1 00:00:00,360 --> 00:00:03,640 Speaker 1: Hey, y'all, let's promise. Uh, we got three special guests 2 00:00:03,680 --> 00:00:05,760 Speaker 1: in the house. Now, let me set this up right. 3 00:00:06,680 --> 00:00:09,160 Speaker 1: These are the three new young lines on the block. 4 00:00:09,760 --> 00:00:13,640 Speaker 1: These are the three young lines on the block. I can, 5 00:00:13,840 --> 00:00:16,640 Speaker 1: I can really say that, you know, I studied this 6 00:00:16,760 --> 00:00:19,639 Speaker 1: business carefully. I've watched it for a long time. These 7 00:00:19,680 --> 00:00:22,640 Speaker 1: three dudes right here are the three young lines patrolling 8 00:00:22,640 --> 00:00:25,800 Speaker 1: the block as we speak. These are the next great 9 00:00:25,800 --> 00:00:30,000 Speaker 1: ones if they stay together. This is king level stuff. 10 00:00:30,040 --> 00:00:33,400 Speaker 1: I'm talking here. First of all, the one and only 11 00:00:33,640 --> 00:00:37,400 Speaker 1: he is the host of MTVS t r L, also 12 00:00:37,520 --> 00:00:39,560 Speaker 1: on Wilding Out and a host of other things we're 13 00:00:39,560 --> 00:00:41,800 Speaker 1: gonna talk about to day. The one and only d C. 14 00:00:42,120 --> 00:00:49,280 Speaker 1: Young Flies that's up. Also from Wilding Out, all these 15 00:00:49,280 --> 00:00:53,440 Speaker 1: Wilding Out boys and Trivia Takedown please walcome and one 16 00:00:53,479 --> 00:01:01,040 Speaker 1: and only Chico Bye here, and from the Kevin Hart 17 00:01:01,280 --> 00:01:07,280 Speaker 1: Uh Comedy specials I Like that man, Kevin Hard Laugh 18 00:01:07,319 --> 00:01:11,280 Speaker 1: Allowed Comedy Specials. And from the All Death Comedy Jam 19 00:01:11,440 --> 00:01:19,080 Speaker 1: series on HBO, please welcome Carlos Miller. Hello, are the 20 00:01:19,240 --> 00:01:22,640 Speaker 1: three young Lions patrolling? I can I can say that 21 00:01:22,720 --> 00:01:24,920 Speaker 1: I can give him that fellas. How y'all doing today 22 00:01:27,160 --> 00:01:34,160 Speaker 1: with you yeah, but y'all legend status. Yeah, I take that, 23 00:01:34,800 --> 00:01:37,560 Speaker 1: can say, d see how you're holding man? Hey, man, 24 00:01:37,840 --> 00:01:39,560 Speaker 1: is it just a blessing to be Oh? Here? Man? 25 00:01:39,640 --> 00:01:41,960 Speaker 1: This this? Did they stay right here? Did that? Did 26 00:01:42,000 --> 00:01:49,200 Speaker 1: that one right here? Stays so crazy? No. I've actually 27 00:01:49,240 --> 00:01:53,320 Speaker 1: sit with d C a few times at family feud 28 00:01:53,360 --> 00:01:56,800 Speaker 1: on breaks and he's come on my talk show. I 29 00:01:56,880 --> 00:01:58,680 Speaker 1: saw this in there, but I saw this in all 30 00:01:58,720 --> 00:02:01,920 Speaker 1: three of these dudes. Man. I'm that Chico, being my son, 31 00:02:02,040 --> 00:02:04,279 Speaker 1: introduced me to him, and I said no, I started 32 00:02:04,320 --> 00:02:07,480 Speaker 1: following him. I follow all these catsmen and then Carlos 33 00:02:07,560 --> 00:02:11,680 Speaker 1: mill and I just said, Wow, these three dudes got it, man, 34 00:02:12,400 --> 00:02:15,080 Speaker 1: that's the o G Man. We just sit back and 35 00:02:15,120 --> 00:02:19,280 Speaker 1: watch them do it. We just learned. Man. Yeah. But 36 00:02:19,400 --> 00:02:22,320 Speaker 1: together these guys they are the host of eighty five 37 00:02:22,400 --> 00:02:26,280 Speaker 1: South podcast and they and they started on the new 38 00:02:26,320 --> 00:02:29,200 Speaker 1: season of Nick Cannon's Wilding Out, which I could never do. 39 00:02:30,480 --> 00:02:34,240 Speaker 1: You could come now that you said that you got 40 00:02:34,440 --> 00:02:36,320 Speaker 1: got to come on the show. I can't do it, y'all. 41 00:02:37,120 --> 00:02:41,480 Speaker 1: I can't handle no. Man. Y'all be going to y'all, 42 00:02:41,520 --> 00:02:46,720 Speaker 1: be bridging, y'all, go hard, man, y'all, y'all let people 43 00:02:46,720 --> 00:02:49,440 Speaker 1: go up for the rebound, then bridge them that y'all. 44 00:02:51,520 --> 00:02:54,440 Speaker 1: Hey man, that's what we do. Y'all gonna do my 45 00:02:57,639 --> 00:03:01,040 Speaker 1: great I understand. Listen, we learned from He can't take you. 46 00:03:01,240 --> 00:03:03,320 Speaker 1: Y'all know how y'all go in and the mama jokes 47 00:03:03,360 --> 00:03:06,560 Speaker 1: could come out. He can't handle it. I mean you 48 00:03:06,560 --> 00:03:08,040 Speaker 1: can say, you can say what you don't want to 49 00:03:08,080 --> 00:03:14,880 Speaker 1: be said, but he'll take everybody. He really should come on. 50 00:03:14,919 --> 00:03:19,400 Speaker 1: That to be probably the dopest show we probably had. 51 00:03:19,680 --> 00:03:29,320 Speaker 1: Come on man, Kings of coming. Who who's on? That 52 00:03:29,800 --> 00:03:39,400 Speaker 1: was not y'all, But y'all don't understand. The celebrity already 53 00:03:39,440 --> 00:03:42,000 Speaker 1: have the advances. It don't matter what y'all say. The 54 00:03:42,040 --> 00:03:45,480 Speaker 1: crowd gonna go with y'all because it's y'all. Bro. We 55 00:03:45,720 --> 00:03:48,760 Speaker 1: gotta come up with all the like heah, the fire 56 00:03:48,800 --> 00:03:53,400 Speaker 1: that we get booed. No, I don't want to hear that. 57 00:03:54,120 --> 00:04:05,520 Speaker 1: All you gotta do say my root he would sometimes 58 00:04:05,600 --> 00:04:13,040 Speaker 1: don't be that I hit the head, don't matter what 59 00:04:13,080 --> 00:04:15,880 Speaker 1: the joke is. They run over and over again. You yeah, oh, 60 00:04:15,960 --> 00:04:18,159 Speaker 1: you think you'd be like I guess they killed me. Okay, 61 00:04:18,400 --> 00:04:20,640 Speaker 1: they got It's good. They have a graceful buyout. So 62 00:04:20,680 --> 00:04:22,160 Speaker 1: that's what I mean, Steve, you need to come on 63 00:04:22,160 --> 00:04:24,320 Speaker 1: the show man, come on and give us graces with 64 00:04:24,400 --> 00:04:30,200 Speaker 1: your presence, because y'all ain't gonna treat the y'all gonna 65 00:04:30,320 --> 00:04:33,159 Speaker 1: know y'all did said after I saw I said, I 66 00:04:33,200 --> 00:04:35,680 Speaker 1: said and said, like that kind of stuff, you'd be 67 00:04:35,760 --> 00:04:39,000 Speaker 1: on drop the mic, he do karaoke, said like all that, 68 00:04:39,400 --> 00:04:43,240 Speaker 1: you're sitting going, what did you just say? Don't don't? 69 00:04:43,240 --> 00:04:46,200 Speaker 1: But I have my attitude. I have security out on stage, 70 00:04:46,880 --> 00:04:50,280 Speaker 1: old school dog, I can't take all that. That's what 71 00:04:50,320 --> 00:04:53,400 Speaker 1: we need. We need all that. No, dog, I have 72 00:04:53,440 --> 00:04:59,840 Speaker 1: a Cuban bodyguard beating your ass. That's a good ass 73 00:04:59,880 --> 00:05:05,840 Speaker 1: for man. He's supposed to go to the MLB. Now 74 00:05:05,880 --> 00:05:11,720 Speaker 1: he working security for Steve. But you know why people 75 00:05:11,720 --> 00:05:13,760 Speaker 1: who be so scrow they'll never work out their neck. 76 00:05:13,839 --> 00:05:19,240 Speaker 1: You put them in the yokes. Over with all right, 77 00:05:19,360 --> 00:05:21,000 Speaker 1: let's talking about a couple of things. First of all, 78 00:05:21,080 --> 00:05:24,400 Speaker 1: DC Fly, you're the host of MTVS t r L. 79 00:05:24,640 --> 00:05:27,640 Speaker 1: You're starting on Wilding Up, and we saw you Wednesday 80 00:05:27,720 --> 00:05:32,440 Speaker 1: night on Hip Hop Squads. Now you also are a 81 00:05:32,520 --> 00:05:36,240 Speaker 1: singer and you got a new single out called Never threw, 82 00:05:37,120 --> 00:05:43,280 Speaker 1: never threw a never thought, never thought. You never thought. Yeah, 83 00:05:43,680 --> 00:05:48,760 Speaker 1: on the papers they never vote never never be cause 84 00:05:48,800 --> 00:05:53,680 Speaker 1: I ain't think never though never they never thought. With 85 00:05:53,800 --> 00:05:57,000 Speaker 1: me and Tony romany Man yep, I wrote the track 86 00:05:57,279 --> 00:05:59,720 Speaker 1: She's from Chicago. She's doing real big things, I think 87 00:05:59,760 --> 00:06:01,760 Speaker 1: she said out with r C a UM and I 88 00:06:01,760 --> 00:06:03,760 Speaker 1: had to hit the probably two years ago now like 89 00:06:03,800 --> 00:06:06,160 Speaker 1: I missed with your music. And she was like, yeah, man, 90 00:06:06,200 --> 00:06:07,920 Speaker 1: you know I missed with your music. So I'm like bad. 91 00:06:08,120 --> 00:06:10,320 Speaker 1: So we we we we were kept in touching then 92 00:06:10,920 --> 00:06:12,640 Speaker 1: and I was like, there you go, it was there. 93 00:06:14,520 --> 00:06:20,040 Speaker 1: I didn't I didn't I do a little something, show 94 00:06:20,080 --> 00:06:24,000 Speaker 1: you the young Jamie Fox. Yeah, I'm I'm I'm I'm 95 00:06:24,000 --> 00:06:27,479 Speaker 1: also liked Jamie Fox with the Will Smiths and just 96 00:06:27,520 --> 00:06:29,880 Speaker 1: putting the music and the comedy and just bringing it together. 97 00:06:29,920 --> 00:06:32,360 Speaker 1: But I make sure I make I'll keep them separated 98 00:06:32,400 --> 00:06:34,120 Speaker 1: because I don't want no about it to take my music. 99 00:06:34,279 --> 00:06:35,840 Speaker 1: But I can't take them serious. I'm like, no, I'm 100 00:06:35,839 --> 00:06:38,920 Speaker 1: a different person with him. I saw the video. You've 101 00:06:38,920 --> 00:06:42,240 Speaker 1: seen the video the video? Yeah, you gotta see the video. 102 00:06:42,600 --> 00:06:46,360 Speaker 1: I gotta see it, man, all of us here from 103 00:06:46,360 --> 00:06:50,160 Speaker 1: the Deaf jam Era. I've always said that Jamie Fox 104 00:06:51,320 --> 00:06:54,800 Speaker 1: was probably the most talented of us all because the 105 00:06:54,880 --> 00:06:58,479 Speaker 1: boy can act, the boy can sing, the boy can play, 106 00:06:58,560 --> 00:07:00,880 Speaker 1: and he can do standard like you ain't never seen 107 00:07:00,960 --> 00:07:14,400 Speaker 1: Hamburger before the most universe. You ain't seen the talent. 108 00:07:15,120 --> 00:07:23,040 Speaker 1: That's why right there, because that right there that hurt 109 00:07:23,120 --> 00:07:31,960 Speaker 1: me and it wasn't even about me, never seen you 110 00:07:32,000 --> 00:07:36,800 Speaker 1: don't know, Hey man, let me talk to call for 111 00:07:36,840 --> 00:07:40,000 Speaker 1: a second cause Callos. You work with Kevin Hart on 112 00:07:40,040 --> 00:07:44,840 Speaker 1: the Love Comedy Special, and you're starting HBO's All Deaf 113 00:07:44,920 --> 00:07:47,440 Speaker 1: Comedy jam and you're on the new season. While enough, 114 00:07:47,720 --> 00:07:50,840 Speaker 1: what's all this's been like for you? So far? It's 115 00:07:50,840 --> 00:07:52,760 Speaker 1: been a lot of work. I feel like the people 116 00:07:52,840 --> 00:07:55,920 Speaker 1: like my jokes and the approach, but they just want 117 00:07:55,960 --> 00:07:57,560 Speaker 1: me to keep working. I'm like, you know, this will 118 00:07:57,600 --> 00:08:00,000 Speaker 1: go a whole lot smoother if y'all set a few 119 00:08:00,000 --> 00:08:02,800 Speaker 1: of them checks over there. But yeah, I mean the 120 00:08:02,880 --> 00:08:05,440 Speaker 1: half hour special that was a dope look, but that 121 00:08:05,600 --> 00:08:10,320 Speaker 1: is a lot of work. Yeah, And Kevin Hard he 122 00:08:10,360 --> 00:08:12,480 Speaker 1: got he got a dope platform and for him to 123 00:08:12,520 --> 00:08:14,800 Speaker 1: just open it up and let somebody else come over 124 00:08:14,840 --> 00:08:17,280 Speaker 1: there and be like, look these the guys who need 125 00:08:17,280 --> 00:08:20,280 Speaker 1: a shot. I really appreciate that. Yeah, but I really, 126 00:08:20,320 --> 00:08:22,640 Speaker 1: I really had a whole different approach to the comedy 127 00:08:22,680 --> 00:08:24,800 Speaker 1: game because I came in and write it like then 128 00:08:24,920 --> 00:08:28,040 Speaker 1: before the social media got when you really had to 129 00:08:28,080 --> 00:08:30,360 Speaker 1: go out and let people see your faith, like I 130 00:08:30,400 --> 00:08:34,199 Speaker 1: actually had to come to the Jay Spot and that 131 00:08:34,280 --> 00:08:38,800 Speaker 1: one weekend, let me get a weekend. I didn't know 132 00:08:38,840 --> 00:08:40,280 Speaker 1: if he's seen me or not, because he was in 133 00:08:40,320 --> 00:08:45,000 Speaker 1: the kitchen, back and forth, selling hot solder, he's selling, 134 00:08:45,080 --> 00:08:48,959 Speaker 1: closing chicken wings. Everything. He was back there trying to 135 00:08:49,240 --> 00:08:51,080 Speaker 1: he was actually back there trying to get them laid 136 00:08:51,160 --> 00:08:56,120 Speaker 1: ass taco that you order on Tuesday but live on wind. 137 00:08:56,559 --> 00:08:59,680 Speaker 1: Trying to get my own sandwich at the Jake Spot. 138 00:09:01,040 --> 00:09:06,720 Speaker 1: Comedian that's got a whole sound. You'll get you. I'm 139 00:09:07,000 --> 00:09:10,440 Speaker 1: changing in you tomorrow. You don't have your own sandwich, alight? 