker 2>Anything like it was just normal.

0:37:58.920 --> 0:38:00.759
<v Speaker 4>Yeah, Tony, I don't want to take up any more

0:38:00.760 --> 0:38:03.040
<v Speaker 4>of your time. Thank you for popping in to make

0:38:03.239 --> 0:38:05.240
<v Speaker 4>a surprise my pleasure.

0:38:05.400 --> 0:38:08.600
<v Speaker 9>You guys look fantastic. You're doing great. It was Thank

0:38:08.680 --> 0:38:10.880
<v Speaker 9>you so much for inviting me to be on Thank you.

0:38:11.840 --> 0:38:15.080
<v Speaker 2>Want to see you in Kansas City. In Kansas City

0:38:15.239 --> 0:38:19.440
<v Speaker 2>on August six. We'll see you there, Tony. We love you.

0:38:32.120 --> 0:38:33.160
<v Speaker 6>That was so cute.

0:38:33.160 --> 0:38:35.200
<v Speaker 2>I love that we.

0:38:35.280 --> 0:38:37.000
<v Speaker 4>Wanted to have a little bit of a surprise for you.

0:38:37.160 --> 0:38:39.560
<v Speaker 6>And where does Where does Tony live?

0:38:39.920 --> 0:38:42.520
<v Speaker 2>Chicago is in Chicago the next Thursday.

0:38:43.040 --> 0:38:46.759
<v Speaker 1>We were so able to anticipate your responses and our

0:38:46.800 --> 0:38:49.120
<v Speaker 1>responses that he actually taped that a week ago.

0:38:52.200 --> 0:38:58.280
<v Speaker 6>Amazing. Gosh.

0:38:59.200 --> 0:39:04.000
<v Speaker 4>Okay, So looking back now, nearly thirty years later, we

0:39:04.120 --> 0:39:07.440
<v Speaker 4>are I mean, we're approaching the thirtieth anniversary of the

0:39:07.520 --> 0:39:11.600
<v Speaker 4>first season, so you would have been just next year. Yeah,

0:39:11.600 --> 0:39:14.440
<v Speaker 4>twenty nine years for you. Looking back, how do you

0:39:14.520 --> 0:39:16.239
<v Speaker 4>feel about your time on Boy Meets World.

0:39:17.200 --> 0:39:20.640
<v Speaker 6>Oh, it's definitely, you know, I mean I love that

0:39:20.840 --> 0:39:24.080
<v Speaker 6>I was on that show, and even you know, because

0:39:24.120 --> 0:39:26.600
<v Speaker 6>it's a kids show and it was clean.

0:39:26.920 --> 0:39:27.880
<v Speaker 2>It was good, it was.

0:39:28.000 --> 0:39:31.120
<v Speaker 5>Fun, it was sweet, and you know, I just had

0:39:31.160 --> 0:39:33.760
<v Speaker 5>a great experience of it. You know when I tell kids,

0:39:33.840 --> 0:39:35.600
<v Speaker 5>like I said, you know when I was on that show,

0:39:35.800 --> 0:39:39.440
<v Speaker 5>it's just everyone thinks very highly of that show because

0:39:39.560 --> 0:39:42.840
<v Speaker 5>you guys were also so professional. It's like young ages

0:39:43.040 --> 0:39:47.680
<v Speaker 5>and you know, just very professional, very sweet, very giving

0:39:47.760 --> 0:39:50.960
<v Speaker 5>as actors. I mean, it's great to work with child

0:39:51.160 --> 0:39:53.960
<v Speaker 5>actors back then and just know what they're doing, and

0:39:54.640 --> 0:39:57.279
<v Speaker 5>you know, you just did and you just all had fun,

0:39:57.480 --> 0:39:59.680
<v Speaker 5>which was great because some sets are not so fun.

0:40:00.000 --> 0:40:02.799
<v Speaker 6>I remember that set being really fun. We were all

0:40:02.920 --> 0:40:08.640
<v Speaker 6>laughing a lot. You guys were so close, and yeah,

0:40:08.680 --> 0:40:11.320
<v Speaker 6>it was just it was just always a great, great feeling.

