WEBVTT - Kid Ink Interview

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<v Speaker 1>Real people, real celebrity real joined the Breakfast Morning everybody

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<v Speaker 1>is DJ Envy, Angela Ye Sholoman the guy we are

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<v Speaker 1>the Breakfast Club special guests with us today. I finally

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<v Speaker 1>made it. Yeah, he was supposed to be here yesterday.

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<v Speaker 1>Dan Puerto Rican, his label rep, had him out drinking

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<v Speaker 1>shot promoting I'm always taking to key the shots and

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<v Speaker 1>if it was sniffing cocaine, he'd have been up, That's right.

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<v Speaker 1>So had no man to be one hundred percent road

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<v Speaker 1>with you. I made a decision. You know, I was

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<v Speaker 1>out promoting my new album, you know, full Speed Februit Third.

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<v Speaker 1>Make sure these DJ's is you know, spending the right records,

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<v Speaker 1>and you know, just mean people ain't been out here

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<v Speaker 1>in a minute, and uh, you know, I'd like to

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<v Speaker 1>go to the clubs. You ain't go out with mum. No,

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<v Speaker 1>I'm playing with you. That's the thing. I was supposed

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<v Speaker 1>to have a show with Envy that night and then

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<v Speaker 1>you know, cancel. So what happened was I had to

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<v Speaker 1>find something to do, and then you know, I decided

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<v Speaker 1>I was gonna stay up for my next interview in

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<v Speaker 1>the morning, and then they canceled. That's when you do

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<v Speaker 1>the drugs. You got to stay up. But what happened

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<v Speaker 1>was my next interview cancel. So I had like four

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<v Speaker 1>hours of just sitting in the hotel like that's when

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<v Speaker 1>you passed out, and then thirty minutes before I tapped

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<v Speaker 1>out and then woke up though, and was like, I

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<v Speaker 1>think it would be better for the interview if we

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<v Speaker 1>did it the next day. Not because I'm drunk, It

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<v Speaker 1>just wasn't I wasn't witty enough. I wasn't you know.

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<v Speaker 1>I'm saying, I gotta be in my zone with y'all shot.

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<v Speaker 1>You don't be getting high and stuff like that. That's

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<v Speaker 1>how I mean. I see you tweet about like edibles

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<v Speaker 1>and stuff. Yeah it's weird, man, that's nothing. When I'm

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<v Speaker 1>in Amsterdam, I take shrooms. I'm not gonna front. I

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<v Speaker 1>always say strooms is my favorite drubs. That's what I say.

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<v Speaker 1>And you have to be in a really good mood

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<v Speaker 1>when you think good because if you're not in a

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<v Speaker 1>good mood, yeah, you have a terrible trip. I had

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<v Speaker 1>an amazing trip up. You ever had a bad one thing? Okay?

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<v Speaker 1>Because I make sure like if I have any like

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<v Speaker 1>mind about having a bad trip, No, you can't take

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<v Speaker 1>that close all the door closets and all that before

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<v Speaker 1>you do everything like I'm not going to the bathroom

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<v Speaker 1>and doing over the mirror thing and know what I'm saying.

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<v Speaker 1>It was an amazing trip. Was always here about balance.

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<v Speaker 1>My dude told me he did shrooms one time and

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<v Speaker 1>everything was like Super Mario Brothers. Yeah, the amazing trip.

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<v Speaker 1>That was just it was some crazy club. Like the

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<v Speaker 1>ceiling was all like lightstyle was just going crazy and

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<v Speaker 1>then I couldn't see nobody face. It was just it

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<v Speaker 1>was like a video game. I kept telling people. I

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<v Speaker 1>was like, I feel like I'm in a comic book.

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<v Speaker 1>Everything just moving, just fast paced. You don't even remember

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<v Speaker 1>like the last five sexons. Was just having fun for

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<v Speaker 1>a long time. I felt like I was in Alison

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<v Speaker 1>Wonderland or something. Yeah, I actually saw Alison Wonderland off strooms.

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<v Speaker 1>It was crazy amazing and I saw what did you saw?

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<v Speaker 1>I was like saw him with me. But see that's

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<v Speaker 1>the thing. I've never had nobody physically there that wasn't there. Yeah,

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<v Speaker 1>Like and I didn't see anything like crazy before and

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<v Speaker 1>nothing like that. But my friend's boyfriend turned into e

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<v Speaker 1>or while we were playing pictionary. That's a lot of

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<v Speaker 1>did you watch Money to Pool like recently? Like a lot.

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<v Speaker 1>That said a lot about her subconscious that the fact

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<v Speaker 1>that you see onny to Pool and who you hallucinate

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<v Speaker 1>she thinks about honey and all that exactly. A guy

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<v Speaker 1>with um cut off shirt and no pants. That's who

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<v Speaker 1>I wonder I can say about you, kid man. You

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<v Speaker 1>stay out of the way. Man. You get a lot

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<v Speaker 1>of radio play with It's like all about music with

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<v Speaker 1>you. You You don't never see you in the news, No duise,

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<v Speaker 1>no domestic violence, nothing crazy. Yeah, where's your girlfriend today?

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<v Speaker 1>I usually see you with her. She's uh the room

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<v Speaker 1>taking a nap now, she getting ready for the just

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<v Speaker 1>the rest of the day. And then I got the

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<v Speaker 1>flight out later, so you know over there packing us early. Man.

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<v Speaker 1>So last year you took up to Paris of Valentine's Day? Yeah,

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<v Speaker 1>so what are you doing this Valentine's You're gonna ruin it?

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<v Speaker 1>I got you gonna do buy? Yeah, I know, man,

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<v Speaker 1>what happens is I was just there. The body's cool

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<v Speaker 1>is hotter than this. But I feel like promoters always

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<v Speaker 1>helped me out. I'm always in there in a good

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<v Speaker 1>situation where I get booked on holidays or Valentine's and

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<v Speaker 1>it's just like where you going to shoot? See what

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<v Speaker 1>me call a booking agent And I can't bring the

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<v Speaker 1>wife to Brooklyn great Brow, Yes it is. There's a

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<v Speaker 1>lot of things you could do in Bern. I'll pass. Okay.