140 00:09:12,280 --> 00:09:16,400 Speaker 1: How long? All right, y'all will be right back. We've 141 00:09:16,440 --> 00:09:19,200 Speaker 1: got more with the three young lines of comedy right now. 142 00:09:19,440 --> 00:09:22,040 Speaker 1: We got Carlos Miller, we got Chico Bean and DC 143 00:09:22,240 --> 00:09:24,480 Speaker 1: Young Flyop. We'll be back with all these boys right 144 00:09:24,520 --> 00:09:30,840 Speaker 1: after this. All right, let's go, all right, we're back. Uh, 145 00:09:31,160 --> 00:09:33,200 Speaker 1: We've been talking with the three Young Lines. That's what 146 00:09:33,280 --> 00:09:35,400 Speaker 1: I've labeled the three Young Lines. Right there, I got 147 00:09:35,520 --> 00:09:38,840 Speaker 1: DC Young Fly, Chico Being, and Carlos Miller, I wanta 148 00:09:38,840 --> 00:09:41,360 Speaker 1: talk to you for a minute, or Chico you you're 149 00:09:41,360 --> 00:09:43,600 Speaker 1: on the new season a while and out you're starting 150 00:09:43,640 --> 00:09:48,120 Speaker 1: on trivial takedown on Fuse TV. Is this what you 151 00:09:48,320 --> 00:09:51,880 Speaker 1: always saw yourself doing? That you always had this as 152 00:09:51,920 --> 00:09:54,600 Speaker 1: a plan. No, I did not. I didn't have a 153 00:09:54,600 --> 00:10:00,320 Speaker 1: plan for myself for a long time. No, not one 154 00:10:00,320 --> 00:10:02,240 Speaker 1: of the people that tell you I always knew that, 155 00:10:06,320 --> 00:10:08,600 Speaker 1: and I figured it out as I went. But when 156 00:10:08,600 --> 00:10:10,559 Speaker 1: I did realize that I wanted to be a comedian, 157 00:10:10,600 --> 00:10:13,199 Speaker 1: it was, honestly just I got a degree from Winter 158 00:10:13,240 --> 00:10:16,040 Speaker 1: Salem State and it was communications. I went and found 159 00:10:16,040 --> 00:10:17,840 Speaker 1: out how much I was gonna be making entry level 160 00:10:17,840 --> 00:10:19,160 Speaker 1: at a job, and I said, we if I'm gonna 161 00:10:19,200 --> 00:10:22,079 Speaker 1: be paying struggling, much rather be paying struggling building my 162 00:10:22,120 --> 00:10:24,760 Speaker 1: own legacy than helping somebody else. Bill did So. I've 163 00:10:24,760 --> 00:10:26,720 Speaker 1: always been in the comedy. I used to watch you know, 164 00:10:26,840 --> 00:10:30,559 Speaker 1: old deaf jam tapes, Earthquakes and you and Jay Anthony Brown, 165 00:10:30,640 --> 00:10:32,440 Speaker 1: you know what I mean? Like uh, and so I 166 00:10:32,480 --> 00:10:34,040 Speaker 1: just always was into it, and I went to an 167 00:10:34,040 --> 00:10:36,800 Speaker 1: open mic in Greensboro, North Carolina, and I started doing 168 00:10:36,800 --> 00:10:38,200 Speaker 1: it in August of Oh wait, and I've been doing 169 00:10:38,240 --> 00:10:40,160 Speaker 1: it ever since. That day. Has been the greatest decision 170 00:10:40,160 --> 00:10:44,760 Speaker 1: I have made in my life. Yeah yeah, but I 171 00:10:44,800 --> 00:10:47,280 Speaker 1: mean this is the thing, though, you gotta like I realized, 172 00:10:47,320 --> 00:10:50,400 Speaker 1: like how accomplishment. This is a major want to be. 173 00:10:50,800 --> 00:10:53,040 Speaker 1: This is an a commediation to be in a situation 174 00:10:53,040 --> 00:10:55,319 Speaker 1: where we're talking to you like you was one of 175 00:10:55,360 --> 00:10:57,960 Speaker 1: those guys that have set the trend that will last forever. 176 00:10:58,040 --> 00:11:00,160 Speaker 1: So we just to be recognized by you in that 177 00:11:00,200 --> 00:11:02,840 Speaker 1: capacity is amazing. Man, No, man, you are you all 178 00:11:02,920 --> 00:11:05,880 Speaker 1: all the three young lines just walking the block. Because see, 179 00:11:06,160 --> 00:11:08,439 Speaker 1: this is this is a difficult business. I tell people 180 00:11:08,440 --> 00:11:11,360 Speaker 1: this all the time. You know, comedy is the one 181 00:11:11,440 --> 00:11:14,800 Speaker 1: business where there is no school for You can take 182 00:11:14,880 --> 00:11:17,720 Speaker 1: lessons to be a druma or singer or tap dancer. 183 00:11:17,800 --> 00:11:20,080 Speaker 1: You can take airplane lessons. You go school, be a 184 00:11:20,160 --> 00:11:23,040 Speaker 1: dr lawyer, scientist, Dennis. You can go to school learn 185 00:11:23,080 --> 00:11:25,920 Speaker 1: how to do anything. Ain't no school for this. This 186 00:11:26,000 --> 00:11:29,320 Speaker 1: is what you purely have to be born this way. 187 00:11:29,760 --> 00:11:33,600 Speaker 1: Can't nobody teach you timing. Can't nobody teach you stage president, 188 00:11:33,800 --> 00:11:37,520 Speaker 1: and can't nobody make your ass funny? You either is 189 00:11:38,240 --> 00:11:40,560 Speaker 1: or you ain't. And that's the sentence for it, right 190 00:11:41,200 --> 00:11:45,240 Speaker 1: You either is or you ain't, And I ain't really 191 00:11:45,280 --> 00:11:52,880 Speaker 1: got no time for you if you ain't with all them, 192 00:11:52,920 --> 00:11:55,160 Speaker 1: No I'm funny. Ask people running around here, man, because 193 00:11:55,160 --> 00:11:57,600 Speaker 1: you've got a little five minute YouTube tape came down 194 00:11:57,600 --> 00:12:00,319 Speaker 1: on stage for twenty minutes. But you know that where 195 00:12:00,320 --> 00:12:03,760 Speaker 1: the pressure comes from from us quote unquote in social 196 00:12:03,800 --> 00:12:06,160 Speaker 1: media Internet? You feel what I'm saying, Like I was 197 00:12:06,240 --> 00:12:09,160 Speaker 1: one one to actually ticket serious, like seeing the doors 198 00:12:09,160 --> 00:12:10,880 Speaker 1: that it was open. It was like I need you know, 199 00:12:10,880 --> 00:12:13,480 Speaker 1: I'm saying, stand up now? You know what stand up here? 200 00:12:13,679 --> 00:12:15,760 Speaker 1: My first time I tried it. I would like that one, 201 00:12:15,960 --> 00:12:19,440 Speaker 1: that one, that one was stand up. I need to 202 00:12:19,440 --> 00:12:24,840 Speaker 1: see that. Yeah, it won't even by class. It would 203 00:12:25,000 --> 00:12:27,640 Speaker 1: like you need to go find what stand up here? Then? Yeah, 204 00:12:27,800 --> 00:12:30,800 Speaker 1: this thought of your journey right now. Internet can make 205 00:12:30,840 --> 00:12:33,240 Speaker 1: you famous, but stand up, make your ass work now, 206 00:12:33,800 --> 00:12:36,440 Speaker 1: making funny, make it funny, it really does, but you 207 00:12:36,480 --> 00:12:40,360 Speaker 1: gotta put the work in you got and then let 208 00:12:40,400 --> 00:12:43,080 Speaker 1: me answer the three of you this question. Because of 209 00:12:43,160 --> 00:12:46,600 Speaker 1: social media. How do you all make the balance, because 210 00:12:47,120 --> 00:12:50,560 Speaker 1: if your stuff gets out there on social media, it's 211 00:12:50,600 --> 00:12:52,480 Speaker 1: kind of hard to go to a room or a 212 00:12:52,640 --> 00:12:56,439 Speaker 1: theater and tell that same joke that's already been out there. 213 00:12:56,480 --> 00:12:59,160 Speaker 1: So how do you all balance what you release on 214 00:12:59,240 --> 00:13:02,080 Speaker 1: social media what you don't when when they come to that, 215 00:13:02,120 --> 00:13:05,319 Speaker 1: it's more so now you really can't stop your jokes 216 00:13:05,320 --> 00:13:07,640 Speaker 1: from being on social media because like now i'd be 217 00:13:07,679 --> 00:13:09,560 Speaker 1: thinking of stuff like that when But now he's just like, 218 00:13:10,000 --> 00:13:12,080 Speaker 1: I don't care if you didn't heard it, You're gonna 219 00:13:12,120 --> 00:13:14,640 Speaker 1: hit it again, because you know what it is. It 220 00:13:14,720 --> 00:13:16,760 Speaker 1: took me three years to get this joke high. I 221 00:13:16,760 --> 00:13:19,640 Speaker 1: wanted it, and now I don't care. You go here today, 222 00:13:19,840 --> 00:13:22,600 Speaker 1: gonna hit tomorrow, And I don't care if you said 223 00:13:22,720 --> 00:13:27,840 Speaker 1: with me already got paid, you're gonna hit this again. 224 00:13:29,760 --> 00:13:34,560 Speaker 1: We can't. And some people come to hear that joke, 225 00:13:35,280 --> 00:13:37,040 Speaker 1: some people in any like for me being a young gun, 226 00:13:37,080 --> 00:13:39,679 Speaker 1: I'm learning that too. But also it's the screens where 227 00:13:39,720 --> 00:13:45,000 Speaker 1: it's like you see him record, he recorded your whole hour, everybody, 228 00:13:46,559 --> 00:13:51,240 Speaker 1: your whole hour, And I gotta do this in tomorrow. 229 00:13:52,400 --> 00:13:54,840 Speaker 1: I gotta do this again. Thirty minutes from now. But 230 00:13:54,880 --> 00:13:57,200 Speaker 1: it's like we just gotta sometimes you just got to 231 00:13:57,280 --> 00:13:59,000 Speaker 1: know certain stuff to put out there where you're like, 232 00:13:59,280 --> 00:14:01,520 Speaker 1: I'm just throw that out. They're not really say it 233 00:14:01,559 --> 00:14:03,480 Speaker 1: as a joke joke, but it's just like they know 234 00:14:03,559 --> 00:14:05,240 Speaker 1: you're funny. You're like, yeah, I'm gonna say it, but 235 00:14:05,520 --> 00:14:10,160 Speaker 1: you know you're gonna you're gonna wrap it up. I 236 00:14:10,240 --> 00:14:12,559 Speaker 1: know for me how I balanced it. And one of 237 00:14:12,600 --> 00:14:15,439 Speaker 1: the blessings of being in this group right here, comedians 238 00:14:15,520 --> 00:14:17,440 Speaker 1: is that we build off of each other. Just us 239 00:14:17,480 --> 00:14:20,520 Speaker 1: being in each other's presence and having conversations build so 240 00:14:20,600 --> 00:14:23,640 Speaker 1: much material because we always and it's and it's not 241 00:14:23,680 --> 00:14:27,280 Speaker 1: even something that we're intentionally doing. We're just always having 242 00:14:27,360 --> 00:14:30,040 Speaker 1: conversation or tripping out or riding and talking and it 243 00:14:30,120 --> 00:14:32,560 Speaker 1: just builds so much camaraderie. But it ended up going 244 00:14:32,600 --> 00:14:35,080 Speaker 1: to the stage so effortlessly because you're around to other 245 00:14:35,120 --> 00:14:38,280 Speaker 1: people that are in the same mind state, same mind 246 00:14:38,280 --> 00:14:40,400 Speaker 1: frame as you. So even if something does get out 247 00:14:40,600 --> 00:14:42,600 Speaker 1: on social media, the beauty of what we do, we're 248 00:14:42,600 --> 00:14:44,880 Speaker 1: not restricted to that material. It's not like all my 249 00:14:44,960 --> 00:14:47,840 Speaker 1: joke gone, because the way we work is just always 250 00:14:47,840 --> 00:14:49,640 Speaker 1: something coming up and we all help each other and 251 00:14:49,720 --> 00:14:52,000 Speaker 1: build off each other, so it's not as difficult as 252 00:14:52,040 --> 00:14:54,080 Speaker 1: it could be if you didn't have, like, you know, 253 00:14:54,120 --> 00:14:56,200 Speaker 1: a circle that was kind of build. Like try to 254 00:14:56,280 --> 00:14:58,960 Speaker 1: say what I put on like social media, like if 255 00:14:59,000 --> 00:15:07,840 Speaker 1: I'm tweeting something like hold on good, see what a 256 00:15:08,280 --> 00:15:20,440 Speaker 1: he tweeked? Two? Wis sense? Okay? Man, here's here's another question. 257 00:15:20,480 --> 00:15:23,120 Speaker 1: Because I'm watching this goes to you, d C. Because 258 00:15:23,200 --> 00:15:25,960 Speaker 1: you know what what I worked on earlier in my 259 00:15:26,120 --> 00:15:28,520 Speaker 1: career was a brand. I had made a decision, a 260 00:15:28,560 --> 00:15:32,480 Speaker 1: conscious decision about I was gonna be this brand. This 261 00:15:32,880 --> 00:15:35,440 Speaker 1: I was gonna because when The King's First came out, 262 00:15:35,840 --> 00:15:39,440 Speaker 1: I was the only one that wore suit, said Ward 263 00:15:39,800 --> 00:15:43,280 Speaker 1: Church and Bernie wore just shirts and Western shirts and stuff. 264 00:15:43,800 --> 00:15:45,840 Speaker 1: And then you know, man, when it came out and 265 00:15:45,880 --> 00:15:49,720 Speaker 1: they go, Steve Clean, did everybody started wearing suits? I 266 00:15:49,760 --> 00:15:54,120 Speaker 1: always knew that about me. When you on stage, d C, 267 00:15:54,320 --> 00:15:56,840 Speaker 1: I see totally different gear, Like you walk out there 268 00:15:56,880 --> 00:15:59,120 Speaker 1: with just no damn shirt on at all, which would 269 00:15:59,120 --> 00:16:08,240 Speaker 1: be a complete this last if I do photo, he 270 00:16:08,400 --> 00:16:10,560 Speaker 1: feel like bust the Douglas Like look at o G. 271 00:16:13,840 --> 00:16:25,320 Speaker 1: I'm Steve Order like go to corral biscuit look at me. Yeah, 272 00:16:26,800 --> 00:16:30,600 Speaker 1: and that picture got out by accident. I said, you 273 00:16:31,520 --> 00:16:36,200 Speaker 1: know that revampant, but find that pure. I'm looking on purpose, 274 00:16:36,280 --> 00:16:40,960 Speaker 1: but I said, hey, that don't look right. And after 275 00:16:41,040 --> 00:16:44,960 Speaker 1: talking food out there and sold that thing so fast, 276 00:16:45,360 --> 00:16:48,800 Speaker 1: But what's what's your thinking on how you dress out there? 277 00:16:48,920 --> 00:16:51,480 Speaker 1: D c oh and crazy part cause we talked about 278 00:16:51,480 --> 00:16:53,920 Speaker 1: that all the time. Like Chico he eat in the 279 00:16:53,960 --> 00:17:00,640 Speaker 1: fash he the freshes us all yeah, crazy thiss me. 280 00:17:00,760 --> 00:17:04,200 Speaker 1: I would pack the same thing piece peo guy, But well, 281 00:17:04,200 --> 00:17:07,000 Speaker 1: where my sweat suit on stage? Because I just want 282 00:17:07,000 --> 00:17:09,760 Speaker 1: to feel comfortable? Right? If I don't feel comfortable, I 283 00:17:09,800 --> 00:17:12,000 Speaker 1: want to look for that. I don't want to be 284 00:17:12,160 --> 00:17:14,479 Speaker 1: the guy on the fresh. It don't match with what 285 00:17:14,520 --> 00:17:18,280 Speaker 1: I'm saying saying if I'm talking about roaches and I 286 00:17:18,320 --> 00:17:20,240 Speaker 1: got on a little ton, what do you think? What happening? 