0:40:11.480 --> 0:40:13.360
<v Speaker 5>It's always good to look back on a show and go,

0:40:13.480 --> 0:40:18.600
<v Speaker 5>oh my god, that was a great experience. Definitely people

0:40:18.640 --> 0:40:20.840
<v Speaker 5>that I was on it, because also it's still a

0:40:20.920 --> 0:40:21.840
<v Speaker 5>big show today.

0:40:23.400 --> 0:40:23.600
<v Speaker 1>Well.

0:40:23.680 --> 0:40:27.080
<v Speaker 4>One of the most favorite things we have found doing

0:40:27.120 --> 0:40:30.320
<v Speaker 4>this Rewatch podcast is how much of an appreciation it

0:40:30.440 --> 0:40:33.960
<v Speaker 4>has brought to us about all of you, the adult

0:40:34.120 --> 0:40:38.000
<v Speaker 4>actors we worked with, because we were honestly not really

0:40:38.080 --> 0:40:40.440
<v Speaker 4>paying that much attention to the adult storylines, whether it's

0:40:40.480 --> 0:40:42.799
<v Speaker 4>because we were in the school room or because.

0:40:42.520 --> 0:40:44.479
<v Speaker 2>Were if it was you and Tony in the scene,

0:40:44.560 --> 0:40:45.640
<v Speaker 2>we wouldn't.

0:40:45.280 --> 0:40:47.919
<v Speaker 4>Be unless it was run through, and which case we'd

0:40:47.960 --> 0:40:49.480
<v Speaker 4>see it that one time for run through and then

0:40:49.520 --> 0:40:51.600
<v Speaker 4>we'd be into notes and getting, you know, into the

0:40:51.640 --> 0:40:54.680
<v Speaker 4>next stuff. So being able to watch the show now

0:40:55.040 --> 0:40:58.239
<v Speaker 4>as adults ourselves who are even significantly older than you

0:40:58.400 --> 0:41:01.400
<v Speaker 4>guys were when you were on the show, it has

0:41:01.600 --> 0:41:04.680
<v Speaker 4>it has really just been like, Wow, we were surrounded

0:41:05.040 --> 0:41:09.040
<v Speaker 4>by such talent and you are one of the people

0:41:09.360 --> 0:41:12.480
<v Speaker 4>that we were just mesmerized by watching the show.

0:41:12.680 --> 0:41:15.279
<v Speaker 6>So oh you're I mean, when I was watching it,

0:41:15.360 --> 0:41:17.239
<v Speaker 6>I was like, I really didn't too much.

0:41:17.400 --> 0:41:18.719
<v Speaker 8>I mean, I I was a little.

0:41:18.520 --> 0:41:22.440
<v Speaker 6>Embarrassed it's like I had like little lines here and there.

0:41:22.480 --> 0:41:24.600
<v Speaker 4>But but that is it is true that they could

0:41:24.640 --> 0:41:26.800
<v Speaker 4>have given you more and they they didn't.

0:41:26.880 --> 0:41:28.080
<v Speaker 2>You were you were Your.

0:41:28.040 --> 0:41:30.600
<v Speaker 4>Character was a little limited, but what you were able

0:41:30.680 --> 0:41:33.560
<v Speaker 4>to do with it, you left such a mark, like

0:41:33.760 --> 0:41:37.560
<v Speaker 4>you are memorable. Yes, you are memorable, your dynamic, you're

0:41:37.640 --> 0:41:40.480
<v Speaker 4>fun to watch, even though they didn't really give you

0:41:40.800 --> 0:41:44.600
<v Speaker 4>that much great stuff, but you really really make the

0:41:44.680 --> 0:41:46.319
<v Speaker 4>most of it, and you stand out.

0:41:46.400 --> 0:41:47.960
<v Speaker 2>And it's and it was so.