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<v Speaker 1>How have you managed to like hold on to your

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<v Speaker 1>day one because you like, you know, you're getting a

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<v Speaker 1>lot of love out here. Man, I'm sure it's a

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<v Speaker 1>lot of chicks throwing the box to you one hundred

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<v Speaker 1>miles per hour, sir boxy um, you know really, I

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<v Speaker 1>mean she's there, yeah, sometimes you know what I'm saying, Well,

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<v Speaker 1>she's not there all the time. Now, like the road stressful.

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<v Speaker 1>As soon as you're there for a week, it's just

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<v Speaker 1>like I'm time. I'm going home and do regular stuff.

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<v Speaker 1>So she'll come on the road for a week and

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<v Speaker 1>get to see, you know, what's going on, and I think,

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<v Speaker 1>you know, I have a little bit of you know,

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<v Speaker 1>she gives me some space because you know, it's a

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<v Speaker 1>stressful jobs. I can't do nothing always about the fans

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<v Speaker 1>and what people do. You know what I'm saying. You've

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<v Speaker 1>seen how people come up in running kiss people in

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<v Speaker 1>the face in the middle and like you can't really

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<v Speaker 1>do nothing about that kind of stuff sometimes, so she

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<v Speaker 1>never cut a bit. Why would he do that? I'm

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<v Speaker 1>not you as this girl me, maybe I wouldn't didn't

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<v Speaker 1>see it, ye, but you'll probably be facetim and when

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<v Speaker 1>she's not there a little bit. I haven't really gotten it.

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<v Speaker 1>I've never been in the FaceTime like that. It's hard

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<v Speaker 1>for me to look at the screen and you gotta

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<v Speaker 1>hold it at the right angle series and it's just

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<v Speaker 1>and then I'm looking at myself the whole time, like

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<v Speaker 1>what I look crazy? Right now, you're not even looking

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<v Speaker 1>at the other person, looking at your boxes. This little

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<v Speaker 1>on my box would be the one in the background. Now,

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<v Speaker 1>you work with Chris Brown so much, right, right? Are

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<v Speaker 1>you guys gonna do a whole album to you? Well,

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<v Speaker 1>y'all look like y'all popped off the same gremlin. It's

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<v Speaker 1>the same, you're the same person. Because I was really

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<v Speaker 1>doing that because it's like, how many songs together? Um,

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<v Speaker 1>And they got about like five records total that we've done,

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<v Speaker 1>and I think three have come out, so it's two

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<v Speaker 1>from the first album and then we just d one

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<v Speaker 1>other day and all three of them are singles. Why not?

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<v Speaker 1>I mean, it's not it's there. All three of them

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<v Speaker 1>are singles, and it's not like you know, of course,

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<v Speaker 1>I wasn't going in like, all right, we got this

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<v Speaker 1>Chris Bown record for the next one's about to instantly

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<v Speaker 1>be eight. You know what I'm saying. The single, I

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<v Speaker 1>knew it's gonna be a single, but I think it's

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<v Speaker 1>really when that I came out the fans was it

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<v Speaker 1>was track five on iTunes without a title, and it

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<v Speaker 1>was number one on hip hop, and I was just like,

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<v Speaker 1>y'all don't even really know what you're buying, Like it

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<v Speaker 1>could be I could change the track and y'all could

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<v Speaker 1>be buying something else later. But you know, from there,

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<v Speaker 1>I think it's just easy work. I come into the

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<v Speaker 1>studio with the records that I think he's gonna vibe

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<v Speaker 1>when it's usually you know what I'm saying on the

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<v Speaker 1>same page and knocks him out. Did y'all have a

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<v Speaker 1>relationship before music? Uh? Because I mean we met ran

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<v Speaker 1>into each other. I think it's the circles we run around.

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<v Speaker 1>You know. I'm from La, born to raise, he's out

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<v Speaker 1>in La running with you know what I'm saying, a

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<v Speaker 1>lot of the same just people that I've grown up with,

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<v Speaker 1>so it's easy contact. As far as that Crucie didn't

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<v Speaker 1>introduce us tenth grade high school, Airfax high school, did

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<v Speaker 1>your finger or anything. But that's so disap Why would

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<v Speaker 1>you say that, I asked the question, I've never Yeah, okay,

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<v Speaker 1>family though, you, Chris and Tiger got to be related

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<v Speaker 1>in some way because kin, yes, the beat dad out

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<v Speaker 1>there getting off on everybody. Now from now y'all you

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<v Speaker 1>did a song with Fifth Harmony. Yeah, Um, I was

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<v Speaker 1>actually just helping write on the album. So I had

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<v Speaker 1>about two records that were, you know, potential to make

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<v Speaker 1>it from me working. Like one of the records was

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<v Speaker 1>these are actually records that we did when I did

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<v Speaker 1>the Body Language sessions. So I was in there with

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<v Speaker 1>Stargate and a Cashmere Cat and we cut like six

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<v Speaker 1>records that day and two of them ended up going

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<v Speaker 1>to their project, and then they picked the one up

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<v Speaker 1>featuring me, and then it still went out there too.

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<v Speaker 1>You smashing in your Fifth Harmony Now, I've never actually

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<v Speaker 1>met anybody. He has a girlfriend. I saw you in

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<v Speaker 1>the studio. Would Exhibit too, Yeah, man, Exhibit got his

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<v Speaker 1>own radio show out in La right now, so he

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<v Speaker 1>invited me over to the studio. You know. That was

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<v Speaker 1>the first time I met him. Also, all want to

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<v Speaker 1>working on now music or nothing like that. He played

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<v Speaker 1>me some songs, but no, I wasn't working on no

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<v Speaker 1>records I had. You know, I've just been promoting. I

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<v Speaker 1>finished the album. I'm chilling right now. Do you do

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<v Speaker 1>you give your honest feedback when somebody like exhibits, like,

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<v Speaker 1>hey man, check out my new music. You sitting there like,

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<v Speaker 1>come on exhibit man. Nah, I mean honestly only heard

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<v Speaker 1>one record, and the record I heard. I told him

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<v Speaker 1>what I said, This sounds like it's for a movie

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<v Speaker 1>or something like, I'm not gonna say this for the

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<v Speaker 1>radio this year, next single, I tell you what it

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<v Speaker 1>could work for instead of telling you. You know what

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<v Speaker 1>I'm saying, like the record Pleasehi could snap though, he

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<v Speaker 1>could wrap his asshole, right, I mean exhibits. I think

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<v Speaker 1>I bought the first album, you know what I'm saying. Records.