287 00:17:20,240 --> 00:17:22,119 Speaker 1: If you want a suit on stage with the tie 288 00:17:22,160 --> 00:17:24,840 Speaker 1: and he gonna when it when I would be talking 289 00:17:24,840 --> 00:17:30,160 Speaker 1: about yeah, I talk about funerals on me, situations where 290 00:17:30,160 --> 00:17:33,800 Speaker 1: I wanted because it ain't it ain't uncomfortable. I went 291 00:17:33,840 --> 00:17:39,400 Speaker 1: to court have been don't I kept suit on. Don't 292 00:17:39,640 --> 00:17:43,760 Speaker 1: I'm still me. Don't play that listen, stick around. We'd 293 00:17:43,760 --> 00:17:46,040 Speaker 1: be back with more. We got the three Young Lines 294 00:17:46,080 --> 00:17:49,399 Speaker 1: of Comedy. I got uh Carlos Miller, I got Chico 295 00:17:49,480 --> 00:17:52,080 Speaker 1: Bet and I got DC Young Floer. This on Steve 296 00:17:52,119 --> 00:17:57,000 Speaker 1: Harvey Morty Show. This is what's called the Legend Review. Yeah, 297 00:17:57,080 --> 00:18:02,840 Speaker 1: we'll be back. Hey, if you owe ten thousand dollars 298 00:18:03,000 --> 00:18:06,280 Speaker 1: more to the I R S, called civic tax relief, 299 00:18:06,320 --> 00:18:08,679 Speaker 1: they can give you some pre information to free you 300 00:18:08,800 --> 00:18:11,200 Speaker 1: up from the I R S. Literally, I don't owe 301 00:18:11,240 --> 00:18:13,800 Speaker 1: ten thousand dollars to the I R S, but you might, 302 00:18:14,000 --> 00:18:17,240 Speaker 1: so you may want to call Civic Tax Relief. Call 303 00:18:17,320 --> 00:18:19,719 Speaker 1: the number. They can help you qualify for some pre 304 00:18:19,840 --> 00:18:22,920 Speaker 1: tax relief programs that may have your pass through taxes 305 00:18:23,280 --> 00:18:26,640 Speaker 1: forgive me. You may qualify for US some relief programs 306 00:18:26,680 --> 00:18:29,800 Speaker 1: to have your past do taxes forgiving. I'm serious. They 307 00:18:29,880 --> 00:18:32,960 Speaker 1: know people like that. Man, people down there, Civics tax 308 00:18:33,280 --> 00:18:36,080 Speaker 1: they can get you straight. Civic tax relief can protect 309 00:18:36,080 --> 00:18:37,879 Speaker 1: you from the I r S. You stop all the 310 00:18:37,960 --> 00:18:41,959 Speaker 1: anti penalties and feed and wage garnishments. Man, tell them 311 00:18:42,040 --> 00:18:46,200 Speaker 1: they're for really. See what programs you may qualify for. Man, 312 00:18:46,680 --> 00:18:50,920 Speaker 1: time is limited, the information is free. The consultation is free. 313 00:18:51,280 --> 00:18:54,200 Speaker 1: Civic tax relief can protect you from the I R. S. Man. 314 00:18:54,240 --> 00:18:57,280 Speaker 1: You can stop all those added penalties and feed and 315 00:18:57,400 --> 00:19:01,120 Speaker 1: really break free from the IR. Civic tax relief Special 316 00:19:01,160 --> 00:19:03,760 Speaker 1: Tax Relief hot line man can help you figure out 317 00:19:03,800 --> 00:19:07,199 Speaker 1: which programs you qualify for. Call now, let me get 318 00:19:07,240 --> 00:19:13,960 Speaker 1: the number for you. One hundred to nine seven six 319 00:19:14,040 --> 00:19:17,840 Speaker 1: zero one four. That's one hundred to nine seven zero 320 00:19:18,000 --> 00:19:19,879 Speaker 1: one for asked for the good people over there in 321 00:19:19,960 --> 00:19:22,960 Speaker 1: city tax relief man, because you may hold ten thousand 322 00:19:23,040 --> 00:19:24,840 Speaker 1: dollars and more and they can qualify you for the 323 00:19:24,920 --> 00:19:27,600 Speaker 1: programs to get the Texas forgive it. I'm telling you 324 00:19:27,840 --> 00:19:29,280 Speaker 1: I've been with him. How do you think I got 325 00:19:29,320 --> 00:19:31,440 Speaker 1: in this house? They forgave all the taxes. Get the 326 00:19:31,480 --> 00:19:39,920 Speaker 1: hell out of my board, by I try. We're back. 327 00:19:40,280 --> 00:19:42,520 Speaker 1: We're back with what I've called the Three Young Lines. 328 00:19:42,520 --> 00:19:45,320 Speaker 1: I'm gonna get somebody to draw character. Y'all who as 329 00:19:45,440 --> 00:19:48,680 Speaker 1: lions with these crowns on your head? I think that'd 330 00:19:48,720 --> 00:19:54,320 Speaker 1: be a cold Monica man. Yeah. The Three Young Lines 331 00:19:54,359 --> 00:19:57,600 Speaker 1: of Comedy d c DC, Young Fly, Chico Bean and 332 00:19:57,680 --> 00:20:02,560 Speaker 1: Carlos Miller. The host of uh DC is the host 333 00:20:02,640 --> 00:20:05,639 Speaker 1: of MTVS T r L and Wild and Now Chico 334 00:20:05,880 --> 00:20:09,400 Speaker 1: Bean is on Trivia Takedown and Wild and now Carlos 335 00:20:09,520 --> 00:20:12,399 Speaker 1: Miller is on Wilding Out, Kevin Hardes and laugh At 336 00:20:12,520 --> 00:20:15,760 Speaker 1: Comedy Special and All Death Comedy Jam. So we got 337 00:20:15,840 --> 00:20:18,879 Speaker 1: him here, man, we're talking about really man, just some 338 00:20:19,040 --> 00:20:22,280 Speaker 1: of the differences and the way it was and the 339 00:20:22,359 --> 00:20:24,800 Speaker 1: way it is. But there's still a lot of commonality 340 00:20:25,240 --> 00:20:27,160 Speaker 1: in it all because at the end of the day, 341 00:20:27,800 --> 00:20:29,760 Speaker 1: like I was trying to explain to this young boy 342 00:20:29,800 --> 00:20:31,880 Speaker 1: who was telling me he was gonna change the way 343 00:20:31,960 --> 00:20:35,920 Speaker 1: comedy is because he eighteen, ain't nowhere for eighteen year 344 00:20:35,920 --> 00:20:38,280 Speaker 1: olds to tell jokes. It is, But you ain't gonna 345 00:20:38,320 --> 00:20:41,000 Speaker 1: make no money at it because at eighteen you have 346 00:20:41,200 --> 00:20:44,040 Speaker 1: nothing to talk about. You ain't got no you ain't 347 00:20:44,040 --> 00:20:48,040 Speaker 1: ever been fired you, you ain't got bad credits here 348 00:20:48,240 --> 00:20:55,959 Speaker 1: you you ain't got no baby lives. But don't nobody 349 00:20:56,080 --> 00:20:59,440 Speaker 1: give a damn if unless the story interested. Yeah, not 350 00:20:59,600 --> 00:21:02,040 Speaker 1: at third a team. You don't have an interesting story 351 00:21:02,160 --> 00:21:09,040 Speaker 1: from me. It's third team thirty so grat okay, Yeah, 352 00:21:09,320 --> 00:21:17,040 Speaker 1: but your mama let you do. You's a crool man 353 00:21:18,880 --> 00:21:26,640 Speaker 1: kind of CC. However, in the morning, out the Westside 354 00:21:29,240 --> 00:21:32,960 Speaker 1: to do that your mama. Hey fellas, let's talk about 355 00:21:33,000 --> 00:21:38,320 Speaker 1: eighty five or South. This podcast you got and eighty 356 00:21:38,400 --> 00:21:42,000 Speaker 1: five South show man, that's that's the community's podcast, bro. 357 00:21:42,200 --> 00:21:44,600 Speaker 1: That's all what you're talking about. Hey man. We talked 358 00:21:44,600 --> 00:21:50,560 Speaker 1: about everything everything ever, everything, We talked about everything, everything, 359 00:21:50,880 --> 00:21:54,040 Speaker 1: like like, you want to start now talking about some stuff, Steve. 360 00:21:54,320 --> 00:21:59,000 Speaker 1: You remember the recording your studio Steve? You remember, Steve, Yeah? 361 00:21:59,840 --> 00:22:06,040 Speaker 1: You you you remember? Got ain't chat Steve my skin 362 00:22:06,200 --> 00:22:09,240 Speaker 1: chance come in Chance had been with us for a 363 00:22:09,320 --> 00:22:17,040 Speaker 1: long time to come in chat. Pretty came on the 364 00:22:17,119 --> 00:22:22,880 Speaker 1: camera looking like the King beating. That's what that. Damn 365 00:22:23,000 --> 00:22:25,280 Speaker 1: Joseph got a ball game, Yes he does. He got 366 00:22:25,359 --> 00:22:28,840 Speaker 1: a ball game. He do. You know how to hoot? 367 00:22:28,880 --> 00:22:31,680 Speaker 1: But out the rebound? Right? You know why they're going though, 368 00:22:31,720 --> 00:22:36,879 Speaker 1: Steve Man, it was weird that they still some money. Steve. 369 00:22:38,119 --> 00:22:41,200 Speaker 1: I heard of you, Steve, and I want to come 370 00:22:41,240 --> 00:22:49,400 Speaker 1: to clear the rugger no money, No money s made 371 00:22:49,440 --> 00:22:53,159 Speaker 1: a song about it. We've been talking about if you 372 00:22:53,240 --> 00:22:55,840 Speaker 1: gotta listen to the compon podcast with voice mess that 373 00:22:58,040 --> 00:23:02,640 Speaker 1: card your studio, no most Steve, Yeah. Talking about what happen. 374 00:23:03,760 --> 00:23:05,639 Speaker 1: First of all, let me tell you this they didn't. 375 00:23:05,760 --> 00:23:09,640 Speaker 1: They didn't steal any money. Okay, okay, they didn't steal 376 00:23:09,720 --> 00:23:18,440 Speaker 1: any good news. Yeah, yeah, yeah, they had a whole 377 00:23:18,520 --> 00:23:22,000 Speaker 1: misunderstanding going onbody. They're really good dudes, are they broke? 378 00:23:22,440 --> 00:23:28,040 Speaker 1: We just wanted Yeah? How much did they worked? It 379 00:23:28,200 --> 00:23:33,280 Speaker 1: was like it was like enough of that day poets 380 00:23:33,800 --> 00:23:41,840 Speaker 1: like hunch money money at that time. I didn't that. No, 381 00:23:42,000 --> 00:23:44,200 Speaker 1: it wasn't really the principle because it really wasn't nothing 382 00:23:44,240 --> 00:23:46,600 Speaker 1: really to me, you know, but when you got a 383 00:23:46,680 --> 00:23:48,920 Speaker 1: lot of people working for your talking about we can't 384 00:23:48,960 --> 00:23:51,760 Speaker 1: have this, when we can't have that, you know, I 385 00:23:51,880 --> 00:23:53,680 Speaker 1: got too many people work from it, and then that's 386 00:23:53,800 --> 00:23:57,080 Speaker 1: that's kind of far away from our other business is 387 00:23:57,200 --> 00:24:00,520 Speaker 1: so you know, they became casualties of war, that's all. 388 00:24:00,600 --> 00:24:05,679 Speaker 1: That's that's like that sometimes when but they got freed 389 00:24:05,760 --> 00:24:08,560 Speaker 1: up though, Yeah, they got freed up to go beat 390 00:24:08,640 --> 00:24:12,000 Speaker 1: who they really could be too confined. They were on 391 00:24:12,119 --> 00:24:13,800 Speaker 1: the job. They didn't want to be nobody, and I 392 00:24:13,920 --> 00:24:16,240 Speaker 1: know they ain't rather work for meeting you three idiots. 393 00:24:19,520 --> 00:24:24,480 Speaker 1: We're working for love, right, we're building over here. Yeah, 394 00:24:24,960 --> 00:24:26,760 Speaker 1: but you'll go miss around to have something cause they 395 00:24:26,840 --> 00:24:28,840 Speaker 1: cold hustlers. They do get it. I want to think 396 00:24:28,840 --> 00:24:31,320 Speaker 1: about it. Many they're really good on their computer work, man, 397 00:24:31,640 --> 00:24:33,880 Speaker 1: and that's why we still heads and family. It's it's 398 00:24:33,920 --> 00:24:36,119 Speaker 1: more so when we do these shows, it ain't about 399 00:24:36,359 --> 00:24:39,359 Speaker 1: no money. Like I don't do these shows. Yes last 400 00:24:39,440 --> 00:24:45,600 Speaker 1: night were like you ain't gonna get your coins, Like 401 00:24:45,640 --> 00:24:47,320 Speaker 1: we're gonna get the coins. They ain't got the money 402 00:24:47,320 --> 00:24:49,760 Speaker 1: over here, need my palms. I come over here and 403 00:24:49,840 --> 00:24:53,720 Speaker 1: he's like therapy. You did what I'm saying, comedy is 404 00:24:53,800 --> 00:24:57,520 Speaker 1: like therapy. Yeah, that's made a difference between us and 405 00:24:57,600 --> 00:25:02,920 Speaker 1: y'all because it's all about the damn Oh Jesus wrong. 406 00:25:04,480 --> 00:25:07,440 Speaker 1: I need my money. But I'm saying with this it 407 00:25:07,480 --> 00:25:10,080 Speaker 1: ain't about no money, because you know that was gonna 408 00:25:10,119 --> 00:25:12,199 Speaker 1: break up the family. This is a family right here. 409 00:25:12,240 --> 00:25:15,480 Speaker 1: Once the money started tripping, we gotta put somebody to this, Like, hey, brother, 410 00:25:15,760 --> 00:25:18,000 Speaker 1: I hope you ain't really paying no bills over this. 411 00:25:18,359 --> 00:25:29,840 Speaker 1: Yeah exactly. But the no, no, no, we're not saying 412 00:25:29,840 --> 00:25:31,920 Speaker 1: I'm talking about this. It is a mind. The money 413 00:25:32,080 --> 00:25:34,520 Speaker 1: is coming. Don't don't get me wrong. We makes the money, 414 00:25:35,119 --> 00:25:38,080 Speaker 1: but it's not about the money. It's about being a 415 00:25:38,160 --> 00:25:43,640 Speaker 1: family and just telling you together as a family, believe 416 00:25:43,720 --> 00:25:46,600 Speaker 1: the money get broke off. Okay, three years, But that's 417 00:25:46,600 --> 00:25:49,399 Speaker 1: the thing, like we blessed enough to make money, you know, 418 00:25:49,600 --> 00:25:53,040 Speaker 1: just in comedy all around, you know that we make 419 00:25:53,119 --> 00:25:55,800 Speaker 1: money individually and when we come here and get amongst 420 00:25:55,840 --> 00:25:58,040 Speaker 1: each other. It's just something that like you said, it's 421 00:25:58,080 --> 00:26:00,600 Speaker 1: therapy you're talking about, Like, I don't know if it's 422 00:26:00,600 --> 00:26:02,800 Speaker 1: ever been done before. You know, I've researched it, but 423 00:26:02,840 --> 00:26:05,120 Speaker 1: I I know in our generation, there's never been three 424 00:26:05,160 --> 00:26:08,000 Speaker 1: guys to get on stage together, especially who have three 425 00:26:08,160 --> 00:26:11,120 Speaker 1: And we've been three comedians who can individually say I'm 426 00:26:11,200 --> 00:26:13,639 Speaker 1: me and pay attention to me, all get on stage 427 00:26:13,640 --> 00:26:16,120 Speaker 1: together and share the stage and be able to create comedy. 