0:41:48.040 --> 0:41:51.160
<v Speaker 1>Important for the storyline of of where you know, uh,

0:41:51.960 --> 0:41:54.600
<v Speaker 1>it got Tony to Sean.

0:41:54.800 --> 0:41:59.000
<v Speaker 2>It got it got Tony. That's what I mean.

0:41:59.080 --> 0:42:02.040
<v Speaker 1>That became huge, hugely important because you were the catalyst

0:42:02.160 --> 0:42:05.960
<v Speaker 1>for mister Turner realizing he wanted something in his life.

0:42:06.000 --> 0:42:08.520
<v Speaker 1>He didn't know what it was, but wanted something, which

0:42:08.600 --> 0:42:11.719
<v Speaker 1>then led us to the entire Sean Turner storyline, which

0:42:11.840 --> 0:42:16.200
<v Speaker 1>was a huge story point for season three. So, I mean,

0:42:16.400 --> 0:42:17.800
<v Speaker 1>you say you didn't have a lot to do, and

0:42:17.840 --> 0:42:19.320
<v Speaker 1>you didn't, and they could have used you more, but

0:42:19.440 --> 0:42:21.640
<v Speaker 1>I mean without your character, it wouldn't have gotten us

0:42:21.719 --> 0:42:23.560
<v Speaker 1>there in such a natural way.

0:42:24.400 --> 0:42:26.640
<v Speaker 2>It really was a great kind of transition. Yeah, yeah,

0:42:26.680 --> 0:42:26.800
<v Speaker 2>I know.

0:42:26.880 --> 0:42:29.719
<v Speaker 6>I was just like it's like, okay, bye, you're not

0:42:29.719 --> 0:42:30.800
<v Speaker 6>going to be a bye.

0:42:30.960 --> 0:42:32.000
<v Speaker 2>Yeah, and then you're out.

0:42:32.120 --> 0:42:32.880
<v Speaker 1>Yeah, I do.

0:42:33.120 --> 0:42:35.560
<v Speaker 2>I hate to do this, though, I absolutely hate to

0:42:35.600 --> 0:42:35.800
<v Speaker 2>do this.

0:42:36.200 --> 0:42:36.880
<v Speaker 4>I don't think you do.

0:42:37.320 --> 0:42:37.920
<v Speaker 8>I do.

0:42:38.200 --> 0:42:38.400
<v Speaker 1>I do?

0:42:38.600 --> 0:42:40.600
<v Speaker 2>Actually, I don't think you know I do do?

0:42:40.719 --> 0:42:45.160
<v Speaker 1>What what? The brand Modellis International, the company that sells

0:42:45.239 --> 0:42:48.560
<v Speaker 1>Trident gum, has explained the rapper is not meant for

0:42:48.680 --> 0:42:53.520
<v Speaker 1>human consumption, so you're not supposed to let you're not

0:42:53.760 --> 0:42:56.560
<v Speaker 1>supposed to eat the try, the tried and wrapper.

0:42:56.960 --> 0:42:58.719
<v Speaker 2>I hate, after all these years.

0:42:59.160 --> 0:43:02.279
<v Speaker 6>To have there's ink on it as well. I mean,

0:43:02.360 --> 0:43:02.919
<v Speaker 6>there's ink.

0:43:07.080 --> 0:43:08.719
<v Speaker 2>Did anybody really enjoy doing that?

0:43:08.800 --> 0:43:08.960
<v Speaker 6>Though?

0:43:09.000 --> 0:43:10.360
<v Speaker 2>I mean we thought we all did it once we

0:43:10.440 --> 0:43:11.919
<v Speaker 2>heard you could. It was a party trick.

0:43:12.120 --> 0:43:15.560
<v Speaker 4>It was great, but that it does make the gum unenjoyable,

0:43:15.680 --> 0:43:17.680
<v Speaker 4>so you don't actually keep doing.