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<v Speaker 1>I don't put it past him to this, you know,

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<v Speaker 1>Pip my Ride thing. Probably to everybody off it's like

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<v Speaker 1>new fans that only know him from that, right, It's

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<v Speaker 1>like a whole new generation that don't know none of

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<v Speaker 1>them records. They're just like that's the guy from pim Ride, Like, yeah, Aport,

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<v Speaker 1>this little dude was trying to climb this other dude

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<v Speaker 1>and he's like, you know what exhibit at who Pip

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<v Speaker 1>my ride at? Like tea, it was clowning each other. Yeah,

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<v Speaker 1>I wouldn't say that the exhibit face though he probably not.

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<v Speaker 1>He's not a little guy. He definitely. Uh, I'm saying,

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<v Speaker 1>think about the old records. But we had some fun.

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<v Speaker 1>We're smoking out. You still get tattoos. I try. I

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<v Speaker 1>got one on my see it at the out of

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<v Speaker 1>your head, right, But I think that's a press play.

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<v Speaker 1>But yeah, you know, had a cool old idea, but

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<v Speaker 1>it's running out of room. I'm coming up with ideas

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<v Speaker 1>and then I'm looking in the mirror for good forty

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<v Speaker 1>five minutes like where can I put it? Only put

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<v Speaker 1>some stuff in your legs and you know what's next?

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<v Speaker 1>You gotta get done? What shiny? What is wrong already?

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<v Speaker 1>Why don't you ask if you had it done? Sir?

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<v Speaker 1>That's not a question to ask. You get your girls

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<v Speaker 1>name right? No, that's about how that doesn't work. I

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<v Speaker 1>just don't see because the skin then when the skin

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<v Speaker 1>is that then in a certain area really seem like

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<v Speaker 1>that hurts, wouldn't just and then when it's not all right,

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<v Speaker 1>it probably looked weird like just scab me, I'm not trying,

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<v Speaker 1>And then you got itchy all day, walk around scratching

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<v Speaker 1>it all like vigorously. Which one hurt the most? Um

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<v Speaker 1>hand tattoos, fingers like you know, like you said this

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<v Speaker 1>where the skin is thinning. It's more like bone though,

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<v Speaker 1>is where it hurts the most, more than like the

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<v Speaker 1>skull and the face like nothing. Was that your first

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<v Speaker 1>obsession tattoos? Like, oh yeah, I think it was like

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<v Speaker 1>fifteen sixteen years old. I was just always drawn locy

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<v Speaker 1>on myself with a pen and I honestly was drawn

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<v Speaker 1>on myself and showing the tattoo artists like let me

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<v Speaker 1>get this, and he would go right over there. I

0:10:32.600 --> 0:10:34.880
<v Speaker 1>don't know if that was damaging back in the day,

0:10:36.360 --> 0:10:38.800
<v Speaker 1>actual pen ink on me, but at the end of

0:10:38.800 --> 0:10:40.280
<v Speaker 1>the day, you know what I'm saying. That's how I started.

0:10:40.280 --> 0:10:42.199
<v Speaker 1>And then from there the tattoo show was around the corner,

0:10:42.240 --> 0:10:45.800
<v Speaker 1>so it was literally I'm running over there working cleaning tools,

0:10:45.800 --> 0:10:47.640
<v Speaker 1>staying up to two in the morning when it closed.

0:10:47.640 --> 0:10:49.599
<v Speaker 1>And then like you want something, Yeah, practice on me,

0:10:49.720 --> 0:10:51.520
<v Speaker 1>let's get it. And there's a lot of artists that

0:10:51.559 --> 0:10:53.760
<v Speaker 1>you work with that everybody respects you in the industry.

0:10:53.760 --> 0:10:56.439
<v Speaker 1>So how did you decide who to put on your album? Um?

0:10:56.480 --> 0:10:58.880
<v Speaker 1>I usually try to you know, features, I do the

0:10:58.920 --> 0:11:00.920
<v Speaker 1>songs first and then see who could sound good on this.

0:11:01.000 --> 0:11:03.360
<v Speaker 1>Pay attention. You know, I'm a fan of music in general.

0:11:03.360 --> 0:11:05.120
<v Speaker 1>Some I'm always pay attention to what's going on, who's

0:11:05.160 --> 0:11:07.640
<v Speaker 1>hot just in the street and just on the radio,

0:11:07.640 --> 0:11:11.000
<v Speaker 1>and it's like from there, I try to go after,

0:11:11.200 --> 0:11:13.480
<v Speaker 1>you know, people that are my piers, people that run

0:11:13.520 --> 0:11:15.760
<v Speaker 1>into I don't like chasing features if I don't know you,

0:11:15.800 --> 0:11:18.240
<v Speaker 1>because that's when it starts getting a little personal and

0:11:18.320 --> 0:11:20.320
<v Speaker 1>people don't hit you back, and you know what I'm saying,

0:11:20.559 --> 0:11:23.480
<v Speaker 1>stuff gets mixed up or even when they don't really

0:11:23.720 --> 0:11:27.240
<v Speaker 1>know your vibe when people don't hit him back. But

0:11:27.280 --> 0:11:29.000
<v Speaker 1>I feel like a lot of people would hit you

0:11:29.040 --> 0:11:30.720
<v Speaker 1>back and want to work with you. I can't imagine

0:11:30.720 --> 0:11:34.320
<v Speaker 1>that you can't get you know, you've had proven success

0:11:34.360 --> 0:11:36.800
<v Speaker 1>in back record and I think that way. I mean,

0:11:36.840 --> 0:11:39.959
<v Speaker 1>I usually try to look at those benefits for my

0:11:40.080 --> 0:11:42.120
<v Speaker 1>career when I'm going up features. But other people don't care.

