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Speaker 1: Real people, real celebrity real joined the Breakfast Morning everybody

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Speaker 1: is DJ Envy, Angela Ye Sholoman the guy we are

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Speaker 1: the Breakfast Club special guests with us today. I finally

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Speaker 1: made it. Yeah, he was supposed to be here yesterday.

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Speaker 1: Dan Puerto Rican, his label rep, had him out drinking

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Speaker 1: shot promoting I'm always taking to key the shots and

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Speaker 1: if it was sniffing cocaine, he'd have been up, That's right.

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Speaker 1: So had no man to be one hundred percent road

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Speaker 1: with you. I made a decision. You know, I was

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Speaker 1: out promoting my new album, you know, full Speed Februit Third.

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Speaker 1: Make sure these DJ's is you know, spending the right records,

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Speaker 1: and you know, just mean people ain't been out here

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Speaker 1: in a minute, and uh, you know, I'd like to

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Speaker 1: go to the clubs. You ain't go out with mum. No,

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Speaker 1: I'm playing with you. That's the thing. I was supposed

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Speaker 1: to have a show with Envy that night and then

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Speaker 1: you know, cancel. So what happened was I had to

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Speaker 1: find something to do, and then you know, I decided

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Speaker 1: I was gonna stay up for my next interview in

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Speaker 1: the morning, and then they canceled. That's when you do

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Speaker 1: the drugs. You got to stay up. But what happened

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Speaker 1: was my next interview cancel. So I had like four

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Speaker 1: hours of just sitting in the hotel like that's when

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Speaker 1: you passed out, and then thirty minutes before I tapped

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Speaker 1: out and then woke up though, and was like, I

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Speaker 1: think it would be better for the interview if we

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Speaker 1: did it the next day. Not because I'm drunk, It

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Speaker 1: just wasn't I wasn't witty enough. I wasn't you know.

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Speaker 1: I'm saying, I gotta be in my zone with y'all shot.

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Speaker 1: You don't be getting high and stuff like that. That's

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Speaker 1: how I mean. I see you tweet about like edibles

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Speaker 1: and stuff. Yeah it's weird, man, that's nothing. When I'm

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Speaker 1: in Amsterdam, I take shrooms. I'm not gonna front. I

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Speaker 1: always say strooms is my favorite drubs. That's what I say.

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Speaker 1: And you have to be in a really good mood

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Speaker 1: when you think good because if you're not in a

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Speaker 1: good mood, yeah, you have a terrible trip. I had

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Speaker 1: an amazing trip up. You ever had a bad one thing? Okay?

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Speaker 1: Because I make sure like if I have any like

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Speaker 1: mind about having a bad trip, No, you can't take

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Speaker 1: that close all the door closets and all that before

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Speaker 1: you do everything like I'm not going to the bathroom

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Speaker 1: and doing over the mirror thing and know what I'm saying.

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Speaker 1: It was an amazing trip. Was always here about balance.

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Speaker 1: My dude told me he did shrooms one time and

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Speaker 1: everything was like Super Mario Brothers. Yeah, the amazing trip.

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Speaker 1: That was just it was some crazy club. Like the

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Speaker 1: ceiling was all like lightstyle was just going crazy and

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Speaker 1: then I couldn't see nobody face. It was just it

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Speaker 1: was like a video game. I kept telling people. I

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Speaker 1: was like, I feel like I'm in a comic book.

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Speaker 1: Everything just moving, just fast paced. You don't even remember

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Speaker 1: like the last five sexons. Was just having fun for

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Speaker 1: a long time. I felt like I was in Alison

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Speaker 1: Wonderland or something. Yeah, I actually saw Alison Wonderland off strooms.

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Speaker 1: It was crazy amazing and I saw what did you saw?

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Speaker 1: I was like saw him with me. But see that's

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Speaker 1: the thing. I've never had nobody physically there that wasn't there. Yeah,

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Speaker 1: Like and I didn't see anything like crazy before and

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Speaker 1: nothing like that. But my friend's boyfriend turned into e

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Speaker 1: or while we were playing pictionary. That's a lot of

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Speaker 1: did you watch Money to Pool like recently? Like a lot.

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Speaker 1: That said a lot about her subconscious that the fact

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Speaker 1: that you see onny to Pool and who you hallucinate

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Speaker 1: she thinks about honey and all that exactly. A guy

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Speaker 1: with um cut off shirt and no pants. That's who

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Speaker 1: I wonder I can say about you, kid man. You

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Speaker 1: stay out of the way. Man. You get a lot

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Speaker 1: of radio play with It's like all about music with

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Speaker 1: you. You You don't never see you in the news, No duise,

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Speaker 1: no domestic violence, nothing crazy. Yeah, where's your girlfriend today?

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Speaker 1: I usually see you with her. She's uh the room

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Speaker 1: taking a nap now, she getting ready for the just

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Speaker 1: the rest of the day. And then I got the

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Speaker 1: flight out later, so you know over there packing us early. Man.

