WEBVTT - Civic Cipher 111222 Civic Cipher Sits Down With Big Boy (Part 1)

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<v Speaker 1>Welcome to another episode of Civic Sipheri Army host rams

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<v Speaker 1>Is Jah, and we have a special show for you today.

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<v Speaker 1>If you've been paying attention to our show or paying

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<v Speaker 1>attention to the media, our humble show has had some

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<v Speaker 1>national and international light shone upon it, and obviously there's

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<v Speaker 1>a lot of stories in the media that you can

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<v Speaker 1>check out Feel Free, and obviously we need to talk

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<v Speaker 1>about that on this show exactly what it means.

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<v Speaker 2>And you know, our future.

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<v Speaker 1>As a show, because there's a lot more momentum in

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<v Speaker 1>this space for us right now, and we're really excited

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<v Speaker 1>about that. We're really excited about all the changes that

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<v Speaker 1>we can help make in this country, the conversations that

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<v Speaker 1>we can start and help people have in their homes,

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<v Speaker 1>et cetera. But that is still something that we have

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<v Speaker 1>to wait on, those conversations that we would love to

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<v Speaker 1>have with you. So in the meantime, there's a couple

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<v Speaker 1>of things that we wanted to share with you, not

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<v Speaker 1>the least of which is sort of a conversation that

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<v Speaker 1>started this whole thing. You and I were fortunate enough

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<v Speaker 1>to go to La and sit down with our mentor

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<v Speaker 1>Big Boy, a legendary broadcaster in the hip hop space

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<v Speaker 1>if you're not familiar, and.

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<v Speaker 2>He gave us a great interview after and.

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<v Speaker 1>So i'd love to share that with you today just

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<v Speaker 1>to kind of bring you up to speed if you

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<v Speaker 1>haven't been paying attention to the media and if you

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<v Speaker 1>have been, to kind of give you a bit of

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<v Speaker 1>an origin story of the show and some of the

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<v Speaker 1>current things that are happening in this space. And also

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<v Speaker 1>we were fortunate enough to speak with one Isaac Hayes,

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<v Speaker 1>the third you know, owner a fan base, and so

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<v Speaker 1>the second half of the show, we're going to shine

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<v Speaker 1>some light on black business, supporting black business, kind of

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<v Speaker 1>black people's.

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<v Speaker 3>Influence over the culture, the popular culture, and how social

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<v Speaker 3>media affects our ability to communicate, our ability to make money,

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<v Speaker 3>some areas that require improvement.

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<v Speaker 2>Et cetera. So we'd love for you to stick around

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<v Speaker 2>for most of those conversations.

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<v Speaker 1>You feel like you're both very important, And of course

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<v Speaker 1>we are going to be back with more citys Cipher

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<v Speaker 1>very soon, but this is the space that we're in

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<v Speaker 1>right now. And yeah, yeah, we hope you enjoy it.

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<v Speaker 1>So I'll be back after we talked to a big boy,

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<v Speaker 1>So enjoy.

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<v Speaker 2>Big Boys neighborhood. Beautiful then the neighborhood ladies and gentlemen.

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<v Speaker 4>Sometimes, Man, you come across some things, you come across

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<v Speaker 4>some beautiful people. And for those that do know, then

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<v Speaker 4>you know. And for those that don't, I would love

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<v Speaker 4>to make this introduction as well. Now, first off, Ramses,

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<v Speaker 4>I've met you years ago. You didn't need anything from me.

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<v Speaker 4>I didn't need anything from you. You were just a

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<v Speaker 4>solid brother that I met years ago, man. And I

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<v Speaker 4>love the way that you know characters, what's being said

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<v Speaker 4>about you when you're not in the room, and people

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<v Speaker 4>speak so well about your character. So now that I'll

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<v Speaker 4>see you moving forward, and I'll see you never stop

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<v Speaker 4>your hustle, never stop your grind. You got fifty thousand

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<v Speaker 4>things that you're doing in fort ninety nine of them

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<v Speaker 4>nine hundred nine and nine you're doing very well. I

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<v Speaker 4>don't know what that one is, but welcome to the neighborhood, Rams,

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<v Speaker 4>I appreciate it all right. And this ISQ War and

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<v Speaker 4>together we are Cipher. What is Civic Cipher?

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<v Speaker 1>Civic Cipher is a radio show and a podcast that

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<v Speaker 1>was born out of the protests of twenty twenty. Basically,

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<v Speaker 1>what happened was you know, we're both DJs. We both

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<v Speaker 1>were working radio men Q where we were at our

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<v Speaker 1>old radio station in Phoenix, Arizona. We you know, in

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<v Speaker 1>twenty twenty, we were out protesting. We felt like the

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<v Speaker 1>leadership on the streets really deserved more than just bullhorns,

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<v Speaker 1>and in order to challenge the narrative of what was

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<v Speaker 1>being sort of chronicled on television stations and other media

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<v Speaker 1>outlets to get let folks say their piece in terms

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<v Speaker 1>of explaining defund the police means or why people are

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<v Speaker 1>upset about Breonna Taylor or you know these sorts of things.

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<v Speaker 1>We felt like, okay, well, we work in media, we

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<v Speaker 1>work in hip hop media. This is you know, black

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<v Speaker 1>culture being consumed. You know, in a city where it's

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<v Speaker 1>black and brown mostly consuming this culture, we need to

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<v Speaker 1>be able to say our piece as well. And basically

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<v Speaker 1>we went to our station program director and asked to

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<v Speaker 1>set aside thirty minutes per week in the middle of

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<v Speaker 1>the night where there's no money involved, and just let

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<v Speaker 1>the leadership on the streets.