0:11:42.160 --> 0:11:43.880
<v Speaker 1>I guess you know, when you're in your zone and

0:11:43.960 --> 0:11:47.200
<v Speaker 1>your moment, especially when you getting features from like probably

0:11:47.200 --> 0:11:48.520
<v Speaker 1>bigger people, Like if you out here and then you

0:11:48.559 --> 0:11:51.160
<v Speaker 1>got a Wayne feature, you probably feel like you need

0:11:51.200 --> 0:11:53.559
<v Speaker 1>to get a feature from me. Where it's like people

0:11:53.559 --> 0:11:55.560
<v Speaker 1>don't want to meet in the middle and understand how

0:11:55.600 --> 0:11:57.439
<v Speaker 1>you could benefit from both sides. Did you download a

0:11:57.400 --> 0:11:59.400
<v Speaker 1>Little Ways mixtape that he just put out. I didn't

0:11:59.400 --> 0:12:01.320
<v Speaker 1>get a chance to you was tweaking about you the

0:12:01.320 --> 0:12:03.480
<v Speaker 1>other day the Hot Boy record. Yeah, man, he was

0:12:03.480 --> 0:12:05.280
<v Speaker 1>tweeting about the Hot Boy record, which was dope. That

0:12:05.320 --> 0:12:07.559
<v Speaker 1>was my first acknowledgement, you know what I'm saying, time

0:12:07.600 --> 0:12:09.720
<v Speaker 1>ever talking to Wheezy just getting any type of respect

0:12:09.720 --> 0:12:11.319
<v Speaker 1>from that, you know, side of things. So it was

0:12:11.360 --> 0:12:13.400
<v Speaker 1>dope to really see that and for it to be

0:12:13.440 --> 0:12:15.240
<v Speaker 1>a record that's not you know, it's not like it's

0:12:15.280 --> 0:12:17.559
<v Speaker 1>a record that's spending everywhere. So for him to hear it,

0:12:18.240 --> 0:12:20.440
<v Speaker 1>whoever played it for him, appreciate it or whatever. He

0:12:20.440 --> 0:12:21.920
<v Speaker 1>know what I'm saying, Who heard it? The DJ all

0:12:21.960 --> 0:12:25.080
<v Speaker 1>that good stuff. Did you reach out to him after that? Like, yeah,

0:12:25.120 --> 0:12:28.520
<v Speaker 1>I did, uh try to uh actually be a part

0:12:28.559 --> 0:12:30.560
<v Speaker 1>of the mixtape. But he said, he's like, man, if

0:12:30.600 --> 0:12:32.600
<v Speaker 1>we would have got that done like two days ago,

0:12:32.720 --> 0:12:34.199
<v Speaker 1>could have got done. So I think, you know, we're

0:12:34.200 --> 0:12:36.480
<v Speaker 1>gonna try to do something for just whatever's next situation.

0:12:37.000 --> 0:12:38.680
<v Speaker 1>Were like, okay, I was working with all Kelly because

0:12:38.679 --> 0:12:40.680
<v Speaker 1>I see All Kelly's on the album R Kelly. I

0:12:40.720 --> 0:12:42.600
<v Speaker 1>wasn't actually able to get in a studio, but we've

0:12:42.600 --> 0:12:44.520
<v Speaker 1>been trying to, like we've been communicating, trying to work

0:12:44.559 --> 0:12:46.600
<v Speaker 1>for like the last for the last album, we had

0:12:46.600 --> 0:12:49.120
<v Speaker 1>a record that just didn't repeat on a Little Girl,

0:12:49.200 --> 0:12:56.599
<v Speaker 1>right um allegedly allegedly stop it, y'all, y'all want to

0:12:56.640 --> 0:12:58.000
<v Speaker 1>throw Bill Coby under the bus when you saw a

0:12:58.040 --> 0:13:03.600
<v Speaker 1>tape of our he was I'm not guilty, wasn't him, sir?

0:13:03.760 --> 0:13:05.240
<v Speaker 1>But do you know he did on a Little Girl?

0:13:05.280 --> 0:13:11.079
<v Speaker 1>And that's I didn't bother the like that I was

0:13:11.120 --> 0:13:15.719
<v Speaker 1>a little boy. I don't think I processed it is

0:13:15.920 --> 0:13:17.360
<v Speaker 1>as well, you know what I'm saying. I thought it

0:13:17.400 --> 0:13:20.040
<v Speaker 1>was pretty funny. Uh you know the rest of the

0:13:20.040 --> 0:13:23.280
<v Speaker 1>tape wasn't pining, but the eating part was amazing. I

0:13:23.360 --> 0:13:25.520
<v Speaker 1>learned how to eat because of All Kelly in that tape.

0:13:25.960 --> 0:13:29.040
<v Speaker 1>He put on that make you want to try that?

0:13:29.760 --> 0:13:36.400
<v Speaker 1>Kelly doing that for hours ulified. Like I said, I

0:13:36.400 --> 0:13:39.120
<v Speaker 1>was a little boy. I was like, I was like,

0:13:39.160 --> 0:13:41.679
<v Speaker 1>what is going on? Like that's girls, That's what the

0:13:41.760 --> 0:13:45.760
<v Speaker 1>dude comes out about. When he came on the girl

0:13:45.880 --> 0:13:48.040
<v Speaker 1>and he peeed, he came again in the matter of

0:13:48.280 --> 0:13:52.040
<v Speaker 1>thirty seconds, come pe come. Oh man, he was going.

0:13:52.160 --> 0:13:57.640
<v Speaker 1>He was gonna full speed and he was going. Think

0:13:57.679 --> 0:14:00.760
<v Speaker 1>about when we was in this we get in the studio.

0:14:01.280 --> 0:14:03.520
<v Speaker 1>But you know, when I sent him the record, I'm

0:14:03.520 --> 0:14:05.360
<v Speaker 1>thinking like, all right, this r Kelly. And he sent

0:14:05.440 --> 0:14:07.120
<v Speaker 1>me back to record and I was like, Yo, he

0:14:07.160 --> 0:14:09.480
<v Speaker 1>didn't do the parts that I you know what I'm saying,

0:14:09.520 --> 0:14:11.240
<v Speaker 1>really wanted him to do something like how do you

0:14:11.520 --> 0:14:15.200
<v Speaker 1>tell Mark Kelly? Like, yo, nah, to go back in.