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Speaker 1: So last year you took up to Paris of Valentine's Day? Yeah,

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Speaker 1: so what are you doing this Valentine's You're gonna ruin it?

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Speaker 1: I got you gonna do buy? Yeah, I know, man,

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Speaker 1: what happens is I was just there. The body's cool

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Speaker 1: is hotter than this. But I feel like promoters always

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Speaker 1: helped me out. I'm always in there in a good

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Speaker 1: situation where I get booked on holidays or Valentine's and

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Speaker 1: it's just like where you going to shoot? See what

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Speaker 1: me call a booking agent And I can't bring the

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Speaker 1: wife to Brooklyn great Brow, Yes it is. There's a

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Speaker 1: lot of things you could do in Bern. I'll pass. Okay.

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Speaker 1: How have you managed to like hold on to your

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Speaker 1: day one because you like, you know, you're getting a

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Speaker 1: lot of love out here. Man, I'm sure it's a

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Speaker 1: lot of chicks throwing the box to you one hundred

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Speaker 1: miles per hour, sir boxy um, you know really, I

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Speaker 1: mean she's there, yeah, sometimes you know what I'm saying, Well,

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Speaker 1: she's not there all the time. Now, like the road stressful.

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Speaker 1: As soon as you're there for a week, it's just

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Speaker 1: like I'm time. I'm going home and do regular stuff.

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Speaker 1: So she'll come on the road for a week and

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Speaker 1: get to see, you know, what's going on, and I think,

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Speaker 1: you know, I have a little bit of you know,

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Speaker 1: she gives me some space because you know, it's a

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Speaker 1: stressful jobs. I can't do nothing always about the fans

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Speaker 1: and what people do. You know what I'm saying. You've

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Speaker 1: seen how people come up in running kiss people in

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Speaker 1: the face in the middle and like you can't really

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Speaker 1: do nothing about that kind of stuff sometimes, so she

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Speaker 1: never cut a bit. Why would he do that? I'm

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Speaker 1: not you as this girl me, maybe I wouldn't didn't

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Speaker 1: see it, ye, but you'll probably be facetim and when

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Speaker 1: she's not there a little bit. I haven't really gotten it.

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Speaker 1: I've never been in the FaceTime like that. It's hard

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Speaker 1: for me to look at the screen and you gotta

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Speaker 1: hold it at the right angle series and it's just

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Speaker 1: and then I'm looking at myself the whole time, like

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Speaker 1: what I look crazy? Right now, you're not even looking

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Speaker 1: at the other person, looking at your boxes. This little

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Speaker 1: on my box would be the one in the background. Now,

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Speaker 1: you work with Chris Brown so much, right, right? Are

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Speaker 1: you guys gonna do a whole album to you? Well,

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Speaker 1: y'all look like y'all popped off the same gremlin. It's

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Speaker 1: the same, you're the same person. Because I was really

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Speaker 1: doing that because it's like, how many songs together? Um,

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Speaker 1: And they got about like five records total that we've done,

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Speaker 1: and I think three have come out, so it's two

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Speaker 1: from the first album and then we just d one

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Speaker 1: other day and all three of them are singles. Why not?

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Speaker 1: I mean, it's not it's there. All three of them

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Speaker 1: are singles, and it's not like you know, of course,

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Speaker 1: I wasn't going in like, all right, we got this

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Speaker 1: Chris Bown record for the next one's about to instantly

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Speaker 1: be eight. You know what I'm saying. The single, I

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Speaker 1: knew it's gonna be a single, but I think it's

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Speaker 1: really when that I came out the fans was it

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Speaker 1: was track five on iTunes without a title, and it

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Speaker 1: was number one on hip hop, and I was just like,

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Speaker 1: y'all don't even really know what you're buying, Like it

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Speaker 1: could be I could change the track and y'all could

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Speaker 1: be buying something else later. But you know, from there,

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Speaker 1: I think it's just easy work. I come into the

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Speaker 1: studio with the records that I think he's gonna vibe

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Speaker 1: when it's usually you know what I'm saying on the

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Speaker 1: same page and knocks him out. Did y'all have a

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Speaker 1: relationship before music? Uh? Because I mean we met ran

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Speaker 1: into each other. I think it's the circles we run around.

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Speaker 1: You know. I'm from La, born to raise, he's out

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Speaker 1: in La running with you know what I'm saying, a

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Speaker 1: lot of the same just people that I've grown up with,

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Speaker 1: so it's easy contact. As far as that Crucie didn't

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Speaker 1: introduce us tenth grade high school, Airfax high school, did

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Speaker 1: your finger or anything. But that's so disap Why would

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Speaker 1: you say that, I asked the question, I've never Yeah, okay,

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Speaker 1: family though, you, Chris and Tiger got to be related

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Speaker 1: in some way because kin, yes, the beat dad out

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Speaker 1: there getting off on everybody. Now from now y'all you

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Speaker 1: did a song with Fifth Harmony. Yeah, Um, I was

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Speaker 1: actually just helping write on the album. So I had

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Speaker 1: about two records that were, you know, potential to make

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Speaker 1: it from me working. Like one of the records was

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Speaker 1: these are actually records that we did when I did

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Speaker 1: the Body Language sessions. So I was in there with

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Speaker 1: Stargate and a Cashmere Cat and we cut like six

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Speaker 1: records that day and two of them ended up going

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Speaker 1: to their project, and then they picked the one up

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Speaker 1: featuring me, and then it still went out there too.