428 00:26:16,400 --> 00:26:19,360 Speaker 1: That's bridge between the gap that nobody has ever really 429 00:26:19,440 --> 00:26:22,560 Speaker 1: bridge before. So it's not that's that is that is 430 00:26:22,760 --> 00:26:25,720 Speaker 1: kind of innovative. If you're on stage at the same time, 431 00:26:25,920 --> 00:26:29,879 Speaker 1: you know, that's kind of innovative. Jay I've known j 432 00:26:30,119 --> 00:26:34,000 Speaker 1: J was the first black headliner I had ever seen 433 00:26:34,280 --> 00:26:38,680 Speaker 1: in a comedy club ever. In nine This is the 434 00:26:38,760 --> 00:26:41,400 Speaker 1: first dude I ever saw that was black. He made 435 00:26:41,480 --> 00:26:44,840 Speaker 1: eighteen hundred dollars a week. I was getting two in 436 00:26:44,920 --> 00:26:51,280 Speaker 1: the First Black Man to make. And this dude right 437 00:26:51,320 --> 00:26:53,639 Speaker 1: here and I looked at him and he taught me. 438 00:26:54,359 --> 00:26:57,719 Speaker 1: He taught me how to be funny because we had 439 00:26:57,760 --> 00:27:00,280 Speaker 1: to learn it all because there was no black rooms then. 440 00:27:00,359 --> 00:27:05,080 Speaker 1: There was no place for blacks to go. The comedy 441 00:27:05,119 --> 00:27:09,119 Speaker 1: act wasn't popping back then. None of that. The Steve 442 00:27:09,200 --> 00:27:12,680 Speaker 1: Harvest Comedy House wasn't there. All jokes aside wasn't there. 443 00:27:12,800 --> 00:27:15,479 Speaker 1: Quakes clubs, wasn't that. None of that was there, man, 444 00:27:15,640 --> 00:27:17,399 Speaker 1: So we had to learn it the hard way. But 445 00:27:18,040 --> 00:27:20,159 Speaker 1: but y'all opened, But y'all, but y'all, but see, like 446 00:27:20,440 --> 00:27:23,920 Speaker 1: those small comedy clubs is what helped made like the 447 00:27:24,200 --> 00:27:26,720 Speaker 1: comics today. You know what I'm saying, Like Mike ELPs, 448 00:27:26,920 --> 00:27:29,200 Speaker 1: you're feeling on generations of the comment like look look 449 00:27:29,200 --> 00:27:31,200 Speaker 1: at the dogs that y'all open up for to be 450 00:27:31,280 --> 00:27:34,439 Speaker 1: the Mike ELPs and the arts and then for us 451 00:27:34,480 --> 00:27:36,399 Speaker 1: to be like but y'all don't even know what like 452 00:27:36,600 --> 00:27:38,159 Speaker 1: it went on. Rules for us to go. Y'all can 453 00:27:38,160 --> 00:27:41,560 Speaker 1: go anywhere. It's a thousand little small room, if you 454 00:27:41,560 --> 00:27:43,159 Speaker 1: know what I'm saying, Like, yeah, we don't get to 455 00:27:43,359 --> 00:27:44,919 Speaker 1: you see the movie stars and all that, but get 456 00:27:44,920 --> 00:27:46,520 Speaker 1: away from them a little small rooms and all that 457 00:27:46,600 --> 00:27:48,920 Speaker 1: for them to become the stars. We did that. Okay, 458 00:27:49,000 --> 00:27:51,000 Speaker 1: let me ask you question. D See, where are you 459 00:27:51,080 --> 00:27:54,720 Speaker 1: from from a lot of west side going and raided Chico, Washington, 460 00:27:54,880 --> 00:28:00,360 Speaker 1: d C. Carlos, Oxford, Mississippi. Okay, cool, here a deal. 461 00:28:01,800 --> 00:28:04,119 Speaker 1: I'm striking a deal right now where I'm about to 462 00:28:04,200 --> 00:28:16,720 Speaker 1: open up a series of Oh whatever, you should have 463 00:28:16,760 --> 00:28:21,080 Speaker 1: announced that for the So what I'm gonna do is 464 00:28:21,280 --> 00:28:28,000 Speaker 1: I'm looking for like great acts that can run these rooms, 465 00:28:28,280 --> 00:28:31,640 Speaker 1: hosts rooms. You know what I mean, because that's how 466 00:28:32,280 --> 00:28:35,480 Speaker 1: you have no idea what that did for my career, 467 00:28:35,640 --> 00:28:39,320 Speaker 1: what they did for Quakes career, what it did for Uh, 468 00:28:39,840 --> 00:28:44,480 Speaker 1: what's my dude that had a comedy act deceased? Mike Williams, Mike, Well, 469 00:28:44,640 --> 00:28:47,040 Speaker 1: what's the dude that ran it? Though? What's the brother? 470 00:28:47,240 --> 00:28:53,760 Speaker 1: Baby kids? Robert Harrison? These cats had rooms. I had 471 00:28:53,760 --> 00:28:57,600 Speaker 1: a room, and the greats came to these rooms. And 472 00:28:57,680 --> 00:28:59,400 Speaker 1: that's what I'm about to do. I'm about to strike 473 00:28:59,440 --> 00:29:01,240 Speaker 1: a deal and I can't tell you what it is 474 00:29:01,400 --> 00:29:04,320 Speaker 1: right now, but but we're putting the paperwork together right 475 00:29:04,360 --> 00:29:06,320 Speaker 1: now and I'm about to open up a series of 476 00:29:06,440 --> 00:29:09,000 Speaker 1: clubs around the country. What's the win the first show, 477 00:29:09,120 --> 00:29:10,920 Speaker 1: so I can make sure I get a cut exactly 478 00:29:13,360 --> 00:29:23,680 Speaker 1: outfit me some time to get my mouthfit to Now, man, 479 00:29:23,760 --> 00:29:25,800 Speaker 1: I'm gonna find y'all. Man, I'm gonna need some people 480 00:29:25,840 --> 00:29:27,920 Speaker 1: to work these rooms so we can start giving these 481 00:29:27,960 --> 00:29:30,960 Speaker 1: young cats a place to go, because, like you say, 482 00:29:31,080 --> 00:29:34,120 Speaker 1: y'all ain't got the selection of rooms we had. We 483 00:29:34,320 --> 00:29:37,120 Speaker 1: was everywhere man, we worked, I would I would stay 484 00:29:37,200 --> 00:29:39,760 Speaker 1: gone for thirteen weeks and do one night as for 485 00:29:39,920 --> 00:29:43,600 Speaker 1: thirteen weeks, gone in a different spot every night. Then 486 00:29:43,720 --> 00:29:47,640 Speaker 1: some weekend clubs was Fiday sadly, but it was so 487 00:29:47,840 --> 00:29:53,800 Speaker 1: much work. The comedies on the punchlines, the the funny Bone. 488 00:29:54,960 --> 00:29:59,000 Speaker 1: Im those comedy clubs they still but they just because 489 00:29:59,080 --> 00:30:04,760 Speaker 1: of black comics that they're still open. But yeah, yeah, 490 00:30:04,920 --> 00:30:07,080 Speaker 1: if it had not been for the black comments and 491 00:30:07,160 --> 00:30:09,800 Speaker 1: you guys and the new new Jack's coming up, those 492 00:30:09,840 --> 00:30:14,040 Speaker 1: clubs would have been closed along absolutely starting to reopen 493 00:30:14,680 --> 00:30:19,000 Speaker 1: because you got a chuckle. Bucks can't fill a house. 494 00:30:19,160 --> 00:30:21,640 Speaker 1: He just can't, and he's never going to be able 495 00:30:21,680 --> 00:30:25,240 Speaker 1: to the black collar. The black dollar has been strong 496 00:30:25,680 --> 00:30:29,000 Speaker 1: in the white comedy clubs. That's why they have black Yeah, 497 00:30:29,000 --> 00:30:31,000 Speaker 1: they give us the weekend and they do like the 498 00:30:31,080 --> 00:30:34,640 Speaker 1: Monday night, and then Wednesday they cut theirs and then 499 00:30:35,480 --> 00:30:39,120 Speaker 1: can you come Thursday. Every every white club in this 500 00:30:39,240 --> 00:30:42,400 Speaker 1: country had what I call Nick Night, and then the 501 00:30:43,520 --> 00:30:45,760 Speaker 1: es got two headliners. They got a white headliner for 502 00:30:45,840 --> 00:30:47,560 Speaker 1: the eight o'clock show and they are black one for 503 00:30:47,640 --> 00:30:54,440 Speaker 1: the now here's a bit of history. The very first 504 00:30:54,880 --> 00:30:58,960 Speaker 1: African American comedy night in the history of comedy was 505 00:30:59,440 --> 00:31:04,280 Speaker 1: ninety three d w BLX in Mobile, Alabama. I went 506 00:31:04,400 --> 00:31:07,120 Speaker 1: there to nine three b LX. Met a guy named JB. 507 00:31:07,280 --> 00:31:10,800 Speaker 1: Bridge Is, a dude named Skip Cheatam dude named Being Gordon, 508 00:31:11,200 --> 00:31:14,120 Speaker 1: and a dude named d J. Grigg Street who I 509 00:31:14,200 --> 00:31:18,200 Speaker 1: used to call kill. They all worked at one radio station. 510 00:31:18,560 --> 00:31:20,640 Speaker 1: They met me, they said, man, come on the radio. 511 00:31:21,200 --> 00:31:24,240 Speaker 1: I convinced the club to do a ninety three BLX 512 00:31:24,360 --> 00:31:26,600 Speaker 1: night where all the blacks could come and get in 513 00:31:26,720 --> 00:31:30,040 Speaker 1: for ninety three cent. That was a mistake because they 514 00:31:30,160 --> 00:31:35,520 Speaker 1: was all so hard about that seventh cent change that 515 00:31:35,640 --> 00:31:37,880 Speaker 1: blacks are just paid the dolling gone. But that damn 516 00:31:38,040 --> 00:31:41,320 Speaker 1: seventh cent created Molehill at that door. So I sold 517 00:31:41,360 --> 00:31:44,440 Speaker 1: a hundred tickets that night. They bought me back again. 518 00:31:44,560 --> 00:31:47,120 Speaker 1: I sold out two nights and they bought me back again. 519 00:31:47,200 --> 00:31:51,040 Speaker 1: I sold out Tuesday through Sunday. And that's when Black 520 00:31:51,120 --> 00:31:53,160 Speaker 1: Knights were born. And that's how I started and I 521 00:31:53,280 --> 00:31:56,400 Speaker 1: started doing George Wallace. I told j Anthony Brown about it, 522 00:31:56,920 --> 00:31:59,400 Speaker 1: and next thing you know, Black Knights and Radio Stations 523 00:31:59,520 --> 00:32:03,240 Speaker 1: was born. That's how they got started. That's from the 524 00:32:03,320 --> 00:32:06,240 Speaker 1: O G right there, come on, original story. But I 525 00:32:06,360 --> 00:32:09,080 Speaker 1: like head story like that. You did want that? Keep 526 00:32:09,120 --> 00:32:12,320 Speaker 1: can't game those type of those type of stories, kind 527 00:32:12,360 --> 00:32:17,360 Speaker 1: of like because for nine three cents, we got all 528 00:32:17,400 --> 00:32:20,920 Speaker 1: the bulls from Specky Johnson because because because they don't know, 529 00:32:20,960 --> 00:32:23,080 Speaker 1: I'm the last life. You know what I'm saying. Generation 530 00:32:23,320 --> 00:32:25,600 Speaker 1: I remember the sense sign. You feel what I'm saying, like, 531 00:32:25,640 --> 00:32:29,200 Speaker 1: I remember they don't teach sign. Not for him to 532 00:32:29,240 --> 00:32:31,440 Speaker 1: say that they paid ninety three cents, I was like, 533 00:32:32,400 --> 00:32:38,480 Speaker 1: a long time, they don't have to sit who you say? Sign? No, 534 00:32:39,080 --> 00:32:42,200 Speaker 1: I didn't know that that's real. They don't teach the things. 535 00:32:42,240 --> 00:32:48,520 Speaker 1: They don't. They don't person Curson is out of here. 536 00:32:48,840 --> 00:32:55,000 Speaker 1: The sign is we have been grace with the three 537 00:32:55,080 --> 00:32:58,880 Speaker 1: young lines and comedy. These boys. I'm telling you many 538 00:32:59,360 --> 00:33:01,560 Speaker 1: but I got gotta table man. They have a business 539 00:33:01,600 --> 00:33:04,240 Speaker 1: savvy about him. That's pretty impressive. Man. I think these 540 00:33:04,280 --> 00:33:06,280 Speaker 1: cats gonna be around for a long time. And if 541 00:33:06,320 --> 00:33:10,600 Speaker 1: they can maintain the camaraderie. Uh, they got their king 542 00:33:10,720 --> 00:33:12,760 Speaker 1: stuff on the horizon. Man. You can make a lot 543 00:33:12,840 --> 00:33:16,360 Speaker 1: of money together. Uh, they really can. So they're here. 544 00:33:16,560 --> 00:33:18,960 Speaker 1: Don't forget to check them out any podcast on eighty 545 00:33:19,040 --> 00:33:22,360 Speaker 1: five souths. Don't forget to watch Carlos Miller on Kevin 546 00:33:22,440 --> 00:33:25,000 Speaker 1: Hardest Laugh Our Live Comedy Special and on the All 547 00:33:25,120 --> 00:33:27,880 Speaker 1: Deaf Comedy Jam series Chico Being. You can catch him 548 00:33:27,920 --> 00:33:30,840 Speaker 1: and all these boys on Wilding Out and Trivir Takedown 549 00:33:31,200 --> 00:33:33,400 Speaker 1: and the One and Only DC Young Fly. The host 550 00:33:33,480 --> 00:33:38,440 Speaker 1: of mtvs are t R and Wilding Out. Ladies and gentlemen, 551 00:33:38,480 --> 00:33:41,680 Speaker 1: you have been listening to the young lines of comedy 552 00:33:41,880 --> 00:33:49,640 Speaker 1: give it up from Yeah, Yeah, make sure you go 553 00:33:49,760 --> 00:33:53,160 Speaker 1: to eighty five South show dot com and when we 554 00:33:53,200 --> 00:34:03,680 Speaker 1: can nick and we don't make me standing there, just 555 00:34:03,840 --> 00:34:10,400 Speaker 1: be taking punishment about it. I was. And now when 556 00:34:10,440 --> 00:34:12,160 Speaker 1: you're making it. Now, when you're making that money off 557 00:34:12,239 --> 00:34:14,279 Speaker 1: us telling them jokes to him like dad, he love it. 558 00:34:14,440 --> 00:34:17,160 Speaker 1: Keep on coming, keep on coming. Yeah, he's gonna get 559 00:34:17,239 --> 00:34:18,880 Speaker 1: jealous when you see us on your show. We're all 560 00:34:18,960 --> 00:34:22,840 Speaker 1: getting fat. You don't like when people make moves with 561 00:34:23,040 --> 00:34:31,919 Speaker 1: us to come up cut the episode. Yeah, I told 562 00:34:32,000 --> 00:34:33,879 Speaker 1: my aunt I was gonna be on Steve HARVEYD. She's 563 00:34:33,880 --> 00:34:36,520 Speaker 1: got so excited. She was like only other person you 564 00:34:36,560 --> 00:34:37,960 Speaker 1: could have been on. Made me feel like this was 565 00:34:38,040 --> 00:34:42,920 Speaker 1: Michael Bays then happening. He said on the radio, you 566 00:34:42,920 --> 00:34:44,759 Speaker 1: should want Michael Bates and coming to your lives today. 