0:14:15.320 --> 0:14:16.520
<v Speaker 1>Not that I don't like what you do, but I

0:14:16.600 --> 0:14:18.240
<v Speaker 1>just need you to if you could just add this

0:14:18.280 --> 0:14:19.920
<v Speaker 1>and then tweak this part, and then move this, and

0:14:19.920 --> 0:14:21.640
<v Speaker 1>then I'm even you know what I'm saying, moving stuff

0:14:21.640 --> 0:14:23.640
<v Speaker 1>around and turning stuff up and down. You're like, he's

0:14:23.640 --> 0:14:25.080
<v Speaker 1>gonna be mad at me. He gonna not want to

0:14:25.080 --> 0:14:26.560
<v Speaker 1>do the record now, But it was all good. He

0:14:26.560 --> 0:14:28.280
<v Speaker 1>sent the record back. He went back in the studio

0:14:28.360 --> 0:14:31.000
<v Speaker 1>and redid stuff and you don't send it even back. Crazy,

0:14:31.080 --> 0:14:32.680
<v Speaker 1>But if he can't listen to you, then why would

0:14:32.680 --> 0:14:33.960
<v Speaker 1>you want to work with him? Because you have, you

0:14:34.000 --> 0:14:36.120
<v Speaker 1>have what it is. I mean, come on, right, But

0:14:36.280 --> 0:14:38.280
<v Speaker 1>I feel like it's something you gotta still show improve,

0:14:38.440 --> 0:14:41.160
<v Speaker 1>especially if it's like I've talked to R. Kelly, but

0:14:41.200 --> 0:14:42.480
<v Speaker 1>I don't know what his favorite so I don't know

0:14:42.480 --> 0:14:44.760
<v Speaker 1>if he really rocked with my records like that more

0:14:44.760 --> 0:14:46.800
<v Speaker 1>so than just respect the brand and what I'm doing.

0:14:46.840 --> 0:14:49.120
<v Speaker 1>So from there, it's like I gotta show improve and

0:14:49.160 --> 0:14:52.240
<v Speaker 1>earn these people respect man, and really do that. Let's

0:14:52.280 --> 0:14:53.840
<v Speaker 1>talk about your brand. You feel like your music is

0:14:54.080 --> 0:14:56.160
<v Speaker 1>bigger than you because I feel like that, I feel

0:14:56.160 --> 0:14:59.120
<v Speaker 1>like you could be marketed a little better as a person, right.

0:14:59.280 --> 0:15:01.120
<v Speaker 1>I think I think that's my fault. I think you

0:15:01.160 --> 0:15:04.280
<v Speaker 1>know my whole plan in the beginning, Like I tell people,

0:15:04.320 --> 0:15:06.400
<v Speaker 1>it's because coming from the West Coast, I felt like

0:15:06.400 --> 0:15:07.960
<v Speaker 1>we were stuck in such a box at the time

0:15:08.000 --> 0:15:10.720
<v Speaker 1>when I was coming up to where people wanted specific sound,

0:15:10.760 --> 0:15:12.720
<v Speaker 1>they want everybody to be the next game and all

0:15:12.720 --> 0:15:15.280
<v Speaker 1>of that, to where I thought it was more important

0:15:15.320 --> 0:15:18.720
<v Speaker 1>not to really stress about my personal where I was from,

0:15:18.720 --> 0:15:21.240
<v Speaker 1>and give people too much besides the music first and

0:15:21.320 --> 0:15:23.320
<v Speaker 1>let them appreciate that and then put two and two

0:15:23.360 --> 0:15:25.320
<v Speaker 1>together when they're like, oh, that's the same guy who

0:15:25.400 --> 0:15:26.960
<v Speaker 1>does this. I was interested in what he didn't. I

0:15:26.960 --> 0:15:28.400
<v Speaker 1>don't even know that was his record, and then I

0:15:28.440 --> 0:15:30.880
<v Speaker 1>think it kind of it was better. I'm saying for

0:15:30.920 --> 0:15:33.680
<v Speaker 1>the growth. I'm not a person who's in the rush to,

0:15:33.960 --> 0:15:35.640
<v Speaker 1>you know what I'm saying, to succeed over the top.

0:15:35.840 --> 0:15:38.960
<v Speaker 1>What about other artists? Are you signing other artists? He said?

0:15:38.960 --> 0:15:40.960
<v Speaker 1>Am I signing other artists? Yeah? I just signed this

0:15:41.280 --> 0:15:44.600
<v Speaker 1>cat from Arizona, Vita Ruler. He's a crazy like spitter

0:15:44.640 --> 0:15:46.880
<v Speaker 1>and more of a going like spitter, and I'm saying,

0:15:47.360 --> 0:15:49.560
<v Speaker 1>trying to help just develop his songwriting skills, and I

0:15:49.560 --> 0:15:52.480
<v Speaker 1>think he's gonna be a crazy artist. And then got

0:15:52.480 --> 0:15:54.520
<v Speaker 1>a bunch of different little producers. You know, I got

0:15:54.840 --> 0:15:57.560
<v Speaker 1>Ned Cameron, who does a lot of my big records,

0:15:57.600 --> 0:16:03.320
<v Speaker 1>and then you know, working baby shit Trow. He's only

0:16:03.480 --> 0:16:05.640
<v Speaker 1>like a high boy record. Let him get to know

0:16:05.720 --> 0:16:08.040
<v Speaker 1>you a little bit more before you start signing an artist, man.

0:16:08.440 --> 0:16:10.440
<v Speaker 1>I mean, yeah, I'm not in a rush to, like

0:16:11.200 --> 0:16:13.200
<v Speaker 1>but it's the same time, I want people to know

0:16:13.240 --> 0:16:14.800
<v Speaker 1>that it's not just me out there working. I got

0:16:14.800 --> 0:16:16.720
<v Speaker 1>a team and group of people like these are still

0:16:16.760 --> 0:16:19.320
<v Speaker 1>people that motivate me in the studio and who inspired

0:16:19.360 --> 0:16:21.160
<v Speaker 1>me to go harder. So I feel like, at the

0:16:21.200 --> 0:16:23.360
<v Speaker 1>same time, you know what I'm saying, they're getting their

0:16:23.360 --> 0:16:25.440
<v Speaker 1>shot in their moments without even having to force it.