0:43:17.560 --> 0:43:19.360
<v Speaker 1>It, right, It turns out that not only was the

0:43:19.400 --> 0:43:22.960
<v Speaker 1>gum unenjoyable, but it's also probably poisonous to us.

0:43:23.120 --> 0:43:25.279
<v Speaker 6>So yeah, well we're all still here.

0:43:26.960 --> 0:43:29.520
<v Speaker 2>We managed to make Maybe that's why no one's aging.

0:43:29.920 --> 0:43:34.719
<v Speaker 2>It's all. I mean, Will does have a tail, and

0:43:34.800 --> 0:43:36.719
<v Speaker 2>we have been wondering where that came from. But I

0:43:36.880 --> 0:43:41.279
<v Speaker 2>do it's vestigial. It's fine. Well, Darlene, thank you so

0:43:41.400 --> 0:43:43.160
<v Speaker 2>much for being here. We really appreciate it. It was

0:43:43.200 --> 0:43:44.080
<v Speaker 2>great to catch up with you.

0:43:44.760 --> 0:43:47.040
<v Speaker 5>Yeah, it's so funny because I was on a retreat

0:43:47.160 --> 0:43:50.239
<v Speaker 5>last summer and the girl that I met, Christine, she

0:43:50.360 --> 0:43:51.520
<v Speaker 5>lives in Massachusetts, and she.

0:43:51.680 --> 0:43:54.040
<v Speaker 6>Just happened to text me. She goes, I'm listening to.

0:43:54.080 --> 0:43:56.200
<v Speaker 5>This podcast by Boy Meets World and all that, and

0:43:56.239 --> 0:43:58.160
<v Speaker 5>I was like, oh really, and so I love to

0:43:58.320 --> 0:43:58.680
<v Speaker 5>chime in.

0:43:59.239 --> 0:44:01.520
<v Speaker 6>So yeah, she's so happy that I'm coming up. There's

0:44:01.600 --> 0:44:03.640
<v Speaker 6>so much I can't wait to listen to it.

0:44:04.120 --> 0:44:06.360
<v Speaker 1>We're we're finally, at some point in the in the

0:44:06.400 --> 0:44:09.000
<v Speaker 1>near future, going to be doing a party for everybody

0:44:09.160 --> 0:44:12.360
<v Speaker 1>we want to, like a bit like.

0:44:12.680 --> 0:44:17.440
<v Speaker 4>Really big, everybody we have contact information for, and even

0:44:17.480 --> 0:44:18.879
<v Speaker 4>people we don't, but we're going to try to find

0:44:18.960 --> 0:44:21.200
<v Speaker 4>We're going to try to do something maybe at Writer's house.

0:44:22.440 --> 0:44:24.440
<v Speaker 4>I think probably the easiest way to plan it and

0:44:24.520 --> 0:44:26.160
<v Speaker 4>giving everybody enough time is like to send out a

0:44:26.200 --> 0:44:27.719
<v Speaker 4>save the date and do it sometime at the early

0:44:28.000 --> 0:44:31.279
<v Speaker 4>part of next year, so we will be in touch

0:44:31.320 --> 0:44:34.160
<v Speaker 4>with you and it'll be a big Pleas.

0:44:35.800 --> 0:44:39.719
<v Speaker 6>For inviting me into the family. Thank you are you

0:44:39.800 --> 0:44:41.759
<v Speaker 6>guys all with Greg. So happy to be here and

0:44:41.800 --> 0:44:42.920
<v Speaker 6>thanks so much for having me.

0:44:43.320 --> 0:44:46.000
<v Speaker 4>So good to see you just see so hopefully bye

0:44:46.040 --> 0:44:49.680
<v Speaker 4>bye bye bye. Well that was fun and it was

0:44:49.760 --> 0:44:52.040
<v Speaker 4>fun to have a mister Tony Quinn pop in and

0:44:52.760 --> 0:44:55.080
<v Speaker 4>do a little surprise did you guys? Did you guys?

0:44:55.200 --> 0:44:57.400
<v Speaker 4>Like all the Back to the Future talk, I'd.