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Speaker 1: You smashing in your Fifth Harmony Now, I've never actually

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Speaker 1: met anybody. He has a girlfriend. I saw you in

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Speaker 1: the studio. Would Exhibit too, Yeah, man, Exhibit got his

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Speaker 1: own radio show out in La right now, so he

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Speaker 1: invited me over to the studio. You know. That was

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Speaker 1: the first time I met him. Also, all want to

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Speaker 1: working on now music or nothing like that. He played

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Speaker 1: me some songs, but no, I wasn't working on no

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Speaker 1: records I had. You know, I've just been promoting. I

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Speaker 1: finished the album. I'm chilling right now. Do you do

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Speaker 1: you give your honest feedback when somebody like exhibits, like,

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Speaker 1: hey man, check out my new music. You sitting there like,

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Speaker 1: come on exhibit man. Nah, I mean honestly only heard

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Speaker 1: one record, and the record I heard. I told him

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Speaker 1: what I said, This sounds like it's for a movie

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Speaker 1: or something like, I'm not gonna say this for the

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Speaker 1: radio this year, next single, I tell you what it

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Speaker 1: could work for instead of telling you. You know what

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Speaker 1: I'm saying, like the record Pleasehi could snap though, he

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Speaker 1: could wrap his asshole, right, I mean exhibits. I think

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Speaker 1: I bought the first album, you know what I'm saying. Records.

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Speaker 1: I don't put it past him to this, you know,

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Speaker 1: Pip my Ride thing. Probably to everybody off it's like

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Speaker 1: new fans that only know him from that, right, It's

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Speaker 1: like a whole new generation that don't know none of

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Speaker 1: them records. They're just like that's the guy from pim Ride, Like, yeah, Aport,

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Speaker 1: this little dude was trying to climb this other dude

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Speaker 1: and he's like, you know what exhibit at who Pip

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Speaker 1: my ride at? Like tea, it was clowning each other. Yeah,

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Speaker 1: I wouldn't say that the exhibit face though he probably not.

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Speaker 1: He's not a little guy. He definitely. Uh, I'm saying,

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Speaker 1: think about the old records. But we had some fun.

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Speaker 1: We're smoking out. You still get tattoos. I try. I

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Speaker 1: got one on my see it at the out of

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Speaker 1: your head, right, But I think that's a press play.

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Speaker 1: But yeah, you know, had a cool old idea, but

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Speaker 1: it's running out of room. I'm coming up with ideas

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Speaker 1: and then I'm looking in the mirror for good forty

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Speaker 1: five minutes like where can I put it? Only put

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Speaker 1: some stuff in your legs and you know what's next?

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Speaker 1: You gotta get done? What shiny? What is wrong already?

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Speaker 1: Why don't you ask if you had it done? Sir?

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Speaker 1: That's not a question to ask. You get your girls

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Speaker 1: name right? No, that's about how that doesn't work. I

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Speaker 1: just don't see because the skin then when the skin

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Speaker 1: is that then in a certain area really seem like

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Speaker 1: that hurts, wouldn't just and then when it's not all right,

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Speaker 1: it probably looked weird like just scab me, I'm not trying,

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Speaker 1: And then you got itchy all day, walk around scratching

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Speaker 1: it all like vigorously. Which one hurt the most? Um

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Speaker 1: hand tattoos, fingers like you know, like you said this

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Speaker 1: where the skin is thinning. It's more like bone though,

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Speaker 1: is where it hurts the most, more than like the

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Speaker 1: skull and the face like nothing. Was that your first

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Speaker 1: obsession tattoos? Like, oh yeah, I think it was like

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Speaker 1: fifteen sixteen years old. I was just always drawn locy

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Speaker 1: on myself with a pen and I honestly was drawn

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Speaker 1: on myself and showing the tattoo artists like let me

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Speaker 1: get this, and he would go right over there. I

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Speaker 1: don't know if that was damaging back in the day,

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Speaker 1: actual pen ink on me, but at the end of

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Speaker 1: the day, you know what I'm saying. That's how I started.

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Speaker 1: And then from there the tattoo show was around the corner,

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Speaker 1: so it was literally I'm running over there working cleaning tools,

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Speaker 1: staying up to two in the morning when it closed.