567 00:34:44,760 --> 00:34:47,160 Speaker 1: We're gonna talk about black men who need help from 568 00:34:47,239 --> 00:34:53,280 Speaker 1: their mothers. Michael Bays alive directly in the morning, brother calling, 569 00:34:53,320 --> 00:34:57,680 Speaker 1: what is your name? Yeah, I don't like hugs. Yeah, 570 00:34:58,160 --> 00:34:59,759 Speaker 1: if you don't like hugs, you need to open your 571 00:34:59,800 --> 00:35:01,640 Speaker 1: arm and close your eyes more. All right, we want 572 00:35:01,680 --> 00:35:07,680 Speaker 1: to move on. That's Michael based in the funk. That 573 00:35:08,560 --> 00:35:10,279 Speaker 1: that's what it is. Man. But like I said, man, 574 00:35:10,320 --> 00:35:11,719 Speaker 1: we're happy to be here. I want to see who 575 00:35:11,760 --> 00:35:13,600 Speaker 1: we got in here. What's up baby? How y'all doing? 576 00:35:13,719 --> 00:35:16,480 Speaker 1: What's going on? That's your lady right there. That's right, 577 00:35:16,560 --> 00:35:19,000 Speaker 1: that's what it is. Good less being loving in the building, 578 00:35:19,960 --> 00:35:21,400 Speaker 1: that's what it is. How long y'all have been together? 579 00:35:22,840 --> 00:35:24,799 Speaker 1: Going on two years? Let me ask you a question, 580 00:35:24,840 --> 00:35:28,239 Speaker 1: what made you give up Dick like real Dick? No, 581 00:35:28,440 --> 00:35:29,920 Speaker 1: for real, I'll be wanting to know because it'd be 582 00:35:30,000 --> 00:35:31,600 Speaker 1: probably good reasons. You know what I mean that you 583 00:35:31,680 --> 00:35:34,440 Speaker 1: go from real Dick the plastic dick like. That's because 584 00:35:34,440 --> 00:35:36,400 Speaker 1: they don't give up Dick all the way. They just 585 00:35:36,520 --> 00:35:38,120 Speaker 1: give up Dick with a vein in it. They go 586 00:35:38,280 --> 00:35:42,759 Speaker 1: to the I'm serious like y'all acting like y'all know, 587 00:35:42,840 --> 00:35:48,600 Speaker 1: But what made you give up real Dick? Huh? The click? 588 00:35:50,440 --> 00:35:52,759 Speaker 1: You just like click? You don't like dick, So y'a 589 00:35:52,760 --> 00:35:55,319 Speaker 1: don't use it, y'alln't use the trap, y' don't use 590 00:35:55,360 --> 00:35:57,640 Speaker 1: nothing that every so often. But that means you still 591 00:35:57,760 --> 00:35:59,840 Speaker 1: like Dick. That's what it is. And I know she 592 00:36:00,040 --> 00:36:01,960 Speaker 1: aggressive when I can tell because she got the you 593 00:36:02,040 --> 00:36:05,000 Speaker 1: know what I mean, the Florida dreads and anything. But guaranteed, 594 00:36:05,080 --> 00:36:07,359 Speaker 1: if you strapped her out, she'll like Dick too. I'm 595 00:36:07,440 --> 00:36:11,840 Speaker 1: telling you she'll like Dick too. I guarantee you. I 596 00:36:12,000 --> 00:36:14,160 Speaker 1: fuck you, and they're getting the jest for me, I guarantee, 597 00:36:14,200 --> 00:36:16,200 Speaker 1: and you'd be like funk these dreads. I'm great. Put 598 00:36:16,239 --> 00:36:19,120 Speaker 1: a perm back in my ship. That nigga Chico just 599 00:36:19,280 --> 00:36:24,840 Speaker 1: sucked me back into a motherfucking roller set nick. Salute 600 00:36:24,880 --> 00:36:26,399 Speaker 1: to you man, how are you? We got the lovely 601 00:36:26,440 --> 00:36:28,640 Speaker 1: white lady in the front. Thank you for coming. I 602 00:36:28,719 --> 00:36:30,279 Speaker 1: don't know if I want you to record, though, I 603 00:36:30,280 --> 00:36:31,799 Speaker 1: don't know who you're gonna show this ship too? Who 604 00:36:31,800 --> 00:36:33,960 Speaker 1: are you recording this for? You look kind of like 605 00:36:34,080 --> 00:36:37,040 Speaker 1: that lady they called the motherfucker's police on the people barbecue. 606 00:36:37,840 --> 00:36:40,480 Speaker 1: I don't want that. They just snuck her and set 607 00:36:40,520 --> 00:36:43,480 Speaker 1: here with a new head style nigga sheep. Don't record me? 608 00:36:43,520 --> 00:36:47,840 Speaker 1: Who you record? What? What's your name? Man? Latasha? Natasha? 609 00:36:47,840 --> 00:36:49,719 Speaker 1: You're gonna record the whole thing. You're just gonna make 610 00:36:49,760 --> 00:36:52,520 Speaker 1: sure that somebody you know not coming. You promised them 611 00:36:52,560 --> 00:36:54,640 Speaker 1: they was gonna get the show too. You must be 612 00:36:54,760 --> 00:36:56,920 Speaker 1: from Baby's Ford doing some get on that ship like that. 613 00:36:57,600 --> 00:37:00,120 Speaker 1: Fuck it, don't even worry about it. I recorded, are 614 00:37:00,200 --> 00:37:02,400 Speaker 1: you one ticket? We'll get the whole family on the 615 00:37:02,480 --> 00:37:05,200 Speaker 1: eighty five side show? I bring it home, plugging into 616 00:37:05,239 --> 00:37:08,920 Speaker 1: the computer, fucking laugh all night, no money, That's what 617 00:37:09,040 --> 00:37:14,640 Speaker 1: it is. How you doing? G the funk? Was that 618 00:37:15,520 --> 00:37:18,080 Speaker 1: somebody stopped playing some country music while I'm up here? 619 00:37:18,239 --> 00:37:21,919 Speaker 1: See man, stop recording. That's your people, that's your people 620 00:37:21,960 --> 00:37:24,240 Speaker 1: there in the back. Hey fuck that, leave leave alone, 621 00:37:24,360 --> 00:37:29,360 Speaker 1: goddamnit for we tear this sun bit the shorts, guarantee it. 622 00:37:29,440 --> 00:37:31,600 Speaker 1: That's what I know. I started in like I'm from 623 00:37:31,920 --> 00:37:34,560 Speaker 1: d C. But I started my comedy career in North Carolina. 624 00:37:34,840 --> 00:37:37,480 Speaker 1: Last started in Greensboro, and then one of the first places, 625 00:37:37,840 --> 00:37:39,640 Speaker 1: one of the first places that I ever performed that 626 00:37:39,719 --> 00:37:41,680 Speaker 1: paid me, was right here in Charlotte. So I always 627 00:37:41,760 --> 00:37:43,759 Speaker 1: had love for this building. Man, But I learned a 628 00:37:43,800 --> 00:37:46,799 Speaker 1: lot about white people starting in uh in Greensboro, North 629 00:37:46,800 --> 00:37:48,880 Speaker 1: Carolina and down here. Y'all don't play no games. Like 630 00:37:49,320 --> 00:37:51,120 Speaker 1: if you ever hear a country white person say the 631 00:37:51,160 --> 00:37:54,040 Speaker 1: word fucker, get the funk out of there. Nick when 632 00:37:54,080 --> 00:37:57,080 Speaker 1: they say, hey, fucker, watch yourself, that's like, nigga's time 633 00:37:57,160 --> 00:38:02,319 Speaker 1: to go. Guarantee ship man. But this is a beautiful thing. 634 00:38:02,360 --> 00:38:04,200 Speaker 1: We just sold this show out. Man, makes a noise 635 00:38:04,239 --> 00:38:08,160 Speaker 1: for yourselves for selling the show out, That's what it is. 636 00:38:09,120 --> 00:38:11,880 Speaker 1: What's up? Oh gee, how you doing? What's gonna this Nigga? Like, 637 00:38:11,960 --> 00:38:14,919 Speaker 1: fuck yeah, nigga, they set you in the right spot. 638 00:38:15,040 --> 00:38:16,719 Speaker 1: You got that just came home white to you on 639 00:38:16,800 --> 00:38:20,360 Speaker 1: they got might leave your long. What's your name, gee, Tonio, 640 00:38:20,480 --> 00:38:24,640 Speaker 1: were you from South Carolina? Greenville, South Carolina? That's what 641 00:38:24,760 --> 00:38:26,759 Speaker 1: it is, Greenville, South? What you do for a lemon? 642 00:38:26,800 --> 00:38:31,040 Speaker 1: G You're a project manager? Okay, this nigga said, doping 643 00:38:31,080 --> 00:38:34,200 Speaker 1: the project y'all, that's what it is. You manage you' 644 00:38:34,200 --> 00:38:36,640 Speaker 1: all the dope in the projects in Greenville. That's what 645 00:38:36,760 --> 00:38:39,520 Speaker 1: it is. I feel you how many projects you got? 646 00:38:41,280 --> 00:38:43,839 Speaker 1: Don't laugh the week we're talking. That's your lady right there. 647 00:38:44,400 --> 00:38:47,080 Speaker 1: Now you're nore. Y'all just met them, so they just 648 00:38:47,160 --> 00:38:49,239 Speaker 1: set you all together. All right, we'll welcome to the 649 00:38:49,320 --> 00:38:55,240 Speaker 1: eighty five South show. Love Connection. What's your name? Beautiful Shane? 650 00:38:55,480 --> 00:38:58,320 Speaker 1: You have a boyfriend? You sure? Dude? Where then is 651 00:38:58,320 --> 00:39:01,359 Speaker 1: he at? Why he's at on? Why you ain't bring 652 00:39:01,440 --> 00:39:04,880 Speaker 1: him to the show? You wanted to come with your cousin? Okay? 653 00:39:04,960 --> 00:39:06,799 Speaker 1: That mean you're looking for some side dick. How you doing? 654 00:39:08,440 --> 00:39:10,399 Speaker 1: I tell I know that y'all in the group chat together, 655 00:39:10,520 --> 00:39:14,120 Speaker 1: fun this nigga bit. We're going out tonight. Make sure 656 00:39:14,160 --> 00:39:16,720 Speaker 1: they sit us at the table. Where a project manager? Nigger, 657 00:39:16,760 --> 00:39:18,640 Speaker 1: that's what it is, ain't there, It is my nigga, 658 00:39:18,920 --> 00:39:20,840 Speaker 1: there it is you in the game. Bro, there you go. 659 00:39:21,200 --> 00:39:24,520 Speaker 1: How about you, big man? What's your name, Darrell? What 660 00:39:24,640 --> 00:39:27,960 Speaker 1: you do for a living? Darrel? You are an HR director? Y'all. 661 00:39:28,040 --> 00:39:31,040 Speaker 1: Niggas know each other. Yeah, yeah, yeah. You manage the 662 00:39:31,080 --> 00:39:33,080 Speaker 1: projects and you fie and kill all the niggas that 663 00:39:33,160 --> 00:39:35,759 Speaker 1: suck the money up. That's what it is, man, y'all. 664 00:39:35,800 --> 00:39:38,279 Speaker 1: Some big dudes, y'all play football, work out or something 665 00:39:38,360 --> 00:39:42,320 Speaker 1: like that. Now you're just big for no reason. So 666 00:39:42,440 --> 00:39:44,360 Speaker 1: what the fund is you? Big? I hate big asks, 667 00:39:44,440 --> 00:39:47,680 Speaker 1: no reason to ask. Niggas you're walking around all big, 668 00:39:47,760 --> 00:39:51,720 Speaker 1: can't secure ship, Just big as a motherfucker probably captain crunching, 669 00:39:51,719 --> 00:39:56,600 Speaker 1: no milk, nigga, just big and ship for nothing. Man. Listen, man, 670 00:39:56,640 --> 00:39:58,120 Speaker 1: we got a great show on deck for y'all. Man, 671 00:39:58,120 --> 00:39:59,640 Speaker 1: we're gonna go ahead and get it started because we 672 00:39:59,640 --> 00:40:02,960 Speaker 1: started little late. You're all ready keep a show rolling now. 673 00:40:03,000 --> 00:40:04,520 Speaker 1: I need more energy to that. Baby. We got a 674 00:40:04,520 --> 00:40:05,880 Speaker 1: dope show on that for y'all. You're all ready to 675 00:40:05,920 --> 00:40:09,080 Speaker 1: keep the show rolling, Charlotte. That's what I'm talking about, 676 00:40:09,080 --> 00:40:10,960 Speaker 1: all right. Man. The first gentleman I'm about to bring 677 00:40:11,000 --> 00:40:13,319 Speaker 1: to the stage is my motherfucking brother my partner. You've 678 00:40:13,320 --> 00:40:15,640 Speaker 1: seen them everywhere. You see them on your TV, on 679 00:40:15,760 --> 00:40:17,719 Speaker 1: your cell phone screen, but you're about to see him 680 00:40:17,760 --> 00:40:19,920 Speaker 1: live right here tonight at the Sharlotte Comedy Zone. So 681 00:40:19,960 --> 00:40:22,319 Speaker 1: I need everybody stopped making some noise right now. Put 682 00:40:22,400 --> 00:40:26,759 Speaker 1: your hands together for the Stop clapping niggas. Don't ever 683 00:40:26,880 --> 00:40:29,640 Speaker 1: disrespect my man like that makes some noise for the 684 00:40:29,760 --> 00:40:33,720 Speaker 1: one and only the motherfucking nigga. D C. You're flying 685 00:40:44,960 --> 00:40:49,439 Speaker 1: these feels the show. I know you know this ship? 686 00:40:51,560 --> 00:40:54,960 Speaker 1: Come on later? Do you know you know this in 687 00:40:55,080 --> 00:40:58,600 Speaker 1: you guy? Hold on, y'all know always say this ship, 688 00:40:58,680 --> 00:41:04,920 Speaker 1: hold on, listen to this. She climbs on, hold on 689 00:41:05,000 --> 00:41:07,880 Speaker 1: my favorite part. They came out, Yeah, hold on, you 690 00:41:07,960 --> 00:41:11,000 Speaker 1: know you know this ship? That's your favorite ship? Ain't 691 00:41:14,160 --> 00:41:29,640 Speaker 1: she think my tractors? Say said, what when I found 692 00:41:29,640 --> 00:41:32,080 Speaker 1: out white business with funing for tractors, I did not 693 00:41:32,239 --> 00:41:37,040 Speaker 1: know that that's what time be doing. She think my tractors? Hecks, 694 00:41:38,840 --> 00:41:41,719 Speaker 1: y'all don't be sucking for tractors, So what the fuck 695 00:41:41,760 --> 00:41:45,320 Speaker 1: you talking about? The You know you'd be sucking for tractors. 