0:44:57.280 --> 0:44:57.759
<v Speaker 2>Never heard the.

0:44:59.280 --> 0:45:02.239
<v Speaker 3>Horrible and I want to them with the cranes like

0:45:02.280 --> 0:45:04.000
<v Speaker 3>I knew that that's till I did it. Like I've

0:45:04.040 --> 0:45:05.960
<v Speaker 3>definitely seen some behind the scenes footage, but I never

0:45:06.040 --> 0:45:09.160
<v Speaker 3>heard the injury story. That's that's a bummer.

0:45:09.239 --> 0:45:09.359
<v Speaker 2>Man.

0:45:09.600 --> 0:45:11.080
<v Speaker 1>I want to be on a set like that once

0:45:11.120 --> 0:45:12.880
<v Speaker 1>in my life. I don't need lines. I will be

0:45:13.040 --> 0:45:15.879
<v Speaker 1>a background. Just a huge, huge movie like a star

0:45:16.640 --> 0:45:18.279
<v Speaker 1>back to the Future where you're on you know the

0:45:18.400 --> 0:45:22.359
<v Speaker 1>best Now it's just like it was just a bunch

0:45:22.400 --> 0:45:25.600
<v Speaker 1>of Tom Cruise movie and then it's all practical. Oh man,

0:45:25.680 --> 0:45:27.640
<v Speaker 1>I would do that in two seconds. I would hold

0:45:27.719 --> 0:45:30.560
<v Speaker 1>his motorcycle and just to be here, you go, mister Cruz.

0:45:30.600 --> 0:45:33.319
<v Speaker 1>That's all I need to do that a big movie star.

0:45:33.880 --> 0:45:36.279
<v Speaker 3>Like, Yeah, I've always wanted to be on the you know,

0:45:36.320 --> 0:45:38.680
<v Speaker 3>I I think I told you guys that I was

0:45:38.760 --> 0:45:42.280
<v Speaker 3>really close to getting apart and hook like the movie

0:45:42.520 --> 0:45:44.239
<v Speaker 3>because they built a whole pirate ship.

0:45:44.400 --> 0:45:46.200
<v Speaker 2>Yeah, and it was like they took over the stage.

0:45:46.280 --> 0:45:46.400
<v Speaker 1>You know.

0:45:46.440 --> 0:45:47.840
<v Speaker 3>It's like back in the day when they would just

0:45:48.160 --> 0:45:53.520
<v Speaker 3>build everything. Oh my god, and like I never got

0:45:53.600 --> 0:45:55.799
<v Speaker 3>to do that, you know. But also like I love

0:45:55.880 --> 0:45:58.279
<v Speaker 3>how she's like we were shooting for two months. It's like, yeah,

0:45:58.360 --> 0:46:01.080
<v Speaker 3>on those big things, especially back in the day, you

0:46:01.120 --> 0:46:03.800
<v Speaker 3>would spend like all day on one eighth of the page,

0:46:03.920 --> 0:46:05.520
<v Speaker 3>like one eighth of a page in the script, and

0:46:05.640 --> 0:46:08.759
<v Speaker 3>you are just getting so much coverage and everything takes

0:46:08.840 --> 0:46:12.320
<v Speaker 3>so much preparation and like that it must be exhausting

0:46:12.400 --> 0:46:13.000
<v Speaker 3>in its own way.

0:46:13.280 --> 0:46:16.279
<v Speaker 1>Do you know the original time Machine was a refrigerator. Yeah,

0:46:16.440 --> 0:46:19.720
<v Speaker 1>in the original draft that talk about change. You're breaking

0:46:19.960 --> 0:46:21.880
<v Speaker 1>in the break into three rather than like getting to

0:46:22.000 --> 0:46:24.080
<v Speaker 1>the they had to like break into a.

0:46:25.960 --> 0:46:28.160
<v Speaker 2>A nuclear power plant.