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Speaker 1: And then like you want something, Yeah, practice on me,

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Speaker 1: let's get it. And there's a lot of artists that

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Speaker 1: you work with that everybody respects you in the industry.

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Speaker 1: So how did you decide who to put on your album? Um?

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Speaker 1: I usually try to you know, features, I do the

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Speaker 1: songs first and then see who could sound good on this.

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Speaker 1: Pay attention. You know, I'm a fan of music in general.

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Speaker 1: Some I'm always pay attention to what's going on, who's

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Speaker 1: hot just in the street and just on the radio,

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Speaker 1: and it's like from there, I try to go after,

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Speaker 1: you know, people that are my piers, people that run

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Speaker 1: into I don't like chasing features if I don't know you,

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Speaker 1: because that's when it starts getting a little personal and

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Speaker 1: people don't hit you back, and you know what I'm saying,

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Speaker 1: stuff gets mixed up or even when they don't really

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Speaker 1: know your vibe when people don't hit him back. But

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Speaker 1: I feel like a lot of people would hit you

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Speaker 1: back and want to work with you. I can't imagine

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Speaker 1: that you can't get you know, you've had proven success

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Speaker 1: in back record and I think that way. I mean,

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Speaker 1: I usually try to look at those benefits for my

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Speaker 1: career when I'm going up features. But other people don't care.

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Speaker 1: I guess you know, when you're in your zone and

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Speaker 1: your moment, especially when you getting features from like probably

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Speaker 1: bigger people, Like if you out here and then you

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Speaker 1: got a Wayne feature, you probably feel like you need

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Speaker 1: to get a feature from me. Where it's like people

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Speaker 1: don't want to meet in the middle and understand how

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Speaker 1: you could benefit from both sides. Did you download a

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Speaker 1: Little Ways mixtape that he just put out. I didn't

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Speaker 1: get a chance to you was tweaking about you the

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Speaker 1: other day the Hot Boy record. Yeah, man, he was

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Speaker 1: tweeting about the Hot Boy record, which was dope. That

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Speaker 1: was my first acknowledgement, you know what I'm saying, time

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Speaker 1: ever talking to Wheezy just getting any type of respect

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Speaker 1: from that, you know, side of things. So it was

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Speaker 1: dope to really see that and for it to be

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Speaker 1: a record that's not you know, it's not like it's

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Speaker 1: a record that's spending everywhere. So for him to hear it,

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Speaker 1: whoever played it for him, appreciate it or whatever. He

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Speaker 1: know what I'm saying, Who heard it? The DJ all

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Speaker 1: that good stuff. Did you reach out to him after that? Like, yeah,

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Speaker 1: I did, uh try to uh actually be a part

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Speaker 1: of the mixtape. But he said, he's like, man, if

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Speaker 1: we would have got that done like two days ago,

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Speaker 1: could have got done. So I think, you know, we're

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Speaker 1: gonna try to do something for just whatever's next situation.

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Speaker 1: Were like, okay, I was working with all Kelly because

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Speaker 1: I see All Kelly's on the album R Kelly. I

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Speaker 1: wasn't actually able to get in a studio, but we've

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Speaker 1: been trying to, like we've been communicating, trying to work

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Speaker 1: for like the last for the last album, we had

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Speaker 1: a record that just didn't repeat on a Little Girl,

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Speaker 1: right um allegedly allegedly stop it, y'all, y'all want to

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Speaker 1: throw Bill Coby under the bus when you saw a

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Speaker 1: tape of our he was I'm not guilty, wasn't him, sir?

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Speaker 1: But do you know he did on a Little Girl?

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Speaker 1: And that's I didn't bother the like that I was

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Speaker 1: a little boy. I don't think I processed it is

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Speaker 1: as well, you know what I'm saying. I thought it

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Speaker 1: was pretty funny. Uh you know the rest of the

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Speaker 1: tape wasn't pining, but the eating part was amazing. I

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Speaker 1: learned how to eat because of All Kelly in that tape.

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Speaker 1: He put on that make you want to try that?

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Speaker 1: Kelly doing that for hours ulified. Like I said, I

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Speaker 1: was a little boy. I was like, I was like,

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Speaker 1: what is going on? Like that's girls, That's what the

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Speaker 1: dude comes out about. When he came on the girl

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Speaker 1: and he peeed, he came again in the matter of

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Speaker 1: thirty seconds, come pe come. Oh man, he was going.

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Speaker 1: He was gonna full speed and he was going. Think

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Speaker 1: about when we was in this we get in the studio.

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Speaker 1: But you know, when I sent him the record, I'm

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Speaker 1: thinking like, all right, this r Kelly. And he sent

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Speaker 1: me back to record and I was like, Yo, he

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Speaker 1: didn't do the parts that I you know what I'm saying,

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Speaker 1: really wanted him to do something like how do you

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Speaker 1: tell Mark Kelly? Like, yo, nah, to go back in.