0:16:25.480 --> 0:16:27.560
<v Speaker 1>I think it was just like I remember reading something

0:16:27.600 --> 0:16:29.560
<v Speaker 1>Kendrick said a long time ago. I was just like

0:16:29.560 --> 0:16:32.200
<v Speaker 1>they're playing was everybody get their own fan bases this

0:16:32.280 --> 0:16:33.760
<v Speaker 1>and that and then come together and you know what

0:16:33.760 --> 0:16:35.560
<v Speaker 1>I'm saying in and it just looks better that way

0:16:35.600 --> 0:16:38.160
<v Speaker 1>without over forcing it. You know, fans come together. You

0:16:38.200 --> 0:16:39.640
<v Speaker 1>built your girl for a long time. How long you've

0:16:39.640 --> 0:16:42.120
<v Speaker 1>been six years? Okay? So does she go through like

0:16:42.120 --> 0:16:44.120
<v Speaker 1>your social media and Instagram and make sure you ain't

0:16:44.200 --> 0:16:46.960
<v Speaker 1>dming and tweeting people? Did you have to do? You

0:16:46.960 --> 0:16:48.960
<v Speaker 1>have to explain this tweet you said, I saw you,

0:16:48.960 --> 0:16:51.160
<v Speaker 1>you said wilding out girls. You said every time you

0:16:51.200 --> 0:16:53.680
<v Speaker 1>see one Tupac all about you starts playing in your head.

0:16:53.720 --> 0:16:55.720
<v Speaker 1>I know she asked you about that. I know what

0:16:55.800 --> 0:16:58.840
<v Speaker 1>this actually missed that and then somebody else brought it

0:16:58.960 --> 0:17:01.040
<v Speaker 1>up in front to her and then I had to

0:17:01.080 --> 0:17:03.160
<v Speaker 1>explain it. But it wasn't that bad. It was. She

0:17:03.240 --> 0:17:05.720
<v Speaker 1>thought it was funny to an extent. She she was like,

0:17:05.760 --> 0:17:08.240
<v Speaker 1>he really says something, guys like what you say? And

0:17:08.280 --> 0:17:09.639
<v Speaker 1>then I told her I said, and she thought it

0:17:09.680 --> 0:17:11.000
<v Speaker 1>was funny. It was just you know, what does it mean?

0:17:11.000 --> 0:17:12.479
<v Speaker 1>That's for me just trying to, like I said, I'm

0:17:12.520 --> 0:17:14.480
<v Speaker 1>trying to be a little bit more personal with just

0:17:14.560 --> 0:17:16.200
<v Speaker 1>my thoughts. And I was watching Wild and now that

0:17:16.240 --> 0:17:18.560
<v Speaker 1>was the first thought that came to my head. It's

0:17:18.600 --> 0:17:20.680
<v Speaker 1>all about when I'm watching it, because it's a lot

0:17:20.680 --> 0:17:23.000
<v Speaker 1>of those just girls. I thought it was funny. More

0:17:23.040 --> 0:17:26.199
<v Speaker 1>so on Nick Cannon, Like I was like, yo, Nick,

0:17:26.240 --> 0:17:28.960
<v Speaker 1>can't really goes out there and finds all like the

0:17:29.080 --> 0:17:32.520
<v Speaker 1>popular internet video girls people that I see always just

0:17:32.640 --> 0:17:35.520
<v Speaker 1>in different clubs or whatever. The fact. Maybe he was

0:17:35.560 --> 0:17:38.640
<v Speaker 1>just saying, they see them now everywhere, is what you're saying.

0:17:38.680 --> 0:17:40.440
<v Speaker 1>I know a couple of those girls, man, They good people,

0:17:40.640 --> 0:17:43.879
<v Speaker 1>do too, some of them. I know a couple of

0:17:43.920 --> 0:17:45.960
<v Speaker 1>them very well. He was talking. Well earlier today just

0:17:46.000 --> 0:17:47.920
<v Speaker 1>before you got in here. She's not one of them, sir.

0:17:50.000 --> 0:17:52.560
<v Speaker 1>I'm sorry you get your cook on too, right, Oh man,

0:17:52.600 --> 0:17:54.160
<v Speaker 1>I'm out of here with it with the chef work.

0:17:54.320 --> 0:17:58.320
<v Speaker 1>I'm right now. My my favorite specialty dishes, my lobster berrito.

0:17:58.840 --> 0:18:01.720
<v Speaker 1>I saw he tweet up. Crab might sell it, like

0:18:01.760 --> 0:18:04.520
<v Speaker 1>I'm really I might get a truck just for that

0:18:04.560 --> 0:18:07.280
<v Speaker 1>one burrito and some fries and that's it. How'd you

0:18:07.320 --> 0:18:08.800
<v Speaker 1>learn how to do that? You used to sitting around ball?

0:18:08.840 --> 0:18:10.480
<v Speaker 1>It was a fat boy when I grew up. I

0:18:10.560 --> 0:18:13.399
<v Speaker 1>was always in the cooking, mixing up stuff and just

0:18:13.520 --> 0:18:16.080
<v Speaker 1>making fat boy meals. And I think from there, you know,

0:18:16.200 --> 0:18:18.240
<v Speaker 1>just really paid attention to it. Really, you know what what

0:18:18.280 --> 0:18:20.680
<v Speaker 1>I'm saying, step my game up and just just like

0:18:21.080 --> 0:18:22.680
<v Speaker 1>I could make that at home. I feel like when

0:18:22.680 --> 0:18:26.560
<v Speaker 1>I go to restaurants like this is great, this too

0:18:26.680 --> 0:18:28.240
<v Speaker 1>is about to be crazy. I tell you a super

0:18:28.240 --> 0:18:31.360
<v Speaker 1>weed smoker. So you thinking stuff like that a lot

0:18:31.400 --> 0:18:33.480
<v Speaker 1>of Mariwanda. Sometimes the food you're making home is way

0:18:33.520 --> 0:18:35.920
<v Speaker 1>better than anything you can buy anywhere. You know exactly

0:18:35.960 --> 0:18:39.040
<v Speaker 1>what you like. Just cleaning up after them, that's the right, Yep,

0:18:39.520 --> 0:18:42.399
<v Speaker 1>that's the problem. And that's why I have maids come

0:18:42.440 --> 0:18:46.240
<v Speaker 1>twice a week. How'd you avoid the whole game? Style,

0:18:46.240 --> 0:18:48.399
<v Speaker 1>how'd you avoid like having to be a blood or

0:18:48.400 --> 0:18:51.440
<v Speaker 1>crip or whatever. Um, I think I was somebody who

0:18:51.480 --> 0:18:54.720
<v Speaker 1>was lucky enough to uh have a lot of friends.