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<v Speaker 2>Why did you feel like that was important to you guys?

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<v Speaker 1>Well, you know, there was no voice, there was just

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<v Speaker 1>people on the street. It was a huge crowds, right,

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<v Speaker 1>but no way to reach the city people that weren't

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<v Speaker 1>able to come out people and you know, bullhorns only

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<v Speaker 1>go so far.

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<v Speaker 2>So some people weren't getting the message.

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<v Speaker 1>So it was up to us to try to make

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<v Speaker 1>that different and make that space.

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<v Speaker 4>So in such a real time bro at twenty twenty,

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<v Speaker 4>it looked like things were just crazy. You know, we

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<v Speaker 4>had a pandemic, something that we've never seen before. We're

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<v Speaker 4>watching people die in front of us, you know what

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<v Speaker 4>I'm saying on TV repeatedly watching footage. And so when

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<v Speaker 4>you do, like some people also qward where some people

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<v Speaker 4>say you know what, man, I'll do what I do

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<v Speaker 4>on the mic, sometimes they don't go a little further,

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<v Speaker 4>or they just wait for the next leader.

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<v Speaker 2>Like you can have a plan, you can.

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<v Speaker 4>Have you can feel like you're like, man, this is

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<v Speaker 4>really horrible, But then we wait for the next person.

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<v Speaker 2>You guys didn't wait, do you know what I'm saying.

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<v Speaker 5>Sometimes you feel like you need permission, right, you need

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<v Speaker 5>somebody to tell you it's okay to be dynamic or

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<v Speaker 5>to step out in front of it. And like you said,

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<v Speaker 5>when you got the bullhorn on the street, a few

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<v Speaker 5>hundred people can hear you, but you turn on the

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<v Speaker 5>news and they're calling protesters looters and right right, the

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<v Speaker 5>narrative is different and those people can't speak their part.

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<v Speaker 5>So that's why the conversation with the station was, look,

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<v Speaker 5>we are profiting off of black culture. People from that

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<v Speaker 5>culture should have a voice and be able to say

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<v Speaker 5>something about what they're dealing with out on the streets.

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<v Speaker 5>And since we're out there and we see it, we

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<v Speaker 5>felt like we could lend that voice to the people

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<v Speaker 5>that were marching next to us, Black, white, Hispanic, Asian

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<v Speaker 5>and otherwise.

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<v Speaker 4>But you see now and you fast forward to twenty

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<v Speaker 4>twenty two, almost going into twenty twenty three, you know,

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<v Speaker 4>a lot of the bullhorns, the batteries done died in them.

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<v Speaker 4>You know, we've seen the signs that were held up.

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<v Speaker 4>Those are somewhere in the garage. It was like, you know,

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<v Speaker 4>there was a reason, but it was also a season.

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<v Speaker 4>You guys went past the season, sure, you know, so

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<v Speaker 4>why is it important to continue what you do? Well?

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<v Speaker 1>You know, in the spirit of I want to shout

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<v Speaker 1>out doctor Camilla Westenberg, She's my college mentor. In the

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<v Speaker 1>spirit of the Panthers, in the spirit of doctor King

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<v Speaker 1>and the spirit of Malcolm X, and the spirit of

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<v Speaker 1>you know, Marcus Garvey, and the spirit of you know,

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<v Speaker 1>Stokely Carmichael, all these names that we grew up learning

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<v Speaker 1>about James Baldwin.

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<v Speaker 2>It comes to mind. We realized that this is a

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<v Speaker 2>long fight.

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<v Speaker 1>This isn't something that we can just get out there

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<v Speaker 1>for a couple of years, say a couple of names,

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<v Speaker 1>and it's over. You know, we have to stand on

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<v Speaker 1>the legacy and the history of our leaders before us,

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<v Speaker 1>and nobody was doing what we were doing what we're

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<v Speaker 1>doing now in the space that we're doing it. In

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<v Speaker 1>other words, we're more than just rappers and singers and dancers.

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<v Speaker 1>We are thinkers, we're leaders. We are people that love

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<v Speaker 1>our children, We love our families, we love our communities.

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<v Speaker 1>We want our communities to be strengthened. You know, I'm

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<v Speaker 1>born in California, you know, I grew up around all

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<v Speaker 1>different types of people, and you know, doing radio and Arizona,

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<v Speaker 1>it it whittles it down just a bit. So it's

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<v Speaker 1>just really black and Latino out there in terms of minorities,

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<v Speaker 1>and we're all we got in terms of marginalized folks.

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<v Speaker 1>And so again, seeing that unity in the streets, being

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<v Speaker 1>able to kind of capture that moment and project it

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<v Speaker 1>into the future and really have a place where if

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<v Speaker 1>something else happens, folks can come and say their piece,

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<v Speaker 1>We'll hold the space for you, will hold a microphone

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<v Speaker 1>for you can come and talk. And where do we

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<v Speaker 1>find Civic Cipher Now you can find Civic Cipher at

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<v Speaker 1>civiccipher dot com. Yes, sir, you know, we've also partnered

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<v Speaker 1>with iHeartMedia and that's another thing that I'd love to

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<v Speaker 1>talk about. But we are found on thirty stations around

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<v Speaker 1>the country. Hopefully we'll be able to talk to mister

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<v Speaker 1>Winter and talk about getting presence here in La very soon.