696 00:41:46,640 --> 00:41:51,200 Speaker 1: What's your name, Auntie Natasha? No it ain't. That's a 697 00:41:51,280 --> 00:41:55,000 Speaker 1: black woman named she finished at Laura or some ship. 698 00:41:55,040 --> 00:42:00,879 Speaker 1: You'll neaverout, Natasha? What you do for lint? You you're 699 00:42:00,960 --> 00:42:16,839 Speaker 1: manager at don atoll Ah, bitch I said, I won't 700 00:42:16,880 --> 00:42:25,000 Speaker 1: tease you. Hey, listen, if you ever got drunk in 701 00:42:25,040 --> 00:42:27,239 Speaker 1: the drunk machine and your ass walked in the back, 702 00:42:27,719 --> 00:42:29,440 Speaker 1: we stid in all them two leaders. Bitch I just 703 00:42:29,520 --> 00:42:33,360 Speaker 1: want you to what's your night? Aunt? Why these mics 704 00:42:33,360 --> 00:42:35,680 Speaker 1: all low? How did all? How did it all? What's 705 00:42:35,719 --> 00:42:38,680 Speaker 1: your night? Aunt? Shade? What you do for a living? 706 00:42:38,680 --> 00:42:44,240 Speaker 1: Shall day? You're you're in banking? You you're in banking? 707 00:42:44,360 --> 00:42:46,880 Speaker 1: Or you you you go to school for banking? BA 708 00:42:49,040 --> 00:42:51,239 Speaker 1: you already graduated. See what you do for a living? 709 00:42:52,080 --> 00:42:54,879 Speaker 1: You're in banking? So like you work at a bank? 710 00:42:56,480 --> 00:42:58,240 Speaker 1: Like doing? What are you just at the dope business? 711 00:42:58,440 --> 00:43:02,520 Speaker 1: Do it? You said? Greeting people? Think a drag or 712 00:43:02,640 --> 00:43:16,200 Speaker 1: six e? We got the brandyns motherfucker? Like how you 713 00:43:16,360 --> 00:43:20,680 Speaker 1: signed that? St bright? I tell what you were getting? 714 00:43:20,719 --> 00:43:23,719 Speaker 1: Think I know what's going on. That's your boyfriend right there, Yes, 715 00:43:25,239 --> 00:43:28,720 Speaker 1: nigga making you stronger head? May I see you? Nigga? 716 00:43:28,800 --> 00:43:31,400 Speaker 1: You you're right now, big maga. You can't even sit 717 00:43:31,480 --> 00:43:42,440 Speaker 1: up on the table. Fat leg haven't, Laddy, what I 718 00:43:42,600 --> 00:43:51,120 Speaker 1: think got ankles on sw the look Laddy, Yeah, I 719 00:43:51,200 --> 00:43:58,480 Speaker 1: know he alder strong and wan Look lady, Oh hey, 720 00:43:58,719 --> 00:44:06,000 Speaker 1: what'd you do? O g You're a project madam? How 721 00:44:06,080 --> 00:44:09,680 Speaker 1: the fun you manage that? You're a project? Managed like you? 722 00:44:09,760 --> 00:44:11,960 Speaker 1: Just you just walking like you? Nigga? You secured and 723 00:44:12,040 --> 00:44:16,279 Speaker 1: eat You ain't know about it, no project man? And 724 00:44:16,360 --> 00:44:19,400 Speaker 1: how the fun you manage that? Some ship? Oh so 725 00:44:19,520 --> 00:44:23,600 Speaker 1: you manage your apartment? Do you stay in the apartment 726 00:44:23,640 --> 00:44:26,560 Speaker 1: as you manage? You know? How nigga do they stay 727 00:44:26,560 --> 00:44:30,200 Speaker 1: stay in the apartment they manage because it's freeze through. Yeah, 728 00:44:30,239 --> 00:44:33,320 Speaker 1: I got a faull bet bron. Listen, nigga own this 729 00:44:33,520 --> 00:44:42,319 Speaker 1: motherfuck you'll be in Victor. Nigga who got roaches? Man, 730 00:44:42,360 --> 00:44:50,399 Speaker 1: you're sucking up my property, bitch. You listen to Brad. 731 00:44:50,400 --> 00:44:52,399 Speaker 1: You gotta the cold that studio down, but it's sucking 732 00:44:52,520 --> 00:45:00,520 Speaker 1: up before. But my nigga, this is motherfucker by the week. 733 00:45:00,560 --> 00:45:03,560 Speaker 1: Ain't got there on wall, but I ain't lie. That's 734 00:45:03,640 --> 00:45:07,839 Speaker 1: y'all city. Well they man, y'all sit the little guy 735 00:45:07,960 --> 00:45:13,440 Speaker 1: there and ship full. I ain't my phone niggas died 736 00:45:13,480 --> 00:45:16,440 Speaker 1: over there. I don't know what that is? Get up, 737 00:45:16,520 --> 00:45:21,759 Speaker 1: NIGGI on the gray yard? Stupid? Is this is what 738 00:45:21,880 --> 00:45:24,320 Speaker 1: you thought of one you thought you would come to 739 00:45:24,360 --> 00:45:30,280 Speaker 1: se j Chappelle, nab you go te nam Dractor's exit. 740 00:45:32,239 --> 00:45:33,800 Speaker 1: I live this so I see you meet? You know 741 00:45:33,840 --> 00:45:37,279 Speaker 1: why to call it you? Nick? What's your name? Who? 742 00:45:38,160 --> 00:45:43,160 Speaker 1: T that? Ain't me? No trouble nigga? What's your real name? Nick? Trouble? 743 00:45:43,680 --> 00:45:44,800 Speaker 1: Why don't you teach you to say it like that? 744 00:45:44,920 --> 00:45:48,879 Speaker 1: Like true? You know? Been pulled over two minute time? 745 00:45:48,920 --> 00:45:52,359 Speaker 1: What's your name about? Trible? Look like they have nothing? 746 00:45:52,440 --> 00:45:56,560 Speaker 1: You're I'm not a Mexican. Say I'm not. That's your brother? No, 747 00:45:56,800 --> 00:45:58,400 Speaker 1: the two Mexican niggas in the cross from each other. 748 00:45:59,480 --> 00:46:03,600 Speaker 1: What a good get there? I'll right look at the 749 00:46:03,600 --> 00:46:06,120 Speaker 1: white What I gonna take your last walk? Look? Lad? 750 00:46:06,160 --> 00:46:16,000 Speaker 1: What what's your name? O? G? Dalan? I don't get 751 00:46:16,040 --> 00:46:23,240 Speaker 1: your sweet life zacon coat ahead as then let's proud 752 00:46:23,320 --> 00:46:29,279 Speaker 1: look at that ye have a good time? All right? 753 00:46:29,400 --> 00:46:30,600 Speaker 1: You know we text the right in front of me. 754 00:46:30,640 --> 00:46:36,600 Speaker 1: I'll see you well your dated ah ship the bank 755 00:46:36,680 --> 00:46:38,919 Speaker 1: of y'all catch your faith chase. I know the funk 756 00:46:38,960 --> 00:46:42,000 Speaker 1: going on. I don't know what's going on? What bank 757 00:46:42,040 --> 00:46:47,880 Speaker 1: you worth for? Why I need a bank account? I 758 00:46:47,880 --> 00:46:50,680 Speaker 1: don't tie to you the Western Union and ship now, 759 00:46:50,680 --> 00:46:53,600 Speaker 1: I don't pick up on the weekend. We had to 760 00:46:53,600 --> 00:46:56,720 Speaker 1: wait for my baby. I need to direct the pasitive. 761 00:46:56,719 --> 00:47:01,520 Speaker 1: I never had that. I never had my money to 762 00:47:01,600 --> 00:47:06,440 Speaker 1: hit scraight away like you, please pull you back. We 763 00:47:06,480 --> 00:47:07,719 Speaker 1: don't trying to get your cost. And look, you know 764 00:47:07,719 --> 00:47:09,000 Speaker 1: what they're gonna fun with you know what I'm saying. 765 00:47:09,040 --> 00:47:11,759 Speaker 1: You get on on account. Bitch you Michael. I don't 766 00:47:11,800 --> 00:47:13,600 Speaker 1: know how promotions go, but I think you do that 767 00:47:13,760 --> 00:47:19,839 Speaker 1: when you get white man. That's how how black people 768 00:47:19,880 --> 00:47:22,719 Speaker 1: get promotions. White lady. We just we were like, yeah, bitch, 769 00:47:22,760 --> 00:47:24,080 Speaker 1: you was hanging on me bench, but I don't gonna 770 00:47:24,080 --> 00:47:32,399 Speaker 1: go to my desk. Oh my god, Dylan, you're learning 771 00:47:32,440 --> 00:47:36,600 Speaker 1: anything or you're learning right now. I can do this 772 00:47:36,680 --> 00:47:41,960 Speaker 1: all day. Listen and lit this ship. They got the 773 00:47:42,040 --> 00:47:45,399 Speaker 1: little bit that baby speakers in their motherfucker Listen, nigga 774 00:47:45,480 --> 00:47:48,560 Speaker 1: got I locked that ship down, nigga. Okay, they got 775 00:47:48,600 --> 00:47:50,879 Speaker 1: this ship put all right? Okay, people in the back, 776 00:47:50,920 --> 00:47:53,880 Speaker 1: what's oll y'all? Y'all good. I can't see y'all, but 777 00:47:54,000 --> 00:47:56,839 Speaker 1: I hear y'all. Okay, BT man, what's up? What's up? 778 00:47:56,960 --> 00:48:01,319 Speaker 1: Like you are we killing? You? Be barbecuing a bit 779 00:48:02,480 --> 00:48:04,480 Speaker 1: and do a little bit many time, need to say 780 00:48:04,480 --> 00:48:05,640 Speaker 1: a little bit when you do a whole lot. But 781 00:48:05,800 --> 00:48:08,680 Speaker 1: stop playing. I think when I do a little bit, 782 00:48:08,760 --> 00:48:10,160 Speaker 1: come on the grip, big head. When I do a 783 00:48:10,200 --> 00:48:17,919 Speaker 1: little bit. My it's okay. You should come off everything glad. Yeah, 784 00:48:17,960 --> 00:48:19,400 Speaker 1: I got a whole bunch of the motherfuckers on the 785 00:48:19,440 --> 00:48:32,120 Speaker 1: stick right there. You go. Okay, Okay, I stop, I 786 00:48:32,280 --> 00:48:40,520 Speaker 1: was stopt this. Okay, dealer, you might want to pay 787 00:48:40,520 --> 00:48:42,920 Speaker 1: attention because the next thing I about to bring up 788 00:48:42,960 --> 00:48:46,279 Speaker 1: is a motherfucking nuts you're in. Yeah, this is the 789 00:48:46,360 --> 00:48:51,760 Speaker 1: old g right here. Yeah, dear, don't be scared, denner, 790 00:48:51,800 --> 00:48:54,359 Speaker 1: It's okay. Seep it to get rode. Hey, y'all start 791 00:48:54,440 --> 00:48:56,200 Speaker 1: making some noise from my dog. You don't see them 792 00:48:56,239 --> 00:49:16,439 Speaker 1: on pe teeth. Mto came on smith like man, turn 793 00:49:16,560 --> 00:49:18,640 Speaker 1: that ship off. That ain't the song I told you 794 00:49:18,760 --> 00:49:21,160 Speaker 1: to play. Hard to come up there and snatch that 795 00:49:21,320 --> 00:49:24,279 Speaker 1: out there microphone? How y'all doing it makes you the 796 00:49:24,400 --> 00:49:26,279 Speaker 1: way y'll clapped? Like I wrote with y'all, what the 797 00:49:26,360 --> 00:49:33,120 Speaker 1: fuck now? You're only expecting another name. This is some bullshit, bro, 798 00:49:35,080 --> 00:49:37,320 Speaker 1: I think gonna my song? What made you think I 799 00:49:37,400 --> 00:49:42,279 Speaker 1: wanted that? Trust? This little bit as big as club. 800 00:49:42,400 --> 00:49:46,680 Speaker 1: Look like we're in a tall, long ass basis. Yeah, 801 00:49:46,760 --> 00:49:48,800 Speaker 1: the club. Nice till you look up and you're sitting 802 00:49:48,880 --> 00:49:52,000 Speaker 1: under a condition event. I'm gonna wake up. What you 803 00:49:52,120 --> 00:49:56,920 Speaker 1: got you? Aleg is acting up tomorrow? My eyes. I 804 00:49:57,080 --> 00:49:59,640 Speaker 1: had to take off work. How y'all doing tonight? It's 805 00:49:59,640 --> 00:50:02,160 Speaker 1: a lot of ladies in here looking delicious as fuck, 806 00:50:03,360 --> 00:50:11,279 Speaker 1: and then it's the Latest and him. I love them 807 00:50:11,360 --> 00:50:14,040 Speaker 1: humble ladies. I mean, ain't a lad but that's flow 808 00:50:14,239 --> 00:50:18,560 Speaker 1: d Okay, okay, damn, you just got cute it fun? 809 00:50:18,760 --> 00:50:28,400 Speaker 1: Look at you or what? Now? We're taking over this 810 00:50:28,560 --> 00:50:31,279 Speaker 1: something fellas. We bring it back sucking titties, finger and 811 00:50:31,360 --> 00:50:35,319 Speaker 1: all that sweating off work titties. That's what we're doing, 812 00:50:37,320 --> 00:50:39,200 Speaker 1: the Latest. Help him out when you leave this show 813 00:50:39,239 --> 00:50:41,120 Speaker 1: tonight and pull your titty out on the way home. 814 00:50:42,719 --> 00:50:46,880 Speaker 1: See how far y'all get before he noticed be at 815 00:50:46,880 --> 00:50:53,359 Speaker 1: the red like baby, let me see who we had 816 00:50:53,400 --> 00:50:58,000 Speaker 1: to night? What the married people at y'all? Man? How 817 00:50:58,120 --> 00:51:01,359 Speaker 1: the funk's eleven married people? But that ain't a odd number? 818 00:51:01,400 --> 00:51:04,440 Speaker 1: Where's the twelfth? Wholden to see what the people that 819 00:51:04,520 --> 00:51:09,200 Speaker 1: who just sucking around a little bit around entertaining a 820 00:51:09,280 --> 00:51:13,400 Speaker 1: few numbers? Well, hell, okay, what the late is that? 821 00:51:13,560 --> 00:51:18,400 Speaker 1: Who got three dick pictures in their phone? You got 822 00:51:18,480 --> 00:51:20,839 Speaker 1: two niggas text you earlier? You ain't hitting nobody back. 823 00:51:20,920 --> 00:51:25,440 Speaker 1: You don't know what time that's over. I'm looking for 824 00:51:25,560 --> 00:51:27,880 Speaker 1: a real bit. I don't want nobody all the way single. 825 00:51:27,920 --> 00:51:30,799 Speaker 1: You got too much time to funk with me. I'm 826 00:51:30,880 --> 00:51:33,080 Speaker 1: looking for a bitch who need a Sunday nigger, like 827 00:51:34,040 --> 00:51:37,920 Speaker 1: like a Wednesday afternoon between seven and nine. Tight nigger. 828 00:51:38,600 --> 00:51:41,080 Speaker 1: I'm like an old cell phone playing don't free after 829 00:51:41,239 --> 00:51:46,640 Speaker 1: nin's What the dude is that? Who think that your 830 00:51:46,680 --> 00:51:51,640 Speaker 1: boyfriends clapping? They here tonight? You dude, clapp shom love 831 00:51:55,239 --> 00:51:58,680 Speaker 1: this nigga. Wouldn't you hate to be somebody's boyfriend and 832 00:51:58,760 --> 00:52:05,879 Speaker 1: your girl give you this class? What the fuck? Then 833 00:52:05,960 --> 00:52:09,680 Speaker 1: the trap? Don't open? What I told you to? Get 834 00:52:09,680 --> 00:52:13,200 Speaker 1: me the funk out this basement? White dude, did you 835 00:52:13,360 --> 00:52:17,200 Speaker 1: right here? Just looking? Got a sister r for the something. 