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Speaker 1: Not that I don't like what you do, but I

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Speaker 1: just need you to if you could just add this

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Speaker 1: and then tweak this part, and then move this, and

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Speaker 1: then I'm even you know what I'm saying, moving stuff

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Speaker 1: around and turning stuff up and down. You're like, he's

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Speaker 1: gonna be mad at me. He gonna not want to

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Speaker 1: do the record now, But it was all good. He

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Speaker 1: sent the record back. He went back in the studio

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Speaker 1: and redid stuff and you don't send it even back. Crazy,

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Speaker 1: But if he can't listen to you, then why would

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Speaker 1: you want to work with him? Because you have, you

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Speaker 1: have what it is. I mean, come on, right, But

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Speaker 1: I feel like it's something you gotta still show improve,

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Speaker 1: especially if it's like I've talked to R. Kelly, but

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Speaker 1: I don't know what his favorite so I don't know

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Speaker 1: if he really rocked with my records like that more

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Speaker 1: so than just respect the brand and what I'm doing.

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Speaker 1: So from there, it's like I gotta show improve and

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Speaker 1: earn these people respect man, and really do that. Let's

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Speaker 1: talk about your brand. You feel like your music is

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Speaker 1: bigger than you because I feel like that, I feel

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Speaker 1: like you could be marketed a little better as a person, right.

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Speaker 1: I think I think that's my fault. I think you

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Speaker 1: know my whole plan in the beginning, Like I tell people,

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Speaker 1: it's because coming from the West Coast, I felt like

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Speaker 1: we were stuck in such a box at the time

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Speaker 1: when I was coming up to where people wanted specific sound,

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Speaker 1: they want everybody to be the next game and all

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Speaker 1: of that, to where I thought it was more important

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Speaker 1: not to really stress about my personal where I was from,

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Speaker 1: and give people too much besides the music first and

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Speaker 1: let them appreciate that and then put two and two

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Speaker 1: together when they're like, oh, that's the same guy who

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Speaker 1: does this. I was interested in what he didn't. I

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Speaker 1: don't even know that was his record, and then I

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Speaker 1: think it kind of it was better. I'm saying for

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Speaker 1: the growth. I'm not a person who's in the rush to,

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Speaker 1: you know what I'm saying, to succeed over the top.

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Speaker 1: What about other artists? Are you signing other artists? He said?

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Speaker 1: Am I signing other artists? Yeah? I just signed this

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Speaker 1: cat from Arizona, Vita Ruler. He's a crazy like spitter

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Speaker 1: and more of a going like spitter, and I'm saying,

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Speaker 1: trying to help just develop his songwriting skills, and I

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Speaker 1: think he's gonna be a crazy artist. And then got

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Speaker 1: a bunch of different little producers. You know, I got

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Speaker 1: Ned Cameron, who does a lot of my big records,

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Speaker 1: and then you know, working baby shit Trow. He's only

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Speaker 1: like a high boy record. Let him get to know

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Speaker 1: you a little bit more before you start signing an artist, man.

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Speaker 1: I mean, yeah, I'm not in a rush to, like

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Speaker 1: but it's the same time, I want people to know

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Speaker 1: that it's not just me out there working. I got

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Speaker 1: a team and group of people like these are still

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Speaker 1: people that motivate me in the studio and who inspired

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Speaker 1: me to go harder. So I feel like, at the

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Speaker 1: same time, you know what I'm saying, they're getting their

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Speaker 1: shot in their moments without even having to force it.

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Speaker 1: I think it was just like I remember reading something

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Speaker 1: Kendrick said a long time ago. I was just like

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Speaker 1: they're playing was everybody get their own fan bases this

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Speaker 1: and that and then come together and you know what

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Speaker 1: I'm saying in and it just looks better that way

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Speaker 1: without over forcing it. You know, fans come together. You

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Speaker 1: built your girl for a long time. How long you've

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Speaker 1: been six years? Okay? So does she go through like

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Speaker 1: your social media and Instagram and make sure you ain't

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Speaker 1: dming and tweeting people? Did you have to do? You

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Speaker 1: have to explain this tweet you said, I saw you,

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Speaker 1: you said wilding out girls. You said every time you

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Speaker 1: see one Tupac all about you starts playing in your head.

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Speaker 1: I know she asked you about that. I know what

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Speaker 1: this actually missed that and then somebody else brought it

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Speaker 1: up in front to her and then I had to

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Speaker 1: explain it. But it wasn't that bad. It was. She

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Speaker 1: thought it was funny to an extent. She she was like,

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Speaker 1: he really says something, guys like what you say? And

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Speaker 1: then I told her I said, and she thought it

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Speaker 1: was funny. It was just you know, what does it mean?