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<v Speaker 1>But yeah, the show was growing when the process of

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<v Speaker 1>negotiating an additional effectively doubling our footprint in terms of

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<v Speaker 1>stations around the country. So hopefully by the beginning of

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<v Speaker 1>next year we'll have that situated.

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<v Speaker 2>But how did the relationship to you? How did the

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<v Speaker 2>relationship start?

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<v Speaker 5>So it started, of course out of djaying, But that

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<v Speaker 5>was something that Ramsey saw that I didn't. I had

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<v Speaker 5>just moved back to Phoenix from Detroit and was looking

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<v Speaker 5>for something to do career wise, and rams had met

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<v Speaker 5>me when I was working for mo at Hennessy. The

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<v Speaker 5>radio station would cover our advertising, and Ramses wrote a

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<v Speaker 5>letter to LV and Mah just about the type of

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<v Speaker 5>professional I was.

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<v Speaker 2>And when I saw the letter, my boss forwarded to me.

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<v Speaker 5>Rams and I had just met and crossing we didn't

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<v Speaker 5>have a personal relationship. When I saw that, he put

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<v Speaker 5>pen to paper to vouch for me to this French company,

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<v Speaker 5>you know, thousands of miles away.

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<v Speaker 2>And they were so impressed by that.

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<v Speaker 5>The next time I saw him, I had to make

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<v Speaker 5>sure I didn't just shake his hand, but that I

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<v Speaker 5>put my arms around him and let him know how

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<v Speaker 5>far that went. And I then moved to Spain, moved

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<v Speaker 5>to Toronto, and when I got back to Phoenix, the

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<v Speaker 5>first person I reached out to was Ramses and he

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<v Speaker 5>was like, man, you might want to try these turntables

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<v Speaker 5>out barely was a ridiculous idea, but before never, never,

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<v Speaker 5>I had never even thought about it or considered it

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<v Speaker 5>really And Ramsey said, look, I.

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<v Speaker 2>Would have hated to have been at the club when

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<v Speaker 2>you were first starting story.

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<v Speaker 5>He left me hanging when I first started really him

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<v Speaker 5>in the water bro swim. His thing was buy some

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<v Speaker 5>turntables and I'll teach you how to DJ. He wanted

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<v Speaker 5>me to make that first investment. He could have just

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<v Speaker 5>gave me some terms that he had plenty, but he

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<v Speaker 5>wanted me to make that investment to know I was serious,

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<v Speaker 5>inviting me to the club for the first time, told

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<v Speaker 5>me he had to go to the bathroom.

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<v Speaker 2>Oh no, stayed going to the bathroom for thirty minutes.

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<v Speaker 4>Yeah, I remember. That's when his bowels were bad. Every

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<v Speaker 4>time I talk to me like, yeah, come in the restroom.

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<v Speaker 4>But you saw something in him, possibly that at the moment.

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<v Speaker 4>No matter how much shine them, no matter how much

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<v Speaker 4>we you know, know our self worth, sometimes someone else

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<v Speaker 4>will see something else in you, sir. You know what

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<v Speaker 4>I'm saying. You saw that in QO. I heard that

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<v Speaker 4>and didn't suppress it. No, no, no, It Isn't it

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<v Speaker 4>crazy how some people like you'll get folks that say, okay,

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<v Speaker 4>well you know, Lebron James, shut up and dribble, you know,

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<v Speaker 4>and then it could just be spending the record.

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<v Speaker 2>Don't say nothing, you know.

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<v Speaker 4>So sometimes man, we don't understand how powerful this microphone

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<v Speaker 4>is exactly, and how powerful this voice is, and what

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<v Speaker 4>you do with this microphone and with the voice. Yes, sir,

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<v Speaker 4>all of us can bring in the next Drake record,

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<v Speaker 4>you know what I'm saying, But it's what we do

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<v Speaker 4>between those records and what we do aside those records.

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<v Speaker 4>So when you do see certain things happen in our community, bro,

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<v Speaker 4>people not that they expect us to say something, but

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<v Speaker 4>we should expect us, me, you to say something, you know.

0:11:14.040 --> 0:11:17.640
<v Speaker 4>And we went through well not even just twenty twenty. Bro,

0:11:18.200 --> 0:11:20.520
<v Speaker 4>when you sit here, you go down that list. It's

0:11:20.559 --> 0:11:23.800
<v Speaker 4>been a fight for a long time, and there's absolutely

0:11:23.840 --> 0:11:26.960
<v Speaker 4>no time to give it up, no matter how many decades,

0:11:27.040 --> 0:11:29.320
<v Speaker 4>no matter if it's a century, whatever it is, because

0:11:29.360 --> 0:11:34.400
<v Speaker 4>those problems still exist today exactly. And we do need

0:11:34.440 --> 0:11:37.720
<v Speaker 4>the entertainment, we do need everything that we're playing, but

0:11:37.800 --> 0:11:41.160
<v Speaker 4>we also need a balance. And what happens today, man,

0:11:41.559 --> 0:11:46.640
<v Speaker 4>is we don't have a lot of the leaders, and

0:11:46.679 --> 0:11:49.360
<v Speaker 4>then when we do have the leaders, they don't get

0:11:49.400 --> 0:11:52.640
<v Speaker 4>the platform, you know. So that's why we got to

0:11:52.679 --> 0:11:56.199
<v Speaker 4>continue to make sure that our voices are used and

0:11:56.240 --> 0:11:59.320
<v Speaker 4>we take care of our platform. And our platform also

0:11:59.400 --> 0:12:02.359
<v Speaker 4>tells people going on, we're right here, we're in primaries,

0:12:02.360 --> 0:12:05.160
<v Speaker 4>we're voting with it, and sometimes, man, we don't get

0:12:05.160 --> 0:12:08.760
<v Speaker 4>the message unless the message comes from us. So continue

0:12:08.800 --> 0:12:11.040
<v Speaker 4>doing the message, man, continue getting that out there.