836 00:52:18,480 --> 00:52:20,640 Speaker 1: That's how you got fat? You can feed you all 837 00:52:20,680 --> 00:52:25,240 Speaker 1: this season food and ship. It was a good probably 838 00:52:25,280 --> 00:52:27,840 Speaker 1: went home, cuts your family out. Don't put the fucking 839 00:52:27,920 --> 00:52:32,520 Speaker 1: macaroni in the refrigerator, Tesha puts it in the oven 840 00:52:32,640 --> 00:52:40,600 Speaker 1: somehow and it comes out delicious. Went home custed, whole 841 00:52:40,680 --> 00:52:44,440 Speaker 1: family out. The chicken is not fucking done. You know 842 00:52:44,520 --> 00:52:47,719 Speaker 1: what I'm out here. I'm sick of white people. How 843 00:52:47,800 --> 00:52:50,920 Speaker 1: long you've been with her, broke? Five years? Was it good? 844 00:52:50,960 --> 00:52:53,120 Speaker 1: Ain't it? Tell the truth? Tell the tru Tell the truth, bro, 845 00:52:53,719 --> 00:52:55,960 Speaker 1: Tell the truth. It's way better tell the black buds 846 00:52:56,000 --> 00:52:59,040 Speaker 1: that got nutrients in it on it. Don it your 847 00:52:59,120 --> 00:53:02,640 Speaker 1: beard thicker? Ship, I see you, white dude, that's what 848 00:53:02,800 --> 00:53:07,759 Speaker 1: black pussy do. Look how he nodded on beat and ship. Ma'am, 849 00:53:07,880 --> 00:53:09,719 Speaker 1: we don't know you, but you have a hell of 850 00:53:09,760 --> 00:53:13,640 Speaker 1: a pussy on you. She got the white dude screaming 851 00:53:13,719 --> 00:53:23,080 Speaker 1: black lives matter. I'll see a lot of mixed couples 852 00:53:23,120 --> 00:53:25,319 Speaker 1: in here. Bro. That shouldn't scare me. I'm from Mississippi. 853 00:53:25,360 --> 00:53:27,560 Speaker 1: They catch you with a white girl that's possession with intent, 854 00:53:27,680 --> 00:53:33,279 Speaker 1: they will lock your ass up. M that's scare me. 855 00:53:33,480 --> 00:53:35,520 Speaker 1: The club keep trying to set me up, sending the 856 00:53:35,560 --> 00:53:39,000 Speaker 1: big titting wagers in there. Can I get you anything? Yes, Tamika, 857 00:53:39,200 --> 00:53:41,759 Speaker 1: that's what you can get me. That black waters with 858 00:53:41,840 --> 00:53:44,720 Speaker 1: that little bit as ponytail. That's exactly what I want. 859 00:53:45,600 --> 00:53:47,919 Speaker 1: I'm not working around with you in here, Amen, open 860 00:53:47,960 --> 00:53:52,000 Speaker 1: that dough. Help. It's a white lady in here trying 861 00:53:52,040 --> 00:53:56,040 Speaker 1: to seduce me. You already have a good time tonight. 862 00:53:56,080 --> 00:53:59,400 Speaker 1: We're about to talk that ship tonight. Bro, anybody can 863 00:53:59,480 --> 00:54:04,600 Speaker 1: get it. Old people, young people, old young people. Make 864 00:54:04,640 --> 00:54:06,799 Speaker 1: sure you tip the wait staff and ship. Because one 865 00:54:06,840 --> 00:54:08,319 Speaker 1: of them girls got her little boy in the car 866 00:54:08,440 --> 00:54:11,800 Speaker 1: playing with that pad. A couple of dollars go a 867 00:54:11,920 --> 00:54:18,160 Speaker 1: long way. Bro, I was at the show the other night. 868 00:54:18,239 --> 00:54:20,600 Speaker 1: Brother checks came out. Nigga went the funk out. He 869 00:54:20,680 --> 00:54:22,680 Speaker 1: was like, I excuse me, way to dude come out? 870 00:54:24,200 --> 00:54:26,719 Speaker 1: Who the funk ordered all this gratitude in my new 871 00:54:32,640 --> 00:54:34,440 Speaker 1: I'm like, bro, you the fun the whole show up 872 00:54:34,560 --> 00:54:40,239 Speaker 1: to say that ship? What is gratitude and n this attitude? 873 00:54:40,280 --> 00:54:44,640 Speaker 1: The negativity? What the single ladies that tonight did they 874 00:54:44,719 --> 00:54:48,200 Speaker 1: make it? Hold up? You're the same lady clap for 875 00:54:48,280 --> 00:54:52,600 Speaker 1: a boyfriend. Did you change your mind about this nigga 876 00:54:52,719 --> 00:54:58,799 Speaker 1: or something? Boy? These women ain't ship. Dun Day they're 877 00:54:58,840 --> 00:55:07,280 Speaker 1: just using us for and car washings. That's it, ladies. 878 00:55:07,320 --> 00:55:09,359 Speaker 1: You know your pussy good If a nigger come get 879 00:55:09,440 --> 00:55:11,799 Speaker 1: your car early Saturday morning and watch it and drop 880 00:55:11,880 --> 00:55:16,799 Speaker 1: it off and you don't even know he'd been there. Yeah, bro, 881 00:55:16,960 --> 00:55:20,200 Speaker 1: this weather breaking, y'all about to get some good pussy privileges. 882 00:55:20,920 --> 00:55:23,520 Speaker 1: Then you cut all all something at the grocery store. 883 00:55:23,560 --> 00:55:29,520 Speaker 1: Go ahead and get them kids snacks. Fellas, if you're 884 00:55:29,520 --> 00:55:31,680 Speaker 1: ever about to get some pussy in the broach draft dirty, 885 00:55:31,760 --> 00:55:37,640 Speaker 1: don't do it. That's for me to you. I don't 886 00:55:37,680 --> 00:55:45,880 Speaker 1: have no bullship to tell you. Y'all supposed to be 887 00:55:46,000 --> 00:55:48,279 Speaker 1: familiar with the eighty fan Sam show. Y'all know I 888 00:55:48,440 --> 00:55:52,960 Speaker 1: talked this kind of ship for real, for real, I 889 00:55:53,120 --> 00:55:55,920 Speaker 1: might move up here. I move everywhere I go, but 890 00:55:55,960 --> 00:55:59,000 Speaker 1: I really might move up y'all because y'all got women 891 00:55:59,120 --> 00:56:01,520 Speaker 1: up here who just ain't doing ship, and they need 892 00:56:01,600 --> 00:56:05,200 Speaker 1: a nigger like me to help him figure out. Broy'all 893 00:56:05,200 --> 00:56:09,640 Speaker 1: got fine women working on that familiar dollar. Bro all, 894 00:56:09,760 --> 00:56:12,279 Speaker 1: let the familiar dollar with the fat old ass make 895 00:56:12,320 --> 00:56:16,320 Speaker 1: it one seventeen a week? What the fund is she 896 00:56:16,480 --> 00:56:18,960 Speaker 1: doing with this familiar dollar? Check? Chi can funk with 897 00:56:19,040 --> 00:56:22,560 Speaker 1: a nigger like me. Brott went to the McDonald's. The 898 00:56:22,640 --> 00:56:25,160 Speaker 1: girl had the fat old ass in the draft, or like, 899 00:56:25,200 --> 00:56:27,560 Speaker 1: baby girl, just quit. I give you that one seventy 900 00:56:27,640 --> 00:56:31,399 Speaker 1: five today. You better than this ship. The ice cream 901 00:56:31,480 --> 00:56:38,400 Speaker 1: machine don't even work in this mother. I went to 902 00:56:38,520 --> 00:56:40,360 Speaker 1: a boat angles up here. I thought that was a 903 00:56:40,400 --> 00:56:43,000 Speaker 1: strip club. I'll print the bitches with them tall lands, 904 00:56:43,080 --> 00:56:47,160 Speaker 1: half staff with the glued on edges. Oh my god, 905 00:56:48,320 --> 00:56:50,920 Speaker 1: y'all got some of the finest hood rats in America 906 00:56:51,040 --> 00:56:53,560 Speaker 1: up here. I swear to God, a bit of glue, 907 00:56:53,600 --> 00:56:59,200 Speaker 1: a whole helmet on. Welpened about Jngle. What's up? Tennis? Hey? 908 00:57:00,640 --> 00:57:02,600 Speaker 1: The fund is you're doing in here with your teen 909 00:57:02,760 --> 00:57:10,560 Speaker 1: is all on the grave and mix. You're laughing because 910 00:57:10,600 --> 00:57:12,759 Speaker 1: you know this ship. True. Y'all got fan women all 911 00:57:12,880 --> 00:57:15,560 Speaker 1: over the fucking place, them sex ands, unties working at 912 00:57:15,600 --> 00:57:18,520 Speaker 1: the gas station, sucking up, don't know how to put 913 00:57:18,600 --> 00:57:23,640 Speaker 1: the games? Then go ahead just stop it. Well, no, 914 00:57:23,640 --> 00:57:25,920 Speaker 1: I'm caring like after got too many games them police 915 00:57:25,960 --> 00:57:29,840 Speaker 1: and police all over the goddamn place, and all y'all 916 00:57:29,920 --> 00:57:32,919 Speaker 1: police think they the FBI? Who is it? All these 917 00:57:33,040 --> 00:57:38,320 Speaker 1: unmarked as causing ships? Leave me to fuck along. I 918 00:57:38,360 --> 00:57:40,160 Speaker 1: don't have to tell you anything. You need to tell 919 00:57:40,240 --> 00:57:43,720 Speaker 1: me something, sir, because you didn't pull me up. Well, 920 00:57:43,800 --> 00:57:45,720 Speaker 1: pull you over because your tents too dark on the 921 00:57:45,840 --> 00:57:49,840 Speaker 1: car of me, sir. Because you're not being real specific 922 00:57:50,000 --> 00:57:54,320 Speaker 1: right now, but they hate it when you follow their commands. 923 00:57:55,320 --> 00:58:03,520 Speaker 1: You got your lights is on. Yeah, you're not reaching 924 00:58:03,520 --> 00:58:05,280 Speaker 1: for him. I ain't reaching for ship. I heard that's 925 00:58:05,280 --> 00:58:08,280 Speaker 1: how you getting sucked up about here. You reach for him? 926 00:58:08,320 --> 00:58:14,520 Speaker 1: Get it? You want to get it? How you doing 927 00:58:14,600 --> 00:58:17,520 Speaker 1: miss later? Are you ready for this ship? I don't 928 00:58:17,560 --> 00:58:19,640 Speaker 1: know if you're ready for this ship. You look like 929 00:58:19,760 --> 00:58:21,560 Speaker 1: you might not be ready for this ship. Because have 930 00:58:21,720 --> 00:58:25,120 Speaker 1: you watched dative VAP SAP show? Who the podcast for them? 931 00:58:27,280 --> 00:58:31,520 Speaker 1: Who is this podcast for? You? Ain't even watching it? 932 00:58:31,600 --> 00:58:36,720 Speaker 1: You lying? But I'm gonna help you out. This podcast 933 00:58:36,880 --> 00:58:39,120 Speaker 1: right here is for white ladies name Tanya who got 934 00:58:39,200 --> 00:58:44,520 Speaker 1: black kids? Listen to Tupac on a break at the Waffs. 935 00:58:47,440 --> 00:58:49,880 Speaker 1: Yeah yeah, this podcast is right here is for all 936 00:58:49,960 --> 00:58:52,720 Speaker 1: the dudes who gotta colors in their yard and they're 937 00:58:52,720 --> 00:58:58,400 Speaker 1: gonna fix it up this song. Allegedly we record this 938 00:58:58,560 --> 00:59:01,360 Speaker 1: podcast right here for all the latest who let Henigga 939 00:59:01,440 --> 00:59:04,160 Speaker 1: hold some money at your income tax and he actually 940 00:59:04,280 --> 00:59:09,040 Speaker 1: flipped it for you, not to failures. The success stories 941 00:59:10,640 --> 00:59:16,200 Speaker 1: right right, This podcast right here for all the faithful 942 00:59:16,240 --> 00:59:21,240 Speaker 1: black men, because everybody know black men don't cheat ship. 943 00:59:22,880 --> 00:59:25,520 Speaker 1: I ain't never seen a black man cheat on nothing, 944 00:59:26,040 --> 00:59:30,880 Speaker 1: not taxes, not basketball, especially not his girl, not his Barbara. 945 00:59:34,000 --> 00:59:36,760 Speaker 1: Nigga's faithful his hell. If a nigga smoked switzer, that's 946 00:59:36,840 --> 00:59:40,520 Speaker 1: all he's smoked. If a nigga smoked backwards, that's all 947 00:59:40,840 --> 00:59:46,280 Speaker 1: he's smoked. Come on now, this is a real nigga podcast. 948 00:59:47,480 --> 00:59:49,800 Speaker 1: If you're weed man, baby mama ever called you were 949 00:59:49,920 --> 00:59:51,880 Speaker 1: told you your weed man was locked up, and you 950 00:59:51,960 --> 00:59:55,560 Speaker 1: put some money on getting this thing out, it's your pot. 951 00:59:57,920 --> 01:00:00,240 Speaker 1: This podcast is for the women who got the little 952 01:00:00,240 --> 01:00:02,800 Speaker 1: bad on the tails. It's the cation need can go somewhere. 953 01:00:09,120 --> 01:00:12,800 Speaker 1: We'll keep buying ship so true. This podcast is for 954 01:00:12,920 --> 01:00:14,800 Speaker 1: everybody who got a lot of tattoos. But no no 955 01:00:14,920 --> 01:00:17,520 Speaker 1: matter how many tattoos you get, you still got one 956 01:00:17,600 --> 01:00:21,880 Speaker 1: that you ain't put out of. It hurt the land 957 01:00:21,960 --> 01:00:23,680 Speaker 1: fat down. When you see how I lost the few 958 01:00:23,720 --> 01:00:28,800 Speaker 1: of we ain't judging you. You're doing your thing. This 959 01:00:28,960 --> 01:00:31,520 Speaker 1: podcasts for all the women was twenty four years old 960 01:00:31,560 --> 01:00:35,360 Speaker 1: with four kids. You're taking care of all for up. 961 01:00:36,360 --> 01:00:38,200 Speaker 1: You might have foo because it was a build of 962 01:00:38,240 --> 01:00:42,120 Speaker 1: your yawn and the land of charging you. We all 963 01:00:42,200 --> 01:00:44,480 Speaker 1: got that little top cousin keep bringing them killers to 964 01:00:44,560 --> 01:00:47,360 Speaker 1: the family functions. Look think us who looked like she 965 01:00:47,600 --> 01:00:50,800 Speaker 1: keeps sitting there and do this all day, act like 966 01:00:50,880 --> 01:00:52,439 Speaker 1: you don't want them to eat, but then they're gonna 967 01:00:52,480 --> 01:00:56,600 Speaker 1: ate up everything. Yeah, that's this kind of podcast, this 968 01:00:56,720 --> 01:01:01,560 Speaker 1: white Lady. Are you familiar yet? Yeah? This podcast while 969 01:01:01,600 --> 01:01:05,520 Speaker 1: was a little just like the fake nails off. Then 970 01:01:05,640 --> 01:01:07,160 Speaker 1: try to look at your hand and like what do 971 01:01:10,280 --> 01:01:15,800 Speaker 1: And I talked to my ship for him. You know, 972 01:01:15,840 --> 01:01:18,280 Speaker 1: I was trying out to all the laders who got 973 01:01:18,360 --> 01:01:20,160 Speaker 1: the smooth plus in the front of you missed that 974 01:01:20,240 --> 01:01:35,880 Speaker 1: looks spin by the ass that ants got a ponytail. Nigga, 975 01:01:35,960 --> 01:01:37,880 Speaker 1: don't care. I'm still gonna hit that ship. I don't 976 01:01:37,880 --> 01:01:42,720 Speaker 1: get a fine fellas you ever noticed one? What that 977 01:01:42,840 --> 01:01:46,440 Speaker 1: fan end is? The body always be cold? That's just 978 01:01:46,560 --> 01:01:54,080 Speaker 1: something to think about. Yeah, what's love? Top of ladis 979 01:01:54,200 --> 01:01:59,280 Speaker 1: was still like dankling. Yeah, they're like they're dangling lane. 980 01:02:00,640 --> 01:02:02,760 Speaker 1: I think they like thinking little more than dick brother. 