0:18:55.119 --> 0:18:59.000
<v Speaker 1>Who are I guess doing that situation for me? Who

0:18:59.359 --> 0:19:00.880
<v Speaker 1>you know what I'm saying with still around all these

0:19:00.880 --> 0:19:03.560
<v Speaker 1>guys and still in the circles. But they weren't, you

0:19:03.560 --> 0:19:05.000
<v Speaker 1>know what I'm saying, asking me or forcing me to

0:19:05.040 --> 0:19:06.399
<v Speaker 1>do nothing that I think they kind of a lot

0:19:06.400 --> 0:19:08.040
<v Speaker 1>of people saw the bigger picture because I got in

0:19:08.040 --> 0:19:10.320
<v Speaker 1>the music early. So it was like, like I said,

0:19:10.320 --> 0:19:12.119
<v Speaker 1>I used to run with Nipsey, like I produced this

0:19:12.200 --> 0:19:14.320
<v Speaker 1>first single. I was in the same circles. I was

0:19:14.400 --> 0:19:16.240
<v Speaker 1>right there on smausing I used, see what I'm saying,

0:19:16.520 --> 0:19:18.639
<v Speaker 1>stay in the same neighborhoods, go to the same school.

0:19:18.720 --> 0:19:21.320
<v Speaker 1>So you know, I used to get banged on in

0:19:21.359 --> 0:19:23.399
<v Speaker 1>front of my house every day, like go home and

0:19:23.560 --> 0:19:25.600
<v Speaker 1>like roll my door right there, like you don't really

0:19:25.600 --> 0:19:28.520
<v Speaker 1>bang on me right here. So it's like I had

0:19:28.560 --> 0:19:30.639
<v Speaker 1>the opportunities. But then I just saw the outcome in

0:19:30.720 --> 0:19:32.879
<v Speaker 1>and I saw a lot of people just right. I

0:19:32.920 --> 0:19:34.600
<v Speaker 1>had a lot of friends go to jail and die

0:19:34.600 --> 0:19:36.359
<v Speaker 1>around me early. I got homies that I I went to

0:19:36.359 --> 0:19:38.080
<v Speaker 1>school with us in for life, and I got homies

0:19:38.119 --> 0:19:40.600
<v Speaker 1>that didn't make it past eleventh grade. So it's like

0:19:41.280 --> 0:19:43.080
<v Speaker 1>you kind of look at it like, nah, man, that's

0:19:43.119 --> 0:19:45.280
<v Speaker 1>not really and I'm lazy. I always to tell people

0:19:45.320 --> 0:19:49.280
<v Speaker 1>like soon as y'all had a gang of meeting, you

0:19:49.320 --> 0:19:50.879
<v Speaker 1>don't have a gang meeting. And I'm gonna wake up

0:19:50.880 --> 0:19:53.600
<v Speaker 1>like today not to day. I'm not going to the

0:19:53.600 --> 0:19:55.000
<v Speaker 1>meeting to day. I see you later. I'm about to

0:19:55.040 --> 0:19:57.359
<v Speaker 1>play GTA all day. I'm not doing like you know

0:19:57.359 --> 0:19:59.200
<v Speaker 1>what I'm saying. So for me, I think I just

0:19:59.560 --> 0:20:01.560
<v Speaker 1>I would have got in trouble because I'm just not

0:20:01.680 --> 0:20:03.760
<v Speaker 1>showing up for those needings. Yeah, and then as soon

0:20:03.800 --> 0:20:05.600
<v Speaker 1>as the big homie would have said something crazy out

0:20:05.600 --> 0:20:07.280
<v Speaker 1>of I don't care who you are, bro like, and

0:20:07.320 --> 0:20:08.640
<v Speaker 1>then you know what I'm saying, that kind of stuff

0:20:08.640 --> 0:20:12.520
<v Speaker 1>doesn't right just from not being in order. You know

0:20:12.560 --> 0:20:14.800
<v Speaker 1>what I'm saying that I can never do gangs, frats

0:20:15.000 --> 0:20:18.439
<v Speaker 1>like all that in order stuff where military like it's

0:20:18.480 --> 0:20:20.639
<v Speaker 1>I just can't. But they respected your talent enough to

0:20:20.640 --> 0:20:22.720
<v Speaker 1>be like right, and they respect that I was making

0:20:22.760 --> 0:20:24.520
<v Speaker 1>them beats too, Like all these people were you know

0:20:24.560 --> 0:20:25.879
<v Speaker 1>what I'm saying, la, I felt like it was a

0:20:25.920 --> 0:20:27.720
<v Speaker 1>lot of people trying it out since they could be

0:20:27.800 --> 0:20:29.960
<v Speaker 1>artists seeing with work man, and you know, I was

0:20:30.040 --> 0:20:32.520
<v Speaker 1>making beats fall these guys. Somebody told me that neutral

0:20:32.520 --> 0:20:35.400
<v Speaker 1>guys get it get it the worst sometimes though, kind

0:20:35.440 --> 0:20:38.879
<v Speaker 1>of because I mean, I feel like when something it

0:20:38.920 --> 0:20:41.000
<v Speaker 1>just depends when they know you're not on BS or

0:20:41.040 --> 0:20:42.760
<v Speaker 1>ain't know you don't want to be on BS. You

0:20:42.760 --> 0:20:44.440
<v Speaker 1>know what I'm saying, nitpick it you just to look

0:20:44.480 --> 0:20:46.760
<v Speaker 1>better in front of their homies. But I ain't never

0:20:46.800 --> 0:20:48.600
<v Speaker 1>had I ain't never been jumped in, nothing like that.

0:20:48.680 --> 0:20:51.000
<v Speaker 1>Ain't nobody ever beat me up? So you said banged

0:20:51.000 --> 0:20:53.080
<v Speaker 1>on though, what's banged on? Getting banged on? It is

0:20:53.080 --> 0:20:55.239
<v Speaker 1>just where are you from? Why are you around here?