0:12:11.080 --> 0:12:13.320
<v Speaker 5>Speaking of platforms, he pushed me in the water with

0:12:13.400 --> 0:12:16.000
<v Speaker 5>this too big really so when he went to the

0:12:16.040 --> 0:12:18.160
<v Speaker 5>station about us doing a show to give our people

0:12:18.160 --> 0:12:21.280
<v Speaker 5>a voice, you'd never believe what our hip hop station

0:12:21.440 --> 0:12:25.280
<v Speaker 5>said to us. Sorry, Ramses, we don't want to do

0:12:25.320 --> 0:12:27.800
<v Speaker 5>a black show the hip hop station.

0:12:27.920 --> 0:12:29.800
<v Speaker 2>The hip hop station, y'are not no longer there though

0:12:29.880 --> 0:12:30.880
<v Speaker 2>right now we can kill it.

0:12:30.920 --> 0:12:32.480
<v Speaker 5>They could have said we don't want to do a

0:12:32.480 --> 0:12:34.360
<v Speaker 5>political show. They could have said we don't want to

0:12:34.360 --> 0:12:36.640
<v Speaker 5>do a polarizing show. They said we don't want to

0:12:36.640 --> 0:12:39.120
<v Speaker 5>do a black show. And Ramses was in this meeting

0:12:39.120 --> 0:12:42.640
<v Speaker 5>by himself. I wasn't present. Ramses resigned for both of

0:12:42.720 --> 0:12:45.480
<v Speaker 5>us that day, damn, and he knew that I was

0:12:45.559 --> 0:12:47.800
<v Speaker 5>staying with him, wrote a resignation letter to the city

0:12:47.800 --> 0:12:48.319
<v Speaker 5>of Phoenix.

0:12:48.960 --> 0:12:51.040
<v Speaker 2>And we couldn't look at our sons rafter.

0:12:51.080 --> 0:12:52.600
<v Speaker 5>These people then told us we don't want to do

0:12:52.640 --> 0:12:55.880
<v Speaker 5>a black show on the hip hop station to the

0:12:55.880 --> 0:12:58.359
<v Speaker 5>only black on air talent in Phoenix.

0:12:58.040 --> 0:13:01.160
<v Speaker 4>And who you're speaking with as well, who you're speaking too,

0:13:01.840 --> 0:13:04.720
<v Speaker 4>which is crazy. And we've seen this so called genre

0:13:04.840 --> 0:13:07.800
<v Speaker 4>and we've seen our lifestyle. Man, it plays all the

0:13:07.800 --> 0:13:11.360
<v Speaker 4>way across and they said that to you in the room,

0:13:11.600 --> 0:13:12.320
<v Speaker 4>and you resign.

0:13:13.080 --> 0:13:14.719
<v Speaker 1>Yeah, I wrote, and like you said, I wrote the

0:13:14.800 --> 0:13:17.679
<v Speaker 1>letter to the city of Phoenix, and then that letter

0:13:17.840 --> 0:13:19.840
<v Speaker 1>ended up getting shared and shared and shared. So it

0:13:19.880 --> 0:13:22.920
<v Speaker 1>made the radio trades and that's how a lot of

0:13:23.080 --> 0:13:25.319
<v Speaker 1>radio folks ended up reaching out. My first station was

0:13:25.400 --> 0:13:28.800
<v Speaker 1>kk FAR and Phoenix, so shout out to DJ Complex

0:13:28.840 --> 0:13:32.440
<v Speaker 1>Ben Romero. But then other stations around the country reached out.

0:13:33.000 --> 0:13:35.280
<v Speaker 1>We got on in Tucson. That was our first connection

0:13:35.320 --> 0:13:37.760
<v Speaker 1>with iHeart, so shout out Steve earn Hart, and then

0:13:38.120 --> 0:13:39.040
<v Speaker 1>you know, the rest of the country.

0:13:39.080 --> 0:13:41.320
<v Speaker 4>You did a different battle, you know how sometimes you

0:13:41.320 --> 0:13:44.400
<v Speaker 4>got to push some things uphill because it's not you know,

0:13:44.679 --> 0:13:47.880
<v Speaker 4>it's not you know, it's not fun. It's not and

0:13:47.920 --> 0:13:50.880
<v Speaker 4>it's not yet it's a whole different thing as opposed

0:13:50.920 --> 0:13:52.360
<v Speaker 4>to you know, I want to do the shoot them

0:13:52.440 --> 0:13:52.800
<v Speaker 4>up hours.

0:13:52.880 --> 0:13:55.800
<v Speaker 1>So this is this is another another thing to your

0:13:55.880 --> 0:13:57.319
<v Speaker 1>point about the platforms.

0:13:57.360 --> 0:14:00.400
<v Speaker 2>So we did. Uh.

0:13:59.840 --> 0:14:04.200
<v Speaker 1>A gentleman named Tony Coles reached out from iHeart too,

0:14:04.600 --> 0:14:07.760
<v Speaker 1>the CEO level stuff, you know, and he heard about

0:14:07.800 --> 0:14:09.199
<v Speaker 1>what we were doing. He's like, Hey, we got to

0:14:09.240 --> 0:14:12.040
<v Speaker 1>partner on some stuff, but I would like you to

0:14:12.080 --> 0:14:16.440
<v Speaker 1>do some other things with iheartwo Enter the Black Information Network.