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Speaker 1: That's for me just trying to, like I said, I'm

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Speaker 1: trying to be a little bit more personal with just

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Speaker 1: my thoughts. And I was watching Wild and now that

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Speaker 1: was the first thought that came to my head. It's

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Speaker 1: all about when I'm watching it, because it's a lot

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Speaker 1: of those just girls. I thought it was funny. More

390
00:17:23,040 --> 00:17:26,199
Speaker 1: so on Nick Cannon, Like I was like, yo, Nick,

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Speaker 1: can't really goes out there and finds all like the

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Speaker 1: popular internet video girls people that I see always just

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Speaker 1: in different clubs or whatever. The fact. Maybe he was

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Speaker 1: just saying, they see them now everywhere, is what you're saying.

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Speaker 1: I know a couple of those girls, man, They good people,

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Speaker 1: do too, some of them. I know a couple of

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Speaker 1: them very well. He was talking. Well earlier today just

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Speaker 1: before you got in here. She's not one of them, sir.

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Speaker 1: I'm sorry you get your cook on too, right, Oh man,

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Speaker 1: I'm out of here with it with the chef work.

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Speaker 1: I'm right now. My my favorite specialty dishes, my lobster berrito.

402
00:17:58,840 --> 00:18:01,720
Speaker 1: I saw he tweet up. Crab might sell it, like

403
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Speaker 1: I'm really I might get a truck just for that

404
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Speaker 1: one burrito and some fries and that's it. How'd you

405
00:18:07,320 --> 00:18:08,800
Speaker 1: learn how to do that? You used to sitting around ball?

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Speaker 1: It was a fat boy when I grew up. I

407
00:18:10,560 --> 00:18:13,399
Speaker 1: was always in the cooking, mixing up stuff and just

408
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Speaker 1: making fat boy meals. And I think from there, you know,

409
00:18:16,200 --> 00:18:18,240
Speaker 1: just really paid attention to it. Really, you know what what

410
00:18:18,280 --> 00:18:20,680
Speaker 1: I'm saying, step my game up and just just like

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Speaker 1: I could make that at home. I feel like when

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Speaker 1: I go to restaurants like this is great, this too

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Speaker 1: is about to be crazy. I tell you a super

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Speaker 1: weed smoker. So you thinking stuff like that a lot

415
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Speaker 1: of Mariwanda. Sometimes the food you're making home is way

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Speaker 1: better than anything you can buy anywhere. You know exactly

417
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Speaker 1: what you like. Just cleaning up after them, that's the right, Yep,

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Speaker 1: that's the problem. And that's why I have maids come

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Speaker 1: twice a week. How'd you avoid the whole game? Style,

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Speaker 1: how'd you avoid like having to be a blood or

421
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Speaker 1: crip or whatever. Um, I think I was somebody who

422
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Speaker 1: was lucky enough to uh have a lot of friends.

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Speaker 1: Who are I guess doing that situation for me? Who

424
00:18:59,359 --> 00:19:00,880
Speaker 1: you know what I'm saying with still around all these

425
00:19:00,880 --> 00:19:03,560
Speaker 1: guys and still in the circles. But they weren't, you

426
00:19:03,560 --> 00:19:05,000
Speaker 1: know what I'm saying, asking me or forcing me to

427
00:19:05,040 --> 00:19:06,399
Speaker 1: do nothing that I think they kind of a lot

428
00:19:06,400 --> 00:19:08,040
Speaker 1: of people saw the bigger picture because I got in

429
00:19:08,040 --> 00:19:10,320
Speaker 1: the music early. So it was like, like I said,

430
00:19:10,320 --> 00:19:12,119
Speaker 1: I used to run with Nipsey, like I produced this

431
00:19:12,200 --> 00:19:14,320
Speaker 1: first single. I was in the same circles. I was

432
00:19:14,400 --> 00:19:16,240
Speaker 1: right there on smausing I used, see what I'm saying,

433
00:19:16,520 --> 00:19:18,639
Speaker 1: stay in the same neighborhoods, go to the same school.

434
00:19:18,720 --> 00:19:21,320
Speaker 1: So you know, I used to get banged on in

435
00:19:21,359 --> 00:19:23,399
Speaker 1: front of my house every day, like go home and

436
00:19:23,560 --> 00:19:25,600
Speaker 1: like roll my door right there, like you don't really

437
00:19:25,600 --> 00:19:28,520
Speaker 1: bang on me right here. So it's like I had

438
00:19:28,560 --> 00:19:30,639
Speaker 1: the opportunities. But then I just saw the outcome in

439
00:19:30,720 --> 00:19:32,879
Speaker 1: and I saw a lot of people just right. I

440
00:19:32,920 --> 00:19:34,600
Speaker 1: had a lot of friends go to jail and die

441
00:19:34,600 --> 00:19:36,359
Speaker 1: around me early. I got homies that I I went to

442
00:19:36,359 --> 00:19:38,080
Speaker 1: school with us in for life, and I got homies

443
00:19:38,119 --> 00:19:40,600
Speaker 1: that didn't make it past eleventh grade. So it's like

444
00:19:41,280 --> 00:19:43,080
Speaker 1: you kind of look at it like, nah, man, that's