0:20:55.640 --> 0:20:59.880
<v Speaker 1>See what I'm saying all that stuff, but you got

0:21:00.000 --> 0:21:01.760
<v Speaker 1>you know what I'm saying, people try to pocket you,

0:21:01.840 --> 0:21:03.560
<v Speaker 1>rob y'all that I ain't never been robbed either, though,

0:21:03.600 --> 0:21:06.560
<v Speaker 1>so I don't know by none of that. We appreciate

0:21:06.600 --> 0:21:14.680
<v Speaker 1>you joining us to small Yeah February third speed than

0:21:14.720 --> 0:21:17.240
<v Speaker 1>the stuff that you've been delivering the radio like Yeah,

0:21:17.320 --> 0:21:21.640
<v Speaker 1>because I think, uh, I always make that kind of music.

0:21:21.640 --> 0:21:23.560
<v Speaker 1>I listen to that type of music. I think I'm always,

0:21:23.600 --> 0:21:25.439
<v Speaker 1>you know what I'm saying, just trying new things. My

0:21:25.480 --> 0:21:27.639
<v Speaker 1>biggest problem is, like I've been explaining to people, is

0:21:28.440 --> 0:21:30.240
<v Speaker 1>I know how the game works. I know that I'm

0:21:30.240 --> 0:21:32.560
<v Speaker 1>gonna need a single first, So you know, when I

0:21:32.600 --> 0:21:35.080
<v Speaker 1>go into the studio for that first two weeks, I'm

0:21:35.160 --> 0:21:37.879
<v Speaker 1>usually focused on, all right, this is a kind of

0:21:37.920 --> 0:21:39.359
<v Speaker 1>beat some of the work on this time, and this

0:21:39.400 --> 0:21:40.760
<v Speaker 1>is the kind of record I'm gonna try to get

0:21:40.800 --> 0:21:43.640
<v Speaker 1>off present them to the label, hoping that they're gonna

0:21:43.680 --> 0:21:46.800
<v Speaker 1>pick one out of ten, and they'd be like, let's

0:21:46.800 --> 0:21:51.240
<v Speaker 1>take seven of those. I'm just like, nah, I don't know. No,

0:21:51.440 --> 0:21:53.000
<v Speaker 1>Let's try to just get this one on this peron

0:21:53.040 --> 0:21:56.000
<v Speaker 1>this and then they'll come back with this person said

0:21:56.000 --> 0:21:57.600
<v Speaker 1>they want to get on this feature? Was it getting them?

0:21:57.600 --> 0:21:59.680
<v Speaker 1>Just like, bro, Now, how am I supposed to argue

0:21:59.720 --> 0:22:01.440
<v Speaker 1>with you if you didn't already threw all the features

0:22:01.440 --> 0:22:02.920
<v Speaker 1>on the song and stuff like that. So I think,

0:22:02.960 --> 0:22:05.040
<v Speaker 1>you know, I understand a little bit more how to

0:22:05.080 --> 0:22:07.119
<v Speaker 1>play that game with this project, And you know what

0:22:07.160 --> 0:22:09.800
<v Speaker 1>I'm saying. I was a little bit more like I'm

0:22:09.920 --> 0:22:12.359
<v Speaker 1>only send the knees. I'm gonna tuck these records and

0:22:12.359 --> 0:22:14.159
<v Speaker 1>then send the knees and I'm saying, make it to

0:22:14.160 --> 0:22:16.359
<v Speaker 1>where it was harder to fill it up with a

0:22:16.400 --> 0:22:20.280
<v Speaker 1>bunch of singles, just poppy singles, man, and try to everything.

0:22:20.480 --> 0:22:22.640
<v Speaker 1>But I had the mixtape come out. It's a little

0:22:22.640 --> 0:22:24.680
<v Speaker 1>bit more stronger street stuff, you know what I'm saying.

0:22:24.680 --> 0:22:26.000
<v Speaker 1>I think that's when I do that, when I give

0:22:26.080 --> 0:22:28.560
<v Speaker 1>the fans more freestyles. Right now, I'm working on the

0:22:28.600 --> 0:22:32.600
<v Speaker 1>alumni like mixtape, album, compilation project, whatever you wanna call it.

0:22:32.640 --> 0:22:34.960
<v Speaker 1>And you know that's gonna be a little bit more

0:22:35.080 --> 0:22:38.199
<v Speaker 1>of a thing where I'm showcasing the artists around me

0:22:38.240 --> 0:22:39.800
<v Speaker 1>and the people who are you know what I'm saying, grinding.

0:22:39.840 --> 0:22:41.240
<v Speaker 1>I think you know, we do a lot more than

0:22:41.280 --> 0:22:44.840
<v Speaker 1>just radio records. I just understand that that's a good

0:22:44.840 --> 0:22:46.840
<v Speaker 1>gift to have to make a radio record. Some artists

0:22:46.840 --> 0:22:49.840
<v Speaker 1>can't do it the same thing, trust ausually, man. But

0:22:49.880 --> 0:22:51.760
<v Speaker 1>I had to prove it to myself with this last project.

0:22:51.760 --> 0:22:53.919
<v Speaker 1>I actually sat down and picked the record out, was like,

0:22:54.640 --> 0:22:57.680
<v Speaker 1>all right, I'm gonna just go default. I'm not gonna

0:22:57.680 --> 0:22:59.680
<v Speaker 1>overthink it. I'm gonna just make this kind of record

0:22:59.680 --> 0:23:01.280
<v Speaker 1>and see it if it works. And then it ended

0:23:01.359 --> 0:23:04.439
<v Speaker 1>up being a hotel featuring Chris Brown. I'm like, I

0:23:04.520 --> 0:23:07.240
<v Speaker 1>wasn't supposed to be that easy man. I was trying

0:23:07.240 --> 0:23:09.120
<v Speaker 1>to see if it didn't work and just make sure

0:23:09.080 --> 0:23:11.239
<v Speaker 1>it was he what I'm saying, but I vibed that way.

0:23:11.280 --> 0:23:13.160
<v Speaker 1>I don't know. There you go. Well, let's kid ink,

0:23:13.440 --> 0:23:15.440
<v Speaker 1>Let's the Breakfast Club. Good morning yep,