0:14:16.559 --> 0:14:19.560
<v Speaker 1>So I've been working with them for the better part

0:14:19.600 --> 0:14:22.520
<v Speaker 1>of a year on a daily podcast for the Black

0:14:22.520 --> 0:14:26.040
<v Speaker 1>Information Network where I interview folks from Roland Martin, you know,

0:14:26.120 --> 0:14:28.880
<v Speaker 1>and it firmly it gives me some credibility with.

0:14:28.800 --> 0:14:30.560
<v Speaker 2>Respect to civic sipher the radio show.

0:14:30.560 --> 0:14:33.160
<v Speaker 1>But it also kind of helps me to network and

0:14:33.240 --> 0:14:37.160
<v Speaker 1>expand and then off and diversify what it is I

0:14:37.160 --> 0:14:38.840
<v Speaker 1>can bring to the table on the radio.

0:14:39.000 --> 0:14:40.000
<v Speaker 2>In the hip hop space.

0:14:40.960 --> 0:14:45.600
<v Speaker 1>In terms of platforms Q has acquired within the same timeframe,

0:14:45.640 --> 0:14:48.360
<v Speaker 1>I believe the imprint the media imprint hip Hop Weekly,

0:14:48.400 --> 0:14:50.600
<v Speaker 1>so hip Hop weekly magazine that you're familiar with now

0:14:50.640 --> 0:14:53.120
<v Speaker 1>he owns that. So in terms of like procuring our

0:14:53.120 --> 0:14:55.320
<v Speaker 1>platforms and making sure that we have the stages so

0:14:55.360 --> 0:14:57.760
<v Speaker 1>we can tell our stories now our voices, I want

0:14:57.760 --> 0:14:58.400
<v Speaker 1>to speak for you.

0:14:58.960 --> 0:15:00.640
<v Speaker 2>So so talk to me about here. Pop Weekly.

0:15:01.160 --> 0:15:04.560
<v Speaker 5>So the magazine had laid a bit dormant in my opinion. Oh,

0:15:04.560 --> 0:15:07.440
<v Speaker 5>they never went away, but they stopped print and they

0:15:07.480 --> 0:15:10.600
<v Speaker 5>stopped running original content. It's just a bunch of shared content,

0:15:10.680 --> 0:15:14.600
<v Speaker 5>and we knew that that imprint. People know the imprint.

0:15:14.360 --> 0:15:15.400
<v Speaker 2>And it means something to us.

0:15:15.480 --> 0:15:17.880
<v Speaker 5>Yes, So being able to, like you said, and like

0:15:17.960 --> 0:15:20.640
<v Speaker 5>Ram just said, give our people a platform. You know,

0:15:20.680 --> 0:15:24.600
<v Speaker 5>I can employ writers, journalists, freelancers that want to share stories,

0:15:24.600 --> 0:15:26.280
<v Speaker 5>that want to develop their craft, and that want to

0:15:26.280 --> 0:15:29.560
<v Speaker 5>put something credible on their resume. In the journalism space

0:15:29.600 --> 0:15:32.240
<v Speaker 5>and the photography space, and in the music creation space.

0:15:32.520 --> 0:15:35.280
<v Speaker 5>Being able to take new artists and blast their music

0:15:35.360 --> 0:15:38.160
<v Speaker 5>off to millions of people that maybe otherwise wouldn't have

0:15:38.240 --> 0:15:38.520
<v Speaker 5>heard it.

0:15:38.880 --> 0:15:40.360
<v Speaker 2>I wanted us to be able.

0:15:40.120 --> 0:15:43.800
<v Speaker 5>To have some control over our own voices and how

0:15:43.880 --> 0:15:44.680
<v Speaker 5>far they could reach.

0:15:44.960 --> 0:15:48.040
<v Speaker 4>And how is hip hop weekly now? Is it still

0:15:48.120 --> 0:15:49.400
<v Speaker 4>print or is it more so?

0:15:49.720 --> 0:15:50.720
<v Speaker 2>It's more digital now.

0:15:51.200 --> 0:15:54.360
<v Speaker 5>And we were considering going back to print because some

0:15:54.400 --> 0:15:58.080
<v Speaker 5>of our brothers and sisters who are away, that's how

0:15:58.120 --> 0:15:59.920
<v Speaker 5>they keep in touch with the world and with the culture.

0:16:00.080 --> 0:16:02.160
<v Speaker 5>So we have a you know, we had you know,

0:16:02.320 --> 0:16:07.520
<v Speaker 5>several tens of thousands of subscriptions that just stopped being filled.

0:16:07.520 --> 0:16:09.800
<v Speaker 5>So those people don't have that bridge that they used

0:16:09.840 --> 0:16:12.000
<v Speaker 5>to have. So we're looking at making sure our brothers

0:16:12.000 --> 0:16:14.480
<v Speaker 5>and sisters that are down get some light get some

0:16:14.520 --> 0:16:17.680
<v Speaker 5>inspiration and get some information, and then just rejuvenating the

0:16:17.720 --> 0:16:20.200
<v Speaker 5>digital space as well, from the website to social media

0:16:20.920 --> 0:16:23.840
<v Speaker 5>to those people that follow Hip Hop Weekly magazine. We

0:16:23.960 --> 0:16:27.440
<v Speaker 5>got some fresh new content coming for you, some fresh

0:16:27.480 --> 0:16:29.960
<v Speaker 5>new voices, a bunch of young creators that want to

0:16:29.960 --> 0:16:30.520
<v Speaker 5>get involved.