445
00:19:43,119 --> 00:19:45,280
Speaker 1: not really and I'm lazy. I always to tell people

446
00:19:45,320 --> 00:19:49,280
Speaker 1: like soon as y'all had a gang of meeting, you

447
00:19:49,320 --> 00:19:50,879
Speaker 1: don't have a gang meeting. And I'm gonna wake up

448
00:19:50,880 --> 00:19:53,600
Speaker 1: like today not to day. I'm not going to the

449
00:19:53,600 --> 00:19:55,000
Speaker 1: meeting to day. I see you later. I'm about to

450
00:19:55,040 --> 00:19:57,359
Speaker 1: play GTA all day. I'm not doing like you know

451
00:19:57,359 --> 00:19:59,200
Speaker 1: what I'm saying. So for me, I think I just

452
00:19:59,560 --> 00:20:01,560
Speaker 1: I would have got in trouble because I'm just not

453
00:20:01,680 --> 00:20:03,760
Speaker 1: showing up for those needings. Yeah, and then as soon

454
00:20:03,800 --> 00:20:05,600
Speaker 1: as the big homie would have said something crazy out

455
00:20:05,600 --> 00:20:07,280
Speaker 1: of I don't care who you are, bro like, and

456
00:20:07,320 --> 00:20:08,640
Speaker 1: then you know what I'm saying, that kind of stuff

457
00:20:08,640 --> 00:20:12,520
Speaker 1: doesn't right just from not being in order. You know

458
00:20:12,560 --> 00:20:14,800
Speaker 1: what I'm saying that I can never do gangs, frats

459
00:20:15,000 --> 00:20:18,439
Speaker 1: like all that in order stuff where military like it's

460
00:20:18,480 --> 00:20:20,639
Speaker 1: I just can't. But they respected your talent enough to

461
00:20:20,640 --> 00:20:22,720
Speaker 1: be like right, and they respect that I was making

462
00:20:22,760 --> 00:20:24,520
Speaker 1: them beats too, Like all these people were you know

463
00:20:24,560 --> 00:20:25,879
Speaker 1: what I'm saying, la, I felt like it was a

464
00:20:25,920 --> 00:20:27,720
Speaker 1: lot of people trying it out since they could be

465
00:20:27,800 --> 00:20:29,960
Speaker 1: artists seeing with work man, and you know, I was

466
00:20:30,040 --> 00:20:32,520
Speaker 1: making beats fall these guys. Somebody told me that neutral

467
00:20:32,520 --> 00:20:35,400
Speaker 1: guys get it get it the worst sometimes though, kind

468
00:20:35,440 --> 00:20:38,879
Speaker 1: of because I mean, I feel like when something it

469
00:20:38,920 --> 00:20:41,000
Speaker 1: just depends when they know you're not on BS or

470
00:20:41,040 --> 00:20:42,760
Speaker 1: ain't know you don't want to be on BS. You

471
00:20:42,760 --> 00:20:44,440
Speaker 1: know what I'm saying, nitpick it you just to look

472
00:20:44,480 --> 00:20:46,760
Speaker 1: better in front of their homies. But I ain't never

473
00:20:46,800 --> 00:20:48,600
Speaker 1: had I ain't never been jumped in, nothing like that.

474
00:20:48,680 --> 00:20:51,000
Speaker 1: Ain't nobody ever beat me up? So you said banged

475
00:20:51,000 --> 00:20:53,080
Speaker 1: on though, what's banged on? Getting banged on? It is

476
00:20:53,080 --> 00:20:55,239
Speaker 1: just where are you from? Why are you around here?

477
00:20:55,640 --> 00:20:59,880
Speaker 1: See what I'm saying all that stuff, but you got

478
00:21:00,000 --> 00:21:01,760
Speaker 1: you know what I'm saying, people try to pocket you,

479
00:21:01,840 --> 00:21:03,560
Speaker 1: rob y'all that I ain't never been robbed either, though,

480
00:21:03,600 --> 00:21:06,560
Speaker 1: so I don't know by none of that. We appreciate

481
00:21:06,600 --> 00:21:14,680
Speaker 1: you joining us to small Yeah February third speed than

482
00:21:14,720 --> 00:21:17,240
Speaker 1: the stuff that you've been delivering the radio like Yeah,

483
00:21:17,320 --> 00:21:21,640
Speaker 1: because I think, uh, I always make that kind of music.