0:46:28.760 --> 0:46:29.080
<v Speaker 1>They didn't.

0:46:29.200 --> 0:46:31.239
<v Speaker 3>They didn't come up with a giggawatts thing until later,

0:46:31.880 --> 0:46:33.480
<v Speaker 3>but yeah, so originally it was like them just the

0:46:33.560 --> 0:46:35.760
<v Speaker 3>whole third act was then breaking into a power plant

0:46:35.800 --> 0:46:37.480
<v Speaker 3>to like get material.

0:46:37.800 --> 0:46:40.880
<v Speaker 1>The first Back to the Future is perfect, It's a

0:46:40.920 --> 0:46:44.640
<v Speaker 1>perfect script. It's perfect as a film. There's nothing wrong

0:46:44.719 --> 0:46:46.040
<v Speaker 1>with it. It's so amazing.

0:46:46.239 --> 0:46:47.080
<v Speaker 2>I teach it. I teach it.

0:46:47.120 --> 0:46:49.160
<v Speaker 3>It's like my fourth lectures back to the Future. It's

0:46:49.440 --> 0:46:54.520
<v Speaker 3>it's like, it's like so fundamental screenwriting. Every single you know,

0:46:54.680 --> 0:46:56.759
<v Speaker 3>talk about set up and pay off, every single line

0:46:56.800 --> 0:46:58.920
<v Speaker 3>of dialogue, every single shot pays.

0:46:58.719 --> 0:46:59.279
<v Speaker 2>Off, pays off.

0:46:59.560 --> 0:47:02.640
<v Speaker 3>I mean, it's echo. It's like, yeah, it's the platonic

0:47:02.680 --> 0:47:04.360
<v Speaker 3>ideal of set up and pay off. It's just me,

0:47:04.719 --> 0:47:08.040
<v Speaker 3>Oh god, it's such a good movie. Yeah, okay, Well, thank.

0:47:07.920 --> 0:47:09.680
<v Speaker 4>You all for joining us for this episode of Pod

0:47:09.719 --> 0:47:11.840
<v Speaker 4>Meets World. As always, you can follow us on Instagram

0:47:11.920 --> 0:47:14.080
<v Speaker 4>pod meets World Show. You can send us your emails

0:47:14.120 --> 0:47:17.719
<v Speaker 4>pod meets World Show at gmail dot com. As we mentioned,

0:47:18.000 --> 0:47:20.840
<v Speaker 4>Tony Quinn will be joining us in Kansas City on

0:47:21.160 --> 0:47:23.279
<v Speaker 4>August sixth, and uh.

0:47:23.400 --> 0:47:26.880
<v Speaker 2>As always, we have merch. You built a time machine

0:47:27.680 --> 0:47:31.839
<v Speaker 2>out of merch. Pod Metsworldshow dot com.

0:47:32.520 --> 0:47:36.160
<v Speaker 4>We'll see y'all next time. We love you all, pod dismissed.

0:47:38.080 --> 0:47:41.040
<v Speaker 4>Pod Meets World is an iHeart podcast produced and hosted

0:47:41.080 --> 0:47:45.200
<v Speaker 4>by Danielle Fischel, Wilfredell and Writer Strong. Executive producers Jensen

0:47:45.280 --> 0:47:48.960
<v Speaker 4>Karp and Amy Sugarman, Executive in charge of production, Danielle Romo,

0:47:49.120 --> 0:47:53.759
<v Speaker 4>producer and editor, Tara Sudbachs producer, Jackie Rodriguez, engineer and

0:47:53.880 --> 0:47:57.080
<v Speaker 4>Boy Meets World superfan Easton Allen. Our theme song is

0:47:57.160 --> 0:47:59.719
<v Speaker 4>by Kyle Morton of Typhoon. You can follow us on

0:47:59.760 --> 0:48:03.200
<v Speaker 4>intra at Podmeets World Show or email us at Podmeets

0:48:03.200 --> 0:48:04.719
<v Speaker 4>Worldshow at gmail dot com