0:16:30.520 --> 0:16:31.960
<v Speaker 2>So it's something that's really exciting.

0:16:32.040 --> 0:16:34.800
<v Speaker 4>And man, with so many voices being heard and now,

0:16:35.400 --> 0:16:37.720
<v Speaker 4>at one point it was okay, you got something from radio,

0:16:37.880 --> 0:16:40.000
<v Speaker 4>you got something from television. There was you know, back

0:16:40.080 --> 0:16:42.520
<v Speaker 4>in the days, it was a few news outlet, you

0:16:42.600 --> 0:16:46.320
<v Speaker 4>had newspapers. Now with this device, everybody has a voice,

0:16:46.440 --> 0:16:51.160
<v Speaker 4>rightfully so, but that voice also means that everybody has

0:16:51.200 --> 0:16:54.080
<v Speaker 4>something to say, and sometimes people are saying bullshit. Yes,

0:16:54.480 --> 0:16:58.040
<v Speaker 4>and you get that when you do have a voice,

0:16:58.200 --> 0:17:00.800
<v Speaker 4>and your voice talks to your audio, and then you

0:17:00.920 --> 0:17:05.080
<v Speaker 4>have another voice that can talk to the masses, like

0:17:05.080 --> 0:17:07.359
<v Speaker 4>a Kanye West. And when we see Kanye West with

0:17:07.920 --> 0:17:12.480
<v Speaker 4>a White Lives Matter shirt not having a conversation, I.

0:17:12.400 --> 0:17:13.720
<v Speaker 2>Still don't know what it means.

0:17:14.560 --> 0:17:16.840
<v Speaker 4>But looking at it and then watching some of the

0:17:16.840 --> 0:17:20.320
<v Speaker 4>interviews that he's done in the last couple of a

0:17:20.359 --> 0:17:22.000
<v Speaker 4>few days, he's doubled and.

0:17:22.000 --> 0:17:22.840
<v Speaker 2>Triple down on it.

0:17:23.240 --> 0:17:26.080
<v Speaker 4>We had a brief conversation about White Lives Matter, the

0:17:26.440 --> 0:17:29.440
<v Speaker 4>actual shirt, the slogan all Lives and you brought something

0:17:29.480 --> 0:17:30.480
<v Speaker 4>to my attention, y'all.

0:17:30.480 --> 0:17:32.760
<v Speaker 2>Did that blew me away right now? Yeah?

0:17:32.840 --> 0:17:38.800
<v Speaker 1>Yeah, So there's a funny story. The federal trademark for

0:17:39.320 --> 0:17:45.760
<v Speaker 1>White Lives Matter is not owned by Kanye West at present.

0:17:46.119 --> 0:17:50.480
<v Speaker 1>It is owned by Civic Cipher LLC. And Civic Cipher.

0:17:50.320 --> 0:17:54.400
<v Speaker 2>Is US me and Q. Yes, how did that happen? So? Yeah,

0:17:54.440 --> 0:17:55.280
<v Speaker 2>So let me tell you.

0:17:55.280 --> 0:18:00.480
<v Speaker 1>There's an individual who is based in Arizona that had

0:18:00.480 --> 0:18:04.919
<v Speaker 1>the foresight to procure the trademarks, the federal trademarks for

0:18:05.080 --> 0:18:08.880
<v Speaker 1>the benefit of black and brown people so that other

0:18:08.920 --> 0:18:13.159
<v Speaker 1>folks wouldn't profit off of it. And this person knows

0:18:13.240 --> 0:18:17.240
<v Speaker 1>about what you and I are doing. This person trademarked

0:18:18.320 --> 0:18:21.760
<v Speaker 1>White Lives Matter and submitted the application for All Lives

0:18:21.760 --> 0:18:23.760
<v Speaker 1>Matter as well. So we're still chasing that one up.

0:18:23.760 --> 0:18:28.240
<v Speaker 1>But White Lives Matter has come back and to excite

0:18:28.320 --> 0:18:31.879
<v Speaker 1>right right, and it has since been well it was

0:18:31.920 --> 0:18:35.360
<v Speaker 1>originally filed in that person's name has been since reassigned

0:18:35.359 --> 0:18:37.560
<v Speaker 1>to us. So actually we just got the receipt from

0:18:37.560 --> 0:18:40.760
<v Speaker 1>our lawyer today. So shout out to Morris for taking

0:18:40.760 --> 0:18:43.840
<v Speaker 1>care of that for us. But yeah, civic site for LLLLC.

0:18:43.960 --> 0:18:46.320
<v Speaker 1>So we are the holder of the federal trademark for

0:18:46.400 --> 0:18:48.840
<v Speaker 1>white lives. And what would that mean? So that means

0:18:48.880 --> 0:18:51.560
<v Speaker 1>that the only person who can profit off of it

0:18:51.680 --> 0:18:53.760
<v Speaker 1>not make shirts. Because you can make a shirt and

0:18:53.760 --> 0:18:56.600
<v Speaker 1>wear it, and that's your right as an American citizen.