484
00:21:21,640 --> 00:21:23,560
Speaker 1: I listen to that type of music. I think I'm always,

485
00:21:23,600 --> 00:21:25,439
Speaker 1: you know what I'm saying, just trying new things. My

486
00:21:25,480 --> 00:21:27,639
Speaker 1: biggest problem is, like I've been explaining to people, is

487
00:21:28,440 --> 00:21:30,240
Speaker 1: I know how the game works. I know that I'm

488
00:21:30,240 --> 00:21:32,560
Speaker 1: gonna need a single first, So you know, when I

489
00:21:32,600 --> 00:21:35,080
Speaker 1: go into the studio for that first two weeks, I'm

490
00:21:35,160 --> 00:21:37,879
Speaker 1: usually focused on, all right, this is a kind of

491
00:21:37,920 --> 00:21:39,359
Speaker 1: beat some of the work on this time, and this

492
00:21:39,400 --> 00:21:40,760
Speaker 1: is the kind of record I'm gonna try to get

493
00:21:40,800 --> 00:21:43,640
Speaker 1: off present them to the label, hoping that they're gonna

494
00:21:43,680 --> 00:21:46,800
Speaker 1: pick one out of ten, and they'd be like, let's

495
00:21:46,800 --> 00:21:51,240
Speaker 1: take seven of those. I'm just like, nah, I don't know. No,

496
00:21:51,440 --> 00:21:53,000
Speaker 1: Let's try to just get this one on this peron

497
00:21:53,040 --> 00:21:56,000
Speaker 1: this and then they'll come back with this person said

498
00:21:56,000 --> 00:21:57,600
Speaker 1: they want to get on this feature? Was it getting them?

499
00:21:57,600 --> 00:21:59,680
Speaker 1: Just like, bro, Now, how am I supposed to argue

500
00:21:59,720 --> 00:22:01,440
Speaker 1: with you if you didn't already threw all the features

501
00:22:01,440 --> 00:22:02,920
Speaker 1: on the song and stuff like that. So I think,

502
00:22:02,960 --> 00:22:05,040
Speaker 1: you know, I understand a little bit more how to

503
00:22:05,080 --> 00:22:07,119
Speaker 1: play that game with this project, And you know what

504
00:22:07,160 --> 00:22:09,800
Speaker 1: I'm saying. I was a little bit more like I'm

505
00:22:09,920 --> 00:22:12,359
Speaker 1: only send the knees. I'm gonna tuck these records and

506
00:22:12,359 --> 00:22:14,159
Speaker 1: then send the knees and I'm saying, make it to

507
00:22:14,160 --> 00:22:16,359
Speaker 1: where it was harder to fill it up with a

508
00:22:16,400 --> 00:22:20,280
Speaker 1: bunch of singles, just poppy singles, man, and try to everything.

509
00:22:20,480 --> 00:22:22,640
Speaker 1: But I had the mixtape come out. It's a little

510
00:22:22,640 --> 00:22:24,680
Speaker 1: bit more stronger street stuff, you know what I'm saying.

511
00:22:24,680 --> 00:22:26,000
Speaker 1: I think that's when I do that, when I give

512
00:22:26,080 --> 00:22:28,560
Speaker 1: the fans more freestyles. Right now, I'm working on the

513
00:22:28,600 --> 00:22:32,600
Speaker 1: alumni like mixtape, album, compilation project, whatever you wanna call it.

514
00:22:32,640 --> 00:22:34,960
Speaker 1: And you know that's gonna be a little bit more

515
00:22:35,080 --> 00:22:38,199
Speaker 1: of a thing where I'm showcasing the artists around me

516
00:22:38,240 --> 00:22:39,800
Speaker 1: and the people who are you know what I'm saying, grinding.

517
00:22:39,840 --> 00:22:41,240
Speaker 1: I think you know, we do a lot more than

518
00:22:41,280 --> 00:22:44,840
Speaker 1: just radio records. I just understand that that's a good

519
00:22:44,840 --> 00:22:46,840
Speaker 1: gift to have to make a radio record. Some artists

520
00:22:46,840 --> 00:22:49,840
Speaker 1: can't do it the same thing, trust ausually, man. But

521
00:22:49,880 --> 00:22:51,760
Speaker 1: I had to prove it to myself with this last project.

522
00:22:51,760 --> 00:22:53,919
Speaker 1: I actually sat down and picked the record out, was like,

523
00:22:54,640 --> 00:22:57,680
Speaker 1: all right, I'm gonna just go default. I'm not gonna

524
00:22:57,680 --> 00:22:59,680
Speaker 1: overthink it. I'm gonna just make this kind of record

525
00:22:59,680 --> 00:23:01,280
Speaker 1: and see it if it works. And then it ended

526
00:23:01,359 --> 00:23:04,439
Speaker 1: up being a hotel featuring Chris Brown. I'm like, I

527
00:23:04,520 --> 00:23:07,240
Speaker 1: wasn't supposed to be that easy man. I was trying

528
00:23:07,240 --> 00:23:09,120
Speaker 1: to see if it didn't work and just make sure

529
00:23:09,080 --> 00:23:11,239
Speaker 1: it was he what I'm saying, but I vibed that way.

530
00:23:11,280 --> 00:23:13,160
Speaker 1: I don't know. There you go. Well, let's kid ink,

531
00:23:13,440 --> 00:23:15,440
Speaker 1: Let's the Breakfast Club. Good morning yep,