981 01:02:03,080 --> 01:02:05,200 Speaker 1: Never you remember when he was growing up what they 982 01:02:05,320 --> 01:02:08,640 Speaker 1: used to have to see that danker lane. Bro, They 983 01:02:08,640 --> 01:02:11,320 Speaker 1: ain't never asked to see that dick till you got grown. Brother, 984 01:02:11,440 --> 01:02:17,479 Speaker 1: We bring a dinger lean back this longer later. Yeah, 985 01:02:17,800 --> 01:02:20,720 Speaker 1: thank you. That's what I called. My ship is sound 986 01:02:20,800 --> 01:02:24,840 Speaker 1: long done. It's a three piece think lane. Something can 987 01:02:24,960 --> 01:02:26,720 Speaker 1: just be giving it a danker. I'll be giving a 988 01:02:26,840 --> 01:02:30,680 Speaker 1: thinker lean the whole lean put that lane. You're no bro, 989 01:02:30,920 --> 01:02:33,840 Speaker 1: she wan't that lean. Trust me. Trust me. I'm older 990 01:02:33,840 --> 01:02:39,360 Speaker 1: than y'all. I've been out here. Yeah, and tell my 991 01:02:39,440 --> 01:02:41,240 Speaker 1: real thing is stopped. He puts it with your hands 992 01:02:41,280 --> 01:02:44,640 Speaker 1: in the l a down, lay all the way down. 993 01:02:44,800 --> 01:02:49,120 Speaker 1: You are not You too freaking my nigga. You too 994 01:02:49,280 --> 01:02:52,960 Speaker 1: freaking What if somebody break in, hes gonna shoot you? 995 01:02:54,920 --> 01:02:59,120 Speaker 1: You too freaking in the house, bro, lay down, get 996 01:02:59,160 --> 01:03:03,280 Speaker 1: on to some cover. Bro lateists call him out. You 997 01:03:03,360 --> 01:03:05,360 Speaker 1: catch a nigga your pussy with his hands in there, 998 01:03:05,400 --> 01:03:09,360 Speaker 1: but like sir, your booted call it a booting, so 999 01:03:09,520 --> 01:03:13,760 Speaker 1: he'll get it barrashed. Your bootists. I'm gonna close my leg. 1000 01:03:13,800 --> 01:03:25,479 Speaker 1: You better put your boating down. So freaking down here. Yeah, 1001 01:03:25,720 --> 01:03:27,800 Speaker 1: watch love to all the ladists who watch you with 1002 01:03:27,960 --> 01:03:33,400 Speaker 1: your pussy. Thank you for the despirascal motivation, your quality. 1003 01:03:34,760 --> 01:03:38,320 Speaker 1: You just speaker, come unplug. Yeah, nigga, w a hat 1004 01:03:38,320 --> 01:03:42,640 Speaker 1: off facts con fix you. It's my ant chow ran das. 1005 01:03:42,680 --> 01:03:46,760 Speaker 1: They're gonna do everything. Shout out to the comedy zone. 1006 01:03:48,040 --> 01:03:49,919 Speaker 1: Let me come to here, you know, and fix you'all. 1007 01:03:49,960 --> 01:03:59,880 Speaker 1: Ship black Portus never done. You got it. Bro sixty, 1008 01:04:00,040 --> 01:04:13,760 Speaker 1: you one of these niggas to try you all hay 1009 01:04:13,840 --> 01:04:16,280 Speaker 1: to stop joining doing jokes about them people. Brother, they're 1010 01:04:16,280 --> 01:04:19,080 Speaker 1: trying to jump me. I left the show. We were 1011 01:04:19,160 --> 01:04:21,480 Speaker 1: three or man on my car like cats. They're just 1012 01:04:21,600 --> 01:04:24,760 Speaker 1: on the hood. They were man sail. Now, I'll say 1013 01:04:24,800 --> 01:04:28,479 Speaker 1: what you're saying. Now, I'll say yo joke that you saying. 1014 01:04:28,600 --> 01:04:31,640 Speaker 1: Say what the fund you saying? This is the only 1015 01:04:31,720 --> 01:04:33,680 Speaker 1: part that scared me, this little hand. Say what the 1016 01:04:33,760 --> 01:04:39,720 Speaker 1: fund you said? Because he was underhanded? Real nigga, No, 1017 01:04:39,840 --> 01:04:45,320 Speaker 1: you ain't strong underhanded them nigger strong underhanded. They drave underhanded. 1018 01:04:45,360 --> 01:04:50,840 Speaker 1: The ship be turning. Try that ship you break your wrists? 1019 01:04:50,840 --> 01:05:02,520 Speaker 1: Oh ja yeah, okay, I believe we've haben in here tonight. 1020 01:05:03,040 --> 01:05:05,440 Speaker 1: Much loved everybody who got some weed on right now. 1021 01:05:07,120 --> 01:05:08,880 Speaker 1: I know it's in there. I smell it every time 1022 01:05:08,920 --> 01:05:11,840 Speaker 1: I think I took a thig world, I smell my 1023 01:05:11,960 --> 01:05:15,440 Speaker 1: people und him. Before I get out of here, I 1024 01:05:15,480 --> 01:05:18,200 Speaker 1: gotta get one more shut out bro, one more because 1025 01:05:18,240 --> 01:05:21,400 Speaker 1: these lady really special. Means all the women who had 1026 01:05:21,520 --> 01:05:27,520 Speaker 1: afforded off in their bron just in case anything might 1027 01:05:27,600 --> 01:05:32,040 Speaker 1: he and look eat burgessing anybody. You don't know how 1028 01:05:32,120 --> 01:05:36,960 Speaker 1: many time didn't I saved the nigga. Yes, it's all 1029 01:05:37,040 --> 01:05:39,600 Speaker 1: the ladies and letting nigga live in your liger. You'll 1030 01:05:39,640 --> 01:05:46,520 Speaker 1: funk with him? What we appreciate that. No, maybe gonna 1031 01:05:46,560 --> 01:05:48,520 Speaker 1: broke up, but the make the move to the living room. 1032 01:05:50,080 --> 01:05:52,120 Speaker 1: She thinks she can't company to take a deer walk 1033 01:05:52,120 --> 01:06:00,560 Speaker 1: off man. Push you in my house. Ladies, if you're 1034 01:06:00,560 --> 01:06:02,320 Speaker 1: sing with a nigg and your kids don't like them, 1035 01:06:02,400 --> 01:06:07,240 Speaker 1: leave that bro. He's gonna laden you. My mom don't 1036 01:06:07,280 --> 01:06:11,520 Speaker 1: like the other man who blaby that man with the 1037 01:06:11,680 --> 01:06:20,200 Speaker 1: names on his head hold story. Okay, Well, my name 1038 01:06:20,320 --> 01:06:29,000 Speaker 1: is Carlos Miller, the Magnificent d it's my homeboy, j Win. 1039 01:06:29,120 --> 01:06:33,040 Speaker 1: I keep trying to walk off my court long. I 1040 01:06:33,080 --> 01:06:36,479 Speaker 1: ain't used to do that at the long Court say 1041 01:06:37,000 --> 01:06:47,680 Speaker 1: right here, we wouldn't have the church. We just play 1042 01:06:47,760 --> 01:06:52,840 Speaker 1: that ship, replace something for the last music and be 1043 01:06:52,880 --> 01:06:56,919 Speaker 1: playing with the Nilo with a nobody around. I see 1044 01:06:56,960 --> 01:07:04,760 Speaker 1: you both, y'all together. Ye'll do it together. Look healthy. 1045 01:07:11,480 --> 01:07:19,400 Speaker 1: I want my own boy dud. Dude's hot. Hear me this, dude, 1046 01:07:19,400 --> 01:07:21,560 Speaker 1: this is the truth. Will taste something I knew when 1047 01:07:21,600 --> 01:07:24,200 Speaker 1: you go from the comedy and R and B. Yeah, man, 1048 01:07:24,240 --> 01:07:28,360 Speaker 1: you're doing something dog he played t I'm telling you that. 1049 01:07:28,520 --> 01:07:30,400 Speaker 1: I said, Man, you know I'm just sitting up there 1050 01:07:30,520 --> 01:07:33,080 Speaker 1: one time up for fantic few talking DC man. I 1051 01:07:33,200 --> 01:07:35,680 Speaker 1: never knew he had all that in them though, but 1052 01:07:35,880 --> 01:07:38,480 Speaker 1: the fact that he sang it in him music videos 1053 01:07:38,560 --> 01:07:41,680 Speaker 1: with shirts open, it is beyond me. It's that's a 1054 01:07:41,800 --> 01:07:44,520 Speaker 1: level I have I will never reach. I was jealous, 1055 01:07:45,080 --> 01:07:47,280 Speaker 1: you know what I'm saying. All his videos his shirt off, 1056 01:07:47,320 --> 01:07:51,160 Speaker 1: ain't got no chest, not now muscle and women going crazy. 1057 01:07:51,280 --> 01:07:53,760 Speaker 1: This is what you want to inspire to be, you 1058 01:07:53,840 --> 01:08:08,080 Speaker 1: know what I'm saying? Like you know, yeah, I don't 1059 01:08:08,240 --> 01:08:15,080 Speaker 1: see right here. I'll give you might go Rick Buker 1060 01:08:15,360 --> 01:08:25,519 Speaker 1: over you together, feeling like we just dove the whole 1061 01:08:25,640 --> 01:08:28,320 Speaker 1: drive out. We was just driving that it was transporting dope. 1062 01:08:28,680 --> 01:08:31,320 Speaker 1: That ship was crazy. But I'm excited, man, you know 1063 01:08:31,360 --> 01:08:33,479 Speaker 1: what I mean. Great going ahead and do what we do, 1064 01:08:34,080 --> 01:08:36,920 Speaker 1: motor long the show, you know what I mean. But again, 1065 01:08:36,960 --> 01:08:39,360 Speaker 1: I gotta respect that drive. We just we just made 1066 01:08:39,400 --> 01:08:42,479 Speaker 1: the hell of a drive off the off the straight 1067 01:08:42,600 --> 01:08:45,800 Speaker 1: up in the morning. Standing in the crazy straight three 1068 01:08:45,920 --> 01:08:48,519 Speaker 1: hour drive at an hour and for an hour and 1069 01:08:48,640 --> 01:09:01,280 Speaker 1: forty five minutes on the tour, d efinent guys looked 1070 01:09:01,280 --> 01:09:05,280 Speaker 1: like they were down. You always kiss me, Dad, what 1071 01:09:05,520 --> 01:09:07,800 Speaker 1: you you should have been the pot way you kids groom. 1072 01:09:14,160 --> 01:09:17,080 Speaker 1: That's the native filming. Rodney King was just like that, 1073 01:09:17,600 --> 01:09:20,639 Speaker 1: running right, Rodney King be lousing it, just like Joe 1074 01:09:20,840 --> 01:09:22,240 Speaker 1: all let the hill the cup and hanging out the 1075 01:09:24,600 --> 01:09:30,360 Speaker 1: I'm gonna get every shot. They're fucking killing hum Gary 1076 01:09:30,560 --> 01:09:44,840 Speaker 1: shot stereo rode, Hey many many sad Win missing one 1077 01:09:46,400 --> 01:09:56,759 Speaker 1: come so she will be talking to me? Ain't picture 1078 01:09:57,000 --> 01:10:17,920 Speaker 1: after picture? Yo? Is there? Hey? Hey? Good morning and 1079 01:10:18,040 --> 01:10:25,360 Speaker 1: ship and stuff. Man came in he uh you know, 1080 01:10:26,520 --> 01:10:32,960 Speaker 1: say hello to the world like hello, motherfucker's yo. Yo, Mama, 1081 01:10:34,080 --> 01:10:39,599 Speaker 1: you're sorter, still work at hospital? Your brother still okay? Girls? 1082 01:10:39,680 --> 01:10:47,000 Speaker 1: Stuff for real? The baby is that type of ship. 1083 01:10:49,200 --> 01:10:50,560 Speaker 1: Come in like you're about to tell us when you 1084 01:10:50,640 --> 01:11:00,200 Speaker 1: make the team times. You gotta tell me about time. 1085 01:11:00,320 --> 01:11:04,000 Speaker 1: Go ahead out in a minute to make sure you straight. Joe, 1086 01:11:04,080 --> 01:11:06,560 Speaker 1: what are you doing so I can't talk to you 1087 01:11:06,640 --> 01:11:08,760 Speaker 1: just without have to? I don't even know this. This 1088 01:11:08,880 --> 01:11:19,840 Speaker 1: moment is too important. Oh, this is sad, this is uh. 1089 01:11:20,080 --> 01:11:36,720 Speaker 1: She produces the show y'ab and my home momor call 1090 01:11:36,760 --> 01:11:57,040 Speaker 1: out smarty smat. Somebody gotta say y's clean, Uncle Luke videos. 1091 01:11:58,600 --> 01:12:01,320 Speaker 1: He's excited and we can ship right here. What's the 1092 01:12:01,400 --> 01:12:03,519 Speaker 1: word fire? Time? What's the word fire? I don't know? 1093 01:12:03,800 --> 01:12:14,439 Speaker 1: Stay here, okay, okay, Oh, I don't right. I don't 1094 01:12:15,320 --> 01:12:24,240 Speaker 1: like spot the game. And I'm like when you don't know, 1095 01:12:24,320 --> 01:12:27,519 Speaker 1: you like you know you want look man, but you're 1096 01:12:27,560 --> 01:12:34,479 Speaker 1: wanna little young meat man. We needn't put that collection 1097 01:12:34,520 --> 01:12:39,160 Speaker 1: on meat like that young meat an wait and wait 1098 01:12:39,320 --> 01:12:46,080 Speaker 1: to see you got it teddat the gonna meat? You know? Yeah? 1099 01:12:46,080 --> 01:12:59,439 Speaker 1: I just strapping every day. You don't eat, then we fight. Fight. 1100 01:12:59,520 --> 01:13:03,639 Speaker 1: They just say, y'all boys, now cut down, stop it. Hey, 1101 01:13:03,800 --> 01:13:08,599 Speaker 1: cl he told you, he told you y'all got hurt. 1102 01:13:10,320 --> 01:13:13,879 Speaker 1: You ain't right. I can't tell you, man, you imagine 1103 01:13:13,920 --> 01:13:16,040 Speaker 1: that men caller will talking about that dog man you 1104 01:13:16,479 --> 01:13:19,000 Speaker 1: you go home and see your mama nigg into Kashi 1105 01:13:19,120 --> 01:13:25,200 Speaker 1: six nine on your motherfuck couch and then your mom 1106 01:13:25,240 --> 01:13:29,559 Speaker 1: on his chest. Hey baby, man, man you're gonna give money? 1107 01:13:29,640 --> 01:13:34,719 Speaker 1: Comes flight over into the man anything right now? Shoo. 1108 01:13:37,200 --> 01:13:39,160 Speaker 1: I don't want hit. Then I don't want to, but 1109 01:13:39,360 --> 01:13:44,439 Speaker 1: you know what coming out, No I do. So even 1110 01:13:44,479 --> 01:13:46,240 Speaker 1: if you ain't, guys, were eve gonna say hold on 1111 01:13:46,320 --> 01:13:47,559 Speaker 1: for to make a call or something