0:18:56.640 --> 0:18:58.840
<v Speaker 1>But if you want to sell that shirt, you either

0:18:58.880 --> 0:19:00.439
<v Speaker 1>have to come knock on my door. You have to

0:19:00.480 --> 0:19:04.760
<v Speaker 1>face Morris, my lawyer, who is the person that helps

0:19:04.800 --> 0:19:08.040
<v Speaker 1>me protect that brand. And now that it is in

0:19:08.080 --> 0:19:14.159
<v Speaker 1>our care, we can decide how it benefits the black community,

0:19:14.520 --> 0:19:18.080
<v Speaker 1>the brown community, you know, everyone to be honest with you,

0:19:18.400 --> 0:19:20.280
<v Speaker 1>and it brings us all together. It doesn't matter if

0:19:20.280 --> 0:19:22.960
<v Speaker 1>you're in the white tribe or not. Something that benefits

0:19:23.000 --> 0:19:26.000
<v Speaker 1>all of us. But of course we like to focus

0:19:26.000 --> 0:19:27.960
<v Speaker 1>where there's the greatest need, and oftentimes we find that

0:19:28.000 --> 0:19:31.280
<v Speaker 1>in black and brown communities. So if you ever see

0:19:31.280 --> 0:19:35.000
<v Speaker 1>that shirt for sale, just know that, well I'm calling, Yeah,

0:19:35.119 --> 0:19:36.480
<v Speaker 1>call me what you want, please, please, you know what

0:19:36.480 --> 0:19:41.440
<v Speaker 1>I'm saying. Speaking of which, Speaking of which, I'll add

0:19:41.440 --> 0:19:45.359
<v Speaker 1>to it that Morris did send out I believe it

0:19:45.400 --> 0:19:47.280
<v Speaker 1>was either Morris or our other lawyer sent out cease

0:19:47.320 --> 0:19:49.040
<v Speaker 1>and desist to some of the sites that were selling

0:19:49.080 --> 0:19:49.680
<v Speaker 1>bout leg stuff.

0:19:49.680 --> 0:19:51.160
<v Speaker 2>So we sent out about twenty five c and ds.

0:19:51.840 --> 0:19:54.520
<v Speaker 1>That would have been yesterday and then today we got

0:19:54.520 --> 0:19:56.959
<v Speaker 1>the registration, the reassignment.

0:19:57.440 --> 0:20:00.359
<v Speaker 4>And also with being Black Information Network, how do we

0:20:00.400 --> 0:20:03.639
<v Speaker 4>find you there and how do we find the actual

0:20:03.760 --> 0:20:04.439
<v Speaker 4>saving cipher?

0:20:04.560 --> 0:20:04.800
<v Speaker 2>Sure?

0:20:04.840 --> 0:20:07.440
<v Speaker 1>Sure, sure so Civic cipher. You can go to civic

0:20:07.520 --> 0:20:09.880
<v Speaker 1>cipher dot com and tap in. We're at civic cipher

0:20:10.520 --> 0:20:12.119
<v Speaker 1>on all social media Civic Cipher.

0:20:12.119 --> 0:20:13.479
<v Speaker 2>We own the federal trademark for that. Man.

0:20:13.480 --> 0:20:15.920
<v Speaker 1>How often do y'all do savic Cipher It's a weekly show, okay,

0:20:16.080 --> 0:20:18.520
<v Speaker 1>so an hour week So just on your local station,

0:20:18.760 --> 0:20:22.280
<v Speaker 1>ask petition, petition your local stations to carry Civic Cipher.

0:20:22.320 --> 0:20:23.160
<v Speaker 2>Help us on our way.

0:20:23.680 --> 0:20:25.879
<v Speaker 1>For the Black Information Network Daily podcast, you can go

0:20:25.920 --> 0:20:29.600
<v Speaker 1>to iHeart dot com. I'm under all the tabs, the

0:20:29.920 --> 0:20:30.720
<v Speaker 1>podcast tabs.

0:20:30.760 --> 0:20:32.040
<v Speaker 2>If you're in the news, click news.

0:20:32.040 --> 0:20:35.880
<v Speaker 1>I'm right next to Katie Couric, my face and my approl.

0:20:36.920 --> 0:20:38.320
<v Speaker 2>I'm next to Charlotte Mae. There you go.

0:20:38.400 --> 0:20:41.000
<v Speaker 1>Thanks big, you know, and and you know we're we're

0:20:41.000 --> 0:20:43.640
<v Speaker 1>trying to do something. You know, I do believe that

0:20:43.920 --> 0:20:45.760
<v Speaker 1>love should be at the center of the narrative. Forgiveness

0:20:45.760 --> 0:20:49.360
<v Speaker 1>should be at the center of narrative. I'm not the hugest.

0:20:48.960 --> 0:20:49.480
<v Speaker 2>Fan of.

0:20:51.080 --> 0:20:53.720
<v Speaker 1>Being angry and spaces like that. I believe that healing

0:20:53.800 --> 0:20:55.879
<v Speaker 1>kind of gets us a little bit further. And you know,

0:20:55.920 --> 0:20:58.080
<v Speaker 1>both Q and I really have done our best to

0:20:59.280 --> 0:21:00.359
<v Speaker 1>have conversations.

0:21:00.400 --> 0:21:02.240
<v Speaker 2>It's starting to end on those points.

0:21:02.280 --> 0:21:05.040
<v Speaker 1>And so tap in with me, Tapping with Q at

0:21:05.080 --> 0:21:08.760
<v Speaker 1>Hip Hop Weekly, the Black Information Network of course byrnews

0:21:08.800 --> 0:21:11.520
<v Speaker 1>dot Com and Civic Cipher, where we're doing our best

0:21:11.520 --> 0:21:12.760
<v Speaker 1>to try to make the world a.

0:21:12.720 --> 0:21:15.240
<v Speaker 2>Little bit But how long have y'all been rocking in

0:21:15.280 --> 0:21:20.120
<v Speaker 2>the pretty world? Thank you? Seventeen eighteen years? Really, it's

0:21:20.119 --> 0:21:22.199
<v Speaker 2>been a while. And Q, how long you been DJing?

0:21:22.600 --> 0:21:25.360
<v Speaker 2>I started dj in twenty ten? Right? And how when

0:21:25.359 --> 0:21:27.000
<v Speaker 2>did you start DJing? Ah?

0:21:27.119 --> 0:21:27.239
<v Speaker 4>Right?

0:21:28.160 --> 0:21:30.600
<v Speaker 2>He said he started in twenty ten. He didn't say that.

0:21:30.680 --> 0:21:33.919
<v Speaker 2>He's the Phoenix Suns DJ. Oh yeah, yeahd in Phoenix

0:21:33.920 --> 0:21:36.360
<v Speaker 2>Suns DJ. Okay, were you DJing at Phoenix and four

0:21:36.440 --> 0:21:39.000
<v Speaker 2>game when dude put hands on that, Yes, sir, you

0:21:39.119 --> 0:21:40.120
<v Speaker 2>have to go to the finals.

0:21:40.520 --> 0:21:42.280
<v Speaker 5>Yeah, we had to bring my kids on the court

0:21:42.359 --> 0:21:43.880
<v Speaker 5>during the finals, but it was it was really cool

0:21:43.880 --> 0:21:47.080
<v Speaker 5>experience with the Suns for three years. Stepped away after

0:21:47.160 --> 0:21:49.800
<v Speaker 5>last season, so I'm, you know, just kind of just

0:21:49.880 --> 0:21:51.800
<v Speaker 5>in this space now, City Cipher kind of.

0:21:52.000 --> 0:21:53.560
<v Speaker 2>It's become far more important.

0:21:53.920 --> 0:21:56.240
<v Speaker 5>Like you said, the season passed for everybody to be

0:21:56.280 --> 0:21:58.879
<v Speaker 5>involved in the movement, but we have an obligation to

0:21:58.920 --> 0:22:00.520
<v Speaker 5>the people to keep doing this.

0:22:00.760 --> 0:22:02.520
<v Speaker 2>It's not something we can just sit down.

0:22:02.400 --> 0:22:04.840
<v Speaker 4>Right say we did our partner, Sir, youah fold to

0:22:04.880 --> 0:22:07.399
<v Speaker 4>sign up lead that well. Man. Thank you guys for

0:22:07.440 --> 0:22:09.600
<v Speaker 4>coming in and sharing y'all presence with me as well. Yes,

0:22:09.680 --> 0:22:11.399
<v Speaker 4>sir and rams as you know, anything you need on

0:22:11.440 --> 0:22:15.440
<v Speaker 4>my n brother, you know, sign for money, let me

0:22:15.480 --> 0:22:18.680
<v Speaker 4>know what's happening. Brother. You've always been more than one

0:22:18.760 --> 0:22:21.159
<v Speaker 4>thous while with me, bro, and so it's just a

0:22:21.200 --> 0:22:22.399
<v Speaker 4>pleasure to see see what you.

0:22:22.400 --> 0:22:22.879
<v Speaker 2>Guys are doing.

0:22:22.880 --> 0:22:24.159
<v Speaker 1>Real quick before I get out of here, Man, I'm

0:22:24.480 --> 0:22:27.199
<v Speaker 1>gonna send you the video. Man, you said you the

0:22:27.240 --> 0:22:29.840
<v Speaker 1>first time I met you in person, you recorded a

0:22:29.920 --> 0:22:31.720
<v Speaker 1>video for me. It was in Arizona in front of

0:22:31.720 --> 0:22:33.840
<v Speaker 1>a casino. Are you sitting I'm gonna texted to you

0:22:34.560 --> 0:22:36.960
<v Speaker 1>and you you did a shout out sounded just like that.

0:22:37.440 --> 0:22:37.560
<v Speaker 4>Uh.

0:22:37.760 --> 0:22:40.880
<v Speaker 1>And Man, I incorporated that shout out into every air check,

0:22:41.280 --> 0:22:42.320
<v Speaker 1>every video air check.

0:22:43.560 --> 0:22:44.960
<v Speaker 2>Yes, Man, so you are like.

0:22:46.400 --> 0:22:50.600
<v Speaker 1>This probably two thousand and eight, maybe it's crazy.

0:22:50.840 --> 0:22:53.480
<v Speaker 2>So I've been riding that wave ever since. Man. So

0:22:53.520 --> 0:22:57.080
<v Speaker 2>it's an honor to be here man's presence. Appreciate you,

0:22:57.119 --> 0:22:58.320
<v Speaker 2>always appreciate you. Man.

0:22:58.359 --> 0:23:00.520
<v Speaker 4>And like we say, man, we got to put it together.

0:23:00.760 --> 0:23:03.600
<v Speaker 4>You know what I'm saying is if mine needs you

0:23:03.640 --> 0:23:05.280
<v Speaker 4>know that information, let it be known.

0:23:05.359 --> 0:23:07.119
<v Speaker 2>I can get it out there. And the same when

0:23:07.160 --> 0:23:08.239
<v Speaker 2>I need to holler at y'all. Man.

0:23:08.280 --> 0:23:10.960
<v Speaker 4>But thank you, guys. I appreciate y'all. Man, y'all stick around,

0:23:11.000 --> 0:23:12.280
<v Speaker 4>big boys, neighborhood boy